Protocinema

<!DOCTYPE html>  <html lang="en"> <head>  <meta charset="utf-8"> <title>Protocinema</title> <meta name="description" content="Protocinema is a cross-cultural art organization that commissions and presents site-aware art around the world. Based in Istanbul and New York, we produce critical installations of the highest artistic quality and accessible to everyone."> <meta name="author" content="">  <meta name="viewport" content="width=device-width, initial-scale=1">  <link rel="preconnect" href="https://fonts.googleapis.com"> <link rel="preconnect" href="https://fonts.gstatic.com" crossorigin> <link href="https://fonts.googleapis.com/css2?family=Astloch:wght@700&family=Lato:ital,wght@0,300;0,400;1,300;1,400&family=Lora&family=Lato:ital,wght@0,300;0,400;1,300;1,400&family=Mulish:ital,wght@0,200;0,400;1,200;1,400&family=Old+Standard+TT:ital,wght@0,400;0,700;1,400&display=swap" rel="stylesheet">  <link rel="stylesheet" href="https://protocinema.org/a/foundation/css/foundation.css"> <link rel="stylesheet" href="https://protocinema.org/a/foundation/css/app.css"> <link rel="stylesheet" type="text/css" href="https://protocinema.org/a/slick-1.8.1/slick/slick.css"/> <link rel="stylesheet" type="text/css" href="https://protocinema.org/a/slick-1.8.1/slick/slick-theme.css"/> <style> .slick-prev:before, .slick-next:before{ color:gray; } .slick-prev:before { content: "<<"; color: gray; font-size: 30px; font-family: 'Astloch' } .slick-next:before { content: ">>"; color: gray; font-size: 30px; font-family: 'Astloch' } .slick-prev { left: -45px; } [dir='rtl'] .slick-prev { right: -45px; .slick-next { right: -45px; } [dir='rtl'] .slick-next { left: -45px; } </style>    <script async src="https://www.googletagmanager.com/gtag/js?id=UA-132212868-1"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'UA-132212868-1'); </script> </head> <body>   <nav> <div class="wrap"> <div class="title-bar" data-responsive-toggle="example-menu" data-hide-for="medium"> <button class="menu-icon" type="button" data-toggle="example-menu"></button> <div class="title-bar-title"><img src="https://protocinema.org//assets/images/Protocinemalogo-WS.jpg" alt="Protocinema" width="231" height="50" class="show-for-small-only"/></div> </div> <div class="top-bar" id="example-menu"><a href="https://protocinema.org/" class="hide-for-small-only" ><img src="http://www.protocinema.org/assets/images/Protocinema.png" alt="Protocinema" width="344" height="81" /></a> <ul class="vertical medium-horizontal dropdown menu" data-responsive-menu="accordion medium-dropdown">  <li><a href="https://protocinema.org/protodispatch">PROTODISPATCH</a></li> <li><a href="https://protocinema.org/exhibitions/protocinema">EXHIBITIONS</a></li> <li><a href="https://protocinema.org/about">ABOUT</a></li> <li><a href="https://protocinema.org/support">SUPPORT</a></li> <li><a href="https://protocinema.org">EN</a></li> <li><a href="https://protocinema.org/tr">TR</a></li> </ul> </div> </div> </nav>  <section class="main"> <div class="wrap"> <div class="grid-x"> <div class="small-12 medium-3 cell"> <h4 class="show-for-small-only"><a href="https://protocinema.org//protodispatch">PROTODISPATCH</a></h4><a href="https://protocinema.org//protodispatch"><img src="https://www.protocinema.org/assets/images/Protodispatch.png" width="200" class="hide-for-small-only" alt="PROTODISPATCH" style="margin-top:-10px; margin-bottom:0; padding-bottom:0;"/></a> <hr class="hide-for-small-only" style="margin-top: 1px;"> <span class="caption"><p style="line-height: 1.8rem; padding-right:30px;">A monthly digital publication of artists’ dispatches on the life conditions that necessitate their work. </span></p></span> <ul class="pdmenu"> <li><a href="https://protocinema.org/protodispatch/artists">Artists</a></li> <li><a href="https://protocinema.org/protodispatch/about">About</a></li> <li><a href="https://protocinema.org/protodispatch/from-the-editor">From The Editor</a></li> <li><a href="https://protocinema.org/protodispatch/contact">Contact</a></li> </ul> </div> <div class="small-12 medium-9 cell"> <h4 class="hide-for-small-only"> </h4> <hr> <div class="grid-x exhlist dispatchlist featureddispatch"> <div class="columns small-12 medium-12"><a href="https://protocinema.org/protodispatch/roots-and-resistance-cultivating-commons-through-art-and-ecology-in-palestine"><img src="https://protocinema.org/img/protodispatch/roots-and-resistance-cultivating-commons-through-art-and-ecology-in-palestine/_protodispatchThumbnailFeatured/Picture58.jpg" /></a><br /> <div class="location"> NOVEMBER 28, 2024 </div> <a href="https://protocinema.org/protodispatch/roots-and-resistance-cultivating-commons-through-art-and-ecology-in-palestine"><h1>ROOTS AND RESISTANCE: CULTIVATING COMMONS THROUGH ART AND ECOLOGY IN PALESTINE</h1></a> <p class="date">By Nida Sinnokrot with contributions from Sahar Qawasmi, based on the collaborative project Sakiya. </p><p>Artist Nida Sinnokrot and Architect Sahar Qawasmi share their grafting of local agrarian traditions and art as a means of survival. They describe the conditions responsible for originating their completely off-the-grid residency, Sakiya — Art|Science|Agriculture.</p> <br><br> </div> </div> <hr><br> <div class="grid-x exhlist dispatchlist"> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/vibrating-sentences"><img src="https://protocinema.org/img/protodispatch/vibrating-sentences/_protodispatchThumbnail/40408/KJR-lead-2.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> OCTOBER 17, 2024 </div> <a href="https://protocinema.org/protodispatch/vibrating-sentences"><h1>VIBRATING SENTENCES</h1></a> <p class="date">Kameelah Janan Rasheed </p><p>The mysteries of finding ourselves in the trap doors of language. Artist, writer, and educator, Kameelah Janan Rasheed contemplates the textures and opacities of language as liberatory acts.</p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/anti-aging-and-human-contamination"><img src="https://protocinema.org/img/protodispatch/anti-aging-and-human-contamination/_protodispatchThumbnail/LHL468a_GregoryCarideo.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> SEPTEMBER 12, 2024 </div> <a href="https://protocinema.org/protodispatch/anti-aging-and-human-contamination"><h1>ANTI-AGING AND HUMAN CONTAMINATION</h1></a> <p class="date">Lynn Hershman Leeson </p><p dir="ltr">From the ubiquity of Botox and plastic surgery to far more niche and extreme attempts to battle the effects of aging, artist Lynn Hershman Leeson reflects on the human obsession with youth and immortality. Now, with new serums being developed that use an individual’s DNA, these technologies go beyond surface interventions in human biology. Could the age-old quest for immortality be closer at hand? What questions should we be asking?</p> <p dir="ltr">A co-commission of <em>Protodispatch</em> and <em>Lux Magazine</em> </p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/rhythm-vibrational-force-and-zombies-around-motion-pictures"><img src="https://protocinema.org/img/protodispatch/rhythm-vibrational-force-and-zombies-around-motion-pictures/_protodispatchThumbnail/419A1173.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> JULY 18, 2024 </div> <a href="https://protocinema.org/protodispatch/rhythm-vibrational-force-and-zombies-around-motion-pictures"><h1>RHYTHM, VIBRATIONAL FORCE, AND ZOMBIES AROUND MOTION PICTURES</h1></a> <p class="date">Kridpuj Dhansandors </p><p>Writer/Artist Kridpuj Dhansandors questions the ecological precarity that is entangled within political traumas in Thailand via <em>Motions Pictures</em>, an installation by artist/filmmaker Apichatpong Weerasethakul.</p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/between-never-and-ever"><img src="https://protocinema.org/img/protodispatch/tba/_protodispatchThumbnail/K_1.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> JUNE 22, 2024 </div> <a href="https://protocinema.org/protodispatch/between-never-and-ever"><h1>BETWEEN NEVER AND EVER</h1></a> <p class="date">Tamara Khasanova </p><p>Curator and writer Tamara Khasanova contemplates movement between embodied and liminal states of presence as a means of constructing meaning, and as a balm for conflict, desire, alienation, and chaos.</p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/of-quiet-mondays-and-loud-oppressions"><img src="https://protocinema.org/img/protodispatch/of-quiet-mondays-and-loud-oppressions/_protodispatchThumbnail/32942/Dika-and-Uzoamaka.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> APRIL 18, 2024 </div> <a href="https://protocinema.org/protodispatch/of-quiet-mondays-and-loud-oppressions"><h1>OF QUIET MONDAYS AND LOUD OPPRESSIONS</h1></a> <p class="date">Dika Ofoma and Innocent Ekejiuba </p><p>Filmmaker Dika Ofoma and curator Innocent Ekejiuba discuss Ofoma’s film <em>A Quiet Monday</em>, which faces living in Nigeria and what happens when governments create a vacuum that allows violence to fester.</p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/trans-muse-and-motheri-within-we-and-we-within-i"><img src="https://protocinema.org/img/protodispatch/trans-muse-and-mother-i-within-we-and-we-within-i/_protodispatchThumbnail/IMG_5356kadraj.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> MARCH 14, 2024 </div> <a href="https://protocinema.org/protodispatch/trans-muse-and-motheri-within-we-and-we-within-i"><h1>TRANS MUSE AND MOTHER: “I” WITHIN “WE” AND “WE” WITHIN “I”</h1></a> <p class="date">by Alper Turan on Kübra Uzun </p><p><em>For this PROTODISPACH, Alper Turan writes about how Kübra Uzun asserts her agency and shares knowledge of the past four decades of LGBTQIA+ history in Turkey including the artistic lineage of Bülent Ersoy, Zeki Müren, and Huysuz Virjin (Cranky Virjin). Q-BRA’s unanswered question is on the lips of people in precarious positions in many countries today: “Is it harder to leave, or harder to stay?”</em></p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/another-kind-of-passport"><img src="https://protocinema.org/img/protodispatch/another-kind-of-passport/_protodispatchThumbnail/30568/Screenshot-2024-02-09-125400.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> FEBRUARY 17, 2025 </div> <a href="https://protocinema.org/protodispatch/another-kind-of-passport"><h1>ANOTHER KIND OF PASSPORT</h1></a> <p class="date">Gülsün Karamustafa and Alex Klein </p><p><em><em>In this conversation Gülsün Karamustafa and Alex Klein delve into the formative years of Karamustafa’s trajectory shaped by the geopolitical landscape, political engagement, and artistic tools for resistance.</em></em></p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/integrationist-racism-and-contemporary-art-in-puerto-rico-in-the-wake-of-black-lives-matter"><img src="https://protocinema.org/img/protodispatch/integrationist-racism-and-contemporary-art-in-puerto-rico-in-the-wake-of-black-lives-matter/_protodispatchThumbnail/29649/Video-still-for-Mayra.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> JANUARY 23, 2024 </div> <a href="https://protocinema.org/protodispatch/integrationist-racism-and-contemporary-art-in-puerto-rico-in-the-wake-of-black-lives-matter"><h1>INTEGRATIONIST RACISM AND CONTEMPORARY ART IN PUERTO RICO IN THE WAKE OF BLACK LIVES MATTER</h1></a> <p class="date">Mayra Santos-Febres </p><p><em>Poet and writer Mayra Santos Febres contextualizes the survival of Afro-Borinquen artmaking within legacies of colonialism in Puerto Rico and the Caribbean, highlighting liberatory methodologies and refusals to be unseen. </em><br /></p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/on-translucency"><img src="https://protocinema.org/img/protodispatch/on-translucency/_protodispatchThumbnail/9.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> NOVEMBER 16, 2023 </div> <a href="https://protocinema.org/protodispatch/on-translucency"><h1>ON TRANSLUCENCY</h1></a> <p class="date">Himali Singh Soin </p><p>In a time of profound loss, artist Himali Singh Soin offers a ballad and manifesto on spaces of occluded clarity, and the relationships between human and non-human survival therein. She suggests this inbetween as a zone of safety, opacity, and potential for permeable binaries and selves.<em><br /></em></p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/notes-about-monsters"><img src="https://protocinema.org/img/protodispatch/notes-about-monsters/_protodispatchThumbnail/26884/Screenshot-2023-10-09-162100.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> OCTOBER 20, 2023 </div> <a href="https://protocinema.org/protodispatch/notes-about-monsters"><h1>NOTES ABOUT MONSTERS</h1></a> <p class="date">Ana María Millán </p><p>Artist Ana María Millán presents a visual universe to combat the isolation of ideological purity, stealing the world-making of video games to enact alternate realities.</p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/until-we-became-fire-and-fire-us"><img src="https://protocinema.org/img/protodispatch/basel-abbas-ruanne-abou-rahme/_protodispatchThumbnail/25259/Screen-Shot-2023-07-10-at-14.14.36_2023-07-10-181941_pkih.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> SEPTEMBER 13, 2023 </div> <a href="https://protocinema.org/protodispatch/until-we-became-fire-and-fire-us"><h1>UNTIL WE BECAME FIRE AND FIRE US</h1></a> <p class="date">Basel Abbas and Ruanne Abou-Rahme </p><p>Abbas and Abou-Rahme combine video, music, and poems on the regenerative cycles of destruction and regrowth, by both nature and human hands.</p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/educational-charts-myths-and-social-control-2"><img src="https://protocinema.org/img/protodispatch/food-charts-myths-and-social-control/_protodispatchThumbnail/Lantern-Head-2013.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> JUNE 15, 2023 </div> <a href="https://protocinema.org/protodispatch/educational-charts-myths-and-social-control-2"><h1>EDUCATIONAL CHARTS, MYTHS, AND SOCIAL CONTROL</h1></a> <p class="date">Chitra Ganesh </p><p dir="ltr">Artist Chitra Ganesh maps how the visual language of childhood is produced by powerful ideologies, unpacking a nearly ubiquitous Indian food chart as evidence of the Indian government’s attempts to systematically erase a multivalent, secular, and diverse India<br /></p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/loophole-of-retreat-convening-otherwise"><img src="https://protocinema.org/img/protodispatch/mel-chin/_protodispatchThumbnail/Claudia-Rossini_CRV_0945.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> MAY 15, 2023 </div> <a href="https://protocinema.org/protodispatch/loophole-of-retreat-convening-otherwise"><h1>LOOPHOLE OF RETREAT: CONVENING OTHERWISE</h1></a> <p class="date">Simone Leigh and Rashida Bumbray </p><p>Simone Leigh and Rashida Bumbray discuss an intertwined practice of building cultural infrastructures with care, friendship, and generosity, with Laura Raicovich</p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/mel-chin-3"><img src="https://protocinema.org/img/protodispatch/mel-chin/_protodispatchThumbnail/21564/Screen-Shot-2023-04-03-at-21.11.52.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> APRIL 15, 2023 </div> <a href="https://protocinema.org/protodispatch/mel-chin-3"><h1>GUNS AND VIRIONS: MEL CHIN’S I SEE…. THE INSURGENT MECHANICS OF INFECTION</h1></a> <p class="date">Mel Chin </p><p dir="ltr">Thirty years after Mel Chin pointed a rifle at the heads of an audience assembled for a public talk, the artist re-examines this eerily prescient work in our current moment of resurgent fascisms, rampant viral scares—both medical and digital—and the need to reimagine everything.</p> <p><br /></p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/we-have-colonized-potentiality"><img src="https://protocinema.org/img/exhibitions/_protodispatchThumbnail/21091/Deal_still05.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> MARCH 15, 2023 </div> <a href="https://protocinema.org/protodispatch/we-have-colonized-potentiality"><h1>WE HAVE COLONIZED POTENTIALITY</h1></a> <p class="date">Jordan Deal </p><p>The artist Jordan Deal reflects on the sanctuary and peril of public gathering.</p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/aiding-and-abetting-irans-womens-revolution"><img src="https://protocinema.org/img/protodispatch/what-we-hold-in-common-making-meaning-by-collecting-objects-and-narratives-of-the-present-mingled-with-the-earth-and-the-deep-2/_protodispatchThumbnail/18515/Screen-Shot-2023-01-23-at-17.10.40.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> FEBRUARY 15, 2023 </div> <a href="https://protocinema.org/protodispatch/aiding-and-abetting-irans-womens-revolution"><h1>AIDING AND ABETTING IRAN’S WOMEN’S REVOLUTION</h1></a> <p class="date">Homa and Saba* </p><p>How a group of transnational artists are using archiving and accelerated storytelling as radical acts of resistance.</p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/a-black-aquatic"><img src="https://protocinema.org/img/protodispatch/a-black-aquatic/_protodispatchThumbnail/KattWilliams_H2O_002.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> JANUARY 13, 2023 </div> <a href="https://protocinema.org/protodispatch/a-black-aquatic"><h1>A BLACK AQUATIC</h1></a> <p class="date">Kenya (Robinson) </p><p>Through a hyperlinked lyric essay, and a month-long social media takeover, Kenya (Robinson) explores the relationship between Black people and water—both fresh and saltwater—as an essential part of the storytelling of US histories.</p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/what-we-hold-in-common-making-meaning-by-collecting-objects-and-narratives-of-the-present-mingled-with-the-earth-and-the-deep"><img src="https://protocinema.org/img/protodispatch/what-we-hold-in-common-making-meaning-by-collecting-objects-and-narratives-of-the-present-mingled-with-the-earth-and-the-deep/_protodispatchThumbnail/10457/2.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> NOVEMBER 15, 2022 </div> <a href="https://protocinema.org/protodispatch/what-we-hold-in-common-making-meaning-by-collecting-objects-and-narratives-of-the-present-mingled-with-the-earth-and-the-deep"><h1>WHAT WE HOLD IN COMMON</h1></a> <p class="date">Ximena Garrido-Lecca & Ishmael Randall-Weeks </p><p dir="ltr">Ximena Garrido-Lecca & Ishmael Randall-Weeks describe a process of building a structure communally out of materials brought by participants, revealing the strength of collective memory and its capacity to unveil corruption and lies in the context of Peru’s recent and deep pasts.</p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/jorge-gonzález-and-angela-brown-2"><img src="https://protocinema.org/img/protodispatch/jorge-gonzález-and-angela-brown/_protodispatchThumbnail/IMG_1768.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> OCTOBER 15, 2022 </div> <a href="https://protocinema.org/protodispatch/jorge-gonzález-and-angela-brown-2"><h1>RELEARNING THE ANCIENT: PATHS TO INDIGENOUS LAND RIGHTS IN BORIQUÉN</h1></a> <p class="date">Jorge González and Angela Brown </p><p dir="ltr">An email exchange accompanied by a diary of images and texts, reflects on and practices the relearning of traditional crafts in Boriquén (Puerto Rico) as a recuperative strategy for colonial erasure of land rights, a subject increasingly raw and urgent as climate crisis deepens.<br /></p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/when-hate-becomes-an-instrument-anti-lgbt-rally-in-istanbul"><img src="https://protocinema.org/img/protodispatch/when-hate-becomes-an-instrument-anti-lgbt-rally-in-istanbul/_protodispatchThumbnail/777A7609.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> OCTOBER 3, 2022 </div> <a href="https://protocinema.org/protodispatch/when-hate-becomes-an-instrument-anti-lgbt-rally-in-istanbul"><h1>WHEN HATE BECOMES AN INSTRUMENT: ANTI-LGBT+ RALLY IN ISTANBUL</h1></a> <p class="date">Alper Turan with B. Toprak Karakaya, Leman Sevda Darıcıoğlu, and Koli Art Space (Yasemin Kalaycı & Elçin Acun) </p><p>The illusory victimhood of ultranationalists draws passionate responses from queer culture workers from Turkey who are committed to undoing their hate.</p> </div></div> <div class="columns small-12 medium-5"><a href="https://protocinema.org/protodispatch/documentary-under-the-gaze-of-the-state"><img src="https://protocinema.org/img/protodispatch/documentary-under-the-gaze-of-the-state/_protodispatchThumbnail/tiffany.jpg" /></a><br /><br class="hide-for-small-only"/> </div> <div class="columns small-12 medium-7"><div class="dispatchdetails"> <div class="location"> SEPTEMBER 14, 2022 </div> <a href="https://protocinema.org/protodispatch/documentary-under-the-gaze-of-the-state"><h1>DOCUMENTARY UNDER THE GAZE OF THE STATE</h1></a> <p class="date">Tiffany Sia with Emilie Sin Yi Choi and Chan Tze-Woon </p><p>Three Hongkongers got together in July 2022 to talk about the relationships between documentary filmmaking, protest, who gets to record history, and the challenges of working and screening films under the gaze of the state. </p> </div></div> </div> </div> </div> </div> </section>  <footer> <div class="wrap row grid-x small-up-1 medium-up-1"> <div class="cell"><hr> <div class="row grid-x small-up-1 medium-up-4"> <div class="cell"> <h4> <img src="http://www.protocinema.org/assets/images/Protocinemalogo-BC.jpg" width="140" alt="PROTOCINEMA" /> </h4> </div> <div class="cell"> <a href="#">+1 917 660 7332<br /> <a href="mailto:mari@protocinema.org">mari@protocinema.org</a> </div> <div class="cell"> <h4><a href="https://www.instagram.com/protocinema/"><img src="http://www.protocinema.org/assets/images/Instagram-Icon.png" alt="Instagram" width="30"/></a> <a href="https://www.facebook.com/Protocinema/"><img src="http://www.protocinema.org/assets/images/Facebook-Icon.png" alt="Facebook" width="30"/></a> <a href="https://twitter.com/protocinema"><img src="http://www.protocinema.org/assets/images/Twitter-Icon.png" alt="Twitter" width="30"/></a> </h4>  <a href="https://a46652f9.sibforms.com/serve/MUIEAJcW9EdEpH-v2qGUWHk0XBzn49TFT4n0_ZLwL6ItajQtf2ucWFfRH93LgkqJRpb6jI4eo9vnBHfANJ1vJ4kYFm8zxUkYr5nMWGXQ0KHyPmSj05ZhDBjDGT-vZ4KVhf-inYdxOFyKNvHeFTQyteLUZvLhi8v7bQ9LAzykfrud0SkSMQCGg9E6zIvGiNcWsP1rIhp21QG7NppO" target="_blank" > Subscribe to our mailing list</a>  </div> </div> </div></div> </footer>  </body> <script src="https://protocinema.org/a/foundation/js/vendor/jquery.js"></script> <script src="https://protocinema.org/a/foundation/js/vendor/what-input.js"></script> <script src="https://protocinema.org/a/foundation/js/vendor/foundation.js"></script> <script src="https://protocinema.org/a/foundation/js/app.js"></script> <script type="text/javascript" src="http://code.jquery.com/jquery-1.11.0.min.js"></script> <script type="text/javascript" src="http://code.jquery.com/jquery-migrate-1.2.1.min.js"></script> <script type="text/javascript" src="https://protocinema.org/a/slick-1.8.1/slick/slick.min.js"></script> <script type="text/javascript"> $(document).ready(function(){ $('.slide').slick({ dots: true, fade: true, infinite: true, speed: 700, autoplay:false, autoplaySpeed: 2000, arrows:true, slidesToShow: 1, slidesToScroll: 1 }); }); </script> </html>

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