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<a href="http://dbpedia.org/resource/Distortion_(music)">Distortion (music)</a> </h1> </div> </div> <div class="row"> <div class="col"> <div class="text-muted"> An Entity of Type: <a href="http://dbpedia.org/class/yago/WikicatAmplifiedInstruments">WikicatAmplifiedInstruments</a>, from Named Graph: <a href="http://dbpedia.org">http://dbpedia.org</a>, within Data Space: <a href="http://dbpedia.org">dbpedia.org</a> </div> </div> </div> <div class="row pt-2"> <div class="col-xs-9 col-sm-10"> Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect </div> <div class="col-xs-3 col-sm-2"> <a href="#" class="thumbnail"> <img src="http://commons.wikimedia.org/wiki/Special:FilePath/Boss_turbopedal_used.jpg?width=300" alt="thumbnail" class="img-fluid" /> </a> </div> </div> </div> </section>   <section> <div class="container-xl"> <div class="row"> <div class="table-responsive"> <table class="table table-hover table-sm table-light"> <thead> <tr> <th class="col-xs-3 ">Property</th> <th class="col-xs-9 px-3">Value</th> </tr> </thead> <tbody> <tr class="odd"><td class="col-2"><a class="uri" href="http://dbpedia.org/ontology/abstract">dbo:abstract</a> </td><td class="col-10 text-break"><ul> <li style="display:none;">Overdrive by se dalo přeložit jako přebuzený. Úkolem tohoto efektu je co možná nejrealističtěji simulovat přebuzení lampového zesilovače. Krabička bývá tvořena většinou polovodiči, u dražších modelů jsou použité i elektronky. Nejslavnější a nejvíce používaný obvod v historii byl japonský integrovaný obvod JRC 4558D. Dnes jde však o nedostupný kousek, jehož cena na bazarech roste neustále nahoru díky dávnému ukončení výroby. Novým nástupcem je mutace s názvem RC 4558.Samotné zkreslení zajišťuje způsob zpracování signálu nazývané Soft clipping. Funguje na principu měkké limitace signálu, která pouze zmenší (zvětší) obálku signálu na předem nastavenou úroveň, avšak neořízne tvrdě signál jako tomu dochází u distortion. Tradiční modely: Ibanez TS9/808, Boss Overdrive OD1 a Super Overdrive SD1. (cs)</li> <li style="display:none;">La distorsió, (englobant també el fuzz i l'overdrive), és una de les bases dels efectes sonors de la música actual. Es basa en l'alteració de les ones de so rebudes per un instrument amplificat i transformats llavors en una senyal més saturada. En sobrepassar un límit de saturació per part de l'element de reproducció (normalment un amplificador) el so produït ens arriba una senyal compresa o "clipped" que controlen els peaks de volum. Per tant podem entendre la distorsió com a la diferència de senyal entre que entra i surt. El so característic ens ve donat per la suma de sobretons tant harmònics (que guarden relació tonal amb les notes que es toquen) com inharmònics, causant un so brut i poc precís, alhora molt potent. És molt comunament emprat en la guitarra elèctrica en gèneres com el rock, el metal i les seves branques, però es pot aplicar a qualsevol instrument, amb major o menor eficàcia. (ca)</li> <li style="display:none;">Ein Verzerrer ist ein Gerät oder eine Software zur Deformation eines Audiosignals mit einem Begrenzer oder anderen Formen der Kennliniendeformation, wobei letztlich harmonische Obertöne erzeugt werden. Die Deformation kann dabei (nicht)linear und eine symmetrische beziehungsweise asymmetrische Veränderung sein. Bei modernen Gitarren- oder Bassverstärkern gibt es verschiedene Einstellungsmöglichkeiten, wie einzelne Komponenten des Signals verzerrt werden können. Effektgeräte ermöglichen die Verzerrung vor dem Verstärker; Software die nachträgliche Verzerrung. Bei Musikinstrumenten lassen sich damit Spieltechniken wie Flageoletttöne betonen. (de)</li> <li style="display:none;">Deformaĵo (angle overdrive) estas , kiun oni atingas per akra limigo laŭ amplitudo. Rilata aparato por produkti deformitan sonon nomiĝas deformilo. (eo)</li> <li>Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, and heavy metal music, while the use of distorted bass has been essential in a genre of hip hop music and alternative hip hop known as "SoundCloud rap". The effects alter the instrument sound by clipping the signal (pushing it past its maximum, which shears off the peaks and troughs of the signal waves), adding sustain and harmonic and inharmonic overtones and leading to a compressed sound that is often described as "warm" and "dirty", depending on the type and intensity of distortion used. The terms distortion and overdrive are often used interchangeably; where a distinction is made, distortion is a more extreme version of the effect than overdrive. Fuzz is a particular form of extreme distortion originally created by guitarists using faulty equipment (such as a misaligned valve (tube); see below), which has been emulated since the 1960s by a number of "fuzzbox" effects pedals. Distortion, overdrive, and fuzz can be produced by effects pedals, rackmounts, pre-amplifiers, power amplifiers (a potentially speaker-blowing approach), speakers and (since the 2000s) by digital amplifier modeling devices and audio software. These effects are used with electric guitars, electric basses (fuzz bass), electronic keyboards, and more rarely as a special effect with vocals. While distortion is often created intentionally as a musical effect, musicians and sound engineers sometimes take steps to , particularly when using PA systems to amplify vocals or when playing back prerecorded music. (en)</li> <li style="display:none;">Saturación es un término utilizado en el campo de la música rock para designar el sonido en el cual la distorsión de la señal sonora se hace claramente audible. Esta distorsión puede abarcar desde algo muy ligero, hasta un sonido denso y borroso a la vez, cuya tonalidad se hace casi irreconocible en comparación con la señal original. La mayoría de los amplificadores de guitarra modernos tienen un preamplificador que puede utilizarse para generar distorsión y al mismo tiempo controlar el volumen la señal de salida mediante la ganancia en etapas posteriores de amplificación. El sonido distorsionado obtenido de una guitarra eléctrica saturada se considera generalmente más aceptable al oído que la distorsión que otros amplificadores de audio podrían crear. En términos musicales suele diferenciarse en distorsión referido al efecto producido por la fuerte y más tosca saturación producida por los transistores y saturación a la más suave y cálida de los tubos de vacío. (es)</li> <li style="display:none;">Distorsi adalah perangkat elektronik yang mengubah bagaimana sebuah alat musik atau sumber audio lainnya ( efek ) yang digunakan pada gitar listrik, bass listrik, dan instrumen yang diamplifikasi lainnya seperti organ Hammond, synthesizer, harmonika, dan bahkan vokal yang menggunakan kliping elektronik sinyal. Jenis yang paling halus adalah distorsi yang menambahkan ”kehangatan” pada nada asli, biasanya digunakan di blues elektrik. Sementara untuk tipe yang lebih ekstrem, suara bising dari fuzzbox tahun 1960 menampilkan suara yang ”menjerit”, ”menggigit” dan ”menggeretak” juga distorsi pedal trash-style dan distorsi hard-edged pada musik cadas seperti hardcore, punk, grunge dan metal pada akhir 1980-an. Sebuah fuzzbox mampu meningkatkan dan mengklip sinyal untuk mengubah gelombang sinus standar menjadi gelombang yang lebih dekat dengan gelombang persegi. Hal ini menyebabkan fuzzbox memberikan suara yang lebih terdistorsi dari distorstion atau overdrive. Fuzzbox juga cenderung memiliki frekuensi menengah-kebawah dibanding jenis distorsi lainnya. Distorsi dapat diproduksi dengan banyak komponen jalur sinyal instrumen, termasuk pedal efek, pra-amplifier, power amplifier, speaker atau software dan perangkat amplifier digital yang baru-baru ini muncul. Banyak musisi yang mengkombinasikan distorsi efek pedal gitar untuk mendapatkan ”ciri khas” mereka. (in)</li> <li style="display:none;">La distorsion est un effet utilisé dans la création de sons saturés, distordus et « fuzzy », en compressant les pics du signal audio d'un instrument de musique électronique et en y ajoutant des partiels acoustiques. Un effet par distorsion est également appelé « gain », et s'applique principalement aux guitares électriques, mais peut également s'appliquer aux instruments de nombreux genres de musiques électroniques et à la voix avec les voicetones. (fr)</li> <li style="display:none;">音響機器におけるディストーション（英: distortion）とは、広義には音像の歪（ひず）み、またその歪んだ音色そのものを指す。狭義では意図的にその音色を得るためのエフェクターや機器のうちの一分類を指す。狭義のディストーションはエレキギターで最も多用されるが、エレキベース、電子オルガン等にも利用される他、ボーカルのエフェクトとして用いられる場合もある。 (ja)</li> <li style="display:none;">Distortion (lett. vervorming) is een geluidseffect dat voornamelijk wordt gebruikt voor de elektrische gitaar en de elektrische basgitaar. Jon Lord liet het geluid van zijn Hammondorgel-B3 graag vervormd door een gitaarversterker weergeven. Vintage elektrische piano’s zoals Fender Rhodes en Wurlitzers worden vaak door licht overstuurde buizen-gitaarversterkers versterkt. Ook voor zang gebruikt men vaak overdrive en distortion om het stemgeluid te verrijken of om een radiostem na te bootsen. Het woord komt uit het Engels, maar omdat het een zeer bekend woord is onder gitaristen, wordt het tegenwoordig ook wel als een term beschouwd. Distortion wordt voornamelijk gebruikt door muzikanten uit de rock, punk en metal. (nl)</li> <li style="display:none;">Overdrive (vocabolo inglese, che significa "portare oltre i limiti") è un termine utilizzato in ambito musicale che indica l'avvenuta saturazione del segnale di un amplificatore. L'effetto ottenuto è una distorsione del suono dello strumento collegato all'amplificatore, chiamato crunch. (it)</li> <li style="display:none;">Overdrive (potocznie „przester”) – efekt gitarowy, którego działanie polega na ścinaniu wierzchołków sygnału elektrycznego z gitary, dzięki czemu w obwiedni sygnału pojawia się płaski poziomy odcinek o stałej amplitudzie, czyli tzw. faza podtrzymania w sensie ADSR (od ang. wyrazów: attack – narastanie, decay – opadanie, sustain – podtrzymanie, release – zwolnienie). Ponieważ charakterystyki większości ograniczników amplitudy są asymptotyczne, więc formalnie faza podtrzymania jest początkowo bardzo płaską fazą opadania, ale ludzkie ucho nie jest w stanie wychwycić tak powolnego ubytku poziomu dźwięku. Obwiednia czystego sygnału gitary składa się tylko z dwóch odcinków, które można zawrzeć w tzw. schemacie AR (attack-release – narastanie i zwolnienie). Overdrive zmienia ten schemat na ASR (attack-sustain-release – narastanie, podtrzymanie i zwolnienie). Czas trwania fazy podtrzymania zależy od stopnia przesterowania: jest on tym dłuższy, im niższy jest poziom ścinania i im większy jest poziom sygnału przed ścinaniem. Niektóre efekty typu overdrive dają gitarzyście możliwość dodania do sygnału wyjściowego pewnej ilości czystego, nieprzesterowanego sygnału z gitary – wówczas w obwiedni sygnału wyjściowego wystąpią wszystkie cztery fazy ADSR. Overdrive jest jednym z najbardziej znanych i najczęściej używanych efektów. Zazwyczaj wykonuje się na nim solówki, ale w hard rocku i metalu stosowany jest też do gitary rytmicznej. (pl)</li> <li style="display:none;">Distorsion är inom telekommunikation en typ av förvanskning av telesignalen. Distorsion definieras som: * I en apparat eller enhet, förvrängning av en signal då den passerar systemet; avvikelsen på utsignalens vågform i jämförelse med vågform när den har överförts av apparatens överföringsfunktion. Distorsion kan vara av linjär eller olinjär typ och i förekommande fall inkluderar man även störningar i distorsionsbegreppet. Den distorsion som förorsakas av linjära överföringsfunktioner är exempelvis tonkurvefel (frekvensberoende amplitud) och fasvridning (frekvensberoende fas). Den icke-linjära distorsionen beror på olinjära överföringsfunktioner, alltså amplitudberoende beteenden. Ofta hittar man dessa i aktiva komponenter som exempelvis elektronrör, transistorer, operationsförstärkare. DistorsionsmåttOlinjär distorsion (t.ex. harmonisk distorsion eller intermodulationsdistorsion) anges i enheten dB eller i procent (vanligast). 1 % distorsion motsvarar -40 dB, 0,01 % motsvarar -80 dB. Linjär distorsion anges oftast i termer av tonkurveavvikelser, i dB. Harmonisk distorsion: Där u1 är amplituden på grundtonen och u2, u3 etc amplituden på respektive överton. (sv)</li> <li style="display:none;">Distorção e overdrive são formas de processamento de sinal de áudio usadas para alterar o som de instrumentos musicais elétricos amplificados, geralmente aumentando seu ganho, produzindo um tom "fuzzy", "growling", ou "gritty". A distorção é mais comumente usada com a guitarra elétrica, mas também pode ser usada com outros instrumentos elétricos, como baixo, piano elétrico e órgão Hammond. Os guitarristas que tocavam blues elétrico obtiveram um som excedente ao aumentar seus amplificadores de guitarra movidos a válvulas termiônica em altos volumes, o que causou a distorção do sinal. Enquanto os amplificadores valvulados ainda são usados para obter overdrive nos anos 2010, especialmente em gêneros como blues e rockabilly, várias outras maneiras de produzir distorção foram desenvolvidas desde a década de 1960, como pedais de efeito de distorção. O tom rosnante da guitarra elétrica distorcida é uma parte essencial de muitos gêneros, incluindo blues e muitos estilos de rock, notadamente hard rock, punk rock, hardcore punk, acid rock e heavy metal, enquanto o uso de baixo distorcido também é essencial em um gênero de hip hop e hip hop alternativo conhecido como "SoundCloud rap". Os efeitos alteram o som do instrumento cortando o sinal (empurrando-o além do máximo, o que diminui os picos e vales das ondas de sinal), adicionando tons sustentados e harmônicos e inarmônicos e levando a um som comprimido que é frequentemente descrito como "quente". "e" sujo ", dependendo do tipo e intensidade da distorção usada. Os termos distorção e overdrive são frequentemente usados de forma intercambiável; onde é feita uma distinção, a distorção é uma versão mais extrema do efeito do que a ultrapassagem. O Fuzz é uma forma específica de distorção extrema criada originalmente por guitarristas que usam equipamentos defeituosos (como um tubo de válvula desalinhado, veja abaixo), que é emulado desde os anos 1960 por vários pedais de efeitos "fuzzbox". Distorção, overdrive e fuzz podem ser produzidos por pedais de efeitos, montagens em rack, pré-amplificadores, amplificadores de potência (uma abordagem potencialmente tocante), alto-falantes e (desde os anos 2000) por dispositivos de modelagem de amplificadores digitais e software de áudio. Esses efeitos são usados com guitarras elétricas, baixos elétricos (fuzz bass), teclados eletrônicos e, mais raramente, como um efeito especial nos vocais. Embora a distorção seja criada intencionalmente como um efeito musical, músicos e engenheiros de som às vezes tomam medidas para evitar distorções, principalmente ao usar sistemas de PA para amplificar vocais ou ao reproduzir músicas pré-gravadas. (pt)</li> <li style="display:none;">Дисто́ршн (также «дистошн», «дисторция»; англ. distortion — искажение) — звуковой эффект, достигаемый искажением сигнала путём его «жёсткого» ограничения по амплитуде, или устройство, обеспечивающее такой эффект. Наиболее часто применяется в таких музыкальных жанрах, как хард-рок, метал и панк-рок в сочетании с электрогитарой, а также в хардкор-техно и особенно в спидкоре и брейккоре с драм-машиной. Иногда этим термином обозначают группу однотипных звуковых эффектов (овердрайв, фузз и прочие), реализующих нелинейное искажение сигнала. Их также называют эффектами «перегруза», а соответствующие устройства — «искажателями». Кроме электрогитары эффект применяют и с другими инструментами, например с бас-гитарой. Для бас-гитар применяются особые «искажатели», поскольку «искажатели» для гитар, в большинстве случаев, портят басовый звук, срезая значительную часть важных для него низких частот. Альтернативный вариант обработки бас-гитары заключается в использовании обычного «искажателя» и смешении чистого и обработанного сигналов в равной пропорции. «Искажатели» применяют также для обработки вокала и смычковых инструментов. Эффект дисторшн как компонент присутствует в синтезаторах, эффект-процессорах и компьютерных программах для обработки звука. (ru)</li> <li style="display:none;">Дисто́ршн (англ. distortion — спотворення, викривлення) — ефект перевантаження, який найчастіше використовується у таких музичних стилях, як рок, метал та інших. 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Úkolem tohoto efektu je co možná nejrealističtěji simulovat přebuzení lampového zesilovače. Krabička bývá tvořena většinou polovodiči, u dražších modelů jsou použité i elektronky. Nejslavnější a nejvíce používaný obvod v historii byl japonský integrovaný obvod JRC 4558D. Dnes jde však o nedostupný kousek, jehož cena na bazarech roste neustále nahoru díky dávnému ukončení výroby. Novým nástupcem je mutace s názvem RC 4558.Samotné zkreslení zajišťuje způsob zpracování signálu nazývané Soft clipping. Funguje na principu měkké limitace signálu, která pouze zmenší (zvětší) obálku signálu na předem nastavenou úroveň, avšak neořízne tvrdě signál jako tomu dochází u distortion. Tradiční modely: Ibanez TS9/808, Boss Overdrive OD1 a Super Overdrive SD1. (cs)</li> <li style="display:none;">Deformaĵo (angle overdrive) estas , kiun oni atingas per akra limigo laŭ amplitudo. Rilata aparato por produkti deformitan sonon nomiĝas deformilo. (eo)</li> <li style="display:none;">La distorsion est un effet utilisé dans la création de sons saturés, distordus et « fuzzy », en compressant les pics du signal audio d'un instrument de musique électronique et en y ajoutant des partiels acoustiques. Un effet par distorsion est également appelé « gain », et s'applique principalement aux guitares électriques, mais peut également s'appliquer aux instruments de nombreux genres de musiques électroniques et à la voix avec les voicetones. (fr)</li> <li style="display:none;">音響機器におけるディストーション（英: distortion）とは、広義には音像の歪（ひず）み、またその歪んだ音色そのものを指す。狭義では意図的にその音色を得るためのエフェクターや機器のうちの一分類を指す。狭義のディストーションはエレキギターで最も多用されるが、エレキベース、電子オルガン等にも利用される他、ボーカルのエフェクトとして用いられる場合もある。 (ja)</li> <li style="display:none;">Distortion (lett. vervorming) is een geluidseffect dat voornamelijk wordt gebruikt voor de elektrische gitaar en de elektrische basgitaar. Jon Lord liet het geluid van zijn Hammondorgel-B3 graag vervormd door een gitaarversterker weergeven. Vintage elektrische piano’s zoals Fender Rhodes en Wurlitzers worden vaak door licht overstuurde buizen-gitaarversterkers versterkt. Ook voor zang gebruikt men vaak overdrive en distortion om het stemgeluid te verrijken of om een radiostem na te bootsen. Het woord komt uit het Engels, maar omdat het een zeer bekend woord is onder gitaristen, wordt het tegenwoordig ook wel als een term beschouwd. Distortion wordt voornamelijk gebruikt door muzikanten uit de rock, punk en metal. (nl)</li> <li style="display:none;">Overdrive (vocabolo inglese, che significa "portare oltre i limiti") è un termine utilizzato in ambito musicale che indica l'avvenuta saturazione del segnale di un amplificatore. L'effetto ottenuto è una distorsione del suono dello strumento collegato all'amplificatore, chiamato crunch. (it)</li> <li style="display:none;">Дисто́ршн (англ. distortion — спотворення, викривлення) — ефект перевантаження, який найчастіше використовується у таких музичних стилях, як рок, метал та інших. (uk)</li> <li style="display:none;">La distorsió, (englobant també el fuzz i l'overdrive), és una de les bases dels efectes sonors de la música actual. Es basa en l'alteració de les ones de so rebudes per un instrument amplificat i transformats llavors en una senyal més saturada. En sobrepassar un límit de saturació per part de l'element de reproducció (normalment un amplificador) el so produït ens arriba una senyal compresa o "clipped" que controlen els peaks de volum. Per tant podem entendre la distorsió com a la diferència de senyal entre que entra i surt. El so característic ens ve donat per la suma de sobretons tant harmònics (que guarden relació tonal amb les notes que es toquen) com inharmònics, causant un so brut i poc precís, alhora molt potent. És molt comunament emprat en la guitarra elèctrica en gèneres com el ro (ca)</li> <li>Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect (en)</li> <li style="display:none;">Ein Verzerrer ist ein Gerät oder eine Software zur Deformation eines Audiosignals mit einem Begrenzer oder anderen Formen der Kennliniendeformation, wobei letztlich harmonische Obertöne erzeugt werden. Die Deformation kann dabei (nicht)linear und eine symmetrische beziehungsweise asymmetrische Veränderung sein. (de)</li> <li style="display:none;">Saturación es un término utilizado en el campo de la música rock para designar el sonido en el cual la distorsión de la señal sonora se hace claramente audible. Esta distorsión puede abarcar desde algo muy ligero, hasta un sonido denso y borroso a la vez, cuya tonalidad se hace casi irreconocible en comparación con la señal original. En términos musicales suele diferenciarse en distorsión referido al efecto producido por la fuerte y más tosca saturación producida por los transistores y saturación a la más suave y cálida de los tubos de vacío. (es)</li> <li style="display:none;">Distorsi adalah perangkat elektronik yang mengubah bagaimana sebuah alat musik atau sumber audio lainnya ( efek ) yang digunakan pada gitar listrik, bass listrik, dan instrumen yang diamplifikasi lainnya seperti organ Hammond, synthesizer, harmonika, dan bahkan vokal yang menggunakan kliping elektronik sinyal. (in)</li> <li style="display:none;">Distorção e overdrive são formas de processamento de sinal de áudio usadas para alterar o som de instrumentos musicais elétricos amplificados, geralmente aumentando seu ganho, produzindo um tom "fuzzy", "growling", ou "gritty". A distorção é mais comumente usada com a guitarra elétrica, mas também pode ser usada com outros instrumentos elétricos, como baixo, piano elétrico e órgão Hammond. Os guitarristas que tocavam blues elétrico obtiveram um som excedente ao aumentar seus amplificadores de guitarra movidos a válvulas termiônica em altos volumes, o que causou a distorção do sinal. Enquanto os amplificadores valvulados ainda são usados para obter overdrive nos anos 2010, especialmente em gêneros como blues e rockabilly, várias outras maneiras de produzir distorção foram desenvolvidas de (pt)</li> <li style="display:none;">Overdrive (potocznie „przester”) – efekt gitarowy, którego działanie polega na ścinaniu wierzchołków sygnału elektrycznego z gitary, dzięki czemu w obwiedni sygnału pojawia się płaski poziomy odcinek o stałej amplitudzie, czyli tzw. faza podtrzymania w sensie ADSR (od ang. wyrazów: attack – narastanie, decay – opadanie, sustain – podtrzymanie, release – zwolnienie). Ponieważ charakterystyki większości ograniczników amplitudy są asymptotyczne, więc formalnie faza podtrzymania jest początkowo bardzo płaską fazą opadania, ale ludzkie ucho nie jest w stanie wychwycić tak powolnego ubytku poziomu dźwięku. (pl)</li> <li style="display:none;">Distorsion är inom telekommunikation en typ av förvanskning av telesignalen. Distorsion definieras som: * I en apparat eller enhet, förvrängning av en signal då den passerar systemet; avvikelsen på utsignalens vågform i jämförelse med vågform när den har överförts av apparatens överföringsfunktion. DistorsionsmåttOlinjär distorsion (t.ex. harmonisk distorsion eller intermodulationsdistorsion) anges i enheten dB eller i procent (vanligast). 1 % distorsion motsvarar -40 dB, 0,01 % motsvarar -80 dB. Linjär distorsion anges oftast i termer av tonkurveavvikelser, i dB. Harmonisk distorsion: (sv)</li> <li style="display:none;">Дисто́ршн (также «дистошн», «дисторция»; англ. distortion — искажение) — звуковой эффект, достигаемый искажением сигнала путём его «жёсткого» ограничения по амплитуде, или устройство, обеспечивающее такой эффект. Наиболее часто применяется в таких музыкальных жанрах, как хард-рок, метал и панк-рок в сочетании с электрогитарой, а также в хардкор-техно и особенно в спидкоре и брейккоре с драм-машиной. Иногда этим термином обозначают группу однотипных звуковых эффектов (овердрайв, фузз и прочие), реализующих нелинейное искажение сигнала. Их также называют эффектами «перегруза», а соответствующие устройства — «искажателями». (ru)</li> </ul></td></tr><tr class="even"><td class="col-2"><a class="uri" href="http://www.w3.org/2000/01/rdf-schema#label">rdfs:label</a> </td><td class="col-10 text-break"><ul> <li style="display:none;">Distorsió (música) (ca)</li> <li style="display:none;">Overdrive (cs)</li> <li style="display:none;">Verzerrer (de)</li> <li style="display:none;">Deformaĵo (sona efekto) (eo)</li> <li style="display:none;">Saturación (música) (es)</li> <li>Distortion (music) (en)</li> <li style="display:none;">Distorsi (musik) (in)</li> <li style="display:none;">Distorsion (musique) (fr)</li> <li style="display:none;">Overdrive (musica) (it)</li> <li style="display:none;">ディストーション (音響機器) (ja)</li> <li style="display:none;">Distortion (nl)</li> <li style="display:none;">Overdrive (pl)</li> <li style="display:none;">Дисторшн (ru)</li> <li style="display:none;">Distorção (áudio) (pt)</li> <li style="display:none;">Distorsion (teleteknik) (sv)</li> <li style="display:none;">Дисторшн (uk)</li> 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