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<!DOCTYPE html> <html lang="en" class=" story nytapp-vi-article " xmlns:og="http://opengraphprotocol.org/schema/"> <head> <meta charset="utf-8" /> <title data-rh="true">7 New Movies Our Critics Are Talking About This Week - The New York Times</title> <meta data-rh="true" name="robots" content="noarchive, max-image-preview:large"/><meta data-rh="true" name="description" content="Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about."/><meta data-rh="true" property="twitter:url" content="https://www.nytimes.com/2025/02/14/movies/new-movies-2025.html"/><meta data-rh="true" property="twitter:title" content="7 New Movies Our Critics Are Talking About This Week"/><meta data-rh="true" property="twitter:description" content="Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about."/><meta data-rh="true" property="twitter:image" 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When we have confirmed access, the full article content will load.</div></div><header class="css-ieftan euiyums1"><div id="sponsor-wrapper" class="css-1hyfx7x"><div id="sponsor-slug" class="css-twqvxd"><p>Supported by</p></div><a href="#after-sponsor" class="css-777zgl">SKIP ADVERTISEMENT</a><div class="ad sponsor-wrapper css-rfqw0c" id="sponsor"></div><div id="after-sponsor"></div></div><div class="css-hme5ai euiyums0"></div><div class="css-1vkm6nb ehdk2mb0"><h1 id="link-2b5e2119" class="css-1uc375s e1h9rw200" data-testid="headline">7 New Movies Our Critics Are Talking About This Week</h1></div><p id="article-summary" class="css-79rysd e1wiw3jv0">Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.</p><div class="css-10cldcv"><div role="toolbar" data-testid="share-tools" aria-label="Social Media Share buttons, Save button, and Comments Panel with current comment count" class="css-yomkvi"><div></div><div 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data-testid="ImageBlock-1"><div data-testid="imageblock-wrapper"><figure class="img-sz-medium css-mqw7kw e1g7ppur0" aria-label="media" role="group"><div class="css-1xdhyk6 erfvjey0" data-testid="photoviewer-children-figure"><span class="css-1ly73wi e1tej78p0">Image</span><picture><source media="(max-width: 599px) and (min-device-pixel-ratio: 3),(max-width: 599px) and (min-resolution: 3dppx),(max-width: 599px) and (min-resolution: 288dpi)" srcSet="https://static01.nyt.com/images/2025/02/13/multimedia/13bridget-jones-mad-2-ftjp/13bridget-jones-mad-2-ftjp-mobileMasterAt3x.jpg?quality=75&auto=webp&disable=upscale&width=1800"/><source media="(max-width: 599px) and (min-device-pixel-ratio: 2),(max-width: 599px) and (min-resolution: 2dppx),(max-width: 599px) and (min-resolution: 192dpi)" srcSet="https://static01.nyt.com/images/2025/02/13/multimedia/13bridget-jones-mad-2-ftjp/13bridget-jones-mad-2-ftjp-mobileMasterAt3x.jpg?quality=75&auto=webp&disable=upscale&width=1200"/><source media="(max-width: 599px) and (min-device-pixel-ratio: 1),(max-width: 599px) and (min-resolution: 1dppx),(max-width: 599px) and (min-resolution: 96dpi)" srcSet="https://static01.nyt.com/images/2025/02/13/multimedia/13bridget-jones-mad-2-ftjp/13bridget-jones-mad-2-ftjp-mobileMasterAt3x.jpg?quality=75&auto=webp&disable=upscale&width=600"/><img alt="Five people, men and women, holding cocktail glasses in their hands, stand next to each other at a gathering, in a scene from “Bridget Jones: Mad About the Boy.”" class="css-r3fift" src="https://static01.nyt.com/images/2025/02/13/multimedia/13bridget-jones-mad-2-ftjp/13bridget-jones-mad-2-ftjp-articleLarge.jpg?quality=75&auto=webp&disable=upscale" srcSet="https://static01.nyt.com/images/2025/02/13/multimedia/13bridget-jones-mad-2-ftjp/13bridget-jones-mad-2-ftjp-articleLarge.jpg?quality=75&auto=webp 600w,https://static01.nyt.com/images/2025/02/13/multimedia/13bridget-jones-mad-2-ftjp/13bridget-jones-mad-2-ftjp-jumbo.jpg?quality=75&auto=webp 1024w,https://static01.nyt.com/images/2025/02/13/multimedia/13bridget-jones-mad-2-ftjp/13bridget-jones-mad-2-ftjp-superJumbo.jpg?quality=75&auto=webp 2048w" sizes="((min-width: 600px) and (max-width: 1004px)) 84vw, (min-width: 1005px) 60vw, 100vw" uri="nyt://image/89665812-34b2-592e-9056-55bd9e8c8459" decoding="async" width="600" height="400"/></picture></div><figcaption data-testid="photoviewer-children-caption" class="css-gbc9ki ewdxa0s0"><span class="css-jevhma e13ogyst0">Renée Zellweger, center, as Bridget Jones, with, from left, Shirley Henderson, James Callis, Sally Phillips and Sarah Solemani in “Bridget Jones: Mad About the Boy.”</span><span class="css-14fe1uy e1z0qqy90"><span class="css-1ly73wi e1tej78p0">Credit...</span><span><span aria-hidden="false">Alex Bailey/Universal Pictures/Peacock</span></span></span></figcaption></figure></div></div><div class="css-s99gbd StoryBodyCompanionColumn" data-testid="companionColumn-1"><div class="css-53u6y8"><h3 class="css-15h6bi9 e1gnsphs0" id="link-5114719a"><span><a class="css-yywogo" href="https://www.nytimes.com/2025/02/13/movies/bridget-jones-mad-about-the-boy-review.html" title="">‘Bridget Jones: Mad About the Boy’</a></span></h3><p class="css-at9mc1 evys1bk0">The charmingly disheveled heroine Bridget Jones (Renée Zellweger) is back in this sequel directed by Michael Morris, and this time she’s tackling life as a single mother after her husband dies.</p><p class="css-at9mc1 evys1bk0">From our review:</p><blockquote class="css-1ggt3fz etf134l0"><p class="css-12wzsk6 evys1bk0">Even though Bridget Jones fans are used to zany plot developments, few could have anticipated the twist in the new installment of her film series: Miraculously, “Bridget Jones: Mad About the Boy” reconnects with the deft balance of bubbliness, high jinks and emotion that was the hallmark of the movie that started it all in 2001, “Bridget Jones’s Diary.”</p></blockquote><p class="css-at9mc1 evys1bk0"><a class="css-yywogo" href="https://www.peacocktv.com/stream-movies/bridget-jones-mad-about-the-boy" title="" rel="noopener noreferrer" target="_blank"><em class="css-2fg4z9 e1gzwzxm0">Watch on Peacock</em></a><em class="css-2fg4z9 e1gzwzxm0">. </em><a class="css-yywogo" href="https://www.nytimes.com/2025/02/13/movies/bridget-jones-mad-about-the-boy-review.html" title=""><em class="css-2fg4z9 e1gzwzxm0">Read the full review</em></a><em class="css-2fg4z9 e1gzwzxm0">.</em></p><h2 class="css-tosae5 eoo0vm40" id="link-3956967e">Just padding along.</h2></div><aside class="css-ew4tgv" aria-label="companion column"></aside></div><div data-testid="ImageBlock-3"><div data-testid="imageblock-wrapper"><figure class="img-sz-medium css-d754w4 e1g7ppur0" aria-label="media" role="group"><div class="css-1xdhyk6 erfvjey0" data-testid="photoviewer-children-figure"><span class="css-1ly73wi e1tej78p0">Image</span><div class="css-nwd8t8" data-testid="lazy-image"><div data-testid="lazyimage-container" style="height:161.75555555555553px"></div></div></div><figcaption data-testid="photoviewer-children-caption" class="css-gbc9ki ewdxa0s0"><span class="css-jevhma e13ogyst0">“Paddington in Peru” moves its star into the action-adventure genre.</span><span class="css-14fe1uy e1z0qqy90"><span class="css-1ly73wi e1tej78p0">Credit...</span><span><span aria-hidden="false">Sony Pictures</span></span></span></figcaption></figure></div></div><div class="css-s99gbd StoryBodyCompanionColumn" data-testid="companionColumn-2"><div class="css-53u6y8"><h3 class="css-15h6bi9 e1gnsphs0" id="link-745badd1"><span><a class="css-yywogo" href="https://www.nytimes.com/2025/02/13/movies/paddington-in-peru-review.html" title="">‘Paddington in Peru’</a></span></h3><p class="css-at9mc1 evys1bk0">Directed by Dougal Wilson, this sequel sees the gentlemanly bear Paddington (voiced by Ben Whishaw) on a trip to Peru to find his Aunt. Along the way, he meets a Reverend Mother (Olivia Colman) and Hunter Cabot (Antonio Banderas), a local river guide.</p></div><aside class="css-ew4tgv" aria-label="companion column"></aside></div><div data-testid="Dropzone-5"></div><div class="css-s99gbd StoryBodyCompanionColumn" data-testid="companionColumn-3"><div class="css-53u6y8"><p class="css-at9mc1 evys1bk0">From our review:</p><blockquote class="css-1ggt3fz etf134l0"><p class="css-12wzsk6 evys1bk0">Watching Hunter’s schemes unfold, viewers can appreciate the central challenge facing “Paddington in Peru.” How do you measure up to “Paddington 2” when much of its magic came from Hugh Grant, who’s nowhere to be found? Instead, the filmmakers call on Colman and Banderas to fill the void, and although the actors commit with manic enthusiasm, their goofing can’t conjure what came before.</p></blockquote><p class="css-at9mc1 evys1bk0"><em class="css-2fg4z9 e1gzwzxm0">In theaters. </em><a class="css-yywogo" href="https://www.nytimes.com/2025/02/13/movies/paddington-in-peru-review.html" title=""><em class="css-2fg4z9 e1gzwzxm0">Read the full review</em></a><em class="css-2fg4z9 e1gzwzxm0">.</em></p><h2 class="css-tosae5 eoo0vm40" id="link-31b08c67">Cap your expectations.</h2></div><aside class="css-ew4tgv" aria-label="companion column"></aside></div><div data-testid="ImageBlock-7"><div data-testid="imageblock-wrapper"><figure class="img-sz-medium css-d754w4 e1g7ppur0" aria-label="media" role="group"><div class="css-1xdhyk6 erfvjey0" data-testid="photoviewer-children-figure"><span class="css-1ly73wi e1tej78p0">Image</span><div class="css-nwd8t8" data-testid="lazy-image"><div data-testid="lazyimage-container" style="height:257.77777777777777px"></div></div></div><figcaption data-testid="photoviewer-children-caption" class="css-gbc9ki ewdxa0s0"><span class="css-jevhma e13ogyst0">Anthony Mackie as Sam Wilson, a.k.a. Captain America.</span><span class="css-14fe1uy e1z0qqy90"><span class="css-1ly73wi e1tej78p0">Credit...</span><span><span aria-hidden="false">Eli Adé/Marvel Studios</span></span></span></figcaption></figure></div></div><div class="css-s99gbd StoryBodyCompanionColumn" data-testid="companionColumn-4"><div class="css-53u6y8"><h3 class="css-15h6bi9 e1gnsphs0" id="link-587c4e5b"><span><a class="css-yywogo" href="https://www.nytimes.com/2025/02/12/movies/captain-america-brave-new-world-review.html" title="">‘Captain America: Brave New World’</a></span></h3><p class="css-at9mc1 evys1bk0">Anthony Mackie stars as Captain America in this sequel about a dangerous substance and an attempted assassination of the President (Harrison Ford).</p><p class="css-at9mc1 evys1bk0">From our review:</p><blockquote class="css-1ggt3fz etf134l0"><p class="css-12wzsk6 evys1bk0">The film, directed by Julius Onah, has the frayed tailoring of a movie marked by reshoots and changes: The writing is stiff and the ensemble is mostly charmless, while the visuals are slapdash. As the new Captain America, Mackie was perhaps doomed from the start. And yet, he lacks the megawatt magnetism to elevate, or even just obscure, the poor construction of a tentpole franchise on his own.</p></blockquote><p class="css-at9mc1 evys1bk0"><em class="css-2fg4z9 e1gzwzxm0">In theaters. </em><a class="css-yywogo" href="https://www.nytimes.com/2025/02/12/movies/captain-america-brave-new-world-review.html" title=""><em class="css-2fg4z9 e1gzwzxm0">Read the full review</em></a><em class="css-2fg4z9 e1gzwzxm0">.</em></p><p class="css-1lsv4am e6idgb70">Critic’s Pick</p><h2 class="css-tosae5 eoo0vm40" id="link-2ab18210">A lost gem, unearthed, that shines brilliantly.</h2></div><aside class="css-ew4tgv" aria-label="companion column"></aside></div><div data-testid="ImageBlock-9"><div data-testid="imageblock-wrapper"><figure class="img-sz-medium css-d754w4 e1g7ppur0" aria-label="media" role="group"><div class="css-1xdhyk6 erfvjey0" data-testid="photoviewer-children-figure"><span class="css-1ly73wi e1tej78p0">Image</span><div class="css-nwd8t8" data-testid="lazy-image"><div data-testid="lazyimage-container" style="height:210.08888888888887px"></div></div></div><figcaption data-testid="photoviewer-children-caption" class="css-gbc9ki ewdxa0s0"><span class="css-jevhma e13ogyst0">In “Annihilation of Fish,” James Earl Jones plays a Jamaican immigrant in New York who claims to be bedeviled by an invisible demon he calls Hank.</span><span class="css-14fe1uy e1z0qqy90"><span class="css-1ly73wi e1tej78p0">Credit...</span><span><span aria-hidden="false">Kino Lorber</span></span></span></figcaption></figure></div></div><div data-testid="Optimistic-10"><div class="css-1336jj"><div class="css-121kum4"><div class="css-171quhb"></div><div class="css-asuuk5"><noscript><div class="css-7axq9l" data-testid="optimistic-truncator-noscript"><svg width="24" height="24" viewBox="0 0 24 24" aria-hidden="true" class="css-1b5b8u1"><path fill="currentColor" fill-rule="evenodd" d="M2.5 12a9.5 9.5 0 1 1 19 0 9.5 9.5 0 0 1-19 0Zm8.5 1.75v-7.5h2v7.5h-2Zm0 2v2h2v-2h-2Z" clip-rule="evenodd"></path></svg><div data-testid="optimistic-truncator-noscript-message" class="css-6yo1no"><p class="css-3kpklk">We are having trouble retrieving the article content.</p><p class="css-3kpklk">Please enable JavaScript in your browser settings.</p></div></div></noscript><div class="css-1dv1kvn" id="optimistic-truncator-a11y" tabindex="-1"><hr/><p>Thank you for your patience while we verify access. 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Surely there’s overlap between the two circles in that Venn diagram, but I can’t imagine it’s all that substantial. Combining the two cultural specificities, though, makes for something fresh and weird and delightful to watch — even if, like me, you’re not an expert on either one."}],"textAlign":"LEFT"}]},{"__typename":"ParagraphBlock","content":[{"__typename":"TextInline","formats":[{"__typename":"ItalicFormat","type":null}],"text":"In theaters. 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