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class="vector-toc-link" href="#Spikings,_AFD_and_Thorn-EMI_merger"> <div class="vector-toc-text"> 1.5 Spikings, AFD and Thorn-EMI merger </div> </a> <ul id="toc-Spikings,_AFD_and_Thorn-EMI_merger-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Verity_Lambert" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Verity_Lambert"> <div class="vector-toc-text"> 1.6 Verity Lambert </div> </a> <ul id="toc-Verity_Lambert-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Denouement" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Denouement"> <div class="vector-toc-text"> 1.7 Denouement </div> </a> <ul id="toc-Denouement-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Weintraub_Entertainment_Group" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Weintraub_Entertainment_Group"> <div class="vector-toc-text"> 2 Weintraub Entertainment Group </div> </a> <ul id="toc-Weintraub_Entertainment_Group-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Lumiere_Pictures_and_Television/UGC_DA/Canal+_Image_International" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Lumiere_Pictures_and_Television/UGC_DA/Canal+_Image_International"> <div class="vector-toc-text"> 3 Lumiere Pictures and Television/UGC DA/Canal+ Image International </div> </a> <ul id="toc-Lumiere_Pictures_and_Television/UGC_DA/Canal+_Image_International-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Filmography" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Filmography"> <div class="vector-toc-text"> 4 Filmography </div> </a> <button aria-controls="toc-Filmography-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Filmography subsection </button> <ul id="toc-Filmography-sublist" class="vector-toc-list"> <li id="toc-Bryan_Forbes" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Bryan_Forbes"> <div class="vector-toc-text"> 4.1 Bryan Forbes </div> </a> <ul id="toc-Bryan_Forbes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Hammer_co-productions" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Hammer_co-productions"> <div class="vector-toc-text"> 4.2 Hammer co-productions </div> </a> <ul id="toc-Hammer_co-productions-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-MGM-EMI_2" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#MGM-EMI_2"> <div class="vector-toc-text"> 4.3 MGM-EMI </div> </a> <ul id="toc-MGM-EMI_2-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Nat_Cohen/Anglo-EMI" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Nat_Cohen/Anglo-EMI"> <div class="vector-toc-text"> 4.4 Nat Cohen/Anglo-EMI </div> </a> <ul id="toc-Nat_Cohen/Anglo-EMI-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Co-productions_with_Columbia" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Co-productions_with_Columbia"> <div class="vector-toc-text"> 4.5 Co-productions with Columbia </div> </a> <ul id="toc-Co-productions_with_Columbia-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Michael_Deeley_and_Barry_Spikings_regime" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Michael_Deeley_and_Barry_Spikings_regime"> <div class="vector-toc-text"> 4.6 Michael Deeley and Barry Spikings regime </div> </a> <ul id="toc-Michael_Deeley_and_Barry_Spikings_regime-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-TV_movies" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#TV_movies"> <div class="vector-toc-text"> 4.7 TV movies </div> </a> <ul id="toc-TV_movies-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Barry_Spikings" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Barry_Spikings"> <div class="vector-toc-text"> 4.8 Barry Spikings </div> </a> <ul id="toc-Barry_Spikings-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Verity_Lambert_2" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Verity_Lambert_2"> <div class="vector-toc-text"> 4.9 Verity Lambert </div> </a> <ul id="toc-Verity_Lambert_2-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Later_films" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Later_films"> <div class="vector-toc-text"> 4.10 Later films </div> </a> <ul id="toc-Later_films-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Weintraub_Entertainment_Group_2" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Weintraub_Entertainment_Group_2"> <div class="vector-toc-text"> 4.11 Weintraub Entertainment Group </div> </a> <ul id="toc-Weintraub_Entertainment_Group_2-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-See_also" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#See_also"> <div class="vector-toc-text"> 5 See also </div> </a> <ul id="toc-See_also-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> 6 References </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> 7 External links </div> </a> <ul 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id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">British-French film studio and distributor</div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">Not to be confused with <a href="/wiki/EMI_(film)" title="EMI (film)">EMI (film)</a>.</div> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><style data-mw-deduplicate="TemplateStyles:r1242257876">.mw-parser-output .ib-company .infobox-label{padding-right:0.5em}.mw-parser-output .ib-company .infobox-data,.mw-parser-output .ib-company .infobox-below{line-height:1.35em}.mw-parser-output .ib-company-logo img{background-color:#f8f9fa}.mw-parser-output .ib-company-locality,.mw-parser-output .ib-company-country{display:inline}</style><table class="infobox ib-company vcard"><caption class="infobox-title fn org" style="font-size: 125%;">Canal+ Image International</caption><tbody><tr><th scope="row" class="infobox-label">Formerly</th><td class="infobox-data nickname">EMI-Elstree (1969–1970) MGM-EMI (1970–1973) Anglo-EMI Film Distributors (1971–1973) EMI Film Distributors (1973–1979) Thorn EMI Screen Entertainment (1979–1986) Cannon Screen Entertainment (1986–1988) Lumiere Pictures and Television (1992–1996) UGC DA (1996–1997)</td></tr><tr><th scope="row" class="infobox-label">Company type</th><td class="infobox-data category"><a href="/wiki/Subsidiary" title="Subsidiary">Subsidiary</a></td></tr><tr><th scope="row" class="infobox-label">Industry</th><td class="infobox-data category"><a href="/wiki/Film_studio" title="Film studio">Film studio</a></td></tr><tr><th scope="row" class="infobox-label">Predecessor</th><td class="infobox-data"><a href="/wiki/Associated_British_Productions" class="mw-redirect" title="Associated British Productions">Associated British Productions</a> <a href="/wiki/Anglo-Amalgamated" title="Anglo-Amalgamated">Anglo-Amalgamated</a></td></tr><tr><th scope="row" class="infobox-label">Founded</th><td class="infobox-data">1969; 56 years ago (1969)</td></tr><tr><th scope="row" class="infobox-label">Founder</th><td class="infobox-data agent"><a href="/wiki/Bryan_Forbes" title="Bryan Forbes">Bryan Forbes</a></td></tr><tr><th scope="row" class="infobox-label">Defunct</th><td class="infobox-data">2000; 25 years ago (2000) (as a company) 2006; 19 years ago (2006) (as a home video label in the UK)</td></tr><tr><th scope="row" class="infobox-label">Fate</th><td class="infobox-data">Acquired and merged by <a href="/wiki/StudioCanal" title="StudioCanal">StudioCanal</a></td></tr><tr><th scope="row" class="infobox-label">Successor</th><td class="infobox-data"><a href="/wiki/StudioCanal" title="StudioCanal">StudioCanal</a> <a href="/wiki/StudioCanal_UK" title="StudioCanal UK">StudioCanal UK</a></td></tr><tr><th scope="row" class="infobox-label">Headquarters</th><td class="infobox-data label"><a href="/wiki/London" title="London">London</a>, <a href="/wiki/United_Kingdom" title="United Kingdom">United Kingdom</a> <a href="/wiki/Paris" title="Paris">Paris</a>, <a href="/wiki/France" title="France">France</a></td></tr><tr><th scope="row" class="infobox-label"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;">Area served</div></th><td class="infobox-data">Worldwide</td></tr><tr><th scope="row" class="infobox-label"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;">Key people</div></th><td class="infobox-data agent">Jean Cazes (Chairman/CEO) Alastair Waddell (Chief Executive) Chris Cary (Head of Business Development) Ralph Kamp (Theatrical Sales) Christine Ghazarian (Head of Overseas Sales, Paris Office) Alison Trumpy (TV Sales Manager) Martin Bigham (Technical Operations) Jamie Carmichael (TV Sales)<a href="#cite_note-Groves-1">[1]</a></td></tr><tr><th scope="row" class="infobox-label">Products</th><td class="infobox-data"><a href="/wiki/Motion_pictures" class="mw-redirect" title="Motion pictures">Motion pictures</a></td></tr><tr><th scope="row" class="infobox-label">Owner</th><td class="infobox-data">Cannon Screen Entertainment: <a href="/wiki/EMI" title="EMI">EMI</a> (1969–1979) <a href="/wiki/Thorn_EMI" title="Thorn EMI">Thorn EMI</a> (1979–1986) <a href="/wiki/The_Cannon_Group,_Inc." title="The Cannon Group, Inc.">The Cannon Group, Inc.</a> (1986–1988) Weintraub Entertainment Group: <a href="/wiki/The_Coca-Cola_Company" title="The Coca-Cola Company">The Coca-Cola Company</a> US Tobacco Company<a href="#cite_note-nst-2">[2]</a> <a href="/wiki/Columbia_Pictures" title="Columbia Pictures">Columbia Pictures</a> (15%; 1987–1989) <a href="/wiki/Warner_Bros." title="Warner Bros.">Warner Bros.</a> (15%; 1989–1990)<a href="#cite_note-cpps-3">[3]</a> Lumiere Pictures and Television: <a href="/wiki/Caisse_des_d%C3%A9p%C3%B4ts_et_consignations" title="Caisse des dépôts et consignations">Caisse des dépôts et consignations</a> (54%;) <a href="/wiki/Credit_Lyonnais" class="mw-redirect" title="Credit Lyonnais">Credit Lyonnais</a> (5%;) Euro Clinvest (6.5%;) <a href="/wiki/France_Telecom" class="mw-redirect" title="France Telecom">France Telecom</a> (18%;) <a href="/wiki/Old_Mutual_Holdings" title="Old Mutual Holdings">UAP</a> (8%;) Jean Cazes (5%;) <a href="/wiki/Time_Warner" class="mw-redirect" title="Time Warner">Time Warner</a> (3.5%; 1995–1996) <a href="/wiki/UGC_(cinema_operator)" title="UGC (cinema operator)">UGC</a> (1996) <a href="/wiki/Groupe_Canal%2B" class="mw-redirect" title="Groupe Canal+">Groupe Canal+</a> (1996–2000)</td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/Subsidiary" title="Subsidiary">Subsidiaries</a></th><td class="infobox-data"><a href="/wiki/France_Animation" class="mw-redirect" title="France Animation">France Animation</a> <a href="/wiki/Pegs%27n_Co" title="Pegs'n Co">Pixibox</a><a href="#cite_note-4">[4]</a></td></tr><tr><th scope="row" class="infobox-label">Website</th><td class="infobox-data"><a rel="nofollow" class="external text" href="https://www.studiocanal.com/">www.studiocanal.com</a></td></tr></tbody></table> Canal+ Image International (formerly known as EMI Films, Thorn EMI Screen Entertainment, Lumiere Pictures and Television,<a href="#cite_note-5">[5]</a> and UGC DA) was a British-French <a href="/wiki/Film_studio" title="Film studio">film</a>, <a href="/wiki/Television_studio" title="Television studio">television</a>, <a href="/wiki/Animation_studio" title="Animation studio">animation studio</a> and <a href="/wiki/Film_distributor" title="Film distributor">distributor</a>.<a href="#cite_note-Groves-1">[1]</a> A former subsidiary of the <a href="/wiki/EMI" title="EMI">EMI</a> conglomerate, the corporate name was not used throughout the entire period of EMI's involvement in the film industry, from 1969 to 1986,<a href="#cite_note-terramedia.co.uk-6">[6]</a> but the company's brief connection with <a href="/wiki/Metro-Goldwyn-Mayer" title="Metro-Goldwyn-Mayer">Metro-Goldwyn-Mayer</a> and Anglo-EMI, the division under <a href="/wiki/Nat_Cohen" title="Nat Cohen">Nat Cohen</a>, and the later company as part of the <a href="/wiki/Thorn_EMI" title="Thorn EMI">Thorn EMI</a> conglomerate (following the merger with Thorn) are outlined here. The library passed through the hands of several companies over the following years and is now owned by <a href="/wiki/StudioCanal" title="StudioCanal">StudioCanal</a>, a former <a href="/wiki/Vivendi" title="Vivendi">sister company</a> to <a href="/wiki/Universal_Music_Group" title="Universal Music Group">Universal Music Group</a> and parent company <a href="/wiki/Canal%2B_Group" class="mw-redirect" title="Canal+ Group">Canal+ Group</a>'s acquisition of European cinema operator <a href="/wiki/UGC_(cinema_operator)" title="UGC (cinema operator)">UGC</a> who acquired the library's then-owner, the United Kingdom-based Lumiere Pictures and Television in 1996, via <a href="/wiki/Cannon_Films" class="mw-redirect" title="Cannon Films">Cannon Films</a>. EMI Films also owned <a href="/wiki/Elstree_Studios_(Shenley_Road)" title="Elstree Studios (Shenley Road)">Elstree Studios</a> in Hertfordshire, England; in turn, <a href="/wiki/The_Cannon_Group,_Inc." title="The Cannon Group, Inc.">Cannon</a> ended up purchasing the studio as well, but later sold it to <a href="/wiki/Brent_Walker" title="Brent Walker">Brent Walker</a> in 1988, who in turn ended up selling half of the EMI Elstree Studios site to Tesco for a supermarket, before Hertsmere Council eventually acquired what was left of the Elstree Studios, and, as of 2018, continues to operate it as a film and television studios centre.<a href="#cite_note-terramedia.co.uk-6">[6]</a> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="EMI_Films">EMI Films</h2>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=1" title="Edit section: EMI Films">edit</a>]</div> <div class="mw-heading mw-heading3"><h3 id="Bryan_Forbes_and_Nat_Cohen">Bryan Forbes and Nat Cohen</h3>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=2" title="Edit section: Bryan Forbes and Nat Cohen">edit</a>]</div> The company was formed after the takeover of <a href="/wiki/Associated_British_Picture_Corporation" title="Associated British Picture Corporation">Associated British Picture Corporation</a> (ABPC) in 1969 by <a href="/wiki/EMI" title="EMI">EMI</a>, following the acquisition of <a href="/wiki/Warner_Bros." title="Warner Bros.">Warner Bros.</a>' shares in ABPC the previous year.<a href="#cite_note-7">[7]</a> At the time ABPC owned 270 <a href="/wiki/ABC_Cinemas" title="ABC Cinemas">ABC Cinemas</a>, a half share in the <a href="/wiki/ITV1" title="ITV1">ITV</a> contractor <a href="/wiki/Thames_Television" title="Thames Television">Thames Television</a>, <a href="/wiki/Elstree_Studios_(Shenley_Road)" title="Elstree Studios (Shenley Road)">Elstree Studios</a> at Shenley Road, and had recently bought <a href="/wiki/Anglo-Amalgamated" title="Anglo-Amalgamated">Anglo-Amalgamated</a>, a film studio in which <a href="/wiki/Nat_Cohen" title="Nat Cohen">Nat Cohen</a> had been a partner. EMI moved into film production with the foundation of a new company, EMI-Elstree. <a href="/wiki/Bernard_Delfont" title="Bernard Delfont">Bernard Delfont</a> appointed writer-director <a href="/wiki/Bryan_Forbes" title="Bryan Forbes">Bryan Forbes</a> as the head of production at Elstree in April 1969 for three years at £40,000 a year, plus a percentage of the profits.<a href="#cite_note-8">[8]</a><a href="#cite_note-9">[9]</a> As part of the general shake up of EMI, Nat Cohen was appointed to the Board.<a href="#cite_note-10">[10]</a> According to Filmink this led to "two competing fiefdoms" at EMI.<a href="#cite_note-four-11">[11]</a> EMI announced they would make 28 films for $36 million—13 of these would be from Cohen's unit for £7 million,<a href="#cite_note-12">[12]</a> the rest from Forbes'. Bernard Delfont called it "probably the most ambitious program ever undertaken by a British film company."<a href="#cite_note-13">[13]</a> Forbes announced his intention to make a variety of films at Elstree, steering away from what he called the "pornography of violence."<a href="#cite_note-14">[14]</a><a href="#cite_note-15">[15]</a> He claimed EMI would make 14 films in 18 months with such stars as <a href="/wiki/Peter_Sellers" title="Peter Sellers">Peter Sellers</a> and <a href="/wiki/Roger_Moore" title="Roger Moore">Roger Moore</a> at a cost of £5–10 million in total.<a href="#cite_note-16">[16]</a> His aim was to keep budgets down and create a varied slate which would increase the chances of appealing to audiences and making a sufficient return to continue productions.<a href="#cite_note-17">[17]</a> In August 1969 Forbes announced his slate of fifteen projects, including:<a href="#cite_note-18">[18]</a> <ul><li>Hoffman (with Peter Sellers, directed by Alvin Rakoff),</li> <li>And Now the Darkness</li> <li>The Man Who Haunted Himself</li> <li>The Go-Between directed by <a href="/wiki/Joseph_Losey" title="Joseph Losey">Joseph Losey</a> from a script by Harold Pinter,</li> <li>The Breaking of Bumbo directed by <a href="/wiki/Kevin_Brownlow" title="Kevin Brownlow">Kevin Brownlow</a> and Andrew Mollo,</li> <li>The Feathers of Death directed by <a href="/wiki/Richard_Attenborough" title="Richard Attenborough">Richard Attenborough</a> from a story by <a href="/wiki/Simon_Raven" title="Simon Raven">Simon Raven</a> (unproduced),<a href="#cite_note-19">[19]</a></li> <li>a film of a script by <a href="/wiki/Richard_Condon" title="Richard Condon">Richard Condon</a> directed by John Bryson (unproduced),</li> <li>an adaptation of The Railway Children directed by Lionel Jeffries,</li> <li>A Fine and Private Place, directed by Paul Watson</li> <li>adaptation of the novel The Bitter Lollipop by John Quigly</li> <li>adaptation of the novel Candidate of Promise by Dennis Barker</li> <li>The Barnardo Boys a musical about Dr Barnardo with music by Michael Lewis</li> <li>Question of Innocence from a script by Julian Bond based on a story by Roger Moore</li> <li>Dulcima directed by Frank Nesbitt with John Mills,</li> <li>Forbush and the Penguins.<a href="#cite_note-20">[20]</a><a href="#cite_note-21">[21]</a></li></ul> "This is the first serious effort to revitalize the British film industry in 20 years", said Forbes. He added, "We intend to give youth a chance and not merely pay lip service to it. This is our first program and it won't be our last."<a href="#cite_note-22">[22]</a> In November 1969 Nat Cohen and Bernard Delfont announced a slate of eight more films for EMI including:<a href="#cite_note-23">[23]</a><a href="#cite_note-24">[24]</a> <ul><li>The Impotent starring Carol White and Malcolm McDowell (never made)</li> <li>The Practice from the novel by Stanley Winchester (never made)</li> <li>The Burden of Proof from a novel by James Barlow - this became Villain</li> <li>Percy the story of a penis transplant</li> <li>Jam Today from a novel by Susan Baratt (never made)</li> <li>My Family and Other Animals from a book by Gerald Durrell produced by Michael Medwin (never made)</li> <li>Wise Child from Simon Gray's stage play (never made)</li> <li>a film starring Julie Christie (never made)</li> <li>a film directed by John Schlesinger (never made)</li></ul> The first few films of Forbes' regime actually performed poorly commercially: Eyewitness, <a href="/wiki/Hoffman_(film)" title="Hoffman (film)">Hoffmann</a>, <a href="/wiki/And_Soon_the_Darkness_(1970_film)" title="And Soon the Darkness (1970 film)">And Soon the Darkness</a> and <a href="/wiki/The_Man_Who_Haunted_Himself" title="The Man Who Haunted Himself">The Man Who Haunted Himself</a> (starring Moore).<a href="#cite_note-25">[25]</a> <a href="/wiki/The_Breaking_of_Bumbo" title="The Breaking of Bumbo">The Breaking of Bumbo</a> (all 1970), and <a href="/wiki/Mr._Forbush_and_the_Penguins" title="Mr. Forbush and the Penguins">Mr. Forbush and the Penguins</a> (1971) flopped and <a href="/wiki/A_Fine_and_Private_Place_(film)" title="A Fine and Private Place (film)">A Fine and Private Place</a> was abandoned. Forbes clashed with Bernard Delfont and their American backers, in this case <a href="/wiki/Columbia_Pictures" title="Columbia Pictures">Columbia</a>, over the artistic and commercial value of director <a href="/wiki/Joseph_Losey" title="Joseph Losey">Joseph Losey</a>'s film <a href="/wiki/The_Go-Between_(1971_film)" title="The Go-Between (1971 film)">The Go-Between</a> (1970). Forbes was also criticised within EMI for directing his own film, <a href="/wiki/The_Raging_Moon" title="The Raging Moon">The Raging Moon</a> (US: Long Ago, Tomorrow, 1971). <a href="/wiki/The_Railway_Children_(1970_film)" title="The Railway Children (1970 film)">The Railway Children</a> (1970) and <a href="/wiki/Tales_of_Beatrix_Potter" class="mw-redirect" title="Tales of Beatrix Potter">Tales of Beatrix Potter</a> (1971) were Forbes' only hits. The company was affected with labour problems. Forbes felt as though he did not have the support of the EMI board, arguing that he never had the funds to market his films, in contrast with those available to Anglo-EMI, which was headed by <a href="/wiki/Nat_Cohen" title="Nat Cohen">Nat Cohen</a>. Forbes resigned in March 1971,<a href="#cite_note-26">[26]</a> after committing himself to a no-redundancy policy.<a href="#cite_note-McFarlane-27">[27]</a> He had made eleven films in total for an estimated cost of £4 million.<a href="#cite_note-28">[28]</a> Although Forbes' regime was seen at the time to have been a commercial failure, he later claimed that by 1993 his £4 million program of films had eventually brought EMI a profit of £16 million.<a href="#cite_note-29">[29]</a> (In 1994 he said the profit was £18 million from 18 films.<a href="#cite_note-bryan-30">[30]</a>) Linsday Anderson later wrote: <blockquote>Bryan Forbes was a fighter, and he did his best to discipline the oldfashioned, small-minded labour force. But the penny-pinching, unimaginative management was just as bad. The £4,000,000 ‘revolving production fund’ was never forthcoming. Worst of all was the ‘respectable’ taste which dictated the choice of projects. However urgent the pressure, the new Elstree should not have kicked off with duds like The Man Who Haunted Himself (Roger Moore) or Hoffman (Peter Sellers). Most horribly significant was the grudging, purblind treatment of Bryan’s own excellent The Raging Moon, which made only too clear the intransigent mediocrity of the people in key positions. Thus, what was probably the last chance of saving the British film industry was lost.<a href="#cite_note-31">[31]</a></blockquote> Editor Teddy Darvas later observed: <blockquote>It was a great tragedy that Bryan failed. Part of the reason I think was that he got himself very much involved in little things instead of letting John Hargreaves, who was his number two, to run the studio like <a href="/wiki/Alexander_Korda" title="Alexander Korda">Korda</a> would allow Lew Thornburn to run the studio and would only go in on major matters. Also, because he, as a director... had been interfered with so much by front office he felt that, when he gave people the money to make a film, it shouldn't interfere and because of that he gave young people a chance and brought in, sometimes inexperienced technicians. And because he didn't interfere, a lot of those films under his reign were flops, also he was told to make so many films instead of being told you have got money to make a number of films when you get the right story. A lot of films, I think, were made for the sake of being made.<a href="#cite_note-32">[32]</a></blockquote> Among the films Forbes wished to make but was unable to during his time at Elstree were adaptations of <a href="/wiki/The_Living_Room_(play)" title="The Living Room (play)">The Living Room</a>, the play by <a href="/wiki/Graham_Greene" title="Graham Greene">Graham Greene</a> to be directed by <a href="/wiki/Michael_Powell" title="Michael Powell">Michael Powell</a>;<a href="#cite_note-33">[33]</a> a musical about the <a href="/w/index.php?title=Barnardo_Boys&action=edit&redlink=1" class="new" title="Barnardo Boys (page does not exist)">Barnardo Boys</a>;<a href="#cite_note-34">[34]</a> and The Loud, Loud Silence a post-apocalyptic story from Richard Condon. He turned down <a href="/wiki/Ned_Kelly_(1970_film)" title="Ned Kelly (1970 film)">Ned Kelly</a> (1970) because its projected budget was too high. <div class="mw-heading mw-heading3"><h3 id="MGM-EMI">MGM-EMI</h3>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=3" title="Edit section: MGM-EMI">edit</a>]</div> In April 1970, EMI struck up a co-production agreement with <a href="/wiki/Metro-Goldwyn-Mayer" title="Metro-Goldwyn-Mayer">Metro-Goldwyn-Mayer</a>. The Hollywood studio announced they would sell their <a href="/wiki/MGM-British_Studios" title="MGM-British Studios">Borehamwood facility</a> ("MGM-British Studios") and move their equipment to EMI's Elstree studio. MGM and EMI would then distribute and produce films in co-operation through a joint venture to be called MGM-EMI.<a href="#cite_note-Barber47-35">[35]</a> and MGM began to finance some of EMI's productions.<a href="#cite_note-McFarlane-27">[27]</a> EMI's studio complex was renamed EMI-MGM Elstree Studios<a href="#cite_note-Warren-36">[36]</a> while a <a href="/wiki/Film_distributor" title="Film distributor">film distribution</a> company MGM-EMI Distributors Ltd. was formed as part of the co-production agreement. This company, headed by Mike Havas would handle domestic distribution of <a href="/wiki/Metro-Goldwyn-Mayer" title="Metro-Goldwyn-Mayer">MGM</a> and EMI-produced films in the United Kingdom. It was originally announced that MGM-EMI would make six to eight films a year, but they ended up producing far fewer.<a href="#cite_note-37">[37]</a> Forbes was given the title of managing director of MGM-EMI to add to his existing title of head of production. In July 1970 MGM-EMI announced they would make four co-productions: The Go-Between, <a href="/wiki/Get_Carter" title="Get Carter">Get Carter</a>, The Boyfriend and The Last Run directed by <a href="/wiki/John_Boorman" title="John Boorman">John Boorman</a>.<a href="#cite_note-38">[38]</a> Of these only the last was not made. MGM pulled out of the amalgamation in 1973, and became a member of <a href="/wiki/Cinema_International_Corporation" title="Cinema International Corporation">CIC</a>, which took over international distribution of MGM produced films. At this point the distribution company became EMI Film Distributors Ltd., and EMI-MGM Elstree Studios reverted to EMI-Elstree Studios.<a href="#cite_note-Warren-36">[36]</a> <div class="mw-heading mw-heading3"><h3 id="Nat_Cohen">Nat Cohen</h3>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=4" title="Edit section: Nat Cohen">edit</a>]</div> EMI's other filmmaking division, Anglo-EMI Film Distributors Ltd, which had come out of Anglo-Amalgamated, was run autonomously by <a href="/wiki/Nat_Cohen" title="Nat Cohen">Nat Cohen</a>. This wing of the company had released films such as <a href="/wiki/Percy_(1971_film)" title="Percy (1971 film)">Percy</a> (1971). They also financed and distributed a series of films made by <a href="/wiki/Hammer_Film_Productions" title="Hammer Film Productions">Hammer Film Productions</a>, which partly came about through <a href="/wiki/Bernard_Delfont" title="Bernard Delfont">Bernard Delfont</a>'s friendship with <a href="/wiki/James_Carreras" title="James Carreras">James Carreras</a>. There ws an initial agreement to make three films, then an agreement to make nine movies over three years at a cost of around £200,000 each.<a href="#cite_note-39">[39]</a> Nat Cohen took over Forbes' responsibilities as head of production after his resignation in 1971.<a href="#cite_note-Harper128-40">[40]</a> Cohen backed productions intended for international success, and EMI had a more obviously commercial outlook. In October 1971, EMI's chairman John Read admitted the film division had performed disappointingly. "Profits were negligible last year and we felt it was desirable to make one or two provisions to write off some of the costs." However films like <a href="/wiki/On_the_Buses_(film)" title="On the Buses (film)">On the Buses</a> and <a href="/wiki/Up_Pompeii_(film)" title="Up Pompeii (film)">Up Pompeii</a> (both 1971) performed well in relation to their budgets. "The experts say you're doing well if you make money out of one in three films", said Read. "We see filmmaking as a significant profit earner in the future."<a href="#cite_note-41">[41]</a> Cohen was responsible for overseeing about 70% of the films produced in the UK during 1973, following a significant decline in domestic projects overall. In particular, long-term duopoly rival <a href="/wiki/Rank_Organisation" class="mw-redirect" title="Rank Organisation">Rank</a> had by now greatly reduced its own investment in British film production to a token presence.<a href="#cite_note-Harper128-40">[40]</a> Cohen was not unaware of the problems inherent in his dominant position.<a href="#cite_note-42">[42]</a> Meanwhile, dependent on support from the most profitable parts of EMI, the company's financial position meant that they had to avoid backing any risky productions.<a href="#cite_note-Barber47-35">[35]</a> In May 1973, Cohen announced a £3 million production slate of movies including an adaptation of <a href="/wiki/Swallows_and_Amazons_(1974_film)" title="Swallows and Amazons (1974 film)">Swallows and Amazons</a> (1974) and a sequel to <a href="/wiki/Alfie_(1966_film)" title="Alfie (1966 film)">Alfie</a> (1966)<a href="#cite_note-43">[43]</a> released as <a href="/wiki/Alfie_Darling" title="Alfie Darling">Alfie Darling</a> (1975). The greatest success of Cohen's regime was <a href="/wiki/Murder_on_the_Orient_Express_(1974_film)" title="Murder on the Orient Express (1974 film)">Murder on the Orient Express</a> (1974), which Cohen later claimed was the first British movie fully financed by a British company to reach the top of the American box office charts.<a href="#cite_note-44">[44]</a><a href="#cite_note-45">[45]</a> In July 1975, Cohen announced a £6 million programme of eleven new films:<a href="#cite_note-46">[46]</a> <ul><li>Aces High</li> <li>Evil Under The Sun (this later was replaced by Death on the Nile)</li> <li>Sergeant Steiner (later retitled Cross of Iron)</li> <li><a href="/wiki/Seven_Nights_in_Japan" title="Seven Nights in Japan">Seven Nights in Japan</a></li> <li><a href="/wiki/To_The_Devil_A_Daughter" class="mw-redirect" title="To The Devil A Daughter">To The Devil A Daughter</a><a href="#cite_note-47">[47]</a><a href="#cite_note-48">[48]</a></li> <li>film spin offs of the TV series <a href="/wiki/The_Sweeney" title="The Sweeney">The Sweeney</a> and <a href="/wiki/The_Likely_Lads" title="The Likely Lads">The Likely Lads</a></li> <li>All Things Bright And Beautiful (later retitled It Shouldn't Happen to a Vet)</li> <li>Spanish Fly</li> <li>A remake of <a href="/wiki/Kind_Hearts_and_Coronets" title="Kind Hearts and Coronets">Kind Hearts and Coronets</a> with Dick Emery (never made)</li> <li>The <a href="/wiki/Nat_King_Cole" title="Nat King Cole">Nat King Cole</a> Story (never made)</li></ul> Cohen resigned as chairman on 31 December 1977.<a href="#cite_note-resign-49">[49]</a> <div class="mw-heading mw-heading3"><h3 id="Michael_Deeley_and_Barry_Spikings">Michael Deeley and Barry Spikings</h3>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=5" title="Edit section: Michael Deeley and Barry Spikings">edit</a>]</div> In May 1976, the company purchased <a href="/wiki/British_Lion_Films" title="British Lion Films">British Lion Films</a> and the two men who ran British Lion, <a href="/wiki/Michael_Deeley" title="Michael Deeley">Michael Deeley</a> and <a href="/wiki/Barry_Spikings" title="Barry Spikings">Barry Spikings</a>, became joint managing directors of EMI Distributors, with Nat Cohen remaining as chairman and chief executive. They also joined the EMI board, headed by Bernard Delfont.<a href="#cite_note-50">[50]</a><a href="#cite_note-51">[51]</a><a href="#cite_note-five-52">[52]</a> Deeley and Spikings's method was to only make a film if at least half the budget was put up by an American studio, reducing their financial risk although making the studio's product less obviously British.<a href="#cite_note-Deeley-53">[53]</a> They focused on movies with international appeal – i.e. action films – and major stars.<a href="#cite_note-54">[54]</a> The initial Deeley-Spikings slate included three films shot in the US, with $18 million in all" <a href="/wiki/The_Deer_Hunter" title="The Deer Hunter">The Deer Hunter</a>, <a href="/wiki/Convoy_(1978_film)" title="Convoy (1978 film)">Convoy</a> and <a href="/wiki/The_Driver" title="The Driver">The Driver</a> (all 1978).<a href="#cite_note-55">[55]</a> They also made three British-based films, <a href="/wiki/Death_on_the_Nile_(1978_film)" title="Death on the Nile (1978 film)">Death on the Nile</a> (1978), <a href="/wiki/Warlords_of_Atlantis" title="Warlords of Atlantis">Warlords of Atlantis</a> (1978) and <a href="/wiki/Sweeney_2" title="Sweeney 2">Sweeney 2</a> (1978).<a href="#cite_note-56">[56]</a> Films announced but not made include The Last Gun and Chinese Bandit.<a href="#cite_note-57">[57]</a> EMI also signed an agreement to invest $5 million in Columbia films. They picked <a href="/wiki/Close_Encounters_of_the_Third_Kind" title="Close Encounters of the Third Kind">Close Encounters of the Third Kind</a>, <a href="/wiki/The_Deep_(1977_film)" title="The Deep (1977 film)">The Deep</a> and <a href="/wiki/The_Greatest_(1977_film)" title="The Greatest (1977 film)">The Greatest</a> (all 1977).<a href="#cite_note-58">[58]</a> <a href="/wiki/Muhammad_Ali" title="Muhammad Ali">Muhammad Ali</a> played himself in the last of these. In July 1976, EMI bought <a href="/wiki/Roger_Gimbel" title="Roger Gimbel">Roger Gimbel</a>'s production company, Tomorrow Enterprises, and formed EMI Television, headed by Gimbel.<a href="#cite_note-59">[59]</a> They made a large number of American TV movies like <a href="/wiki/The_Amazing_Howard_Hughes" title="The Amazing Howard Hughes">The Amazing Howard Hughes</a> (1977) and <a href="/wiki/Deadman%27s_Curve" title="Deadman's Curve">Deadman's Curve</a> (1978). EMI backed out of funding <a href="/wiki/Monty_Python%27s_Life_of_Brian" title="Monty Python's Life of Brian">Life of Brian</a> (1979) at the last moment, after Bernard Delfont read the script and objected to its treatment of religion. In April 1978, EMI announced they would make films with the newly formed <a href="/wiki/Orion_Pictures" title="Orion Pictures">Orion Pictures</a>, including <a href="/wiki/Arabian_Adventure" title="Arabian Adventure">Arabian Adventure</a> (1979) and other projects.<a href="#cite_note-60">[60]</a> Michael Deeley left EMI in 1979 but Barry Spikings remained in charge of film production. <div class="mw-heading mw-heading3"><h3 id="Spikings,_AFD_and_Thorn-EMI_merger">Spikings, AFD and Thorn-EMI merger</h3>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=6" title="Edit section: Spikings, AFD and Thorn-EMI merger">edit</a>]</div> Spikings announced a slate of films under his auspices: <a href="/wiki/The_Jazz_Singer_(1980_film)" title="The Jazz Singer (1980 film)">The Jazz Singer</a> with <a href="/wiki/Neil_Diamond" title="Neil Diamond">Neil Diamond</a>, <a href="/wiki/The_Elephant_Man_(film)" title="The Elephant Man (film)">The Elephant Man</a> (both 1980), <a href="/wiki/Honky_Tonk_Freeway" title="Honky Tonk Freeway">Honky Tonk Freeway</a> (1981) <a href="/wiki/Franco_Zeffirelli" title="Franco Zeffirelli">Franco Zeffirelli</a>'s biopic of <a href="/wiki/Maria_Callas" title="Maria Callas">Maria Callas</a>, Discoland, <a href="/wiki/The_Awakening_(1980_film)" title="The Awakening (1980 film)">The Awakening</a>, and The Knight directed by <a href="/wiki/Ridley_Scott" title="Ridley Scott">Ridley Scott</a>.<a href="#cite_note-61">[61]</a> Delfont created a new company, <a href="/wiki/Associated_Film_Distribution" title="Associated Film Distribution">Associated Film Distribution</a>, to distribute films of EMI and <a href="/wiki/ITC_Entertainment" title="ITC Entertainment">ITC</a>, then controlled by <a href="/wiki/Lew_Grade" title="Lew Grade">Lew Grade</a>, his brother.<a href="#cite_note-62">[62]</a> EMI's film division was renamed Thorn EMI Screen Entertainment, to reflect EMI's merger with <a href="/wiki/Thorn_Electrical_Industries" title="Thorn Electrical Industries">Thorn Electrical Industries</a> to become <a href="/wiki/Thorn_EMI" title="Thorn EMI">Thorn EMI</a> in 1979. In March 1980, EMI were only making one film in Britain <a href="/wiki/The_Mirror_Crack%27d" title="The Mirror Crack'd">The Mirror Crack'd</a>, which was released at the end of the year, but was a box-office failure. Lord Delfont announced that the company had purchased two British scripts, The Defense by <a href="/wiki/John_Mortimer" title="John Mortimer">John Mortimer</a> and Off the Record by <a href="/wiki/Frederick_Forsyth" title="Frederick Forsyth">Frederick Forsyth</a>. He admitted that sixty percent of the company's film budget would be spent in America the following year but "100% of the profits would come to this country... We have got to make films we believe are international, to get the money to bring exports back to this country."<a href="#cite_note-63">[63]</a> In February 1981, Barry Spikings announced a slate of films worth £70 million, including <a href="/wiki/Honky_Tonk_Freeway" title="Honky Tonk Freeway">Honky Tonk Freeway</a>, <a href="/wiki/Memoirs_of_a_Survivor" class="mw-redirect" title="Memoirs of a Survivor">Memoirs of a Survivor</a>, Comrades and The Knight (a <a href="/wiki/Walter_Hill" title="Walter Hill">Walter Hill</a> film).<a href="#cite_note-64">[64]</a> The latter was not made. In March 1981, Spikings admitted AFD has not "gotten off to a flying start" and would be wound up, with Universal taking over distribution of EMI Films. He argued that "production and distribution are not linked" and pointed to the five Oscars that EMI films had earned.<a href="#cite_note-65">[65]</a> In particular, <a href="/wiki/Can%27t_Stop_the_Music" title="Can't Stop the Music">Can't Stop the Music</a>, Honky Tonk Freeway, and <a href="/wiki/Raise_the_Titanic_(film)" title="Raise the Titanic (film)">Raise the Titanic</a> had been box-office failures. Also in 1981, Thorn EMI entered the fast-growing home video market as Thorn EMI Video, featuring an initial line-up of 14 titles (The Tubes Video, April Wine Live in London, I Am a Dancer, Can't Stop the Music, Times Square, Death on the Nile, The Cruel Sea, The Day the Earth Caught Fire, The Best of Benny Hill, Scars of Dracula, Sophia Loren: Her Own Story, S.O.S. Titanic, The Royal Wedding, and Queen: Greatest Flix). The division was primarily active in both the UK and the US, as well as in Australia. In addition to Thorn EMI's own material, the division licensed titles from other companies, mostly those who had no home video division at the time, including <a href="/wiki/New_Line_Cinema" title="New Line Cinema">New Line Cinema</a>, <a href="/wiki/Orion_Pictures" title="Orion Pictures">Orion Pictures</a>, <a href="/wiki/Carolco_Pictures" title="Carolco Pictures">Carolco Pictures</a> and <a href="/wiki/Hemdale_Film_Corporation" title="Hemdale Film Corporation">Hemdale Film Corporation</a>.<a href="#cite_note-66">[66]</a> <div class="mw-heading mw-heading3"><h3 id="Verity_Lambert">Verity Lambert</h3>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=7" title="Edit section: Verity Lambert">edit</a>]</div> In January 1983, Barry Spikings left the company and <a href="/wiki/Verity_Lambert" title="Verity Lambert">Verity Lambert</a> was appointed head of production. Gary Dartnall became executive chairman. Lambert's first slate was Slayground, <a href="/wiki/Comfort_and_Joy_(1984_film)" title="Comfort and Joy (1984 film)">Comfort and Joy</a>, Illegal Aliens (which became <a href="/wiki/Morons_from_Outer_Space" title="Morons from Outer Space">Morons from Outer Space</a>) and <a href="/wiki/Dreamchild" title="Dreamchild">Dreamchild</a>. Lambert said they aimed to make five films a year ranging in budget from $5 to $10 million.<a href="#cite_note-67">[67]</a> On 1 March 1983, EMI Films filed a lawsuit against <a href="/wiki/United_Artists" title="United Artists">United Artists</a>, whereas EMI would finance <a href="/wiki/WarGames" title="WarGames">WarGames</a>, and UA would receive North American rights, while EMI received international rights to the film and pay $4.5 million delivery.<a href="#cite_note-68">[68]</a> November 1984 saw Thorn EMI Video's US division form a partnership with pay television company <a href="/wiki/Home_Box_Office,_Inc." title="Home Box Office, Inc.">HBO</a>; the company then became known as Thorn EMI/HBO Video. The deal saw HBO take a stake in the venture and contribute their own productions for video distribution.<a href="#cite_note-69">[69]</a> In December 1984, Thorn EMI offered investors the chance to invest in several films by issuing £36 million worth of shares. The films were <a href="/wiki/A_Passage_to_India_(film)" title="A Passage to India (film)">A Passage to India</a> (1984), <a href="/wiki/Morons_from_Outer_Space" title="Morons from Outer Space">Morons from Outer Space</a>, <a href="/wiki/Dreamchild" title="Dreamchild">Dreamchild</a>, <a href="/wiki/Wild_Geese_II" title="Wild Geese II">Wild Geese II</a> and <a href="/wiki/The_Holcroft_Covenant_(film)" title="The Holcroft Covenant (film)">The Holcroft Covenant</a><a href="#cite_note-70">[70]</a> (all 1985).<a href="#cite_note-71">[71]</a> In March 1985, Thorn-EMI announced they would set up a production fund worth $175 million to make around twenty films. Film Finance Director John Reiss said the fund would be used as loans for filmmakers or to invest in films budgeted around $13–14 million. Reiss said that the films would be made for international audiences.<a href="#cite_note-72">[72]</a> On 15 May 1985, Thorn EMI Screen Entertainment made an agreement with <a href="/wiki/David_Begelman" title="David Begelman">Gladden Entertainment</a> whereas Thorn EMI would release Gladden's films for international theatrical distribution.<a href="#cite_note-73">[73]</a> Lambert resigned in July 1985. After this TESE wound down its in-house production arm and relied on films from independent outfits.<a href="#cite_note-74">[74]</a> That month, TESE signed a deal with French distributor AAA for a 30-month output of the entire British film library, serving 20 films, and did not want to cover all home video rights.<a href="#cite_note-75">[75]</a> On August 6, 1985, Thorn EMI Screen Entertainment agreed deals with various production outfits such as John Bradbourne and <a href="/wiki/Richard_Goodwin_(producer)" title="Richard Goodwin (producer)">Richard Goodwin</a>, <a href="/wiki/Jeremy_Thomas" title="Jeremy Thomas">Jeremy Thomas</a>, <a href="/wiki/Euan_Lloyd" title="Euan Lloyd">Euan Lloyd</a> and Chris Chrisafis, <a href="/wiki/Verity_Lambert" title="Verity Lambert">Verity Lambert</a> and Simon Perry in order to gave the independent outfits "complete freedom" to develop motion pictures.<a href="#cite_note-76">[76]</a> The last films made under Lambert's watch were <a href="/wiki/Clockwise_(film)" title="Clockwise (film)">Clockwise</a> and Link.<a href="#cite_note-clock-77">[77]</a> On 20 August 1985, Thorn EMI Screen Entertainment and <a href="/wiki/Universal_Pictures" title="Universal Pictures">Universal Pictures</a>, which was distributing EMI's films ever since 1981 after acquiring <a href="/wiki/Associated_Film_Distribution" title="Associated Film Distribution">Associated Film Distribution</a> elected to dissolve the U.S. partnership by mutual consent.<a href="#cite_note-78">[78]</a> Lambert recalled in 1997: "the person who hired me left, and the person who came in didn't want to produce films and didn't want me. While I managed to make some films I was proud of... Dreamchild, and Clockwise... it was terribly tough and not a very happy experience. But I was determined to see out my three-year contract. By the end I'd had enough of corporate life and wanted to see what I could do as an independent."<a href="#cite_note-79">[79]</a> <div class="mw-heading mw-heading3"><h3 id="Denouement">Denouement</h3>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=8" title="Edit section: Denouement">edit</a>]</div> In November 1985, Thorn EMI Screen Entertainment was placed up for sale with interested buyers including <a href="/wiki/The_Rank_Organisation" title="The Rank Organisation">Rank</a>, <a href="/wiki/The_Cannon_Group,_Inc." title="The Cannon Group, Inc.">Cannon</a>, <a href="/wiki/Robert_Maxwell" title="Robert Maxwell">Robert Maxwell</a>, <a href="/wiki/Heron_Communications" title="Heron Communications">Heron Communications</a>, and a management buyout led by Gary Dartnall.<a href="#cite_note-80">[80]</a> The following month, in December 1985, it accepted a £110 million ($161.7 million) management offer to place the entire Thorn EMI Screen Entertainment division up for sale.<a href="#cite_note-81">[81]</a> The company's division, <a href="/wiki/British_Lion_Films" title="British Lion Films">British Lion Film Productions Ltd.</a>, which EMI bought in 1976, and all trademarks of the British Lion name, which was divested to a former staffer of the company, <a href="/wiki/Peter_Snell_(producer)" title="Peter Snell (producer)">Peter Snell</a>, of Britannic Film & Television.<a href="#cite_note-82">[82]</a> In April 1986, Thorn EMI sold its film production and distribution arm (Thorn EMI Screen Entertainment), home video (<a href="/wiki/Thorn_EMI#Thorn_EMI's_film_and_video_interests" title="Thorn EMI">Thorn EMI Video</a>), and cinema (<a href="/wiki/ABC_Cinemas" title="ABC Cinemas">ABC Cinemas</a>) operations to businessman <a href="/wiki/Alan_Bond_(businessman)" class="mw-redirect" title="Alan Bond (businessman)">Alan Bond</a>. Bond, in turn, sold it to <a href="/wiki/The_Cannon_Group,_Inc." title="The Cannon Group, Inc.">The Cannon Group</a> a week later.<a href="#cite_note-terramedia.co.uk-6">[6]</a> A year after the purchase, a cash-strapped Cannon sold most of the film library to <a href="/wiki/Weintraub_Entertainment_Group" title="Weintraub Entertainment Group">Weintraub Entertainment Group</a>.<a href="#cite_note-83">[83]</a> They also sold their stake in the video venture inherited from Thorn EMI (which had been renamed as HBO/Cannon Video in the meantime), resulting in HBO running the video label alone from that point forward.<a href="#cite_note-84">[84]</a><a href="#cite_note-85">[85]</a> <div class="mw-heading mw-heading2"><h2 id="Weintraub_Entertainment_Group">Weintraub Entertainment Group</h2>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=9" title="Edit section: Weintraub Entertainment Group">edit</a>]</div> <a href="/wiki/Weintraub_Entertainment_Group" title="Weintraub Entertainment Group">Weintraub Entertainment Group</a> was formed on July 1, 1986 by <a href="/wiki/Jerry_Weintraub" title="Jerry Weintraub">Jerry Weintraub</a>.<a href="#cite_note-nst-2">[2]</a> In February 1987, WEG received $461 million in financing from <a href="/wiki/Columbia_Pictures" title="Columbia Pictures">Columbia Pictures</a>, <a href="/wiki/Cineplex_Odeon" class="mw-redirect" title="Cineplex Odeon">Cineplex Odeon</a> and others in the form of securities, bank loans and advances.<a href="#cite_note-lat-86">[86]</a> <a href="/wiki/The_Coca-Cola_Company" title="The Coca-Cola Company">The Coca-Cola Company</a> and <a href="/wiki/U.S._Smokeless_Tobacco_Company" title="U.S. Smokeless Tobacco Company">US Tobacco</a> were principal investors.<a href="#cite_note-nst-2">[2]</a> WEG also arranged a $145-million, 7-year credit line with the <a href="/wiki/Bank_of_America" title="Bank of America">Bank of America</a>. WEG also signed a 20-year distribution deal with Columbia and planned to release seven or eight movies per year.<a href="#cite_note-lat-86">[86]</a> In March 1987, WEG signed its first production and distribution deal, a three-year agreement with <a href="/wiki/Robert_Stigwood" title="Robert Stigwood">Robert Stigwood</a>'s RSO Films for multiple films budgeted in the $12-million to $15-million range.<a href="#cite_note-87">[87]</a> With Stigwood's partnership, WEG was to finance a film version of <a href="/wiki/Evita_(musical)" title="Evita (musical)">Evita</a> with <a href="/wiki/Oliver_Stone" title="Oliver Stone">Oliver Stone</a> as writer/director and <a href="/wiki/Meryl_Streep" title="Meryl Streep">Meryl Streep</a> as <a href="/wiki/Eva_Per%C3%B3n" title="Eva Perón">Eva Perón</a>. However, the studio dropped the project.<a href="#cite_note-88">[88]</a> WEG purchased from <a href="/wiki/The_Cannon_Group,_Inc." title="The Cannon Group, Inc.">The Cannon Group</a> in May 1987 its 2,000-title British film library,<a href="#cite_note-89">[89]</a> the Thorn-EMI Screen Entertainment library, for $85 million with $50 million from a loan.<a href="#cite_note-lat-86">[86]</a> On July 20, <a href="/wiki/Harry_Usher" title="Harry Usher">Harry Usher</a> joined the Group as President of the Weintraub International Enterprises division and as a senior vice president.<a href="#cite_note-90">[90]</a> In January 1988, <a href="/wiki/Barney_Rosenzweig" title="Barney Rosenzweig">Barney Rosenzweig</a> was hired as chairman of the television unit, corporate vice president and a member of the executive committee.<a href="#cite_note-91">[91]</a> In July, the Bank of America terminated its credit line with Weintraub after difficulties in syndicating parts of the loan to other banks due to the Thorn-EMI loan.<a href="#cite_note-lat-86">[86]</a> The Group's first release was The Big Blue in August; it grossed $1.6 million the opening weekend.<a href="#cite_note-92">[92]</a> In January 1989, Usher left his position as President of the Weintraub International Enterprises.<a href="#cite_note-93">[93]</a> The Bank of America and WEG established a new credit line for two years and $95 million with <a href="/wiki/Cr%C3%A9dit_Lyonnais" title="Crédit Lyonnais">Crédit Lyonnais</a> participating.<a href="#cite_note-lat-86">[86]</a> In 1989, as a result of Sony/Columbia hiring <a href="/wiki/Peter_Guber" title="Peter Guber">Peter Guber</a> and <a href="/wiki/Jon_Peters" title="Jon Peters">Jon Peters</a> away from <a href="/wiki/Warner_Bros." title="Warner Bros.">Warner Bros.</a>, Sony/Columbia traded its 15% share in WEG.<a href="#cite_note-cpps-3">[3]</a> In September 1990, WEG filed for <a href="/wiki/Chapter_11,_Title_11,_United_States_Code" title="Chapter 11, Title 11, United States Code">Chapter 11 bankruptcy</a>. Later that month, Jerry Weintraub left the company and forged a deal with <a href="/wiki/Warner_Bros." title="Warner Bros.">Warner Bros.</a>, while Columbia still remained indebted to releasing WEG films.<a href="#cite_note-94">[94]</a> Film Asset Holding Co., a company formed by WEG's two primary bank creditors, sued Weintraub over his structuring of a sale of the Peter Pan story to Sony Pictures Entertainment in the fall of 1990. Weintraub and Film Assets settled in January 1992.<a href="#cite_note-95">[95]</a> In August 1998, a jury verdict for $7 million was lost by <a href="/wiki/Bear_Stearns" title="Bear Stearns">Bear Stearns</a> to investors who had been misled by the brokerage's $83 million bond issue prospectus for the now-bankrupt Weintraub Entertainment Group.<a href="#cite_note-96">[96]</a> After the company shut down its assets were reorganized into the WEG Acquisition Corp, and are currently held by <a href="/wiki/Sony_Pictures" title="Sony Pictures">Sony</a>, while the television rights are controlled by <a href="/wiki/Paramount_Pictures" title="Paramount Pictures">Paramount Pictures</a>. <div class="mw-heading mw-heading2"><h2 id="Lumiere_Pictures_and_Television/UGC_DA/Canal+_Image_International">Lumiere Pictures and Television/UGC DA/Canal+ Image International</h2>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=10" title="Edit section: Lumiere Pictures and Television/UGC DA/Canal+ Image International">edit</a>]</div> Its early origins of Canal+ Image and StudioCanal were first founded on 5 August 1873 as Marseille Louis and Adolphe Fraissinet, under the corporate name Nouvelle Compagnie Marseillaise de navigation à vapeur A. et L. Fraissinet et compagnie.<a href="#cite_note-97">[97]</a> La Compagnie Fraissinet was a Marseille arming company by maritime transport. During the 1960s, decolonization and competition with jet-powered air travel weakened the group's results and it ended up selling its maritime assets to the Chargers Gatten in 1964.<a href="#cite_note-98">[98]</a> In July 1981, <a href="/wiki/Cyril_Bourlon_de_Rouvre" title="Cyril Bourlon de Rouvre">Cyril de Rouvre</a> did an OPA surprise on the Compagnie Fraissinet en difficulté. Having become specialised in the maintenance and resale of business aircraft, Fraissinet-Transair becomes the Financière Robur in tribute to the hero of Jules Verne, Robur-le-Conquérant. The grandson of Antoine de Rouvre, who had embarked on the cinema in the late 1920s, Cyril de Rouvre, brought together his film assets within the Robur Financière: the Compagnie Française de cinématographie (CFC), the Consortium Financier pour la production de films (CFPF) and Coficiné, which specialised in the financing of production. Rouvre gradually separated from its industrial activities and then bought multiple film catalogues (Les Films Gibé, Les Films Corona, Silver Films) created in August 1987 via a new subsidiary, Robur Droits Audiovisuels.[<a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed">citation needed</a>] On 30 June 1992, the Financière Robur merged its catalogue of films with that of UGC by absorbing UGC Droits Audiovisuels, its subsidiary founded in 1985. The UGC group takes control of the new company, the first catalogue of films in France with nearly 1500 feature films and 500 hours of audiovisual programmes.[<a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed">citation needed</a>] In November 1993, UGC Droits Audiovisuels acquired United Communication, mainly holding the French-speaking rights of the MGM and United Artists catalogue, nearly 800 American films and 2,000 hours of television. The continued consolidation in January 1996 with the acquisition of the group Lumière de Jean Cazès, the second French catalogue of film and audiovisual rights, having itself acquired the British catalogue Weintraub (formerly Thorn EMI) in 1991, while Lumiere Pictures and Television formed earlier in 1992 as a merger between two French companies: Jean Cazes' Initial Groupe (est. 1984) and Investissements en Droits Audiovisuelles (est. 1987). Lumiere owned a substantial library of films from the Thorn EMI Screen Entertainment/Weintraub library, representing a third of all movies made in the UK from the beginning of silent pictures. Cazes then spun off Lumiere's Los Angeles branch into a new company, Lumiere International.<a href="#cite_note-99">[99]</a> Later that year, in June, Canal+, in turn, acquired UGC Droits Audiovisuels, with the rights to more than 5,000 films. An alliance strongly encouraged by their common shareholder, the General of the Eaux, which holds both 25% of UGC Droits Audiovisuels and 20% of Canal+.[<a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed">citation needed</a>] UGC Droits Audiovisuels and Canal+ D.A. was merged and renamed Canal+ Image International in June 1997, before the merger of the company <a href="/wiki/StudioCanal" title="StudioCanal">StudioCanal</a> with Le Studio Canal+ in 2000.[<a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed">citation needed</a>] In the 1990s to early 2000s, <a href="/wiki/Warner_Bros._Discovery_Home_Entertainment" title="Warner Bros. Discovery Home Entertainment">Warner Home Video</a> formerly handled the distribution of StudioCanal titles through the Canal+ Image label in the United Kingdom on VHS and DVD. However, its name in the UK was kept until 2006 when StudioCanal opened its distribution unit in the UK, with titles distributed through <a href="/wiki/StudioCanal_UK" title="StudioCanal UK">Optimum Releasing</a>.<a href="#cite_note-100">[100]</a> <div class="mw-heading mw-heading2"><h2 id="Filmography">Filmography</h2>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=11" title="Edit section: Filmography">edit</a>]</div> Lumiere Pictures and Television financed and produced films under several names and with a series of production partners. Below are the main ones: <style data-mw-deduplicate="TemplateStyles:r1184024115">.mw-parser-output .div-col{margin-top:0.3em;column-width:30em}.mw-parser-output .div-col-small{font-size:90%}.mw-parser-output .div-col-rules{column-rule:1px solid #aaa}.mw-parser-output .div-col dl,.mw-parser-output .div-col ol,.mw-parser-output .div-col ul{margin-top:0}.mw-parser-output .div-col li,.mw-parser-output .div-col dd{page-break-inside:avoid;break-inside:avoid-column}</style><div class="div-col"> <div class="mw-heading mw-heading3"><h3 id="Bryan_Forbes">Bryan Forbes</h3>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=12" title="Edit section: Bryan Forbes">edit</a>]</div> <ul><li><a href="/wiki/Eyewitness_(1970_film)" title="Eyewitness (1970 film)">Eyewitness</a> (1970) (<a href="/wiki/Associated_British_Picture_Corporation" title="Associated British Picture Corporation">ABPC</a>) (<a href="/wiki/ITC_Entertainment" title="ITC Entertainment">ITC</a>)</li> <li><a href="/wiki/And_Soon_the_Darkness_(1970_film)" title="And Soon the Darkness (1970 film)">And Soon the Darkness</a> (1970) (ABPC)</li> <li><a href="/wiki/Hoffman_(film)" title="Hoffman (film)">Hoffman</a> (1970) (ABPC)</li> <li><a href="/wiki/The_Man_Who_Haunted_Himself" title="The Man Who Haunted Himself">The Man Who Haunted Himself</a> (1970) (ABPC)</li> <li><a href="/wiki/The_Breaking_of_Bumbo" title="The Breaking of Bumbo">The Breaking of Bumbo</a> (1970) (ABPC)</li> <li><a href="/wiki/The_Railway_Children_(1970_film)" title="The Railway Children (1970 film)">The Railway Children</a> (1970)</li> <li><a href="/wiki/Spring_and_Port_Wine_(film)" title="Spring and Port Wine (film)">Spring and Port Wine</a> (1970)</li> <li><a href="/wiki/A_Fine_and_Private_Place_(film)" title="A Fine and Private Place (film)">A Fine and Private Place</a> (1970) (abandoned)</li> <li><a href="/wiki/The_Raging_Moon" title="The Raging Moon">The Raging Moon</a> (1971)</li> <li><a href="/wiki/The_Tales_of_Beatrix_Potter" title="The Tales of Beatrix Potter">The Tales of Beatrix Potter</a> (1971)</li> <li><a href="/wiki/The_Go-Between_(1971_film)" title="The Go-Between (1971 film)">The Go-Between</a> (1971)</li> <li><a href="/wiki/Mr._Forbush_and_the_Penguins" title="Mr. Forbush and the Penguins">Mr. Forbush and the Penguins</a> (1971)</li> <li><a href="/wiki/Dulcima" class="mw-redirect" title="Dulcima">Dulcima</a> (1971)</li></ul> <div class="mw-heading mw-heading3"><h3 id="Hammer_co-productions">Hammer co-productions</h3>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=13" title="Edit section: Hammer co-productions">edit</a>]</div> <ul><li><a href="/wiki/On_the_Buses_(film)" title="On the Buses (film)">On the Buses</a> (July 1971)</li> <li><a href="/wiki/Blood_from_the_Mummy%27s_Tomb" title="Blood from the Mummy's Tomb">Blood from the Mummy's Tomb</a> (October 1971)</li> <li><a href="/wiki/Mutiny_on_the_Buses" title="Mutiny on the Buses">Mutiny on the Buses</a> (June 1972)</li> <li><a href="/wiki/Straight_On_till_Morning_(film)" title="Straight On till Morning (film)">Straight on Till Morning</a> (July 1972)</li> <li><a href="/wiki/Demons_of_the_Mind" title="Demons of the Mind">Demons of the Mind</a> (November 1972)</li> <li><a href="/wiki/Man_at_the_Top_(film)" title="Man at the Top (film)">Man at the Top</a> (1973) (AE/H)</li> <li><a href="/wiki/Love_Thy_Neighbour_(1973_film)" title="Love Thy Neighbour (1973 film)">Love Thy Neighbour</a> (July 1973)</li> <li><a href="/wiki/Holiday_on_the_Buses" title="Holiday on the Buses">Holiday on the Buses</a> (December 1973)</li> <li><a href="/wiki/To_the_Devil_a_Daughter" title="To the Devil a Daughter">To the Devil a Daughter</a> (March 1976) (H)</li></ul> <div class="mw-heading mw-heading3"><h3 id="MGM-EMI_2">MGM-EMI</h3>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=14" title="Edit section: MGM-EMI">edit</a>]</div> <ul><li><a href="/wiki/Get_Carter" title="Get Carter">Get Carter</a> (1971) (ME)</li> <li><a href="/wiki/The_Go-Between_(1971_film)" title="The Go-Between (1971 film)">The Go-Between</a> (1971) (ME) (Dist by C in USA)</li> <li><a href="/wiki/The_Boy_Friend_(1971_film)" title="The Boy Friend (1971 film)">The Boy Friend</a> (1971) (ME)</li></ul> <div class="mw-heading mw-heading3"><h3 id="Nat_Cohen/Anglo-EMI">Nat Cohen/Anglo-EMI</h3>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=15" title="Edit section: Nat Cohen/Anglo-EMI">edit</a>]</div> <ul><li><a href="/wiki/All_the_Way_Up_(film)" title="All the Way Up (film)">All the Way Up</a> (1970) (<a href="/wiki/Anglo-Amalgamated" title="Anglo-Amalgamated">AA</a>)</li> <li><a href="/wiki/Spring_and_Port_Wine_(film)" title="Spring and Port Wine (film)">Spring and Port Wine</a> (1970) (AA)</li> <li><a href="/wiki/Entertaining_Mr_Sloane_(film)" title="Entertaining Mr Sloane (film)">Entertaining Mr Sloane</a> (1970) (AA)</li> <li><a href="/wiki/The_Body_(1970_film)" title="The Body (1970 film)">The Body</a> (1970) (AE)</li> <li><a href="/wiki/Percy_(1971_film)" title="Percy (1971 film)">Percy</a> (1971) (AE)</li> <li><a href="/wiki/Up_Pompeii_(film)" title="Up Pompeii (film)">Up Pompeii</a> (1971) (AE)</li> <li><a href="/wiki/Villain_(1971_film)" title="Villain (1971 film)">Villain</a> (1971) (AE) – produced by Kanter, Ladd and Kastner</li> <li><a href="/wiki/Family_Life_(1971_British_film)" title="Family Life (1971 British film)">Family Life</a> (1971) (AE) – directed by Ken Loach</li> <li><a href="/wiki/Up_the_Chastity_Belt" title="Up the Chastity Belt">Up the Chastity Belt</a> (1972)</li> <li><a href="/wiki/Steptoe_and_Son_(film)" title="Steptoe and Son (film)">Steptoe and Son</a> (1972)</li> <li><a href="/wiki/I_Am_a_Dancer" title="I Am a Dancer">I Am a Dancer</a> (1972) (AE)</li> <li><a href="/wiki/Afternoon_of_a_Champion" class="mw-redirect" title="Afternoon of a Champion">Afternoon of a Champion</a> (1972) (AE) (documentary)</li> <li><a href="/wiki/Up_the_Front" title="Up the Front">Up the Front</a> (1972) (AE)</li> <li><a href="/wiki/Henry_VIII_and_His_Six_Wives_(film)" class="mw-redirect" title="Henry VIII and His Six Wives (film)">Henry VIII and His Six Wives</a> (1972) (AE)</li> <li><a href="/wiki/Endless_Night_(1972_film)" title="Endless Night (1972 film)">Endless Night</a> (1972)</li> <li><a href="/wiki/Our_Miss_Fred" title="Our Miss Fred">Our Miss Fred</a> (1972) (AE)</li> <li><a href="/wiki/Fear_Is_the_Key_(film)" title="Fear Is the Key (film)">Fear Is the Key</a> (1972) – produced by Kanter, Ladd and Kastner (AE) (Dist by P in USA)</li> <li><a href="/wiki/Never_Mind_the_Quality_Feel_the_Width_(film)" title="Never Mind the Quality Feel the Width (film)">Never Mind the Quality Feel the Width</a> (1973)</li> <li><a href="/wiki/Baxter!" title="Baxter!">Baxter!</a> (1973) (AE)</li> <li><a href="/wiki/Steptoe_and_Son_Ride_Again" title="Steptoe and Son Ride Again">Steptoe and Son Ride Again</a> (1973)</li> <li><a href="/wiki/The_Final_Programme_(film)" title="The Final Programme (film)">The Final Programme</a> (1973) (AE)</li> <li><a href="/wiki/Take_Me_High" title="Take Me High">Take Me High</a> (1973)</li> <li><a href="/wiki/The_Dove_(1974_film)" title="The Dove (1974 film)">The Dove</a> (1974) (D) (Dist by P in USA)</li> <li>Our Cissy (1974) (short)</li> <li><a href="/wiki/Stardust_(1974_film)" title="Stardust (1974 film)">Stardust</a> (1974) (AE) (Dist by C in USA)</li> <li><a href="/wiki/Murder_on_the_Orient_Express_(1974_film)" title="Murder on the Orient Express (1974 film)">Murder on the Orient Express</a> (1974) (AE) (Dist by P in USA)</li> <li><a href="/wiki/Sunday_in_the_Country" title="Sunday in the Country">Sunday in the Country</a> (1974) (D)</li> <li><a href="/wiki/Monty_Python_and_the_Holy_Grail" title="Monty Python and the Holy Grail">Monty Python and the Holy Grail</a> (1975)</li> <li><a href="/wiki/All_Creatures_Great_and_Small_(film)" title="All Creatures Great and Small (film)">All Creatures Great and Small</a> (1975)</li> <li>Trick or Treat? (1976) (abandoned)</li> <li><a href="/wiki/The_Likely_Lads_(film)" title="The Likely Lads (film)">The Likely Lads</a> (1976)</li> <li><a href="/wiki/Spanish_Fly_(1975_film)" title="Spanish Fly (1975 film)">Spanish Fly</a> (1976) (D)</li> <li><a href="/wiki/It_Shouldn%27t_Happen_to_a_Vet" title="It Shouldn't Happen to a Vet">It Shouldn't Happen to a Vet</a> (1976)</li> <li><a href="/wiki/Aces_High_(film)" title="Aces High (film)">Aces High</a> (1976) (D)</li> <li><a href="/wiki/Seven_Nights_in_Japan" title="Seven Nights in Japan">Seven Nights in Japan</a> (1976) (<a href="/wiki/Paramount_Pictures" title="Paramount Pictures">P</a>)</li> <li><a href="/wiki/Sweeney!" title="Sweeney!">Sweeney!</a> (1977)</li> <li><a href="/wiki/Cross_of_Iron" title="Cross of Iron">Cross of Iron</a> (1977) (A-E)</li> <li>Twenty Five Years (1977) (documentary)</li> <li><a href="/wiki/Welcome_to_Blood_City" title="Welcome to Blood City">Welcome to Blood City</a> (1977)</li></ul> <div class="mw-heading mw-heading3"><h3 id="Co-productions_with_Columbia">Co-productions with Columbia</h3>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=16" title="Edit section: Co-productions with Columbia">edit</a>]</div> <ul><li><a href="/wiki/Nickelodeon_(film)" title="Nickelodeon (film)">Nickelodeon</a> (December 1976) - also with British Lion</li> <li><a href="/wiki/The_Greatest_(1977_film)" title="The Greatest (1977 film)">The Greatest</a> (May 1977) – also with British Lion</li> <li><a href="/wiki/The_Deep_(1977_film)" title="The Deep (1977 film)">The Deep</a> (June 1977)</li> <li><a href="/wiki/Close_Encounters_of_the_Third_Kind" title="Close Encounters of the Third Kind">Close Encounters of the Third Kind</a> (November 1977)</li> <li><a href="/wiki/The_Cheap_Detective" title="The Cheap Detective">The Cheap Detective</a> (June 1978)</li></ul> <div class="mw-heading mw-heading3"><h3 id="Michael_Deeley_and_Barry_Spikings_regime">Michael Deeley and Barry Spikings regime</h3>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=17" title="Edit section: Michael Deeley and Barry Spikings regime">edit</a>]</div> <ul><li><a href="/wiki/Silver_Bears" title="Silver Bears">Silver Bears</a> (1977) (Dist by C in USA)</li> <li><a href="/wiki/Sweeney_2" title="Sweeney 2">Sweeney 2</a> (1978)</li> <li><a href="/wiki/Warlords_of_Atlantis" title="Warlords of Atlantis">Warlords of Atlantis</a> (1978) (Dist by C in USA)</li> <li><a href="/wiki/Convoy_(1978_film)" title="Convoy (1978 film)">Convoy</a> (1978) – with United Artists</li> <li><a href="/wiki/The_Driver" title="The Driver">The Driver</a> (1978) – with 20th Century Fox</li> <li><a href="/wiki/Death_on_the_Nile_(1978_film)" title="Death on the Nile (1978 film)">Death on the Nile</a> (1978) (Dist by P in USA)</li> <li><a href="/wiki/The_Deer_Hunter" title="The Deer Hunter">The Deer Hunter</a> (1978) – with Universal (Inducted into the <a href="/wiki/National_Film_Registry" title="National Film Registry">National Film Registry</a> in 1996)</li></ul> <div class="mw-heading mw-heading3"><h3 id="TV_movies">TV movies</h3>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=18" title="Edit section: TV movies">edit</a>]</div> <ul><li><a href="/wiki/The_Amazing_Howard_Hughes" title="The Amazing Howard Hughes">The Amazing Howard Hughes</a> (April 1977)</li> <li><a href="/wiki/The_Girl_Called_Hatter_Fox" title="The Girl Called Hatter Fox">The Girl Called Hatter Fox</a> (October 1977)</li> <li><a href="/wiki/Special_Olympics_(film)" title="Special Olympics (film)">Special Olympics</a> (February 1978)</li> <li><a href="/wiki/Forever_(1978_film)" title="Forever (1978 film)">Forever</a> (January 1978)</li> <li><a href="/wiki/Deadman%27s_Curve" title="Deadman's Curve">Deadman's Curve</a> (February 1978)</li> <li><a href="/wiki/Just_Me_and_You_(1978_film)" title="Just Me and You (1978 film)">Just Me and You</a> (May 1978)</li> <li><a href="/wiki/One_in_a_Million:_The_Ron_LeFlore_Story" title="One in a Million: The Ron LeFlore Story">One in a Million: The Ron LeFlore Story</a> (September 1978)</li> <li><a href="/wiki/Betrayal_(1978_film)" title="Betrayal (1978 film)">Betrayal</a> (November 1978)</li> <li><a href="/wiki/Steel_Cowboy" title="Steel Cowboy">Steel Cowboy</a> (December 1978)</li> <li><a href="/wiki/Lawman_Without_a_Gun" title="Lawman Without a Gun">Lawman Without a Gun</a> (December 1978)</li> <li><a href="/wiki/Deathmoon" title="Deathmoon">Deathmoon</a> (May 1978)</li> <li><a href="/wiki/Lawman_Without_a_Gun" title="Lawman Without a Gun">Lawman Without a Gun</a> (1978)</li> <li><a href="/wiki/The_Cracker_Factory" title="The Cracker Factory">The Cracker Factory</a> (March 1979)</li> <li><a href="/wiki/S.O.S._Titanic" title="S.O.S. Titanic">S.O.S. Titanic</a> (September 1979)</li> <li><a href="/wiki/Survival_of_Dana" class="mw-redirect" title="Survival of Dana">Survival of Dana</a> (1979)</li> <li><a href="/wiki/Can_You_Hear_the_Laughter%3F_The_Story_of_Freddie_Prinze" title="Can You Hear the Laughter? The Story of Freddie Prinze">Can You Hear the Laughter? The Story of Freddie Prinze</a> (September 1979)</li> <li><a href="/wiki/Orphan_Train_(film)" title="Orphan Train (film)">Orphan Train</a> (December 1979)</li> <li><a href="/wiki/The_Dance_Goes_On_(1980_film)" title="The Dance Goes On (1980 film)">The Dances Goes On</a> (1980)</li> <li><a href="/wiki/Sophia_Loren:_Her_Own_Story" title="Sophia Loren: Her Own Story">Sophia Loren: Her Own Story</a> (October 1980)</li> <li><a href="/wiki/My_Kidnapper,_My_Love" title="My Kidnapper, My Love">My Kidnapper, My Love</a> (December 1980)</li> <li><a href="/wiki/The_Killing_of_Randy_Webster" title="The Killing of Randy Webster">The Killing of Randy Webster</a> (1981)</li> <li><a href="/wiki/Broken_Promise_(film)" title="Broken Promise (film)">Broken Promise</a> (1981)</li> <li><a href="/w/index.php?title=The_Manions_of_America&action=edit&redlink=1" class="new" title="The Manions of America (page does not exist)">The Manions of America</a> (1981)</li> <li><a href="/wiki/A_Piano_for_Mrs._Cimino" title="A Piano for Mrs. Cimino">A Piano for Mrs. Cimino</a> (February 1982)</li> <li><a href="/w/index.php?title=A_Question_of_Honor_(1982_film)&action=edit&redlink=1" class="new" title="A Question of Honor (1982 film) (page does not exist)">A Question of Honor</a> (1982)</li> <li><a href="/wiki/Coming_Out_of_the_Ice" title="Coming Out of the Ice">Coming Out of the Ice</a> (1982)</li> <li><a href="/w/index.php?title=Deadly_Encounter&action=edit&redlink=1" class="new" title="Deadly Encounter (page does not exist)">Deadly Encounter</a> (1982)</li> <li><a href="/wiki/The_Legend_of_Walks_Far_Woman" title="The Legend of Walks Far Woman">The Legend of Walks Far Woman</a> (May 1982) (filmed 1979)</li> <li><a href="/wiki/Packin%27_It_In" title="Packin' It In">Packin' It In</a> (1983)</li></ul> <div class="mw-heading mw-heading3"><h3 id="Barry_Spikings">Barry Spikings</h3>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=19" title="Edit section: Barry Spikings">edit</a>]</div> <ul><li><a href="/wiki/Arabian_Adventure" title="Arabian Adventure">Arabian Adventure</a> (July 1979) – with British Lion – distributed by AFD</li> <li><a href="/w/index.php?title=The_Crown_Prince_(film)&action=edit&redlink=1" class="new" title="The Crown Prince (film) (page does not exist)">The Crown Prince</a> (1979)</li> <li><a href="/wiki/Can%27t_Stop_the_Music" title="Can't Stop the Music">Can't Stop the Music</a> (June 1980) – distributed by AFD</li> <li><a href="/wiki/The_Awakening_(1980_film)" title="The Awakening (1980 film)">The Awakening</a> (October 1980) – with Orion – distributed by Warners</li> <li><a href="/wiki/Times_Square_(1980_film)" title="Times Square (1980 film)">Times Square</a> (October 1980) – with Robert Stigwood, distributed by AFD</li> <li><a href="/wiki/The_Elephant_Man_(film)" title="The Elephant Man (film)">The Elephant Man</a> (October 1980) – with Brooksfilms – distributed by Columbia-EMI-Warner (UK), Paramount (US)</li> <li><a href="/wiki/The_Jazz_Singer_(1980_film)" title="The Jazz Singer (1980 film)">The Jazz Singer</a> (December 1980) – distributed by AFD</li> <li><a href="/wiki/The_Mirror_Crack%27d" title="The Mirror Crack'd">The Mirror Crack'd</a> (December 1980) – distributed by AFD</li> <li><a href="/wiki/Honky_Tonk_Freeway" title="Honky Tonk Freeway">Honky Tonk Freeway</a> (August 1981) – distributed by AFD</li> <li><a href="/wiki/Evil_Under_the_Sun_(1982_film)" title="Evil Under the Sun (1982 film)">Evil Under the Sun</a> (March 1982) – distributed by AFD</li> <li><a href="/wiki/Britannia_Hospital" title="Britannia Hospital">Britannia Hospital</a> (May 1982) – with British Lion, distributed by United Artists Classics</li> <li><a href="/wiki/Frances_(film)" title="Frances (film)">Frances</a> (December 1982) – with Brooksfilms, distributed by Universal</li> <li><a href="/wiki/Second_Thoughts_(1983_film)" title="Second Thoughts (1983 film)">Second Thoughts</a> (February 1983) – distributed by Universal</li> <li><a href="/wiki/Bad_Boys_(1983_film)" title="Bad Boys (1983 film)">Bad Boys</a> (March 1983) – distributed by Universal</li> <li><a href="/wiki/Tender_Mercies" title="Tender Mercies">Tender Mercies</a> (Mar 1983) – distributed by Universal</li> <li><a href="/wiki/Strange_Invaders" title="Strange Invaders">Strange Invaders</a> (Sep 1983) – distributed by Orion</li> <li><a href="/wiki/Cross_Creek_(film)" title="Cross Creek (film)">Cross Creek</a> (May 1983) – with Universal, distributed by AFD, Universal</li> <li><a href="/wiki/Handgun_(film)" title="Handgun (film)">Handgun</a> (May 1983, produced in 1981) - distributed by WB</li></ul> <div class="mw-heading mw-heading3"><h3 id="Verity_Lambert_2">Verity Lambert</h3>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=20" title="Edit section: Verity Lambert">edit</a>]</div> <ul><li><a href="/wiki/Slayground" title="Slayground">Slayground</a> (December 1983) - distributed by Universal</li> <li><a href="/wiki/Comfort_and_Joy_(1984_film)" title="Comfort and Joy (1984 film)">Comfort and Joy</a> (August 1984) - with Kings Road, distributed by Universal</li> <li><a href="/wiki/Not_for_Publication_(1984_film)" title="Not for Publication (1984 film)">Not for Publication</a> (November 1984) - distributed by The Samuel Goldwyn Company</li> <li><a href="/wiki/A_Passage_to_India_(film)" title="A Passage to India (film)">A Passage to India</a> (December 1984) - with HBO, distributed by Columbia</li> <li><a href="/wiki/Morons_from_Outer_Space" title="Morons from Outer Space">Morons from Outer Space</a> (March 1985) - distributed by Universal</li> <li><a href="/wiki/Restless_Natives" title="Restless Natives">Restless Natives</a> (June 1985) - distributed by Orion Classics</li> <li><a href="/wiki/Dreamchild" title="Dreamchild">Dreamchild</a> (October 1985) - distributed by Universal</li> <li><a href="/wiki/Wild_Geese_II" title="Wild Geese II">Wild Geese II</a> (October 1985) - distributed by Universal</li> <li><a href="/wiki/The_Holcroft_Covenant_(film)" title="The Holcroft Covenant (film)">The Holcroft Covenant</a> (October 1985) - distributed by Universal</li> <li><a href="/wiki/Highlander_(film)" title="Highlander (film)">Highlander</a> (March 1986) - distributed by 20th Century-Fox</li> <li><a href="/wiki/Clockwise_(film)" title="Clockwise (film)">Clockwise</a> (March 1986) - distributed by Universal</li> <li><a href="/wiki/Link_(film)" title="Link (film)">Link</a> (March 1986) - distributed by Universal</li></ul> <div class="mw-heading mw-heading3"><h3 id="Later_films">Later films</h3>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=21" title="Edit section: Later films">edit</a>]</div> <ul><li><a href="/wiki/The_Manhattan_Project_(film)" title="The Manhattan Project (film)">The Manhattan Project</a> (June 1986) (TESE) - with Gladden Entertainment, distributed by 20th Century-Fox</li> <li><a href="/wiki/It_Couldn%27t_Happen_Here" title="It Couldn't Happen Here">It Couldn't Happen Here</a> (July 1988)</li> <li><a href="/wiki/Interstella_5555:_The_5tory_of_the_5ecret_5tar_5ystem" title="Interstella 5555: The 5tory of the 5ecret 5tar 5ystem">Interstella 5555: The 5tory of the 5ecret 5tar 5ystem</a> (May 2003) (D) (credited as "<a href="/wiki/Virgin_Records" title="Virgin Records">Virgin Music</a>", a member of the EMI Group")</li> <li>AA = co-production with <a href="/wiki/Anglo-Amalgamated" title="Anglo-Amalgamated">Anglo-Amalgamated</a></li> <li>ABPC = produced by <a href="/wiki/Associated_British_Picture_Corporation" title="Associated British Picture Corporation">Associated British Picture Corporation</a></li> <li>AE = as Anglo-EMI</li> <li>AFD = distributed by <a href="/wiki/ITC_Entertainment" title="ITC Entertainment">Associated Film Distributors</a></li> <li>C = co-production with <a href="/wiki/Columbia_Pictures" title="Columbia Pictures">Columbia Pictures</a></li> <li>D = distributor only</li> <li>H = co-production with <a href="/wiki/Hammer_Film_Productions" title="Hammer Film Productions">Hammer Film Productions</a></li> <li>MGM = co-production with <a href="/wiki/Metro-Goldwyn-Mayer" title="Metro-Goldwyn-Mayer">Metro-Goldwyn-Mayer</a></li> <li>Orion = co-production with <a href="/wiki/Orion_Pictures" title="Orion Pictures">Orion Pictures</a></li> <li>P = co-production with <a href="/wiki/Paramount_Pictures" title="Paramount Pictures">Paramount Pictures</a></li> <li>TESE = as Thorn EMI Screen Entertainment</li> <li>U = co-production with <a href="/wiki/Universal_Pictures" title="Universal Pictures">Universal</a></li> <li>UA = co-production with <a href="/wiki/United_Artists" title="United Artists">United Artists</a></li> <li>WB = co-production with <a href="/wiki/Warner_Bros." title="Warner Bros.">Warner Bros.</a></li></ul> <div class="mw-heading mw-heading3"><h3 id="Weintraub_Entertainment_Group_2">Weintraub Entertainment Group</h3>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=22" title="Edit section: Weintraub Entertainment Group">edit</a>]</div> <ul><li><a href="/wiki/The_Big_Blue" title="The Big Blue">The Big Blue</a> (1988): distribution rights, $3 million</li> <li><a href="/wiki/Fresh_Horses_(film)" title="Fresh Horses (film)">Fresh Horses</a> (1988): first original production, grossed only $7 million</li> <li><a href="/wiki/My_Stepmother_Is_an_Alien" title="My Stepmother Is an Alien">My Stepmother Is an Alien</a> (1988): $26 million budget, grossed $13.8 million</li> <li><a href="/wiki/The_Karen_Carpenter_Story" title="The Karen Carpenter Story">The Karen Carpenter Story</a> (1989): a TV movie release on <a href="/wiki/CBS" title="CBS">CBS</a><a href="#cite_note-lat-86">[86]</a></li> <li><a href="/wiki/Listen_to_Me_(film)" title="Listen to Me (film)">Listen to Me</a> (1989)</li> <li><a href="/wiki/She%27s_Out_of_Control" title="She's Out of Control">She's Out of Control</a> (1989)</li> <li><a href="/wiki/Troop_Beverly_Hills" title="Troop Beverly Hills">Troop Beverly Hills</a> (1989)</li> <li><a href="/wiki/The_Gods_Must_Be_Crazy_II" title="The Gods Must Be Crazy II">The Gods Must Be Crazy II</a> (1989)</li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=23" title="Edit section: See also">edit</a>]</div> <ul><li><a href="/wiki/Lumi%C3%A8re_(Brazilian_film_company)" title="Lumière (Brazilian film company)">Lumière (Brazilian film company)</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="References">References</h2>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=24" title="Edit section: References">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-Groves-1">^ <a href="#cite_ref-Groves_1-0">a</a> <a href="#cite_ref-Groves_1-1">b</a> <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFGroves1993" class="citation web cs1">Groves, Don (13 August 1993). <a rel="nofollow" class="external text" href="https://variety.com/1993/film/news/lumiere-reorganizes-sales-biz-divisions-109627/">"Lumiere reorganizes sales, biz divisions"</a>. <a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a>. Retrieved 10 March 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Lumiere+reorganizes+sales%2C+biz+divisions&rft.pub=Variety&rft.date=1993-08-13&rft.aulast=Groves&rft.aufirst=Don&rft_id=https%3A%2F%2Fvariety.com%2F1993%2Ffilm%2Fnews%2Flumiere-reorganizes-sales-biz-divisions-109627%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-nst-2">^ <a href="#cite_ref-nst_2-0">a</a> <a href="#cite_ref-nst_2-1">b</a> <a href="#cite_ref-nst_2-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://news.google.com/newspapers?nid=1309&dat=19870405&id=wG9PAAAAIBAJ&pg=5659,1133248">"Cannon sells its Film Library"</a>. New Straits Times. Reuter. 5 April 1987. Retrieved 7 July 2013.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=New+Straits+Times&rft.atitle=Cannon+sells+its+Film+Library&rft.date=1987-04-05&rft_id=https%3A%2F%2Fnews.google.com%2Fnewspapers%3Fnid%3D1309%26dat%3D19870405%26id%3DwG9PAAAAIBAJ%26pg%3D5659%2C1133248&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-cpps-3">^ <a href="#cite_ref-cpps_3-0">a</a> <a href="#cite_ref-cpps_3-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDick1992" class="citation book cs1">Dick, Bernard F. (1992). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=7Pka5hrnGQcC&q=Weintraub+Entertainment+Group+bankruptcy+library&pg=PA56">Columbia Pictures: Portrait of a Studio</a>. University Press of Kentucky. p. 56. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780813132785" title="Special:BookSources/9780813132785"><bdi>9780813132785</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Columbia+Pictures%3A+Portrait+of+a+Studio&rft.pages=56&rft.pub=University+Press+of+Kentucky&rft.date=1992&rft.isbn=9780813132785&rft.aulast=Dick&rft.aufirst=Bernard+F.&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D7Pka5hrnGQcC%26q%3DWeintraub%2BEntertainment%2BGroup%2Bbankruptcy%2Blibrary%26pg%3DPA56&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-4"><a href="#cite_ref-4">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWilliams1995" class="citation web cs1">Williams, Michael (24 April 1995). <a rel="nofollow" class="external text" href="https://variety.com/1995/film/features/lumiere-sets-its-sights-on-h-wood-seeks-cash-allies-99128196/">"Lumiere sets its sights on H'wood, seeks cash allies"</a>. <a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a>. Retrieved 10 March 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Lumiere+sets+its+sights+on+H%27wood%2C+seeks+cash+allies&rft.pub=Variety&rft.date=1995-04-24&rft.aulast=Williams&rft.aufirst=Michael&rft_id=https%3A%2F%2Fvariety.com%2F1995%2Ffilm%2Ffeatures%2Flumiere-sets-its-sights-on-h-wood-seeks-cash-allies-99128196%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-5"><a href="#cite_ref-5">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHopewell2012" class="citation web cs1">Hopewell, John (20 October 2012). <a rel="nofollow" class="external text" href="https://variety.com/2012/film/news/lumiere-rocks-to-french-classics-1118061036/">"Lumiere rocks to French classics"</a>. <a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a>. Retrieved 24 April 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Lumiere+rocks+to+French+classics&rft.pub=Variety&rft.date=2012-10-20&rft.aulast=Hopewell&rft.aufirst=John&rft_id=https%3A%2F%2Fvariety.com%2F2012%2Ffilm%2Fnews%2Flumiere-rocks-to-french-classics-1118061036%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-terramedia.co.uk-6">^ <a href="#cite_ref-terramedia.co.uk_6-0">a</a> <a href="#cite_ref-terramedia.co.uk_6-1">b</a> <a href="#cite_ref-terramedia.co.uk_6-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.terramedia.co.uk/media/film/vertical_integration.htm">"Vertical integration"</a>. Terramedia. Retrieved 21 February 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Terramedia&rft.atitle=Vertical+integration&rft_id=http%3A%2F%2Fwww.terramedia.co.uk%2Fmedia%2Ffilm%2Fvertical_integration.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-7"><a href="#cite_ref-7">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWarren2001" class="citation book cs1">Warren, Patricia (2001). British Film Studios: An Illustrated History. London: B. T. Batsford. p. 75.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=British+Film+Studios%3A+An+Illustrated+History&rft.place=London&rft.pages=75&rft.pub=B.+T.+Batsford&rft.date=2001&rft.aulast=Warren&rft.aufirst=Patricia&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-8"><a href="#cite_ref-8">^</a> Forbes, p 62 </li> <li id="cite_note-9"><a href="#cite_ref-9">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPearson,_Kenneth1969" class="citation news cs1">Pearson, Kenneth (13 April 1969). "The Great Film Gamble". 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London. 9 April 1969. p. 23 – via The Times Digital Archive.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Times&rft.atitle=BUSINESS+diary&rft.pages=23&rft.date=1969-04-09&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-four-11"><a href="#cite_ref-four_11-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVagg2025" class="citation magazine cs1">Vagg, Stephen (24 January 2025). <a rel="nofollow" class="external text" href="https://www.filmink.com.au/forgotten-british-moguls-nat-cohen-part-four-cohen-vs-bryan-forbes-1969-71/">"Forgotten British Moguls – Nat Cohen Part Four: Cohen vs Bryan Forbes (1969-71)"</a>. Filmink. Retrieved 24 January 2025.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Filmink&rft.atitle=Forgotten+British+Moguls+%E2%80%93+Nat+Cohen+Part+Four%3A+Cohen+vs+Bryan+Forbes+%281969-71%29&rft.date=2025-01-24&rft.aulast=Vagg&rft.aufirst=Stephen&rft_id=https%3A%2F%2Fwww.filmink.com.au%2Fforgotten-british-moguls-nat-cohen-part-four-cohen-vs-bryan-forbes-1969-71%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-12"><a href="#cite_ref-12">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1">"ECONOMY: Ease the squeeze now please". The Observer. 30 November 1969. p. 18.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Observer&rft.atitle=ECONOMY%3A+Ease+the+squeeze+now+please&rft.pages=18&rft.date=1969-11-30&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-13"><a href="#cite_ref-13">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1">"Shot in Arm for British Film Industry". Los Angeles Times. 29 November 1969. p. a9.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft.atitle=Shot+in+Arm+for+British+Film+Industry&rft.pages=a9&rft.date=1969-11-29&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-14"><a href="#cite_ref-14">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDennis_Barker1969" class="citation news cs1">Dennis Barker (9 August 1969). "Parable of talent: DENNIS BARKER interviews Bryan Forbes". The Guardian. London. p. 6.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Guardian&rft.atitle=Parable+of+talent%3A+DENNIS+BARKER+interviews+Bryan+Forbes&rft.pages=6&rft.date=1969-08-09&rft.au=Dennis+Barker&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-15"><a href="#cite_ref-15">^</a> Walker, 1974, p.426-428 </li> <li id="cite_note-16"><a href="#cite_ref-16">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1">"Britain steps back into cinema's big league". The Guardian. London. 13 August 1969. p. 5.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Guardian&rft.atitle=Britain+steps+back+into+cinema%27s+big+league&rft.pages=5&rft.date=1969-08-13&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-17"><a href="#cite_ref-17">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJohn_Heilpern1970" class="citation news cs1">John Heilpern (28 June 1970). "The End: In the Last Fifteen Years the British Cinema Has Lost Four-Fifths of its Audience. Today Half of the Industry'sTechnicians Are Out of Work". The Observer. London. p. 9.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Observer&rft.atitle=The+End%3A+In+the+Last+Fifteen+Years+the+British+Cinema+Has+Lost+Four-Fifths+of+its+Audience.+Today+Half+of+the+Industry%27sTechnicians+Are+Out+of+Work&rft.pages=9&rft.date=1970-06-28&rft.au=John+Heilpern&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-18"><a href="#cite_ref-18">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDay-Lewis1969" class="citation news cs1">Day-Lewis, Sean (13 August 1969). <a rel="nofollow" class="external text" href="https://www.newspapers.com/image/829614846/?terms=%22forbush%20and%20the%20penguins%22%20viola&match=1">"British finance backs plans for 15 new films"</a>. The Daily Telegraph. p. 17.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Daily+Telegraph&rft.atitle=British+finance+backs+plans+for+15+new+films&rft.pages=17&rft.date=1969-08-13&rft.aulast=Day-Lewis&rft.aufirst=Sean&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fimage%2F829614846%2F%3Fterms%3D%2522forbush%2520and%2520the%2520penguins%2522%2520viola%26match%3D1&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-19"><a href="#cite_ref-19">^</a> Forbes, p.103 </li> <li id="cite_note-20"><a href="#cite_ref-20">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1">"In the Picture". Sight and Sound. No. 38.4 (Fall 1969). p. 181.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Sight+and+Sound&rft.atitle=In+the+Picture&rft.issue=38.4+%28Fall+1969%29&rft.pages=181&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-21"><a href="#cite_ref-21">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20151224210511/http://www.britmovie.co.uk/forums/british-film-studios/110791-bryan-forbes-interview-abpc-elstree-studios.html">"BRYAN FORBES INTERVIEW at ABPC ELSTREE STUDIOS"</a>. Archived from <a rel="nofollow" class="external text" href="http://www.britmovie.co.uk/forums/british-film-studios/110791-bryan-forbes-interview-abpc-elstree-studios.html">the original</a> on 24 December 2015. Retrieved 24 December 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=BRYAN+FORBES+INTERVIEW+at+ABPC+ELSTREE+STUDIOS&rft_id=http%3A%2F%2Fwww.britmovie.co.uk%2Fforums%2Fbritish-film-studios%2F110791-bryan-forbes-interview-abpc-elstree-studios.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-22"><a href="#cite_ref-22">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcEWAN,_IAN1969" class="citation news cs1">McEWAN, IAN (15 August 1969). "British Film Czar Plans to Revitalize Industry". Los Angeles Times. p. d16.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft.atitle=British+Film+Czar+Plans+to+Revitalize+Industry&rft.pages=d16&rft.date=1969-08-15&rft.au=McEWAN%2C+IAN&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-23"><a href="#cite_ref-23">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFOwen1969" class="citation news cs1">Owen, Michael (25 November 1969). <a rel="nofollow" class="external text" href="https://www.newspapers.com/image/721548449/?terms=%22anglo%20amalgamated%22&match=1">"8 new British films are in the pipeline"</a>. Evening Standard. p. 17.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Evening+Standard&rft.atitle=8+new+British+films+are+in+the+pipeline&rft.pages=17&rft.date=1969-11-25&rft.aulast=Owen&rft.aufirst=Michael&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fimage%2F721548449%2F%3Fterms%3D%2522anglo%2520amalgamated%2522%26match%3D1&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> (subscription required) </li> <li id="cite_note-24"><a href="#cite_ref-24">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFShamoon1969" class="citation news cs1">Shamoon, Stella (26 November 1969). <a rel="nofollow" class="external text" href="https://www.newspapers.com/image/829663028/?terms=%22anglo%20amalgamated%22&match=1">"EMI puts faith and £15 million into filmmaking"</a>. The Daily Telegraph. p. 17.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Daily+Telegraph&rft.atitle=EMI+puts+faith+and+%C2%A315+million+into+filmmaking&rft.pages=17&rft.date=1969-11-26&rft.aulast=Shamoon&rft.aufirst=Stella&rft_id=https%3A%2F%2Fwww.newspapers.com%2Fimage%2F829663028%2F%3Fterms%3D%2522anglo%2520amalgamated%2522%26match%3D1&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> (subscription required) </li> <li id="cite_note-25"><a href="#cite_ref-25">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1">"City comment: Soon the darkness". The Guardian. 8 March 1971. p. 12.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Guardian&rft.atitle=City+comment%3A+Soon+the+darkness&rft.pages=12&rft.date=1971-03-08&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-26"><a href="#cite_ref-26">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1">"Forbes Quits as Elstree's Film Chief". Los Angeles Times. 26 March 1971. p. e15.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft.atitle=Forbes+Quits+as+Elstree%27s+Film+Chief&rft.pages=e15&rft.date=1971-03-26&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-McFarlane-27">^ <a href="#cite_ref-McFarlane_27-0">a</a> <a href="#cite_ref-McFarlane_27-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrian_McFarlane2003" class="citation book cs1">Brian McFarlane, ed. (2003). <a rel="nofollow" class="external text" href="http://www.screenonline.org.uk/film/id/531878/">The Encyclopedia of British Film</a>. London: Methuen/BFI. p. 203.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Encyclopedia+of+British+Film&rft.place=London&rft.pages=203&rft.pub=Methuen%2FBFI&rft.date=2003&rft_id=http%3A%2F%2Fwww.screenonline.org.uk%2Ffilm%2Fid%2F531878%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-28"><a href="#cite_ref-28">^</a> Walker, 1985, p 114 </li> <li id="cite_note-29"><a href="#cite_ref-29">^</a> Forbes, p.108 </li> <li id="cite_note-bryan-30"><a href="#cite_ref-bryan_30-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFowler1994" class="citation web cs1">Fowler, Roy (9 August 1994). <a rel="nofollow" class="external text" href="https://historyproject.org.uk/interview/bryan-forbes">"Interview with Bryan Forbes"</a>. British Entertainment History Project. Retrieved 2 August 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=British+Entertainment+History+Project&rft.atitle=Interview+with+Bryan+Forbes&rft.date=1994-08-09&rft.aulast=Fowler&rft.aufirst=Roy&rft_id=https%3A%2F%2Fhistoryproject.org.uk%2Finterview%2Fbryan-forbes&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-31"><a href="#cite_ref-31">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnderson2004" class="citation book cs1">Anderson, Lindsay (2004). <a rel="nofollow" class="external text" href="https://archive.org/details/neverapologiseco0000ande/page/381/mode/1up?">Never apologise : the collected writings</a>. Plexus. p. 381. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-85965-317-6" title="Special:BookSources/978-0-85965-317-6"><bdi>978-0-85965-317-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Never+apologise+%3A+the+collected+writings&rft.pages=381&rft.pub=Plexus&rft.date=2004&rft.isbn=978-0-85965-317-6&rft.aulast=Anderson&rft.aufirst=Lindsay&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fneverapologiseco0000ande%2Fpage%2F381%2Fmode%2F1up%3F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-32"><a href="#cite_ref-32">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://historyproject.org.uk/interview/teddy-darvas">"Interview with Teddy Darvas"</a>. British Entertainment History Project. 1991–1992. Retrieved 30 July 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=British+Entertainment+History+Project&rft.atitle=Interview+with+Teddy+Darvas&rft.date=1991%2F1992&rft_id=https%3A%2F%2Fhistoryproject.org.uk%2Finterview%2Fteddy-darvas&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-33"><a href="#cite_ref-33">^</a> Forbes, p.102 </li> <li id="cite_note-34"><a href="#cite_ref-34">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPearson,_Kenneth1971" class="citation news cs1">Pearson, Kenneth (4 April 1971). "News in the Arts". Sunday Times. London. p. 37 – via The Sunday Times Digital Archive.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Sunday+Times&rft.atitle=News+in+the+Arts&rft.pages=37&rft.date=1971-04-04&rft.au=Pearson%2C+Kenneth&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-Barber47-35">^ <a href="#cite_ref-Barber47_35-0">a</a> <a href="#cite_ref-Barber47_35-1">b</a> Sian Barber <a rel="nofollow" class="external text" href="https://books.google.com/books?id=tP1hLXw9HCAC&pg=PA47">The British Film Industry in the 1970s: Capital, Culture and Creativity</a>, Basingstoke: Palgrave Macmillan, 2013, p.47 </li> <li id="cite_note-Warren-36">^ <a href="#cite_ref-Warren_36-0">a</a> <a href="#cite_ref-Warren_36-1">b</a> Patricia Warren British Film Studios: An Illustrated History, London: B.T Batsford, 2001, p.76 </li> <li id="cite_note-37"><a href="#cite_ref-37">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1">""MGM to Close, Down English Film Facility"". Los Angeles Times. April 1970. p. a6.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft.atitle=%22MGM+to+Close%2C+Down+English+Film+Facility%22&rft.pages=a6&rft.date=1970-04&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-38"><a href="#cite_ref-38">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGary_Arnold.1970" class="citation news cs1">Gary Arnold. (15 July 1970). "Spectrum Of Interest: Film Notes". The Washington Post. p. B5.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Washington+Post&rft.atitle=Spectrum+Of+Interest%3A+Film+Notes&rft.pages=B5&rft.date=1970-07-15&rft.au=Gary+Arnold.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-39"><a href="#cite_ref-39">^</a> Sandles. "Abpc, Hammer in Film Deal." Financial Times, 18 Aug. 1970, p. 21. Financial Times Historical Archive, </li> <li id="cite_note-Harper128-40">^ <a href="#cite_ref-Harper128_40-0">a</a> <a href="#cite_ref-Harper128_40-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSue_Harper2000" class="citation news cs1">Sue Harper (2000). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=tAGGFKeyXvsC&pg=PA128">"Women in British Cinema: Mad, Bad and Dangerous to Know"</a>. London & New York: Continuum. p. 128. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781441134981" title="Special:BookSources/9781441134981"><bdi>9781441134981</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Women+in+British+Cinema%3A+Mad%2C+Bad+and+Dangerous+to+Know&rft.pages=128&rft.date=2000&rft.isbn=9781441134981&rft.au=Sue+Harper&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DtAGGFKeyXvsC%26pg%3DPA128&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-41"><a href="#cite_ref-41">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1">"EMI faces the music Braham, Michael". The Observer. 10 October 1971. p. 14.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Observer&rft.atitle=EMI+faces+the+music+Braham%2C+Michael&rft.pages=14&rft.date=1971-10-10&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-42"><a href="#cite_ref-42">^</a> Barber, p.48 </li> <li id="cite_note-43"><a href="#cite_ref-43">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1">"News in Brief". The Times. 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London. 19 May 1976. p. 18.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Guardian&rft.atitle=Acquisition+of+B+Lion&rft.pages=18&rft.date=1976-05-19&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-five-52"><a href="#cite_ref-five_52-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVagg2025" class="citation magazine cs1">Vagg, Stephen (5 February 2025). <a rel="nofollow" class="external text" href="https://www.filmink.com.au/forgotten-british-film-moguls-nat-cohen-part-five-1971-1988/">"Forgotten British film moguls – Nat Cohen: Part Five (1971-1988)"</a>. Filmink. Retrieved 5 February 2025.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Filmink&rft.atitle=Forgotten+British+film+moguls+%E2%80%93+Nat+Cohen%3A+Part+Five+%281971-1988%29&rft.date=2025-02-05&rft.aulast=Vagg&rft.aufirst=Stephen&rft_id=https%3A%2F%2Fwww.filmink.com.au%2Fforgotten-british-film-moguls-nat-cohen-part-five-1971-1988%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-Deeley-53"><a href="#cite_ref-Deeley_53-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMichael_Deeley2009" class="citation news cs1">Michael Deeley (2009). "Blade Runners, Deer Hunters and Blowing the Bloody Doors Off: My Life in Cult Movies". Pegasus Books. pp. 128–199.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Blade+Runners%2C+Deer+Hunters+and+Blowing+the+Bloody+Doors+Off%3A+My+Life+in+Cult+Movies&rft.pages=%3Cspan+class%3D%22nowrap%22%3E128-%3C%2Fspan%3E199&rft.date=2009&rft.au=Michael+Deeley&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-54"><a href="#cite_ref-54">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFALJEAN_HARMETZ1977" class="citation news cs1">ALJEAN HARMETZ (1 August 1977). "If a Movie Goes in America, Will Rest of World Buy It?: E.M.I. Films Chief Says Answer Depends Upon Motion and Stars". The New York Times. p. 34.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=If+a+Movie+Goes+in+America%2C+Will+Rest+of+World+Buy+It%3F%3A+E.M.I.+Films+Chief+Says+Answer+Depends+Upon+Motion+and+Stars&rft.pages=34&rft.date=1977-08-01&rft.au=ALJEAN+HARMETZ&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-55"><a href="#cite_ref-55">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFChamplin,_Charles.1977" class="citation news cs1">Champlin, Charles. (27 May 1977). "CRITIC AT LARGE: In Search of World Viewers". Los Angeles Times. p. g1.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft.atitle=CRITIC+AT+LARGE%3A+In+Search+of+World+Viewers&rft.pages=g1&rft.date=1977-05-27&rft.au=Champlin%2C+Charles.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-56"><a href="#cite_ref-56">^</a> Deeley in his memoirs says the sixth film was Arabian Adventure. See Deeley p 134 </li> <li id="cite_note-57"><a href="#cite_ref-57">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVagg2020" class="citation magazine cs1">Vagg, Stephen (14 July 2020). <a rel="nofollow" class="external text" href="https://diaboliquemagazine.com/john-wick-with-spurs-a-look-at-walter-hills-unmade-the-last-gun/">""John Wick with spurs" – A look at Walter Hill's Unmade The Last Gun"</a>. 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Bulletin de la Société de l'Histoire du Protestantisme Français (1903-). 135: 229–260. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a> <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/24296674">24296674</a>. Retrieved 10 March 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Bulletin+de+la+Soci%C3%A9t%C3%A9+de+l%27Histoire+du+Protestantisme+Fran%C3%A7ais+%281903-%29&rft.atitle=Les+Fraissinet%2C+une+famille+d%27armateurs+protestants+marseillais&rft.volume=135&rft.pages=%3Cspan+class%3D%22nowrap%22%3E229-%3C%2Fspan%3E260&rft.date=1989&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F24296674%23id-name%3DJSTOR&rft.au=Bulletin+de+la+Soci%C3%A9t%C3%A9+de+l%27histoire+du+protestantisme+fran%C3%A7ais&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F24296674&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-99"><a href="#cite_ref-99">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.avid.wiki/Lumiere_Pictures">"Lumiere Pictures"</a>. Audiovisual Identity Database. Retrieved 10 March 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Audiovisual+Identity+Database&rft.atitle=Lumiere+Pictures&rft_id=https%3A%2F%2Fwww.avid.wiki%2FLumiere_Pictures&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> <li id="cite_note-100"><a href="#cite_ref-100">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJamesDawtrey,_Adam2006" class="citation magazine cs1">James, Alison; Dawtrey, Adam (7 May 2006). <a rel="nofollow" class="external text" href="https://variety.com/2006/film/news/studio-canal-moves-into-blighty-1200505900/">"Studio Canal moves into Blighty"</a>. <a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a>. Retrieved 4 September 2011.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Variety&rft.atitle=Studio+Canal+moves+into+Blighty&rft.date=2006-05-07&rft.aulast=James&rft.aufirst=Alison&rft.au=Dawtrey%2C+Adam&rft_id=https%3A%2F%2Fvariety.com%2F2006%2Ffilm%2Fnews%2Fstudio-canal-moves-into-blighty-1200505900%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"> </li> </ol></div></div> <ul><li>Forbes, Bryan, A Divided Life, Mandarin Paperbacks, 1993</li> <li>Walker, Alexander, Hollywood England, Harrap and Stein, 1974</li> <li>Walker, Alexander, National Heroes: British Cinema in the Seventies and Eighties, Harrap, 1985</li> <li>Walker, Alexander, <a rel="nofollow" class="external text" href="https://books.google.com/books?id=lFlSHQAACAAJ">Icons in the Fire: The Rise and Fall of Practically Everyone in the British Film Industry 1984–2000</a>, Orion Books, 2005. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7528-6484-6" title="Special:BookSources/978-0-7528-6484-6">978-0-7528-6484-6</a>.</li></ul> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2>[<a href="/w/index.php?title=Lumiere_Pictures_and_Television&action=edit&section=25" title="Edit section: External links">edit</a>]</div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVagg2021" class="citation web cs1">Vagg, Stephen (10 October 2021). <a rel="nofollow" class="external text" href="https://www.filmink.com.au/cold-streaks-the-studio-stewardship-of-bryan-forbes-at-emi/?fbclid=IwAR2d6NRSznxoUrpMXdoWNZmzixP_xwgITOooAib_HWJUceye3WbfKK81E1E">"Cold Streaks: The Studio Stewardship of Bryan Forbes at EMI"</a>. Filmink Magazine.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Filmink+Magazine&rft.atitle=Cold+Streaks%3A+The+Studio+Stewardship+of+Bryan+Forbes+at+EMI&rft.date=2021-10-10&rft.aulast=Vagg&rft.aufirst=Stephen&rft_id=https%3A%2F%2Fwww.filmink.com.au%2Fcold-streaks-the-studio-stewardship-of-bryan-forbes-at-emi%2F%3Ffbclid%3DIwAR2d6NRSznxoUrpMXdoWNZmzixP_xwgITOooAib_HWJUceye3WbfKK81E1E&rfr_id=info%3Asid%2Fen.wikipedia.org%3ALumiere+Pictures+and+Television" class="Z3988"></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20200804210833/https://www.studiocanal.com/en/studiocanal-group/historical">Official history</a> (archived); <a rel="nofollow" class="external text" href="https://www.studiocanal.com/company-history/">current version</a></li> <li><a href="https://fr.wikipedia.org/wiki/Studiocanal" class="extiw" title="fr:Studiocanal">Information about their history</a></li></ul> <div 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.navbox-odd{background-color:transparent}.mw-parser-output .navbox .hlist td dl,.mw-parser-output .navbox .hlist td ol,.mw-parser-output .navbox .hlist td ul,.mw-parser-output .navbox td.hlist dl,.mw-parser-output .navbox td.hlist ol,.mw-parser-output .navbox td.hlist ul{padding:0.125em 0}.mw-parser-output .navbox .navbar{display:block;font-size:100%}.mw-parser-output .navbox-title .navbar{float:left;text-align:left;margin-right:0.5em}body.skin--responsive .mw-parser-output .navbox-image img{max-width:none!important}@media print{body.ns-0 .mw-parser-output .navbox{display:none!important}}</style></div><div role="navigation" class="navbox authority-control" aria-labelledby="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q4353408#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata520" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q4353408#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata520" style="font-size:114%;margin:0 4em"><a href="/wiki/Help:Authority_control" title="Help:Authority control">Authority control databases</a> <a href="https://www.wikidata.org/wiki/Q4353408#identifiers" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">International</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://viaf.org/viaf/2299156012403949700006">VIAF</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://www.nli.org.il/en/authorities/987007438173205171">Israel</a></li></ul></div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Canal+147" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1239400231">.mw-parser-output .navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output .navbar-boxtext{word-spacing:0}.mw-parser-output .navbar ul{display:inline-block;white-space:nowrap;line-height:inherit}.mw-parser-output .navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar 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template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Groupe_Canal_Plus" title="Special:EditPage/Template:Groupe Canal Plus"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Canal+147" style="font-size:114%;margin:0 4em"><a href="/wiki/Canal%2B_S.A." title="Canal+ S.A.">Canal+</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Canal%2B_(French_TV_channel)" title="Canal+ (French TV channel)">Canal+</a> France</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/C8_(French_TV_channel)" title="C8 (French TV channel)">C8</a></li> <li><a href="/wiki/Canal%2B_(streaming_service)" title="Canal+ (streaming service)">Canal+</a></li> <li>Réunion</li> <li><a href="/wiki/Canal%2B_Cal%C3%A9donie" title="Canal+ Calédonie">Calédonie</a></li> <li><a href="/wiki/Canal%2B_Cara%C3%AFbes" title="Canal+ Caraïbes">Caraïbes</a></li> <li><a href="https://fr.wikipedia.org/wiki/Canal%2B_Sport_360" class="extiw" title="fr:Canal+ Sport 360">Canal+ Sport 360</a></li> <li><a href="/wiki/Canal%2B_Sport_(French_TV_channel)" title="Canal+ Sport (French TV channel)">Canal+ Sport</a></li> <li><a href="https://fr.wikipedia.org/wiki/Canal%2B_Foot" class="extiw" title="fr:Canal+ Foot">Canal+ Foot</a></li> <li><a href="/wiki/Canal%2B_S%C3%A9ries" title="Canal+ Séries">Canal+ Séries</a></li> <li><a href="/wiki/Canal%2B_Cin%C3%A9ma(s)" title="Canal+ Cinéma(s)">Canal+ Cinéma(s)</a></li> <li>Canal+ Box Office</li> <li><a href="https://fr.wikipedia.org/wiki/Canal%2B_Docs" class="extiw" title="fr:Canal+ Docs">Canal+ Docs</a></li> <li><a href="https://fr.wikipedia.org/wiki/Canal%2B_Kids" class="extiw" title="fr:Canal+ Kids">Canal+ Kids</a></li> <li><a href="/wiki/CNews" title="CNews">CNews</a></li> <li><a href="/wiki/CStar" title="CStar">CStar</a></li> <li><a href="https://fr.wikipedia.org/wiki/Golf%2B" class="extiw" title="fr:Golf+">Golf+</a></li> <li><a href="/wiki/Mezzo_TV" title="Mezzo TV">Mezzo</a> (50%)</li> <li><a href="/wiki/Mezzo_Live_HD" class="mw-redirect" title="Mezzo Live HD">Mezzo Live</a> (50%)</li> <li><a href="/wiki/Canal%2B_Th%C3%A9matiques" title="Canal+ Thématiques">Canal+ Thématiques</a> <ul><li><a href="/wiki/Cin%C3%A9%2B_OCS" title="Ciné+ OCS">Ciné+ OCS</a> <ul><li><a href="/wiki/OCS_(TV_channel)" class="mw-redirect" title="OCS (TV channel)">OCS</a></li> <li><a href="https://fr.wikipedia.org/wiki/Cin%C3%A9%2B_Frisson" class="extiw" title="fr:Ciné+ Frisson">Ciné+ Frisson</a></li> <li><a href="https://fr.wikipedia.org/wiki/Cin%C3%A9%2B_%C3%89motion" class="extiw" title="fr:Ciné+ Émotion">Ciné+ Émotion</a></li> <li><a href="/wiki/Cin%C3%A9%2B_Family" class="mw-redirect" title="Ciné+ Family">Ciné+ Family</a></li> <li><a href="/wiki/Cin%C3%A9%2B_Festival" class="mw-redirect" title="Ciné+ Festival">Ciné+ Festival</a></li> <li><a href="https://fr.wikipedia.org/wiki/Cin%C3%A9%2B_Classic" class="extiw" title="fr:Ciné+ Classic">Ciné+ Classic</a></li></ul></li> <li><a href="https://fr.wikipedia.org/wiki/InfoSport%2B" class="extiw" title="fr:InfoSport+">InfoSport+</a></li> <li><a href="https://fr.wikipedia.org/wiki/Olympia_TV" class="extiw" title="fr:Olympia TV">Olympia TV</a></li> <li><a href="/wiki/Com%C3%A9die%2B" title="Comédie+">Comédie+</a></li> <li><a href="https://fr.wikipedia.org/wiki/Polar%2B" class="extiw" title="fr:Polar+">Polar+</a></li> <li><a href="/wiki/Plan%C3%A8te%2B" title="Planète+">Planète+</a></li> <li><a href="https://fr.wikipedia.org/wiki/Plan%C3%A8te%2B_Crime" class="extiw" title="fr:Planète+ Crime">Planète+ Crime</a></li> <li><a href="https://fr.wikipedia.org/wiki/Plan%C3%A8te%2B_Aventure" class="extiw" title="fr:Planète+ Aventure">Planète+ Aventure</a></li> <li><a href="https://fr.wikipedia.org/wiki/Seasons" class="extiw" title="fr:Seasons">Seasons</a></li> <li><a href="https://fr.wikipedia.org/wiki/CStar_Hits_France" class="extiw" title="fr:CStar Hits France">CStar Hits France</a></li> <li><a href="/wiki/Piwi%2B" title="Piwi+">Piwi+</a></li> <li><a href="/wiki/T%C3%A9l%C3%A9toon%2B" class="mw-redirect" title="Télétoon+">Télétoon+</a></li></ul></li> <li>Canal+ Live</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Canal+ International</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%">Thema</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Nollywood_TV" title="Nollywood TV">Nollywood TV</a></li> <li><a href="/w/index.php?title=Nollywood_TV_Epic&action=edit&redlink=1" class="new" title="Nollywood TV Epic (page does not exist)">Nollywood TV Epic</a></li> <li><a href="/wiki/Novelas_TV" title="Novelas TV">Novelas TV</a></li> <li>Ludikids</li> <li>Nathan TV</li> <li>Cuisines</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Africa</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Canal%2B_Afrique" title="Canal+ Afrique">Canal+ Afrique</a></li> <li>Canal+ Première</li> <li>Canal+ Pop</li> <li>Canal+ Action</li> <li>Canal+ Elles</li> <li>Canal+ Cinéma</li> <li>Canal+ Family</li> <li>Canal+ Kids</li> <li>Infosport+</li> <li>Canal+ Sport <ul><li>1-5</li></ul></li> <li>A+</li> <li>Sunu Yeuf</li> <li>Canal+ Ethiopia</li> <li><a href="/wiki/Multichoice" class="mw-redirect" title="Multichoice">Multichoice</a> (45%) <ul><li><a href="/wiki/DStv" title="DStv">DStv</a> (20% shared with Multichoice)</li> <li><a href="/wiki/Showmax" title="Showmax">Showmax</a> (70% owned by Multichoice)</li></ul></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Asia</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>K+ (JV with <a href="/wiki/Vietnam_Television" title="Vietnam Television">VTV</a>)</li> <li><a href="/wiki/Canal%2B_(Myanmar)" title="Canal+ (Myanmar)">Canal+ (Myanmar)</a> (JV with <a href="/wiki/Forever_Group" title="Forever Group">Forever Group</a>)</li> <li><a href="/wiki/Viu_(streaming_service)" title="Viu (streaming service)">Viu</a> (37%)</li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Canal+ Poland (51%)</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Canal%2B_(Polish_TV_provider)" title="Canal+ (Polish TV provider)">Canal+</a></li> <li><a href="/wiki/Ale_Kino%2B" title="Ale Kino+">Ale Kino+</a></li> <li><a href="/wiki/Canal%2B_Domo" title="Canal+ Domo">Canal+ Domo</a></li> <li><a href="/wiki/Canal%2B_Kuchnia" title="Canal+ Kuchnia">Canal+ Kuchnia</a></li> <li>Novelas+</li> <li><a href="/wiki/MiniMini%2B" title="MiniMini+">MiniMini+</a></li> <li><a href="/wiki/Canal%2B_Premium" title="Canal+ Premium">Canal+ Premium</a></li> <li>Canal+ 360</li> <li>Canal+ 4K Ultra HD</li> <li>Canal+ Film</li> <li>Canal+ Seriale</li> <li><a href="/wiki/Canal%2B_Sport_(Polish_TV_channel)" title="Canal+ Sport (Polish TV channel)">Canal+ Sport</a> <ul><li><a href="/wiki/Canal%2B_Sport_2_(TV_channel)" title="Canal+ Sport 2 (TV channel)">Sport 2</a>-5</li></ul></li> <li><a href="/wiki/Canal%2B_Now_(Poland)" title="Canal+ Now (Poland)">Canal+ Now</a></li> <li>Canal+ Extra</li> <li>Canal+ Dokument</li> <li><a href="/wiki/Planete%2B" class="mw-redirect" title="Planete+">Planete+</a></li> <li><a href="/wiki/Teletoon%2B" title="Teletoon+">Teletoon+</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/M7_Group" title="M7 Group">M7 Group</a></th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>Canal+ Austria <ul><li>Canal+ Action</li></ul></li> <li>Netherlands <ul><li><a href="/wiki/Canal_Digitaal" title="Canal Digitaal">Canal Digitaal</a></li> <li>Canal+</li> <li>Online.nl</li></ul></li> <li><a href="/wiki/Focus_Sat" title="Focus Sat">Focus Sat</a></li> <li><a href="/wiki/Skylink_(TV_platform)" title="Skylink (TV platform)">Skylink</a> <ul><li>Canal+ Action</li> <li>Canal+ Sport <ul><li>Sport 2</li></ul></li></ul></li> <li><a href="/wiki/T%C3%A9l%C3%A9sat" title="Télésat">Télésat</a></li> <li><a href="/wiki/TV_Vlaanderen" title="TV Vlaanderen">TV Vlaanderen</a></li> <li><a href="/wiki/SPI_International" title="SPI International">SPI International</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/StudioCanal" title="StudioCanal">StudioCanal</a></th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Arthaus_(video_label)" title="Arthaus (video label)">Arthaus</a></li> <li><a href="/wiki/Red_Production_Company" title="Red Production Company">Red Production Company</a></li> <li><a href="/wiki/Rok_Studios" title="Rok Studios">Rok Studios</a></li> <li><a href="/wiki/StudioCanal_UK" title="StudioCanal UK">StudioCanal UK</a></li> <li><a href="/wiki/Tandem_Productions_(German_company)" title="Tandem Productions (German company)">Tandem Productions</a></li> <li><a href="/wiki/Dutch_FilmWorks" title="Dutch FilmWorks">Dutch FilmWorks</a></li></ul> </div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?useformat=desktop&type=1x1&usesul3=0" alt="" width="1" height="1" 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