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border-b-[1px]">MEMBERSHIP</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://www.recordingacademy.com/membership/governance">Governance</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://www.recordingacademy.com/producers-engineers-wing">Producers & Engineers Wing</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://www.recordingacademy.com/songwriters-composers-wing">Songwriters & Composers Wing</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://www.recordingacademy.com/membership/grammy-u">GRAMMY U</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://members.recordingacademy.com/s/login/?language=en_US">Membership Login</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://members.recordingacademy.com/s/?language=en_US">Join Membership</a></li></ul></div></div></div><div class="overlay z-10"></div></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://grammy.com/awards" target="_self" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">Awards</a><div class="z-[100] mega-nav absolute overflow-hidden left-0 w-full h-auto font-normal px-6 pt-6 pb-7 top-[70px] border-t-2 border-[#CCC] shadow-xl bg-white false"><style> .current-link { border-color: ; color: ; } </style><div class="container flex max-h-[546px] w-full"><div class="pr-5 w-full max-w-[500px] pb-6 pt-6 lg:pt-3"><a href="https://grammy.com/awards" class="flex flex-shrink-0"><img src="https://i8.amplience.net/i/naras/GRAMMYS_2025_HERO_6?fmt=auto&w=500" width="525" alt="Graphic featuring graphics for the 2025 GRAMMYs"/></a></div><div class="flex flex-col flex-wrap w-full flex-grow"><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/awards" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">GRAMMY AWARD SHOWS</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://naras.a.bigcontent.io/v1/static/67thAwards_PressList_11072024">67th GRAMMY Nominations: Full List</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list">2025 GRAMMYs: See The Full Nominees List</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://live.grammy.com/">Watch: 2025 GRAMMY Nominations In Full</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://qrco.de/bdyS50">2025 GRAMMY Nominations Announcement Schedule</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://www.grammy.com/awards/67th-annual-grammy-awards-2024">67th Annual GRAMMY Awards (2024)</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://amazon.com/grammys">GRAMMY Shop</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/music-genres" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">MUSIC GENRES</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com#" target="_self" class="font-bold border-solid text-[10px] pb-[5px] border-black ">SPECIAL MERIT AWARDS</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/lifetime-achievement-awards">Lifetime Achievement Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/trustee-awards">Trustees Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/technical-awards">Technical GRAMMY Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/music-educator-award">Music Educator Award</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/hall-of-fame-award">GRAMMY Hall Of Fame</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/awards/legends">GRAMMY Legend Award</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/awards/best-song-for-social-change-award" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">HARRY BELAFONTE BEST SONG FOR SOCIAL CHANGE AWARD</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://recordingacademy.com/awards" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] current-link border-b-[1px]">GRAMMY AWARDS PROCESS</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" href="https://recordingacademy.com/awards/voting-process">Voting Process</a></li><li class="pl-6 pb-2"><a target="_target" class="border-solid text-[12px] hover:font-medium pb-[5px] current-link border-b-[1px]" 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class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://grammy.com/news" target="_self" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">News</a></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://grammy.com/videos" target="_self" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">Videos</a><div class="z-[100] mega-nav absolute overflow-hidden left-0 w-full h-auto font-normal px-6 pt-6 pb-7 top-[70px] border-t-2 border-[#CCC] shadow-xl bg-white false"><style> .current-link { border-color: ; color: ; } </style><div class="container flex max-h-[546px] w-full"><div class="pr-5 w-full max-w-[500px] pb-6 pt-6 lg:pt-3"><a href="https://www.grammy.com/videos" class="flex flex-shrink-0"><img src="https://i8.amplience.net/i/naras/2025_grammy_nominations_67G-Key-Art-Variation-03_1644x925?fmt=auto&w=500" width="525" alt="Image of GRAMMY Award trophy"/></a></div><div class="flex flex-col flex-wrap w-full flex-grow"><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://grammy.com/videos" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">GRAMMY ORIGINAL SERIES</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/grammys-red-carpet-flashback-videos">GRAMMY Red Carpet Flashback</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/grammy-great-performances">GRAMMY Great Performances</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/grammy-rewind-grammys">GRAMMY Rewind</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/global-spin-grammys">Global Spin</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/it-goes-to-11-videos-grammys">It Goes To 11</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/reimagined-grammys">ReImagined</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/where-do-you-keep-your-grammy">Where Do You Keep Your GRAMMY?</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/positive-vibes-only-grammys">Positive Vibes Only</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/press-play-grammys">Press Play</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/for-the-record-grammys">For The Record</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/behind-the-boards-grammys">Behind The Board</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/herbal-tea-white-sofas-grammys">Herbal Tea & White Sofas</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/series-or-collection/family-matters">Family Matters</a></li></ul><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://live.grammy.com" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">WATCH GRAMMY LIVE!</a></li></ul></div></div></div><div class="overlay z-10"></div></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://grammy.com/music-genres" target="_self" class="block text-sm p-[2px] border-solid hover:font-medium border-black hover:border-b-[1px]">Genres</a><div class="z-[100] mega-nav absolute overflow-hidden left-0 w-full h-auto font-normal px-6 pt-6 pb-7 top-[70px] border-t-2 border-[#CCC] shadow-xl bg-white false"><style> .current-link { border-color: ; color: ; } </style><div class="container flex max-h-[546px] w-full"><div class="pr-5 w-full max-w-[500px] pb-6 pt-6 lg:pt-3"><a href="https://www.grammy.com/music-genres" class="flex flex-shrink-0"><img src="https://i8.amplience.net/i/naras/2025_grammy_nominations_67G-Key-Art-Variation-04_1644x925?fmt=auto&w=500" width="525" alt="A close-up graphic of a GRAMMY Award trophy"/></a></div><div class="flex flex-col flex-wrap w-full flex-grow"><ul class="subnav-column w-auto max-w-[440px]"><li class="px-4 pb-3 pt-6 lg:pt-3"><a href="https://www.grammy.com/music-genres" target="_self" class="font-bold border-solid text-[10px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default">ALL MUSIC GENRES</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/pop">Pop</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/rock">Rock</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/r-and-b">R&B</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/country">Country</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/rap">Rap</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/latin">Latin</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/global-music">Global Music</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/gospel-contemporary-christian-music">Gospel & Contemporary Christian Music</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/new-age">New Age</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/jazz">Jazz</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/alternative">Alternative</a></li><li class="pl-6 pb-2"><a target="_self" class="border-solid text-[12px] hover:font-medium pb-[5px] border-black hover:border-b-[1px] cursor-default" href="https://grammy.com/music-genre/dance-electronic-music">Dance/Electronic</a></li></ul></div></div></div><div class="overlay z-10"></div></li><li class="px-[5px] py-[8px] has-menu flex items-center h-full whitespace-nowrap"><a href="https://www.amazon.com/grammys" target="_blank" class="block text-sm p-[2px] border-solid 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src="https://i8.amplience.net/i/naras/youtube_new"/></div></div></div><div class="w-[436px] justify-between items-center inline-flex"><div class="text-black text-sm font-['Polaris']">Musicares</div><div class="h-4 justify-start items-start gap-4 flex"><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/facebook_solid"/></div><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/x_corp"/></div><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/instagram_new"/></div><div class="w-4 h-4 relative"><img class="w-[13.33px] h-[13.33px] left-[1.33px] top-[1.33px] absolute" src="https://i8.amplience.net/i/naras/youtube_new"/></div></div></div><div class="w-[436px] justify-between items-center inline-flex"><div class="text-black 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h-full p-0 m-0 border-0"></button></div><div class="z-[100] subscribe-nav absolute overflow-hidden left-0 w-full h-auto font-normal px-2 pt-5 pb-12 mb-16 top-[70px] border-t-2 border-[#CCC] bg-white"><div class="p-3 mx-auto"><div class="flex flex-wrap md-xl:flex-nowrap md-xl:max-h-[546px] w-full"><div class="flex flex-col md-xl:flex-subscribeFirst md-xl:pr-20 w-full"><iframe src="https://newsletter.grammy.com/grammy-header-subscribe?site=grammy" width="100%" frameborder="0" height="500px" scrolling="no"></iframe></div><div class="mt-[40px] flex flex-col md-xl:flex-subscribeSecond md-xl:mt-0"><h2 class="text-[24px] leading-tight mt-[15px] ">Join us on Social</h2><ul class="mt-[20px] p-0 m-0 flex flex-wrap text-xs font-medium leading-none list-none cursor-pointer uppercase"><li class="flex flex-full items-center "><span class="w-[161px] md-xl:w-[120px] text-11">RECORDING ACADEMY</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="https://www.facebook.com/RecordingAcademy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/RecordingAcad" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.instagram.com/RecordingAcademy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/instagram" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.youtube.com/user/TheGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/youtube" alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">GRAMMYS</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="https://www.facebook.com/RecordingAcademy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/RecordingAcad" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.instagram.com/RecordingAcademy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/instagram" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.youtube.com/user/TheGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/youtube" alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">MEMBERSHIP</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="https://www.facebook.com/RecordingAcademy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/RecordingAcad" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.instagram.com/RecordingAcademy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/instagram" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.youtube.com/user/TheGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/youtube" alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">ADVOCACY</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="https://www.facebook.com/GRAMMYAdvocacy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/GRAMMYAdvocacy" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">MUSICARES</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="https://www.facebook.com/MusiCares" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/MusiCares" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.instagram.com/musicares" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/instagram" alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">LATIN GRAMMYS</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="http://www.facebook.com/LatinGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="http://twitter.com/LatinGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="http://www.instagram.com/LatinGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/instagram" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="http://www.youtube.com/latinGRAMMYs" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/youtube" alt=""/></a></li></ul></li><li class="flex flex-full items-center mt-[20px]"><span class="w-[161px] md-xl:w-[120px] text-11">GRAMMY MUSEUM</span><ul class="flex flex-nowrap flex-auto"><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] inline-block md-xl:ml-[30px]" href="https://www.facebook.com/grammymuseum/" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/facebook_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://twitter.com/GRAMMYMuseum" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/twitter_solid" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.instagram.com/grammymuseum/" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/instagram" alt=""/></a></li><li class="ml-[10px] flex-initial block leading-0"><a class="w-[25px] h-[20px] ml-[12px] inline-block" href="https://www.youtube.com/user/thegrammymuseum" target="_blank" rel="noopener noreferrer"><img class="w-full h-full object-contain" src="https://naras.a.bigcontent.io/v1/static/youtube" alt=""/></a></li></ul></li></ul></div></div></div></div><div class="overlay z-10"></div></div></div></div><main class="flex flex-col flex-grow w-full"><section class="h-full w-full"><div class="flex flex-col md-xl:flex-row"><div class="flex flex-col w-full md-xl:max-w-[60%] overflow-hidden" style="height:55vw"><div class="w-full h-full relative"><img style="height:55vw" src="https://i8.amplience.net/i/naras/steel-pulse_MI0001401155-MN0000745584" alt="Steel Pulse" class="w-[100%] object-cover"/></div></div><div class="relative p-4 md-xl:py-6 md-xl:px-20 font-galaxy-polaris md-xl:w-[40%] text-black"><div class="z-auto bg-gradient-to-t bottom-[100%] w-full md-xl:right-[100%] md-xl:block md-xl:top-0 md-xl:w-[40%] md-xl:h-[100%] absolute md-xl:bg-gradient-to-l from-white"></div><div class="w-full flex justify-between"><h3 class="text-base md-xl:text-[1vw] md-xl:leading-normal font-bold uppercase">Artist</h3><div class="flex items-end"><div class="mr-[20px]"><a class="" href="https://twitter.com/intent/tweet?url="><img class="opacity-30" src="https://naras.a.bigcontent.io/v1/static/twitter" alt=""/></a></div><div><a class="" href="https://www.facebook.com/sharer/sharer.php?u="><img class="opacity-30" src="https://naras.a.bigcontent.io/v1/static/facebook" alt=""/></a></div></div></div><h1 class="text-6xl md-xl:text-[4vw] md-xl:leading-normal mt-[30px]">Steel Pulse</h1><div class="flex mt-20px"><div class="mr-90px"><h4 class="text-base md-xl:text-[1vw] md-xl:leading-normal text-predominant-color font-bold">WINS*</h4><h1 class="text-6xl md-xl:text-[4vw] md-xl:leading-normal text-predominant-color">1</h1></div><div><h4 class="text-base md-xl:text-[1vw] md-xl:leading-normal font-bold opacity-60">NOMINATIONS*</h4><h1 class="text-6xl md-xl:text-[4vw] md-xl:leading-normal opacity-60">9</h1></div></div><h2 class="text-base md-xl:text-[1.25vw] md-xl:leading-normal mt-40px"><span class="text-predominant-color">62nd Annual GRAMMY Awards</span></h2><div class="border-faint-gray border-t border-b py-30px mt-10px relative"><div class="slick-slider slick-initialized"><div class="slick-list"><div class="slick-track" style="width:100%;left:0%"><div data-index="0" class="slick-slide slick-active slick-current" tabindex="-1" aria-hidden="false" style="outline:none;width:100%;position:relative;left:0;opacity:1;transition:opacity 1500ms ease, visibility 1500ms ease"><div><div tabindex="-1" style="width:100%;display:inline-block"><div class="flex"><img class="w-[80px] md-xl:w-[20%] h-[80px] md-xl:h-[20%]" src="https://naras.a.bigcontent.io/v1/static/artist_default_200x200" alt=""/><div class="px-18px"><h4 class="text-base md-xl:text-[0.9vw] md-xl:leading-normal text-predominant-color">NOMINATION</h4><h3 class="text-base md-xl:text-[1vw] md-xl:leading-normal font-bold opacity-60">Best Reggae Album</h3><h2 class="text-base md-xl:text-[1.1vw] md-xl:leading-normal font-bold">Mass Manipulation</h2></div></div></div></div></div></div></div></div></div><a><h3 class="text-base md-xl:text-[1vw] md-xl:leading-normal text-predominant-color font-bold mt-20px uppercase cursor-pointer">View All Nominations For This Artist</h3></a><p class="text-base md-xl:text-[1vw] md-xl:leading-normal text-title-gray mt-20px">Through the 65th GRAMMY Awards</p></div></div><div class="info-container max-w-[1414px] xl:flex justify-between mx-auto px-[8px] justify-evenly"></div><section class="relative overflow-hidden md-xl:min-h-[425px] hidden"><h3 class="pl-4 md-xl:pl-20 mb-5 font-galaxy-polaris text-[#666666] text-xl">Steel Pulse Videos</h3><style> .dynamic-video-container { height: 100%; position: relative; } .dynamic-video-buttons { transition: opacity 0.2s ease-in-out; opacity: 0; height: 0; } .dynamic-video-container:hover .dynamic-video-buttons { opacity: 1; height: auto; } .dynamic-video-carousel { padding-left: 1.25rem; width: 100%; overflow: visible !important; } .dynamic-video-carousel .embla__container { display: flex; gap: 10px; } .dynamic-video-carousel .embla__slide { position: relative; flex: 0 0 190px; } .dynamic-video-carousel .embla__slide .video-desc { padding-top: 1.5rem; transform-origin: center; transition: 0.2s; } .dynamic-video-carousel .embla__slide .watch-now { display: none; } .dynamic-video-embla-button .embla__button { outline: 0; cursor: pointer; touch-action: manipulation; position: absolute; top: -25%; height: 130%; width: 50px; background-color: #fff; opacity: 0.7; border-radius: 0; } .dynamic-video-embla-button .embla__button:disabled { cursor: default; opacity: 0.3; } .dynamic-video-carousel.news-carousel { padding-left: 0 !important; } .dynamic-video-carousel.news-carousel .embla__slide { flex: 0 0 190px; font-size: 14px; } .dynamic-video-carousel.news-carousel .embla__slide:hover .video-desc { font-size: 12px; padding: 10px; } .dynamic-video-carousel.news-carousel .embla__slide:hover .watch-now { display: flex; } @media (min-width: 940px) { .dynamic-video-carousel { height: auto; padding-left: 5rem; } .dynamic-video-carousel .embla__slide { position: relative; flex: 0 0 340px; } .dynamic-video-carousel .embla__slide:hover .video-desc { padding: 20px; } .dynamic-video-carousel .embla__slide:hover .watch-now { display: flex; } } </style><div class="dynamic-video-container"><div class="dynamic-video-carousel relative "><div class="embla__container"></div></div><div class="dynamic-video-buttons"><div class="dynamic-video-embla-button"><button class="embla__button embla__button--prev left-0 swiper" disabled=""><i class="arrow left"></i></button></div><style></style><div class="dynamic-video-embla-button"><button class="embla__button right-0 swiper-next" disabled=""><i class="arrow right"></i></button></div></div></div></section><div class="news-carousel relative mt-10 mb-10"><style> .news-carousel .flickity-slider { transition: transform 0.3s linear; } .news-carousel .flickity-button { display: none; background-color: #fff; height: 60px; width: 60px; z-index: 10; } .news-carousel .flickity-button-icon { fill: black; } .news-carousel .flickity-prev-next-button .flickity-button-icon { left: 15%; } .news-carousel .flickity-viewport::before, .news-carousel .flickity-viewport::after { content: ""; background-color: #fff; opacity: 0.7; position: absolute; height: 100%; width: 24px; z-index: 1; } .news-carousel .flickity-viewport::before { top: 0; left: 0; visibility:hidden; } .news-carousel .flickity-viewport::after { top: 0; right: 0; visibility:hidden; } .news-carousel .flickity-button:disabled { display: none; } @media (min-width: 940px) { .news-carousel .flickity-viewport::before, .news-carousel .flickity-viewport::after { width: 87px; } .news-carousel .flickity-button { display: block; } } @media (max-width: 640px) { .carousel-title { max-width: 360px; margin-left: 0px; margin-right: 0px; } </style><div class="w-full flex flex-col md:flex-row items-center justify-between pl-4 pr-4 mb-7 md-xl:pl-20"><h3 class="text-[#666] font-galaxy-polaris text-xl md-xl:text-2xl carousel-title "><span class="font-semibold">Steel Pulse</span> <span>News</span></h3><p class="text-predominant-color uppercase font-bold font-galaxy-polaris text-sm tracking-wider"><a href="/search/steel pulse?search_type=news">View All News</a></p></div><div class="news-carousel h-full overflow-x absolute"></div></div><div id="Steel Pulse-detail" class="bg-faint-gray-background pl-4 pr-4 pt-70px pb-70px md-xl:pl-20 md-xl:pr-20"><h2 class="text-24 leading-48px opacity-60">All GRAMMY Awards and Nominations for <span class="font-bold">Steel Pulse</span></h2><div class="mt-36px"><div class="bg-white border-t border-r border-l border-gray-border "><div class="flex"><button class="cursor-pointer outline-none focus:outline-none w-full"><div class="flex items-center justify-between mx-18px md-xl:mx-60px border-b border-faint-gray"><h2 class="text-16 leading-24px md-xl:text-24 md-xl:leading-48px py-30px font-bold ">62nd Annual GRAMMY Awards</h2><img src="https://i8.amplience.net/i/naras/awards-collapse-arrow" alt=""/></div></button></div><div class=""><div class="md-xl:flex px-18px md-xl:px-60px"><div class="mt-36px"><h2 class="text-14 md-xl:text-20 leading-24px opacity-60 font-bold">Nominations</h2><div class="mt-20px md-xl:mt-38px flex flex-wrap justify-between"><div class="flex max-w-370px w-full pb-30px"><img class="w-80px h-80px mr-20px" src="https://naras.a.bigcontent.io/v1/static/artist_default_200x200" alt=""/><div class=""><h4 class="text-14 md-xl:text-16 leading-24px mb-4px opacity-60 font-bold">Best Reggae Album</h4><h4 class="text-18 md-xl:text-16 leading-24px font-bold">Mass Manipulation</h4></div></div></div></div></div><div class="md-xl:flex justify-end px-18px md-xl:px-60px pb-36px md-xl:pb-25px"><a href="/awards/62nd-annual-grammy-awards-2019"><h3 class="text-14 md-xl:text-18 leading-48px text-predominant-color font-bold uppercase">More from the 62nd Awards</h3></a></div></div></div><div class="bg-faint-gray-background border-t border-r border-l border-gray-border "><div class="flex"><button class="cursor-pointer outline-none focus:outline-none w-full"><div class="flex items-center justify-between mx-18px md-xl:mx-60px "><h2 class="text-16 leading-24px md-xl:text-24 md-xl:leading-48px py-30px font-bold opacity-60">47th Annual GRAMMY Awards</h2><img src="https://i8.amplience.net/i/naras/awards-expand-arrow" alt=""/></div></button></div></div><div class="bg-faint-gray-background border-t border-r border-l border-gray-border "><div class="flex"><button class="cursor-pointer outline-none focus:outline-none w-full"><div class="flex items-center justify-between mx-18px md-xl:mx-60px "><h2 class="text-16 leading-24px md-xl:text-24 md-xl:leading-48px py-30px font-bold opacity-60">42nd Annual GRAMMY Awards</h2><img src="https://i8.amplience.net/i/naras/awards-expand-arrow" alt=""/></div></button></div></div><div class="bg-faint-gray-background border-t border-r border-l border-gray-border "><div class="flex"><button class="cursor-pointer outline-none focus:outline-none w-full"><div class="flex items-center justify-between mx-18px md-xl:mx-60px "><h2 class="text-16 leading-24px md-xl:text-24 md-xl:leading-48px py-30px font-bold opacity-60">40th Annual GRAMMY Awards</h2><img 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And sure, her 2002 debut album repeated that song's chart-topping success, spawning a Best Pop Vocal GRAMMY-nominated second hit (\"Miss Independent\") in the process. But by 2004, there was certainly no guarantee that the general public — who also had two other \"Idol\" winners (\u003c/span\u003e[\u003cspan\u003eRuben Studdard\u003c/span\u003e](https://www.grammy.com/artists/ruben-studdard/6792)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eFantasia Barrino\u003c/span\u003e](https://www.grammy.com/artists/fantasia/16673)\u003cspan\u003e) and numerous other finalists with record deals to invest in — would be as interested without the springboard of the Fox juggernaut.\u003c/span\u003e\n\n\u003cspan\u003eLet's not forget how the disastrous 10-time Razzie-nominated movie\u003c/span\u003e *\u003cspan\u003eFrom Justin to Kelly\u003c/span\u003e* \u003cspan\u003ealone could have sunk her career. And her numerous other \"Idol\" obligations — including the ratings flop \"World Idol\" in which she finished second behind Norwegian unknown Kurt Nilsen — didn't exactly help her cause, either.\u003c/span\u003e\n\n\u003cspan\u003eLuckily, Clarkson had the courage of her convictions. She ditched \"Idol\" impresario Simon Fuller as her manager, regularly went head-to-head with RCA boss \u003c/span\u003e[\u003cspan\u003eClive Davis\u003c/span\u003e](https://www.grammy.com/artists/clive-davis/2689)\u003cspan\u003e, and largely abandoned the lightweight R\u0026amp;B/pop of her debut for an assertive blend of angst-ridden guitars, introspective lyrics and skyscraping choruses designed to be belted out at maximum velocity. The result? Her biggest album to date:\u003c/span\u003e *\u003cspan\u003eBreakaway\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eFrom the moment she won \"Idol,\" Clarkson accepted that she'll never fully escape her prime-time roots (\"I'm the first one, so it's going to be on my grave\" she told \u003c/span\u003e[\u003cspan\u003eMTV\u003c/span\u003e](https://web.archive.org/web/20110611062457/http://www.mtv.com/news/articles/1488120/kelly-clarkson-hopes-record-with-fantasia.jhtml) \u003cspan\u003ein 2005). But with\u003c/span\u003e *\u003cspan\u003eBreakaway\u003c/span\u003e*\u003cspan\u003e, she didn't just prove to the world that she was a full-fledged artist — she ensured that it would be followed by countless other milestones and achievements, too.\u003c/span\u003e\n\n\u003cspan\u003eIn honor of the album's 20th anniversary, take a look at some of the ways\u003c/span\u003e *\u003cspan\u003eBreakaway\u003c/span\u003e* \u003cspan\u003ehelped Clarkson come into her own.\u003c/span\u003e\n\n## \u003cspan\u003eIt's One Of The '00s Biggest Selling Albums\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Kelly Clarkson Breakaway","deliveryId":"0c3ac7e9-aa15-42b0-8402-9151b905cce1"},"videoUrl":"https://www.youtube.com/watch?v=c-3vPxKdj6o"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - Kelly Clarkson Breakaway anniversary piece","deliveryId":"b90bc1d5-3a74-40bc-ab91-a37fd9114ee5"},"bodyText":{"richText":"*\u003cspan\u003eBreakaway\u003c/span\u003e* \u003cspan\u003eentered the Billboard 200 at No. 3 with first-week sales of 250,000, a figure 47,000 short of that achieved by her chart-topping debut, 2003's\u003c/span\u003e *\u003cspan\u003eThankful\u003c/span\u003e*\u003cspan\u003e. But proving that the race to multi-platinum status is often a marathon, not a sprint, Clarkson's second studio effort sold consistently throughout the following 12 months; in fact, it stayed inside the Top 20 for more than a year. And by the end of 2005, it had more than doubled its predecessor's sales.\u003c/span\u003e\n\n\u003cspan\u003eIndeed, only \u003c/span\u003e[\u003cspan\u003eMariah Carey\u003c/span\u003e](https://www.grammy.com/artists/mariah-carey/856)\u003cspan\u003e's comeback\u003c/span\u003e *\u003cspan\u003eThe Emancipation of Mimi\u003c/span\u003e* \u003cspan\u003eand \u003c/span\u003e[\u003cspan\u003e50 Cent\u003c/span\u003e](https://www.grammy.com/artists/50-cent/2468)\u003cspan\u003e's sophomore\u003c/span\u003e *\u003cspan\u003eThe Massacre\u003c/span\u003e* \u003cspan\u003esold more copies domestically that year. And thanks to the enduring appeal of hits such as \"Since U Been Gone\" and the title track,\u003c/span\u003e *\u003cspan\u003eBreakaway\u003c/span\u003e* \u003cspan\u003econtinued to sell throughout the rest of the decade and beyond. To date, its worldwide sales tally of 12 million makes\u003c/span\u003e *\u003cspan\u003eBreakaway\u003c/span\u003e* \u003cspan\u003eone of the most successful by a female artist in the 21st\u003c/span\u003e \u003cspan\u003ecentury.\u003c/span\u003e\n\n## \u003cspan\u003eIt Proved She Could Rock\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Kelly Clarkson Since U Been Gone","deliveryId":"20fe22d7-fb49-47bd-896c-990c0a31d065"},"videoUrl":"https://www.youtube.com/watch?v=R7UrFYvl5TE"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 3 - Kelly Clarkson Breakaway anniversary piece","deliveryId":"2b40c1b1-1012-4b96-9ab4-54edd7381834"},"bodyText":{"richText":"\u003cspan\u003eDuring her time on \"Idol,\" Clarkson largely stuck to songs by female artists that showed off her range — but what it didn't show was her love for rock music. After flirting with the genre on\u003c/span\u003e *\u003cspan\u003eThankful\u003c/span\u003e* \u003cspan\u003ewith tracks like \"You Thought Wrong,\" Clarkson went all out on its riff-heavy follow-up.\u003c/span\u003e\n\n\u003cspan\u003eWith a pop-rock vision in mind, she recruited \u003c/span\u003e[\u003cspan\u003eBen Moody\u003c/span\u003e](https://www.grammy.com/artists/ben-r-moody-ii/5524) \u003cspan\u003eand \u003c/span\u003e[\u003cspan\u003eDavid Hodges\u003c/span\u003e](https://www.grammy.com/artists/david-hodges/3886) \u003cspan\u003eof\u003c/span\u003e [\u003cspan\u003eEvanescence\u003c/span\u003e](https://www.grammy.com/artists/evanescence/10590) \u003cspan\u003efor two tracks (\"Because Of You,\" \"Addicted\") and Our Lady Peace frontman Raine Maida on \"Where Is Your Heart.\" She channeled\u003c/span\u003e [\u003cspan\u003eAlanis Morissette\u003c/span\u003e](https://www.grammy.com/artists/alanis-morissette/4915) \u003cspan\u003eon \"I Hate Myself For Losing You\" and any number of emo favorites on \"Hear Me.\" And kiss-offs \"Behind These Hazel Eyes,\" \"Walk Away\" and \"Gone\" — the former two co-written by Clarkson — introduced the guitar-driven, belt-out melodies that soon became her signature. (Even then-reigning pop-rock queen\u003c/span\u003e [\u003cspan\u003eAvril Lavigne\u003c/span\u003e](https://grammy.com/artists/avril-lavigne/9267) \u003cspan\u003esaw Clarkson's potential, offering \"Breakaway\" for the album's track list after it didn't make the cut for her 2002 debut,\u003c/span\u003e *\u003cspan\u003eLet Go\u003c/span\u003e*\u003cspan\u003e.)\u003c/span\u003e\n\n\u003cspan\u003eOf course, it was the charged-up lead single, \"Since U Been Gone\" that had the most impact. Reaching No. 2 on the Hot 100 and topping Billboard's Pop Airplay chart for 7 weeks,\u003c/span\u003e *\u003cspan\u003eBreakaway\u003c/span\u003e*\u003cspan\u003e's second single solidified her as a mainstream star in her own right — and one that could rock.\u003c/span\u003e\n\n\u003cspan\u003eThe song is such a jam, in fact, that it's even spawned several rock-star salutes. Tokyo Police Club, A Day to Remember and Clarkson's\u003c/span\u003e[\u003cspan\u003eall-time favorite band\u003c/span\u003e](https://www.billboard.com/music/pop/kelly-clarkson-reddit-ask-me-anything-9363759/) \u003cspan\u003eToadies are just a few of the rockers who've put their own spin on the crossover hit. While the \"Idol\" winner had previously been treated with suspicion by the cool crowd,\u003c/span\u003e *\u003cspan\u003eBreakaway\u003c/span\u003e* \u003cspan\u003esaw her embraced as one of their own.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Kelly Clarkson Behind These Hazel Eyes [WITH SUBHED]","deliveryId":"02012b2d-bc02-4712-9d79-f370e544d757"},"videoUrl":"https://www.youtube.com/watch?v=yipoOY56MbM","videoTitle":"It Allowed Her To Take More Creative Control"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 3 - Kelly Clarkson Breakaway anniversary piece","deliveryId":"fb889aee-51b2-40bb-9609-270371d843b9"},"bodyText":{"richText":"\u003cspan\u003eFollowing in the platform-boot footsteps of\u003c/span\u003e [\u003cspan\u003eSpice Girls\u003c/span\u003e](https://grammy.com/news/spiceworld-25-anniversary-the-spice-girls-embraced-by-queer-fans-drag-queens-drag-race)\u003cspan\u003e, Clarkson parted company with manager (and \"American Idol\" creator) Simon Fuller ahead of\u003c/span\u003e *\u003cspan\u003eBreakaway\u003c/span\u003e*\u003cspan\u003e's recording, another sign that she didn't want or need to rely on her rather manufactured past.\u003c/span\u003e\n\n\u003cspan\u003eShe continued to assert more creative control in the studio, too. It was her decision to team up with Evanescence's Moody and Hodges, and — ignoring her RCA label's impresario Clive Davis' advice, which essentially amounted to \u003c/span\u003e[\u003cspan\u003e\"stick to singing\"\u003c/span\u003e](https://time.com/archive/6676228/miss-independent/) \u003cspan\u003e— the star co-wrote six of the album's 12 tracks.\u003c/span\u003e\n\n\u003cspan\u003eThis included two highly personal efforts: \"Behind These Hazel Eyes\" is a breakup anthem about a \"\u003c/span\u003e[\u003cspan\u003edipstick who completely screwed up\u003c/span\u003e](https://ew.com/article/2005/08/26/ew-asks-kelly-clarkson-stupid-questions/)\u003cspan\u003e,\" while \"Because Of You\" is a tearjerking ballad inspired by her relationship with her estranged father. According to Clarkson, Davis had slated the latter on first listen, but she refused to back down — and had the last laugh when the track became one of her defining hits.\u003c/span\u003e\n\n## \u003cspan\u003eIt Spawned Four Consecutive Top 10 Hits\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Kelly Clarkson Because of You","deliveryId":"eed3f7d8-bb1f-477b-aa77-5975f46e0c93"},"videoUrl":"https://www.youtube.com/watch?v=Ra-Om7UMSJc"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 5 - Kelly Clarkson Breakaway annivesary piece","deliveryId":"ab55984a-3613-407d-8051-0c1c776e97bb"},"bodyText":{"richText":"\u003cspan\u003eDespite the launchpad of America's biggest TV show, Clarkson's debut album could only spawn one post-\"Idol\" Top 10 single; even the tie-in with divisive rom-com\u003c/span\u003e *\u003cspan\u003eLove Actually\u003c/span\u003e* \u003cspan\u003efailed to help \"The Trouble with Love Is\" chart. But the vocalist had no trouble racking up the hits with its follow-up.\u003c/span\u003e\n\n\u003cspan\u003e\"Since U Been Gone\" was only kept off the top of the Hot 100 by 50 Cent's \"Candy Shop,\" while the title track — released as a stopgap single as the theme to\u003c/span\u003e *\u003cspan\u003eThe Princess Diaries 2: Royal Engagement\u003c/span\u003e* \u003cspan\u003e— \"Behind These Hazel Eyes,\" and \"Because Of You\" all achieved a Top 10 position, too. In fact, Clarkson very nearly made it five out of five, but \"Walk Away\" peaked at a frustratingly close No. 12.\u003c/span\u003e\n\n\u003cspan\u003eAs if that wasn't impressive enough, \"Breakaway\" also spent a remarkable 21 weeks atop Billboard's Adult Contemporary chart, surpassing\u003c/span\u003e[\u003cspan\u003eCeline Dion\u003c/span\u003e](https://www.grammy.com/artists/celine-dion/1762)\u003cspan\u003e's \"Because You Loved Me\" and\u003c/span\u003e[\u003cspan\u003ePhil Collins\u003c/span\u003e](https://www.grammy.com/artists/phil-collins/1525)\u003cspan\u003e'\u003c/span\u003e *\u003cspan\u003eTarzan\u003c/span\u003e* \u003cspan\u003ehit \"You'll Be In My Heart\" as its longest-running No. 1 to hail from a film.\u003c/span\u003e\n\n## \u003cspan\u003eIt Made Her A GRAMMY Winner\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Kelly Clarkson wins GRAMMY","deliveryId":"b38df7ec-792d-490f-b4d3-04bc71c95235"},"videoUrl":"https://www.youtube.com/watch?v=9hdpGib-t4Q"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 6 - Kelly Clarkson Breakaway anniversary piece","deliveryId":"46e898b1-a9ae-461b-9e26-53e6334c7506"},"bodyText":{"richText":"\u003cspan\u003eClarkson has been recognized at the music industry's biggest night of the year on no fewer than 17 occasions (as of press time), with her first nomination coming for her first post-\u003c/span\u003e*\u003cspan\u003eIdol\u003c/span\u003e* \u003cspan\u003esingle, \"Miss Independent,\" in 2004. The star didn't win Best Female Pop Vocal Performance first time around, but she did emerge victorious in the same Category two years later thanks to the instant classic \"Since U Been Gone.\" This made her the first \"American Idol\" graduate to win a coveted GRAMMY, paving the way for \u003c/span\u003e[\u003cspan\u003eCarrie Underwood\u003c/span\u003e](https://www.grammy.com/artists/carrie-underwood/10381)\u003cspan\u003e, Fantasia and \u003c/span\u003e[\u003cspan\u003eJennifer Hudson\u003c/span\u003e](https://grammy.com/artists/jennifer-hudson/10872)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eFurthermore, Clarkson also triumphed over the likes of \u003c/span\u003e[\u003cspan\u003eGwen Stefani\u003c/span\u003e](https://www.grammy.com/artists/gwen-stefani/6240)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eSheryl Crow\u003c/span\u003e](https://www.grammy.com/artists/sheryl-crow/1553) \u003cspan\u003eand the one and only \u003c/span\u003e[\u003cspan\u003ePaul McCartney\u003c/span\u003e](https://www.grammy.com/artists/paul-mccartney/4678) \u003cspan\u003ewhen\u003c/span\u003e *\u003cspan\u003eBreakaway\u003c/span\u003e* \u003cspan\u003ewas declared Best Pop Vocal Album in 2006. It was a double whammy that both fully validated the singer as a credible artiste and put further distance between her flourishing career and her talent show beginnings. To cap her remarkable evening off, the star also brought the house down with a spellbinding performance of \"Because of You.\"\u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e** [\u003cspan\u003eHow Many \"American Idol\" Winners Have Won GRAMMYs? A Rundown Of Wins And Nominations For Kelly Clarkson, Carrie Underwood \u0026amp; More\u003c/span\u003e](https://www.grammy.com/news/american-idol-winners-2022-finale-grammy-wins-nominations-contestants-kelly-clarkson-carrie-underwood)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Kelly Clarkson Hear Me AOL Sessions [WITH SUBHED]","deliveryId":"83f86f4f-e00c-45b6-907b-4a3003247e7d"},"videoUrl":"https://www.youtube.com/watch?v=Nz4SaTe-AwM","videoTitle":"It Solidified Her As A Must-See Live Act"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 7 - Kelly Clarkson Breakaway annivesary piece","deliveryId":"a4da6973-53b7-437c-a4c5-1b52f1d0b73d"},"bodyText":{"richText":"\u003cspan\u003eEven with a No. 1 single and album under her belt, Clarkson still had to share the bill on her first tour with a fellow \"Idol\" contestant — and not even a winner. 2004's Independent Tour saw her co-headline with second season runner-up Clay Aiken. But thanks to the mammoth success of\u003c/span\u003e *\u003cspan\u003eBreakaway\u003c/span\u003e*\u003cspan\u003e, she was able to hit the road completely on her own.\u003c/span\u003e\n\n\u003cspan\u003eClarkson appeared to be so thrilled with this development that she embarked on three different treks to promote the record. Firstly, she played 66 dates across North America, Australia and Europe for The Breakaway Tour. Then, she focused on the U.S. and Canada for a series of shows named after its second single, \"Behind These Hazel Eyes.\" And finally, she wrapped up the album's campaign in the summer of 2006 with the domestic Addicted Tour. By this point, she'd undeniably proved she didn't need the safety net of the\u003c/span\u003e *\u003cspan\u003eIdol\u003c/span\u003e* \u003cspan\u003eumbrella to attract a crowd.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - Kelly Clarkson Walk Away [WITH SUBHED]","deliveryId":"e8437ed6-52ce-413c-b348-286a78632698"},"videoUrl":"https://www.youtube.com/watch?v=nFCuyLwhUzM","videoTitle":"It Helped Launch Her Internationally"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 8 - Kelly Clarkson Breakaway anniversary piece","deliveryId":"ee0b2484-7c3f-4651-8e2a-577d08275471"},"bodyText":{"richText":"\u003cspan\u003eWhile the first season of \"American Idol\" gripped the country (over \u003c/span\u003e[\u003cspan\u003e110 million votes\u003c/span\u003e](https://www.hollywoodreporter.com/tv/tv-news/x-factor-10-million-votes-257672/) \u003cspan\u003ewere cast throughout), it failed to make anywhere near the same impact internationally. With the format being adapted for 56 regions, most talent show audiences were inevitably more invested in their own homegrown talent. And this being the pre-streaming, pre-broadband age, it wasn't always easy for most to watch it in the first place, too.\u003c/span\u003e\n\n\u003cspan\u003eClarkson was therefore a virtual unknown when she launched debut album\u003c/span\u003e *\u003cspan\u003eThankful\u003c/span\u003e* \u003cspan\u003eworldwide. And although \"Miss Independent\" became a hit in the UK and Australia, there was little to suggest she'd continue to connect outside her homeland.\u003c/span\u003e\n\n*\u003cspan\u003eBreakaway\u003c/span\u003e*\u003cspan\u003e, however, proved to be a massive success in territories unfamiliar with Ryan Seacrest and co. It shifted 1.5 million copies on the other side of the Atlantic and went seven-times platinum down under, all of which helped it become the world's seventh biggest seller of 2005. And Clarkson has deservedly remained a global superstar ever since.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed - Pop Music","deliveryId":"20f533b6-01af-4974-bf59-aca45396b3ae"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Pop","pop music"],"contentGenre":"Pop"},"title":"The Latest Pop Music News \u0026 Releases"}],"hero":{"id":"dd9d0800-1a4a-4328-ad38-7bcac1faf191","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"Hero: Kelly Clarkson Breakaway anniversary piece"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop"],"tags":["Kelly Clarkson","American Idol"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1732639250568,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"How Kelly Clarkson's 'Breakaway' Proved Her As America's \"Idol\"","shortTitle":"How Kelly Clarkson's 'Breakaway' Proved Her A Star","subHeadline":"With her aptly titled second album, Kelly Clarkson set out to show that she was more than a TV star. As 'Breakaway' turns 20, revisit how it helped the singer leave her \"American Idol\" roots behind — and solidified her as pop royalty.","articleSummary":"With her aptly titled second album, Kelly Clarkson set out to show that she was more than a TV star. As 'Breakaway' turns 20, revisit how it helped the singer leave her \"American Idol\" roots behind — and solidified her as pop royalty."},"mdContent":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Gratitude Playlist: 20 Songs Celebrating Thankfulness","deliveryId":"e130db31-cbd0-4b6a-bb7d-68559cfbceb8","deliveryKey":"news/gratitude-playlist-thanksgiving-songs"},"articleCategory":["list"],"contributors":[{"id":"0c1a0859-8aa8-4d77-9bb1-e543f365e0c4","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"20 Songs Celebrating Gratitude \u0026 Thankfulness body 1","deliveryId":"5b593488-4c7b-4e71-a16b-b3874baab047"},"bodyText":{"richText":"\u003cspan\u003eThanksgiving marks the start of the holiday season, which is often a time of reflection. There's much music befitting this time of year, much of which isn't holiday specific. \u003c/span\u003e\n\n\u003cspan\u003eSongs tackling this theme — whether about gratitude for love, for platonic relationships, or for life's gifts — have a long history in pop music. Through these songs, we’re reminded of our own journeys and the common ground we share with others, building a collective sense of empathy and understanding. As a result, their messages become timeless; their themes fit for any time of year.\u003c/span\u003e\n\n\u003cspan\u003eAnd while there are plenty of Thanksgiving-specific works out there — here's looking at you \u003c/span\u003e[\u003cspan\u003e\"Stretchy Pants\"\u003c/span\u003e](https://www.youtube.com/watch?v=Eo5ZLdbcZsk)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003e\"Do The Mashed Potatoes\"\u003c/span\u003e](https://www.youtube.com/watch?v=S082-2jsRDY)\u003cspan\u003e — the following playlist leans into the myriad and everyday ways we give thanks. Before you \u003c/span\u003e[\u003cspan\u003e\"turkey trot\"\u003c/span\u003e](https://www.youtube.com/watch?v=SKRmoIDLxNU)\u003cspan\u003e over to your holiday table, here are some songs that capture the spirit of love, gratitude, and self-reflection.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"20 Songs Celebrating Gratitude \u0026 Thankfulness - spotify","deliveryId":"cf9d353a-7894-4293-b750-c558ba7631f8"},"bodyText":{"richText":"\u003ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/playlist/3mbcqujYamSJXmpsYJ1deh?utm_source=generator\u0026theme=0\" width=\"100%\" height=\"352\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c/iframe\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/amazon-music-audio-embed","name":"20 Songs Celebrating Gratitude \u0026 Thankfulness - amazon playlist","deliveryId":"6ec45709-7894-444d-8cfa-09d2c43bc99f"},"audioUrl":"https://music.amazon.com/user-playlists/95bfd55baf974317ba8277a8bc5f482fsune?ref=dm_sh_wrVl8oNHWWHwjFakNLCMC2nCn"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"20 Songs Celebrating Gratitude \u0026 Thankfulness body 2","deliveryId":"f4ab301b-fd64-452c-857f-f87fb39db727"},"bodyText":{"richText":"**\u003cspan\u003eAlanis Morissette — \u003c/span\u003e[\u003cspan\u003e\"Thank U\" \u003c/span\u003e](https://youtu.be/OOgpT5rEKIU?si=G8vTteLC1yuv3jrB)\u003cspan\u003e(1998)\u003c/span\u003e**\n\n[\u003cspan\u003eAlanis Morissette\u003c/span\u003e](https://grammy.com/artists/alanis-morissette/4915)\u003cspan\u003e reflects and expresses gratitude for the challenging moments that have shaped her. The song's lyrics imbue listeners with a sense of peace among life’s hardships: \"How 'bout unabashedly bawling your eyes out?/How 'bout not equating death with stopping?\" \u003c/span\u003e\n\n\u003cspan\u003eMorissette's lyrical vulnerability was likely due in part to the challenges during her teen years, including an eating disorder. As a musician, she continued to write frankly about heartbreak and identity — themes which resonate with generations of fans. She \u003c/span\u003e[\u003cspan\u003econtinues to be grateful for the healing power of music\u003c/span\u003e](https://youtu.be/3_rd4gJNOOs?si=d1XOJ9yB4_1PEJqm)\u003cspan\u003e, the support of her fans, and the journey of self-discovery that has allowed her to grow personally and artistically.\u003c/span\u003e\n\n**\u003cspan\u003eRita Ora — \"\u003c/span\u003e[\u003cspan\u003eGrateful\u003c/span\u003e](https://youtu.be/baK6vVIqp2s?si=kKMW1ong-uNMDa8c)\u003cspan\u003e\" (2014)\u003c/span\u003e**\n\n\u003cspan\u003eThis ballad from the 2014 film \u003c/span\u003e*[\u003cspan\u003eBeyond the Lights\u003c/span\u003e](https://youtu.be/6FSwSgzsVEk?si=ohxEIH3egFBTgXn3)*\u003cspan\u003e highlights the importance of being thankful for the obstacles that lead to personal growth. Ora’s soaring vocals are filled with sincerity and heart. Written by \u003c/span\u003e[\u003cspan\u003eDiane Warren\u003c/span\u003e](https://grammy.com/artists/diane-warren/7878)\u003cspan\u003e, the song reminds us that the struggles we face can ultimately shape us into stronger, more compassionate individuals. “I'm grateful for the storm/Made me appreciate the sun/ I'm grateful for the wrong ones/Made me appreciate the right ones.\" One particularly potent line notes, \"I'm thankful for all my scars/'Cause they only make my heart.\"\u003c/span\u003e\n\n**\u003cspan\u003eNatalie Merchant — \"\u003c/span\u003e[\u003cspan\u003eKind and Generous\u003c/span\u003e](https://youtu.be/uAwyIad93-c?si=xXzqC4ECSeM-pqyf)\u003cspan\u003e\" (1998)\u003c/span\u003e**\n\n\u003cspan\u003eA timeless, smooth tribute to someone who has been kind and giving, this song radiates gratitude with a chorus that invites everyone to say \"thank you.\" Merchant never revealed if the song is about any one individual, and as a result it is broadly relatable. As a matter of fact, some refer to it as the \"Thank You\" song, even though its title is \"Kind and Generous.\" \u003c/span\u003e\n\n**\u003cspan\u003eDido — \"\u003c/span\u003e[\u003cspan\u003eThank You\u003c/span\u003e](https://youtu.be/1TO48Cnl66w?si=tlFslwQp415ivpLv)\u003cspan\u003e\" (2000)\u003c/span\u003e**\n\n\u003cspan\u003eThis tender, honest classic conveys gratitude for someone who has a grounding presence in \u003c/span\u003e[\u003cspan\u003eDido\u003c/span\u003e](https://grammy.com/artists/dido/11319)\u003cspan\u003e’s life. With gentle vocals and a mellow beat, the song is a reminder of the restorative power of human connection. \"The morning rain clouds up my window/ And I can't see at all/And even if I could, it'd all be gray,\" Dido sings in the song's opening verse. \"But your picture on my wall/It reminds me that it's not so bad.\"\u003c/span\u003e\n\n\u003cspan\u003e\"Thank You\" was sampled in part for \u003c/span\u003e[\u003cspan\u003eEminem’s “Stan,”\u003c/span\u003e](https://www.grammy.com/news/is-stan-true-story-10-eminem-facts-know-rick-rubin-super-bowl-2022)\u003cspan\u003e demonstrating the song's impact across diverse genres. Eminem's titular character is an obsessive fan who takes Eminem’s lyrics literally, causing Stan to go into a harmful depression. While the relationship to Dido’s original song is different, Eminem’s figurative Stan spends a good chunk of time reflecting on how important the rapper is to him. By the end of the song, Eminem realizes how, in relationships, gratitude can be vital.\u003c/span\u003e\n\n**\u003cspan\u003eChance the Rapper — \"\u003c/span\u003e[\u003cspan\u003eBlessings\u003c/span\u003e](https://youtu.be/XdpGJSe44_o?si=9aPwQO0MJjQwKlp8)\u003cspan\u003e\" (2016)\u003c/span\u003e**\n\n[\u003cspan\u003eChance\u003c/span\u003e](https://grammy.com/artists/chancelor-bennett/19614)\u003cspan\u003e’s gospel-tinged anthem from the album \u003c/span\u003e*\u003cspan\u003eColoring Book\u003c/span\u003e*\u003cspan\u003e is an ode to the blessings in his life. The song emphasizes gratitude and the importance of recognizing the good in life, even amidst hardship. \u003c/span\u003e\n\n\u003cspan\u003eThe lyrics reference God and faith while celebrating Chance’s spirituality and showing appreciation for the strength it provides. \u003c/span\u003e\n\n**\u003cspan\u003eABBA — “\u003c/span\u003e[\u003cspan\u003eThank You For the Music\u003c/span\u003e](https://youtu.be/0dcbw4IEY5w?si=TZXIDoe8B737fQDo)\u003cspan\u003e” (1978)\u003c/span\u003e**\n\n\u003cspan\u003eSwedish pop group \u003c/span\u003e[\u003cspan\u003eABBA\u003c/span\u003e](https://www.grammy.com/news/abba-says-thank-you-for-the-music)\u003cspan\u003e give thanks for the gift of song, reflecting on the way music nourishes our existence as artists and fans. Written by Benny Andersson and Björn Ulvaeus, it's a personal anthem and a universal hymn to song: \"Thank you for the music, the songs I'm singing/Thanks for all the joy they're bringing/Who can live without it, I ask in all honesty/What would life be?\" the band wonders. \u003c/span\u003e\n\n**\u003cspan\u003eOneRepublic — \"\u003c/span\u003e[\u003cspan\u003eGood Life\u003c/span\u003e](https://youtu.be/jZhQOvvV45w?si=ZvTsPN2P55_7dubw)\u003cspan\u003e\" (2010)\u003c/span\u003e**\n\n\u003cspan\u003eIn \"Good Life,\" \u003c/span\u003e[\u003cspan\u003eOneRepublic\u003c/span\u003e](https://grammy.com/artists/onerepublic/17690)\u003cspan\u003e revel in living in the moment and loving the beauty of life, even when things don't go according to plan. The lyrics describe the ups and downs of touring, while reflecting on the importance of appreciating the simple things. \u003c/span\u003e\n\n\u003cspan\u003eThe refrain \"Oh, this has gotta be the good life\" acknowledges life's blessings, while \"I feel like there might be something that I’ll miss\" reminds us to appreciate what we have now before it’s gone.\u003c/span\u003e\n\n**\u003cspan\u003eMahalia — \"\u003c/span\u003e[\u003cspan\u003eGrateful\u003c/span\u003e](https://youtu.be/dbDFdvwOLtE?si=qJrRaEEZf3U6NKNn)\u003cspan\u003e\" (2019)\u003c/span\u003e**\n\n\u003cspan\u003eOn this soulful, mellow track, British R\u0026amp;B singer Mahalia reflects on her journey and expresses gratitude for love and the experiences that come with it. Through lyrics like \"If I never had to cry, I would never learn to fight\" and \"I needed to fall so I could get stronger,\u003c/span\u003e*\u003cspan\u003e\"\u003c/span\u003e*\u003cspan\u003e Mahalia acknowledges that her challenges were essential to her development and strength. Mahalia also expresses deep appreciation for the support systems that guided her, as she recalls praying for better days and trusting that someone would help light the way.\u003c/span\u003e\\\\\n\n**\u003cspan\u003eKelly Clarkson — \"\u003c/span\u003e[\u003cspan\u003eThankful\u003c/span\u003e](https://youtu.be/5B6foHzlP0A?si=gCBI82P96Yu89atF)\u003cspan\u003e\" (2003)\u003c/span\u003e**\n\n\u003cspan\u003eThe title track of her debut album, this heartfelt expression of gratitude sings the praises of someone who has been a rock in \u003c/span\u003e[\u003cspan\u003eKelly Clarkson's\u003c/span\u003e](https://grammy.com/artists/kelly-clarkson/11249)\u003cspan\u003e life. The track is uplifting and feel-good — an appropriate vibe for such appreciation. Lyrics “That I'm thankful/For the blessing/And the lessons that I've learned with you/By my side” encapsulate Clarkson's heartfelt gratitude for the love, support, and personal growth she has experienced through a meaningful relationship.\u003c/span\u003e\n\n**\u003cspan\u003eEarth, Wind \u0026amp; Fire — \"\u003c/span\u003e[\u003cspan\u003eGratitude\u003c/span\u003e](https://youtu.be/9nKTWkiWMHE?si=aQJODI-4K8lydWHu)\u003cspan\u003e\" (1975)\u003c/span\u003e**\n\n\u003cspan\u003eThis classic funky tune expresses deep appreciation and positive vibes with the perfect blend of groove and heartwarming thanks. The band members have often shown gratitude for their ability to bring people together, regardless of background, through their songs such as \"Shining Star\" and \"That's the Way of the World.\" \u003c/span\u003e\n\n\u003cspan\u003eThese lyrics convey gratitude by recognizing the gifts of love, peace, freedom, and divine intervention with a gospel-influenced refrain. \"Open up your heart, let your body find/Freedom in your stride, love and peace of mind, yeah/One more time and we got to say/That the Good Lord gonna make a way/Gonna make a way, gonna make a way.\"\u003c/span\u003e\n\n**\u003cspan\u003eWilliam DeVaughn — “\u003c/span\u003e[\u003cspan\u003eBe Thankful For What You Got\u003c/span\u003e](https://youtu.be/RXQxdj0N-es?si=N3iz1XmlRrk0UP6N)\u003cspan\u003e” (1974)\u003c/span\u003e**\n\n\u003cspan\u003eR\u0026amp;B singer William DeVaughn's classic encourages reflection on life's simple blessings, focusing on inner fulfillment over external wealth. By promoting a humble mindset — \"Though you may not drive a great big Cadillac/Gangsta whitewalls/TV antennas in the back/You may not have a car at all/But remember brothers and sisters/You can still stand tall/Just be thankful for what you've got\" — the song teaches that true happiness comes from within. A song that has been covered many times over, \"Be Thankful\" is not only a catchy reminder to do just that, but a working-class anthem that champions self-worth.\u003c/span\u003e\n\n**\u003cspan\u003eAriana Grande — “\u003c/span\u003e[\u003cspan\u003ethank u, next\u003c/span\u003e](https://youtu.be/gl1aHhXnN1k?si=9Te1T01P6LFs9PYh)\u003cspan\u003e” (2019)\u003c/span\u003e**\n\n[\u003cspan\u003eAriana Grande\u003c/span\u003e](https://grammy.com/artists/ariana-grande/18441)\u003cspan\u003e has had a lifetime of relationships to learn from, and expresses gratitude for past relationships and the lessons they taught her on this bop. Rather than focusing on bitterness or regret, “thank u, next” is part kiss-off and part positive embrace: \"Look what I got/Look at what you taught me/And for that, I say/Thank you, next.\" Grande is spending more time with her friends and even met someone new; but nothing good comes without acknowledging how every relationship contributed to her resilience, self-awareness, and maturity.\u003c/span\u003e\n\n**\u003cspan\u003eBoyz II Men — \"\u003c/span\u003e[\u003cspan\u003eThank You\u003c/span\u003e](https://youtu.be/5XA4jiZuUfI?si=QHBmWi0lolbZNHQa)\u003cspan\u003e\" (1994)\u003c/span\u003e**\n\n\u003cspan\u003eThis R\u0026amp;B track from their GRAMMY-winning album \u003c/span\u003e*\u003cspan\u003eII\u003c/span\u003e*\u003cspan\u003e, acknowledges the people who lift us up when things are gloomy. This feel-good song not only showcases \u003c/span\u003e[\u003cspan\u003eBoyz II Men\u003c/span\u003e](https://grammy.com/artists/boyz-ii-men/8125)\u003cspan\u003e's vocal talent but also spreads positivity, encouraging us all to recognize and cherish the people who make a difference in our lives.\u003c/span\u003e\n\n\u003cspan\u003eThe lyrics are both earnest and direct: \"All through my life/I knew that you'd be my world/Knowing everywhere I go/Things you taught me, they would show/So many times and changes/You've seen me through/I sure 'nough wouldn't have survived without you.\"\u003c/span\u003e\n\n**\u003cspan\u003eSam \u0026amp; Dave — \"\u003c/span\u003e[\u003cspan\u003eI Thank You\u003c/span\u003e](https://youtu.be/0Ot3okMVcG0?si=WDkZxWMiDEl4npPB)\u003cspan\u003e\" (1968)\u003c/span\u003e**\n\n\u003cspan\u003eA classic in soul music, this track is a high-energy appreciation song, thanking a lover for bringing joy and happiness. Its infectious groove and repetitive verses (\"You didn't have to love me,\" \"You didn't have to squeeze me,\" \"You didn't have to hold me like you did,\" the duo belts) has kept it timeless across generations.\u003c/span\u003e\n\n**\u003cspan\u003eCeline Dion — \"\u003c/span\u003e[\u003cspan\u003eThankful\u003c/span\u003e](https://youtu.be/Yomf00wtKxw?si=mtoYyO8W_nx2zDIi)\u003cspan\u003e\" (2013)\u003c/span\u003e**\n\n\u003cspan\u003eIn this ballad, \u003c/span\u003e[\u003cspan\u003eCeline Dion\u003c/span\u003e](https://grammy.com/artists/celine-dion/1762)\u003cspan\u003e thanks the people who supported her through her journey with her signature vocal bombast. \"I'm thankful to be here, thankful to feel clear/thankful my prayers have been answered\" capture the GRAMMY winner's deep sense of gratitudes. She further reflects on the support and love she’s received with lines like \"I'm thankful you listened, thankful to heaven, thankful for feeling alive again.\" The lyrics highlight the resilience she's drawn from her loved ones and the unbreakable bonds that have shaped her life and career.\u003c/span\u003e\\\n\\\n**\u003cspan\u003eCarrie Underwood — \"\u003c/span\u003e[\u003cspan\u003eThank God for Hometowns\u003c/span\u003e](https://youtu.be/0nUdQGW_5ho?si=zvGNp2-tY3drRPqp)\u003cspan\u003e\" (2012)\u003c/span\u003e**\n\n[\u003cspan\u003eCarrie Underwood\u003c/span\u003e](https://grammy.com/artists/carrie-underwood/10381)\u003cspan\u003e pays tribute to the grounding force of small-town life, reminding listeners to be grateful for the roots that keep them steady through life’s trials. The lyrics \"Thank God for hometowns/And all the love that makes you go round/Thank God for the country lines that welcome you back in\" define a sense of belonging and acknowledge the tight-knit support of a community. The song in its entirety is an expression of thankfulness for the grounding that home provides, symbolizing the comforting feeling of returning to a familiar, safe place.\u003c/span\u003e\n\n**\u003cspan\u003eBing Crosby — \"\u003c/span\u003e[\u003cspan\u003eCount Your Blessings Instead of Sheep\u003c/span\u003e](https://youtu.be/h1s6DpZJkZ8?si=4r7CgnPu8J9kx2Bx)\u003cspan\u003e\" (1952)\u003c/span\u003e**\n\n\u003cspan\u003eA holiday classic that has transcended its seasonal label, this song gently reminds us to practice gratitude and center our attention on the blessings in our lives, no matter how small. Lyrics \"When I'm worried, and I can't sleep/ I count my blessings instead of sheep\" encourage listeners to shift their focus away from daily troubles. Its message continues to resonate across generations, making it a go-to track for anyone seeking solace.\u003c/span\u003e\n\n**\u003cspan\u003eWhitney Houston — \"\u003c/span\u003e[\u003cspan\u003eMy Love Is Your Love\u003c/span\u003e](https://youtu.be/kxZD0VQvfqU?si=cO6X9u0IGTI8-HBV)\u003cspan\u003e\" (1998)\u003c/span\u003e**\n\n\u003cspan\u003eThe title track from \u003c/span\u003e[\u003cspan\u003eWhitney Houston\u003c/span\u003e](https://grammy.com/artists/whitney-houston/3899)\u003cspan\u003e's fourth album, \"My Love Is Your Love\" showcases a message of unconditional love and gratitude for deep, lasting relationships. Houston’s vocals are filled with sincerity, highlighting the power of love beyond material wealth: \"If I lose my fame and fortune, and I'm homeless on the street, and I'm sleeping in Grand Central Station/it's okay if you're sleeping with me.\" Whitney expresses that she can endure any hardship by devoting her love to the partner that stands with her no matter what the circumstance. \u003c/span\u003e\n\n**\u003cspan\u003eJoni Mitchell — \"\u003c/span\u003e[\u003cspan\u003eBig Yellow Taxi\u003c/span\u003e](https://youtu.be/2595abcvh2M?si=W0sUV7jeyOsCD0ix)\u003cspan\u003e\" (1970)\u003c/span\u003e**\n\n\u003cspan\u003eThough a cautionary tale, this folk classic reminds us to appreciate what we have before it’s gone. \u003c/span\u003e[\u003cspan\u003eJoni Mitchell\u003c/span\u003e](https://www.grammy.com/artists/joni-mitchell/11174)\u003cspan\u003e’s poetic lyrics offer a bittersweet reflection on gratitude for the environment and life’s beauty. The lyric \"They paved paradise and put up a parking lot\" is a contrast, lamenting the loss of natural beauty and implying that humanity fails to appreciate the beauty in life until it's irreversibly altered. While talking in a broader sense about destroying nature, this song holds true even today as discussions take place regarding climate change. \u003c/span\u003e\n\n**\u003cspan\u003eSly and the Family Stone — \"\u003c/span\u003e[\u003cspan\u003eThankful N' Thoughtful\u003c/span\u003e](https://youtu.be/kLOH6w4jMpA?si=kWoeobOrlsHKetrf)\u003cspan\u003e\" (1973)\u003c/span\u003e**\n\n\u003cspan\u003eFrom Sly and the Family Stone, this track leans more into reflection and being thankful for life’s experiences, both good and bad, with a funky backdrop. The funketeers have multiple songs about gratitude, including \"Everyday People,\" \"Life,\" and \"Thank You (Falettinme Be Mice Elf Agin).\" The uplifting messages in their songs show appreciation for life and unity while embodying the human experience.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 5 Most Latest News \u0026 Exclusive Videos (General)","deliveryId":"1a4ab4ad-e0a5-4c8c-a6a7-d52f7e7c5b07"},"searchType":{"AutoOrManual":"Automatic","contentTypes":"News + Video"},"title":"Latest News \u0026 Exclusive Videos"}],"hero":{"id":"3fa0461d-4896-4107-a4eb-05898efa1bcd","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"20 Songs Celebrating Gratitude \u0026 Thankfulness - Earth Wind \u0026 Fire hero"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Pop","R\u0026B","Rap","Country","Rock"],"tags":["thanksgiving","Dido","Celine Dion","Chance The Rapper","ABBA","Boyz II Men","Ariana Grande","Carrie Underwood"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1732637711492,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Gratitude Playlist: 20 Songs Celebrating Thankfulness","shortTitle":"20 Songs Celebrating Gratitude \u0026 Thankfulness","subHeadline":"From Dido's \"Thank You\" and William DeVaugh's classic reminding you to be thankful for what you've got, this playlist highlights songs that give thanks for everything from the clothes on your back to the friends in your life.","articleSummary":"While there are plenty of Thanksgiving-specific works out there — here's looking at you \"Stretchy Pants\" and \"Do The Mashed Potatoes\" — the following playlist leans into the myriad and everyday ways we give thanks."},"smContent":[{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Songbook: A Guide To U2's World-Conquering Discography, From 'Boy' To 'How To Re-Assemble An Atomic Bomb'","deliveryId":"1465976d-3ea0-4788-8f18-14f637df48c4","deliveryKey":"news/u2-albums-how-to-reassemble-an-atomic-bomb-songbook-discography"},"articleCategory":["feature"],"contributors":[{"id":"3b997b6a-c1c1-450c-8008-0e09c162619b","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 1 - U2 Songbook","deliveryId":"586d3b19-e2f1-463a-8c87-65ed06ccf337"},"bodyText":{"richText":"\u003cspan\u003e\"\u003c/span\u003e[\u003cspan\u003eU2\u003c/span\u003e](https://www.grammy.com/artists/u2/7858) \u003cspan\u003eis an original species,\" frontman \u003c/span\u003e[\u003cspan\u003eBono\u003c/span\u003e](https://www.grammy.com/artists/bono/788) \u003cspan\u003eonce declared. \"There are colors and feelings and emotional terrain that we occupy that is ours and ours alone.\"\u003c/span\u003e\n\n\u003cspan\u003eIndeed, while \u003c/span\u003e[\u003cspan\u003eColdplay\u003c/span\u003e](https://www.grammy.com/artists/coldplay/10952)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eImagine Dragons\u003c/span\u003e](https://www.grammy.com/artists/imagine-dragons/18215) \u003cspan\u003eand every other stadium rock band with a messianic figure have tried to muscle in on their territory, the world-conquering, world-saving quartet remain kings of their own frontier.\u003c/span\u003e\n\n\u003cspan\u003eIt was bassist\u003c/span\u003e [\u003cspan\u003eAdam Clayton\u003c/span\u003e](https://www.grammy.com/artists/adam-clayton/12199) \u003cspan\u003ewho set the wheels in motion for their remarkable rock 'n' roll journey, posting a bulletin board callout for like-minded musicians at his Dublin high school in 1976. Drummer \u003c/span\u003e[\u003cspan\u003eLarry Mullen Jr.\u003c/span\u003e](https://www.grammy.com/artists/larry-mullen-jr/9566)\u003cspan\u003e, guitarist \u003c/span\u003e[\u003cspan\u003eDave \"The Edge\" Evans\u003c/span\u003e](https://www.grammy.com/artists/edge/1797)\u003cspan\u003e, and singer Paul \"Bono\" Hewson all successfully auditioned for what was initially a \u003c/span\u003e[\u003cspan\u003eRolling Stones\u003c/span\u003e](https://www.grammy.com/artists/rolling-stones/8331)\u003cspan\u003e/\u003c/span\u003e[\u003cspan\u003eBeatles\u003c/span\u003e](https://www.grammy.com/artists/beatles/16293) \u003cspan\u003ecover band, and after several changes in names, lineups and musical directions, the quartet eventually settled on pursuing a post-punk sound under the guise of U2.\u003c/span\u003e\n\n\u003cspan\u003eBoasting a revolutionary spirit, unwavering self-belief, and near-universal ability to connect on an intimate level — even when holding court in front of packed-out stadiums — the group soon outgrew their humble beginnings. In fact, by the mid-'80s, spearheaded by the double whammy of a triumphant Live Aid set and chart-topping blockbuster\u003c/span\u003e *\u003cspan\u003eThe Joshua Tree\u003c/span\u003e*\u003cspan\u003e, they'd established themselves as the biggest band in the world.\u003c/span\u003e\n\n\u003cspan\u003eBut U2 never rested on their laurels. Throughout the '90s, they continually pushed themselves and their loyal fans outside their comfort zones, embracing everything from alt-rock to electronica (and usually with a knowing wink, too) while also changing the game as a live act with numerous multimedia spectacles.\u003c/span\u003e\n\n\u003cspan\u003eA celebrated return to the echo-laden, chest-beating antics of their '80s imperial phase on 2000's\u003c/span\u003e *\u003cspan\u003eAll That You Can't Leave Behind\u003c/span\u003e*\u003cspan\u003e, meanwhile, reminded everyone of their uniting powers and introduced their signature sound to a whole new generation. Their 2004 set,\u003c/span\u003e *\u003cspan\u003eHow To Dismantle An Atomic Bomb\u003c/span\u003e* \u003cspan\u003e— and its string of hit singles — ensured they maintained their cultural relevance well into the 21st century, too.\u003c/span\u003e\n\n\u003cspan\u003eFor the 20th anniversary of the latter, U2 released\u003c/span\u003e *\u003cspan\u003eHow to Re-Assemble an Atomic Bomb\u003c/span\u003e*\u003cspan\u003e, an outtakes collection\u003c/span\u003e [\u003cspan\u003eself-described\u003c/span\u003e](https://www.irishtimes.com/culture/music/review/2024/11/19/u2-how-to-re-assemble-an-atomic-bomb-track-by-track-review-hold-on-to-your-mirror-shades-for-classic-moments-and-wigged-out-curios/) \u003cspan\u003eas a \"shadow album\" of \"unreleased gems\" from that era. On the heels of the release, take a deep dive into the 22-time GRAMMY winners' massive career by decade.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - U2 With Or Without You [WITH SUBHED]","deliveryId":"287096c4-dbcd-4c5a-9e32-d41452e001b8"},"videoUrl":"https://www.youtube.com/watch?v=ujNeHIo7oTE","videoTitle":"The 1980s"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 2 - U2 Songbook","deliveryId":"ad3fc644-603a-4e49-8287-40d9ee07e23f"},"bodyText":{"richText":"\u003cspan\u003eAfter a handful of Ireland-only releases in the late 1970s, U2 announced themselves on the world stage in 1980 with their debut album,\u003c/span\u003e *\u003cspan\u003eBoy\u003c/span\u003e*\u003cspan\u003e, a typically confident coming-of-age whose literary references (\"Shadows and Tall Trees\" is named in honor of\u003c/span\u003e *\u003cspan\u003eLord of the Flies\u003c/span\u003e*\u003cspan\u003e) and nods to concrete musique (\"I Will Follow\" is adorned with the sounds of bicycle spokes, bottle smashing and cutlery) instantly set the quartet apart from their post-punk peers.\u003c/span\u003e\n\n\u003cspan\u003eA last-minute replacement for Joy Division producer Martin Hannett, \u003c/span\u003e[\u003cspan\u003eSteve Lillywhite\u003c/span\u003e](https://www.grammy.com/artists/steve-lillywhite/7780) \u003cspan\u003ealso steered 1981 follow-up\u003c/span\u003e *\u003cspan\u003eOctober\u003c/span\u003e*\u003cspan\u003e, a heavily improvised record that leaned much further into their spiritual beliefs. Their first MTV hit, \"Gloria,\" for example, borrows the Latin chorus from Christian hymn \"Gloria in Excelsis Deo,\" while \"Tomorrow\" is a heartbreaking prayer to God begging for the return of Bono's late mother.\u003c/span\u003e\n\n\u003cspan\u003eBut it wasn't until 1983's highly political\u003c/span\u003e *\u003cspan\u003eWar\u003c/span\u003e* \u003cspan\u003ethat the future world-conquerors began hitting the charts; it even knocked \u003c/span\u003e[\u003cspan\u003eMichael Jackson\u003c/span\u003e](https://www.grammy.com/artists/michael-jackson/13202)\u003cspan\u003e's\u003c/span\u003e *\u003cspan\u003eThriller\u003c/span\u003e* \u003cspan\u003eoff the UK top spot. Surely the only Billboard Hot 100 hit inspired by the Polish Solidarity movement, \"New Year's Day\" has since become part of the U2 canon, as has \"Sunday Bloody Sunday,\" a fervent protest song based on the Troubles of Northern Ireland (\"The trenches dug within our hearts/ And mothers, children, brothers, sisters torn apart\").\u003c/span\u003e\n\n\u003cspan\u003eBittersweet love song \"Two Hearts Beat As One\" also helped the timely named record (\"War seemed to be the motif for '82,\" Bono later \u003c/span\u003e[\u003cspan\u003eremarked\u003c/span\u003e](https://www.loudersound.com/features/born-from-frustration-and-rage-u2s-third-album-war-was-intended-said-bono-to-give-people-a-slap-in-the-face-it-ended-up-making-u2-superstars)\u003cspan\u003e) shift an eventual total of 11 million copies, while a triumphant performance at Red Rocks Amphitheatre captured on classic live album\u003c/span\u003e *\u003cspan\u003eUnder a Blood Red Sky\u003c/span\u003e* \u003cspan\u003ecapped off their Lillywhite era in 1983.\u003c/span\u003e\n\n\u003cspan\u003eThe band kickstarted their second phase in 1984 by teaming up with \u003c/span\u003e[\u003cspan\u003eDaniel Lanois\u003c/span\u003e](https://www.grammy.com/artists/daniel-lanois/4856)\u003cspan\u003e, and much to their label's despair, avant-garde maestro \u003c/span\u003e[\u003cspan\u003eBrian Eno\u003c/span\u003e](https://www.grammy.com/artists/brian-eno/2146)\u003cspan\u003e. Island Records needn't have worried, however. Although undoubtedly more experimental and atmospheric than their early oeuvre — see the ambient instrumental \"4th\u003c/span\u003e \u003cspan\u003eof July\" —\u003c/span\u003e *\u003cspan\u003eThe Unforgettable Fire\u003c/span\u003e* \u003cspan\u003eequaled its predecessor's chart positions on both sides of the Atlantic and spawned their first U.S. Top 40 hit, the \u003c/span\u003e[\u003cspan\u003eMartin Luther King Jr.\u003c/span\u003e](https://www.grammy.com/artists/martin-luther-king-jr/3720) \u003cspan\u003etribute \"Pride (In the Name of Love).\" In fact, thanks to a triumphant set at Live Aid matched only by \u003c/span\u003e[\u003cspan\u003eQueen\u003c/span\u003e](https://www.grammy.com/artists/queen/16364)\u003cspan\u003e's, U2 ended the album's campaign bigger than ever.\u003c/span\u003e\n\n\u003cspan\u003eU2 built on its momentum by reuniting with the same producers for what would prove to be their first genuine blockbuster. Inspired by both the physical and cultural deserts of America,\u003c/span\u003e 1987's *\u003cspan\u003eThe Joshua Tree\u003c/span\u003e* \u003cspan\u003eproduced two Hot 100 number ones (\"With or Without You,\" \"I Still Haven't Found What I'm Looking For\"), sold an astonishing \u003c/span\u003e[\u003cspan\u003e25 million copies\u003c/span\u003e](https://abcnews.go.com/Entertainment/u2s-joshua-tree-album-turns-30/story?id=46016523) \u003cspan\u003eworldwide, and enabled the Dubliners to embark on their first of many sold-out stadium tours. It also won two golden gramophones, including the coveted Album Of The Year in 1988; it has since been inducted into the GRAMMYs Hall of Fame and selected for preservation in the National Recording Registry by the U.S. Library of Congress (in 2014 and 2013, respectively).\u003c/span\u003e\n\n**Read More:** [GRAMMY Rewind: U2 Win Their First-Ever GRAMMY For 'The Joshua Tree' In 1988](:blank:https://www.grammy.com/news/grammy-rewind-u2-win-their-first-ever-grammy-joshua-tree-1988)\n\n*\u003cspan\u003eThe Joshua Tree\u003c/span\u003e*\u003cspan\u003e's widescreen blend of gospel, folk and blues also solidified both Bono as one of his generation's most accomplished songwriters and, thanks to his pioneering echo-laden technique, The Edge as a bona fide guitar hero. Just seven years after emerging from their small-time hometown scene, U2 had evolved into the biggest rock band in the universe.\u003c/span\u003e\n\n\u003cspan\u003eKeen to strike while the iron was hot, U2 documented their experiences as new superstars on a rockumentary and half-live/half-studio effort both named\u003c/span\u003e *\u003cspan\u003eRattle and Hum\u003c/span\u003e* \u003cspan\u003ein 1988. While the former was dismissed as pretentious and self-congratulatory by movie critics, the latter maintained their day job's status quo, producing their first UK No.1, \"Desire.\" Collaborations with legends \u003c/span\u003e[\u003cspan\u003eBob Dylan\u003c/span\u003e](https://www.grammy.com/artists/bob-dylan/3014) \u003cspan\u003eand \u003c/span\u003e[\u003cspan\u003eB.B. King\u003c/span\u003e](https://www.grammy.com/artists/bb-king/14964)\u003cspan\u003e, meanwhile, also helped boost the band's credibility. Nevertheless, they appeared burned by the mixed response and at their final show of the decade, Bono hinted at a reset by announcing, \"We have to go away and... dream it all up again.\"\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - U2 Mysterious Ways [WITH SUBHED]","deliveryId":"2845a4eb-1c54-4dd3-a73e-cdd557f3fa7a"},"videoUrl":"https://www.youtube.com/watch?v=TxcDTUMLQJI","videoTitle":"The 1990s"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 3 - U2 Songbook","deliveryId":"99a439d0-3372-4908-a751-6250e51037e4"},"bodyText":{"richText":"\u003cspan\u003eU2 did indeed return both sonically and visually unrecognizable with 1991's\u003c/span\u003e *\u003cspan\u003eAchtung Baby\u003c/span\u003e*\u003cspan\u003e, its title perhaps a literal warning to diehard fans expecting more of the same. Embracing The Edge's newfound love of industrial, electronica and alt-rock and — even more surprisingly for a band previously considered humorless — a streak of semi-irony, its 10 tracks proved the Dubliners could move with the times.\u003c/span\u003e\n\n\u003cspan\u003e\"Mysterious Ways\" and \"Even Better Than The Real Thing\" both tapped into the \"baggy\" sound that had made Manchester rock's new epicenter. While unlikely lead single \"The Fly\" — on which Bono adopted a wrap-around sunglasses-clad, skin-tight leather-donning, hell-residing alter-ego — appeared to take its cues from \u003c/span\u003e[\u003cspan\u003eNine Inch Nails\u003c/span\u003e](https://www.grammy.com/artists/nine-inch-nails/14641)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003e\"One,\" an alternative hymn even their biggest detractors had to concede was truly magical, showed that U2 could still play it straight. But it was the album's playfulness, further heightened by the multimedia experience of its accompanying Zoo TV Tour, that helped propel\u003c/span\u003e *\u003cspan\u003eAchtung Baby\u003c/span\u003e* \u003cspan\u003eto sales of \u003c/span\u003e[\u003cspan\u003e18 million\u003c/span\u003e](https://www.rte.ie/culture/2024/0222/1433755-u2s-achtung-baby-named-choice-prize-classic-irish-album-winner/)\u003cspan\u003e, another No. 1 on the Billboard 200, and a fifth career GRAMMY.\u003c/span\u003e\n\n\u003cspan\u003eCapitalizing on their momentum, U2 headed straight back into the studio for a similarly experimental follow-up inspired by the sensory overload of their recent arena shows. Co-produced by Eno, \u003c/span\u003e[\u003cspan\u003eFlood\u003c/span\u003e](https://www.grammy.com/artists/flood/16690) \u003cspan\u003eand The Edge (who also takes a rare lead vocal on \"Numb\"),\u003c/span\u003e *\u003cspan\u003eZooropa\u003c/span\u003e* \u003cspan\u003eis possibly the unsung hero of U2's imperial phase. It was their first album in nearly a decade that didn't provide any U.S. Top 40 hits. And yet, it contains some of their most audacious work; biblical closer \"The Wanderer\" pairs pulsing synths with the world-weary vocals of country legend \u003c/span\u003e[\u003cspan\u003eJohnny Cash\u003c/span\u003e](https://www.grammy.com/artists/johnny-cash/8163)\u003cspan\u003e, while Bono — who frequently showcases the falsetto he nicknamed Fat Lady — has \u003c/span\u003e[\u003cspan\u003ehailed\u003c/span\u003e](https://www.irishpost.com/news/u2-stay-faraway-close-first-time-25-years-160452) \u003cspan\u003e\"Stay (Faraway, So Close)\" as a career best.\u003c/span\u003e\n\n\u003cspan\u003e\"We shall continue to abuse our position and f— up the mainstream,\" Bono\u003c/span\u003e [\u003cspan\u003eclaimed\u003c/span\u003e](https://www.rollingstone.com/feature/u2s-zooropa-10-things-you-didnt-know-666937/) \u003cspan\u003eupon accepting the Best Alternative Music Performance GRAMMY in 1994. And they continued to subvert expectations, duetting with Italian tenor \u003c/span\u003e[\u003cspan\u003eLuciano Pavarotti\u003c/span\u003e](https://www.grammy.com/artists/luciano-pavarotti/17212) \u003cspan\u003eon \"Miss Sarajevo\" (the highlight of their 1995 album\u003c/span\u003e *\u003cspan\u003eOriginal Soundtracks 1\u003c/span\u003e* \u003cspan\u003erecorded with Eno under the guise of Passengers), and unleashing what Bono \u003c/span\u003e[\u003cspan\u003edescribed\u003c/span\u003e](https://www.rollingstone.com/music/music-lists/u2s-pop-a-reimagining-of-the-album-20-years-later-122389/) \u003cspan\u003eas \"the most expensive demo session in the history of music\" with 1997's\u003c/span\u003e *\u003cspan\u003ePop\u003c/span\u003e*\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eRush-recorded to meet a deadline for a tour plagued by technical problems (remember the \u003c/span\u003e[\u003cspan\u003eSpinal Tap\u003c/span\u003e](https://www.grammy.com/artists/spinal-tap/7849)\u003cspan\u003e-esque moment the band got \u003c/span\u003e[\u003cspan\u003estuck in a giant mechanical lemon\u003c/span\u003e](https://www.theguardian.com/music/shortcuts/2017/mar/13/adele-in-a-box-u2-stuck-in-a-lemon-pops-bizarre-stage-entrances)\u003cspan\u003e?)\u003c/span\u003e *\u003cspan\u003ePop\u003c/span\u003e* \u003cspan\u003ehas been repeatedly tinkered with since its release. But the propulsive electro-rock of lead single \"Discothèque,\" \u003c/span\u003e[\u003cspan\u003eUnderworld\u003c/span\u003e](https://www.grammy.com/artists/underworld/20164)\u003cspan\u003e-inspired techno of \"Mofo,\" and chiming psychedelia of \"Staring at the Sun\" were already engaging in their original form.\u003c/span\u003e\n\n\u003cspan\u003eU2 capped off their roller coaster 1990s with their first official \"Best Of\" compilation, albeit one that only spanned the previous decade; its re-recording of B-side \"The Sweetest Thing\" deservedly became a belated hit. But not for the first time, the foursome approached a new decade with a sense of uncertainty about their place in the pop landscape.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - U2 Vertigo [WITH SUBHED]","deliveryId":"d25ce616-17e4-40b8-9ba3-a304ee5f7ad8"},"videoUrl":"https://www.youtube.com/watch?v=98W9QuMq-2k","videoTitle":"The 2000s"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 4 - U2 Songbook","deliveryId":"e6cb049e-deec-462c-ab7b-d528b1b3b2be"},"bodyText":{"richText":"\u003cspan\u003eOnce again, though, U2 proved that you should write them off at your peril by releasing a record that played to their greatest strengths. After a decade of experimentation, 2000's\u003c/span\u003e *\u003cspan\u003eAll That You Can't Leave Behind\u003c/span\u003e* \u003cspan\u003etook an unapologetically back-to-basics approach no doubt spearheaded by the return of their three-time dream team Lanois and Eno.\u003c/span\u003e\n\n\u003cspan\u003eAnthemic lead single \"Beautiful Day\" immediately set the throwback tone, not least for the fact it threatened to burst into \u003c/span\u003e[\u003cspan\u003eA-ha\u003c/span\u003e](https://www.grammy.com/artists/ha/8279)\u003cspan\u003e's '80s classic \"The Sun Always Shines on TV.\" And\u003c/span\u003e *\u003cspan\u003eTomb Raider\u003c/span\u003e* \u003cspan\u003esoundtrack cut \"Elevation\" as well as \"Walk On\" each possessed a similar fist-pumping stadium rock quality, too. But their greatest display of songcraft over studio trickery appeared courtesy of its quietest moment, \"Stuck In a Moment You Can't Get Out Of,\" a poignant tribute to Bono's late friend Michael Hutchence.\u003c/span\u003e\n\n\u003cspan\u003eThe GRAMMYs were certainly taking note, showering the four-piece with seven awards between 2001 and 2002; the album also helped U2 win Record Of The Year two years in a row (\"Beautiful Day\" in '01 and \"Walk On\" in '02). On the promotional trail, Bono had talked of \"reapplying for the job of the best band in the world.\" With such an adulatory critical response, not to mention \u003c/span\u003e[\u003cspan\u003e12 million sales\u003c/span\u003e](https://www.udiscovermusic.com/behind-the-albums/u2-all-that-you-cant-leave-behind-album/)\u003cspan\u003e, no recruiter could turn them down.\u003c/span\u003e\n\n\u003cspan\u003eRemarkably, U2 bettered their GRAMMY tally with 2004's\u003c/span\u003e *\u003cspan\u003eHow to Dismantle an Atomic Bomb\u003c/span\u003e*\u003cspan\u003e, winning all eight of its nominated categories between 2005 and 2006, including Album Of The Year and Song Of The Year for \"Sometimes You Can't Make It On Your Own,\" a gorgeously meditative ballad about the death of Bono's father. Consecutive Best Rock Song winners \"Vertigo\" and \"City of Blinding Lights,\" however, were more indicative of what was\u003c/span\u003e [\u003cspan\u003eself-described\u003c/span\u003e](https://www.billboard.com/lists/grammy-winners-album-of-the-year-all-of-them-ranked/frank-sinatra-a-man-and-his-music-1967/) \u003cspan\u003eas \"our first rock album.\"\u003c/span\u003e\n\n**Read More:** [GRAMMY Rewind: Watch U2 Win Album Of The Year At The 2006 GRAMMY Awards](:blank:https://www.grammy.com/news/grammy-rewind-watch-u2-win-album-year-2006-grammy-awards)\n\n\u003cspan\u003eThe band continued to keep their finger on the pulse, lending its lead single, \"Vertigo,\" to help market the iPod and teaming up with American Idiot-era \u003c/span\u003e[\u003cspan\u003eGreen Day\u003c/span\u003e](https://www.grammy.com/artists/green-day/7433) \u003cspan\u003eon a cover of The Skids' \"The Saints Are Coming.\" An induction into the Rock and Roll Hall of Fame upon their first nomination, meanwhile, appeared to perfectly place them between the old and the new.\u003c/span\u003e\n\n\u003cspan\u003eBut the five-year wait for\u003c/span\u003e *\u003cspan\u003eNo Line on the Horizon\u003c/span\u003e* \u003cspan\u003e— the longest between albums in U2's career — then left them playing catch-up. Nevertheless, the record still topped the charts in 30 countries and spawned the highest-grossing tour ever at the time where songs such as \"I'll Go Crazy If I Don't Go Crazy Tonight\" and \"Magnificent\" appeared to connect with fans far more effectively.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - U2 You're the Best Thing About Me [WITH SUBHED]","deliveryId":"b15178f5-a166-40b5-9b0d-378c1631c084"},"videoUrl":"https://www.youtube.com/watch?v=nd_EYo96lmo","videoTitle":"The 2010s"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 5 - U2 Songbook","deliveryId":"3a2328c9-ef27-49b3-8738-9aecd71abcd8"},"bodyText":{"richText":"\u003cspan\u003eAfter providing the songs for troubled Broadway musical \"Spider-Man: Turn Off the Dark,\" Bono and The Edge got back to the day job, firstly winning a Golden Globe for U2's contribution to\u003c/span\u003e *\u003cspan\u003eMandela: Long Road to Freedom\u003c/span\u003e* \u003cspan\u003e(the uplifting \"Ordinary Love\"). The band then paid tribute to their musical heroes on 2014's\u003c/span\u003e *\u003cspan\u003eSongs of Innocence\u003c/span\u003e* \u003cspan\u003ealongside a who's who of modern hitmakers (\u003c/span\u003e[\u003cspan\u003eDanger Mouse\u003c/span\u003e](https://www.grammy.com/artists/danger-mouse/10982)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eRyan Tedder\u003c/span\u003e](https://www.grammy.com/artists/ryan-tedder/16130)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003ePaul Epworth\u003c/span\u003e](https://www.grammy.com/artists/paul-epworth/12395)\u003cspan\u003e). \"This Is Where Can You Reach Me Now,\" for example, was inspired by seeing \u003c/span\u003e[\u003cspan\u003eThe Clash\u003c/span\u003e](https://www.grammy.com/artists/clash/12197) \u003cspan\u003ein concert as teens, while opener \"The Miracle (of Joey Ramone)\" celebrated the formative influence of the titular punk rocker.\u003c/span\u003e\n\n\u003cspan\u003eUnfortunately, the album's unorthodox release strategy completely overshadowed its content. Its automatic download to every iTunes account sparked the\u003c/span\u003e [\u003cspan\u003ebiggest backlash\u003c/span\u003e](https://www.forbes.com/sites/davidphelan/2022/10/30/how-apple-and-u2-made-an-unforgettable-blunder-and-whose-fault-it-was/) \u003cspan\u003eof U2's career: their fellow musicians, and the industry as a whole, argued that the stunt had devalued music. And in an age where the phone is the ultimate prized possession, most customers were frustrated that their personal libraries had been modified without their consent.\u003c/span\u003e\n\n\u003cspan\u003eU2 wisely returned to more conventional distribution methods for 2017's\u003c/span\u003e *\u003cspan\u003eSongs of Experience\u003c/span\u003e*\u003cspan\u003e, a semi-conceptual album for which Bono penned musical letters to the most important people in his life. These included wife, Ali (\"You're the Best Thing About Me\"), daughters Jordan and Eve (\"Get Out of Your Own Way\") and the band's loyal fans (\"The Showman (Little More Better)\"), while \"Lights of Home\" directly addressed God in the wake of the singer's life-saving heart surgery.\u003c/span\u003e\n\n\u003cspan\u003eProving they still had their fingers on the pulse, U2 also sought assistance from\u003c/span\u003e [\u003cspan\u003eLady Gaga\u003c/span\u003e](https://www.grammy.com/artists/lady-gaga/3611)\u003cspan\u003e,\u003c/span\u003e[\u003cspan\u003eHaim\u003c/span\u003e](https://www.grammy.com/artists/haim/18818) \u003cspan\u003eand\u003c/span\u003e[\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://www.grammy.com/artists/kendrick-lamar/17949)\u003cspan\u003e, the latter returning the favor after the group guested on\u003c/span\u003e *\u003cspan\u003eDAMN.\u003c/span\u003e* \u003cspan\u003etrack \"XXX\" earlier in the year. And commercial order was restored when\u003c/span\u003e *\u003cspan\u003eSongs of Experience\u003c/span\u003e* \u003cspan\u003etopped the Billboard 200, making them the first act to achieve such a feat every decade from the 1980s onward.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Video Embed Player - U2 Country Mile [WITH SUBHED]","deliveryId":"05f9ce3d-7e15-4e41-88d6-1e779a5816e4"},"videoUrl":"https://www.youtube.com/watch?v=KVW-xthPZSE","videoTitle":"The 2020s"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body Text 6 - U2 Songbook","deliveryId":"8915db9e-6f53-4f45-b8dc-970bf5345acc"},"bodyText":{"richText":"\u003cspan\u003eU2 have largely spent the 2020s looking backward. In 2022, Bono reflected on his remarkable life story with his long-awaited memoir,\u003c/span\u003e *\u003cspan\u003eSurrender\u003c/span\u003e*\u003cspan\u003e, heading out on a national book tour to promote it.\u003c/span\u003e\n\n\u003cspan\u003eOn 2023's\u003c/span\u003e *\u003cspan\u003eSongs of Surrender\u003c/span\u003e*\u003cspan\u003e, the band gave 40 tracks from their vast back catalog — from the ubiquitous (\"With or Without You,\" \"Beautiful Day\") to the deep cuts (\"Stories for Boys,\" \"Cedarwood Road\") — the \"MTV Unplugged\"-esque treatment. They also changed the occasional odd lyric to reflect modern times; \"Walk On\" was repurposed as a tribute to Ukrainian president Volodymyr Zelenskyy. That same year, they also appeared in\u003c/span\u003e *\u003cspan\u003eKiss The Future\u003c/span\u003e*\u003cspan\u003e, Nenad Cicin-Sain's acclaimed documentary that charted their historic 1997 show in war-torn Bosnia.\u003c/span\u003e\n\n\u003cspan\u003eU2 also revisited their eight-time GRAMMY winning LP with\u003c/span\u003e *\u003cspan\u003eHow to Re-Assemble an Atomic Bomb\u003c/span\u003e*\u003cspan\u003e, adding 10 previously unreleased tracks to the 2004 original including classicist \"Country Mile.\" But their most awe-inspiring throwback appeared courtesy of their\u003c/span\u003e *\u003cspan\u003eAchtung Baby\u003c/span\u003e*\u003cspan\u003e-focused residency at Las Vegas' The Sphere. Documented on\u003c/span\u003e *\u003cspan\u003eV-U2 An Immersive Concert Film\u003c/span\u003e*\u003cspan\u003e, the show's highly immersive, pioneering production proved that, nearly 50 years since their formation, U2 still possesses the power to transfix.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: 5 Most Latest News \u0026 Exclusive Videos (General)","deliveryId":"1a4ab4ad-e0a5-4c8c-a6a7-d52f7e7c5b07"},"searchType":{"AutoOrManual":"Automatic","contentTypes":"News + Video"},"title":"Latest News \u0026 Exclusive Videos"}],"hero":{"id":"9cc4fa60-96ef-4072-9731-47da98c7c6d9","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Rock"],"tags":["Rock"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1732544256047,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"Songbook: A Guide To U2's World-Conquering Discography, From 'Boy' To 'How To Re-Assemble An Atomic Bomb'","shortTitle":"A Guide To U2's Discography From 1980 To Today","subHeadline":"As the Irish rockers release the 20th anniversary edition of their eight-time GRAMMY-winning opus, revisit all of their albums and how each one contributed to making them one of the biggest bands of all time.","articleSummary":"As the Irish rockers release the 20th anniversary edition of their eight-time GRAMMY-winning opus, revisit all of their albums and how each one contributed to making them one of the biggest bands of all time."},{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"Who Discovered Kendrick Lamar? 9 Questions About The 'Mr. Morale \u0026 The Big Steppers' Rapper Answered","deliveryId":"b3f62c6f-c1aa-4e5e-abf5-923adfd8fdfc","deliveryKey":"news/kendrick-lamar-facts-grammys-wins-nominations-albums-mr-morale-the-big-steppers-tour-pglang-label-tde-damn-humble-most-popular-song"},"articleCategory":["list"],"contributors":[{"id":"97cd1fb2-14e6-4a6c-a5e2-27e9c3c8fe83","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1 - Kendrick Lamar GNX update","deliveryId":"59096e6f-8652-4759-aa42-50f81e22b2af"},"bodyText":{"richText":"*\u003cspan\u003eEditor's note: This article was updated to include the latest information about Kendrick Lamar's 2024 album release 'GNX,' and up-to-date GRAMMY wins and nominations with additional reporting by \u003c/span\u003e[\u003cspan\u003eNina Frazier\u003c/span\u003e](https://grammy.com/bio/nina-frazier)\u003cspan\u003e.\u003c/span\u003e*\n\n\u003cspan\u003eWhen the world crowns you the king of a genre as competitive as rap, your presence — and lack thereof — is palpable. After a five-year hiatus, \u003c/span\u003e[\u003cspan\u003eKendrick Lamar\u003c/span\u003e](https://www.grammy.com/artists/kendrick-lamar/17949)\u003cspan\u003e declaratively stomped back on stage with his fifth studio album, \u003c/span\u003e*\u003cspan\u003eMr. Morale \u0026amp; The Big Steppers\u003c/span\u003e*\u003cspan\u003e, to explain why the crown no longer fits him.\u003c/span\u003e\n\n\u003cspan\u003eTwo years later, Lamar circles back to celebrate the west on 2024's \u003c/span\u003e*\u003cspan\u003eGNX,\u003c/span\u003e*\u003cspan\u003e a 12-track release that revels in the root of his love for hip-hop and California culture, from the lowriders to the rappers that laid claim to the golden state.\u003c/span\u003e\n\n\u003cspan\u003e“My baby boo, you either heal n—s or you kill n—s/ Both is true, it take some tough skin just to deal with you” Lamar raps on \"\u003c/span\u003e[\u003cspan\u003egloria\u003c/span\u003e](https://www.youtube.com/watch?v=G5YwhjCywvw)\u003cspan\u003e\" featuring \u003c/span\u003e[\u003cspan\u003eSZA\u003c/span\u003e](https://grammy.com/artists/Solana-Rowe/32514)\u003cspan\u003e, a track that opines on his relationship with the genre.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"squabble up - Kendrick Lamar","deliveryId":"e01a3c14-9fd4-4a29-83e1-efb2294183d8"},"videoUrl":"https://www.youtube.com/watch?v=fuV4yQWdn_4"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2 - Kendrick Lamar GNX update","deliveryId":"2412e7bd-cef8-472a-884c-f3bb6e1816c6"},"bodyText":{"richText":"\u003cspan\u003eThe Compton-born rapper (who was born Kendrick Lamar Duckworth) wasn't always championed as King Kendrick. In hip-hop, artists have to earn that moniker, and Lamar's enthroning occurred in 2013 when he delivered a \u003c/span\u003e[\u003cspan\u003enow-infamous verse\u003c/span\u003e](https://www.rollingstone.com/music/music-lists/9-ways-kendrick-lamars-control-verse-changed-the-world-177449/the-best-rappers-defend-their-crowns-now-166780/)\u003cspan\u003e on Big Sean's \"Control.\"\u003c/span\u003e\n\n\u003cspan\u003e\"I'm Makaveli's offspring, I'm the King of New York, King of the Coast; one hand I juggle 'em both,\" Lamar raps before name-dropping some of the top rappers of the time, from \u003c/span\u003e[\u003cspan\u003eDrake\u003c/span\u003e](https://www.grammy.com/artists/drake/12370)\u003cspan\u003e to \u003c/span\u003e[\u003cspan\u003eJ.Cole\u003c/span\u003e](https://www.grammy.com/artists/j-cole/1324)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eWhether you've been a fan of Lamar since before his crown-snatching verse or you find yourself in need of a crash course on the 37-year-old rapper's illustrious career, GRAMMY.com answers nine questions that will paint the picture of Lamar's more than decade-long reign.\u003c/span\u003e\n\n## \u003cspan\u003eWho Discovered Kendrick Lamar?\u003c/span\u003e\n\n\u003cspan\u003eDue to the breakthrough success of his Aftermath Entertainment debut (\u003c/span\u003e*[\u003cspan\u003egood kid, m.A.A.d city\u003c/span\u003e](https://grammy.com/news/for-the-record-kendrick-lamar-good-kid-maad-city-ushered-in-new-era-for-west-coast-rap-storytelling-10-year-anniversary)*\u003cspan\u003e), most people attribute Kendrick Lamar's discovery to fellow Compton legend \u003c/span\u003e[\u003cspan\u003eDr. Dre\u003c/span\u003e](https://grammy.com/artists/dr-dre/2199)\u003cspan\u003e. But seven years before Dre's label came calling, Anthony \"Top Dawg\" Tiffith saw potential in a 16-year-old rapper by the name of K.Dot.\u003c/span\u003e\n\n\u003cspan\u003eLamar's first mixtape in 2004 was enough for Tiffith's Top Dawg Entertainment (TDE) to offer the aspiring rapper a deal with the label in 2005. However, Lamar would later learn that Tiffith's impact on his life dates back to multiple encounters between his father and the TDE founder, which Lamar raps about in his 2017 track \"DUCKWORTH.\"\u003c/span\u003e\n\n## \u003cspan\u003eHow Many Albums Has Kendrick Lamar Released?\u003c/span\u003e\n\n\u003cspan\u003eKendrick Lamar has released six studio albums: \u003c/span\u003e*\u003cspan\u003eSection.80\u003c/span\u003e*\u003cspan\u003e (2011), \u003c/span\u003e*\u003cspan\u003eGood Kid, M.A.A.D. City\u003c/span\u003e*\u003cspan\u003e (2012), \u003c/span\u003e*\u003cspan\u003eTo Pimp a Butterfly\u003c/span\u003e*\u003cspan\u003e (2015) \u003c/span\u003e*\u003cspan\u003eDAMN.\u003c/span\u003e*\u003cspan\u003e (2017),\u003c/span\u003e*\u003cspan\u003eMr. Morale \u0026amp; the Big Steppers\u003c/span\u003e*\u003cspan\u003e (2022), and \u003c/span\u003e*\u003cspan\u003eGNX\u003c/span\u003e* \u003cspan\u003e(2024). \u003c/span\u003e*\u003cspan\u003eGood Kid, M.A.A.D. City\u003c/span\u003e*\u003cspan\u003e, \u003c/span\u003e*[\u003cspan\u003eTo Pimp a Butterfly\u003c/span\u003e](https://www.grammy.com/news/aoty-to-pimp-a-butterfly-oral-history)*\u003cspan\u003e and \u003c/span\u003e*\u003cspan\u003eDAMN.\u003c/span\u003e*\u003cspan\u003e received both Rap Album Of The Year and Album Of The Year GRAMMY nominations. \u003c/span\u003e\n\n## \u003cspan\u003eWhat Is Kendrick Lamar's Most Popular Song?\u003c/span\u003e\n\n\u003cspan\u003eAcross the board, it's \"HUMBLE.\" The 2017 track is Lamar's only solo No. 1 on the Billboard Hot 100 (he also reached No. 1 status with \u003c/span\u003e[\u003cspan\u003eTaylor Swift\u003c/span\u003e](https://www.grammy.com/artists/taylor-swift/15450)\u003cspan\u003e on their remix of her \u003c/span\u003e*\u003cspan\u003e1989\u003c/span\u003e*\u003cspan\u003e hit \"Bad Blood\"), and as of press time, \"HUMBLE.\" is also his most-streamed song on Spotify and YouTube.\u003c/span\u003e"}},{"_meta":{"schema":"https://therecordingacademy.com/content/video-embed-player","name":"Kendrick Lamar - HUMBLE","deliveryId":"6929f92b-fb04-4aeb-b95f-7e2da5d87e95"},"videoUrl":"https://www.youtube.com/watch?v=tvTRZJ-4EyI"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 3 - Kendrick Lamar GNX update","deliveryId":"29d28846-863e-4778-9f9d-4cbb5608364b"},"bodyText":{"richText":"## \u003cspan\u003eHow Many GRAMMYs Has Kendrick Lamar Won?\u003c/span\u003e\n\n\u003cspan\u003eAs of November 2024, Kendrick Lamar has won 17 GRAMMYs and has received 57 GRAMMY nominations overall, solidifying his place as one of the most nominated artists in GRAMMY history and the second-most nominated rapper of all time, behind \u003c/span\u003e[\u003cspan\u003eJay-Z\u003c/span\u003e](https://grammy.com/artists/jay-z/9815)\u003cspan\u003e. Five of Lamar's 17 GRAMMY wins are tied to \u003c/span\u003e*\u003cspan\u003eDAMN.\u003c/span\u003e*\u003cspan\u003e, which also earned Lamar the status of becoming the \u003c/span\u003e[\u003cspan\u003efirst rapper ever to win a Pulitzer Prize\u003c/span\u003e](https://www.history.com/this-day-in-history/kendrick-lamar-wins-the-pulitzer-prize)\u003cspan\u003e.\u003c/span\u003e\n\n\u003cspan\u003eHis most recent wins include three awards at the \u003c/span\u003e[\u003cspan\u003e2023 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2023-grammy-nominations-complete-winners-nominees-list)\u003cspan\u003e, which included two for his album \u003c/span\u003e*[\u003cspan\u003eMr. Morale \u0026amp; The Big Steppers\u003c/span\u003e](https://grammy.com/news/kendrick-lamar-mr-morale-big-steppers-explainer-2022-new-album)*\u003cspan\u003e, and Best Rap Performance for \"The Hillbillies\" with \u003c/span\u003e[\u003cspan\u003eBaby Keem\u003c/span\u003e](https://grammy.com/artists/Hykeem-Carter/37903)\u003cspan\u003e. \u003c/span\u003e\n\n## \u003cspan\u003eDoes Kendrick Lamar Have Any Famous Relatives?\u003c/span\u003e\n\n\u003cspan\u003eHe has two: Rapper Baby Keem and former Los Angeles Lakers star Nick Young are both cousins of his.\u003c/span\u003e\n\n\u003cspan\u003eLamar appeared on three tracks — \"family ties,\" \"range brothers\" and \"vent\" — from Keem's debut album, \u003c/span\u003e*\u003cspan\u003eThe Melodic Blue\u003c/span\u003e*\u003cspan\u003e. Keem then returned the favor for \u003c/span\u003e*\u003cspan\u003eMr. Morale \u0026amp; The Big Steppers\u003c/span\u003e*\u003cspan\u003e, featuring on \"Savior (Interlude)\" and \"Savior\" as well as receiving production and writing credits on \"N95\" and \"Die Hard.\"\u003c/span\u003e\n\n**\u003cspan\u003eRead More:\u003c/span\u003e** [\u003cspan\u003eMeet The First-Time GRAMMY Nominee: Baby Keem On Inspiring Rap's Next Generation, Why \"Producer Artists\" Are The Best \u0026amp; The Likelihood Of A Kendrick Lamar Collab Album\u003c/span\u003e](https://www.grammy.com/news/baby-keem-melodic-blue-interview-video-2022-grammys-meet-first-time-nominee)\n\n## \u003cspan\u003eWhy Did Kendrick Lamar Wear A Crown Of Thorns?\u003c/span\u003e\n\n\u003cspan\u003eLamar can be seen sporting a crown of thorns on the \u003c/span\u003e*\u003cspan\u003eMr. Morale \u0026amp; The Big Steppers\u003c/span\u003e*\u003cspan\u003e album cover. He has sported the look for multiple performances since the project's release.\u003c/span\u003e\n\n\u003cspan\u003eDave Free described the striking headgear as, \"a godly representation of hood philosophies told from a digestible youthful lens.\"\u003c/span\u003e\n\n\u003cspan\u003eHoly symbolism and the blurred line between kings and gods are themes Lamar revisits often on \u003c/span\u003e*\u003cspan\u003eMr. Morale \u0026amp; The Big Steppers\u003c/span\u003e*\u003cspan\u003e. He uses lines like \"Kendrick made you think about it, but he is not your savior\" and songs like \"Mirror\" to reject the unforeseen, God-like expectations that came with his King of Hip-Hop status.\u003c/span\u003e\n\n\u003cspan\u003eAccording to \u003c/span\u003e*[\u003cspan\u003eVogue\u003c/span\u003e](https://www.vogue.com/article/kendrick-lamar-crown-of-thorns-tiffany-co)*\u003cspan\u003e, the Tiffany \u0026amp; Co. designed crown features 8,000 cobblestone micro pave diamonds and took over 1,300 hours of work by four craftsmen to construct.\u003c/span\u003e\n\n## \u003cspan\u003eWhy Did Kendrick Lamar Leave TDE?\u003c/span\u003e\n\n\u003cspan\u003eAfter five albums, four mixtapes, one compilation project, an EP, and a GRAMMY-nominated \u003c/span\u003e*\u003cspan\u003eBlack Panther: The Album\u003c/span\u003e*\u003cspan\u003e, Kendrick Lamar and Top Dawg Entertainment (TDE) confirmed that \u003c/span\u003e*\u003cspan\u003eMr. Morale \u0026amp; The Big Steppers\u003c/span\u003e*\u003cspan\u003e was the Compton rapper's last project under the iconic West Coast label. \u003c/span\u003e\n\n\u003cspan\u003eAccording to Lamar, his departure was about growth as opposed to any internal troubles. \"May the Most High continue to use Top Dawg as a vessel for candid creators. As I continue to pursue my life's calling,\" Lamar \u003c/span\u003e[\u003cspan\u003ewrote on his website\u003c/span\u003e](https://oklama.com/nuthoughts)\u003cspan\u003e in August 2021. \"There's beauty in completion.\"\u003c/span\u003e\n\n\u003cspan\u003eTDE president Punch expressed a similar sentiment in an interview with \u003c/span\u003e[\u003cspan\u003eMic\u003c/span\u003e](https://www.mic.com/culture/tde-punch-sza-kendrick-lamar)\u003cspan\u003e. \"We watched him grow from a teenager up into an established grown man, a businessman, and one of the greatest artists of all time,\" he said. \"So it's time to move on and try new things and venture out.\"\u003c/span\u003e\n\n\u003cspan\u003eBefore Lamar's official exit from TDE, he launched a new venture called pgLang — a multi-disciplinary service company for creators, co-founded with longtime collaborator \u003c/span\u003e[\u003cspan\u003eDave Free\u003c/span\u003e](https://www.grammy.com/artists/dave-free/19028)\u003cspan\u003e — in 2020. The young company has already collaborated with Cash App, Converse and Louis Vuitton.\u003c/span\u003e\n\n## \u003cspan\u003eHas Kendrick Lamar Ever Performed at The Super Bowl?\u003c/span\u003e\n\n\u003cspan\u003eYes, Kendrick Lamar performed in the \u003c/span\u003e[\u003cspan\u003ehalftime show for Super Bowl LVI\u003c/span\u003e](https://www.youtube.com/watch?v=gdsUKphmB3Y)\u003cspan\u003e in Los Angeles in 2022, alongside fellow rap legends Dr. Dre, \u003c/span\u003e[\u003cspan\u003eSnoop Dogg\u003c/span\u003e](https://www.grammy.com/artists/calvin-broadus/14274)\u003cspan\u003e and Eminem, as well as R\u0026amp;B icon \u003c/span\u003e[\u003cspan\u003eMary J. Blige\u003c/span\u003e](https://www.grammy.com/artists/mary-j-blige/779)\u003cspan\u003e. \u003c/span\u003e[\u003cspan\u003eAnderson .Paak\u003c/span\u003e](https://www.grammy.com/artists/anderson-paak/19926)\u003cspan\u003e and \u003c/span\u003e[\u003cspan\u003e50 Cent\u003c/span\u003e](https://www.grammy.com/artists/50-cent/2468)\u003cspan\u003e also made special appearances during the star-studded performance. As if performing at the Super Bowl in your home city wasn't enough, the Compton rapper also got to watch his home team, the Los Angeles Rams, hoist the Lombardi trophy at the end of the night.\u003c/span\u003e\n\n\u003cspan\u003eThree years after his first Super Bowl halftime performance, Lamar will return to headline the Super Bowl LIX halftime show on Feb. 9, 2025 — just one week after the \u003c/span\u003e[\u003cspan\u003e2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-full-winners-nominees-list)\u003cspan\u003e — at the Caesars Superdome in New Orleans. \u003c/span\u003e\n\n## \u003cspan\u003eIs Kendrick Lamar On Tour?\u003c/span\u003e\n\n\u003cspan\u003eKendrick Lamar recently concluded The Big Steppers Tour, where he was joined by pgLang artists Baby Keem and Tanna Leone. 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For any music lover, GRAMMY Sunday is very much like the Super Bowl or World Series to a sports fanatic. The only difference being, while sports teams typically find out who will be the final competition within a week or two of the showdown, GRAMMY nominations arrive months prior to the big show. The ceremony is arguably a culmination of all of that energy and anticipation. The 60th GRAMMY Awards was no different, as James Corden returned to host the Music's Biggest Night.\u003c/p\u003e\r\n"},"body":{"richText":"For any music lover, GRAMMY Sunday is very much like the Super Bowl or World Series to a sports fanatic.\n\nThe only difference being, while sports teams typically find out who will be the final competition within a week or two of the showdown, GRAMMY nominations arrive months prior to the big show. The ceremony is arguably a culmination of all of that energy and anticipation. The 60th GRAMMY Awards was no different, as James Corden returned to host the Music's Biggest Night.\n\nReturning to Madison Square Garden for the first time in 15 years, the milestone telecast proved to be a celebration that broke down barriers — with the wins, performances, and acceptance speeches showing that the power of music can literally change the world.\n\nOf course, the GRAMMYs' return to the Big Apple was cause enough for excitement. (Cut to [Tony Bennett](/artists/tony-bennett/1073) and [John Legend](/artists/john-legend/16994) singing \"New York, New York\" before presenting Best Rap/Sung Performance). And there was [Bruno Mars](/artists/bruno-mars/5082) netting six wins and nearly doubling his career output to 11 in one fell swoop. But there was plenty of excitement to go around.\n\nWhether you were there, watching on TV or live streaming, here are 12 moments from the 60th GRAMMY Awards that made it a night to remember.\n\n### 1. Kendrick Lamar, U2, Dave Chappelle Open With An Army\n\n[Kendrick Lamar](/artists/kendrick-lamar/17949) has a steady track record of impactful performances on the GRAMMYs, and this time he opened the ceremony with a groundbreaking performance before winning the first award of the evening for Best Rap/Sung Performance (\"LOYALTY.\" with Rihanna). Opening with \"XXX\" before an American flag backdrop and U.S. soldiers marching, the rapper was joined by [U2](/artists/u2/7858)'s Bono and The Edge. A war simulation followed before [Dave Chappelle](/artists/dave-chappelle/187041) hit the stage to punctuate segues in between heated musical vignettes performed by Lamar. It was history in the making, much like everything he touches.\n\n### 2. Lady Gaga's Tearjerker Performance with Mark Ronson\n\n\"This is for love and compassion …even when you can't understand,\" [Lady Gaga](/artists/lady-gaga/3611) uttered before a white piano wrapped in lace as she opened her performance with \"Joanne.\" Mark Ronson assisted on guitar as the acoustic set segued into another moving ballad, \"Million Reasons.\" The emotional performance was poignant, but most importantly showed Gaga's unreal vocal range. It's OK if you shed a tear while watching. We were all cutting onions when it happened.\n\n### 3. James Corden Rapping For Jay-Z\n\nIf you watch \"The Late Late Show With James Corden\" or are tuned into any episode of his \"Carpool Karaoke\" series, you'll know that Corden was the perfect return host for this year's telecast. On the eve of the show, [Jay-Z](/artists/jay-z/9815) was honored at the Pre-GRAMMY Gala and Corden informed the crowd, but began riddling off his knowledge of Jay-Z facts — including Jay’s former apartment address of 560 State Street in Brooklyn. Corden then launched into spitting a few bars for an amused Mr. Carter. \"You call it the Big Apple, I call it the Concrete Jungle where dreams are made of …just something I made up,\" Corden joked.\n\n### 4. Bruno Mars And Cardi B's #TBT Performance Of \"Finesse (Remix)\"\n\nA few weeks back — when the video for Bruno Mars' remix to \"Finesse\" featuring [Cardi B](/artists/cardi-b/186981) hit the internet — we were all bit by the nostalgia bug. The video (directed by Mars himself) was not only a clear nod to the sketch comedy series \"In Living Color,\" but it was also a Polaroid of a bygone era of ‘90s R\u0026amp;B and hip-hop—complete with bright colors. Cardi B donned a legendary Cross Colours bucket hat with Mars dancing onstage like a New Jack Swing-era frontman before a dance-off to House Of Pain’s \"Jump Around.\" It was #ThrowbackThursday on a Sunday night.\n\n### 5. Alessia Cara Claims Best New Artist\n\n\"I've been pretend winning GRAMMYs since I was a kid in the shower,\" [Alessia Cara](/artists/alessia-cara/186976) said with a shaky voice before a towering microphone as she accepted her first GRAMMY. While the Canadian was already considered a strong candidate for the award, the competition was fierce — including [SZA](/artists/Solana-Rowe/32514) and newcomer [Julia Michaels](/artists/julia-michaels/188121). But as Cara continued into her speech, she acknowledged and showed support for her peers, which included her fellow nominees and indie acts. \"Support real music and real artists,\" she said. Then she thanked her fans, because there will be no more pretend GRAMMYs in the shower from now on.\n\n### 6. Luis Fonsi, Daddy Yankee Bring On More \"Despacito\"\n\nOver the course of 2017, the infectious \"Despacito\" hasn't left our brains. [Luis Fonsi](/artists/luis-fonsi/3346) and [Daddy Yankee](/artists/daddy-yankee/9370) hit the stage to perform the diamond-certified single and brought former Miss Universe Zuleyka Rivera in two. Rivera also appeared in the music video, but took center stage to dance amid a mock club scene. \"That is a catchy song. I've never heard that song before,\" Corden deadpanned after the performance.\n\n### 7. \"Subway Carpool Karaoke\"\n\nCorden's viral \"Carpool Karaoke\" series made a cameo during the evening. How could it not? This time, however, it was a special \"Subway Carpool Karaoke,\" featuring Corden, [Sting](/artists/sting/10244) and [Shaggy](/artists/shaggy/10082). The former Police frontman couldn't even get through \"Every Breath You Take\" before being shushed by a construction worker on the train. And Shaggy barely sang \"It Wasn't Me\" before another passenger hushed even Corden. Then a fight broke out on the train and Corden got a bloody nose. It was a dangerous karaoke scene. You had to be there.\n\n### 8. Janelle Monáe Says #TimesUp, Kesha Sings #MeToo\n\nAll one has to do is read the news in recent months to know that injustice to women is no longer an option across industries. As [Janelle Monáe](/artists/janelle-monae/4464) introduced [Kesha](/artists/kesha/187816)'s performance of \"Praying,\" she delivered a powerful speech hooked to the sexual harassment initiative Time's Up. \"We are also daughters, wives, mothers, sisters, humans,\" Monáe told the crowd. \"We come in peace, but we mean business.\" When Kesha hit the stage, her performance was that much more intense, especially understanding all she's been through in the music industry. With [Cyndi Lauper](/artists/cyndi-lauper/4198), Camila Cabello, Bebe Rexha, Julia Michaels, and [Andra Day](/artists/andra-day/18980) joining on background vocals, the performance ended with the women hugging and in tears. They weren't alone.\n\n### 9. Elton John, Miley Cyrus Transcend Generations Onstage\n\n[Elton John](/artists/elton-john/12074)'s \"Tiny Dancer\" is one of those classic songs that can bring you immediately back to a moment or an era (or a movie scene, like that bus ride in Almost Famous). However, tonight a new moment was made with [Miley Cyrus](/artists/miley-cyrus/18384). With John seated at his piano, he opened the song and Cyrus joined to help carry the song home. While the \"Wrecking Ball\" singer is no stranger to classic music — especially given her godmother is [Dolly Parton](/artists/dolly-parton/17205) — this performance was particularly special. Call it onstage chemistry, or call it bridging the gap, but this \"Tiny Dancer\" performance was one for the ages.\n\n### 10. Ben Platt, Patti LuPone Wow With Broadway Style\n\nThis special [Leonard Bernstein](/artists/leonard-bernstein/896)-[Andrew Lloyd Webber](/artists/andrew-lloyd-webber/4044) tribute kicked off properly, as [Ben Platt](/artists/ben-platt/188321) from \"Dear Evan Hansen\" gave the audience a rousing dose of \"Somewhere\" from the former's \"West Side Story.\" But as James Corden could barely stand as he introduced [Patti LuPone](/artists/patti-lupone/5059), we soon found out why. LuPone delivered a riveting rendition of “Don't Cry For Me Argentina\" from Evita. Posted at a podium, just as the musical/movie depicts, she belted like it was her first time singing the song and it was our first time hearing it.\n\n### 11. Logic, Khalid, Alessia Cara Bring Hope \n\nThere's a reason why \"1-800-273-8255\" was nominated for Song Of The Year. The powerful track comes with a real message of suicide prevention. When the trifecta of [Logic](/artists/Sir-Robert-Bryson-Hall-II/32370), [Khalid](/artists/khalid/187821), and Alessia Cara hit the stage to perform the monumental hit single, there was no denying the magic. Performing on opposite stages before an army of survivors in \"You Are Not Alone\" shirts, Logic addressed the crowd and closed the performance with a speech pointing out many societal injustices — from the treatment of women to neighbors from other countries. There are no weak individuals, per Logic, just people waiting to realize the power of their voice.\n\n### 12. Bruno Mars' Magical Evening: 6 For 6\n\nBruno Mars emerged above the stiff competition in Album Of The Year, taking home the final GRAMMY of the evening for 24K Magic. The nod topped off a GRAMMY sweep for the Hawaii native, with Mars winning all six categories for which he was nominated. He also earned R\u0026amp;B Album, Record Of The Year for \"24K Magic,\" Best R\u0026amp;B Performance, Best R\u0026amp;B Song and Song Of The Year for \"That's What I Like.\" As he explained in his Album Of The Year speech, Mars' mission was to spread love and he did just that — even shouting out previous greats like [Babyface](/artists/babyface/985) who paved the way for him."},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"grammy60th","id":"30312ea0-acba-4e90-ac23-ca6248bfd053","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"60th Annual GRAMMY Awards","showYear":2017},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"59th Annual GRAMMY Awards","deliveryId":"26137891-0e4b-4526-b96c-aca3162f80b8","deliveryKey":"awards/59th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":false},"isChatbotAvailable":true,"isShowNominees":false,"body":{"richText":"During a period in our nation's history in which people are constantly reminded about the political and social issues that can divide us, the 59th GRAMMY Awards served as a convincing testament to the undeniable unifying power of music.\n\n[Adele](/artists/adele/528), whose voice is a powerful force unto itself, emerged the top winner of the night, taking home five GRAMMYs: Best Pop Vocal Album and Album Of The Year for 25 and Record Of The Year, Song Of The Year and Best Pop Solo Performance for \"Hello.\" The now-15-time winner also made GRAMMY history by becoming the first artist to sweep Record, Album and Song Of The Year twice in her career.\n\nFittingly, it was Adele who ushered in Music's Biggest Night with a mesmerizing performance of her smash \"Hello.\" A stark black backdrop provided a blank canvas over which the British singer/songwriter painted an aural masterpiece, her potent vocals reverberating throughout Los Angeles' Staples Center.\n\nThe mercurial [David Bowie](/artists/david-bowie/4819), who died just days before releasing his album Blackstar on Jan. 8, 2016, won four posthumous GRAMMYs, including Best Alternative Music Album. [Greg Kurstin](/artists/greg-kurstin/9943), Adele's producer and songwriting partner, also won four awards, including Producer Of The Year, Non-Classical.\n\n[Chance The Rapper](/artists/chancelor-bennett/19614) earned three awards, including Best New Artist, making him the first streaming-exclusive artist to win a GRAMMY. \"This is for every indie artist who's been doing this mixtape stuff for a long-a\\*\\* time,\" the Chicagoan said during his acceptance for Best Rap Album for Coloring Book. He punctuated his GRAMMY debut with a feel-good performance medley of \"How Great\" and \"All We Got,\" with his cousin Nicole and 59th GRAMMY winners [Kirk Franklin](/artists/kirk-franklin/9067) and Tamela Mann adding soulful flourishes.\n\nEngineer/mixer [Tom Elmhirst](/artists/tom-elmhirst/2228) also won three GRAMMYs; [Beyoncé](/artists/beyonce-knowles/12474), [Drake](/artists/drake/12370), [Sarah Jarosz](/artists/sarah-jarosz/13600), [John Scofield](/artists/john-scofield/13908), Franklin, and [Hillary Scott \u0026amp; The Scott Family](/artists/hillary-scott-scott-family/20151) were among those winning two awards.\n\nAs presenter Celine Dion so eloquently quoted the legendary [Stevie Wonder](/artists/stevie-wonder/8257), \"Music, at its essence, is what gives us memories.\" In addition to crowning recipients in 84 GRAMMY categories, the 59th GRAMMYs created many new memories in the form of signature GRAMMY Moments that spanned several genres.\n\nEqual parts music, theater and spoken word poetry, a golden-clad Beyoncé radiated during her medley of \"Love Drought\" and \"Sandcastles,\" two songs from her Best Urban Contemporary Album-winning opus, Lemonade. The trance-inducing performance, which was themed around the celebration of motherhood, featured her own mother, Tina Knowles, and daughter, [Blue Ivy Carter](/artists/blue-ivy/292460), and closed on a poignant note with the pregnant Beyoncé reciting a line from a Warsan Shire poem: \"If we're going to heal, let it be glorious/1,000 girls raise their arms.\"\n\n[Bruno Mars](/artists/bruno-mars/5082) dazzled with his seductive \"That's What I Like.\" Commanding the stage with aplomb, showcasing graceful dance moves and flaunting his rich tenor, Mars once again proved the breadth of his 24-karat talent.\n\n[Ed Sheeran](/artists/ed-sheeran/6178) turned in arguably the most energy-efficient performance of the evening. Armed with an acoustic guitar, synthesizer and a pedalboard that doubled as a looping device, Sheeran proved a veritable one-man band in multitasking his romantic ode \"Shape Of You.\"\n\n[The Weeknd](/artists/The-Weeknd/24884) teamed with fellow GRAMMY winners [Daft Punk](/artists/daft-punk/8207) for a medley of \"Starboy\" and \"I Feel It Coming.\" The duo's trademark synthesizer soundscapes set the tone for a sci-fi inspired set, with The Weeknd's velvety voice drifting into space.\n\n[Katy Perry](/artists/katy-perry/5726) returned to the GRAMMY stage to debut her brand-new single, \"Chained To The Rhythm,\" with reggae artist Skip Marley. Perry — who wore an armband emblazoned with the word \"Resist\" — earnestly delivered her new socially conscious anthem, which she closed by declaring \"No hate!\"\n\nBest New Artist nominee [Anderson .Paak](/artists/anderson-paak/19926) and rappers Busta Rhymes, Consequence and [A Tribe Called Quest](/artists/tribe-called-quest/10719) joined for a politically charged medley of \"Award Tour,\" \"Movin Backwards\" and \"We The People.\" The latter song, A Tribe Called Quest's anthem addressing topics such as racism, xenophobia, homophobia, and misogyny, proved timely given the recent political climate. A Tribe Called Quest's Q-Tip put an exclamation point on the performance by shouting, \"Resist! Resist! Resist!\"\n\n[Metallica](/artists/metallica/10686) and [Lady Gaga](/artists/lady-gaga/3611) turned the volume up to 10 with a driving performance of the band's \"Moth Into Flame.\" Despite a brief technical glitch with Metallica frontman James Hetfield's mic, the heat generated — stoked by pyrotechnics, headbanging and a stage dive from Gaga — set off a genre-bending explosion.\n\n[Keith Urban](/artists/keith-urban/7015) and [Carrie Underwood](/artists/carrie-underwood/10381) went toe-to-toe for their love-affirming duet \"The Fighter.\" GRAMMY-nominated newcomers [Kelsea Ballerini](/artists/kelsea-ballerini/19558) and [Lukas Graham](/artists/lukas-graham/20132) joined together for a seamless mashup of her \"Peter Pan\" and their \"7 Years,\" which was up for Song Of The Year. R\u0026amp;B/soul legend William Bell, who earlier won his first career GRAMMY, teamed with guitar slinger [Gary Clark Jr.](/artists/gary-clark-jr/17798) for a gritty \"Born Under A Bad Sign.\"\n\nFirst-time GRAMMY host James Corden got into the musical act as well. During his opening skit, Corden delivered a free-style rap that name-dropped everyone from President Donald Trump to Drake, Rihanna and Sturgill Simpson. \"The Late Late Show\" host also sped through a hilarious impromptu GRAMMY edition of Carpool Karaoke. Driving a cardboard cutout vehicle, Corden was flanked by [Jennifer Lopez](/artists/jennifer-lopez/14846), [Tim McGraw](/artists/tim-mcgraw/12018), [Faith Hill](/artists/faith-hill/10850), [Keith Urban](/artists/keith-urban/7015), [Ryan Tedder](/artists/ryan-tedder/16130), [John Legend](/artists/john-legend/16994), Blue Ivy, Jason Derulo, and [Neil Diamond](/artists/neil-diamond/2720) for a singalong of the latter's classic \"Sweet Caroline.\"\n\nIn addition to Corden's bits, [Twenty One Pilots](/artists/twenty-one-pilots/20162) provided some unexpected comic relief when they accepted their first career GRAMMY for Best Pop Duo/Group Performance for \"Stressed Out\" in their underwear. Underneath the humor, the duo from Columbus, Ohio, conveyed an important message to musicians of all stripes. \"Anyone from anywhere can do anything,\" said Pilots singer/songwriter Tyler Joseph.\n\nIt was also a night of firsts for breakout country star [Maren Morris](/artists/maren-morris/19894). Not only did she make her GRAMMY performance debut with \"Once\" alongside [Alicia Keys](/artists/alicia-keys/12104), she won her first GRAMMY for Best Country Solo Performance for \"My Church,\" making her the first GRAMMY Camp alumnus to win a GRAMMY.\n\nMusic's Biggest Night also provided moments of reflection in the form of tributes.\n\nAn all-star troupe paid homage to five-time GRAMMY winners the Bee Gees, who will be celebrated this spring via the CBS TV special \"Stayin' Alive: A GRAMMY Salute To The Music Of The Bee Gees.\" [Demi Lovato](/artists/demi-lovato/19851) glided through \"Stayin' Alive\" while [Tori Kelly](/artists/tori-kelly/19120) showcased her impressive singing and guitar chops on \"Tragedy.\" [Little Big Town](/artists/little-big-town/10623) were in perfect harmony for \"How Deep Is Your Love\" and Andra Day bottled the essence of Studio 54 during \"Night Fever.\" The group closed with a vibrant \"Stayin' Alive\" coda, with Barry Gibb looking on in delight.\n\n[Sturgill Simpson](/artists/sturgill-simpson/18703) and the Dap-Kings convened for \"All Around You,\" a song from Simpson's Best Country Album-winning A Sailor's Guide To Earth. During his introduction, Dwight Yoakam lauded the late singer [Sharon Jones](/artists/sharon-jones/18518), who worked with the Dap-Kings throughout her career.\n\nIn recognition of [George Michael](/artists/george-michael/12041), who died Dec. 25, 2016, Adele returned to the stage for a dramatic, orchestrated version of \"Fastlove,\" the final Top 10 hit of Michael's career. The tribute paused abruptly as Adele stopped mid-song, feeling that her performance was not up to par. \"I can't mess this up for him,\" she confided to the audience. Adele reset herself and delivered a moving memorial. The audience obliged with a standing ovation.\n\nMorris Day and the Time did the honors in introducing a special GRAMMY tribute to the late [Prince](/artists/prince/5675). A true showman, Day bobbed and weaved the band through the Time's funky \"Jungle Love\" and \"The Bird.\" Mars then returned to the stage for a regal reimagining of \"Let's Go Crazy.\" Armed with a Purple Rain-inspired suit, makeup and white guitar, Mars channeled vintage '80s-era Prince, right down to his authentic take on the song's spectacular unaccompanied guitar cadenza.\n\nThe In Memoriam segment featured [John Legend](/artists/john-legend/16994) and GRAMMY-winning \"The Color Purple\" cast member [Cynthia Erivo](/artists/cynthia-erivo/19682) delivering a rendition of the Beach Boys' \"God Only Knows,\" which served as a solemn musical prayer to many other individuals the music community lost during the past year.\n\nThe GRAMMY show was also marked by heartfelt, if unexpected, tributes to fellow nominees. In her final acceptance speech of the evening for Album Of The Year, a visibly moved Adele used her platform to acknowledge and thank fellow nominee Beyoncé.\n\n\"My artist of my life is Beyoncé,\" Adele said as a tearful Beyoncé looked on. \"The Lemonade album was just so monumental and so well-thought out and so beautiful and soul-bearing. … All us artists here, we f\\*\\*\\*ing adore you. You are our light.\n\nMusic's Biggest Night beamed into the homes of more than 26 million viewers, representing a 4 percent year-over-year increase and the highest viewership since 2014. The luster extended well after the Sunday telecast, with several winners, nominees and performers benefiting from the GRAMMY Effect.\n\nDigital sales of songs performed on the show saw a 140 percent increase in download sales, with Urban and Underwood's \"The Fighter\" experiencing a 574 percent gain. On-demand streams (audio and video combined) of songs performed rose 30 percent, including Mars' \"That's What I Like\" spiking 99 percent. Adele's 25 returned to the Top 10, rising to No. 6 with a 137 percent sales increase. Combined with the other Album Of The Year nominees (Beyoncé's Lemonade, [Justin Bieber](/artists/justin-bieber/10220)'s Purpose, Drake's Views, and Sturgill Simpson's A Sailor's Guide To Earth), all five albums saw a collective 91 percent increase in equivalent album sales. Following his GRAMMY performance with Perry, Skip Marley became the first member of the Marley family to score a Top 10 hit on the Billboard Hot 100.\n\nMore than just impressive statistics, these sizable GRAMMY Effect gains give additional credence to the 59th GRAMMY Awards telecast remarks of Recording Academy President/CEO Neil Portnow, who during his impassioned speech delivered to the new administration an important unified message on behalf of the music community.\n\n\"The Recording Academy, together with America's music makers, call on the president and Congress to help keep the music playing by updating music laws, protecting music education and renewing America's commitment to the arts,\" said Portnow. \"It's our collective responsibility to preserve what binds us and to ensure that the whole world continues to benefit from one of our most unique \\[and\\] economically and spiritually important assets — and exports: American music.\""},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"grammy-awards-promo-book-aj","id":"51c2e79c-1e46-4a87-b033-4b5af42aab57","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"59th Annual GRAMMY Awards","pdf":"https://naras.a.bigcontent.io/v1/static/recommendations_for_hires_music_production_09_28_18_0","date":"2017-02-12T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Period: Oct. 1, 2015, through Sept. 30, 2016","showYear":2016},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"58th Annual GRAMMY Awards","deliveryId":"bdb065d4-0dae-4afc-820e-e64b162deb4b","deliveryKey":"awards/58th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":false},"isChatbotAvailable":true,"isShowNominees":false,"body":{"richText":"In an era when much of the prevailing cultural dialogue revolves around race relations and personal empowerment, the big winners at the 58th GRAMMY Awards reflected the currency of the times.\n\nWith 11 nominations, Compton, Calif., rapper [Kendrick Lamar](/artists/kendrick-lamar/17949) went into Music's Biggest Night as the most nominated artist since [Michael Jackson](/artists/michael-jackson/13202) and [Babyface](/artists/babyface/985) each scored 12 for 1983 and 1996, respectively. He took five GRAMMYs, including Best Rap Album for To Pimp A Butterfly, and Best Rap Performance and Best Rap Song for \"Alright.\"\n\nLamar's performance of \"The Blacker The Berry\" and \"Alright,\" songs that became unofficial soundtracks for the Black Lives Matter movement, infused the GRAMMYs with the kind of social immediacy at which it excels, whether it's championing marriage equality or honoring late musical icons such as Whitney Houston.\n\n[Alabama Shakes](/artists/alabama-shakes/14656), perhaps fittingly a multiracial band with a multiracial frontwoman, [Brittany Howard](/artists/brittany-howard/3375), won three awards — Best Rock Performance, Best Rock Song and Best Alternative Music Album — all based around their acclaimed sophomore album, Sound \u0026amp; Color. Their performance of \"Don't Wanna Fight,\" introduced with an otherworldly scream by Howard, who looked like a high priestess of rock in a flowing white cape, was a captivating moment from a band that has helped bring back a sense of urgency to rock.\n\n[Taylor Swift](/artists/taylor-swift/15450) took Album Of The Year for 1989 among her three awards. Pointing out she was the first woman to win that award twice, Swift was passionate about giving due credit to the contributions of women during her acceptance speech. Her show-opening performance of \"Out Of The Woods\" proved she's a powerful, self-assured woman.\n\nOther multiple winners included [D'Angelo](/artists/dangelo/1902), [Diplo](/artists/diplo/8548), [Jason Isbell](/artists/jason-isbell/19091), [Maria Schneider](/artists/maria-schneider/6153), [Ed Sheeran](/artists/ed-sheeran/6178), [Skrillex](/artists/skrillex/6363), [Chris Stapleton](/artists/chris-stapleton/15418), and [The Weeknd](/artists/The-Weeknd/24884).\n\nRising up, to paraphrase GRAMMY nominee and performer [Andra Day](/artists/andra-day/18980), was the theme of the night. In addition to Lamar's wins and triumphant performance, there were other noteworthy moments.\n\n\"Glory,\" Common and [John Legend](/artists/john-legend/16994)'s defiant song from Selma, the film about the 1965 Montgomery, Ala., voting rights marches, won for Best Song Written For Visual Media. [Lalah Hathaway](/artists/lalah-hathaway/3123) won in the Best Traditional R\u0026amp;B Performance category for \"Little Ghetto Boy,\" a song about overcoming the consequences of growing up in inner-city poverty that was originally recorded by her father, [Donny Hathaway](/artists/donny-hathaway/2656). \n\nMexican drummer/composer [Antonio Sanchez](/artists/antonio-sanchez/6087), who won Best Score Soundtrack For Visual Media for Birdman, thanked GRAMMY voters specifically because he had been \"eliminated by another awards show that starts with an 'O' and ends with 'scars.'\" And songwriter [Kendra Foster](/artists/kendra-foster/19024) literally raised a fist and proclaimed \"we're trying to rise up\" when accepting the Best R\u0026amp;B Song award for her, D'Angelo and [Gina Figueroa](/artists/gina-figueroa/19500)'s \"Really Love.\"\n\nIt was also a night of official goodbyes to musical giants, some of whom died within weeks of the GRAMMY telecast.\n\n[Lady Gaga](/artists/lady-gaga/3611)'s tribute to [David Bowie](/artists/david-bowie/4819) was an electrifying appreciation of one of the most influential artists of our time. Bowie — who died Jan. 10 — received a Lifetime Achievement Award from The Recording Academy in 2006, and an appropriate celebration on the GRAMMY telecast with a 10-song medley wrapped by a triumphant version of \"Heroes.\"\n\nThe band synonymous with '70s California rock came together to salute their fallen founding member, [Glenn Frey](/artists/glenn-frey/2410), who died Jan. 18. The Eagles strummed through their first hit, the classic \"Take It Easy,\" teaming with the song's co-writer Jackson Browne (who penned the tune with Frey in the early '70s when they lived in the same Los Angeles apartment building). The ode to letting troubles run off your shoulders and grabbing life while you can was a fitting tribute to a singer, guitarist and man who did just that.\n\nThings revved up a few decibels when the Hollywood Vampires (Alice Cooper, Johnny Depp and Joe Perry joined by Guns N' Roses bassist Duff McKagan and drummer Matt Sorum) lit the funeral pyre for Lemmy Kilmister — hard rock's No. 1 anarchist who died Dec. 28, 2015 — with a short blast of Motörhead's \"Ace Of Spades.\"\n\nAt the other end of the genre and attitude spectrum, [Earth, Wind \u0026amp; Fire](/artists/earth-wind-fire/14550)'s deeply optimistic pan-spiritual leader [Maurice White](/artists/maurice-white/6905), who died Feb. 4, was feted by [Stevie Wonder](/artists/stevie-wonder/8257) and vocal group [Pentatonix](/artists/pentatonix/20140), who performed an a cappella version of the classic \"That's The Way Of The World.\"\n\nFinally, Stapleton, [Gary Clark Jr.](/artists/gary-clark-jr/17798) and Bonnie Raitt paid tribute to one of the most noteworthy bluesmen of all time, B.B. King, who died May 14, 2015. The three artists — performing King's biggest hit, \"The Thrill Is Gone\" — reflected disparate generations and genres, but demonstrated that roots music is a single language often spoken with six strings.\n\nWrapped around these special GRAMMY Moments were additional performances that delivered musical breadth as only the GRAMMYs can.\n\nNew country star and former college footballer [Sam Hunt](/artists/sam-hunt/19085)'s \"Take Your Time\" got an audible via a duet with [Carrie Underwood](/artists/carrie-underwood/10381) and her \"Heartbeat.\"\n\nR\u0026amp;B sensation [The Weeknd](/artists/The-Weeknd/24884) sensitively performed his ballad \"In The Night,\" backed by piano and cello, after teasing his hit \"Can't Feel My Face.\" The vocal triumph scored a standing ovation.\n\nDay was joined by [Ellie Goulding](/artists/ellie-goulding/19043) for one of the night's sweetest melding of voices as they seamlessly brought their respective ballads \"Rise Up\" and \"Love Me Like You Do\" together.\n\n[Lionel Richie](/artists/lionel-richie/17291), the 2016 MusiCares Person of the Year honoree and a true hits king of the '80s, rightly received the royal treatment as Luke Bryan, John Legend, Demi Lovato, [Meghan Trainor](/artists/meghan-trainor/18740), and [Tyrese](/artists/tyrese/17506) came together for a mega-salute capped by the man himself singing his signature \"All Night Long (All Night).\"\n\nRichie collaborator, the late Michael Jackson, was remembered by nominee [Miguel](/artists/miguel/4571), who delivered a smooth version of \"She's Out Of My Life\" backed by the song's original keyboardist Greg Phillinganes.\n\n[Little Big Town](/artists/little-big-town/10623) turned in a contemplative version of \"Girl Crush\" rich in the harmonizing of their four collective voices.\n\nTwo Best New Artist nominees, James Bay and Tori Kelly, joined forces to show off some fresh multiweapon talent as the pair of singer/songwriter/instrumentalists ran emotively through his \"Let It Go\" and her \"Hollow.\"\n\nThe GRAMMYs aired its first-ever live performance from a Broadway stage by bringing the acclaimed musical \"Hamilton\" to a nationwide TV audience. Star/writer Lin-Manuel Miranda and his cast ran through the opening number \"Alexander Hamilton\" before an ecstatic audience at the Richard Rodgers Theatre in New York, providing a taste of its groundbreaking melding of hip-hop and traditional musical theater.\n\nDespite some well-documented technical glitches, Adele's performance became a triumph over adversity, a testament to the fact that great talent will always shine despite the sometimes unexpected travails of live TV. To paraphrase her song \"All I Ask,\" Adele left her heart on the stage to a standing ovation.\n\n[Justin Bieber](/artists/justin-bieber/10220) teamed with EDM stars Skrillex and Diplo — under their Jack Ü moniker — for a rousing take on \"Where Are Ü Now,\" which followed an acoustic solo turn by Bieber, who played his \"Love Yourself.\" As Billboard noted, \"While some previous dance performances have fallen flat in televised awards shows, there was nothing stilted about the energetic ensemble's stage show.\"\n\nAnd on a similarly energetic note, the GRAMMYs concluded with a party thrown by one of the night's winners, Pitbull, who was joined by Travis Barker, Joe Perry, Robin Thicke, and actress Sofia Vergara, who showed off some of her best dance moves.\n\nBetween honoring our musical legacy and recognizing music's power to reflect and impact our cultural legacy, fans truly had a chance to Witness Greatness on the 58th GRAMMYs."},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"58gr_poster_final","id":"068c2a08-da6c-46b1-b4c5-a6c65c1c8eb1","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"58th Annual GRAMMY Awards","date":"2016-02-15T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Period: Oct. 1, 2014, through Sept. 30, 2015","showYear":2015},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"57th Annual GRAMMY Awards","deliveryId":"088a802e-0e04-437a-b471-6f7340b7fc75","deliveryKey":"awards/57th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":false},"isChatbotAvailable":true,"isShowNominees":false,"summary":{"richText":"\u003cp\u003eSee all GRAMMY award winners and nominees for the 57th GRAMMY Awards, presented in 2014.\u003c/p\u003e\r\n"},"body":{"richText":"\u003cp\u003eEven for the GRAMMY Awards, which takes pride in each unique performance on its world-renowned stage — performances that have collectively come to be known as GRAMMY Moments — the 57th telecast topped expectations. The show featured an impressive 23 performances, many offering teamings that were not only inspired, but resulted in illuminating versions of deeply powerful songs.\u003c/p\u003e\n\n\u003cp\u003eIf you thought \u003ca href=\"/artists/sam-smith/18713\"\u003e\u003cb\u003eSam Smith\u003c/b\u003e\u003c/a\u003e's multiple GRAMMY-winning \"Stay With Me (Darkchild Version)\" was an aching heartbreak of a song, you may have been emotionally drained after\u003cb\u003e \u003c/b\u003e\u003ca href=\"/artists/mary-j-blige/779\"\u003e\u003cb\u003eMary J. Blige\u003c/b\u003e\u003c/a\u003e joined Smith to add tent-revival urgency.\u003cbr /\u003e\n\u003cbr /\u003e\n\u003ca href=\"/artists/katy-perry/5726\"\u003e\u003cb\u003eKaty Perry\u003c/b\u003e\u003c/a\u003e's \"By The Grace Of God\" already defies many of the California gurl's best-known pop hits, but following a personal plea from President Barack Obama to stop domestic violence and the real-life tale of abuse from survivor and activist Brooke Axtell, its unexpected impact brought the house to its feet.\u003cbr /\u003e\n\u003cbr /\u003e\nAnd so went this year's telecast, performance after performance proving that GRAMMY Moments live well beyond the moment of their creation.\u003cbr /\u003e\n\u003cbr /\u003e\nFirst-time GRAMMY performers AC/DC opened the show with fireworks and firepower, with singer Brian Johnson and guitarist Angus Young igniting the stage — and the playfully devil-horned audience — with \"Rock Or Bust\" and the classic \"Highway To Hell.\"\u003cbr /\u003e\n\u003cbr /\u003e\nBut it was the next performance of \"Just A Little Bit Of Your Heart\" by \u003ca href=\"/artists/ariana-grande/18441\"\u003e\u003cb\u003eAriana Grande\u003c/b\u003e\u003c/a\u003e that arguably served as the true tone setter of the night, a poignant moment of soul-stirring singing that was as moving as it was entertaining.\u003cbr /\u003e\n\u003cbr /\u003e\nBrits \u003ca href=\"/artists/jessie-j/18501\"\u003e\u003cb\u003eJessie J\u003c/b\u003e\u003c/a\u003e and the ever-vibrant Tom Jones followed with a similarly breathtaking \"You've Lost That Loving Feelin'\" in tribute to the iconic song's co-writers, 2015 Recording Academy Trustees Award recipients Barry Mann and Cynthia Weil.\u003cbr /\u003e\n\u003cbr /\u003e\n\u003ca href=\"/artists/miranda-lambert/4851\"\u003e\u003cb\u003eMiranda Lambert\u003c/b\u003e\u003c/a\u003e then interjected a touch of rock-inflected hoedown energy, wheeling out her upbeat \"Little Red Wagon\" with attitude and energy to spare, tapping into her firecracker charisma.\u003cbr /\u003e\n\u003cbr /\u003e\n\u003ca href=\"/artists/kanye-west/6900\"\u003e\u003cb\u003eKanye West\u003c/b\u003e\u003c/a\u003e returned to the show's tacit theme of emotional message music with \"Only One.\" Shadowy under a single spotlight, West bared it all with his ode to daughter North West, sung from the perspective of his late mother, and aimed at healing and happiness.\u003cbr /\u003e\n\u003cbr /\u003e\nAn ageless \u003ca href=\"/artists/madonna/5068\"\u003e\u003cb\u003eMadonna\u003c/b\u003e\u003c/a\u003e, still enviably contorting through Pilates-required dance numbers, debuted her new \"Living For Love\" with a bullfighting theme and a matador's determination and finesse.\u003cbr /\u003e\n\u003cbr /\u003e\nPulling out all the stops, \u003ca href=\"/artists/ed-sheeran/6178\"\u003e\u003cb\u003eEd Sheeran\u003c/b\u003e\u003c/a\u003e, \u003ca href=\"/artists/john-mayer/14891\"\u003e\u003cb\u003eJohn Mayer\u003c/b\u003e\u003c/a\u003e, \u003ca href=\"/artists/herbie-hancock/9477\"\u003e\u003cb\u003eHerbie Hancock\u003c/b\u003e\u003c/a\u003e, and Questlove teamed for Sheeran's \"Thinking Out Loud.\" Despite such a group of heavyweights, they retained the song’s graceful rumination on enduring love.\u003cbr /\u003e\n\u003cbr /\u003e\nThe quartet then gave way to Jeff Lynne's ELO. GRAMMY winner Lynne led the band through an ELO signature, \"Evil Woman,\" before joining with Sheeran for a rousing \"Mr. Blue Sky.\"\u003cbr /\u003e\n\u003cbr /\u003e\nAdam Levine reunited with former \"The Voice\" judge Gwen Stefani for \u003ca href=\"/artists/maroon-5/13090\"\u003e\u003cb\u003eMaroon 5\u003c/b\u003e\u003c/a\u003e's ballad \"My Heart Is Open,\" with each bringing their formidable chops to the plea for love.\u003cbr /\u003e\n\u003cbr /\u003e\nLast year, the GRAMMYs brought 33 couples to the stage for a mass musical marriage ceremony. This year, Irish singer/songwriter \u003ca href=\"/grammys/artists/hozier\"\u003e\u003cb\u003eHozier\u003c/b\u003e\u003c/a\u003e took the crowd to church with his GRAMMY-nominated hit. As \"Take Me To Church\" built to its climax, singer\u003cb\u003e \u003c/b\u003e\u003ca href=\"/grammys/artists/annie-lennox\"\u003e\u003cb\u003eAnnie Lennox\u003c/b\u003e\u003c/a\u003e joined to add an exclamation point, then segued into her cover of Screamin' Jay Hawkins' \"I Put A Spell On You,\" as she did just that to the GRAMMY audience.\u003cbr /\u003e\n\u003cbr /\u003e\nBy now, \u003ca href=\"/artists/pharrell-williams/7310\"\u003e\u003cb\u003ePharrell Williams\u003c/b\u003e\u003c/a\u003e has built a cottage industry around his inescapable hit \"Happy.\" For his GRAMMY performance, joined by composer Hans Zimmer on guitar and pianist \u003ca href=\"/artists/lang-lang/14460\"\u003e\u003cb\u003eLang Lang\u003c/b\u003e\u003c/a\u003e's otherworldly finger play, Williams' turned in a dark and satisfying take on the song.\u003cbr /\u003e\n\u003cbr /\u003e\nAfter Perry's stirring \"By The Grace Of God,\"\u003cb\u003e \u003c/b\u003e\u003ca href=\"/artists/tony-bennett/1073\"\u003e\u003cb\u003eTony Bennett\u003c/b\u003e\u003c/a\u003e and \u003ca href=\"/artists/lady-gaga/3611\"\u003e\u003cb\u003eLady Gaga\u003c/b\u003e\u003c/a\u003e hit the stage like the second coming of ultimate lounge-act couple Louis Prima and Keely Smith. The pair was clearly having authentic fun onstage, at times truly \"Cheek To Cheek.\"\u003cbr /\u003e\n\u003cbr /\u003e\nBacked only by teen harpist Melody Tai,\u003cb\u003e \u003c/b\u003e\u003ca href=\"/artists/usher/16167\"\u003e\u003cb\u003eUsher\u003c/b\u003e\u003c/a\u003e performed a sweet version of \u003ca href=\"/artists/stevie-wonder/8257\"\u003e\u003cb\u003eStevie Wonder\u003c/b\u003e\u003c/a\u003e's \"Magic\" in anticipation of \"Stevie Wonder: Songs In The Key Of Life — An All-Star GRAMMY Salute,\" a two-hour special that aired on CBS Feb. 16. Truly whetting appetites for that show, Wonder emerged from the shadows at the end of the song for an excitedly received harmonica solo.\u003cbr /\u003e\n\u003cbr /\u003e\nThe GRAMMYs took a trip to Nashville, Tenn., next for \u003ca href=\"/artists/eric-church/10938\"\u003e\u003cb\u003eEric Church\u003c/b\u003e\u003c/a\u003e's \"Give Me Back My Hometown.\" Then it was just left of Nashville for Best New Artist nominee \u003ca href=\"/artists/brandy-clark/17797\"\u003e\u003cb\u003eBrandy Clark\u003c/b\u003e\u003c/a\u003e's teaming with Dwight Yoakam for her \"Hold My Hand,\" to which Yoakam contributed haunting background vocals.\u003cbr /\u003e\n\u003cbr /\u003e\nThe camera then shifted quietly to three silhouetted figures, in what is quickly becoming an iconic pose, for a debut performance of \"FourFiveSeconds,\" \u003ca href=\"/artists/rihanna/5943\"\u003e\u003cb\u003eRihanna\u003c/b\u003e\u003c/a\u003e's new single with \u003ca href=\"/artists/paul-mccartney/4678\"\u003e\u003cb\u003ePaul McCartney\u003c/b\u003e\u003c/a\u003e and West. The trio represented almost unprecedented star power and the song was captivatingly striking in its stark presentation.\u003cbr /\u003e\n\u003cbr /\u003e\nAfter Smith (who emerged as the night's top winner with four GRAMMYs) and Blige's roof-raising performance of \"Stay With Me,\" Colombian singer/songwriter \u003ca href=\"/artists/juanes/9195\"\u003e\u003cb\u003eJuanes\u003c/b\u003e\u003c/a\u003e hit the stage for a performance of his reggae-tinged \"Juntos,\" en español.\u003cbr /\u003e\n\u003cbr /\u003e\nActress Kristen Wiig served as the face of\u003ca href=\"/artists/sia/15372\"\u003e\u003cb\u003e Sia\u003c/b\u003e\u003c/a\u003e for the latter's performance of \"Chandelier,\" miming a comic version of the song's GRAMMY-nominated music video with young dancer Maddie Ziegler, while Sia earnestly sang from a corner of the set, in her customary back-to-the-audience stance.\u003cbr /\u003e\n\u003cbr /\u003e\nAlbum Of The Year winner\u003cb\u003e \u003c/b\u003e\u003ca href=\"/artists/beck/292\"\u003e\u003cb\u003eBeck\u003c/b\u003e\u003c/a\u003e teamed with \u003ca href=\"/artists/coldplay/10952\"\u003e\u003cb\u003eColdplay\u003c/b\u003e\u003c/a\u003e's Chris Martin for a Crosby, Stills, Nash \u0026amp; Young-inspired version of his acoustic gem \"Heart Is A Drum.\" Though backed only by acoustic instruments, the song's tale of heartbreak and acceptance had an electric impact.\u003cbr /\u003e\n\u003cbr /\u003e\n\"We live in complicated times,\" said Gwyneth Paltrow in introducing \u003ca href=\"/artists/beyonce-knowles/12474\"\u003e\u003cb\u003eBeyoncé\u003c/b\u003e\u003c/a\u003e's take on the gospel standard \"Take My Hand, Precious Lord,\" \"and now more than ever we need understanding and to acknowledge the feelings of others.”\u003cbr /\u003e\n\u003cbr /\u003e\nLooking angelic in a white dress that gave the appearance of wings, Bey took the crowd to church literally, as Hozier had done metaphorically earlier.\u003cbr /\u003e\n\u003cbr /\u003e\nThe 57th GRAMMY Awards closed poignantly with \u003ca href=\"/artists/john-legend/16994\"\u003e\u003cb\u003eJohn Legend\u003c/b\u003e\u003c/a\u003e and \u003ca href=\"/artists/common/1332\"\u003e\u003cb\u003eCommon\u003c/b\u003e\u003c/a\u003e's stunning \u003ci\u003eSelma\u003c/i\u003e theme, \"Glory.\" The performance not only came two weeks prior to their Oscar turn, but taken together with Beyoncé’s preceding tour de force vocal performance, the finale drew a connection in the battle for equal rights from the '60s to the present — capping the night's powerful message about music's ability to stir people to greater awareness and action.\u003cbr /\u003e\n\u003cbr /\u003e\n\u0026nbsp;\u003c/p\u003e"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"57th_cover","id":"8df606b8-ffa7-4994-a2a8-5b178654c651","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"57th Annual GRAMMY Awards","date":"2015-02-08T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Period: Oct. 1, 2013, through Sept. 30, 2014","showYear":2014},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"56th Annual GRAMMY Awards","deliveryId":"bcc3951c-e58c-4769-8dbe-6f7adf6bcbde","deliveryKey":"awards/56th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":true},"isChatbotAvailable":true,"isShowNominees":false,"body":{"richText":"Reuniting legends, creating unparalleled GRAMMY Moments and giving new artists a global platform are all part of what makes the GRAMMYs a truly unique celebration of music. But this year the GRAMMY stage served as an opportunity to display music's power to unleash \"whoever we are and whoever we dream about being,\" as host [LL Cool J](/artists/ll-cool-j/4008) said in his opening remarks.\n\nFollowing a steamy performance of \"Drunk In Love\" by power couple Beyoncé and Jay Z, Macklemore \u0026amp; Ryan Lewis made their first appearance on the GRAMMY stage to accept the first award of the night for Best New Artist. After catching their collective breath, Macklemore thanked their fans, \"the people that got us on this stage,\" while acknowledging their independent roots.\\\n\n\\\n\n\"We made this album without a record label,\" said Macklemore. \"And we appreciate all the support.\"\n\nThe Seattle rap duo ended their GRAMMY debut on top, garnering a total of four trophies. The duo were later joined by singer/songwriter Mary Lambert and Trombone Shorty for a performance of their GRAMMY-nominated anthem of equality, \"Same Love.\" The performance marked a historic moment for the GRAMMY Awards as Queen Latifah took the stage mid-set to officiate a live marriage ceremony for 33 diverse couples, which was capped with an appearance by Madonna. Madge gave new meaning to the chorus to her \"Open Your Heart,\" proving that while music unleashes independence, it also promotes harmony.\n\n\"When we say music has the power to bring people together at the GRAMMYs, we mean it,\" said Latifah.\n\nFellow GRAMMY newcomer Lorde performed her hit \"Royals,\" which took Song Of The Year and Best Pop Solo Performance. The 17-year-old singer/songwriter was clearly shocked: \"This is the one thing that I did not expect the most about tonight,\" she said while accepting the latter award.\n\nFurther demonstrating music's power to unleash individuality, Hunter Hayes debuted his new single \"Invisible.\" The inspirational piano-driven ballad was colored with several onscreen quotes, including one by John Lennon: \"You don't need anybody to tell you who you are or what you are. You are what you are.\"\n\nCountry singer/songwriter Kacey Musgraves nabbed the first two GRAMMYs of her career for Best Country Song for \"Merry Go 'Round\" with Shane McAnally and Josh Osborne, and Best Country Album for Same Trailer Different Park. Musgraves made her individual mark on the GRAMMYs when she brightened the stage for a performance of \"Follow Your Arrow,\" a song about doing \"whatever you want.\"\n\nOne of the most talked about — and tweeted — performances of the night was the teaming of Imagine Dragons, who won their first GRAMMY for Best Rock Performance for \"Radioactive,\" with rising rapper Kendrick Lamar. On a smoke-filled stage, the collective delivered a colorful mashup of \"Radioactive\" and Lamar's \"m.A.A.d city\" — an appropriate welcome to a new generation of GRAMMY performers.\n\nBut being in with the new does not mean out with the old — or in this case, legendary. Newly minted Lifetime Achievement Award recipient Kris Kristofferson, Willie Nelson and Merle Haggard were accompanied by Blake Shelton for a medley of classics such as \"Okie From Muskogee\" and \"Mamas Don't Let Your Babies Grow Up To Be Cowboys\" that had everyone from Musgraves to Jay Z and Beyoncé swaying in the audience. Daft Punk and Pharrell Williams — both of whom also topped the winners list with four each, including Album Of The Year for Random Access Memories and a Producer Of The Year, Non-Classical win for Williams — teamed with Nile Rodgers and Stevie Wonder for a mashup of the Chic classic \"Le Freak\" and \"Get Lucky.\" The latter earned Rodgers two of his first three career GRAMMYs for Best Pop Duo/Group Performance and Record Of The Year.\n\nAdditionally, Jay Z and Justin Timberlake won Best Rap/Sung Collaboration for \"Holy Grail,\" which Jay Z accepted on their behalf and dedicated to his daughter Blue Ivy. Bruno Mars took home Best Pop Vocal Album honors for Unorthodox Jukebox, which he dedicated to his late mother Bernadette, who died in June 2013.\n\nOn a satellite stage, 2014 MusiCares Person of the Year honoree Carole King and Sara Bareilles went head-to-head on piano for a performance of Bareilles' \"Brave\" and King's \"Beautiful.\" More all-star collaborations ensued. Robin Thicke joined Chicago to perform the latter's \"Beginnings,\" \"Does Anybody Really Know What Time It Is?\" and \"Saturday In The Park\" and his \"Blurred Lines,\" which earned Thicke his first nominations as an artist. GRAMMY winner Keith Urban and first-time winner Gary Clark Jr. joined for a performance of Urban's \"Cop Car\" that showed off each individual's guitar prowess. Pink made sure no one forgot her high-flying acrobatic skills as she took to the air to perform \"Try\" before Fun.'s Nate Ruess joined to deliver their GRAMMY-nominated hit \"Just Give Me A Reason.\"\n\nThe spotlight was on John Legend as he took a seat behind the piano for a soulful performance of his romantic ballad \"All Of Me,\" which appeared to be dedicated to his new bride, Chrissy Teigen. Taylor Swift went for a no-frills performance, looking glamorous at the piano for her \"All Too Well.\" Meanwhile, fellow singer/songwriter Katy Perry proved she has a dark side, opening encased in a crystal ball for an enchanting performance of her hit single about playing with magic, \"Dark Horse,\" featuring Juicy J.\n\nThough the evening was highlighted by new artists taking home their first GRAMMY gold, as David Grohl remarked while accepting the award for Best Rock Song for \"Cut Me Some Slack\" with Paul McCartney and former Nirvana bandmates Krist Novoselic and Pat Smear, \"If it wasn't for the Beatles, we wouldn't be here.\" Celebrating the 50th anniversary of their U.S. debut on \"The Ed Sullivan Show\" this year, remaining Beatles McCartney and Ringo Starr took the stage, likely reminding some of the younger artists in the audience why they chose their individual paths. After a solo performance by Starr of his chestnut \"Photograph,\" the drummer joined McCartney for the latter's new \"Queenie Eye.\" (Two weeks later, the pair would team again for the successful tribute \"The Beatles: The Night That Changed America — A GRAMMY Salute,\" which celebrated their historic performance on \"The Ed Sullivan Show\" 50 years ago.)\n\nFrom one surprise teaming to another, Metallica took the stage with the GRAMMY Cultural Ambassador to China, pianist Lang Lang. Following an introduction from Oscar winner Jared Leto, who cited Metallica as a \"great rock band who have stayed true to themselves,\" the group delivered a unique performance of their past GRAMMY winner \"One\" that had frontman James Hetfield going guitar-to-piano with Lang Lang. The pianist returned shortly after to pay tribute to the late Van Cliburn during the In Memoriam segment, which also featured Miranda Lambert and Billie Joe Armstrong teaming for a tribute to the late Phil Everly with the Everly Brothers' \"When Will I Be Loved.\"\n\nThe 56th telecast took its final bow with one last memorable GRAMMY Moment that literally rocked. Fleetwood Mac guitar master Lindsey Buckingham and Grohl joined Nine Inch Nails and Queens Of The Stone Age for NIN's \"Copy Of A\" and QOTSA's \"My God Is The Sun.\""},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"56gr_poster_final","id":"065086cd-67f7-46cc-8f53-70859bfa2e86","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"title":"56th Annual GRAMMY Awards","pdf":"https://www.grammy.com","date":"2014-01-26T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Period: Oct. 1, 2012, through Sept. 30, 2013","showYear":2013},{"_meta":{"schema":"https://therecordingacademy.com/content/show-year","name":"55th Annual GRAMMY Awards","deliveryId":"5d3445d9-1b49-47bc-97a5-138ae6cd8b90","deliveryKey":"awards/55th-annual-grammy-awards"},"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"secondaryCta":{"isActive":false},"isChatbotAvailable":true,"isShowNominees":false,"body":{"richText":"\u003cp\u003eWhile many past GRAMMY telecasts have turned into colorful coronations of artists who enjoyed larger-than-life years (\u003ca href=\"/artists/michael-jackson/13202\" target=\"_blank\"\u003eMichael Jackson\u003c/a\u003e's eight GRAMMYs in 1983, Santana's eight in 1999, \u003ca href=\"/artists/beyonce-knowles/12474\" target=\"_blank\"\u003eBeyoncé\u003c/a\u003e's six in 2009, and \u003ca href=\"/artists/adele/528\" target=\"_blank\"\u003eAdele\u003c/a\u003e's six in 2011), the 55th Annual GRAMMY Awards spread the wealth among a crop of younger artists who set the stage for the century's second decade in music.\u003c/p\u003e\n\n\u003cp\u003eRoots-influenced rockers the \u003ca href=\"/artists/black-keys/8120\" target=\"_blank\"\u003eBlack Keys\u003c/a\u003e won three awards in the Rock Field (and guitarist/singer Dan Auerbach added one more for \u003cstrong\u003eProducer Of The Year, Non-Classical\u003c/strong\u003e.\u003c/p\u003e\n\n\u003cp\u003eRap stalwarts \u003ca href=\"/artists/jay-z/9815\" target=\"_blank\"\u003eJay-Z\u003c/a\u003e and \u003ca href=\"/artists/kanye-west/6900\" target=\"_blank\"\u003eKanye West\u003c/a\u003e won three GRAMMYs each, all for their collaborations on \u003cstrong\u003eBest Rap Performance\u003c/strong\u003e and Best Rap Song\u003c/strong\u003ewinner \"N****s In Paris\" and \u003cstrong\u003eBest Rap/Sung Collaboration\u003c/strong\u003e winner \"No Church In The Wild\" (featuring Frank Ocean and The-Dream).\u003c/p\u003e\n\n\u003cp\u003eThen came more relative newcomers: Skrillex added three GRAMMYs to his three from last year; \u003ca href=\"/artists/gotye/2402\" target=\"_blank\"\u003eGotye\u003c/a\u003e rode \"Somebody That I Used To Know\" (featuring \u003ca href=\"/artists/kimbra/3581\" target=\"_blank\"\u003eKimbra\u003c/a\u003e), which became the most idiosyncratic radio hit of 2012, to three awards, including Record Of The Year; \u003ca href=\"/artists/fun/15812\" target=\"_blank\"\u003eFun.\u003c/a\u003e won their first two GRAMMYs for Song Of The Year for \"We Are Young\" (featuring \u003ca href=\"/artists/janelle-monae/4464\" target=\"_blank\"\u003eJanelle Monáe\u003c/a\u003e) and Best New Artist; and Mumford \u0026amp; Sons, one of the trailblazers for the new wave of acoustic roots artists, won Album Of The Year for Babel.\u003c/p\u003e\n\n\u003cp\u003eSome of the winning artists were so new, they took other winners by surprise.\u003c/p\u003e\n\n\u003cp\u003e\"Miguel, I don't know who the hell you are, but we need to sing together,\" shouted \u003ca href=\"/artists/kelly-clarkson/11249\" target=\"_blank\"\u003eKelly Clarkson\u003c/a\u003e while collecting her Best Pop Vocal Album GRAMMY for Stronger, referring to \u003ca href=\"/artists/miguel/4571\" target=\"_blank\"\u003eMiguel\u003c/a\u003e's brief slow jam of his Best R\u0026amp;B Song winner \"Adorn\" (on which he teamed with Wiz Khalifa). \"That was the sexiest damn thing I've ever seen.\"\u003c/p\u003e\n\n\u003cp\u003eIt was more than a fresh breeze that blew over the 55th GRAMMYs, it was arguably a wind of change.\u003c/p\u003e\n\n\u003cp\u003eStill, the telecast remained music's biggest melting pot, with performances that brought innumerous ingredients to the stew, starting with one that was a virtual stew all on its own. With nose-thumbing clowns, a wheelchair-bound Mephisto and scary puppeteers, \u003ca href=\"/artists/taylor-swift/15450\" target=\"_blank\"\u003eTaylor Swift\u003c/a\u003e turned in the most threatening \"We Are Never Ever Getting Back Together\" ever.\u003c/p\u003e\n\n\u003cp\u003eBritish singer/songwriter \u003ca href=\"/artists/ed-sheeran/6178\" target=\"_blank\"\u003eEd Sheeran\u003c/a\u003e teamed with the head of his management company, \u003ca href=\"/artists/elton-john/12074\" target=\"_blank\"\u003eElton John\u003c/a\u003e, for a strong reading of the former's Song Of The Year-nominated \"The A Team,\" the tale of a homeless addict.\u003c/p\u003e\n\n\u003cp\u003eFun. brought drama to \"Carry On,\" their song of perseverance, in the form of both their anthemic ambition and a rainstorm of real water that drenched their set.\u003c/p\u003e\n\n\u003cp\u003e\u003ca href=\"/artists/miranda-lambert/4851\" target=\"_blank\"\u003eMiranda Lambert\u003c/a\u003e and Dierks Bentley, met under a large blue tree for intimate duets of her \"Over You\" and his \"Home.\"\u003c/p\u003e\n\n\u003cp\u003eMumford \u0026amp; Sons gave a jolt to the crowd with their endlessly energetic \"I Will Wait.\" The way they attacked their acoustic guitars would have made Pete Townshend proud.\u003c/p\u003e\n\n\u003cp\u003eBreaking a seven-year hiatus from live music performance, Justin Timberlake hit a sepia-toned stage for a suave medley of his new \"Suit \u0026amp; Tie\" (on which he was joined by Jay-Z) and \"Pusher Love Girl\" from his 2013 album, The 20/20 Experience.\u003c/p\u003e\n\n\u003cp\u003eIn another unique pairing, \u003ca href=\"/artists/maroon-5/13090\" target=\"_blank\"\u003eMaroon 5\u003c/a\u003e and \u003ca href=\"/artists/alicia-keys/12104\" target=\"_self\"\u003eAlicia Keys\u003c/a\u003e teamed for the former's \"Daylight\" and the latter's \"Girl On Fire,\" both songs that kindle with power and emotion.\u003c/p\u003e\n\n\u003cp\u003e\u003ca href=\"/artists/rihanna/5943\" target=\"_blank\"\u003eRihanna\u003c/a\u003e was joined by Mikky Ekko for \"Stay,\" a song he co-wrote and on which he is a featured vocalist. With Rihanna in a simple black dress on a no-frills stage, the song's message of passion over logic bore through.\u003c/p\u003e\n\n\u003cp\u003eThe Black Keys wasted no time revving up \"Lonely Boy.\" The rocker, which owes a debt to rockabilly, swamp rock and electric blues, was punctuated by the New Orleans piano of Best Blues Album GRAMMY winner Dr. John and a pinch of Dixieland from the Preservation Hall Jazz Band.\u003c/p\u003e\n\n\u003cp\u003eClarkson returned for a vocal salute to two giant female artists, both of whom received Recording Academy Lifetime Achievement Awards in 2013. First up was \"Tennessee Waltz\" in honor of Patti Page, followed by \"A Natural Woman (You Make Me Feel Like),\" co-written by Carole King.\u003c/p\u003e\n\n\u003cp\u003eThe tributes continued with a nod to Bob Marley, who was the subject of the Best Compilation Soundtrack For Visual Media-nominated Marley. Two of the performers, like Marley, hail from tropical islands: \u003ca href=\"/artists/bruno-mars/5082\" target=\"_blank\"\u003eBruno Mars\u003c/a\u003e from Hawaii and Rihanna from Barbados. Also joining was Sting, whose music with the Police owed a debt to reggae and ska. Mars began with his own \"Locked Out Of Heaven\" followed by the similar-sounding Police chestnut \"Walking On The Moon.\" Rihanna emerged with Ziggy and Damian Marley for their father's \"Could You Be Loved.\"\u003c/p\u003e\n\n\u003cp\u003e\u003ca href=\"/artists/lumineers/14762\" target=\"_blank\"\u003eThe Lumineers \u003c/a\u003eplayed a shortened version of their inescapable hit \"Ho Hey\" before introducing \u003ca href=\"/artists/jack-white/15627\" target=\"_blank\"\u003eJack White\u003c/a\u003e. The latter played \"Love Interruption\" with his all-female band the Peacocks. He then segued into the harder \"Freedom At 21\" with male backers the Buzzards. By the time he finished the tumult, he had thrown and stepped on his guitar, leaving a sonic residue of decaying feedback.\u003c/p\u003e\n\n\u003cp\u003e\u003ca href=\"/artists/hunter-hayes/9010\" target=\"_blank\"\u003eHunter Hayes\u003c/a\u003e played a portion of his hit \"Wanted\" solo on piano before bringing out fellow country star \u003ca href=\"/artists/carrie-underwood/10381\" target=\"_blank\"\u003eCarrie Underwood\u003c/a\u003e for a stripped-down version of her Best Country Solo Performance winner \"Blown Away.\" Underwood's awe-inspiring vocals were matched by her billowy dress, which doubled as a projection screen to depict the heartbreak of the song.\u003c/p\u003e\n\n\u003cp\u003eThe 2013 In Memoriam segment was bookended by two memorable tributes. The first featured pianist Chick Corea, bassist Stanley Clarke and sax player Kenny Garrett honoring the late Dave Brubeck with the timeless, and time-challenging, \"Take Five\" along with \"Blue Rondo À La Turk.\"\u003c/p\u003e\n\n\u003cp\u003eFollowing the segment, an all-star cast including Zac Brown, T Bone Burnett, \u003ca href=\"/artists/alabama-shakes/14656\" target=\"_blank\"\u003eAlabama Shakes\u003c/a\u003e' Brittany Howard, Elton John, Mumford \u0026amp; Sons, and Mavis Staples sang a gritty \"The Weight\" in honor of Levon Helm, who sang the original with the Band.\u003c/p\u003e\n\n\u003cp\u003eJuanes added a verse of español to the proceedings with a loving acoustic Spanglish rendition of Elton John's \"Your Song,\" before introducing \u003ca href=\"/artists/frank-ocean/15669\" target=\"_blank\"\u003eFrank Ocean\u003c/a\u003e. The first Best Urban Contemporary Album winner sang his elegiac \"Forrest Gump\" backed by running-sequence footage similar to the film of the same name.\u003c/p\u003e\n\n\u003cp\u003eAfter the show's most somber performance, the 55th GRAMMYs rode out on a burst of old-school rap energy, with GRAMMY host LL Cool J teaming with Chuck D, Travis Barker, Tom Morello, and DJ Z-Trip for his own \"Whaddup\" and a brief tribute to fallen Beastie Boy Adam Yauch with \"No Sleep Till Brooklyn.\"\u003c/p\u003e"},"image":{"defaultHost":"cdn.media.amplience.net","endpoint":"naras","name":"55th_poster","id":"0dea14f3-90e3-4eeb-8e11-a4b9ef2979c3","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/image-link"}},"tags":["55th Annual Grammy Awards"],"title":"55th Annual GRAMMY Awards","date":"2013-02-10T13:00:00.000Z","location":"Staples Center, Los Angeles","fieldTitle":"Eligibility Year: Oct. 1, 2011, through Sept. 30, 2012","showYear":2012}],"title":"GRAMMY Awards Time Capsule"},{"_meta":{"schema":"https://therecordingacademy.com/content/awards-row","name":"Awards Row","deliveryId":"571e74d9-4519-4ee8-bacf-aecd2b7997d6"},"simpleOne":{"_meta":{"schema":"https://therecordingacademy.com/content/simple-content-card","name":"Simple Content Card: Explore GRAMMY Awards","deliveryId":"10a5ef55-812d-44e2-8434-b5f5987c2161"},"configs":{"paragraphFontSize":"24px"},"title":"Explore the GRAMMY Awards","paragraph":"*As the only peer-recognized music award, the GRAMMY is the music industry’s highest honor. We’re counting on you in the music community to continue that legacy by participating in the process.*"},"simpleTwo":{"_meta":{"schema":"https://therecordingacademy.com/content/simple-content-card","name":"Simple Content Card","deliveryId":"727295e9-639b-4b06-ada8-8c7081e25922"},"configs":{"paragraphFontSize":"20px"},"cta":{"ctaText":"LEARN MORE","url":"https://www.recordingacademy.com/awards"},"title":"How it Works","paragraph":"\u003cspan class=\"s1\"\u003eWe’re not leaving it to you to figure it out alone. Here, you’ll find important information about everything from online entry to the voting process itself.\u003c/span\u003e"},"featuredArticleCard":{"_meta":{"schema":"https://therecordingacademy.com/content/featured-article-card","name":"Featured Article Card: Ant Clemons Sunshine","deliveryId":"b191b64a-ff80-4eae-8ebf-1bc97854fe94"},"cardInfo":{"_meta":{"schema":"https://therecordingacademy.com/content/news-article","name":"2025 GRAMMYs: See The Full Nominations List","deliveryId":"f28b6153-d42b-499c-9166-a4bc43c0e95f","deliveryKey":"news/2025-grammys-nominations-full-winners-nominees-list"},"articleCategory":["news"],"contributors":[{"id":"c32b59c2-5ff8-4e6b-8749-3bc255787b53","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference"},"contentType":"https://therecordingacademy.com/content/contributor"}],"content":[{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 1: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"d3d25692-bf75-446d-83de-381f7b1d68a5"},"bodyText":{"richText":"***\u003cspan\u003eEditor’s Note: \u003c/span\u003e**\u003cspan\u003eUpdated Friday, Nov. 8, to reflect the nominations at the 2025 GRAMMYs, officially known as the 67th GRAMMY Awards.\u003c/span\u003e*\n\n\u003cspan\u003eThe 2025 GRAMMYs season is in full swing. The 2025 GRAMMY nominations have been officially announced, leading up to Music's Biggest Night. See all of the nominations in 94 categories below, including \u003c/span\u003e**[\u003cspan\u003eRecord Of The Year\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-record-of-the-year)**\u003cspan\u003e, \u003c/span\u003e**[\u003cspan\u003eAlbum Of The Year\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-album-of-the-year)**\u003cspan\u003e, \u003c/span\u003e**[\u003cspan\u003eSong Of The Year\u003c/span\u003e](https://www.grammy.com/news/2025-grammy-nominations-song-of-the-year)**\u003cspan\u003e, and \u003c/span\u003e**[\u003cspan\u003eBest New Artist\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-nominations-best-new-artist)**\u003cspan\u003e below.\u003c/span\u003e\n\n\u003cspan\u003eThe main event: The \u003c/span\u003e[\u003cspan\u003e2025 GRAMMY Awards\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-show-air-date-announced)\u003cspan\u003e, officially known as the 67th GRAMMY Awards, will take place live at Crypto.com Arena in Los Angeles on \u003c/span\u003e**\u003cspan\u003eSunday, Feb.2\u003c/span\u003e**\u003cspan\u003e, broadcasting live on the CBS Television Network and streaming live and on demand on Paramount+. \u003c/span\u003e\n\n\u003cspan\u003eBefore the awards, Final Round Voting will take place from \u003c/span\u003e**\u003cspan\u003eDec. 12, 2024 to Jan. 3, 2025\u003c/span\u003e**\u003cspan\u003e. The Recording Academy's Voting Members, composed of music creators, including artists, producers, songwriters, and engineers determine the GRAMMY winners across all categories revealed on GRAMMY night. This thorough process underscores the integrity of the GRAMMY Awards as music's only industry-recognized, peer-voted honor.\u003c/span\u003e\n\n\u003cspan\u003eThis year, \u003c/span\u003e[\u003cspan\u003ethe Recording Academy\u003c/span\u003e](https://www.recordingacademy.com/)\u003cspan\u003e, the organization behind the \u003c/span\u003e[\u003cspan\u003eGRAMMY Awards\u003c/span\u003e](https://www.grammy.com/awards)\u003cspan\u003e, \u003c/span\u003e[\u003cspan\u003eintroduced several key updates\u003c/span\u003e](https://www.grammy.com/news/2025-grammys-awards-updates-changes-amendments-rules-guidelines)\u003cspan\u003e to the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e, including adjustments to eligibility criteria and Category renaming, which will all go into effect immediately at the 2025 GRAMMYs.\u003c/span\u003e\n\n\u003cspan\u003eAll these changes are designed to enhance the integrity and inclusivity of the GRAMMY Awards and reflect the Recording Academy's commitment to supporting and progressing the evolving music industry.\u003c/span\u003e\n\n\u003cspan\u003eFor more information about the 2025 GRAMMY Awards season, learn more about the \u003c/span\u003e[\u003cspan\u003eannual GRAMMY Awards process\u003c/span\u003e](https://www.recordingacademy.com/awards)\u003cspan\u003e; read our \u003c/span\u003e[\u003cspan\u003eFirst Round Voting guide for the 2025 GRAMMYs\u003c/span\u003e](https://www.grammy.com/news/how-to-vote-2025-grammys-voting-guide)\u003cspan\u003e; \u003c/span\u003e[\u003cspan\u003eread our FAQ (Frequently Asked Questions) section\u003c/span\u003e](https://www.recordingacademy.com/awards/faq)\u003cspan\u003e; view the \u003c/span\u003e[\u003cspan\u003eofficial GRAMMY Awards Rules and Guidelines\u003c/span\u003e](https://www.grammy.com/awards/rules-guidelines)\u003cspan\u003e; and \u003c/span\u003e[\u003cspan\u003evisit the GRAMMY Award Update Center\u003c/span\u003e](https://www.grammy.com/awards/awards-updates)\u003cspan\u003e for a list of real-time changes to the GRAMMY Awards process. \u003c/span\u003e\n\n\u003cspan\u003eMake sure to come back and tune in on \u003c/span\u003e**\u003cspan\u003eSunday, Feb. 2,\u003c/span\u003e**\u003cspan\u003e for the reveal of all the 2025 GRAMMY winners. \u003c/span\u003e\n"}},{"_meta":{"schema":"https://therecordingacademy.com/content/curated-content","name":"2025 GRAMMYs: Meet The 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GRAMMYs: Meet The Nominees"},{"_meta":{"schema":"https://therecordingacademy.com/content/body-text","name":"Body 2: 2025 GRAMMYs: See The Full Nominations List","deliveryId":"e0604f9a-2d95-4b85-9c9b-0ad310f78e1a"},"bodyText":{"richText":"## **\u003cspan\u003eThe\u003c/span\u003e** OFFICIAL **\u003cspan\u003e2025 GRAMMY Nominations Full List\u003c/span\u003e**\n\n---\n\n# \u003cspan\u003eGeneral Field\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 1\u003c/span\u003e*\n\n## **\u003cspan\u003eRecord Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to the Artist(s), Album Producer(s), Recording Engineer(s), and/or Mixer(s), and Mastering Engineer(s) if other than the artist.\u003c/span\u003e\n\n*\u003cspan\u003eNOMINEES:\u003c/span\u003e*\n\n**\u003cspan\u003e\"Now and Then\"\u003c/span\u003e** *\u003cspan\u003e–\u003c/span\u003e* \u003cspan\u003eThe Beatles\u003c/span\u003e\n\n\u003cspan\u003eGiles Martin \u0026amp; Paul McCartney, producers; Geoff Emerick, Steve Genewick, Jon Jacobs, Greg McAllister, Steve Orchard, Keith Smith, Mark 'Spike' Stent \u0026amp; Bruce Sugar, engineers/mixers; Miles Showell, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"TEXAS HOLD 'EM\"\u003c/span\u003e**\u003cspan\u003e – Beyoncé\u003c/span\u003e\n\n\u003cspan\u003eBeyoncé, Nate Ferraro, Killah B \u0026amp; Raphael Saadiq, producers; Hotae Alexander Jang, Alex Nibley \u0026amp; Stuart White, engineers/mixers; Colin Leonard, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Espresso\"\u003c/span\u003e**\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJulian Bunetta, producer; Julian Bunetta \u0026amp; Jeff Gunnell, engineers/mixers; Nathan Dantzler, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e**\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCirkut \u0026amp; A. G. Cook, producers; Cirkut \u0026amp; Manny Marroquin, engineers/mixers; Idania Valencia, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"BIRDS OF A FEATHER\"\u003c/span\u003e**\u003cspan\u003e – Billie Eilish\u003c/span\u003e\n\n\u003cspan\u003eFINNEAS \u0026amp; Billie Eilish, producers; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Dale Becker, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e**\u003cspan\u003e – Kendrick Lamar\u003c/span\u003e\n\n\u003cspan\u003eSean Momberger, Mustard \u0026amp; Sounwave, producers; Ray Charles Brown Jr. \u0026amp; Johnathan Turner, engineers/mixers; Nicolas de Porcel, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Good Luck, Babe!\" –\u003c/span\u003e** \u003cspan\u003eChappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDan Nigro, producer; Mitch McCarthy \u0026amp; Dan Nigro, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e**\u003cspan\u003e – Taylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Louis Bell \u0026amp; Taylor Swift, producers; Louis Bell, Bryce Bordone, Serban Ghenea, Sean Hutchinson, Oli Jacobs, Michael Riddleberger \u0026amp; Laura Sisk, engineers/mixers; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 2\u003c/span\u003e*\n\n## **\u003cspan\u003eAlbum Of The Year\u003c/span\u003e**\n\n\u003cspan\u003eAward to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with 20% or more playing time of the album.)\u003c/span\u003e\n\n***\u003cspan\u003eNew Blue Sun\u003c/span\u003e*** \u003cspan\u003e– André 3000\u003c/span\u003e\n\n\u003cspan\u003eAndré 3000 \u0026amp; Carlos Niño, producers; André 3000, Carlos Niño \u0026amp; Ken Oriole, engineers/mixers; André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, songwriters; Andy Kravitz, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eCOWBOY CARTER\u003c/span\u003e*** \u003cspan\u003e– Beyoncé\u003c/span\u003e\n\n\u003cspan\u003eBeyoncé, Terius \"The-Dream\" Gesteelde-Diamant \u0026amp; Dave Hamelin, producers; Matheus Braz, Brandon Harding, Hotae Alexander Jang, Dani Pampuri \u0026amp; Stuart White, engineers/mixers; Ryan Beatty, Beyoncé, Camaron Ochs, Terius \"The-Dream\" Gesteelde-Diamant, Dave Hamelin, S. Carter \u0026amp; Raphael Saadiq, songwriters; Colin Leonard, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eShort n' Sweet\u003c/span\u003e***\u003cspan\u003e – Sabrina Carpenter\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Julian Bunetta, Ian Kirkpatrick \u0026amp; John Ryan, producers; Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers/mixers; Amy Allen, Jack Antonoff, Julian Bunetta, Sabrina Carpenter, Ian Kirkpatrick, Julia Michaels \u0026amp; John Ryan, songwriters; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eBRAT\u003c/span\u003e***\u003cspan\u003e – Charli xcx\u003c/span\u003e\n\n\u003cspan\u003eCharli xcx, Cirkut \u0026amp; A. G. Cook, producers; A. G. Cook, Tom Norris \u0026amp; Geoff Swan, engineers/mixers; Charlotte Aitchison, Henry Walter, Alexander Guy Cook, Finn Keane \u0026amp; Jonathan Christopher Shave, songwriters; Idania Valencia, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eDjesse Vol. 4\u003c/span\u003e*** \u003cspan\u003e– Jacob Collier\u003c/span\u003e\n\n\u003cspan\u003eJacob Collier, producer; Ben Bloomberg, Jacob Collier \u0026amp; Paul Pouwer, engineers/mixers; Jacob Collier, songwriter; Chris Allgood \u0026amp; Emily Lazar, mastering engineers\u003c/span\u003e\n\n***\u003cspan\u003eHIT ME HARD AND SOFT\u003c/span\u003e*** \u003cspan\u003e– Billie Eilish\u003c/span\u003e\n\n\u003cspan\u003eFINNEAS, producer; Thom Beemer, Jon Castelli, Billie Eilish, Aron Forbes, Brad Lauchert, FINNEAS \u0026amp; Chaz Sexton, engineers/mixers; Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters; Dale Becker, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eChappell Roan The Rise And Fall Of A Midwest Princess\u003c/span\u003e***\u003cspan\u003e – Chappell Roan\u003c/span\u003e\n\n\u003cspan\u003eDaniel Nigro, producer; Mitch McCarthy \u0026amp; Daniel Nigro, engineers/mixers; Daniel Nigro \u0026amp; Kayleigh Rose Amstutz, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n***\u003cspan\u003eTHE TORTURED POETS DEPARTMENT\u003c/span\u003e***\u003cspan\u003e – Taylor Swift\u003c/span\u003e\n\n\u003cspan\u003eJack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, producers; Zem Audu, Bella Blasko, Bryce Bordone, Serban Ghenea, David Hart, Mikey Freedom Hart, Sean Hutchinson, Oli Jacobs, Jonathan Low, Michael Riddleberger, Christopher Rowe, Laura Sisk \u0026amp; Evan Smith, engineers/mixers; Jack Antonoff, Aaron Dessner \u0026amp; Taylor Swift, songwriters; Randy Merrill, mastering engineer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 3\u003c/span\u003e*\n\n## **\u003cspan\u003eSong Of The Year\u003c/span\u003e**\n\nA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish O'Connell \u0026amp; Finneas O'Connell, songwriters (Billie Eilish)\n\n**\"Die With A Smile\"** — Dernst Emile II, James Fauntleroy, Lady Gaga, Bruno Mars \u0026amp; Andrew Watt, songwriters (Lady Gaga \u0026amp; Bruno Mars)\n\n**\"Fortnight\"** — Jack Antonoff, Austin Post \u0026amp; Taylor Swift, songwriters (Taylor Swift Featuring Post Malone)\n\n**\"Good Luck, Babe!\"** — Kayleigh Rose Amstutz, Daniel Nigro \u0026amp; Justin Tranter, songwriters (Chappell Roan)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar)\n\n**\"Please Please Please\"** — Amy Allen, Jack Antonoff \u0026amp; Sabrina Carpenter, songwriters (Sabrina Carpenter)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 4\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Artist\u003c/span\u003e**\n\n\u003cspan\u003eThis category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.\u003c/span\u003e\n\n**\u003cspan\u003eBenson Boone\\\nSabrina Carpenter\\\nDoechii\\\nKhruangbin\\\nRaye\\\nChappell Roan\\\nShaboozey\\\nTeddy Swims\u003c/span\u003e**\n\n---\n\n*\u003cspan\u003eCATEGORY 5\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eAlissia\u003c/span\u003e**\n\n\u003cspan\u003e\"Bugs\" (Jamila Woods) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"DON'T MATTER\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Honey\" (BJ The Chicago Kid Featuring Chlöe) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IRREPLACEABLE (INTERLUDE)\" (Rae Khalil) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"IS IT WORTH IT\" (Rae Khalil) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Love Takeover\" (LION BABE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Spend The Night\" (BJ The Chicago Kid, Coco Jones) (T)\u003c/span\u003e\n\n**\u003cspan\u003eDernst “D’Mile” Emile II\u003c/span\u003e**\n\n*\u003cspan\u003eAlgorithm\u003c/span\u003e*\u003cspan\u003e (Lucky Daye) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Bar Song\" (Koe Wetzel) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Die With A Smile\" (Lady Gaga, Bruno Mars) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"HERicane\" (Lucky Daye) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"I Love U\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"One Of Them Ones\" (Usher) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Power of Two (From \"Star Wars: The Acolyte\")\" (Victoria Monét) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"That's You\" (Lucky Daye) (T)\u003c/span\u003e\n\n**\u003cspan\u003eIan Fitchuk\u003c/span\u003e**\n\n\u003cspan\u003e\"AMEN\" (Beyoncé) (T)\u003c/span\u003e\n\n*\u003cspan\u003eAngel Face\u003c/span\u003e*\u003cspan\u003e (Stephen Sanchez) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDeeper Well\u003c/span\u003e* \u003cspan\u003e(Kacey Musgraves) (A)\u003c/span\u003e\n\n*\u003cspan\u003eDon't Forget Me\u003c/span\u003e*\u003cspan\u003e (Maggie Rogers) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Lemon\" (Still Woozy) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Oh, Gemini\" (ROLE MODEL) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Peaceful Place\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Redemption Song (Bob Marley: One Love - Music Inspired By The Film)\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Three Little Birds (Bob Marley: One Love - Music Inspired By The Film)\" (Kacey Musgraves) (S)\u003c/span\u003e\n\n**\u003cspan\u003eMustard\u003c/span\u003e**\n\n*\u003cspan\u003eFaith Of A Mustard Seed\u003c/span\u003e*\u003cspan\u003e (Mustard) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"Not Like Us\" (Kendrick Lamar) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Parking Lot\" (Mustard \u0026amp; Travis Scott) (S)\u003c/span\u003e\n\n**\u003cspan\u003eDaniel Nigro\u003c/span\u003e**\n\n\u003cspan\u003e\"Can’t Catch Me Now (From The Hunger Games: The Ballad Of Songbirds \u0026amp; Snakes)\" (Olivia Rodrigo) (S)\u003c/span\u003e\n\n*\u003cspan\u003eChappell Roan The Rise and Fall Of A Midwest Princess\u003c/span\u003e* \u003cspan\u003e(Chappell Roan) (A)\u003c/span\u003e\n\n\u003cspan\u003e\"girl i’ve always been\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Good Luck, Babe!\" (Chappell Roan) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"so american\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"stranger\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 6\u003c/span\u003e*\n\n## **\u003cspan\u003eSongwriter of the Year, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter's Award. (Artists' names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**\u003cspan\u003eJessi Alexander\u003c/span\u003e**\n\n\u003cspan\u003e\"Ain't No Love In Oklahoma\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"All I Ever Do Is Leave\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Chevrolet\" (Dustin Lynch Featuring Jelly Roll) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Make Me A Mop\" (Cody Johnson) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Noah\" (Megan Moroney) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Remember Him That Way\" (Luke Combs) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Roulette On The Heart\" (Conner Smith \u0026amp; Hailey Whitters) (S)\u003c/span\u003e\n\n**\u003cspan\u003eAmy Allen\u003c/span\u003e**\n\n\u003cspan\u003e\"Chrome Cowgirl\" (Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Espresso\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"High Road\" (Koe Wetzel \u0026amp; Jessie Murph) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Please Please Please\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"run for the hills\" (Tate McRae) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"scared of my guitar\" (Olivia Rodrigo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Selfish\" (Justin Timberlake) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sweet Dreams\" (Koe Wetzel) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Taste\" (Sabrina Carpenter) (S)\u003c/span\u003e\n\n**\u003cspan\u003eEdgar Barrera\u003c/span\u003e**\n\n\u003cspan\u003e\"Atención\" (Ivan Cornejo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"(Entre Paréntesis)\" (Shakira \u0026amp; Grupo Frontera) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"It Was Always You (Siempre Fuiste Tú)\" (Carin León \u0026amp; Leon Bridges) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"No Se Vale\" (Camilo) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"The One (Pero No Como Yo)\" (Carin León \u0026amp; Kane Brown) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"POR EL CONTRARIO\" (Becky G With Ángela Aguilar, Leonardo Aguilar) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Si Antes Te Hubiera Conocido\" (Karol G) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Sincere\" (Khalid) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"TOMMY \u0026amp; PAMELA\" (Peso Pluma \u0026amp; Kenia Os) (T)\u003c/span\u003e\n\n**\u003cspan\u003eJessie Jo Dillon\u003c/span\u003e**\n\n\u003cspan\u003e\"Am I Okay?\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Go To Hell\" (Post Malone) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Heaven By Noon\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Lies Lies Lies\" (Morgan Wallen) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"MESSED UP AS ME\" (Keith Urban) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Never Left Me\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"No Caller ID\" (Megan Moroney) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Sorry Mom\" (Kelsea Ballerini) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Two Hearts\" (Post Malone) (T)\u003c/span\u003e\n\n**\u003cspan\u003eRAYE\u003c/span\u003e**\n\n\u003cspan\u003e\"Ask \u0026amp; You Shall Receive\" (Rita Ora) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Because I Love You\" (Halle) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Dear Ben, Pt II\" (Jennifer Lopez) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"Genesis.\" (RAYE) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Mother Nature\" (RAYE \u0026amp; Hans Zimmer) (S)\u003c/span\u003e\n\n\u003cspan\u003e\"Paralyzed\" (Lucky Daye Featuring RAYE) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"RIIVERDANCE\" (Beyoncé) (T)\u003c/span\u003e\n\n\u003cspan\u003e\"You're Hired\" (NEIKED Featuring Ayra Starr) (S)\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 1: Pop \u0026amp; Dance/Electronic\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 7\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"BODYGUARD\"** — Beyoncé\n\n**\"Espresso\"** — Sabrina Carpenter\n\n**\"Apple\"** — Charli xcx\n\n**\"BIRDS OF A FEATHER\"** — Billie Eilish\n\n**\"Good Luck, Babe!\"** — Chappell Roan\n\n---\n\n*\u003cspan\u003eCATEGORY 8\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.\u003c/span\u003e\n\n**\"us.\"** — Gracie Abrams Featuring Taylor Swift\n\n**\"LEVII'S JEANS\"** — Beyoncé Featuring Post Malone\n\n**\"Guess\"** — Charli xcx \u0026amp; Billie Eilish\n\n**\"the boy is mine\"** — Ariana Grande, Brandy \u0026amp; Monica\n\n**\"Die With A Smile\"** — Lady Gaga \u0026amp; Bruno Mars\n\n---\n\n*\u003cspan\u003eCATEGORY 9\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new pop vocal recordings.\u003c/span\u003e\n\n***Short n' Sweet*** — Sabrina Carpenter\n\n***HIT ME HARD AND SOFT*** — Billie Eilish\n\n***eternal sunshine*** — Ariana Grande\n\n***Chappell Roan The Rise And Fall Of A Midwest Princess*** — Chappell Roan\n\n***THE TORTURED POETS DEPARTMENT*** — Taylor Swift\n\n---\n\n*\u003cspan\u003eCATEGORY 10\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"She's Gone, Dance On\"** — Disclosure\n\nGuy Lawrence \u0026amp; Howard Lawrence, producers; Guy Lawrence, mixer\n\n**\"Loved\"** — Four Tet\n\nKieran Hebden, producer; Kieran Hebden, mixer\n\n**\"leavemealone\"** — Fred Again.. \u0026amp; Baby Keem\n\nBoo, Fred Again.., Alex Gibson, Kieran Hebden, LOOSE, Skrillex \u0026amp; Sid Stone, producers; Fred Again.. \u0026amp; Jay Reynolds, mixers\n\n**\"Neverender\"** — Justice \u0026amp; Tame Impala\n\nGaspard Augé \u0026amp; Xavier De Rosnay, producers; Gaspard Augé, Xavier De Rosnay, Damien Quintard \u0026amp; Vincent Taurelle, mixers\n\n**\"Witchy\"** — KAYTRANADA Featuring Childish Gambino\n\nLauren D'Elia \u0026amp; KAYTRANADA, producers; Neal H Pogue, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 11\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance Pop Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.\u003c/span\u003e\n\n**\"Make You Mine\"** — Madison Beer\n\nMadison Beer \u0026amp; Leroy Clampitt, producers; Mitch McCarthy, mixer\n\n**\"Von dutch\"** — Charli xcx\n\nFinn Keane, producer; Tom Norris, mixer\n\n**\"L’AMOUR DE MA VIE \\[OVER NOW EXTENDED EDIT\\]\"** — Billie Eilish\n\nBillie Eilish \u0026amp; FINNEAS, producers; Jon Castelli \u0026amp; Aron Forbes, mixers\n\n**\"yes, and?\"** — Ariana Grande\n\nAriana Grande, ILYA \u0026amp; Max Martin, producers; Serban Ghenea, mixer\n\n**\"Got Me Started\"** — Troye Sivan\n\nStyalz Fuego \u0026amp; Ian Kirkpatrick, producers; Alex Ghenea, mixer\n\n---\n\n*\u003cspan\u003eCATEGORY 12\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Dance/Electronic Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums. Albums only.\u003c/span\u003e\n\n***BRAT*** — Charli xcx\n\n***Three*** — Four Tet\n\n***Hyperdrama*** — Justice\n\n***TIMELESS*** — KAYTRANADA\n\n***Telos*** — Zedd\n\n---\n\n*\u003cspan\u003eCATEGORY 13\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Remixed Recording\u003c/span\u003e**\n\n\u003cspan\u003eA Remixer's Award. (Artists' names appear in parentheses for identification.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alter Ego - KAYTRANADA Remix\"** — KAYTRANADA, remixer (Doechii Featuring JT)\n\n**\"A Bar Song (Tipsy) \\[Remix\\]\"** — David Guetta, remixer (Shaboozey \u0026amp; David Guetta)\n\n**\"Espresso (Mark Ronson x FNZ Working Late Remix)\"** — FNZ \u0026amp; Mark Ronson, remixers (Sabrina Carpenter)\n\n**\"Jah Sees Them - Amapiano Remix\"** — Alexx Antaeus, Footsteps \u0026amp; MrMyish, remixers (Julian Marley \u0026amp; Antaeus)\n\n**\"Von dutch\"** — A.G. Cook, remixer (Charli xcx \u0026amp; A.G. Cook Featuring Addison Rae)\n\n---\n\n# \u003cspan\u003eField 2: Rock, Metal \u0026amp; Alternative Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 14\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative rock recordings.\u003c/span\u003e\n\n**\"Now and Then\"** — The Beatles\n\n**\"Beautiful People (Stay High)\"** — The Black Keys\n\n**\"The American Dream Is Killing Me\"** — Green Day\n\n**\"Gift Horse\"** — IDLES\n\n**\"Dark Matter\"** — Pearl Jam\n\n**\"Broken Man\"** — St. Vincent\n\n---\n\n*\u003cspan\u003eCATEGORY 15\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Metal Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative metal recordings.\u003c/span\u003e\n\n**\"Mea Culpa (Ah! Ça ira!)\"** — Gojira, Marina Viotti \u0026amp; Victor Le Masne\n\n**\"Crown of Horns\"** — Judas Priest\n\n**\"Suffocate\"** — Knocked Loose Featuring Poppy\n\n**\"Screaming Suicide\"** — Metallica\n\n**\"Cellar Door\"** — Spiritbox\n\n---\n\n*\u003cspan\u003eCATEGORY 16\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Beautiful People (Stay High)\"** — Dan Auerbach, Patrick Carney, Beck Hansen \u0026amp; Daniel Nakamura, songwriters (The Black Keys)\n\n**\"Broken Man\"** — Annie Clark, songwriter (St. Vincent)\n\n**\"Dark Matter\"** — Jeff Ament, Matt Cameron, Stone Gossard, Mike McCready, Eddie Vedder \u0026amp; Andrew Watt, songwriters (Pearl Jam)\n\n**\"Dilemma\"** — Billie Joe Armstrong, Tré Cool \u0026amp; Mike Dirnt, songwriters (Green Day)\n\n**\"Gift Horse\"** — Jon Beavis, Mark Bowen, Adam Devonshire, Lee Kiernan \u0026amp; Joe Talbot, songwriters (IDLES)\n\n---\n\n*\u003cspan\u003eCATEGORY 17\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rock Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rock, hard rock or metal recordings.\u003c/span\u003e\n\n***Happiness Bastards*** — The Black Crowes\n\n***Romance*** — Fontaines D.C.\n\n***Saviors*** — Green Day\n\n***TANGK*** — IDLES\n\n***Dark Matter*** — Pearl Jam\n\n***Hackney Diamonds*** — The Rolling Stones\n\n***No Name*** — Jack White\n\n---\n\n*\u003cspan\u003eCATEGORY 18\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative Alternative music recordings.\u003c/span\u003e\n\n**\"Neon Pill\"** — Cage The Elephant\n\n**\"Song Of The Lake\"** — Nick Cave \u0026amp; The Bad Seeds\n\n**\"Starburster\"** — Fontaines D.C.\n\n**\"BYE BYE\"** — Kim Gordon\n\n**\"Flea\"** — St. Vincent\n\n---\n\n*\u003cspan\u003eCATEGORY 19\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Music Album\u003c/span\u003e**\n\n\u003cspan\u003eVocal or Instrumental.\u003c/span\u003e\n\n***Wild God*** — Nick Cave \u0026amp; The Bad Seeds\n\n***Charm*** — Clairo\n\n***The Collective*** — Kim Gordon\n\n***What Now*** — Brittany Howard\n\n***All Born Screaming*** — St. Vincent\n\n---\n\n# \u003cspan\u003eField 3: R\u0026amp;B, Rap \u0026amp; Spoken Word Poetry\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 20\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Guidance\"** — Jhené Aiko\n\n**\"Residuals\"** — Chris Brown\n\n**\"Here We Go (Uh Oh)\"** — Coco Jones\n\n**\"Made For Me (Live On BET)\"** — Muni Long\n\n**\"Saturn\"** — SZA\n\n---\n\n*\u003cspan\u003eCATEGORY 21\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional R\u0026amp;B Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental traditional R\u0026amp;B recordings.\u003c/span\u003e\n\n**\"Wet\"** — Marsha Ambrosius\n\n**\"Can I Have This Groove\"** — Kenyon Dixon\n\n**\"No Lie\"** — Lalah Hathaway Featuring Michael McDonald\n\n**\"Make Me Forget\"** — Muni Long\n\n**\"That's You\"** — Lucky Daye\n\n---\n\n*\u003cspan\u003eCATEGORY 22\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"After Hours\"** — Diovanna Frazier, Alex Goldblatt, Kehlani Parrish, Khris Riddick-Tynes \u0026amp; Daniel Upchurch, songwriters (Kehlani)\n\n**\"Burning\"** — Ronald Banful \u0026amp; Temilade Openiyi, songwriters (Tems)\n\n**\"Here We Go (Uh Oh)\"** — Sara Diamond, Sydney Floyd, Marisela Jackson, Courtney Jones, Carl McCormick \u0026amp; Kelvin Wooten, songwriters (Coco Jones)\n\n**\"Ruined Me\"** — Jeff Gitelman, Kareen Lomax, Priscilla Renea \u0026amp; Kevin Theodore, songwriters (Muni Long)\n\n**\"Saturn\"** — Rob Bisel, Cian Ducrot, Carter Lang, Solána Rowe, Jared Solomon \u0026amp; Scott Zhang, songwriters (SZA)\n\n---\n\n*\u003cspan\u003eCATEGORY 23\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Progressive R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded progressive vocal tracks derivative of R\u0026amp;B.\u003c/span\u003e\n\n***So Glad to Know You*** — Avery\\*Sunshine\n\n***En Route*** — Durand Bernarr\n\n***Bando Stone \u0026amp; the New World*** — Childish Gambino\n\n***Crash*** — Kehlani\n\n***Why Lawd?*** — NxWorries (Anderson .Paak \u0026amp; Knxwledge)\n\n---\n\n*\u003cspan\u003eCATEGORY 24\u003c/span\u003e*\n\n## **\u003cspan\u003eBest R\u0026amp;B Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new R\u0026amp;B recordings.\u003c/span\u003e\n\n***11:11 (Deluxe)*** — Chris Brown\n\n***VANTABLACK*** — Lalah Hathaway\n\n***Revenge*** — Muni Long\n\n***Algorithm*** — Lucky Daye\n\n***COMING HOME*** — Usher\n\n---\n\n*\u003cspan\u003eCATEGORY 25\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a Rap performance. Singles or Tracks only.\u003c/span\u003e\n\n**\"Enough (Miami)\"** — Cardi B\n\n**\"When The Sun Shines Again\"** — Common \u0026amp; Pete Rock Featuring Posdnuos\n\n**\"NISSAN ALTIMA\"** — Doechii\n\n**\"Houdini\"** — Eminem\n\n**\"Like That\"** — Future \u0026amp; Metro Boomin Featuring Kendrick Lamar\n\n**\"Yeah Glo!\"** — GloRilla\n\n**\"Not Like Us\"** — Kendrick Lamar\n\n---\n\n*\u003cspan\u003eCATEGORY 26\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Melodic Rap Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor a solo or collaborative performance containing both elements of R\u0026amp;B melodies and Rap.\u003c/span\u003e\n\n**\"KEHLANI\"** — Jordan Adetunji Featuring Kehlani\n\n**\"SPAGHETTII\"** — Beyoncé Featuring Linda Martell \u0026amp; Shaboozey\n\n**\"We Still Don't Trust You\"** — Future \u0026amp; Metro Boomin Featuring The Weeknd\n\n**\"Big Mama\"** — Latto\n\n**\"3\"** — Rapsody Featuring Erykah Badu\n\n---\n\n*\u003cspan\u003eCATEGORY 27\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Asteroids\"** — Marlanna Evans, songwriter (Rapsody Featuring Hit-Boy)\n\n**\"Carnival\"** — Jordan Carter, Raul Cubina, Grant Dickinson, Samuel Lindley, Nasir Pemberton, Dimitri Roger, Ty Dolla $ign, Kanye West \u0026amp; Mark Carl Stolinski Williams, songwriters (¥$ (Kanye West \u0026amp; Ty Dolla $Ign) Featuring Rich The Kid \u0026amp; Playboi Carti)\n\n**\"Like That\"** — Kendrick Lamar Duckworth, Kobe \"BbyKobe\" Hood, Leland Wayne \u0026amp; Nayvadius Wilburn, songwriters (Future \u0026amp; Metro Boomin Featuring Kendrick Lamar)\n\n**\"Not Like Us\"** — Kendrick Lamar, songwriter (Kendrick Lamar)\n\n**\"Yeah Glo!\"** — Ronnie Jackson, Jaucquez Lowe, Timothy McKibbins, Kevin Andre Price, Julius Rivera III \u0026amp; Gloria Woods, songwriters (GloRilla)\n\n---\n\n*\u003cspan\u003eCATEGORY 28\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Rap Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new rap recordings.\u003c/span\u003e\n\n***Might Delete Later*** — J. Cole\n\n***The Auditorium, Vol. 1*** — Common \u0026amp; Pete Rock\n\n***Alligator Bites Never Heal*** — Doechii\n\n***The Death Of Slim Shady (Coup De Grâce)*** — Eminem\n\n***We Don't Trust You*** — Future \u0026amp; Metro Boomin\n\n---\n\n*\u003cspan\u003eCATEGORY 29\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Spoken Word Poetry Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 50% playing time of new spoken word poetry recordings.\u003c/span\u003e\n\n***CIVIL WRITES: The South Got Something To Say*** — Queen Sheba\n\n***cOncrete \u0026amp; wHiskey Act II Part 1: A Bourbon 30 Series*** — Omari Hardwick\n\n***Good M.U.S.I.C. Universe Sonic Sinema Episode 1: In The Beginning Was The Word*** — Malik Yusef\n\n***The Heart, The Mind, The Soul*** — Tank and The Bangas\n\n***The Seven Number Ones*** — Mad Skillz\n\n---\n\n# \u003cspan\u003eField 4: Jazz, Traditional Pop, Contemporary Instrumental \u0026amp; Musical Theater\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 30\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo, duo/group or collaborative jazz recordings.\u003c/span\u003e\n\n**\"Walk With Me, Lord (SOUND | SPIRIT)\"** — The Baylor Project\n\n**\"Phoenix Reimagined (Live)\"** — Lakecia Benjamin Featuring Randy Brecker, Jeff \"Tain\" Watts \u0026amp; John Scofield\n\n**\"Juno\"** — Chick Corea \u0026amp; Béla Fleck\n\n**\"Twinkle Twinkle Little Me\"** — Samara Joy Featuring Sullivan Fortner\n\n**\"Little Fears\"** — Dan Pugach Big Band Featuring Nicole Zuraitis \u0026amp; Troy Roberts\n\n---\n\n*\u003cspan\u003eCATEGORY 31\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal jazz recordings.\u003c/span\u003e\n\n***Journey In Black*** — Christie Dashiell\n\n***Wildflowers Vol. 1*** — Kurt Elling \u0026amp; Sullivan Fortner\n\n***A Joyful Holiday*** — Samara Joy\n\n***Milton + esperanza*** — Milton Nascimento \u0026amp; esperanza spalding\n\n***My Ideal*** — Catherine Russell \u0026amp; Sean Mason\n\n---\n\n*\u003cspan\u003eCATEGORY 32\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Jazz Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new instrumental jazz recordings.\u003c/span\u003e\n\n***Owl Song*** — Ambrose Akinmusire Featuring Bill Frisell \u0026amp; Herlin Riley\n\n***Beyond This Place*** — Kenny Barron Featuring Kiyoshi Kitagawa, Johnathan Blake, Immanuel Wilkins \u0026amp; Steve Nelson\n\n***Phoenix Reimagined (Live)*** — Lakecia Benjamin\n\n***Remembrance*** — Chick Corea \u0026amp; Béla Fleck\n\n***Solo Game*** — Sullivan Fortner\n\n---\n\n*\u003cspan\u003eCATEGORY 33\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Large Jazz Ensemble Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new large ensemble jazz recordings.\u003c/span\u003e\n\n***Returning To Forever*** — John Beasley \u0026amp; Frankfurt Radio Big Band\n\n***And So It Goes*** — The Clayton-Hamilton Jazz Orchestra\n\n***Walk A Mile In My Shoe*** — Orrin Evans \u0026amp; The Captain Black Big Band\n\n***Bianca Reimagined: Music for Paws and Persistence*** — Dan Pugach Big Band\n\n***Golden City*** — Miguel Zenón\n\n---\n\n*\u003cspan\u003eCATEGORY 34\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.\u003c/span\u003e\n\n***Spain Forever Again*** — Michel Camilo \u0026amp; Tomatito\n\n***Cubop Lives!*** — Zaccai Curtis, Luques Curtis, Willie Martinez, Camilo Molina \u0026amp; Reinaldo de Jesus\n\n***COLLAB*** — Hamilton de Holanda \u0026amp; Gonzalo Rubalcaba\n\n***Time And Again*** — Eliane Elias\n\n***El Trio: Live in Italy*** — Horacio 'El Negro' Hernández, John Beasley \u0026amp; José Gola\n\n**Cuba And Beyond** — Chucho Valdés \u0026amp; Royal Quartet\n\n***As I Travel*** — Donald Vega Featuring Lewis Nash, John Patitucci \u0026amp; Luisito Quintero\n\n---\n\n*\u003cspan\u003eCATEGORY 35\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Alternative Jazz Album\u003c/span\u003e**\n\n\u003cspan\u003eFor vocal or instrumental albums containing greater than 75% playing time of new Alternative jazz recordings.\u003c/span\u003e\n\n***Night Reign*** — Arooj Aftab\n\n***New Blue Sun*** — André 3000\n\n***Code Derivation*** — Robert Glasper\n\n***Foreverland*** — Keyon Harrold\n\n***No More Water: The Gospel Of James Baldwin*** — Meshell Ndegeocello\n\n---\n\n*\u003cspan\u003eCATEGORY 36\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Pop Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new traditional pop recordings.\u003c/span\u003e\n\n***À Fleur De Peau*** — Cyrille Aimée\n\n***Visions*** — Norah Jones\n\n***Good Together*** — Lake Street Dive\n\n***Impossible Dream*** — Aaron Lazar\n\n***Christmas Wish*** — Gregory Porter\n\n---\n\n*\u003cspan\u003eCATEGORY 37\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Instrumental Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new contemporary instrumental recordings.\u003c/span\u003e\n\n***Plot Armor*** — Taylor Eigsti\n\n***Rhapsody In Blue*** — Béla Fleck\n\n***Orchestras (Live)*** — Bill Frisell Featuring Alexander Hanson, Brussels Philharmonic, Rudy Royston \u0026amp; Thomas Morgan\n\n***Mark*** — Mark Guiliana\n\n***Speak To Me*** — Julian Lage\n\n---\n\n*\u003cspan\u003eCATEGORY 38\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Musical Theater Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 51% playing time of new recordings. Award to the principal vocalist(s), and the album producer(s) of 50% or more playing time of the album. The lyricist(s) and composer(s) of 50% or more of a score of a new recording are eligible for an Award if any previous recording of said score has not been nominated in this category.\u003c/span\u003e\n\n***Hell’s Kitchen*** — Shoshana Bean, Brandon Victor Dixon, Kecia Lewis \u0026amp; Maleah Joi Moon, principal vocalists; Adam Blackstone, Alicia Keys \u0026amp; Tom Kitt, producers (Alicia Keys, composer \u0026amp; lyricist) (Original Broadway Cast)\n\n***Merrily We Roll Along*** — Jonathan Groff, Lindsay Mendez \u0026amp; Daniel Radcliffe, principal vocalists; David Caddick, Joel Fram, Maria Friedman \u0026amp; David Lai, producers (Stephen Sondheim, composer \u0026amp; lyricist) (New Broadway Cast)\n\n***The Notebook*** — John Clancy, Carmel Dean, Kurt Deutsch, Derik Lee, Kevin McCollum \u0026amp; Ingrid Michaelson, producers; Ingrid Michaelson, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Outsiders*** — Joshua Boone, Brent Comer, Brody Grant \u0026amp; Sky Lakota-Lynch, principal vocalists; Zach Chance, Jonathan Clay, Matt Hinkley, Justin Levine \u0026amp; Lawrence Manchester, producers; Zach Chance, Jonathan Clay \u0026amp; Justin Levine, composers/lyricists (Original Broadway Cast)\n\n***Suffs*** — Andrea Grody, Dean Sharenow \u0026amp; Shaina Taub, producers; Shaina Taub, composer \u0026amp; lyricist (Original Broadway Cast)\n\n***The Wiz*** — Wayne Brady, Deborah Cox, Nichelle Lewis \u0026amp; Avery Wilson, principal vocalists; Joseph Joubert, Allen René Louis \u0026amp; Lawrence Manchester, producers (Charlie Smalls, composer \u0026amp; lyricist) (2024 Broadway Cast Recording)\n\n---\n\n# \u003cspan\u003eField 5: Country \u0026amp; American Roots Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 39\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Solo Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental solo country recordings.\u003c/span\u003e\n\n**\"16 CARRIAGES\"** — Beyoncé\n\n**\"I Am Not Okay\"** — Jelly Roll\n\n**\"The Architect\"** — Kacey Musgraves\n\n**\"A Bar Song (Tipsy)\"** — Shaboozey\n\n**\"It Takes A Woman\"** — Chris Stapleton\n\n---\n\n*\u003cspan\u003eCATEGORY 40\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Duo/Group Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental duo/group or collaborative country recordings.\u003c/span\u003e\n\n**\"Cowboys Cry Too\"** — Kelsea Ballerini With Noah Kahan\n\n**\"II MOST WANTED\"** — Beyoncé Featuring Miley Cyrus\n\n**\"Break Mine\"** — Brothers Osborne\n\n**\"Bigger Houses\"** — Dan + Shay\n\n**\"I Had Some Help\"** — Post Malone Featuring Morgan Wallen\n\n---\n\n*\u003cspan\u003eCATEGORY 41\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"The Architect\"** — Shane McAnally, Kacey Musgraves \u0026amp; Josh Osborne, songwriters (Kacey Musgraves)\n\n**\"A Bar Song (Tipsy)\"** — Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry \u0026amp; Mark Williams, songwriters (Shaboozey)\n\n**\"I Am Not Okay\"** — Casey Brown, Jason DeFord, Ashley Gorley \u0026amp; Taylor Phillips, songwriters (Jelly Roll)\n\n**\"I Had Some Help\"** — Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Smith, Ryan Vojtesak, Morgan Wallen \u0026amp; Chandler Paul Walters, songwriters (Post Malone Featuring Morgan Wallen)\n\n**\"TEXAS HOLD 'EM\"** — Brian Bates, Atia Boggs, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro \u0026amp; Raphael Saadiq, songwriters (Beyoncé)\n\n---\n\n*\u003cspan\u003eCATEGORY 42\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Country Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new country recordings.\u003c/span\u003e\n\n***COWBOY CARTER*** — Beyoncé\n\n***F-1 Trillion*** — Post Malone\n\n***Deeper Well*** — Kacey Musgraves\n\n***Higher*** — Chris Stapleton\n\n***Whirlwind*** — Lainey Wilson\n\n---\n\n*\u003cspan\u003eCATEGORY 43\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including bluegrass, blues, folk or regional roots. Award to the artist(s).\u003c/span\u003e\n\n**\"Blame It On Eve\"** — Shemekia Copeland\n\n**\"Nothing In Rambling\"** — The Fabulous Thunderbirds Featuring Bonnie Raitt, Keb' Mo', Taj Mahal \u0026amp; Mick Fleetwood\n\n**\"Lighthouse\"** — Sierra Ferrell\n\n**\"The Ballad Of Sally Anne\"** — Rhiannon Giddens\n\n---\n\n*\u003cspan\u003eCATEGORY 44\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Americana performance. Award to the artist(s).\u003c/span\u003e\n\n**\u003cspan\u003e\"YA YA\"\u003c/span\u003e** — \u003cspan\u003eBeyoncé\u003c/span\u003e\n\n**\u003cspan\u003e\"Subtitles\"\u003c/span\u003e** — \u003cspan\u003eMadison Cunningham\u003c/span\u003e\n\n**\u003cspan\u003e\"Don't Do Me Good\"\u003c/span\u003e** — \u003cspan\u003eMadi Diaz Featuring Kacey Musgraves\u003c/span\u003e\n\n**\u003cspan\u003e\"American Dreaming\"\u003c/span\u003e** — \u003cspan\u003eSierra Ferrell\u003c/span\u003e\n\n**\u003cspan\u003e\"Runaway Train\"\u003c/span\u003e** — \u003cspan\u003eSarah Jarosz\u003c/span\u003e\n\n**\u003cspan\u003e\"Empty Trainload Of Sky\"\u003c/span\u003e** — \u003cspan\u003eGillian Welch \u0026amp; David Rawlings\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 45\u003c/span\u003e*\n\n## **\u003cspan\u003eBest American Roots Song\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Ahead Of The Game\"** — Mark Knopfler, songwriter (Mark Knopfler)\n\n**\"All In Good Time\"** — Sam Beam, songwriter (Iron \u0026amp; Wine Featuring Fiona Apple)\n\n**\"All My Friends\"** — Aoife O'Donovan, songwriter (Aoife O'Donovan)\n\n**\"American Dreaming\"** — Sierra Ferrell \u0026amp; Melody Walker, songwriters (Sierra Ferrell)\n\n**\"Blame It On Eve\"** — John Hahn \u0026amp; Will Kimbrough, songwriters (Shemekia Copeland)\n\n---\n\n*\u003cspan\u003eCATEGORY 46\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Americana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Americana recordings.\u003c/span\u003e\n\n***The Other Side*** — T Bone Burnett\n\n***$10 Cowboy*** — Charley Crockett\n\n***Trail Of Flowers*** — Sierra Ferrell\n\n***Polaroid Lovers*** — Sarah Jarosz\n\n***No One Gets Out Alive*** — Maggie Rose\n\n***Tigers Blood*** — Waxahatchee\n\n---\n\n*\u003cspan\u003eCATEGORY 47\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Bluegrass Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental bluegrass recordings.\u003c/span\u003e\n\n***I Built A World*** — Bronwyn Keith-Hynes\n\n***Songs of Love and Life*** — The Del McCoury Band\n\n***No Fear*** — Sister Sadie\n\n***Live Vol. 1*** — Billy Strings\n\n***Earl Jam*** — Tony Trischka\n\n***Dan Tyminski: Live From The Ryman*** — Dan Tyminski\n\n---\n\n*\u003cspan\u003eCATEGORY 48\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Traditional Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental traditional blues recordings.\u003c/span\u003e\n\n***Hill Country Love*** — Cedric Burnside\n\n***Struck Down*** — The Fabulous Thunderbirds\n\n***One Guitar Woman*** — Sue Foley\n\n***Sam's Place*** — Little Feat\n\n***Swingin' Live at The Church in Tulsa*** — The Taj Mahal Sextet\n\n---\n\n*\u003cspan\u003eCATEGORY 49\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Blues Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental contemporary blues recordings.\u003c/span\u003e\n\n***Blues Deluxe Vol. 2*** — Joe Bonamassa\n\n***Blame It On Eve*** — Shemekia Copeland\n\n***Friendlytown*** — Steve Cropper \u0026amp; The Midnight Hour\n\n***Mileage*** — Ruthie Foster\n\n***The Fury*** — Antonio Vergara\n\n---\n\n*\u003cspan\u003eCATEGORY 50\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Folk Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental folk recordings.\u003c/span\u003e\n\n***American Patchwork Quartet*** — American Patchwork Quartet\n\n***Weird Faith*** — Madi Diaz\n\n***Bright Future*** — Adrianne Lenker\n\n***All My Friends*** — Aoife O'Donovan\n\n***Woodland*** — Gillian Welch \u0026amp; David Rawlings\n\n---\n\n*\u003cspan\u003eCATEGORY 51\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Regional Roots Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental regional roots music recordings.\u003c/span\u003e\n\n***25 Back To My Roots*** — Sean Ardoin And Kreole Rock And Soul\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — Big Chief Monk Boudreaux \u0026amp; The Golden Eagles Featuring J'Wan Boudreaux\n\n***Live At The 2024 New Orleans Jazz \u0026amp; Heritage Festival*** — New Breed Brass Band Featuring Trombone Shorty\n\n***Kuini*** — Kalani Pe'a\n\n***Stories From The Battlefield*** — The Rumble Featuring Chief Joseph Boudreaux Jr.\n\n---\n\n# \u003cspan\u003eField 6: Gospel \u0026amp; Contemporary Christian Music\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 52\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel, or contemporary gospel single or track.\u003c/span\u003e\n\n\"**Church Doors**\" — Yolanda Adams; Sir William James Baptist \u0026amp; Donald Lawrence, songwriters\n\n**\"Yesterday\"** — Melvin Crispell III\n\n**\"Hold On (Live)\"** — Ricky Dillard\n\n**\"Holy Hands\"** — DOE; Jesse Paul Barrera, Jeffrey Castro Bernat, Dominique Jones, Timothy Ferguson, Kelby Shavon Johnson, Jr., Jonathan McReynolds, Rickey Slikk Muzik Offord \u0026amp; Juan Winans, songwriters\n\n**\"One Hallelujah\"** — Tasha Cobbs Leonard, Erica Campbell \u0026amp; Israel Houghton Featuring Jonathan McReynolds \u0026amp; Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters\n\n---\n\n*\u003cspan\u003eCATEGORY 53\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Performance/Song\u003c/span\u003e**\n\n\u003cspan\u003eThis award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track (including pop, rap/hip-hop, Latin, or rock).\u003c/span\u003e\n\n**\"Holy Forever (Live)\"** — Bethel Music, Jenn Johnson Featuring CeCe Winans\n\n**\"Praise\"** — Elevation Worship Featuring Brandon Lake, Chris Brown \u0026amp; Chandler Moore; Pat Barrett, Chris Brown, Cody Carnes, Steven Furtick, Brandon Lake \u0026amp; Chandler Moore, songwriters\n\n**\"Firm Foundation (He Won't)\"** — Honor \u0026amp; Glory Featuring Disciple\n\n**\"In The Name Of Jesus\"** — JWLKRS Worship \u0026amp; Maverick City Music Featuring Chandler Moore; Austin Armstrong, Ran Jackson, Chandler Moore, Sajan Nauriyal, Ella Schnacky, Noah Schnacky \u0026amp; Ilya Toshinskiy, songwriters\n\n**\"In The Room\"** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore Featuring Tasha Cobbs Leonard; G. Morris Coleman, Tasha Cobbs Leonard \u0026amp; Naomi Raine, songwriters\n\n**\"That's My King\"** — CeCe Winans; Taylor Agan, Kellie Gamble, Llyod Nicks \u0026amp; Jess Russ, songwriters\n\n---\n\n*\u003cspan\u003eCATEGORY 54\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional or contemporary/R\u0026amp;B gospel music recordings.\u003c/span\u003e\n\n***Covered Vol. 1*** — Melvin Crispell III\n\n***Choirmaster II (Live)*** — Ricky Dillard\n\n***Father's Day*** — Kirk Franklin\n\n***Still Karen*** — Karen Clark Sheard\n\n***More Than This*** — CeCe Winans\n\n---\n\n*\u003cspan\u003eCATEGORY 55\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Christian Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip-hop, Latin, or rock recordings.\u003c/span\u003e\n\n***Heart Of A Human*** — DOE\n\n***When Wind Meets Fire*** — Elevation Worship\n\n***Child Of God*** — Forrest Frank\n\n***Coat Of Many Colors*** — Brandon Lake\n\n***The Maverick Way Complete*** — Maverick City Music, Naomi Raine \u0026amp; Chandler Moore\n\n---\n\n*\u003cspan\u003eCATEGORY 56\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Roots Gospel Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.\u003c/span\u003e\n\n***The Gospel Sessions, Vol 2*** — Authentic Unlimited\n\n***The Gospel According To Mark*** — Mark D. Conklin\n\n***Rhapsody*** — The Harlem Gospel Travelers\n\n***Church*** — Cory Henry\n\n***Loving You*** — The Nelons\n\n---\n\n# \u003cspan\u003eField 7: Latin, Global, Reggae \u0026amp; New Age, Ambient, or Chant\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 57\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Pop Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin pop recordings.\u003c/span\u003e\n\n***Funk Generation*** — Anitta\n\n***El Viaje*** — Luis Fonsi\n\n***GARCÍA*** — Kany García\n\n***Las Mujeres Ya No Lloran*** — Shakira\n\n***ORQUÍDEAS*** — Kali Uchis\n\n---\n\n*\u003cspan\u003eCATEGORY 58\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Urbana Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Música Urbana recordings.\u003c/span\u003e\n\n***nadie sabe lo que va a pasar mañana*** — Bad Bunny\n\n***Rayo*** — J Balvin\n\n***FERXXOCALIPSIS*** — Feid\n\n***LAS LETRAS YA NO IMPORTAN*** — Residente\n\n***att.** —* Young Miko\n\n---\n\n*\u003cspan\u003eCATEGORY 59\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Latin Rock or Alternative Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new Latin rock or alternative recordings.\u003c/span\u003e\n\n***Compita del Destino*** — El David Aguilar\n\n***Pa' Tu Cuerpa*** — Cimafunk\n\n***Autopoiética*** — Mon Laferte\n\n***GRASA*** — NATHY PELUSO\n\n***¿Quién trae las cornetas?*** — Rawayana\n\n---\n\n*\u003cspan\u003eCATEGORY 60\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Música Mexicana Album (Including Tejano)\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.\u003c/span\u003e\n\n***Diamantes*** — Chiquis\n\n***Boca Chueca, Vol. 1*** — Carín León\n\n***ÉXODO*** — Peso Pluma\n\n***De Lejitos*** — Jessi Uribe\n\n---\n\n*\u003cspan\u003eCATEGORY 61\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Tropical Latin Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new tropical Latin recordings.\u003c/span\u003e\n\n***MUEVENSE*** — Marc Anthony\n\n***Bailar*** — Sheila E.\n\n***Radio Güira*** — Juan Luis Guerra 4.40\n\n***Alma, Corazón y Salsa (Live at Gran Teatro Nacional)*** — Tony Succar, Mimy Succar\n\n***Vacilón Santiaguero*** — Kiki Valera\n\n---\n\n*\u003cspan\u003eCATEGORY 62\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental Global music recordings.\u003c/span\u003e\n\n**\"Raat Ki Rani\"** — Arooj Aftab\n\n**\"A Rock Somewhere\"** — Jacob Collier Featuring Anoushka Shankar \u0026amp; Varijashree Venugopal\n\n**\"Rise\"** — Rocky Dawuni\n\n**\"Bemba Colorá\"** — Sheila E. Featuring Gloria Estefan \u0026amp; Mimy Succar\n\n**\"Sunlight To My Soul\"**— Angélique Kidjo Featuring Soweto Gospel Choir\n\n**\"Kashira\"** — Masa Takumi Featuring Ron Korb, Noshir Mody \u0026amp; Dale Edward Chung\n\n---\n\n*\u003cspan\u003eCATEGORY 63\u003c/span\u003e*\n\n## **\u003cspan\u003eBest African Music Performance\u003c/span\u003e**\n\n\u003cspan\u003eFor new vocal or instrumental African music recordings.\u003c/span\u003e\n\n**\"Tomorrow\"** — Yemi Alade\n\n**\"MMS\"** — Asake \u0026amp; Wizkid\n\n**\"Sensational\"** — Chris Brown Featuring Davido \u0026amp; Lojay\n\n**\"Higher\"** — Burna Boy\n\n**\"Love Me JeJe\"** — Tems\n\n---\n\n*\u003cspan\u003eCATEGORY 64\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Global Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental Global Music recordings.\u003c/span\u003e\n\n***ALKEBULAN II*** — Matt B Featuring Royal Philharmonic Orchestra\n\n***Paisajes*** — Ciro Hurtado\n\n***Heis*** — Rema\n\n***Historias de un Flamenco*** — Antonio Rey\n\n***Born in the Wild*** — Tems\n\n---\n\n*\u003cspan\u003eCATEGORY 65\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Reggae Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new reggae recordings.\u003c/span\u003e\n\n***Take It Easy*** — Collie Buddz\n\n***Party With Me*** — Vybz Kartel\n\n***Never Gets Late Here*** — Shenseea\n\n***Bob Marley: One Love - Music Inspired By The Film (Deluxe)*** — (Various Artists)\n\n***Evolution*** — The Wailers\n\n---\n\n*\u003cspan\u003eCATEGORY 66\u003c/span\u003e*\n\n## **\u003cspan\u003eBest New Age, Ambient, or Chant Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new vocal or instrumental new age recordings.\u003c/span\u003e\n\n***Break of Dawn*** — Ricky Kej\n\n***Triveni*** — Wouter Kellerman, Eru Matsumoto \u0026amp; Chandrika Tandon\n\n***Opus*** — Ryuichi Sakamoto\n\n***Chapter II: How Dark It Is Before Dawn*** — Anoushka Shankar\n\n***Warriors Of Light*** — Radhika Vekaria\n\n---\n\n# \u003cspan\u003eField 8: Children’s, Comedy, Audio Books, Visual Media \u0026amp; Music Video/Film\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 67\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Children's Music Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new musical or spoken word recordings that are created and intended specifically for children.\u003c/span\u003e\n\n***\u003cspan\u003eBrillo, Brillo\u003c/span\u003e*****\u003cspan\u003e!\u003c/span\u003e** — \u003cspan\u003eLucky Diaz And The Family Jam Band\u003c/span\u003e\n\n***\u003cspan\u003eCreciendo\u003c/span\u003e*** — \u003cspan\u003eLucy Kalantari \u0026amp; The Jazz Cats\u003c/span\u003e\n\n***\u003cspan\u003eMy Favorite Dream\u003c/span\u003e*** — \u003cspan\u003eJohn Legend\u003c/span\u003e\n\n***\u003cspan\u003eSolid Rock Revival\u003c/span\u003e*** — \u003cspan\u003eRock For Children\u003c/span\u003e\n\n***\u003cspan\u003eWorld Wide Playdate\u003c/span\u003e*** — \u003cspan\u003eDivinity Roxx and Divi Roxx Kids\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 68\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Comedy Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums containing greater than 75% playing time of new recordings.\u003c/span\u003e\n\n***\u003cspan\u003eArmageddon\u003c/span\u003e*** — \u003cspan\u003eRicky Gervais\u003c/span\u003e\n\n***\u003cspan\u003eThe Dreamer\u003c/span\u003e*** — \u003cspan\u003eDave Chappelle\u003c/span\u003e\n\n***\u003cspan\u003eThe Prisoner\u003c/span\u003e*** — \u003cspan\u003eJim Gaffigan\u003c/span\u003e\n\n***\u003cspan\u003eSomeday You'll Die\u003c/span\u003e*** — \u003cspan\u003eNikki Glaser\u003c/span\u003e\n\n***\u003cspan\u003eWhere Was I\u003c/span\u003e*** — \u003cspan\u003eTrevor Noah\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 69\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Audio Book, Narration, and Storytelling Recording\u003c/span\u003e**\n\n\u003cspan\u003eFor an album that is spoken word in format.\u003c/span\u003e\n\n***\u003cspan\u003eAll You Need Is Love: The Beatles in Their Own Words\u003c/span\u003e*** \u003cspan\u003e(Various Artists) \u003c/span\u003e— \u003cspan\u003eGuy Oldfield, producer\u003c/span\u003e\n\n***\u003cspan\u003e...And Your Ass Will Follow\u003c/span\u003e*** — \u003cspan\u003eGeorge Clinton\u003c/span\u003e\n\n***\u003cspan\u003eBehind the Seams: My Life in Rhinestones\u003c/span\u003e*** — \u003cspan\u003eDolly Parton\u003c/span\u003e\n\n***\u003cspan\u003eLast Sundays in Plains: A Centennial Celebration\u003c/span\u003e*** — \u003cspan\u003eJimmy Carter\u003c/span\u003e\n\n***\u003cspan\u003eMy Name Is Barbra\u003c/span\u003e*** — \u003cspan\u003eBarbra Streisand\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 70\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Compilation Soundtrack For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to the principal artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album. Award also goes to appropriately credited music supervisor(s).\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) Nick Baxter, Blitz Bazawule \u0026amp; Stephen Bray, compilation producers; Jordan Carroll \u0026amp; Morgan Rhodes, music supervisors\u003c/span\u003e\n\n***\u003cspan\u003eDeadpool \u0026amp; Wolverine\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eDave Jordan, Shawn Levy \u0026amp; Ryan Reynolds, compilation producers; Dave Jordan, music supervisor\n\n***\u003cspan\u003eMaestro: Music By Leonard Bernstein\u003c/span\u003e*** — Bradley Cooper \u0026amp; Yannick Nézet-Séguin, artists; Bradley Cooper, Yannick Nézet-Séguin \u0026amp; Jason Ruder, compilation producers; Steven Gizicki, music supervisor\n\n***\u003cspan\u003eSaltburn\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eEmerald Fennell, compilation producer; Kirsten Lane, music supervisor\n\n***\u003cspan\u003eTwisters: The Album\u003c/span\u003e*** — \u003cspan\u003e(Various Artists) \u003c/span\u003eIan Cripps, Brandon Davis, Joe Khoury \u0026amp; Kevin Weaver, compilation producers; Mike Knobloch \u0026amp; Rachel Levy, music supervisors\n\n---\n\n*\u003cspan\u003eCATEGORY 71\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack For Visual Media (Includes Film And Television)\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for a current motion picture, television show, or series.\u003c/span\u003e\n\n***\u003cspan\u003eAmerican Fiction\u003c/span\u003e*** — \u003cspan\u003eLaura Karpman, composer\u003c/span\u003e\n\n***\u003cspan\u003eChallengers\u003c/span\u003e*** — \u003cspan\u003eTrent Reznor \u0026amp; Atticus Ross, composers\u003c/span\u003e\n\n***\u003cspan\u003eThe Color Purple\u003c/span\u003e*** — \u003cspan\u003eKris Bowers, composer\u003c/span\u003e\n\n***\u003cspan\u003eDune: Part Two\u003c/span\u003e*** — \u003cspan\u003eHans Zimmer, composer\u003c/span\u003e\n\n***\u003cspan\u003eShōgun\u003c/span\u003e*** — \u003cspan\u003eNick Chuba, Atticus Ross \u0026amp; Leopold Ross, composers\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 72\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Score Soundtrack for Video Games and Other Interactive Media\u003c/span\u003e**\n\n\u003cspan\u003eAward to Composer(s) for an original score created specifically for, or as a companion to, video games and other interactive media.\u003c/span\u003e\n\n***\u003cspan\u003eAvatar: Frontiers of Pandora\u003c/span\u003e*** — \u003cspan\u003ePinar Toprak, composer\u003c/span\u003e\n\n***\u003cspan\u003eGod of War Ragnarök: Valhalla\u003c/span\u003e*** — \u003cspan\u003eBear McCreary, composer\u003c/span\u003e\n\n***\u003cspan\u003eMarvel's Spider-Man 2\u003c/span\u003e*** — \u003cspan\u003eJohn Paesano, composer\u003c/span\u003e\n\n***\u003cspan\u003eStar Wars Outlaws\u003c/span\u003e*** — \u003cspan\u003eWilbert Roget, II, composer\u003c/span\u003e\n\n***\u003cspan\u003eWizardry: Proving Grounds of the Mad Overlord\u003c/span\u003e*** — \u003cspan\u003eWinifred Phillips, composer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 73\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Song Written For Visual Media\u003c/span\u003e**\n\n\u003cspan\u003eA Songwriter(s) award. For a song (melody \u0026amp; lyrics) written specifically for a motion picture, television, video game or other visual media. Singles or Tracks only.\u003c/span\u003e\n\n***\u003cspan\u003eAin't No Love In Oklahoma \\[From \"Twisters: The Album\"\\]\u003c/span\u003e*** — \u003cspan\u003eJessi Alexander, Luke Combs \u0026amp; Jonathan Singleton, songwriters (Luke Combs)\u003c/span\u003e\n\n***\u003cspan\u003eBetter Place \\[From \"TROLLS Band Together\"\\]\u003c/span\u003e*** — \u003cspan\u003eAmy Allen, Shellback \u0026amp; Justin Timberlake, songwriters (\\*NSYNC \u0026amp; Justin Timberlake)\u003c/span\u003e\n\n***\u003cspan\u003eCan't Catch Me Now \\[From \"The Hunger Games: The Ballad of Songbirds \u0026amp; Snakes\"\\]\u003c/span\u003e*** — \u003cspan\u003eDaniel Nigro \u0026amp; Olivia Rodrigo, songwriters (Olivia Rodrigo)\u003c/span\u003e\n\n***\u003cspan\u003eIt Never Went Away \\[From “American Symphony”\\]\u003c/span\u003e*** — \u003cspan\u003eJon Batiste \u0026amp; Dan Wilson, songwriters (Jon Batiste)\u003c/span\u003e\n\n***\u003cspan\u003eLove Will Survive \\[From \"The Tattooist of Auschwitz\"\\]\u003c/span\u003e*** — \u003cspan\u003eWalter Afanasieff, Charlie Midnight, Kara Talve \u0026amp; Hans Zimmer, songwriters (Barbra Streisand)\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 74\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Video\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"Tailor Swif\"\u003c/span\u003e** — \u003cspan\u003eA$AP Rocky\u003c/span\u003e\n\n\u003cspan\u003eVania Heymann \u0026amp; Gal Muggia, video directors, \u003c/span\u003eNatan Schottenfels, video producer\n\n**\u003cspan\u003e\"360\"\u003c/span\u003e** — \u003cspan\u003eCharli xcx\u003c/span\u003e\n\n\u003cspan\u003eAidan Zamiri, video director; Jami Arceo \u0026amp; Evan Thicke, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Houdini\"\u003c/span\u003e** — \u003cspan\u003eEminem\u003c/span\u003e\n\n\u003cspan\u003eRich Lee, video director; Kathy Angstadt, Lisa Arianna \u0026amp; Justin Diener, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Not Like Us\"\u003c/span\u003e** — \u003cspan\u003eKendrick Lamar\u003c/span\u003e\n\nDave Free \u0026amp; Kendrick Lamar, video directors; Jack Begert, Cornell Brown, Sam Canter, Jared Heinke, Jamie Rabineau \u0026amp; Anthony Saleh, video producers\n\n**\u003cspan\u003e\"Fortnight\"\u003c/span\u003e** — \u003cspan\u003eTaylor Swift Featuring Post Malone\u003c/span\u003e\n\n\u003cspan\u003eTaylor Swift, video director; Jil Hardin, video producer\u003c/span\u003e\n\n---\n\n*\u003cspan\u003eCATEGORY 75\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Music Film\u003c/span\u003e**\n\n\u003cspan\u003eFor concert/performance films or music documentaries. Award to the artist, video director, and video producer.\u003c/span\u003e\n\n**\u003cspan\u003e\"American Symphony\"\u003c/span\u003e** — \u003cspan\u003eJon Batiste\u003c/span\u003e\n\n\u003cspan\u003eMatthew Heineman, video director; Lauren Domino, Matthew Heineman \u0026amp; Joedan Okun, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"June\"\u003c/span\u003e** — \u003cspan\u003e(June Carter Cash)\u003c/span\u003e\n\n\u003cspan\u003eKristen Vaurio, video director; Josh Matas, Sarah Olson, Jason Owen, Mary Robertson \u0026amp; Kristen Vaurio, video producers\u003c/span\u003e\n\n\u003cspan\u003e\"\u003c/span\u003e**\u003cspan\u003eKings From Queens\"\u003c/span\u003e** — \u003cspan\u003eRun DMC\u003c/span\u003e\n\n\u003cspan\u003eKirk Fraser, video director; \u003c/span\u003eDan Goodman, Brian Hunt \u0026amp; \u003cspan\u003eWilliam H. Masterson III, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"Stevie Van Zandt: Disciple\"\u003c/span\u003e** — \u003cspan\u003eSteven Van Zandt \u003c/span\u003e\n\n\u003cspan\u003eBill Teck, video director; Robert Cotto, David Fisher \u0026amp; Bill Teck, video producers\u003c/span\u003e\n\n**\u003cspan\u003e\"The Greatest Night in Pop\"\u003c/span\u003e** — \u003cspan\u003e(Various Artists)\u003c/span\u003e\n\n\u003cspan\u003eBao Nguyen, video director; Bruce Eskowitz, George Hencken, Larry Klein, Julia Nottingham, Lionel Richie \u0026amp; Harriet Sternberg, video producers\u003c/span\u003e\n\n---\n\n# \u003cspan\u003eField 9: Package, Notes \u0026amp; Historical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 76\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Recording Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best artistic package of an album.\u003c/span\u003e\n\n***The Avett Brothers*** — Scott Avett, Jonny Black \u0026amp; Giorgia Sage, art directors (The Avett Brothers)\n\n***Baker Hotel*** — Sarah Dodds \u0026amp; Shauna Dodds, art directors (William Clark Green)\n\n***BRAT*** — Brent David Freaney \u0026amp; Imogene Strauss, art directors (Charli xcx)\n\n***F-1 Trillion*** — Archie Lee Coates IV, Jeffrey Franklin, Blossom Liu, Kylie McMahon \u0026amp; Ana Cecilia Thompson Motta, art directors (Post Malone)\n\n***Hounds Of Love The Baskerville Edition*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n**Jug Band Millionaire** — Andrew Wong \u0026amp; Julie Yeh, art directors (The Muddy Basin Ramblers)\n\n***Pregnancy, Breakdown, And Disease*** — Lee Pei-Tzu, art director (iWhoiWhoo)\n\n---\n\n*\u003cspan\u003eCATEGORY 77\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Boxed Or Special Limited Edition Package\u003c/span\u003e**\n\n\u003cspan\u003eFor the best package of a special edition album.\u003c/span\u003e\n\n***Half Living Things*** — Patrick Galvin, art director (Alpha Wolf)\n\n***Hounds Of Love The Boxes Of Lost At Sea*** — Kate Bush \u0026amp; Albert McIntosh, art directors (Kate Bush)\n\n***In Utero*** — Doug Cunningham \u0026amp; Jason Noto, art directors (Nirvana)\n\n***Mind Games*** — Simon Hilton \u0026amp; Sean Ono Lennon, art directors (John Lennon)\n\n***Unsuk Chin*** — Takahiro Kurashima \u0026amp; Marek Polewski, art directors (Unsuk Chin \u0026amp; Berliner Philharmoniker)\n\n***We Blame Chicago*** — Rebeka Arce \u0026amp; Farbod Kokabi, art directors (90 Day Men)\n\n---\n\n*\u003cspan\u003eCATEGORY 78\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Album Notes\u003c/span\u003e**\n\n\u003cspan\u003eAward to the album notes writer.\u003c/span\u003e\n\n***After Midnight*** — Tim Brooks, album notes writer (Ford Dabney's Syncopated Orchestras)\n\n***The Carnegie Hall Concert*** — Lauren Du Graf, album notes writer (Alice Coltrane)\n\n***Centennial*** — Ricky Riccardi, album notes writer (King Oliver's Creole Jazz Band \u0026amp; Various Artists)\n\n***John Culshaw*** — The Art Of The Producer - The Early Years 1948-55 — Dominic Fyfe, album notes writer (John Culshaw)\n\n***SONtrack Original De La Película \"Al Son De Beno\"*** — Josh Kun, album notes writer (Various Artists)\n\n---\n\n*\u003cspan\u003eCATEGORY 79\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Historical Album\u003c/span\u003e**\n\n\u003cspan\u003eFor historical albums containing reissues or compilations. Award to compilation producers and mastering engineers.\u003c/span\u003e\n\n***Centennial*** — Meagan Hennessey \u0026amp; Richard Martin, compilation producers; Richard Martin, mastering engineer (King Oliver's Creole Jazz Band And Various Artists)\n\n***Diamonds And Pearls: Super Deluxe Edition*** — Charles F. Spicer, Jr. \u0026amp; Duane Tudahl, compilation producers; Brad Blackwood \u0026amp; Bernie Grundman, mastering engineers (Prince \u0026amp; The New Power Generation)\n\n***Paul Robeson*** – Voice of Freedom: His Complete Columbia, RCA, HMV, and Victor Recordings — Tom Laskey, Shana L. Redmond, Susan Robeson \u0026amp; Robert Russ, compilation producers; Nancy Conforti \u0026amp; Andreas K. Meyer, mastering engineers (Paul Robeson)\n\n***Pepito y Paquito*** — Pepe De Lucía \u0026amp; Javier Doria, compilation producers; Jesús Bola, mastering engineer (Pepe De Lucía And Paco De Lucía)\n\n***The Sound Of Music (Original Soundtrack Recording - Super Deluxe Edition)*** — Mike Matessino \u0026amp; Mark Piro, compilation producers; Steve Genewick \u0026amp; Mike Matessino, mastering engineers (Rodgers \u0026amp; Hammerstein \u0026amp; Julie Andrews)\n\n---\n\n*\u003cspan\u003eCATEGORY 80\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Non-Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Algorithm*** — Dernst Emile II, Michael B. Hunter, Stephan Johnson, Rachel Keen, John Kercy, Charles Moniz \u0026amp; Todd Robinson, engineers; Colin Leonard, mastering engineer (Lucky Daye)\n\n***Cyan Blue*** — Jack Emblem, Jack Rochon \u0026amp; Charlotte Day Wilson, engineers; Chris Gehringer, mastering engineer (Charlotte Day Wilson)\n\n***Deeper Well*** — Craig Alvin, Shawn Everett, Mai Leisz, Todd Lombardo, John Rooney, Konrad Snyder \u0026amp; Daniel Tashian, engineers; Greg Calbi, mastering engineer (Kacey Musgraves)\n\n***empathogen*** — Beatriz Artola, Zach Brown, Oscar Cornejo, Chris Greatti, Mitch McCarthy, Adam Schoeller \u0026amp; Willow Smith, engineers; Joe LaPorta, mastering engineer (WILLOW)\n\n***i/o*** — Tchad Blake, Oli Jacobs, Katie May, Dom Shaw \u0026amp; Mark “Spike” Stent, engineers; Matt Colton, mastering engineer (Peter Gabriel)\n\n***Short n' Sweet*** — Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Ian Kirkpatrick, Jack Manning, Manny Marroquin, John Ryan \u0026amp; Laura Sisk, engineers; Nathan Dantzler \u0026amp; Ruairi O'Flaherty, mastering engineers (Sabrina Carpenter)\n\n---\n\n*\u003cspan\u003eCATEGORY 81\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Engineered Album, Classical\u003c/span\u003e**\n\n\u003cspan\u003eAn Engineer's Award. (Artists' names appear in parentheses.)\u003c/span\u003e\n\n***Adams: Girls Of The Golden West*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n***Andres: The Blind Banister*** — Silas Brown, Doron Schachter \u0026amp; Michael Schwartz, engineers; Matt Colton, mastering engineer (Andrew Cyr, Inbal Segev \u0026amp; Metropolis Ensemble)\n\n***Bruckner: Symphony No. 7; Bates: Resurrexit*** — Mark Donahue \u0026amp; John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra)\n\n***Clear Voices In The Dark*** — Daniel Shores, engineer; Daniel Shores, mastering engineer (Matthew Guard \u0026amp; Skylark Vocal Ensemble)\n\n***Ortiz: Revolución Diamantina*** — Alexander Lipay \u0026amp; Dmitriy Lipay, engineers; Alexander Lipay \u0026amp; Dmitriy Lipay, mastering engineers (Gustavo Dudamel, María Dueñas, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n---\n\n*\u003cspan\u003eCATEGORY 82\u003c/span\u003e*\n\n## **\u003cspan\u003eProducer Of The Year, Classical\u003c/span\u003e**\n\n\u003cspan\u003eA Producer's Award. (Artist names appear in parentheses.) (S) stands for Single, (T) stands for Track, and (A) stands for Album.\u003c/span\u003e\n\n**Erica Brenner**\n\n*Biber: Mystery Sonatas* (Alan Choo, Jeannette Sorrell \u0026amp; Apollo's Fire) (A)\n\n*Handel: Israel In Egypt* (Jeannette Sorrell, Apollo's Singers \u0026amp; Apollo's Fire) (A)\n\n*Mozart: Piano Sonatas, Vols. 5 \u0026amp; 6* (Orli Shaham) (A)\n\n*Songs For A Friend - A Tribute To Trumpeter Ryan Anthony* (Various Artists) (A)\n\n*Sonic Alchemy* (YuEun Kim, Mina Gajić \u0026amp; Coleman Itzkoff) (A)\n\n**Christoph Franke**\n\n*Beethoven: The Complete Symphonies* (Antonello Manacorda \u0026amp; Kammerakademie Potsdam) (A)\n\n*Beethoven: Violin Sonatas Nos. 1, 5, 6 \u0026amp; 10* (Dénes Várjon \u0026amp; Antje Weithaas) (A)\n\n*Brahms, Viotti \u0026amp; Dvořák: Orchestral Works* (Tanja Tetzlaff, Christian Tetzlaff, Paavo Järvi \u0026amp; Deutsches Symphonie-Orchester Berlin) (A)\n\n*Mozart: Sinigaglia* (Noah Bendix-Balgley) (A)\n\n*Rachmaninoff: Symphony No. 2* (Kirill Petrenko \u0026amp; Berliner Philharmoniker) (A)\n\n*The Vienna Recital* (Yuja Wang) (A)\n\n**Morten Lindberg**\n\n*Mor* (Karen Haugom Olsen \u0026amp; Nidaros Domkor) (A)\n\n*Pax* (Nina T. Karlsen, Ensemble 96 \u0026amp; Current Saxophone Quartet) (A)\n\n*Sommerro: Borders* (Nick Davies \u0026amp; Trondheim Symphony Orchestra) (A)\n\n**Dmitriy Lipay**\n\n*Adams: Girls Of The Golden West* (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles\n\nPhilharmonic \u0026amp; Los Angeles Master Chorale) (A)\n\n*Messiaen: Des Canyons Aux Étoiles...* (Ludovic Morlot \u0026amp; Seattle Symphony) (A)\n\n*Ortiz: Revolución Diamantina* (Gustavo Dudamel, Gabriela Ortiz, María Dueñas, Los Angeles Philharmonic, Los Angeles Master Chorale) (A)\n\n**Elaine Martone**\n\n*Bartók: String Quartet No.3; Suite From 'The Miraculous Mandarin*' (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*The Book Of Spells* (Merian Ensemble) (A)\n\n*Bruckner: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Divine Mischief* (Julian Bliss, J. Eric Wilson \u0026amp; Baylor University Wind Ensemble) (A)\n\n*Joy!* (John Morris Russell \u0026amp; Cincinnati Pops) (A)\n\n*Prokofiev: Symphony No. 6* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n*Schubert: The Complete Impromptus* (Gerardo Teissonnière) (A)\n\n*Stranger At Home* (Shachar Israel) (A)\n\n*Tchaikovsky: Symphony No. 4* (Franz Welser-Möst \u0026amp; The Cleveland Orchestra) (A)\n\n**Dirk Sobotka**\n\n*American Dreams* (Louis Langrée \u0026amp; Cincinnati Symphony) (A)\n\n*Bruckner: Symphony No. 7; Bates: Resurrexit (Manfred Honeck \u0026amp; Pittsburgh Symphony Orchestra) (A)*\n\n*Dvořák: Symphony No. 9, 'From The New World'; American Suite* (Nathalie Stutzmann \u0026amp; Atlanta Symphony Orchestra) (A)\n\n*Radiance Untethered - The Choral Music Of John Wykoff* (Cameron F. Labarr \u0026amp; Missouri State University Chorale) (A)\n\n---\n\n# \u003cspan\u003eField 10: Production, Engineering, Composition \u0026amp; Arrangement\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 83\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Immersive Audio Album\u003c/span\u003e**\n\n\u003cspan\u003eFor albums in any genre that provide a new immersive audio experience. Award to the immersive mix engineer, immersive mastering engineer, and immersive producer (if applicable).\u003c/span\u003e\n\n***Avalon*** — Bob Clearmountain, immersive mix engineer; John Webber, immersive mastering engineer; Rhett Davies \u0026amp; Bryan Ferry, immersive producers (Roxy Music)\n\n***Genius Loves Company*** — Michael Romanowski, Eric Schilling \u0026amp; Herbert Waltl, immersive mix engineers; Michael Romanowski, immersive mastering engineer; John Burk, immersive producer (Ray Charles With Various Artists)\n\n***Henning Sommerro: Borders*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Trondheim Symphony Orchestra)\n\n***i/o (In-Side Mix)*** — Hans-Martin Buff, immersive mix engineer; Peter Gabriel, immersive producer (Peter Gabriel)\n\n***Pax*** — Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Ensemble 96 \u0026amp; Current Saxophone Quartet)\n\n---\n\n*\u003cspan\u003eCATEGORY 84\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Instrumental Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.\u003c/span\u003e\n\n**\"At Last\"** — Shelton G. Berg, composer (Shelly Berg)\n\n**\"Communion\"** — Christopher Zuar, composer (Christopher Zuar Orchestra)\n\n**\"I Swear, I Really Wanted To Make A \"Rap\" Album But This Is Literally The Way The Wind Blew Me This Time\"** — André 3000, Surya Botofasina, Nate Mercereau \u0026amp; Carlos Niño, composers (André 3000)\n\n**\"Remembrance\"** — Chick Corea, composer (Chick Corea \u0026amp; Béla Fleck)\n\n**\"Strands\"** — Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf \u0026amp; Christian Euman)*\u003cspan\u003eCATEGORY 85\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instrumental or A Cappella\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Baby Elephant Walk - Encore\"** — Michael League, arranger (Snarky Puppy)\n\n**\"Bridge Over Troubled Water\"** — Jacob Collier, Tori Kelly \u0026amp; John Legend, arrangers (Jacob Collier Featuring John Legend \u0026amp; Tori Kelly)\n\n**\"Rhapsody In Blue(Grass)\"** — Béla Fleck \u0026amp; Ferde Grofé, arrangers (Béla Fleck Featuring Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz \u0026amp; Bryan Sutton)\n\n**\"Rose Without The Thorns\"** — Erin Bentlage, Alexander Lloyd Blake, Scott Hoying, A.J. Sealy \u0026amp; Amanda Taylor, arrangers (Scott Hoying Featuring säje \u0026amp; Tonality)\n\n**\"Silent Night\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje)\n\n---\n\n*\u003cspan\u003eCATEGORY 86\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Arrangement, Instruments and Vocals\u003c/span\u003e**\n\n\u003cspan\u003eAn Arranger's Award. (Artist names appear in parentheses.) Singles or Tracks only.\u003c/span\u003e\n\n**\"Alma\"** — Erin Bentlage, Sara Gazarek, Johnaye Kendrick \u0026amp; Amanda Taylor, arrangers (säje Featuring Regina Carter)\n\n**\"Always Come Back\"** — Matt Jones, arranger (John Legend)\n\n**\"b i g f e e l i n g s\"** — Chris Greatti, Zach Tenorio \u0026amp; Willow, arrangers (WILLOW)\n\n**\"Last Surprise (From \"Persona 5\")\"** — Charlie Rosen \u0026amp; Jake Silverman, arrangers (The 8-Bit Big Band Featuring Jonah Nilsson \u0026amp; Button Masher)\n\n**\"The Sound Of Silence\"** — Cody Fry, arranger (Cody Fry Featuring Sleeping At Last)\n\n---\n\n# \u003cspan\u003eField 11: Classical\u003c/span\u003e\n\n*\u003cspan\u003eCATEGORY 87\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Orchestral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor and the orchestra.\u003c/span\u003e\n\n**\"Adams: City Noir, Fearful Symmetries \u0026amp; Lola Montez Does The Spider Dance\"** — Marin Alsop, conductor (ORF Vienna Radio Symphony Orchestra)\n\n**\"Kodály: Háry János Suite; Summer Evening \u0026amp; Symphony In C Major\"** — JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)\n\n**\"Ortiz: Revolución Diamantina\"** — Gustavo Dudamel, conductor (Los Angeles Philharmonic)\n\n**\"Sibelius: Karelia Suite, Rakastava, \u0026amp; Lemminkäinen\"** — Susanna Mälkki, conductor (Helsinki Philharmonic Orchestra)\n\n**\"Stravinsky: The Firebird\"** — Esa-Pekka Salonen, conductor (San Francisco Symphony)\n\n---\n\n*\u003cspan\u003eCATEGORY 88\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Opera Recording\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, album producer(s), and principal soloists, and to the composer and librettist (if applicable) of a world premiere Opera recording only.\u003c/span\u003e\n\n**\"Adams: Girls Of The Golden West\"** — John Adams, conductor; Paul Appleby, Julia Bullock, Hye Jung Lee, Daniela Mack, Elliot Madore, Ryan McKinny \u0026amp; Davóne Tines; Dmitriy Lipay, producer (Los Angeles Philharmonic; Los Angeles Master Chorale)\n\n**\"Catán: Florencia En El Amazonas\"** — Yannick Nézet-Séguin, conductor; Mario Chang, Michael Chioldi, Greer Grimsley, Nancy Fabiola Herrera, Mattia Olivieri, Ailyn Pérez \u0026amp; Gabriella Reyes; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)\n\n**\"Moravec: The Shining\"** — Gerard Schwarz, conductor; Tristan Hallett, Kelly Kaduce \u0026amp; Edward Parks; Blanton Alspaugh, producer (Kansas City Symphony; Lyric Opera Of Kansas City Chorus)\n\n**\"Puts: The Hours\"** — Yannick Nézet-Séguin, conductor; Joyce DiDonato, Renée Fleming \u0026amp; Kelli O'Hara; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)\n\n**\"Saariaho: Adriana Mater\"** — Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan \u0026amp; Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas)\n\n---\n\n*\u003cspan\u003eCATEGORY 89\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Choral Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the conductor, and to the choral director and/or chorus master where applicable and to the choral organization/ensemble.\u003c/span\u003e\n\n**\"Clear Voices In The Dark\"** — Matthew Guard, conductor (Carrie Cheron, Nathan Hodgson, Helen Karloski \u0026amp; Clare McNamara; Skylark Vocal Ensemble)\n\n**\"A Dream So Bright: Choral Music Of Jake Runestad\"** — Eric Holtan, conductor (Jeffrey Biegel; True Concord Orchestra; True Concord Voices)\n\n**\"Handel: Israel in Egypt\"** — Jeannette Sorrell, conductor (Margaret Carpenter Haigh, Daniel Moody, Molly Netter, Jacob Perry \u0026amp; Edward Vogel; Apollo's Fire; Apollo's Singers)\n\n**\"Ochre\"** — Donald Nally, conductor (The Crossing)\n\n**\"Sheehan: Akathist\"** — Elaine Kelly, conductor; Melissa Attebury, Stephen Sands \u0026amp; Benedict Sheehan, chorus masters (Elizabeth Bates, Paul D'Arcy, Tynan Davis, Aine Hakamatsuka, Steven Hrycelak, Helen Karloski, Enrico Lagasca, Edmund Milly, Fotina Naumenko, Neil Netherly, Timothy Parsons, Stephen Sands, Miriam Sheehan \u0026amp; Pamela Terry; Novus NY; Artefact Ensemble, The Choir Of Trinity Wall Street, Downtown Voices \u0026amp; Trinity Youth Chorus)\n\n---\n\n*\u003cspan\u003eCATEGORY 90\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Chamber Music/Small Ensemble Performance\u003c/span\u003e**\n\n\u003cspan\u003eAward to the ensemble and conductor if applicable.\u003c/span\u003e\n\n**\"Adams, J.L.: Waves \u0026amp; Particles\"** — JACK Quartet\n\n**\"Beethoven For Three: Symphony No. 4 and Op. 97, 'Archduke'\"** — Yo-Yo Ma, Leonidas Kavakos \u0026amp; Emanuel Ax\n\n**\"Cerrone: Beaufort Scales\"** — Beth Willer, Christopher Cerrone \u0026amp; Lorelei Ensemble\n\n**\"Home\"** — Miró Quartet\n\n**\"Rectangles and Circumstance\"** — Caroline Shaw \u0026amp; Sō Percussion\n\n---\n\n*\u003cspan\u003eCATEGORY 91\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Instrumental Solo\u003c/span\u003e**\n\n\u003cspan\u003eAward to the instrumental soloist(s) and to the conductor when applicable.\u003c/span\u003e\n\n**\"Akiho: Longing\"** — Andy Akiho\n\n**\"Bach: Goldberg Variations\"** — Víkingur Ólafsson\n\n**\"Eastman: The Holy Presence Of Joan D'Arc\"** — Seth Parker Woods (Wild Up)\n\n**\"Entourer\"** — Mak Grgić (Ensemble Dissonance)\n\n**\"Perry: Concerto For Violin \u0026amp; Orchestra\"** — Curtis Stewart; James Blachly, conductor (Experiential Orchestra)\n\n---\n\n*\u003cspan\u003eCATEGORY 92\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Solo Vocal Album\u003c/span\u003e**\n\n\u003cspan\u003eAward to vocalist(s), collaborative artist(s) (e.g., pianists, conductors), producer(s), and recording engineers/mixers with greater than 50% playing time of new material.\u003c/span\u003e\n\n***Bespoke Songs*** — Fotina Naumenko, soloist; Marika Bournaki, pianist; Julian Schwarz, artist (Nadège Foofat; Julietta Curenton, Colin Davin, Mark Edwards, Nadia Pessoa, Timothy Roberts, Ryan Romine, Akemi Takayama, Karlyn Viña \u0026amp; Garrick Zoeter)\n\n***Beyond The Years - Unpublished Songs Of Florence Price*** — Karen Slack, soloist; Michelle Cann, pianist\n\n***A Change Is Gonna Come*** — Nicholas Phan, soloist; Palaver Strings, ensembles\n\n***Show Me The Way*** — Will Liverman, soloist; Jonathan King, pianist\n\n***Wagner: Wesendonck Lieder*** — Joyce DiDonato, soloist; Maxim Emelyanychev, conductor (Il Pomo d'Oro)\n\n---\n\n*\u003cspan\u003eCATEGORY 93\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Classical Compendium\u003c/span\u003e**\n\n\u003cspan\u003eAward to the artist(s) and to the album producer(s) and engineer(s) of over 50% playing time of the album, and to the composer and librettist (if applicable) with over 50% playing time of a world premiere recording only.\u003c/span\u003e\n\n***Akiho: BeLonging*** — Andy Akiho \u0026amp; Imani Winds; Andy Akiho, Sean Dixon \u0026amp; Mark Dover, producers\n\n***American Counterpoints*** — Curtis Stewart; James Blachly, conductor; Blanton Alspaugh, producer\n\n***Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode*** — JoAnn Falletta, conductor; Bernd Gottinger, producer\n\n***Mythologies II*** — Sangeeta Kaur, Omar Najmi, Hilá Plitmann, Robert Thies \u0026amp; Danaë Xanthe Vlasse; Michael Shapiro, conductor; Jeff Atmajian, Emilio D. Miler, Hai Nguyen, Robert Thies, Danaë Xanthe Vlasse \u0026amp; Kitt Wakeley, producers\n\n***Ortiz: Revolución Diamantina*** — Gustavo Dudamel, conductor; Dmitriy Lipay, producer\n\n---\n\n*\u003cspan\u003eCATEGORY 94\u003c/span\u003e*\n\n## **\u003cspan\u003eBest Contemporary Classical Composition\u003c/span\u003e**\n\n\u003cspan\u003eA Composer's Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.\u003c/span\u003e\n\n**Casarrubios: Seven For Solo Cello** — Andrea Casarrubios, composer (Andrea Casarrubios)\n\n**Coleman: Revelry** — Valerie Coleman, composer (Decoda)\n\n**Lang: Composition As Explanation** — David Lang, composer (Eighth Blackbird)\n\n**Ortiz: Revolución Diamantina** — Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic \u0026amp; Los Angeles Master Chorale)\n\n**Saariaho: Adriana Mater** — Kaija Saariaho, composer; Amin Maalouf librettist (Esa-Pekka Salonen, Fleur Barron, Nicholas Phan, Christopher Purves, Axelle Fanyo, San Francisco Symphony Chorus \u0026amp; Orchestra)"}},{"_meta":{"schema":"https://therecordingacademy.com/content/related-content-embed","name":"Related Content Embed: Recording Academy News \u0026 Initiatives (Automatic/Latest News)","deliveryId":"d88cf466-840e-48a0-b88d-a111f4a28112"},"searchType":{"AutoOrManual":"Manual","contentTypes":"News + Video"},"searchParameters":{"tags":["Recording Academy","Membership","GRAMMY U","Advocacy","GRAMMY Museum","Latin Recording Academy","GRAMMY Go","MusiCares","Producers \u0026 Engineers Wing","Songwriters \u0026 Composers Wing"]},"title":"Latest Recording Academy News \u0026 Initiatives"}],"hero":{"id":"ec9eba9c-c548-4113-89c9-981abf385da7","_meta":{"schema":"http://bigcontent.io/cms/schema/v1/core#/definitions/content-reference","name":"2025 GRAMMYs Full Nomination List"},"contentType":"https://therecordingacademy.com/content/photo"},"contentGenre":["Alternative","American Roots Music","Children's","Classical","Comedy","Contemporary Christian","Contemporary Instrumental","Country","Dance/Electronic","Future","Gospel/Contemporary Christian","Jazz","Latin","Mexican","Music for Visual Media","Musical Theater","New Age","Pop","R\u0026B","Rap","Reggae","Rock","Spoken Word","World Music"],"tags":["2025 GRAMMYs"],"hasGATrackingLink":true,"metadata":{"disableRobots":false,"_meta":{"schema":"https://therecordingacademy.com/content/meta-data"}},"isChatbotAvailable":false,"fbiaPublished":false,"ampliencePublishedDate":1731082755789,"source":"GRAMMYs","primaryPillar":"GRAMMYs","title":"2025 GRAMMYs: See The OFFICIAL Full Nominations List","shortTitle":"2025 GRAMMYs: See The Full Nominations List","subHeadline":"The 2025 GRAMMY OFFICIAL nominations have been announced. See the full list of nominees in all 94 categories ahead of Music's Biggest Night on Sunday, Feb. 2.","articleSummary":"The 2025 GRAMMY OFFICIAL nominations have been announced. 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