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class="vector-pinnable-header-label">Appearance</div> <button class="vector-pinnable-header-toggle-button vector-pinnable-header-pin-button" data-event-name="pinnable-header.vector-appearance.pin">move to sidebar</button> <button class="vector-pinnable-header-toggle-button vector-pinnable-header-unpin-button" data-event-name="pinnable-header.vector-appearance.unpin">hide</button> </div> </div> </div> </nav> </div> </div> <div id="bodyContent" class="vector-body" aria-labelledby="firstHeading" data-mw-ve-target-container> <div class="vector-body-before-content"> <div class="mw-indicators"> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><p class="mw-empty-elt"> </p><p><i><b>Are You Scared to Get Happy?</b></i> was an influential 80s music <a href="/wiki/Fanzine" title="Fanzine">fanzine</a> published from <a href="/wiki/Bristol" title="Bristol">Bristol</a>, United Kingdom by <a href="/w/index.php?title=Matt_Haynes&action=edit&redlink=1" class="new" title="Matt Haynes (page does not exist)">Matt Haynes</a> and Mark Carnell. Six issues were released between 1985 and 1987. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Origins">Origins</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Are_You_Scared_to_Get_Happy%3F&action=edit&section=1" title="Edit section: Origins"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Haynes and Carnell met as students at the University of Bristol.<sup id="cite_ref-popkiss_1-0" class="reference"><a href="#cite_note-popkiss-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> They were inspired to create <i>Are You Scared to Get Happy?</i> after reading another music-based zine, <a href="/wiki/Kevin_Pearce_(writer)" title="Kevin Pearce (writer)">Kevin Pearce</a>'s <i>Hungry Beat</i>.<sup id="cite_ref-:0_2-0" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> They named their zine after lyrics from the song "Hip Hip" by the <a href="/wiki/Jangle_pop" title="Jangle pop">jangle pop</a> band <a href="/wiki/Hurrah!" title="Hurrah!">Hurrah!</a>.<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Carnell left the publication after the release of the third issue, and Haynes continued on as the sole author.<sup id="cite_ref-:0_2-1" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Publication">Publication</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Are_You_Scared_to_Get_Happy%3F&action=edit&section=2" title="Edit section: Publication"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><i>AYSTGH?</i> was a <a href="/wiki/Do_it_yourself" title="Do it yourself">DIY</a> fanzine. It was created on A5-sized paper and was photocopied in colour. The zine had a vivid visual design. Its pages were saturated with a variety of bright colours — mostly red, blue, green, yellow, and purple. Both handwritten and type-written strips of text could be seen on the zine.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> The font styles included typewriter text and graffiti-style scrawlings.<sup id="cite_ref-popkiss_1-1" class="reference"><a href="#cite_note-popkiss-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> The zine utilized a collage-esque format of organization, interspersing colourful images and illustrations throughout the passages of text. The illustrations in the zine were done by a woman named Elaine.<sup id="cite_ref-:0_2-2" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p><p>As the zine was DIY<i>, AYSTGH?</i> was also <a href="/wiki/Self-publishing" title="Self-publishing">self-published</a>. Copies were often sold at music gigs, but were later sold at Revolver and Record Collector in <a href="/wiki/Sheffield" title="Sheffield">Sheffield</a> as well.<sup id="cite_ref-:0_2-3" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> Six issues in total were created and published between the years 1985 and 1987.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p><p>It concentrated on what would now be termed <a href="/wiki/Twee_pop" title="Twee pop">twee pop</a> bands, and was notable for its hardline approach to the independent ethic and its expansive, lyrical writing style. </p> <div class="mw-heading mw-heading2"><h2 id="Content">Content</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Are_You_Scared_to_Get_Happy%3F&action=edit&section=3" title="Edit section: Content"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><i>AYSTGH?</i> was made up of essays detailing the creators' opinions on various twee pop bands and songs. The zine predominantly focused on up-and-coming <a href="/wiki/Indie_pop" title="Indie pop">indie-pop</a> bands, rather than those that had mainstream representation.<sup id="cite_ref-popkiss_1-2" class="reference"><a href="#cite_note-popkiss-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> Some of the bands/artists featured in the zine were: </p> <ul><li><a href="/wiki/Hurrah!" title="Hurrah!">Hurrah!</a></li> <li><a href="/wiki/The_Jasmine_Minks" title="The Jasmine Minks">Jasmine Minks</a></li> <li><a href="/wiki/Microdisney" title="Microdisney">Microdisney</a></li> <li><a href="/wiki/Biff_Bang_Pow!" title="Biff Bang Pow!">Biff Bang Pow!</a></li> <li><a href="/wiki/Julian_Cope" title="Julian Cope">Julian Cope</a></li> <li><a href="/wiki/Primal_Scream" title="Primal Scream">Primal Scream</a></li> <li><a href="/wiki/St._Christopher_(band)" title="St. Christopher (band)">St. Christopher</a></li> <li><a href="/wiki/The_June_Brides" title="The June Brides">June Brides</a><sup id="cite_ref-popkiss_1-3" class="reference"><a href="#cite_note-popkiss-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup></li></ul> <p>Throughout their essays, the creators would also relate the music to their thoughts and experiences regarding relationships, politics, capitalism, and other social topics.<sup id="cite_ref-popkiss_1-4" class="reference"><a href="#cite_note-popkiss-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> However, <i>AYSTGH?</i> was regarded as part of the "cutie" period, in which the indie genre focused less on politics and more on the music. The zine wasn't entirely apolitical, but it didn't lean as passionately into politics as some of its punk-era predecessors did.<sup id="cite_ref-dale_6-0" class="reference"><a href="#cite_note-dale-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Influence">Influence</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Are_You_Scared_to_Get_Happy%3F&action=edit&section=4" title="Edit section: Influence"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><i>AYSTGH?</i> has been described as "the most canonical indie-pop fanzine."<sup id="cite_ref-ripped_7-0" class="reference"><a href="#cite_note-ripped-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> <i>AYSTGH?</i> is also credited with carving out the aesthetics that would help codify 1980s indie-pop as a genre.<sup id="cite_ref-ripped_7-1" class="reference"><a href="#cite_note-ripped-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> The zine played a part in the initial blossoming of the indie-pop movement, more so than the corporate record labels, who caught on to the movement later.<sup id="cite_ref-ripped_7-2" class="reference"><a href="#cite_note-ripped-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> Many subsequent fanzines were influenced by <i>AYSTGH?</i>,<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> and it was also a key influence on record labels such as Unpopular.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> Fanzines that have cited <i>AYSTGH?</i> as an influence include <i>373 Miles is a Very Long Way</i> (1987), <i>Disposable but Happy</i> (1988), and <i>Woosh</i> (late 1980s).<sup id="cite_ref-ripped_7-3" class="reference"><a href="#cite_note-ripped-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> <i>AYSTGH?</i> set a trend in indie-pop fanzines by including <a href="/wiki/Flexi-disc" class="mw-redirect" title="Flexi-disc">flexi-discs</a>. These had some of the earliest releases by bands such as Baby Lemonade, Remember Fun, The Clouds, The Bachelor Pad, <a href="/wiki/Razorcuts" title="Razorcuts">Razorcuts</a>, <a href="/wiki/Talulah_Gosh" title="Talulah Gosh">Talulah Gosh</a>, <a href="/wiki/The_Siddeleys" title="The Siddeleys">The Siddeleys</a> and Reserve, and several of the early Sarah Records bands. The series of flexi-discs – released on the Sha-La-La label – were shared across several fanzines operating at the time. Initially, these were <i>Simply Thrilled</i>, <i>Baby Honey</i>, and <i>Trout Fishing In Leytonstone</i>,<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> and subsequently fanzines in Japan and Germany. Ultimately, 8 flexi-discs were released through Sha-La-La,<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> and each disc sold over 2,000 copies.<sup id="cite_ref-popkiss_1-5" class="reference"><a href="#cite_note-popkiss-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p><p>After publication of the zine stopped, Haynes went on to found the independent record label <a href="/wiki/Sarah_Records" title="Sarah Records">Sarah Records</a> with fellow <a href="/wiki/Zine" title="Zine">zinester</a> <a href="/w/index.php?title=Clare_Wadd&action=edit&redlink=1" class="new" title="Clare Wadd (page does not exist)">Clare Wadd</a>. The publication of <i>AYSTGH?</i> significantly influenced the creation of Sarah Records. Sarah provided a platform for young indie bands to share their music without the help of corporate labels, which was an idea present throughout <i>AYSTGH?</i> <sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> Haynes and Wadds, both zinesters, imbued Sarah Records with the "spirit of the fanzine," even creating Sarah zines and releasing them along with the records.<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Are_You_Scared_to_Get_Happy%3F&action=edit&section=5" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-popkiss-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-popkiss_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-popkiss_1-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-popkiss_1-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-popkiss_1-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-popkiss_1-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-popkiss_1-5"><sup><i><b>f</b></i></sup></a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFWhite2016" class="citation book cs1">White, Michael (2016). <i>Popkiss: The Life and Afterlife of Sarah Records</i>. Bloomsbury Academic. pp. 20–29. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-62892-218-9" title="Special:BookSources/978-1-62892-218-9"><bdi>978-1-62892-218-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Popkiss%3A+The+Life+and+Afterlife+of+Sarah+Records&rft.pages=20-29&rft.pub=Bloomsbury+Academic&rft.date=2016&rft.isbn=978-1-62892-218-9&rft.aulast=White&rft.aufirst=Michael&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAre+You+Scared+to+Get+Happy%3F" class="Z3988"></span></span> </li> <li id="cite_note-:0-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-:0_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:0_2-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:0_2-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:0_2-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://sarahrecords.org.uk/more/before-sarah/aystgh/">"Are You Scared To Get Happy"</a>. <i>Sarah Records</i><span class="reference-accessdate">. Retrieved <span class="nowrap">31 October</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Sarah+Records&rft.atitle=Are+You+Scared+To+Get+Happy&rft_id=http%3A%2F%2Fsarahrecords.org.uk%2Fmore%2Fbefore-sarah%2Faystgh%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAre+You+Scared+to+Get+Happy%3F" class="Z3988"></span></span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://stillunusual.tumblr.com/post/675198682815234048/are-you-scared-to-get-happy-fanzine">"stillunusual..."</a> <i>Tumblr</i>. February 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">31 October</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Tumblr&rft.atitle=stillunusual....&rft.date=2022-02&rft_id=https%3A%2F%2Fstillunusual.tumblr.com%2Fpost%2F675198682815234048%2Fare-you-scared-to-get-happy-fanzine&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAre+You+Scared+to+Get+Happy%3F" class="Z3988"></span></span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRoy2016" class="citation book cs1">Roy, Elodie A. (9 March 2016). <a rel="nofollow" class="external text" href="https://dx.doi.org/10.4324/9781315594538"><i>Media, Materiality and Memory</i></a>. Routledge. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.4324%2F9781315594538">10.4324/9781315594538</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-317-09874-4" title="Special:BookSources/978-1-317-09874-4"><bdi>978-1-317-09874-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Media%2C+Materiality+and+Memory&rft.pub=Routledge&rft.date=2016-03-09&rft_id=info%3Adoi%2F10.4324%2F9781315594538&rft.isbn=978-1-317-09874-4&rft.aulast=Roy&rft.aufirst=Elodie+A.&rft_id=http%3A%2F%2Fdx.doi.org%2F10.4324%2F9781315594538&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAre+You+Scared+to+Get+Happy%3F" class="Z3988"></span></span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSubcultures_network2018" class="citation book cs1">Subcultures network, ed. (2018). <i>Ripped, torn and cut: pop, politics and punk fanzines from 1976</i>. Manchester: Manchester University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-5261-2059-5" title="Special:BookSources/978-1-5261-2059-5"><bdi>978-1-5261-2059-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Ripped%2C+torn+and+cut%3A+pop%2C+politics+and+punk+fanzines+from+1976&rft.place=Manchester&rft.pub=Manchester+University+Press&rft.date=2018&rft.isbn=978-1-5261-2059-5&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAre+You+Scared+to+Get+Happy%3F" class="Z3988"></span></span> </li> <li id="cite_note-dale-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-dale_6-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDale2008" class="citation journal cs1">Dale, Pete (2008). <a rel="nofollow" class="external text" href="https://www.researchgate.net/publication/250014724">"It was easy, it was cheap, so what?: Reconsidering the DIY principle of punk and indie music"</a>. <i>Popular Music History</i>. <b>3</b> (2): 171–193. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1558%2Fpomh.v3i2.171">10.1558/pomh.v3i2.171</a><span class="reference-accessdate">. Retrieved <span class="nowrap">17 November</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Popular+Music+History&rft.atitle=It+was+easy%2C+it+was+cheap%2C+so+what%3F%3A+Reconsidering+the+DIY+principle+of+punk+and+indie+music&rft.volume=3&rft.issue=2&rft.pages=171-193&rft.date=2008&rft_id=info%3Adoi%2F10.1558%2Fpomh.v3i2.171&rft.aulast=Dale&rft.aufirst=Pete&rft_id=https%3A%2F%2Fwww.researchgate.net%2Fpublication%2F250014724&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAre+You+Scared+to+Get+Happy%3F" class="Z3988"></span></span> </li> <li id="cite_note-ripped-7"><span class="mw-cite-backlink">^ <a href="#cite_ref-ripped_7-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-ripped_7-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-ripped_7-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-ripped_7-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDale2018" class="citation book cs1">Dale, Pete (2018). <i>Ripped, Torn and Cut: Pop, Politics, and Punk Fanzines from 1976</i>. Manchester University Press. pp. 170–188. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781526120595" title="Special:BookSources/9781526120595"><bdi>9781526120595</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Ripped%2C+Torn+and+Cut%3A+Pop%2C+Politics%2C+and+Punk+Fanzines+from+1976&rft.pages=170-188&rft.pub=Manchester+University+Press&rft.date=2018&rft.isbn=9781526120595&rft.aulast=Dale&rft.aufirst=Pete&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAre+You+Scared+to+Get+Happy%3F" class="Z3988"></span></span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFitchett1996" class="citation web cs1">Fitchett, Alistair (October 1996). <a rel="nofollow" class="external text" href="http://www.tangents.co.uk/tangents/archive/main/fanzine.html">"This is about fanzines"</a>. <i>www.tangents.co.uk</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20000307195849/http://www.tangents.co.uk:80/tangents/archive/main/fanzine.html">Archived</a> from the original on 7 March 2000<span class="reference-accessdate">. Retrieved <span class="nowrap">16 February</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=www.tangents.co.uk&rft.atitle=This+is+about+fanzines&rft.date=1996-10&rft.aulast=Fitchett&rft.aufirst=Alistair&rft_id=http%3A%2F%2Fwww.tangents.co.uk%2Ftangents%2Farchive%2Fmain%2Ffanzine.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAre+You+Scared+to+Get+Happy%3F" class="Z3988"></span></span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.diskant.net/talentspotter/labels/unpopular.htm">diskant: an independent music community of fanzines, bands and record labels</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20071014002837/http://www.diskant.net/talentspotter/labels/unpopular.htm">Archived</a> October 14, 2007, at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a></span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text">Trout Fishing In Leytonstone, Issue 2.</span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://sarahrecords.org.uk/more/before-sarah/flexidiscs/">"Flexidiscs"</a>. <i>Sarah Records</i><span class="reference-accessdate">. Retrieved <span class="nowrap">19 November</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Sarah+Records&rft.atitle=Flexidiscs&rft_id=http%3A%2F%2Fsarahrecords.org.uk%2Fmore%2Fbefore-sarah%2Fflexidiscs%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAre+You+Scared+to+Get+Happy%3F" class="Z3988"></span></span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBlack" class="citation web cs1">Black, Billy. <a rel="nofollow" class="external text" href="https://crackmagazine.net/article/long-reads/sarah-records/">"Before indie came in flatpack form there was Sarah records"</a>. <i>Crack Magazine</i><span class="reference-accessdate">. Retrieved <span class="nowrap">19 November</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Crack+Magazine&rft.atitle=Before+indie+came+in+flatpack+form+there+was+Sarah+records&rft.aulast=Black&rft.aufirst=Billy&rft_id=https%3A%2F%2Fcrackmagazine.net%2Farticle%2Flong-reads%2Fsarah-records%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAre+You+Scared+to+Get+Happy%3F" class="Z3988"></span></span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLuke2021" class="citation web cs1">Luke, Avery (22 January 2021). <a rel="nofollow" class="external text" href="https://www.tonitruale.com/post/a-brief-history-of-iconic-diy-indie-pop-label-sarah-records">"A Brief History of Iconic DIY Indie-Pop Label Sarah Records"</a>. <i>Tonitruale</i><span class="reference-accessdate">. Retrieved <span class="nowrap">19 November</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Tonitruale&rft.atitle=A+Brief+History+of+Iconic+DIY+Indie-Pop+Label+Sarah+Records&rft.date=2021-01-22&rft.aulast=Luke&rft.aufirst=Avery&rft_id=https%3A%2F%2Fwww.tonitruale.com%2Fpost%2Fa-brief-history-of-iconic-diy-indie-pop-label-sarah-records&rfr_id=info%3Asid%2Fen.wikipedia.org%3AAre+You+Scared+to+Get+Happy%3F" class="Z3988"></span></span> </li> </ol></div></div> <p class="mw-empty-elt"> </p><p><br /> </p> <style data-mw-deduplicate="TemplateStyles:r1012311289">.mw-parser-output .asbox{position:relative;overflow:hidden}.mw-parser-output .asbox table{background:transparent}.mw-parser-output .asbox p{margin:0}.mw-parser-output .asbox p+p{margin-top:0.25em}.mw-parser-output .asbox-body{font-style:italic}.mw-parser-output .asbox-note{font-size:smaller}.mw-parser-output .asbox .navbar{position:absolute;top:-0.75em;right:1em;display:none}</style><div role="note" class="metadata plainlinks asbox stub"><table role="presentation"><tbody><tr class="noresize"><td><span class="skin-invert-image" typeof="mw:File"><span><img alt="Stub icon" src="//upload.wikimedia.org/wikipedia/commons/thumb/a/ac/Musical_notes.svg/40px-Musical_notes.svg.png" decoding="async" width="40" height="30" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/ac/Musical_notes.svg/60px-Musical_notes.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/ac/Musical_notes.svg/80px-Musical_notes.svg.png 2x" data-file-width="400" data-file-height="300" /></span></span></td><td><p class="asbox-body">This music magazine or journal–related article is a <a href="/wiki/Wikipedia:Stub" title="Wikipedia:Stub">stub</a>. 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