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'\E700'; } .gelicon--google::before { content: '\E701'; } .gelicon--spotify::before { content: '\E304'; } .gelicon--pinterest::before { content: '\E305'; } .gelicon--tumblr::before { content: '\E306'; } .gelicon--stumbleupon::before { content: '\E307'; } .gelicon--linkedin::before { content: '\E308'; } .gelicon--reddit::before { content: '\E309'; } .gelicon--digg::before { content: '\E30A'; } .gelicon--instagram::before { content: '\E30B'; } .gelicon--whatsapp::before { content: '\E600'; } .body-text-card-inline-video { margin: 24px 0; position: relative; } .inline-image__description { border-bottom: 1px solid rgba(106, 106, 106, 0.43); font-style: italic; padding: 20px 10px 12px; } .inline-image__description--desktop { padding: 20px 18px 18px; } .inline-image img { border-radius: 0; } .inline-video { height: 100%; } .inline-video__container { position: relative; } .inline-video .play-button__inline-video { bottom: 0; left: 0; position: absolute; z-index: 1000; } .inline-video__smp { background-color: #000; padding-bottom: 56.25%; } .inline-video__smp--loaded { background-color: unset; padding-bottom: unset; } .inline-video__description { border-bottom: 1px solid rgba(106, 106, 106, 0.43); color: #737373; font-size: 16px; font-style: italic; line-height: 24px; padding: 22px 10; } .inline-video__description--desktop { padding: 28px 16px; } .inline-audio-player { height: 100%; } .inline-audio-player__container { display: inline-block; width: 100%; } .inline-audio-player__container > div { height: 50px; position: relative; } .inline-audio-player__container > div > div { padding: 0 !important; } .inline-audio-player__cta-holder { display: -ms-flexbox; display: flex; } .inline-audio-player__cta-container { display: -ms-flexbox; display: flex; } .inline-audio-player__text { background: none; border: 0; color: #4a4a4a; cursor: pointer; font-size: 14px; font-weight: bold; height: 25px; letter-spacing: -0.1px; line-height: 25px; margin-left: 12px; outline: inherit; padding: 0; } .inline-audio-player__beta { background-color: #e6711b; color: #fff; height: 25px; left: -110px; line-height: 12px; margin-left: 0; padding: 0 7px; position: relative; top: 25px; width: 66px; } .inline-audio-player__beta:hover .inline-audio-player__arrow { -webkit-transform: rotate(45deg); transform: rotate(45deg); } .inline-audio-player__beta-copy { color: #444; display: block; font-size: 12px; letter-spacing: 0; line-height: 17px; margin-top: 16px; } .inline-audio-player__arrow { border: solid #fff; border-width: 0 2px 2px 0; display: inline-block; padding: 3px; position: relative; top: -1px; -webkit-transform: rotate(-45deg); transform: rotate(-45deg); -webkit-transition: 0.4s; transition: 0.4s; } .inline-audio-player__played { background-color: #ededed; } .inline-audio-player__hidden { display: none; } .inline-quote { border-left: 3px solid #575757; color: #575757; letter-spacing: -1.69px; line-height: 32px; margin: 0; padding-left: 22px; } .inline-quote--worklife { border-left: 3px solid #8beed9; } .inline-quote--future { border-left: 3px solid #ffc857; } .inline-quote--culture { border-left: 3px solid #472479; } .inline-quote--earth { border-left: 3px solid #002856; } .inline-quote h2 { font-weight: 300; } .article-video { height: 100%; position: relative; } .article-video img { bottom: -100%; display: block; height: 100%; left: -100%; margin: auto; min-height: 100%; min-width: 100%; object-fit: cover; position: absolute; right: -100%; top: -100%; width: 100%; } .article-video__overlay { display: -ms-flexbox; display: flex; height: 100%; -ms-flex-pack: center; justify-content: center; top: 0; width: 100%; } .article-video__play-button { -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; -ms-flex-direction: column; flex-direction: column; left: 50%; padding: 0; position: absolute; top: 50%; -webkit-transform: translate(-50%, -50%); transform: translate(-50%, -50%); z-index: 1500; } .article-video__label { margin-bottom: 16px; } .article-video__image { bottom: 0; height: 100%; position: absolute; top: 0; width: 100%; } .article-video__image--hide { opacity: 0; } .article-video__playercore { display: block; } .article-video__playercore--mobile { display: none; position: absolute; top: 0; width: 100%; } .article-video__playercore--show { display: block; } .article-video--bordered { border-radius: 4px; overflow: hidden; } .hero-video { -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; height: 180px; -ms-flex-pack: center; justify-content: center; position: relative; z-index: 1; } .hero-video__video { -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; height: 80%; -ms-flex-pack: center; justify-content: center; position: relative; width: 80%; z-index: 2; } .hero-video__video--desktop { left: 0; top: 65px; width: 71.5% !important; } .hero-video__video--mobile { height: 64%; width: 100%; } .hero-video__video--small-desktop { height: 70%; left: 0; top: 78px; width: 67%; } .hero-video--small-desktop, .hero-video--desktop { display: block; height: 720px; } .hero-video img { bottom: -100%; display: block; height: 100%; left: -100%; margin: auto; min-height: 100%; min-width: 100%; object-fit: cover; position: absolute; right: -100%; top: -100%; width: 100%; -webkit-filter: brightness(40%); filter: brightness(40%); } @media all and (-ms-high-contrast: none), (-ms-high-contrast: active) { .hero-video img { opacity: 0.5; } } .hero-video--mobile { height: 280px; } .hero-video--medium-mobile { height: 430px; } .hero-video--tablet { height: 574px; } .hero-video__play-button { position: absolute; z-index: 100; } .hero-video__video div div { position: inherit !important; position: unset !important; } .content-embed { width: 100%; } .infographic-embed__frame { width: 100%; } .bookmark-icon { background-color: transparent; cursor: pointer; height: 54px; padding: 0; width: 54px; } .bookmark-icon svg { height: 15px; margin: 15px; stroke: #949494; stroke-width: 40; -webkit-transform: scale(0.8); transform: scale(0.8); width: 15px; } .bookmark__icon--true-white svg { fill: #fff; } .bookmark__icon--black svg, .bookmark__icon--black path { fill: #000 !important; stroke: #000; } .bookmark__icon--light-grey svg { fill: currentColor !important; } .tooltip-box__container { position: relative; } .tooltip-box__message { background-color: #fff; border: 1px solid #e4e4e4; font-size: 14px; line-height: 20px; padding: 5px; position: absolute; right: 0; top: -80px; width: 215px; z-index: 1; } .tooltip-box__border-arrow { background-color: #fff; border: 1px solid #e4e4e4; border-bottom: 0; border-right: 0; height: 12px; left: 21px; position: absolute; top: -15px; -webkit-transform: rotate(-135deg); transform: rotate(-135deg); width: 12px; z-index: 2; } .tooltip-box__close { border: 0 !important; height: 15px !important; margin: 0; padding: 0; position: absolute; right: 5px; top: -75px; width: 15px !important; z-index: 2; } .tooltip-box__close:hover .tooltip-box__close-icon { -webkit-transform: rotate(90deg); transform: rotate(90deg); } .tooltip-box__close-icon { color: #444; cursor: pointer; -webkit-transition: 0.4s; transition: 0.4s; } .article-share-tools { display: -ms-flexbox; display: flex; } .article-share-tools a, .article-share-tools button { background-color: transparent; border: 1px solid #e4e4e4; border-radius: 0; -webkit-box-sizing: border-box; box-sizing: border-box; color: #979797; display: -ms-flexbox; display: flex; height: 52px; margin-right: 2px; width: 52px; } .article-share-tools--dark a, .article-share-tools--dark button { color: #444; height: 54px; width: 54px; } .article-share-tools--dark a svg, .article-share-tools--dark button svg { stroke: #444; } .article-share-tools a:hover, .article-share-tools button:hover { background-color: #fff; } .article-share-tools .facebook-icon:hover { color: #3b5898; } .article-share-tools .email-icon:hover { color: #615f5d; } .article-share-tools .twitter-icon:hover { color: #47c7fa; } .article-share-tools .linkedin-icon:hover { color: #0077b5; } .article-share-tools .whatsapp-icon:hover { color: #25d366; } .article-share-tools .facebook-messenger { color: #0184ff; } .article-share-tools .ticked-icon { background-color: transparent; border: 1px solid #e4e4e4; border-radius: 0; -webkit-box-shadow: none; box-shadow: none; font-size: 11px; margin-right: 2px; padding: 3px; } .article-share-tools--popout > *, .article-share-tools--popout a { color: #020203; margin-bottom: 3px; -webkit-transition: 0.4s; transition: 0.4s; } .share-tools-popout { -ms-flex-align: center; align-items: center; background-color: #fff; border: 1px solid #979797; display: -ms-flexbox; display: flex; -ms-flex-direction: column; flex-direction: column; padding: 30px 0 20px; position: relative; width: 300px; } .share-tools-popout__text { color: #444; font-size: 12px; font-weight: bold; letter-spacing: 3px; margin: 0 18px 18px; text-align: center; text-transform: uppercase; } .share-tools-popout__url-container { padding: 0 18px; width: 100%; } .share-tools-popout__articleurl { border: 1px solid #979797; -webkit-box-sizing: border-box; box-sizing: border-box; color: #a39f9f; font-size: 12px; letter-spacing: -0.5px; margin-bottom: 8px; margin-top: 0; padding: 12px 10px; text-align: center; width: 262px; } .share-tools-popout__close { -ms-flex-align: center; align-items: center; background-color: unset; border: unset; cursor: pointer; display: -ms-flexbox; display: flex; position: absolute; right: 8px; top: 20px; } .share-tools-popout__close:hover .share-tools-popout__close-icon { color: #888; -webkit-transform: rotate(90deg); transform: rotate(90deg); } .share-tools-popout__close-icon { color: #000; font-size: 16px; -webkit-transition: 0.4s; transition: 0.4s; } .share-tools-popout__border-arrow { background-color: #fff; border: 1px solid #979797; border-bottom: 0; border-right: 0; height: 12px; left: 40px; position: absolute; top: -7px; -webkit-transform: rotate(45deg); transform: rotate(45deg); width: 12px; } .share-tools-popout__tools { margin-bottom: 13px; } .share-tools-popout__details { -ms-flex-item-align: normal; -ms-grid-row-align: normal; align-self: normal; color: #444; font-size: 12px; letter-spacing: 0; line-height: 16px; margin: 0; max-width: 180px; padding-left: 14px; } .share-tools-popout__copied, .share-tools-popout__copy { background-color: #000; border: unset; color: #fff; cursor: pointer; font-size: 12px; font-weight: bold; letter-spacing: 3px; margin-bottom: 18px; padding: 12px 6px; text-transform: uppercase; -webkit-transition: 0.4s; transition: 0.4s; width: 110px; } .share-tools-popout__copy:hover { background-color: #555; } .share-tools-popout__copied .gelicon--yes { color: #ff9700; margin-left: 8px; } .share-button-with-popout { position: relative; z-index: 9999; } .share-button-with-popout__popout { max-width: 330px; padding-right: 8px; position: absolute; top: 53px; width: 100%; } .share-button-with-popout__popout--desktop { width: auto; } .article-end__line--long { margin-bottom: 24px; } .article-end__share-tools { margin-bottom: 0; } .article-end--desktop .article-end__line--long { margin-bottom: 44px; } .article-end--desktop .article-end__share-tools { display: -ms-flexbox; display: flex; margin-bottom: 50px; } .article-end--desktop .article-end__share { margin-top: 0; } .article-end__share { margin-top: 5px; } .domestic-disclaimer { background-color: #333; position: relative; } .domestic-disclaimer__content { display: -ms-flexbox; display: flex; -ms-flex-pack: justify; justify-content: space-between; margin: auto; max-width: 990px; } .domestic-disclaimer__content--desktop-small { max-width: 976px; } .domestic-disclaimer__content--desktop { max-width: 1248px; } .domestic-disclaimer__text { color: #d8d8d8; font-size: 13px; line-height: 14px; margin: auto; padding: 8px 16px; } .domestic-disclaimer__text--tablet { font-size: 14px; line-height: 19px; padding: 16px 54px 16px 16px; } .domestic-disclaimer__text--desktop { font-size: 14px; line-height: 19px; margin-left: 0; max-width: 890px; padding: 14px 16px; } .domestic-disclaimer__close-button { -ms-flex-align: center; align-items: center; background-color: unset; border: unset; cursor: pointer; display: -ms-flexbox; display: flex; padding: 0 16px 0 0; position: relative; } .domestic-disclaimer__close-button--desktop { padding: 0 16px 0 0; } .domestic-disclaimer__close-icon { color: #d8d8d8; font-size: 16px; } .domestic-disclaimer__close-icon--desktop { font-size: 22px; } .label-list { display: -ms-flexbox; display: flex; -ms-flex-direction: row; flex-direction: row; position: relative; } .label-list__line { width: 100%; } .label-list__content { margin: 30px 0 0 16px; width: 100%; } .label-list__content--tablet { margin: 34px 0 0 38px; } .label-list__content--desktop { margin: 42px 0 0 32px; } .label-list__list-item { margin: 0; padding: 0; } .label-list__link { color: #444; font-size: 18px; line-height: 24px; text-decoration: none; } .label-list__link:hover { color: #adadad; } .label-list__link--large { font-size: 22px; line-height: 29px; } .label-list__link:not(:first-of-type) { margin-top: 8px; } .label-list__link--large:not(:first-of-type) { margin-top: 12px; } .label-list__list-items { display: -ms-flexbox; display: flex; -ms-flex-direction: column; flex-direction: column; margin-top: 36px; } .label-list__list-items--tablet { margin-top: 52px; } .label-list__list-items--desktop { margin-top: 46px; } .section-header-text__text { background-color: #fff; border-radius: 4px; -webkit-box-shadow: 0 0 20px 0 rgba(153, 153, 153, 0.5), 0 2px 5px 0 rgba(153, 153, 153, 0.5); box-shadow: 0 0 20px 0 rgba(153, 153, 153, 0.5), 0 2px 5px 0 rgba(153, 153, 153, 0.5); margin: 0 8px; opacity: 0.95; padding: 16px; position: relative; z-index: 3; } .section-header-text__text--no-margin { margin: 0; } .section-header-text__ad { display: -ms-flexbox; display: flex; -ms-flex-pack: end; justify-content: flex-end; margin: 0 8px 8px; position: relative; top: unset; } .section-header-text__ad--desktop { margin: 0 0 8px; } .section-header-text__title { display: inline-block; } .section-header-text__title--large-margin { margin: 0 40px 16px 0; } .section-header-text__title--premium { border: 1.78px solid; padding: 8px; } .section-header-text__title-content { color: #444; font-size: 22px; font-weight: bold; margin: unset; } .section-header-text__title-content--tablet { font-size: 24px; } .section-header-text__title-content--desktop { font-size: 28px; } .section-header-text__description { color: #555; font-size: 14px; line-height: 20px; margin: 0; } .section-header-text__description--large { font-size: 16px; line-height: 24px; } .section-header-unit { max-width: 1280px; position: relative; } .section-header-unit--tablet { height: 320px; } .section-header-unit--desktop { border-radius: 4px; height: 320px; overflow: hidden; } .section-header-unit__image { height: 320px; max-height: 320px; overflow: hidden; position: relative; } .section-header-unit__image img { left: 50%; position: relative; top: 50%; -webkit-transform: translate(-50%, -50%); transform: translate(-50%, -50%); } .section-header-unit__image--right img { left: unset; min-width: 100%; right: 0; width: unset; } .section-header-unit__image--left img { left: unset; min-width: 100%; right: unset; width: unset; } .section-header-unit__content { position: relative; -webkit-transform: translateY(-50%); transform: translateY(-50%); } .section-header-unit__content--desktop { bottom: 0; display: -ms-flexbox; display: flex; -ms-flex-direction: column; flex-direction: column; -ms-flex-pack: center; justify-content: center; max-width: 420px; position: absolute; right: 32px; top: 0; -webkit-transform: none; transform: none; } .section-header-unit__content--advert { -webkit-transform: translateY(calc(-50% - 28px)); transform: translateY(calc(-50% - 28px)); /* - half the height of the advert so the text is still centered. */ } .offline-reading { font-family: 'CuriousSansBold'; -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; -ms-flex-direction: column; flex-direction: column; } .offline-reading__header { font-size: 14px; line-height: 20px; margin: 0 0 16px; max-width: 220px; text-align: center; } .offline-reading__header--desktop { font-size: 18px; max-width: 460px; } .offline-reading__buttons { -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; -ms-flex-direction: column; flex-direction: column; text-align: center; } .offline-reading__buttons--desktop { -ms-flex-align: center; align-items: center; -ms-flex-direction: row; flex-direction: row; } .offline-reading__top-stories { margin-bottom: 24px; } .offline-reading__top-stories--desktop { margin: 0 16px 0 0; } .offline-reading__icon { display: block; height: auto; margin-bottom: 24px; width: 120px; } .rectangle-image { background-size: cover; height: 74px; max-width: 100%; overflow: hidden; position: relative; width: 132px; } .rectangle-image img { height: 100%; left: 50%; position: absolute; top: 50%; -webkit-transform: translate(-50%, -50%); transform: translate(-50%, -50%); width: auto; } .rectangle-image--small { -webkit-box-sizing: border-box; box-sizing: border-box; height: 32px; width: 56px; } .rectangle-image--large { -webkit-box-sizing: border-box; box-sizing: border-box; height: 162px; width: 288px; } .rectangle-image--medium { -webkit-box-sizing: border-box; box-sizing: border-box; height: 126px; width: 222px; } .rectangle-image--full-screen { padding-top: 56.25%; width: 100%; } .rectangle-image img { -webkit-transition: all 0.4s ease; transition: all 0.4s ease; } .rectangle-image__overlay { background-color: rgba(0, 0, 0, 0.6); bottom: 0; height: 100%; left: 0; opacity: 0; pointer-events: none; position: absolute; right: 0; top: 0; width: 100%; } .rectangle-image__overlay--culture { background-color: rgba(72, 41, 120, 0.6); } .rectangle-image:hover .rectangle-image__overlay { opacity: 1; } .rectangle-image:hover img { height: 108%; } .rectangle-story-item { display: -ms-flexbox; display: flex; -ms-flex-direction: column; flex-direction: column; height: 100%; -ms-flex-pack: justify; justify-content: space-between; margin: auto; max-width: 100%; width: 288px; } .rectangle-story-item__image-container:hover .rectangle-image__overlay { opacity: 1; } .rectangle-story-item__image-container:hover .rectangle-story-item__icon { background-color: #000; } .rectangle-story-item__image-container--culture:hover .rectangle-story-item__icon { background-color: #482978; } .rectangle-story-item__image-container:hover .rectangle-image img { height: 108%; } .rectangle-story-item__image-container { position: relative; width: 100%; } .rectangle-story-item--tablet { width: 222px; } .rectangle-story-item__container { display: -ms-flexbox; display: flex; -ms-flex: 1 1 auto; flex: 1 1 auto; -ms-flex-direction: column; flex-direction: column; -ms-flex-pack: justify; justify-content: space-between; margin-top: 3px; width: 100%; } .rectangle-story-item__label { color: #4a4a4a; display: block; font-size: 12px; font-weight: bold; letter-spacing: 3px; line-height: 16px; margin-right: auto; margin-top: 20px; padding-bottom: 3px; text-decoration: none; text-transform: uppercase; } .rectangle-story-item__label--worklife:hover, .rectangle-story-item__label--future:hover, .rectangle-story-item__label__travel:hover { background-image: none; } .rectangle-story-item__label--worklife > span:hover, .rectangle-story-item__label--future > span:hover, .rectangle-story-item__label__travel > span:hover { border-bottom: 1px solid #4a4a4a; } .rectangle-story-item__label--culture:hover { background-image: none; } .rectangle-story-item__label--culture > span:hover { border-bottom: 1px solid #482978; } .rectangle-story-item__line { display: block; margin: 16px 0; } .rectangle-story-item__author { color: #4a4a4a; display: block; font-size: 14px; font-style: italic; letter-spacing: 0.1px; line-height: 35px; text-decoration: none; } .rectangle-story-item__title { color: rgba(46, 46, 46, 0.85); display: block; font-size: 18px; letter-spacing: -0.21px; line-height: 30px; text-decoration: none; } .rectangle-story-item__icon { background-color: #000; bottom: 0; color: #fff; font-size: 14px; height: 44px; line-height: 44px; position: absolute; text-align: center; -webkit-transition: 0.4s ease; transition: 0.4s ease; width: 44px; } .rectangle-story-item__title--white, .rectangle-story-item__author--white, .rectangle-story-item__label--white { color: #fff; } .rectangle-story-item__label--white:hover { border-bottom: 0; } .rectangle-story-item__label--white > span:hover { border-bottom: 1px solid #fff; } .rectangle-story-item__remove-bookmark-btn { background-color: transparent; border: 0; color: #adadad; cursor: pointer; font-size: 14px; margin: 0; padding: 0; text-align: left; width: -webkit-fit-content; width: -moz-fit-content; width: fit-content; } .rectangle-article-group { display: -ms-flexbox; display: flex; -ms-flex: 1 1; flex: 1 1; -ms-flex-direction: column; flex-direction: column; -ms-flex-wrap: wrap; flex-wrap: wrap; -ms-flex-pack: center; justify-content: center; position: relative; } .rectangle-article-group--tablet, .rectangle-article-group--desktop { -ms-flex-direction: row; flex-direction: row; } .rectangle-article-group__article { display: inline-block; padding-top: 12px; } .rectangle-article-group__article--tablet { padding: 0 16px 0 0; } .rectangle-article-group__article--desktop { padding: 0 24px 0 0; } .fake-ad { -ms-flex-line-pack: center; align-content: center; -ms-flex-align: center; align-items: center; background: #f6f6f6; display: -ms-flexbox; display: flex; -ms-flex-direction: column; flex-direction: column; -ms-flex-pack: center; justify-content: center; padding: 8px; } .fake-ad__body { -ms-flex-align: center; align-items: center; background: #5ae9cb; color: #fff; display: -ms-flexbox; display: flex; -ms-flex: 0 0 auto; flex: 0 0 auto; font-family: Arial, sans-serif; -ms-flex-pack: center; justify-content: center; } .fake-ad__text { -ms-flex-item-align: center; -ms-grid-row-align: center; align-self: center; color: #444; font-family: Arial, sans-serif; font-size: 12px; font-weight: bold; line-height: 1.5; text-align: right; text-transform: uppercase; } .fake-ad--mpu .fake-ad__body { height: 320px; width: 320px; } .fake-ad--mpu .fake-ad__text { width: 320px; } .fake-ad--mobile-leaderboard .fake-ad__body { height: 50px; width: 300px; } .fake-ad--mobile-leaderboard .fake-ad__text { width: 300px; } .fake-ad--leaderboard .fake-ad__body { height: 90px; width: 728px; } .fake-ad--leaderboard .fake-ad__text { width: 728px; } .body-text-card-inline-image { margin: 24px 0; position: relative; } .body-text-card { color: #444; display: block; font-size: 16px; line-height: 1.5; } .body-text-card__image, .body-text-card__video { margin: 24px 0; } .body-text-card__text { display: block; } .body-text-card__advert { margin: 20px 0; } .body-text-card__text div a { cursor: pointer; font-weight: bold; text-decoration: none; } .body-text-card__text a:hover { text-decoration: underline; } .body-text-card__text > div > p { margin: 0 20px 16px; } .body-text-card__text > div > p:last-child { margin-bottom: 0; padding-bottom: 0; } .body-text-card__drop-capped { float: left; margin: 0 8px 0 20px; padding-top: 6px; } .body-text-card__text--drop-capped p:first-of-type::first-letter { color: transparent; font-size: 0; } .body-text-card__text--flush-text > div > p { margin-left: 0; margin-right: 0; } .body-text-card__text--future div a:visited { color: #666; } .body-text-card__text--future div a { color: #002856; -webkit-text-decoration-color: #002856; text-decoration-color: #002856; } .body-text-card__text--travel div a { color: #589e50; -webkit-text-decoration-color: #589e50; text-decoration-color: #589e50; } .body-text-card__text--worklife div a { color: #0052a1; -webkit-text-decoration-color: #0052a1; text-decoration-color: #0052a1; } .body-text-card__text--earth div a { color: #0fbb56; -webkit-text-decoration-color: #0fbb56; text-decoration-color: #0fbb56; } .body-text-card__text--culture div a { color: #472479; -webkit-text-decoration-color: #472479; text-decoration-color: #472479; } .branding { -webkit-box-sizing: content-box !important; box-sizing: content-box !important; display: inline-block; height: 24px; padding: 12px 16px; width: 100%; } .branding__icon { display: inline-block; height: 24px; width: 100%; } .branding__icon g { fill: #fff; } .branding--medium { padding: 16px; } .branding--large { padding: 16px 24px; } .branding--worklife { background-color: #0052a1; } .branding--future { background-color: #002856; } .branding--culture { background-color: #472479; } .branding--earth { background-color: #0fbb56; } .branding--travel { background-color: #589e50; } .branding--travel svg, .branding--earth svg, .branding--culture svg, .branding--future svg, .branding--worklife svg { height: 24px; } .branding--small, .branding--small svg { height: 17px; } .branding__icon--medium, .branding--medium, .branding--medium svg { height: 22px; } .branding__icon--large, .branding--large, .branding--large svg { height: 24px; } .branding__icon--largest, .branding--largest, .branding--largest svg { height: 32px; } .branding__icon--small, .branding--travel .branding__icon--small svg, .branding--earth .branding__icon--small svg, .branding--culture .branding__icon--small svg, .branding--future .branding__icon--small svg, .branding--worklife .branding__icon--small svg { height: 17px; } .swimlane-inner { background-position: center; background-repeat: no-repeat; background-size: auto 100%; display: block; padding: 24px 16px; } .swimlane-inner--small { padding: 24px 8px; } .swimlane-inner--tablet { padding: 28px 16px 42px; } .swimlane-inner--small-desktop { padding: 30px 16px 42px; } .swimlane-inner--desktop { padding: 38px 16px 42px; } .swimlane { overflow: hidden; position: relative; z-index: 0; } .swimlane__black { background-color: #0e0e0e; } .swimlane__background-image { height: 500px; position: absolute; right: 0; top: 0; width: 915px; z-index: -1; } .swimlane__background-image--mobile { height: 181px; width: 320px; } .swimlane__background-image--tablet { height: 421px; width: 752px; } .swimlane__background-image--desktop { height: 500px; width: 915px; } .swimlane__background-image--atb { background-color: rgba(51, 51, 51, 0.8); background-size: cover; height: 100%; width: 100%; } .swimlane__item { margin: 0 0 25px; width: 100%; } .swimlane__item--desktop { margin: 0; } .swimlane__item--tablet { margin: 0 16px 25px 0; width: calc((100% - 48px) / 3); } .swimlane__item--tablet:nth-of-type(3n + 3) { margin-right: 0; } .swimlane__item--two-columns { margin-right: 0 !important; max-width: 572px; width: 50%; } .swimlane__item--four-columns { -webkit-box-sizing: border-box; box-sizing: border-box; margin-bottom: 25px; margin-right: 16px; width: calc((100% - 48px) / 4); } .swimlane__item--four-columns:nth-of-type(4n + 4) { margin-right: 0; } .swimlane__items { display: -ms-flexbox; display: flex; -ms-flex-direction: column; flex-direction: column; margin-top: 24px; text-align: left; } .swimlane__items--desktop { -ms-flex-direction: row; flex-direction: row; -ms-flex-wrap: wrap; flex-wrap: wrap; -ms-flex-pack: center; justify-content: center; margin-top: 42px; } .swimlane__items--small-desktop { -ms-flex-direction: row; flex-direction: row; -ms-flex-wrap: wrap; flex-wrap: wrap; margin-top: 30px; } .swimlane__items--tablet { -ms-flex-direction: row; flex-direction: row; -ms-flex-wrap: wrap; flex-wrap: wrap; -ms-flex-pack: justify; justify-content: space-between; margin-top: 30px; } .swimlane__items--no-title { margin-top: 0; } .swimlane__content { margin: auto; max-width: 942px; text-align: center; } .swimlane__content--desktop { max-width: 1216px; } .swimlane__title { color: #fff; font-size: 14px; font-weight: bold; letter-spacing: 2.92px; line-height: 19px; text-transform: uppercase; } .swimlane__title--black { color: #010101; font-weight: 400; } .see-more-button-container-alt { color: #0e0e0e; } .follow-us-on { -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; -ms-flex-direction: column; flex-direction: column; position: relative; } .follow-us-on__text { color: #fff; font-size: 16px; font-style: condensed; line-height: 20px; margin: 0 0 20px; padding: 0; text-transform: uppercase; } .follow-us-on__links { display: -ms-flexbox; display: flex; -ms-flex-direction: row; flex-direction: row; } .follow-us-on__link:first-child { margin-right: 16px; } .nav-bar { background-color: #fff; } .nav-bar__hidden-menu { display: none; } .nav-bar__visible-menu { display: block; } .nav-bar__no-scroll { max-height: 100vh; overflow: hidden; } .dot-with-label { -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; } .dot-with-label__text { padding-left: 8px; } .dot-with-label__text a { text-decoration: none; } .dot-with-label__text:hover h2 { color: #adadad; } .sponsor-section { display: -ms-flexbox; display: flex; -ms-flex-direction: column; flex-direction: column; height: 100%; max-width: 530px; } .sponsor-section--menu { padding: 20px 0 16px 24px; } .sponsor-section__container { display: -ms-flexbox; display: flex; -ms-flex-direction: column; flex-direction: column; height: 100%; } .sponsor-section__container--desktop { -ms-flex-align: center; align-items: center; -ms-flex-direction: row; flex-direction: row; -ms-flex-pack: justify; justify-content: space-between; } .sponsor-section__sponsor { color: #fff; padding-right: 16px; } .sponsor-section__sponsor-name { font-family: 'CuriousSansBold'; color: #4e4e4e; font-size: 26px; margin: 0; white-space: nowrap; } .sponsor-section__sponsor-name--mobile { padding-bottom: 16px; } .sponsor-section__sponsor-name--desktop { font-size: 22px; } .sponsor-section__sponsor-name--menu { color: #fff; } .sponsor-section__sponsor-name--menu-desktop { font-size: 32px; } .sponsor-section__summary { color: #ebebeb; font-size: 16px; line-height: 24px; padding-top: 16px; } .sponsor-section__advert { display: inline-block; } .icon-with-label { -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; } .icon-with-label__icon { padding-right: 10px; } .more-articles-item { display: -ms-flexbox; display: flex; -ms-flex-direction: column; flex-direction: column; position: relative; z-index: 5; } .more-articles-item__link { text-decoration: none; } .more-articles-item__container { display: -ms-flexbox; display: flex; width: 100%; } .more-articles-item__label { display: -ms-flexbox; display: flex; -ms-flex-wrap: wrap; flex-wrap: wrap; margin-top: 8px; } .more-articles-item__type { margin-right: 16px; position: relative; } .more-articles-item__icon { color: #fff; font-size: 12px; margin-right: 8px; } .more-articles-item__text { color: #fff; font-size: 20px; font-weight: bold; line-height: 24px; padding: 0; position: relative; text-shadow: 0 1px 2px rgba(25, 62, 109, 0.7); -webkit-transition: color 0.4s; transition: color 0.4s; } .more-articles-item__text--medium { font-size: 22px; line-height: 28px; } .more-articles-item__text--large { color: #ebebeb; font-size: 30px; line-height: 37px; } .more-articles-item__container--column { -ms-flex-direction: column; flex-direction: column; } .more-articles-item__image-container { position: relative; } .more-articles-item--two-columns { margin-right: 16px; } .more-articles-item__label--desktop { margin-top: 16px; } .more-articles-item__label--tablet { margin-top: 16px; } .more-articles-item__link:hover .more-articles-item__text { color: #adadad; } .full-width-image-article { width: 100%; } .full-width-image-article__container { min-height: 325px; overflow: hidden; position: relative; } .full-width-image-article__container--desktop { min-height: 400px; } .full-width-image-article__image { height: 100%; overflow: hidden; position: absolute; width: 100%; } .full-width-image-article__image img { bottom: -100%; display: block; height: 100%; left: -100%; margin: auto; min-height: 100%; min-width: 100%; object-fit: cover; position: absolute; right: -100%; top: -100%; width: 100%; } .full-width-image-article__text { -ms-flex-align: center; align-items: center; color: #fff; left: 50%; max-width: 488px; padding: 0 20px; position: absolute; text-align: center; top: 50%; -webkit-transform: translate(-50%, -50%); transform: translate(-50%, -50%); width: 100%; } .full-width-image-article__text a { color: #fff; text-decoration: none; } .full-width-image-article__text .full-width-image-article-text__label { display: inline-block; font-size: 14.4px; font-weight: bold; letter-spacing: 3.6px; line-height: 19px; margin-bottom: 11px; text-transform: uppercase; } .full-width-image-article__text .full-width-image-article-text__header { font-size: 24px; letter-spacing: -0.25px; line-height: 42px; margin: 0; } .full-width-image-article__text .full-width-image-article-text__header--desktop { font-size: 33.6px; } .full-width-image-article__text .full-width-image-article-text__author { font-size: 16.6px; font-style: italic; letter-spacing: -0.13px; line-height: 42px; margin-bottom: 0; margin-top: 28px; } .full-width-image-article__text .full-width-image-article-text__author--desktop { margin-top: 32px; } .full-width-image-article__background { background-image: radial-gradient(50% 49%, rgba(5, 36, 53, 0.37) 50%, rgba(0, 0, 0, 0) 83%); height: 100%; pointer-events: none; position: absolute; top: 0; width: 100%; } .full-width-image-article__link { color: #fff; text-decoration: none; } .more-articles { background-position: center; background-repeat: no-repeat; background-size: cover; -o-object-fit: cover; object-fit: cover; overflow: hidden; position: relative; -webkit-transition: background-image 0.4s; transition: background-image 0.4s; } .more-articles__heading { margin: auto; max-width: 1272px; padding: 20px 0 0 16px; position: relative; z-index: 5; } .more-articles__stories { margin: 10px 16px 42px; max-width: 1232px; padding: 8px; position: relative; z-index: 4; } .more-articles__stories--small { padding: 0; } .more-articles__stories--tablet { margin: 24px 16px 72px; max-width: 1216px; } .more-articles__stories--desktop { margin: 56px 48px 92px; max-width: 1152px; } .more-articles__story-container:not(:first-of-type) { padding-top: 16px; } .more-articles__line { opacity: 0.3; padding-top: 16px; z-index: 5; } .more-articles__image-overlay { background-color: rgba(25, 62, 109, 0.3); bottom: -100%; display: block; height: 100%; left: -100%; margin: auto; min-height: 100%; min-width: 100%; -o-object-fit: cover; object-fit: cover; position: absolute; right: -100%; top: -100%; width: 100%; z-index: 1; } .more-articles__image { opacity: 0; -webkit-transition: 0.6s; transition: 0.6s; } .more-articles__image img { bottom: -100%; display: block; height: 100%; left: -100%; margin: auto; min-height: 100%; min-width: 100%; object-fit: cover; position: absolute; right: -100%; top: -100%; width: 100%; } .more-articles__image--right img { left: unset; min-width: 100%; right: 0; width: unset; } .more-articles__image--left img { left: unset; min-width: 100%; right: unset; width: unset; } .more-articles__image--visible { opacity: 1; } .more-articles__story--two-columns, .more-articles__story--three-columns { padding-right: 16px; width: 310px; } .more-articles__story-container:nth-child(even) .more-articles__story--two-columns { padding-right: 0; } .more-articles__story-container:nth-child(3n + 3) .more-articles__story--three-columns { padding-right: 0; } .more-articles__stories--two-columns, .more-articles__stories--three-columns { -ms-flex-align: end; align-items: flex-end; display: -ms-flexbox; display: flex; -ms-flex-wrap: wrap; flex-wrap: wrap; padding: 16px; } .more-articles__story-container--two-columns { display: -ms-flexbox; display: flex; -ms-flex-pack: center; justify-content: center; width: 50%; } .more-articles__story-container--two-columns:nth-child(2) { padding-top: 0; } .more-articles__story-container--three-columns { display: -ms-flexbox; display: flex; -ms-flex-pack: center; justify-content: center; width: 33%; } .more-articles__story-container--three-columns:nth-child(-n + 3) { padding-top: 0; } .more-articles__heading--small { padding: 20px 0 0 8px; } .more-articles__heading--desktop { max-width: 1264px; padding: 38px 0 0 16px; } .more-articles__heading--tablet { max-width: 1264px; padding: 24px 0 0 16px; } .most-popular { background-color: #f9f9f9; } .most-popular__inner { margin: 0 auto; max-width: 894px; padding: 45px 24px 21px; } .most-popular__inner--desktop { padding: 47px 0 86px; } .most-popular__header { font-size: 14px; letter-spacing: 2.92px; line-height: 19px; margin: 0; text-align: center; text-transform: uppercase; } .most-popular__items { display: block; } .most-popular__items--desktop { display: -ms-flexbox; display: flex; -ms-flex-wrap: wrap; flex-wrap: wrap; margin-top: 57px; } .most-popular-item { box-sizing: border-box; padding-top: 33px; } .most-popular-item:last-of-type { margin-bottom: 42px; } .most-popular-item--desktop { padding: 0 20px; width: calc(33.333%); } .most-popular-item--desktop:nth-child(3n + 2) { -ms-flex-order: 2; order: 2; padding: 38px 20px; } .most-popular-item--desktop:nth-child(3n + 3) { -ms-flex-order: 3; order: 3; } .most-popular-item--desktop:nth-child(n+4) { border-left: 1px solid #dadada; } .most-popular-item--desktop:last-of-type { margin-bottom: 0; } .most-popular-item a { text-decoration: none; } .most-popular-item__content { -ms-flex-align: start; align-items: flex-start; display: -ms-flexbox; display: flex; margin-top: 5px; } .most-popular-item__number { color: #cbcbcb; font-size: 40px; font-style: italic; font-weight: bold; line-height: 32px; margin: 0 20px 0 0; width: 25px; } .most-popular-item__label { color: #4a4a4a; font-size: 12px; font-weight: bold; letter-spacing: 3px; line-height: 16px; margin: 0 0 0 45px; text-transform: uppercase; } .most-popular-item__title { color: #2e2e2ecc; font-size: 16px; margin-bottom: 0; margin-top: 0; } .StickyElementContent { -webkit-transition: -webkit-transform 0.5s; transition: -webkit-transform 0.5s; transition: transform 0.5s; transition: transform 0.5s, -webkit-transform 0.5s; } .StickyElementContent--is-undocked { left: 0; position: fixed; top: 0; width: 100%; } .StickyElementContent--is-hidden { -webkit-transform: translateY(-100%); transform: translateY(-100%); } .error-page-header { position: relative; } .error-page-header__headers { margin-bottom: 16px; position: relative; z-index: 1; } .error-page-header__headers--tablet-plus { margin-bottom: 32px; } .error-page-header__description { color: #444; font-size: 16px; line-height: 20px; } .error-page-header__play-icon { margin-right: 16px; } .error-page-header__play-icon button { color: #adadad; } .error-page-header__dot-label { display: -ms-flexbox; display: flex; } .styled-list { list-style: none; margin: 0; padding: 0; } .styled-list__item { display: -ms-flexbox; display: flex; -ms-flex-direction: row; flex-direction: row; } .styled-list__item:not(:first-of-type) { padding-top: 8px; } .styled-list__item a { font-weight: bold; text-decoration: none; } .styled-list__item--worklife a { color: #8beed9; } .styled-list__item--future a { color: #ffc857; } .styled-list__item--culture a { color: #472479; } .styled-list__item--earth a { color: #002856; } .styled-list__item--travel a { color: #002856; } .styled-list__text { color: #444; font-size: 16px; line-height: 24px; padding-left: 20px; } .styled-list__dot { display: -ms-flexbox; display: flex; margin-top: 8px; } .image-gallery-item { margin: 26px 0; } .image-gallery-item img { height: 100%; -o-object-fit: cover; object-fit: cover; width: 100%; } .image-gallery-item__image--landscape { margin: 20px 0 20px -3%; width: 106%; } @media (max-width: 1000px) and (min-width: 767px) { .image-gallery-item__image--landscape { margin: 20px 0 20px -16%; width: 116%; } } @media (max-width: 1180px) and (min-width: 1024px) { .image-gallery-item__image--landscape { margin: 20px 0 20px -8%; width: 108%; } } @media (max-width: 1365px) and (min-width: 1280px) { .image-gallery-item__image--landscape { margin: 20px 0 20px -42%; width: 142%; } } @media (min-width: 1366px) { .image-gallery-item__image--landscape { margin: 20px 0 20px -55%; width: 155%; } } .image-gallery-item__image--portrait { margin: 20px 0; width: 100%; } @media (max-width: 599px) { .image-gallery-item__image--portrait { margin-left: -3%; width: 106%; } } .image-gallery-item__image--portrait, .image-gallery-item__image--portrait img { max-height: 507px; min-height: 463px; } @media (max-width: 1279px) and (min-width: 768px) { .image-gallery-item__image--portrait, .image-gallery-item__image--portrait img { min-height: 818px; } } .styled-line { background-color: #8beed9; height: 3px; width: 72px; } .styled-line--small { width: 45px; } .styled-line--medium { width: 135px; } .styled-line--large { height: 1px; width: auto; } .styled-line--height--large { height: 5px; } .styled-line--height--small { height: 1px; } .styled-line--xs-small { width: 25px; } .styled-line--worklife { background-color: #8beed9; } .styled-line--future { background-color: #ffc857; } .styled-line--culture { background-color: #472479; } .styled-line--earth { background-color: #002856; } .styled-line--travel { background-color: #002856; } .styled-line--white { background-color: #fff; } .styled-line--dark-grey { background-color: #6a6a6a; } .styled-line--grey { background-color: #dedede; } .article-labels { font-size: 12px; line-height: 16px; text-transform: uppercase; } .article-labels a { color: #fff; letter-spacing: 1px; text-decoration: none; } .article-labels__text:first-child { font-weight: bold; } .rectangle-story-group { display: -ms-flexbox; display: flex; -ms-flex-direction: column; flex-direction: column; margin: auto; position: relative; } .rectangle-story-group__articles { display: -ms-flexbox; display: flex; -ms-flex: 1 1; flex: 1 1; -ms-flex-wrap: wrap; flex-wrap: wrap; -ms-flex-pack: center; justify-content: center; position: relative; } .rectangle-story-group__articles--small-tablet { -ms-flex-pack: unset; justify-content: unset; } .rectangle-story-group__articles--full-screen { display: block; } .rectangle-story-group__article { display: inline-block; padding-left: 18px; padding-top: 16px; } .rectangle-story-group__article--tablet { padding-left: 20px; padding-top: 22px; } .rectangle-story-group__article--desktop { padding-left: 22px; padding-top: 24px; } .rectangle-story-group__article--desktop:first-of-type { padding-left: 8px; } .rectangle-story-group__article--small-tablet { -webkit-box-sizing: border-box; box-sizing: border-box; width: 50%; } .rectangle-story-group__article--full-screen { display: block; padding: 16px; } .rectangle-story-group__article--full-screen:first-of-type { padding-top: 0; } .rectangle-story-group__article--small-desktop { padding-left: 10px; } .rectangle-story-group__article--small-desktop:last-of-type { padding-right: 8px; } .rectangle-story-group__articles-container { margin: auto; max-width: 950px; overflow: hidden; width: 100%; } .rectangle-story-group__advert-mpu { display: -ms-flexbox; display: flex; -ms-flex-pack: center; justify-content: center; margin-left: auto; margin-right: auto; padding: 16px 16px 24px; } .rectangle-story-group__advert-mpu--desktop { border-left: 1px solid #dadada; display: block; padding: 0 0 0 16px; padding-top: 0; } .rectangle-story-group__advert-mpu--small-desktop { display: block; padding: 0 0 0 8px; } .rectangle-story-group__hero--desktop { display: -ms-flexbox; display: flex; } .rectangle-story-group__article-hero--tablet { display: -ms-flexbox; display: flex; } .article-title-card-rectangle { width: 100%; } .article-title-card-rectangle__image:hover .article-title-card-rectangle__overlay { opacity: 1; } .article-title-card-rectangle__overlay { background-color: rgba(0, 0, 0, 0.6); bottom: 0; height: 100%; left: 0; opacity: 0; pointer-events: none; position: absolute; right: 0; top: 0; -webkit-transition: -webkit-transform 0.5s ease; transition: -webkit-transform 0.5s ease; transition: transform 0.5s ease; transition: transform 0.5s ease, -webkit-transform 0.5s ease; width: 100%; will-change: transform; } .article-title-card-rectangle__overlay--culture { background-color: rgba(72, 41, 120, 0.6); } .article-title-card-rectangle__image { margin-right: 40px; max-height: 390px; max-width: 620px; overflow: hidden; position: relative; width: auto; } .article-title-card-rectangle__image img { display: block; width: 100%; } .article-title-card-rectangle__image--tablet, .article-title-card-rectangle__image--desktop { margin-right: 0; width: 100%; } .article-title-card-rectangle__image--tablet img, .article-title-card-rectangle__image--desktop img { width: 110%; } .article-title-card-rectangle__image--preview-article { margin-right: 0; } .article-title-card-rectangle__container { display: -ms-flexbox; display: flex; -ms-flex-direction: column; flex-direction: column; position: relative; } .article-title-card-rectangle__container--tablet, .article-title-card-rectangle__container--desktop { -ms-flex-align: center; align-items: center; -ms-flex-direction: row; flex-direction: row; } .article-title-card-rectangle__container--preview-article { margin-right: 8px; } .article-title-card-rectangle__text-box { background-color: #fff; margin-left: 40px; padding: 16px 22px 0; position: relative; top: -22px; } .article-title-card-rectangle__text-box__label { color: #4a4a4a; font-size: 12px; font-weight: bold; letter-spacing: 3px; line-height: 20px; margin: 0; text-transform: uppercase; width: -webkit-fit-content; width: -moz-fit-content; width: fit-content; } .article-title-card-rectangle__text-box__label--worklife:hover, .article-title-card-rectangle__text-box__label--future:hover { border-bottom: 1px solid #4a4a4a; } .article-title-card-rectangle__text-box__label--culture:hover { border-bottom: 1px solid #482978; } .article-title-card-rectangle__text-box__header { color: #3d3d3d; font-size: 18px; letter-spacing: -0.21px; line-height: 35px; margin-bottom: 30px; margin-top: 12px; } .article-title-card-rectangle__text-box__header--desktop { font-size: 28px; } .article-title-card-rectangle__text-box__header--tablet { font-size: 26px; } .article-title-card-rectangle__text-box__author { color: #000; font-size: 14px; font-style: italic; letter-spacing: -0.1px; line-height: 35px; margin: 8px 0 0; } .article-title-card-rectangle__text-box__author--tablet { margin: 14px 0 0; } .article-title-card-rectangle__text-box--tablet, .article-title-card-rectangle__text-box--desktop { left: -40px; margin: 0; padding: 40px; top: 0; -webkit-transform: none; transform: none; } .article-title-card-rectangle__text-box--tablet { padding: 35px 22px 22px; } .article-title-card-rectangle__link { color: #000; text-decoration: none; } .article-title-card-rectangle__text-container { display: block; max-width: 252px; } .article-title-card-rectangle__text-container--tablet, .article-title-card-rectangle__text-container--desktop { max-width: 320px; } .article-title-card-rectangle__preview-container { color: #4d4d4d; text-decoration: none; } .article-title-card-rectangle__preview-text { display: block; font-size: 16px; line-height: 24px; margin-top: 27px; max-width: 396px; } .article-title-card-rectangle__read-more { display: inline-block; font-size: 15px; letter-spacing: 4px; margin: 25px 16px 0 0; text-transform: uppercase; } .article-title-card-rectangle__arrow { color: #bababa; display: inline-block; -webkit-transform: rotate(-90deg); transform: rotate(-90deg); } .article-headline { -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; -ms-flex-direction: column; flex-direction: column; padding: 38px 0; } .article-headline .article-labels { text-align: center; } .article-headline__line--short { margin-bottom: 40px; } .article-headline--largeTablet .article-headline__text { font-size: 32px; text-align: center; } .article-headline--tablet .article-headline__collection { margin-bottom: 24px; } .article-headline--tablet .article-headline__text { font-size: 32px; letter-spacing: -0.84px; margin: 0 15px 15px; text-align: center; } .article-headline--mobile { padding: 20px 0; } .article-headline--mobile .article-headline__text { font-size: 24px; letter-spacing: -0.63px; margin: 0 15px 15px; text-align: center; } .article-headline--mobile .article-headline__collection { margin-bottom: 15px; } .article-headline__collection { margin-bottom: 40px; } .article-headline__collection a { color: #242424; } .article-headline__text { font-size: 45px; letter-spacing: -1.26px; line-height: 30px; margin-bottom: 44px; } .hero-image { height: 720px; position: relative; } .hero-image img { bottom: -100%; display: block; height: 100%; left: -100%; margin: auto; min-height: 100%; min-width: 100%; object-fit: cover; position: absolute; right: -100%; top: -100%; width: 100%; } .hero-image--small-mobile { height: 180px; } .hero-image--mobile { height: 210px; } .hero-image--medium-mobile { height: 430px; } .hero-image--tablet { height: 574px; } .loading-spinner { margin: 0 auto; text-align: center; } .loading-spinner__message { color: #002756; display: block; font-size: 1.2rem; font-weight: bold; margin: 12px 0; text-align: center; text-transform: uppercase; } .loading-spinner__image { display: block; margin: 0 auto; width: 48px; } @-webkit-keyframes spin { 0% { -webkit-transform: rotate(0deg); transform: rotate(0deg); } 100% { -webkit-transform: rotate(360deg); transform: rotate(360deg); } } @keyframes spin { 0% { -webkit-transform: rotate(0deg); transform: rotate(0deg); } 100% { -webkit-transform: rotate(360deg); transform: rotate(360deg); } } .spinner { fill: #444; } .spinner__image { -webkit-animation: spin 1s linear infinite; animation: spin 1s linear infinite; } .spinner--worklife { fill: #8beed9; } .spinner--future { fill: #ffc857; } .spinner--culture { fill: #472479; } .spinner--travel { fill: #002856; } .spinner--earth { fill: #002856; } .similar-articles-list { background-color: #f9f9f9; position: relative; text-align: center; } .similar-articles-list__container { -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; margin-left: -50px; } .similar-articles-list__collection { color: #4a4a4a; display: block; font-size: 12px; font-weight: bold; letter-spacing: 3px; padding-bottom: 3px; text-decoration: none; text-transform: uppercase; } .similar-articles-list__header { background-color: #000; color: #fff; font-size: 14px; font-weight: bold; letter-spacing: 3px; margin: 0 0 36px; padding: 8px; text-transform: uppercase; } .similar-articles-list__title { color: rgba(46, 46, 46, 0.85); display: block; font-size: 16px; letter-spacing: -0.19px; line-height: 22px; margin-top: 3px; text-decoration: none; } .similar-articles-list__number { color: #000; font-size: 40px; font-style: italic; font-weight: bold; letter-spacing: 0; margin-right: 26px; opacity: 0.18; } .similar-articles-list__articles-article { display: -ms-flexbox; display: flex; margin: 0 auto; max-width: 262px; padding-bottom: 32px; position: relative; } .similar-articles-list__articles-article:last-child { padding-bottom: 58px; } .similar-articles-list__number, .similar-articles-list__text { display: inline-block; } .similar-articles-list__text { margin-left: 50px; max-width: 210px; text-align: left; } .see-more-button { border-bottom: 1px solid #979797; text-align: center; } .see-more-button__inner { background-color: transparent; border: 0; color: #6c6c6c; cursor: pointer; font-size: 14px; letter-spacing: 2.92px; line-height: 19px; margin-bottom: 13px; position: relative; text-transform: uppercase; -webkit-transition: linear 0.6s; transition: linear 0.6s; } .see-more-button__inner-arrow { color: #6c6c6c; font-size: 10px; position: absolute; right: 9px; top: 2px; -webkit-transition: linear 0.3s; transition: linear 0.3s; } .see-more-button__inner-text { margin-right: 24px; } .see-more-button__inner:hover { color: #4a4a4a; } .see-more-button__inner:hover .see-more-button__inner-arrow { color: #4a4a4a; -webkit-transform: rotate(90deg); transform: rotate(90deg); } .beta-btn { background-color: #e6711b; color: #fff; cursor: pointer; height: 25px; line-height: 12px; padding: 0 7px; width: 66px; } .beta-btn:hover .beta-btn__arrow { cursor: pointer; -webkit-transform: rotate(45deg); transform: rotate(45deg); } .beta-btn:hover .beta-btn__arrow--expanded { -webkit-transform: rotate(-35deg); transform: rotate(-35deg); } .beta-btn__copy { color: #444; display: block; font-size: 12px; letter-spacing: 0; line-height: 17px; margin: 16px auto; max-width: 50%; } .beta-btn__arrow { border: solid #fff; border-width: 0 2px 2px 0; display: inline-block; padding: 3px; position: relative; top: -1px; -webkit-transform: rotate(-45deg); transform: rotate(-45deg); -webkit-transition: 0.4s; transition: 0.4s; } .beta-btn__arrow--expanded { -webkit-transform: rotate(45deg); transform: rotate(45deg); } .article-hero { height: 672px; margin: 0; overflow: hidden; position: relative; width: 100%; } .article-hero--small-mobile { height: 373px; } .article-hero--mobile { height: 486px; } .article-hero--small-tablet { height: 433px; } .article-hero--tablet { height: 433px; } .article-hero--tablet .article-hero__content { padding: 60px 15px 0; } .article-hero__content { margin: auto; max-width: 1004px; } .article-hero--desktop { height: 573px; } .article-hero--desktop .article-hero__content { padding: 50px 30px 0; } .article-hero--large-desktop .article-hero__content { max-width: 1276px; } .article-hero--small-tablet .article-hero__content, .article-hero--mobile .article-hero__content, .article-hero--small-mobile .article-hero__content { padding: 60px 10px 0; } .article-hero--small-tablet .article-hero__content-title, .article-hero--mobile .article-hero__content-title, .article-hero--small-mobile .article-hero__content-title { font-size: 24px; line-height: 30px; max-width: 220px; } .article-hero--small-tablet .article-hero__content-line, .article-hero--mobile .article-hero__content-line, .article-hero--small-mobile .article-hero__content-line { margin-bottom: 16px; margin-top: 16px; } .article-hero--small-tablet .article-hero__content-labels, .article-hero--mobile .article-hero__content-labels, .article-hero--small-mobile .article-hero__content-labels { margin-bottom: 15px; } .article-hero--small-tablet .article-hero__content-cta, .article-hero--mobile .article-hero__content-cta, .article-hero--small-mobile .article-hero__content-cta { line-height: 22px; } .article-hero--small-tablet .article-hero__content-cta a, .article-hero--mobile .article-hero__content-cta a, .article-hero--small-mobile .article-hero__content-cta a { letter-spacing: 3px; } .article-hero__ambient-hidden { display: none; } .article-hero--gradient { background-image: linear-gradient(-63deg, rgba(0, 0, 0, 0) 0%, rgba(0, 0, 0, 0.06) 24%, rgba(0, 0, 0, 0.2) 51%, rgba(0, 0, 0, 0.32) 67%, rgba(0, 0, 0, 0.51) 100%); } .article-hero__background-ambient { bottom: 0; left: 0; position: absolute; right: 0; top: 0; z-index: -1; } .article-hero__background img { bottom: -100%; display: block; height: 100%; left: -100%; margin: auto; min-height: 100%; min-width: 100%; object-fit: cover; position: absolute; right: -100%; top: -100%; width: 100%; z-index: -1; } .article-hero__background--parallax img { -webkit-transform: scale(1.1); transform: scale(1.1); } .article-hero a { color: #fff; letter-spacing: 3px; text-decoration: none; } .article-hero__content-cta { clear: both; font-size: 16px; font-weight: 400; letter-spacing: 4px; line-height: 20px; max-width: 170px; text-shadow: 0 2px 4px rgba(0, 0, 0, 0.5); text-transform: uppercase; } .article-hero__content-cta a { display: -ms-flexbox; display: flex; letter-spacing: 4px; } .article-hero__content-labels { font-size: 12px; letter-spacing: 1px; line-height: 16px; margin-bottom: 20px; } .article-hero__content-line { background-color: #fff; border: 0; display: block; float: left; height: 1px; margin-bottom: 18px; margin-right: 300px; margin-top: 25px; width: 120px; } .article-hero__content-right-arrow { position: relative; } .article-hero__content-right-arrow::before { background: #fff; content: ''; height: 2px; left: 5px; margin-top: -1px; opacity: 0.4; position: absolute; top: 50%; -webkit-transition: all 0.3s ease; transition: all 0.3s ease; width: 20px; } .article-hero__content-right-arrow::after { border-right: 2px solid #fff; border-top: 2px solid #fff; content: ''; display: inline-block; height: 10px; left: 16px; margin-top: 5px; opacity: 0.4; position: absolute; -webkit-transform: rotate(45deg); transform: rotate(45deg); width: 10px; } .article-hero__content-right-arrow--small::before { opacity: 1; } .article-hero__content-right-arrow--small::after { margin-top: 6px; opacity: 1; } .article-hero__content-right-arrow img { height: 11px; margin-left: 10px; width: 19px; } .article-hero__content-title { color: #fff; font-size: 50px; line-height: 54px; margin-top: 0; max-width: 450px; text-shadow: 0 1px 2px rgba(51, 51, 51, 0.7); } .article-hero__content-title a { letter-spacing: -1.32px; } .article-hero__title-text { display: inline; } .article-hero__content-title > a:hover > div, .article-hero__content-subtitle > a:hover { background-image: -webkit-gradient(linear, left top, right top, color-stop(100%, currentColor), color-stop(0%, transparent)); background-image: linear-gradient(to right, currentColor 100%, transparent 0%); background-position: 0 1.15em; background-repeat: repeat-x; background-size: 100% 2px; } .article-hero__content-subtitle { clear: both; color: #fff; font-size: 23px; font-weight: 500; line-height: 32px; margin-bottom: 16px; margin-top: 0; max-width: 440px; text-shadow: 0 1px 2px rgba(51, 51, 51, 0.5); } .article-hero__content-subtitle a { letter-spacing: -1px; } .article-hero__content-title--small { font-size: 30px; line-height: 35px; } .article-hero__content-title--tablet { clear: both; font-size: 32px; letter-spacing: -0.84px; line-height: 42px; max-width: 264px; } .article-hero__content-title--small a { letter-spacing: -0.63px; } .article-hero__down-arrow { background-color: transparent; border: 0; bottom: 0; color: #fff; cursor: pointer; display: inline-block; left: calc(50% - 29px); margin: 0; margin-bottom: 15px; padding: 0; position: absolute; -webkit-transform: scale(0.5); transform: scale(0.5); } .see-more-button-container { color: #fff; } .see-more-button { border-bottom: 1px solid #979797; text-align: center; } .see-more-button-inner { background-color: transparent; border: 0; color: #6c6c6c; cursor: pointer; font-size: 14px; letter-spacing: 2.92px; line-height: 19px; margin-bottom: 13px; position: relative; text-transform: uppercase; } .see-more-button-inner--light { color: #b4b4b4; } .see-more-button-inner__arrow { color: #6c6c6c; font-size: 10px; position: absolute; right: 9px; top: 2px; } .see-more-button-inner__arrow--light { color: #b4b4b4; } .see-more-button-inner__text { margin-right: 24px; } .load-more-button { -webkit-box-sizing: border-box; box-sizing: border-box; } .load-more-button__refresh.gelicon--refresh { margin-right: 16px; -webkit-transform: rotate(90deg); transform: rotate(90deg); } .load-more-button__downarrow { color: #adadad; font-size: 22px; -webkit-transition: 0.6s; transition: 0.6s; } .load-more-button__loading .load-more-button__refresh.gelicon--refresh { -webkit-animation: spin 2s linear infinite; animation: spin 2s linear infinite; } .load-more-button__downarrow:first-of-type { padding-right: 16px; } .load-more-button__downarrow:not(:first-of-type) { padding-left: 16px; } @-webkit-keyframes spin { 0% { -webkit-transform: rotate(90deg); transform: rotate(90deg); } 100% { -webkit-transform: rotate(-270deg); transform: rotate(-270deg); } } @keyframes spin { 0% { -webkit-transform: rotate(90deg); transform: rotate(90deg); } 100% { -webkit-transform: rotate(-270deg); transform: rotate(-270deg); } } .basic-button { -ms-flex-align: center; align-items: center; background-color: #fff; border: 1px solid #adadad; border-radius: 4px; -webkit-box-shadow: inset 0 0 0 0 #fff, 0 2px 0 0 rgba(0, 0, 0, 0.08); box-shadow: inset 0 0 0 0 #fff, 0 2px 0 0 rgba(0, 0, 0, 0.08); color: #193e6d; cursor: pointer; display: -ms-flexbox; display: flex; font-size: 20px; height: 54px; -ms-flex-pack: center; justify-content: center; min-width: 222px; text-align: center; -webkit-transition: 0.6s; transition: 0.6s; } .basic-button--estimated { height: 64px; } .basic-button--worklife { color: #0052a1; } .basic-button--future { color: #002856; } .basic-button--culture { color: #472479; } .basic-button--earth { color: #0fbb56; } .basic-button--travel { color: #589e50; } .basic-button__text { color: #444; font-family: 'BBC Reith Sans Cd'; font-size: 18px; line-height: 24px; -webkit-transition: 0.6s; transition: 0.6s; } .basic-button__text--estimated { display: -ms-flexbox; display: flex; -ms-flex-direction: column; flex-direction: column; } .basic-button__text--estimated-text { font-size: 16px; font-style: italic; font-weight: 300; } .basic-button__text--white { color: #fff; } .basic-button__text--curious { font-family: 'CuriousSansBold'; } .basic-button__text--worklife { color: #0052a1; } .basic-button__text--future { color: #002856; } .basic-button__text--culture { color: #472479; } .basic-button__text--earth { color: #0fbb56; } .basic-button__text--travel { color: #589e50; } .basic-button::before { padding-right: 16px; } .basic-button:hover { background-color: #dedede; } .basic-button--background-light-blue:hover { background-color: #dfe8ff; } .basic-button--background-black { background-color: #000; } .basic-button--background-black:hover { background-color: #494646; } .basic-button--background-worklife { background-color: #0052a1; } .basic-button--background-future { background-color: #002856; } .basic-button--background-culture { background-color: #472479; } .basic-button--background-earth { background-color: #0fbb56; } .basic-button--background-travel { background-color: #589e50; } .basic-button--background-worklife:hover { background-color: #4494e4; } .basic-button--background-future:hover { background-color: #ffc857; } .basic-button--background-culture:hover { background-color: #472479; } .basic-button--background-earth:hover { background-color: #002856; } .basic-button--background-travel:hover { background-color: #002856; } .basic-button__text--bold { font-weight: bold; } .AdFrame { display: -ms-inline-flexbox; display: inline-flex; } .AdFrame--default { background-color: #f6f6f6; } .AdFrame--dark-grey { background-color: rgba(26, 26, 26, 0.8); } .AdFrame--centre-aligned { -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; -ms-flex-pack: center; justify-content: center; } .read-more-button { -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; -ms-flex-direction: column; flex-direction: column; font-weight: bold; position: relative; width: 224px; } .text-with-styled-background { height: inherit; position: relative; width: 100%; } .text-with-styled-background--collection { display: inline-block; width: unset; } .text-with-styled-background--center-align { -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; } .text-with-styled-background__text { font-family: 'CuriousSansBold'; color: #444; display: block; font-size: 20px; line-height: 24px; padding: 0 0 0 10px; position: relative; } .text-with-styled-background__text--large { font-size: 26px; line-height: 30px; padding: 0 0 0 24px; } .text-with-styled-background__text--medium { font-size: 22px; line-height: 28px; } .text-with-styled-background__text--remove-padding { padding: 0; width: 100%; } .text-with-styled-background__text--largest { font-size: 38px; line-height: 47px; } .text-with-styled-background__text--worklife { color: #0052a1; } .text-with-styled-background__text--future { color: #002856; } .text-with-styled-background__text--culture { color: #472479; } .text-with-styled-background__text--earth { color: #0fbb56; } .text-with-styled-background__text--travel { color: #589e50; } .text-with-styled-background__text--blue { color: #0052a1; } .text-with-styled-background__text--collection { font-size: 28px; line-height: 34px; padding: 0; } .text-with-styled-background__text--collection--medium { font-size: 32px; line-height: 38px; } .text-with-styled-background__text--collection--large { font-size: 38px; line-height: 47px; } .text-with-styled-background__line-container { bottom: 0; margin-left: 13px; position: absolute; width: calc(100% - 26px); } .text-with-styled-background__line { background-color: rgba(25, 62, 109, 0.05); height: 26px; max-width: 240px; position: relative; } .text-with-styled-background__line--large { bottom: -10px; height: 42px; max-width: 340px; } .text-with-styled-background__line--narrow { height: 26px; max-width: 100%; } .text-with-styled-background__line--medium { bottom: -10px; height: 36px; max-width: 340px; } .text-with-styled-background__line--largest { max-width: 100%; } .text-with-styled-background__line-container--collection { width: calc(100% + 26px); } .text-with-styled-background__line-container--no-margin { margin: 0; } .text-with-styled-background__line--collection { height: 26px; } .error-button { -ms-flex-align: center; align-items: center; background-color: #000; border: 0; display: -ms-flexbox; display: flex; font-size: 22px; height: 50px; -ms-flex-pack: center; justify-content: center; outline: none; -webkit-transition-duration: 0.6s; transition-duration: 0.6s; width: 50px; } .error-button .gelicon--alert { color: #ececec; } .simple-header { color: #444; font-size: 18px; font-weight: bold; line-height: 24px; margin: 0; } .simple-header--large { font-size: 28px; line-height: 34px; } .simple-header--simple { font-size: 18px; line-height: 22px; } .simple-header--small { font-size: 20px; line-height: 27px; } .simple-header--smallest { font-family: Helvetica; font-size: 14px; line-height: 24px; } .simple-header--medium { font-size: 24px; line-height: 28px; } .simple-header--regular { font-size: 22px; line-height: 28px; } .simple-header--condensed-bold { font-stretch: condensed; } .simple-header--condensed-bold.simple-header--large { line-height: 37px; } .simple-header--condensed-bold.simple-header--regular { line-height: 28px; } .simple-header--white { color: #fff; } .play-button__inline-audio, .play-button__inline-video { -ms-flex-align: center; align-items: center; background-color: #000; border: 0; cursor: pointer; display: -ms-flexbox; display: flex; font-size: 16px; height: 49px; -ms-flex-pack: center; justify-content: center; outline: none; -webkit-transition-duration: 0.6s; transition-duration: 0.6s; width: 49px; } .play-button__inline-audio .gelicon--play, .play-button__inline-video .gelicon--play { color: #ececec; } .play-button__inline-audio--worklife .gelicon--play, .play-button__inline-video--worklife .gelicon--play { color: #8beed9; } .play-button__inline-audio--travel .gelicon--play, .play-button__inline-video--travel .gelicon--play { color: #002856; } .play-button__inline-audio--future .gelicon--play, .play-button__inline-video--future .gelicon--play { color: #ffc857; } .play-button__inline-audio--culture .gelicon--play, .play-button__inline-video--culture .gelicon--play { color: #472479; } .play-button__inline-audio--earth .gelicon--play, .play-button__inline-video--earth .gelicon--play { color: #002856; } .play-button__inline-audio { color: #fff; font-size: 22px; height: 50px; width: 50px; } .play-button { -ms-flex-align: center; align-items: center; background-color: rgba(0, 0, 0, 0.2); border: 2px solid #5ae9cb; border-radius: 50%; -webkit-box-shadow: 0 2px 4px 0 rgba(0, 0, 0, 0.2); box-shadow: 0 2px 4px 0 rgba(0, 0, 0, 0.2); color: #fff; cursor: pointer; display: -ms-flexbox; display: flex; font-size: 22px; height: 80px; -ms-flex-pack: center; justify-content: center; outline: none; -webkit-transition-duration: 0.6s; transition-duration: 0.6s; width: 80px; } .play-button:hover { color: #5ae9cb; } .play-button--white { border: 4px solid #fff; } .play-button--white:hover { color: #fff; } .play-button--white .gelicon--play { color: inherit; } .play-button--worklife { border: 2px solid #8beed9; } .play-button--worklife:hover { color: #8beed9; } .play-button--travel { border: 2px solid #002856; } .play-button--travel:hover { color: #002856; } .play-button--future { border: 2px solid #ffc857; } .play-button--future:hover { color: #ffc857; } .play-button--culture { border: 2px solid #472479; } .play-button--culture:hover { color: #472479; } .play-button--earth { border: 2px solid #002856; } .play-button--earth:hover { color: #002856; } .play-button--desktop { font-size: 30px; height: 76px; width: 76px; } .play-button--background-hover:hover { background-color: rgba(0, 0, 0, 0.6); } .screen-reader-only { border: 0; clip: rect(1px, 1px, 1px, 1px); -webkit-clip-path: inset(50%); clip-path: inset(50%); height: 1px; margin: -1px; overflow: hidden; padding: 0; position: absolute !important; width: 1px; word-wrap: normal !important; } .text-summary__text { font-size: 16px; line-height: 24px; margin: 0; text-align: left; } .text-summary__text--blue { color: #193e6d; } .text-summary__text--black { color: #000; } .text-summary__text--grey { color: #6a6a6a; } .text-summary__text--dark-grey { color: #444; } .text-summary__text--left { text-align: left; } .text-summary__text--right { text-align: right; } .simple-p-tag { color: #444; font-size: 18px; font-weight: bold; line-height: 24px; margin: 0; } .simple-p-tag--large { font-size: 28px; line-height: 34px; } .simple-header--serif-light-italic { font-style: italic; line-height: inherit; } .inline-html { display: block; } .drop-capped { -ms-flex-align: center; align-items: center; border: 2px solid #444; color: #444; display: -ms-flexbox; display: flex; float: left; font-size: 58px; font-weight: bold; height: 84px; -ms-flex-pack: center; justify-content: center; margin: 8px 10px 4px 0; text-transform: uppercase; width: 84px; } .drop-capped--worklife { border-color: #8beed9; } .drop-capped--future { border-color: #ffc857; } .drop-capped--culture { border-color: #444; } .drop-capped--earth { border-color: #002856; } .drop-capped--travel { border-color: #002856; } .drop-capped--desktop { margin-right: 24px; } .close-nav { -ms-flex-align: center; align-items: center; background-color: unset; border: unset; cursor: pointer; display: -ms-flexbox; display: flex; position: relative; -webkit-transition: 0.4s; transition: 0.4s; } .close-nav__icon { color: #fff; display: -ms-flexbox; display: flex; font-size: 20px; -webkit-transition: 0.4s; transition: 0.4s; } .close-nav:hover .close-nav__icon { color: #cecece; -webkit-transform: rotate(90deg); transform: rotate(90deg); } .close-nav__label { display: inline-block; margin-right: 12px; } .nav-label { color: #4e4e4e; font-size: 16px; line-height: 22px; margin: auto; max-width: 1280px; -webkit-transition: 0.4s; transition: 0.4s; } .nav-label:hover { color: #8e8e8e; } .nav-label--menu { color: #ebebeb; } .nav-label--menu:hover { color: #cecece; } .nav-label--white { color: #fff; } .nav-label--curiousSans { font-family: 'CuriousSansBold'; } .nav-links__link { -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; height: 100%; -ms-flex-pack: center; justify-content: center; padding-right: 24px; position: relative; text-decoration: none; white-space: nowrap; } .nav-links__link--active p { border-bottom: 2px solid #002856; font-weight: bold; } .nav-links__link--active--menu p { border-bottom: unset; } .nav-links__link--active--worklife p { border-bottom: 2px solid #0052a1; } .nav-links__link--active--culture p { border-bottom: 2px solid #472479; } .nav-links__link--active--earth p { border-bottom: 2px solid #0fbb56; } .nav-links__link--active--travel p { border-bottom: 2px solid #589e50; } .nav-links__icon { background-color: #0052a1; bottom: 10px; height: 2px; position: absolute; width: 80px; } .nav-links__link--menu { display: block; padding-right: unset; } .nav-links__icon--menu { display: none; } .nav-links__icon--menu-tablet { width: 60px; } .nav-links__icon--worklife { background-color: #0052a1; } .nav-links__icon--future { background-color: #002856; } .nav-links__icon--culture { background-color: #472479; } .nav-links__icon--earth { background-color: #0fbb56; } .nav-links__icon--travel { background-color: #589e50; } .nav-links__link--menu p { font-size: 26px; padding: 0 0 32px 24px; } .nav-links__link--menu-desktop p { font-size: 32px; line-height: 42px; padding: 0 0 44px 100px; } .burger-nav { background: transparent; border: 0; color: #0052a1; cursor: pointer; font-size: 20px; outline: none; padding: 0; } .burger-nav--worklife { color: #0052a1; } .burger-nav--future { color: #002856; } .burger-nav--culture { color: #472479; } .burger-nav--earth { color: #0fbb56; } .burger-nav--travel { color: #589e50; } .burger-nav--medium { font-size: 16px; } .burger-nav--small { font-size: 12px; } .nav-menu { background-color: #0052a1; display: block; height: 100%; left: 0; min-height: 100vh; opacity: 0.98; overflow: auto; position: fixed; top: 0; width: 100vw; } .nav-menu--worklife { background-color: #0052a1; } .nav-menu--future { background-color: #002856; } .nav-menu--culture { background-color: #472479; } .nav-menu--earth { background-color: #0fbb56; } .nav-menu--travel { background-color: #589e50; } .nav-menu__close-nav { -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; -ms-flex-pack: justify; justify-content: space-between; margin: auto; max-width: 1280px; padding: 16px 8px 60px; } .nav-menu__close-nav--desktop { padding: 20px 16px 70px; } .nav-menu__sponsored { background-color: rgba(34, 34, 34, 0.5); height: 100%; margin-bottom: 32px; } .nav-menu__sponsored--desktop { margin-bottom: 44px; } .nav-menu__sponsored-container { padding: 20px 16px 16px 24px; } .nav-menu__sponsored--desktop-container { margin: auto; max-width: 1264px; padding: 20px 16px 20px 100px; } .nav-menu__follow-us { padding: 52px 0 34px; } .ad-slot { display: inline-block; } .ad-slot__container { -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; } .ad-slot__label { max-width: 120px; min-width: 112px; padding-right: 8px; text-align: right; } .ad-slot--leaderboard { -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; -ms-flex-pack: center; justify-content: center; } .ad-slot__label--mpu, .ad-slot__label--leaderboard { margin-bottom: 8px; max-width: unset; padding-right: unset; text-align: right; } .ad-slot__container--mpu, .ad-slot__container--leaderboard { display: inline-block; -ms-flex-wrap: unset; flex-wrap: unset; } .ad-slot__fake--sponsor { background-color: #5ae9cb; height: 31px; min-width: 88px; } .ad-slot__fake--mpu { background-color: #5ae9cb; height: 250px; min-width: 300px; } .ad-slot__fake--mpu-large { background-color: #5ae9cb; height: 600px; min-width: 300px; } .ad-slot__fake--leaderboard-large { background-color: #5ae9cb; height: 90px; min-width: 728px; } .ad-slot__fake--leaderboard-medium { background-color: #5ae9cb; height: 50px; min-width: 320px; } .ad-slot__fake--leaderboard-small { background-color: #5ae9cb; height: 50px; min-width: 300px; } .ad-slot__label--dark { color: #dcdcdc; } .ad-slot--dark { background-color: #f6f6f6; padding: 8px; } .ad-slot--black { background-color: rgba(26, 26, 26, 0.8); padding: 8px; } .open-nav { -ms-flex-align: center; align-items: center; background-color: unset; border: unset; cursor: pointer; display: -ms-flexbox; display: flex; -ms-flex-pack: end; justify-content: flex-end; padding: 0; position: relative; -webkit-transition: 0.4s; transition: 0.4s; } .open-nav__icon { display: -ms-flexbox; display: flex; } .open-nav__label { display: inline-block; margin-right: 12px; } .play-icon { background: transparent; border: 0; color: #fff; font-size: 12px; outline: none; padding: 0; } .play-icon--red { color: #f00; } .play-icon--grey { color: #999; } .play-icon--medium { font-size: 16px; } .play-icon--large { font-size: 20px; } .camera-icon { background: transparent; border: 0; color: #fff; font-size: 12px; outline: none; padding: 0; } .camera-icon--red { color: #f00; } .camera-icon--grey { color: #999; } .camera-icon--medium { font-size: 16px; } .camera-icon--large { font-size: 20px; } .nav-build-bar { -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; height: auto; margin: auto; max-width: 1280px; width: 100%; } .nav-build-bar--mobile { height: auto; -ms-flex-pack: justify; justify-content: space-between; } .nav-build-bar--mobile .nav-build-bar__title-content { white-space: pre-wrap; } .nav-build-bar--tablet { height: 58px; } .nav-build-bar--desktop { height: 60px; } .nav-build-bar__links { display: -ms-flexbox; display: flex; -ms-flex-wrap: wrap; flex-wrap: wrap; height: 100%; -ms-flex-pack: end; justify-content: flex-end; margin-left: auto; overflow: hidden; } .nav-build-bar__sponsored-brand { -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; margin-left: 8px; text-decoration: none; white-space: nowrap; } .nav-build-bar__sponsored-brand--no-brand { margin-left: 0; } .nav-build-bar__branding { display: -ms-flexbox; display: flex; padding: 0 8px 0 0; } .nav-build-bar__branding--tablet { padding: 0 30px 0 0; } .nav-build-bar__branding--desktop { padding: 0 80px 0 0; } .nav-build-bar__title-content { border: 1.78px solid; color: #444; font-size: 22px; font-weight: bold; margin: unset; padding: 8px; width: -webkit-fit-content; width: -moz-fit-content; width: fit-content; } .nav-build-bar__title-content--tablet { font-size: 24px; white-space: nowrap; } .nav-build-bar__title-content--desktop { font-size: 28px; } .nav-build-bar__open-nav { display: -ms-flexbox; display: flex; height: 48px; } .nav-build-bar__open-nav-button { display: -ms-flexbox; display: flex; padding-left: 8px; } .nav-build-bar__sponsored { background-color: #f6f6f6; border: 1px solid #d3d3d3; height: 48px; padding: 0 16px; } .nav-build-bar__open-nav--desktop { padding-right: 16px; } .nav-build-bar__open-nav--mobile { -ms-flex-pack: end; justify-content: flex-end; max-width: 100px; width: 100%; } .styled-dot { background-color: #5ae9cb; border-radius: 50%; -webkit-box-shadow: 0 1px 2px 0 rgba(25, 62, 109, 0.5); box-shadow: 0 1px 2px 0 rgba(25, 62, 109, 0.5); cursor: pointer; display: inline-block; height: 6px; width: 6px; } .styled-dot--no-cursor { cursor: unset; } .styled-dot--medium { -webkit-box-shadow: unset; box-shadow: unset; height: 10px; width: 10px; } .styled-dot--dark-blue { background-color: #193e6d; } .styled-dot--purple { background-color: #362e67; -webkit-box-shadow: unset; box-shadow: unset; } .styled-dot--black { background-color: #000; -webkit-box-shadow: unset; box-shadow: unset; } .styled-dot--grey-green { background-color: #008e9b; -webkit-box-shadow: unset; box-shadow: unset; } .styled-dot--dark-green { background-color: #589e50; -webkit-box-shadow: unset; box-shadow: unset; } .styled-dot--worklife { background-color: #8beed9; } .styled-dot--future { background-color: #ffc857; } .styled-dot--culture { background-color: #472479; } .styled-dot--earth { background-color: #002856; } .styled-dot--travel { background-color: #002856; } .styled-dot--worklife-prime { background-color: #0052a1; } .styled-dot--future-prime { background-color: #002856; } .styled-dot--culture-prime { background-color: #472479; } .styled-dot--earth-prime { background-color: #0fbb56; } .styled-dot--travel-prime { background-color: #589e50; } .styled-dot--large { -webkit-box-shadow: 0 1px 1px 0 rgba(25, 62, 109, 0.5); box-shadow: 0 1px 1px 0 rgba(25, 62, 109, 0.5); height: 16px; width: 16px; } .styled-dot--small { -webkit-box-shadow: unset; box-shadow: unset; height: 8px; width: 8px; } .styled-dot--grey { background-color: rgba(0, 0, 0, 0.2); } .info-icon { background: transparent; border: 0; color: #fff; font-size: 12px; outline: none; padding: 0; } .info-icon--red { color: #f00; } .info-icon--grey { color: #999; } .info-icon--medium { font-size: 16px; } .info-icon--large { font-size: 20px; } .email-icon { -ms-flex-align: center; align-items: center; background-color: #193e6d; border-radius: 50%; color: #fff; cursor: pointer; display: -ms-flexbox; display: flex; font-size: 11px; height: 50px; -ms-flex-pack: center; justify-content: center; -webkit-transition-duration: 0.6s; transition-duration: 0.6s; width: 50px; z-index: 55; } .email-icon:hover { background-color: #000; } .email-icon--red:hover { background-color: #f00; } .facebook-icon { -ms-flex-align: center; align-items: center; background-color: #193e6d; border-radius: 50%; color: #fff; cursor: pointer; display: -ms-flexbox; display: flex; font-size: 15px; height: 50px; -ms-flex-pack: center; justify-content: center; text-decoration: none; -webkit-transition-duration: 0.6s; transition-duration: 0.6s; width: 50px; z-index: 55; } .facebook-icon:hover { background-color: #3b5998; } .facebook-icon--blue { background-color: transparent; border: 1px solid #3b5998; color: #3b5998; } .facebook-icon--blue:hover { background-color: #3b5998; color: #fff; } .facebook-icon--white { background-color: transparent; border: 1px solid #fff; color: #fff; } .facebook-icon--white:hover { background-color: #fff; color: #3b5998; } .facebook-icon--small { font-size: 20px; height: 38px; width: 38px; } .hero-header { -ms-flex-align: center; align-items: center; display: -ms-flexbox; display: flex; } .hero-header__header { font-family: 'CuriousSansBold'; color: #fff; font-size: 38px; line-height: 40px; margin: 0; text-shadow: 0 1px 2px rgba(25, 62, 109, 0.7); } .hero-header__header--large { font-size: 44px; line-height: 48px; } .hero-header__header--medium { font-size: 38px; line-height: 47px; } .hero-header__header--small { font-size: 28px; line-height: 34px; } .hero-header__header--black { color: #000; text-shadow: unset; } .hero-header__header--grey { color: #adadad; text-shadow: unset; } .ticked-icon { -ms-flex-align: center; align-items: center; background-color: #13de99; border-radius: 50%; -webkit-box-shadow: 0 2px 4px 0 rgba(0, 0, 0, 0.2); box-shadow: 0 2px 4px 0 rgba(0, 0, 0, 0.2); display: -ms-flexbox; display: flex; height: 50px; -ms-flex-pack: center; justify-content: center; width: 50px; z-index: 55; } .ticked-icon--small { font-size: 12px; height: 38px; width: 38px; } .google-plus-icon { -ms-flex-align: center; align-items: center; background-color: #193e6d; border-radius: 50%; color: #fff; cursor: pointer; display: -ms-flexbox; display: flex; font-size: 26px; height: 50px; -ms-flex-pack: center; justify-content: center; text-decoration: none; -webkit-transition-duration: 0.6s; transition-duration: 0.6s; width: 50px; z-index: 55; } .google-plus-icon:hover { background-color: #d34836; } .google-plus-icon--red:hover { background-color: #f00; } .linkedin-icon { -ms-flex-align: center; align-items: center; background-color: #193e6d; border-radius: 50%; color: #fff; cursor: pointer; display: -ms-flexbox; display: flex; font-size: 13px; height: 50px; -ms-flex-pack: center; justify-content: center; text-decoration: none; -webkit-transition-duration: 0.6s; transition-duration: 0.6s; width: 50px; z-index: 55; } .linkedin-icon:hover { background-color: #0077b5; } .linkedin-icon--red:hover { background-color: #f00; } .reddit-icon { -ms-flex-align: center; align-items: center; background-color: #193e6d; border-radius: 50%; color: #fff; cursor: pointer; display: -ms-flexbox; display: flex; font-size: 26px; height: 50px; -ms-flex-pack: center; justify-content: center; text-decoration: none; -webkit-transition-duration: 0.6s; transition-duration: 0.6s; width: 50px; z-index: 55; } .reddit-icon:hover { background-color: #ff4500; } .reddit-icon__hide { display: none; } .reddit-icon--red:hover { background-color: #f00; } .share-button { -ms-flex-align: center; align-items: center; background-color: #fff; border: 1px solid #e4e4e4; color: #444; cursor: pointer; display: -ms-flexbox; display: flex; font-size: 12px; font-weight: bold; -ms-flex-pack: center; justify-content: center; letter-spacing: 3px; padding: 18px 16px; text-transform: uppercase; -webkit-transition: 0.6s; transition: 0.6s; width: 110px; z-index: 55; } .share-button .gelicon--share { margin-right: 10px; -webkit-transition: 0.3s ease-in; transition: 0.3s ease-in; } .share-button:hover .gelicon--share, .share-button .gelicon--share-sharing { -webkit-transform: rotate(-180deg); transform: rotate(-180deg); } .twitter-icon { -ms-flex-align: center; align-items: center; background-color: #193e6d; border-radius: 50%; color: #fff; cursor: pointer; display: -ms-flexbox; display: flex; font-size: 13px; height: 50px; -ms-flex-pack: center; justify-content: center; text-decoration: none; -webkit-transition-duration: 0.6s; transition-duration: 0.6s; width: 50px; z-index: 55; } .twitter-icon:hover { background-color: #1da1f2; } .twitter-icon--light-blue { background-color: transparent; border: 1px solid #1da1f2; color: #1da1f2; } .twitter-icon--light-blue:hover { background-color: #1da1f2; color: #fff; } .twitter-icon--white { background-color: transparent; border: 1px solid #fff; color: #fff; } .twitter-icon--white:hover { background-color: #fff; color: #1da1f2; } .twitter-icon--small { font-size: 18px; height: 38px; width: 38px; } .whatsapp-icon { -ms-flex-align: center; align-items: center; background-color: #193e6d; border-radius: 50%; color: #fff; cursor: pointer; display: -ms-flexbox; display: flex; font-size: 13px; height: 50px; -ms-flex-pack: center; justify-content: center; text-decoration: none; -webkit-transition-duration: 0.6s; transition-duration: 0.6s; width: 50px; z-index: 55; } .whatsapp-icon:hover { background-color: #25d366; } .whatsapp-icon--red:hover { background-color: #f00; }html, body { margin: 0; padding: 0; } #root *, #root *::before, #root *::after { box-sizing: border-box; } #root article, #root aside, #root figure, #root footer, #root header, #root nav, #root section { display: block; } body { background: #fff; } .app__body { display: flex; flex-direction: column; min-height: 100vh; overflow: visible; position: relative; } .app__domestic-disclaimer { bottom: 0; position: fixed; width: 100%; z-index: 5000; } .main { display: flex; flex: 1 0 auto; flex-direction: column; } .navigation { background-color: #fff; display: none; margin: auto; max-width: 1248px; padding: 4px 16px 0; position: relative; z-index: 1000; } @media (min-width: 1008px) and (max-width: 1279px) { .navigation { max-width: 976px; } } @media (min-width: 600px) { .navigation { padding: 0 16px 1px; } } @media (min-width: 600px) and (max-width: 1007px) { .navigation { max-width: 990px; } } @media (min-width: 300px) and (max-width: 399px) { .navigation { padding: 4px 8px; } } .navigation--display { display: block; } .navigation-sticky--undocked { background-color: #fff; width: 100%; z-index: 10000; } .StickyElement { position: relative; z-index: 1501; } .loader { display: none; height: 100%; left: -99999px; opacity: 0; position: absolute; top: 0; transition: 0.2s opacity; width: 100%; z-index: 1000; } .loader--is-active { background: white; display: block; left: 0; opacity: 1; } .loader__body { display: none; left: 50%; position: fixed; top: 50%; transform: translateX(-50%) translateY(-50%); } .loader__body--show-loader { display: block; } .no-js .loader { display: none; } .vertical-index { display: flex; flex: 1 0 auto; flex-direction: column; } .vertical-index__collection-swimlane { min-height: 400px; } .vertical-index .article-hero__content { margin-top: 106px; padding-left: 25px; } .vertical-index__full-width-ad { background-color: #f1f1f1; padding: 25px; } .vertical-index__latest-articles { margin-top: 35px; } .vertical-index__latest-articles--mobile { margin-top: 28px; } .vertical-index__storyworks-section { margin: auto; max-width: 1248px; padding: 16px 0 0; } @media (min-width: 1008px) { .vertical-index__storyworks-section { padding: 16px 16px 0; } } @media (min-width: 600px) and (max-width: 1007px) { .vertical-index__storyworks-section { margin: auto; max-width: 990px; padding: 8px 16px 0; } } @media (min-width: 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alt="down-arrow"/></button><div class="article-hero__background"><img draggable="false" title="(Credit: Bleecker Street Media)" srcset="https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/189x106/p08jngp3.jpg 189w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/304x171/p08jngp3.jpg 304w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/624x351/p08jngp3.jpg 624w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/976x549/p08jngp3.jpg 976w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/1280x720/p08jngp3.jpg 1280w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/1600x900/p08jngp3.jpg 1600w" sizes="(min-width: 420px) 100vw, 150vw" src="https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/976x549/p08jngp3.jpg" alt="(Credit: Bleecker Street Media)" id="article-hero-img-js"/></div></div></div><div class="vertical-index__latest-articles vertical-index__latest-articles--mobile"><div class="latest-articles__container latest-articles__rectangle latest-articles__container--tablet"><p class="latest-articles__editor b-reith-sans-font latest-articles__editor--tablet">Editor's Picks</p><div class="latest-articles__articles latest-articles__articles--tablet latest-articles__articles--tablet-rectangle latest-articles__articles--mobile-rectangle"><div class="rectangle-story-group"><div class="rectangle-story-group__articles-container"><div><div class="rectangle-story-group__article-hero rectangle-story-group__article-hero--tablet" data-bbc-container="latest-stories" data-bbc-title="The perfect crime drama to watch now" data-bbc-metadata="{"APP":"latest-stories","CHD":"card::1"}" data-bbc-result="https://www.bbc.com/culture/article/20200701-this-ww2-crime-drama-is-the-perfect-show-for-th" data-bbc-client-routed="true"><div class="article-title-card-rectangle b-reith-sans-font"><div class="article-title-card-rectangle__container"><div class="article-title-card-rectangle__image"><a class="article-title-card-rectangle__link" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/article/20200701-this-ww2-crime-drama-is-the-perfect-show-for-th"><img draggable="false" title="(Credit: Shutterstock)" srcset="https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/189x106/p08jjss3.jpg 189w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/304x171/p08jjss3.jpg 304w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/624x351/p08jjss3.jpg 624w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/976x549/p08jjss3.jpg 976w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/1280x720/p08jjss3.jpg 1280w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/1600x900/p08jjss3.jpg 1600w" sizes="(min-width: 420px) 100vw, 150vw" src="https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/976x549/p08jjss3.jpg" alt="(Credit: Shutterstock)" id=""/><span class="article-title-card-rectangle__overlay article-title-card-rectangle__overlay--culture"></span></a></div><div class="article-title-card-rectangle__text-box"><a class="article-title-card-rectangle__link article-title-card-rectangle__text-container" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/tags/my-happy-place"><span class="article-title-card-rectangle__text-box__label article-title-card-rectangle__text-box__label--culture">My Happy Place</span></a><a class="article-title-card-rectangle__link article-title-card-rectangle__text-container" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/article/20200701-this-ww2-crime-drama-is-the-perfect-show-for-th"><h2 class="article-title-card-rectangle__text-box__header b-font-weight-300">The perfect crime drama to watch now</h2></a><span class="rectangle-story-item__line"><div class="styled-line styled-line--culture styled-line--height--small"></div></span><p class="article-title-card-rectangle__text-box__author b-font-family-serif">By Fiona Mountford</p></div></div></div></div></div><div class="rectangle-story-group__articles rectangle-story-group__articles--full-screen"><div class="rectangle-story-group__article rectangle-story-group__article--tablet rectangle-story-group__article--full-screen"><div class="rectangle-story-item b-reith-sans-font rectangle-story-item--tablet" data-bbc-container="latest-stories" data-bbc-title="Dusty Springfield’s remarkable comeback" data-bbc-metadata="{"APP":"latest-stories","CHD":"card::2"}" data-bbc-result="https://www.bbc.com/culture/article/20200630-how-dusty-springfield-made-a-remarkable-comeback" data-bbc-client-routed="true"><a class="rectangle-story-item__title" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/article/20200630-how-dusty-springfield-made-a-remarkable-comeback"><div class="rectangle-story-item__image-container rectangle-story-item__image-container--culture"><div class="rectangle-image rectangle-image--medium" style="background-image:url(https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/960x540/p082b33v.png)"><img draggable="false" title="(Credit: Getty Images)" srcset="https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/189x106/p08jglns.jpg 189w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/304x171/p08jglns.jpg 304w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/624x351/p08jglns.jpg 624w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/976x549/p08jglns.jpg 976w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/1280x720/p08jglns.jpg 1280w, 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rectangle-image--medium" style="background-image:url(https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/960x540/p082b33v.png)"><img draggable="false" title="(Credit: Peacock)" srcset="https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/189x106/p08jgkg7.jpg 189w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/304x171/p08jgkg7.jpg 304w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/624x351/p08jgkg7.jpg 624w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/976x549/p08jgkg7.jpg 976w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/1280x720/p08jgkg7.jpg 1280w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/1600x900/p08jgkg7.jpg 1600w" sizes="(min-width: 800px) 70vw, 100vw" src="https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/976x549/p08jgkg7.jpg" alt="(Credit: Peacock)" id=""/><span class="rectangle-image__overlay rectangle-image__overlay--culture"></span></div></div></a><a class="rectangle-story-item__label b-reith-sans-font rectangle-story-item__label--tablet rectangle-story-item__label--culture" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/tags/television"><span>Television</span></a><div class="rectangle-story-item__container"><a class="rectangle-story-item__title" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/article/20200630-brave-new-world-a-series-so-bad-even-the-orgies-are-dull"><span>A series so bad, the orgies are dull</span></a></div><div><span class="rectangle-story-item__line"><div class="styled-line styled-line--culture styled-line--height--small"></div></span><span class="rectangle-story-item__author b-font-family-serif">By Caryn James</span></div></div></div><div class="rectangle-story-group__article rectangle-story-group__article--tablet rectangle-story-group__article--full-screen"><div class="rectangle-story-item b-reith-sans-font rectangle-story-item--tablet" data-bbc-container="latest-stories" data-bbc-title="Ten TV shows to watch in July" data-bbc-metadata="{"APP":"latest-stories","CHD":"card::4"}" data-bbc-result="https://www.bbc.com/culture/article/20200629-ten-tv-shows-to-watch-in-july" data-bbc-client-routed="true"><a class="rectangle-story-item__title" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/article/20200629-ten-tv-shows-to-watch-in-july"><div class="rectangle-story-item__image-container rectangle-story-item__image-container--culture"><div class="rectangle-image rectangle-image--medium" style="background-image:url(https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/960x540/p082b33v.png)"><img draggable="false" title="Stateless (Credit: Netflix)" srcset="https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/189x106/p08jcmjc.jpg 189w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/304x171/p08jcmjc.jpg 304w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/624x351/p08jcmjc.jpg 624w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/976x549/p08jcmjc.jpg 976w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/1280x720/p08jcmjc.jpg 1280w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/1600x900/p08jcmjc.jpg 1600w" sizes="(min-width: 800px) 70vw, 100vw" src="https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/976x549/p08jcmjc.jpg" alt="Stateless (Credit: Netflix)" id=""/><span class="rectangle-image__overlay rectangle-image__overlay--culture"></span></div></div></a><a class="rectangle-story-item__label b-reith-sans-font rectangle-story-item__label--tablet rectangle-story-item__label--culture" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/tags/television"><span>Television</span></a><div class="rectangle-story-item__container"><a class="rectangle-story-item__title" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/article/20200629-ten-tv-shows-to-watch-in-july"><span>Ten TV shows to watch in July</span></a></div><div><span class="rectangle-story-item__line"><div class="styled-line styled-line--culture styled-line--height--small"></div></span><span class="rectangle-story-item__author b-font-family-serif">By Eddie Mullan</span></div></div></div></div></div></div></div></div></div><div class="vertical-index__full-width-image-article"><div class="full-width-image-article" data-bbc-container="full-width-image-article" data-bbc-title="How knitting became cool" data-bbc-metadata="{"APP":"full-width-image-article","CHD":"card::1"}" data-bbc-result="https://www.bbc.com/culture/article/20200630-how-knitting-became-cool" data-bbc-client-routed="true"><div class="full-width-image-article__container"><div class="full-width-image-article__image"><img draggable="false" title="Getty Images" srcset="https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/189x106/p08jfwky.jpg 189w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/304x171/p08jfwky.jpg 304w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/624x351/p08jfwky.jpg 624w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/976x549/p08jfwky.jpg 976w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/1280x720/p08jfwky.jpg 1280w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/1600x900/p08jfwky.jpg 1600w" sizes="(min-width: 420px) 100vw, 150vw" src="https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/976x549/p08jfwky.jpg" alt="Getty Images" id=""/><div class="full-width-image-article__background"></div></div><div class="full-width-image-article__text"><a class="full-width-image-article__link" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/designed"><span class="full-width-image-article-text__label b-reith-sans-font">designed</span></a><a class="full-width-image-article__link" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/article/20200630-how-knitting-became-cool"><h2 class="full-width-image-article-text__header b-reith-sans-font b-font-weight-300">How knitting became cool</h2></a></div></div></div></div><div class="vertical-index__latest-articles vertical-index__latest-articles--mobile"><div class="latest-articles__container latest-articles__rectangle latest-articles__container--tablet"><p class="latest-articles__editor b-reith-sans-font latest-articles__editor--tablet">Hot Topics</p><div class="latest-articles__articles latest-articles__articles--tablet latest-articles__articles--tablet-rectangle latest-articles__articles--mobile-rectangle"><div class="rectangle-story-group"><div class="rectangle-story-group__articles-container"><div><div class="rectangle-story-group__article-hero rectangle-story-group__article-hero--tablet" data-bbc-container="latest-stories" data-bbc-title="Why the apocalypse could be beautiful" data-bbc-metadata="{"APP":"latest-stories","CHD":"card::1"}" data-bbc-result="https://www.bbc.com/culture/article/20200617-why-the-apocalypse-is-being-reimagined-as-a-beautiful-event" data-bbc-client-routed="true"><div class="article-title-card-rectangle b-reith-sans-font"><div class="article-title-card-rectangle__container"><div class="article-title-card-rectangle__image"><a class="article-title-card-rectangle__link" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/article/20200617-why-the-apocalypse-is-being-reimagined-as-a-beautiful-event"><img draggable="false" title="Sci-fi IO: Last on Earth 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to have taken aesthetic inspiration from Alan Weisman’s non-fiction book The World Without Us (Credit: Alamy)" id=""/><span class="article-title-card-rectangle__overlay article-title-card-rectangle__overlay--culture"></span></a></div><div class="article-title-card-rectangle__text-box"><a class="article-title-card-rectangle__link article-title-card-rectangle__text-container" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/columns/film"><span class="article-title-card-rectangle__text-box__label article-title-card-rectangle__text-box__label--culture">Film</span></a><a class="article-title-card-rectangle__link article-title-card-rectangle__text-container" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/article/20200617-why-the-apocalypse-is-being-reimagined-as-a-beautiful-event"><h2 class="article-title-card-rectangle__text-box__header b-font-weight-300">Why the apocalypse could be beautiful</h2></a><span class="rectangle-story-item__line"><div class="styled-line styled-line--culture styled-line--height--small"></div></span><p class="article-title-card-rectangle__text-box__author b-font-family-serif">By Al Horner</p></div></div></div></div></div><div class="rectangle-story-group__articles rectangle-story-group__articles--full-screen"><div class="rectangle-story-group__article rectangle-story-group__article--tablet rectangle-story-group__article--full-screen"><div class="rectangle-story-item b-reith-sans-font rectangle-story-item--tablet" data-bbc-container="latest-stories" data-bbc-title="The film that’s saved people’s lives" data-bbc-metadata="{"APP":"latest-stories","CHD":"card::2"}" data-bbc-result="https://www.bbc.com/culture/article/20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives" data-bbc-client-routed="true"><a class="rectangle-story-item__title" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/article/20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives"><div class="rectangle-story-item__image-container rectangle-story-item__image-container--culture"><div class="rectangle-image rectangle-image--medium" style="background-image:url(https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/960x540/p082b33v.png)"><img draggable="false" title="(Credit: Alamy)" srcset="https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/189x106/p08hc6hj.jpg 189w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/304x171/p08hc6hj.jpg 304w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/624x351/p08hc6hj.jpg 624w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/976x549/p08hc6hj.jpg 976w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/1280x720/p08hc6hj.jpg 1280w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/1600x900/p08hc6hj.jpg 1600w" sizes="(min-width: 800px) 70vw, 100vw" src="https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/976x549/p08hc6hj.jpg" alt="(Credit: Alamy)" id=""/><span class="rectangle-image__overlay rectangle-image__overlay--culture"></span></div></div></a><a class="rectangle-story-item__label b-reith-sans-font rectangle-story-item__label--tablet rectangle-story-item__label--culture" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/tags/cult-films"><span>Cult Films</span></a><div class="rectangle-story-item__container"><a class="rectangle-story-item__title" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/article/20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives"><span>The film that’s saved people’s lives</span></a></div><div><span class="rectangle-story-item__line"><div class="styled-line styled-line--culture styled-line--height--small"></div></span><span class="rectangle-story-item__author b-font-family-serif">By Larushka Ivan-Zadeh</span></div></div></div><div class="rectangle-story-group__article rectangle-story-group__article--tablet rectangle-story-group__article--full-screen"><div class="rectangle-story-item b-reith-sans-font rectangle-story-item--tablet" data-bbc-container="latest-stories" data-bbc-title="Remarkable photos of people in nature" data-bbc-metadata="{"APP":"latest-stories","CHD":"card::3"}" data-bbc-result="https://www.bbc.com/culture/article/20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature" data-bbc-client-routed="true"><a class="rectangle-story-item__title" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/article/20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature"><div class="rectangle-story-item__image-container rectangle-story-item__image-container--culture"><div class="rectangle-image rectangle-image--medium" style="background-image:url(https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/960x540/p082b33v.png)"><img draggable="false" title="Eyes as Big as Plates #Agnes II (Norway 2011) (Credit: Karoline Hjorth and Riitta Ikonen)" srcset="https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/189x106/p08h5v45.jpg 189w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/304x171/p08h5v45.jpg 304w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/624x351/p08h5v45.jpg 624w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/976x549/p08h5v45.jpg 976w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/1280x720/p08h5v45.jpg 1280w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/1600x900/p08h5v45.jpg 1600w" sizes="(min-width: 800px) 70vw, 100vw" src="https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/976x549/p08h5v45.jpg" alt="Eyes as Big as Plates #Agnes II (Norway 2011) (Credit: Karoline Hjorth and Riitta Ikonen)" id=""/><span class="rectangle-image__overlay rectangle-image__overlay--culture"></span></div></div></a><a class="rectangle-story-item__label b-reith-sans-font rectangle-story-item__label--tablet rectangle-story-item__label--culture" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/tags/100-year-life"><span>100 Year Life</span></a><div class="rectangle-story-item__container"><a class="rectangle-story-item__title" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/article/20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature"><span>Remarkable photos of people in nature</span></a></div><div><span class="rectangle-story-item__line"><div class="styled-line styled-line--culture styled-line--height--small"></div></span><span class="rectangle-story-item__author b-font-family-serif">By Andrew Dickson</span></div></div></div><div class="rectangle-story-group__article rectangle-story-group__article--tablet rectangle-story-group__article--full-screen"><div class="rectangle-story-item b-reith-sans-font rectangle-story-item--tablet" data-bbc-container="latest-stories" data-bbc-title="The most pioneering queen of pop" data-bbc-metadata="{"APP":"latest-stories","CHD":"card::4"}" data-bbc-result="https://www.bbc.com/culture/article/20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop" data-bbc-client-routed="true"><a class="rectangle-story-item__title" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/article/20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop"><div class="rectangle-story-item__image-container rectangle-story-item__image-container--culture"><div class="rectangle-image rectangle-image--medium" style="background-image:url(https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/960x540/p082b33v.png)"><img draggable="false" title="(Credit: Getty Images)" srcset="https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/189x106/p08hft60.jpg 189w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/304x171/p08hft60.jpg 304w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/624x351/p08hft60.jpg 624w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/976x549/p08hft60.jpg 976w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/1280x720/p08hft60.jpg 1280w, https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/1600x900/p08hft60.jpg 1600w" sizes="(min-width: 800px) 70vw, 100vw" src="https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/976x549/p08hft60.jpg" alt="(Credit: Getty Images)" id=""/><span class="rectangle-image__overlay rectangle-image__overlay--culture"></span></div></div></a><a class="rectangle-story-item__label b-reith-sans-font rectangle-story-item__label--tablet rectangle-story-item__label--culture" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/columns/music"><span>Music</span></a><div class="rectangle-story-item__container"><a class="rectangle-story-item__title" target="" rel="" id="" href="/web/20200705171321/https://www.bbc.com/culture/article/20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop"><span>The most pioneering queen of pop</span></a></div><div><span class="rectangle-story-item__line"><div class="styled-line styled-line--culture styled-line--height--small"></div></span><span class="rectangle-story-item__author b-font-family-serif">By Nick Levine</span></div></div></div></div></div></div></div></div></div><div class="vertical-index__collection-swimlane"></div><div class="around-the-bbc-swimlane"><div class="swimlane"><div class="swimlane-inner swimlane-inner--small"><div class="swimlane__content"><span class="swimlane__title b-reith-sans-font">Around the BBC</span><div class="swimlane__items"></div></div></div><div class="swimlane__background-image swimlane__background-image--atb" style="background-image:linear-gradient(180deg, rgba(0,0,0,0.50) 0%, rgba(0,0,0,0.50) 100%), url(https://web.archive.org/web/20200705171321im_/https://ychef.files.bbci.co.uk/960x540/p08bmlwb.jpg);background-repeat:no-repeat;background-size:cover"></div></div></div></div></main></div></div> <script>window.__PWA_PRELOADED_STATE__ = 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The mid-Century chairs surround a glass table on a wood base, crafted by Cuban carpenters, who also created the outdoor table. (Credit: Adrian Fernandez)","synopsisMedium":"Mid-Century moment","synopsisShort":"Mid-Century moment","templateUrl":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20200705171321\u002Fhttps:\u002F\u002Fychef.files.bbci.co.uk\u002F$recipe\u002Fp05g77jy.jpg","title":"HavanaLiving_p062_crop.jpg","creationDateTime":"0001-01-01T00:00:00Z","entity":"","guid":"","id":"p05g77jy","modifiedDateTime":"0001-01-01T00:00:00Z","project":"","slug":"","url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20200705171321\u002Fhttps:\u002F\u002Fychef.files.bbci.co.uk\u002F$recipe\u002Fp05g77jy.jpg","cacheLastUpdated":1593969201961},"p08cz43f":{"urn":"urn:pubstack:jative:image:p08cz43f","_id":"5f002ad20be8e9f4de87cb0e","copyright":"","fileSizeBytes":1303327,"mimeType":"image\u002Fjpeg","sourceHeight":1080,"sourceUrl":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20200705171321\u002Fhttps:\u002F\u002Fs3-eu-west-1.amazonaws.com\u002Flive-galileo-interface-mt-resources-imagebucket-1a92e5tj3b5d6\u002Fp0\u002F8c\u002Fz4\u002Fp08cz43f.jpg","sourceWidth":1920,"synopsisLong":"","synopsisMedium":"","synopsisShort":"Getty Images","templateUrl":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20200705171321\u002Fhttps:\u002F\u002Fychef.files.bbci.co.uk\u002F$recipe\u002Fp08cz43f.jpg","title":"designed top getty.jpg","creationDateTime":"0001-01-01T00:00:00Z","entity":"","guid":"","id":"p08cz43f","modifiedDateTime":"0001-01-01T00:00:00Z","project":"","slug":"","url":"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20200705171321\u002Fhttps:\u002F\u002Fychef.files.bbci.co.uk\u002F$recipe\u002Fp08cz43f.jpg","cacheLastUpdated":1593969201962}},"articles":{"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far":{"urn":"urn:pubstack:jative:article:culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far","_id":"5efeee3b0be8e9f4de991c6a","ambientVideo":"","articleType":"story","assetVideo":null,"author":["culture\u002Fauthor\u002Fnicholas-barber-and-caryn-james"],"bodyIntro":"BBC Culture’s film critics Nicholas Barber and Caryn James pick 10 of this year’s highlights, including Da 5 Bloods, The Hunt and a blood-soaked Brazilian homage to Westerns.","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08ggwn7"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-0"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003EDa 5 Bloods\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003ESpike Lee’s latest is a passionate, kinetic, \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200609-five-stars-for-spike-lees-da-5-bloods-his-best-film-yet\"\u003Ethoroughly involving epic\u003C\u002Fa\u003E, combining intense drama with flashes of wit. As four black American veterans return to Vietnam to recover the body of their lost friend, as well as a cache of gold, Lee takes a long, historical view of the US and its racism. The friends are complicated individuals created with great immediacy – Oscar buzz has deservedly started for Delroy Lindo, whose character is tortured by the past and by post-traumatic stress disorder. Da 5 Bloods is one of Spike Lee’s best, which is saying a lot. (CJ)\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"infographic","imageAlignment":"centre","imageOrientation":"landscape","pullQuoteImageAlignment":"centre","videoImageAlign":"centre","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-1"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p07mmv3f"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-2"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003EThe Personal History of David Copperfield\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EOne of cinema’s worst ever injustices is that The Personal History of David Copperfield was snubbed at this February’s Baftas. Even by the standards of its writer-director, Armando Iannucci, this joyous and endlessly inventive film is a glittering achievement that raises the bar for Charles Dickens adaptations. The clever part is that it’s a loving celebration of the author’s prose, but it is also wonderfully cinematic in its use of vibrant colours, split screens, captions, voiceovers and fantasy sequences. And while Iannucci roots it firmly in the poverty and class system of Victorian England, it’s also bracingly modern, not least in its \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200116-is-it-time-the-all-white-period-drama-was-made-extinct\"\u003Emulticultural casting\u003C\u002Fa\u003E (Dev Patel is terrific in the lead role). \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20190906-the-personal-history-of-david-copperfield-four-stars\"\u003EBBC Culture’s review called it\u003C\u002Fa\u003E “a warm and lively David Copperfield for today”. (NB)\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-3"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jngxv"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-4"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003ENever Rarely Sometimes Always\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EThis quietly profound drama follows 17-year-old Autumn (Sidney Flanigan), pregnant in a small town in Pennsylvania where abortion is restricted, as she and her cousin secretly take a bus to nearby New York City to terminate the pregnancy. Far from a message movie, writer and director Eliza Hittman’s film is an eloquent, intimate story about choices, secrets, and the sad, desperate decisions young women sometimes make to save their own futures. The camera silently captures the heartbreak on Autumn’s face, as well as the dreary texture of her town and the bright, overwhelming reality of New York. The film is wrenching in its honesty yet exhilarating in its empathy. (CJ)\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-5"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08671tt"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-6"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003EThe Hunt\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EThe Hunt was controversial before anyone had seen it. A comedy thriller about a gang of privileged liberals (including Hilary Swank) who kidnap some right-wing ‘deplorables’ (including Betty Gilpin) and then pick them off for sport, its release was postponed last year after two mass shootings in America, and it was condemned by US president Donald Trump on Twitter. But when it finally came out this spring, just before cinemas shut down, Craig Zobel and Damon Lindelof’s film turned out to be an exhilarating rollercoaster ride that kept you guessing as to who was on whose side and who was about to be killed. Caryn James praised it \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200310-the-hunt-review-donald-trump-got-this-sly-satire-all-wrong\"\u003Ein her BBC Culture review\u003C\u002Fa\u003E as “a smart satire” and “a sly, acerbic, fun-to-watch send-up of the political divide in America”. So far, none of 2020’s releases has been better at eliciting whoops and winces from its audience. (NB)\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-7"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p079nv1k"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-8"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003EBacurau\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EOne of the strangest, most inventive films of the year is this sly Brazilian gem, set in a poor, isolated village called Bacurau. The tight-knit community, including Sônia Braga as its often-drunk doctor, is oppressed by a corrupt politician, and confused about why Bacurau has suddenly disappeared from any map, printed or online. When the village is invaded by mercenaries, the film morphs into a blood-soaked homage to Westerns. You can analyse the movie’s subtext about Brazilian politics or just enjoy its engaging, genre-bending audacity. Directors Kleber Mendonça Filho and Juliano Dornelles have created a dazzling piece of filmmaking, which shared the Jury Prize at Cannes last year. (CJ)\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-9"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jngp3"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-10"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003EThe Assistant\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EKitty Green’s astute, tightly controlled drama is set in the drab New York offices of a predatory film mogul; no prizes for guessing who the unnamed and unseen mogul is meant to be. Structured as a day in the life, The Assistant stars Julia Garner as the lowly new employee who toils from before dawn until after dusk, answering phones, printing out scripts, unpacking bottles of water, and tidying away all the evidence of her boss’s liaisons: imagine a more authentic, low-key companion piece to The Devil Wears Prada. The Weinstein-alike CEO may be the villain of the piece, but the film looks beyond one man to focus on a wider corporate culture of sexism, condescension, and quiet complicity. There are no big speeches or explosive confrontations, but there is tension throughout as we wait for the titular assistant to rebel against her boss... or accept that she is going to keep working for him, come what may. (NB)\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-11"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p081srxk"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-12"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003EEmma\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EDid the world \u003Cem\u003Eneed\u003C\u002Fem\u003E one more Jane Austen adaptation? Not really, but this enchanting, colourful version is a very welcome addition. Director Autumn de Wilde doesn’t reinvent the period genre; she leans into its comforting, old-fashioned appeal. As Emma, Anya Taylor-Joy captures the heart and warmth beneath Austen’s bossy, match-making heroine. Johnny Flynn is irresistible as her gruffly charming, improbable love, Mr Knightley (younger than the novel has him). And Bill Nighy gloriously steals every scene as Emma’s comically overprotective father. De Wilde puts her career as a photographer to good use in this beautifully shot romance. (CJ)\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-13"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jnh5q"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-14"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003EThe Vast of Night\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EAre aliens watching us? Were they hovering in the skies above 1950s New Mexico? This small-town sci-fi mystery asks those familiar Twilight Zone-ish questions, but it answers them with so much verve and originality that they seem brand new. Set over the course of one evening, The Vast Of Night follows a local radio DJ (Jake Horowitz) and a telephone operator (Sierra McCormick) as they investigate the eerie noises that are being broadcast from somewhere nearby. The film includes some sharp commentary on the marginalising of certain social groups, but it’s the sheer technical bravura that makes Andrew Patterson’s debut such a treat. As the camera roves all over town in long, unbroken takes, and the likeable stars rattle through pages of funny and idiosyncratic dialogue, you know you’re seeing the emergence of a hugely exciting new talent. (NB)\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-15"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jnhfx"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-16"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003EThe Painter and the Thief \u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EThis odd, compelling documentary begins when Barbora Kysilkova, a struggling Czech artist in Oslo, has two paintings stolen from a gallery. After the thief, Karl Bertil-Nordland, is arrested, Barbora seeks him out and asks to paint his portrait. She is appropriating his image just as he stole her art, but that is only the beginning of a real, sometimes spiky friendship, as the story expands to include Barbora’s relationship with her boyfriend and Karl’s drug addiction. Director Benjamin Ree followed his subjects for years to create this richly-layered, moving chronicle of inspiration, guilt and reinvention. (CJ)\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-17"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p081ssfy"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-18"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003ETrue History of The Kelly Gang\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EJustin Kurzel’s biopic of Ned Kelly, the notorious 19th-Century bushranger, is light years away from the average period drama. Adapted from Peter Carey’s novel, it’s a hallucinatory punk-rock video – a searing picture of colonial-era Australia’s blasted landscapes, endemic corruption, decadent sex and bloody violence. Kelly himself (an electrifying George MacKay) is taught to survive in this savage alien terrain by his brutal mother (Essie Davis), a rollicking bandit (Russell Crowe), an exploitative policeman (Charlie Hunnam) and a dissolute English official (Nicholas Hoult, refining the evil Hugh Grant persona he introduced in The Favourite). Under their influence, it’s almost inevitable that he should become the leader of a cross-dressing revolutionary gang. Kurzel and his team make Kelly more feral and frightening than ever, but more sympathetic, too. (NB)\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003ELove film and TV? Join \u003C\u002Fem\u003E\u003Cem\u003E\u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002Fgroups\u002F440074069852291\u002F\"\u003E\u003Cstrong\u003EBBC Culture Film and TV Club\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E on Facebook, a community for cinephiles all over the world.\u003C\u002Fem\u003E\u003C\u002Fem\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003EIf you would like to comment on this story or anything else you have seen on BBC Culture, head over to our \u003C\u002Fem\u003E\u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002Fpages\u002FBBC-Culture\u002F237388053065908\"\u003E\u003Cstrong\u003E\u003Cem\u003EFacebook\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E page or message us on\u003C\u002Fem\u003E \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Fbbc_culture\"\u003E\u003Cstrong\u003E\u003Cem\u003ETwitter\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003EAnd if you liked this story, \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cem\u003E\u003Cstrong\u003Esign up for the weekly bbc.com features newsletter\u003C\u002Fstrong\u003E\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E, called The Essential List. A handpicked selection of stories from BBC Future, Culture, Worklife and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far-19"}],"collection":["culture\u002Fcolumn\u002Ffilm"],"disableAdverts":false,"displayDate":"2020-07-03T09:16:48Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"infographic","geolocation":null,"headlineLong":"The best films of 2020 so far","headlineShort":"The best films of 2020 so far","image":["p08jngp3"],"imageAlignment":"centre","imageAltText":"","isSyndicated":true,"latitude":"","location":null,"longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. (Do not just delete or unpublish the story)","Name":"publish-applenews-system-1"},"Metadata":{"CreationDateTime":"2016-02-05T14:32:31.186819Z","Entity":"option","Guid":"13f4bc85-ae27-4a34-9397-0e6ad3619619","Id":"option\u002Fpublish-applenews-system-1","ModifiedDateTime":"2016-02-05T14:32:31.186819Z","Project":"","Slug":"publish-applenews-system-1"},"Urn":"urn:pubstack:jative:option:option\u002Fpublish-applenews-system-1","_id":"5ef9fadc0be8e9f4de766d6b"}],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":null,"relatedStories":null,"relatedTag":["tag\u002Fhollywood"],"summaryLong":"BBC Culture’s film critics Nicholas Barber and Caryn James pick 10 of this year’s highlights, including Da 5 Bloods, The Hunt and a blood-soaked Brazilian homage to Westerns.","summaryShort":"Including Da 5 Bloods, The Hunt and The Assistant","tag":["tag\u002Fhollywood"],"textToSpeech":false,"creationDateTime":"2020-07-02T23:00:49.265986Z","entity":"article","guid":"2e3e9310-3372-4f16-aee2-47d6a3132418","id":"culture\u002Farticle\u002F20200702-the-best-films-of-2020-so-far","modifiedDateTime":"2020-07-03T08:36:58.664706Z","project":"culture","slug":"20200702-the-best-films-of-2020-so-far","cacheLastUpdated":1593969201958},"culture\u002Farticle\u002F20200701-this-ww2-crime-drama-is-the-perfect-show-for-th":{"urn":"urn:pubstack:jative:article:culture\u002Farticle\u002F20200701-this-ww2-crime-drama-is-the-perfect-show-for-th","_id":"5efdb67b0be8e9f4dea5f0d0","ambientVideo":"","articleType":"story","assetVideo":null,"author":["culture\u002Fauthor\u002Ffiona-mountford"],"bodyIntro":"In our latest essay in which a critic reflects on culture that brings them joy, Fiona Mountford explains why the detective show Foyle’s War has been helping her keep calm and carry on.","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThere is a corner of our living room that will be forever the southern England coastal town of Hastings in World War Two. In it sit – or rather stand, perpetually poised for official duty – Detective Chief Superintendent Christopher Foyle, Sergeant Paul Milner and police driver Samantha Stewart, the last on long-term loan from the Mechanised Transport Corps. On they tirelessly work, through 19 feature-length episodes of Foyle’s War, Anthony Horowitz’s magnificent detective drama set on the British Home Front, from the aftermath of the disastrous Norwegian campaign in 1940 all the way through to VE Day five long years later. These 19 episodes, or 29-ish hours of viewing, have for the past decade constituted a place for my family so safe and happy that we have in fact watched the entire series three times. Which makes it 87 hours of television, all in.\u003C\u002Fp\u003E\n\u003Cp\u003EMore like this:\u003C\u002Fp\u003E\n\u003Cp\u003E- \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200615-the-gonzo-chefs-who-are-tvs-ultimate-pleasure-seekers\"\u003EThe cooks who made food rock ‘n’ roll\u003C\u002Fa\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E- \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200602-the-man-who-wrote-the-most-perfect-sentences-ever-written\"\u003EThe most joyful books ever written\u003C\u002Fa\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E- \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200505-how-the-marvel-cinematic-universe-has-comforted-me-in-grief\"\u003EWhy Marvel films helped me grieve\u003C\u002Fa\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EThe great irony is that we almost didn’t watch Foyle’s War at all. We certainly never saw it during the years it was originally broadcast in the UK, 2002-2008, erroneously, not to mention snobbishly, supposing that a wartime drama aired on pre-watershed primetime ITV on a Sunday night would constitute glib jingoism. Friends tried to tell us how wrong we were, but we stuck stubbornly to this entirely unsubstantiated opinion. My father was especially sceptical; having lived through World War Two, been evacuated and all the rest of it, he had a profound dislike of anything that looked back with even a small dose of rose-tinted nostalgia at life on the Home Front. “It wasn’t much fun, I can tell you that”, was about the most he would say on the subject, choosing instead to spend his leisure time watching contemporary films and dramas.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"infographic","imageAlignment":"centre","imageOrientation":"landscape","pullQuoteImageAlignment":"centre","videoImageAlign":"centre","id":"culture\u002Farticle\u002F20200701-this-ww2-crime-drama-is-the-perfect-show-for-th-0"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jjql7"],"imageAlignment":"centre","imageOrientation":"portrait","id":"culture\u002Farticle\u002F20200701-this-ww2-crime-drama-is-the-perfect-show-for-th-1"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EStill the niggling thought kept on niggling: if those who had actually watched the programme continued to expound its virtues and to berate our stubborn-headedness for not giving it a try, perhaps there might be something in this Foyle’s War programme after all. With no little trepidation I bought the first series on DVD – remember those? – for my Dad’s birthday and here’s the not exactly stunning revelation: it was just as good, subtle and thoughtful, as everyone had said, and from the first episode, The German Woman, we were hooked.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200701-this-ww2-crime-drama-is-the-perfect-show-for-th-2"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"Foyle, played by the truly magnificent Michael Kitchen, conveys more in a single twitch of an eyebrow than a dozen other actors could in an hour of shouting and gesticulation","id":"culture\u002Farticle\u002F20200701-this-ww2-crime-drama-is-the-perfect-show-for-th-3"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EFar from cheap flag-waving, the headline note of Foyle’s War is instead weary patriotism, with its focus on people struggling on, often not understanding why they’re being asked to do what they’re doing but doing it anyway, due to a sometimes frayed belief that it must be for the common good. On they valiantly trudge, occasionally bombed out of lodgings by air raids but still bringing to book dubious military masterminds and black-market racketeers, while the lightbulbs in the police station are gradually and bewilderingly taken away in the name of the war effort.\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cstrong\u003EA tribute to human resilience\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EWhen lockdown got under way, I knew that there was one television programme above all others that would keep Mum and me company night after night. Although we had watched all of Foyle’s War (all the original programmes, that is; after it was cancelled it was subsequently recommissioned for a few straggling, struggling, post-war episodes that were nowhere near the same standard) twice already, we had not had the courage to go near it since my Dad died five years previously. It was too bound up with happy memories of evenings in with him. Yet with this strange new ‘home front’ life we were suddenly being forced into, nothing seemed more apposite than a drama about the British people stoically keeping calm and carrying on week after weary week, often in the toughest of circumstances, with ‘normal life’ at a standstill, food supplies sometimes bewilderingly scarce, and loved ones suddenly dying. In a double layer of resonance, it also chimed perfectly with the recent VE Day commemorations and renewed interest in every aspect of life in wartime.\u003C\u002Fp\u003E\n\u003Cp\u003E \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200701-this-ww2-crime-drama-is-the-perfect-show-for-th-4"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"I’m a policeman. I’m here to do a job, simple as that. If I start bending the rules, I might as well pack it in – DCS Foyle","id":"culture\u002Farticle\u002F20200701-this-ww2-crime-drama-is-the-perfect-show-for-th-5"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EWe dusted off the lovingly stored DVDs and settled down once more, initially trepidatious: it couldn’t possibly be as good as we remembered, could it? Of course it could, and the richness of the ideas contained therein started to shine through brightly once again. DCS Foyle, played by the truly magnificent Michael Kitchen, who conveys more in a single twitch of an eyebrow than a dozen other actors could in an hour of shouting and gesticulation, is a taciturn and thoughtful man. He is also self-aware enough to consider that what he is doing – he, after all, is a policeman in a seaside town, while his son is an RAF pilot involved in the Battle of Britain – could very well be pointless; to this end, at least once a series he demands a meeting with his superiors in London to ask for a transfer to a job more meaningful to the war effort.\u003C\u002Fp\u003E\n\u003Cp\u003EYet what he is reminded of each time he is thwarted in this escape plan is that ensuring the sometimes humdrum rule of law and order, the warp and weft of so-called ‘normal life’, is the very essence of what is being fought for over in all those theatres of war. He says as much in occasional speeches of understated grandeur, such as this one at the end of The German Woman, when there is debate over whether it is worth prosecuting the high-flying killer of the titular character. “I’m a policeman. I’m here to do a job, simple as that. If I start bending the rules, I might as well pack it in… Murder is murder. You stop believing that and we might as well not be fighting a war. Because you end up like Nazis.”\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200701-this-ww2-crime-drama-is-the-perfect-show-for-th-6"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jjqhg"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200701-this-ww2-crime-drama-is-the-perfect-show-for-th-7"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EMy favourite episode, Fifty Ships, covers the desperate yet covert manoeuvres involved in trying to get the US to join the war. Here, even Foyle is not powerful enough to head off the sudden intervention of the powers-that-be in Military Intelligence. The killer, due to his influential standing in opinion-forming US circles, goes free. Well, sort of. In a climactic exchange on the tarmac, Foyle, without ever raising his voice, delivers an epitaph so stinging the perpetrator must have been nursing his injury all the way back across the Atlantic: “No war has lasted forever and neither will this… It will end, and when it does you will still be a thief, a liar and a murderer and I will not have forgotten, and wherever you are I will find you. You are not escaping justice, merely postponing it”. Take that, Sir, and have a nice flight.\u003C\u002Fp\u003E\n\u003Cp\u003EThere are, of course, multiple other pleasures to be found in the generous ration of a 90-minute episode. There is the opportunity to get a sense of domestic life and of working life in a variety of locales. There’s the chance to spot a host of famous faces – David Tennant, James McAvoy, Rosamund Pike and Emily Blunt, to name but a few – in early supporting roles. Finally – and plot spoiler alert – there is the opportunity to marvel at how Foyle manages to keep hidden for the duration of the war the not unsalient fact that he can indeed drive. There are also, I am certain, many additional delights, which I have no doubt I shall uncover upon my fourth series viewing.\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003EFoyle’s War is available to watch on ITV Hub in the UK and Amazon Prime\u002FAcorn TV in the US.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003ELove film and TV? Join \u003C\u002Fem\u003E\u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002Fgroups\u002F440074069852291\u002F\"\u003E\u003Cstrong\u003E\u003Cem\u003EBBC Culture Film and TV Club\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E \u003Cem\u003Eon Facebook, a community for cinephiles all over the world.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003EIf you would like to comment on this story or anything else you have seen on BBC Culture, head over to our \u003C\u002Fem\u003E\u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002Fpages\u002FBBC-Culture\u002F237388053065908\"\u003E\u003Cstrong\u003E\u003Cem\u003EFacebook\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E page or message us on\u003C\u002Fem\u003E \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Fbbc_culture\"\u003E\u003Cstrong\u003E\u003Cem\u003ETwitter\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E \u003C\u002Fp\u003E\n\u003Cp\u003E \u003C\u002Fp\u003E\n\u003Cp\u003E \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200701-this-ww2-crime-drama-is-the-perfect-show-for-th-8"}],"collection":null,"disableAdverts":false,"displayDate":"2020-07-02T00:00:00Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"infographic","geolocation":null,"headlineLong":"This WW2 crime drama is the perfect show for the 'new normal'","headlineShort":"The perfect crime drama to watch now","image":["p08jjss3"],"imageAlignment":"centre","imageAltText":"","isSyndicated":true,"latitude":"","location":null,"longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. (Do not just delete or unpublish the story)","Name":"publish-applenews-system-1"},"Metadata":{"CreationDateTime":"2016-02-05T14:32:31.186819Z","Entity":"option","Guid":"13f4bc85-ae27-4a34-9397-0e6ad3619619","Id":"option\u002Fpublish-applenews-system-1","ModifiedDateTime":"2016-02-05T14:32:31.186819Z","Project":"","Slug":"publish-applenews-system-1"},"Urn":"urn:pubstack:jative:option:option\u002Fpublish-applenews-system-1","_id":"5ef9fadc0be8e9f4de766d6b"}],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":null,"relatedStories":null,"relatedTag":null,"summaryLong":"In our latest essay in which a critic reflects on culture that brings them joy, Fiona Mountford explains why the detective show Foyle’s War has been helping her keep calm and carry on.","summaryShort":"Why World War Two detective show Foyle’s War is ideal for these times","tag":["tag\u002Fmy-happy-place","tag\u002Ftelevision"],"textToSpeech":false,"creationDateTime":"2020-07-02T08:28:23.555967Z","entity":"article","guid":"112d9168-51b3-4030-b386-7b2fbb9c3f75","id":"culture\u002Farticle\u002F20200701-this-ww2-crime-drama-is-the-perfect-show-for-th","modifiedDateTime":"2020-07-02T10:26:50.279092Z","project":"culture","slug":"20200701-this-ww2-crime-drama-is-the-perfect-show-for-th","cacheLastUpdated":1593969201959},"culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback":{"urn":"urn:pubstack:jative:article:culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback","_id":"5efbc4440be8e9f4de1b5dbb","ambientVideo":"","articleType":"story","assetVideo":null,"author":["culture\u002Fauthor\u002Fnick-levine"],"bodyIntro":"As her 1990 album Reputation turns thirty, Nick Levine looks back at how the troubled pop icon enjoyed a glorious and unexpected late-career high after years out of the limelight.","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EDusty Springfield is a pop star whose place in music history is assured. These days, she is remembered as an icon of the Swinging Sixties, and her 1969 album Dusty in Memphis, containing her immortal version of Son of a Preacher Man, among other beautifully performed songs, is recognised as a pop-R&B masterpiece.\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cstrong\u003EMore like this:\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E- \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop\"\u003EThe most pioneering queen of pop\u003C\u002Fa\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E- \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200525-can-lady-gaga-become-the-worlds-biggest-pop-star-once-more\"\u003EIs Lady Gaga a genius or a charlatan\u003C\u002Fa\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E- \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200601-the-picassos-of-modern-music\"\u003EThe Picassos of modern music\u003C\u002Fa\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EHowever there is another remarkable chapter of her career that is more easily forgotten: the resurgence that she enjoyed in the late 1980s, after two decades spent largely out of the limelight.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"infographic","imageAlignment":"centre","imageOrientation":"landscape","pullQuoteImageAlignment":"centre","videoImageAlign":"centre","id":"culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback-0"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jgmdd"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback-1"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EDuring this period, she released one very powerful album, 1990’s Reputation, which turned 30 last week. It returned her to the charts for the first time in 20 years: no mean feat for a singer whose career was widely thought to have been in irreversible decline and who was dismissed as a ‘nightmare’ when men-of-the-moment the Pet Shop Boys told their record label they wanted to work with her.\u003C\u002Fp\u003E\n\u003Cp\u003E‘Nightmare’ is a sexist and reductive assessment of Springfield’s personality, but more than 20 years after her death, she definitely remains one of pop culture’s most fascinating figures. During her 1960s heyday, after she left folk trio The Springfields to become a globally famous solo artist, she cultivated an ultra-glamorous image that complemented the sophisticated pop ballads she sang so beautifully. “She wasn’t a songwriter, but she was a brilliant interpreter of pop and soul songs, and probably had the best voice of any British singer during that era,” says Martin Aston, author of Breaking Down the Walls of Heartache: How Music Came Out. Kara Marni, a British singer-songwriter who sampled Springfield’s 1970 B-side Spooky on her recent single Curve, likens her voice to “cream on velvet” and praises her “delicate and subtle way of telling stories”. “She sang the words and not just the notes,” Marni adds, “which is why I think she connected with so many people”. \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback-2"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"By 1987, before What Have I Done to Deserve This?, she was almost a forgotten idol – Martin Aston","id":"culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback-3"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003ESpringfield looked and sounded flawless, but behind her instantly recognisable beehive hairdo and panda-eyes make-up was an incredibly complicated person who battled serious depression, deep-rooted self-doubt and acute substance abuse. Though she bravely came out as bisexual in a 1970 newspaper interview by saying “I know that I’m as perfectly capable of being swayed by a girl as by a boy”, she struggled to reconcile her serenely feminine public persona with a private life defined by long-term relationships with women – including one, with singer-actress Teda Bracci, that reportedly became violent. “Nobody was saying stuff like that at the time, particularly not young female pop stars,” says Jonathan Harvey, writer of Dusty – The Dusty Springfield musical. But tellingly, Springfield prefaced her 1970 revelation about her sexuality by saying: “I’d hate to be thought of as a big butch lady.” \u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cstrong\u003ESynth-pop salvation\u003C\u002Fstrong\u003E \u003C\u002Fp\u003E\n\u003Cp\u003EWhen it came out 30 years ago this month, Springfield’s 13th studio album Reputation was her first to be released in Britain since 1979. Featuring five songs produced by the Pet Shop Boys, including the top 20 hits In Private and Nothing Has Been Proved, it completed a remarkable chart comeback that the synth-pop duo had kick-started three years earlier by inviting Springfield to sing on What Have I Done to Deserve This? A deceptively peppy electro-pop song about an unlikely love story – “the man is a pathetic feeble wreck and the woman is meant to be a major capitalist”, Pet Shop Boys’ Neil Tennant said – it peaked at number two in the US and the UK, becoming Springfield’s first major hit since Son of a Preacher Man nearly 20 years earlier. \u003C\u002Fp\u003E\n\u003Cp\u003E“By 1987, before What Have I Done to Deserve This?, she was almost a forgotten idol,” says Aston, who points out that Springfield left the UK for Los Angeles in the early 1970s and “never came back” – at least until her late-1980s comeback. Between 1970 and 1982, Springfield released six albums, but none sold well or produced a significant hit single. In 1985, her career hit rock bottom when she signed a record deal with Peter Stringfellow, a British businessman best known for running a London strip club. The only single she released on Stringfellow’s Hippodrome Records, a cover of a Donna Summer B-side called Sometimes Like Butterflies, stalled at number 85. Springfield later told The Sun newspaper that “working with Stringfellow was one of the incidents that made me feel so fed up with the business, I nearly gave up for good”.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback-4"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jglx8"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback-5"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EA month after the single’s release, she was admitted to the psychiatric unit at Bellevue Psychiatric Hospital, New York after calling paramedics to say she’d ‘accidentally’ cut herself. “I think she was both a manic depressive and an addict,” Springfield's manager Vicki Wickham says in Karen Bartlett’s biography of Springfield, Dusty: An Intimate Portrait of a Musical Legend, adding: “The combination was absolutely lethal.”\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback-6"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"Doing a whole album with Dusty would probably give you a nervous breakdown – Neil Tennant","id":"culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback-7"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EBecause of all this, it felt like a minor pop miracle when Pet Shop Boys’ Neil Tennant and Chris Lowe resuscitated her career just two years later. When the duo first approached Springfield with the duet in 1985, she turned them down – a glaring example of her self-sabotaging streak in action – but Wickham and the song’s co-writer Allee Willis managed to change her mind. According to Aston, collaborating with Tennant and Lowe during their imperial phase “brought her back to the forefront of British pop”. Like Tina Turner’s return to the charts earlier in the decade, Springfield’s appeal was predicated partly on her public image as a great survivor. “She still had the big hair and make-up that people remembered her for, and crucially she still sounded great,” Aston adds.\u003C\u002Fp\u003E\n\u003Cp\u003ELooking back now, it’s a shame the Pet Shop Boys didn’t make an entire album with Springfield: a year earlier, they’d written and produced Results, a sparkling LP that reinvented Liza Minnelli as a classy contemporary pop diva. However, Tennant and Lowe were apparently put off by Springfield’s painstaking approach to recording, which was caused by her own nagging self-doubts telling her she was a ‘fraud’. “Doing a whole album with Dusty would probably give you a nervous breakdown,” Tennant recalled in the Pet Shop Boys’ recently reissued 1990 tour diary, \u003Ca href=\"https:\u002F\u002Fbooks.google.co.uk\u002Fbooks?id=yzaeDwAAQBAJ&pg=PT273&lpg=PT273&dq=dusty+nothing+has+been+proved+syllable&source=bl&ots=9tD7gjyfew&sig=ACfU3U23XX0URz3MUP2uUTDG2iWSzNVSwQ&hl=en&sa=X&ved=2ahUKEwiq9YT5kNboAhXKasAKHdJtAnQQ6AEwFXoECAwQLw#v=onepage&q=dusty%20nothing%20has%20been%20proved%20syllable&f=false\"\u003ELiterally\u003C\u002Fa\u003E. “She recorded Nothing Has Been Proved one syllable at a time. It took two days.” \u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cstrong\u003EThe poignant subtext \u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003ESo the Pet Shop Boys only oversaw side B of Reputation, with side A split between their regular collaborator Andy Richards, Swing Out Sister producer Paul Staveley O'Duffy and musician-producer Dan Hartman, who’s best known for recording the original version of Relight My Fire. Side A’s glossy pop-soul songs now sound a little dated in places, but Springfield’s voice – huskier than on 1960s hits such as You Don’t Have to Say You Love Me and Wishin’ and Hopin’, but still pretty magnificent – always cuts through the clutter.\u003C\u002Fp\u003E\n\u003Cp\u003ESide A peaks when Springfield’s soaring performances spotlight lyrics which offer some clever and poignant subtext. It’s hard not to read Born This Way, which shares its title with a recent queer anthem by Lady Gaga, as a tacit acknowledgement of Springfield’s sexuality. Either way, elsewhere she definitely connects with world-weary lines that appear to reference her rollercoaster career. “There’s one thing in life, I have no doubt – you’re on the way up, or on the way out,” she sings knowingly. Equally, the stirring title track seems to acknowledge Springfield’s lifelong fear of having her private life dissected in the press. When backing singers chime in with “a reputation isn’t worth the patience – who cares what they’re thinking?”, it's a very moving moment.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback-8"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jgmbw"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback-9"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EHowever, the Pet Shop Boys definitely provide the album’s highlights. As massive Dusty fans, Tennant and Lowe knew how to write for her voice and persona while also encouraging Springfield, a seasoned pro who turned 50 while the album was being recorded, to branch out musically. When they were asked to write a song for Scandal, a 1989 film about the so-called ‘Profumo Affair’ of 1963, they decided Springfield should sing it. After all, she'd released her debut solo single, I Only Want to Be with You, in the same year that John Profumo stepped down as Secretary of State for War after lying about his extra-marital affair with Christine Keeler, a 19-year-old model. This adds an extra layer of pathos to Nothing Has Been Proved, a slow-burning ballad that namechecks the scandal’s key players including Keeler and her friend Mandy Rice-Davies. \u003C\u002Fp\u003E\n\u003Cp\u003EServing as Reputation’s de facto lead single – albeit more than a year before the album finally arrived – Nothing Has Been Proved cemented Springfield’s comeback by cracking the UK top 20 in early 1989. In Private, also written by Tennant and Lowe for Scandal, but rejected by the filmmakers for sounding ‘too contemporary’, gave Springfield another top 20 hit later that year. Its perky dance-pop sound is more instant than Nothing Has Been Proved, but the lyrics “about someone having an affair with a politician and being found out”, according to Tennant, definitely benefit from Springfield’s ability to convey complex emotions. “What are you gonna say when you run back to your wife? I guess it’s just the story of my life,” she sings with a knowing sigh. \u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cstrong\u003EAn unlikely rap\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003ENothing Has Been Proved and In Private kept Springfield in the charts, but the two most adventurous songs Tennant and Lowe wrote for Reputation were never released as singles. Occupy Your Mind is a seven-minute acid-house banger inspired by the sunrise raves that defined British underground dance culture at the end of the 1980s. In this avant-garde setting, Springfield almost comes off like a high priestess of enlightenment as she sings: “In a world so confused – believe.” Equally audacious in its own way is the deliciously breezy Daydreaming, Springfield’s first and last attempt at making a rap record. She’s clearly no Cardi B, but Springfield gamely pulls the whole thing off by keeping her spoken-word delivery cool and laid-back.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback-10"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"Dusty had a great respect for and an extensive knowledge of soul, gospel and R&B, so she was never just a white woman appropriating another culture – Bishi","id":"culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback-11"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EAt the time, eyebrows might have been raised by a middle-aged white woman trying to rap, but Springfield’s deep-rooted love of black music protected her from criticism. “She had a great respect for and an extensive knowledge of soul, gospel and R&B, so she was never just a white woman appropriating another culture,” says Bishi, a musician and performance artist who counts Springfield as a major influence. Indeed, Springfield played a pivotal role in introducing Motown music to the UK when she hosted a 1965 BBC special featuring performances from The Supremes, Marvin Gaye and Smokey Robinson and the Miracles. In the ‘60s, Springfield was often referred to as “the queen of white soul”.\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cstrong\u003E\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003EIn 1964, Springfield demonstrated her commitment to racial equality by refusing to play for segregated audiences in apartheid South Africa – as a result, she was deported by the authorities before she finished her tour. Springfield revered black soul artists and constantly compared herself to them. In 1995, she told Mojo magazine that her original version of Son of a Preacher Man, which had recently enjoyed a revival after being featured in Quentin Tarantino’s Pulp Fiction, was “just not good enough”. She continued: “Aretha [Franklin] had been offered it but didn’t record it until after I had, and to this day I listen to her phrasing and go, ‘Goddammit! That’s the way I should have done it.’” \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback-12"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jgmcf"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback-13"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EIn Dusty: An Intimate Portrait of a Musical Legend, one of the singer's partners, Norma Tanega, sums up her problems by saying “she wanted to be straight and she wanted to be a good Catholic and she wanted to be black”. Sadly, Springfield’s myriad insecurities make a lot of sense when you read about her childhood. Born Mary O'Brien to parents of Irish descent living in west London, Springfield – as she would eventually rename herself – was raised in a household that was financially comfortable but profoundly dysfunctional. Springfield described her parents’ marriage as ‘lousy’ and recalled bitter rows culminating in bizarre food fights. Years later, Springfield would continue her family's food-throwing tradition in various dressing rooms around the world.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback-14"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"She experienced so much success and yet she was at times homeless, sectioned and skint – Jonathan Harvey","id":"culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback-15"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EHarvey points out the marked contrast between young Mary O'Brien and the pop superstar she became, Dusty Springfield. “When you see photos of her as a teenager – short hair, glasses, a bit butch, playing hockey – and then see the ultra-feminine silhouette she hid behind when she reinvented herself as Dusty, I’m interested in that,” he says. He also notes how contradiction seemed to follow Springfield throughout her career. “She experienced so much success and yet she was at times homeless, sectioned and skint,” he adds.\u003C\u002Fp\u003E\n\u003Cp\u003ESpringfield’s classic 1969 album Dusty in Memphis will always be perceived as her masterpiece, and rightly so, but there’s no denying that Reputation gave her career a brief but satisfying final flourish. “So often showbiz stories are about decline – think of Judy Garland at the end of her life. But Dusty had everything, lost everything, then got it all back again,” says Harvey. Sadly, it wasn't to last. Springfield was diagnosed with breast cancer while recording what would become her final album, 1995's A Very Fine Love, and succumbed to the disease in March 1999 at the age of 59. Poignantly, Tennant said in his eulogy at her funeral that when Springfield sang, he knew he was “in the presence of greatness”. Listening to Reputation’s glittering highlights – and even its less stellar moments, when Springfield elevates the material – it’s difficult to disagree.\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cbr \u002F\u003E \u003Cem\u003EIf you would like to comment on this story or anything else you have seen on BBC Culture, head over to our \u003C\u002Fem\u003E\u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002Fpages\u002FBBC-Culture\u002F237388053065908\"\u003E\u003Cstrong\u003E\u003Cem\u003EFacebook\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E page or message us on\u003C\u002Fem\u003E \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Fbbc_culture\"\u003E\u003Cstrong\u003E\u003Cem\u003ETwitter\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003EAnd if you liked this story, \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cstrong\u003E\u003Cem\u003Esign up for the weekly bbc.com features newsletter\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E, called The Essential List. A handpicked selection of stories from BBC Future, Culture, Worklife and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback-16"}],"collection":["culture\u002Fcolumn\u002Fmusic"],"disableAdverts":false,"displayDate":"2020-07-01T00:00:00Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"infographic","geolocation":null,"headlineLong":"How Dusty Springfield made a remarkable comeback","headlineShort":"Dusty Springfield’s remarkable comeback","image":["p08jglns"],"imageAlignment":"centre","imageAltText":"","isSyndicated":true,"latitude":"","location":null,"longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. (Do not just delete or unpublish the story)","Name":"publish-applenews-system-1"},"Metadata":{"CreationDateTime":"2016-02-05T14:32:31.186819Z","Entity":"option","Guid":"13f4bc85-ae27-4a34-9397-0e6ad3619619","Id":"option\u002Fpublish-applenews-system-1","ModifiedDateTime":"2016-02-05T14:32:31.186819Z","Project":"","Slug":"publish-applenews-system-1"},"Urn":"urn:pubstack:jative:option:option\u002Fpublish-applenews-system-1","_id":"5ef9fadc0be8e9f4de766d6b"}],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":null,"relatedStories":null,"relatedTag":null,"summaryLong":"As her 1990 album Reputation turns thirty, Nick Levine looks back at how the troubled pop icon enjoyed a glorious and unexpected late-career high after years out of the limelight.","summaryShort":"How the troubled pop icon enjoyed an unexpected late-career high","tag":["tag\u002Fpop-music"],"textToSpeech":false,"creationDateTime":"2020-06-30T23:00:33.296006Z","entity":"article","guid":"c74ce39a-7adc-4e71-9d06-d978a021b539","id":"culture\u002Farticle\u002F20200630-how-dusty-springfield-made-a-remarkable-comeback","modifiedDateTime":"2020-06-30T23:01:02.467898Z","project":"culture","slug":"20200630-how-dusty-springfield-made-a-remarkable-comeback","cacheLastUpdated":1593969201959},"culture\u002Farticle\u002F20200630-brave-new-world-a-series-so-bad-even-the-orgies-are-dull":{"urn":"urn:pubstack:jative:article:culture\u002Farticle\u002F20200630-brave-new-world-a-series-so-bad-even-the-orgies-are-dull","_id":"5efcb9ca0be8e9f4dede6029","ambientVideo":"","articleType":"story","assetVideo":null,"author":["culture\u002Fauthor\u002Fcaryn-james"],"bodyIntro":"Brave New World is ‘a particularly disappointing, wasted opportunity’, writes Caryn James.","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EWhen even the orgies are dull, you know a television series is in trouble. The boredom sets in early on and never goes away in the splashy new adaptation of Brave New World, based on Aldous Huxley’s then-futuristic novel, published in 1932. Like the book, the series is set in a dystopia disguised as a utopia. Sameness reigns, in a world where babies are engineered in factories and assigned grades according to their status. Alphas are smart and privileged; Epsilons are dim-witted worker bees. Everyone is blissfully happy thanks to happiness pills called Soma. Huxley’s message, of course, was that sameness crushes free will and imagination, leading to even greater unhappiness than before.\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cstrong\u003EMore like this:\u003C\u002Fstrong\u003E\u003Cbr \u002F\u003E - \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200623-pink-flamingos-the-most-outrageous-film-ever-made\"\u003EThe most outrageous film ever made?\u003C\u002Fa\u003E\u003Cbr \u002F\u003E - \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200609-five-stars-for-spike-lees-da-5-bloods-his-best-film-yet\"\u003EFive stars for Da 5 Bloods\u003C\u002Fa\u003E\u003Cbr \u002F\u003E - \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20141215-is-this-americas-strangest-film\"\u003EIs this America’s strangest film?\u003C\u002Fa\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EClassic though it is, Brave New World has never had the cultural grip of that other anti-totalitarian warning from the era, George Orwell’s 1984. Orwell’s message of the government controlling thought and distorting facts through language resonates more potently than ever today. Huxley’s book does not, partly because the technology he envisioned as wild and improbable is already here in many ways. The idea of ‘test tube babies’, as they were once called, has morphed into the valuable process of in vitro fertilisation. Genetic engineering is quickly becoming more a matter of ethics than science.\u003C\u002Fp\u003E\n\u003Cp\u003EThe series’ creators clearly knew they’d have to update Huxley’s world, but seem to have been befuddled by what to do with the plot and its technology, and uninterested in developing the characters. The show is set in a city called New London, a place of high-rises and glossy minimalist furniture, with a sleeker version of the London Eye in the skyline. The design looks as appealing and soothing as it is meant to be, one of the show’s few effective elements.  \u003C\u002Fp\u003E\n\u003Cp\u003EThe characters are not given much in the way of personalities, though. At the centre is Bernard Marx (Harry Lloyd), who is ever-so-slightly out of key with his role as a government official. When he first meets Lenina Crowne (Jessica Brown Findlay), he is officially scolding her for being monogamous, which is against all the rules. It is absolutely anti-social not to have sex often, with a variety of partners.\u003C\u002Fp\u003E\n\u003Cp\u003EMany of those partners turn up at a club called The Pleasure Garden, a place we see more than once, where a throng of writhing and eventually naked bodies crowd the dance floor. We can only assume those scenes are meant to be titillating for viewers, but with their flaring lights they look like bad parodies of disco scenes from 1980s movies. Of course, the pre-orgy dance is meant to be part of ordinary life for the characters. Maybe that’s why even they look bored.\u003C\u002Fp\u003E\n\u003Cp\u003ETrying to be a good, non-monogamous citizen, Lenina accepts Bernard’s offer to join him on a visit to the Savage Lands, a section of the American Southwest not taken over by technology, and open to tourists. They get there on a space shuttle from London. The show treats this concept with such misplaced wonder – look, Lenina floats because there’s no gravity! – it’s as if no one involved had ever heard of almost-realised real-life plans for commercial space travel.   \u003C\u002Fp\u003E\n\u003Cp\u003EIn the Savage Lands, Bernard and especially Lenina seem to acquire a bit of free thinking, although not enough to make them vivid characters. And they encounter a man called John, who works at a theme park that allows tourists to visit exhibitions like House of Want, where they observe oddities such as shoppers stampeding into a discount store. John has rough edges in a world that wants to smooth them away. That role suits Alden Ehrenreich, who is at his best when playing down-to-earth, ordinary guys. He does the most he can with it here.     \u003C\u002Fp\u003E\n\u003Cp\u003EIn a blonde wig, Demi Moore is almost unrecognisable as John’s mother, Linda, wearing a slip all day as she drunkenly staggers around their rundown little house. Linda remembers her old life in New London, where ‘mother’ is a filthy word because only the uncivilised actually give birth. No wonder she’s a mess. More than the other actors, Moore brings the series to life. Too bad hers is only a supporting role.\u003C\u002Fp\u003E\n\u003Cp\u003EThe attempts to ramp up drama feel desperate. In the Savage Lands there is a band of rebels, a shootout, even a car chase, none of it very suspenseful. Back in high-tech New London, a communications network called Indra uses contact lenses to plug into other people’s thoughts. Mustapha Mond (Nina Sosanya), a government official, can access everyone’s thoughts through Indra. The series signals that she is mysterious and important by dressing her in a flowing robe instead of the standard, tailored clothes. She is also given horrible dialogue like, “Virus. It’s an old word, from before.”\u003C\u002Fp\u003E\n\u003Cp\u003EThere have been powerful, eerily chilling, similarly-themed series lately, including The Handmaid’s Tale and last year’s brilliant Years and Years. But they are firmly set in dystopias, not would-be utopias. There was definitely space for a different approach, which makes Brave New World a particularly disappointing, wasted opportunity.\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003EBrave New World premieres on 15 July on Peacock in the US and later in 2020 on Sky One in the UK.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E★★☆☆☆\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003ELove film and TV? Join \u003C\u002Fem\u003E\u003Cem\u003E\u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002Fgroups\u002F440074069852291\u002F\"\u003E\u003Cstrong\u003EBBC Culture Film and TV Club\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E on Facebook, a community for cinephiles all over the world.\u003C\u002Fem\u003E\u003C\u002Fem\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003EIf you would like to comment on this story or anything else you have seen on BBC Culture, head over to our \u003C\u002Fem\u003E\u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002Fpages\u002FBBC-Culture\u002F237388053065908\"\u003E\u003Cstrong\u003E\u003Cem\u003EFacebook\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E page or message us on\u003C\u002Fem\u003E \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Fbbc_culture\"\u003E\u003Cstrong\u003E\u003Cem\u003ETwitter\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003EAnd if you liked this story, \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cem\u003E\u003Cstrong\u003Esign up for the weekly bbc.com features newsletter\u003C\u002Fstrong\u003E\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E, called The Essential List. A handpicked selection of stories from BBC Future, Culture, Worklife and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"infographic","imageAlignment":"centre","imageOrientation":"landscape","pullQuoteImageAlignment":"centre","videoImageAlign":"centre","id":"culture\u002Farticle\u002F20200630-brave-new-world-a-series-so-bad-even-the-orgies-are-dull-0"}],"collection":null,"disableAdverts":false,"displayDate":"2020-06-30T15:26:21.754Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"infographic","geolocation":null,"headlineLong":"Brave New World: A series so bad, even the orgies are dull","headlineShort":"A series so bad, the orgies are dull","image":["p08jgkg7"],"imageAlignment":"centre","imageAltText":"","isSyndicated":true,"latitude":"","location":null,"longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. (Do not just delete or unpublish the story)","Name":"publish-applenews-system-1"},"Metadata":{"CreationDateTime":"2016-02-05T14:32:31.186819Z","Entity":"option","Guid":"13f4bc85-ae27-4a34-9397-0e6ad3619619","Id":"option\u002Fpublish-applenews-system-1","ModifiedDateTime":"2016-02-05T14:32:31.186819Z","Project":"","Slug":"publish-applenews-system-1"},"Urn":"urn:pubstack:jative:option:option\u002Fpublish-applenews-system-1","_id":"5ef9fadc0be8e9f4de766d6b"}],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":null,"relatedStories":null,"relatedTag":["tag\u002Ftelevision"],"summaryLong":"Brave New World is ‘a particularly disappointing, wasted opportunity’, writes Caryn James.","summaryShort":"‘A disappointing, wasted opportunity’","tag":["tag\u002Ftelevision"],"textToSpeech":false,"creationDateTime":"2020-07-01T15:00:45.454036Z","entity":"article","guid":"a9de256a-75f9-4a14-a4bc-a25c2be8983d","id":"culture\u002Farticle\u002F20200630-brave-new-world-a-series-so-bad-even-the-orgies-are-dull","modifiedDateTime":"2020-07-01T16:28:42.050293Z","project":"culture","slug":"20200630-brave-new-world-a-series-so-bad-even-the-orgies-are-dull","cacheLastUpdated":1593969201959},"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july":{"urn":"urn:pubstack:jative:article:culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july","_id":"5efafe260be8e9f4de7cebce","ambientVideo":"","articleType":"story","assetVideo":null,"author":["culture\u002Fauthor\u002Feddie-mullan"],"bodyIntro":"From Amazon’s Hanna to NBC’s Brave New World to the return of Netflix’s The Umbrella Academy, Eddie Mullan picks the programmes worth seeing this month.","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"infographic","image":["p08jcmmc"],"imageAlignment":"centre","imageOrientation":"landscape","pullQuoteImageAlignment":"centre","videoImageAlign":"centre","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-0"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003EHanna\u003C\u002Fstrong\u003E\u003Cbr \u002F\u003E\u003Cbr \u002F\u003EThis spin-off from the 2011 film thriller of the same name about a teenage assassin enters its second season with its extraordinary protagonist Hanna (Esmé Creed-Miles) now aware that she is not the only young woman with unparalleled skills and elite training. The Utrax assassin program has produced a whole contingent of highly skilled trainees, whose development is about to reach the lethal second phase. Hanna’s main task at hand is to rescue her friend Clara (Yasmin Monet Prince) from the clutches of the Utrax and in this, she finds help from an unlikely source: her previous nemesis, CIA agent Marissa Wiegler (Mireille Enos). Watch the trailer \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=6Rm3twwVy1s\"\u003Ehere\u003C\u002Fa\u003E. Premieres 3 July on Amazon Prime Video.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-1"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jcmng"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-2"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003EBrave New World\u003C\u002Fstrong\u003E\u003Cbr \u002F\u003E\u003Cbr \u002F\u003EBased on Aldous Huxley’s 1932 dystopian novel, this sci-fi series created for NBC’s new streaming service Peacock imagines a society that has achieved peace and stability through the prohibition of monogamy, privacy, money, family, and history itself. It imagines a futuristic ‘New London’, whose citizens include Bernard Marx (Harry Lloyd) and Lenina Crowne (Jessica Brown Findlay). As the series begins, the pair embark on a holiday to the so-called Savage Lands. where they become embroiled in a violent rebellion and are rescued by John the Savage (Alden Ehrenreich), who escapes with them back to their home city. However John’s arrival in the New World soon threatens to disrupt its utopian harmony, leaving Bernard and Lenina to grapple with the repercussions. A prestige cast also includes Demi Moore. Watch the trailer \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=EKxTI9btf5k\"\u003Ehere\u003C\u002Fa\u003E. Premieres 15 July on Peacock in the US and later in 2020 on Sky One in the UK.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-3"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jcmb8"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-4"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003EThe Umbrella Academy\u003Cbr \u002F\u003E\u003Cbr \u002F\u003E\u003C\u002Fstrong\u003EEscapist fun, this angsty show  adapted from the comic book written by My Chemical Romance’s Gerard Way and revolving around a dysfunctional family of adopted, numerically-ordered superhero  siblings, is back for a second run. At the end of the last series, Number Five, aka the Boy (Aidan Gallagher), warned his family that using his powers to escape from the apocalypse caused by Number 7, aka Vanya (Ellen Page), was risky, and now the time jump he enabled has scattered the siblings around Dallas over a three-year period starting in 1960. Now the Umbrella Academy must find a way to reunite, figure out what caused doomsday, stop it and then return to the present timeline to stop the other apocalypse. Premieres 31 July on Netflix.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-5"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jcmf5"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-6"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003EThe Alienist: Angel of Darkness\u003Cbr \u002F\u003E\u003Cbr \u002F\u003E\u003C\u002Fstrong\u003EThe first season of this Victorian crime drama followed Dr Laszlo Kreizler (Daniel Brühl), a medic in the controversial new field of criminal pyschology, as he pursued a never-before-seen ritualistic killer, assisted by newspaper illustrator John Moore (Luke Evans) and ambitious secretary Sara Howard (Dakota Fanning), who was determined to become the city's first female police detective. In this follow-up series, Sara has opened her own private detective agency and is leading the charge on a new case. After she is reunited with Dr Kreizler and John Moore, their investigation leads them down a path towards a dangerous and elusive killer. Watch the trailer \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=O0Uti4coWOU\"\u003Ehere\u003C\u002Fa\u003E. Premieres 19 July on TNT.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-7"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jcmd7"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-8"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003EThe Secrets She Keeps\u003C\u002Fstrong\u003E\u003Cbr \u002F\u003E\u003Cbr \u002F\u003EAn adaptation of Michael Robotham’s novel of the same name, this taut thriller is set in an affluent Sydney suburb and tells the story of two women from vastly different walks of life who hold one thing in common: explosive secrets that could destroy everything they hold dear. For supermarket shelf-stacker Agatha Fyfle (Laura Carmichael), 'mummy blogger' Meghan Shaughnessy's (Jessica de Gouw) seems to have the perfect life and she asks herself why can’t she have that too? Agatha’s envious obsession with Meghan escalates into stalking, and after Agatha engineers a meeting, the pair begin an unlikely friendship. However the collision of their worlds results in one shocking act that cannot be undone. Watch the trailer \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=PIhyZ_zdPPk\"\u003Ehere\u003C\u002Fa\u003E. Premieres July on BBC One.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-9"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jcmtr"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-10"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003EA Suitable Boy\u003C\u002Fstrong\u003E\u003Cbr \u002F\u003E\u003Cbr \u002F\u003ESet against the turbulent backdrop of 1950s, post-partition India, this adaptation of Vikram Seth’s weighty 1993 novel follows four families over 18 months, focusing, among others, on Lata (newcomer Tanya Maniktala), whose mother is determined to find her daughter a husband. However, torn between family duty and romance, the spirited student embarks on her own journey of self-discovery. Meanwhile, connected to Lata through their siblings’ marriage is the wayward Maan (Ishaan Khatter), who is determined to enjoy life to the full whatever the consequences, much to the concern of his politician father – but could his infatuation with courtesan Saaeda Bai (Tabu) be one step too far? Premieres July on BBC One.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-11"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jcm9k"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-12"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003EThe Young Offenders \u003Cbr \u002F\u003E\u003Cbr \u002F\u003E\u003C\u002Fstrong\u003EThis sweary but heart-warming Irish comedy set in Cork returns for a third series. It follows the coming-of-age adventures of best friends Conor (Alex Murphy) and Jock (Chris Walley) as they navigate their awkward teenage years, wearing the same tracksuits and sporting the same weak moustaches. As the duo concoct plans to help distract them from their tough home lives, Conor’s mother Mairead (Hilary Rose) tries to keep them on the straight and narrow – but much to the boys’ dismay begins a relationship with Jock and Conor's nemesis, the local police officer Tony Healy (Dominic MacHale). Premieres July on BBC Three\u002FBBC iPlayer.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-13"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jcmk7"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-14"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003EJu-On: Origins\u003Cbr \u002F\u003E\u003C\u002Fstrong\u003E\u003Cbr \u002F\u003EWhen a new wave of Japanese horror hit cinemas in the late 1990s and early noughties, it put suspense and chills back into a tired genre, while displaying a particular interest in themes of possession and vengeful ghosts with the ability to re-address the wrongs done unto them while alive. One of the biggest hits of that wave was 2002’s Ju-On, which was remade as The Grudge in the US, has seen multiple sequels and even a recent film reboot – so it’s perhaps no surprise that the franchise has now made its way onto TV. While details are scant, this spin-off show will explore the beginning of the curse that was the catalyst for the first film – apparently created by a series of murders in one particular house. Watch the trailer \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=MJqHpN9b0U4&feature=youtu.be\"\u003Ehere\u003C\u002Fa\u003E. Premieres 3 July on Netflix.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-15"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jcmjc"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-16"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003EStateless\u003C\u002Fstrong\u003E\u003Cbr \u002F\u003E\u003Cbr \u002F\u003EThe paths of strangers intersect as they get caught up in an immigration system that profoundly affects their lives, in this timely Australian series co-created by and starring Cate Blanchett, which provides insights into issues which countries are grappling with around the world.  At an immigration detention centre in the Australian outback, four diverse strangers’ lives collide to create unlikely emotional connections. An airline hostess on the run from a dangerous cult; an anguished Afghan refugee and his family fleeing persecution, a bureaucrat running out of time to contain a national scandal, and a struggling young father escaping a dead-end job – all discover the contradictions of protection and border control. Alongside Blanchett, the cast includes Yvonne Strahovski, Jai Courtney, Asher Keddie, Fayssal Bazzi, and Dominic West. Watch the trailer \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=C-Xep8pU_J0\"\u003Ehere\u003C\u002Fa\u003E. Premieres 8 July on Netflix.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-17"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jcmpm"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-18"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E\u003Cstrong\u003EAbsentia\u003C\u002Fstrong\u003E\u003Cbr \u002F\u003E\u003Cbr \u002F\u003EAs the third series of this thriller begins, heroine Emily Byrne (Stana Katic) is serving out the final days of her FBI suspension while working hard to be a good mother. However everything is upended when an international criminal case hits too close to home, threatening the family she is so desperately trying to hold together. Emily and her ex-husband, special agent Nick Durand (Patrick Heusinger), can’t help but intervene, and his life is endangered. Following a sequence of deadly events, Emily must race against time to save Nick, but in the process comes to realise there’s a larger conspiracy brewing. Watch the trailer \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=dXOQA0OMROw\"\u003Ehere\u003C\u002Fa\u003E. Premieres 17 July on Amazon Prime Video.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july-19"}],"collection":null,"disableAdverts":false,"displayDate":"2020-06-30T00:30:01Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"infographic","geolocation":null,"headlineLong":"Ten TV shows to watch in July","headlineShort":"Ten TV shows to watch in July","image":["p08jcmb8"],"imageAlignment":"centre","imageAltText":"","isSyndicated":false,"latitude":"","location":null,"longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. (Do not just delete or unpublish the story)","Name":"publish-applenews-system-1"},"Metadata":{"CreationDateTime":"2016-02-05T14:32:31.186819Z","Entity":"option","Guid":"13f4bc85-ae27-4a34-9397-0e6ad3619619","Id":"option\u002Fpublish-applenews-system-1","ModifiedDateTime":"2016-02-05T14:32:31.186819Z","Project":"","Slug":"publish-applenews-system-1"},"Urn":"urn:pubstack:jative:option:option\u002Fpublish-applenews-system-1","_id":"5ef9fadc0be8e9f4de766d6b"}],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":["p08jcmjc"],"relatedStories":null,"relatedTag":["tag\u002Ftelevision"],"summaryLong":"From Amazon’s Hanna to NBC’s Brave New World to the return of Netflix’s The Umbrella Academy, Eddie Mullan picks the programmes worth seeing this month.","summaryShort":"From Hanna to Brave New World","tag":["tag\u002Ftelevision"],"textToSpeech":false,"creationDateTime":"2020-06-29T23:00:33.023256Z","entity":"article","guid":"a75958ff-abf4-4757-aae9-80c6f4de7087","id":"culture\u002Farticle\u002F20200629-ten-tv-shows-to-watch-in-july","modifiedDateTime":"2020-06-30T08:55:47.568403Z","project":"culture","slug":"20200629-ten-tv-shows-to-watch-in-july","cacheLastUpdated":1593969201959},"culture\u002Farticle\u002F20200630-how-knitting-became-cool":{"urn":"urn:pubstack:jative:article:culture\u002Farticle\u002F20200630-how-knitting-became-cool","_id":"5efc51790be8e9f4de846ea6","ambientVideo":"","articleType":"story","assetVideo":null,"author":null,"bodyIntro":"From ‘extreme’ knitters and Insta-knit groups to knitting circles that are hotbeds of activism, Cassidy George explores how a traditional craft became fashion-forward and radical.","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EOf all of the so-called ‘domestic crafts’, knitting remains the most laden with stereotypes in the public imagination. While baking and gardening have mostly rid themselves of associations with ‘women’s work’, knitting still, for the average person, conjures images of an elderly white woman, sitting in a rocking chair or in a circle of her peers. In fact, this assumed demographic only describes a fraction of the world’s knitting community, which has blossomed in the 21st Century. As a creative outlet with therapeutic benefits, it has proven to be a trending activity in life under lockdown for people of various ages and backgrounds. And recently, knitting has also come into fashion proper, thanks to a new generation of designers, who are transforming the ‘old-fashioned’ practice into a high-fashion art form.\u003C\u002Fp\u003E\n\u003Cp\u003E \u003C\u002Fp\u003E\n\u003Cp\u003EMore like this:\u003C\u002Fp\u003E\n\u003Cp\u003E-        \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200420-the-cutesy-fabric-that-was-banned\"\u003EThe floral fabric that was banned\u003C\u002Fa\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E-        \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200526-the-quirky-charm-of-norwegian-design\"\u003EThe quirky charm of Norwegian design\u003C\u002Fa\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E-        \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200512-what-you-didnt-know-about-colour\"\u003EWhat you didn’t know about colour\u003C\u002Fa\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E \u003C\u002Fp\u003E\n\u003Cp\u003EKnitting (derived from the word ‘knot’) is the process of using two or more needles to create a fabric made of a series of interconnected loops. The documented history of knitting begins with a pair of Ancient Egyptian socks, from the 3rd to 5th Century AD. The structural complexity of the first socks, however, suggest that knitting is far older than archaeologists can prove. Knitting spread from the Middle East to Europe via Mediterranean trade routes in the 14th Century, and even has its own art historical record; Master Bertram of Minden’s \u003Cspan\u003EVisit of the Angel – in which the Madonna is depicted knitting – \u003C\u002Fspan\u003Edates back to 1410. Knitted wool garments became popular in the UK from Medieval times onwards, because of their weather-resistant qualities, particularly among soldiers, sailors and labourers. William Lee of Calverton invented the first technical knitting machine in 1589, which transferred the bulk of the industry out of rural towns into city centres. \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"infographic","imageAlignment":"centre","imageOrientation":"landscape","pullQuoteImageAlignment":"centre","videoImageAlign":"centre","id":"culture\u002Farticle\u002F20200630-how-knitting-became-cool-0"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jfwlz"],"imageAlignment":"centre","imageOrientation":"portrait","id":"culture\u002Farticle\u002F20200630-how-knitting-became-cool-1"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EBoth women and men knitted professionally for centuries, and it wasn’t until the mid-to-late 19th Century that it became associated with domesticity. Author and historian Penelope Hemingway tells BBC Designed: “For the middle classes, it became a parlour hobby, consigned to the part of women’s lives lived in the spaces between men’s more public-facing lives. This ‘feminising’ led to knitting being perceived as an ‘idle’ waste of time; a feminine pursuit to be followed safely from within the cage of domesticity.”\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200630-how-knitting-became-cool-2"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"Knitting has fallen in and out of favour over the course of the 20th Century","id":"culture\u002Farticle\u002F20200630-how-knitting-became-cool-3"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EKnitting remained a useful skill for people with limited resources or disabilities in order to earn income, which Hemingway says also contributed to its associations with older generations. “In an era before the welfare state and pensions, it was one way the elderly could stay economically active.” Its associations with housewives became more pronounced after the world wars and Great Depression, when women were encouraged to knit for the war effort, or turned to knitting and mending out of necessity; knitting still maintains connotations with the familial structures, gender roles and tastes of women who embraced it long ago. \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200630-how-knitting-became-cool-4"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jfwzx"],"imageAlignment":"centre","imageOrientation":"portrait","id":"culture\u002Farticle\u002F20200630-how-knitting-became-cool-5"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003ELike most things in the world of high fashion, knitting has fallen in and out of favour over the course of the 20th Century. Coco Chanel, who incorporated knits into her signature suits, also emphasised knitwear as ideal for recreational activities like sailing or sports. Sweater sets and A-line skirts, designed by the likes of Emilio Pucci and Missoni, characterised the 1950s and ’60s, and designers including Yves Saint Laurent, Sonia Rykiel, Calvin Klein, Liz Claiborne and Diane von Furstenberg have used knits regularly in their collections since, furthering its associations with either affluence and preppiness or ease. For most of the 20th Century, knitwear was used in clothing that was relatively conventional, although towards the end of the century, pioneers like Vivienne Westwood, Alexander McQueen and Julien Macdonald began using knits in unusual ways and to create edgier garments, expanding the applications of the technique. \u003C\u002Fp\u003E\n\u003Cp\u003E \u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cstrong\u003EExtreme knitting\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E \u003C\u002Fp\u003E\n\u003Cp\u003EDesigners, artists and hobbyists have taken this to an extreme since the turn of the century. Knit-centric, fashion-forward designers like Yan Yan and Hazar Jawabra gaining traction around the world and actively reversing preconceived attitudes. “Because it still has these stereotypes of the domestic, mundane and tedious attached to it, when those are subverted, the effect is very powerful. The art of extreme knitting has really hit people in the face,” says Sandy Black, professor at the London College of Fashion who also curated a show for the Fashion and Textile Museum called Visionary Knitwear. According to Black, knitting is often still perceived as an amateur and uncomplicated craft, and the difficulty of the skill is chronically underestimated by people both and in and out of the fashion industry. \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200630-how-knitting-became-cool-6"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jfwpg"],"imageAlignment":"centre","imageOrientation":"portrait","id":"culture\u002Farticle\u002F20200630-how-knitting-became-cool-7"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EAvant-garde knitwear designer and Central Saint Martin’s graduate Katya Zelentsova is one of these ‘extreme knitters’. Her intricate works are sensual, whimsical and futuristic hybrid garments that stray far from the typical cardigan or sweater. Zelentsova says few people grasp the unique challenges of the medium. “People don’t understand you aren’t just going to the shop to get whichever fabric you want. You’re making it yourself, and that takes time.” Even at a school like CSM, the knitwear avenue is still considered a ‘niche’ pursuit. “I still get a lot of patronising remarks about knitting, mostly from men, who say things like ‘Oh so you just knit in a circle?’ The reality is that I’m operating intense machinery on a day-to-day basis. And even if I was knitting in a circle, what’s wrong with that?” \u003C\u002Fp\u003E\n\u003Cp\u003E \u003C\u002Fp\u003E\n\u003Cp\u003EThe Icelandic experimental knitwear designer Ýr Jóhannsdóttir, known for her Cubist-inspired sweaters and facemasks with protruding tongues, echoes that sentiment. She points out that our assumption that only older ladies knit, and therefore it’s an uncool and uninteresting pursuit, is rooted in more insidious biases, like ageism and sexism. “I find the stereotype has been labelled negative because people assume older women are traditional or unadventurous. But I’m sure this subtle behaviour can easily be tracked to the patriarchal society they were brought up in, a society that pushed them to act in certain ways and follow patterns,” says Jóhannsdóttir.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200630-how-knitting-became-cool-8"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jfw1p"],"imageAlignment":"centre","imageOrientation":"portrait","id":"culture\u002Farticle\u002F20200630-how-knitting-became-cool-9"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EInternet forums, blogs and social media platforms have been a vital resource, not only in support of the work of extreme knitters like Zelentsova and Jóhannsdóttir, but in introducing younger generations to the craft and to keeping the tradition alive. Lizzie Morgan, a crocheter (a technique used with one knitting needle as opposed to two) known as \u003Ca href=\"https:\u002F\u002Fwww.instagram.com\u002Fgimme_kaya\u002F\"\u003E@GimmeKaya\u003C\u002Fa\u003E on Instagram, said the social media platform inspired her to take up the craft. Morgan says that the enthusiasm of the digital knitting sphere was also born of a generational commitment to combating climate change. “I think a lot of young people are waking up to how damaging the fast fashion industry is, both [to] its workers and the environment. Now, many of us are choosing to make our own clothes or shop from more sustainable brands. Our society revolves around consuming, so I think it’s both rebellious and empowering to step away from that.” Morgan is hugely grateful to the online craft community for supporting sustainable designs during a precarious financial period, and her following has tripled since the start of the pandemic.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200630-how-knitting-became-cool-10"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"Even though knitting circles remain the butt of many jokes, these spaces have radical implications","id":"culture\u002Farticle\u002F20200630-how-knitting-became-cool-11"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe boom has similarly boosted millennial-focussed companies that sell knitting tools and kits. The Madrid-based company We Are Knitters \u003Ca href=\"https:\u002F\u002Fwww.voguebusiness.com\u002Fconsumers\u002Fcustomers-are-spending-on-comfort-as-covid-19-pandemic-presses-on\"\u003Ereported\u003C\u002Fa\u003E to Vogue Business that its steady 10% annual sales growth spiked to 235% in March. The UK’s self-proclaimed “digital first” company Wool and the Gang has also seen a dramatic spike in sales because, they say, people simply have more free time to make things by hand. But knitting offers more than a sustainable way to be more self-sufficient and creative; it also \u003Ca href=\"https:\u002F\u002Fmhanational.org\u002Fblog\u002Fmental-health-benefits-knitting\"\u003Ebenefits\u003C\u002Fa\u003E overall health and wellness. “Crafting is proven to reduce stress and anxiety, something we could all have a little help with right now. Sitting down to stitch can put you in an almost meditative state, we don’t say knitting is the new yoga for nothing!” says Anna Veglio-White of Wool and the Gang. \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200630-how-knitting-became-cool-12"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08jgsfn"],"imageAlignment":"centre","imageOrientation":"portrait","id":"culture\u002Farticle\u002F20200630-how-knitting-became-cool-13"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EEven though knitting has boomed during periods of social isolation, it has long been a tool for community building. Sicgmone Kludje and Vea Koranteng founded \u003Ca href=\"https:\u002F\u002Fwww.blackgirlknitclub.com\u002F\"\u003EBlack Girl Knit Club\u003C\u002Fa\u003E after #diversknitty trended on social media in 2019, which promoted the visibility and recognition of more BAME people within the craft community. “We wanted to create a safe space for Black women and female creatives like ourselves to gather, share their story and inspire each other through craft skills,” say Ludje and Koreantend. And while there are plenty of knitting groups based purely on fun and socialising around the world, like the Stitch ’n’ Bitch Groups, pub-based groups and LGBTQ-specific gatherings, knitting-based groups have also long been hotbeds of activism and progressive causes. Even though knitting circles remain the butt of many jokes, these spaces have radical implications.\u003C\u002Fp\u003E\n\u003Cp\u003E \u003C\u002Fp\u003E\n\u003Cp\u003ESo will this trend endure? As a sustainable practice that builds community, healing and even activism, all signs point to knitting only growing in popularity in the coming years, particularly as efforts to avoid the fast fashion industry increase among consumers. Creators merging age-old methods with innovative attitudes are helping reshape widespread attitudes about who knitting is for – and what it signifies. With experimental knits on the rise, perhaps one day the knitter stereotype will be that of a subversive and imaginative young creator, who has reclaimed a practice from ageist and sexist tropes. \u003C\u002Fp\u003E\n\u003Cp\u003E \u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003EIf you would like to comment on this story or anything else you have seen on BBC Culture, head over to our \u003C\u002Fem\u003E\u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002Fpages\u002FBBC-Culture\u002F237388053065908\"\u003E\u003Cstrong\u003EFacebook\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E page or message us on\u003C\u002Fem\u003E \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Fbbc_culture\"\u003E\u003Cstrong\u003ETwitter\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003EAnd if you liked this story, \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cstrong\u003Esign up for the weekly bbc.com features newsletter\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E, called The Essential List, a handpicked selection of stories from BBC Future, Culture, Worklife and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200630-how-knitting-became-cool-14"}],"collection":["culture\u002Fpremium-collection\u002Fdesigned"],"disableAdverts":false,"displayDate":"2020-07-01T00:30:00Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"infographic","geolocation":null,"headlineLong":"How knitting became cool","headlineShort":"How knitting became cool","image":["p08jfwky"],"imageAlignment":"centre","imageAltText":"","isSyndicated":true,"latitude":"","location":null,"longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. (Do not just delete or unpublish the story)","Name":"publish-applenews-system-1"},"Metadata":{"CreationDateTime":"2016-02-05T14:32:31.186819Z","Entity":"option","Guid":"13f4bc85-ae27-4a34-9397-0e6ad3619619","Id":"option\u002Fpublish-applenews-system-1","ModifiedDateTime":"2016-02-05T14:32:31.186819Z","Project":"","Slug":"publish-applenews-system-1"},"Urn":"urn:pubstack:jative:option:option\u002Fpublish-applenews-system-1","_id":"5ef9fadc0be8e9f4de766d6b"}],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":["p08jfwky"],"relatedStories":null,"relatedTag":["tag\u002Ffashion"],"summaryLong":"From ‘extreme’ knitters and Insta-knit groups to knitting circles that are hotbeds of activism, Cassidy George explores how a traditional craft became fashion-forward and radical.","summaryShort":"From ‘extreme’ knitters to knitting circles that are hotbeds of activism","tag":["tag\u002Ffashion"],"textToSpeech":false,"creationDateTime":"2020-06-30T23:30:43.073408Z","entity":"article","guid":"715a3f40-4842-40a2-aeb0-9b2b8b452f18","id":"culture\u002Farticle\u002F20200630-how-knitting-became-cool","modifiedDateTime":"2020-07-01T09:03:36.281869Z","project":"culture","slug":"20200630-how-knitting-became-cool","cacheLastUpdated":1593969201960},"culture\u002Farticle\u002F20200617-why-the-apocalypse-is-being-reimagined-as-a-beautiful-event":{"urn":"urn:pubstack:jative:article:culture\u002Farticle\u002F20200617-why-the-apocalypse-is-being-reimagined-as-a-beautiful-event","_id":"5ef9fa230be8e9f4de70992e","ambientVideo":"","articleType":"story","assetVideo":null,"author":["culture\u002Fauthor\u002Fal-horner"],"bodyIntro":"The mega-hit computer game franchise The Last of Us, Part 2 of which is released this week, is part of a wave of pop culture imagining a green and lush end-of-days, writes Al Horner.","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe Last of Us may have been a zombie horror survival game, about a duo traversing a post-apocalyptic US overrun with cannibalistic creatures, but its most memorable moments weren’t daring escapes from zombie hordes, nor explosive shoot-outs with hostile human survivors. Instead, the greatest draw of the 2013 best-seller – lauded as one of the greatest video games of all time – was its quiet story beats, and one quiet story beat in particular. \u003C\u002Fp\u003E\n\u003Cp\u003EMore like this:\u003C\u002Fp\u003E\n\u003Cp\u003E- \u003Ca href=\"https:\u002F\u002Fwww.google.co.uk\u002Fsearch?sxsrf=ALeKk00DsPVXOUA201urdpT5PxGmA9iTlA%3A1592322517917&ei=1enoXqDFN9LuxgOW7b7YAg&q=bbc+culture+games+meditation&oq=bbc+culture+games+meditation&gs_lcp=CgZwc3ktYWIQAzIFCCEQoAE6BAgAEEc6BAgjECc6AggAOgQIABBDOgYIABAWEB46CAghEBYQHRAeOgQIIRAVOgcIIRAKEKABUMEDWOgSYMAUaABwAXgAgAFwiAGUDJIBBDEwLjeYAQCgAQGqAQdnd3Mtd2l6&sclient=psy-ab&ved=0ahUKEwjgg7HQ14bqAhVSt3EKHZa2DysQ4dUDCAw&uact=5\"\u003EHow gaming became a form of meditation\u003C\u002Fa\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E- \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200416-why-does-cinema-ignore-climate-change\"\u003EWhy does cinema ignore climate change?\u003C\u002Fa\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200508-why-depressing-dystopia-stories-are-popular-during-covid-19?ocid=fbcul\"\u003E- The comfort of dystopian stories\u003C\u002Fa\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EEllie and Joel, the game’s protagonists, grizzled after an arduous, life-threatening trek in search of a cure to a pandemic that’s wiped out 60% of the planet, are climbing through an abandoned bus depot when they spot it: a wild giraffe grazing on acacia. In the distance, other giraffes roam through what used to be an inner-city baseball field, a symbol of how nature has reclaimed urban space in humanity’s absence. Acoustic guitar melodies stir. Ellie and Joel stop to caress the animal, looking out over a world rendered unrecognisable. It’s a moment of beauty amidst brutality; mankind may have been near-wiped out, but nature has carried on.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"infographic","imageAlignment":"centre","imageOrientation":"landscape","pullQuoteImageAlignment":"centre","videoImageAlign":"centre","id":"culture\u002Farticle\u002F20200617-why-the-apocalypse-is-being-reimagined-as-a-beautiful-event-0"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08h6k9q"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200617-why-the-apocalypse-is-being-reimagined-as-a-beautiful-event-1"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EIn the seven years leading up to The Last of Us Part II, the game’s long-awaited sequel, released on Playstation 4 this Friday, imagery like this has begun to spread through pop culture. Dawn of the Planet of The Apes, A Quiet Place, Bird Box, Annihilation and What Still Remains are just some of the films and TV shows to have reflected on the idea of human extinction through the lens of nature, sending survivors on explorations of areas overrun by wildlife. Books like Ling Ma’s Severance have set up narratives in empty, post-pandemic cities now draped in moss and bursting with biodiversity. Even Avengers: Endgame toyed with the idea of how the world’s ecosystem would benefit from the destruction of mankind: one bright side to Thanos wiping out half of Earth’s population, Captain America tells Black Widow, is that whales now swim again in the Hudson river.\u003C\u002Fp\u003E\n\u003Cp\u003EApocalyptic movies used to take place in smouldering landscapes, full of smoky greys and scorched skies. Now they take place in luscious green spaces, where wildlife has thrived as humanity has floundered. Why is that?\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-why-the-apocalypse-is-being-reimagined-as-a-beautiful-event-2"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"There’s a fear that we’re not in control of our environment anymore. This is a visualisation of how we’ve made a mistake – Mark Digby","id":"culture\u002Farticle\u002F20200617-why-the-apocalypse-is-being-reimagined-as-a-beautiful-event-3"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EMark Digby has a theory. Digby is the art designer behind Alex Garland’s acclaimed Annihilation, a brilliant 2018 science-fiction thriller in which Natalie Portman plays a scientist investigating a mysterious, mutating natural environment that threatens to consume the entire planet. He sees this visual trend in popular culture as a manifestation of our fear of climate change. “I think we’ve hit a point where our arrogance has been called into check and we’re realising there are forces greater than what we can control: namely, nature and science,” he explains. “There’s a fear that we’re not in control of our environment anymore. This is a visualisation of how we’ve made a mistake, and now we’re anticipating the consequences.”\u003C\u002Fp\u003E\n\u003Cp\u003E“There’s definitely been a wave of films over the last decade that are exploring that aesthetic and this idea, of nature and apocalypse interlocking,” agrees Charles Spano, co-writer of 2019 Netflix sci-fi IO: Last on Earth, about a young girl alone on a crumbling planet. In that film, nature is described as being “reborn” in humanity’s absence: animals and flora are seen adapting and finding new ways to survive and thrive after mankind abandons the Earth for a new settlement in the stars. The movie concludes in an unnamed, abandoned city centre in which nature has erupted around its former concrete structures. “People making films, whether it’s a little art film or The Avengers, are looking at the world and this undeniable, looming devastation. I think that seeps into our storytelling. That’s where I think this visual concept comes from, and why we’re seeing nature and beauty become a part of apocalyptic stories more and more now.”\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cstrong\u003EThe book that started it all\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003ESpano, a “huge fan” of The Last of Us, looked to the same source that the game’s creator Neil Druckmann did for inspiration: a 2008 book titled The World Without Us, by journalist Alan Weisman. “An editor asked me to write a piece about what would happen if humanity just left in the blink of an eye,” Weisman tells BBC Culture. What he thought might be a story about “a world resembling an empty lot, with cockroaches scuttling across it” quickly became a story instead about how nature would respond if there were no one to oversee cities, nuclear plants, forests and more. “It was way too big for an article and became a book about places in the world like Chernobyl where, without humans there, nature was rushing in, and what we could extrapolate from that.”\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-why-the-apocalypse-is-being-reimagined-as-a-beautiful-event-4"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08h7bm1"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200617-why-the-apocalypse-is-being-reimagined-as-a-beautiful-event-5"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EA lot of the research from The World Without Us informs the worlds of The Last of Us, IO and other ‘nature-apocalypse’ pop culture. In Weisman’s book, he discovers that without human intervention, houses would be eaten from the inside out by mould, seedlings and small organisms, gnawing away at timber. Without the man-operated mechanisms pumping water out of the New York subway system, it would flood in a matter of days, submerging streets. Tree roots would push up and eventually burst through asphalt, turning roads into strange, uneven terrain. Rusted cars would become incubators for wildlife, while fauna would sprout from every pavement crack and broken window, transforming the look of entire cities.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-why-the-apocalypse-is-being-reimagined-as-a-beautiful-event-6"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"I never thought of The World Without Us as an apocalyptic book, because the world doesn’t get destroyed, it gets restored – Alan Weisman","id":"culture\u002Farticle\u002F20200617-why-the-apocalypse-is-being-reimagined-as-a-beautiful-event-7"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EAll of these visual touches are present in The Last of Us, as acknowledged by Druckmann in a 2013 making-of documentary. “The World Without Us describes in detail how much fighting on a daily basis we have to do to fight nature back, and once you stop doing that, how quickly nature will reclaim that space,” he says in the film. “Pretty soon you have vegetation growing everywhere and once you have vegetation, concrete breaks pretty easily.” This led to “wonderful concept art”, as lead game designer Jacob Minkoff puts it, of animals who’ve escaped from a zoo and bred over 20 years, inhabiting the land – all ideas rooted in Weisman’s research.\u003C\u002Fp\u003E\n\u003Cp\u003EWeisman finds it ironic his work has seemingly become the basis for a lot of apocalyptic fiction. “I never thought of The World Without Us as an apocalyptic book, because the world doesn’t get destroyed – it gets restored,” he laughs. He curiously hadn’t heard about The Last of Us before I called, or any of the other films or pop culture titles seemingly indebted to his work (“I’m not on social media! I have to spend enough time looking into a glowing rectangle for my work”) but emails back a few days later to say he’d looked at a Last of Us clip online and decided it was “something very original and creative.”\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cstrong\u003EWhat do these stories achieve?\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EWith The Last of Us Part II finally here, an HBO television series adaptation of the game in the works from Chernobyl creator Craig Mazin and more films and pop culture coming out of the woodwork with a similar aesthetic, what’s clear is that the notion of a post-apocalyptic world is being reimagined in a fundamental way. This reimagining also feels unexpectedly pertinent right now, in light of the media coverage of nature creeping back into our public spaces during lockdown, with coyotes spotted on the San Francisco’s Golden Gate Bridge and wild boar wandering Barcelona’s famous Las Ramblas.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-why-the-apocalypse-is-being-reimagined-as-a-beautiful-event-8"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08h79jy"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200617-why-the-apocalypse-is-being-reimagined-as-a-beautiful-event-9"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe rise of the ‘beautiful apocalypse’ narrative could have a resoundingly positive effect and be a useful tool in inspiring our generation to tackle climate change, says Weisman. “I hope these movies and video games plant a seed in people,” he explains, suggesting that gamers might be “learning something meaningful as they play.” The implication in these tales juxtaposing human extinction with verdant visuals is that the only thing stopping the world from flourishing are its carbon-polluting inhabitants – \u003Cem\u003Eus\u003C\u002Fem\u003E. It’s a moral that those who watch and play such movies and video games might unconsciously take on board, shaping our own attitudes towards the environment and the responsibility we share in protecting it.\u003C\u002Fp\u003E\n\u003Cp\u003ELooked at another way, of course, these stories could be seen as profoundly tragic: the worst possible thing that could happen to mankind, they warn, could be the best possible thing to happen to the place we call home. But whether you find the concept of an abundant but barely-populated planet devastating or strangely comforting or both, it’s a good bet that it will only become more prominent in pop culture as our anxiety around our failure to control the climate crisis grows. In other words – we haven’t seen the last of the look of The Last of Us. \u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003ELove film and TV? Join \u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002Fgroups\u002F440074069852291\u002F\"\u003E\u003Cstrong\u003EBBC Culture Film and TV Club\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003C\u002Fem\u003E \u003Cem\u003Eon Facebook, a community for cinephiles all over the world.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003EIf you would like to comment on this story or anything else you have seen on BBC Culture, head over to our \u003C\u002Fem\u003E\u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002Fpages\u002FBBC-Culture\u002F237388053065908\"\u003E\u003Cem\u003E\u003Cstrong\u003EFacebook\u003C\u002Fstrong\u003E\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E page or message us on\u003C\u002Fem\u003E \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Fbbc_culture\"\u003E\u003Cem\u003E\u003Cstrong\u003ETwitter\u003C\u002Fstrong\u003E\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003EAnd if you liked this story, \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cem\u003E\u003Cstrong\u003Esign up for the weekly bbc.com features newsletter\u003C\u002Fstrong\u003E\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E, called The Essential List. A handpicked selection of stories from BBC Future, Culture, Worklife and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-why-the-apocalypse-is-being-reimagined-as-a-beautiful-event-10"}],"collection":["culture\u002Fcolumn\u002Ffilm"],"disableAdverts":false,"displayDate":"2020-06-17T13:04:08.623Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"infographic","geolocation":null,"headlineLong":"Why the apocalypse is being reimagined as a beautiful event","headlineShort":"Why the apocalypse could be beautiful","image":["p08h7bh1"],"imageAlignment":"centre","imageAltText":"","isSyndicated":false,"latitude":"","location":null,"longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. (Do not just delete or unpublish the story)","Name":"publish-applenews-system-1"},"Metadata":{"CreationDateTime":"2016-02-05T14:32:31.186819Z","Entity":"option","Guid":"13f4bc85-ae27-4a34-9397-0e6ad3619619","Id":"option\u002Fpublish-applenews-system-1","ModifiedDateTime":"2016-02-05T14:32:31.186819Z","Project":"","Slug":"publish-applenews-system-1"},"Urn":"urn:pubstack:jative:option:option\u002Fpublish-applenews-system-1","_id":"5ef9fadc0be8e9f4de766d6b"}],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":["p08h79jy"],"relatedStories":null,"relatedTag":null,"summaryLong":"The mega-hit computer game franchise The Last of Us, Part 2 of which is released this week, is part of a wave of pop culture imagining a green and lush end-of-days, writes Al Horner.","summaryShort":"How mega-hit computer game franchise The Last of Us reimagines the end-of-days","tag":["tag\u002Fgaming"],"textToSpeech":false,"creationDateTime":"2020-06-18T08:37:33.003465Z","entity":"article","guid":"cfe8e267-5e8d-4565-a8b4-1051af4b0975","id":"culture\u002Farticle\u002F20200617-why-the-apocalypse-is-being-reimagined-as-a-beautiful-event","modifiedDateTime":"2020-06-18T11:00:38.130215Z","project":"culture","slug":"20200617-why-the-apocalypse-is-being-reimagined-as-a-beautiful-event","cacheLastUpdated":1593969201960},"culture\u002Farticle\u002F20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives":{"urn":"urn:pubstack:jative:article:culture\u002Farticle\u002F20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives","_id":"5ef9fa230be8e9f4de70995d","ambientVideo":"","articleType":"story","assetVideo":null,"author":["culture\u002Fauthor\u002Flarushka-ivan-zadeh"],"bodyIntro":"A flop when it was released in 1975, The Rocky Horror Picture Show has since gained a fervent global fan following. Larushka Ivan-Zadeh explores its unique appeal.","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EEvery Saturday night since 1977, cross-gendered disciples in corsets and ripped fishnets have congregated to chant and sing along to The Rocky Horror Picture Show as if attending some gloriously kinky midnight mass.\u003C\u002Fp\u003E\n\u003Cp\u003EIt’s the ultimate cult movie. The first. The biggest. The one cult movie to rule them all. For more than 40 years, The Rocky Horror Picture Show has defined what we mean by a ‘cult’ movie, though few can ever hope to match its phenomenal level of ritualised worship. A box office flop so ker-splatty it was pulled from the few screens showing it back in 1975, only to be lovingly resurrected by a devout fanbase. It has since grossed over $170 million worldwide and holds the record for the longest continually running movie release of all time.\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cstrong\u003EMore like this:\u003C\u002Fstrong\u003E\u003Cbr \u002F\u003E - \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200515-spike-lees-masterpiece-about-racism-in-the-us\"\u003EThe film the US is finally ready for\u003C\u002Fa\u003E\u003Cbr \u002F\u003E - \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200408-from-withnail-and-i-to-el-topo-what-makes-a-cult-film\"\u003EWhat makes a cult film?\u003C\u002Fa\u003E\u003Cstrong\u003E\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003E- \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200526-withnail-and-i-the-ultimate-cult-film\"\u003EIs this the ultimate cult film?\u003C\u002Fa\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EYet Rocky’s cult supremacy is now in jeopardy. With Covid-19 shutting cinemas, how can acolytes keep the faith? Enter Larry Viezel, president of The Rocky Horror Picture Show Official Fan Club – a responsibility he takes very seriously. For him, this is about more than a fun, cheeky night out in your underwear. “For a lot of people, Rocky Horror is like their home, it’s their connection to everybody – all their friends,” Viezel tells me via Zoom from New York. “I know of a lot of people whose lives were saved by this movie. Especially for those in the LGBT community, it’s a place where they could be themselves and find people who were their family. I don’t want to give that up. I want people to still have a place to be.”\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"infographic","imageAlignment":"centre","imageOrientation":"landscape","pullQuoteImageAlignment":"centre","videoImageAlign":"centre","id":"culture\u002Farticle\u002F20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives-0"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08hc6jx"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives-1"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EHis Facebook fansite has already hosted ‘The Rocky Horror Experience – the Live Lockdown Edition!’ and is packed with fan-created content such as a weekly ‘Zoomy Horror Quarantine Show’ where participants dress up and re-enact the entire movie over Zoom, a living room Time Warp dance-off, and ‘Don’t-cha Touch-a, Touch-a Touch Me’, a hymn to isolation frustration sung by a drag queen barbershop quartet.\u003C\u002Fp\u003E\n\u003Cp\u003EPlans are optimistically proceeding for the film’s 45th birthday party in St Louis later this year. “I can’t wait til we can all do the Time Warp together again,” says Viezel.\u003C\u002Fp\u003E\n\u003Cp\u003EIt’s this off-the-scale level of audience partici…(“Say it!”)…pation, that first led to Rocky Horror being dubbed a cult. And what makes it endure. The seeds were right there from the start.\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cstrong\u003EStaging a hit\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EA camp twist on sci-fi B-movies, The Rocky Horror Picture Show first sprang to life in 1973 as a musical play in the tiny capacity studio above London’s Royal Court Theatre. Tis there, so mythology has it, that David Bowie’s first wife, Angie, gave the first audience participation ‘call-back’ when she yelled “No, don’t do it!” as creator Richard O’Brien’s Riff-Raff threatened to zap Tim Curry’s Dr Frank-N-Furter with a laser gun.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives-2"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08hc6v0"],"imageAlignment":"centre","imageOrientation":"portrait","id":"culture\u002Farticle\u002F20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives-3"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EAn instant hit, the play transferred first to the West End and then to Los Angeles. A movie spin-off was a no-brainer. That critics hated it is not, it seems, entirely true. As the US film critic Roger Ebert astutely pointed out in his original, 2 ½ star rated 1976 review: “The Rocky Horror Picture Show would be more fun, I suspect, if it weren’t a picture show. It belongs on a stage, with the performers and audience joining in a collective send-up.”\u003C\u002Fp\u003E\n\u003Cp\u003EAnd so it came to pass. Midnight showings of the movie began at the Waverly Theatre in New York City on 1 April, 1976. In a time and place where gay rights was just finding a voice in the wake of the Stonewall riots, the Waverly attracted a congregation of groovy outcasts, weirdoes and rejects. An audience hungry to celebrate a story of sexual awakening where gender fluidity and pan-sexualism are joyfully celebrated; where a straight, white, conventionally attractive young couple called Brad and Janet (Barry Bostwick and Susan Sarandon), both virgins until their wedding night, are considered the freaks; and where a ‘sweet transvestite from Transylvania’ (a thrillingly charismatic Tim Curry) dressed in stack heels, suspenders, full make-up and little else, waltzes off with the movie.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives-4"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"The Rocky Horror Picture Show’s challenge to ‘don't dream it, be it’ was taken to heart by audiences","id":"culture\u002Farticle\u002F20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives-5"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EAbove all, The Rocky Horror Picture Show’s challenge to ‘don't dream it, be it’ was taken to heart by audiences. Decades before Secret Cinema was even a twinkle, Rocky Horror fans created an immersive movie-going experience by returning, week after week, in costume as their favourite characters, armed with props such as water pistols to effect ‘rain’, rice to throw in the church scene, toast to throw when Frank proposes ‘a toast’ etc. At one New Orleans cinema, a fan dressed as ‘Eddie’ (played by Meatloaf in the movie) would drive his motorbike down the aisle during Eddie’s intro ‘Hot Patootie’. Cinemas tried to ban the food throwing – it was a nightmare to hoover up, particularly the hurled hotdogs – but it was all intended to merge viewer reality with the on-screen action.\u003C\u002Fp\u003E\n\u003Cp\u003E \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives-6"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08hc7gw"],"imageAlignment":"centre","imageOrientation":"portrait","id":"culture\u002Farticle\u002F20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives-7"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EWhat makes it all the more remarkable is that this started in a pre-internet era. Today it takes just seconds to click on ‘The Virgin’s Guide To Rocky Horror’ on the timewarp.org website and find the requirements of dress, etiquette, dance moves and chant-along script; back then, the participation grew almost mystically. The high priest of Rocky Horror fandom is Sal Piro, a former schoolteacher. He’s related how, in the late 70s, he’d make a quip at a New York screening one weekend, then fly to LA the next and hear it shouted back at the screen there.\u003C\u002Fp\u003E\n\u003Cp\u003EAs a teenager, my own Rocky Horror hymn sheet was Say It! The Rocky Horror Picture Show Audience Participation Album. Recorded live on Halloween 1983, it contains the entire audio of the film along with the callbacks MC-ed by Piro and performed by New York’s 8th Street Players. Sat alone in my 90s London bedroom, I wore out my double cassette by obsessively rewinding to learn each callback – and watching the movie again now, more than 20 years on, I still hear these ghostly ripostes in my head.\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cstrong\u003EShout-outs\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003ELet’s be honest, they’re far from Wildean. ‘Buy an umbrella, you cheap bitch’ was reportedly the original enshrined line still hollered as Sarandon’s character puts a newspaper over her head during a thunderstorm. People shout ‘where’s your neck?’ to Charles Gray’s narrator. The script, however, is not prescriptive. Anyone’s allowed to call out anything, and if it goes down well with the crowd, it gets incorporated the next week.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives-8"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08hc6wx"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives-9"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EResponses are, as you’ll have noted, often rude. I ask Viezel if, given modern sensitivities around ‘slut-shaming’, people still yell out ‘slut’ whenever Susan Sarandon’s Janet appears on screen? “People do, though I’ve seen response to that,” he says. “It’s a little of its time.” Other attitudes have shifted too. What viewers once found liberating, can now, ironically, be found the opposite by a new generation. For example, Frank’s rousing anthem of self-realisation (‘I’m a sweet transvestite – from Transsexual Transylvania’) is currently considered offensive by some transgender viewers. But when was Rocky Horror meant to be PC?\u003C\u002Fp\u003E\n\u003Cp\u003E“People are like ultimately what Frank did with Brad and Janet was rape,” says Viezel, referring to the bedroom raid sequence where a disguised Frank takes both Janet then Brad’s virginities. “But let’s put that into perspective. Before that, Frank murders and cannibalises Eddie. In fact he not only eats someone, he then forces other people to eat people.” Frank’s flip from antagonist to vulnerable hero is in fact the movie’s most compelling element. As Viezel puts it, “For years everyone’s idolised Frank-N-Furter, but he’s not meant to be this perfect role model.”\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives-10"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08hc6yw"],"imageAlignment":"centre","imageOrientation":"portrait","id":"culture\u002Farticle\u002F20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives-11"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EFor all the murder and sexual carry-on, Rocky Horror actually feels pretty tame by today’s standards. I’ve heard of 9-year-olds enjoying it. Has Rocky lost that subversive, cult, punk edge? You would certainly conclude that after watching The Rocky Horror Picture Show: Let’s Do the Time Warp Again, a 2016 made-for-TV remake from High School Musical director Kenny Ortega starring Laverne Cox as Frank-N-Furter and Nickelodeon starlet Victoria Justice as Janet. It feels safe, glossy, and politically correct. Duncan James, formerly of the boy band Blue, led the UK stage cast in Rocky Horror’s most recent staging. You can buy a huge variety of Rocky Horror costumes online and in high street party shops. It all seems too mainstream to be the stuff of ‘cult’ at all.\u003C\u002Fp\u003E\n\u003Cp\u003EThe final nail in that cult coffin arguably slammed down in March 2019, when Disney finalised their takeover of 20th Century Fox and thus now own Rocky Horror. “Does this make Tim Curry’s Frank a Disney princess?!” joked fans. But Viezel was more concerned. For him it was existential. “Every few years, there’s always a worry that Rocky Horror will be taken away,” he says. “First it was the sequel, then VHS, then DVD, then Blu-Ray, then the TV remake. But when the Disney thing happened, that’s the first time I was really worried. But Disney’s been really supportive.”\u003C\u002Fp\u003E\n\u003Cp\u003EWhere Disney removed other cult Fox titles, such as Fight Club, from fan circulation, public screenings of Rocky Horror have been allowed to continue, and home-made merchandise has continued to flourish (within reason). There are also tributes in which a ‘shadow cast’ mime the actions and lip-synch the lines of their characters while the film is projected on a screen behind them. “To reference the movie, Rocky Horror is the Frankenstein story: Frank couldn’t control Rocky – he did what he wanted. This is the same thing,” concludes Viezel. “Yes, Disney’s out there, but Rocky Horror is its own living breathing monster and he’s wreaking havoc. Like the fans do. And that spirit will keep The Rocky Horror Picture Show living forever.” Amen to that.\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003ELove film and TV? Join \u003C\u002Fem\u003E\u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002Fgroups\u002F440074069852291\u002F\"\u003E\u003Cem\u003EBBC Culture Film and TV Club\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E \u003C\u002Fem\u003E\u003Cem\u003Eon Facebook, a community for cinephiles all over the world.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003EIf you would like to comment on this story or anything else you have seen on BBC Culture, head over to our \u003C\u002Fem\u003E\u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002Fpages\u002FBBC-Culture\u002F237388053065908\"\u003E\u003Cstrong\u003E\u003Cem\u003EFacebook\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E page or message us on\u003C\u002Fem\u003E \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Fbbc_culture\"\u003E\u003Cstrong\u003E\u003Cem\u003ETwitter\u003C\u002Fem\u003E\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003EAnd if you liked this story, \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cem\u003E\u003Cstrong\u003Esign up for the weekly bbc.com features newsletter\u003C\u002Fstrong\u003E\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E, called The Essential List. A handpicked selection of stories from BBC Future, Culture, Worklife and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E \u003C\u002Fp\u003E\n\u003Cp\u003E \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives-12"}],"collection":null,"disableAdverts":false,"displayDate":"2020-06-19T09:17:00Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"infographic","geolocation":null,"headlineLong":"The Rocky Horror Picture Show: The film that’s saved lives","headlineShort":"The film that’s saved people’s lives","image":["p08hc6hj"],"imageAlignment":"centre","imageAltText":"","isSyndicated":false,"latitude":"","location":null,"longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. (Do not just delete or unpublish the story)","Name":"publish-applenews-system-1"},"Metadata":{"CreationDateTime":"2016-02-05T14:32:31.186819Z","Entity":"option","Guid":"13f4bc85-ae27-4a34-9397-0e6ad3619619","Id":"option\u002Fpublish-applenews-system-1","ModifiedDateTime":"2016-02-05T14:32:31.186819Z","Project":"","Slug":"publish-applenews-system-1"},"Urn":"urn:pubstack:jative:option:option\u002Fpublish-applenews-system-1","_id":"5ef9fadc0be8e9f4de766d6b"}],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":null,"relatedStories":null,"relatedTag":["tag\u002Fcult-films"],"summaryLong":"A flop when it was released in 1975, The Rocky Horror Picture Show has since gained a fervent global fan following. Larushka Ivan-Zadeh explores its unique appeal.","summaryShort":"‘A gloriously kinky midnight mass’","tag":["tag\u002Fcult-films"],"textToSpeech":false,"creationDateTime":"2020-06-19T07:47:08.732178Z","entity":"article","guid":"739a7f1a-1191-4408-b48f-f08df6b804ea","id":"culture\u002Farticle\u002F20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives","modifiedDateTime":"2020-06-19T08:24:14.800529Z","project":"culture","slug":"20200618-the-rocky-horror-picture-show-the-film-thats-saved-lives","cacheLastUpdated":1593969201960},"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature":{"urn":"urn:pubstack:jative:article:culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature","_id":"5ef9fa230be8e9f4de709910","ambientVideo":"","articleType":"story","assetVideo":null,"author":["culture\u002Fauthor\u002Fandrew-dickson"],"bodyIntro":"Since 2011, Riitta Ikonen and Karoline Hjorth have photographed retired farmers, fishermen, zoologists, plumbers and opera singers around the world. Andrew Dickson explores a project that has offered solace in recent months.","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003ESome of these pictures look like anthropological portraits from antique issues of National Geographic: statuesque figures in remote landscapes, wearing costumes of seashells or palm leaves. Others have the feel of delirious outdoor fashion shoots, where the stylist has gone wild with natural props such as moss and rubicund fronds of rhubarb (fleece jacket and sensible shoes: model’s own).\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cstrong\u003EMore like this:\u003Cbr \u002F\u003E \u003C\u002Fstrong\u003E- \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200609-the-photographers-changing-the-way-we-see-animals\"\u003EThe photographers changing how we see animals\u003C\u002Fa\u003E\u003Cbr \u002F\u003E - \u003Ca href=\"http:\u002F\u002Fwww.bbc.com\u002Fculture\u002Fstory\u002F20200226-can-photography-save-the-amazon-people\"\u003ECan photography save the Amazon?\u003C\u002Fa\u003E\u003Cbr \u002F\u003E - \u003Ca href=\"http:\u002F\u002Fwww.bbc.com\u002Fculture\u002Fstory\u002F20191208-anonymous-project-intimate-images-of-a-forgotten-history\"\u003EA secret history hiding in plain sight\u003C\u002Fa\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EIn one image, photographed in northern England on a soggy spring day, it takes you a while to see the person at all: she’s camouflaged as a clump of bracken on the side of a moor. Is she participating in some kind of military exercise?\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"infographic","imageAlignment":"centre","imageOrientation":"landscape","pullQuoteImageAlignment":"centre","videoImageAlign":"centre","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-0"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08h4d8t"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-1"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EHowever you interpret them, the images in \u003Ca href=\"https:\u002F\u002Feyesasbigasplates.com\u002Fabout\u002F\"\u003EEyes as Big as Plates\u003C\u002Fa\u003E, an ongoing photographic project and book series by the Scandinavian artists \u003Ca href=\"http:\u002F\u002Fwww.riittaikonen.com\u002F\"\u003ERiitta Ikonen\u003C\u002Fa\u003E and \u003Ca href=\"https:\u002F\u002Fkarolinehjorth.com\u002F\"\u003EKaroline Hjorth\u003C\u002Fa\u003E, pose plentiful questions. Why is that older-looking man lying in a rockpool in Greenland, swaddled in chunks of ice like he’s just emerged from the frozen deep? Or what about the close-up of an elderly woman with the lined face and the sapphire-blue eyes, set against a wintry-looking sky? Gazing coolly out at us, she sports a wild, woven headdress that makes her resemble a spirit who conjures gales for the fun of it.\u003C\u002Fp\u003E\n\u003Cp\u003EIt is part of the project’s concept that you can supply as many answers as you feel you need, says Ikonen when we speak on a video call (originally Finnish, these days she lives on the Rockaway Peninsula, just outside New York; Hjorth – who is Norwegian – is joining from her own home outside Oslo).\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-2"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08h4d04"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-3"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E“In the beginning we were trying to illustrate certain phenomena – folklore, stories, figures from myth,” she recalls. “More recently, we dropped that.”\u003C\u002Fp\u003E\n\u003Cp\u003EHjorth is nodding: “We just try to work with whatever the people we interview bring, wherever they are.” Perhaps some mysteries are better left unsolved.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-4"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08h4hff"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-5"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe title ‘Eyes as Big as Plates’ is undeniably a tribute to Norwegian folklore. It references a story about a large-eyed dog (or possibly a troll) who lives beneath a bridge; the kind of curious, slightly spooky gaze the artists aim to emulate. The project began as Ikonen’s idea: she’d long been intrigued by Nordic mythology, and nine years ago hit upon the idea of creating a new body of work paying tribute to it. Searching for a collaborator, she came across Hjorth’s photographs – specifically portraits Hjorth had done of Norwegian grandmothers. Ikonen got in touch, and the two began to plan a new series focusing on older people, reimagining them as powerful figures from lore and legend.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-6"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08h4ds0"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-7"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EIt became a touring exhibition that has travelled to museums in many countries, not just in Scandinavia but far beyond – Bogota, Leeds, New York, Rome – and then, in 2017, a book (which is now sold out). Taking advantage of their travels, all the time they have kept recruiting subjects and adding to the series. “Maybe we are a little bit stubborn,” Ikonen says with a wry smile.\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cstrong\u003EYoung at heart\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EShe originally wanted to focus on people in their 60s, 70s and 80s because she felt somehow they’d have a more intimate connection with that world, still very much alive in Scandinavia. Ironically, the first people they approached often didn’t see it that way at all.\u003C\u002Fp\u003E\n\u003Cp\u003E“We were absolutely pooh-poohed!” she laughs. “They said, ‘why are you approaching us with these children’s stories?’”\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-8"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08h4fzg"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-9"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003ENonetheless, they worked to find people who might be up for having their portrait taken in the landscape, as well as contributing ideas about what persona they could embody. Sometimes a specific folktale offers a visual theme; sometimes they draw inspiration from the landscape itself. “We absolutely see them as collaborators,” says Hjorth.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-10"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08h47xf"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-11"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThe woman who resembles a wind goddess turns out to be a Norwegian in her 90s called Agnes, who made her first parachute jump at the age of 85 (her second was a 90th birthday present). “Floating through the air was pure joy,” she told the artists, so they all decided she’d dress as the “fabled north wind”.\u003C\u002Fp\u003E\n\u003Cp\u003EThey met another man, Halvar, at a seniors’ centre in Sandnes on the west coast of Norway. A retired farmer, he suggested they shoot a photograph on land where he and his family have their roots. The final image shows him perched on a rock in a marshy, stony field, sporting a headdress confected from wild grass (a nod to local legends about figures who live underground).\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-12"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08h60fc"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-13"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E“The moment we set up the camera, he pulled this wonderful proud pose,” recalls Hjorth. “He took it all so seriously.”\u003C\u002Fp\u003E\n\u003Cp\u003EDespite the fantastical, sometimes surreal quality of these images, creating them is a serious business for everyone involved. First, Hjorth and Ikonen approach the person they’d like to photograph (“we always keep an eye out, wherever we are,” says Ikonen) and discuss how it could work, and any themes or concepts that spring to mind. Perhaps the person in question is a keen swimmer or angler, or has some other connection with the natural world.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-14"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08h4j0b"],"imageAlignment":"centre","imageOrientation":"portrait","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-15"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EBy the time they’ve travelled to a location and back, it usually takes at least a day to make a photograph, if not longer; some of the people they’ve worked with have been required to stand for many minutes in the snow, or sit on a wind-buffeted sea promontory while the artists work.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-16"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08h60l7"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-17"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EIkonen’s own aunt, Tuija, gamely volunteered to be photographed while skinny dipping in the crystalline waters of Lake Kelvä in eastern Finland, only a few hundred miles from the Arctic Circle. “It looks tropical,” says Hjorth. “It really, really wasn’t.”\u003C\u002Fp\u003E\n\u003Cp\u003EIkonen laughs. “We always tell them to bring the warmest clothes they have, and then also pack about seven extra coats and pairs of boots. But we do break for food or a bit of whisky. People are super-tough.”\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-18"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"You notice the lined faces and frost-white hair, the weathered, wrinkled hands, but there is also a great deal of vivacity in these portraits","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-19"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003ETime is a deep theme in Eyes Bigger than Plates – from the time and painstaking care it takes to set up each picture, to the time it takes to compose and capture the image. Determined to use old-fashioned techniques, they shoot using natural light and film on a Mamiya medium-format camera, which introduces a sometimes alarming element of chance: “Once, we lost 75 per cent of the images we shot in Iceland,” sighs Ikonen.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-20"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08h4gvm"],"imageAlignment":"centre","imageOrientation":"portrait","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-21"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EThen, of course, there is the time embodied in their subjects, nearly all of them in their 60s, 70s, 80s and older. You notice the lined faces and frost-white hair, the weathered, wrinkled hands, but there is also a great deal of vivacity in these portraits. Tuija, floating in the lake, has a playful glint in her eye. A man, Boubou, shot in Senegal last year, uses a stick, but is adamantine, near-heroic as he stands in sea water up to his ankles wearing a coat of local fish.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-22"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08h4hml"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-23"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EAlongside each picture the artists include a capsule biography, adding to the depth of the encounter. Astrid is obsessed with bridge; Jaska builds model aircraft and enjoys lake swimming; Marty has an in-depth knowledge of phragmites (a kind of reed), and was midway through cancer treatment when he was photographed near New York.\u003C\u002Fp\u003E\n\u003Cp\u003EIt’s tricky to place these pictures in a genre. Many of them have the feel of ethnographic field shoots, even wildlife shots (each person captured in their natural habitat, as it were). You could see them as sculpture, or as landscapes in the epic tradition of US photographers such as Edward Weston or Ansel Adams, who strove to capture the sublimity of the natural world. But there is a warmth to these images, a playfulness, which makes them refreshingly un-po-faced.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-24"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08h4gsg"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-25"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003E“We both enjoy the same sense of humour, that slightly surreal touch,” suggests Hjorth. “But it’s not something we necessarily set out to create. Sometimes we don’t see it in the picture until months afterwards.”\u003C\u002Fp\u003E\n\u003Cp\u003EOlder people, particularly in western societies, often report the sense that they feel invisible to society at large. Both Ikonen and Hjorth agree that the series tries to work against that – celebrating each person’s distinctive life story, the qualities that make them stand out from the crowd, quite apart from their extraordinary appearance. In the midst of a pandemic that’s proved so savagely devastating to people over the age of 60, this feels more crucial than ever, Hjorth suggests: one of the men they photographed in New York, Bob, has been in and out of hospital with suspected Covid-19. “It’s brutal. That’s the demographic being hit by this virus.”\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-26"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08h4gy7"],"imageAlignment":"centre","imageOrientation":"portrait","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-27"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EPeople have got in touch to say they have been taking solace in these images during the past few months, Ikonen adds. “They say the pictures give them a sense of mental space, a connection with nature. I really hope that’s true.”\u003C\u002Fp\u003E\n\u003Cp\u003EWhen the coronavirus lockdowns started to hit in Norway and then the US, the artists were starting to assemble a final selection for \u003Ca href=\"https:\u002F\u002Feyesasbigasplates.com\u002Fbuy-the-book\u002F\"\u003Ethe second volume of Eyes as Big as Plates\u003C\u002Fa\u003E, which has been supported \u003Ca href=\"https:\u002F\u002Fwww.kickstarter.com\u002Fprojects\u002Feyesasbigasplates\u002Feyes-as-big-as-plates-vol-2\u002Fdescription\"\u003Eby nearly £30,000 of crowdfunding\u003C\u002Fa\u003E. The edit is nearly done – 50 images taken in countries ranging from the Outer Hebrides to Tasmania and South Korea – and the aim is to publish next spring, in time for the project’s 10-year anniversary.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-28"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08h4h8f"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-29"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EFor obvious reasons, they can’t shoot any fresh pictures at the moment, and when they restart they’ll need to think hard about how to photograph people in vulnerable groups safely. “But we do want to continue somehow,” says Ikonen. “We always promised that we’d continue the project as long as it’s fun. We just don’t know how long this break will be.”\u003C\u002Fp\u003E\n\u003Cp\u003EWe talk about the chance-like, faintly witchy nature of analogue photography, the way it amplifies the magical themes that animate Eyes as Big as Plates.\u003C\u002Fp\u003E\n\u003Cp\u003E“It’s the sense of being in the moment, the inexplicable instant that pulls it all together,” reflects Hjorth.\u003C\u002Fp\u003E\n\u003Cp\u003EIkonen is nodding. “Yes, but the magic is meeting the person, honestly. If we can share a small sliver of that, that’s great.”\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003EIf you would like to comment on this story or anything else you have seen on BBC Culture, head over to our \u003C\u002Fem\u003E\u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002Fpages\u002FBBC-Culture\u002F237388053065908\"\u003E\u003Cstrong\u003EFacebook\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E page or message us on\u003C\u002Fem\u003E\u003Cem\u003E \u003C\u002Fem\u003E\u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Fbbc_culture\"\u003E\u003Cstrong\u003ETwitter\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003EAnd if you liked this story, \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cstrong\u003Esign up for the weekly bbc.com features newsletter\u003C\u002Fstrong\u003E\u003C\u002Fa\u003E\u003Cem\u003E, called The Essential List. A handpicked selection of stories from BBC Future, Culture, Worklife and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature-30"}],"collection":["future\u002Fpremium-collection\u002F100-year-life"],"disableAdverts":false,"displayDate":"2020-06-17T09:16:48.243Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"infographic","geolocation":null,"headlineLong":"Eyes as Big as Plates: Remarkable photos of people in nature","headlineShort":"Remarkable photos of people in nature","image":["p08h5v45"],"imageAlignment":"centre","imageAltText":"","isSyndicated":false,"latitude":"","location":null,"longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. (Do not just delete or unpublish the story)","Name":"publish-applenews-system-1"},"Metadata":{"CreationDateTime":"2016-02-05T14:32:31.186819Z","Entity":"option","Guid":"13f4bc85-ae27-4a34-9397-0e6ad3619619","Id":"option\u002Fpublish-applenews-system-1","ModifiedDateTime":"2016-02-05T14:32:31.186819Z","Project":"","Slug":"publish-applenews-system-1"},"Urn":"urn:pubstack:jative:option:option\u002Fpublish-applenews-system-1","_id":"5ef9fadc0be8e9f4de766d6b"}],"partner":null,"primaryVertical":"culture","promoAlignment":"centre","promoAltText":"","promoImage":null,"relatedStories":null,"relatedTag":["tag\u002F100-year-life"],"summaryLong":"Since 2011, Riitta Ikonen and Karoline Hjorth have photographed retired farmers, fishermen, zoologists, plumbers and opera singers around the world. They explain why to Andrew Dickson.","summaryShort":"Whimsical and witty portraits of the elderly around the world","tag":["tag\u002Fphotography","tag\u002F100-year-life"],"textToSpeech":false,"creationDateTime":"2020-06-17T09:36:30.411911Z","entity":"article","guid":"addbf9a7-900e-4578-9584-8f7e6a3166bb","id":"culture\u002Farticle\u002F20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature","modifiedDateTime":"2020-06-17T15:24:13.098363Z","project":"culture","slug":"20200617-eyes-as-big-as-plates-remarkable-photos-of-people-in-nature","cacheLastUpdated":1593969201961},"culture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop":{"urn":"urn:pubstack:jative:article:culture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop","_id":"5ef9fa230be8e9f4de7099fa","ambientVideo":"","articleType":"story","assetVideo":null,"author":["culture\u002Fauthor\u002Fnick-levine"],"bodyIntro":"She may be a style icon and all-round star. But 40 years on from her seminal LP Warm Leatherette, she should be recognised foremost as a musical trailblazer, writes Nick Levine.","businessUnit":"worldwide","cards":[{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EIt’s difficult to describe Grace Jones without using words that have been dulled into cliché, but the revered Jamaican performer really is iconic, unique and visionary. It’s equally tricky to sum up succinctly what she does: since she began flexing her creative muscles in the late 1960s, Jones has been a stage actress, high-fashion model, disco singer, photographer’s muse, new wave musician, film star and perennial trend-setter. Clearly, Jones’s chameleon-like qualities are a key part of her appeal. “She takes you to higher vibrations through her presence alone – she frees you completely because she is free herself,” says Honey Dijon, an internationally renowned DJ-producer who counts Jones as a major inspiration.\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cstrong\u003EMore like this:\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E- \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200601-the-picassos-of-modern-music\"\u003EThe Picassos of modern music\u003C\u002Fa\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E- \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200525-can-lady-gaga-become-the-worlds-biggest-pop-star-once-more?ocid=global_culture_rss\"\u003EIs Lady Gaga a genius or copycat\u003C\u002Fa\u003E?\u003C\u002Fp\u003E\n\u003Cp\u003E- \u003Ca href=\"https:\u002F\u002Fwww.bbc.com\u002Fculture\u002Farticle\u002F20200122-the-forgotten-political-roots-of-bridge-over-troubled-water\"\u003EThe ultimate comfort song?\u003C\u002Fa\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EAt the same time, Jones’s incredible creative fluidity means her achievements in certain fields – especially music – are easy to underestimate. The dazzling, androgynous looks she’s created for photo shoots and album covers are rightly acclaimed – Vogue calls her \u003Ca href=\"https:\u002F\u002Fwww.vogue.com\u002Farticle\u002Fgrace-jones-fashion-icon-turns-68\"\u003E“the ultimate fashion muse”\u003C\u002Fa\u003E, while Dazed has hailed her \u003Ca href=\"https:\u002F\u002Fwww.dazeddigital.com\u002Fmusic\u002Farticle\u002F27129\u002F1\u002Fgrace-jones-most-revolutionary-style-moments\"\u003E“revolutionary style moments”\u003C\u002Fa\u003E – but at the expense, perhaps, of her musical legacy. Warm Leatherette, the album that introduced Jones’s distinctive, reggae-flecked take on new wave, has just turned 40 years old, so it’s an apt time to reassess her contribution as a singer, songwriter and genre-blending innovator. Featuring punky covers of songs by artists as varied as Tom Petty, Smokey Robinson and Roxy Music, all sung in Jones’s majestically detached style, it’s a record as fearless and singular as Jones herself. And also like Jones, it’s strangely ageless, sounding almost as fresh today as it did in 1980.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"infographic","imageAlignment":"centre","imageOrientation":"landscape","pullQuoteImageAlignment":"centre","videoImageAlign":"centre","id":"culture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop-0"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08hfsth"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop-1"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EAdmittedly, in recent years Jones hasn’t shown much interest in adding to this musical legacy – 2008’s Hurricane is the only album she’s released in the past 30 years – but plenty of artists are celebrated long after their output grounds to a halt. Dr Kirsty Fairclough from the School of Arts and Media at the University of Salford says Jones’s “expression of self through several art forms” has “reframed our understanding of the pop performer”, but hasn’t been “fully recognised in pop culture” yet. She points to “echoes” of Jones’s work in musicians as varied as Nicki Minaj, Lady Gaga, Rihanna, FKA twigs, Grimes, Róisín Murphy and Janelle Monáe. \u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop-2"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"She taught me not to be afraid of anything – that life is a stage and the stage is the place for the extravaganza that comes from within – Dolly Bing Bing","id":"culture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop-3"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EBecause Jones has so successfully subverted gender norms – the\u003Ca href=\"https:\u002F\u002Fen.wikipedia.org\u002Fwiki\u002FIsland_Life#\u002Fmedia\u002FFile:Grace_Jones_-_Island_Life.jpg\"\u003E famous cover art for her 1985 compilation album Island Life\u003C\u002Fa\u003E, created by her then-partner and frequent collaborator Jean-Paul Goude, presents her as an almost impossible paragon of athleticism – she’s also an enduring queer icon. “She taught me not to be afraid of anything – that life is a stage, and the stage is the place for the extravaganza that comes from within,” says queer Belgian performance artist and pop musician Dolly Bing Bing. Zebra Katz, a pioneer of the queer rap genre, says Jones has “been one of the key figures in stabilising a creative bar for most of my work”, hailing her ability to “shine through in whatever she presents” – from “acting in Hollywood films to walking runways in Paris and creating some of the world’s most unique and identifiable music”.\u003C\u002Fp\u003E\n\u003Cp\u003EJones’s influence as a musician was due to be celebrated at this month’s Meltdown festival in London, which she was asked to curate by the Southbank Centre, Europe’s largest arts institution. “She was the first artist who made me feel that I could express myself, be whatever I wanted to be, and not be afraid of what the world might say,” said Bengi Ünsal, Southbank Centre’s head of contemporary music, when Jones was announced as curator in November. Though this year’s festival obviously won’t be going ahead because of coronavirus, Southbank Centre has confirmed that Jones will take charge of the 2021 festival instead. When she does, she’ll become the first black woman to oversee the 10-day event, which has previously been curated by the likes of David Bowie, Yoko Ono and David Byrne.\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cstrong\u003EA milestone month\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EEven with her Meltdown festival on hold, June 2020 is something of a milestone month for Jones because it marks the 40th anniversary of her first British hit. On 27 June 1980, around six weeks after Warm Leatherette was released, Jones dropped its third single: a thrillingly minimal cover of The Pretenders’ Private Life which cracked the UK top 20 and introduced her to a wider audience when she performed it, magnificently, on \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=4Mj1wtDsjxE\"\u003ETop of the Pops\u003C\u002Fa\u003E. Zebra Katz says it’s his favourite song on Warm Leatherette – “Grace’s voice has such a relaxed and controlled attitude and the track itself is just so incredibly lush” – and The Pretenders’ Chrissie Hynde is also a big fan. “When I first heard Grace’s version I thought ‘Now that’s how it’s supposed to sound!’” she wrote in the liner notes for Jones’s 1998 compilation Private Life: The Compass Point Sessions.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop-4"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08hfsj3"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop-5"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EMusically, Warm Leatherette was a bold \u003Cem\u003Evolte-face\u003C\u002Fem\u003E after Jones had launched her recording career with a trio of disco albums – 1977’s Portfolio, 1978’s Fame and 1979’s Muse – produced by \u003Ca href=\"https:\u002F\u002Fwww.factmag.com\u002F2013\u002F05\u002F10\u002Fa-beginners-guide-to-tom-moulton-inventor-of-the-remix-and-the-12-single\u002F\"\u003Eremix pioneer\u003C\u002Fa\u003E Tom Moulton. Jones’s disco era was moderately successful and proved she wasn’t just a fashionista dabbling in music. By this point, she’d already defied industry expectation to establish herself as a high-fashion model. Jones, who moved from Jamaica to Syracuse, New York, as a teenager, signed her first modelling contract at the age of 18. She then walked runways for Yves Saint Laurent, Kenzo and Azzedine Alaïa during a successful spell in Paris in the early 1970s, when she shared a flat with Jerry Hall and Jessica Lange. In her 2015 book I’ll Never Write my Memoirs, Jones recalls being confronted by blatant racism when she arrived in the French capital. A leading agent told her that “selling a black model in Paris is like trying to sell them an old car nobody wants to buy”, but Jones wasn’t put off, replying prophetically: “I’m going to make you eat those words”.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop-6"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"After the disco albums, I had decided that I was going to sing in my way, not try and become a conventional pop singer – Grace Jones","id":"culture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop-7"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EStill, Jones was never too enamoured with her modelling career, which she describes in I’ll Never Write my Memoirs as “throwaway”, so she soon parlayed her growing visibility into a viable music career. Her club-ready cover of Edith Piaf’s La Vie en Rose became a big hit in continental Europe in 1977; shortly after, a remixed version of her 1975 debut single I Need a Man hit number one on the Billboard dance chart, consolidating her popularity on the gay scene in the process.\u003C\u002Fp\u003E\n\u003Cp\u003EHowever, Jones’s disco-diva phase drew to a natural close as the genre’s popularity began to diminish. After 1979’s Muse album sold poorly, Island Records founder Chris Blackwell encouraged Jones to radically reinvent her sound to reflect her forceful personality and diverse musical influences. At Compass Point Studios in Nassau, Bahamas, he assembled an innovative, genre-fusing band centred around revered reggae musicians Sly Dunbar and Robbie Shakespeare. “Chris took all my different worlds and stuck them all together to create the Compass Point All Stars – the erotic French side, the acid tripping rock ‘n’ roller, the Jamaican drum and bass, the androgynous android electronics,” Jones recalls in I’ll Never Write my Memoirs.\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cstrong\u003EA unique voice\u003C\u002Fstrong\u003E\u003C\u002Fp\u003E\n\u003Cp\u003EAt the same time, Jones began to really embrace her imposing voice. “After the disco albums, I had decided that I was going to sing in my way, not try and become a conventional pop singer,” she writes in her book. She also says Blackwell “didn’t care that I sounded like a man or an entity”, and acknowledges that her strange vocal technique – “somewhere between half-speaking and half-singing” – perfectly complimented the androgynous visual style she was developing. Warm Leatherette was the first Jones album to have cover art designed by Goude, who would play an integral part in the startling way she presented herself to the world. The cover image shows Jones wearing heavy, almost drag-like makeup and a flattop hairstyle; it’s an early example of what Fairclough calls her ability to “celebrate and subvert conventional notions of the female form”.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop-8"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08hft56"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop-9"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EJones is often referred to as Goude’s ‘muse’, but he should be credited with helping to refine and elevate her aesthetic, not inventing it in the first place. Recalling Jones’s performance at a New York gay club in 1977, three years before Warm Leatherette, music critic Barry Walters \u003Ca href=\"https:\u002F\u002Fpitchfork.com\u002Ffeatures\u002Ffrom-the-pitchfork-review\u002F9708-as-much-as-i-can-as-black-as-i-am-the-queer-history-of-grace-jones\u002F\"\u003Ewrote in 2015\u003C\u002Fa\u003E: “She was as queer as a relatively straight person could get. Her image celebrated blackness and subverted gender norms; she presented something we had never seen before in pop performance – a woman who was lithe, sexy, and hyperfeminine while also exuding a ribald, butch swagger.” More than 40 years later, Dolly Bing Bing says Jones still inspires the way she presents herself because “my muscles make me look androgynous and yet I play with my female sexuality” – a paradox Jones ushered into the mainstream.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop-10"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"The song Walking in the Rain was a game-changer – Grace said it loud and clear about her presentation and it was animalistic and sexual and self-aware – Honey Dijon","id":"culture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop-11"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EAs Dijon points out, Jones was always a true original who used her distinctive image to enrich her equally distinctive music. Walking in the Rain, a song by Australian new wave band Flash in the Pan, which she covered on 1981’s Nightclubbing album, her follow-up to Warm Leatherette, almost sounds like a manifesto for Jones. “Feeling like a woman, looking like a man, sounding like a no-no, mating when I can,” she sings with a cool, confident ennui. “This tune was a game-changer – she said it loud and clear about her presentation and it was animalistic and sexual and self-aware,” Dijon says, adding: “It made me feel free to be myself in all of its complex dimensions – she gave me joy and hope.”\u003C\u002Fp\u003E\n\u003Cp\u003ECleverly chosen cover versions were as integral to the success of Warm Leatherette and Nightclubbing as Jones’s new, genre-fusing sound and unapologetic singing technique. Instead of suggesting show tunes like Send in the Clowns and Tomorrow, which she recorded during her disco phase, Blackwell encouraged Jones to put her own stamp on “unusual pop” songs by Roxy Music (Love Is the Drug), Iggy Pop (Nightclubbing) and Joy Division (She’s Lost Control). The results had the dramatic, avant-garde edge of her image. “When I sing a song I need to get into character, because it is all theatre to me,” Jones writes in I’ll Never Write my Memoirs, where she also admits that she can’t listen to her version of She’s Lost Control because she interpreted it literally and “lost control to such an extent I scared myself”. \u003C\u002Fp\u003E\n\u003Cp\u003EDuring this period, Jones also began to hone her songwriting skills. Released as Nightclubbing’s third single, the self-penned Pull Up to the Bumper pivots on a double entendre that perhaps only Jones could pull off – in 2008, \u003Ca href=\"https:\u002F\u002Fweb.archive.org\u002Fweb\u002F20110818072441\u002Fhttp:\u002Fnews.qthemusic.com\u002F2008\u002F12\u002Fgrace_jones_laughs_off_bumper.html\"\u003Eshe said coyly\u003C\u002Fa\u003E that it wasn’t “necessarily” about anal sex. Either way, it’s become one of her signature songs and a staple of her fabulous live shows. Jones then co-wrote all but one song on 1982’s Living My Life, the final album she made at Compass Point Studios. Standout tracks include My Jamaican Guy, which Jones sings largely in Jamaican Patois, and Nipple to the Bottle, which offers a bracingly honest account of breastfeeding and motherhood. “When you don’t get what you want, you scream and you shout, you’re still a baby,” Jones sings witheringly.\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop-12"},{"bodyHtml":{"assets":[]},"cardType":"Image","iFrameType":"","image":["p08hft7s"],"imageAlignment":"centre","imageOrientation":"landscape","id":"culture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop-13"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EAfter Living My Life, Jones cemented her status as an ’80s pop culture icon by transitioning into acting with roles opposite Arnold Schwarzenegger in 1984’s Conan the Destroyer and Roger Moore in the 1985 Bond film A View to a Kill. That year, she also scored one of her biggest hits with Slave to the Rhythm, a bombastic dance song produced by Frankie Goes to Hollywood collaborator Trevor Horn. By this point, she’d definitely earned the famous grand introduction afforded to her on the song by actor Ian McShane: “Ladies and Gentlemen... Miss Grace Jones.”\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop-14"},{"bodyHtml":{"assets":[]},"cardType":"PullQuote","iFrameType":"","pullQuote":"Forty years after she released her first great album, she remains as impossible to pigeonhole as her music","id":"culture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop-15"},{"bodyHtml":{"assets":[],"html":"\u003Cp\u003EHer subsequent musical output has been sparing, but often very impressive. Jones’s most recent album, 2008’s Hurricane, features what could be her most affecting song: Williams’ Blood. On this gospel-flecked ballad, Jones explores the dichotomy between her family’s religious beliefs – her father Robert was a Pentecostal minister – and her own rebellious nature, by aligning with her paternal grandfather, a musician who “womanised” as he “went from town to town” touring with Nat King Cole. Together with the 2015 book I’ll Never Write My Memoirs and Sophie Fiennes’s 2017 documentary Bloodlight and Bami, it shows a more human side to Jones – who was famously presented as a \u003Ca href=\"https:\u002F\u002Fwww.youtube.com\u002Fwatch?v=57OO9EGgdtg\"\u003Ecyborg-like racer in a car advert directed by Goude\u003C\u002Fa\u003E. In Fiennes’s film, she says she developed her formidable side by imitating her disciplinarian step-grandfather, saying: “That’s why I’m scary. That’s the male dominant scary person I become.”\u003C\u002Fp\u003E\n\u003Cp\u003EThen again, Jones seems to know never to give too much away because a certain amount of enigma enhances her appeal. Forty years after she released her first great album, Warm Leatherette, she remains as impossible to pigeonhole as the music which Dijon describes as a mix of “reggae, dub, disco, French ballads, rock, punk and rap”, while the advice she dishes out on the album’s biggest single – “Your private life drama, baby, leave it out” – is something she herself pays heed to. Jones’s own private life drama is for her alone to navigate; she’ll let us in only as much as she wants to.\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cbr \u002F\u003E \u003Cem\u003EIf you would like to comment on this story or anything else you have seen on BBC Culture, head over to our \u003C\u002Fem\u003E\u003Ca href=\"https:\u002F\u002Fwww.facebook.com\u002Fpages\u002FBBC-Culture\u002F237388053065908\"\u003E\u003Cem\u003E\u003Cstrong\u003EFacebook\u003C\u002Fstrong\u003E\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E page or message us on\u003C\u002Fem\u003E \u003Ca href=\"https:\u002F\u002Ftwitter.com\u002Fbbc_culture\"\u003E\u003Cem\u003E\u003Cstrong\u003ETwitter\u003C\u002Fstrong\u003E\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E.\u003C\u002Fem\u003E\u003C\u002Fp\u003E\n\u003Cp\u003E\u003Cem\u003EAnd if you liked this story, \u003C\u002Fem\u003E\u003Ca href=\"http:\u002F\u002Fpages.emails.bbc.com\u002Fsubscribe\u002F\"\u003E\u003Cem\u003E\u003Cstrong\u003Esign up for the weekly bbc.com features newsletter\u003C\u002Fstrong\u003E\u003C\u002Fem\u003E\u003C\u002Fa\u003E\u003Cem\u003E, called The Essential List. A handpicked selection of stories from BBC Future, Culture, Worklife and Travel, delivered to your inbox every Friday.\u003C\u002Fem\u003E\u003C\u002Fp\u003E"},"cardType":"Body","iFrameType":"","id":"culture\u002Farticle\u002F20200619-why-grace-jones-was-the-most-pioneering-queen-of-pop-16"}],"collection":["culture\u002Fcolumn\u002Fmusic"],"disableAdverts":false,"displayDate":"2020-06-22T09:00:07Z","embeddedCustomHtml":"","embeddedInfographicUrl":"","embeddedType":"infographic","geolocation":null,"headlineLong":"Why Grace Jones was the most pioneering queen of pop","headlineShort":"The most pioneering queen of pop","image":["p08hft60"],"imageAlignment":"centre","imageAltText":"","isSyndicated":false,"latitude":"","location":null,"longitude":"","mpsVideo":"","option":[{"Content":{"Description":"Apple News Publish: Select to publish, remove to unpublish. 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