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class="firstHeading mw-first-heading">Andrei Tarkovsky</h1> <div class="tagline"></div> </div> <ul id="p-associated-pages" class="minerva__tab-container"> <li class="minerva__tab selected mw-list-item"> <a class="minerva__tab-text" href="/wiki/Andrei_Tarkovsky" rel="" data-event-name="tabs.main">Article</a> </li> <li class="minerva__tab mw-list-item"> <a class="minerva__tab-text" href="/wiki/Talk:Andrei_Tarkovsky" rel="discussion" data-event-name="tabs.talk">Talk</a> </li> </ul> <nav class="page-actions-menu"> <ul id="p-views" class="page-actions-menu__list"> <li id="language-selector" class="page-actions-menu__list-item"> <a role="button" href="#p-lang" data-mw="interface" data-event-name="menu.languages" title="Language" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet language-selector"> Language </a> </li> <li id="page-actions-watch" class="page-actions-menu__list-item"> <a role="button" 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open-block";block.previousSibling.className+=" open-block";}</script><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><section class="mf-section-0" id="mf-section-0"> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">"Tarkovsky" redirects here. For the surname, as well as other people with this name, see <a href="/wiki/Tarkovsky_(surname)" title="Tarkovsky (surname)">Tarkovsky (surname)</a>.</div> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style>Andrei Arsenyevich Tarkovsky (<a href="/wiki/Russian_language" title="Russian language">Russian</a>: Андрей Арсеньевич Тарковский, <style data-mw-deduplicate="TemplateStyles:r1177148991">.mw-parser-output .IPA-label-small{font-size:85%}.mw-parser-output .references .IPA-label-small,.mw-parser-output .infobox .IPA-label-small,.mw-parser-output .navbox .IPA-label-small{font-size:100%}</style>pronounced <a href="/wiki/Help:IPA/Russian" title="Help:IPA/Russian">[ɐnˈdrʲej ɐrˈsʲenʲjɪvʲɪtɕ tɐrˈkofskʲɪj]</a> <span data-nosnippet="" id="ooui-php-1" class="noexcerpt ext-phonos-PhonosButton ext-phonos-PhonosButton-emptylabel oo-ui-widget oo-ui-widget-enabled oo-ui-buttonElement oo-ui-buttonElement-frameless oo-ui-iconElement oo-ui-buttonWidget" data-ooui='{"_":"mw.Phonos.PhonosButton","href":"\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/2\/2e\/Pronunciation_ru_%D0%B0%D0%BD%D0%B4%D1%80%D0%B5%D0%B9_%D1%82%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9.ogg\/Pronunciation_ru_%D0%B0%D0%BD%D0%B4%D1%80%D0%B5%D0%B9_%D1%82%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9.ogg.mp3","rel":["nofollow"],"framed":false,"icon":"volumeUp","data":{"ipa":"","text":"","lang":"en","wikibase":"","file":"Pronunciation ru \u0430\u043d\u0434\u0440\u0435\u0439 \u0442\u0430\u0440\u043a\u043e\u0432\u0441\u043a\u0438\u0439.ogg"},"classes":["noexcerpt","ext-phonos-PhonosButton","ext-phonos-PhonosButton-emptylabel"]}'><a role="button" tabindex="0" href="//upload.wikimedia.org/wikipedia/commons/transcoded/2/2e/Pronunciation_ru_%D0%B0%D0%BD%D0%B4%D1%80%D0%B5%D0%B9_%D1%82%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9.ogg/Pronunciation_ru_%D0%B0%D0%BD%D0%B4%D1%80%D0%B5%D0%B9_%D1%82%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9.ogg.mp3" rel="nofollow" aria-label="Play audio" title="Play audio" class="oo-ui-buttonElement-button"></a><a href="/wiki/File:Pronunciation_ru_%D0%B0%D0%BD%D0%B4%D1%80%D0%B5%D0%B9_%D1%82%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9.ogg" title="File:Pronunciation ru андрей тарковский.ogg">ⓘ</a>;<a href="#cite_note-1">[1]</a> 4 April 1932<a href="#cite_note-2">[2]</a> – 29 December 1986) was a Soviet<a href="#cite_note-3">[a]</a> film director and screenwriter of Russian origin.<a href="#cite_note-4">[3]</a> He is widely considered one of the greatest directors in cinema history. His films explore spiritual and <a href="/wiki/Metaphysics" title="Metaphysics">metaphysical</a> themes and are known for their <a href="/wiki/Slow_cinema" title="Slow cinema">slow pacing and long takes</a>, dreamlike visual imagery and preoccupation with nature and memory.<a href="#cite_note-Sight-5">[4]</a><a href="#cite_note-6">[5]</a> <table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Andrei Tarkovsky</div></th></tr><tr><td colspan="2" class="infobox-subheader" style="font-size:125%;"><div class="nickname" lang="ru"><style data-mw-deduplicate="TemplateStyles:r886047488">.mw-parser-output .nobold{font-weight:normal}</style>Андрей Тарковский</div></td></tr><tr><td colspan="2" class="infobox-image"><a href="/wiki/File:Andrei_tarkovsky_stamp_russia_2007.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e3/Andrei_tarkovsky_stamp_russia_2007.jpg/220px-Andrei_tarkovsky_stamp_russia_2007.jpg" decoding="async" width="220" height="310" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e3/Andrei_tarkovsky_stamp_russia_2007.jpg/330px-Andrei_tarkovsky_stamp_russia_2007.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e3/Andrei_tarkovsky_stamp_russia_2007.jpg/440px-Andrei_tarkovsky_stamp_russia_2007.jpg 2x" data-file-width="467" data-file-height="657"></a><div class="infobox-caption">Tarkovsky on a Russian stamp</div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><div style="display:inline" class="nickname">Andrei Arsenyevich Tarkovsky</div> (1932-04-04)4 April 1932 <div style="display:inline" class="birthplace"><a href="/wiki/Zavrazhye,_Kadyysky_District,_Kostroma_Oblast" title="Zavrazhye, Kadyysky District, Kostroma Oblast">Zavrazhye</a>, <a href="/wiki/Ivanovo_Oblast" title="Ivanovo Oblast">Ivanovo Oblast</a>, <a href="/wiki/Russian_SFSR" class="mw-redirect" title="Russian SFSR">Russian SFSR</a>, Soviet Union</div></td></tr><tr><th scope="row" class="infobox-label">Died</th><td class="infobox-data">29 December 1986(1986-12-29) (aged 54) <div style="display:inline" class="deathplace">Paris, France</div></td></tr><tr><th scope="row" class="infobox-label">Resting place</th><td class="infobox-data label"><a href="/wiki/Sainte-Genevi%C3%A8ve-des-Bois_Russian_Cemetery" title="Sainte-Geneviève-des-Bois Russian Cemetery">Sainte-Geneviève-des-Bois Russian Cemetery</a>, Paris, France</td></tr><tr><th scope="row" class="infobox-label">Alma mater</th><td class="infobox-data"><a href="/wiki/All-Union_State_Institute_of_Cinematography" class="mw-redirect" title="All-Union State Institute of Cinematography">All-Union State Institute of Cinematography</a></td></tr><tr><th scope="row" class="infobox-label">Occupations</th><td class="infobox-data role"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist dd:last-child::after,.mw-parser-output .hlist dt:last-child::after,.mw-parser-output .hlist li:last-child::after{content:none}.mw-parser-output .hlist dd dd:first-child::before,.mw-parser-output .hlist dd dt:first-child::before,.mw-parser-output .hlist dd li:first-child::before,.mw-parser-output .hlist dt dd:first-child::before,.mw-parser-output .hlist dt dt:first-child::before,.mw-parser-output .hlist dt li:first-child::before,.mw-parser-output .hlist li dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><div class="hlist"><ul><li>Film director</li><li>screenwriter</li><li>film theorist</li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Years active</th><td class="infobox-data">1958–1986</td></tr><tr><th scope="row" class="infobox-label">Spouses</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist"> <ul><li><style data-mw-deduplicate="TemplateStyles:r1151524712">.mw-parser-output .marriage-line-margin2px{line-height:0;margin-bottom:-2px}.mw-parser-output .marriage-line-margin3px{line-height:0;margin-bottom:-3px}.mw-parser-output .marriage-display-ws{display:inline;white-space:nowrap}</style></li></ul> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;"><a href="/wiki/Irma_Raush" title="Irma Raush">Irma Raush</a></div> <div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> 1957; <abbr title="divorced">div.</abbr> 1970)</div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1151524712"></li></ul> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;"><a href="/wiki/Larisa_Tarkovskaya" title="Larisa Tarkovskaya">Larisa Kizilova</a></div> <div style="display:inline-block;"></div>(<abbr title="married">m.</abbr> 1970)</div> </div></td></tr><tr><th scope="row" class="infobox-label">Father</th><td class="infobox-data"><a href="/wiki/Arseny_Tarkovsky" title="Arseny Tarkovsky">Arseny Tarkovsky</a></td></tr><tr><th scope="row" class="infobox-label">Awards</th><td class="infobox-data"><a href="/wiki/List_of_awards_won_by_Andrei_Tarkovsky" title="List of awards won by Andrei Tarkovsky">List</a></td></tr></tbody></table> Tarkovsky studied film at the <a href="/wiki/All-Union_State_Institute_of_Cinematography" class="mw-redirect" title="All-Union State Institute of Cinematography">All-Union State Institute of Cinematography</a> under filmmaker <a href="/wiki/Mikhail_Romm" title="Mikhail Romm">Mikhail Romm</a> and subsequently directed his first five features in the Soviet Union: <a href="/wiki/Ivan%27s_Childhood" title="Ivan's Childhood">Ivan's Childhood</a> (1962), <a href="/wiki/Andrei_Rublev_(film)" title="Andrei Rublev (film)">Andrei Rublev</a> (1966), <a href="/wiki/Solaris_(1972_film)" title="Solaris (1972 film)">Solaris</a> (1972), <a href="/wiki/Mirror_(1975_film)" title="Mirror (1975 film)">Mirror</a> (1975), and <a href="/wiki/Stalker_(1979_film)" title="Stalker (1979 film)">Stalker</a> (1979). After years of creative conflict with <a href="/wiki/State_Committee_for_Cinematography" title="State Committee for Cinematography">state film authorities</a>, he left the country in 1979 and made his final two films—<a href="/wiki/Nostalghia" title="Nostalghia">Nostalghia</a> (1983) and <a href="/wiki/The_Sacrifice_(1986_film)" title="The Sacrifice (1986 film)">The Sacrifice</a> (1986)—abroad. In 1986, he published <a href="/wiki/Sculpting_in_Time" title="Sculpting in Time">Sculpting in Time</a>, a book about cinema and art. He died later that year of cancer, a condition possibly caused by the toxic locations used in the filming of Stalker.<a href="#cite_note-SharunQuote-7">[6]</a> Tarkovsky was the recipient of <a href="/wiki/List_of_awards_won_by_Andrei_Tarkovsky" title="List of awards won by Andrei Tarkovsky">numerous accolades</a> throughout his career, including the <a href="/wiki/International_Federation_of_Film_Critics" title="International Federation of Film Critics">FIPRESCI prize</a>, the <a href="/wiki/Prize_of_the_Ecumenical_Jury" title="Prize of the Ecumenical Jury">Prize of the Ecumenical Jury</a> and the <a href="/wiki/Grand_Prix_(Cannes_Film_Festival)" title="Grand Prix (Cannes Film Festival)">Grand Prix Spécial du Jury</a> at the <a href="/wiki/Cannes_Film_Festival" title="Cannes Film Festival">Cannes Film Festival</a> in addition to the <a href="/wiki/Golden_Lion" title="Golden Lion">Golden Lion</a> at the <a href="/wiki/Venice_Film_Festival" title="Venice Film Festival">Venice Film Festival</a> for his debut film, Ivan's Childhood as well as the <a href="/wiki/BAFTA_Award_for_Best_Film_Not_in_the_English_Language" title="BAFTA Award for Best Film Not in the English Language">BAFTA Film Award</a> for The Sacrifice. In 1990, he was posthumously awarded the Soviet Union's prestigious <a href="/wiki/Lenin_Prize" title="Lenin Prize">Lenin Prize</a>. Three of his films—Andrei Rublev, Mirror, and Stalker—featured in <a href="/wiki/Sight_%26_Sound" class="mw-redirect" title="Sight & Sound">Sight & Sound</a>'s <a href="/wiki/The_Sight_%26_Sound_Greatest_Films_of_All_Time_2012#Critics'_poll" title="The Sight & Sound Greatest Films of All Time 2012">2012 poll of the 100 greatest films of all time</a>.<a href="#cite_note-Bfi1-8">[7]</a> <div id="toc" class="toc" role="navigation" aria-labelledby="mw-toc-heading"><input type="checkbox" role="button" id="toctogglecheckbox" class="toctogglecheckbox" style="display:none"><div class="toctitle" lang="en" dir="ltr"><h2 id="mw-toc-heading">Contents</h2><label class="toctogglelabel" for="toctogglecheckbox"></label></div> <ul> <li class="toclevel-1 tocsection-1"><a href="#Life_and_career">1 Life and career</a> <ul> <li class="toclevel-2 tocsection-2"><a href="#Childhood_and_early_life">1.1 Childhood and early life</a></li> <li class="toclevel-2 tocsection-3"><a href="#Film_school_student">1.2 Film school student</a></li> <li class="toclevel-2 tocsection-4"><a href="#Film_career_in_the_Soviet_Union">1.3 Film career in the Soviet Union</a></li> <li class="toclevel-2 tocsection-5"><a href="#Film_career_outside_the_Soviet_Union">1.4 Film career outside the Soviet Union</a></li> <li class="toclevel-2 tocsection-6"><a href="#Death">1.5 Death</a></li> </ul> </li> <li class="toclevel-1 tocsection-7"><a href="#Influences_and_thoughts_on_film">2 Influences and thoughts on film</a></li> <li class="toclevel-1 tocsection-8"><a href="#Cinematic_style">3 Cinematic style</a> <ul> <li class="toclevel-2 tocsection-9"><a href="#Vadim_Yusov">3.1 Vadim Yusov</a></li> <li class="toclevel-2 tocsection-10"><a href="#Sven_Nykvist">3.2 Sven Nykvist</a></li> </ul> </li> <li class="toclevel-1 tocsection-11"><a href="#Filmography">4 Filmography</a></li> <li class="toclevel-1 tocsection-12"><a href="#Publications">5 Publications</a></li> <li class="toclevel-1 tocsection-13"><a href="#Unproduced_screenplays">6 Unproduced screenplays</a> <ul> <li class="toclevel-2 tocsection-14"><a href="#Concentrate">6.1 Concentrate</a></li> <li class="toclevel-2 tocsection-15"><a href="#Hoffmanniana">6.2 Hoffmanniana</a></li> </ul> </li> <li class="toclevel-1 tocsection-16"><a href="#Films_about_Tarkovsky">7 Films about Tarkovsky</a></li> <li class="toclevel-1 tocsection-17"><a href="#Awards_and_commemoration">8 Awards and commemoration</a></li> <li class="toclevel-1 tocsection-18"><a href="#Reception_and_legacy">9 Reception and legacy</a> <ul> <li class="toclevel-2 tocsection-19"><a href="#Film_festival">9.1 Film festival</a></li> </ul> </li> <li class="toclevel-1 tocsection-20"><a href="#See_also">10 See also</a></li> <li class="toclevel-1 tocsection-21"><a href="#References">11 References</a></li> <li class="toclevel-1 tocsection-22"><a href="#Further_reading">12 Further reading</a></li> <li class="toclevel-1 tocsection-23"><a href="#External_links">13 External links</a></li> </ul> </div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(1)"><h2 id="Life_and_career">Life and career</h2> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=1" title="Edit section: Life and career" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-1 collapsible-block" id="mf-section-1"> <div class="mw-heading mw-heading3"><h3 id="Childhood_and_early_life">Childhood and early life</h3> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=2" title="Edit section: Childhood and early life" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div> Andrei Tarkovsky was born in the village of <a href="/wiki/Zavrazhye,_Kadyysky_District,_Kostroma_Oblast" title="Zavrazhye, Kadyysky District, Kostroma Oblast">Zavrazhye</a> in the <a href="/wiki/Yuryevetsky_District" title="Yuryevetsky District">Yuryevetsky District</a> of the <a href="/wiki/Ivanovo_Oblast" title="Ivanovo Oblast">Ivanovo Industrial Oblast</a> (modern-day <a href="/wiki/Kadyysky_District" title="Kadyysky District">Kadyysky District</a> of the <a href="/wiki/Kostroma_Oblast" title="Kostroma Oblast">Kostroma Oblast</a>, Russia) to the poet and translator <a href="/wiki/Arseny_Tarkovsky" title="Arseny Tarkovsky">Arseny Aleksandrovich Tarkovsky</a>, a native of Yelysavethrad (now <a href="/wiki/Kropyvnytskyi" title="Kropyvnytskyi">Kropyvnytskyi</a>, Ukraine), and Maria Ivanova Vishnyakova, a graduate of the <a href="/wiki/Maxim_Gorky_Literature_Institute" title="Maxim Gorky Literature Institute">Maxim Gorky Literature Institute</a> who later worked as a proofreader; she was born in Moscow in the Dubasov family estate. Andrei's paternal grandfather Aleksandr Karlovich Tarkovsky (in Polish: Aleksander Karol Tarkowski) was a Polish nobleman who worked as a bank clerk. His wife Maria Danilovna Rachkovskaya was a Romanian language teacher who arrived from <a href="/wiki/Ia%C8%99i" title="Iași">Iași</a>.<a href="#cite_note-gordon-9">[8]</a> Andrei's maternal grandmother Vera Nikolayevna Vishnyakova (née Dubasova) belonged to an old Dubasov family of <a href="/wiki/Russian_nobility" title="Russian nobility">Russian nobility</a> that traces its history back to the 17th century; among her relatives was Admiral <a href="/wiki/Fyodor_Dubasov" title="Fyodor Dubasov">Fyodor Dubasov</a>, a fact she had to conceal during the Soviet days. She was married to Ivan Ivanovich Vishnyakov, a native of the <a href="/wiki/Kaluga_Governorate" title="Kaluga Governorate">Kaluga Governorate</a> who studied law at the <a href="/wiki/Moscow_State_University" title="Moscow State University">Moscow State University</a> and served as a judge in <a href="/wiki/Kozelsk" title="Kozelsk">Kozelsk</a>.<a href="#cite_note-10">[9]</a><a href="#cite_note-11">[10]</a> According to the family legend, Tarkovsky's ancestors on his father's side were princes from the <a href="/wiki/Shamkhalate_of_Tarki" title="Shamkhalate of Tarki">Shamkhalate of Tarki</a>, Dagestan, although his sister, <a href="/wiki/Marina_Tarkovskaya" title="Marina Tarkovskaya">Marina Tarkovskaya</a>, who conducted detailed research on their genealogy, called it "a myth, even a prank of sorts," stressing that no document confirms this narrative.<a href="#cite_note-gordon-9">[8]</a> Tarkovsky spent his childhood in <a href="/wiki/Yuryevets,_Ivanovo_Oblast" title="Yuryevets, Ivanovo Oblast">Yuryevets</a>.<a href="#cite_note-12">[11]</a> He was described by childhood friends as active and popular, having many friends and being typically in the center of action.<a href="#cite_note-13">[12]</a> His father left the family in 1937, subsequently volunteering for the army in 1941. He returned home in 1943, having been awarded a <a href="/wiki/Order_of_the_Red_Star" title="Order of the Red Star">Red Star</a> after being shot in one of his legs (which he would eventually need to have amputated due to gangrene).<a href="#cite_note-14">[13]</a> Tarkovsky stayed with his mother, moving with her and his sister Marina to Moscow, where she worked as a proofreader at a printing press. In 1939, Tarkovsky enrolled at the Moscow School No. 554. During the war, the three evacuated to Yuryevets, living with his maternal grandmother. In 1943, the family returned to Moscow. Tarkovsky continued his studies at his old school, where the poet <a href="/wiki/Andrei_Voznesensky" title="Andrei Voznesensky">Andrei Voznesensky</a> was one of his classmates. He studied piano at a music school and attended classes at an art school. The family lived on Shchipok Street in the <a href="/wiki/Zamoskvorechye_District" title="Zamoskvorechye District">Zamoskvorechye District</a> in Moscow. From November 1947 to spring 1948 he was in the hospital with tuberculosis. Many themes of his childhood—the evacuation, his mother and her two children, the withdrawn father, the time in the hospital—feature prominently in his film <a href="/wiki/Mirror_(1975_film)" title="Mirror (1975 film)">Mirror</a>. In his school years, Tarkovsky was a troublemaker and a poor student.<a href="#cite_note-15">[14]</a><a href="#cite_note-16">[15]</a> He still managed to graduate, and from 1951 to 1952 studied <a href="/wiki/Arabic" title="Arabic">Arabic</a> at the Oriental Institute in Moscow, a branch of the <a href="/wiki/Academy_of_Sciences_of_the_Soviet_Union" title="Academy of Sciences of the Soviet Union">Academy of Sciences of the Soviet Union</a>. Although he already spoke some Arabic and was a successful student in his first semesters, he did not finish his studies and dropped out to work as a prospector for the Academy of Science Institute for Non-Ferrous Metals and Gold. He participated in a year-long research expedition to the river <a href="/wiki/Kureyka" title="Kureyka">Kureyka</a> near <a href="/wiki/Turukhansk" title="Turukhansk">Turukhansk</a> in the <a href="/wiki/Krasnoyarsk_Krai" title="Krasnoyarsk Krai">Krasnoyarsk Province</a>. During this time in the <a href="/wiki/Taiga" title="Taiga">taiga</a>, Tarkovsky decided to study film. <div class="mw-heading mw-heading3"><h3 id="Film_school_student">Film school student</h3> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=3" title="Edit section: Film school student" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div> Upon returning from the research expedition in 1954, Tarkovsky applied at the State Institute of Cinematography (<a href="/wiki/Gerasimov_Institute_of_Cinematography" title="Gerasimov Institute of Cinematography">VGIK</a>) and was admitted to the film-directing program. He was in the same class as <a href="/wiki/Irma_Raush" title="Irma Raush">Irma Raush</a> (Irina) whom he married in April 1957.<a href="#cite_note-kompravda-17">[16]</a> The early <a href="/wiki/History_of_the_Soviet_Union_(1953%E2%80%931964)" title="History of the Soviet Union (1953–1964)">Khrushchev era</a> offered good opportunities for young film directors. Before 1953, annual film production was low and most films were directed by veteran directors. After 1953, more films were produced, many of them by young directors. The <a href="/wiki/Khrushchev_Thaw" title="Khrushchev Thaw">Khrushchev Thaw</a> relaxed Soviet social restrictions a bit and permitted a limited influx of European and North American literature, films and music. This allowed Tarkovsky to see films of the <a href="/wiki/Italian_neorealism" title="Italian neorealism">Italian neorealists</a>, <a href="/wiki/French_New_Wave" title="French New Wave">French New Wave</a>, and of directors such as <a href="/wiki/Akira_Kurosawa" title="Akira Kurosawa">Kurosawa</a>, <a href="/wiki/Luis_Bu%C3%B1uel" title="Luis Buñuel">Buñuel</a>, <a href="/wiki/Ingmar_Bergman" title="Ingmar Bergman">Bergman</a>, <a href="/wiki/Robert_Bresson" title="Robert Bresson">Bresson</a>, <a href="/wiki/Andrzej_Wajda" title="Andrzej Wajda">Wajda</a> (whose film <a href="/wiki/Ashes_and_Diamonds_(film)" title="Ashes and Diamonds (film)">Ashes and Diamonds</a> influenced Tarkovsky) and <a href="/wiki/Kenji_Mizoguchi" title="Kenji Mizoguchi">Mizoguchi</a>. Tarkovsky's teacher and mentor was <a href="/wiki/Mikhail_Romm" title="Mikhail Romm">Mikhail Romm</a>, who taught many film students who would later become influential film directors. In 1956, Tarkovsky directed his first student short film, <a href="/wiki/The_Killers_(1956_film)" title="The Killers (1956 film)">The Killers</a>, from a short story of <a href="/wiki/Ernest_Hemingway" title="Ernest Hemingway">Ernest Hemingway</a>. The longer television film <a href="/wiki/There_Will_Be_No_Leave_Today" title="There Will Be No Leave Today">There Will Be No Leave Today</a> followed in 1959. Both films were a collaboration between the VGIK students. Classmate <a href="/wiki/Aleksandr_Gordon" title="Aleksandr Gordon">Aleksandr Gordon</a>, who married Tarkovsky's sister, in particular directed, wrote, edited, and acted in the two films with Tarkovsky. An important influence on Tarkovsky was the film director <a href="/wiki/Grigory_Chukhray" title="Grigory Chukhray">Grigory Chukhray</a>, who was teaching at the VGIK. Impressed by the talent of his student, Chukhray offered Tarkovsky a position as assistant director for his film Clear Skies. Tarkovsky initially showed interest but then decided to concentrate on his studies and his own projects.<a href="#cite_note-kompravda-17">[16]</a> During his third year at the VGIK, Tarkovsky met <a href="/wiki/Andrei_Konchalovsky" title="Andrei Konchalovsky">Andrei Konchalovsky</a>. They found much in common as they liked the same film directors and shared ideas on cinema and films. In 1959, they wrote the script Antarctica – Distant Country, which was later published in the <a href="/wiki/Moskovsky_Komsomolets" class="mw-redirect" title="Moskovsky Komsomolets">Moskovsky Komsomolets</a>. Tarkovsky submitted the script to <a href="/wiki/Lenfilm" title="Lenfilm">Lenfilm</a>, but it was rejected. They were more successful with the script <a href="/wiki/The_Steamroller_and_the_Violin" title="The Steamroller and the Violin">The Steamroller and the Violin</a>, which they sold to <a href="/wiki/Mosfilm" title="Mosfilm">Mosfilm</a>. This became Tarkovsky's graduation project, earning him his diploma in 1960 and winning First Prize at the New York Student Film Festival in 1961. <div class="mw-heading mw-heading3"><h3 id="Film_career_in_the_Soviet_Union">Film career in the Soviet Union</h3> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=4" title="Edit section: Film career in the Soviet Union" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div> Tarkovsky's first feature film was <a href="/wiki/Ivan%27s_Childhood" title="Ivan's Childhood">Ivan's Childhood</a> in 1962. He had inherited the film from director Eduard Abalov, who had to abort the project. The film earned Tarkovsky international acclaim and won the <a href="/wiki/Golden_Lion" title="Golden Lion">Golden Lion</a> award at the <a href="/wiki/Venice_Film_Festival" title="Venice Film Festival">Venice Film Festival</a> in the year 1962. In the same year, on 30 September, his first son Arseny (called Senka in Tarkovsky's diaries) Tarkovsky was born. <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Tarkovsky_vgik.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/fc/Tarkovsky_vgik.jpg/170px-Tarkovsky_vgik.jpg" decoding="async" width="170" height="370" class="mw-file-element" data-file-width="460" data-file-height="1000"></noscript><span class="lazy-image-placeholder" style="width: 170px;height: 370px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/f/fc/Tarkovsky_vgik.jpg/170px-Tarkovsky_vgik.jpg" data-width="170" data-height="370" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/fc/Tarkovsky_vgik.jpg/255px-Tarkovsky_vgik.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fc/Tarkovsky_vgik.jpg/340px-Tarkovsky_vgik.jpg 2x" data-class="mw-file-element"> </a><figcaption>Monument to Andrei Tarkovsky at entrance of <a href="/wiki/Gerasimov_Institute_of_Cinematography" title="Gerasimov Institute of Cinematography">Gerasimov Institute of Cinematography</a></figcaption></figure> In 1965, he directed the film <a href="/wiki/Andrei_Rublev_(film)" title="Andrei Rublev (film)">Andrei Rublev</a> about the life of <a href="/wiki/Andrei_Rublev" title="Andrei Rublev">Andrei Rublev</a>, the fifteenth-century Russian <a href="/wiki/Iconography" title="Iconography">icon painter</a>. Andrei Rublev was not, except for a single screening in Moscow in 1966, immediately released after completion due to problems with Soviet authorities. Tarkovsky had to cut the film several times, resulting in several different versions of varying lengths. The film was widely released in the Soviet Union in a cut version in 1971. Nevertheless, the film had a budget of more than 1 million rubles – a significant sum for that period.<a href="#cite_note-latgale-18">[17]</a> A version of the film was presented at the <a href="/wiki/Cannes_Film_Festival" title="Cannes Film Festival">Cannes Film Festival</a> in 1969 and won the <a href="/wiki/International_Federation_of_Film_Critics" title="International Federation of Film Critics">FIPRESCI prize</a>. He divorced his wife, Irina, in June 1970. In the same year, he married <a href="/wiki/Larisa_Tarkovskaya" title="Larisa Tarkovskaya">Larisa Kizilova</a> (née Egorkina), who had been a production assistant for the film <a href="/wiki/Andrei_Rublev_(film)" title="Andrei Rublev (film)">Andrei Rublev</a> (they had been living together since 1965). Their son, Andrei Andreyevich Tarkovsky, (nicknamed Andriosha, meaning "little Andre" or "Andre Junior") was born in the same year on 7 August.<a href="#cite_note-FOOTNOTEGianvito2006xxv-19">[18]</a> In 1972, he completed <a href="/wiki/Solaris_(1972_film)" title="Solaris (1972 film)">Solaris</a>, an adaptation of the novel <a href="/wiki/Solaris_(novel)" title="Solaris (novel)">Solaris</a> by <a href="/wiki/Stanis%C5%82aw_Lem" title="Stanisław Lem">Stanisław Lem</a>. He had worked on this together with screenwriter <a href="/wiki/Friedrich_Gorenstein" title="Friedrich Gorenstein">Friedrich Gorenstein</a> as early as 1968. The film was presented at the <a href="/wiki/Cannes_Film_Festival" title="Cannes Film Festival">Cannes Film Festival</a>, won the <a href="/wiki/Grand_Prix_(Cannes_Film_Festival)" title="Grand Prix (Cannes Film Festival)">Grand Prix Spécial du Jury</a>, and was nominated for the <a href="/wiki/Palme_d%27Or" title="Palme d'Or">Palme d'Or</a>. From 1973 to 1974, he shot the film <a href="/wiki/Mirror_(1975_film)" title="Mirror (1975 film)">Mirror</a>, a highly autobiographical and unconventionally structured film drawing on his childhood and incorporating some of his father's poems. In this film Tarkovsky portrayed the plight of childhood affected by war. Tarkovsky had worked on the screenplay for this film since 1967, under the consecutive titles Confession, White day and A white, white day. From the beginning the film was not well received by Soviet authorities due to its content and its perceived elitist nature. Soviet authorities placed the film in the "third category", a severely limited distribution, and only allowed it to be shown in third-class cinemas and workers' clubs. Few prints were made and the film-makers received no returns. Third category films also placed the film-makers in danger of being accused of wasting public funds, which could have serious effects on their future productivity.<a href="#cite_note-20">[19]</a> These difficulties are presumed to have made Tarkovsky play with the idea of going abroad and producing a film outside the Soviet film industry.<a href="#cite_note-21">[20]</a> During 1975, Tarkovsky also worked on the screenplay <a href="/wiki/Hoffmanniana" class="mw-redirect" title="Hoffmanniana">Hoffmanniana</a>, about the German writer and poet <a href="/wiki/E._T._A._Hoffmann" title="E. T. A. Hoffmann">E. T. A. Hoffmann</a>. In December 1976, he directed <a href="/wiki/Hamlet" title="Hamlet">Hamlet</a>, his only stage play, at the <a href="/wiki/Lenkom_Theatre" title="Lenkom Theatre">Lenkom Theatre</a> in Moscow. The main role was played by <a href="/wiki/Anatoly_Solonitsyn" title="Anatoly Solonitsyn">Anatoly Solonitsyn</a>, who also acted in several of Tarkovsky's films. At the end of 1978, he also wrote the screenplay Sardor together with the writer Aleksandr Misharin. The last film Tarkovsky completed in the Soviet Union was <a href="/wiki/Stalker_(1979_film)" title="Stalker (1979 film)">Stalker</a>, inspired by the novel <a href="/wiki/Roadside_Picnic" title="Roadside Picnic">Roadside Picnic</a> by the brothers <a href="/wiki/Arkady_and_Boris_Strugatsky" title="Arkady and Boris Strugatsky">Arkady and Boris Strugatsky</a>. Tarkovsky had met the brothers first in 1971 and was in contact with them until his death in 1986. Initially he wanted to shoot a film based on their novel <a href="/wiki/Dead_Mountaineer%27s_Hotel" title="Dead Mountaineer's Hotel">Dead Mountaineer's Hotel</a> and he developed a raw script. Influenced by a discussion with Arkady Strugatsky he changed his plan and began to work on the script based on Roadside Picnic. Work on this film began in 1976. The production was mired in troubles; improper development of the negatives had ruined all the exterior shots. Tarkovsky's relationship with cinematographer <a href="/wiki/Georgy_Rerberg" title="Georgy Rerberg">Georgy Rerberg</a> deteriorated to the point where he hired <a href="/wiki/Alexander_Knyazhinsky" title="Alexander Knyazhinsky">Alexander Knyazhinsky</a> as a new first cinematographer. Furthermore, Tarkovsky had a heart attack in April 1978, resulting in further delay. The film was completed in 1979 and won the Prize of the Ecumenical Jury at the <a href="/wiki/Cannes_Film_Festival" title="Cannes Film Festival">Cannes Film Festival</a>. In a question and answer session at the <a href="/wiki/Edinburgh_Filmhouse" title="Edinburgh Filmhouse">Edinburgh Filmhouse</a> on 11 February 1981, Tarkovsky trenchantly rejected suggestions that the film was either impenetrably mysterious or a political <a href="/wiki/Allegory" title="Allegory">allegory</a>.<a href="#cite_note-22">[21]</a> In 1979, Tarkovsky began production of the film The First Day (Russian: Первый День Pervyj Dyen), based on a script by his friend and long-term collaborator <a href="/wiki/Andrei_Konchalovsky" title="Andrei Konchalovsky">Andrei Konchalovsky</a>. The film was set in 18th-century Russia during the reign of <a href="/wiki/Peter_the_Great" title="Peter the Great">Peter the Great</a> and starred <a href="/wiki/Natalya_Bondarchuk" title="Natalya Bondarchuk">Natalya Bondarchuk</a> and <a href="/wiki/Anatoli_Papanov" title="Anatoli Papanov">Anatoli Papanov</a>. To get the project approved by <a href="/wiki/State_Committee_for_Cinematography" title="State Committee for Cinematography">Goskino</a>, Tarkovsky submitted a script that was different from the original script, omitting several scenes that were critical of the <a href="/wiki/Religion_in_the_Soviet_Union" title="Religion in the Soviet Union">official atheism in the Soviet Union</a>. After shooting roughly half of the film the project was stopped by Goskino after it became apparent that the film differed from the script submitted to the censors. Tarkovsky was reportedly infuriated by this interruption and destroyed most of the film.<a href="#cite_note-ReferenceB-23">[22]</a> <div class="mw-heading mw-heading3"><h3 id="Film_career_outside_the_Soviet_Union">Film career outside the Soviet Union</h3> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=5" title="Edit section: Film career outside the Soviet Union" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div> During the summer of 1979, Tarkovsky traveled to Italy, where he shot the documentary <a href="/wiki/Voyage_in_Time" title="Voyage in Time">Voyage in Time</a> together with his long-time friend <a href="/wiki/Tonino_Guerra" title="Tonino Guerra">Tonino Guerra</a>. Tarkovsky returned to Italy in 1980 for an extended trip, during which he and Guerra completed the script for the film <a href="/wiki/Nostalghia" title="Nostalghia">Nostalghia</a>. During this period, he took Polaroid photographs depicting his personal life.<a href="#cite_note-24">[23]</a> Tarkovsky returned to Italy in 1982 to start shooting Nostalghia, but <a href="/wiki/Mosfilm" title="Mosfilm">Mosfilm</a> then withdrew from the project, so he sought and received financial backing from the Italian <a href="/wiki/RAI" title="RAI">RAI</a>. Tarkovsky completed the film in 1983, and it was presented at the <a href="/wiki/Cannes_Film_Festival" title="Cannes Film Festival">Cannes Film Festival</a> where it won the <a href="/wiki/International_Federation_of_Film_Critics" title="International Federation of Film Critics">FIPRESCI prize</a> and the Prize of the Ecumenical Jury. Tarkovsky also shared a special prize called Grand Prix du cinéma de création with <a href="/wiki/Robert_Bresson" title="Robert Bresson">Robert Bresson</a>. Soviet authorities lobbied to prevent the film from winning the <a href="/wiki/Palme_d%27Or" title="Palme d'Or">Palme d'Or</a>,<a href="#cite_note-Wagstaff2004-25">[24]</a> a fact that hardened Tarkovsky's resolve to never work in the Soviet Union again. After Cannes he went to London to stage and choreograph the opera <a href="/wiki/Boris_Godunov_(opera)" title="Boris Godunov (opera)">Boris Godunov</a> at the <a href="/wiki/Royal_Opera_House" title="Royal Opera House">Royal Opera House</a> under the musical direction of <a href="/wiki/Claudio_Abbado" title="Claudio Abbado">Claudio Abbado</a>. <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Andrej_Tarkovskij_mug_shot_at_Latina_Refugee_Camp_1985.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/6/6f/Andrej_Tarkovskij_mug_shot_at_Latina_Refugee_Camp_1985.jpg" decoding="async" width="193" height="232" class="mw-file-element" data-file-width="193" data-file-height="232"></noscript><span class="lazy-image-placeholder" style="width: 193px;height: 232px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/6/6f/Andrej_Tarkovskij_mug_shot_at_Latina_Refugee_Camp_1985.jpg" data-width="193" data-height="232" data-class="mw-file-element"> </a><figcaption>Mug shot of Andrei Tarkovsky at the Latina Refugee Camp of <a href="/wiki/Latina,_Lazio" title="Latina, Lazio">Latina</a> (Italy) in 1985</figcaption></figure> At a press conference in <a href="/wiki/Milan" title="Milan">Milan</a> on 10 July 1984, he announced that he would never return to the Soviet Union and would remain in Western Europe. He stated, "I am not a Soviet dissident, I have no conflict with the Soviet Government," but if he returned home, he added, "I would be unemployed."<a href="#cite_note-26">[25]</a> At that time, his son Andriosha was still in the Soviet Union and not allowed to leave the country. On 28 August 1985, Tarkovsky was processed as a Soviet Defector at a refugee camp in <a href="/wiki/Latina,_Lazio" title="Latina, Lazio">Latina</a>, Italy, registered with the serial number 13225/379, and officially welcomed to the West.<a href="#cite_note-27">[26]</a><a href="#cite_note-28">[27]</a> Tarkovsky spent most of 1984 preparing the film <a href="/wiki/The_Sacrifice_(1986_film)" title="The Sacrifice (1986 film)">The Sacrifice</a>. It was finally shot in 1985 in Sweden, with many of the crew being alumni from <a href="/wiki/Ingmar_Bergman" title="Ingmar Bergman">Ingmar Bergman</a>'s films, including cinematographer <a href="/wiki/Sven_Nykvist" title="Sven Nykvist">Sven Nykvist</a>. Tarkovsky's vision of his film was greatly influenced by Bergman's style. While The Sacrifice is about an apocalypse and impending death, faith, and possible redemption, in the making-of documentary Directed by Andrei Tarkovsky, in a particularly poignant scene, writer/director <a href="/wiki/Michal_Leszczylowski" title="Michal Leszczylowski">Michal Leszczylowski</a> follows Tarkovsky on a walk as he expresses his sentiments on death—he claims himself to be immortal and has no fear of dying. Ironically, at the end of the year Tarkovsky was diagnosed with terminal lung cancer. In January 1986, he began treatment in Paris and was joined there by his son, Andre Jr, who was finally allowed to leave the Soviet Union. What would be Tarkovsky's final film was dedicated to him. The Sacrifice was presented at the <a href="/wiki/Cannes_Film_Festival" title="Cannes Film Festival">Cannes Film Festival</a> and received the <a href="/wiki/Grand_Prix_(Cannes_Film_Festival)" title="Grand Prix (Cannes Film Festival)">Grand Prix Spécial du Jury</a>, the <a href="/wiki/International_Federation_of_Film_Critics" title="International Federation of Film Critics">FIPRESCI prize</a> and the Prize of the Ecumenical Jury. As Tarkovsky was unable to attend due to his illness, the prizes were collected by his son. <div class="mw-heading mw-heading3"><h3 id="Death">Death</h3> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=6" title="Edit section: Death" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Gravestone_of_Andrei_Tarkovsky_2007.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Gravestone_of_Andrei_Tarkovsky_2007.jpg/220px-Gravestone_of_Andrei_Tarkovsky_2007.jpg" decoding="async" width="220" height="196" class="mw-file-element" data-file-width="1000" data-file-height="890"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 196px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Gravestone_of_Andrei_Tarkovsky_2007.jpg/220px-Gravestone_of_Andrei_Tarkovsky_2007.jpg" data-width="220" data-height="196" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Gravestone_of_Andrei_Tarkovsky_2007.jpg/330px-Gravestone_of_Andrei_Tarkovsky_2007.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Gravestone_of_Andrei_Tarkovsky_2007.jpg/440px-Gravestone_of_Andrei_Tarkovsky_2007.jpg 2x" data-class="mw-file-element"> </a><figcaption>Andrei and Larisa Tarkovsky's grave, <a href="/wiki/Sainte-Genevi%C3%A8ve-des-Bois_Russian_Cemetery" title="Sainte-Geneviève-des-Bois Russian Cemetery">Sainte-Geneviève-des-Bois Russian Cemetery</a> in France</figcaption></figure> In Tarkovsky's last <a href="/wiki/Time_Within_Time:_The_Diaries_1970%E2%80%931986" title="Time Within Time: The Diaries 1970–1986">diary</a> entry (15 December 1986), he wrote: "But now I have no strength left—that is the problem". The diaries are sometimes also known as <a href="/wiki/Time_Within_Time:_The_Diaries_1970%E2%80%931986" title="Time Within Time: The Diaries 1970–1986">Martyrology</a> and were published posthumously in 1989 and in English in 1991. Tarkovsky died in Paris on 29 December 1986. His funeral ceremony was held at the <a href="/wiki/Alexander_Nevsky_Cathedral,_Paris" title="Alexander Nevsky Cathedral, Paris">Alexander Nevsky Cathedral</a>. He was buried on 3 January 1987 in the <a href="/wiki/Sainte-Genevi%C3%A8ve-des-Bois_Russian_Cemetery" title="Sainte-Geneviève-des-Bois Russian Cemetery">Russian Cemetery</a> in <a href="/wiki/Sainte-Genevi%C3%A8ve-des-Bois,_Essonne" title="Sainte-Geneviève-des-Bois, Essonne">Sainte-Geneviève-des-Bois</a> in France. The inscription on his gravestone, which was erected in 1994, was conceived by Tarkovsky's wife, Larisa, reads: To the man who saw the Angel. Larisa died in 1998 and is buried beside her husband.<a href="#cite_note-29">[28]</a> Beginning in the early 1990s, some in Russia have alleged that Tarkovsky did not die of natural causes, but was assassinated by the <a href="/wiki/KGB" title="KGB">KGB</a>. Evidence for this hypothesis includes testimonies by former KGB agents who claim that <a href="/wiki/Viktor_Chebrikov" title="Viktor Chebrikov">Viktor Chebrikov</a> gave the order to eradicate Tarkovsky to curtail what the Soviet government and the KGB saw as <a href="/wiki/Anti-Soviet_agitation" title="Anti-Soviet agitation">anti-Soviet propaganda</a> by Tarkovsky. Other evidence includes several memoranda that surfaced after the <a href="/wiki/1991_Soviet_coup_d%27%C3%A9tat_attempt" class="mw-redirect" title="1991 Soviet coup d'état attempt">1991 coup</a> and the claim by one of Tarkovsky's doctors that his cancer could not have developed from a natural cause.<a href="#cite_note-30">[29]</a> Tarkovsky, his wife Larisa, and actor <a href="/wiki/Anatoly_Solonitsyn" title="Anatoly Solonitsyn">Anatoly Solonitsyn</a> all died from the same type of <a href="/wiki/Cancer" title="Cancer">cancer</a>. Vladimir Sharun, a sound designer for <a href="/wiki/Stalker_(1979_film)" title="Stalker (1979 film)">Stalker</a>, was convinced that all three died due to exposure to chemicals released from a chemical plant upstream from where the film was shot.<a href="#cite_note-SharunQuote-7">[6]</a> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(2)"><h2 id="Influences_and_thoughts_on_film">Influences and thoughts on film</h2> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=7" title="Edit section: Influences and thoughts on film" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-2 collapsible-block" id="mf-section-2"> Tarkovsky became a film director during the mid and late 1950s, a period referred to as the <a href="/wiki/Khrushchev_Thaw" title="Khrushchev Thaw">Khrushchev Thaw</a>, during which Soviet society opened to foreign films, literature and music, among other things. This allowed Tarkovsky to see films of European, American and Japanese directors, an experience that influenced his own film making. His teacher and mentor at the film school, <a href="/wiki/Mikhail_Romm" title="Mikhail Romm">Mikhail Romm</a>, allowed his students considerable freedom and emphasized the independence of the film director. Tarkovsky was, according to fellow student Shavkat Abdusalmov, fascinated by Japanese films. He was amazed by how every character on the screen is exceptional and how everyday events such as a Samurai cutting bread with his sword are elevated to something special and put into the limelight.<a href="#cite_note-31">[30]</a> Tarkovsky has also expressed interest in the art of <a href="/wiki/Haiku" title="Haiku">Haiku</a> and its ability to create "images in such a way that they mean nothing beyond themselves".<a href="#cite_note-32">[31]</a> Tarkovsky was also a deeply religious <a href="/wiki/Orthodoxy" title="Orthodoxy">Orthodox Christian</a>, who believed great art should have a higher spiritual purpose. He was a perfectionist not given to humor or humility: his signature style was ponderous and literary, having many characters that pondered over religious themes and issues regarding faith.<a href="#cite_note-33">[32]</a> Tarkovsky perceived that the art of cinema has only been truly mastered by very few filmmakers, stating in a 1970 interview with Naum Abramov that "they can be counted on the fingers of one hand".<a href="#cite_note-BFI-34">[33]</a> In 1972, Tarkovsky told film historian Leonid Kozlov his ten favorite films. The list is as follows: <a href="/wiki/Diary_of_a_Country_Priest" title="Diary of a Country Priest">Diary of a Country Priest</a> and <a href="/wiki/Mouchette" title="Mouchette">Mouchette</a> by <a href="/wiki/Robert_Bresson" title="Robert Bresson">Robert Bresson</a>; <a href="/wiki/Winter_Light" title="Winter Light">Winter Light</a>, <a href="/wiki/Wild_Strawberries_(film)" title="Wild Strawberries (film)">Wild Strawberries</a>, and <a href="/wiki/Persona_(1966_film)" title="Persona (1966 film)">Persona</a> by <a href="/wiki/Ingmar_Bergman" title="Ingmar Bergman">Ingmar Bergman</a>; <a href="/wiki/Nazar%C3%ADn" title="Nazarín">Nazarín</a> by <a href="/wiki/Luis_Bu%C3%B1uel" title="Luis Buñuel">Luis Buñuel</a>; <a href="/wiki/City_Lights" title="City Lights">City Lights</a> by <a href="/wiki/Charlie_Chaplin" title="Charlie Chaplin">Charlie Chaplin</a>; <a href="/wiki/Ugetsu" title="Ugetsu">Ugetsu</a> by <a href="/wiki/Kenji_Mizoguchi" title="Kenji Mizoguchi">Kenji Mizoguchi</a>; <a href="/wiki/Seven_Samurai" title="Seven Samurai">Seven Samurai</a> by <a href="/wiki/Akira_Kurosawa" title="Akira Kurosawa">Akira Kurosawa</a>, and <a href="/wiki/Woman_in_the_Dunes" title="Woman in the Dunes">Woman in the Dunes</a> by <a href="/wiki/Hiroshi_Teshigahara" title="Hiroshi Teshigahara">Hiroshi Teshigahara</a>. He also liked <a href="/wiki/Pier_Paolo_Pasolini" title="Pier Paolo Pasolini">Pier Paolo Pasolini</a>'s film <a href="/wiki/The_Gospel_According_to_St._Matthew_(film)" title="The Gospel According to St. Matthew (film)">The Gospel According to St. Matthew</a>.<a href="#cite_note-35">[34]</a> Among his favorite directors were Buñuel, Mizoguchi, Bergman, Bresson, Kurosawa, <a href="/wiki/Michelangelo_Antonioni" title="Michelangelo Antonioni">Michelangelo Antonioni</a>, <a href="/wiki/Jean_Vigo" title="Jean Vigo">Jean Vigo</a>, and <a href="/wiki/Carl_Theodor_Dreyer" title="Carl Theodor Dreyer">Carl Theodor Dreyer</a>.<a href="#cite_note-36">[35]</a> With the exception of City Lights, the list does not contain any films of the early silent era. The reason is that Tarkovsky saw film as an art as only a relatively recent phenomenon, with the early film-making forming only a prelude. The list has also no films or directors from Tarkovsky's native Soviet Union, although he rated Soviet directors such as <a href="/wiki/Boris_Barnet" title="Boris Barnet">Boris Barnet</a>, <a href="/wiki/Sergei_Parajanov" title="Sergei Parajanov">Sergei Parajanov</a> and <a href="/wiki/Alexander_Dovzhenko" title="Alexander Dovzhenko">Alexander Dovzhenko</a> highly. He said of Dovzhenko's <a href="/wiki/Earth_(1930_film)" title="Earth (1930 film)">Earth</a>: "I have lived a lot among very simple farmers and met extraordinary people. They spread calmness, had such tact, they conveyed a feeling of dignity and displayed wisdom that I have seldom come across on such a scale. Dovzhenko had obviously understood wherein the sense of life resides. [...] This trespassing of the border between nature and mankind is an ideal place for the existence of man. Dovzhenko understood this."<a href="#cite_note-FOOTNOTEGianvito200642%E2%80%9343-37">[36]</a> He was also not a fan of blockbusters or science fiction, largely dismissing the latter for its "comic book" trappings and vulgar commercialism. However, in notable exceptions Tarkovsky praised the <a href="/wiki/James_Cameron" title="James Cameron">James Cameron</a> blockbuster film <a href="/wiki/The_Terminator" title="The Terminator">The Terminator</a>, saying that its "vision of the future and the relation between man and its destiny is pushing the frontier of cinema as an art". He was critical of the "brutality and low acting skills", but was nevertheless impressed by the film. He equally liked <a href="/wiki/George_Lucas" title="George Lucas">George Lucas</a>'s <a href="/wiki/Star_Wars_(film)" title="Star Wars (film)">Star Wars</a> according to his son, Andrei A. Tarkovsky.<a href="#cite_note-38">[37]</a><a href="#cite_note-39">[38]</a><a href="#cite_note-40">[39]</a> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(3)"><h2 id="Cinematic_style">Cinematic style</h2> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=8" title="Edit section: Cinematic style" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-3 collapsible-block" id="mf-section-3"> In a 1962 interview, Tarkovsky argued: "All art, of course, is intellectual, but for me, all the arts, and cinema even more so, must above all be emotional and act upon the heart."<a href="#cite_note-FOOTNOTEGianvito20065-41">[40]</a> His films are characterized by <a href="/wiki/Metaphysics" title="Metaphysics">metaphysical</a> themes, extremely <a href="/wiki/Long_take" title="Long take">long takes</a>, and images often considered by critics to be of exceptional beauty. Recurring motifs are dreams, memory, childhood, running water accompanied by fire, rain indoors, reflections, levitation, and characters re-appearing in the foreground of long panning movements of the camera. He once said: "Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema." Tarkovsky incorporated levitation scenes into several of his films, most notably Solaris. To him these scenes possess great power and are used for their photogenic value and magical inexplicability.<a href="#cite_note-42">[41]</a> Water, clouds, and reflections were used by him for their surreal beauty and photogenic value, as well as their symbolism, such as waves or the forms of brooks or running water.<a href="#cite_note-43">[42]</a> Bells and candles are also frequent symbols. These are symbols of film, sight and sound, and Tarkovsky's film frequently has themes of self-reflection.<a href="#cite_note-44">[43]</a> Tarkovsky developed a theory of cinema that he called "sculpting in time". By this he meant that the unique characteristic of cinema as a medium was to take our experience of time and alter it. Unedited movie footage transcribes time in <a href="/wiki/Real_time_(media)" title="Real time (media)">real time</a>. By using long takes and few cuts in his films, he aimed to give the viewers a sense of time passing, time lost, and the relationship of one moment in time to another. Up to, and including, his film <a href="/wiki/Mirror_(1975_film)" title="Mirror (1975 film)">Mirror</a>, Tarkovsky focused his cinematic works on exploring this theory. After Mirror, he announced that he would focus his work on exploring the <a href="/wiki/Classical_unities" title="Classical unities">dramatic unities</a> proposed by <a href="/wiki/Aristotle" title="Aristotle">Aristotle</a>: a concentrated action, happening in one place, within the span of a single day. Several of Tarkovsky's films have color or black-and-white sequences. This first occurs in the otherwise monochrome <a href="/wiki/Andrei_Rublev_(film)" title="Andrei Rublev (film)">Andrei Rublev</a>, which features a color epilogue of <a href="/wiki/Andrei_Rublev" title="Andrei Rublev">Rublev's</a> authentic religious icon paintings. All of his films afterwards contain monochrome, and in <a href="/wiki/Stalker_(1979_film)" title="Stalker (1979 film)">Stalker's</a> case <a href="/wiki/Photographic_print_toning" title="Photographic print toning">sepia</a> sequences, while otherwise being in color. In 1966, in an interview conducted shortly after finishing Andrei Rublev, Tarkovsky dismissed color film as a "commercial gimmick" and cast doubt on the idea that contemporary films meaningfully use color. He claimed that in everyday life one does not consciously notice colors most of the time, and that color should therefore be used in film mainly to emphasize certain moments, but not all the time, as this distracts the viewer. To him, films in color were like moving paintings or photographs, which are too beautiful to be a realistic depiction of life.<a href="#cite_note-45">[44]</a> Director <a href="/wiki/Ingmar_Bergman" title="Ingmar Bergman">Ingmar Bergman</a> commented on Tarkovsky:<a href="#cite_note-46">[45]</a> <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote">My discovery of Tarkovsky's first film was like a miracle. Suddenly, I found myself standing at the door of a room the keys of which had until then, never been given to me. It was a room I had always wanted to enter and where he was moving freely and fully at ease. I felt encountered and stimulated: someone was expressing what I had always wanted to say without knowing how. Tarkovsky is for me the greatest, the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream.</blockquote> Contrarily, however, Bergman conceded the truth in the claim made by a critic who wrote that "with <a href="/wiki/Autumn_Sonata" title="Autumn Sonata">Autumn Sonata</a> Bergman does Bergman", adding: "Tarkovsky began to make Tarkovsky films, and that <a href="/wiki/Federico_Fellini" title="Federico Fellini">Fellini</a> began to make Fellini films [...] <a href="/wiki/Luis_Bu%C3%B1uel" title="Luis Buñuel">Buñuel</a> nearly always made Buñuel films." This <a href="/wiki/Pastiche" title="Pastiche">pastiche</a> of one's own work has been derogatorily termed as "self-karaoke".<a href="#cite_note-47">[46]</a> <div class="mw-heading mw-heading3"><h3 id="Vadim_Yusov">Vadim Yusov</h3> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=9" title="Edit section: Vadim Yusov" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div> Tarkovsky worked in close collaboration with cinematographer <a href="/wiki/Vadim_Yusov" title="Vadim Yusov">Vadim Yusov</a> from 1958 to 1972, and much of the visual style of Tarkovsky's films can be attributed to this collaboration.<a href="#cite_note-48">[47]</a> Tarkovsky would spend two days preparing for Yusov to film a single long take, and due to the preparation, usually only a single take was needed.<a href="#cite_note-Tarkovsky79-49">[48]</a> <div class="mw-heading mw-heading3"><h3 id="Sven_Nykvist">Sven Nykvist</h3> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=10" title="Edit section: Sven Nykvist" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div> In his last film, <a href="/wiki/The_Sacrifice_(1986_film)" title="The Sacrifice (1986 film)">The Sacrifice</a>, Tarkovsky worked with cinematographer <a href="/wiki/Sven_Nykvist" title="Sven Nykvist">Sven Nykvist</a>, who had worked on many films with director <a href="/wiki/Ingmar_Bergman" title="Ingmar Bergman">Ingmar Bergman</a>. (Nykvist was not alone: several people involved in the production had previously collaborated with Bergman, notably lead actor <a href="/wiki/Erland_Josephson" title="Erland Josephson">Erland Josephson</a>, who had also acted for Tarkovsky in <a href="/wiki/Nostalghia" title="Nostalghia">Nostalghia</a>.) Nykvist complained that Tarkovsky would frequently look through the camera and even direct actors through it, but ultimately stated that choosing to work with Tarkovsky was one of the best choices he had ever made.<a href="#cite_note-Tarkovsky79-49">[48]</a> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(4)"><h2 id="Filmography">Filmography</h2> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=11" title="Edit section: Filmography" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-4 collapsible-block" id="mf-section-4"> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Andrei_Tarkovsky_filmography" class="mw-redirect" title="Andrei Tarkovsky filmography">Andrei Tarkovsky filmography</a></div> Tarkovsky is mainly known as a film director. During his career he directed seven feature films, as well as three shorts from his time at VGIK. His features are: <ul><li><a href="/wiki/Ivan%27s_Childhood" title="Ivan's Childhood">Ivan's Childhood</a> (1962)</li> <li><a href="/wiki/Andrei_Rublev_(film)" title="Andrei Rublev (film)">Andrei Rublev</a> (1966)</li> <li><a href="/wiki/Solaris_(1972_film)" title="Solaris (1972 film)">Solaris</a> (1972)</li> <li><a href="/wiki/Mirror_(1975_film)" title="Mirror (1975 film)">Mirror</a> (1975)</li> <li><a href="/wiki/Stalker_(1979_film)" title="Stalker (1979 film)">Stalker</a> (1979)</li> <li><a href="/wiki/Nostalghia" title="Nostalghia">Nostalghia</a> (1983)</li> <li><a href="/wiki/The_Sacrifice_(1986_film)" title="The Sacrifice (1986 film)">The Sacrifice</a> (1986)</li></ul> He also wrote several screenplays. Furthermore, he directed the play <a href="/wiki/Hamlet" title="Hamlet">Hamlet</a> for the stage in Moscow, directed the opera <a href="/wiki/Boris_Godunov_(opera)" title="Boris Godunov (opera)">Boris Godunov</a> in London, and he directed a radio production of the short story Turnabout by <a href="/wiki/William_Faulkner" title="William Faulkner">William Faulkner</a>. He also wrote <a href="/wiki/Sculpting_in_Time" title="Sculpting in Time">Sculpting in Time</a>, a book on film theory. Tarkovsky's first feature film was <a href="/wiki/Ivan%27s_Childhood" title="Ivan's Childhood">Ivan's Childhood</a> in 1962. He then directed <a href="/wiki/Andrei_Rublev_(film)" title="Andrei Rublev (film)">Andrei Rublev</a> in 1966, <a href="/wiki/Solaris_(1972_film)" title="Solaris (1972 film)">Solaris</a> in 1972, <a href="/wiki/Mirror_(1975_film)" title="Mirror (1975 film)">Mirror</a> in 1975 and <a href="/wiki/Stalker_(1979_film)" title="Stalker (1979 film)">Stalker</a> in 1979. The documentary <a href="/wiki/Voyage_in_Time" title="Voyage in Time">Voyage in Time</a> was produced in Italy in 1982, as was <a href="/wiki/Nostalghia" title="Nostalghia">Nostalghia</a> in 1983. His last film <a href="/wiki/The_Sacrifice_(1986_film)" title="The Sacrifice (1986 film)">The Sacrifice</a> was produced in Sweden in 1986. Tarkovsky was personally involved in writing the screenplays for all his films, sometimes with a cowriter. Tarkovsky once said that a director who realizes somebody else's screenplay without being involved in it becomes a mere illustrator, resulting in dead and monotonous films.<a href="#cite_note-50">[49]</a><a href="#cite_note-51">[50]</a> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(5)"><h2 id="Publications">Publications</h2> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=12" title="Edit section: Publications" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-5 collapsible-block" id="mf-section-5"> <ul><li><a href="/wiki/Sculpting_in_Time" title="Sculpting in Time">Sculpting in Time</a>. University of Texas Press, 1986. <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-292-77624-1" title="Special:BookSources/0-292-77624-1">0-292-77624-1</a>.</li> <li><a href="/wiki/Time_Within_Time:_The_Diaries_1970%E2%80%931986" title="Time Within Time: The Diaries 1970–1986">Time Within Time: The Diaries 1970–1986</a>. Seagull, 1989. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780857424921" title="Special:BookSources/9780857424921">9780857424921</a>. Translated by Kitty Hunter-Blair.</li> <li>Collected Screenplays. London: Faber & Faber, 2003. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0571142668" title="Special:BookSources/978-0571142668">978-0571142668</a>.</li> <li>Instant Light, Tarkovsky Polaroids. London: Thames and Hudson, 2006. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780500286142" title="Special:BookSources/9780500286142">9780500286142</a>. A book of 60 photographs taken by Tarkovsky in Russia and Italy between 1979 and 1984. Edited by Italian photographer <a href="/wiki/Giovanni_Chiaramonte" title="Giovanni Chiaramonte">Giovanni Chiaramonte</a> and Tarkovsky's son Andrey A. Tarkovsky.</li> <li>Bright, bright day. Tarkovsky Foundation and White Space Gallery, 2008. A book of Polaroids edited by <a href="/wiki/Stephen_Gill_(photographer)" title="Stephen Gill (photographer)">Stephen Gill</a>. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0955739415" title="Special:BookSources/978-0955739415">978-0955739415</a>. Edition of 3000 copies.</li> <li>Tarkovsky: Films, Stills, Polaroids & Writings. London: Thames and Hudson, 2019. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0500022597" title="Special:BookSources/978-0500022597">978-0500022597</a>.</li></ul> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(6)"><h2 id="Unproduced_screenplays">Unproduced screenplays</h2> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=13" title="Edit section: Unproduced screenplays" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-6 collapsible-block" id="mf-section-6"> <div class="mw-heading mw-heading3"><h3 id="Concentrate">Concentrate</h3> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=14" title="Edit section: Concentrate" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div> Concentrate (Концентрат, Kontsentrat) is a never-filmed 1958 screenplay by Tarkovsky. The screenplay is based on Tarkovsky's year in the <a href="/wiki/Taiga" title="Taiga">taiga</a> as a member of a research expedition, prior to his enrollment in film school.<a href="#cite_note-52">[51]</a> It's about the leader of a geological expedition, who waits for the boat that brings back the <a href="/wiki/Concentrate" title="Concentrate">concentrates</a> collected by the expedition. The expedition is surrounded by mystery, and its purpose is a state secret. Although some authors claim that the screenplay was filmed, according to Marina Tarkovskaya, Tarkovsky's sister (and wife of Aleksandr Gordon, a fellow student of Tarkovsky during his film school years) the screenplay was never filmed. Tarkovsky wrote the screenplay during his entrance examination at the State Institute of Cinematography (<a href="/wiki/Gerasimov_Institute_of_Cinematography" title="Gerasimov Institute of Cinematography">VGIK</a>) in a single sitting. He earned the highest possible grade, "excellent" (отлично) for this work. In 1994, fragments of Concentrate were filmed and used in the documentary Andrei Tarkovsky's Taiga Summer by Marina Tarkovskaya and Aleksandr Gordon.<a href="#cite_note-53">[52]</a> <div class="mw-heading mw-heading3"><h3 id="Hoffmanniana">Hoffmanniana</h3> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=15" title="Edit section: Hoffmanniana" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"><table class="infobox"><tbody><tr><th colspan="2" class="infobox-above summary" style="font-size:125%; background: #ededed;color:inherit;">"Hoffmanniana"</th></tr><tr><td colspan="2" class="infobox-subheader" style="font-weight: bold; background:whitesmoke;color:inherit;"><a href="/wiki/Short_story" title="Short story">Short story</a> by Andrei Tarkovsky</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap">Original title</th><td class="infobox-data">Гофманиана</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap">Country</th><td class="infobox-data"><a href="/wiki/Soviet_Union" title="Soviet Union">USSR</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap">Language</th><td class="infobox-data">Russian</td></tr><tr><th colspan="2" class="infobox-header" style="background: #ededed;color:inherit;">Publication</th></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap">Media type</th><td class="infobox-data">Screenplay</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap">Publication date</th><td class="infobox-data">1976</td></tr></tbody></table> Hoffmanniana (Гофманиана) is a never-filmed 1974 screenplay by Tarkovsky. The screenplay is based on the life and work of German author <a href="/wiki/E._T._A._Hoffmann" title="E. T. A. Hoffmann">E. T. A. Hoffmann</a>. In 1974, an acquaintance from <a href="/wiki/Tallinnfilm" title="Tallinnfilm">Tallinnfilm</a> approached Tarkovsky to write a screenplay on a German theme. Tarkovsky considered <a href="/wiki/Thomas_Mann" title="Thomas Mann">Thomas Mann</a> and E. T. A. Hoffmann, and also thought about <a href="/wiki/Henrik_Ibsen" title="Henrik Ibsen">Ibsen</a>'s <a href="/wiki/Peer_Gynt" title="Peer Gynt">Peer Gynt</a>. In the end Tarkovsky signed a contract for a script based on the life and work of Hoffmann. He planned to write the script during the summer of 1974 at his <a href="/wiki/Dacha" title="Dacha">dacha</a>. Writing was not without difficulty, less than a month before the deadline he had not written a single page. He finally finished the project in late 1974 and submitted the final script to Tallinnfilm in October.<a href="#cite_note-wpowell-54">[53]</a> Although the script was well received by the officials at Tallinnfilm, it was the consensus that no one but Tarkovsky would be able to direct it. The script was sent to <a href="/wiki/State_Committee_for_Cinematography" title="State Committee for Cinematography">Goskino</a> in February 1976, and although approval was granted for proceeding with making the film, the screenplay was never realized. In 1984, during the time of his exile in the West, Tarkovsky revisited the screenplay and made a few changes. He also considered to finally direct a film based on the screenplay but ultimately dropped this idea.<a href="#cite_note-wpowell-54">[53]</a> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(7)"><h2 id="Films_about_Tarkovsky">Films about Tarkovsky</h2> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=16" title="Edit section: Films about Tarkovsky" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-7 collapsible-block" id="mf-section-7"> <ul><li><a href="/wiki/Voyage_in_Time" title="Voyage in Time">Voyage in Time</a> (1983): documents the travels in Italy of Andrei Tarkovsky in preparation for the making of his film Nostalghia, co-directed with <a href="/wiki/Tonino_Guerra" title="Tonino Guerra">Tonino Guerra</a>.</li> <li>Tarkovsky: A Poet in the Cinema (1984): directed by Donatella Baglivo.</li> <li><a href="/wiki/Moscow_Elegy" title="Moscow Elegy">Moscow Elegy</a> (1987), a documentary/homage to Tarkovsky by <a href="/wiki/Aleksandr_Sokurov" class="mw-redirect" title="Aleksandr Sokurov">Aleksandr Sokurov</a>.<a href="#cite_note-55">[54]</a></li> <li>Auf der Suche nach der verlorenen Zeit (1988): Andrej Tarkowskijs Exil und Tod. Documentary directed by Ebbo Demant. Germany.</li> <li><a href="/wiki/One_Day_in_the_Life_of_Andrei_Arsenevich" title="One Day in the Life of Andrei Arsenevich">One Day in the Life of Andrei Arsenevich</a> (1999): French documentary film directed by <a href="/wiki/Chris_Marker" title="Chris Marker">Chris Marker</a>.</li> <li>Andrey (2006): a film by Nariné Mktchyan and Arsen Azatyan about Tarkovsky visiting Armenia.<a href="#cite_note-56">[55]</a></li> <li>Tarkovsky: Time Within Time (2015): documentary by P. J. Letofsky.</li> <li>Andrei Tarkovsky: A Cinema Prayer (2019): a poetic documentary by Tarkovsky's son Andrei A. Tarkovsky.<a href="#cite_note-57">[56]</a></li></ul> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(8)"><h2 id="Awards_and_commemoration">Awards and commemoration</h2> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=17" title="Edit section: Awards and commemoration" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-8 collapsible-block" id="mf-section-8"> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/List_of_awards_won_by_Andrei_Tarkovsky" title="List of awards won by Andrei Tarkovsky">List of awards won by Andrei Tarkovsky</a></div> Numerous awards were bestowed on Tarkovsky throughout his lifetime. <ul><li>At the <a href="/wiki/Venice_Film_Festival" title="Venice Film Festival">Venice Film Festival</a>, the <a href="/wiki/Golden_Lion" title="Golden Lion">Golden Lion</a> of the for <a href="/wiki/Ivan%27s_Childhood" title="Ivan's Childhood">Ivan's Childhood</a></li> <li><figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Andrei_tarkovsky_stamp_russia_2007.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e3/Andrei_tarkovsky_stamp_russia_2007.jpg/220px-Andrei_tarkovsky_stamp_russia_2007.jpg" decoding="async" width="220" height="310" class="mw-file-element" data-file-width="467" data-file-height="657"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 310px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e3/Andrei_tarkovsky_stamp_russia_2007.jpg/220px-Andrei_tarkovsky_stamp_russia_2007.jpg" data-width="220" data-height="310" data-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e3/Andrei_tarkovsky_stamp_russia_2007.jpg/330px-Andrei_tarkovsky_stamp_russia_2007.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e3/Andrei_tarkovsky_stamp_russia_2007.jpg/440px-Andrei_tarkovsky_stamp_russia_2007.jpg 2x" data-class="mw-file-element"> </a><figcaption>Russian stamp, 2007</figcaption></figure>At the <a href="/wiki/Cannes_Film_Festival" title="Cannes Film Festival">Cannes Film Festival</a>, the <a href="/wiki/International_Federation_of_Film_Critics" title="International Federation of Film Critics">FIPRESCI prize</a> three times,<a href="#cite_note-58">[57]</a> the <a href="/wiki/Prize_of_the_Ecumenical_Jury" title="Prize of the Ecumenical Jury">Prize of the Ecumenical Jury</a> three times (more than any other director), the <a href="/wiki/Grand_Prix_(Cannes_Film_Festival)" title="Grand Prix (Cannes Film Festival)">Grand Prix Spécial du Jury</a> twice, and the <a href="/wiki/Cannes_Film_Festival_Award_for_Best_Director" title="Cannes Film Festival Award for Best Director">Best Director</a> award once. He was also nominated for the <a href="/wiki/Palme_d%27Or" title="Palme d'Or">Palme d'Or</a> three times.</li> <li>In 1987, the <a href="/wiki/BAFTA_Award_for_Best_Film_Not_in_the_English_Language#1980s" title="BAFTA Award for Best Film Not in the English Language">BAFTA Award for Best Foreign Language Film</a> of the <a href="/wiki/British_Academy_of_Film_and_Television_Arts" title="British Academy of Film and Television Arts">British Academy of Film and Television Arts</a> for <a href="/wiki/The_Sacrifice_(1986_film)" title="The Sacrifice (1986 film)">The Sacrifice</a>.</li></ul> Under the influence of <a href="/wiki/Glasnost" title="Glasnost">Glasnost</a> and <a href="/wiki/Perestroika" title="Perestroika">Perestroika</a>, Tarkovsky was finally recognized in the Soviet Union in the Autumn of 1986, shortly before his death, by a retrospective of his films in Moscow. After his death, an entire issue of the film magazine Iskusstvo Kino was devoted to Tarkovsky. In their obituaries, the film committee of the <a href="/wiki/Council_of_Ministers_of_the_Soviet_Union" title="Council of Ministers of the Soviet Union">Council of Ministers of the Soviet Union</a> and the Union of Soviet Film Makers expressed their sorrow that Tarkovsky had to spend the last years of his life in exile.<a href="#cite_note-59">[58]</a> Posthumously, he was awarded the <a href="/wiki/Lenin_Prize" title="Lenin Prize">Lenin Prize</a> in 1990, one of the highest state honors in the Soviet Union. In 1989, the Andrei Tarkovsky Memorial Prize was established, with its first recipient being the Russian animator <a href="/wiki/Yuri_Norstein" title="Yuri Norstein">Yuri Norstein</a>. In three consecutive events, the <a href="/wiki/Moscow_International_Film_Festival" title="Moscow International Film Festival">Moscow International Film Festival</a> awarded the Andrei Tarkovsky Award in 1993, 1995, and 1997.<a href="#cite_note-60">[59]</a><a href="#cite_note-61">[60]</a><a href="#cite_note-62">[61]</a> In 1996, the Andrei Tarkovsky Museum opened in <a href="/wiki/Yuryevets,_Ivanovo_Oblast" title="Yuryevets, Ivanovo Oblast">Yuryevets</a>, his childhood town.<a href="#cite_note-63">[62]</a> A <a href="/wiki/Minor_planet" title="Minor planet">minor planet</a>, <a href="/wiki/3345_Tarkovskij" title="3345 Tarkovskij">3345 Tarkovskij</a>, discovered by Soviet astronomer <a href="/wiki/Lyudmila_Karachkina" title="Lyudmila Karachkina">Lyudmila Karachkina</a> in 1982, has been named after him.<a href="#cite_note-64">[63]</a> Tarkovsky has been the subject of several documentaries. Most notable is the 1988 documentary <a href="/wiki/Moscow_Elegy" title="Moscow Elegy">Moscow Elegy</a>, by Russian film director <a href="/wiki/Alexander_Sokurov" title="Alexander Sokurov">Alexander Sokurov</a>. Sokurov's own work has been heavily influenced by Tarkovsky. The film consists mostly of narration over stock footage from Tarkovsky's films. Directed by Andrei Tarkovsky is a 1988 documentary film by <a href="/wiki/Michal_Leszczylowski" title="Michal Leszczylowski">Michal Leszczylowski</a>, an editor of the film The Sacrifice. Film director <a href="/wiki/Chris_Marker" title="Chris Marker">Chris Marker</a> produced the television documentary <a href="/wiki/One_Day_in_the_Life_of_Andrei_Arsenevich" title="One Day in the Life of Andrei Arsenevich">One Day in the Life of Andrei Arsenevich</a> as an homage to Andrei Tarkovsky in 2000.<a href="#cite_note-65">[64]</a> At the entrance to the <a href="/wiki/Gerasimov_Institute_of_Cinematography" title="Gerasimov Institute of Cinematography">Gerasimov Institute of Cinematography</a> in <a href="/wiki/Moscow" title="Moscow">Moscow</a>, there is a monument that includes statues of Tarkovsky, <a href="/wiki/Gennady_Shpalikov" title="Gennady Shpalikov">Gennady Shpalikov</a> and <a href="/wiki/Vasily_Shukshin" title="Vasily Shukshin">Vasily Shukshin</a>.<a href="#cite_note-panoramio-66">[65]</a> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(9)"><h2 id="Reception_and_legacy">Reception and legacy</h2> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=18" title="Edit section: Reception and legacy" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-9 collapsible-block" id="mf-section-9"> Andrei Tarkovsky and his works have received praise from many filmmakers, critics and thinkers. The Swedish filmmaker <a href="/wiki/Ingmar_Bergman" title="Ingmar Bergman">Ingmar Bergman</a> was quoted as saying: "Tarkovsky for me is the greatest [of us all], the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream".<a href="#cite_note-ReferenceA-67">[66]</a> The Japanese filmmaker <a href="/wiki/Akira_Kurosawa" title="Akira Kurosawa">Akira Kurosawa</a> remarked on Tarkovsky's films as saying: "His unusual sensitivity is both overwhelming and astounding. It almost reaches a pathological intensity. Probably there is no equal among film directors alive now." Kurosawa also commented: "I love all of Tarkovsky's films. I love his personality and all his works. Every cut from his films is a marvelous image in itself. But the finished image is nothing more than the imperfect accomplishment of his idea. His ideas are only realized in part. And he had to make do with it."<a href="#cite_note-Roy-68">[67]</a> The Iranian filmmaker <a href="/wiki/Abbas_Kiarostami" title="Abbas Kiarostami">Abbas Kiarostami</a> remarked that: "Tarkovsky's works separate me completely from physical life, and are the most spiritual films I have seen".<a href="#cite_note-Roy-68">[67]</a> The Polish filmmaker <a href="/wiki/Krzysztof_Kie%C5%9Blowski" title="Krzysztof Kieślowski">Krzysztof Kieślowski</a> commented that: "Andrei Tarkovsky was one of the greatest directors of recent years,"<a href="#cite_note-Roy-68">[67]</a> and regarded Tarkovsky's film <a href="/wiki/Ivan%27s_Childhood" title="Ivan's Childhood">Ivan's Childhood</a> as an influence on his own work.<a href="#cite_note-childhood-69">[68]</a> The Turkish filmmaker <a href="/wiki/Nuri_Bilge_Ceylan" title="Nuri Bilge Ceylan">Nuri Bilge Ceylan</a> said that when he first discovered the films of Andrei Tarkovsky as a college student, unsure of what he wanted to do with his life, he was utterly baffled by the lauded Soviet master. He walked out of a screening of <a href="/wiki/Solaris_(1972_film)" title="Solaris (1972 film)">Solaris</a> at the halfway point, and stopped a VHS tape of <a href="/wiki/Mirror_(1975_film)" title="Mirror (1975 film)">Mirror</a> at a similar juncture. Today, he considers the latter to be the greatest film ever made. "I've seen it maybe 20 times," he says.<a href="#cite_note-70">[69]</a> The Armenian filmmaker <a href="/wiki/Sergei_Parajanov" title="Sergei Parajanov">Sergei Parajanov</a> remarked that watching Tarkovsky's film, Ivan's Childhood was his main inspiration to become a filmmaker by saying: "I did not know how to do anything and I would not have done anything if there had not been Ivan's Childhood".<a href="#cite_note-childhood-69">[68]</a> The Austrian filmmaker <a href="/wiki/Michael_Haneke" title="Michael Haneke">Michael Haneke</a> voted for Mirror on his top 10 films in the 2002 <a href="/wiki/Sight_%26_Sound" class="mw-redirect" title="Sight & Sound">Sight & Sound</a> directors' poll<a href="#cite_note-71">[70]</a><a href="#cite_note-72">[71]</a> and later said that he has seen the picture at least 25 times.<a href="#cite_note-73">[72]</a><a href="#cite_note-74">[73]</a> The American filmmaker <a href="/wiki/Stan_Brakhage" title="Stan Brakhage">Stan Brakhage</a> said that: "I personally think that the three greatest tasks for film in the 20th century are (1) To make the epic, that is to tell the tales of the tribes of the world. (2) To keep it personal, because only in the eccentricities of our personal lives do we have any chances at the truth. (3) To do the dream work, that is, to illuminate the borders of the unconscious. The only filmmaker I know that does all these three things equally in every film he makes is Andrei Tarkovsky, and that's why I think he's the greatest living narrative filmmaker."<a href="#cite_note-75">[74]</a><a href="#cite_note-76">[75]</a> The German filmmaker <a href="/wiki/Wim_Wenders" title="Wim Wenders">Wim Wenders</a> dedicated his film <a href="/wiki/Wings_of_Desire" title="Wings of Desire">Wings of Desire</a> to Tarkovsky (along with <a href="/wiki/Fran%C3%A7ois_Truffaut" title="François Truffaut">François Truffaut</a> and <a href="/wiki/Yasujir%C5%8D_Ozu" title="Yasujirō Ozu">Yasujirō Ozu</a>).<a href="#cite_note-77">[76]</a> The French filmmaker <a href="/wiki/Chris_Marker" title="Chris Marker">Chris Marker</a> directed a documentary film as a homage to Tarkovsky called <a href="/wiki/One_Day_in_the_Life_of_Andrei_Arsenevich" title="One Day in the Life of Andrei Arsenevich">One Day in the Life of Andrei Arsenevich</a> and used Tarkovsky's concept of "The Zone" (from the film, <a href="/wiki/Stalker_(1979_film)" title="Stalker (1979 film)">Stalker</a>) for his 1983 <a href="/wiki/Film_essay" class="mw-redirect" title="Film essay">film essay</a>, <a href="/wiki/Sans_Soleil" title="Sans Soleil">Sans Soleil</a>.<a href="#cite_note-78">[77]</a> The Greek filmmaker <a href="/wiki/Theo_Angelopoulos" title="Theo Angelopoulos">Theo Angelopoulos</a> regarded Tarkovsky's film Stalker as one of the films that influenced him.<a href="#cite_note-79">[78]</a> The Polish filmmaker <a href="/wiki/Andrzej_%C5%BBu%C5%82awski" title="Andrzej Żuławski">Andrzej Żuławski</a> remarked that: "If anybody influenced anybody, it's me being influenced by Tarkovsky, not the reverse", and called Tarkovsky's film <a href="/wiki/Andrei_Rublev" title="Andrei Rublev">Andrei Rublev</a> a "masterpiece".<a href="#cite_note-80">[79]</a> The Greek-Australian filmmaker <a href="/wiki/Alex_Proyas" title="Alex Proyas">Alex Proyas</a> was "extremely influenced" by Tarkovsky's work and cited <a href="/wiki/Stalker_(1979_film)" title="Stalker (1979 film)">Stalker</a> as one of his favorite films.<a href="#cite_note-81">[80]</a> The French philosopher <a href="/wiki/Jean-Paul_Sartre" title="Jean-Paul Sartre">Jean-Paul Sartre</a> highly praised Tarkovsky's film Ivan's Childhood, saying that it was one of the most beautiful films he had ever seen.<a href="#cite_note-82">[81]</a> The Japanese <a href="/wiki/Anime" title="Anime">anime</a> filmmaker <a href="/wiki/Mamoru_Oshii" title="Mamoru Oshii">Mamoru Oshii</a>, known for his works such as <a href="/wiki/Ghost_in_the_Shell_(1995_film)" title="Ghost in the Shell (1995 film)">Ghost in the Shell</a>, was influenced by Tarkovsky.<a href="#cite_note-83">[82]</a> The Indian-born British American novelist <a href="/wiki/Salman_Rushdie" title="Salman Rushdie">Salman Rushdie</a> praised Tarkovsky and his work Solaris by calling it "a sci-fi masterpiece".<a href="#cite_note-84">[83]</a> Film historian <a href="/wiki/Steven_Dillon_(writer_and_professor)" title="Steven Dillon (writer and professor)">Steven Dillon</a> says that much of subsequent film was deeply influenced by the films of Tarkovsky.<a href="#cite_note-85">[84]</a> Mexican filmmaker <a href="/wiki/Alejandro_Gonz%C3%A1lez_I%C3%B1%C3%A1rritu" title="Alejandro González Iñárritu">Alejandro González Iñarritu</a> is a huge fan of Tarkovsky. He once said in an interview: "<a href="/wiki/Andrei_Rublev_(film)" title="Andrei Rublev (film)">Andrei Rublev</a> is maybe my favorite film ever", and in another interview, he added: "I remember, the first time I saw a Tarkovsky film, I was shocked by it. I did not know what to do. I was shocked by it. I was fascinated, because suddenly I realized that film could have so many more layers to it than what I had imagined before". There are many direct references and hidden tributes to Tarkovsky's movies in Iñarritu's 2015 Oscar-winning drama <a href="/wiki/The_Revenant_(2015_film)" title="The Revenant (2015 film)">The Revenant</a>.<a href="#cite_note-86">[85]</a> Danish film director <a href="/wiki/Lars_von_Trier" title="Lars von Trier">Lars von Trier</a> is a fervent admirer of Tarkovsky. He dedicated his 2009 film <a href="/wiki/Antichrist_(film)" title="Antichrist (film)">Antichrist</a> to him, and, while discussing it with critic David Jenkins, asked: "Have you seen <a href="/wiki/Mirror_(1975_film)" title="Mirror (1975 film)">Mirror</a>? I was hypnotised! I've seen it 20 times. It's the closest thing I've got to a religion – to me he is a god".<a href="#cite_note-87">[86]</a> The Japanese composer <a href="/wiki/Ryuichi_Sakamoto" title="Ryuichi Sakamoto">Ryuichi Sakamoto</a> was an admirer of Tarkovsky's work, describing his penultimate solo album, <a href="/wiki/Async_(album)" title="Async (album)">async</a> as "a soundtrack for an imaginary Tarkovsky film."<a href="#cite_note-88">[87]</a> On Tarkovsky's overall influence on his own work, Sakamoto stated, "As I've been making music and trying to go deeper and deeper, I was finally able to understand what the Tarkovsky movies are about — how symphonic they are — it's almost music. Not just the sounds — it's a symphony of moving images and sounds. They are more complex than music."<a href="#cite_note-89">[88]</a> <div class="mw-heading mw-heading3"><h3 id="Film_festival">Film festival</h3> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=19" title="Edit section: Film festival" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div> Two film festivals have been named in his honor: <ul><li><a href="/wiki/Stalker_(film_festival)" title="Stalker (film festival)">International Human Rights Film Festival "Stalker"</a>, named after the film held annually in Moscow and regional centres since 1995</li> <li>International Film Festival "Zerkalo" named after Andrei Tarkovsky (meaning "mirror"), "for fans of intellectual cinema";<a href="#cite_note-90">[89]</a> also known as Tarkovsky Film festival – Zerkalo,<a href="#cite_note-91">[90]</a> Zerkalo International Film Festival,<a href="#cite_note-92">[91]</a> Andrei Tarkovsky Zerkalo International Film Festival,<a href="#cite_note-93">[92]</a> <a href="/w/index.php?title=Tarkovskyfest&action=edit&redlink=1" class="new" title="Tarkovskyfest (page does not exist)">Tarkovskyfest</a> [<a href="https://ru.wikipedia.org/wiki/Tarkovskyfest" class="extiw" title="ru:Tarkovskyfest">ru</a>] or simply Zerkalo,<a href="#cite_note-festagent-94">[93]</a> The festival is organized by a committee headed by <a href="/wiki/Mikhail_Men" title="Mikhail Men">Mikhail Men</a>, governor of <a href="/wiki/Ivanovo_Oblast" title="Ivanovo Oblast">Ivanovo Oblast</a>. Sister of Andrei Tarkovsky, Marina Tarkovsky was one of the co-founders and organizers. From 2010 the festival was directed by <a href="/wiki/Pavel_Lungin" title="Pavel Lungin">Pavel Lungin</a>.<a href="#cite_note-festagent-94">[93]</a> In 2020, the president of the festival was Russian director <a href="/wiki/Sergei_Bodrov" title="Sergei Bodrov">Sergei Bodrov</a>. Owing to the <a href="/wiki/COVID-19_pandemic_in_Russia" title="COVID-19 pandemic in Russia">COVID-19 pandemic in Russia</a>, the 14th edition was held online in 2020, and appears to be the last one held, as of 2022<a class="external text" href="https://en.wikipedia.org/w/index.php?title=Andrei_Tarkovsky&action=edit">[update]</a>.<a href="#cite_note-zerkaloabout-95">[94]</a> The festival awards a number of prizes, including the Special Award for Contribution to Andrei Tarkovsky's Cinema.<a href="#cite_note-festagent-94">[93]</a><a href="#cite_note-96">[95]</a> Held in <a href="/wiki/Ivanovo" title="Ivanovo">Ivanovo</a> since 2007,<a href="#cite_note-97">[96]</a> the festival is held in July each year, with the 16th edition scheduled for 22–27 July, to be held in various cities in the Ivanovo region, with special screenings in Moscow. Films from France, India, Greece, Serbia, Colombia, Kazakhstan and other countries were entered into the competition, and a gala night was dedicated to Tarkovsky's 90th birthday, on the main square of his hometown of <a href="/wiki/Yuryevets,_Ivanovo_Oblast" title="Yuryevets, Ivanovo Oblast">Yuryevets</a> on 22 July.<a href="#cite_note-98">[97]</a></li></ul> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(10)"><h2 id="See_also">See also</h2> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=20" title="Edit section: See also" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-10 collapsible-block" id="mf-section-10"> <ul><li><a href="/wiki/European_art_cinema" title="European art cinema">European art cinema</a></li> <li><a href="/wiki/Slow_cinema" title="Slow cinema">Slow cinema</a></li> <li><a href="/wiki/Moscow_International_Film_Festival" title="Moscow International Film Festival">Moscow International Film Festival</a></li></ul> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(11)"><h2 id="References">References</h2> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=21" title="Edit section: References" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-11 collapsible-block" id="mf-section-11"> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 30em;"> <ol class="references"> <li id="cite_note-1"><a href="#cite_ref-1">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://forvo.com/word/%D0%B0%D0%BD%D0%B4%D1%80%D0%B5%D0%B9_%D1%82%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9/#ru">"How to pronounce Андрей Тарковский"</a>. forvo.com.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=forvo.com&rft.atitle=How+to+pronounce+%D0%90%D0%BD%D0%B4%D1%80%D0%B5%D0%B9+%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9&rft_id=https%3A%2F%2Fforvo.com%2Fword%2F%25D0%25B0%25D0%25BD%25D0%25B4%25D1%2580%25D0%25B5%25D0%25B9_%25D1%2582%25D0%25B0%25D1%2580%25D0%25BA%25D0%25BE%25D0%25B2%25D1%2581%25D0%25BA%25D0%25B8%25D0%25B9%2F%23ru&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-2"><a href="#cite_ref-2">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFАндрей_Степанович_Плахов2023" class="citation web cs1"><a href="/wiki/Andrei_Plakhov" title="Andrei Plakhov">Андрей Степанович Плахов</a> (11 May 2023). <a rel="nofollow" class="external text" href="https://bigenc.ru/c/tarkovskii-andrei-arsen-evich-279216/?v=7226008">"Тарковский, Андрей Арсеньевич"</a>. Retrieved 3 April 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9%2C+%D0%90%D0%BD%D0%B4%D1%80%D0%B5%D0%B9+%D0%90%D1%80%D1%81%D0%B5%D0%BD%D1%8C%D0%B5%D0%B2%D0%B8%D1%87&rft.date=2023-05-11&rft.au=%D0%90%D0%BD%D0%B4%D1%80%D0%B5%D0%B9+%D0%A1%D1%82%D0%B5%D0%BF%D0%B0%D0%BD%D0%BE%D0%B2%D0%B8%D1%87+%D0%9F%D0%BB%D0%B0%D1%85%D0%BE%D0%B2&rft_id=https%3A%2F%2Fbigenc.ru%2Fc%2Ftarkovskii-andrei-arsen-evich-279216%2F%3Fv%3D7226008&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> // <a href="/wiki/Great_Russian_Encyclopedia" title="Great Russian Encyclopedia">Большая российская энциклопедия</a>. Том 31. <a href="/wiki/%D0%9C%D0%BE%D1%81%D0%BA%D0%B2%D0%B0" class="mw-redirect" title="Москва">Москва</a>, 2016, с. 674. </li> <li id="cite_note-4"><a href="#cite_ref-4">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPeter_Rollberg2009" class="citation book cs1">Peter Rollberg (2009). Historical Dictionary of Russian and Soviet Cinema. US: Rowman & Littlefield. pp. 685–690. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8108-6072-8" title="Special:BookSources/978-0-8108-6072-8"><bdi>978-0-8108-6072-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Historical+Dictionary+of+Russian+and+Soviet+Cinema&rft.place=US&rft.pages=%3Cspan+class%3D%22nowrap%22%3E685-%3C%2Fspan%3E690&rft.pub=Rowman+%26+Littlefield&rft.date=2009&rft.isbn=978-0-8108-6072-8&rft.au=Peter+Rollberg&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-Sight-5"><a href="#cite_ref-Sight_5-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJames2019" class="citation web cs1">James, Nick (8 May 2019). <a rel="nofollow" class="external text" href="https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/features/deep-focus/tarkovsky-legacy">"The Tarkovsky Legacy"</a>. <a href="/wiki/Sight_%26_Sound" class="mw-redirect" title="Sight & Sound">Sight & Sound</a>. Retrieved 11 August 2019.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Sight+%26+Sound&rft.atitle=The+Tarkovsky+Legacy&rft.date=2019-05-08&rft.aulast=James&rft.aufirst=Nick&rft_id=https%3A%2F%2Fwww2.bfi.org.uk%2Fnews-opinion%2Fsight-sound-magazine%2Ffeatures%2Fdeep-focus%2Ftarkovsky-legacy&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-6"><a href="#cite_ref-6">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPetric1989" class="citation journal cs1">Petric, Vlada (December 1989). "Tarkovsky's Dream Imagery". Film Quarterly. 43 (2): 28–34. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1525%2Ffq.1989.43.2.04a00040">10.1525/fq.1989.43.2.04a00040</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Film+Quarterly&rft.atitle=Tarkovsky%27s+Dream+Imagery&rft.volume=43&rft.issue=2&rft.pages=%3Cspan+class%3D%22nowrap%22%3E28-%3C%2Fspan%3E34&rft.date=1989-12&rft_id=info%3Adoi%2F10.1525%2Ffq.1989.43.2.04a00040&rft.aulast=Petric&rft.aufirst=Vlada&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-SharunQuote-7">^ <a href="#cite_ref-SharunQuote_7-0">a</a> <a href="#cite_ref-SharunQuote_7-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTyrkin2001" class="citation cs2">Tyrkin, Stas (23 March 2001), <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180322094135/https://people.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/Stalker/sharun.html">In Stalker Tarkovsky foretold Chernobyl</a>, Nostalghia.com, archived from <a rel="nofollow" class="external text" href="http://www.acs.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/Stalker/sharun.html">the original</a> on 22 March 2018, retrieved 25 May 2009</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=In+Stalker+Tarkovsky+foretold+Chernobyl&rft.pub=Nostalghia.com&rft.date=2001-03-23&rft.aulast=Tyrkin&rft.aufirst=Stas&rft_id=http%3A%2F%2Fwww.acs.ucalgary.ca%2F~tstronds%2Fnostalghia.com%2FTheTopics%2FStalker%2Fsharun.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988">[Unreliable source] </li> <li id="cite_note-Bfi1-8"><a href="#cite_ref-Bfi1_8-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGray2015" class="citation web cs1">Gray, Carmen (27 October 2015). <a rel="nofollow" class="external text" href="https://www.bfi.org.uk/features/where-begin-with-andrei-tarkovsky">"Where to begin with Andrei Tarkovsky"</a>. <a href="/wiki/British_Film_Institute" title="British Film Institute">British Film Institute</a>. Retrieved 3 September 2019.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=British+Film+Institute&rft.atitle=Where+to+begin+with+Andrei+Tarkovsky&rft.date=2015-10-27&rft.aulast=Gray&rft.aufirst=Carmen&rft_id=https%3A%2F%2Fwww.bfi.org.uk%2Ffeatures%2Fwhere-begin-with-andrei-tarkovsky&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-gordon-9">^ <a href="#cite_ref-gordon_9-0">a</a> <a href="#cite_ref-gordon_9-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.tarkovskiy.su/texty/vospominania/MTarkovskaya04.html">"Marina Tarkovskaya: "My brother enjoyed being a descendant of the Dagestanian princes""</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Marina+Tarkovskaya%3A+%22My+brother+enjoyed+being+a+descendant+of+the+Dagestanian+princes%22&rft_id=http%3A%2F%2Fwww.tarkovskiy.su%2Ftexty%2Fvospominania%2FMTarkovskaya04.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> interview to the <a href="/wiki/Dmitry_Gordon" title="Dmitry Gordon">Gordon Boulevard</a> newspaper at the Andrei Tarkovsky media archive, 2007 (in Russian) </li> <li id="cite_note-10"><a href="#cite_ref-10">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20170118051501/http://www.itogi.ru/arts-exclus/2012/14/176471.html">"Filming Eternity"</a>. Archived from <a rel="nofollow" class="external text" href="http://www.itogi.ru/arts-exclus/2012/14/176471.html">the original</a> on 18 January 2017. Retrieved 17 January 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Filming+Eternity&rft_id=http%3A%2F%2Fwww.itogi.ru%2Farts-exclus%2F2012%2F14%2F176471.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> interview with Tarkovsky's sister Marina Tarkovskaya, <a href="https://ru.wikipedia.org/wiki/%D0%98%D1%82%D0%BE%D0%B3%D0%B8_(%D0%B6%D1%83%D1%80%D0%BD%D0%B0%D0%BB)" class="extiw" title="ru:Итоги (журнал)">Itogy</a> journal, 2 April 2012 (in Russian) </li> <li id="cite_note-11"><a href="#cite_ref-11">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a class="external text" href="https://ru.wikisource.org/wiki/%D0%AD%D0%A1%D0%91%D0%95/%D0%94%D1%83%D0%B1%D0%B0%D1%81%D0%BE%D0%B2%D1%8B">"Dubasov family"</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Dubasov+family&rft_id=https%3A%2F%2Fru.wikisource.org%2Fwiki%2F%D0%AD%D0%A1%D0%91%D0%95%2F%D0%94%D1%83%D0%B1%D0%B0%D1%81%D0%BE%D0%B2%D1%8B&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> from the <a href="/wiki/Brockhaus_and_Efron_Encyclopedic_Dictionary" title="Brockhaus and Efron Encyclopedic Dictionary">Brockhaus and Efron Encyclopedic Dictionary</a>, 1890–1907 (<a href="/wiki/Wikisource" title="Wikisource">Wikisource</a>, in Russian) </li> <li id="cite_note-12"><a href="#cite_ref-12">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSipatova2007" class="citation news cs1 cs1-prop-script cs1-prop-foreign-lang-source">Sipatova, Marina (2007). <a rel="nofollow" class="external text" href="http://www.mk.ru/blogs/MK/2007/02/20/culture/92002"><bdi lang="ru">Тайна рода Тарковских</bdi></a>. <a href="/wiki/Moskovskij_Komsomolets" title="Moskovskij Komsomolets">Moskovskij Komsomolets</a> (in Russian). Retrieved 25 November 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Moskovskij+Komsomolets&rft.atitle=%D0%A2%D0%B0%D0%B9%D0%BD%D0%B0+%D1%80%D0%BE%D0%B4%D0%B0+%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D1%85&rft.date=2007&rft.aulast=Sipatova&rft.aufirst=Marina&rft_id=http%3A%2F%2Fwww.mk.ru%2Fblogs%2FMK%2F2007%2F02%2F20%2Fculture%2F92002&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-13"><a href="#cite_ref-13">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1 cs1-prop-unfit"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20200921023907/https://videocide.com/namebook/andrei-tarkovsky/">"Andrei Tarkovsky | people and places"</a>. 13 September 2020. Archived from the original on 21 September 2020. Retrieved 18 February 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Andrei+Tarkovsky+%7C+people+and+places&rft.date=2020-09-13&rft_id=https%3A%2F%2Fvideocide.com%2Fnamebook%2Fandrei-tarkovsky%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-14"><a href="#cite_ref-14">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation audio-visual cs1">Donatella Baglivo (1984). Un poeta nel Cinema: Andreij Tarkovskij [Andrei Tarkovsky: A Poet in the Cinema] (Documentary).</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Un+poeta+nel+Cinema%3A+Andreij+Tarkovskij&rft.date=1984&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-15"><a href="#cite_ref-15">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGreen1993" class="citation book cs1">Green, Peter (1993). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=K_-vCwAAQBAJ&pg=PA2">Andrei Tarkovsky: The Winding Quest</a>. Springer. p. 2. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1349119967" title="Special:BookSources/978-1349119967"><bdi>978-1349119967</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Andrei+Tarkovsky%3A+The+Winding+Quest&rft.pages=2&rft.pub=Springer&rft.date=1993&rft.isbn=978-1349119967&rft.aulast=Green&rft.aufirst=Peter&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DK_-vCwAAQBAJ%26pg%3DPA2&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-16"><a href="#cite_ref-16">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVolkov2009" class="citation book cs1">Volkov, Solomon (2009). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=HnTIHKpkbrAC&pg=PA230">The Magical Chorus: A History of Russian Culture from Tolstoy to Solzhenitsyn</a>. Vintage Books. p. 230. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1400077861" title="Special:BookSources/978-1400077861"><bdi>978-1400077861</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Magical+Chorus%3A+A+History+of+Russian+Culture+from+Tolstoy+to+Solzhenitsyn&rft.pages=230&rft.pub=Vintage+Books&rft.date=2009&rft.isbn=978-1400077861&rft.aulast=Volkov&rft.aufirst=Solomon&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DHnTIHKpkbrAC%26pg%3DPA230&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-kompravda-17">^ <a href="#cite_ref-kompravda_17-0">a</a> <a href="#cite_ref-kompravda_17-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPleshakova2007" class="citation news cs1">Pleshakova, Anastasia (4 April 2007). <a rel="nofollow" class="external text" href="http://www.kp.ru/daily/23881/65502/">"Тарковский был "разрешенным контрреволюционером""</a> [Tarkovsky was "a legal сounterrevolutionary"]. <a href="/wiki/Komsomolskaya_Pravda" title="Komsomolskaya Pravda">Komsomolskaya Pravda</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20080104174327/http://www.kp.ru/daily/23881/65502/">Archived</a> from the original on 4 January 2008. Retrieved 27 November 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Komsomolskaya+Pravda&rft.atitle=%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9+%D0%B1%D1%8B%D0%BB+%22%D1%80%D0%B0%D0%B7%D1%80%D0%B5%D1%88%D0%B5%D0%BD%D0%BD%D1%8B%D0%BC+%D0%BA%D0%BE%D0%BD%D1%82%D1%80%D1%80%D0%B5%D0%B2%D0%BE%D0%BB%D1%8E%D1%86%D0%B8%D0%BE%D0%BD%D0%B5%D1%80%D0%BE%D0%BC%22&rft.date=2007-04-04&rft.aulast=Pleshakova&rft.aufirst=Anastasia&rft_id=http%3A%2F%2Fwww.kp.ru%2Fdaily%2F23881%2F65502%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-latgale-18"><a href="#cite_ref-latgale_18-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://latgale.academy/censorships-impact-on-tarkovskys-movies/">"Censorship's impact on Tarkovsky's movies"</a>. latgale.academy. Retrieved 26 July 2019.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=latgale.academy&rft.atitle=Censorship%27s+impact+on+Tarkovsky%27s+movies&rft_id=https%3A%2F%2Flatgale.academy%2Fcensorships-impact-on-tarkovskys-movies%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-FOOTNOTEGianvito2006xxv-19"><a href="#cite_ref-FOOTNOTEGianvito2006xxv_19-0">^</a> <a href="#CITEREFGianvito2006">Gianvito 2006</a>, p. xxv. </li> <li id="cite_note-20"><a href="#cite_ref-20">^</a> Marshall, Herbert. Sight and Sound. Vol 45, no 2. Spring 1976. p. 93. </li> <li id="cite_note-21"><a href="#cite_ref-21">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTarkovskytranslated_by_Kitty_Hunter-Blair1991" class="citation book cs1">Tarkovsky, Andrei; translated by Kitty Hunter-Blair (1991). <a href="/wiki/Time_Within_Time:_The_Diaries_1970-1986" class="mw-redirect" title="Time Within Time: The Diaries 1970-1986">Time Within Time: The Diaries 1970-1986</a>. <a href="/wiki/Calcutta" class="mw-redirect" title="Calcutta">Calcutta</a>: Seagull Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-81-7046-083-1" title="Special:BookSources/978-81-7046-083-1"><bdi>978-81-7046-083-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Time+Within+Time%3A+The+Diaries+1970-1986&rft.place=Calcutta&rft.pub=Seagull+Books&rft.date=1991&rft.isbn=978-81-7046-083-1&rft.aulast=Tarkovsky&rft.aufirst=Andrei&rft.au=translated+by+Kitty+Hunter-Blair&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-22"><a href="#cite_ref-22">^</a> Stalker: Andrei Tarkovsky Talking, in Bold, Christine (ed.), <a href="/wiki/Cencrastus" title="Cencrastus">Cencrastus</a> No. 5, Summer 1981, pp. 12 & 13 </li> <li id="cite_note-ReferenceB-23"><a href="#cite_ref-ReferenceB_23-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1 cs1-prop-script cs1-prop-foreign-lang-source"> <bdi lang="ru">Мир и фильмы Андрея Тарковского. Сост. А. Сандлер.</bdi> [Andey Tarkovsky's world and films] (in Russian). Moscow: Iskusstvo(Искусство). 1990. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-81-7046-083-1" title="Special:BookSources/978-81-7046-083-1"><bdi>978-81-7046-083-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=%D0%9C%D0%B8%D1%80+%D0%B8+%D1%84%D0%B8%D0%BB%D1%8C%D0%BC%D1%8B+%D0%90%D0%BD%D0%B4%D1%80%D0%B5%D1%8F+%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%BE%D0%B3%D0%BE.+%D0%A1%D0%BE%D1%81%D1%82.+%D0%90.+%D0%A1%D0%B0%D0%BD%D0%B4%D0%BB%D0%B5%D1%80.&rft.place=Moscow&rft.pub=Iskusstvo%28%D0%98%D1%81%D0%BA%D1%83%D1%81%D1%81%D1%82%D0%B2%D0%BE%29&rft.date=1990&rft.isbn=978-81-7046-083-1&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-24"><a href="#cite_ref-24">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFThomas-Mason" class="citation news cs1">Thomas-Mason, Lee. <a rel="nofollow" class="external text" href="https://faroutmagazine.co.uk/andrei-tarkovsky-filmmaker-polaroid-diary/">"Filmmaker Andrei Tarkovsky's sublime polaroid diary offers a personal glimpse into his cinematic vision"</a>. Retrieved 13 March 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Filmmaker+Andrei+Tarkovsky%27s+sublime+polaroid+diary+offers+a+personal+glimpse+into+his+cinematic+vision&rft.aulast=Thomas-Mason&rft.aufirst=Lee&rft_id=https%3A%2F%2Ffaroutmagazine.co.uk%2Fandrei-tarkovsky-filmmaker-polaroid-diary%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-Wagstaff2004-25"><a href="#cite_ref-Wagstaff2004_25-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWagstaff2004" class="citation book cs1">Wagstaff, Peter (2004). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=jFKGgLAQ8mMC&pg=PA169">Border crossings: mapping identities in modern Europe</a>. Peter Lang. p. 169. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-3-03910-279-2" title="Special:BookSources/978-3-03910-279-2"><bdi>978-3-03910-279-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Border+crossings%3A+mapping+identities+in+modern+Europe&rft.pages=169&rft.pub=Peter+Lang&rft.date=2004&rft.isbn=978-3-03910-279-2&rft.aulast=Wagstaff&rft.aufirst=Peter&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DjFKGgLAQ8mMC%26pg%3DPA169&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-26"><a href="#cite_ref-26">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGoodman1986" class="citation news cs1">Goodman, Walter (20 December 1986). <a rel="nofollow" class="external text" href="https://www.nytimes.com/1986/12/30/obituaries/andrei-tarkovsky-director-and-soviet-emigre-dies-at-54.html">"Andrei Tarkovsky, Director and Soviet Emigre, Dies at 54"</a>. The New York Times. p. B8. Retrieved 19 December 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Andrei+Tarkovsky%2C+Director+and+Soviet+Emigre%2C+Dies+at+54&rft.pages=B8&rft.date=1986-12-20&rft.aulast=Goodman&rft.aufirst=Walter&rft_id=https%3A%2F%2Fwww.nytimes.com%2F1986%2F12%2F30%2Fobituaries%2Fandrei-tarkovsky-director-and-soviet-emigre-dies-at-54.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-27"><a href="#cite_ref-27">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCustodero2015" class="citation news cs1 cs1-prop-foreign-lang-source">Custodero, Alberto (10 December 2015). <a rel="nofollow" class="external text" href="http://www.repubblica.it/cultura/2015/12/10/news/latina_profughi_est_rivoluzione_ungherese_commemorazione_documentario_emanuela_gasbarroni_andrej_tarkovskij-129035264/">"Latina, quei profughi dell'Est dimenticati. E spunta la scheda di Tarkovskij"</a>. La Repubblica (in Italian).</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=La+Repubblica&rft.atitle=Latina%2C+quei+profughi+dell%27Est+dimenticati.+E+spunta+la+scheda+di+Tarkovskij&rft.date=2015-12-10&rft.aulast=Custodero&rft.aufirst=Alberto&rft_id=http%3A%2F%2Fwww.repubblica.it%2Fcultura%2F2015%2F12%2F10%2Fnews%2Flatina_profughi_est_rivoluzione_ungherese_commemorazione_documentario_emanuela_gasbarroni_andrej_tarkovskij-129035264%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-28"><a href="#cite_ref-28">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1 cs1-prop-foreign-lang-source"><a rel="nofollow" class="external text" href="http://www.repubblica.it/cultura/2015/12/08/foto/campo_profughi_latina_documenti_foto_e_testimonianze-129059106/1/?ref=nrct-1#1">"Campo profughi a Latina, la scheda ritrovata di Tarkovskij. Documenti, foto e testimonianze"</a>. La Repubblica (in Italian). 8 December 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=La+Repubblica&rft.atitle=Campo+profughi+a+Latina%2C+la+scheda+ritrovata+di+Tarkovskij.+Documenti%2C+foto+e+testimonianze&rft.date=2015-12-08&rft_id=http%3A%2F%2Fwww.repubblica.it%2Fcultura%2F2015%2F12%2F08%2Ffoto%2Fcampo_profughi_latina_documenti_foto_e_testimonianze-129059106%2F1%2F%3Fref%3Dnrct-1%231&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-29"><a href="#cite_ref-29">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://skdeco.ru/en/utepliteli/kakoi-rak-byl-u-tarkovskogo-andrei-tarkovskii-poslednie-dni-geniya-skandalnaya.html">"English translations of various Russian articles and interviews with family members"</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=English+translations+of+various+Russian+articles+and+interviews+with+family+members.&rft_id=https%3A%2F%2Fskdeco.ru%2Fen%2Futepliteli%2Fkakoi-rak-byl-u-tarkovskogo-andrei-tarkovskii-poslednie-dni-geniya-skandalnaya.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-30"><a href="#cite_ref-30">^</a> Komsolmoskaya Pravda, "New Tarkovsky documents surface", 15. September 1995, page 23. </li> <li id="cite_note-31"><a href="#cite_ref-31">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAbdusalamovtranslated_by_Sergei_Sossinsky1990" class="citation book cs1">Abdusalamov, Shavkat; translated by Sergei Sossinsky (1990). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20070612085621/http://www.acs.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/On_Japanese_Influences.html">Feedback Effects, in About Andrei Tarkovsky, Memoirs and Biographies</a>. Moscow: Progress Publishers. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-5-01-001973-0" title="Special:BookSources/978-5-01-001973-0"><bdi>978-5-01-001973-0</bdi></a>. Archived from <a rel="nofollow" class="external text" href="http://www.acs.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/On_Japanese_Influences.html">the original</a> on 12 June 2007. Retrieved 26 December 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Feedback+Effects%2C+in+About+Andrei+Tarkovsky%2C+Memoirs+and+Biographies&rft.place=Moscow&rft.pub=Progress+Publishers&rft.date=1990&rft.isbn=978-5-01-001973-0&rft.aulast=Abdusalamov&rft.aufirst=Shavkat&rft.au=translated+by+Sergei+Sossinsky&rft_id=http%3A%2F%2Fwww.acs.ucalgary.ca%2F~tstronds%2Fnostalghia.com%2FTheTopics%2FOn_Japanese_Influences.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-32"><a href="#cite_ref-32">^</a> Tarkovsky, Andrei. Sculpting in Time. Trans. Kitty Hunter-Blair. Austin, Texas: University of Texas Press, 2003. </li> <li id="cite_note-33"><a href="#cite_ref-33">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDavid2007" class="citation web cs1">David, Eric (24 July 2007). <a rel="nofollow" class="external text" href="https://www.christianitytoday.com/ct/2007/julyweb-only/foftarkovsky.html">"'The Man Who Saw the Angel'"</a>. ChristianityToday.com. Retrieved 27 September 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=ChristianityToday.com&rft.atitle=%27The+Man+Who+Saw+the+Angel%27&rft.date=2007-07-24&rft.aulast=David&rft.aufirst=Eric&rft_id=https%3A%2F%2Fwww.christianitytoday.com%2Fct%2F2007%2Fjulyweb-only%2Ffoftarkovsky.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-BFI-34"><a href="#cite_ref-BFI_34-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGamble2015" class="citation web cs1">Gamble, Patrick (27 October 2015). <a rel="nofollow" class="external text" href="https://www.bfi.org.uk/lists/10-great-films-inspired-andrei-tarkovsky">"10 great films that inspired Andrei Tarkovsky"</a>. BFI. British Film Institute. Retrieved 20 July 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=BFI&rft.atitle=10+great+films+that+inspired+Andrei+Tarkovsky&rft.date=2015-10-27&rft.aulast=Gamble&rft.aufirst=Patrick&rft_id=https%3A%2F%2Fwww.bfi.org.uk%2Flists%2F10-great-films-inspired-andrei-tarkovsky&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-35"><a href="#cite_ref-35">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAleksandr_LipkovRobert_Bird1967" class="citation web cs1">Aleksandr Lipkov; Robert Bird (1 February 1967). <a rel="nofollow" class="external text" href="http://www.nostalghia.com/TheTopics/PassionacctoAndrei.html">"The Passion According to Andrei: An Unpublished Interview with Andrei Tarkovsky"</a>. nostalghia.com. Literaturnoe obozrenie 1988, University of Chicago. pp. 74–80. Retrieved 22 March 2024. <q>Interviewer: "What do you think about Pasolini's Gospel according to Matthew? That's also a kind of historical film." Tarkovsky: "Of course. I like the picture. I like it precisely because its director did not succumb to the temptation of interpreting the Bible. The Bible has been interpreted for two thousand years and no one can reach unanimous agreement. So Pasolini did not set himself this task, he just left the thing in the form in which it was born. Many feel that the image of a militant cruel Christ was made up by the author of the film. Not true! Read the Gospels and you will see that this was a cruel, cantankerous, irreconcilable man. Moreover with what genius was it written! On the one hand he's God and the Church has been relying on him for two thousand years, but he succumbs to doubt in the garden of Gethsemane. What could be simpler than to call for help from his father and avoid dying on the cross, but he doesn't do this. He is all back-to-front..."</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=nostalghia.com&rft.atitle=The+Passion+According+to+Andrei%3A+An+Unpublished+Interview+with+Andrei+Tarkovsky&rft.pages=%3Cspan+class%3D%22nowrap%22%3E74-%3C%2Fspan%3E80&rft.date=1967-02-01&rft.au=Aleksandr+Lipkov&rft.au=Robert+Bird&rft_id=http%3A%2F%2Fwww.nostalghia.com%2FTheTopics%2FPassionacctoAndrei.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-36"><a href="#cite_ref-36">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLasica1993" class="citation journal cs1">Lasica, Tom (March 1993). <a rel="nofollow" class="external text" href="http://arquivo.pt/wayback/20090706074126/http://www.acs.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/Tarkovsky-TopTen.html">"Tarkovsky's Choice"</a>. Sight and Sound. 3 (3). Archived from <a rel="nofollow" class="external text" href="http://www.acs.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/Tarkovsky-TopTen.html">the original</a> on 6 July 2009. Retrieved 25 December 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Sight+and+Sound&rft.atitle=Tarkovsky%27s+Choice&rft.volume=3&rft.issue=3&rft.date=1993-03&rft.aulast=Lasica&rft.aufirst=Tom&rft_id=http%3A%2F%2Fwww.acs.ucalgary.ca%2F~tstronds%2Fnostalghia.com%2FTheTopics%2FTarkovsky-TopTen.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-FOOTNOTEGianvito200642–43-37"><a href="#cite_ref-FOOTNOTEGianvito200642%E2%80%9343_37-0">^</a> <a href="#CITEREFGianvito2006">Gianvito 2006</a>, p. 42–43. </li> <li id="cite_note-38"><a href="#cite_ref-38">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www2.bfi.org.uk/features/tarkovsky/">"Andrei Tarkovsky, Solaris and Stalker"</a>. www2.bfi.org.uk. Retrieved 27 September 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=www2.bfi.org.uk&rft.atitle=Andrei+Tarkovsky%2C+Solaris+and+Stalker&rft_id=https%3A%2F%2Fwww2.bfi.org.uk%2Ffeatures%2Ftarkovsky%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-39"><a href="#cite_ref-39">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://faroutmagazine.co.uk/james-cameron-film-andrei-tarkovsky-loved/">"The James Cameron action film that Andrei Tarkovsky loved"</a>. faroutmagazine.co.uk. 17 July 2021. Retrieved 27 September 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=faroutmagazine.co.uk&rft.atitle=The+James+Cameron+action+film+that+Andrei+Tarkovsky+loved&rft.date=2021-07-17&rft_id=https%3A%2F%2Ffaroutmagazine.co.uk%2Fjames-cameron-film-andrei-tarkovsky-loved%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-40"><a href="#cite_ref-40">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.electronicbeats.net/this-is-not-a-coincidence-max-dax-talks-to-andrey-a-tarkovsky/">""This is not a coincidence": Max Dax talks to Andrey A. Tarkovsky"</a>. Telekom Electronic Beats. 29 October 2013. Retrieved 27 September 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Telekom+Electronic+Beats&rft.atitle=%22This+is+not+a+coincidence%22%3A+Max+Dax+talks+to+Andrey+A.+Tarkovsky&rft.date=2013-10-29&rft_id=https%3A%2F%2Fwww.electronicbeats.net%2Fthis-is-not-a-coincidence-max-dax-talks-to-andrey-a-tarkovsky%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-FOOTNOTEGianvito20065-41"><a href="#cite_ref-FOOTNOTEGianvito20065_41-0">^</a> <a href="#CITEREFGianvito2006">Gianvito 2006</a>, p. 5. </li> <li id="cite_note-42"><a href="#cite_ref-42">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFde_Brantes1986" class="citation news cs1 cs1-prop-foreign-lang-source">de Brantes, Charles (20 June 1986). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20080804055107/http://www.acs.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/AT_On.html">"La foi est la seule chose qui puisse sauver l'homme"</a>. La France Catholique (in French). Archived from <a rel="nofollow" class="external text" href="http://www.acs.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/AT_On.html">the original</a> on 4 August 2008. Retrieved 14 January 2008.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=La+France+Catholique&rft.atitle=La+foi+est+la+seule+chose+qui+puisse+sauver+l%27homme&rft.date=1986-06-20&rft.aulast=de+Brantes&rft.aufirst=Charles&rft_id=http%3A%2F%2Fwww.acs.ucalgary.ca%2F~tstronds%2Fnostalghia.com%2FTheTopics%2FAT_On.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-43"><a href="#cite_ref-43">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation pressrelease cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20070808041231/http://www.acs.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/AT_For_Dummies.html">"English Programme Booklet for The Sacrifice"</a> (Press release). Swedish Film Institute. Archived from <a rel="nofollow" class="external text" href="http://www.acs.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/AT_For_Dummies.html">the original</a> on 8 August 2007. Retrieved 14 January 2008.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=English+Programme+Booklet+for+The+Sacrifice&rft.pub=Swedish+Film+Institute&rft_id=http%3A%2F%2Fwww.acs.ucalgary.ca%2F~tstronds%2Fnostalghia.com%2FTheTopics%2FAT_For_Dummies.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-44"><a href="#cite_ref-44">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://kino.rambler.ru/movies/41971904-aleksandr-sokurov-tarkovskomu-zavidovali-strashno-chto-u-nego-takaya-izvestnost/">"Александр Сокуров: Тарковскому завидовали страшно, что у него такая известность"</a>. 2 April 2019.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=%D0%90%D0%BB%D0%B5%D0%BA%D1%81%D0%B0%D0%BD%D0%B4%D1%80+%D0%A1%D0%BE%D0%BA%D1%83%D1%80%D0%BE%D0%B2%3A+%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%BE%D0%BC%D1%83+%D0%B7%D0%B0%D0%B2%D0%B8%D0%B4%D0%BE%D0%B2%D0%B0%D0%BB%D0%B8+%D1%81%D1%82%D1%80%D0%B0%D1%88%D0%BD%D0%BE%2C+%D1%87%D1%82%D0%BE+%D1%83+%D0%BD%D0%B5%D0%B3%D0%BE+%D1%82%D0%B0%D0%BA%D0%B0%D1%8F+%D0%B8%D0%B7%D0%B2%D0%B5%D1%81%D1%82%D0%BD%D0%BE%D1%81%D1%82%D1%8C&rft.date=2019-04-02&rft_id=https%3A%2F%2Fkino.rambler.ru%2Fmovies%2F41971904-aleksandr-sokurov-tarkovskomu-zavidovali-strashno-chto-u-nego-takaya-izvestnost%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988">(in Russian). </li> <li id="cite_note-45"><a href="#cite_ref-45">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFChugunova1966" class="citation journal cs1">Chugunova, Maria (December 1966). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20090527083703/http://www.acs.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/On_Color.html">"On Cinema – Interview with Tarkovsky"</a>. To the Screen. Archived from <a rel="nofollow" class="external text" href="http://www.acs.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/On_Color.html">the original</a> on 27 May 2009. Retrieved 14 January 2008.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=To+the+Screen&rft.atitle=On+Cinema+%E2%80%93+Interview+with+Tarkovsky&rft.date=1966-12&rft.aulast=Chugunova&rft.aufirst=Maria&rft_id=http%3A%2F%2Fwww.acs.ucalgary.ca%2F~tstronds%2Fnostalghia.com%2FTheTopics%2FOn_Color.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-46"><a href="#cite_ref-46">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBielawski" class="citation web cs1">Bielawski, Trond Trondsen and Jan. <a rel="nofollow" class="external text" href="http://nostalghia.com/">"An Andrei Tarkovsky Information Site"</a>. nostalghia.com. 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Archived from <a rel="nofollow" class="external text" href="http://old.bfi.org.uk/sightandsound/polls/topten/poll/directors-long.html">the original</a> on 1 February 2017. Retrieved 20 June 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=old.bfi.org.uk&rft.atitle=Sight+%26+Sound+Top+Ten+Poll+2002+The+Rest+of+Director%27s+List&rft_id=http%3A%2F%2Fold.bfi.org.uk%2Fsightandsound%2Fpolls%2Ftopten%2Fpoll%2Fdirectors-long.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-73"><a href="#cite_ref-73">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="http://www.newyorker.com/magazine/2009/10/05/happy-haneke">"Happy Haneke"</a>. <a href="/wiki/The_New_Yorker" title="The New Yorker">The New Yorker</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+Yorker&rft.atitle=Happy+Haneke&rft_id=http%3A%2F%2Fwww.newyorker.com%2Fmagazine%2F2009%2F10%2F05%2Fhappy-haneke&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-74"><a href="#cite_ref-74">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="http://www.salon.com/2013/01/23/michael_haneke_art_doesn%E2%80%99t_offer_answers_only_questions/">"Michael Haneke: "Art doesn't offer answers, only questions""</a>. <a href="/wiki/Salon_(website)" class="mw-redirect" title="Salon (website)">Salon</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Salon&rft.atitle=Michael+Haneke%3A+%22Art+doesn%27t+offer+answers%2C+only+questions%22&rft_id=http%3A%2F%2Fwww.salon.com%2F2013%2F01%2F23%2Fmichael_haneke_art_doesn%25E2%2580%2599t_offer_answers_only_questions%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-75"><a href="#cite_ref-75">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.nostalghia.com/TheTopics/Brakhage_and_Tarkovsky.html">"Brakhage Pans Telluride Gold"</a>. Nostalghia.com. Retrieved 30 January 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Nostalghia.com&rft.atitle=Brakhage+Pans+Telluride+Gold&rft_id=http%3A%2F%2Fwww.nostalghia.com%2FTheTopics%2FBrakhage_and_Tarkovsky.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-76"><a href="#cite_ref-76">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJohn_Gianvito2024" class="citation book cs1">John Gianvito (25 April 2024). "Introduction". Andrei Tarkovsky - Interviews. University Press of Mississippi. p. X. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781578062201" title="Special:BookSources/9781578062201"><bdi>9781578062201</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Introduction&rft.btitle=Andrei+Tarkovsky+-+Interviews&rft.pages=X&rft.pub=University+Press+of+Mississippi&rft.date=2024-04-25&rft.isbn=9781578062201&rft.au=John+Gianvito&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-77"><a href="#cite_ref-77">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMaria_Fadeeva2012" class="citation web cs1">Maria Fadeeva (5 April 2012). <a rel="nofollow" class="external text" href="https://www.rbth.com/articles/2012/04/05/andrei_tarkovsky_the_filmmaker_who_saw_an_angel_15259.html">"Andrei Tarkovsky: The filmmaker who saw an angel"</a>. Russia Beyond. Retrieved 15 July 2021. <q>Even Wim Wenders, the great creator of the road movie, dedicated his "Wings of Desire" to Tarkovsky and Ozu (along with France's François Truffaut), noting that these three film producers focused "on the enduring truth, which lasted from the first scene to the last."</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Russia+Beyond&rft.atitle=Andrei+Tarkovsky%3A+The+filmmaker+who+saw+an+angel&rft.date=2012-04-05&rft.au=Maria+Fadeeva&rft_id=https%3A%2F%2Fwww.rbth.com%2Farticles%2F2012%2F04%2F05%2Fandrei_tarkovsky_the_filmmaker_who_saw_an_angel_15259.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-78"><a href="#cite_ref-78">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCatherine_Lupton2005" class="citation book cs1">Catherine Lupton (2005). Chris Marker - Memories of the Future. Reaktion Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781861892232" title="Special:BookSources/9781861892232"><bdi>9781861892232</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Chris+Marker+-+Memories+of+the+Future&rft.pub=Reaktion+Books&rft.date=2005&rft.isbn=9781861892232&rft.au=Catherine+Lupton&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-79"><a href="#cite_ref-79">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAndrew_Horton2016" class="citation book cs1">Andrew Horton (29 September 2016). "3 - Angelopoulos, the Continuous Image and Cinema". The Films of Theo Angelopoulos - A Cinema of Contemplation. Princeton University Press. p. 73. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781400884421" title="Special:BookSources/9781400884421"><bdi>9781400884421</bdi></a>. <q>We should realize, however, that Angelopoulos is an unusual paradox in the history of cinema: he is very clearly "Greek" as I have demonstrated, and yet he is an international filmmaker who has been influenced by filmmakers from around the globe. He has observed: "I draw techniques from everything I've seen....I continue to love...very much the films of Murnau, Mizoguchi, Antonioni. More recently: Tarkovsky's Stalker, Godard's Every Man for Himself and of course Ordet....</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=3+-+Angelopoulos%2C+the+Continuous+Image+and+Cinema&rft.btitle=The+Films+of+Theo+Angelopoulos+-+A+Cinema+of+Contemplation&rft.pages=73&rft.pub=Princeton+University+Press&rft.date=2016-09-29&rft.isbn=9781400884421&rft.au=Andrew+Horton&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-80"><a href="#cite_ref-80">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDonato_Totaro" class="citation web cs1">Donato Totaro. <a rel="nofollow" class="external text" href="https://offscreen.com/view/an-interview-with-andrzej-zulawski-and-daniel-bird">"An Interview with Andrzej Zulawski and Daniel Bird"</a>. OffScreen. Retrieved 15 September 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=OffScreen&rft.atitle=An+Interview+with+Andrzej+Zulawski+and+Daniel+Bird&rft.au=Donato+Totaro&rft_id=https%3A%2F%2Foffscreen.com%2Fview%2Fan-interview-with-andrzej-zulawski-and-daniel-bird&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-81"><a href="#cite_ref-81">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJen_Yamato2009" class="citation web cs1">Jen Yamato (16 March 2009). <a rel="nofollow" class="external text" href="https://editorial.rottentomatoes.com/article/five-favorite-films-with-alex-proyas/">"Five Favorite Films with Alex Proyas"</a>. Rotten Tomatoes. Fandango. Retrieved 30 August 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Rotten+Tomatoes&rft.atitle=Five+Favorite+Films+with+Alex+Proyas&rft.date=2009-03-16&rft.au=Jen+Yamato&rft_id=https%3A%2F%2Feditorial.rottentomatoes.com%2Farticle%2Ffive-favorite-films-with-alex-proyas%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-82"><a href="#cite_ref-82">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSartre,_Jean-Paul" class="citation web cs1">Sartre, Jean-Paul. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20090919024923/http://people.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/Sartre.html">"Discussion on the criticism of Ivan's Childhood"</a>. www.nostalghia.com. Archived from <a rel="nofollow" class="external text" href="https://www.ucalgary.ca/~tstronds/nostalghia.com/TheTopics/Sartre.html">the original</a> on 19 September 2009. Retrieved 13 December 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Discussion+on+the+criticism+of+Ivan%27s+Childhood&rft.pub=www.nostalghia.com&rft.au=Sartre%2C+Jean-Paul&rft_id=https%3A%2F%2Fwww.ucalgary.ca%2F~tstronds%2Fnostalghia.com%2FTheTopics%2FSartre.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-83"><a href="#cite_ref-83">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrian_Ruh2016" class="citation book cs1">Brian Ruh (2016). Stray Dog of Anime - The Films of Mamoru Oshii. Palgrave Macmillan. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781137437907" title="Special:BookSources/9781137437907"><bdi>9781137437907</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Stray+Dog+of+Anime+-+The+Films+of+Mamoru+Oshii&rft.pub=Palgrave+Macmillan&rft.date=2016&rft.isbn=9781137437907&rft.au=Brian+Ruh&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-84"><a href="#cite_ref-84">^</a> Rushdie, Salman. Step Across This Line: Collected Nonfiction 1992–2002. New York: Random House, 2002, p. 335. </li> <li id="cite_note-85"><a href="#cite_ref-85">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDillon2006" class="citation book cs1">Dillon, Steven (2006). 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Retrieved 11 August 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=www.goldenglobes.com&rft.atitle=Tarkovsky+And+The+Revenant+%E2%80%93+Homage%2C+And+Beyond.&rft.date=2016-02-18&rft_id=https%3A%2F%2Fwww.goldenglobes.com%2Farticles%2Ftarkovsky-and-revenant-homage-and-beyond&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-87"><a href="#cite_ref-87">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/features/deep-focus/tarkovsky-legacy">"The Tarkovsky legacy | Deep focus | Sight & Sound"</a>. British Film Institute. 8 May 2019. Retrieved 4 November 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=British+Film+Institute&rft.atitle=The+Tarkovsky+legacy+%7C+Deep+focus+%7C+Sight+%26+Sound&rft.date=2019-05-08&rft_id=https%3A%2F%2Fwww2.bfi.org.uk%2Fnews-opinion%2Fsight-sound-magazine%2Ffeatures%2Fdeep-focus%2Ftarkovsky-legacy&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-88"><a href="#cite_ref-88">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWeston2017" class="citation web cs1">Weston, Hillary (1 June 2017). <a rel="nofollow" class="external text" href="https://www.criterion.com/current/posts/4625-sonic-memories-a-conversation-with-ryuichi-sakamoto/">"Sonic Memories: A Conversation with Ryuichi Sakamoto"</a>. <a href="/wiki/The_Criterion_Collection" title="The Criterion Collection">Criterion</a>. Retrieved 30 March 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Criterion&rft.atitle=Sonic+Memories%3A+A+Conversation+with+Ryuichi+Sakamoto&rft.date=2017-06-01&rft.aulast=Weston&rft.aufirst=Hillary&rft_id=https%3A%2F%2Fwww.criterion.com%2Fcurrent%2Fposts%2F4625-sonic-memories-a-conversation-with-ryuichi-sakamoto%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-89"><a href="#cite_ref-89">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHubert2018" class="citation web cs1">Hubert, Craig (16 July 2018). <a rel="nofollow" class="external text" href="https://hyperallergic.com/451093/ryuichi-sakamoto-coda-interview//">"Composer Ryuichi Sakamoto Reflects on His Life, Work, and Battle with Cancer"</a>. <a href="/wiki/Hyperallergic" title="Hyperallergic">Hyperallergic</a>. Retrieved 30 March 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Hyperallergic&rft.atitle=Composer+Ryuichi+Sakamoto+Reflects+on+His+Life%2C+Work%2C+and+Battle+with+Cancer&rft.date=2018-07-16&rft.aulast=Hubert&rft.aufirst=Craig&rft_id=https%3A%2F%2Fhyperallergic.com%2F451093%2Fryuichi-sakamoto-coda-interview%2F%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-90"><a href="#cite_ref-90">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://eventsinrussia.com/en/event/20253">"International Film Festival 'Zerkalo'"</a>. Russian events. 1 June 2019. Retrieved 7 September 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Russian+events&rft.atitle=International+Film+Festival+%27Zerkalo%27&rft.date=2019-06-01&rft_id=http%3A%2F%2Feventsinrussia.com%2Fen%2Fevent%2F20253&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-91"><a href="#cite_ref-91">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.imdb.com/event/ev0003032/overview/">"Tarkovsky Film festival - Zerkalo"</a>. IMDb. Retrieved 7 September 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=IMDb&rft.atitle=Tarkovsky+Film+festival+-+Zerkalo&rft_id=http%3A%2F%2Fwww.imdb.com%2Fevent%2Fev0003032%2Foverview%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-92"><a href="#cite_ref-92">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://en.zerkalo.space/winners">"The 14th Zerkalo International Film Festival Has Closed"</a>. Zerkalo. 30 June 2020. Retrieved 7 September 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Zerkalo&rft.atitle=The+14th+Zerkalo+International+Film+Festival+Has+Closed&rft.date=2020-06-30&rft_id=http%3A%2F%2Fen.zerkalo.space%2Fwinners&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-93"><a href="#cite_ref-93">^</a> <a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=JbjbL6d_xC4">Andrei Tarkovsky ZERKALO International Film Festival 2020</a> on <a href="/wiki/YouTube_video_(identifier)" class="mw-redirect" title="YouTube video (identifier)">YouTube</a> 4 July 2020. </li> <li id="cite_note-festagent-94">^ <a href="#cite_ref-festagent_94-0">a</a> <a href="#cite_ref-festagent_94-1">b</a> <a href="#cite_ref-festagent_94-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://festagent.com/en/festivals/kinozerkalo">"Zerkalo"</a>. Festagent. 15 May 2019. Retrieved 7 September 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Festagent&rft.atitle=Zerkalo&rft.date=2019-05-15&rft_id=https%3A%2F%2Ffestagent.com%2Fen%2Ffestivals%2Fkinozerkalo&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-zerkaloabout-95"><a href="#cite_ref-zerkaloabout_95-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://en.zerkalo.space/about">"About"</a>. Zerkalo. Retrieved 7 September 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Zerkalo&rft.atitle=About&rft_id=http%3A%2F%2Fen.zerkalo.space%2Fabout&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-96"><a href="#cite_ref-96">^</a> <a rel="nofollow" class="external text" href="http://en.zerkalo.space/">Official website</a> (English version) </li> <li id="cite_note-97"><a href="#cite_ref-97">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://russia-ic.com/tags/Zerkalo%20Film%20Festival%20in%20Ivanovo">"Zerkalo Film Festival in Ivanovo"</a>. Russia-InfoCentre. Retrieved 7 September 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Russia-InfoCentre&rft.atitle=Zerkalo+Film+Festival+in+Ivanovo&rft_id=http%3A%2F%2Frussia-ic.com%2Ftags%2FZerkalo%2520Film%2520Festival%2520in%2520Ivanovo&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> <li id="cite_note-98"><a href="#cite_ref-98">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://newsunrolled.com/entertainment/47729.html">"International Tarkovsky Festival Dates Announced"</a>. News Unrolled. 29 June 2022. Retrieved 7 September 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=News+Unrolled&rft.atitle=International+Tarkovsky+Festival+Dates+Announced&rft.date=2022-06-29&rft_id=https%3A%2F%2Fnewsunrolled.com%2Fentertainment%2F47729.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"> </li> </ol></div> Bibliography <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin refbegin-columns references-column-width" style="column-width: 30em"> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAlexander-Garrett2011" class="citation book cs1 cs1-prop-foreign-lang-source">Alexander-Garrett, Layla (2011). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20121112052431/http://www.cygnnet.co.uk/books/?id=4">Andrei Tarkovsky: A Photographic Chronicle of the Making of The Sacrifice</a> (in English and Russian). Cygnnet. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-09-570-4160-8" title="Special:BookSources/978-09-570-4160-8"><bdi>978-09-570-4160-8</bdi></a>. Archived from <a rel="nofollow" class="external text" href="http://www.cygnnet.co.uk/books/?id=4">the original</a> on 12 November 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Andrei+Tarkovsky%3A+A+Photographic+Chronicle+of+the+Making+of+The+Sacrifice&rft.pub=Cygnnet&rft.date=2011&rft.isbn=978-09-570-4160-8&rft.aulast=Alexander-Garrett&rft.aufirst=Layla&rft_id=http%3A%2F%2Fwww.cygnnet.co.uk%2Fbooks%2F%3Fid%3D4&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDunne2008" class="citation book cs1">Dunne, Nathan (2008). <a rel="nofollow" class="external text" href="https://archive.org/details/tarkovsky0000unse">Tarkovsky</a>. Black Dog Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-906155-04-9" title="Special:BookSources/978-1-906155-04-9"><bdi>978-1-906155-04-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Tarkovsky&rft.pub=Black+Dog+Publishing&rft.date=2008&rft.isbn=978-1-906155-04-9&rft.aulast=Dunne&rft.aufirst=Nathan&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Ftarkovsky0000unse&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFElmanovitš1980" class="citation book cs1 cs1-prop-foreign-lang-source">Elmanovitš, Tatjana (1980). Ajapeegel. Andrei Tarkovski filmid (in Estonian). Eesti Raamat.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Ajapeegel.+Andrei+Tarkovski+filmid&rft.pub=Eesti+Raamat&rft.date=1980&rft.aulast=Elmanovit%C5%A1&rft.aufirst=Tatjana&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGianvito2006" class="citation book cs1">Gianvito, John (2006). <a href="/wiki/Conversations_with_Filmmakers_Series" title="Conversations with Filmmakers Series">Andrei Tarkovsky: Interviews</a>. University Press of Mississippi. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-57806-220-1" title="Special:BookSources/978-1-57806-220-1"><bdi>978-1-57806-220-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Andrei+Tarkovsky%3A+Interviews&rft.pub=University+Press+of+Mississippi&rft.date=2006&rft.isbn=978-1-57806-220-1&rft.aulast=Gianvito&rft.aufirst=John&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJohnstonPetrie1997" class="citation book cs1">Johnston, Vida T.; Petrie, Graham (1997). <a href="/wiki/The_Films_of_Andrei_Tarkovsky:_A_Visual_Fugue" title="The Films of Andrei Tarkovsky: A Visual Fugue">The Films of Andrei Tarkovsky: A Visual Fugue</a>. Bloomington: Indiana Univ. Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-253-20887-3" title="Special:BookSources/978-0-253-20887-3"><bdi>978-0-253-20887-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Films+of+Andrei+Tarkovsky%3A+A+Visual+Fugue&rft.place=Bloomington&rft.pub=Indiana+Univ.+Press&rft.date=1997&rft.isbn=978-0-253-20887-3&rft.aulast=Johnston&rft.aufirst=Vida+T.&rft.au=Petrie%2C+Graham&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJónssonÓttarsson2006" class="citation book cs1">Jónsson, Gunnlaugur A.; Óttarsson, Thorkell Á. (2006). Through the Mirror: Reflections on the Films of Andrei Tarkovsky. Cambridge Scholars Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-904303-11-4" title="Special:BookSources/978-1-904303-11-4"><bdi>978-1-904303-11-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Through+the+Mirror%3A+Reflections+on+the+Films+of+Andrei+Tarkovsky&rft.pub=Cambridge+Scholars+Press&rft.date=2006&rft.isbn=978-1-904303-11-4&rft.aulast=J%C3%B3nsson&rft.aufirst=Gunnlaugur+A.&rft.au=%C3%93ttarsson%2C+Thorkell+%C3%81.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLe_Fanu1987" class="citation book cs1">Le Fanu, Mark (1987). The Cinema of Andrei Tarkovsky. British Film Institute.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Cinema+of+Andrei+Tarkovsky&rft.pub=British+Film+Institute&rft.date=1987&rft.aulast=Le+Fanu&rft.aufirst=Mark&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMartin2005" class="citation book cs1">Martin, Sean (2005). Andrei Tarkovsky. Pocket Essentials. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-904048-49-7" title="Special:BookSources/978-1-904048-49-7"><bdi>978-1-904048-49-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Andrei+Tarkovsky&rft.pub=Pocket+Essentials&rft.date=2005&rft.isbn=978-1-904048-49-7&rft.aulast=Martin&rft.aufirst=Sean&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"></li> <li>Schmidt, Stefan W. (2016). "Somatography and Film: Nostalgia as Haunting Memory Shown in Tarkovsky's Nostalghia." Journal of Aesthetics and Phenomenology, 3 (1): 27–41. <a rel="nofollow" class="external text" href="https://doi.org/10.1080/20539320.2016.1187856">Somatography and Film: Nostalgia as Haunting Memory Shown in Tarkovsky's Nostalghia</a></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSlevin2010" class="citation journal cs1">Slevin, Tom (2010). "Existence, Ethics and Death in Andrei Tarkovsky's cinema: the cultural philosophy of Solaris". Film International. 8 (2): 49–62. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1386%2Ffiin.8.2.49">10.1386/fiin.8.2.49</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Film+International&rft.atitle=Existence%2C+Ethics+and+Death+in+Andrei+Tarkovsky%27s+cinema%3A+the+cultural+philosophy+of+Solaris&rft.volume=8&rft.issue=2&rft.pages=%3Cspan+class%3D%22nowrap%22%3E49-%3C%2Fspan%3E62&rft.date=2010&rft_id=info%3Adoi%2F10.1386%2Ffiin.8.2.49&rft.aulast=Slevin&rft.aufirst=Tom&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTarkovsky1989" class="citation book cs1">Tarkovsky, Andrei (1989). Sculpting in Time. University of Texas Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-292-77624-1" title="Special:BookSources/978-0-292-77624-1"><bdi>978-0-292-77624-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Sculpting+in+Time&rft.pub=University+of+Texas+Press&rft.date=1989&rft.isbn=978-0-292-77624-1&rft.aulast=Tarkovsky&rft.aufirst=Andrei&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTejeda2010" class="citation book cs1">Tejeda, Carlos (2010). <a rel="nofollow" class="external text" href="https://catedra.com/libro.php?codigo_comercial=195082">Andrei Tarkovski</a>. Cátedra, Madrid. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-84-376-2666-6" title="Special:BookSources/978-84-376-2666-6"><bdi>978-84-376-2666-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Andrei+Tarkovski&rft.pub=C%C3%A1tedra%2C+Madrid&rft.date=2010&rft.isbn=978-84-376-2666-6&rft.aulast=Tejeda&rft.aufirst=Carlos&rft_id=https%3A%2F%2Fcatedra.com%2Flibro.php%3Fcodigo_comercial%3D195082&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTurovskaya1991" class="citation book cs1 cs1-prop-foreign-lang-source">Turovskaya, Maya (1991). 7½ ili Filmõ Andreya Tarkovskovo (in Russian). Iskusstvo.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=7%C2%BD+ili+Film%C3%B5+Andreya+Tarkovskovo&rft.pub=Iskusstvo&rft.date=1991&rft.aulast=Turovskaya&rft.aufirst=Maya&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation journal cs1 cs1-prop-long-vol">"Dossier Andrei Tarkovsky". Revue NUNC. 11, 2006. Editions de Corlevour.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Revue+NUNC&rft.atitle=Dossier+Andrei+Tarkovsky&rft.volume=11%2C+2006&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"></li></ul> </div> Notes <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist reflist-lower-alpha"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-3"><a href="#cite_ref-3">^</a> Tarkovsky was born in the <a href="/wiki/Russian_SFSR" class="mw-redirect" title="Russian SFSR">Russian SFSR</a>, with his mother being from the Dubasov (<a href="https://ru.wikipedia.org/wiki/%D0%94%D1%83%D0%B1%D0%B0%D1%81%D0%BE%D0%B2%D1%8B" class="extiw" title="ru:Дубасовы">Дубасовы</a>) family of <a href="/wiki/Russian_nobility" title="Russian nobility">Russian nobility</a>, and with mixed Polish, Romanian and Russian ancestry on his paternal side; his nationality remained Soviet throughout his life, even during his last years in exile. </li> </ol></div></div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(12)"><h2 id="Further_reading">Further reading</h2> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=22" title="Edit section: Further reading" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-12 collapsible-block" id="mf-section-12"> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMoore2009" class="citation journal cs1">Moore, Cerwyn (2009). <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/40645258">"Tracing the Russian Hermeneutic: Reflections on Tarkovsky's Cinematic Poetics and Global Politics"</a>. Alternatives: Global, Local, Political. 34 (1): 59–84. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1177%2F030437540903400104">10.1177/030437540903400104</a>. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a> <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/40645258">40645258</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a> <a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:143836755">143836755</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Alternatives%3A+Global%2C+Local%2C+Political&rft.atitle=Tracing+the+Russian+Hermeneutic%3A+Reflections+on+Tarkovsky%27s+Cinematic+Poetics+and+Global+Politics&rft.volume=34&rft.issue=1&rft.pages=%3Cspan+class%3D%22nowrap%22%3E59-%3C%2Fspan%3E84&rft.date=2009&rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A143836755%23id-name%3DS2CID&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F40645258%23id-name%3DJSTOR&rft_id=info%3Adoi%2F10.1177%2F030437540903400104&rft.aulast=Moore&rft.aufirst=Cerwyn&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F40645258&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAndrei+Tarkovsky" class="Z3988"></li></ul> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(13)"><h2 id="External_links">External links</h2> <a role="button" href="/w/index.php?title=Andrei_Tarkovsky&action=edit&section=23" title="Edit section: External links" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> edit </a> </div><section class="mf-section-13 collapsible-block" id="mf-section-13"> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output 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at <a href="/wiki/Senses_of_Cinema" title="Senses of Cinema">Senses of Cinema</a></li> <li><a rel="nofollow" class="external text" href="http://www.andrei-tarkovsky.com/">Website about Andrei Tarkovsky, Films, Articles, Interviews</a></li> <li><a rel="nofollow" class="external text" href="http://rbth.com/literature/2014/11/26/andrei_tarkovsky_biography_wrestles_with_the_filmmakers_remarkable_41717.html">Andrei Tarkovsky: Biography wrestles with the filmmaker's remarkable life</a></li> <li><a rel="nofollow" class="external text" href="http://www.nostalghia.com/index.html">Nostalghia.com - An Andrei Tarkovsky Information Site</a>, at Film Studies Program in the Department of Communication and Culture, <a href="/wiki/University_of_Calgary" title="University of Calgary">University of Calgary</a></li> <li><a rel="nofollow" class="external text" href="https://en.168.am/2016/02/27/2786.html">A.Tarkovsky's Days in Armenia</a></li></ul> <div class="navbox-styles"><link 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<div class="read-more-container"></div> </div> <div id="p-lang"> <h4>Languages</h4> <section> <ul id="p-variants" class="minerva-languages"></ul> <ul class="minerva-languages"><li class="interlanguage-link interwiki-af mw-list-item"><a href="https://af.wikipedia.org/wiki/Andrei_Tarkofski" title="Andrei Tarkofski – Afrikaans" lang="af" hreflang="af" data-title="Andrei Tarkofski" data-language-autonym="Afrikaans" data-language-local-name="Afrikaans" class="interlanguage-link-target">Afrikaans</a></li><li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D8%A3%D9%86%D8%AF%D8%B1%D9%8A_%D8%AA%D8%A7%D8%B1%D9%83%D9%88%D9%81%D8%B3%D9%83%D9%8A" title="أندري تاركوفسكي – Arabic" lang="ar" hreflang="ar" data-title="أندري تاركوفسكي" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target">العربية</a></li><li class="interlanguage-link interwiki-az mw-list-item"><a href="https://az.wikipedia.org/wiki/Andrey_Tarkovski" title="Andrey Tarkovski – Azerbaijani" lang="az" hreflang="az" data-title="Andrey Tarkovski" data-language-autonym="Azərbaycanca" data-language-local-name="Azerbaijani" class="interlanguage-link-target">Azərbaycanca</a></li><li class="interlanguage-link interwiki-bn mw-list-item"><a href="https://bn.wikipedia.org/wiki/%E0%A6%86%E0%A6%A8%E0%A7%8D%E0%A6%A6%E0%A7%8D%E0%A6%B0%E0%A7%87%E0%A6%87_%E0%A6%A4%E0%A6%BE%E0%A6%B0%E0%A7%8D%E0%A6%95%E0%A6%AD%E0%A7%8D%E2%80%8C%E0%A6%B8%E0%A7%8D%E0%A6%95%E0%A6%BF" title="আন্দ্রেই তার্কভ্‌স্কি – Bangla" lang="bn" hreflang="bn" data-title="আন্দ্রেই তার্কভ্‌স্কি" data-language-autonym="বাংলা" data-language-local-name="Bangla" class="interlanguage-link-target">বাংলা</a></li><li class="interlanguage-link interwiki-ba mw-list-item"><a href="https://ba.wikipedia.org/wiki/%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9_%D0%90%D0%BD%D0%B4%D1%80%D0%B5%D0%B9_%D0%90%D1%80%D1%81%D0%B5%D0%BD%D1%8C%D0%B5%D0%B2%D0%B8%D1%87" title="Тарковский Андрей Арсеньевич – Bashkir" lang="ba" hreflang="ba" data-title="Тарковский Андрей Арсеньевич" data-language-autonym="Башҡортса" data-language-local-name="Bashkir" class="interlanguage-link-target">Башҡортса</a></li><li class="interlanguage-link interwiki-be mw-list-item"><a href="https://be.wikipedia.org/wiki/%D0%90%D0%BD%D0%B4%D1%80%D1%8D%D0%B9_%D0%90%D1%80%D1%81%D0%B5%D0%BD%D1%8C%D0%B5%D0%B2%D1%96%D1%87_%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D1%9E%D1%81%D0%BA%D1%96" title="Андрэй Арсеньевіч Таркоўскі – Belarusian" lang="be" hreflang="be" data-title="Андрэй Арсеньевіч Таркоўскі" data-language-autonym="Беларуская" data-language-local-name="Belarusian" class="interlanguage-link-target">Беларуская</a></li><li class="interlanguage-link interwiki-be-x-old mw-list-item"><a href="https://be-tarask.wikipedia.org/wiki/%D0%90%D0%BD%D0%B4%D1%80%D1%8D%D0%B9_%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D1%9E%D1%81%D0%BA%D1%96" title="Андрэй Таркоўскі – Belarusian (Taraškievica orthography)" lang="be-tarask" hreflang="be-tarask" data-title="Андрэй Таркоўскі" data-language-autonym="Беларуская (тарашкевіца)" data-language-local-name="Belarusian (Taraškievica orthography)" class="interlanguage-link-target">Беларуская (тарашкевіца)</a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/%D0%90%D0%BD%D0%B4%D1%80%D0%B5%D0%B9_%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8" title="Андрей Тарковски – Bulgarian" lang="bg" hreflang="bg" data-title="Андрей Тарковски" data-language-autonym="Български" data-language-local-name="Bulgarian" class="interlanguage-link-target">Български</a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Andrei_Tarkovski" title="Andrei Tarkovski – Catalan" lang="ca" hreflang="ca" data-title="Andrei Tarkovski" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target">Català</a></li><li class="interlanguage-link interwiki-cv mw-list-item"><a href="https://cv.wikipedia.org/wiki/%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9_%D0%90%D0%BD%D0%B4%D1%80%D0%B5%D0%B9_%D0%90%D1%80%D1%81%D0%B5%D0%BD%D1%8C%D0%B5%D0%B2%D0%B8%D1%87" title="Тарковский Андрей Арсеньевич – Chuvash" lang="cv" hreflang="cv" data-title="Тарковский Андрей Арсеньевич" data-language-autonym="Чӑвашла" data-language-local-name="Chuvash" class="interlanguage-link-target">Чӑвашла</a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Andrej_Tarkovskij" title="Andrej Tarkovskij – Czech" lang="cs" hreflang="cs" data-title="Andrej Tarkovskij" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target">Čeština</a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Andrej_Tarkovskij" title="Andrej Tarkovskij – Danish" lang="da" hreflang="da" data-title="Andrej Tarkovskij" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target">Dansk</a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Andrei_Arsenjewitsch_Tarkowski" title="Andrei Arsenjewitsch Tarkowski – German" lang="de" hreflang="de" data-title="Andrei Arsenjewitsch Tarkowski" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target">Deutsch</a></li><li class="interlanguage-link interwiki-et mw-list-item"><a href="https://et.wikipedia.org/wiki/Andrei_Tarkovski" title="Andrei Tarkovski – Estonian" lang="et" hreflang="et" data-title="Andrei Tarkovski" data-language-autonym="Eesti" data-language-local-name="Estonian" class="interlanguage-link-target">Eesti</a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/%CE%91%CE%BD%CF%84%CF%81%CE%AD%CE%B9_%CE%A4%CE%B1%CF%81%CE%BA%CF%8C%CF%86%CF%83%CE%BA%CE%B9" title="Αντρέι Ταρκόφσκι – Greek" lang="el" hreflang="el" data-title="Αντρέι Ταρκόφσκι" data-language-autonym="Ελληνικά" data-language-local-name="Greek" class="interlanguage-link-target">Ελληνικά</a></li><li class="interlanguage-link interwiki-myv mw-list-item"><a href="https://myv.wikipedia.org/wiki/%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9,_%D0%90%D0%BD%D0%B4%D1%80%D0%B5%D0%B9_%D0%90%D1%80%D1%81%D0%B5%D0%BD%D1%8C%D0%B5%D0%B2%D0%B8%D1%87" title="Тарковский, Андрей Арсеньевич – Erzya" lang="myv" hreflang="myv" data-title="Тарковский, Андрей Арсеньевич" data-language-autonym="Эрзянь" data-language-local-name="Erzya" class="interlanguage-link-target">Эрзянь</a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Andr%C3%A9i_Tarkovski" title="Andréi Tarkovski – Spanish" lang="es" hreflang="es" data-title="Andréi Tarkovski" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target">Español</a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Andrej_Tarkovskij" title="Andrej Tarkovskij – Esperanto" lang="eo" hreflang="eo" data-title="Andrej Tarkovskij" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target">Esperanto</a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Andrei_Tarkovski" title="Andrei Tarkovski – Basque" lang="eu" hreflang="eu" data-title="Andrei Tarkovski" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target">Euskara</a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D8%A2%D9%86%D8%AF%D8%B1%DB%8C_%D8%AA%D8%A7%D8%B1%DA%A9%D9%88%D9%81%D8%B3%DA%A9%DB%8C" title="آندری تارکوفسکی – Persian" lang="fa" hreflang="fa" data-title="آندری تارکوفسکی" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target">فارسی</a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Andre%C3%AF_Tarkovski" title="Andreï Tarkovski – French" lang="fr" hreflang="fr" data-title="Andreï Tarkovski" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target">Français</a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Andrei_Tarkovskii" title="Andrei Tarkovskii – Galician" lang="gl" hreflang="gl" data-title="Andrei Tarkovskii" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target">Galego</a></li><li class="interlanguage-link interwiki-glk mw-list-item"><a href="https://glk.wikipedia.org/wiki/%D8%A2%D9%86%D8%AF%D8%B1%D9%8A_%D8%AA%D8%A7%D8%B1%DA%A9%D8%A4%D9%81%D8%B3%DA%A9%D9%8A" title="آندري تارکؤفسکي – Gilaki" lang="glk" hreflang="glk" data-title="آندري تارکؤفسکي" data-language-autonym="گیلکی" data-language-local-name="Gilaki" class="interlanguage-link-target">گیلکی</a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EC%95%88%EB%93%9C%EB%A0%88%EC%9D%B4_%ED%83%80%EB%A5%B4%EC%BD%A5%EC%8A%A4%ED%82%A4" title="안드레이 타르콥스키 – Korean" lang="ko" hreflang="ko" data-title="안드레이 타르콥스키" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target">한국어</a></li><li class="interlanguage-link interwiki-hy mw-list-item"><a href="https://hy.wikipedia.org/wiki/%D4%B1%D5%B6%D5%A4%D6%80%D5%A5%D5%B5_%D5%8F%D5%A1%D6%80%D5%AF%D5%B8%D5%BE%D5%BD%D5%AF%D5%AB" title="Անդրեյ Տարկովսկի – Armenian" lang="hy" hreflang="hy" data-title="Անդրեյ Տարկովսկի" data-language-autonym="Հայերեն" data-language-local-name="Armenian" class="interlanguage-link-target">Հայերեն</a></li><li class="interlanguage-link interwiki-hi mw-list-item"><a href="https://hi.wikipedia.org/wiki/%E0%A4%86%E0%A4%A8%E0%A5%8D%E0%A4%A6%E0%A5%8D%E0%A4%B0%E0%A5%87%E0%A4%87_%E0%A4%A4%E0%A4%BE%E0%A4%B0%E0%A5%8D%E0%A4%95%E0%A5%8B%E0%A4%B5%E0%A5%8D%E0%A4%B8%E0%A5%8D%E0%A4%95%E0%A5%80" title="आन्द्रेइ तार्कोव्स्की – Hindi" lang="hi" hreflang="hi" data-title="आन्द्रेइ तार्कोव्स्की" data-language-autonym="हिन्दी" data-language-local-name="Hindi" class="interlanguage-link-target">हिन्दी</a></li><li class="interlanguage-link interwiki-hr mw-list-item"><a href="https://hr.wikipedia.org/wiki/Andrej_Tarkovski" title="Andrej Tarkovski – Croatian" lang="hr" hreflang="hr" data-title="Andrej Tarkovski" data-language-autonym="Hrvatski" data-language-local-name="Croatian" class="interlanguage-link-target">Hrvatski</a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Andrei_Tarkovsky" title="Andrei Tarkovsky – Indonesian" lang="id" hreflang="id" data-title="Andrei Tarkovsky" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target">Bahasa Indonesia</a></li><li class="interlanguage-link interwiki-is mw-list-item"><a href="https://is.wikipedia.org/wiki/Andrej_Tarkovsk%C3%ADj" title="Andrej Tarkovskíj – Icelandic" lang="is" hreflang="is" data-title="Andrej Tarkovskíj" data-language-autonym="Íslenska" data-language-local-name="Icelandic" class="interlanguage-link-target">Íslenska</a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Andrej_Tarkovskij" title="Andrej Tarkovskij – Italian" lang="it" hreflang="it" data-title="Andrej Tarkovskij" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target">Italiano</a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%90%D7%A0%D7%93%D7%A8%D7%99%D7%99_%D7%98%D7%A8%D7%A7%D7%95%D7%91%D7%A1%D7%A7%D7%99" title="אנדריי טרקובסקי – Hebrew" lang="he" hreflang="he" data-title="אנדריי טרקובסקי" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target">עברית</a></li><li class="interlanguage-link interwiki-ka mw-list-item"><a href="https://ka.wikipedia.org/wiki/%E1%83%90%E1%83%9C%E1%83%93%E1%83%A0%E1%83%94%E1%83%98_%E1%83%A2%E1%83%90%E1%83%A0%E1%83%99%E1%83%9D%E1%83%95%E1%83%A1%E1%83%99%E1%83%98" title="ანდრეი ტარკოვსკი – Georgian" lang="ka" hreflang="ka" data-title="ანდრეი ტარკოვსკი" data-language-autonym="ქართული" data-language-local-name="Georgian" class="interlanguage-link-target">ქართული</a></li><li class="interlanguage-link interwiki-kk mw-list-item"><a href="https://kk.wikipedia.org/wiki/%D0%90%D0%BD%D0%B4%D1%80%D0%B5%D0%B9_%D0%90%D1%80%D1%81%D0%B5%D0%BD%D1%8C%D0%B5%D0%B2%D0%B8%D1%87_%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9" title="Андрей Арсеньевич Тарковский – Kazakh" lang="kk" hreflang="kk" data-title="Андрей Арсеньевич Тарковский" data-language-autonym="Қазақша" data-language-local-name="Kazakh" class="interlanguage-link-target">Қазақша</a></li><li class="interlanguage-link interwiki-kw mw-list-item"><a href="https://kw.wikipedia.org/wiki/Andrei_Tarkovsky" title="Andrei Tarkovsky – Cornish" lang="kw" hreflang="kw" data-title="Andrei Tarkovsky" data-language-autonym="Kernowek" data-language-local-name="Cornish" class="interlanguage-link-target">Kernowek</a></li><li class="interlanguage-link interwiki-ht mw-list-item"><a href="https://ht.wikipedia.org/wiki/Andrei_Tarkovski" title="Andrei Tarkovski – Haitian Creole" lang="ht" hreflang="ht" data-title="Andrei Tarkovski" data-language-autonym="Kreyòl ayisyen" data-language-local-name="Haitian Creole" class="interlanguage-link-target">Kreyòl ayisyen</a></li><li class="interlanguage-link interwiki-ku mw-list-item"><a href="https://ku.wikipedia.org/wiki/Andrei_Tarkovsky" title="Andrei Tarkovsky – Kurdish" lang="ku" hreflang="ku" data-title="Andrei Tarkovsky" data-language-autonym="Kurdî" data-language-local-name="Kurdish" class="interlanguage-link-target">Kurdî</a></li><li class="interlanguage-link interwiki-ky mw-list-item"><a href="https://ky.wikipedia.org/wiki/%D0%90%D0%BD%D0%B4%D1%80%D0%B5%D0%B9_%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9" title="Андрей Тарковский – Kyrgyz" lang="ky" hreflang="ky" data-title="Андрей Тарковский" data-language-autonym="Кыргызча" data-language-local-name="Kyrgyz" class="interlanguage-link-target">Кыргызча</a></li><li class="interlanguage-link interwiki-la mw-list-item"><a href="https://la.wikipedia.org/wiki/Andreas_Tarkovskij" title="Andreas Tarkovskij – Latin" lang="la" hreflang="la" data-title="Andreas Tarkovskij" data-language-autonym="Latina" data-language-local-name="Latin" class="interlanguage-link-target">Latina</a></li><li class="interlanguage-link interwiki-lv mw-list-item"><a href="https://lv.wikipedia.org/wiki/Andrejs_Tarkovskis" title="Andrejs Tarkovskis – Latvian" lang="lv" hreflang="lv" data-title="Andrejs Tarkovskis" data-language-autonym="Latviešu" data-language-local-name="Latvian" class="interlanguage-link-target">Latviešu</a></li><li class="interlanguage-link interwiki-lt mw-list-item"><a href="https://lt.wikipedia.org/wiki/Andrejus_Tarkovskis" title="Andrejus Tarkovskis – Lithuanian" lang="lt" hreflang="lt" data-title="Andrejus Tarkovskis" data-language-autonym="Lietuvių" data-language-local-name="Lithuanian" class="interlanguage-link-target">Lietuvių</a></li><li class="interlanguage-link interwiki-olo mw-list-item"><a href="https://olo.wikipedia.org/wiki/Andrei_Tarkovskii" title="Andrei Tarkovskii – Livvi-Karelian" lang="olo" hreflang="olo" data-title="Andrei Tarkovskii" data-language-autonym="Livvinkarjala" data-language-local-name="Livvi-Karelian" class="interlanguage-link-target">Livvinkarjala</a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/Andrej_Arszenyjevics_Tarkovszkij" title="Andrej Arszenyjevics Tarkovszkij – Hungarian" lang="hu" hreflang="hu" data-title="Andrej Arszenyjevics Tarkovszkij" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target">Magyar</a></li><li class="interlanguage-link interwiki-mk mw-list-item"><a href="https://mk.wikipedia.org/wiki/%D0%90%D0%BD%D0%B4%D1%80%D0%B5%D1%98_%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8" title="Андреј Тарковски – Macedonian" lang="mk" hreflang="mk" data-title="Андреј Тарковски" data-language-autonym="Македонски" data-language-local-name="Macedonian" class="interlanguage-link-target">Македонски</a></li><li class="interlanguage-link interwiki-mg mw-list-item"><a href="https://mg.wikipedia.org/wiki/Andre%C3%AF_Tarkovski" title="Andreï Tarkovski – Malagasy" lang="mg" hreflang="mg" data-title="Andreï Tarkovski" data-language-autonym="Malagasy" data-language-local-name="Malagasy" class="interlanguage-link-target">Malagasy</a></li><li class="interlanguage-link interwiki-ml mw-list-item"><a href="https://ml.wikipedia.org/wiki/%E0%B4%86%E0%B4%A8%E0%B5%8D%E0%B4%A6%E0%B5%8D%E0%B4%B0%E0%B5%87_%E0%B4%A4%E0%B5%BC%E0%B4%95%E0%B5%8B%E0%B4%B5%E0%B5%8D%E0%B4%B8%E0%B5%8D%E0%B4%95%E0%B4%BF" title="ആന്ദ്രേ തർകോവ്സ്കി – Malayalam" lang="ml" hreflang="ml" data-title="ആന്ദ്രേ തർകോവ്സ്കി" data-language-autonym="മലയാളം" data-language-local-name="Malayalam" class="interlanguage-link-target">മലയാളം</a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D8%A7%D9%86%D8%AF%D8%B1%D9%89_%D8%AA%D8%A7%D8%B1%D9%83%D9%88%D9%81%D8%B3%D9%83%D9%89" title="اندرى تاركوفسكى – Egyptian Arabic" lang="arz" hreflang="arz" data-title="اندرى تاركوفسكى" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target">مصرى</a></li><li class="interlanguage-link interwiki-mn mw-list-item"><a href="https://mn.wikipedia.org/wiki/%D0%90%D0%BD%D0%B4%D1%80%D0%B5%D0%B9_%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9" title="Андрей Тарковский – Mongolian" lang="mn" hreflang="mn" data-title="Андрей Тарковский" data-language-autonym="Монгол" data-language-local-name="Mongolian" class="interlanguage-link-target">Монгол</a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Andrej_Tarkovski" title="Andrej Tarkovski – Dutch" lang="nl" hreflang="nl" data-title="Andrej Tarkovski" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target">Nederlands</a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%82%A2%E3%83%B3%E3%83%89%E3%83%AC%E3%82%A4%E3%83%BB%E3%82%BF%E3%83%AB%E3%82%B3%E3%83%95%E3%82%B9%E3%82%AD%E3%83%BC" title="アンドレイ・タルコフスキー – Japanese" lang="ja" hreflang="ja" data-title="アンドレイ・タルコフスキー" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target">日本語</a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Andrej_Tarkovskij" title="Andrej Tarkovskij – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Andrej Tarkovskij" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target">Norsk bokmål</a></li><li class="interlanguage-link interwiki-nn mw-list-item"><a href="https://nn.wikipedia.org/wiki/Andrej_Tarkovskij" title="Andrej Tarkovskij – Norwegian Nynorsk" lang="nn" hreflang="nn" data-title="Andrej Tarkovskij" data-language-autonym="Norsk nynorsk" data-language-local-name="Norwegian Nynorsk" class="interlanguage-link-target">Norsk nynorsk</a></li><li class="interlanguage-link interwiki-oc mw-list-item"><a href="https://oc.wikipedia.org/wiki/Andrei_Tarkovski" title="Andrei Tarkovski – Occitan" lang="oc" hreflang="oc" data-title="Andrei Tarkovski" data-language-autonym="Occitan" data-language-local-name="Occitan" class="interlanguage-link-target">Occitan</a></li><li class="interlanguage-link interwiki-uz mw-list-item"><a href="https://uz.wikipedia.org/wiki/Andrey_Tarkovski" title="Andrey Tarkovski – Uzbek" lang="uz" hreflang="uz" data-title="Andrey Tarkovski" data-language-autonym="Oʻzbekcha / ўзбекча" data-language-local-name="Uzbek" class="interlanguage-link-target">Oʻzbekcha / ўзбекча</a></li><li class="interlanguage-link interwiki-pa mw-list-item"><a href="https://pa.wikipedia.org/wiki/%E0%A8%86%E0%A8%82%E0%A8%A6%E0%A8%B0%E0%A9%87%E0%A8%88_%E0%A8%A4%E0%A8%BE%E0%A8%B0%E0%A8%95%E0%A9%8B%E0%A8%B5%E0%A8%B8%E0%A8%95%E0%A9%80" title="ਆਂਦਰੇਈ ਤਾਰਕੋਵਸਕੀ – Punjabi" lang="pa" hreflang="pa" data-title="ਆਂਦਰੇਈ ਤਾਰਕੋਵਸਕੀ" data-language-autonym="ਪੰਜਾਬੀ" data-language-local-name="Punjabi" class="interlanguage-link-target">ਪੰਜਾਬੀ</a></li><li class="interlanguage-link interwiki-ps mw-list-item"><a href="https://ps.wikipedia.org/wiki/%D8%A7%D9%86%D8%AF%D8%B1%DB%8C_%D8%AA%D8%A7%D8%B1%DA%A9%D9%88%D9%81%D8%B3%DA%A9%D9%8A" title="اندری تارکوفسکي – Pashto" lang="ps" hreflang="ps" data-title="اندری تارکوفسکي" data-language-autonym="پښتو" data-language-local-name="Pashto" class="interlanguage-link-target">پښتو</a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Andriej_Tarkowski" title="Andriej Tarkowski – Polish" lang="pl" hreflang="pl" data-title="Andriej Tarkowski" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target">Polski</a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Andrei_Tarkovski" title="Andrei Tarkovski – Portuguese" lang="pt" hreflang="pt" data-title="Andrei Tarkovski" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target">Português</a></li><li class="interlanguage-link interwiki-crh mw-list-item"><a href="https://crh.wikipedia.org/wiki/Andrey_Tarkovskiy" title="Andrey Tarkovskiy – Crimean Tatar" lang="crh" hreflang="crh" data-title="Andrey Tarkovskiy" data-language-autonym="Qırımtatarca" data-language-local-name="Crimean Tatar" class="interlanguage-link-target">Qırımtatarca</a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Andrei_Tarkovski" title="Andrei Tarkovski – Romanian" lang="ro" hreflang="ro" data-title="Andrei Tarkovski" data-language-autonym="Română" data-language-local-name="Romanian" class="interlanguage-link-target">Română</a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9,_%D0%90%D0%BD%D0%B4%D1%80%D0%B5%D0%B9_%D0%90%D1%80%D1%81%D0%B5%D0%BD%D1%8C%D0%B5%D0%B2%D0%B8%D1%87" title="Тарковский, Андрей Арсеньевич – Russian" lang="ru" hreflang="ru" data-title="Тарковский, Андрей Арсеньевич" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target">Русский</a></li><li class="interlanguage-link interwiki-sq mw-list-item"><a href="https://sq.wikipedia.org/wiki/Andrej_Tarkovski" title="Andrej Tarkovski – Albanian" lang="sq" hreflang="sq" data-title="Andrej Tarkovski" data-language-autonym="Shqip" data-language-local-name="Albanian" class="interlanguage-link-target">Shqip</a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Andrei_Tarkovsky" title="Andrei Tarkovsky – Simple English" lang="en-simple" hreflang="en-simple" data-title="Andrei Tarkovsky" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target">Simple English</a></li><li class="interlanguage-link interwiki-sk mw-list-item"><a href="https://sk.wikipedia.org/wiki/Andrej_Arsenievi%C4%8D_Tarkovskij" title="Andrej Arsenievič Tarkovskij – Slovak" lang="sk" hreflang="sk" data-title="Andrej Arsenievič Tarkovskij" data-language-autonym="Slovenčina" data-language-local-name="Slovak" class="interlanguage-link-target">Slovenčina</a></li><li class="interlanguage-link interwiki-sl mw-list-item"><a href="https://sl.wikipedia.org/wiki/Andrej_Arsenjevi%C4%8D_Tarkovski" title="Andrej Arsenjevič Tarkovski – Slovenian" lang="sl" hreflang="sl" data-title="Andrej Arsenjevič Tarkovski" data-language-autonym="Slovenščina" data-language-local-name="Slovenian" class="interlanguage-link-target">Slovenščina</a></li><li class="interlanguage-link interwiki-ckb mw-list-item"><a href="https://ckb.wikipedia.org/wiki/%D8%A6%D8%A7%D9%86%D8%AF%D8%B1%DB%8E%DB%8C_%D8%AA%D8%A7%D8%B1%DA%A9%DB%86%DA%A4%D8%B3%DA%A9%DB%8C" title="ئاندرێی تارکۆڤسکی – Central Kurdish" lang="ckb" hreflang="ckb" data-title="ئاندرێی تارکۆڤسکی" data-language-autonym="کوردی" data-language-local-name="Central Kurdish" class="interlanguage-link-target">کوردی</a></li><li class="interlanguage-link interwiki-sr mw-list-item"><a href="https://sr.wikipedia.org/wiki/%D0%90%D0%BD%D0%B4%D1%80%D0%B5%D1%98_%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8" title="Андреј Тарковски – Serbian" lang="sr" hreflang="sr" data-title="Андреј Тарковски" data-language-autonym="Српски / srpski" data-language-local-name="Serbian" class="interlanguage-link-target">Српски / srpski</a></li><li class="interlanguage-link interwiki-sh mw-list-item"><a href="https://sh.wikipedia.org/wiki/Andrej_Tarkovski" title="Andrej Tarkovski – Serbo-Croatian" lang="sh" hreflang="sh" data-title="Andrej Tarkovski" data-language-autonym="Srpskohrvatski / српскохрватски" data-language-local-name="Serbo-Croatian" class="interlanguage-link-target">Srpskohrvatski / српскохрватски</a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/Andrei_Tarkovski" title="Andrei Tarkovski – Finnish" lang="fi" hreflang="fi" data-title="Andrei Tarkovski" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target">Suomi</a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Andrej_Tarkovskij" title="Andrej Tarkovskij – Swedish" lang="sv" hreflang="sv" data-title="Andrej Tarkovskij" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target">Svenska</a></li><li class="interlanguage-link interwiki-tg mw-list-item"><a href="https://tg.wikipedia.org/wiki/%D0%90%D0%BD%D0%B4%D1%80%D0%B5%D0%B9_%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9" title="Андрей Тарковский – Tajik" lang="tg" hreflang="tg" data-title="Андрей Тарковский" data-language-autonym="Тоҷикӣ" data-language-local-name="Tajik" class="interlanguage-link-target">Тоҷикӣ</a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/Andrey_Tarkovski" title="Andrey Tarkovski – Turkish" lang="tr" hreflang="tr" data-title="Andrey Tarkovski" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target">Türkçe</a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%A2%D0%B0%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D1%8C%D0%BA%D0%B8%D0%B9_%D0%90%D0%BD%D0%B4%D1%80%D1%96%D0%B9_%D0%90%D1%80%D1%81%D0%B5%D0%BD%D1%96%D0%B9%D0%BE%D0%B2%D0%B8%D1%87" title="Тарковський Андрій Арсенійович – Ukrainian" lang="uk" hreflang="uk" data-title="Тарковський Андрій Арсенійович" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target">Українська</a></li><li class="interlanguage-link interwiki-vi mw-list-item"><a href="https://vi.wikipedia.org/wiki/Andrei_Tarkovsky" title="Andrei Tarkovsky – Vietnamese" lang="vi" hreflang="vi" data-title="Andrei Tarkovsky" data-language-autonym="Tiếng Việt" data-language-local-name="Vietnamese" class="interlanguage-link-target">Tiếng Việt</a></li><li class="interlanguage-link interwiki-vo mw-list-item"><a href="https://vo.wikipedia.org/wiki/Andrey_Tarkovskiy" title="Andrey Tarkovskiy – Volapük" lang="vo" hreflang="vo" data-title="Andrey Tarkovskiy" data-language-autonym="Volapük" data-language-local-name="Volapük" class="interlanguage-link-target">Volapük</a></li><li class="interlanguage-link interwiki-war mw-list-item"><a href="https://war.wikipedia.org/wiki/Andrei_Tarkovsky" title="Andrei Tarkovsky – Waray" lang="war" hreflang="war" data-title="Andrei Tarkovsky" data-language-autonym="Winaray" data-language-local-name="Waray" class="interlanguage-link-target">Winaray</a></li><li class="interlanguage-link interwiki-wuu mw-list-item"><a href="https://wuu.wikipedia.org/wiki/%E5%AE%89%E5%BE%B7%E7%83%88%C2%B7%E5%A1%94%E5%B0%94%E7%A7%91%E5%A4%AB%E6%96%AF%E5%9F%BA" title="安德烈·塔尔科夫斯基 – Wu" lang="wuu" hreflang="wuu" data-title="安德烈·塔尔科夫斯基" data-language-autonym="吴语" data-language-local-name="Wu" class="interlanguage-link-target">吴语</a></li><li class="interlanguage-link interwiki-zh-yue mw-list-item"><a href="https://zh-yue.wikipedia.org/wiki/%E5%A1%94%E5%8F%AF%E5%A4%AB%E6%96%AF%E5%9F%BA" title="塔可夫斯基 – Cantonese" lang="yue" hreflang="yue" data-title="塔可夫斯基" data-language-autonym="粵語" data-language-local-name="Cantonese" class="interlanguage-link-target">粵語</a></li><li class="interlanguage-link interwiki-diq mw-list-item"><a href="https://diq.wikipedia.org/wiki/Andrey_Tarkovski" title="Andrey Tarkovski – Dimli" lang="diq" hreflang="diq" data-title="Andrey Tarkovski" data-language-autonym="Zazaki" data-language-local-name="Dimli" class="interlanguage-link-target">Zazaki</a></li><li class="interlanguage-link interwiki-zh mw-list-item"><a href="https://zh.wikipedia.org/wiki/%E5%AE%89%E5%BE%B7%E7%83%88%C2%B7%E5%A1%94%E5%B0%94%E7%A7%91%E5%A4%AB%E6%96%AF%E5%9F%BA" title="安德烈·塔尔科夫斯基 – Chinese" lang="zh" hreflang="zh" data-title="安德烈·塔尔科夫斯基" data-language-autonym="中文" data-language-local-name="Chinese" class="interlanguage-link-target">中文</a></li></ul> </section> </div> <div class="minerva-footer-logo"><img src="/static/images/mobile/copyright/wikipedia-wordmark-en.svg" alt="Wikipedia" width="120" height="18" style="width: 7.5em; height: 1.125em;"/> </div> <ul id="footer-info" class="footer-info hlist hlist-separated"> <li id="footer-info-lastmod"> This page was last edited on 12 February 2025, at 00:35 (UTC).</li> <li id="footer-info-copyright">Content is available under <a class="external" rel="nofollow" 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<script>(RLQ=window.RLQ||[]).push(function(){mw.config.set({"wgHostname":"mw-web.codfw.main-d8647bfd6-fcbcx","wgBackendResponseTime":312,"wgPageParseReport":{"limitreport":{"cputime":"1.567","walltime":"1.930","ppvisitednodes":{"value":11396,"limit":1000000},"postexpandincludesize":{"value":358623,"limit":2097152},"templateargumentsize":{"value":13209,"limit":2097152},"expansiondepth":{"value":25,"limit":100},"expensivefunctioncount":{"value":12,"limit":500},"unstrip-depth":{"value":1,"limit":20},"unstrip-size":{"value":387069,"limit":5000000},"entityaccesscount":{"value":1,"limit":400},"timingprofile":["100.00% 1663.853 1 -total"," 30.19% 502.367 2 Template:Reflist"," 20.84% 346.733 1 Template:Infobox_person"," 15.90% 264.557 52 Template:Cite_web"," 11.26% 187.350 20 Template:Pluralize_from_text"," 6.94% 115.514 26 Template:Cite_book"," 6.89% 114.577 7 Template:Navbox"," 6.86% 114.072 1 Template:Plainlist"," 6.52% 108.544 2 Template:Marriage"," 6.38% 106.139 2 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[\"CITEREFGoodman1986\"] = 1,\n [\"CITEREFGray2015\"] = 1,\n [\"CITEREFGreen1993\"] = 1,\n [\"CITEREFHubert2018\"] = 1,\n [\"CITEREFIllg1987\"] = 1,\n [\"CITEREFJames2019\"] = 1,\n [\"CITEREFJen_Yamato2009\"] = 1,\n [\"CITEREFJohn_Gianvito2024\"] = 1,\n [\"CITEREFJohnstonPetrie1997\"] = 1,\n [\"CITEREFJónssonÓttarsson2006\"] = 1,\n [\"CITEREFLasica1993\"] = 1,\n [\"CITEREFLe_Fanu1987\"] = 1,\n [\"CITEREFMaria_Fadeeva2012\"] = 1,\n [\"CITEREFMartin2005\"] = 1,\n [\"CITEREFMoore2009\"] = 1,\n [\"CITEREFPeter_Rollberg2009\"] = 1,\n [\"CITEREFPetric1989\"] = 1,\n [\"CITEREFPleshakova2007\"] = 1,\n [\"CITEREFSartre,_Jean-Paul\"] = 1,\n [\"CITEREFSchmadel2003\"] = 1,\n [\"CITEREFSipatova2007\"] = 1,\n [\"CITEREFSlevin2010\"] = 1,\n [\"CITEREFTarkovsky1989\"] = 1,\n [\"CITEREFTarkovsky1990\"] = 1,\n [\"CITEREFTarkovsky1999\"] = 1,\n [\"CITEREFTarkovskytranslated_by_Kitty_Hunter-Blair1991\"] = 1,\n [\"CITEREFTejeda2010\"] = 1,\n [\"CITEREFThomas-Mason\"] = 1,\n [\"CITEREFTurovskaya1989\"] = 1,\n [\"CITEREFTurovskaya1991\"] = 1,\n [\"CITEREFTyrkin2001\"] = 1,\n [\"CITEREFVolkov2009\"] = 1,\n [\"CITEREFWagstaff2004\"] = 1,\n [\"CITEREFWeston2017\"] = 1,\n [\"CITEREFde_Brantes1986\"] = 1,\n [\"CITEREFАндрей_Степанович_Плахов2023\"] = 1,\n}\ntemplate_list = table#1 {\n [\"!\"] = 3,\n [\"'s\"] = 1,\n [\"Andrei Tarkovsky\"] = 1,\n [\"As of\"] = 1,\n [\"Authority control\"] = 1,\n [\"Birth date\"] = 1,\n [\"Blockquote\"] = 1,\n [\"Cannes Film Festival Best Director Award\"] = 1,\n [\"Citation\"] = 1,\n [\"Cite AV media\"] = 1,\n [\"Cite book\"] = 26,\n [\"Cite journal\"] = 8,\n [\"Cite magazine\"] = 1,\n [\"Cite news\"] = 9,\n [\"Cite press release\"] = 1,\n [\"Cite web\"] = 52,\n [\"Commons category\"] = 1,\n [\"DEFAULTSORT:Tarkovsky, Andrei\"] = 1,\n [\"Death date and age\"] = 1,\n [\"Efn\"] = 1,\n [\"Hlist\"] = 1,\n [\"IMDb name\"] = 1,\n [\"IPA\"] = 1,\n [\"ISBN\"] = 6,\n [\"Ill\"] = 1,\n [\"In lang\"] = 1,\n [\"Infobox person\"] = 1,\n [\"Infobox short story\"] = 1,\n [\"Lang\"] = 4,\n [\"Langx\"] = 2,\n [\"Main\"] = 2,\n [\"Marriage\"] = 2,\n [\"Modernism\"] = 1,\n [\"Nobold\"] = 1,\n [\"Notelist\"] = 1,\n [\"Official website\"] = 1,\n [\"Plainlist\"] = 1,\n [\"Redirect\"] = 1,\n [\"Refbegin\"] = 1,\n [\"Refend\"] = 1,\n [\"Reflist\"] = 1,\n [\"Sfdb name\"] = 1,\n [\"Sfn\"] = 3,\n [\"Short description\"] = 1,\n [\"Use dmy dates\"] = 1,\n [\"Wikiquote\"] = 1,\n [\"YouTube\"] = 1,\n}\narticle_whitelist = table#1 {\n}\nciteref_patterns = table#1 {\n}\n"},"cachereport":{"origin":"mw-web.codfw.main-d8647bfd6-rxfhq","timestamp":"20250223050950","ttl":2592000,"transientcontent":false}}});});</script> <script type="application/ld+json">{"@context":"https:\/\/schema.org","@type":"Article","name":"Andrei Tarkovsky","url":"https:\/\/en.wikipedia.org\/wiki\/Andrei_Tarkovsky","sameAs":"http:\/\/www.wikidata.org\/entity\/Q853","mainEntity":"http:\/\/www.wikidata.org\/entity\/Q853","author":{"@type":"Organization","name":"Contributors to Wikimedia 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