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By analyzing the plate's design, which integrates various cultural symbols and artistic techniques from both London and Guangzhou, it posits that the object reflects a complex cognitive engagement with global trade and cultural exchange. Through this lens, the study highlights how such material artifacts not only signify status and identity but also reveal broader processes of globalization and the evolving nature of spatial and aesthetic perceptions during the early eighteenth century.","ai_title_tag":"Globalization and Material Culture in Artifacts"},"document_type":"paper","pre_hit_view_count_baseline":0,"quality":"high","language":"en","title":"“A Taste for the Interstitial (間): Translating Space from Beijing to London.” In David Sabean and Malina Stefanovska ed., Spaces of the Self. 281-304. Toronto: University of Toronto Press, 2012.","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [183848]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "control"; window.loswp.useOptimizedScribd4genScript = false; window.loginModal = {}; window.loginModal.appleClientId = 'edu.academia.applesignon'; window.userInChina = "false";</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":30471638,"attachmentType":"pdf"}"><img alt="First page of ““A Taste for the Interstitial (間): Translating Space from Beijing to London.” In David Sabean and Malina Stefanovska ed., Spaces of the Self. 281-304. Toronto: University of Toronto Press, 2012.”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/30471638/mini_magick20190426-1108-cbz0dt.png?1556333176" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/images/single_work_splash/adobe_icon.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">“A Taste for the Interstitial (間): Translating Space from Beijing to London.” In David Sabean and Malina Stefanovska ed., Spaces of the Self. 281-304. Toronto: University of Toronto Press, 2012.</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="183848" href="https://georgiasouthern.academia.edu/RobertBatchelor"><img alt="Profile image of Robert Batchelor" class="ds-work-card--author-avatar" src="https://0.academia-photos.com/183848/2726750/3175828/s65_robert.batchelor.jpg" />Robert Batchelor</a></div><div class="ds-work-card--detail"><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">24 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 2448574; const worksViewsPath = "/v0/works/views?subdomain_param=api&work_ids%5B%5D=2448574"; const getWorkViews = async (workId) => { const response = await fetch(worksViewsPath); if (!response.ok) { throw new Error('Failed to load work views'); } const data = await response.json(); return data.views[workId]; }; // Get the view count for the work - we send this immediately rather than waiting for // the DOM to load, so it can be available as soon as possible (but without holding up // the backend or other resource requests, because it's a bit expensive and not critical). const viewCount = await getWorkViews(workId); const updateViewCount = (viewCount) => { try { const viewCountNumber = parseInt(viewCount, 10); if (viewCountNumber === 0) { // Remove the whole views element if there are zero views. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); return; } const commaizedViewCount = viewCountNumber.toLocaleString(); const viewCountBody = document.getElementById('work-metadata-view-count'); if (!viewCountBody) { throw new Error('Failed to find work views element'); } viewCountBody.textContent = `${commaizedViewCount} views`; } catch (error) { // Remove the whole views element if there was some issue parsing. document.getElementById('work-metadata-view-count')?.parentNode?.remove(); throw new Error(`Failed to parse view count: ${viewCount}`, error); } }; // If the DOM is still loading, wait for it to be ready before updating the view count. if (document.readyState === "loading") { document.addEventListener('DOMContentLoaded', () => { updateViewCount(viewCount); }); // Otherwise, just update it immediately. } else { updateViewCount(viewCount); } })();</script></div><p class="ds-work-card--detail ds2-5-body-md">AI-generated Abstract</p><p class="ds-work-card--work-abstract ds-work-card--detail ds2-5-body-md">The paper explores the intricate relationship between material culture, globalization, and the concept of the self in early modernity through the case study of a porcelain plate commissioned by the Lees of Coton Hall. By analyzing the plate's design, which integrates various cultural symbols and artistic techniques from both London and Guangzhou, it posits that the object reflects a complex cognitive engagement with global trade and cultural exchange. Through this lens, the study highlights how such material artifacts not only signify status and identity but also reveal broader processes of globalization and the evolving nature of spatial and aesthetic perceptions during the early eighteenth century.</p><div class="ds-work-card--button-container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--work-card","attachmentId":30471638,"attachmentType":"pdf","workUrl":"https://www.academia.edu/2448574/_A_Taste_for_the_Interstitial_%E9%96%93_Translating_Space_from_Beijing_to_London_In_David_Sabean_and_Malina_Stefanovska_ed_Spaces_of_the_Self_281_304_Toronto_University_of_Toronto_Press_2012"}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--work-card","attachmentId":30471638,"attachmentType":"pdf","workUrl":"https://www.academia.edu/2448574/_A_Taste_for_the_Interstitial_%E9%96%93_Translating_Space_from_Beijing_to_London_In_David_Sabean_and_Malina_Stefanovska_ed_Spaces_of_the_Self_281_304_Toronto_University_of_Toronto_Press_2012"}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div><div class="ds-signup-banner-trigger-container"><div class="ds-signup-banner-trigger ds-signup-banner-trigger-control"></div></div><div class="ds-signup-banner ds-signup-banner-control"><div id="ds-signup-banner-close-button"><button class="ds2-5-button ds2-5-button--secondary ds2-5-button--inverse"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">close</span></button></div><div class="ds-signup-banner-ctas"><img src="//a.academia-assets.com/images/academia-logo-capital-white.svg" /><h4 class="ds2-5-heading-serif-sm">Sign up for access to the world's latest research</h4><button class="ds2-5-button ds2-5-button--inverse ds2-5-button--full-width js-swp-download-button" data-signup-modal="{"location":"signup-banner"}">Sign up for free<span class="material-symbols-outlined" style="font-size: 20px" translate="no">arrow_forward</span></button></div><div class="ds-signup-banner-divider"></div><div class="ds-signup-banner-reasons"><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Get notified about relevant papers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Save papers to use in your research</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Join the discussion with peers</span></div><div class="ds-signup-banner-reasons-item"><span class="material-symbols-outlined" style="font-size: 24px" translate="no">check</span><span>Track your impact</span></div></div></div><script>(() => { // Set up signup banner show/hide behavior: // 1. 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G. Ulrich Grossmann and Petra Krutisch, Nuremberg: Verlag des Germanischen Nationalmuseums, 2014.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="10478530" href="https://mit.academia.edu/KristelSmentek">Kristel Smentek</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"“Objects of Encounter: Mounting Asian Porcelain in Eighteenth-Century France,” in The Challenge of the Object / Die Herausforderung des Objekts, ed. G. Ulrich Grossmann and Petra Krutisch, Nuremberg: Verlag des Germanischen Nationalmuseums, 2014.","attachmentId":58716775,"attachmentType":"pdf","work_url":"https://www.academia.edu/12947301/_Objects_of_Encounter_Mounting_Asian_Porcelain_in_Eighteenth_Century_France_in_The_Challenge_of_the_Object_Die_Herausforderung_des_Objekts_ed_G_Ulrich_Grossmann_and_Petra_Krutisch_Nuremberg_Verlag_des_Germanischen_Nationalmuseums_2014","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/12947301/_Objects_of_Encounter_Mounting_Asian_Porcelain_in_Eighteenth_Century_France_in_The_Challenge_of_the_Object_Die_Herausforderung_des_Objekts_ed_G_Ulrich_Grossmann_and_Petra_Krutisch_Nuremberg_Verlag_des_Germanischen_Nationalmuseums_2014"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="1" data-entity-id="72461018" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/72461018/Women_on_Display_Narration_and_Cross_Media_Spaces_in_Seventeenth_and_Eighteenth_Century_Chinese_Porcelain">Women on Display: Narration and Cross Media Spaces in Seventeenth and Eighteenth-Century Chinese Porcelain</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="61315027" href="https://uni-heidelberg.academia.edu/%E5%8D%8E%E7%8E%8B">华王</a><span>, </span><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="824039" href="https://uni-heidelberg.academia.edu/SarahFraser">Sarah E Fraser</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Cross Media Women, Porcelain and Photography Collections in the Staatlichen Kunstsammlungen Dresden, 2022</p><p class="ds-related-work--abstract ds2-5-body-sm">The purpose of this essay, in conjunction with the exhibition we held at the Staatliche Kunstsammlungen Dresden from March 3 to June 5, 2017, is to highlight the singular importance of the Dresden collections in revealing the emergence of the representation of women in Chinese and Japanese visual culture in the seventeenth century. At the same time, the objects—porcelain and the spatial environments in which they were displayed—reflect a substantive transformation in the complexity of narrative compositions and motifs. We highlight porcelain in the early seventeenth century at the end of the Ming and beginning of the Qing dynasties to emphasize the links between the narrative revolution in the medium and the appearance of women on vessel surfaces. The importance of female-centered narratives is especially evident in the Dresden porcelain collection of Augustus the Strong (1670-1733)—entitled Elector of Saxony (1696-1733), King of Poland (1697-1706 and 1709-1733), and Augustus II the Strong (Friedrich August I, r. 1694-1733)—due to the intensity and rapidity in which royal ceramics were amassed for his court (ca. 1715-1730). The Staatliche Kunstsammlungen Dresden (Dresden State Collections) contain Chinese Jingdezhen products for the domestic, non-imperial (Chinese) market in addition to objects such as Kraak ware destined for the overseas market. In their multiple transfers, these ceramics blur the distinction between porcelain “made for export” and objects that “were exported.” That is, critical developments occur in Chinese ceramic production during the so-called Transitional Period (1620-1683) that distinguish it from preceding history; these developments encouraged us to focus on the dual issues of “cross media” and “women.”</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Women on Display: Narration and Cross Media Spaces in Seventeenth and Eighteenth-Century Chinese Porcelain","attachmentId":81377458,"attachmentType":"pdf","work_url":"https://www.academia.edu/72461018/Women_on_Display_Narration_and_Cross_Media_Spaces_in_Seventeenth_and_Eighteenth_Century_Chinese_Porcelain","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/72461018/Women_on_Display_Narration_and_Cross_Media_Spaces_in_Seventeenth_and_Eighteenth_Century_Chinese_Porcelain"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="2" data-entity-id="30975988" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/30975988/_A_Home_Away_from_Home_Sophie_Magdalene_s_Clockwork_Chinoiserie_The_Material_Cultures_of_Enlightenment_Arts_and_Sciences_eds_Adriana_Craciun_and_Simon_Schaffer_Palgrave_Macmillan_2016_171_189">‘A Home Away from Home: Sophie Magdalene’s Clockwork Chinoiserie’, The Material Cultures of Enlightenment Arts and Sciences, eds. Adriana Craciun and Simon Schaffer, Palgrave Macmillan (2016), 171-189.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="4855661" href="https://au.academia.edu/JosefineBaark">Josefine Baark</a></div><p class="ds-related-work--abstract ds2-5-body-sm">This article exemplifies key issues at stake in the exchange of mechanical artwork between Europe and China and demonstrates these concretely through the trade in miniature mechanical models. It charts the eighteenth century introduction of European mechanical craftsmanship to China, and it analyses the iconographic links between several Chinese-made mechanical models in Danish collections and the models found at the Chinese court. The argument put forward is that European acquisitiveness did not disregard Chinese skill and craftsmanship, even in a field where the Europeans has an established and prestigious craft tradition. The way in which these rare marvels were displayed in royal Danish interiors ultimately underscores the point that in relation to China, Northern Europeans were intrigued by beauty and rarity, rather than cultural curiosity or a need for political or technological dominance in the East.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"‘A Home Away from Home: Sophie Magdalene’s Clockwork Chinoiserie’, The Material Cultures of Enlightenment Arts and Sciences, eds. Adriana Craciun and Simon Schaffer, Palgrave Macmillan (2016), 171-189.","attachmentId":51408872,"attachmentType":"pdf","work_url":"https://www.academia.edu/30975988/_A_Home_Away_from_Home_Sophie_Magdalene_s_Clockwork_Chinoiserie_The_Material_Cultures_of_Enlightenment_Arts_and_Sciences_eds_Adriana_Craciun_and_Simon_Schaffer_Palgrave_Macmillan_2016_171_189","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/30975988/_A_Home_Away_from_Home_Sophie_Magdalene_s_Clockwork_Chinoiserie_The_Material_Cultures_of_Enlightenment_Arts_and_Sciences_eds_Adriana_Craciun_and_Simon_Schaffer_Palgrave_Macmillan_2016_171_189"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="3" data-entity-id="42460897" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/42460897/Translation_Transformation_and_Refiguration_The_significance_of_Jingdezhen_and_the_materiality_of_porcelain_in_the_work_of_two_contemporary_Chinese_artists">Translation Transformation and Refiguration: The significance of Jingdezhen and the materiality of porcelain in the work of two contemporary Chinese artists</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="6993066" href="https://unsw.academia.edu/LuiseGuest">Luise Guest</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Journal of Contemporary Chinese Art, 2019</p><p class="ds-related-work--abstract ds2-5-body-sm">In December 2016 a group of researchers led by Professor Jiang Jiehong travelled to Jingdezhen as fieldwork for the Everyday Legend research project, funded by the Leverhulme Trust. Representing the White Rabbit Collection of Contemporary Chinese Art, a partner organization in Sydney, Australia, I was invited to participate. This article developed from reflections on the fieldwork component of the research project, as well as the formal and informal discussions that took place, at the time and subsequently, in Shanghai, Birmingham, Groningen and London. In 2018, as a further development of this process of reflection, I conducted semi-structured interviews with two artists of different generations: the article examines how Liu Jianhua (刘建华) and Geng Xue (耿雪) approach the use of porcelain as a contemporary art material. Each has spent extensive periods of time in Jingdezhen and each is immersed in this particularly Chinese tradition. At the same time, each is identified (and identifies themselves) as practising in a global contemporary art context and participates in exhibitions and exchanges internationally. Considered in the context of current and historical discourses around global contemporaneity and its manifestations in twenty-first-century China, their work illuminates the key question that the Everyday Legend project was designed to examine: how can contemporary art and traditional Chinese craft practices intersect, informing and enriching each other? As representatives, respectively, of the generation who emerged into the first years of the post-Cultural Revolution Reform and Opening period, and of a younger generation educated partly outside China, they reveal how Chinese artists strategically negotiate local and global in positioning their work as contemporary reinventions of traditional forms and materiality.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Translation Transformation and Refiguration: The significance of Jingdezhen and the materiality of porcelain in the work of two contemporary Chinese artists","attachmentId":62634097,"attachmentType":"docx","work_url":"https://www.academia.edu/42460897/Translation_Transformation_and_Refiguration_The_significance_of_Jingdezhen_and_the_materiality_of_porcelain_in_the_work_of_two_contemporary_Chinese_artists","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/42460897/Translation_Transformation_and_Refiguration_The_significance_of_Jingdezhen_and_the_materiality_of_porcelain_in_the_work_of_two_contemporary_Chinese_artists"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="4569769" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/4569769/Material_Culture_and_the_Other_European_Encounters_with_Chinese_Porcelain_ca_1650_1800">Material Culture and the Other: European Encounters with Chinese Porcelain, ca. 1650-1800</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="2425658" href="https://warwick.academia.edu/AnneGerritsen">Anne Gerritsen</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Journal of World History, 2012</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Material Culture and the Other: European Encounters with Chinese Porcelain, ca. 1650-1800","attachmentId":36206242,"attachmentType":"pdf","work_url":"https://www.academia.edu/4569769/Material_Culture_and_the_Other_European_Encounters_with_Chinese_Porcelain_ca_1650_1800","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/4569769/Material_Culture_and_the_Other_European_Encounters_with_Chinese_Porcelain_ca_1650_1800"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="40321110" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/40321110/Vase_Madness_Vases_and_the_Antique_taste_in_British_ceramics_1765_1790_in_A_taste_for_the_Antique_the_Neo_Classical_style_and_ceramics_in_England_c_1770_c_1800_pp_83_114">''Vase Madness': Vases and the Antique taste in British ceramics, 1765-1790', in A taste for the Antique: the Neo-Classical style and ceramics in England, c. 1770 - c. 1800, pp. 83-114.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="538683" href="https://soas.academia.edu/PatriciaFerguson">Patricia Ferguson</a></div><p class="ds-related-work--metadata ds2-5-body-xs">English Ceramic Circle, 2018</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"''Vase Madness': Vases and the Antique taste in British ceramics, 1765-1790', in A taste for the Antique: the Neo-Classical style and ceramics in England, c. 1770 - c. 1800, pp. 83-114.","attachmentId":60563533,"attachmentType":"pdf","work_url":"https://www.academia.edu/40321110/Vase_Madness_Vases_and_the_Antique_taste_in_British_ceramics_1765_1790_in_A_taste_for_the_Antique_the_Neo_Classical_style_and_ceramics_in_England_c_1770_c_1800_pp_83_114","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/40321110/Vase_Madness_Vases_and_the_Antique_taste_in_British_ceramics_1765_1790_in_A_taste_for_the_Antique_the_Neo_Classical_style_and_ceramics_in_England_c_1770_c_1800_pp_83_114"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="43197590" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/43197590/_The_unhappie_ruines_of_Mary_II_s_lacquer_screen_Constantijn_Huygens_plea_to_preserve_a_Chinese_artefact_1685_1686_in_Weststeijn_ed_Foreign_Devils_and_Philosophers_Cultural_Encounters_between_the_Chinese_the_Dutch_and_Other_Europeans_1590_1800_Brill_Boston_and_Leiden_2020_148_204">“The ‘unhappie ruines’ of Mary II’s lacquer screen: Constantijn Huygens’ plea to preserve a Chinese artefact, 1685-1686” in Weststeijn (ed.) 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