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Elvis Presley - Wikipedia

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class="mf-section-0" id="mf-section-0"> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">For other uses, see <a href="/wiki/Elvis_Presley_(disambiguation)" class="mw-disambig" title="Elvis Presley (disambiguation)">Elvis Presley (disambiguation)</a>.</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">"Elvis" and "King of Rock and Roll" redirect here. For other uses, see <a href="/wiki/Elvis_(disambiguation)" class="mw-disambig" title="Elvis (disambiguation)">Elvis (disambiguation)</a> and <a href="/wiki/King_of_Rock_and_Roll_(disambiguation)" class="mw-disambig" title="King of Rock and Roll (disambiguation)">King of Rock and Roll (disambiguation)</a>.</div> <p class="mw-empty-elt"> </p> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><p><b>Elvis Aaron Presley</b><sup id="cite_ref-name_1-1" class="reference"><a href="#cite_note-name-1"><span class="cite-bracket">[</span>a<span class="cite-bracket">]</span></a></sup> (January 8, 1935 – August 16, 1977), known <a href="https://en.wiktionary.org/wiki/mononym" class="extiw" title="wikt:mononym">mononymously</a> as <b>Elvis</b>, was an American singer and actor. Known as the "<b>King of Rock and Roll</b>", he is regarded as <a href="/wiki/Cultural_impact_of_Elvis_Presley" title="Cultural impact of Elvis Presley">one of the most significant cultural figures of the 20th century</a>. Presley's energized performances and interpretations of songs, and <a href="/wiki/Sexually_provocative" class="mw-redirect" title="Sexually provocative">sexually provocative</a> performance style, combined with a singularly potent mix of influences across color lines during a <a href="/wiki/Civil_rights_movement" title="Civil rights movement">transformative era in race relations</a>, brought both great success and <a href="/wiki/Cultural_impact_of_Elvis_Presley#Danger_to_American_culture" title="Cultural impact of Elvis Presley">initial controversy</a>. </p><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Elvis Presley</div></th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Elvis_Presley_promoting_Jailhouse_Rock.jpg" class="mw-file-description"><img alt="A photo of Presley posing over a white background" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/99/Elvis_Presley_promoting_Jailhouse_Rock.jpg/220px-Elvis_Presley_promoting_Jailhouse_Rock.jpg" decoding="async" width="220" height="284" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/99/Elvis_Presley_promoting_Jailhouse_Rock.jpg/330px-Elvis_Presley_promoting_Jailhouse_Rock.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/99/Elvis_Presley_promoting_Jailhouse_Rock.jpg/440px-Elvis_Presley_promoting_Jailhouse_Rock.jpg 2x" data-file-width="2673" data-file-height="3448"></a></span><div class="infobox-caption">Presley in a publicity photograph for the 1957 film <i><a href="/wiki/Jailhouse_Rock_(film)" title="Jailhouse Rock (film)">Jailhouse Rock</a></i></div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><div style="display:inline" class="nickname">Elvis Aaron Presley<sup id="cite_ref-name_1-0" class="reference"><a href="#cite_note-name-1"><span class="cite-bracket">[</span>a<span class="cite-bracket">]</span></a></sup></div><br><span style="display:none">(<span class="bday">1935-01-08</span>)</span>January 8, 1935<br><div style="display:inline" class="birthplace"><a href="/wiki/Tupelo,_Mississippi" title="Tupelo, Mississippi">Tupelo, Mississippi</a>, U.S.</div></td></tr><tr><th scope="row" class="infobox-label">Died</th><td class="infobox-data">August 16, 1977<span style="display:none">(1977-08-16)</span> (aged 42)<br><div style="display:inline" class="deathplace"><a href="/wiki/Memphis,_Tennessee" title="Memphis, Tennessee">Memphis, Tennessee</a>, U.S.</div></td></tr><tr><th scope="row" class="infobox-label">Resting place</th><td class="infobox-data label"><a href="/wiki/Graceland" title="Graceland">Graceland</a>, Memphis<br><span class="geo-inline"><style data-mw-deduplicate="TemplateStyles:r1156832818">.mw-parser-output .geo-default,.mw-parser-output .geo-dms,.mw-parser-output .geo-dec{display:inline}.mw-parser-output .geo-nondefault,.mw-parser-output .geo-multi-punct,.mw-parser-output .geo-inline-hidden{display:none}.mw-parser-output .longitude,.mw-parser-output .latitude{white-space:nowrap}</style><span class="plainlinks nourlexpansion"><a class="external text" href="https://geohack.toolforge.org/geohack.php?pagename=Elvis_Presley&amp;params=35_2_46_N_90_1_23_W_"><span class="geo-default"><span class="geo-dms" title="Maps, aerial photos, and other data for this location"><span class="latitude">35°2′46″N</span> <span class="longitude">90°1′23″W</span></span></span><span class="geo-multi-punct"> / </span><span class="geo-nondefault"><span class="geo-dec" title="Maps, aerial photos, and other data for this location">35.04611°N 90.02306°W</span><span style="display:none"> / <span class="geo">35.04611; -90.02306</span></span></span></a></span></span></td></tr><tr><th scope="row" class="infobox-label">Other names</th><td class="infobox-data nickname">King of Rock and Roll</td></tr><tr><th scope="row" class="infobox-label">Occupations</th><td class="infobox-data role"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist dd:last-child::after,.mw-parser-output .hlist dt:last-child::after,.mw-parser-output .hlist li:last-child::after{content:none}.mw-parser-output .hlist dd dd:first-child::before,.mw-parser-output .hlist dd dt:first-child::before,.mw-parser-output .hlist dd li:first-child::before,.mw-parser-output .hlist dt dd:first-child::before,.mw-parser-output .hlist dt dt:first-child::before,.mw-parser-output .hlist dt li:first-child::before,.mw-parser-output .hlist li dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><div class="hlist"> <ul><li>Singer</li> <li>actor</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Works</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"> <ul><li><a href="/wiki/Elvis_Presley_albums_discography" title="Elvis Presley albums discography">Albums</a></li> <li><a href="/wiki/Elvis_Presley_singles_discography" title="Elvis Presley singles discography">singles</a></li> <li><a href="/wiki/List_of_songs_recorded_by_Elvis_Presley" title="List of songs recorded by Elvis Presley">songs</a></li> <li><a href="/wiki/Elvis_Presley_on_film_and_television" title="Elvis Presley on film and television">film and television</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Spouse</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1151524712">.mw-parser-output .marriage-line-margin2px{line-height:0;margin-bottom:-2px}.mw-parser-output .marriage-line-margin3px{line-height:0;margin-bottom:-3px}.mw-parser-output .marriage-display-ws{display:inline;white-space:nowrap}</style> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;"><a href="/wiki/Priscilla_Presley" title="Priscilla Presley">Priscilla Beaulieu</a></div> <div class="marriage-line-margin2px">​</div> <div style="display:inline-block;margin-bottom:1px;">​</div>(<abbr title="married">m.</abbr> 1967; <abbr title="divorced">div.</abbr> 1973)<wbr></wbr>​</div></td></tr><tr><th scope="row" class="infobox-label">Children</th><td class="infobox-data"><a href="/wiki/Lisa_Marie_Presley" title="Lisa Marie Presley">Lisa Marie Presley</a></td></tr><tr><th scope="row" class="infobox-label">Relatives</th><td class="infobox-data"><a href="/wiki/Riley_Keough" title="Riley Keough">Riley Keough</a> (granddaughter)<br><a href="/wiki/Brandon_Presley" title="Brandon Presley">Brandon Presley</a> (second cousin)<br><a href="/wiki/Harold_Ray_Presley" title="Harold Ray Presley">Harold Ray Presley</a> (first cousin once removed)</td></tr><tr><th scope="row" class="infobox-label">Awards</th><td class="infobox-data"><a href="/wiki/List_of_accolades_received_by_Elvis_Presley" title="List of accolades received by Elvis Presley">Full list</a></td></tr><tr><td colspan="2" class="infobox-full-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"><b>Musical career</b></td></tr><tr><th scope="row" class="infobox-label">Genres</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"> <ul><li><a href="/wiki/Rock_and_roll" title="Rock and roll">Rock and roll</a></li> <li>pop</li> <li><a href="/wiki/Rockabilly" title="Rockabilly">rockabilly</a></li> <li><a href="/wiki/Country_music" title="Country music">country</a></li> <li><a href="/wiki/Gospel_music" title="Gospel music">gospel</a></li> <li><a href="/wiki/R%26B" class="mw-redirect" title="R&amp;B">R&amp;B</a></li> <li><a href="/wiki/Blues" title="Blues">blues</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label">Instruments</th><td class="infobox-data note"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"> <ul><li>Vocals</li> <li>guitar</li> <li>piano</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Years active</span></th><td class="infobox-data">1953–1977</td></tr><tr><th scope="row" class="infobox-label">Labels</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><div class="hlist"> <ul><li><a href="/wiki/Sun_Records" title="Sun Records">Sun</a></li> <li><a href="/wiki/RCA_Victor" class="mw-redirect" title="RCA Victor">RCA Victor</a></li> <li><a href="/wiki/His_Master%27s_Voice_(British_record_label)" title="His Master's Voice (British record label)">His Master's Voice</a> (UK)</li> <li><a href="/wiki/Allied_Artists_Music_Group" title="Allied Artists Music Group">Allied Artists</a></li></ul> </div></td></tr><tr><td colspan="2"> </td></tr><tr><td colspan="2" class="infobox-full-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"></td></tr><tr><td colspan="2" class="infobox-subheader" style="font-weight:bold;">Military service<sup id="cite_ref-FOOTNOTEUS_Department_of_Defense1960_2-0" class="reference"><a href="#cite_note-FOOTNOTEUS_Department_of_Defense1960-2"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup></td></tr><tr><th scope="row" class="infobox-label" style="padding-right: 1em">Allegiance</th><td class="infobox-data">United States</td></tr><tr><th scope="row" class="infobox-label" style="padding-right: 1em"><a href="/wiki/Military_branch" title="Military branch">Branch</a></th><td class="infobox-data"><a href="/wiki/United_States_Army" title="United States Army">United States Army</a></td></tr><tr><th scope="row" class="infobox-label" style="padding-right: 1em">Years of service</th><td class="infobox-data">1958–1960</td></tr><tr><th scope="row" class="infobox-label" style="padding-right: 1em">Rank</th><td class="infobox-data"><a href="/wiki/Sergeant" title="Sergeant">Sergeant</a></td></tr><tr><th scope="row" class="infobox-label" style="padding-right: 1em">Unit</th><td class="infobox-data">Headquarters Company, 1st Medium Tank Battalion, <a href="/wiki/32nd_Cavalry_Regiment" title="32nd Cavalry Regiment">32d Armor</a>, <a href="/wiki/3rd_Armored_Division_(United_States)" title="3rd Armored Division (United States)">3d Armored Division</a></td></tr><tr><th scope="row" class="infobox-label" style="padding-right: 1em">Awards</th><td class="infobox-data"><a href="/wiki/Good_Conduct_Medal_(United_States)" title="Good Conduct Medal (United States)">Good Conduct Medal</a></td></tr><tr style="display:none"><td colspan="2"> </td></tr><tr><th colspan="2" class="infobox-header">Signature</th></tr><tr><td colspan="2" class="infobox-full-data"><span class="infobox-signature skin-invert" typeof="mw:File"><a href="/wiki/File:Elvispresley-logo.svg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/25/Elvispresley-logo.svg/150px-Elvispresley-logo.svg.png" decoding="async" width="150" height="72" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/25/Elvispresley-logo.svg/225px-Elvispresley-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/25/Elvispresley-logo.svg/300px-Elvispresley-logo.svg.png 2x" data-file-width="202" data-file-height="97"></a></span></td></tr></tbody></table> <p>Presley was born in <a href="/wiki/Tupelo,_Mississippi" title="Tupelo, Mississippi">Tupelo, Mississippi</a>; his family moved to <a href="/wiki/Memphis,_Tennessee" title="Memphis, Tennessee">Memphis, Tennessee</a>, when he was 13. His music career began there in 1954, at <a href="/wiki/Sun_Records" title="Sun Records">Sun Records</a> with producer <a href="/wiki/Sam_Phillips" title="Sam Phillips">Sam Phillips</a>, who wanted to bring the sound of <a href="/wiki/African-American_music" title="African-American music">African-American music</a> to a wider audience. Presley, on guitar and accompanied by lead guitarist <a href="/wiki/Scotty_Moore" title="Scotty Moore">Scotty Moore</a> and bassist <a href="/wiki/Bill_Black" title="Bill Black">Bill Black</a>, was a pioneer of <a href="/wiki/Rockabilly" title="Rockabilly">rockabilly</a>, an uptempo, <a href="/wiki/Backbeat_(music)" class="mw-redirect" title="Backbeat (music)">backbeat</a>-driven fusion of <a href="/wiki/Country_music" title="Country music">country music</a> and <a href="/wiki/Rhythm_and_blues" title="Rhythm and blues">rhythm and blues</a>. In 1955, drummer <a href="/wiki/D._J._Fontana" title="D. J. Fontana">D. J. Fontana</a> joined to complete the lineup of Presley's classic quartet and <a href="/wiki/RCA_Victor" class="mw-redirect" title="RCA Victor">RCA Victor</a> acquired his contract in a deal arranged by <a href="/wiki/Colonel_Tom_Parker" title="Colonel Tom Parker">Colonel Tom Parker</a>, who managed him for the rest of his career. Presley's first RCA Victor single, "<a href="/wiki/Heartbreak_Hotel" title="Heartbreak Hotel">Heartbreak Hotel</a>", was released in January 1956 and became a number-one hit in the US. Within a year, RCA Victor sold ten million Presley singles. With a series of successful television appearances and chart-topping records, Presley became the leading figure of the newly popular <a href="/wiki/Rock_and_roll" title="Rock and roll">rock and roll</a>; though his performing style and promotion of the then-marginalized sound of African Americans<sup id="cite_ref-:00_7-0" class="reference"><a href="#cite_note-:00-7"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> led to him being widely considered a <a href="/wiki/Moral_panic" title="Moral panic">threat</a> to the moral well-being of <a href="/wiki/White_Americans" title="White Americans">white American</a> youth.<sup id="cite_ref-FOOTNOTEBrownBroeske199755_8-0" class="reference"><a href="#cite_note-FOOTNOTEBrownBroeske199755-8"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p><p>In November 1956, Presley made his film debut in <i><a href="/wiki/Love_Me_Tender_(film)" title="Love Me Tender (film)">Love Me Tender</a></i>. Drafted into <a href="/wiki/Military_career_of_Elvis_Presley" title="Military career of Elvis Presley">military service in 1958</a>, he relaunched his recording career two years later with some of his most commercially successful work. Presley held few concerts, and guided by Parker, proceeded to devote much of the 1960s to making Hollywood films and soundtrack albums, most of them critically derided. Some of Presley's most famous films included <i><a href="/wiki/Jailhouse_Rock_(film)" title="Jailhouse Rock (film)">Jailhouse Rock</a></i> (1957), <i><a href="/wiki/Blue_Hawaii" title="Blue Hawaii">Blue Hawaii</a></i> (1961), and <i><a href="/wiki/Viva_Las_Vegas" title="Viva Las Vegas">Viva Las Vegas</a></i> (1964). In 1968, he returned to the stage in the acclaimed NBC television comeback special <i><a href="/wiki/Elvis_(1968_TV_program)" title="Elvis (1968 TV program)">Elvis</a></i>, which led to an extended <a href="/wiki/Las_Vegas" title="Las Vegas">Las Vegas</a> concert residency and a string of highly profitable tours. In 1973, Presley gave the first concert by a solo artist to be broadcast around the world, <i><a href="/wiki/Aloha_from_Hawaii_via_Satellite" title="Aloha from Hawaii via Satellite">Aloha from Hawaii</a></i>. Years of prescription drug abuse and unhealthy eating severely compromised his health, and Presley died unexpectedly in August 1977 at his <a href="/wiki/Graceland" title="Graceland">Graceland</a> estate at the age of 42. </p><p>Presley is one of the <a href="/wiki/List_of_best-selling_music_artists" title="List of best-selling music artists">best-selling music artists</a> in history, with estimated sales of over 500 million records worldwide.<sup id="cite_ref-sales_9-0" class="reference"><a href="#cite_note-sales-9"><span class="cite-bracket">[</span>b<span class="cite-bracket">]</span></a></sup> He was commercially successful in many genres, including <a href="/wiki/Traditional_pop" title="Traditional pop">pop</a>, country, rock and roll, rockabilly, rhythm and blues, <a href="/wiki/Adult_contemporary" class="mw-redirect" title="Adult contemporary">adult contemporary</a>, and <a href="/wiki/Gospel_music" title="Gospel music">gospel</a>. He won three <a href="/wiki/Grammy_Awards" title="Grammy Awards">Grammy Awards</a>, received the <a href="/wiki/Grammy_Lifetime_Achievement_Award" title="Grammy Lifetime Achievement Award">Grammy Lifetime Achievement Award</a> at age 36, and has been inducted into <a href="/wiki/List_of_halls_of_fame_inducting_Elvis_Presley" class="mw-redirect" title="List of halls of fame inducting Elvis Presley">multiple music halls of fame</a>. He holds several records, including the most <a href="/wiki/Recording_Industry_Association_of_America" title="Recording Industry Association of America">RIAA</a>-certified <a href="/wiki/RIAA_certification" title="RIAA certification">gold</a> and platinum albums, the most albums charted on the <a href="/wiki/Billboard_200" title="Billboard 200"><i>Billboard</i> 200</a>, the most number-one albums by a solo artist on the <a href="/wiki/UK_Albums_Chart" title="UK Albums Chart">UK Albums Chart</a>, and the most number-one singles by any act on the <a href="/wiki/UK_Singles_Chart" class="mw-redirect" title="UK Singles Chart">UK Singles Chart</a>. In 2018, Presley was posthumously awarded the <a href="/wiki/Presidential_Medal_of_Freedom" title="Presidential Medal of Freedom">Presidential Medal of Freedom</a>. </p> <div id="toc" class="toc" role="navigation" aria-labelledby="mw-toc-heading"><input type="checkbox" role="button" id="toctogglecheckbox" class="toctogglecheckbox" style="display:none"><div class="toctitle" lang="en" dir="ltr"><h2 id="mw-toc-heading">Contents</h2><span class="toctogglespan"><label class="toctogglelabel" for="toctogglecheckbox"></label></span></div> <ul> <li class="toclevel-1 tocsection-1"><a href="#Life_and_career"><span class="tocnumber">1</span> <span class="toctext">Life and career</span></a> <ul> <li class="toclevel-2 tocsection-2"><a href="#1935%E2%80%931953:_early_years"><span class="tocnumber">1.1</span> <span class="toctext">1935–1953: early years</span></a></li> <li class="toclevel-2 tocsection-3"><a href="#1953%E2%80%931956:_first_recordings"><span class="tocnumber">1.2</span> <span class="toctext">1953–1956: first recordings</span></a> <ul> <li class="toclevel-3 tocsection-4"><a href="#Sam_Phillips_and_Sun_records"><span class="tocnumber">1.2.1</span> <span class="toctext">Sam Phillips and Sun records</span></a></li> <li class="toclevel-3 tocsection-5"><a href="#Early_live_performances_and_RCA_Victor_contract"><span class="tocnumber">1.2.2</span> <span class="toctext">Early live performances and RCA Victor contract</span></a></li> <li class="toclevel-3 tocsection-6"><a href="#Louisiana_Hayride,_radio_commercial,_and_first_television_performances"><span class="tocnumber">1.2.3</span> <span class="toctext"><i>Louisiana Hayride</i>, radio commercial, and first television performances</span></a></li> </ul> </li> <li class="toclevel-2 tocsection-7"><a href="#1956%E2%80%931958:_commercial_breakout_and_controversy"><span class="tocnumber">1.3</span> <span class="toctext">1956–1958: commercial breakout and controversy</span></a> <ul> <li class="toclevel-3 tocsection-8"><a href="#First_national_TV_appearances_and_debut_album"><span class="tocnumber">1.3.1</span> <span class="toctext">First national TV appearances and debut album</span></a></li> <li class="toclevel-3 tocsection-9"><a href="#Milton_Berle_Show_and_%22Hound_Dog%22"><span class="tocnumber">1.3.2</span> <span class="toctext"><i>Milton Berle Show</i> and "Hound Dog"</span></a></li> <li class="toclevel-3 tocsection-10"><a href="#Steve_Allen_Show_and_first_Sullivan_appearance"><span class="tocnumber">1.3.3</span> <span class="toctext"><i>Steve Allen Show</i> and first Sullivan appearance</span></a></li> <li class="toclevel-3 tocsection-11"><a href="#Crazed_crowds_and_film_debut"><span class="tocnumber">1.3.4</span> <span class="toctext">Crazed crowds and film debut</span></a></li> <li class="toclevel-3 tocsection-12"><a href="#Leiber_and_Stoller_collaboration_and_draft_notice"><span class="tocnumber">1.3.5</span> <span class="toctext">Leiber and Stoller collaboration and draft notice</span></a></li> </ul> </li> <li class="toclevel-2 tocsection-13"><a href="#1958%E2%80%931960:_military_service_and_mother's_death"><span class="tocnumber">1.4</span> <span class="toctext">1958–1960: military service and mother's death</span></a></li> <li class="toclevel-2 tocsection-14"><a href="#1960%E2%80%931968:_focus_on_films"><span class="tocnumber">1.5</span> <span class="toctext">1960–1968: focus on films</span></a> <ul> <li class="toclevel-3 tocsection-15"><a href="#Elvis_Is_Back"><span class="tocnumber">1.5.1</span> <span class="toctext"><i>Elvis Is Back</i></span></a></li> <li class="toclevel-3 tocsection-16"><a href="#Lost_in_Hollywood"><span class="tocnumber">1.5.2</span> <span class="toctext">Lost in Hollywood</span></a></li> </ul> </li> <li class="toclevel-2 tocsection-17"><a href="#1968%E2%80%931973:_Comeback"><span class="tocnumber">1.6</span> <span class="toctext">1968–1973: Comeback</span></a> <ul> <li class="toclevel-3 tocsection-18"><a href="#Elvis:_the_'68_Comeback_Special"><span class="tocnumber">1.6.1</span> <span class="toctext"><i>Elvis</i>: the '68 Comeback Special</span></a></li> <li class="toclevel-3 tocsection-19"><a href="#From_Elvis_in_Memphis_and_the_International"><span class="tocnumber">1.6.2</span> <span class="toctext"><i>From Elvis in Memphis</i> and the International</span></a></li> <li class="toclevel-3 tocsection-20"><a href="#Back_on_tour_and_meeting_Nixon"><span class="tocnumber">1.6.3</span> <span class="toctext">Back on tour and meeting Nixon</span></a></li> <li class="toclevel-3 tocsection-21"><a href="#Marriage_breakdown_and_Aloha_from_Hawaii"><span class="tocnumber">1.6.4</span> <span class="toctext">Marriage breakdown and <i>Aloha from Hawaii</i></span></a></li> </ul> </li> <li class="toclevel-2 tocsection-22"><a href="#1973%E2%80%931977:_health_deterioration_and_death"><span class="tocnumber">1.7</span> <span class="toctext">1973–1977: health deterioration and death</span></a> <ul> <li class="toclevel-3 tocsection-23"><a href="#Medical_crises_and_last_studio_sessions"><span class="tocnumber">1.7.1</span> <span class="toctext">Medical crises and last studio sessions</span></a></li> <li class="toclevel-3 tocsection-24"><a href="#Final_months_and_death"><span class="tocnumber">1.7.2</span> <span class="toctext">Final months and death</span></a></li> <li class="toclevel-3 tocsection-25"><a href="#Cause_of_death"><span class="tocnumber">1.7.3</span> <span class="toctext">Cause of death</span></a></li> </ul> </li> <li class="toclevel-2 tocsection-26"><a href="#1977%E2%80%93present:_posthumous_developments"><span class="tocnumber">1.8</span> <span class="toctext">1977–present: posthumous developments</span></a></li> </ul> </li> <li class="toclevel-1 tocsection-27"><a href="#Artistry"><span class="tocnumber">2</span> <span class="toctext">Artistry</span></a> <ul> <li class="toclevel-2 tocsection-28"><a href="#Influences"><span class="tocnumber">2.1</span> <span class="toctext">Influences</span></a></li> <li class="toclevel-2 tocsection-29"><a href="#Musicianship"><span class="tocnumber">2.2</span> <span class="toctext">Musicianship</span></a></li> <li class="toclevel-2 tocsection-30"><a href="#Musical_styles_and_genres"><span class="tocnumber">2.3</span> <span class="toctext">Musical styles and genres</span></a></li> <li class="toclevel-2 tocsection-31"><a href="#Vocal_style_and_range"><span class="tocnumber">2.4</span> <span class="toctext">Vocal style and range</span></a></li> </ul> </li> <li class="toclevel-1 tocsection-32"><a href="#Public_image"><span class="tocnumber">3</span> <span class="toctext">Public image</span></a> <ul> <li class="toclevel-2 tocsection-33"><a href="#Relationship_with_the_African-American_community"><span class="tocnumber">3.1</span> <span class="toctext">Relationship with the African-American community</span></a></li> <li class="toclevel-2 tocsection-34"><a href="#Sex_symbol"><span class="tocnumber">3.2</span> <span class="toctext">Sex symbol</span></a></li> </ul> </li> <li class="toclevel-1 tocsection-35"><a href="#Legacy"><span class="tocnumber">4</span> <span class="toctext">Legacy</span></a></li> <li class="toclevel-1 tocsection-36"><a href="#Achievements"><span class="tocnumber">5</span> <span class="toctext">Achievements</span></a></li> <li class="toclevel-1 tocsection-37"><a href="#Discography"><span class="tocnumber">6</span> <span class="toctext">Discography</span></a></li> <li class="toclevel-1 tocsection-38"><a href="#Filmography"><span class="tocnumber">7</span> <span class="toctext">Filmography</span></a></li> <li class="toclevel-1 tocsection-39"><a href="#See_also"><span class="tocnumber">8</span> <span class="toctext">See also</span></a></li> <li class="toclevel-1 tocsection-40"><a href="#Explanatory_notes"><span class="tocnumber">9</span> <span class="toctext">Explanatory notes</span></a></li> <li class="toclevel-1 tocsection-41"><a href="#References"><span class="tocnumber">10</span> <span class="toctext">References</span></a> <ul> <li class="toclevel-2 tocsection-42"><a href="#Citations"><span class="tocnumber">10.1</span> <span class="toctext">Citations</span></a></li> <li class="toclevel-2 tocsection-43"><a href="#General_sources"><span class="tocnumber">10.2</span> <span class="toctext">General sources</span></a></li> </ul> </li> <li class="toclevel-1 tocsection-44"><a href="#Further_reading"><span class="tocnumber">11</span> <span class="toctext">Further reading</span></a></li> <li class="toclevel-1 tocsection-45"><a href="#External_links"><span class="tocnumber">12</span> <span class="toctext">External links</span></a></li> </ul> </div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(1)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Life_and_career">Life and career</h2></div><section class="mf-section-1 collapsible-block" id="mf-section-1"> <div class="mw-heading mw-heading3"><h3 id="1935–1953:_early_years"><span id="1935.E2.80.931953:_early_years"></span>1935–1953: early years</h3></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Early_life_of_Elvis_Presley" title="Early life of Elvis Presley">Early life of Elvis Presley</a></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis%27_birthplace_Tupelo,_MS_2007.jpg" class="mw-file-description"><noscript><img alt="Present-day photograph of a whitewashed house, about 15 feet wide. Four banistered steps in the foreground lead up to a roofed porch that holds a swing wide enough for two. The front of the house has a door and a single-paned window. The visible side of the house, about 30 feet long, has double-paned windows." src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Elvis%27_birthplace_Tupelo%2C_MS_2007.jpg/220px-Elvis%27_birthplace_Tupelo%2C_MS_2007.jpg" decoding="async" width="220" height="158" class="mw-file-element" data-file-width="2860" data-file-height="2054"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 158px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Elvis%27_birthplace_Tupelo%2C_MS_2007.jpg/220px-Elvis%27_birthplace_Tupelo%2C_MS_2007.jpg" data-alt="Present-day photograph of a whitewashed house, about 15 feet wide. Four banistered steps in the foreground lead up to a roofed porch that holds a swing wide enough for two. The front of the house has a door and a single-paned window. The visible side of the house, about 30 feet long, has double-paned windows." data-width="220" data-height="158" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Elvis%27_birthplace_Tupelo%2C_MS_2007.jpg/330px-Elvis%27_birthplace_Tupelo%2C_MS_2007.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Elvis%27_birthplace_Tupelo%2C_MS_2007.jpg/440px-Elvis%27_birthplace_Tupelo%2C_MS_2007.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption><a href="/wiki/Elvis_Presley_Birthplace" title="Elvis Presley Birthplace">Presley's birthplace</a> in <a href="/wiki/Tupelo,_Mississippi" title="Tupelo, Mississippi">Tupelo, Mississippi</a></figcaption></figure> <p>Elvis Aaron Presley was born on January 8, 1935, in <a href="/wiki/Tupelo,_Mississippi" title="Tupelo, Mississippi">Tupelo, Mississippi</a>, to Gladys Love (<span title="Name at birth"><a href="/wiki/Birth_name#Maiden_and_married_names" title="Birth name">née</a> Smith</span>) and Vernon Presley.<sup id="cite_ref-FOOTNOTEEames2022a_10-0" class="reference"><a href="#cite_note-FOOTNOTEEames2022a-10"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEEames2022b_11-0" class="reference"><a href="#cite_note-FOOTNOTEEames2022b-11"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> Elvis' twin Jesse Garon was delivered 35 minutes before, <a href="/wiki/Stillbirth" title="Stillbirth">stillborn</a>.<sup id="cite_ref-FOOTNOTEEarl2017_12-0" class="reference"><a href="#cite_note-FOOTNOTEEarl2017-12"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> Presley became close to both parents, especially his mother. The family attended an <a href="/wiki/Assembly_of_God" class="mw-redirect" title="Assembly of God">Assembly of God</a> church, where he found his initial musical inspiration.<sup id="cite_ref-FOOTNOTEGuralnick199412–14_13-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199412%E2%80%9314-13"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> Vernon moved from one <a href="/wiki/Handyman" title="Handyman">odd job</a> to the next,<sup id="cite_ref-FOOTNOTEGuralnick199411–12,_23–24_14-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199411%E2%80%9312,_23%E2%80%9324-14"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEVictor2008419_15-0" class="reference"><a href="#cite_note-FOOTNOTEVictor2008419-15"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> and the family often relied on neighbors and government food assistance. In 1938, they lost their home after Vernon was found guilty of <a href="/wiki/Cheque_fraud" title="Cheque fraud">altering a check</a> and was jailed for eight months.<sup id="cite_ref-FOOTNOTEGuralnick199412–14_13-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199412%E2%80%9314-13"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> </p><p>In September 1941, Presley entered first grade at East Tupelo Consolidated, where his teachers regarded him as "average".<sup id="cite_ref-FOOTNOTEGuralnick199415–16_16-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199415%E2%80%9316-16"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> His first public performance was a singing contest at the Mississippi–Alabama Fair and Dairy Show on October 3, 1945, when he was 10; he sang "Old Shep" and recalled placing fifth.<sup id="cite_ref-FOOTNOTEGuralnick199417–18_17-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199417%E2%80%9318-17"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> A few months later, Presley received his first guitar for his birthday;<sup id="cite_ref-FOOTNOTEGuralnick199419_18-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199419-18"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEDundy2004101_19-0" class="reference"><a href="#cite_note-FOOTNOTEDundy2004101-19"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> he received guitar lessons from two uncles and a pastor at the family's church. Presley recalled, "I took the guitar, and I watched people, and I learned to play a little bit. But I would never sing in public. I was very <a href="/wiki/Shyness" title="Shyness">shy</a> about it."<sup id="cite_ref-FOOTNOTEGuralnick199423_20-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199423-20"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> </p><p>In September 1946, Presley entered a new school, Milam, for sixth grade. The following year, he began singing and playing his guitar at school. He was often teased as a "trashy" kid who played <a href="/wiki/Hillbilly_music" class="mw-redirect" title="Hillbilly music">hillbilly music</a>.<sup id="cite_ref-FOOTNOTEGuralnick199423–26_21-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199423%E2%80%9326-21"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> Presley was a devotee of <a href="/wiki/Mississippi_Slim_(country_singer)" title="Mississippi Slim (country singer)">Mississippi Slim</a>'s radio show. He was described as "crazy about music" by Slim's younger brother, one of Presley's classmates. Slim showed Presley chord techniques.<sup id="cite_ref-FOOTNOTEGuralnick199419–21_22-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199419%E2%80%9321-22"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> When his <a href="/wiki/Mentorship" title="Mentorship">protégé</a> was 12, Slim scheduled him for two on-air performances. Presley was overcome by stage fright the first time but performed the following week.<sup id="cite_ref-FOOTNOTEDundy200495–96_23-0" class="reference"><a href="#cite_note-FOOTNOTEDundy200495%E2%80%9396-23"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> </p><p>In November 1948, the family moved to <a href="/wiki/Memphis,_Tennessee" title="Memphis, Tennessee">Memphis, Tennessee</a>.<sup id="cite_ref-FOOTNOTEGuralnick199432–33_24-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199432%E2%80%9333-24"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> Enrolled at <a href="/wiki/Humes_Preparatory_Academy_Middle_School" title="Humes Preparatory Academy Middle School">L. C. Humes High School</a>, Presley received a C in <a href="/wiki/Music_education" title="Music education">music</a> in eighth grade. When his music teacher said he had no aptitude for singing, he brought in his guitar and sang a recent hit, "Keep Them Cold Icy Fingers Off Me".<sup id="cite_ref-FOOTNOTEGuralnick199436_25-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199436-25"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> He was usually too shy to perform openly and was occasionally <a href="/wiki/Bullying" title="Bullying">bullied</a> by classmates for being a "<a href="/wiki/Mama%27s_boy" class="mw-redirect" title="Mama's boy">mama's boy</a>".<sup id="cite_ref-FOOTNOTEGuralnick199435–38_26-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199435%E2%80%9338-26"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> In 1950, Presley began practicing guitar under the tutelage of <a href="/wiki/Lee_Denson" title="Lee Denson">Lee Denson</a>, a neighbor. They and three other boys, including two future <a href="/wiki/Rockabilly" title="Rockabilly">rockabilly</a> pioneers, brothers <a href="/wiki/Dorsey_Burnette" title="Dorsey Burnette">Dorsey</a> and <a href="/wiki/Johnny_Burnette" title="Johnny Burnette">Johnny Burnette</a>—formed a loose musical collective.<sup id="cite_ref-FOOTNOTEGuralnick199440–41_27-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199440%E2%80%9341-27"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> </p><p> During his junior year, Presley began to stand out among his classmates, largely because of his appearance: he grew his <a href="/wiki/Sideburns" title="Sideburns">sideburns</a> and styled his hair. He would head down to <a href="/wiki/Beale_Street" title="Beale Street">Beale Street</a>, the heart of Memphis' thriving <a href="/wiki/Blues" title="Blues">blues</a> scene, and admire the wild, flashy clothes at <a href="/wiki/Lansky_Brothers" title="Lansky Brothers">Lansky Brothers</a>. By his senior year, he was wearing those clothes.<sup id="cite_ref-FOOTNOTEGuralnick199444,_46,_51_28-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199444,_46,_51-28"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> He competed in Humes' Annual "Minstrel" Show in 1953, singing and playing "<a href="/wiki/Till_I_Waltz_Again_with_You" title="Till I Waltz Again with You">Till I Waltz Again with You</a>", a recent hit for <a href="/wiki/Teresa_Brewer" title="Teresa Brewer">Teresa Brewer</a>. Presley recalled that the performance did much for his reputation: </p><blockquote><p>I wasn't popular in school ... I failed music—only thing I ever failed. And then they entered me in this talent show ... when I came onstage, I heard people kind of rumbling and whispering and so forth, 'cause nobody knew I even sang. It was amazing how popular I became in school after that.<sup id="cite_ref-FOOTNOTEGuralnick199452–53_29-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199452%E2%80%9353-29"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>Presley, who could not <a href="/wiki/Musical_notation" title="Musical notation">read music</a>, played by ear and frequented record stores that provided <a href="/wiki/Jukebox" title="Jukebox">jukeboxes</a> and listening booths. He knew all of <a href="/wiki/Hank_Snow" title="Hank Snow">Hank Snow</a>'s songs,<sup id="cite_ref-FOOTNOTEGuralnick1994171_30-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994171-30"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> and he loved records by other country singers such as <a href="/wiki/Roy_Acuff" title="Roy Acuff">Roy Acuff</a>, <a href="/wiki/Ernest_Tubb" title="Ernest Tubb">Ernest Tubb</a>, <a href="/wiki/Ted_Daffan" title="Ted Daffan">Ted Daffan</a>, <a href="/wiki/Jimmie_Rodgers_(country_singer)" class="mw-redirect" title="Jimmie Rodgers (country singer)">Jimmie Rodgers</a>, <a href="/wiki/Jimmie_Davis" title="Jimmie Davis">Jimmie Davis</a>, and <a href="/wiki/Bob_Wills" title="Bob Wills">Bob Wills</a>.<sup id="cite_ref-FOOTNOTEMatthew-Walker19793_31-0" class="reference"><a href="#cite_note-FOOTNOTEMatthew-Walker19793-31"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> The <a href="/wiki/Southern_gospel" title="Southern gospel">Southern gospel</a> singer <a href="/wiki/Jake_Hess" title="Jake Hess">Jake Hess</a>, one of his favorite performers, was a significant influence on his <a href="/wiki/Ballad" title="Ballad">ballad</a>-singing style.<sup id="cite_ref-FOOTNOTEGuralnick199446–48,_358_32-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199446%E2%80%9348,_358-32"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEWadey2004_33-0" class="reference"><a href="#cite_note-FOOTNOTEWadey2004-33"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> Presley was a regular audience member at the monthly, all-night singings downtown, where many of the white gospel groups that performed reflected the influence of African American <a href="/wiki/Spiritual_(music)" class="mw-redirect" title="Spiritual (music)">spirituals</a>.<sup id="cite_ref-FOOTNOTEGuralnick199447–48,_77–78_34-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199447%E2%80%9348,_77%E2%80%9378-34"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> Presley listened to regional radio stations, such as <a href="/wiki/WDIA" title="WDIA">WDIA</a>, that played what were then called "race records": spirituals, blues, and the modern, <a href="/wiki/Backbeat_(music)" class="mw-redirect" title="Backbeat (music)">backbeat</a>-heavy <a href="/wiki/Rhythm_and_blues" title="Rhythm and blues">rhythm and blues</a>.<sup id="cite_ref-FOOTNOTEGuralnick199438–40_35-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199438%E2%80%9340-35"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> Like some of his peers, he may have attended blues venues only on nights <a href="/wiki/Racial_segregation_in_the_United_States" title="Racial segregation in the United States">designated for exclusively white audiences</a>.<sup id="cite_ref-FOOTNOTEGuralnick199451_36-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199451-36"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> Many of his future <a href="/wiki/Sound_recording_and_reproduction" title="Sound recording and reproduction">recordings</a> were inspired by local <a href="/wiki/African-American_music" title="African-American music">African-American musicians</a> such as <a href="/wiki/Arthur_Crudup" title="Arthur Crudup">Arthur Crudup</a> and <a href="/wiki/Rufus_Thomas" title="Rufus Thomas">Rufus Thomas</a>.<sup id="cite_ref-FOOTNOTEGuralnick2004_37-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick2004-37"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEBertrand2000205_38-0" class="reference"><a href="#cite_note-FOOTNOTEBertrand2000205-38"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> <a href="/wiki/B.B._King" class="mw-redirect" title="B.B. King">B.B. King</a> recalled that he had known Presley before he was popular when they both used to frequent Beale Street.<sup id="cite_ref-FOOTNOTESzatmary199635_39-0" class="reference"><a href="#cite_note-FOOTNOTESzatmary199635-39"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> By the time he graduated high school in June 1953, Presley had singled out music as his future.<sup id="cite_ref-FOOTNOTEGuralnick199454_40-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199454-40"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEJorgensen19988_41-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen19988-41"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1953–1956:_first_recordings"><span id="1953.E2.80.931956:_first_recordings"></span>1953–1956: first recordings</h3></div> <div class="mw-heading mw-heading4"><h4 id="Sam_Phillips_and_Sun_records">Sam Phillips and Sun records</h4></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">See also: <a href="/wiki/List_of_songs_recorded_by_Elvis_Presley_on_the_Sun_label" title="List of songs recorded by Elvis Presley on the Sun label">List of songs recorded by Elvis Presley on the Sun label</a></div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:PresleyPromo1954PhotoOnly.jpg" class="mw-file-description"><noscript><img alt="Elvis in a tuxedo" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2d/PresleyPromo1954PhotoOnly.jpg/220px-PresleyPromo1954PhotoOnly.jpg" decoding="async" width="220" height="267" class="mw-file-element" data-file-width="286" data-file-height="347"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 267px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2d/PresleyPromo1954PhotoOnly.jpg/220px-PresleyPromo1954PhotoOnly.jpg" data-alt="Elvis in a tuxedo" data-width="220" data-height="267" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/2/2d/PresleyPromo1954PhotoOnly.jpg 1.5x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Presley in a <a href="/wiki/Sun_Records" title="Sun Records">Sun Records</a> promotional photograph, 1954</figcaption></figure> <p>In August 1953, Presley checked into <a href="/wiki/Sun_Studio" title="Sun Studio">Memphis Recording Service</a>, the company run by <a href="/wiki/Sam_Phillips" title="Sam Phillips">Sam Phillips</a> before he started <a href="/wiki/Sun_Records" title="Sun Records">Sun Records</a>. He aimed to pay for studio time to record a two-sided <a href="/wiki/Acetate_disc" title="Acetate disc">acetate disc</a>: "<a href="/wiki/My_Happiness_(popular_song)" class="mw-redirect" title="My Happiness (popular song)">My Happiness</a>" and "<a href="/wiki/That%27s_When_Your_Heartaches_Begin" title="That's When Your Heartaches Begin">That's When Your Heartaches Begin</a>". He later claimed that he intended the record as a birthday gift for his mother, or that he was merely interested in what he "sounded like". Biographer <a href="/wiki/Peter_Guralnick" title="Peter Guralnick">Peter Guralnick</a> argued that Presley chose Sun in the hope of being discovered.<sup id="cite_ref-FOOTNOTEGuralnick199462–64_42-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199462%E2%80%9364-42"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> In January 1954, Presley cut a second acetate at Sun—"I'll Never Stand in Your Way" and "It Wouldn't Be the Same Without You"—but again nothing came of it.<sup id="cite_ref-FOOTNOTEGuralnick199465_43-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199465-43"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> Not long after, he failed an <a href="/wiki/Audition" title="Audition">audition</a> for a local vocal quartet, the Songfellows,<sup id="cite_ref-FOOTNOTEGuralnick199477_44-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199477-44"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> and another for the band of <a href="/wiki/Eddie_Bond" title="Eddie Bond">Eddie Bond</a>.<sup id="cite_ref-FOOTNOTEGuralnick199483_45-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199483-45"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> </p> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}</style><style data-mw-deduplicate="TemplateStyles:r1096940132">.mw-parser-output .listen .side-box-text{line-height:1.1em}.mw-parser-output .listen-plain{border:none;background:transparent}.mw-parser-output .listen-embedded{width:100%;margin:0;border-width:1px 0 0 0;background:transparent}.mw-parser-output .listen-header{padding:2px}.mw-parser-output .listen-embedded .listen-header{padding:2px 0}.mw-parser-output .listen-file-header{padding:4px 0}.mw-parser-output .listen .description{padding-top:2px}.mw-parser-output .listen .mw-tmh-player{max-width:100%}@media(max-width:719px){.mw-parser-output .listen{clear:both}}@media(min-width:720px){.mw-parser-output .listen:not(.listen-noimage){width:320px}.mw-parser-output .listen-left{overflow:visible;float:left}.mw-parser-output .listen-center{float:none;margin-left:auto;margin-right:auto}}</style><div class="side-box side-box-right listen noprint"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><span><noscript><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c0/Audio-input-microphone.svg/50px-Audio-input-microphone.svg.png" decoding="async" width="50" height="50" class="mw-file-element" data-file-width="48" data-file-height="48"></noscript><span class="lazy-image-placeholder" style="width: 50px;height: 50px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c0/Audio-input-microphone.svg/50px-Audio-input-microphone.svg.png" data-alt="" data-width="50" data-height="50" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c0/Audio-input-microphone.svg/75px-Audio-input-microphone.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c0/Audio-input-microphone.svg/100px-Audio-input-microphone.svg.png 2x" data-class="mw-file-element">&nbsp;</span></span><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:That%27s_All_Right.ogg" title="File:That's All Right.ogg">"That's All Right"</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_0" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="17" data-mwtitle="That's_All_Right.ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/4/42/That%27s_All_Right.ogg" type='audio/ogg; codecs="vorbis"' data-width="0" data-height="0"></source><source src="//upload.wikimedia.org/wikipedia/en/transcoded/4/42/That%27s_All_Right.ogg/That%27s_All_Right.ogg.mp3" type="audio/mpeg" data-transcodekey="mp3" data-width="0" data-height="0"></source><track src="/w/api.php?action=timedtext&amp;title=File%3AThat%27s_All_Right.ogg&amp;lang=en&amp;trackformat=vtt" kind="subtitles" type="text/vtt" srclang="en" label="English ‪(en)‬" data-dir="ltr"></track></audio></span></span></div> <div class="description">Presley transformed not only the sound but the emotion of the song, turning what had been written as a "lament for a lost love into a satisfied declaration of independence."<sup id="cite_ref-FOOTNOTEMarcus1982174_46-0" class="reference"><a href="#cite_note-FOOTNOTEMarcus1982174-46"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup></div></div></div></div> <div class="side-box-abovebelow"><hr><i class="selfreference">Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></div> </div> <p>Phillips, meanwhile, was always on the lookout for someone who could bring to a broader audience the sound of the black musicians on whom Sun focused.<sup id="cite_ref-FOOTNOTEMiller200072_47-0" class="reference"><a href="#cite_note-FOOTNOTEMiller200072-47"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> In June, he acquired a demo recording by <a href="/wiki/Jimmy_Sweeney" title="Jimmy Sweeney">Jimmy Sweeney</a> of a ballad, "Without You", that he thought might suit Presley. The teenaged singer came by the studio but was unable to do it justice. Despite this, Phillips asked Presley to sing other numbers and was sufficiently affected by what he heard to invite two local musicians, guitarist <a href="/wiki/Scotty_Moore" title="Scotty Moore">Winfield "Scotty" Moore</a> and <a href="/wiki/Double_bass" title="Double bass">upright bass</a> player <a href="/wiki/Bill_Black" title="Bill Black">Bill Black</a>, to work with Presley for a recording session.<sup id="cite_ref-FOOTNOTEJorgensen199810–11_48-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199810%E2%80%9311-48"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> The session, held the evening of July 5, proved entirely unfruitful until late in the night. As they were about to abort and go home, Presley launched into a 1946 blues number, Arthur Crudup's "<a href="/wiki/That%27s_All_Right" title="That's All Right">That's All Right</a>". Moore recalled, "All of a sudden, Elvis just started singing this song, jumping around and acting the fool, and then Bill picked up his bass, and he started acting the fool, too, and I started playing with them." Phillips quickly began taping; this was the sound he had been looking for.<sup id="cite_ref-FOOTNOTEGuralnick199494–97_49-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199494%E2%80%9397-49"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup> Three days later, popular Memphis disc jockey <a href="/wiki/Dewey_Phillips" title="Dewey Phillips">Dewey Phillips</a> played "That's All Right" on his <i>Red, Hot, and Blue</i> show.<sup id="cite_ref-FOOTNOTEPonce_de_Leon200743_50-0" class="reference"><a href="#cite_note-FOOTNOTEPonce_de_Leon200743-50"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> Listener interest was such that Phillips played the record repeatedly during the remaining two hours of his show. Interviewing Presley on-air, Phillips asked him what high school he attended to clarify his color for the many callers who had assumed that he was black.<sup id="cite_ref-FOOTNOTEGuralnick1994100–101_51-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994100%E2%80%93101-51"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> During the next few days, the trio recorded a <a href="/wiki/Bluegrass_music" title="Bluegrass music">bluegrass</a> song, <a href="/wiki/Bill_Monroe" title="Bill Monroe">Bill Monroe</a>'s "<a href="/wiki/Blue_Moon_of_Kentucky" title="Blue Moon of Kentucky">Blue Moon of Kentucky</a>", again in a distinctive style and employing a <a href="/wiki/Jury_rigging" title="Jury rigging">jury-rigged</a> <a href="/wiki/Delay_(audio_effect)" title="Delay (audio effect)">echo effect</a> that Sam Phillips dubbed "slapback". A single was pressed with "That's All Right" on the A-side and "Blue Moon of Kentucky" on the reverse.<sup id="cite_ref-FOOTNOTEGuralnick1994102–104_52-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994102%E2%80%93104-52"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Early_live_performances_and_RCA_Victor_contract">Early live performances and RCA Victor contract</h4></div> <p>The trio played publicly for the first time at the Bon Air club on July 17, 1954.<sup id="cite_ref-FOOTNOTEGuralnick1994105,_139_53-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994105,_139-53"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> Later that month, they appeared at the <a href="/wiki/Overton_Park#Levitt_Shell" title="Overton Park">Overton Park Shell</a>, with <a href="/wiki/Slim_Whitman" title="Slim Whitman">Slim Whitman</a> headlining. Here Elvis pioneered "<a href="/wiki/Rubber_legs" class="mw-redirect" title="Rubber legs">Rubber legs</a>", his signature dance movement.<sup id="cite_ref-FOOTNOTEMiller2021_54-0" class="reference"><a href="#cite_note-FOOTNOTEMiller2021-54"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTERodman2013151_55-0" class="reference"><a href="#cite_note-FOOTNOTERodman2013151-55"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup> A combination of his strong response to rhythm and nervousness led Presley to shake his legs as he performed: His wide-cut pants emphasized his movements, causing young women in the audience to start screaming.<sup id="cite_ref-FOOTNOTEGuralnick1994106,_108–111_56-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994106,_108%E2%80%93111-56"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup> Moore recalled, "During the instrumental parts, he would back off from the mic and be playing and shaking, and the crowd would just go wild."<sup id="cite_ref-FOOTNOTEGuralnick1994110_57-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994110-57"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup> </p><p>Soon after, Moore and Black left their old band to play with Presley regularly, and disc jockey/promoter <a href="/wiki/Bob_Neal_(promoter)" title="Bob Neal (promoter)">Bob Neal</a> became the trio's manager. From August through October, they played frequently at the Eagle's Nest club, a dance venue in Memphis. When Presley played, teenagers rushed from the pool to fill the club, then left again as the house <a href="/wiki/Western_swing" title="Western swing">western swing</a> band resumed.<sup id="cite_ref-FOOTNOTEGuralnick1994139_58-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994139-58"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup> Presley quickly grew more confident on stage. According to Moore, "His movement was a natural thing, but he was also very conscious of what got a reaction. He'd do something one time and then he would expand on it real quick."<sup id="cite_ref-FOOTNOTEGuralnick1994119_59-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994119-59"><span class="cite-bracket">[</span>57<span class="cite-bracket">]</span></a></sup> Amid these live performances, Presley returned to Sun studio for more recording sessions.<sup id="cite_ref-FOOTNOTEGuralnick1994117–127,_131_60-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994117%E2%80%93127,_131-60"><span class="cite-bracket">[</span>58<span class="cite-bracket">]</span></a></sup> Presley made what would be his only appearance on <a href="/wiki/Nashville,_Tennessee" title="Nashville, Tennessee">Nashville</a>'s <i><a href="/wiki/Grand_Ole_Opry" title="Grand Ole Opry">Grand Ole Opry</a></i> on October 2; <i>Opry</i> manager Jim Denny told Phillips that his singer was "not bad" but did not suit the program.<sup id="cite_ref-FOOTNOTEGuralnick1994128–130_61-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994128%E2%80%93130-61"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEMason200737–38_62-0" class="reference"><a href="#cite_note-FOOTNOTEMason200737%E2%80%9338-62"><span class="cite-bracket">[</span>60<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Louisiana_Hayride,_radio_commercial,_and_first_television_performances"><span id="Louisiana_Hayride.2C_radio_commercial.2C_and_first_television_performances"></span><i>Louisiana Hayride</i>, radio commercial, and first television performances</h4></div> <p>In November 1954, Presley performed on <i><a href="/wiki/Louisiana_Hayride" title="Louisiana Hayride">Louisiana Hayride</a></i>—the <i>Opry</i><span class="nowrap" style="padding-left:0.1em;">'</span>s chief, and more adventurous, rival. The show was broadcast to 198 radio stations in 28 states. His nervous first set drew a muted reaction. A more composed and energetic second set inspired an enthusiastic response.<sup id="cite_ref-FOOTNOTEGuralnick1994127–128,_135–142_63-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994127%E2%80%93128,_135%E2%80%93142-63"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> Soon after the show, the <i>Hayride</i> engaged Presley for a year's worth of Saturday-night appearances. Trading in his old guitar for $8, he purchased a <a href="/wiki/C._F._Martin_%26_Company" title="C. F. Martin &amp; Company">Martin</a> instrument for $175 (equivalent to $2,000 in 2024) and his trio began playing in new locales, including <a href="/wiki/Houston" title="Houston">Houston</a>, Texas, and <a href="/wiki/Texarkana,_Arkansas" title="Texarkana, Arkansas">Texarkana</a>, Arkansas.<sup id="cite_ref-FOOTNOTEGuralnick1994152,_156,_182_64-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994152,_156,_182-64"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup> Presley made his first television appearance on the <a href="/wiki/KSLA-TV" class="mw-redirect" title="KSLA-TV">KSLA-TV</a> broadcast of <i>Louisiana Hayride</i>. Soon after, he failed an audition for <i><a href="/wiki/Arthur_Godfrey%27s_Talent_Scouts" title="Arthur Godfrey's Talent Scouts">Arthur Godfrey's Talent Scouts</a></i> on the <a href="/wiki/CBS" title="CBS">CBS</a> television network. By early 1955, Presley's regular <i>Hayride</i> appearances, constant touring, and well-received record releases had made him a regional star.<sup id="cite_ref-FOOTNOTEGuralnick1994144,_159,_167–168_65-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994144,_159,_167%E2%80%93168-65"><span class="cite-bracket">[</span>63<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTENash20036–12_66-0" class="reference"><a href="#cite_note-FOOTNOTENash20036%E2%80%9312-66"><span class="cite-bracket">[</span>64<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_Presley_-_TV_Radio_Mirror,_September_1956_01.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/37/Elvis_Presley_-_TV_Radio_Mirror%2C_September_1956_01.jpg/230px-Elvis_Presley_-_TV_Radio_Mirror%2C_September_1956_01.jpg" decoding="async" width="230" height="153" class="mw-file-element" data-file-width="870" data-file-height="579"></noscript><span class="lazy-image-placeholder" style="width: 230px;height: 153px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/3/37/Elvis_Presley_-_TV_Radio_Mirror%2C_September_1956_01.jpg/230px-Elvis_Presley_-_TV_Radio_Mirror%2C_September_1956_01.jpg" data-width="230" data-height="153" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/37/Elvis_Presley_-_TV_Radio_Mirror%2C_September_1956_01.jpg/345px-Elvis_Presley_-_TV_Radio_Mirror%2C_September_1956_01.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/37/Elvis_Presley_-_TV_Radio_Mirror%2C_September_1956_01.jpg/460px-Elvis_Presley_-_TV_Radio_Mirror%2C_September_1956_01.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Presley performing with <a href="/wiki/Scotty_Moore" title="Scotty Moore">Scotty Moore</a> and <a href="/wiki/Bill_Black" title="Bill Black">Bill Black</a> in 1956</figcaption></figure> <p>In January, Neal signed a formal management contract with Presley and brought him to the attention of <a href="/wiki/Colonel_Tom_Parker" title="Colonel Tom Parker">Colonel Tom Parker</a>, whom he considered the best promoter in the music business. Having successfully managed the top country star <a href="/wiki/Eddy_Arnold" title="Eddy Arnold">Eddy Arnold</a>, Parker was working with the new number-one country singer, <a href="/wiki/Hank_Snow" title="Hank Snow">Hank Snow</a>. Parker booked Presley on Snow's February tour.<sup id="cite_ref-FOOTNOTEGuralnick1994144,_159,_167–168_65-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994144,_159,_167%E2%80%93168-65"><span class="cite-bracket">[</span>63<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTENash20036–12_66-1" class="reference"><a href="#cite_note-FOOTNOTENash20036%E2%80%9312-66"><span class="cite-bracket">[</span>64<span class="cite-bracket">]</span></a></sup> </p><p>By August, Sun had released 10 sides credited to "Elvis Presley, Scotty and Bill"; the latest recordings included a drummer. Some of the songs, like "That's All Right", were in what one Memphis journalist described as the "R&amp;B idiom of negro field jazz"; others, like "Blue Moon of Kentucky", were "more in the country field", "but there was a curious blending of the two different musics in both".<sup id="cite_ref-FOOTNOTEGuralnick1994163_67-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994163-67"><span class="cite-bracket">[</span>65<span class="cite-bracket">]</span></a></sup> This blend of styles made it difficult for Presley's music to find radio airplay. According to Neal, many country-music disc jockeys would not play it because Presley sounded too much like a black artist and none of the R&amp;B stations would touch him because "he sounded too much like a <a href="/wiki/Hillbilly" title="Hillbilly">hillbilly</a>."<sup id="cite_ref-FOOTNOTEBertrand2000104_68-0" class="reference"><a href="#cite_note-FOOTNOTEBertrand2000104-68"><span class="cite-bracket">[</span>66<span class="cite-bracket">]</span></a></sup> The blend came to be known as "rockabilly". At the time, Presley was billed as "The King of Western Bop", "The Hillbilly Cat", and "The Memphis Flash".<sup id="cite_ref-FOOTNOTEHopkins200753_69-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins200753-69"><span class="cite-bracket">[</span>67<span class="cite-bracket">]</span></a></sup> </p><p>Presley renewed Neal's management contract in August 1955, simultaneously appointing Parker as his special adviser.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen199945_70-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen199945-70"><span class="cite-bracket">[</span>68<span class="cite-bracket">]</span></a></sup> The group maintained an extensive touring schedule.<sup id="cite_ref-FOOTNOTEJorgensen199829_71-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199829-71"><span class="cite-bracket">[</span>69<span class="cite-bracket">]</span></a></sup> Neal recalled, "It was almost frightening, the reaction that came to Elvis from the teenaged boys. So many of them, through some sort of jealousy, would practically hate him. There were occasions in some towns in Texas when we'd have to be sure to have a police guard because somebody'd always try to take a crack at him."<sup id="cite_ref-FOOTNOTERogers198241_72-0" class="reference"><a href="#cite_note-FOOTNOTERogers198241-72"><span class="cite-bracket">[</span>70<span class="cite-bracket">]</span></a></sup> The trio became a quartet when <i>Hayride</i> drummer Fontana joined as a full member. In mid-October, they played a few shows in support of <a href="/wiki/Bill_Haley" title="Bill Haley">Bill Haley</a>, whose "<a href="/wiki/Rock_Around_the_Clock" title="Rock Around the Clock">Rock Around the Clock</a>" track had been a number-one hit the previous year. Haley observed that Presley had a natural feel for rhythm, and advised him to sing fewer ballads.<sup id="cite_ref-FOOTNOTEGuralnick1994217–219_73-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994217%E2%80%93219-73"><span class="cite-bracket">[</span>71<span class="cite-bracket">]</span></a></sup> </p><p>At the Country Disc Jockey Convention in early November, Presley was voted the year's most promising male artist.<sup id="cite_ref-FOOTNOTEJorgensen199831_74-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199831-74"><span class="cite-bracket">[</span>72<span class="cite-bracket">]</span></a></sup> After three major labels made offers of up to $25,000, Parker and Phillips struck a deal with <a href="/wiki/RCA_Victor" class="mw-redirect" title="RCA Victor">RCA Victor</a> on November 21 to acquire Presley's Sun contract for an unprecedented $40,000.<sup id="cite_ref-FOOTNOTEStanleyCoffey199828–29_75-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199828%E2%80%9329-75"><span class="cite-bracket">[</span>73<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-royalties_76-0" class="reference"><a href="#cite_note-royalties-76"><span class="cite-bracket">[</span>c<span class="cite-bracket">]</span></a></sup> Presley, aged 20, was legally still a minor, so his father signed the contract.<sup id="cite_ref-FOOTNOTEEscott1998421_77-0" class="reference"><a href="#cite_note-FOOTNOTEEscott1998421-77"><span class="cite-bracket">[</span>74<span class="cite-bracket">]</span></a></sup> Parker arranged with the owners of <a href="/wiki/Hill_%26_Range" title="Hill &amp; Range">Hill &amp; Range</a> Publishing, <a href="/wiki/Jean_Aberbach" title="Jean Aberbach">Jean</a> and <a href="/wiki/Julian_Aberbach" title="Julian Aberbach">Julian Aberbach</a>, to create two entities, Elvis Presley Music and Gladys Music, to handle all the new material recorded by Presley. Songwriters were obliged to forgo one-third of their customary <a href="/wiki/Royalty_payment" title="Royalty payment">royalties</a> in exchange for having Presley perform their compositions.<sup id="cite_ref-FOOTNOTEJorgensen199836,_54_78-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199836,_54-78"><span class="cite-bracket">[</span>75<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-cowriter_81-0" class="reference"><a href="#cite_note-cowriter-81"><span class="cite-bracket">[</span>d<span class="cite-bracket">]</span></a></sup> By December, RCA had begun to heavily promote its new singer, and before month's end had reissued many of his Sun recordings.<sup id="cite_ref-FOOTNOTEStanleyCoffey199829_82-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199829-82"><span class="cite-bracket">[</span>78<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1956–1958:_commercial_breakout_and_controversy"><span id="1956.E2.80.931958:_commercial_breakout_and_controversy"></span>1956–1958: commercial breakout and controversy</h3></div> <div class="mw-heading mw-heading4"><h4 id="First_national_TV_appearances_and_debut_album">First national TV appearances and debut album</h4></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_Presley-_Billboard_ad_1956.png" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/25/Elvis_Presley-_Billboard_ad_1956.png/220px-Elvis_Presley-_Billboard_ad_1956.png" decoding="async" width="220" height="166" class="mw-file-element" data-file-width="2185" data-file-height="1648"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 166px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/2/25/Elvis_Presley-_Billboard_ad_1956.png/220px-Elvis_Presley-_Billboard_ad_1956.png" data-width="220" data-height="166" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/25/Elvis_Presley-_Billboard_ad_1956.png/330px-Elvis_Presley-_Billboard_ad_1956.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/25/Elvis_Presley-_Billboard_ad_1956.png/440px-Elvis_Presley-_Billboard_ad_1956.png 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption><i><a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a></i> magazine advertisement, March 10, 1956</figcaption></figure> <p>On January 10, 1956, Presley made his first recordings for RCA Victor in Nashville.<sup id="cite_ref-FOOTNOTEStanleyCoffey199830_83-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199830-83"><span class="cite-bracket">[</span>79<span class="cite-bracket">]</span></a></sup> Extending his by-now customary backup of Moore, Black, Fontana, and <i>Hayride</i> pianist <a href="/wiki/Floyd_Cramer" title="Floyd Cramer">Floyd Cramer</a>—who had been performing at live club dates with Presley—RCA Victor enlisted guitarist <a href="/wiki/Chet_Atkins" title="Chet Atkins">Chet Atkins</a> and three background singers, including Gordon Stoker of the popular <a href="/wiki/Jordanaires" class="mw-redirect" title="Jordanaires">Jordanaires</a> quartet.<sup id="cite_ref-FOOTNOTEGuralnick1994235–136_84-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994235%E2%80%93136-84"><span class="cite-bracket">[</span>80<span class="cite-bracket">]</span></a></sup> The session produced the moody "<a href="/wiki/Heartbreak_Hotel" title="Heartbreak Hotel">Heartbreak Hotel</a>", released as a single on January 27.<sup id="cite_ref-FOOTNOTEStanleyCoffey199830_83-1" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199830-83"><span class="cite-bracket">[</span>79<span class="cite-bracket">]</span></a></sup> Parker brought Presley to national television, booking him on CBS's <i><a href="/wiki/Stage_Show_(TV_series)" title="Stage Show (TV series)">Stage Show</a></i> for six appearances over two months. The program, produced in New York City, was hosted on alternate weeks by big band leaders and brothers <a href="/wiki/Tommy_Dorsey" title="Tommy Dorsey">Tommy</a> and <a href="/wiki/Jimmy_Dorsey" title="Jimmy Dorsey">Jimmy Dorsey</a>. After his first appearance on January 28, Presley stayed in town to record at RCA Victor's New York studio. The sessions yielded eight songs, including a <a href="/wiki/Cover_song" class="mw-redirect" title="Cover song">cover</a> of <a href="/wiki/Carl_Perkins" title="Carl Perkins">Carl Perkins</a>' rockabilly anthem "<a href="/wiki/Blue_Suede_Shoes" title="Blue Suede Shoes">Blue Suede Shoes</a>". In February, Presley's "<a href="/wiki/I_Forgot_to_Remember_to_Forget" title="I Forgot to Remember to Forget">I Forgot to Remember to Forget</a>", a Sun recording released the previous August, reached the top of the <a href="/wiki/Hot_Country_Songs" title="Hot Country Songs"><i>Billboard</i> country chart</a>.<sup id="cite_ref-FOOTNOTESlaughterNixon200421_85-0" class="reference"><a href="#cite_note-FOOTNOTESlaughterNixon200421-85"><span class="cite-bracket">[</span>81<span class="cite-bracket">]</span></a></sup> Neal's contract was terminated and Parker became Presley's manager.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen199950,_54,_64_86-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen199950,_54,_64-86"><span class="cite-bracket">[</span>82<span class="cite-bracket">]</span></a></sup> </p><p> RCA Victor released Presley's <a href="/wiki/Elvis_Presley_(album)" title="Elvis Presley (album)">self-titled debut album</a> on March 23. Joined by five previously unreleased Sun recordings, its seven recently recorded tracks included two country songs, a bouncy pop tune, and what would centrally define the evolving sound of <a href="/wiki/Rock_and_roll" title="Rock and roll">rock and roll</a>: "Blue Suede Shoes"—"an improvement over Perkins' in almost every way", according to critic <a href="/wiki/Robert_Hilburn" title="Robert Hilburn">Robert Hilburn</a>—and three R&amp;B numbers that had been part of Presley's stage repertoire, covers of <a href="/wiki/Little_Richard" title="Little Richard">Little Richard</a>, <a href="/wiki/Ray_Charles" title="Ray Charles">Ray Charles</a>, and <a href="/wiki/The_Drifters" title="The Drifters">The Drifters</a>. As described by Hilburn, these </p><blockquote><p>were the most revealing of all. Unlike many white artists ... who watered down the gritty edges of the original R&amp;B versions of songs in the '50s, Presley reshaped them. He not only injected the tunes with his own vocal character but also made guitar, not piano, the lead instrument in all three cases.<sup id="cite_ref-FOOTNOTEHilburn2005_87-0" class="reference"><a href="#cite_note-FOOTNOTEHilburn2005-87"><span class="cite-bracket">[</span>83<span class="cite-bracket">]</span></a></sup></p></blockquote><p> It became the first rock and roll album to top the <i>Billboard</i> chart, a position it held for ten weeks.<sup id="cite_ref-FOOTNOTEStanleyCoffey199830_83-2" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199830-83"><span class="cite-bracket">[</span>79<span class="cite-bracket">]</span></a></sup> While Presley was not an innovative guitarist like Moore or contemporary African American rockers <a href="/wiki/Bo_Diddley" title="Bo Diddley">Bo Diddley</a> and <a href="/wiki/Chuck_Berry" title="Chuck Berry">Chuck Berry</a>, cultural historian Gilbert B. Rodman argued that the album's cover image, "of Elvis having the time of his life on stage <i>with a guitar in his hands</i> played a crucial role in positioning the guitar ... as the instrument that best captured the style and spirit of this new music."<sup id="cite_ref-FOOTNOTERodman199628_88-0" class="reference"><a href="#cite_note-FOOTNOTERodman199628-88"><span class="cite-bracket">[</span>84<span class="cite-bracket">]</span></a></sup> </p><div class="mw-heading mw-heading4"><h4 id='Milton_Berle_Show_and_"Hound_Dog"'><span id="Milton_Berle_Show_and_.22Hound_Dog.22"></span><i>Milton Berle Show</i> and "Hound Dog"</h4></div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_signs_autographs_in_Minneapolis_1956.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/0/07/Elvis_signs_autographs_in_Minneapolis_1956.jpg/220px-Elvis_signs_autographs_in_Minneapolis_1956.jpg" decoding="async" width="220" height="173" class="mw-file-element" data-file-width="949" data-file-height="746"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 173px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/0/07/Elvis_signs_autographs_in_Minneapolis_1956.jpg/220px-Elvis_signs_autographs_in_Minneapolis_1956.jpg" data-width="220" data-height="173" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/07/Elvis_signs_autographs_in_Minneapolis_1956.jpg/330px-Elvis_signs_autographs_in_Minneapolis_1956.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/07/Elvis_signs_autographs_in_Minneapolis_1956.jpg/440px-Elvis_signs_autographs_in_Minneapolis_1956.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Presley signing autographs in <a href="/wiki/Minneapolis" title="Minneapolis">Minneapolis</a> in 1956</figcaption></figure> <p>On April 3, Presley made the first of two appearances on <a href="/wiki/NBC" title="NBC">NBC</a>'s <i><a href="/wiki/The_Milton_Berle_Show" class="mw-redirect" title="The Milton Berle Show">The Milton Berle Show</a></i>. His performance, on the deck of the <a href="/wiki/USS_Hancock_(CV-19)" title="USS Hancock (CV-19)">USS <i>Hancock</i></a> in <a href="/wiki/San_Diego" title="San Diego">San Diego</a>, California, prompted cheers and screams from an audience of sailors and their dates.<sup id="cite_ref-FOOTNOTEGuralnick1994262–263_89-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994262%E2%80%93263-89"><span class="cite-bracket">[</span>85<span class="cite-bracket">]</span></a></sup> A few days later, Presley and his band were flying to <a href="/wiki/Nashville,_Tennessee" title="Nashville, Tennessee">Nashville, Tennessee</a>, for a recording session when an engine died and the plane almost went down over <a href="/wiki/Arkansas" title="Arkansas">Arkansas</a>.<sup id="cite_ref-FOOTNOTEGuralnick1994267_90-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994267-90"><span class="cite-bracket">[</span>86<span class="cite-bracket">]</span></a></sup> Twelve weeks after its original release, "Heartbreak Hotel" became Presley's first number-one pop hit. In late April, Presley began a two-week <a href="/wiki/Concert_residency" title="Concert residency">residency</a> at the <a href="/wiki/New_Frontier_Hotel_and_Casino" title="New Frontier Hotel and Casino">New Frontier Hotel and Casino</a> on the <a href="/wiki/Las_Vegas_Strip" title="Las Vegas Strip">Las Vegas Strip</a>.<sup id="cite_ref-FOOTNOTEKochManningToplikar2008_91-0" class="reference"><a href="#cite_note-FOOTNOTEKochManningToplikar2008-91"><span class="cite-bracket">[</span>87<span class="cite-bracket">]</span></a></sup> The shows were poorly received by the conservative, middle-aged hotel guests, "like a jug of corn liquor at a champagne party", a <i><a href="/wiki/Newsweek" title="Newsweek">Newsweek</a></i> critic wrote.<sup id="cite_ref-FOOTNOTEGuralnick1994274_92-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994274-92"><span class="cite-bracket">[</span>88<span class="cite-bracket">]</span></a></sup> Amid his Vegas tenure, Presley, who had acting ambitions, signed a seven-year contract with <a href="/wiki/Paramount_Pictures" title="Paramount Pictures">Paramount Pictures</a>.<sup id="cite_ref-FOOTNOTEVictor2008315_93-0" class="reference"><a href="#cite_note-FOOTNOTEVictor2008315-93"><span class="cite-bracket">[</span>89<span class="cite-bracket">]</span></a></sup> He began a tour of the <a href="/wiki/American_Midwest" class="mw-redirect" title="American Midwest">Midwest</a> in mid-May, covering 15 cities in as many days.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen199972–73_94-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen199972%E2%80%9373-94"><span class="cite-bracket">[</span>90<span class="cite-bracket">]</span></a></sup> He had attended several shows by <a href="/wiki/Freddie_Bell_and_the_Bellboys" title="Freddie Bell and the Bellboys">Freddie Bell and the Bellboys</a> in Vegas and was struck by their cover of "<a href="/wiki/Hound_Dog_(song)" title="Hound Dog (song)">Hound Dog</a>", a hit in 1953 for blues singer <a href="/wiki/Big_Mama_Thornton" title="Big Mama Thornton">Big Mama Thornton</a> by songwriters <a href="/wiki/Jerry_Leiber_and_Mike_Stoller" title="Jerry Leiber and Mike Stoller">Jerry Leiber and Mike Stoller</a>. It became his new closing number.<sup id="cite_ref-FOOTNOTEGuralnick1994273,_284_95-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994273,_284-95"><span class="cite-bracket">[</span>91<span class="cite-bracket">]</span></a></sup> </p><p> After a show in <a href="/wiki/La_Crosse,_Wisconsin" title="La Crosse, Wisconsin">La Crosse</a>, Wisconsin, an urgent message on the letterhead of the local Catholic diocese's newspaper was sent to <a href="/wiki/Federal_Bureau_of_Investigation" title="Federal Bureau of Investigation">FBI</a> director <a href="/wiki/J._Edgar_Hoover" title="J. Edgar Hoover">J. Edgar Hoover</a>. It warned that </p><blockquote><p>Presley is a definite danger to the security of the United States. ... [His] actions and motions were such as to rouse the sexual passions of teenaged youth. ... After the show, more than 1,000 teenagers tried to gang into Presley's room at the auditorium. ... Indications of the harm Presley did just in La Crosse were the two high school girls ... whose abdomen and thigh had Presley's autograph.<sup id="cite_ref-FOOTNOTEFensch200114–18_96-0" class="reference"><a href="#cite_note-FOOTNOTEFensch200114%E2%80%9318-96"><span class="cite-bracket">[</span>92<span class="cite-bracket">]</span></a></sup></p></blockquote><p> Presley's second <i>Milton Berle Show</i> appearance came on June 5 at <a href="/wiki/NBC" title="NBC">NBC</a>'s Hollywood studio, amid another hectic tour. <a href="/wiki/Milton_Berle" title="Milton Berle">Milton Berle</a> persuaded Presley to leave his guitar backstage.<sup id="cite_ref-FOOTNOTEBurkeGriffin200652_97-0" class="reference"><a href="#cite_note-FOOTNOTEBurkeGriffin200652-97"><span class="cite-bracket">[</span>93<span class="cite-bracket">]</span></a></sup> During the performance, Presley abruptly halted an up-tempo rendition of "Hound Dog" and launched into a slow, grinding version accentuated with exaggerated body movements.<sup id="cite_ref-FOOTNOTEBurkeGriffin200652_97-1" class="reference"><a href="#cite_note-FOOTNOTEBurkeGriffin200652-97"><span class="cite-bracket">[</span>93<span class="cite-bracket">]</span></a></sup> His gyrations created a storm of controversy.<sup id="cite_ref-FOOTNOTEJorgensen199849_98-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199849-98"><span class="cite-bracket">[</span>94<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Jack_Gould" title="Jack Gould">Jack Gould</a> of <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i> wrote, </p><blockquote><p>Mr. Presley has no discernible singing ability. ... His phrasing, if it can be called that, consists of the stereotyped variations that go with a beginner's aria in a bathtub. ... His one specialty is an accented movement of the body ... primarily identified with the repertoire of the blond bombshells of the burlesque runway.<sup id="cite_ref-FOOTNOTEGould1956_99-0" class="reference"><a href="#cite_note-FOOTNOTEGould1956-99"><span class="cite-bracket">[</span>95<span class="cite-bracket">]</span></a></sup></p></blockquote><p> Ben Gross of the <i><a href="/wiki/New_York_Daily_News" title="New York Daily News">New York Daily News</a></i> opined that popular music "has reached its lowest depths in the 'grunt and groin' antics of one Elvis Presley. ... Elvis, who rotates his pelvis ... gave an exhibition that was suggestive and vulgar, tinged with the kind of animalism that should be confined to dives and <a href="/wiki/Bordello" class="mw-redirect" title="Bordello">bordellos</a>".<sup id="cite_ref-FOOTNOTEGuralnickJorgensen199973_100-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen199973-100"><span class="cite-bracket">[</span>96<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Ed_Sullivan" title="Ed Sullivan">Ed Sullivan</a>, whose <a href="/wiki/The_Ed_Sullivan_Show" title="The Ed Sullivan Show">variety show</a> was the nation's most popular, declared Presley "unfit for family viewing".<sup id="cite_ref-FOOTNOTEMarcus2006_101-0" class="reference"><a href="#cite_note-FOOTNOTEMarcus2006-101"><span class="cite-bracket">[</span>97<span class="cite-bracket">]</span></a></sup> To Presley's displeasure, he soon found himself being referred to as "Elvis the Pelvis", which he called "childish".<sup id="cite_ref-FOOTNOTEMarsh1982100_102-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh1982100-102"><span class="cite-bracket">[</span>98<span class="cite-bracket">]</span></a></sup> </p><div class="mw-heading mw-heading4"><h4 id="Steve_Allen_Show_and_first_Sullivan_appearance"><i>Steve Allen Show</i> and first Sullivan appearance</h4></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_Presley_and_Ed_Sullivan_October_1956.jpg" class="mw-file-description"><noscript><img alt="Photo of Elvis and Ed Sullivan" src="//upload.wikimedia.org/wikipedia/commons/thumb/1/17/Elvis_Presley_and_Ed_Sullivan_October_1956.jpg/180px-Elvis_Presley_and_Ed_Sullivan_October_1956.jpg" decoding="async" width="180" height="240" class="mw-file-element" data-file-width="936" data-file-height="1248"></noscript><span class="lazy-image-placeholder" style="width: 180px;height: 240px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/1/17/Elvis_Presley_and_Ed_Sullivan_October_1956.jpg/180px-Elvis_Presley_and_Ed_Sullivan_October_1956.jpg" data-alt="Photo of Elvis and Ed Sullivan" data-width="180" data-height="240" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/17/Elvis_Presley_and_Ed_Sullivan_October_1956.jpg/270px-Elvis_Presley_and_Ed_Sullivan_October_1956.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/17/Elvis_Presley_and_Ed_Sullivan_October_1956.jpg/360px-Elvis_Presley_and_Ed_Sullivan_October_1956.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption><a href="/wiki/Ed_Sullivan" title="Ed Sullivan">Ed Sullivan</a> and Presley during rehearsals for his second appearance on <i><a href="/wiki/The_Ed_Sullivan_Show" title="The Ed Sullivan Show">The Ed Sullivan Show</a></i>, October 26, 1956</figcaption></figure> <p>The Berle shows drew such high ratings that Presley was booked for a July 1 appearance on NBC's <i><a href="/wiki/The_Steve_Allen_Show" title="The Steve Allen Show">The Steve Allen Show</a></i> in New York. <a href="/wiki/Steve_Allen" title="Steve Allen">Allen</a>, who was no fan of rock and roll, introduced a "new Elvis" in a white bowtie and black tails. Presley sang "Hound Dog" for less than a minute to a <a href="/wiki/Basset_hound" class="mw-redirect" title="Basset hound">basset hound</a> wearing a top hat and bowtie. As described by television historian Jake Austen, "Allen thought Presley was talentless and absurd ... [he] set things up so that Presley would show his contrition".<sup id="cite_ref-FOOTNOTEAusten200513_103-0" class="reference"><a href="#cite_note-FOOTNOTEAusten200513-103"><span class="cite-bracket">[</span>99<span class="cite-bracket">]</span></a></sup> Allen later wrote that he found Presley's "strange, gangly, country-boy charisma, his hard-to-define cuteness, and his charming eccentricity intriguing" and worked him into the "comedy fabric" of his program.<sup id="cite_ref-FOOTNOTEAllen1992270_104-0" class="reference"><a href="#cite_note-FOOTNOTEAllen1992270-104"><span class="cite-bracket">[</span>100<span class="cite-bracket">]</span></a></sup> Just before the final rehearsal for the show, Presley told a reporter, "I don't want to do anything to make people dislike me. I think TV is important so I'm going to go along, but I won't be able to give the kind of show I do in a personal appearance."<sup id="cite_ref-FOOTNOTERock_'N_Roll_Stars19565_105-0" class="reference"><a href="#cite_note-FOOTNOTERock_'N_Roll_Stars19565-105"><span class="cite-bracket">[</span>101<span class="cite-bracket">]</span></a></sup> Presley would refer back to the Allen show as the most ridiculous performance of his career.<sup id="cite_ref-FOOTNOTEKeogh200473_106-0" class="reference"><a href="#cite_note-FOOTNOTEKeogh200473-106"><span class="cite-bracket">[</span>102<span class="cite-bracket">]</span></a></sup> Later that night, he appeared on <i><a href="/wiki/Hy_Gardner_Calling" class="mw-redirect" title="Hy Gardner Calling">Hy Gardner Calling</a></i>, a popular local television show. Pressed on whether he had learned anything from the criticism of him, Presley responded, "No, I haven't ... I don't see how any type of music would have any bad influence on people when it's only music. ... how would rock 'n' roll music make anyone rebel against their parents?"<sup id="cite_ref-FOOTNOTEGuralnickJorgensen199973_100-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen199973-100"><span class="cite-bracket">[</span>96<span class="cite-bracket">]</span></a></sup> </p><p>The next day, Presley recorded "Hound Dog", "<a href="/wiki/Any_Way_You_Want_Me_(That%27s_How_I_Will_Be)" class="mw-redirect" title="Any Way You Want Me (That's How I Will Be)">Any Way You Want Me</a>" and "<a href="/wiki/Don%27t_Be_Cruel" title="Don't Be Cruel">Don't Be Cruel</a>". The Jordanaires sang harmony, as they had on <i>The Steve Allen Show</i>; they would work with Presley through the 1960s. A few days later, Presley made an outdoor concert appearance in Memphis, at which he announced, "You know, those people in New York are not gonna change me none. I'm gonna show you what the real Elvis is like tonight."<sup id="cite_ref-FOOTNOTEJorgensen199851_107-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199851-107"><span class="cite-bracket">[</span>103<span class="cite-bracket">]</span></a></sup> In August, a judge in <a href="/wiki/Jacksonville,_Florida" title="Jacksonville, Florida">Jacksonville</a>, Florida, ordered Presley to tame his act. Throughout the following performance, he largely kept still, except for wiggling his little finger suggestively in mockery of the order.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen199980–81_108-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen199980%E2%80%9381-108"><span class="cite-bracket">[</span>104<span class="cite-bracket">]</span></a></sup> The single pairing "Don't Be Cruel" with "Hound Dog" ruled the top of the charts for eleven weeks—a mark that would not be surpassed for 36 years.<sup id="cite_ref-FOOTNOTEWhitburn19935_109-0" class="reference"><a href="#cite_note-FOOTNOTEWhitburn19935-109"><span class="cite-bracket">[</span>105<span class="cite-bracket">]</span></a></sup> Recording sessions for Presley's second album took place in Hollywood in early September. Leiber and Stoller, the writers of "Hound Dog", contributed "<a href="/wiki/Love_Me_(Leiber/Stoller_song)" title="Love Me (Leiber/Stoller song)">Love Me</a>".<sup id="cite_ref-FOOTNOTEJorgensen199860–65_110-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199860%E2%80%9365-110"><span class="cite-bracket">[</span>106<span class="cite-bracket">]</span></a></sup> </p><p>Allen's show with Presley had, for the first time, beaten <i>The Ed Sullivan Show</i> in the ratings. Sullivan booked Presley for three appearances for an unprecedented $50,000.<sup id="cite_ref-FOOTNOTEAusten200516_111-0" class="reference"><a href="#cite_note-FOOTNOTEAusten200516-111"><span class="cite-bracket">[</span>107<span class="cite-bracket">]</span></a></sup> The first, on September 9, 1956, was seen by approximately 60 million viewers—a record 82.6 percent of the television audience.<sup id="cite_ref-FOOTNOTEEdgerton2007187_112-0" class="reference"><a href="#cite_note-FOOTNOTEEdgerton2007187-112"><span class="cite-bracket">[</span>108<span class="cite-bracket">]</span></a></sup> Actor <a href="/wiki/Charles_Laughton" title="Charles Laughton">Charles Laughton</a> hosted the show, filling in while Sullivan was recovering from a car accident.<sup id="cite_ref-FOOTNOTEMarcus2006_101-1" class="reference"><a href="#cite_note-FOOTNOTEMarcus2006-101"><span class="cite-bracket">[</span>97<span class="cite-bracket">]</span></a></sup> According to legend, Presley was shot only from the waist up. Watching clips of the Allen and Berle shows, Sullivan had opined that Presley "got some kind of device hanging down below the crotch of his pants—so when he moves his legs back and forth you can see the outline of his cock. ... I think it's a <a href="/wiki/Coca-Cola" title="Coca-Cola">Coke</a> bottle. ... We just can't have this on a Sunday night. This is a family show!"<sup id="cite_ref-FOOTNOTEBrownBroeske199793_113-0" class="reference"><a href="#cite_note-FOOTNOTEBrownBroeske199793-113"><span class="cite-bracket">[</span>109<span class="cite-bracket">]</span></a></sup> Sullivan publicly told <i><a href="/wiki/TV_Guide" title="TV Guide">TV Guide</a></i>, "As for his gyrations, the whole thing can be controlled with camera shots."<sup id="cite_ref-FOOTNOTEAusten200516_111-1" class="reference"><a href="#cite_note-FOOTNOTEAusten200516-111"><span class="cite-bracket">[</span>107<span class="cite-bracket">]</span></a></sup> In fact, Presley was shown head-to-toe. Though the camerawork was relatively discreet during his debut, with leg-concealing closeups when he danced, the studio audience reacted with screams.<sup id="cite_ref-FOOTNOTEGuralnick1994338_114-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994338-114"><span class="cite-bracket">[</span>110<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEGibson2005_115-0" class="reference"><a href="#cite_note-FOOTNOTEGibson2005-115"><span class="cite-bracket">[</span>111<span class="cite-bracket">]</span></a></sup> Presley's performance of his forthcoming single, the ballad "<a href="/wiki/Love_Me_Tender_(song)" title="Love Me Tender (song)">Love Me Tender</a>", prompted a record-shattering million advance orders.<sup id="cite_ref-FOOTNOTEVictor2008439_116-0" class="reference"><a href="#cite_note-FOOTNOTEVictor2008439-116"><span class="cite-bracket">[</span>112<span class="cite-bracket">]</span></a></sup> More than any other single event, it was this first appearance on <i>The Ed Sullivan Show</i> that made Presley a national celebrity.<sup id="cite_ref-FOOTNOTEMarcus2006_101-2" class="reference"><a href="#cite_note-FOOTNOTEMarcus2006-101"><span class="cite-bracket">[</span>97<span class="cite-bracket">]</span></a></sup> </p><p> Accompanying Presley's rise to fame, a cultural shift was taking place that he both helped inspire and came to symbolize. The historian Marty Jezer wrote that Presley began the "biggest pop craze" since <a href="/wiki/Glenn_Miller" title="Glenn Miller">Glenn Miller</a> and <a href="/wiki/Frank_Sinatra" title="Frank Sinatra">Frank Sinatra</a> and brought rock and roll to mainstream culture: </p><blockquote><p>As Presley set the artistic pace, other artists followed. ... Presley, more than anyone else, gave the young a belief in themselves as a distinct and somehow unified generation—the first in America ever to feel the power of an integrated youth culture.<sup id="cite_ref-FOOTNOTEJezer1982281_117-0" class="reference"><a href="#cite_note-FOOTNOTEJezer1982281-117"><span class="cite-bracket">[</span>113<span class="cite-bracket">]</span></a></sup></p></blockquote> <div class="mw-heading mw-heading4"><h4 id="Crazed_crowds_and_film_debut">Crazed crowds and film debut</h4></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_Presley_-_TV_Radio_Mirror,_March_1957_01.jpg" class="mw-file-description"><noscript><img alt="Elvis performing on stage" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/39/Elvis_Presley_-_TV_Radio_Mirror%2C_March_1957_01.jpg/310px-Elvis_Presley_-_TV_Radio_Mirror%2C_March_1957_01.jpg" decoding="async" width="310" height="168" class="mw-file-element" data-file-width="1762" data-file-height="954"></noscript><span class="lazy-image-placeholder" style="width: 310px;height: 168px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/3/39/Elvis_Presley_-_TV_Radio_Mirror%2C_March_1957_01.jpg/310px-Elvis_Presley_-_TV_Radio_Mirror%2C_March_1957_01.jpg" data-alt="Elvis performing on stage" data-width="310" data-height="168" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/39/Elvis_Presley_-_TV_Radio_Mirror%2C_March_1957_01.jpg/465px-Elvis_Presley_-_TV_Radio_Mirror%2C_March_1957_01.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/39/Elvis_Presley_-_TV_Radio_Mirror%2C_March_1957_01.jpg/620px-Elvis_Presley_-_TV_Radio_Mirror%2C_March_1957_01.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Presley performing live at the Mississippi-Alabama Fairgrounds in Tupelo, September 26, 1956</figcaption></figure> <p>The audience response at Presley's live shows became increasingly fevered. Moore recalled, "He'd start out, 'You ain't nothin' but a Hound Dog,' and they'd just go to pieces. They'd always react the same way. There'd be a riot every time."<sup id="cite_ref-FOOTNOTEMooreDickerson1997175_118-0" class="reference"><a href="#cite_note-FOOTNOTEMooreDickerson1997175-118"><span class="cite-bracket">[</span>114<span class="cite-bracket">]</span></a></sup> At the two concerts he performed in September at the Mississippi–Alabama Fair and Dairy Show, fifty <a href="/wiki/National_Guard_of_the_United_States" class="mw-redirect" title="National Guard of the United States">National Guardsmen</a> were added to the police detail to prevent a ruckus.<sup id="cite_ref-FOOTNOTEGuralnick1994343_119-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994343-119"><span class="cite-bracket">[</span>115<span class="cite-bracket">]</span></a></sup> <i><a href="/wiki/Elvis_(1956_album)" title="Elvis (1956 album)">Elvis</a></i>, Presley's second RCA Victor album, was released in October and quickly rose to number one. The album includes "Old Shep", which he sang at the talent show in 1945, and which now marked the first time he played piano on an RCA Victor session. According to Guralnick, "the halting chords and the somewhat stumbling rhythm" showed "the unmistakable emotion and the equally unmistakable valuing of emotion over technique."<sup id="cite_ref-FOOTNOTEGuralnick1994335_120-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994335-120"><span class="cite-bracket">[</span>116<span class="cite-bracket">]</span></a></sup> Assessing the musical and cultural impact of Presley's recordings from "That's All Right" through <i>Elvis</i>, rock critic <a href="/wiki/Dave_Marsh" title="Dave Marsh">Dave Marsh</a> wrote that "these records, more than any others, contain the seeds of what rock &amp; roll was, has been and most likely what it may foreseeably become."<sup id="cite_ref-FOOTNOTEMarsh1980395_121-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh1980395-121"><span class="cite-bracket">[</span>117<span class="cite-bracket">]</span></a></sup> </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132"><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><span><noscript><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/8/87/Gnome-mime-sound-openclipart.svg/50px-Gnome-mime-sound-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" data-file-width="160" data-file-height="160"></noscript><span class="lazy-image-placeholder" style="width: 50px;height: 50px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/8/87/Gnome-mime-sound-openclipart.svg/50px-Gnome-mime-sound-openclipart.svg.png" data-alt="" data-width="50" data-height="50" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/87/Gnome-mime-sound-openclipart.svg/75px-Gnome-mime-sound-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/87/Gnome-mime-sound-openclipart.svg/100px-Gnome-mime-sound-openclipart.svg.png 2x" data-class="mw-file-element">&nbsp;</span></span><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Hound_Dog_%26_intro_(live-Ed_Sullivan_2).ogg" title="File:Hound Dog &amp; intro (live-Ed Sullivan 2).ogg">"We're gonna do a sad song ..."</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_1" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="30" data-mwtitle="Hound_Dog_&amp;_intro_(live-Ed_Sullivan_2).ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/0/01/Hound_Dog_%26_intro_%28live-Ed_Sullivan_2%29.ogg" type='audio/ogg; codecs="vorbis"' data-width="0" data-height="0"></source><source src="//upload.wikimedia.org/wikipedia/en/transcoded/0/01/Hound_Dog_%26_intro_%28live-Ed_Sullivan_2%29.ogg/Hound_Dog_%26_intro_%28live-Ed_Sullivan_2%29.ogg.mp3" type="audio/mpeg" data-transcodekey="mp3" data-width="0" data-height="0"></source></audio></span></span></div> <div class="description">Presley's definition of rock and roll included a sense of humor—here, during his second Sullivan appearance, he introduces one of his signature numbers.</div></div></div></div> <div class="side-box-abovebelow"><hr><i class="selfreference">Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></div> </div> <p>Presley returned to <i>The Ed Sullivan Show</i>, hosted this time by its namesake, on October 28. After the performance, crowds in Nashville and <a href="/wiki/St._Louis,_Missouri" class="mw-redirect" title="St. Louis, Missouri">St. Louis</a> burned him in <a href="/wiki/Effigy" title="Effigy">effigy</a>.<sup id="cite_ref-FOOTNOTEMarcus2006_101-3" class="reference"><a href="#cite_note-FOOTNOTEMarcus2006-101"><span class="cite-bracket">[</span>97<span class="cite-bracket">]</span></a></sup> His first motion picture, <i><a href="/wiki/Love_Me_Tender_(film)" title="Love Me Tender (film)">Love Me Tender</a></i>, was released on November 21. Though he was not top-billed, the film's original title—<i><a href="/wiki/Reno_Gang" title="Reno Gang">The Reno Brothers</a></i>—was changed to capitalize on his latest number-one record: "Love Me Tender" had hit the top of the charts earlier that month. To further take advantage of Presley's popularity, four musical numbers were added to what was originally a straight acting role. The film was panned by critics but did very well at the box office.<sup id="cite_ref-FOOTNOTEVictor2008315_93-1" class="reference"><a href="#cite_note-FOOTNOTEVictor2008315-93"><span class="cite-bracket">[</span>89<span class="cite-bracket">]</span></a></sup> Presley received top billing on every subsequent film he made.<sup id="cite_ref-FOOTNOTEO'Malley2016_122-0" class="reference"><a href="#cite_note-FOOTNOTEO'Malley2016-122"><span class="cite-bracket">[</span>118<span class="cite-bracket">]</span></a></sup> </p><p>On December 4, Presley dropped into Sun Records, where Carl Perkins and <a href="/wiki/Jerry_Lee_Lewis" title="Jerry Lee Lewis">Jerry Lee Lewis</a> were recording, and had an impromptu <a href="/wiki/Jam_session" title="Jam session">jam session</a> along with <a href="/wiki/Johnny_Cash" title="Johnny Cash">Johnny Cash</a>. Though Phillips no longer had the right to release any Presley material, he made sure that the session was captured on tape. The results, none officially released for twenty-five years, became known as the "<a href="/wiki/Million_Dollar_Quartet" title="Million Dollar Quartet">Million Dollar Quartet</a>" recordings.<sup id="cite_ref-FOOTNOTEJorgensen199871_123-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199871-123"><span class="cite-bracket">[</span>119<span class="cite-bracket">]</span></a></sup> The year ended with a front-page story in <i><a href="/wiki/The_Wall_Street_Journal" title="The Wall Street Journal">The Wall Street Journal</a></i> reporting that Presley merchandise had brought in $22 million on top of his record sales,<sup id="cite_ref-FOOTNOTEPalladino1996131_124-0" class="reference"><a href="#cite_note-FOOTNOTEPalladino1996131-124"><span class="cite-bracket">[</span>120<span class="cite-bracket">]</span></a></sup> and <i>Billboard</i><span class="nowrap" style="padding-left:0.1em;">'</span>s declaration that he had placed more songs in the top 100 than any other artist since records were first charted.<sup id="cite_ref-FOOTNOTEStanleyCoffey199837_125-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199837-125"><span class="cite-bracket">[</span>121<span class="cite-bracket">]</span></a></sup> In his first full year at RCA Victor, then the record industry's largest company, Presley had accounted for over fifty percent of the label's singles sales.<sup id="cite_ref-FOOTNOTEVictor2008439_116-1" class="reference"><a href="#cite_note-FOOTNOTEVictor2008439-116"><span class="cite-bracket">[</span>112<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Leiber_and_Stoller_collaboration_and_draft_notice">Leiber and Stoller collaboration and draft notice</h4></div> <p>Presley made his third and final <i>Ed Sullivan Show</i> appearance on January 6, 1957—on this occasion indeed shot only down to the waist. Some commentators have claimed that Parker orchestrated an appearance of censorship to generate publicity.<sup id="cite_ref-FOOTNOTEGibson2005_115-1" class="reference"><a href="#cite_note-FOOTNOTEGibson2005-115"><span class="cite-bracket">[</span>111<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEClaytonHeard2003117–118_126-0" class="reference"><a href="#cite_note-FOOTNOTEClaytonHeard2003117%E2%80%93118-126"><span class="cite-bracket">[</span>122<span class="cite-bracket">]</span></a></sup> In any event, as critic <a href="/wiki/Greil_Marcus" title="Greil Marcus">Greil Marcus</a> describes, Presley "did not tie himself down. Leaving behind the bland clothes he had worn on the first two shows, he stepped out in the outlandish costume of a <a href="/wiki/Pasha" title="Pasha">pasha</a>, if not a harem girl. From the make-up over his eyes, the hair falling in his face, the overwhelmingly sexual cast of his mouth, he was playing <a href="/wiki/Rudolph_Valentino" title="Rudolph Valentino">Rudolph Valentino</a> in <i><a href="/wiki/The_Sheik_(film)" title="The Sheik (film)">The Sheik</a></i>, with all stops out."<sup id="cite_ref-FOOTNOTEMarcus2006_101-4" class="reference"><a href="#cite_note-FOOTNOTEMarcus2006-101"><span class="cite-bracket">[</span>97<span class="cite-bracket">]</span></a></sup> To close, displaying his range and defying Sullivan's wishes, Presley sang a gentle black spiritual, "<a href="/wiki/Peace_in_the_Valley" title="Peace in the Valley">Peace in the Valley</a>". At the end of the show, Sullivan declared Presley "a real decent, fine boy".<sup id="cite_ref-FOOTNOTEKeogh200490_127-0" class="reference"><a href="#cite_note-FOOTNOTEKeogh200490-127"><span class="cite-bracket">[</span>123<span class="cite-bracket">]</span></a></sup> Two days later, the Memphis <a href="/wiki/Conscription_in_the_United_States" title="Conscription in the United States">draft board</a> announced that Presley would be <a href="/wiki/Class_1-A" class="mw-redirect" title="Class 1-A">classified 1-A</a> and would probably be drafted sometime that year.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen199995_128-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen199995-128"><span class="cite-bracket">[</span>124<span class="cite-bracket">]</span></a></sup> </p><p>Each of the three Presley singles released in the first half of 1957 went to number one: "<a href="/wiki/Too_Much_(Elvis_Presley_song)" title="Too Much (Elvis Presley song)">Too Much</a>", "<a href="/wiki/All_Shook_Up" title="All Shook Up">All Shook Up</a>", and "<a href="/wiki/(Let_Me_Be_Your)_Teddy_Bear" title="(Let Me Be Your) Teddy Bear">(Let Me Be Your) Teddy Bear</a>". Already an international star, he was attracting fans even where his music was not officially released: <i>The New York Times</i> reported that pressings of his music on <a href="/wiki/Ribs_(recordings)" title="Ribs (recordings)">discarded X-ray plates</a> were commanding high prices in <a href="/wiki/Leningrad" class="mw-redirect" title="Leningrad">Leningrad</a>.<sup id="cite_ref-FOOTNOTESalisbury19574_129-0" class="reference"><a href="#cite_note-FOOTNOTESalisbury19574-129"><span class="cite-bracket">[</span>125<span class="cite-bracket">]</span></a></sup> Presley purchased his 18-room mansion, <a href="/wiki/Graceland" title="Graceland">Graceland</a>, on March 19, 1957.<sup id="cite_ref-FOOTNOTEGuralnick1994395–397_130-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994395%E2%80%93397-130"><span class="cite-bracket">[</span>126<span class="cite-bracket">]</span></a></sup> Before the purchase, Elvis recorded <i><a href="/wiki/Loving_You_(soundtrack)" title="Loving You (soundtrack)">Loving You</a></i>—the soundtrack to <a href="/wiki/Loving_You_(1957_film)" title="Loving You (1957 film)">his second film</a>, which was released in July. It was his third straight number-one album. The title track was written by Leiber and Stoller, who were then retained to write four of the six songs recorded at the sessions for <i><a href="/wiki/Jailhouse_Rock_(film)" title="Jailhouse Rock (film)">Jailhouse Rock</a></i>, Presley's next film. The songwriting team effectively produced the <i>Jailhouse</i> sessions and developed a close working relationship with Presley, who came to regard them as his "good-luck charm".<sup id="cite_ref-FOOTNOTEGuralnick1994406–408,_452_131-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994406%E2%80%93408,_452-131"><span class="cite-bracket">[</span>127<span class="cite-bracket">]</span></a></sup> "He was fast," said Leiber. "Any demo you gave him he knew by heart in ten minutes."<sup id="cite_ref-FOOTNOTEFox1986178_132-0" class="reference"><a href="#cite_note-FOOTNOTEFox1986178-132"><span class="cite-bracket">[</span>128<span class="cite-bracket">]</span></a></sup> The <a href="/wiki/Jailhouse_Rock_(song)" title="Jailhouse Rock (song)">title track</a> became another <a href="/wiki/List_of_Billboard_number-one_singles_of_1957" title="List of Billboard number-one singles of 1957">number-one hit</a>, as was the <a href="/wiki/Jailhouse_Rock_(EP)" title="Jailhouse Rock (EP)"><i>Jailhouse Rock</i> EP</a>.<sup id="cite_ref-FOOTNOTELeigh2017187_133-0" class="reference"><a href="#cite_note-FOOTNOTELeigh2017187-133"><span class="cite-bracket">[</span>129<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_Presley_and_Judy_Tyler_in_Jailhouse_Rock_trailer.jpg" class="mw-file-description"><noscript><img alt="Elvis embraces Judy Tyler" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3b/Elvis_Presley_and_Judy_Tyler_in_Jailhouse_Rock_trailer.jpg/220px-Elvis_Presley_and_Judy_Tyler_in_Jailhouse_Rock_trailer.jpg" decoding="async" width="220" height="196" class="mw-file-element" data-file-width="398" data-file-height="354"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 196px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3b/Elvis_Presley_and_Judy_Tyler_in_Jailhouse_Rock_trailer.jpg/220px-Elvis_Presley_and_Judy_Tyler_in_Jailhouse_Rock_trailer.jpg" data-alt="Elvis embraces Judy Tyler" data-width="220" data-height="196" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3b/Elvis_Presley_and_Judy_Tyler_in_Jailhouse_Rock_trailer.jpg/330px-Elvis_Presley_and_Judy_Tyler_in_Jailhouse_Rock_trailer.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/3/3b/Elvis_Presley_and_Judy_Tyler_in_Jailhouse_Rock_trailer.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Presley and costar <a href="/wiki/Judy_Tyler" title="Judy Tyler">Judy Tyler</a> in the trailer for <i>Jailhouse Rock</i>, released in October 1957</figcaption></figure><p> Presley undertook three brief tours during the year, continuing to generate a crazed audience response.<sup id="cite_ref-FOOTNOTEGuralnick1994399–402,_428–430,_437–440_134-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994399%E2%80%93402,_428%E2%80%93430,_437%E2%80%93440-134"><span class="cite-bracket">[</span>130<span class="cite-bracket">]</span></a></sup> A Detroit newspaper suggested that "the trouble with going to see Elvis Presley is that you're liable to get killed".<sup id="cite_ref-FOOTNOTEGuralnick1994400_135-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994400-135"><span class="cite-bracket">[</span>131<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Villanova_University" title="Villanova University">Villanova</a> students pelted the singer with eggs in <a href="/wiki/Philadelphia" title="Philadelphia">Philadelphia</a>,<sup id="cite_ref-FOOTNOTEGuralnick1994400_135-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994400-135"><span class="cite-bracket">[</span>131<span class="cite-bracket">]</span></a></sup> and in <a href="/wiki/Vancouver" title="Vancouver">Vancouver</a> the crowd rioted after the show ended, destroying the stage.<sup id="cite_ref-FOOTNOTEGuralnick1994430_136-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994430-136"><span class="cite-bracket">[</span>132<span class="cite-bracket">]</span></a></sup> Frank Sinatra, who had inspired the swooning and screaming of teenage girls in the 1940s, decried rock and roll as "brutal, ugly, degenerate, vicious. ... It fosters almost totally negative and destructive reactions in young people. It smells phoney and false. It is sung, played and written, for the most part, by cretinous goons. ... This rancid-smelling aphrodisiac I deplore."<sup id="cite_ref-FOOTNOTETurner2004104_137-0" class="reference"><a href="#cite_note-FOOTNOTETurner2004104-137"><span class="cite-bracket">[</span>133<span class="cite-bracket">]</span></a></sup> Asked for a response, Presley said: </p><blockquote><p>I admire the man. He has a right to say what he wants to say. He is a great success and a fine actor, but I think he shouldn't have said it. ... This is a trend, just the same as he faced when he started years ago.<sup id="cite_ref-FOOTNOTEGuralnick1994437_138-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994437-138"><span class="cite-bracket">[</span>134<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>Leiber and Stoller were again in the studio for the recording of <i><a href="/wiki/Elvis%27_Christmas_Album" title="Elvis' Christmas Album">Elvis' Christmas Album</a></i>. Toward the end of the session, they wrote a song on the spot at Presley's request: "<a href="/wiki/Santa_Claus_Is_Back_in_Town" title="Santa Claus Is Back in Town">Santa Claus Is Back in Town</a>", an <a href="/wiki/Innuendo" title="Innuendo">innuendo</a>-laden blues.<sup id="cite_ref-FOOTNOTEGuralnick1994431_139-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994431-139"><span class="cite-bracket">[</span>135<span class="cite-bracket">]</span></a></sup> The holiday release stretched Presley's string of number-one albums to four and became the <a href="/wiki/List_of_best-selling_Christmas_albums_in_the_United_States" title="List of best-selling Christmas albums in the United States">best-selling Christmas album ever in the United States</a>,<sup id="cite_ref-FOOTNOTEGrein2008_140-0" class="reference"><a href="#cite_note-FOOTNOTEGrein2008-140"><span class="cite-bracket">[</span>136<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTECaulfield2016_141-0" class="reference"><a href="#cite_note-FOOTNOTECaulfield2016-141"><span class="cite-bracket">[</span>137<span class="cite-bracket">]</span></a></sup> with eventual sales of over 20 million worldwide.<sup id="cite_ref-FOOTNOTEBaird2017_142-0" class="reference"><a href="#cite_note-FOOTNOTEBaird2017-142"><span class="cite-bracket">[</span>138<span class="cite-bracket">]</span></a></sup> After the session, Moore and Black—drawing only modest weekly salaries, sharing in none of Presley's massive financial success—resigned, though they were brought back on a per diem basis a few weeks later.<sup id="cite_ref-FOOTNOTEGuralnick1994431–435_143-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994431%E2%80%93435-143"><span class="cite-bracket">[</span>139<span class="cite-bracket">]</span></a></sup> </p><p>On December 20, Presley received his draft notice, though he was granted a deferment to finish the forthcoming film <i><a href="/wiki/King_Creole" title="King Creole">King Creole</a></i>. A couple of weeks into the new year, "<a href="/wiki/Don%27t_(Elvis_Presley_song)" title="Don't (Elvis Presley song)">Don't</a>", another Leiber and Stoller tune, became Presley's tenth number-one seller. Recording sessions for the <a href="/wiki/King_Creole_(soundtrack)" title="King Creole (soundtrack)"><i>King Creole</i> soundtrack</a> were held in Hollywood in mid-January 1958. Leiber and Stoller provided three songs, but it would be the last time Presley and the duo worked closely together.<sup id="cite_ref-FOOTNOTEGuralnick1994448–449_144-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994448%E2%80%93449-144"><span class="cite-bracket">[</span>140<span class="cite-bracket">]</span></a></sup> As Stoller later recalled, Presley's manager and entourage sought to wall him off.<sup id="cite_ref-FOOTNOTEFox1986179_145-0" class="reference"><a href="#cite_note-FOOTNOTEFox1986179-145"><span class="cite-bracket">[</span>141<span class="cite-bracket">]</span></a></sup> A brief soundtrack session on February 11 marked the final occasion on which Black was to perform with Presley.<sup id="cite_ref-FOOTNOTEJorgensen199899,_105_146-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199899,_105-146"><span class="cite-bracket">[</span>142<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1958–1960:_military_service_and_mother's_death"><span id="1958.E2.80.931960:_military_service_and_mother.27s_death"></span>1958–1960: military service and mother's death</h3></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Military_career_of_Elvis_Presley" title="Military career of Elvis Presley">Military career of Elvis Presley</a></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_sworn_into_army_1958.jpg" class="mw-file-description"><noscript><img alt="Elvis being sworn in to the US Army" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/95/Elvis_sworn_into_army_1958.jpg/220px-Elvis_sworn_into_army_1958.jpg" decoding="async" width="220" height="166" class="mw-file-element" data-file-width="836" data-file-height="629"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 166px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/9/95/Elvis_sworn_into_army_1958.jpg/220px-Elvis_sworn_into_army_1958.jpg" data-alt="Elvis being sworn in to the US Army" data-width="220" data-height="166" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/95/Elvis_sworn_into_army_1958.jpg/330px-Elvis_sworn_into_army_1958.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/95/Elvis_sworn_into_army_1958.jpg/440px-Elvis_sworn_into_army_1958.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Presley being <a href="/wiki/United_States_Armed_Forces_oath_of_enlistment" title="United States Armed Forces oath of enlistment">sworn in to the Army</a> on March 24, 1958, at <a href="/wiki/Fort_Chaffee_Maneuver_Training_Center" title="Fort Chaffee Maneuver Training Center">Fort Chaffee</a></figcaption></figure> <p>On March 24, 1958, Presley was drafted into the <a href="/wiki/United_States_Army" title="United States Army">United States Army</a> at <a href="/wiki/Fort_Chaffee_Maneuver_Training_Center" title="Fort Chaffee Maneuver Training Center">Fort Chaffee</a> in Arkansas. His arrival was a major media event. Hundreds of people descended on Presley as he stepped from the bus; photographers accompanied him into the installation.<sup id="cite_ref-FOOTNOTEGuralnick1994461–474_147-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994461%E2%80%93474-147"><span class="cite-bracket">[</span>143<span class="cite-bracket">]</span></a></sup> Presley announced that he was looking forward to his military service, saying that he did not want to be treated any differently from anyone else.<sup id="cite_ref-FOOTNOTEVictor200827_148-0" class="reference"><a href="#cite_note-FOOTNOTEVictor200827-148"><span class="cite-bracket">[</span>144<span class="cite-bracket">]</span></a></sup> </p><p>Between March 28 and September 17, 1958, Presley completed <a href="/wiki/United_States_Army_Basic_Training" title="United States Army Basic Training">basic</a> and advanced training at <a href="/wiki/Fort_Hood" class="mw-redirect" title="Fort Hood">Fort Hood</a>, Texas, where he was temporarily assigned to Company A, 2d Medium Tank Battalion, <a href="/wiki/37th_Armor_Regiment" title="37th Armor Regiment">37th Armor</a>. During the two weeks' <a href="/wiki/Leave_(military)" title="Leave (military)">leave</a> between his basic and advanced training in early June, he recorded five songs in Nashville.<sup id="cite_ref-FOOTNOTEJorgensen1998106–111_149-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998106%E2%80%93111-149"><span class="cite-bracket">[</span>145<span class="cite-bracket">]</span></a></sup> In early August, Presley's mother was diagnosed with <a href="/wiki/Hepatitis" title="Hepatitis">hepatitis</a>, and her condition rapidly worsened. Presley was granted emergency leave to visit her and arrived in Memphis on August 12. Two days later, she died of heart failure at age 46. Presley was devastated and never the same;<sup id="cite_ref-FOOTNOTEGuralnick1994474–480_150-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994474%E2%80%93480-150"><span class="cite-bracket">[</span>146<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTENeibaur2014[httpsbooksgooglecombooksidu95XAwAAQBAJpgPA51qelvispresleywasneverthesameafterthearmy_51]_151-0" class="reference"><a href="#cite_note-FOOTNOTENeibaur2014%5Bhttpsbooksgooglecombooksidu95XAwAAQBAJpgPA51qelvispresleywasneverthesameafterthearmy_51%5D-151"><span class="cite-bracket">[</span>147<span class="cite-bracket">]</span></a></sup> their relationship had remained extremely close—even into his adulthood, they would use baby talk with each other and Presley would address her with pet names.<sup id="cite_ref-FOOTNOTEGuralnick199413_5-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199413-5"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_Presley_in_Germany.jpg" class="mw-file-description"><noscript><img alt="Elvis Presley poses for the camera during his military service at a US base in Germany." src="//upload.wikimedia.org/wikipedia/commons/thumb/3/37/Elvis_Presley_in_Germany.jpg/220px-Elvis_Presley_in_Germany.jpg" decoding="async" width="220" height="159" class="mw-file-element" data-file-width="850" data-file-height="614"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 159px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/3/37/Elvis_Presley_in_Germany.jpg/220px-Elvis_Presley_in_Germany.jpg" data-alt="Elvis Presley poses for the camera during his military service at a US base in Germany." data-width="220" data-height="159" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/37/Elvis_Presley_in_Germany.jpg/330px-Elvis_Presley_in_Germany.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/37/Elvis_Presley_in_Germany.jpg/440px-Elvis_Presley_in_Germany.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Presley, wearing the <a href="/wiki/3rd_Armored_Division_(United_States)" title="3rd Armored Division (United States)">3d Armored Division</a> <a href="/wiki/Shoulder_sleeve_insignia" title="Shoulder sleeve insignia">Shoulder sleeve insignia</a>, poses atop a tank at <a href="/wiki/Ray_Barracks" title="Ray Barracks">Ray Barracks</a></figcaption></figure> <p>On October 1, 1958, Presley was assigned to the 1st Medium Tank Battalion, <a href="/wiki/32nd_Cavalry_Regiment" title="32nd Cavalry Regiment">32d Armor</a>, <a href="/wiki/3rd_Armored_Division_(United_States)" title="3rd Armored Division (United States)">3d Armored Division</a>, at <a href="/wiki/Ray_Barracks" title="Ray Barracks">Ray Barracks</a>, West Germany, where he served as an armor intelligence specialist.<sup id="cite_ref-FOOTNOTEUS_Department_of_Defense1960_2-1" class="reference"><a href="#cite_note-FOOTNOTEUS_Department_of_Defense1960-2"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> On November 27, he was promoted to <a href="/wiki/Private_first_class" title="Private first class">private first class</a> and on June 1, 1959, to <a href="/wiki/Specialist_(rank)" title="Specialist (rank)">specialist fourth class</a>. While on maneuvers, Presley was introduced to <a href="/wiki/Amphetamines" class="mw-redirect" title="Amphetamines">amphetamines</a> and became "practically evangelical about their benefits", not only for energy but for "strength" and weight loss.<sup id="cite_ref-FOOTNOTEGuralnick199921_152-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199921-152"><span class="cite-bracket">[</span>148<span class="cite-bracket">]</span></a></sup> Karate became a lifelong interest: he studied with <a href="/wiki/J%C3%BCrgen_Seydel" title="Jürgen Seydel">Jürgen Seydel</a>,<sup id="cite_ref-FOOTNOTETillery201360_153-0" class="reference"><a href="#cite_note-FOOTNOTETillery201360-153"><span class="cite-bracket">[</span>149<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEEiland2018_154-0" class="reference"><a href="#cite_note-FOOTNOTEEiland2018-154"><span class="cite-bracket">[</span>150<span class="cite-bracket">]</span></a></sup> and later included it in his live performances.<sup id="cite_ref-FOOTNOTECorcoran1998_155-0" class="reference"><a href="#cite_note-FOOTNOTECorcoran1998-155"><span class="cite-bracket">[</span>151<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTETillery2013Chapter_5:_Patriot_156-0" class="reference"><a href="#cite_note-FOOTNOTETillery2013Chapter_5:_Patriot-156"><span class="cite-bracket">[</span>152<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEGuralnick199947,_49,_55,_60,_73_157-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199947,_49,_55,_60,_73-157"><span class="cite-bracket">[</span>153<span class="cite-bracket">]</span></a></sup> Fellow soldiers have attested to Presley's wish to be seen as an able, ordinary soldier despite his fame, and to his generosity. He donated his Army pay to charity, purchased television sets for the base, and bought an extra set of fatigues for everyone in his outfit.<sup id="cite_ref-FOOTNOTEClaytonHeard2003160_158-0" class="reference"><a href="#cite_note-FOOTNOTEClaytonHeard2003160-158"><span class="cite-bracket">[</span>154<span class="cite-bracket">]</span></a></sup> Presley was promoted to <a href="/wiki/Sergeant" title="Sergeant">sergeant</a> on February 11, 1960.<sup id="cite_ref-FOOTNOTEUS_Department_of_Defense1960_2-2" class="reference"><a href="#cite_note-FOOTNOTEUS_Department_of_Defense1960-2"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p><p>While in <a href="/wiki/Bad_Nauheim" title="Bad Nauheim">Bad Nauheim</a>, Presley, aged 24, met 14-year-old <a href="/wiki/Priscilla_Presley" title="Priscilla Presley">Priscilla Beaulieu</a>.<sup id="cite_ref-FOOTNOTEJeffreyKaplan2022_159-0" class="reference"><a href="#cite_note-FOOTNOTEJeffreyKaplan2022-159"><span class="cite-bracket">[</span>155<span class="cite-bracket">]</span></a></sup> They married after a seven-and-a-half-year courtship. In her autobiography, Priscilla said that Presley was concerned that his 24 months in the military would ruin his career. In <a href="/wiki/Special_Services_(entertainment)" title="Special Services (entertainment)">Special Services</a>, he would have been able to perform and remain in touch with the public, but Parker had convinced him that to gain popular respect, he should serve as a regular soldier.<sup id="cite_ref-FOOTNOTEPresley198540_160-0" class="reference"><a href="#cite_note-FOOTNOTEPresley198540-160"><span class="cite-bracket">[</span>156<span class="cite-bracket">]</span></a></sup> Media reports echoed Presley's concerns about his career, but RCA Victor producer <a href="/wiki/Stephen_H._Sholes" title="Stephen H. Sholes">Steve Sholes</a> and <a href="/wiki/Freddy_Bienstock" title="Freddy Bienstock">Freddy Bienstock</a> of Hill and Range had carefully prepared: armed with a substantial amount of unreleased material, they kept up a regular stream of successful releases.<sup id="cite_ref-FOOTNOTEJorgensen1998107_161-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998107-161"><span class="cite-bracket">[</span>157<span class="cite-bracket">]</span></a></sup> Between his induction and discharge, Presley had ten top-40 hits, including "<a href="/wiki/Wear_My_Ring_Around_Your_Neck" title="Wear My Ring Around Your Neck">Wear My Ring Around Your Neck</a>", the bestselling "<a href="/wiki/Hard_Headed_Woman" title="Hard Headed Woman">Hard Headed Woman</a>", and "<a href="/wiki/One_Night_(Elvis_Presley_song)" title="One Night (Elvis Presley song)">One Night</a>" in 1958, and "<a href="/wiki/(Now_and_Then_There%27s)_A_Fool_Such_as_I" title="(Now and Then There's) A Fool Such as I">(Now and Then There's) A Fool Such as I</a>" and the number-one "<a href="/wiki/A_Big_Hunk_o%27_Love" title="A Big Hunk o' Love">A Big Hunk o' Love</a>" in 1959.<sup id="cite_ref-FOOTNOTEWhitburn2010520_162-0" class="reference"><a href="#cite_note-FOOTNOTEWhitburn2010520-162"><span class="cite-bracket">[</span>158<span class="cite-bracket">]</span></a></sup> RCA Victor also generated four albums compiling previously issued material during this period, most successfully <i><a href="/wiki/Elvis%27_Golden_Records" title="Elvis' Golden Records">Elvis' Golden Records</a></i> (1958), which hit number three on the LP chart.<sup id="cite_ref-FOOTNOTEMarcus1982278_163-0" class="reference"><a href="#cite_note-FOOTNOTEMarcus1982278-163"><span class="cite-bracket">[</span>159<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1960–1968:_focus_on_films"><span id="1960.E2.80.931968:_focus_on_films"></span>1960–1968: focus on films</h3></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">See also: <a href="/wiki/Elvis_Presley_on_film_and_television" title="Elvis Presley on film and television">Elvis Presley on film and television</a></div> <div class="mw-heading mw-heading4"><h4 id="Elvis_Is_Back"><i>Elvis Is Back</i></h4></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132"><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><span><noscript><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" data-file-width="160" data-file-height="160"></noscript><span class="lazy-image-placeholder" style="width: 50px;height: 50px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" data-alt="" data-width="50" data-height="50" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-class="mw-file-element">&nbsp;</span></span><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:It%27s_Now_or_Never.ogg" title="File:It's Now or Never.ogg">"It's Now or Never"</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_2" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="21" data-mwtitle="It's_Now_or_Never.ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/a/a6/It%27s_Now_or_Never.ogg" type='audio/ogg; codecs="vorbis"' data-width="0" data-height="0"></source><source src="//upload.wikimedia.org/wikipedia/en/transcoded/a/a6/It%27s_Now_or_Never.ogg/It%27s_Now_or_Never.ogg.mp3" type="audio/mpeg" data-transcodekey="mp3" data-width="0" data-height="0"></source><track src="/w/api.php?action=timedtext&amp;title=File%3AIt%27s_Now_or_Never.ogg&amp;lang=en&amp;trackformat=vtt" kind="subtitles" type="text/vtt" srclang="en" label="English ‪(en)‬" data-dir="ltr"></track></audio></span></span></div> <div class="description">Presley broke new stylistic ground and displayed his vocal range with this number-one hit. The quasi-operatic ballad ends with Presley "soaring up to an incredible top G sharp."<sup id="cite_ref-FOOTNOTEMatthew-Walker197949_164-0" class="reference"><a href="#cite_note-FOOTNOTEMatthew-Walker197949-164"><span class="cite-bracket">[</span>160<span class="cite-bracket">]</span></a></sup></div></div></div></div> <div class="side-box-abovebelow"><hr><i class="selfreference">Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></div> </div> <p>Presley returned to the U.S. on March 2, 1960, and was <a href="/wiki/Military_discharge" title="Military discharge">honorably discharged</a> three days later.<sup id="cite_ref-FOOTNOTESlaughterNixon200454_165-0" class="reference"><a href="#cite_note-FOOTNOTESlaughterNixon200454-165"><span class="cite-bracket">[</span>161<span class="cite-bracket">]</span></a></sup> The train that carried him from <a href="/wiki/New_Jersey" title="New Jersey">New Jersey</a> to Tennessee was mobbed all the way, and Presley was called upon to appear at scheduled stops to please his fans.<sup id="cite_ref-FOOTNOTEMatthew-Walker197919_166-0" class="reference"><a href="#cite_note-FOOTNOTEMatthew-Walker197919-166"><span class="cite-bracket">[</span>162<span class="cite-bracket">]</span></a></sup> On the night of March 20, he entered <a href="/wiki/RCA_Studio_B" title="RCA Studio B">RCA's Nashville studio</a> to cut tracks for a new album along with a single, "<a href="/wiki/Stuck_on_You_(Elvis_Presley_song)" title="Stuck on You (Elvis Presley song)">Stuck on You</a>", which was rushed into release and swiftly became a number-one hit.<sup id="cite_ref-FOOTNOTESlaughterNixon200457_167-0" class="reference"><a href="#cite_note-FOOTNOTESlaughterNixon200457-167"><span class="cite-bracket">[</span>163<span class="cite-bracket">]</span></a></sup> Another Nashville session two weeks later yielded a pair of bestselling singles, the ballads "<a href="/wiki/It%27s_Now_or_Never_(song)" title="It's Now or Never (song)">It's Now or Never</a>" and "<a href="/wiki/Are_You_Lonesome_Tonight%3F_(song)" class="mw-redirect" title="Are You Lonesome Tonight? (song)">Are You Lonesome Tonight?</a>", along with the rest of <i><a href="/wiki/Elvis_Is_Back!" title="Elvis Is Back!">Elvis Is Back!</a></i> The album features several songs described by Greil Marcus as full of <a href="/wiki/Chicago_blues" title="Chicago blues">Chicago blues</a> "menace, driven by Presley's own super-miked acoustic guitar, brilliant playing by Scotty Moore, and demonic sax work from <a href="/wiki/Boots_Randolph" title="Boots Randolph">Boots Randolph</a>. Elvis' singing wasn't sexy, it was pornographic."<sup id="cite_ref-FOOTNOTEMarcus1982279–280_168-0" class="reference"><a href="#cite_note-FOOTNOTEMarcus1982279%E2%80%93280-168"><span class="cite-bracket">[</span>164<span class="cite-bracket">]</span></a></sup> The record "conjured up the vision of a performer who could be all things", according to music historian John Robertson: "a flirtatious teenage idol with a heart of gold; a tempestuous, dangerous lover; a gutbucket blues singer; a sophisticated nightclub entertainer; [a] raucous rocker".<sup id="cite_ref-FOOTNOTERobertson200450_169-0" class="reference"><a href="#cite_note-FOOTNOTERobertson200450-169"><span class="cite-bracket">[</span>165<span class="cite-bracket">]</span></a></sup> Released only days after recording was complete, it reached number two on the album chart.<sup id='cite_ref-FOOTNOTE"Red_Carpet"1960_170-0' class="reference"><a href="#cite_note-FOOTNOTE%22Red_Carpet%221960-170"><span class="cite-bracket">[</span>166<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEJorgensen1998124–127,_414_171-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998124%E2%80%93127,_414-171"><span class="cite-bracket">[</span>167<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Juliet_Prowse-Elvis_Presley_in_G.I._Blues.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/89/Juliet_Prowse-Elvis_Presley_in_G.I._Blues.jpg/180px-Juliet_Prowse-Elvis_Presley_in_G.I._Blues.jpg" decoding="async" width="180" height="221" class="mw-file-element" data-file-width="753" data-file-height="925"></noscript><span class="lazy-image-placeholder" style="width: 180px;height: 221px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/8/89/Juliet_Prowse-Elvis_Presley_in_G.I._Blues.jpg/180px-Juliet_Prowse-Elvis_Presley_in_G.I._Blues.jpg" data-width="180" data-height="221" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/89/Juliet_Prowse-Elvis_Presley_in_G.I._Blues.jpg/270px-Juliet_Prowse-Elvis_Presley_in_G.I._Blues.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/89/Juliet_Prowse-Elvis_Presley_in_G.I._Blues.jpg/360px-Juliet_Prowse-Elvis_Presley_in_G.I._Blues.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Presley with <a href="/wiki/Juliet_Prowse" title="Juliet Prowse">Juliet Prowse</a> in <i><a href="/wiki/G.I._Blues" title="G.I. Blues">G.I. Blues</a></i></figcaption></figure> <p>Presley returned to television on May 12 as a guest on <i><a href="/wiki/The_Frank_Sinatra_Timex_Show:_Welcome_Home_Elvis" title="The Frank Sinatra Timex Show: Welcome Home Elvis">The Frank Sinatra Timex Special</a></i>. Also known as <i>Welcome Home Elvis</i>, the show had been taped in late March, the only time all year Presley performed in front of an audience. Parker secured an unheard-of $125,000 for eight minutes of singing. The broadcast drew an enormous viewership.<sup id="cite_ref-FOOTNOTEGuralnick199944,_62–63_172-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199944,_62%E2%80%9363-172"><span class="cite-bracket">[</span>168<span class="cite-bracket">]</span></a></sup> </p><p><i><a href="/wiki/G.I._Blues_(album)" class="mw-redirect" title="G.I. Blues (album)">G.I. Blues</a></i>, the soundtrack to Presley's first film since his return, was a number-one album in October. His first LP of sacred material, <i><a href="/wiki/His_Hand_in_Mine" title="His Hand in Mine">His Hand in Mine</a></i>, followed two months later; it reached number 13 on the U.S. pop chart and number 3 in the United Kingdom, remarkable figures for a gospel album. In February 1961, Presley performed two shows in Memphis, for a benefit for 24 local charities. During a luncheon preceding the event, RCA Victor presented him with a plaque certifying worldwide sales of over 75 million records.<sup id="cite_ref-FOOTNOTEGordon2005110,_114_173-0" class="reference"><a href="#cite_note-FOOTNOTEGordon2005110,_114-173"><span class="cite-bracket">[</span>169<span class="cite-bracket">]</span></a></sup> A twelve-hour Nashville session in mid-March yielded nearly all of Presley's next studio album, <i><a href="/wiki/Something_for_Everybody" title="Something for Everybody">Something for Everybody</a></i>.<sup id="cite_ref-FOOTNOTEJorgensen1998148_174-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998148-174"><span class="cite-bracket">[</span>170<span class="cite-bracket">]</span></a></sup> According to John Robertson, it exemplifies the <a href="/wiki/Nashville_sound" title="Nashville sound">Nashville sound</a>, the restrained, cosmopolitan style that defined country music in the 1960s. Presaging much of what was to come from Presley over the next half-decade, the album is largely "a pleasant, unthreatening pastiche of the music that had once been Elvis' birthright".<sup id="cite_ref-FOOTNOTERobertson200452_175-0" class="reference"><a href="#cite_note-FOOTNOTERobertson200452-175"><span class="cite-bracket">[</span>171<span class="cite-bracket">]</span></a></sup> It was his sixth number-one LP. Another benefit concert, for a <a href="/wiki/Attack_on_Pearl_Harbor" title="Attack on Pearl Harbor">Pearl Harbor</a> memorial, was staged on March 25 in Hawaii. It was Presley's last public performance for seven years.<sup id="cite_ref-FOOTNOTEGordon2005110,_119_176-0" class="reference"><a href="#cite_note-FOOTNOTEGordon2005110,_119-176"><span class="cite-bracket">[</span>172<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Lost_in_Hollywood">Lost in Hollywood</h4></div> <p>Parker had by now pushed Presley into a heavy filmmaking schedule, focused on formulaic, modestly budgeted <a href="/wiki/Musical_comedy" class="mw-redirect" title="Musical comedy">musical comedies</a>. Presley initially insisted on pursuing higher roles, but when two films in a more dramatic vein—<i><a href="/wiki/Flaming_Star" title="Flaming Star">Flaming Star</a></i> (1960) and <i><a href="/wiki/Wild_in_the_Country" title="Wild in the Country">Wild in the Country</a></i> (1961)—were less commercially successful, he reverted to the formula. Among the twenty-seven films he made during the 1960s, there were a few further exceptions.<sup id="cite_ref-FOOTNOTEPonce_de_Leon2007133_177-0" class="reference"><a href="#cite_note-FOOTNOTEPonce_de_Leon2007133-177"><span class="cite-bracket">[</span>173<span class="cite-bracket">]</span></a></sup> His films were almost universally panned; critic Andrew Caine dismissed them as a "pantheon of bad taste".<sup id="cite_ref-FOOTNOTECaine200521_178-0" class="reference"><a href="#cite_note-FOOTNOTECaine200521-178"><span class="cite-bracket">[</span>174<span class="cite-bracket">]</span></a></sup> Nonetheless, they were virtually all profitable. <a href="/wiki/Hal_Wallis" class="mw-redirect" title="Hal Wallis">Hal Wallis</a>, who produced nine, declared, "A Presley picture is the only sure thing in Hollywood."<sup id="cite_ref-FOOTNOTEFields2007_179-0" class="reference"><a href="#cite_note-FOOTNOTEFields2007-179"><span class="cite-bracket">[</span>175<span class="cite-bracket">]</span></a></sup> </p><p>Of Presley's films in the 1960s, 15 were accompanied by soundtrack albums and another five by soundtrack EPs. The films' rapid production and release schedules—Presley frequently starred in three a year—affected his music. According to Jerry Leiber, the soundtrack formula was already evident before Presley left for the Army: "three ballads, one medium-tempo [number], one up-tempo, and one break blues boogie".<sup id="cite_ref-FOOTNOTEGuralnick1994449_180-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994449-180"><span class="cite-bracket">[</span>176<span class="cite-bracket">]</span></a></sup> As the decade wore on, the quality of the soundtrack songs grew "progressively worse".<sup id="cite_ref-FOOTNOTEKirchbergHendrickx199967_181-0" class="reference"><a href="#cite_note-FOOTNOTEKirchbergHendrickx199967-181"><span class="cite-bracket">[</span>177<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Julie_Parrish" title="Julie Parrish">Julie Parrish</a>, who appeared in <i><a href="/wiki/Paradise,_Hawaiian_Style" title="Paradise, Hawaiian Style">Paradise, Hawaiian Style</a></i> (1966), says that Presley disliked many of the songs.<sup id="cite_ref-FOOTNOTELisanti200019,_136_182-0" class="reference"><a href="#cite_note-FOOTNOTELisanti200019,_136-182"><span class="cite-bracket">[</span>178<span class="cite-bracket">]</span></a></sup> The Jordanaires' Gordon Stoker describes how he would retreat from the studio microphone: "The material was so bad that he felt like he couldn't sing it."<sup id="cite_ref-FOOTNOTEJorgensen1998201_183-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998201-183"><span class="cite-bracket">[</span>179<span class="cite-bracket">]</span></a></sup> Most of the film albums featured a song or two from respected writers such as the team of <a href="/wiki/Doc_Pomus" title="Doc Pomus">Doc Pomus</a> and <a href="/wiki/Mort_Shuman" title="Mort Shuman">Mort Shuman</a>. But by and large, according to biographer <a href="/wiki/Jerry_Hopkins_(author)" title="Jerry Hopkins (author)">Jerry Hopkins</a>, the numbers seemed to be "written on order by men who never really understood Elvis or rock and roll".<sup id="cite_ref-FOOTNOTEHopkins200232_184-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins200232-184"><span class="cite-bracket">[</span>180<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_Presley_and_Priscilla_with_Lisa_Marie_February_1968.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/27/Elvis_Presley_and_Priscilla_with_Lisa_Marie_February_1968.jpg/220px-Elvis_Presley_and_Priscilla_with_Lisa_Marie_February_1968.jpg" decoding="async" width="220" height="150" class="mw-file-element" data-file-width="1600" data-file-height="1092"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 150px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/2/27/Elvis_Presley_and_Priscilla_with_Lisa_Marie_February_1968.jpg/220px-Elvis_Presley_and_Priscilla_with_Lisa_Marie_February_1968.jpg" data-width="220" data-height="150" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/27/Elvis_Presley_and_Priscilla_with_Lisa_Marie_February_1968.jpg/330px-Elvis_Presley_and_Priscilla_with_Lisa_Marie_February_1968.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/27/Elvis_Presley_and_Priscilla_with_Lisa_Marie_February_1968.jpg/440px-Elvis_Presley_and_Priscilla_with_Lisa_Marie_February_1968.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Presley and his wife, <a href="/wiki/Priscilla_Presley" title="Priscilla Presley">Priscilla Presley</a>, holding their newborn daughter, <a href="/wiki/Lisa_Marie_Presley" title="Lisa Marie Presley">Lisa Marie Presley</a>, in 1968</figcaption></figure> <p>In the first half of the decade, three of Presley's soundtrack albums were ranked number one on the pop charts, and a few of his most popular songs came from his films, such as "<a href="/wiki/Can%27t_Help_Falling_in_Love" title="Can't Help Falling in Love">Can't Help Falling in Love</a>" (1961) and "<a href="/wiki/Return_to_Sender_(song)" title="Return to Sender (song)">Return to Sender</a>" (1962). However, the commercial returns steadily diminished. From 1964 to 1968, Presley had only one top-ten hit: "<a href="/wiki/Crying_in_the_Chapel" title="Crying in the Chapel">Crying in the Chapel</a>" (1965), a gospel number recorded in 1960. As for non-film albums, between the June 1962 release of <i><a href="/wiki/Pot_Luck_(Elvis_Presley_album)" title="Pot Luck (Elvis Presley album)">Pot Luck</a></i> and the November 1968 release of the soundtrack to the television special that signaled his comeback, only one LP of new material by Presley was issued: the gospel album <i><a href="/wiki/How_Great_Thou_Art_(Elvis_Presley_album)" title="How Great Thou Art (Elvis Presley album)">How Great Thou Art</a></i> (1967). It won him his first <a href="/wiki/Grammy_Award" class="mw-redirect" title="Grammy Award">Grammy Award</a>, for Best Sacred Performance. As Marsh described, Presley was "arguably the greatest white gospel singer of his time [and] really the last rock &amp; roll artist to make gospel as vital a component of his musical personality as his secular songs".<sup id="cite_ref-FOOTNOTEMarsh2004650_185-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh2004650-185"><span class="cite-bracket">[</span>181<span class="cite-bracket">]</span></a></sup> </p><p>Shortly before Christmas 1966, more than seven years since they first met, Presley proposed to Priscilla Beaulieu. They were married on May 1, 1967, in a brief ceremony in their suite at the <a href="/wiki/Aladdin_(hotel_and_casino)" title="Aladdin (hotel and casino)">Aladdin Hotel</a> in Las Vegas.<sup id="cite_ref-FOOTNOTEGuralnick1999261–263_186-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999261%E2%80%93263-186"><span class="cite-bracket">[</span>182<span class="cite-bracket">]</span></a></sup> The flow of formulaic films and assembly-line soundtracks continued. It was not until October 1967, when the <a href="/wiki/Clambake_(soundtrack)" title="Clambake (soundtrack)"><i>Clambake</i> soundtrack LP</a> registered record low sales for a new Presley album, that RCA Victor executives recognized a problem. "By then, of course, the damage had been done", as historians Connie Kirchberg and Marc Hendrickx put it. "Elvis was viewed as a joke by serious music lovers and a has-been to all but his most loyal fans."<sup id="cite_ref-FOOTNOTEKirchbergHendrickx199973_187-0" class="reference"><a href="#cite_note-FOOTNOTEKirchbergHendrickx199973-187"><span class="cite-bracket">[</span>183<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1968–1973:_Comeback"><span id="1968.E2.80.931973:_Comeback"></span>1968–1973: Comeback</h3></div> <div class="mw-heading mw-heading4"><h4 id="Elvis:_the_'68_Comeback_Special"><span id="Elvis:_the_.2768_Comeback_Special"></span><i>Elvis</i>: the '68 Comeback Special</h4></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Singer_Presents...Elvis" class="mw-redirect" title="Singer Presents...Elvis">Singer Presents...Elvis</a></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_Presley_68_Comeback_Special.jpg" class="mw-file-description"><noscript><img alt="Presley, wearing a tight black leather jacket with Napoleonic standing collar, black leather wristbands, and black leather pants, holds a microphone with a long cord. His hair, which looks black as well, falls across his forehead. In front of him is an empty microphone stand. Behind, beginning below stage level and rising up, audience members watch him. A young woman with long black hair in the front row gazes up ecstatically." src="//upload.wikimedia.org/wikipedia/en/thumb/d/da/Elvis_Presley_68_Comeback_Special.jpg/180px-Elvis_Presley_68_Comeback_Special.jpg" decoding="async" width="180" height="270" class="mw-file-element" data-file-width="197" data-file-height="295"></noscript><span class="lazy-image-placeholder" style="width: 180px;height: 270px;" data-mw-src="//upload.wikimedia.org/wikipedia/en/thumb/d/da/Elvis_Presley_68_Comeback_Special.jpg/180px-Elvis_Presley_68_Comeback_Special.jpg" data-alt="Presley, wearing a tight black leather jacket with Napoleonic standing collar, black leather wristbands, and black leather pants, holds a microphone with a long cord. His hair, which looks black as well, falls across his forehead. In front of him is an empty microphone stand. Behind, beginning below stage level and rising up, audience members watch him. A young woman with long black hair in the front row gazes up ecstatically." data-width="180" data-height="270" data-mw-srcset="//upload.wikimedia.org/wikipedia/en/d/da/Elvis_Presley_68_Comeback_Special.jpg 1.5x" data-class="mw-file-element">&nbsp;</span></a><figcaption>The <a href="/wiki/Singer_Presents...Elvis" class="mw-redirect" title="Singer Presents...Elvis">'68 Comeback Special</a> produced "one of the most famous images" of Presley;<sup id="cite_ref-FOOTNOTEKeogh2004263_188-0" class="reference"><a href="#cite_note-FOOTNOTEKeogh2004263-188"><span class="cite-bracket">[</span>184<span class="cite-bracket">]</span></a></sup> taken on June 29, 1968, it was adapted for the cover of <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i> in July 1969<sup id="cite_ref-FOOTNOTEKeogh2004263_188-1" class="reference"><a href="#cite_note-FOOTNOTEKeogh2004263-188"><span class="cite-bracket">[</span>184<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTERolling_Stone2009_189-0" class="reference"><a href="#cite_note-FOOTNOTERolling_Stone2009-189"><span class="cite-bracket">[</span>185<span class="cite-bracket">]</span></a></sup></figcaption></figure> <p>Presley's only child, <a href="/wiki/Lisa_Marie_Presley" title="Lisa Marie Presley">Lisa Marie</a>, was born on February 1, 1968, during a period when he had grown deeply unhappy with his career.<sup id="cite_ref-FOOTNOTEGuralnick1999171_190-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999171-190"><span class="cite-bracket">[</span>186<span class="cite-bracket">]</span></a></sup> Of the eight Presley singles released between January 1967 and May 1968, only two charted in the top 40, none higher than number 28.<sup id="cite_ref-FOOTNOTEWhitburn2010521_191-0" class="reference"><a href="#cite_note-FOOTNOTEWhitburn2010521-191"><span class="cite-bracket">[</span>187<span class="cite-bracket">]</span></a></sup> His forthcoming soundtrack album, <i><a href="/wiki/Speedway_(album)" class="mw-redirect" title="Speedway (album)">Speedway</a></i>, would rank at number 82. Parker had already shifted his plans to television: he maneuvered a deal with NBC that committed the network to finance a theatrical feature and broadcast a Christmas special.<sup id="cite_ref-FOOTNOTEKubernick20084_192-0" class="reference"><a href="#cite_note-FOOTNOTEKubernick20084-192"><span class="cite-bracket">[</span>188<span class="cite-bracket">]</span></a></sup> </p><p> Recorded in late June in <a href="/wiki/Burbank,_California" title="Burbank, California">Burbank</a>, California, the special, simply called <i>Elvis</i>, aired on December 3, 1968. Later known as the <i><a href="/wiki/%2768_Comeback_Special" class="mw-redirect" title="'68 Comeback Special">'68 Comeback Special</a></i>, the show featured lavishly staged studio productions as well as songs performed with a band in front of a small audience—Presley's first live performances since 1961. The live segments saw Presley dressed in tight black leather, singing and playing guitar in an uninhibited style reminiscent of his early rock and roll days. Director and co-producer <a href="/wiki/Steve_Binder" title="Steve Binder">Steve Binder</a> worked hard to produce a show that was far from the hour of Christmas songs Parker had originally planned.<sup id="cite_ref-FOOTNOTEGuralnick1999293,_296_193-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999293,_296-193"><span class="cite-bracket">[</span>189<span class="cite-bracket">]</span></a></sup> The show, NBC's highest-rated that season, captured 42 percent of the total viewing audience.<sup id="cite_ref-FOOTNOTEKubernick200826_194-0" class="reference"><a href="#cite_note-FOOTNOTEKubernick200826-194"><span class="cite-bracket">[</span>190<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Jon_Landau" title="Jon Landau">Jon Landau</a> of <i>Eye</i> magazine remarked: </p><blockquote><p>There is something magical about watching a man who has lost himself find his way back home. He sang with the kind of power people no longer expect of rock 'n' roll singers. He moved his body with a lack of pretension and effort that must have made <a href="/wiki/Jim_Morrison" title="Jim Morrison">Jim Morrison</a> green with envy.<sup id="cite_ref-FOOTNOTEHopkins2007215_195-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins2007215-195"><span class="cite-bracket">[</span>191<span class="cite-bracket">]</span></a></sup></p></blockquote><p> Marsh calls the performance one of "emotional grandeur and historical resonance".<sup id="cite_ref-FOOTNOTEMarsh2004649_196-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh2004649-196"><span class="cite-bracket">[</span>192<span class="cite-bracket">]</span></a></sup> </p><p>By January 1969, the single "<a href="/wiki/If_I_Can_Dream" title="If I Can Dream">If I Can Dream</a>", written for the special, reached number 12. The <a href="/wiki/NBC-TV_Special" class="mw-redirect" title="NBC-TV Special">soundtrack album</a> rose into the top ten. According to friend <a href="/wiki/Jerry_Schilling" title="Jerry Schilling">Jerry Schilling</a>, the special reminded Presley of what "he had not been able to do for years, being able to choose the people; being able to choose what songs and not being told what had to be on the soundtrack. ... He was out of prison, man."<sup id="cite_ref-FOOTNOTEKubernick200826_194-1" class="reference"><a href="#cite_note-FOOTNOTEKubernick200826-194"><span class="cite-bracket">[</span>190<span class="cite-bracket">]</span></a></sup> Binder said of Presley's reaction, "I played Elvis the 60-minute show, and he told me in the screening room, 'Steve, it's the greatest thing I've ever done in my life. I give you my word I will never sing a song I don't believe in.<span style="padding-right:.15em;">'</span>"<sup id="cite_ref-FOOTNOTEKubernick200826_194-2" class="reference"><a href="#cite_note-FOOTNOTEKubernick200826-194"><span class="cite-bracket">[</span>190<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="From_Elvis_in_Memphis_and_the_International"><i>From Elvis in Memphis</i> and the International</h4></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132"><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><span><noscript><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" data-file-width="160" data-file-height="160"></noscript><span class="lazy-image-placeholder" style="width: 50px;height: 50px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" data-alt="" data-width="50" data-height="50" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-class="mw-file-element">&nbsp;</span></span><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Power_of_My_Love.ogg" title="File:Power of My Love.ogg">"Power of My Love"</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_3" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="27" data-mwtitle="Power_of_My_Love.ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/2/25/Power_of_My_Love.ogg" type='audio/ogg; codecs="vorbis"' data-width="0" data-height="0"></source><source src="//upload.wikimedia.org/wikipedia/en/transcoded/2/25/Power_of_My_Love.ogg/Power_of_My_Love.ogg.mp3" type="audio/mpeg" data-transcodekey="mp3" data-width="0" data-height="0"></source></audio></span></span></div> <div class="description">Beginning with his American Sound recordings, <a href="/wiki/Soul_music" title="Soul music">soul music</a> became a central element in Presley's fusion of styles. Here, he revels in lyrics full of sexual innuendos.<sup id="cite_ref-FOOTNOTEJorgensen1998277_197-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998277-197"><span class="cite-bracket">[</span>193<span class="cite-bracket">]</span></a></sup></div></div></div></div> <div class="side-box-abovebelow"><hr><i class="selfreference">Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></div> </div> <p>Buoyed by the experience of the <i>Comeback Special</i>, Presley engaged in a prolific series of recording sessions at <a href="/wiki/American_Sound_Studio" title="American Sound Studio">American Sound Studio</a>, which led to the acclaimed <i><a href="/wiki/From_Elvis_in_Memphis" title="From Elvis in Memphis">From Elvis in Memphis</a></i>. Released in June 1969, it was his first secular, non-soundtrack album from a dedicated period in the studio in eight years. As described by Marsh, it is "a masterpiece in which Presley immediately catches up with pop music trends that had seemed to pass him by during the movie years. He sings country songs, soul songs and rockers with real conviction, a stunning achievement."<sup id="cite_ref-FOOTNOTEMarsh1980396_198-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh1980396-198"><span class="cite-bracket">[</span>194<span class="cite-bracket">]</span></a></sup> The album featured the hit single "<a href="/wiki/In_the_Ghetto" title="In the Ghetto">In the Ghetto</a>", issued in April, which reached number three on the pop chart—Presley's first non-gospel top ten hit since "Bossa Nova Baby" in 1963. Further hit singles were culled from the American Sound sessions: "<a href="/wiki/Suspicious_Minds" title="Suspicious Minds">Suspicious Minds</a>", "<a href="/wiki/Don%27t_Cry_Daddy" title="Don't Cry Daddy">Don't Cry Daddy</a>", and "<a href="/wiki/Kentucky_Rain" title="Kentucky Rain">Kentucky Rain</a>".<sup id="cite_ref-FOOTNOTEJorgensen1998419_199-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998419-199"><span class="cite-bracket">[</span>195<span class="cite-bracket">]</span></a></sup> </p><p>Presley was keen to resume regular live performing. Following the success of the <i>Comeback Special</i>, offers came in from around the world. The <a href="/wiki/London_Palladium" title="London Palladium">London Palladium</a> offered Parker <span style="white-space: nowrap"><a href="/wiki/United_States_dollar" title="United States dollar">US$</a>28,000</span> (equivalent to $240,000 in 2024) for a one-week engagement. He responded, "That's fine for me, now how much can you get for Elvis?"<sup id="cite_ref-FOOTNOTEGordon2005146_200-0" class="reference"><a href="#cite_note-FOOTNOTEGordon2005146-200"><span class="cite-bracket">[</span>196<span class="cite-bracket">]</span></a></sup> In May, the brand-new <a href="/wiki/Las_Vegas_Hilton" class="mw-redirect" title="Las Vegas Hilton">International Hotel</a> in Las Vegas, boasting the largest showroom in the city, booked Presley for fifty-seven shows over four weeks, beginning July 31. Moore, Fontana, and the Jordanaires declined to participate, afraid of losing the lucrative session work they had in Nashville. Presley assembled new, top-notch accompaniment, led by guitarist <a href="/wiki/James_Burton" title="James Burton">James Burton</a> and including two gospel groups, <a href="/wiki/The_Imperials" title="The Imperials">The Imperials</a> and <a href="/wiki/Sweet_Inspirations" class="mw-redirect" title="Sweet Inspirations">Sweet Inspirations</a>.<sup id="cite_ref-FOOTNOTEJorgensen1998283_201-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998283-201"><span class="cite-bracket">[</span>197<span class="cite-bracket">]</span></a></sup> Costume designer <a href="/wiki/Bill_Belew" title="Bill Belew">Bill Belew</a>, responsible for the intense leather styling of the <i>Comeback Special</i>, created a new stage look for Presley, inspired by his passion for karate.<sup id="cite_ref-FOOTNOTEGuralnick1999343_202-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999343-202"><span class="cite-bracket">[</span>198<span class="cite-bracket">]</span></a></sup> Nonetheless, Presley was nervous: his only previous Las Vegas engagement, in 1956, had been dismal. Parker oversaw a major promotional push, and International Hotel owner <a href="/wiki/Kirk_Kerkorian" title="Kirk Kerkorian">Kirk Kerkorian</a> arranged to send his own plane to New York to fly in rock journalists for the debut performance.<sup id="cite_ref-FOOTNOTEGuralnick1999346–347_203-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999346%E2%80%93347-203"><span class="cite-bracket">[</span>199<span class="cite-bracket">]</span></a></sup> </p><p>Presley took to the stage without introduction. The audience of 2,200, including many celebrities, gave him a standing ovation before he sang a note and another after his performance. A third followed his encore, "Can't Help Falling in Love" (which would be his closing number for much of his remaining life).<sup id="cite_ref-FOOTNOTEGordon2005149–150_204-0" class="reference"><a href="#cite_note-FOOTNOTEGordon2005149%E2%80%93150-204"><span class="cite-bracket">[</span>200<span class="cite-bracket">]</span></a></sup> At a press conference after the show, when a journalist referred to him as "The King", Presley gestured toward <a href="/wiki/Fats_Domino" title="Fats Domino">Fats Domino</a>, who was taking in the scene. "No," Presley said, "that's the real king of rock and roll."<sup id="cite_ref-FOOTNOTECook200439_205-0" class="reference"><a href="#cite_note-FOOTNOTECook200439-205"><span class="cite-bracket">[</span>201<span class="cite-bracket">]</span></a></sup> The next day, Parker's negotiations with the hotel resulted in a five-year contract for Presley to play each February and August, at an annual salary of $1 million.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen1999259,_262_206-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen1999259,_262-206"><span class="cite-bracket">[</span>202<span class="cite-bracket">]</span></a></sup> <i><a href="/wiki/Newsweek" title="Newsweek">Newsweek</a></i> commented, "There are several unbelievable things about Elvis, but the most incredible is his staying power in a world where meteoric careers fade like shooting stars."<sup id="cite_ref-FOOTNOTEMoyer200273_207-0" class="reference"><a href="#cite_note-FOOTNOTEMoyer200273-207"><span class="cite-bracket">[</span>203<span class="cite-bracket">]</span></a></sup> <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i> called Presley "supernatural, his own resurrection".<sup id="cite_ref-FOOTNOTEJorgensen1998287_208-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998287-208"><span class="cite-bracket">[</span>204<span class="cite-bracket">]</span></a></sup> In November, Presley's final non-concert film, <i><a href="/wiki/Change_of_Habit" title="Change of Habit">Change of Habit</a></i>, opened. The double album <i><a href="/wiki/From_Memphis_to_Vegas/From_Vegas_to_Memphis" class="mw-redirect" title="From Memphis to Vegas/From Vegas to Memphis">From Memphis to Vegas/From Vegas to Memphis</a></i> came out the same month; the first LP consisted of live performances from the International, the second of more cuts from the American Sound sessions. "Suspicious Minds" reached the top of the charts—Presley's first <a href="/wiki/Billboard_Hot_100" title="Billboard Hot 100">U.S. pop number-one</a> in over seven years, and his last.<sup id="cite_ref-FOOTNOTEWhitburn2010521–522_209-0" class="reference"><a href="#cite_note-FOOTNOTEWhitburn2010521%E2%80%93522-209"><span class="cite-bracket">[</span>205<span class="cite-bracket">]</span></a></sup> </p><p><a href="/wiki/Cassandra_Peterson" title="Cassandra Peterson">Cassandra Peterson</a>, later television's Elvira, met Presley during this period in Las Vegas. She recalled of their encounter, "He was so anti-drug when I met him. I mentioned to him that I smoked <a href="/wiki/Marijuana" class="mw-redirect" title="Marijuana">marijuana</a>, and he was just appalled."<sup id="cite_ref-FOOTNOTEStein1997_210-0" class="reference"><a href="#cite_note-FOOTNOTEStein1997-210"><span class="cite-bracket">[</span>206<span class="cite-bracket">]</span></a></sup> Presley also rarely drank—several of his family members had been alcoholics, a fate he intended to avoid.<sup id="cite_ref-FOOTNOTEMason200781_211-0" class="reference"><a href="#cite_note-FOOTNOTEMason200781-211"><span class="cite-bracket">[</span>207<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Back_on_tour_and_meeting_Nixon">Back on tour and meeting Nixon</h4></div> <p>Presley returned to the International early in 1970 for the first of the year's two-month-long engagements, performing two shows a night. Recordings from these shows were issued on the album <i><a href="/wiki/On_Stage_(Elvis_Presley_album)" title="On Stage (Elvis Presley album)">On Stage</a></i>.<sup id="cite_ref-FOOTNOTEStanleyCoffey199894_212-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199894-212"><span class="cite-bracket">[</span>208<span class="cite-bracket">]</span></a></sup> In late February, Presley performed six attendance-record–breaking shows at the <a href="/wiki/Houston_Astrodome" class="mw-redirect" title="Houston Astrodome">Houston Astrodome</a>.<sup id="cite_ref-FOOTNOTEStanleyCoffey199895_213-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199895-213"><span class="cite-bracket">[</span>209<span class="cite-bracket">]</span></a></sup> In April, the single "<a href="/wiki/The_Wonder_of_You#Elvis_Presley_version" title="The Wonder of You">The Wonder of You</a>" was issued—a number one hit in the UK, it topped the U.S. <a href="/wiki/Hot_Adult_Contemporary_Tracks" class="mw-redirect" title="Hot Adult Contemporary Tracks">adult contemporary</a> chart as well. <a href="/wiki/Metro-Goldwyn-Mayer" title="Metro-Goldwyn-Mayer">Metro-Goldwyn-Mayer</a> (MGM) filmed rehearsal and concert footage at the International during August for the documentary <i><a href="/wiki/Elvis:_That%27s_the_Way_It_Is" title="Elvis: That's the Way It Is">Elvis: That's the Way It Is</a></i>. Presley was performing in a jumpsuit, which would become a trademark of his live act. During this engagement, he was threatened with murder unless <span style="white-space: nowrap"><a href="/wiki/United_States_dollar" title="United States dollar">US$</a>50,000</span> (equivalent to $405,000 in 2024) was paid. Presley had been the target of many threats since the 1950s, often without his knowledge.<sup id="cite_ref-FOOTNOTEHopkins2007253_214-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins2007253-214"><span class="cite-bracket">[</span>210<span class="cite-bracket">]</span></a></sup> The FBI took the threat seriously and security was increased for the next two shows. Presley went onstage with a <a href="/wiki/Derringer" title="Derringer">Derringer</a> in his right boot and a <a href="/wiki/.45_caliber" class="mw-redirect" title=".45 caliber">.45 caliber</a> <a href="/wiki/Pistol" title="Pistol">pistol</a> in his waistband, but the concerts succeeded without any incidents.<sup id="cite_ref-FOOTNOTEHopkins2007254_215-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins2007254-215"><span class="cite-bracket">[</span>211<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEStanleyCoffey199896_216-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199896-216"><span class="cite-bracket">[</span>212<span class="cite-bracket">]</span></a></sup> </p> <p><i><a href="/wiki/That%27s_the_Way_It_Is_(Elvis_Presley_album)" title="That's the Way It Is (Elvis Presley album)">That's the Way It Is</a></i>, produced to accompany the documentary and featuring both studio and live recordings, marked a stylistic shift. As music historian John Robertson noted, </p><blockquote><p>The authority of Presley's singing helped disguise the fact that the album stepped decisively away from the American-roots inspiration of the Memphis sessions towards a more middle-of-the-road sound. With country put on the back burner, and soul and R&amp;B left in Memphis, what was left was very classy, very clean white pop—perfect for the Las Vegas crowd, but a definite retrograde step for Elvis.<sup id="cite_ref-FOOTNOTERobertson200470_217-0" class="reference"><a href="#cite_note-FOOTNOTERobertson200470-217"><span class="cite-bracket">[</span>213<span class="cite-bracket">]</span></a></sup></p></blockquote><p> After the end of his International engagement on September 7, Presley embarked on a week-long concert tour, largely of the <a href="/wiki/Southern_United_States" title="Southern United States">South</a>, his first since 1958. Another week-long tour, of the <a href="/wiki/West_Coast_of_the_United_States" title="West Coast of the United States">West Coast</a>, followed in November.<sup id="cite_ref-FOOTNOTEStanleyCoffey199899_218-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199899-218"><span class="cite-bracket">[</span>214<span class="cite-bracket">]</span></a></sup> </p><figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis-nixon_(crop).jpg" class="mw-file-description"><noscript><img alt="A mutton-chopped Presley, wearing a long velour jacket and a giant buckle like that of a boxing championship belt, shakes hands with a balding man wearing a suit and tie. They are facing camera and smiling. Five flags hang from poles directly behind them." src="//upload.wikimedia.org/wikipedia/commons/thumb/9/98/Elvis-nixon_%28crop%29.jpg/250px-Elvis-nixon_%28crop%29.jpg" decoding="async" width="250" height="188" class="mw-file-element" data-file-width="2304" data-file-height="1728"></noscript><span class="lazy-image-placeholder" style="width: 250px;height: 188px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/9/98/Elvis-nixon_%28crop%29.jpg/250px-Elvis-nixon_%28crop%29.jpg" data-alt="A mutton-chopped Presley, wearing a long velour jacket and a giant buckle like that of a boxing championship belt, shakes hands with a balding man wearing a suit and tie. They are facing camera and smiling. Five flags hang from poles directly behind them." data-width="250" data-height="188" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/98/Elvis-nixon_%28crop%29.jpg/375px-Elvis-nixon_%28crop%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/98/Elvis-nixon_%28crop%29.jpg/500px-Elvis-nixon_%28crop%29.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Presley meets US President <a href="/wiki/Richard_Nixon" title="Richard Nixon">Richard Nixon</a> in the <a href="/wiki/White_House" title="White House">White House</a> <a href="/wiki/Oval_Office" title="Oval Office">Oval Office</a>, December 21, 1970</figcaption></figure> <p>On December 21, 1970, Presley engineered a meeting with U.S. President <a href="/wiki/Richard_Nixon" title="Richard Nixon">Richard Nixon</a> at the <a href="/wiki/White_House" title="White House">White House</a>, where he explained how he believed he could reach out to the <a href="/wiki/Hippie" title="Hippie">hippies</a> to help combat the <a href="/wiki/Drug_culture" title="Drug culture">drug culture</a> he and the president abhorred. He asked Nixon for a <a href="/wiki/Bureau_of_Narcotics_and_Dangerous_Drugs" title="Bureau of Narcotics and Dangerous Drugs">Bureau of Narcotics and Dangerous Drugs</a> badge, to signify official sanction of his efforts. Nixon, who apparently found the encounter awkward, expressed a belief that Presley could send a positive message to young people and that it was, therefore, important that he "retain his credibility".<sup id="cite_ref-FOOTNOTEGuralnick1999419–422_219-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999419%E2%80%93422-219"><span class="cite-bracket">[</span>215<span class="cite-bracket">]</span></a></sup> Presley told Nixon that <a href="/wiki/The_Beatles" title="The Beatles">the Beatles</a>, whose songs he regularly performed in concert during the era,<sup id="cite_ref-FOOTNOTEJorgensen1998284,_286,_307–308,_313,_326,_338,_357–358_220-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998284,_286,_307%E2%80%93308,_313,_326,_338,_357%E2%80%93358-220"><span class="cite-bracket">[</span>216<span class="cite-bracket">]</span></a></sup> exemplified what he saw as a trend of <a href="/wiki/Anti-Americanism" title="Anti-Americanism">anti-Americanism</a>.<sup id="cite_ref-FOOTNOTEGuralnick1999420_221-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999420-221"><span class="cite-bracket">[</span>217<span class="cite-bracket">]</span></a></sup> Presley and his friends previously had a four-hour get-together with the Beatles at his home in <a href="/wiki/Bel_Air,_Los_Angeles" title="Bel Air, Los Angeles">Bel Air</a>, California, in August 1965. <a href="/wiki/Paul_McCartney" title="Paul McCartney">Paul McCartney</a> later said that he "felt a bit betrayed. ... The great joke was that we were taking [illegal] drugs, and look what happened to him", a reference to Presley's early death linked to <a href="/wiki/Prescription_drug_abuse" class="mw-redirect" title="Prescription drug abuse">prescription drug abuse</a>.<sup id="cite_ref-FOOTNOTEThe_Beatles2000192_222-0" class="reference"><a href="#cite_note-FOOTNOTEThe_Beatles2000192-222"><span class="cite-bracket">[</span>218<span class="cite-bracket">]</span></a></sup> </p><p> The <a href="/wiki/United_States_Junior_Chamber" title="United States Junior Chamber">U.S. Junior Chamber of Commerce</a> named Presley one of its annual <a href="/wiki/Ten_Outstanding_Young_Americans" title="Ten Outstanding Young Americans">Ten Most Outstanding Young Men of the Nation</a> on January 16, 1971.<sup id="cite_ref-FOOTNOTEJorgensen1998321_223-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998321-223"><span class="cite-bracket">[</span>219<span class="cite-bracket">]</span></a></sup> Not long after, the City of Memphis named the stretch of <a href="/wiki/U.S._Route_51" title="U.S. Route 51">Highway 51 South</a> on which Graceland is located "Elvis Presley Boulevard". The same year, Presley became the first rock and roll singer to be awarded the <a href="/wiki/Grammy_Lifetime_Achievement_Award" title="Grammy Lifetime Achievement Award">Grammy Lifetime Achievement Award</a> (then known as the Bing Crosby Award).<sup id="cite_ref-FOOTNOTEMcPhate2017_224-0" class="reference"><a href="#cite_note-FOOTNOTEMcPhate2017-224"><span class="cite-bracket">[</span>220<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEGuralnickJorgensen1999299–300_225-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen1999299%E2%80%93300-225"><span class="cite-bracket">[</span>221<span class="cite-bracket">]</span></a></sup> Three new, non-film Presley studio albums were released in 1971. Best received by critics was <i><a href="/wiki/Elvis_Country" class="mw-redirect" title="Elvis Country">Elvis Country</a></i>, a <a href="/wiki/Concept_album" title="Concept album">concept record</a> that focused on genre standards.<sup id="cite_ref-FOOTNOTEJorgensen1998319_226-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998319-226"><span class="cite-bracket">[</span>222<span class="cite-bracket">]</span></a></sup> The biggest seller was <i><a href="/wiki/Elvis_Sings_The_Wonderful_World_of_Christmas" title="Elvis Sings The Wonderful World of Christmas">Elvis Sings The Wonderful World of Christmas</a></i>. According to Greil Marcus, </p><blockquote><p>In the midst of ten painfully genteel Christmas songs, every one sung with appalling sincerity and humility, one could find Elvis tom-catting his way through six blazing minutes of "<a href="/wiki/Merry_Christmas_Baby" title="Merry Christmas Baby">Merry Christmas Baby</a>", a raunchy old <a href="/wiki/Charles_Brown_(musician)" title="Charles Brown (musician)">Charles Brown</a> blues.<span class="nowrap"> </span>[...] If [Presley's] sin was his lifelessness, it was his sinfulness that brought him to life.<sup id="cite_ref-FOOTNOTEMarcus1982284–185_227-0" class="reference"><a href="#cite_note-FOOTNOTEMarcus1982284%E2%80%93185-227"><span class="cite-bracket">[</span>223<span class="cite-bracket">]</span></a></sup></p></blockquote> <div class="mw-heading mw-heading4"><h4 id="Marriage_breakdown_and_Aloha_from_Hawaii">Marriage breakdown and <i>Aloha from Hawaii</i></h4></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">See also: <a href="/wiki/Aloha_from_Hawaii_via_Satellite" title="Aloha from Hawaii via Satellite">Aloha from Hawaii via Satellite</a></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Bill_Elvis_Paul.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e9/Bill_Elvis_Paul.jpg/220px-Bill_Elvis_Paul.jpg" decoding="async" width="220" height="174" class="mw-file-element" data-file-width="960" data-file-height="758"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 174px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e9/Bill_Elvis_Paul.jpg/220px-Bill_Elvis_Paul.jpg" data-width="220" data-height="174" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e9/Bill_Elvis_Paul.jpg/330px-Bill_Elvis_Paul.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e9/Bill_Elvis_Paul.jpg/440px-Bill_Elvis_Paul.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Presley (center) with friends <a href="/wiki/Bill_Porter_(sound_engineer)" title="Bill Porter (sound engineer)">Bill Porter</a> (left) and <a href="/wiki/Paul_Anka" title="Paul Anka">Paul Anka</a> (right) backstage at the <a href="/wiki/Las_Vegas_Hilton" class="mw-redirect" title="Las Vegas Hilton">Las Vegas Hilton</a> on August 5, 1972</figcaption></figure> <p>MGM filmed Presley in April 1972 for <i><a href="/wiki/Elvis_on_Tour" title="Elvis on Tour">Elvis on Tour</a></i>, which went on to win the <a href="/wiki/Golden_Globe_Award_for_Best_Documentary_Film" title="Golden Globe Award for Best Documentary Film">Golden Globe Award for Best Documentary Film</a> for <a href="/wiki/30th_Golden_Globe_Awards" title="30th Golden Globe Awards">that year's Golden Globe Awards</a>. His gospel album <i><a href="/wiki/He_Touched_Me_(album)" title="He Touched Me (album)">He Touched Me</a></i>, released that month, would earn him his second <a href="/wiki/Grammy_Award_for_Best_Inspirational_Performance" title="Grammy Award for Best Inspirational Performance">Grammy Award for Best Inspirational Performance</a>. A fourteen-date tour commenced with an unprecedented four consecutive sold-out shows at New York's <a href="/wiki/Madison_Square_Garden" title="Madison Square Garden">Madison Square Garden</a>.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen1999308_228-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen1999308-228"><span class="cite-bracket">[</span>224<span class="cite-bracket">]</span></a></sup> The evening concert on July 10 was issued in LP form a week later. <i><a href="/wiki/Elvis:_As_Recorded_at_Madison_Square_Garden" class="mw-redirect" title="Elvis: As Recorded at Madison Square Garden">Elvis: As Recorded at Madison Square Garden</a></i> became one of Presley's biggest-selling albums. After the tour, the single "<a href="/wiki/Burning_Love" title="Burning Love">Burning Love</a>" was released—Presley's last top ten hit on the U.S. pop chart. "The most exciting single Elvis has made since 'All Shook Up<span style="padding-right:.15em;">'</span>", wrote rock critic <a href="/wiki/Robert_Christgau" title="Robert Christgau">Robert Christgau</a>.<sup id="cite_ref-FOOTNOTEMarcus1982283_229-0" class="reference"><a href="#cite_note-FOOTNOTEMarcus1982283-229"><span class="cite-bracket">[</span>225<span class="cite-bracket">]</span></a></sup> </p><p>Presley and his wife had become increasingly distant, barely cohabiting. In 1971, an affair he had with Joyce Bova resulted—unbeknownst to him—in her pregnancy and an abortion.<sup id="cite_ref-FOOTNOTEWilliamson2015253–254_230-0" class="reference"><a href="#cite_note-FOOTNOTEWilliamson2015253%E2%80%93254-230"><span class="cite-bracket">[</span>226<span class="cite-bracket">]</span></a></sup> He often raised the possibility of Joyce moving into Graceland.<sup id="cite_ref-FOOTNOTEGuralnick1999451,_446,_453_231-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999451,_446,_453-231"><span class="cite-bracket">[</span>227<span class="cite-bracket">]</span></a></sup> The Presleys <a href="/wiki/Marital_separation" title="Marital separation">separated</a> on February 23, 1972, after Priscilla disclosed her relationship with <a href="/wiki/Mike_Stone_(karate)" title="Mike Stone (karate)">Mike Stone</a>, a karate instructor Presley had recommended to her. Priscilla related that when she told him, Presley forcefully made love to her, declaring, "This is how a real man makes love to his woman".<sup id="cite_ref-FOOTNOTEGuralnick1999456_232-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999456-232"><span class="cite-bracket">[</span>228<span class="cite-bracket">]</span></a></sup> She later stated in an interview that she regretted her choice of words in describing the incident, and said it had been an overstatement.<sup id="cite_ref-FOOTNOTEMarsh2015_233-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh2015-233"><span class="cite-bracket">[</span>229<span class="cite-bracket">]</span></a></sup> Five months later, Presley's new girlfriend, <a href="/wiki/Linda_Thompson_(actress)" class="mw-redirect" title="Linda Thompson (actress)">Linda Thompson</a>, a songwriter and one-time Memphis beauty queen, moved in with him.<sup id="cite_ref-FOOTNOTEHopkins2007291_234-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins2007291-234"><span class="cite-bracket">[</span>230<span class="cite-bracket">]</span></a></sup> Presley and his wife filed for divorce on August 18.<sup id="cite_ref-FOOTNOTEGuralnick1999474_235-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999474-235"><span class="cite-bracket">[</span>231<span class="cite-bracket">]</span></a></sup> According to Joe Moscheo of the Imperials, the failure of Presley's marriage "was a blow from which he never recovered".<sup id="cite_ref-FOOTNOTEMoscheo2007132_236-0" class="reference"><a href="#cite_note-FOOTNOTEMoscheo2007132-236"><span class="cite-bracket">[</span>232<span class="cite-bracket">]</span></a></sup> At a rare press conference that June, a reporter had asked Presley whether he was satisfied with his image. Presley replied, "Well, the image is one thing and the human being another ... it's very hard to live up to an image."<sup id="cite_ref-FOOTNOTEKeogh2004234–235_237-0" class="reference"><a href="#cite_note-FOOTNOTEKeogh2004234%E2%80%93235-237"><span class="cite-bracket">[</span>233<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Graceland_2010-12-18_Memphis_TN_39.jpg" class="mw-file-description"><noscript><img alt="High-collared white jumpsuit resplendent with red, blue, and gold eagle motif in sequins" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c4/Graceland_2010-12-18_Memphis_TN_39.jpg/180px-Graceland_2010-12-18_Memphis_TN_39.jpg" decoding="async" width="180" height="240" class="mw-file-element" data-file-width="768" data-file-height="1024"></noscript><span class="lazy-image-placeholder" style="width: 180px;height: 240px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c4/Graceland_2010-12-18_Memphis_TN_39.jpg/180px-Graceland_2010-12-18_Memphis_TN_39.jpg" data-alt="High-collared white jumpsuit resplendent with red, blue, and gold eagle motif in sequins" data-width="180" data-height="240" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c4/Graceland_2010-12-18_Memphis_TN_39.jpg/270px-Graceland_2010-12-18_Memphis_TN_39.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c4/Graceland_2010-12-18_Memphis_TN_39.jpg/360px-Graceland_2010-12-18_Memphis_TN_39.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Presley came up with his outfit's eagle motif, as "something that would say 'America' to the world"<sup id="cite_ref-FOOTNOTEGuralnick1999478_238-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999478-238"><span class="cite-bracket">[</span>234<span class="cite-bracket">]</span></a></sup></figcaption></figure> <p>In January 1973, Presley performed two benefit concerts for the <a href="/wiki/Kui_Lee" title="Kui Lee">Kui Lee</a> Cancer Fund in connection with a groundbreaking television special, <i><a href="/wiki/Aloha_from_Hawaii_via_Satellite" title="Aloha from Hawaii via Satellite">Aloha from Hawaii</a></i>, which would be the first concert by a solo artist to be aired globally. The first show served as a practice run and backup should technical problems affect the live broadcast two days later. On January 14, <i>Aloha from Hawaii</i> aired live via satellite to prime-time audiences in Japan, South Korea, Thailand, the Philippines, Australia, and New Zealand, as well as to U.S. servicemen based across Southeast Asia. In Japan, where it capped a nationwide Elvis Presley Week, it smashed viewing records. The next night, it was simulcast to twenty-eight European countries, and in April an extended version aired in the U.S., receiving a fifty-seven percent share of the TV audience.<sup id="cite_ref-FOOTNOTEHopkins200261,_67,_73_239-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins200261,_67,_73-239"><span class="cite-bracket">[</span>235<span class="cite-bracket">]</span></a></sup> Over time, Parker's claim that it was seen by one billion or more people<sup id="cite_ref-FOOTNOTEHopkins200273_240-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins200273-240"><span class="cite-bracket">[</span>236<span class="cite-bracket">]</span></a></sup> would be broadly accepted,<sup id="cite_ref-FOOTNOTEVictor200810_241-0" class="reference"><a href="#cite_note-FOOTNOTEVictor200810-241"><span class="cite-bracket">[</span>237<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEBrownBroeske1997364_242-0" class="reference"><a href="#cite_note-FOOTNOTEBrownBroeske1997364-242"><span class="cite-bracket">[</span>238<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEGuralnick1999475_243-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999475-243"><span class="cite-bracket">[</span>239<span class="cite-bracket">]</span></a></sup> but that figure appeared to have been sheer invention.<sup id="cite_ref-FOOTNOTEFessier2013_244-0" class="reference"><a href="#cite_note-FOOTNOTEFessier2013-244"><span class="cite-bracket">[</span>240<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-245" class="reference"><a href="#cite_note-245"><span class="cite-bracket">[</span>241<span class="cite-bracket">]</span></a></sup> Presley's stage costume became the most recognized example of the elaborate concert garb with which his latter-day persona became closely associated. As described by <a href="/wiki/Bobbie_Ann_Mason" title="Bobbie Ann Mason">Bobbie Ann Mason</a>, "At the end of the show, when he spreads out his American Eagle cape, with the full stretched wings of the eagle studded on the back, he becomes a god figure."<sup id="cite_ref-FOOTNOTEMason2007141_246-0" class="reference"><a href="#cite_note-FOOTNOTEMason2007141-246"><span class="cite-bracket">[</span>242<span class="cite-bracket">]</span></a></sup> The <a href="/wiki/Aloha_from_Hawaii_Via_Satellite_(album)" class="mw-redirect" title="Aloha from Hawaii Via Satellite (album)">accompanying double album</a>, released in February, went to number one and eventually sold over 5 million copies in the U.S.<sup id="cite_ref-FOOTNOTERIAA2010_247-0" class="reference"><a href="#cite_note-FOOTNOTERIAA2010-247"><span class="cite-bracket">[</span>243<span class="cite-bracket">]</span></a></sup> It was Presley's last <a href="/wiki/Billboard_200" title="Billboard 200">U.S. number-one pop album</a> during his lifetime.<sup id="cite_ref-FOOTNOTEJorgensen1998422–425_248-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998422%E2%80%93425-248"><span class="cite-bracket">[</span>244<span class="cite-bracket">]</span></a></sup> </p><p>At a midnight show that same month, four men rushed onto the stage in an apparent attack. Security personnel came to Presley's defense, and he ejected one invader from the stage himself. Following the show, Presley became obsessed with the idea that the men had been sent by Mike Stone to kill him. Though they were shown to have been only overexuberant fans, Presley raged, "There's too much pain in me ... Stone [must] die." His outbursts continued with such intensity that a physician was unable to calm him, despite administering large doses of medication. After another two full days of raging, <a href="/wiki/Red_West" title="Red West">Red West</a>, his friend and bodyguard, felt compelled to get a price for a <a href="/wiki/Contract_killing" title="Contract killing">contract killing</a> and was relieved when Presley decided, "Aw hell, let's just leave it for now. Maybe it's a bit heavy."<sup id="cite_ref-FOOTNOTEGuralnick1999488–490_249-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999488%E2%80%93490-249"><span class="cite-bracket">[</span>245<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="1973–1977:_health_deterioration_and_death"><span id="1973.E2.80.931977:_health_deterioration_and_death"></span>1973–1977: health deterioration and death</h3></div> <div class="mw-heading mw-heading4"><h4 id="Medical_crises_and_last_studio_sessions">Medical crises and last studio sessions</h4></div> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_and_Priscilla_Presley_after_divorce_hearing.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d5/Elvis_and_Priscilla_Presley_after_divorce_hearing.jpg/220px-Elvis_and_Priscilla_Presley_after_divorce_hearing.jpg" decoding="async" width="220" height="270" class="mw-file-element" data-file-width="3215" data-file-height="3944"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 270px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d5/Elvis_and_Priscilla_Presley_after_divorce_hearing.jpg/220px-Elvis_and_Priscilla_Presley_after_divorce_hearing.jpg" data-width="220" data-height="270" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d5/Elvis_and_Priscilla_Presley_after_divorce_hearing.jpg/330px-Elvis_and_Priscilla_Presley_after_divorce_hearing.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d5/Elvis_and_Priscilla_Presley_after_divorce_hearing.jpg/440px-Elvis_and_Priscilla_Presley_after_divorce_hearing.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Elvis and <a href="/wiki/Priscilla_Presley" title="Priscilla Presley">Priscilla Presley</a> holding hands after their divorce was finalized in 1973</figcaption></figure> <p>Presley's divorce was finalized on October 9, 1973.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen1999329_250-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen1999329-250"><span class="cite-bracket">[</span>246<span class="cite-bracket">]</span></a></sup> He and Priscilla would remain close friends until his death, even holding hands while leaving the courtroom where they finalized their divorce. Priscilla recalled that they lived life together "like we were never divorced. Elvis and I still hugged each other, still had love. We would say, 'Mommy said this' and 'Daddy said that.' That helped Lisa to feel stable. There was never any arguing or bitterness."<sup id="cite_ref-251" class="reference"><a href="#cite_note-251"><span class="cite-bracket">[</span>247<span class="cite-bracket">]</span></a></sup> By this time, his health was in serious decline. Twice during the year he overdosed on <a href="/wiki/Barbiturate" title="Barbiturate">barbiturates</a>, spending three days in a coma in his hotel suite after the first incident. In late 1973, he was hospitalized from the effects of a <a href="/wiki/Pethidine" title="Pethidine">pethidine</a> addiction. According to his primary care physician, <a href="/wiki/George_C._Nichopoulos" title="George C. Nichopoulos">George C. Nichopoulos</a>, Presley "felt that by getting drugs from a doctor, he wasn't the common everyday junkie getting something off the street".<sup id="cite_ref-FOOTNOTEHigginbotham2002_252-0" class="reference"><a href="#cite_note-FOOTNOTEHigginbotham2002-252"><span class="cite-bracket">[</span>248<span class="cite-bracket">]</span></a></sup> Since his comeback, he had staged more live shows with each passing year, and 1973 saw 168 concerts, his busiest schedule ever.<sup id="cite_ref-FOOTNOTEKeogh2004238_253-0" class="reference"><a href="#cite_note-FOOTNOTEKeogh2004238-253"><span class="cite-bracket">[</span>249<span class="cite-bracket">]</span></a></sup> Despite his failing health, he undertook another intensive touring schedule in 1974.<sup id="cite_ref-FOOTNOTEGuralnick1999481,_487,_499,_504,_519–520_254-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999481,_487,_499,_504,_519%E2%80%93520-254"><span class="cite-bracket">[</span>250<span class="cite-bracket">]</span></a></sup> </p><p> Presley's condition declined precipitously that September. Keyboardist <a href="/wiki/Tony_Brown_(record_producer)" title="Tony Brown (record producer)">Tony Brown</a> remembered his arrival at a <a href="/wiki/University_of_Maryland" class="mw-redirect" title="University of Maryland">University of Maryland</a> concert: "He fell out of the limousine, to his knees. People jumped to help, and he pushed them away like, 'Don't help me.' He walked on stage and held onto the mic for the first thirty minutes like it was a post. Everybody's looking at each other like, 'Is the tour gonna happen'?"<sup id="cite_ref-FOOTNOTEGuralnick1999547_255-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999547-255"><span class="cite-bracket">[</span>251<span class="cite-bracket">]</span></a></sup> Guitarist John Wilkinson recalled: </p><blockquote><p>He was all gut. He was slurring. He was so fucked up. ... It was obvious he was drugged. It was obvious there was something terribly wrong with his body. It was so bad the words to the songs were barely intelligible. ... I remember crying. He could barely get through the introductions.<sup id="cite_ref-FOOTNOTEHopkins1986136_256-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins1986136-256"><span class="cite-bracket">[</span>252<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>On July 13, 1976, Vernon Presley—who had become deeply involved in his son's financial affairs—had fired "<a href="/wiki/Memphis_Mafia" title="Memphis Mafia">Memphis Mafia</a>" bodyguards <a href="/wiki/Red_West" title="Red West">Red West</a> (Presley's friend since the 1950s), <a href="/wiki/Sonny_West_(actor)" title="Sonny West (actor)">Sonny West</a>, and David Hebler, citing the need to "cut back on expenses".<sup id="cite_ref-FOOTNOTEGuralnick199450,_148_257-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199450,_148-257"><span class="cite-bracket">[</span>253<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEGuralnick1999601–4_258-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999601%E2%80%934-258"><span class="cite-bracket">[</span>254<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEStanleyCoffey1998139_259-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey1998139-259"><span class="cite-bracket">[</span>255<span class="cite-bracket">]</span></a></sup> Presley was in <a href="/wiki/Palm_Springs,_California" title="Palm Springs, California">Palm Springs</a> at the time, and some suggest the singer was too cowardly to face the three himself. Another associate of Presley's, John O'Grady, argued that the bodyguards were dropped because their rough treatment of fans had prompted too many lawsuits.<sup id="cite_ref-FOOTNOTEHopkins2007354_260-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins2007354-260"><span class="cite-bracket">[</span>256<span class="cite-bracket">]</span></a></sup> Presley's stepbrother David Stanley has claimed that the bodyguards were fired because they were becoming more outspoken about Presley's drug dependency.<sup id="cite_ref-FOOTNOTEStanleyCoffey1998140_261-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey1998140-261"><span class="cite-bracket">[</span>257<span class="cite-bracket">]</span></a></sup> </p><p>RCA began to grow anxious as his interest in the recording studio waned. After a session in December 1973 that produced eighteen songs, enough for almost two albums, Presley made no official studio recordings in 1974.<sup id="cite_ref-FOOTNOTEGuralnick1999560_262-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999560-262"><span class="cite-bracket">[</span>258<span class="cite-bracket">]</span></a></sup> Parker delivered RCA another concert record, <i><a href="/wiki/Elvis_Recorded_Live_on_Stage_in_Memphis" title="Elvis Recorded Live on Stage in Memphis">Elvis Recorded Live on Stage in Memphis</a></i>.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen1999336_263-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen1999336-263"><span class="cite-bracket">[</span>259<span class="cite-bracket">]</span></a></sup> Recorded on March 20, it included a version of "<a href="/wiki/How_Great_Thou_Art" title="How Great Thou Art">How Great Thou Art</a>" that won Presley his third and final <a href="/wiki/Grammy_Award_for_Best_Inspirational_Performance" title="Grammy Award for Best Inspirational Performance">Grammy Award for Best Inspirational Performance</a>.<sup id="cite_ref-FOOTNOTEJorgensen1998381_264-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998381-264"><span class="cite-bracket">[</span>260<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEGrammy2014_265-0" class="reference"><a href="#cite_note-FOOTNOTEGrammy2014-265"><span class="cite-bracket">[</span>261<span class="cite-bracket">]</span></a></sup> All three of his competitive Grammy wins – out of fourteen total nominations – were for gospel recordings.<sup id="cite_ref-FOOTNOTEGrammy2014_265-1" class="reference"><a href="#cite_note-FOOTNOTEGrammy2014-265"><span class="cite-bracket">[</span>261<span class="cite-bracket">]</span></a></sup> Presley returned to the recording studio in March 1975, but Parker's attempts to arrange another session toward the end of the year were unsuccessful.<sup id="cite_ref-FOOTNOTEGuralnick1999584–585_266-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999584%E2%80%93585-266"><span class="cite-bracket">[</span>262<span class="cite-bracket">]</span></a></sup> In 1976, RCA sent a mobile recording unit to Graceland that made possible two full-scale recording sessions,<sup id="cite_ref-FOOTNOTEGuralnick1999593–595_267-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999593%E2%80%93595-267"><span class="cite-bracket">[</span>263<span class="cite-bracket">]</span></a></sup> but the recording process had become a struggle for him.<sup id="cite_ref-FOOTNOTEGuralnick1999595_268-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999595-268"><span class="cite-bracket">[</span>264<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Final_months_and_death">Final months and death</h4></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">See also: <a href="/wiki/Elvis_sightings" title="Elvis sightings">Elvis sightings</a></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132"><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><span><noscript><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" data-file-width="160" data-file-height="160"></noscript><span class="lazy-image-placeholder" style="width: 50px;height: 50px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" data-alt="" data-width="50" data-height="50" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-class="mw-file-element">&nbsp;</span></span><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Hurt_(Presley).ogg" title="File:Hurt (Presley).ogg">"Hurt"</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_4" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="19" data-mwtitle="Hurt_(Presley).ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/c/cb/Hurt_%28Presley%29.ogg" type='audio/ogg; codecs="vorbis"' data-width="0" data-height="0"></source><source src="//upload.wikimedia.org/wikipedia/en/transcoded/c/cb/Hurt_%28Presley%29.ogg/Hurt_%28Presley%29.ogg.mp3" type="audio/mpeg" data-transcodekey="mp3" data-width="0" data-height="0"></source><track src="/w/api.php?action=timedtext&amp;title=File%3AHurt_%28Presley%29.ogg&amp;lang=en&amp;trackformat=vtt" kind="subtitles" type="text/vtt" srclang="en" label="English ‪(en)‬" data-dir="ltr"></track></audio></span></span></div> <div class="description">An R&amp;B hit for <a href="/wiki/Roy_Hamilton" title="Roy Hamilton">Roy Hamilton</a> in 1955 and a pop hit for <a href="/wiki/Blue-eyed_soul" title="Blue-eyed soul">blue-eyed soul</a> singer <a href="/wiki/Timi_Yuro" title="Timi Yuro">Timi Yuro</a> in 1961, Presley's <a href="/wiki/Southern_soul" title="Southern soul">deep soul</a> version was picked up by country radio in 1976.<sup id="cite_ref-FOOTNOTEJorgensen1998397_269-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998397-269"><span class="cite-bracket">[</span>265<span class="cite-bracket">]</span></a></sup></div></div></div></div> <div class="side-box-abovebelow"><hr><i class="selfreference">Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></div> </div> <p>After Presley's relationship with Linda Thompson ended,<sup id="cite_ref-FOOTNOTEGostin2023_270-0" class="reference"><a href="#cite_note-FOOTNOTEGostin2023-270"><span class="cite-bracket">[</span>266<span class="cite-bracket">]</span></a></sup> he began dating <a href="/wiki/Ginger_Alden" title="Ginger Alden">Ginger Alden</a> in November 1976; he proposed marriage to Alden two months later.<sup id="cite_ref-FOOTNOTESpeakman2023_271-0" class="reference"><a href="#cite_note-FOOTNOTESpeakman2023-271"><span class="cite-bracket">[</span>267<span class="cite-bracket">]</span></a></sup> </p><p>Journalist Tony Scherman wrote that, by early 1977, "Presley had become a grotesque caricature of his sleek, energetic former self. Grossly overweight, his mind dulled by the pharmacopoeia he daily ingested, he was barely able to pull himself through his abbreviated concerts."<sup id="cite_ref-FOOTNOTEScherman2006_272-0" class="reference"><a href="#cite_note-FOOTNOTEScherman2006-272"><span class="cite-bracket">[</span>268<span class="cite-bracket">]</span></a></sup> According to Andy Greene of <i>Rolling Stone</i>, Presley's final performances were mostly "sad, sloppy affairs where a bloated, drugged Presley struggled to remember his lyrics and get through the night without collapsing ... Most everything from the final three years of his life is sad and hard to watch."<sup id="cite_ref-FOOTNOTEGreene2018_273-0" class="reference"><a href="#cite_note-FOOTNOTEGreene2018-273"><span class="cite-bracket">[</span>269<span class="cite-bracket">]</span></a></sup> In <a href="/wiki/Alexandria,_Louisiana" title="Alexandria, Louisiana">Alexandria</a>, Louisiana, he was on stage for less than an hour and "was impossible to understand".<sup id="cite_ref-FOOTNOTEGuralnick1999628_274-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999628-274"><span class="cite-bracket">[</span>270<span class="cite-bracket">]</span></a></sup> On March 31, he canceled a performance in <a href="/wiki/Baton_Rouge,_Louisiana" title="Baton Rouge, Louisiana">Baton Rouge</a>, unable to get out of his hotel bed; four shows had to be canceled and rescheduled.<sup id="cite_ref-FOOTNOTEGuralnick1999628–630_275-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999628%E2%80%93630-275"><span class="cite-bracket">[</span>271<span class="cite-bracket">]</span></a></sup> </p><p>Despite the accelerating deterioration of his health, Presley fulfilled most of his touring commitments. According to Guralnick, fans "were becoming increasingly voluble about their disappointment, but it all seemed to go right past Presley, whose world was now confined almost entirely to his room and his <a href="/wiki/Spiritualism_(beliefs)" title="Spiritualism (beliefs)">spiritualism</a> books".<sup id="cite_ref-FOOTNOTEGuralnick1999634_276-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999634-276"><span class="cite-bracket">[</span>272<span class="cite-bracket">]</span></a></sup> Presley's cousin, Billy Smith, recalled how he would sit in his room and chat for hours, sometimes recounting favorite <a href="/wiki/Monty_Python" title="Monty Python">Monty Python</a> sketches and his past escapades, but more often gripped by paranoid obsessions.<sup id="cite_ref-FOOTNOTEGuralnick1999212,_642_277-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999212,_642-277"><span class="cite-bracket">[</span>273<span class="cite-bracket">]</span></a></sup> </p><p>"<a href="/wiki/Way_Down" title="Way Down">Way Down</a>", Presley's last single issued during his lifetime, was released on June 6, 1977. That month, CBS taped two concerts for a television special, <i><a href="/wiki/Elvis_in_Concert" title="Elvis in Concert">Elvis in Concert</a></i>, to be broadcast in October. In the first, shot in <a href="/wiki/Omaha,_Nebraska" title="Omaha, Nebraska">Omaha</a> on June 19, Presley's voice, Guralnick writes, "is almost unrecognizable, a small, childlike instrument in which he talks more than sings most of the songs, casts about uncertainly for the melody in others, and is virtually unable to articulate or project".<sup id="cite_ref-FOOTNOTEGuralnick1999638_278-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999638-278"><span class="cite-bracket">[</span>274<span class="cite-bracket">]</span></a></sup> Two days later, in <a href="/wiki/Rapid_City,_South_Dakota" title="Rapid City, South Dakota">Rapid City</a>, South Dakota, "he looked healthier, seemed to have lost a little weight, and sounded better, too", though, by the conclusion of the performance, his face was "framed in a helmet of blue-black hair from which sweat sheets down over pale, swollen cheeks".<sup id="cite_ref-FOOTNOTEGuralnick1999638_278-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999638-278"><span class="cite-bracket">[</span>274<span class="cite-bracket">]</span></a></sup> Presley's final concert was held in <a href="/wiki/Indianapolis" title="Indianapolis">Indianapolis</a> at <a href="/wiki/Market_Square_Arena" title="Market Square Arena">Market Square Arena</a>, on June 26, 1977.<sup id="cite_ref-FOOTNOTEHarrison201623_279-0" class="reference"><a href="#cite_note-FOOTNOTEHarrison201623-279"><span class="cite-bracket">[</span>275<span class="cite-bracket">]</span></a></sup> </p><p>The book <i><a href="/wiki/Elvis:_What_Happened%3F" title="Elvis: What Happened?">Elvis: What Happened?</a></i>, co-written by the three bodyguards fired a year prior, was published on August 1.<sup id="cite_ref-FOOTNOTEStanleyCoffey1998148_280-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey1998148-280"><span class="cite-bracket">[</span>276<span class="cite-bracket">]</span></a></sup> It was the first exposé to detail Presley's years of drug misuse. He was devastated by the book and tried unsuccessfully to halt its release by offering money to the publishers.<sup id="cite_ref-FOOTNOTEHumphries200379_281-0" class="reference"><a href="#cite_note-FOOTNOTEHumphries200379-281"><span class="cite-bracket">[</span>277<span class="cite-bracket">]</span></a></sup> By this point, he suffered from multiple ailments: <a href="/wiki/Glaucoma" title="Glaucoma">glaucoma</a>, <a href="/wiki/High_blood_pressure" class="mw-redirect" title="High blood pressure">high blood pressure</a>, <a href="/wiki/Liver_damage" class="mw-redirect" title="Liver damage">liver damage</a>, and an <a href="/wiki/Megacolon" title="Megacolon">enlarged colon</a>, each aggravated—and possibly caused—by drug abuse.<sup id="cite_ref-FOOTNOTEHigginbotham2002_252-1" class="reference"><a href="#cite_note-FOOTNOTEHigginbotham2002-252"><span class="cite-bracket">[</span>248<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_burial_site.jpg" class="mw-file-description"><noscript><img alt="A long, ground-level gravestone reads &quot;Elvis Aaron Presley&quot;, followed by the singer's dates, the names of his parents and daughter, and several paragraphs of smaller text. In the background is a small round pool, with a low decorative metal fence and several fountains." src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Elvis_burial_site.jpg/180px-Elvis_burial_site.jpg" decoding="async" width="180" height="240" class="mw-file-element" data-file-width="3024" data-file-height="4032"></noscript><span class="lazy-image-placeholder" style="width: 180px;height: 240px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Elvis_burial_site.jpg/180px-Elvis_burial_site.jpg" data-alt="A long, ground-level gravestone reads &quot;Elvis Aaron Presley&quot;, followed by the singer's dates, the names of his parents and daughter, and several paragraphs of smaller text. In the background is a small round pool, with a low decorative metal fence and several fountains." data-width="180" data-height="240" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Elvis_burial_site.jpg/270px-Elvis_burial_site.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Elvis_burial_site.jpg/360px-Elvis_burial_site.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Presley's grave at <a href="/wiki/Graceland" title="Graceland">Graceland</a></figcaption></figure> <p>On August 16, 1977, Presley was scheduled on an evening flight out of Memphis to <a href="/wiki/Portland,_Maine" title="Portland, Maine">Portland</a>, Maine, to begin another tour. That afternoon his fiancée Ginger Alden discovered him unresponsive on the bathroom floor of his Graceland mansion.<sup id="cite_ref-FOOTNOTEAlden2014_282-0" class="reference"><a href="#cite_note-FOOTNOTEAlden2014-282"><span class="cite-bracket">[</span>278<span class="cite-bracket">]</span></a></sup> Attempts to revive him failed, and he was pronounced dead at <a href="/wiki/Baptist_Memorial_Hospital-Memphis" title="Baptist Memorial Hospital-Memphis">Baptist Memorial Hospital</a> at 3:30 pm;<sup id="cite_ref-FOOTNOTEGuralnick1999645–648_283-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999645%E2%80%93648-283"><span class="cite-bracket">[</span>279<span class="cite-bracket">]</span></a></sup> he was 42.<sup id="cite_ref-FOOTNOTEHarrison2016242_284-0" class="reference"><a href="#cite_note-FOOTNOTEHarrison2016242-284"><span class="cite-bracket">[</span>280<span class="cite-bracket">]</span></a></sup> </p><p>President <a href="/wiki/Jimmy_Carter" title="Jimmy Carter">Jimmy Carter</a> issued a statement that credited Presley with having "permanently changed the face of American popular culture".<sup id="cite_ref-FOOTNOTEWoolleyPeters1977_285-0" class="reference"><a href="#cite_note-FOOTNOTEWoolleyPeters1977-285"><span class="cite-bracket">[</span>281<span class="cite-bracket">]</span></a></sup> Thousands of people gathered outside Graceland to view the open casket. One of Presley's cousins, Billy Mann, accepted <span style="white-space: nowrap"><a href="/wiki/United_States_dollar" title="United States dollar">US$</a>18,000</span> (equivalent to $93,000 in 2024) to secretly photograph the body; the picture appeared on the cover of the <i><a href="/wiki/National_Enquirer" title="National Enquirer">National Enquirer</a></i><span class="nowrap" style="padding-left:0.1em;">'</span>s biggest-selling issue ever.<sup id="cite_ref-FOOTNOTEHopkins2007386_286-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins2007386-286"><span class="cite-bracket">[</span>282<span class="cite-bracket">]</span></a></sup> Alden struck a $105,000 (equivalent to $545,000 in 2024) deal with the <i>Enquirer</i> for her story, but settled for less when she broke her exclusivity agreement.<sup id="cite_ref-FOOTNOTEGuralnick1999660_287-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999660-287"><span class="cite-bracket">[</span>283<span class="cite-bracket">]</span></a></sup> Presley left her nothing in his <a href="/wiki/Will_and_testament" title="Will and testament">will</a>.<sup id="cite_ref-FOOTNOTEVictor2008581–582_288-0" class="reference"><a href="#cite_note-FOOTNOTEVictor2008581%E2%80%93582-288"><span class="cite-bracket">[</span>284<span class="cite-bracket">]</span></a></sup> </p><p>Presley's funeral was held at Graceland on August 18. Outside the gates, a car crashed into a group of fans, killing two young women and critically injuring a third.<sup id="cite_ref-FOOTNOTEMatthew-Walker197926_289-0" class="reference"><a href="#cite_note-FOOTNOTEMatthew-Walker197926-289"><span class="cite-bracket">[</span>285<span class="cite-bracket">]</span></a></sup> About 80,000 people lined the processional route to <a href="/wiki/Forest_Hill_Cemetery_(Memphis,_Tennessee)" title="Forest Hill Cemetery (Memphis, Tennessee)">Forest Hill Cemetery</a>, where Presley was buried next to his mother.<sup id="cite_ref-FOOTNOTEPendergastPendergast2000108_290-0" class="reference"><a href="#cite_note-FOOTNOTEPendergastPendergast2000108-290"><span class="cite-bracket">[</span>286<span class="cite-bracket">]</span></a></sup> Within a few weeks, "Way Down" topped the country and UK singles chart.<sup id="cite_ref-FOOTNOTEWhitburn2006273_291-0" class="reference"><a href="#cite_note-FOOTNOTEWhitburn2006273-291"><span class="cite-bracket">[</span>287<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEWarwickKutnerBrown2004860–866_292-0" class="reference"><a href="#cite_note-FOOTNOTEWarwickKutnerBrown2004860%E2%80%93866-292"><span class="cite-bracket">[</span>288<span class="cite-bracket">]</span></a></sup> Following an attempt to steal Presley's body in late August, the remains of both Presley and his mother were exhumed and reburied in Graceland's Meditation Garden on October 2.<sup id="cite_ref-FOOTNOTEGuralnick1999660_287-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999660-287"><span class="cite-bracket">[</span>283<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Cause_of_death">Cause of death</h4></div> <p>While an <a href="/wiki/Autopsy" title="Autopsy">autopsy</a> undertaken the same day Presley died was still in progress, Memphis <a href="/wiki/Coroner" title="Coroner">medical examiner</a> Jerry Francisco announced that the immediate cause of death was cardiac arrest and declared that "drugs played no role in Presley's death".<sup id="cite_ref-FOOTNOTERamsland2010_293-0" class="reference"><a href="#cite_note-FOOTNOTERamsland2010-293"><span class="cite-bracket">[</span>289<span class="cite-bracket">]</span></a></sup> In fact, "drug use was heavily implicated" in Presley's death, writes Guralnick. The pathologists conducting the autopsy thought it possible, for instance, that he had suffered "<a href="/wiki/Anaphylactic_shock" class="mw-redirect" title="Anaphylactic shock">anaphylactic shock</a> brought on by the codeine pills he had gotten from his dentist, to which he was known to have had a mild allergy". Lab reports filed two months later strongly suggested that <a href="/wiki/Polypharmacy" title="Polypharmacy">polypharmacy</a> was the primary cause of death; one reported "fourteen drugs in Elvis' system, ten in significant quantity".<sup id="cite_ref-FOOTNOTEGuralnick1999651–653_294-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999651%E2%80%93653-294"><span class="cite-bracket">[</span>290<span class="cite-bracket">]</span></a></sup> In 1979, forensic pathologist <a href="/wiki/Cyril_Wecht" title="Cyril Wecht">Cyril Wecht</a> reviewed the reports and concluded that a combination of <a href="/wiki/Depressant" title="Depressant">depressants</a> had resulted in Presley's accidental death.<sup id="cite_ref-FOOTNOTERamsland2010_293-1" class="reference"><a href="#cite_note-FOOTNOTERamsland2010-293"><span class="cite-bracket">[</span>289<span class="cite-bracket">]</span></a></sup> Forensic historian and pathologist <a href="/wiki/Michael_Baden" title="Michael Baden">Michael Baden</a> viewed the situation as complicated: "Elvis had an <a href="/wiki/Cardiomegaly" title="Cardiomegaly">enlarged heart</a> for a long time. That, together with his drug habit, caused his death. But he was difficult to diagnose; it was a judgment call."<sup id="cite_ref-FOOTNOTEBadenHennessee199035_295-0" class="reference"><a href="#cite_note-FOOTNOTEBadenHennessee199035-295"><span class="cite-bracket">[</span>291<span class="cite-bracket">]</span></a></sup> </p><p>The competence and ethics of two of the centrally involved medical professionals were seriously questioned. Francisco had offered a cause of death before the autopsy was complete; claimed the underlying ailment was <a href="/wiki/Cardiac_arrhythmia" class="mw-redirect" title="Cardiac arrhythmia">cardiac arrhythmia</a>, a condition that can be determined only in a living person; and denied drugs played any part in Presley's death before the toxicology results were known.<sup id="cite_ref-FOOTNOTERamsland2010_293-2" class="reference"><a href="#cite_note-FOOTNOTERamsland2010-293"><span class="cite-bracket">[</span>289<span class="cite-bracket">]</span></a></sup> Allegations of a cover-up were widespread.<sup id="cite_ref-FOOTNOTEBadenHennessee199035_295-1" class="reference"><a href="#cite_note-FOOTNOTEBadenHennessee199035-295"><span class="cite-bracket">[</span>291<span class="cite-bracket">]</span></a></sup> While a 1981 trial of Presley's main physician, George C. Nichopoulos, exonerated him of criminal liability, the facts were startling: "In the first eight months of 1977 alone, he had [prescribed] more than 10,000 doses of <a href="/wiki/Sedative" title="Sedative">sedatives</a>, <a href="/wiki/Amphetamine" title="Amphetamine">amphetamines</a>, and narcotics: all in Elvis' name." Nichopoulos' license was suspended for three months. It was permanently revoked in the 1990s after the Tennessee Medical Board brought new charges of over-prescription.<sup id="cite_ref-FOOTNOTEHigginbotham2002_252-2" class="reference"><a href="#cite_note-FOOTNOTEHigginbotham2002-252"><span class="cite-bracket">[</span>248<span class="cite-bracket">]</span></a></sup> </p><p> In 1994, the Presley autopsy report was reopened. Joseph Davis, who had conducted thousands of autopsies as <a href="/wiki/Miami-Dade_County" class="mw-redirect" title="Miami-Dade County">Miami-Dade County</a> coroner,<sup id="cite_ref-FOOTNOTETennant20132_296-0" class="reference"><a href="#cite_note-FOOTNOTETennant20132-296"><span class="cite-bracket">[</span>292<span class="cite-bracket">]</span></a></sup> declared at its completion, "There is nothing in any of the data that supports a death from drugs. In fact, everything points to a sudden, violent heart attack."<sup id="cite_ref-FOOTNOTEHigginbotham2002_252-3" class="reference"><a href="#cite_note-FOOTNOTEHigginbotham2002-252"><span class="cite-bracket">[</span>248<span class="cite-bracket">]</span></a></sup> More recent research has revealed that Francisco did not speak for the entire pathology team. Other staff "could say nothing with confidence until they got the results back from the laboratories, if then."<sup id="cite_ref-FOOTNOTEWilliamson201511–14_297-0" class="reference"><a href="#cite_note-FOOTNOTEWilliamson201511%E2%80%9314-297"><span class="cite-bracket">[</span>293<span class="cite-bracket">]</span></a></sup> One of the examiners, E. Eric Muirhead, </p><blockquote><p>could not believe his ears. Francisco had not only presumed to speak for the hospital's team of pathologists, he had announced a conclusion that they had not reached. ... Early on, a meticulous dissection of the body ... confirmed [that] Elvis was chronically ill with <a href="/wiki/Diabetes" title="Diabetes">diabetes</a>, glaucoma, and constipation. As they proceeded, the doctors saw evidence that his body had been wracked over a span of years by a large and constant stream of drugs. They had also studied his hospital records, which included two admissions for drug detoxification and <a href="/wiki/Methadone" title="Methadone">methadone</a> treatments.<sup id="cite_ref-FOOTNOTEWilliamson201511–14_297-1" class="reference"><a href="#cite_note-FOOTNOTEWilliamson201511%E2%80%9314-297"><span class="cite-bracket">[</span>293<span class="cite-bracket">]</span></a></sup></p></blockquote> <div class="mw-heading mw-heading3"><h3 id="1977–present:_posthumous_developments"><span id="1977.E2.80.93present:_posthumous_developments"></span>1977–present: posthumous developments</h3></div> <p>Between 1977 and 1981, six of Presley's posthumously released singles were top-ten country hits.<sup id="cite_ref-FOOTNOTEWhitburn2006273_291-1" class="reference"><a href="#cite_note-FOOTNOTEWhitburn2006273-291"><span class="cite-bracket">[</span>287<span class="cite-bracket">]</span></a></sup> Graceland was opened to the public in 1982. Attracting over half a million visitors annually, it became the second-most-visited home in the United States, after the White House.<sup id="cite_ref-FOOTNOTEBrownBroeske1997433_298-0" class="reference"><a href="#cite_note-FOOTNOTEBrownBroeske1997433-298"><span class="cite-bracket">[</span>294<span class="cite-bracket">]</span></a></sup> The residence was declared a <a href="/wiki/National_Historic_Landmark" title="National Historic Landmark">National Historic Landmark</a> in 2006.<sup id="cite_ref-FOOTNOTENational_Park_Service2010_299-0" class="reference"><a href="#cite_note-FOOTNOTENational_Park_Service2010-299"><span class="cite-bracket">[</span>295<span class="cite-bracket">]</span></a></sup> </p><p>Presley has been inducted into five music <a href="/wiki/Halls_of_fame" class="mw-redirect" title="Halls of fame">halls of fame</a>: the <a href="/wiki/Rock_and_Roll_Hall_of_Fame" title="Rock and Roll Hall of Fame">Rock and Roll Hall of Fame</a> (1986), the <a href="/wiki/Country_Music_Hall_of_Fame_and_Museum" title="Country Music Hall of Fame and Museum">Country Music Hall of Fame</a> (1998), the <a href="/wiki/Gospel_Music_Hall_of_Fame" title="Gospel Music Hall of Fame">Gospel Music Hall of Fame</a> (2001), the <a href="/wiki/Rockabilly_Hall_of_Fame" title="Rockabilly Hall of Fame">Rockabilly Hall of Fame</a> (2007), and the <a href="/wiki/Memphis_Music_Hall_of_Fame" title="Memphis Music Hall of Fame">Memphis Music Hall of Fame</a> (2012). In 1984, he received the <a href="/wiki/Blues_Music_Award" class="mw-redirect" title="Blues Music Award">W. C. Handy Award</a> from the <a href="/wiki/Blues_Foundation" title="Blues Foundation">Blues Foundation</a> and the <a href="/wiki/Academy_of_Country_Music" title="Academy of Country Music">Academy of Country Music</a>'s first Golden Hat Award. In 1987, he received the <a href="/wiki/American_Music_Award" class="mw-redirect" title="American Music Award">American Music Awards</a>' Award of Merit.<sup id="cite_ref-FOOTNOTECook200433_300-0" class="reference"><a href="#cite_note-FOOTNOTECook200433-300"><span class="cite-bracket">[</span>296<span class="cite-bracket">]</span></a></sup> </p><p>A <a href="/wiki/Tom_Holkenborg" title="Tom Holkenborg">Junkie XL</a> remix of Presley's "<a href="/wiki/A_Little_Less_Conversation#Junkie_XL_/_JXL_remix" title="A Little Less Conversation">A Little Less Conversation</a>" (credited as "Elvis Vs JXL") was used in a <a href="/wiki/Nike,_Inc." title="Nike, Inc.">Nike</a> advertising campaign during the <a href="/wiki/2002_FIFA_World_Cup" title="2002 FIFA World Cup">2002 FIFA World Cup</a>. It topped the charts in over twenty countries and was included in a compilation of Presley's number-one hits, <i><a href="/wiki/ELV1S" class="mw-redirect" title="ELV1S">ELV1S</a></i>, which was also an international success. The album returned Presley to the top of the <i>Billboard</i> chart for the first time in almost three decades.<sup id="cite_ref-FOOTNOTEGarrity2002_301-0" class="reference"><a href="#cite_note-FOOTNOTEGarrity2002-301"><span class="cite-bracket">[</span>297<span class="cite-bracket">]</span></a></sup> </p><p>In 2003, a remix of "<a href="/wiki/Rubberneckin%27" title="Rubberneckin'">Rubberneckin'</a>", a 1969 recording, topped the U.S. sales chart, as did a 50th-anniversary re-release of "That's All Right" the following year.<sup id="cite_ref-FOOTNOTEBronson20041_302-0" class="reference"><a href="#cite_note-FOOTNOTEBronson20041-302"><span class="cite-bracket">[</span>298<span class="cite-bracket">]</span></a></sup> The latter was an outright hit in Britain, debuting at number three on the pop chart; it also made the top ten in Canada.<sup id='cite_ref-FOOTNOTE"Hits_of_the_World"2004_303-0' class="reference"><a href="#cite_note-FOOTNOTE%22Hits_of_the_World%222004-303"><span class="cite-bracket">[</span>299<span class="cite-bracket">]</span></a></sup> In 2005, another three reissued singles, "Jailhouse Rock", "One Night"/"I Got Stung", and "It's Now or Never", went to number one in the UK. They were part of a campaign that saw the re-release of all eighteen of Presley's previous chart-topping UK singles. The first, "All Shook Up", came with a collectors' box that made it ineligible to chart again; each of the other seventeen reissues hit the British top five.<sup id="cite_ref-FOOTNOTESexton2007_304-0" class="reference"><a href="#cite_note-FOOTNOTESexton2007-304"><span class="cite-bracket">[</span>300<span class="cite-bracket">]</span></a></sup> </p><p>In 2005, <a href="/wiki/Forbes_(magazine)" class="mw-redirect" title="Forbes (magazine)"><i>Forbes</i> magazine</a> named Presley the <a href="/wiki/Forbes%27_list_of_the_world%27s_highest-paid_dead_celebrity" class="mw-redirect" title="Forbes' list of the world's highest-paid dead celebrity">top-earning deceased celebrity</a> for the fifth straight year, with a gross income of $45 million.<sup id="cite_ref-FOOTNOTEGoldmanEwalt2007_305-0" class="reference"><a href="#cite_note-FOOTNOTEGoldmanEwalt2007-305"><span class="cite-bracket">[</span>301<span class="cite-bracket">]</span></a></sup> He was placed second in 2006,<sup id="cite_ref-FOOTNOTERose2006_306-0" class="reference"><a href="#cite_note-FOOTNOTERose2006-306"><span class="cite-bracket">[</span>302<span class="cite-bracket">]</span></a></sup> returned to the top spot the next two years,<sup id="cite_ref-FOOTNOTEGoldmanPaine2007_307-0" class="reference"><a href="#cite_note-FOOTNOTEGoldmanPaine2007-307"><span class="cite-bracket">[</span>303<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEHoy2008_308-0" class="reference"><a href="#cite_note-FOOTNOTEHoy2008-308"><span class="cite-bracket">[</span>304<span class="cite-bracket">]</span></a></sup> and ranked fourth in 2009.<sup id="cite_ref-FOOTNOTEPomerantz_et_al.2009_309-0" class="reference"><a href="#cite_note-FOOTNOTEPomerantz_et_al.2009-309"><span class="cite-bracket">[</span>305<span class="cite-bracket">]</span></a></sup> The following year, he was ranked second, with his highest annual income ever—$60 million—spurred by the celebration of his 75th birthday and the launch of <a href="/wiki/Cirque_du_Soleil" title="Cirque du Soleil">Cirque du Soleil</a>'s <i><a href="/wiki/Viva_Elvis" class="mw-redirect" title="Viva Elvis">Viva Elvis</a></i> show in Las Vegas.<sup id="cite_ref-FOOTNOTERose_et_al.2010_310-0" class="reference"><a href="#cite_note-FOOTNOTERose_et_al.2010-310"><span class="cite-bracket">[</span>306<span class="cite-bracket">]</span></a></sup> In November 2010, <i><a href="/wiki/Viva_Elvis_(album)" class="mw-redirect" title="Viva Elvis (album)">Viva Elvis: The Album</a></i> was released, setting his voice to newly recorded instrumental tracks.<sup id="cite_ref-FOOTNOTEBaillie2010_311-0" class="reference"><a href="#cite_note-FOOTNOTEBaillie2010-311"><span class="cite-bracket">[</span>307<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEBouchard2010_312-0" class="reference"><a href="#cite_note-FOOTNOTEBouchard2010-312"><span class="cite-bracket">[</span>308<span class="cite-bracket">]</span></a></sup> As of mid-2011, there were an estimated 15,000 licensed Presley products,<sup id="cite_ref-FOOTNOTELynch2011_313-0" class="reference"><a href="#cite_note-FOOTNOTELynch2011-313"><span class="cite-bracket">[</span>309<span class="cite-bracket">]</span></a></sup> and he was again the second-highest-earning deceased celebrity.<sup id="cite_ref-FOOTNOTEPomerantz2011_314-0" class="reference"><a href="#cite_note-FOOTNOTEPomerantz2011-314"><span class="cite-bracket">[</span>310<span class="cite-bracket">]</span></a></sup> Six years later, he ranked fourth with earnings of $35 million, up $8 million from 2016 due in part to the opening of a new entertainment complex, Elvis Presley's Memphis, and hotel, The Guest House at Graceland.<sup id="cite_ref-FOOTNOTEGreenburg2017_315-0" class="reference"><a href="#cite_note-FOOTNOTEGreenburg2017-315"><span class="cite-bracket">[</span>311<span class="cite-bracket">]</span></a></sup> </p><p>In 2018, RCA/<a href="/wiki/Legacy_Recordings" title="Legacy Recordings">Legacy</a> released <i><a href="/wiki/Where_No_One_Stands_Alone_(album)" title="Where No One Stands Alone (album)">Elvis Presley – Where No One Stands Alone</a></i>, a new album focused on Presley's love of gospel music. Produced by Joel Weinshanker, Lisa Marie Presley and <a href="/wiki/Andy_Childs" title="Andy Childs">Andy Childs</a>, the album introduced newly recorded instrumentation along with vocals from singers who had performed in the past with Elvis. It included a reimagined duet with Lisa Marie, on the album's title track.<sup id="cite_ref-FOOTNOTELegacy2018_316-0" class="reference"><a href="#cite_note-FOOTNOTELegacy2018-316"><span class="cite-bracket">[</span>312<span class="cite-bracket">]</span></a></sup> </p><p>In 2022, <a href="/wiki/Baz_Luhrmann" title="Baz Luhrmann">Baz Luhrmann</a>'s film <i><a href="/wiki/Elvis_(2022_film)" title="Elvis (2022 film)">Elvis</a></i>, a biographical film about Presley's life, was released. Presley is portrayed by <a href="/wiki/Austin_Butler" title="Austin Butler">Austin Butler</a> and Parker by <a href="/wiki/Tom_Hanks" title="Tom Hanks">Tom Hanks</a>. As of August 2022, the film had grossed $261.8 million worldwide on a $85 million budget, becoming the second-highest-grossing music biopic of all-time behind <i><a href="/wiki/Bohemian_Rhapsody_(film)" title="Bohemian Rhapsody (film)">Bohemian Rhapsody</a></i> (2018), and the <a href="/wiki/List_of_highest-grossing_films_in_Australia" title="List of highest-grossing films in Australia">fifth-highest-grossing Australian-produced</a> film. For his portrayal of Presley, Butler won the <a href="/wiki/Golden_Globe_Award_for_Best_Actor_%E2%80%93_Motion_Picture_Drama" class="mw-redirect" title="Golden Globe Award for Best Actor – Motion Picture Drama">Golden Globe</a> and was nominated for the <a href="/wiki/Academy_Award_for_Best_Actor" title="Academy Award for Best Actor">Oscar for Best Actor</a>.<sup id="cite_ref-FOOTNOTEBox_Office_Mojo_317-0" class="reference"><a href="#cite_note-FOOTNOTEBox_Office_Mojo-317"><span class="cite-bracket">[</span>313<span class="cite-bracket">]</span></a></sup> In January 2023, Presley's <a href="/wiki/Lockheed_JetStar" title="Lockheed JetStar">1962 Lockheed 1329 JetStar</a> sold at an auction for $260,000.<sup id="cite_ref-FOOTNOTEWalker2023_318-0" class="reference"><a href="#cite_note-FOOTNOTEWalker2023-318"><span class="cite-bracket">[</span>314<span class="cite-bracket">]</span></a></sup> </p> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(2)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Artistry">Artistry</h2></div><section class="mf-section-2 collapsible-block" id="mf-section-2"> <div class="mw-heading mw-heading3"><h3 id="Influences">Influences</h3></div> <p>Presley's earliest musical influence came from <a href="/wiki/Gospel_music" title="Gospel music">gospel</a>. His mother recalled that from the age of two, at the Assembly of God church in Tupelo attended by the family, "he would slide down off my lap, run into the aisle and scramble up to the platform. There he would stand looking at the choir and trying to sing with them."<sup id="cite_ref-FOOTNOTEGuralnick199414_319-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199414-319"><span class="cite-bracket">[</span>315<span class="cite-bracket">]</span></a></sup> In Memphis, Presley frequently attended all-night gospel singings at the <a href="/wiki/Ellis_Auditorium" title="Ellis Auditorium">Ellis Auditorium</a>, where groups such as the <a href="/wiki/The_Statesmen_Quartet" title="The Statesmen Quartet">Statesmen Quartet</a> led the music in a style that, Guralnick suggests, sowed the seeds of Presley's future stage act: </p> <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote"><p>The Statesmen were an electric combination ... featuring some of the most thrillingly emotive singing and daringly unconventional showmanship in the entertainment world ... dressed in suits that might have come out of the window of Lansky's. ... Bass singer Jim Wetherington, known universally as the Big Chief, maintained a steady bottom, ceaselessly jiggling first his left leg, then his right, with the material of the pants leg ballooning out and shimmering. "He went about as far as you could go in gospel music," said <a href="/wiki/Jake_Hess" title="Jake Hess">Jake Hess</a>. "The women would jump up, just like they do for the pop shows." Preachers frequently objected to the lewd movements ... but audiences reacted with screams and swoons.<sup id="cite_ref-FOOTNOTEGuralnick199447–48_320-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199447%E2%80%9348-320"><span class="cite-bracket">[</span>316<span class="cite-bracket">]</span></a></sup></p></blockquote> <p><a href="/wiki/Early_life_of_Elvis_Presley#Teenage_life_in_Memphis" title="Early life of Elvis Presley">As a teenager</a>, Presley's musical interests were wide-ranging, and he was deeply informed about both white and African-American musical idioms. Though he never had any formal training, he had a remarkable memory, and his musical knowledge was already considerable by the time he made his first professional recordings aged 19 in 1954. When Jerry Leiber and Mike Stoller met him two years later, they were astonished at his encyclopedic understanding of the blues,<sup id="cite_ref-FOOTNOTEBertrand2000211_321-0" class="reference"><a href="#cite_note-FOOTNOTEBertrand2000211-321"><span class="cite-bracket">[</span>317<span class="cite-bracket">]</span></a></sup> and, as Stoller put it, "He certainly knew a lot more than we did about country music and gospel music."<sup id="cite_ref-FOOTNOTEFox1986179_145-1" class="reference"><a href="#cite_note-FOOTNOTEFox1986179-145"><span class="cite-bracket">[</span>141<span class="cite-bracket">]</span></a></sup> At a press conference the following year, he proudly declared, "I know practically every religious song that's ever been written."<sup id="cite_ref-FOOTNOTEGuralnick1994430_136-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994430-136"><span class="cite-bracket">[</span>132<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Musicianship">Musicianship</h3></div> <p>Presley played guitar, bass, and piano; he received his first guitar when he was 11 years old. He could not read or write music and had no formal lessons, and played everything by ear.<sup id="cite_ref-FOOTNOTEGraceland_Blog2015_322-0" class="reference"><a href="#cite_note-FOOTNOTEGraceland_Blog2015-322"><span class="cite-bracket">[</span>318<span class="cite-bracket">]</span></a></sup> Presley often played an instrument on his recordings and produced his own music. Presley played rhythm acoustic guitar on most of his Sun recordings and his 1950s RCA Victor albums. Presley played piano on songs such as "<a href="/wiki/Old_Shep" title="Old Shep">Old Shep</a>" and "First in Line" from his 1956 album <i><a href="/wiki/Elvis_(1956_album)" title="Elvis (1956 album)">Elvis</a></i>.<sup id="cite_ref-FOOTNOTEOsborne2017[httpsbooksgooglecombooksidCE6JPQyNKawCpgPA73_73]_323-0" class="reference"><a href="#cite_note-FOOTNOTEOsborne2017%5BhttpsbooksgooglecombooksidCE6JPQyNKawCpgPA73_73%5D-323"><span class="cite-bracket">[</span>319<span class="cite-bracket">]</span></a></sup> He is credited with playing piano on later albums such as <i><a href="/wiki/From_Elvis_in_Memphis" title="From Elvis in Memphis">From Elvis in Memphis</a></i> and "<a href="/wiki/Moody_Blue_(Elvis_song)" class="mw-redirect" title="Moody Blue (Elvis song)">Moody Blue</a>", and on "<a href="/wiki/Unchained_Melody" title="Unchained Melody">Unchained Melody</a>", which was one of the last songs that he recorded.<sup id="cite_ref-FOOTNOTEDuffett2018[httpsbooksgooglecombooksida7hJDwAAQBAJpgPA189_189]_324-0" class="reference"><a href="#cite_note-FOOTNOTEDuffett2018%5Bhttpsbooksgooglecombooksida7hJDwAAQBAJpgPA189_189%5D-324"><span class="cite-bracket">[</span>320<span class="cite-bracket">]</span></a></sup> Presley played lead guitar on one of his successful singles called "<a href="/wiki/Are_You_Lonesome_Tonight%3F_(song)" class="mw-redirect" title="Are You Lonesome Tonight? (song)">Are You Lonesome Tonight</a>".<sup id="cite_ref-FOOTNOTEMurray196165_325-0" class="reference"><a href="#cite_note-FOOTNOTEMurray196165-325"><span class="cite-bracket">[</span>321<span class="cite-bracket">]</span></a></sup> At one point during the <a href="/wiki/Elvis_(1968_TV_program)" title="Elvis (1968 TV program)">'68 Comeback Special</a>, Elvis took over on lead electric guitar, the first time he had ever been seen with the instrument in public, playing it on songs such as "<a href="/wiki/Baby_What_You_Want_Me_to_Do" title="Baby What You Want Me to Do">Baby What You Want Me to Do</a>" and "<a href="/wiki/One_Night_(Elvis_Presley_song)" title="One Night (Elvis Presley song)">One Night</a>".<sup id="cite_ref-FOOTNOTEMarcus2015[httpsbooksgooglecombooksidtrEBDAAAQBAJpgPA341_341]_326-0" class="reference"><a href="#cite_note-FOOTNOTEMarcus2015%5BhttpsbooksgooglecombooksidtrEBDAAAQBAJpgPA341_341%5D-326"><span class="cite-bracket">[</span>322<span class="cite-bracket">]</span></a></sup> The album <i><a href="/wiki/Elvis_is_Back!" class="mw-redirect" title="Elvis is Back!">Elvis is Back!</a></i> features Presley playing a lot of acoustic guitar on songs such as "<a href="/wiki/I_Will_Be_Home_Again" title="I Will Be Home Again">I Will Be Home Again</a>" and "<a href="/wiki/Like_a_Baby" title="Like a Baby">Like a Baby</a>".<sup id="cite_ref-FOOTNOTEEder2013[httpsbooksgooglecombooksidXcYIAgAAQBAJpgPT149_149]_327-0" class="reference"><a href="#cite_note-FOOTNOTEEder2013%5BhttpsbooksgooglecombooksidXcYIAgAAQBAJpgPT149_149%5D-327"><span class="cite-bracket">[</span>323<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Musical_styles_and_genres">Musical styles and genres</h3></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_Presley_and_the_Jordanaires_1957.jpg" class="mw-file-description"><noscript><img alt="Photo of Elvis and the Jordanaires" src="//upload.wikimedia.org/wikipedia/commons/thumb/8/89/Elvis_Presley_and_the_Jordanaires_1957.jpg/220px-Elvis_Presley_and_the_Jordanaires_1957.jpg" decoding="async" width="220" height="175" class="mw-file-element" data-file-width="932" data-file-height="743"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 175px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/8/89/Elvis_Presley_and_the_Jordanaires_1957.jpg/220px-Elvis_Presley_and_the_Jordanaires_1957.jpg" data-alt="Photo of Elvis and the Jordanaires" data-width="220" data-height="175" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/89/Elvis_Presley_and_the_Jordanaires_1957.jpg/330px-Elvis_Presley_and_the_Jordanaires_1957.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/89/Elvis_Presley_and_the_Jordanaires_1957.jpg/440px-Elvis_Presley_and_the_Jordanaires_1957.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Presley with his longtime vocal backup group, the <a href="/wiki/Jordanaires" class="mw-redirect" title="Jordanaires">Jordanaires</a>, March 1957</figcaption></figure> <p>Presley was a central figure in the development of <a href="/wiki/Rockabilly" title="Rockabilly">rockabilly</a>, according to music historians. "Rockabilly crystallized into a recognizable style in 1954 with Elvis Presley's first release, on the Sun label," writes Craig Morrison.<sup id="cite_ref-FOOTNOTEMorrison1996x_328-0" class="reference"><a href="#cite_note-FOOTNOTEMorrison1996x-328"><span class="cite-bracket">[</span>324<span class="cite-bracket">]</span></a></sup> Paul Friedlander described rockabilly as "essentially ... an Elvis Presley construction", with the defining elements as "the raw, emotive, and slurred vocal style and emphasis on rhythmic feeling [of] the blues with the string band and strummed rhythm guitar [of] country".<sup id="cite_ref-FOOTNOTEFriedlander199645_329-0" class="reference"><a href="#cite_note-FOOTNOTEFriedlander199645-329"><span class="cite-bracket">[</span>325<span class="cite-bracket">]</span></a></sup> In "That's All Right", the Presley trio's first record, Scotty Moore's guitar solo, "a combination of <a href="/wiki/Merle_Travis" title="Merle Travis">Merle Travis</a>–style country finger-picking, double-stop slides from acoustic boogie, and blues-based bent-note, single-string work, is a microcosm of this fusion".<sup id="cite_ref-FOOTNOTEFriedlander199645_329-1" class="reference"><a href="#cite_note-FOOTNOTEFriedlander199645-329"><span class="cite-bracket">[</span>325<span class="cite-bracket">]</span></a></sup> While Katherine Charlton calls Presley "rockabilly's originator",<sup id="cite_ref-FOOTNOTECharlton2006103_330-0" class="reference"><a href="#cite_note-FOOTNOTECharlton2006103-330"><span class="cite-bracket">[</span>326<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Carl_Perkins" title="Carl Perkins">Carl Perkins</a>, another pioneer of rock'n'roll, said that "[Sam] Phillips, Elvis, and I didn't create rockabilly".<sup id="cite_ref-FOOTNOTEJancik199816_331-0" class="reference"><a href="#cite_note-FOOTNOTEJancik199816-331"><span class="cite-bracket">[</span>327<span class="cite-bracket">]</span></a></sup> According to <a href="/wiki/Michael_Campbell_(pianist_and_author)" title="Michael Campbell (pianist and author)">Michael Campbell</a>, the first major rockabilly song was recorded by <a href="/wiki/Bill_Haley_(musician)" class="mw-redirect" title="Bill Haley (musician)">Bill Haley</a>.<sup id="cite_ref-FOOTNOTECampbell2009161_332-0" class="reference"><a href="#cite_note-FOOTNOTECampbell2009161-332"><span class="cite-bracket">[</span>328<span class="cite-bracket">]</span></a></sup> In Moore's view, "It had been there for quite a while, really. Carl Perkins was doing basically the same sort of thing up around <a href="/wiki/Jackson,_Tennessee" title="Jackson, Tennessee">Jackson</a>, and I know for a fact Jerry Lee Lewis had been playing that kind of music ever since he was ten years old."<sup id="cite_ref-FOOTNOTEGuralnick1989104_333-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1989104-333"><span class="cite-bracket">[</span>329<span class="cite-bracket">]</span></a></sup> </p><p>At RCA Victor, Presley's rock and roll sound grew distinct from rockabilly with group chorus vocals, more heavily amplified electric guitars,<sup id="cite_ref-FOOTNOTEGillett2000113_334-0" class="reference"><a href="#cite_note-FOOTNOTEGillett2000113-334"><span class="cite-bracket">[</span>330<span class="cite-bracket">]</span></a></sup> and a tougher, more intense manner.<sup id="cite_ref-FOOTNOTEJorgensen199839_335-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199839-335"><span class="cite-bracket">[</span>331<span class="cite-bracket">]</span></a></sup> While he was known for taking songs from various sources and giving them a rockabilly/rock and roll treatment, he also recorded songs in other genres from early in his career, from the pop standard "<a href="/wiki/Blue_Moon_(1934_song)" title="Blue Moon (1934 song)">Blue Moon</a>" at Sun Records to the country ballad "How's the World Treating You?" on his second RCA Victor LP to the blues of "Santa Claus Is Back in Town". In 1957, his first gospel record was released, the four-song EP <i><a href="/wiki/Peace_in_the_Valley_(EP)" title="Peace in the Valley (EP)">Peace in the Valley</a></i>. Certified as a million-seller, it became the top-selling gospel EP in recording history.<sup id="cite_ref-FOOTNOTEWolfe199414_336-0" class="reference"><a href="#cite_note-FOOTNOTEWolfe199414-336"><span class="cite-bracket">[</span>332<span class="cite-bracket">]</span></a></sup> </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132"><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><span><noscript><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" data-file-width="160" data-file-height="160"></noscript><span class="lazy-image-placeholder" style="width: 50px;height: 50px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" data-alt="" data-width="50" data-height="50" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-class="mw-file-element">&nbsp;</span></span><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Run_On.ogg" class="mw-redirect" title="File:Run On.ogg">"Run On"</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_5" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="29" data-mwtitle="Run_On_(Elvis_Presley_song_-_sample).ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/6/6d/Run_On_%28Elvis_Presley_song_-_sample%29.ogg" type='audio/ogg; codecs="vorbis"' data-width="0" data-height="0"></source><source src="//upload.wikimedia.org/wikipedia/en/transcoded/6/6d/Run_On_%28Elvis_Presley_song_-_sample%29.ogg/Run_On_%28Elvis_Presley_song_-_sample%29.ogg.mp3" type="audio/mpeg" data-transcodekey="mp3" data-width="0" data-height="0"></source></audio></span></span></div> <div class="description">From <i><a href="/wiki/How_Great_Thou_Art_(Elvis_Presley_album)" title="How Great Thou Art (Elvis Presley album)">How Great Thou Art</a></i> (1967), a traditional song popular in the black gospel tradition. The arrangement evokes "the percussive style of the 1930s <a href="/wiki/Golden_Gate_Quartet" title="Golden Gate Quartet">Golden Gate Quartet</a>."<sup id="cite_ref-FOOTNOTEWolfe199422_337-0" class="reference"><a href="#cite_note-FOOTNOTEWolfe199422-337"><span class="cite-bracket">[</span>333<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEKeogh2004184_338-0" class="reference"><a href="#cite_note-FOOTNOTEKeogh2004184-338"><span class="cite-bracket">[</span>334<span class="cite-bracket">]</span></a></sup></div></div></div></div> <div class="side-box-abovebelow"><hr><i class="selfreference">Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></div> </div> <p>After his return from military service in 1960, Presley continued to perform rock and roll, but the characteristic style was substantially toned down. His first post-Army single, the number-one hit "Stuck on You", is typical of this shift. RCA Victor publicity referred to its "mild rock beat"; discographer Ernst Jorgensen calls it "upbeat pop".<sup id="cite_ref-FOOTNOTEJorgensen1998123_339-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998123-339"><span class="cite-bracket">[</span>335<span class="cite-bracket">]</span></a></sup> The number five "<a href="/wiki/She%27s_Not_You" title="She's Not You">She's Not You</a>" (1962) "integrates the Jordanaires so completely, it's practically doo-wop".<sup id="cite_ref-FOOTNOTEMarsh1982145_340-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh1982145-340"><span class="cite-bracket">[</span>336<span class="cite-bracket">]</span></a></sup> The modern blues/R&amp;B sound captured with success on <i>Elvis Is Back!</i> was essentially abandoned for six years until such 1966–67 recordings as "<a href="/wiki/Down_in_the_Alley_(The_Clovers_song)" class="mw-redirect" title="Down in the Alley (The Clovers song)">Down in the Alley</a>" and "<a href="/wiki/Hi-Heel_Sneakers" title="Hi-Heel Sneakers">Hi-Heel Sneakers</a>".<sup id="cite_ref-FOOTNOTEJorgensen1998213,_237_341-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998213,_237-341"><span class="cite-bracket">[</span>337<span class="cite-bracket">]</span></a></sup> Presley's output during most of the 1960s emphasized pop music, often in the form of ballads such as "Are You Lonesome Tonight?", a number-one in 1960. "It's Now or Never", which also topped the chart that year, was a classically influenced variation of pop based on the Neapolitan song "<span title="Neapolitan-language text"><span lang="nap" style="font-style: normal;"><a href="/wiki/%27O_sole_mio" title="'O sole mio">'O sole mio</a></span></span>" and concluding with a "full-voiced operatic cadence".<sup id="cite_ref-FOOTNOTEGuralnick199965_342-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199965-342"><span class="cite-bracket">[</span>338<span class="cite-bracket">]</span></a></sup> These were both dramatic numbers, but most of what Presley recorded for his many film soundtracks was in a much lighter vein.<sup id="cite_ref-FOOTNOTEJorgensen1998142–143_343-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998142%E2%80%93143-343"><span class="cite-bracket">[</span>339<span class="cite-bracket">]</span></a></sup> </p><p>While Presley performed several of his classic ballads for the <i><a href="/wiki/%2768_Comeback_Special" class="mw-redirect" title="'68 Comeback Special">'68 Comeback Special</a></i>, the sound of the show was dominated by aggressive rock and roll. He recorded few new straight rock and roll songs thereafter; as he explained, they had become "hard to find".<sup id="cite_ref-FOOTNOTEJorgensen1998343_344-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998343-344"><span class="cite-bracket">[</span>340<span class="cite-bracket">]</span></a></sup> A significant exception was "Burning Love", his last major hit on the pop charts. Like his work of the 1950s, Presley's subsequent recordings reworked pop and country songs, but in markedly different permutations. His stylistic range now began to embrace a more contemporary rock sound as well as soul and <a href="/wiki/Funk" title="Funk">funk</a>. Much of <i>Elvis in Memphis</i>, as well as "Suspicious Minds", cut at the same sessions, reflected this new rock and soul fusion. In the mid-1970s, many of his singles found a home on country radio, the field where he first became a star.<sup id="cite_ref-FOOTNOTEPonce_de_Leon2007199_345-0" class="reference"><a href="#cite_note-FOOTNOTEPonce_de_Leon2007199-345"><span class="cite-bracket">[</span>341<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Vocal_style_and_range">Vocal style and range</h3></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_Presley_first_national_television_appearance_1956.jpg" class="mw-file-description"><noscript><img alt="Publicity photo of Elvis playing guitar" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/5d/Elvis_Presley_first_national_television_appearance_1956.jpg/180px-Elvis_Presley_first_national_television_appearance_1956.jpg" decoding="async" width="180" height="235" class="mw-file-element" data-file-width="567" data-file-height="741"></noscript><span class="lazy-image-placeholder" style="width: 180px;height: 235px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/5/5d/Elvis_Presley_first_national_television_appearance_1956.jpg/180px-Elvis_Presley_first_national_television_appearance_1956.jpg" data-alt="Publicity photo of Elvis playing guitar" data-width="180" data-height="235" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5d/Elvis_Presley_first_national_television_appearance_1956.jpg/270px-Elvis_Presley_first_national_television_appearance_1956.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5d/Elvis_Presley_first_national_television_appearance_1956.jpg/360px-Elvis_Presley_first_national_television_appearance_1956.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Publicity photo for the <a href="/wiki/CBS" title="CBS">CBS</a> program <i><a href="/wiki/Stage_Show_(TV_series)" title="Stage Show (TV series)">Stage Show</a></i>, January 16, 1956</figcaption></figure> <p>The developmental arc of Presley's singing voice, as described by critic Dave Marsh, goes from "high and thrilled in the early days, [to] lower and perplexed in the final months."<sup id="cite_ref-FOOTNOTEMarsh1982234_346-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh1982234-346"><span class="cite-bracket">[</span>342<span class="cite-bracket">]</span></a></sup> Marsh credits Presley with the introduction of the "vocal stutter" on 1955's "<a href="/wiki/Baby_Let%27s_Play_House" title="Baby Let's Play House">Baby Let's Play House</a>".<sup id="cite_ref-FOOTNOTEMarsh1989317_347-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh1989317-347"><span class="cite-bracket">[</span>343<span class="cite-bracket">]</span></a></sup> When on "Don't Be Cruel", Presley "slides into a 'mmmmm' that marks the transition between the first two verses," he shows "how masterful his relaxed style really is."<sup id="cite_ref-FOOTNOTEMarsh198991_348-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh198991-348"><span class="cite-bracket">[</span>344<span class="cite-bracket">]</span></a></sup> Marsh describes the vocal performance on "Can't Help Falling in Love" as one of "gentle insistence and delicacy of phrasing", with the line <span style="padding-right:.15em;">"</span>'Shall I stay' pronounced as if the words are fragile as crystal".<sup id="cite_ref-FOOTNOTEMarsh1989490_349-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh1989490-349"><span class="cite-bracket">[</span>345<span class="cite-bracket">]</span></a></sup> </p><p>Jorgensen calls the 1966 recording of "How Great Thou Art" "an extraordinary fulfillment of his vocal ambitions", as Presley "crafted for himself an ad-hoc arrangement in which he took every part of the four-part vocal, from [the] bass intro to the soaring heights of the song's operatic climax", becoming "a kind of one-man quartet".<sup id="cite_ref-FOOTNOTEJorgensen1998212_350-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998212-350"><span class="cite-bracket">[</span>346<span class="cite-bracket">]</span></a></sup> Guralnick finds "<a href="/wiki/Stand_by_Me_(Charles_Albert_Tindley_song)" title="Stand by Me (Charles Albert Tindley song)">Stand by Me</a>" from the same gospel sessions "a beautifully articulated, almost nakedly yearning performance", but, by contrast, feels that Presley reaches beyond his powers on "Where No One Stands Alone", resorting "to a kind of inelegant bellowing to push out a sound" that Jake Hess of the Statesmen Quartet had in his command. Hess himself thought that while others might have voices the equal of Presley's, "he had that certain something that everyone searches for all during their lifetime."<sup id="cite_ref-FOOTNOTEGuralnick1999232_351-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999232-351"><span class="cite-bracket">[</span>347<span class="cite-bracket">]</span></a></sup> Guralnick attempts to pinpoint that something: "The warmth of his voice, his controlled use of both vibrato technique and natural falsetto range, the subtlety and deeply felt conviction of his singing were all qualities recognizably belonging to his talent but just as recognizably not to be achieved without sustained dedication and effort."<sup id="cite_ref-FOOTNOTEGuralnick1999231_352-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999231-352"><span class="cite-bracket">[</span>348<span class="cite-bracket">]</span></a></sup> </p><p>Marsh praises his 1968 reading of "<a href="/wiki/U.S._Male" title="U.S. Male">U.S. Male</a>", "bearing down on the hard guy lyrics, not sending them up or overplaying them but tossing them around with that astonishingly tough yet gentle assurance that he brought to his Sun records."<sup id="cite_ref-FOOTNOTEMarsh1989424_353-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh1989424-353"><span class="cite-bracket">[</span>349<span class="cite-bracket">]</span></a></sup> The performance on "In the Ghetto" is, according to Jorgensen, "devoid of any of his characteristic vocal tricks or mannerisms", instead relying on the exceptional "clarity and sensitivity of his voice".<sup id="cite_ref-FOOTNOTEJorgensen1998271_354-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998271-354"><span class="cite-bracket">[</span>350<span class="cite-bracket">]</span></a></sup> Guralnick describes the song's delivery as of "almost translucent eloquence ... so quietly confident in its simplicity".<sup id="cite_ref-FOOTNOTEGuralnick1999332_355-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999332-355"><span class="cite-bracket">[</span>351<span class="cite-bracket">]</span></a></sup> On "Suspicious Minds", Guralnick hears essentially the same "remarkable mixture of tenderness and poise", but supplemented with "an expressive quality somewhere between stoicism (at suspected infidelity) and anguish (over impending loss)".<sup id="cite_ref-FOOTNOTEGuralnick1999335_356-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999335-356"><span class="cite-bracket">[</span>352<span class="cite-bracket">]</span></a></sup> </p><p>Music critic <a href="/wiki/Henry_Pleasants_(music_critic)" title="Henry Pleasants (music critic)">Henry Pleasants</a> observes that "Presley has been described variously as a <a href="/wiki/Baritone" title="Baritone">baritone</a> and a <a href="/wiki/Tenor" title="Tenor">tenor</a>. An extraordinary compass ... and a very wide range of vocal color have something to do with this divergence of opinion."<sup id="cite_ref-FOOTNOTEPleasants2004260_357-0" class="reference"><a href="#cite_note-FOOTNOTEPleasants2004260-357"><span class="cite-bracket">[</span>353<span class="cite-bracket">]</span></a></sup> He identifies Presley as a high baritone, calculating his range as two <a href="/wiki/Octave" title="Octave">octaves</a> and a third, "from the baritone low <a href="/wiki/G_(musical_note)" title="G (musical note)">G</a> to the tenor high <a href="/wiki/B_(musical_note)" title="B (musical note)">B</a>, with an upward extension in <a href="/wiki/Falsetto" title="Falsetto">falsetto</a> to at least a D-flat. Presley's best octave is in the middle, D-flat to D-flat, granting an extra full step up or down."<sup id="cite_ref-FOOTNOTEPleasants2004260_357-1" class="reference"><a href="#cite_note-FOOTNOTEPleasants2004260-357"><span class="cite-bracket">[</span>353<span class="cite-bracket">]</span></a></sup> In Pleasants' view, his voice was "variable and unpredictable" at the bottom, "often brilliant" at the top, with the capacity for "full-voiced high Gs and <a href="/wiki/A_(musical_note)" title="A (musical note)">As</a> that an opera baritone might envy".<sup id="cite_ref-FOOTNOTEPleasants2004260_357-2" class="reference"><a href="#cite_note-FOOTNOTEPleasants2004260-357"><span class="cite-bracket">[</span>353<span class="cite-bracket">]</span></a></sup> Scholar Lindsay Waters, who figures Presley's range as two-and-a-quarter octaves, emphasizes that "his voice had an emotional range from tender whispers to sighs down to shouts, grunts, grumbles, and sheer gruffness that could move the listener from calmness and surrender, to fear. His voice can not be measured in octaves, but in decibels; even that misses the problem of how to measure delicate whispers that are hardly audible at all."<sup id="cite_ref-FOOTNOTEWaters2003205_358-0" class="reference"><a href="#cite_note-FOOTNOTEWaters2003205-358"><span class="cite-bracket">[</span>354<span class="cite-bracket">]</span></a></sup> Presley was always "able to duplicate the open, hoarse, ecstatic, screaming, shouting, wailing, reckless sound of the black rhythm-and-blues and gospel singers", writes Pleasants, and also demonstrated a remarkable ability to assimilate many other vocal styles.<sup id="cite_ref-FOOTNOTEPleasants2004260_357-3" class="reference"><a href="#cite_note-FOOTNOTEPleasants2004260-357"><span class="cite-bracket">[</span>353<span class="cite-bracket">]</span></a></sup> </p> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(3)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Public_image">Public image</h2></div><section class="mf-section-3 collapsible-block" id="mf-section-3"> <div class="mw-heading mw-heading3"><h3 id="Relationship_with_the_African-American_community">Relationship with the African-American community</h3></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:BillyWard_n_Elvis_Presley_circa_1955.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/af/BillyWard_n_Elvis_Presley_circa_1955.jpg/220px-BillyWard_n_Elvis_Presley_circa_1955.jpg" decoding="async" width="220" height="179" class="mw-file-element" data-file-width="500" data-file-height="406"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 179px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/a/af/BillyWard_n_Elvis_Presley_circa_1955.jpg/220px-BillyWard_n_Elvis_Presley_circa_1955.jpg" data-width="220" data-height="179" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/af/BillyWard_n_Elvis_Presley_circa_1955.jpg/330px-BillyWard_n_Elvis_Presley_circa_1955.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/af/BillyWard_n_Elvis_Presley_circa_1955.jpg/440px-BillyWard_n_Elvis_Presley_circa_1955.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Elvis Presley and <a href="/wiki/Billy_Ward_(singer)" class="mw-redirect" title="Billy Ward (singer)">Billy Ward</a>, circa 1955</figcaption></figure> <p>When Dewey Phillips first aired "That's All Right" on Memphis' <a href="/wiki/WHBQ_(AM)" title="WHBQ (AM)">WHBQ</a>, many listeners who contacted the station to ask for it again assumed that its singer was black.<sup id="cite_ref-FOOTNOTEGuralnick1994100–101_51-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994100%E2%80%93101-51"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> From the beginning of his national fame, Presley expressed respect for African-American performers and their music, and disregard for the segregation and racial prejudice then prevalent in the South. Interviewed in 1956, he recalled how in his childhood he would listen to blues musician <a href="/wiki/Arthur_Crudup" title="Arthur Crudup">Arthur Crudup</a>—the originator of "That's All Right"—"bang his box the way I do now, and I said if I ever got to the place where I could feel all old Arthur felt, I'd be a music man like nobody ever saw."<sup id="cite_ref-FOOTNOTEGuralnick2004_37-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick2004-37"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> <i>The Memphis World</i>, an African-American newspaper, reported that Presley "cracked Memphis' segregation laws" by attending the local amusement park on what was designated as its "colored night".<sup id="cite_ref-FOOTNOTEGuralnick2004_37-2" class="reference"><a href="#cite_note-FOOTNOTEGuralnick2004-37"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> Such statements and actions led Presley to be generally hailed in the black community during his early stardom.<sup id="cite_ref-FOOTNOTEGuralnick2004_37-3" class="reference"><a href="#cite_note-FOOTNOTEGuralnick2004-37"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> In contrast, many white adults "did not like him, and condemned him as depraved. Anti-negro prejudice doubtless figured in adult antagonism. Regardless of whether parents were aware of the Negro sexual origins of the phrase 'rock 'n' roll', Presley impressed them as the visual and aural embodiment of sex."<sup id="cite_ref-:00_7-1" class="reference"><a href="#cite_note-:00-7"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> </p><p> Despite the largely positive view of Presley held by African Americans, a rumor spread in mid-1957 that he had announced, "The only thing Negroes can do for me is buy my records and shine my shoes." A journalist with the national African American weekly <i><a href="/wiki/Jet_magazine" class="mw-redirect" title="Jet magazine">Jet</a></i>, Louie Robinson, pursued the story. On the set of <i>Jailhouse Rock</i>, Presley granted Robinson an interview, though he was no longer dealing with the mainstream press. He denied making such a statement: </p><blockquote><p>I never said anything like that, and people who know me know that I wouldn't have said it. ... A lot of people seem to think I started this business. But rock 'n' roll was here a long time before I came along. Nobody can sing that kind of music like colored people. Let's face it: I can't sing like Fats Domino can. I know that.<sup id="cite_ref-FOOTNOTEWilliams2012_359-0" class="reference"><a href="#cite_note-FOOTNOTEWilliams2012-359"><span class="cite-bracket">[</span>355<span class="cite-bracket">]</span></a></sup></p></blockquote><p> Robinson found no evidence that the remark had ever been made, and elicited testimony from many individuals indicating that Presley was anything but racist.<sup id="cite_ref-FOOTNOTEGuralnick2004_37-4" class="reference"><a href="#cite_note-FOOTNOTEGuralnick2004-37"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEPilgrim2006_360-0" class="reference"><a href="#cite_note-FOOTNOTEPilgrim2006-360"><span class="cite-bracket">[</span>356<span class="cite-bracket">]</span></a></sup> Blues singer <a href="/wiki/Ivory_Joe_Hunter" title="Ivory Joe Hunter">Ivory Joe Hunter</a>, who had heard the rumor before he visited Graceland, reported of Presley, "He showed me every courtesy, and I think he's one of the greatest."<sup id="cite_ref-FOOTNOTEGuralnick1994426_361-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994426-361"><span class="cite-bracket">[</span>357<span class="cite-bracket">]</span></a></sup> Though the rumored remark was discredited, it was still being used against Presley decades later.<sup id="cite_ref-FOOTNOTEKolawole2002_362-0" class="reference"><a href="#cite_note-FOOTNOTEKolawole2002-362"><span class="cite-bracket">[</span>358<span class="cite-bracket">]</span></a></sup> </p><p>The persistence of such attitudes was fueled by resentment over the fact that Presley, whose musical and visual performance idiom owed much to African-American sources, achieved the cultural acknowledgement and commercial success largely denied his black peers.<sup id="cite_ref-FOOTNOTEPilgrim2006_360-1" class="reference"><a href="#cite_note-FOOTNOTEPilgrim2006-360"><span class="cite-bracket">[</span>356<span class="cite-bracket">]</span></a></sup> Into the twenty-first century, the notion that Presley had "stolen" black music still found adherents.<sup id="cite_ref-363" class="reference"><a href="#cite_note-363"><span class="cite-bracket">[</span>359<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEKolawole2002_362-1" class="reference"><a href="#cite_note-FOOTNOTEKolawole2002-362"><span class="cite-bracket">[</span>358<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEMyrie2009123–124_364-0" class="reference"><a href="#cite_note-FOOTNOTEMyrie2009123%E2%80%93124-364"><span class="cite-bracket">[</span>360<span class="cite-bracket">]</span></a></sup> Notable among African-American entertainers expressly rejecting this view was <a href="/wiki/Jackie_Wilson" title="Jackie Wilson">Jackie Wilson</a>, who argued, "A lot of people have accused Elvis of stealing the black man's music, when in fact, almost every black solo entertainer copied his stage mannerisms from Elvis."<sup id="cite_ref-FOOTNOTEMasley2002_365-0" class="reference"><a href="#cite_note-FOOTNOTEMasley2002-365"><span class="cite-bracket">[</span>361<span class="cite-bracket">]</span></a></sup> Moreover, Presley acknowledged his debt to African-American musicians throughout his career. Addressing his '68 Comeback Special audience, he said, "Rock 'n' roll music is basically gospel or rhythm and blues, or it sprang from that. People have been adding to it, adding instruments to it, experimenting with it, but it all boils down to [that]."<sup id="cite_ref-FOOTNOTEOsborne2000207_366-0" class="reference"><a href="#cite_note-FOOTNOTEOsborne2000207-366"><span class="cite-bracket">[</span>362<span class="cite-bracket">]</span></a></sup> Nine years earlier, he had said, "Rock 'n' roll has been around for many years. It used to be called rhythm and blues."<sup id="cite_ref-FOOTNOTEBertrand2000198_367-0" class="reference"><a href="#cite_note-FOOTNOTEBertrand2000198-367"><span class="cite-bracket">[</span>363<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Sex_symbol">Sex symbol</h3></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Girls_Girls_Girls_Poster_B.jpg" class="mw-file-description"><noscript><img alt="Film poster with Presley on the left, holding a young woman around the waist, her arms draped over his shoulders. To the right, five young women wearing bathing suits and holding guitars stand in a row. The one in front taps Presley on the shoulder. Along with title and credits is the tagline &quot;Climb aboard your dreamboat for the fastest-movin' fun 'n' music!&quot;" src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Girls_Girls_Girls_Poster_B.jpg/310px-Girls_Girls_Girls_Poster_B.jpg" decoding="async" width="310" height="242" class="mw-file-element" data-file-width="1921" data-file-height="1500"></noscript><span class="lazy-image-placeholder" style="width: 310px;height: 242px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Girls_Girls_Girls_Poster_B.jpg/310px-Girls_Girls_Girls_Poster_B.jpg" data-alt="Film poster with Presley on the left, holding a young woman around the waist, her arms draped over his shoulders. To the right, five young women wearing bathing suits and holding guitars stand in a row. The one in front taps Presley on the shoulder. Along with title and credits is the tagline &quot;Climb aboard your dreamboat for the fastest-movin' fun 'n' music!&quot;" data-width="310" data-height="242" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Girls_Girls_Girls_Poster_B.jpg/465px-Girls_Girls_Girls_Poster_B.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Girls_Girls_Girls_Poster_B.jpg/620px-Girls_Girls_Girls_Poster_B.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Poster for the film <i><a href="/wiki/Girls!_Girls!_Girls!" title="Girls! Girls! Girls!">Girls! Girls! Girls!</a></i> (1962), visualizing Presley's sex symbol image</figcaption></figure> <p>Presley's physical attractiveness and sexual appeal were widely acknowledged. "He was once beautiful, astonishingly beautiful", according to critic <a href="/wiki/Mark_Feeney" title="Mark Feeney">Mark Feeney</a>.<sup id="cite_ref-FOOTNOTEFeeney2010_368-0" class="reference"><a href="#cite_note-FOOTNOTEFeeney2010-368"><span class="cite-bracket">[</span>364<span class="cite-bracket">]</span></a></sup> Television director Steve Binder reported, "I'm straight as an arrow and I got to tell you, you stop, whether you're male or female, to look at him. He was that good looking. And if you never knew he was a superstar, it wouldn't make any difference; if he'd walked in the room, you'd know somebody special was in your presence."<sup id="cite_ref-FOOTNOTEAshley200976_369-0" class="reference"><a href="#cite_note-FOOTNOTEAshley200976-369"><span class="cite-bracket">[</span>365<span class="cite-bracket">]</span></a></sup> His performance style was equally responsible for Presley's eroticized image. Critic <a href="/wiki/George_Melly" title="George Melly">George Melly</a> described him as "the master of the sexual simile, treating his guitar as both phallus and girl".<sup id="cite_ref-FOOTNOTERodman199658_370-0" class="reference"><a href="#cite_note-FOOTNOTERodman199658-370"><span class="cite-bracket">[</span>366<span class="cite-bracket">]</span></a></sup> In his Presley obituary, <a href="/wiki/Lester_Bangs" title="Lester Bangs">Lester Bangs</a> credited him with bringing "overt blatant vulgar sexual frenzy to the popular arts in America".<sup id="cite_ref-FOOTNOTERodman199658–59_371-0" class="reference"><a href="#cite_note-FOOTNOTERodman199658%E2%80%9359-371"><span class="cite-bracket">[</span>367<span class="cite-bracket">]</span></a></sup> Ed Sullivan's declaration that he perceived a soda bottle in Presley's trousers was echoed by rumors involving a similarly positioned toilet roll tube or lead bar.<sup id="cite_ref-FOOTNOTEGarber1997366_372-0" class="reference"><a href="#cite_note-FOOTNOTEGarber1997366-372"><span class="cite-bracket">[</span>368<span class="cite-bracket">]</span></a></sup> </p><p>While Presley was marketed as an icon of heterosexuality, some critics have argued that his image was ambiguous. In 1959, <i><a href="/wiki/Sight_and_Sound" title="Sight and Sound">Sight and Sound</a></i><span class="nowrap" style="padding-left:0.1em;">'</span>s Peter John Dyer described his onscreen persona as "aggressively bisexual in appeal".<sup id="cite_ref-FOOTNOTEDyer1959–196030_373-0" class="reference"><a href="#cite_note-FOOTNOTEDyer1959%E2%80%93196030-373"><span class="cite-bracket">[</span>369<span class="cite-bracket">]</span></a></sup> Brett Farmer places the "orgasmic gyrations" of the title dance sequence in <i>Jailhouse Rock</i> within a lineage of cinematic musical numbers that offer a "spectacular eroticization, if not homoeroticization, of the male image".<sup id="cite_ref-FOOTNOTEFarmer200086_374-0" class="reference"><a href="#cite_note-FOOTNOTEFarmer200086-374"><span class="cite-bracket">[</span>370<span class="cite-bracket">]</span></a></sup> In the analysis of <a href="/wiki/Yvonne_Tasker" title="Yvonne Tasker">Yvonne Tasker</a>, "Elvis was an ambivalent figure who articulated a peculiar feminised, objectifying version of white working-class masculinity as aggressive sexual display."<sup id="cite_ref-FOOTNOTETasker2007208_375-0" class="reference"><a href="#cite_note-FOOTNOTETasker2007208-375"><span class="cite-bracket">[</span>371<span class="cite-bracket">]</span></a></sup> </p><p>Reinforcing Presley's image as a sex symbol were the reports of his dalliances with Hollywood stars and starlets, from <a href="/wiki/Natalie_Wood" title="Natalie Wood">Natalie Wood</a> in the 1950s to <a href="/wiki/Connie_Stevens" title="Connie Stevens">Connie Stevens</a> and <a href="/wiki/Ann-Margret" title="Ann-Margret">Ann-Margret</a> in the 1960s to <a href="/wiki/Candice_Bergen" title="Candice Bergen">Candice Bergen</a> and <a href="/wiki/Cybill_Shepherd" title="Cybill Shepherd">Cybill Shepherd</a> in the 1970s. June Juanico of Memphis, one of Presley's early girlfriends, later blamed Parker for encouraging him to choose his dating partners with publicity in mind.<sup id="cite_ref-FOOTNOTEStein1997_210-1" class="reference"><a href="#cite_note-FOOTNOTEStein1997-210"><span class="cite-bracket">[</span>206<span class="cite-bracket">]</span></a></sup> Presley never grew comfortable with the Hollywood scene, and most of these relationships were insubstantial.<sup id="cite_ref-FOOTNOTEKirchbergHendrickx1999109_376-0" class="reference"><a href="#cite_note-FOOTNOTEKirchbergHendrickx1999109-376"><span class="cite-bracket">[</span>372<span class="cite-bracket">]</span></a></sup> </p> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(4)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Legacy">Legacy</h2></div><section class="mf-section-4 collapsible-block" id="mf-section-4"> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Further information: <a href="/wiki/Cultural_impact_of_Elvis_Presley" title="Cultural impact of Elvis Presley">Cultural impact of Elvis Presley</a>, <a href="/wiki/Cultural_depictions_of_Elvis_Presley" title="Cultural depictions of Elvis Presley">Cultural depictions of Elvis Presley</a>, <a href="/wiki/Elvis_has_left_the_building" title="Elvis has left the building">Elvis has left the building</a>, and <a href="/wiki/List_of_songs_about_or_referencing_Elvis_Presley" class="mw-redirect" title="List of songs about or referencing Elvis Presley">List of songs about or referencing Elvis Presley</a></div> <style data-mw-deduplicate="TemplateStyles:r1224211176">.mw-parser-output .quotebox{background-color:#F9F9F9;border:1px solid #aaa;box-sizing:border-box;padding:10px;font-size:88%;max-width:100%}.mw-parser-output .quotebox.floatleft{margin:.5em 1.4em .8em 0}.mw-parser-output .quotebox.floatright{margin:.5em 0 .8em 1.4em}.mw-parser-output .quotebox.centered{overflow:hidden;position:relative;margin:.5em auto .8em auto}.mw-parser-output .quotebox.floatleft span,.mw-parser-output .quotebox.floatright span{font-style:inherit}.mw-parser-output .quotebox>blockquote{margin:0;padding:0;border-left:0;font-family:inherit;font-size:inherit}.mw-parser-output .quotebox-title{text-align:center;font-size:110%;font-weight:bold}.mw-parser-output .quotebox-quote>:first-child{margin-top:0}.mw-parser-output .quotebox-quote:last-child>:last-child{margin-bottom:0}.mw-parser-output .quotebox-quote.quoted:before{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" “ ";vertical-align:-45%;line-height:0}.mw-parser-output .quotebox-quote.quoted:after{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" ” ";line-height:0}.mw-parser-output .quotebox .left-aligned{text-align:left}.mw-parser-output .quotebox .right-aligned{text-align:right}.mw-parser-output .quotebox .center-aligned{text-align:center}.mw-parser-output .quotebox .quote-title,.mw-parser-output .quotebox .quotebox-quote{display:block}.mw-parser-output .quotebox cite{display:block;font-style:normal}@media screen and (max-width:640px){.mw-parser-output .quotebox{width:100%!important;margin:0 0 .8em!important;float:none!important}}</style><div class="quotebox pullquote floatright" style="width:320px; ;"> <blockquote class="quotebox-quote left-aligned" style=""> <p>I know he invented rock and roll, in a manner of speaking, but ... that's not why he's worshiped as a god today. He's worshiped as a god today because in addition to inventing rock and roll he was the greatest ballad singer this side of <a href="/wiki/Frank_Sinatra" title="Frank Sinatra">Frank Sinatra</a>—because the spiritual translucence and reined-in gut sexuality of his slow weeper and torchy pop blues still activate the hormones and slavish devotion of millions of female human beings worldwide. </p> </blockquote> <div style="padding-bottom: 0; padding-top: 0.5em"><cite class="right-aligned" style="">—<a href="/wiki/Robert_Christgau" title="Robert Christgau">Robert Christgau</a> <br> December 24, 1985<sup id="cite_ref-FOOTNOTEChristgau1985_377-0" class="reference"><a href="#cite_note-FOOTNOTEChristgau1985-377"><span class="cite-bracket">[</span>373<span class="cite-bracket">]</span></a></sup></cite></div> </div> <p>Presley's rise to national attention in 1956 transformed the field of popular music and had a huge effect on the broader scope of popular culture.<sup id="cite_ref-FOOTNOTECollins2002_378-0" class="reference"><a href="#cite_note-FOOTNOTECollins2002-378"><span class="cite-bracket">[</span>374<span class="cite-bracket">]</span></a></sup> As the catalyst for the cultural revolution that was rock and roll, he was central not only to defining it as a musical genre but in making it a touchstone of youth culture and rebellious attitude.<sup id="cite_ref-FOOTNOTESadie1994638_379-0" class="reference"><a href="#cite_note-FOOTNOTESadie1994638-379"><span class="cite-bracket">[</span>375<span class="cite-bracket">]</span></a></sup> With its racially mixed origins—repeatedly affirmed by Presley—rock and roll's occupation of a central position in mainstream American culture facilitated a new acceptance and appreciation of black culture.<sup id="cite_ref-FOOTNOTEBertrand200094_380-0" class="reference"><a href="#cite_note-FOOTNOTEBertrand200094-380"><span class="cite-bracket">[</span>376<span class="cite-bracket">]</span></a></sup> </p><p>In this regard, <a href="/wiki/Little_Richard" title="Little Richard">Little Richard</a> said of Presley, "He was an integrator. Elvis was a blessing. They wouldn't let black music through. He opened the door for black music."<sup id="cite_ref-FOOTNOTERodman1996193_381-0" class="reference"><a href="#cite_note-FOOTNOTERodman1996193-381"><span class="cite-bracket">[</span>377<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Al_Green" title="Al Green">Al Green</a> reaffirmed that by stating, "He broke the ice for all of us."<sup id="cite_ref-FOOTNOTEVictor2008356_382-0" class="reference"><a href="#cite_note-FOOTNOTEVictor2008356-382"><span class="cite-bracket">[</span>378<span class="cite-bracket">]</span></a></sup> </p><p>President <a href="/wiki/Jimmy_Carter" title="Jimmy Carter">Jimmy Carter</a> remarked on Presley's legacy in 1977: "His music and his personality, fusing the styles of white country and black rhythm and blues, permanently changed the face of American popular culture."<sup id="cite_ref-FOOTNOTEWoolleyPeters1977_285-1" class="reference"><a href="#cite_note-FOOTNOTEWoolleyPeters1977-285"><span class="cite-bracket">[</span>281<span class="cite-bracket">]</span></a></sup> Presley also heralded the vastly expanded reach of celebrity in the era of mass communication: within a year of his first appearance on American network television, he was regarded as one of the most famous people in the world.<sup id="cite_ref-FOOTNOTEArnett2006400_383-0" class="reference"><a href="#cite_note-FOOTNOTEArnett2006400-383"><span class="cite-bracket">[</span>379<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_impersonators_record.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c2/Elvis_impersonators_record.jpg/220px-Elvis_impersonators_record.jpg" decoding="async" width="220" height="146" class="mw-file-element" data-file-width="1801" data-file-height="1193"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 146px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c2/Elvis_impersonators_record.jpg/220px-Elvis_impersonators_record.jpg" data-width="220" data-height="146" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c2/Elvis_impersonators_record.jpg/330px-Elvis_impersonators_record.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c2/Elvis_impersonators_record.jpg/440px-Elvis_impersonators_record.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption><a href="/wiki/Elvis_impersonator" title="Elvis impersonator">Elvis impersonators</a> in 2005</figcaption></figure> <p>Presley's name, image, and voice are recognized around the world.<sup id="cite_ref-FOOTNOTEDoss19992_384-0" class="reference"><a href="#cite_note-FOOTNOTEDoss19992-384"><span class="cite-bracket">[</span>380<span class="cite-bracket">]</span></a></sup> He has inspired <a href="/wiki/Elvis_impersonator" title="Elvis impersonator">a legion of impersonators</a>.<sup id="cite_ref-FOOTNOTELottUebel1997192_385-0" class="reference"><a href="#cite_note-FOOTNOTELottUebel1997192-385"><span class="cite-bracket">[</span>381<span class="cite-bracket">]</span></a></sup> In polls and surveys, he is recognized as one of the most important popular music artists and influential Americans.<sup id="cite_ref-ranking_394-0" class="reference"><a href="#cite_note-ranking-394"><span class="cite-bracket">[</span>e<span class="cite-bracket">]</span></a></sup> American composer and conductor <a href="/wiki/Leonard_Bernstein" title="Leonard Bernstein">Leonard Bernstein</a> said, "Elvis Presley is the greatest cultural force in the twentieth century. He introduced the beat to everything and he changed everything—music, language, clothes."<sup id="cite_ref-FOOTNOTEKeogh20042_395-0" class="reference"><a href="#cite_note-FOOTNOTEKeogh20042-395"><span class="cite-bracket">[</span>390<span class="cite-bracket">]</span></a></sup> <a href="/wiki/John_Lennon" title="John Lennon">John Lennon</a> said that "Nothing really affected me until Elvis."<sup id="cite_ref-FOOTNOTEDavies199619_396-0" class="reference"><a href="#cite_note-FOOTNOTEDavies199619-396"><span class="cite-bracket">[</span>391<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a> described the sensation of first hearing Presley as "like busting out of jail".<sup id="cite_ref-FOOTNOTEVictor2008356_382-1" class="reference"><a href="#cite_note-FOOTNOTEVictor2008356-382"><span class="cite-bracket">[</span>378<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Elvis_Presley_Hollywood_Walk_of_Fame_Star.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/commons/thumb/9/99/Elvis_Presley_Hollywood_Walk_of_Fame_Star.jpg/220px-Elvis_Presley_Hollywood_Walk_of_Fame_Star.jpg" decoding="async" width="220" height="191" class="mw-file-element" data-file-width="810" data-file-height="705"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 191px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/9/99/Elvis_Presley_Hollywood_Walk_of_Fame_Star.jpg/220px-Elvis_Presley_Hollywood_Walk_of_Fame_Star.jpg" data-width="220" data-height="191" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/99/Elvis_Presley_Hollywood_Walk_of_Fame_Star.jpg/330px-Elvis_Presley_Hollywood_Walk_of_Fame_Star.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/99/Elvis_Presley_Hollywood_Walk_of_Fame_Star.jpg/440px-Elvis_Presley_Hollywood_Walk_of_Fame_Star.jpg 2x" data-class="mw-file-element">&nbsp;</span></a><figcaption>Presley's star on the <a href="/wiki/Hollywood_Walk_of_Fame" title="Hollywood Walk of Fame">Hollywood Walk of Fame</a> at 6777 Hollywood Blvd</figcaption></figure> <p>For much of his adult life, Presley, with his rise from poverty to riches and fame, had seemed to epitomize the <a href="/wiki/American_Dream" title="American Dream">American Dream</a>.<sup id="cite_ref-FOOTNOTENash2005xv_397-0" class="reference"><a href="#cite_note-FOOTNOTENash2005xv-397"><span class="cite-bracket">[</span>392<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEHarrison2016149_398-0" class="reference"><a href="#cite_note-FOOTNOTEHarrison2016149-398"><span class="cite-bracket">[</span>393<span class="cite-bracket">]</span></a></sup> In his final years, and following the revelations about his circumstances after his death, he became a symbol of excess and gluttony.<sup id="cite_ref-FOOTNOTECosby2016144_399-0" class="reference"><a href="#cite_note-FOOTNOTECosby2016144-399"><span class="cite-bracket">[</span>394<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEDoll2016186_400-0" class="reference"><a href="#cite_note-FOOTNOTEDoll2016186-400"><span class="cite-bracket">[</span>395<span class="cite-bracket">]</span></a></sup> Increasing attention was paid to his appetite for the rich, heavy <a href="/wiki/Southern_cooking" class="mw-redirect" title="Southern cooking">Southern cooking</a> of his upbringing, foods such as <a href="/wiki/Chicken-fried_steak" title="Chicken-fried steak">chicken-fried steak</a> and <a href="/wiki/Biscuits_and_gravy" title="Biscuits and gravy">biscuits and gravy</a>.<sup id="cite_ref-FOOTNOTEMartin2000_401-0" class="reference"><a href="#cite_note-FOOTNOTEMartin2000-401"><span class="cite-bracket">[</span>396<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTESmith2002_402-0" class="reference"><a href="#cite_note-FOOTNOTESmith2002-402"><span class="cite-bracket">[</span>397<span class="cite-bracket">]</span></a></sup> In particular, his love of fried <a href="/wiki/Peanut_butter,_banana_and_bacon_sandwich" title="Peanut butter, banana and bacon sandwich">peanut butter, banana, and (sometimes) bacon sandwiches</a>,<sup id="cite_ref-FOOTNOTEDundy2004227,_256_403-0" class="reference"><a href="#cite_note-FOOTNOTEDundy2004227,_256-403"><span class="cite-bracket">[</span>398<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEMartin2000_401-1" class="reference"><a href="#cite_note-FOOTNOTEMartin2000-401"><span class="cite-bracket">[</span>396<span class="cite-bracket">]</span></a></sup> now known as "Elvis sandwiches",<sup id="cite_ref-FOOTNOTEWilson2010121_404-0" class="reference"><a href="#cite_note-FOOTNOTEWilson2010121-404"><span class="cite-bracket">[</span>399<span class="cite-bracket">]</span></a></sup> came to symbolize this characteristic.<sup id="cite_ref-FOOTNOTESlater2002_405-0" class="reference"><a href="#cite_note-FOOTNOTESlater2002-405"><span class="cite-bracket">[</span>400<span class="cite-bracket">]</span></a></sup> </p><p>Since 1977, there have been numerous <a href="/wiki/Elvis_sightings" title="Elvis sightings">alleged sightings of Presley</a>. A long-standing conspiracy theory among some fans is that he faked his death.<sup id="cite_ref-FOOTNOTEHarrison199242,_157–160,_169_406-0" class="reference"><a href="#cite_note-FOOTNOTEHarrison199242,_157%E2%80%93160,_169-406"><span class="cite-bracket">[</span>401<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEClarke200677,_80_407-0" class="reference"><a href="#cite_note-FOOTNOTEClarke200677,_80-407"><span class="cite-bracket">[</span>402<span class="cite-bracket">]</span></a></sup> Adherents cite alleged discrepancies in the death certificate, reports of a wax dummy in his original coffin, and accounts of Presley planning a diversion so he could retire in peace.<sup id="cite_ref-FOOTNOTEHarrison1992159–160_408-0" class="reference"><a href="#cite_note-FOOTNOTEHarrison1992159%E2%80%93160-408"><span class="cite-bracket">[</span>403<span class="cite-bracket">]</span></a></sup> An unusually large number of fans have domestic shrines devoted to Presley and journey to sites with which he is connected, however faintly.<sup id="cite_ref-FOOTNOTEHarrison201610_409-0" class="reference"><a href="#cite_note-FOOTNOTEHarrison201610-409"><span class="cite-bracket">[</span>404<span class="cite-bracket">]</span></a></sup> On the anniversary of his death, thousands of people gather outside Graceland for a candlelight ritual.<sup id="cite_ref-FOOTNOTESegré2002_410-0" class="reference"><a href="#cite_note-FOOTNOTESegr%C3%A92002-410"><span class="cite-bracket">[</span>405<span class="cite-bracket">]</span></a></sup> "With Elvis, it is not just his music that has survived death", writes Ted Harrison. "He himself has been raised, like a medieval saint, to a figure of cultic status. It is as if he has been canonized by acclamation."<sup id="cite_ref-FOOTNOTEHarrison201610_409-1" class="reference"><a href="#cite_note-FOOTNOTEHarrison201610-409"><span class="cite-bracket">[</span>404<span class="cite-bracket">]</span></a></sup> </p><p> On the 25th anniversary of Presley's death, <i>The New York Times</i> asserted: </p><blockquote><p>All the talentless impersonators and appalling <a href="/wiki/Velvet_Elvis" title="Velvet Elvis">black velvet paintings</a> on display can make him seem little more than a perverse and distant memory. But before Elvis was camp, he was its opposite: a genuine cultural force. ... Elvis' breakthroughs are underappreciated because in this rock-and-roll age, his hard-rocking music and sultry style have triumphed so completely.<sup id="cite_ref-FOOTNOTENew_York_Times2002_411-0" class="reference"><a href="#cite_note-FOOTNOTENew_York_Times2002-411"><span class="cite-bracket">[</span>406<span class="cite-bracket">]</span></a></sup></p></blockquote><p> He was ranked third on <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a>'</i>s list of greatest artists. <a href="/wiki/Bono" title="Bono">Bono</a> wrote in appreciation: </p><blockquote><p>In Elvis, you have the blueprint for rock &amp; roll. The highness — the gospel highs. The mud — the Delta mud, the blues. Sexual liberation. Controversy. Changing the way people feel about the world. It's all there with Elvis.<sup id='cite_ref-FOOTNOTEBono2010"Elvis"_412-0' class="reference"><a href="#cite_note-FOOTNOTEBono2010%22Elvis%22-412"><span class="cite-bracket">[</span>407<span class="cite-bracket">]</span></a></sup></p></blockquote><p> Not only Presley's achievements but his failings as well, are seen by some cultural observers as adding to the power of his legacy, as in this description by Greil Marcus:</p><blockquote><p>Elvis Presley is a supreme figure in American life, one whose presence, no matter how banal or predictable, brooks no real comparisons. ... The cultural range of his music has expanded to the point where it includes not only the hits of the day, but also patriotic recitals, pure country gospel, and really dirty blues. ... Elvis has emerged as a great <i>artist</i>, a great <i>rocker</i>, a great <i>purveyor of schlock</i>, a great <i>heart throb</i>, a great <i>bore</i>, a great <i>symbol of potency</i>, a great <i>ham</i>, a great <i>nice person</i>, and, yes, a great American.<sup id="cite_ref-FOOTNOTEMarcus1982141–142_413-0" class="reference"><a href="#cite_note-FOOTNOTEMarcus1982141%E2%80%93142-413"><span class="cite-bracket">[</span>408<span class="cite-bracket">]</span></a></sup></p></blockquote> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(5)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Achievements">Achievements</h2></div><section class="mf-section-5 collapsible-block" id="mf-section-5"> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">See also: <a href="/wiki/List_of_accolades_received_by_Elvis_Presley" title="List of accolades received by Elvis Presley">List of accolades received by Elvis Presley</a></div> <p>Presley is one of the <a href="/wiki/List_of_best-selling_music_artists" title="List of best-selling music artists">best-selling music artists</a> in history, with estimated sales of over 500 million records worldwide.<sup id="cite_ref-sales_9-1" class="reference"><a href="#cite_note-sales-9"><span class="cite-bracket">[</span>b<span class="cite-bracket">]</span></a></sup> Presley's rankings for top ten and number-one hits vary depending on how the double-sided "Hound Dog/Don't Be Cruel" and "Don't/I Beg of You" singles, which precede the inception of <i>Billboard</i><span class="nowrap" style="padding-left:0.1em;">'</span>s unified <a href="/wiki/Billboard_Hot_100" title="Billboard Hot 100">Hot 100</a> chart, are analyzed.<sup id="cite_ref-billboard_418-0" class="reference"><a href="#cite_note-billboard-418"><span class="cite-bracket">[</span>f<span class="cite-bracket">]</span></a></sup> According to Whitburn's analysis, Presley holds the record with 38, tying with <a href="/wiki/Madonna" title="Madonna">Madonna</a>;<sup id="cite_ref-FOOTNOTEWhitburn2010875_419-0" class="reference"><a href="#cite_note-FOOTNOTEWhitburn2010875-419"><span class="cite-bracket">[</span>413<span class="cite-bracket">]</span></a></sup> per <i>Billboard</i><span class="nowrap" style="padding-left:0.1em;">'</span>s current assessment, he ranks second with 36.<sup id="cite_ref-FOOTNOTEHasty2008_420-0" class="reference"><a href="#cite_note-FOOTNOTEHasty2008-420"><span class="cite-bracket">[</span>414<span class="cite-bracket">]</span></a></sup> Whitburn and <i>Billboard</i> concur that the Beatles hold the record for most number-one hits with 20, and that <a href="/wiki/Mariah_Carey" title="Mariah Carey">Mariah Carey</a> is second with 19.<sup id="cite_ref-FOOTNOTETrust2022_421-0" class="reference"><a href="#cite_note-FOOTNOTETrust2022-421"><span class="cite-bracket">[</span>415<span class="cite-bracket">]</span></a></sup> Whitburn has Presley with 18:<sup id="cite_ref-FOOTNOTEWhitburn2010875_419-1" class="reference"><a href="#cite_note-FOOTNOTEWhitburn2010875-419"><span class="cite-bracket">[</span>413<span class="cite-bracket">]</span></a></sup> <i>Billboard</i> has him third with 17.<sup id="cite_ref-FOOTNOTEMoody2008_422-0" class="reference"><a href="#cite_note-FOOTNOTEMoody2008-422"><span class="cite-bracket">[</span>416<span class="cite-bracket">]</span></a></sup> According to <i>Billboard</i>,  Presley has 79 cumulative weeks at number one: alone at 80, according to Whitburn and the Rock and Roll Hall of Fame,<sup id="cite_ref-FOOTNOTEWhitburn2010876_423-0" class="reference"><a href="#cite_note-FOOTNOTEWhitburn2010876-423"><span class="cite-bracket">[</span>417<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTERRHF2010_424-0" class="reference"><a href="#cite_note-FOOTNOTERRHF2010-424"><span class="cite-bracket">[</span>418<span class="cite-bracket">]</span></a></sup> with only Mariah Carey having more with 91 weeks.<sup id="cite_ref-FOOTNOTETrust2023_425-0" class="reference"><a href="#cite_note-FOOTNOTETrust2023-425"><span class="cite-bracket">[</span>419<span class="cite-bracket">]</span></a></sup> He holds the records for most number-one singles on the UK chart with 21 and singles reaching the top ten with 76.<sup id="cite_ref-FOOTNOTEMyers2022_426-0" class="reference"><a href="#cite_note-FOOTNOTEMyers2022-426"><span class="cite-bracket">[</span>420<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEMyers2021_427-0" class="reference"><a href="#cite_note-FOOTNOTEMyers2021-427"><span class="cite-bracket">[</span>421<span class="cite-bracket">]</span></a></sup> </p><p>As an album artist, Presley is credited by <i>Billboard</i> with the record for the most albums charting in the <a href="/wiki/Billboard_200" title="Billboard 200"><i>Billboard</i> 200</a>: 129, far ahead of second-place Frank Sinatra's 82. He also holds the record for most cumulative weeks at number one on the Billboard 200 for a male solo artists: 67 weeks<sup id="cite_ref-FOOTNOTETrust2015_428-0" class="reference"><a href="#cite_note-FOOTNOTETrust2015-428"><span class="cite-bracket">[</span>422<span class="cite-bracket">]</span></a></sup> In 2015 and 2016, two albums setting Presley's vocals against music by the Royal Philharmonic Orchestra, <i><a href="/wiki/If_I_Can_Dream_(album)" title="If I Can Dream (album)">If I Can Dream</a></i> and <i><a href="/wiki/The_Wonder_of_You_(Elvis_Presley_album)" title="The Wonder of You (Elvis Presley album)">The Wonder of You</a></i>, both reached number one in the UK. This gave him a new record for number-one UK albums by a solo artist with 13, and extended his record for longest span between number-one albums by anybody—Presley had first topped the British chart in 1956 with his self-titled debut.<sup id="cite_ref-FOOTNOTESexton2016_429-0" class="reference"><a href="#cite_note-FOOTNOTESexton2016-429"><span class="cite-bracket">[</span>423<span class="cite-bracket">]</span></a></sup> </p><p>As of 2023<sup class="plainlinks noexcerpt noprint asof-tag update" style="display:none;"><a class="external text" href="https://en.wikipedia.org/w/index.php?title=Elvis_Presley&amp;action=edit">[update]</a></sup>, the <a href="/wiki/Recording_Industry_Association_of_America" title="Recording Industry Association of America">Recording Industry Association of America</a> (RIAA) credits Presley with 146.5 million certified album sales in the US, third all time behind the Beatles and <a href="/wiki/Garth_Brooks" title="Garth Brooks">Garth Brooks</a>.<sup id="cite_ref-FOOTNOTERIAA2020a_430-0" class="reference"><a href="#cite_note-FOOTNOTERIAA2020a-430"><span class="cite-bracket">[</span>424<span class="cite-bracket">]</span></a></sup> He holds the records for most <a href="/wiki/Recording_Industry_Association_of_America_certification" class="mw-redirect" title="Recording Industry Association of America certification">gold albums</a> (101, nearly double second-place <a href="/wiki/Barbra_Streisand" title="Barbra Streisand">Barbra Streisand</a>'s 51),<sup id="cite_ref-FOOTNOTERIAA2020b_431-0" class="reference"><a href="#cite_note-FOOTNOTERIAA2020b-431"><span class="cite-bracket">[</span>425<span class="cite-bracket">]</span></a></sup> and most platinum albums (57).<sup id="cite_ref-FOOTNOTERIAA2020c_432-0" class="reference"><a href="#cite_note-FOOTNOTERIAA2020c-432"><span class="cite-bracket">[</span>426<span class="cite-bracket">]</span></a></sup> His 25 multi-platinum albums is second behind the Beatles' 26.<sup id="cite_ref-FOOTNOTERIAA2020d_433-0" class="reference"><a href="#cite_note-FOOTNOTERIAA2020d-433"><span class="cite-bracket">[</span>427<span class="cite-bracket">]</span></a></sup> His total of 197 album certification awards (including one diamond award), far outpaces the Beatles' second-best 122.<sup id="cite_ref-FOOTNOTELewis2017_434-0" class="reference"><a href="#cite_note-FOOTNOTELewis2017-434"><span class="cite-bracket">[</span>428<span class="cite-bracket">]</span></a></sup> He has the 9th-most gold singles (54, tied with <a href="/wiki/Justin_Bieber" title="Justin Bieber">Justin Bieber</a>),<sup id="cite_ref-FOOTNOTERIAA2020e_435-0" class="reference"><a href="#cite_note-FOOTNOTERIAA2020e-435"><span class="cite-bracket">[</span>429<span class="cite-bracket">]</span></a></sup> and the 16th-most platinum singles (27).<sup id="cite_ref-FOOTNOTERIAA2020f_436-0" class="reference"><a href="#cite_note-FOOTNOTERIAA2020f-436"><span class="cite-bracket">[</span>430<span class="cite-bracket">]</span></a></sup> </p><p>In 2012, the spider <i><a href="/wiki/Paradonea_presleyi" title="Paradonea presleyi">Paradonea presleyi</a></i> was named in his honor.<sup id="cite_ref-FOOTNOTEMillerGriswoldScharffRezac2012_437-0" class="reference"><a href="#cite_note-FOOTNOTEMillerGriswoldScharffRezac2012-437"><span class="cite-bracket">[</span>431<span class="cite-bracket">]</span></a></sup> In 2018, President <a href="/wiki/Donald_Trump" title="Donald Trump">Donald Trump</a> awarded Presley the <a href="/wiki/Presidential_Medal_of_Freedom" title="Presidential Medal of Freedom">Presidential Medal of Freedom</a> posthumously.<sup id="cite_ref-FOOTNOTEBBC_News2018_438-0" class="reference"><a href="#cite_note-FOOTNOTEBBC_News2018-438"><span class="cite-bracket">[</span>432<span class="cite-bracket">]</span></a></sup> There is a street named after Presley in <a href="/wiki/San_Antonio" title="San Antonio">San Antonio</a>, Texas.<sup id="cite_ref-439" class="reference"><a href="#cite_note-439"><span class="cite-bracket">[</span>433<span class="cite-bracket">]</span></a></sup> </p> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(6)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Discography">Discography</h2></div><section class="mf-section-6 collapsible-block" id="mf-section-6"> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main articles: <a href="/wiki/Elvis_Presley_albums_discography" title="Elvis Presley albums discography">Elvis Presley albums discography</a>, <a href="/wiki/Elvis_Presley_singles_discography" title="Elvis Presley singles discography">Elvis Presley singles discography</a>, and <a href="/wiki/List_of_songs_recorded_by_Elvis_Presley" title="List of songs recorded by Elvis Presley">List of songs recorded by Elvis Presley</a></div> <p>A vast number of recordings have been issued under Presley's name. The number of his original master recordings has been variously calculated as 665<sup id="cite_ref-FOOTNOTEVictor2008438_440-0" class="reference"><a href="#cite_note-FOOTNOTEVictor2008438-440"><span class="cite-bracket">[</span>434<span class="cite-bracket">]</span></a></sup> and 711.<sup id="cite_ref-FOOTNOTEFeeney2010_368-1" class="reference"><a href="#cite_note-FOOTNOTEFeeney2010-368"><span class="cite-bracket">[</span>364<span class="cite-bracket">]</span></a></sup> </p> <style data-mw-deduplicate="TemplateStyles:r1216972533">.mw-parser-output .col-begin{border-collapse:collapse;padding:0;color:inherit;width:100%;border:0;margin:0}.mw-parser-output .col-begin-small{font-size:90%}.mw-parser-output .col-break{vertical-align:top;text-align:left}.mw-parser-output .col-break-2{width:50%}.mw-parser-output .col-break-3{width:33.3%}.mw-parser-output .col-break-4{width:25%}.mw-parser-output .col-break-5{width:20%}@media(max-width:720px){.mw-parser-output .col-begin,.mw-parser-output .col-begin>tbody,.mw-parser-output .col-begin>tbody>tr,.mw-parser-output .col-begin>tbody>tr>td{display:block!important;width:100%!important}.mw-parser-output .col-break{padding-left:0!important}}</style><div> <table class="col-begin" role="presentation"> <tbody><tr> <td class="col-break col-break-2"> <p><b>Studio albums</b> </p> <ul><li><i><a href="/wiki/Elvis_Presley_(album)" title="Elvis Presley (album)">Elvis Presley</a></i> (1956)</li> <li><i><a href="/wiki/Elvis_(1956_album)" title="Elvis (1956 album)">Elvis</a></i> (1956)</li> <li><i><a href="/wiki/Elvis%27_Christmas_Album" title="Elvis' Christmas Album">Elvis' Christmas Album</a></i> (1957)</li> <li><i><a href="/wiki/Elvis_Is_Back!" title="Elvis Is Back!">Elvis Is Back!</a></i> (1960)</li> <li><i><a href="/wiki/His_Hand_in_Mine" title="His Hand in Mine">His Hand in Mine</a></i> (1960)</li> <li><i><a href="/wiki/Something_for_Everybody" title="Something for Everybody">Something for Everybody</a></i> (1961)</li> <li><i><a href="/wiki/Pot_Luck_(Elvis_Presley_album)" title="Pot Luck (Elvis Presley album)">Pot Luck</a></i> (1962)</li> <li><i><a href="/wiki/Elvis_for_Everyone!" title="Elvis for Everyone!">Elvis for Everyone!</a></i> (1965)</li> <li><i><a href="/wiki/How_Great_Thou_Art_(Elvis_Presley_album)" title="How Great Thou Art (Elvis Presley album)">How Great Thou Art</a></i> (1967)</li> <li><i><a href="/wiki/From_Elvis_in_Memphis" title="From Elvis in Memphis">From Elvis in Memphis</a></i> (1969)</li> <li><i><a href="/wiki/From_Memphis_to_Vegas_/_From_Vegas_to_Memphis" title="From Memphis to Vegas / From Vegas to Memphis">From Memphis to Vegas / From Vegas to Memphis</a></i> (1969)</li> <li><i><a href="/wiki/That%27s_the_Way_It_Is_(Elvis_Presley_album)" title="That's the Way It Is (Elvis Presley album)">That's the Way It Is</a></i> (1970)</li> <li><i><a href="/wiki/Elvis_Country_(I%27m_10,000_Years_Old)" title="Elvis Country (I'm 10,000 Years Old)">Elvis Country (I'm 10,000 Years Old)</a></i> (1971)</li> <li><i><a href="/wiki/Love_Letters_from_Elvis" title="Love Letters from Elvis">Love Letters from Elvis</a></i> (1971)</li> <li><i><a href="/wiki/Elvis_Sings_The_Wonderful_World_of_Christmas" title="Elvis Sings The Wonderful World of Christmas">Elvis Sings The Wonderful World of Christmas</a></i> (1971)</li> <li><i><a href="/wiki/Elvis_Now" title="Elvis Now">Elvis Now</a></i> (1972)</li> <li><i><a href="/wiki/He_Touched_Me_(album)" title="He Touched Me (album)">He Touched Me</a></i> (1972)</li> <li><i><a href="/wiki/Elvis_(1973_album)" title="Elvis (1973 album)">Elvis</a></i> (1973) <small>(The "Fool" Album)</small></li> <li><i><a href="/wiki/Raised_on_Rock_/_For_Ol%27_Times_Sake" title="Raised on Rock / For Ol' Times Sake">Raised on Rock / For Ol' Times Sake</a></i> (1973)</li> <li><i><a href="/wiki/Good_Times_(Elvis_Presley_album)" title="Good Times (Elvis Presley album)">Good Times</a></i> (1974)</li> <li><i><a href="/wiki/Promised_Land_(Elvis_Presley_album)" title="Promised Land (Elvis Presley album)">Promised Land</a></i> (1975)</li> <li><i><a href="/wiki/Today_(Elvis_Presley_album)" title="Today (Elvis Presley album)">Today</a></i> (1975)</li> <li><i><a href="/wiki/From_Elvis_Presley_Boulevard,_Memphis,_Tennessee" title="From Elvis Presley Boulevard, Memphis, Tennessee">From Elvis Presley Boulevard, Memphis, Tennessee</a></i> (1976)</li> <li><i><a href="/wiki/Moody_Blue" title="Moody Blue">Moody Blue</a></i> (1977)</li></ul> </td> <td class="col-break col-break-2"> <p><b>Soundtrack albums (original material)</b> </p> <ul><li><i><a href="/wiki/Loving_You_(soundtrack)" title="Loving You (soundtrack)">Loving You</a></i> (1957)</li> <li><i><a href="/wiki/King_Creole_(soundtrack)" title="King Creole (soundtrack)">King Creole</a></i> (1958)</li> <li><i><a href="/wiki/G.I._Blues_(soundtrack)" title="G.I. Blues (soundtrack)">G.I. Blues</a></i> (1960)</li> <li><i><a href="/wiki/Blue_Hawaii_(soundtrack)" title="Blue Hawaii (soundtrack)">Blue Hawaii</a></i> (1961)</li> <li><i><a href="/wiki/Girls!_Girls!_Girls!_(soundtrack)" title="Girls! Girls! Girls! (soundtrack)">Girls! Girls! Girls!</a></i> (1962)</li> <li><i><a href="/wiki/It_Happened_at_the_World%27s_Fair_(soundtrack)" title="It Happened at the World's Fair (soundtrack)">It Happened at the World's Fair</a></i> (1963)</li> <li><i><a href="/wiki/Fun_in_Acapulco_(soundtrack)" title="Fun in Acapulco (soundtrack)">Fun in Acapulco</a></i> (1963)</li> <li><i><a href="/wiki/Kissin%27_Cousins_(soundtrack)" title="Kissin' Cousins (soundtrack)">Kissin' Cousins</a></i> (1964)</li> <li><i><a href="/wiki/Roustabout_(soundtrack)" title="Roustabout (soundtrack)">Roustabout</a></i> (1964)</li> <li><i><a href="/wiki/Girl_Happy_(soundtrack)" title="Girl Happy (soundtrack)">Girl Happy</a></i> (1965)</li> <li><i><a href="/wiki/Harum_Scarum_(soundtrack)" title="Harum Scarum (soundtrack)">Harum Scarum</a></i> (1965)</li> <li><i><a href="/wiki/Frankie_and_Johnny_(soundtrack)" title="Frankie and Johnny (soundtrack)">Frankie and Johnny</a></i> (1966)</li> <li><i><a href="/wiki/Paradise,_Hawaiian_Style_(soundtrack)" title="Paradise, Hawaiian Style (soundtrack)">Paradise, Hawaiian Style</a></i> (1966)</li> <li><i><a href="/wiki/Spinout_(soundtrack)" title="Spinout (soundtrack)">Spinout</a></i> (1966)</li> <li><i><a href="/wiki/Double_Trouble_(soundtrack)" title="Double Trouble (soundtrack)">Double Trouble</a></i> (1967)</li> <li><i><a href="/wiki/Clambake_(soundtrack)" title="Clambake (soundtrack)">Clambake</a></i> (1967)</li> <li><i><a href="/wiki/Speedway_(soundtrack)" title="Speedway (soundtrack)">Speedway</a></i> (1968)</li></ul> <p> </p> </td></tr></tbody></table></div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(7)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Filmography">Filmography</h2></div><section class="mf-section-7 collapsible-block" id="mf-section-7"> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Elvis_Presley_on_film_and_television" title="Elvis Presley on film and television">Elvis Presley on film and television</a></div> <dl><dt>Films starred</dt></dl> <style data-mw-deduplicate="TemplateStyles:r1184024115">.mw-parser-output .div-col{margin-top:0.3em;column-width:30em}.mw-parser-output .div-col-small{font-size:90%}.mw-parser-output .div-col-rules{column-rule:1px solid #aaa}.mw-parser-output .div-col dl,.mw-parser-output .div-col ol,.mw-parser-output .div-col ul{margin-top:0}.mw-parser-output .div-col li,.mw-parser-output .div-col dd{page-break-inside:avoid;break-inside:avoid-column}</style><div class="div-col" style="column-width: 18em;"> <ul><li><i><a href="/wiki/Love_Me_Tender_(film)" title="Love Me Tender (film)">Love Me Tender</a></i> (1956)</li> <li><i><a href="/wiki/Loving_You_(1957_film)" title="Loving You (1957 film)">Loving You</a></i> (1957)</li> <li><i><a href="/wiki/Jailhouse_Rock_(film)" title="Jailhouse Rock (film)">Jailhouse Rock</a></i> (1957)</li> <li><i><a href="/wiki/King_Creole" title="King Creole">King Creole</a></i> (1958)</li> <li><i><a href="/wiki/G.I._Blues" title="G.I. Blues">G.I. Blues</a></i> (1960)</li> <li><i><a href="/wiki/Flaming_Star" title="Flaming Star">Flaming Star</a></i> (1960)</li> <li><i><a href="/wiki/Wild_in_the_Country" title="Wild in the Country">Wild in the Country</a></i> (1961)</li> <li><i><a href="/wiki/Blue_Hawaii" title="Blue Hawaii">Blue Hawaii</a></i> (1961)</li> <li><i><a href="/wiki/Follow_That_Dream" title="Follow That Dream">Follow That Dream</a></i> (1962)</li> <li><i><a href="/wiki/Kid_Galahad" title="Kid Galahad">Kid Galahad</a></i> (1962)</li> <li><i><a href="/wiki/Girls!_Girls!_Girls!" title="Girls! Girls! Girls!">Girls! Girls! Girls!</a></i> (1962)</li> <li><i><a href="/wiki/It_Happened_at_the_World%27s_Fair" title="It Happened at the World's Fair">It Happened at the World's Fair</a></i> (1963)</li> <li><i><a href="/wiki/Fun_in_Acapulco" title="Fun in Acapulco">Fun in Acapulco</a></i> (1963)</li> <li><i><a href="/wiki/Kissin%27_Cousins" title="Kissin' Cousins">Kissin' Cousins</a></i> (1964)</li> <li><i><a href="/wiki/Viva_Las_Vegas" title="Viva Las Vegas">Viva Las Vegas</a></i> (1964)</li> <li><i><a href="/wiki/Roustabout_(film)" title="Roustabout (film)">Roustabout</a></i> (1964)</li> <li><i><a href="/wiki/Girl_Happy" title="Girl Happy">Girl Happy</a></i> (1965)</li> <li><i><a href="/wiki/Tickle_Me" title="Tickle Me">Tickle Me</a></i> (1965)</li> <li><i><a href="/wiki/Harum_Scarum_(film)" class="mw-redirect" title="Harum Scarum (film)">Harum Scarum</a></i> (1965)</li> <li><i><a href="/wiki/Frankie_and_Johnny_(1966_film)" title="Frankie and Johnny (1966 film)">Frankie and Johnny</a></i> (1966)</li> <li><i><a href="/wiki/Paradise,_Hawaiian_Style" title="Paradise, Hawaiian Style">Paradise, Hawaiian Style</a></i> (1966)</li> <li><i><a href="/wiki/Spinout_(film)" title="Spinout (film)">Spinout</a></i> (1966)</li> <li><i><a href="/wiki/Easy_Come,_Easy_Go_(1967_film)" title="Easy Come, Easy Go (1967 film)">Easy Come, Easy Go</a></i> (1967)</li> <li><i><a href="/wiki/Double_Trouble_(1967_film)" title="Double Trouble (1967 film)">Double Trouble</a></i> (1967)</li> <li><i><a href="/wiki/Clambake_(film)" title="Clambake (film)">Clambake</a></i> (1967)</li> <li><i><a href="/wiki/Stay_Away,_Joe" title="Stay Away, Joe">Stay Away, Joe</a></i> (1968)</li> <li><i><a href="/wiki/Speedway_(1968_film)" title="Speedway (1968 film)">Speedway</a></i> (1968)</li> <li><i><a href="/wiki/Live_a_Little,_Love_a_Little" title="Live a Little, Love a Little">Live a Little, Love a Little</a></i> (1968)</li> <li><i><a href="/wiki/Charro!" title="Charro!">Charro!</a></i> (1969)</li> <li><i><a href="/wiki/The_Trouble_with_Girls_(film)" title="The Trouble with Girls (film)">The Trouble with Girls</a></i> (1969)</li> <li><i><a href="/wiki/Change_of_Habit" title="Change of Habit">Change of Habit</a></i> (1969)</li> <li><i><a href="/wiki/Elvis:_That%27s_the_Way_It_Is" title="Elvis: That's the Way It Is">Elvis: That's the Way It Is</a></i> (1970)</li> <li><i><a href="/wiki/Elvis_on_Tour" title="Elvis on Tour">Elvis on Tour</a></i> (1972)</li></ul> </div> <dl><dt>TV concert specials</dt></dl> <ul><li><i><a href="/wiki/Elvis_(1968_TV_program)" title="Elvis (1968 TV program)">Elvis</a></i> (1968)</li> <li><i><a href="/wiki/Aloha_from_Hawaii_via_Satellite" title="Aloha from Hawaii via Satellite">Aloha from Hawaii via Satellite</a></i> (1973)</li> <li><i><a href="/wiki/Elvis_in_Concert" title="Elvis in Concert">Elvis in Concert</a></i> (1977)</li></ul> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(8)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="See_also">See also</h2></div><section class="mf-section-8 collapsible-block" id="mf-section-8"> <ul><li><a href="/wiki/Elvis_Presley_Enterprises" title="Elvis Presley Enterprises">Elvis Presley Enterprises</a></li> <li><a href="/wiki/List_of_artists_by_number_of_UK_Albums_Chart_number_ones" class="mw-redirect" title="List of artists by number of UK Albums Chart number ones">List of artists by number of UK Albums Chart number ones</a></li> <li><a href="/wiki/List_of_artists_by_number_of_UK_Singles_Chart_number_ones" class="mw-redirect" title="List of artists by number of UK Singles Chart number ones">List of artists by number of UK Singles Chart number ones</a></li> <li><a href="/wiki/List_of_bestselling_music_artists" class="mw-redirect" title="List of bestselling music artists">List of bestselling music artists</a></li> <li><a href="/wiki/Personal_relationships_of_Elvis_Presley" title="Personal relationships of Elvis Presley">Personal relationships of Elvis Presley</a></li></ul> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(9)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Explanatory_notes">Explanatory notes</h2></div><section class="mf-section-9 collapsible-block" id="mf-section-9"> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-lower-alpha"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-name-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-name_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-name_1-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Although some pronounce his surname <span class="rt-commentedText nowrap"><span class="IPA nopopups noexcerpt" lang="en-fonipa"><a href="/wiki/Help:IPA/English" title="Help:IPA/English">/<span style="border-bottom:1px dotted"><span title="/ˈ/: primary stress follows">ˈ</span><span title="'p' in 'pie'">p</span><span title="'r' in 'rye'">r</span><span title="/ɛ/: 'e' in 'dress'">ɛ</span><span title="'z' in 'zoom'">z</span><span title="'l' in 'lie'">l</span><span title="/i/: 'y' in 'happy'">i</span></span>/</a></span></span> <a href="/wiki/Help:Pronunciation_respelling_key" title="Help:Pronunciation respelling key"><i title="English pronunciation respelling"><span style="font-size:90%">PREZ</span>-lee</i></a>, Presley himself pronounced it <span class="rt-commentedText nowrap"><span class="IPA nopopups noexcerpt" lang="en-fonipa"><a href="/wiki/Help:IPA/English" title="Help:IPA/English">/<span style="border-bottom:1px dotted"><span title="/ˈ/: primary stress follows">ˈ</span><span title="'p' in 'pie'">p</span><span title="'r' in 'rye'">r</span><span title="/ɛ/: 'e' in 'dress'">ɛ</span><span title="'s' in 'sigh'">s</span><span title="'l' in 'lie'">l</span><span title="/i/: 'y' in 'happy'">i</span></span>/</a></span></span> <a href="/wiki/Help:Pronunciation_respelling_key" title="Help:Pronunciation respelling key"><i title="English pronunciation respelling"><span style="font-size:90%">PRESS</span>-lee</i></a>, as did his family and those who worked with him.<sup id="cite_ref-FOOTNOTEElster2006391_3-0" class="reference"><a href="#cite_note-FOOTNOTEElster2006391-3"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><p>The correct spelling of his middle name has long been a matter of debate. The physician who delivered him wrote "Elvis Aaron Presley" in his ledger.<sup id="cite_ref-FOOTNOTENash200511_4-0" class="reference"><a href="#cite_note-FOOTNOTENash200511-4"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> The state-issued birth certificate reads "Elvis Aron Presley". The name was chosen after the Presleys' friend and fellow congregation member Aaron Kennedy, though a single-A spelling was probably intended by Presley's parents to parallel the middle name of Presley's stillborn brother, Jesse Garon.<sup id="cite_ref-FOOTNOTEGuralnick199413_5-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199413-5"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> It reads Aron on most official documents produced during his lifetime, including his high school diploma, RCA Victor record contract, and marriage license, and this was generally taken to be the proper spelling.<sup id="cite_ref-FOOTNOTEAdelman200213–15_6-0" class="reference"><a href="#cite_note-FOOTNOTEAdelman200213%E2%80%9315-6"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> In 1966, Presley expressed the desire to his father that the more traditional biblical rendering, Aaron, be used henceforth, "especially on legal documents".<sup id="cite_ref-FOOTNOTENash200511_4-1" class="reference"><a href="#cite_note-FOOTNOTENash200511-4"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Five years later, the Jaycees citation honoring him as one of the country's Outstanding Young Men used Aaron. Late in his life, he sought to officially change the spelling to Aaron and discovered that state records already listed it that way. Knowing his wishes for his middle name, Aaron is the spelling his father chose for Presley's tombstone, and it is the spelling his estate has designated as official.<sup id="cite_ref-FOOTNOTEAdelman200213–15_6-1" class="reference"><a href="#cite_note-FOOTNOTEAdelman200213%E2%80%9315-6"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p></span></li> <li id="cite_note-sales-9"><span class="mw-cite-backlink">^ <a href="#cite_ref-sales_9-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-sales_9-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">The estimates of Elvis Presley's record sales vary from 500 million to 1 billion records worldwide.<sup id="cite_ref-FOOTNOTEReuters2022_414-0" class="reference"><a href="#cite_note-FOOTNOTEReuters2022-414"><span class="cite-bracket">[</span>409<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-415" class="reference"><a href="#cite_note-415"><span class="cite-bracket">[</span>410<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-416" class="reference"><a href="#cite_note-416"><span class="cite-bracket">[</span>411<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-417" class="reference"><a href="#cite_note-417"><span class="cite-bracket">[</span>412<span class="cite-bracket">]</span></a></sup></span> </li> <li id="cite_note-royalties-76"><span class="mw-cite-backlink"><b><a href="#cite_ref-royalties_76-0">^</a></b></span> <span class="reference-text">Of the $40,000, $5,000 covered back royalties owed by Sun.<sup id="cite_ref-FOOTNOTEStanleyCoffey199828–29_75-1" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199828%E2%80%9329-75"><span class="cite-bracket">[</span>73<span class="cite-bracket">]</span></a></sup></span> </li> <li id="cite_note-cowriter-81"><span class="mw-cite-backlink"><b><a href="#cite_ref-cowriter_81-0">^</a></b></span> <span class="reference-text">In 1956–57, Presley was also credited as a co-writer on several songs where he had no hand in the writing process: "<a href="/wiki/Heartbreak_Hotel" title="Heartbreak Hotel">Heartbreak Hotel</a>"; "<a href="/wiki/Don%27t_Be_Cruel" title="Don't Be Cruel">Don't Be Cruel</a>"; all four songs from his first film, including the title track, "<a href="/wiki/Love_Me_Tender_(song)" title="Love Me Tender (song)">Love Me Tender</a>"; "<a href="/wiki/Paralyzed_(Elvis_Presley_song)" title="Paralyzed (Elvis Presley song)">Paralyzed</a>"; and "<a href="/wiki/All_Shook_Up" title="All Shook Up">All Shook Up</a>".<sup id="cite_ref-FOOTNOTEJorgensen199835,_51,_57,_61,_75_79-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199835,_51,_57,_61,_75-79"><span class="cite-bracket">[</span>76<span class="cite-bracket">]</span></a></sup> (Parker failed to register Presley with such musical licensing firms as <a href="/wiki/ASCAP" class="mw-redirect" title="ASCAP">ASCAP</a> and its rival <a href="/wiki/Broadcast_Music,_Inc." title="Broadcast Music, Inc.">BMI</a>, which eventually denied Presley annuity from songwriter's royalties.) Presley received credit on two other songs to which he did contribute: he provided the title for "<a href="/wiki/That%27s_Someone_You_Never_Forget" title="That's Someone You Never Forget">That's Someone You Never Forget</a>" (1961), written by his friend and former Humes schoolmate <a href="/wiki/Red_West" title="Red West">Red West</a>; they collaborated with another friend, guitarist Charlie Hodge, on "<a href="/wiki/You%27ll_Be_Gone" title="You'll Be Gone">You'll Be Gone</a>" (1962).<sup id="cite_ref-FOOTNOTEJorgensen1998157–158,_166,_168_80-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998157%E2%80%93158,_166,_168-80"><span class="cite-bracket">[</span>77<span class="cite-bracket">]</span></a></sup></span> </li> <li id="cite_note-ranking-394"><span class="mw-cite-backlink"><b><a href="#cite_ref-ranking_394-0">^</a></b></span> <span class="reference-text"><a href="/wiki/VH1" title="VH1">VH1</a> ranked Presley No. 8 among the "100 Greatest Artists of Rock &amp; Roll" in 1998.<sup id="cite_ref-FOOTNOTEVH11998_386-0" class="reference"><a href="#cite_note-FOOTNOTEVH11998-386"><span class="cite-bracket">[</span>382<span class="cite-bracket">]</span></a></sup> The <a href="/wiki/BBC" title="BBC">BBC</a> ranked him as the No. 2 "Voice of the Century" in 2001.<sup id="cite_ref-FOOTNOTEBBC_News2001_387-0" class="reference"><a href="#cite_note-FOOTNOTEBBC_News2001-387"><span class="cite-bracket">[</span>383<span class="cite-bracket">]</span></a></sup> <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i> placed him No. 3 in its list of "The Immortals: The Fifty Greatest Artists of All Time" in 2004.<sup id="cite_ref-FOOTNOTERolling_Stone2004_388-0" class="reference"><a href="#cite_note-FOOTNOTERolling_Stone2004-388"><span class="cite-bracket">[</span>384<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Country_Music_Television" class="mw-redirect" title="Country Music Television">CMT</a> ranked him No. 15 among the "40 Greatest Men in Country Music" in 2005.<sup id="cite_ref-FOOTNOTECMT2005_389-0" class="reference"><a href="#cite_note-FOOTNOTECMT2005-389"><span class="cite-bracket">[</span>385<span class="cite-bracket">]</span></a></sup> The <a href="/wiki/Discovery_Channel" title="Discovery Channel">Discovery Channel</a> placed him No. 8 on its "Greatest American" list in 2005.<sup id="cite_ref-FOOTNOTEDiscovery_Channel2005_390-0" class="reference"><a href="#cite_note-FOOTNOTEDiscovery_Channel2005-390"><span class="cite-bracket">[</span>386<span class="cite-bracket">]</span></a></sup> <i><a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a></i> put him in the top ten of its "100 Icons of the Century" in 2005.<sup id="cite_ref-FOOTNOTEVariety2005_391-0" class="reference"><a href="#cite_note-FOOTNOTEVariety2005-391"><span class="cite-bracket">[</span>387<span class="cite-bracket">]</span></a></sup> <i><a href="/wiki/The_Atlantic" title="The Atlantic">The Atlantic</a></i> ranked him No. 66 among the "100 Most Influential Figures in American History" in 2006.<sup id="cite_ref-FOOTNOTEAtlantic2006_392-0" class="reference"><a href="#cite_note-FOOTNOTEAtlantic2006-392"><span class="cite-bracket">[</span>388<span class="cite-bracket">]</span></a></sup> <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i> ranked him No. 17 on its 2023 list of the 200 Greatest Singers of All Time.<sup id="cite_ref-FOOTNOTERolling_Stone2023_393-0" class="reference"><a href="#cite_note-FOOTNOTERolling_Stone2023-393"><span class="cite-bracket">[</span>389<span class="cite-bracket">]</span></a></sup></span> </li> <li id="cite_note-billboard-418"><span class="mw-cite-backlink"><b><a href="#cite_ref-billboard_418-0">^</a></b></span> <span class="reference-text">Whitburn follows actual <i>Billboard</i> history in considering the four songs on the "Don't Be Cruel/Hound Dog" and "Don't/I Beg of You" singles as distinct. He tallies each side of the former single as a number-one (<i>Billboard</i><span class="nowrap" style="padding-left:0.1em;">'</span>s sales chart had "Don't Be Cruel" at number one for five weeks, then "Hound Dog" for six) and reckons "I Beg of You" as a top ten, as it reached number eight on the old Top 100 chart. <i>Billboard</i> now considers both singles as unified items, ignoring the historical sales split of the former and its old Top 100 chart entirely. Whitburn thus analyzes the four songs as yielding three number ones and a total of four top tens. <i>Billboard</i> now states that they yielded just two number ones and a total of two top tens, voiding the separate chart appearances of "Hound Dog" and "I Beg of You".</span> </li> </ol></div></div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(10)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="References">References</h2></div><section class="mf-section-10 collapsible-block" id="mf-section-10"> <div class="mw-heading mw-heading3"><h3 id="Citations">Citations</h3></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist reflist-columns references-column-width" style="column-width: 20em;"> <ol class="references"> <li id="cite_note-FOOTNOTEUS_Department_of_Defense1960-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEUS_Department_of_Defense1960_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEUS_Department_of_Defense1960_2-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEUS_Department_of_Defense1960_2-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFUS_Department_of_Defense1960">US Department of Defense 1960</a>.</span> </li> <li id="cite_note-FOOTNOTEElster2006391-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEElster2006391_3-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFElster2006">Elster 2006</a>, p. 391.</span> </li> <li id="cite_note-FOOTNOTENash200511-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTENash200511_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTENash200511_4-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFNash2005">Nash 2005</a>, p. 11.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199413-5"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEGuralnick199413_5-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEGuralnick199413_5-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 13.</span> </li> <li id="cite_note-FOOTNOTEAdelman200213–15-6"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEAdelman200213%E2%80%9315_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEAdelman200213%E2%80%9315_6-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFAdelman2002">Adelman 2002</a>, pp. 13–15.</span> </li> <li id="cite_note-:00-7"><span class="mw-cite-backlink">^ <a href="#cite_ref-:00_7-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:00_7-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><i>Billboard</i> writer Arnold Shaw, cited in <a href="#CITEREFDenisoff1975">Denisoff 1975</a>, p. 22.</span> </li> <li id="cite_note-FOOTNOTEBrownBroeske199755-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBrownBroeske199755_8-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBrownBroeske1997">Brown &amp; Broeske 1997</a>, p. 55.</span> </li> <li id="cite_note-FOOTNOTEEames2022a-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEEames2022a_10-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFEames2022a">Eames 2022a</a>.</span> </li> <li id="cite_note-FOOTNOTEEames2022b-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEEames2022b_11-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFEames2022b">Eames 2022b</a>.</span> </li> <li id="cite_note-FOOTNOTEEarl2017-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEEarl2017_12-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFEarl2017">Earl 2017</a>.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199412–14-13"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEGuralnick199412%E2%80%9314_13-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEGuralnick199412%E2%80%9314_13-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 12–14.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199411–12,_23–24-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199411%E2%80%9312,_23%E2%80%9324_14-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 11–12, 23–24.</span> </li> <li id="cite_note-FOOTNOTEVictor2008419-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEVictor2008419_15-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFVictor2008">Victor 2008</a>, p. 419.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199415–16-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199415%E2%80%9316_16-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 15–16.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199417–18-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199417%E2%80%9318_17-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 17–18.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199419-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199419_18-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 19.</span> </li> <li id="cite_note-FOOTNOTEDundy2004101-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDundy2004101_19-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDundy2004">Dundy 2004</a>, p. 101.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199423-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199423_20-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 23.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199423–26-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199423%E2%80%9326_21-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 23–26.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199419–21-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199419%E2%80%9321_22-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 19–21.</span> </li> <li id="cite_note-FOOTNOTEDundy200495–96-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDundy200495%E2%80%9396_23-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDundy2004">Dundy 2004</a>, pp. 95–96.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199432–33-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199432%E2%80%9333_24-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 32–33.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199436-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199436_25-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 36.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199435–38-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199435%E2%80%9338_26-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 35–38.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199440–41-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199440%E2%80%9341_27-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 40–41.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199444,_46,_51-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199444,_46,_51_28-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 44, 46, 51.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199452–53-29"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199452%E2%80%9353_29-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 52–53.</span> </li> <li id="cite_note-FOOTNOTEGuralnick1994171-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994171_30-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 171.</span> </li> <li id="cite_note-FOOTNOTEMatthew-Walker19793-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMatthew-Walker19793_31-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMatthew-Walker1979">Matthew-Walker 1979</a>, p. 3.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199446–48,_358-32"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199446%E2%80%9348,_358_32-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 46–48, 358.</span> </li> <li id="cite_note-FOOTNOTEWadey2004-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWadey2004_33-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWadey2004">Wadey 2004</a>.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199447–48,_77–78-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199447%E2%80%9348,_77%E2%80%9378_34-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 47–48, 77–78.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199438–40-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199438%E2%80%9340_35-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 38–40.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199451-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199451_36-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 51.</span> </li> <li id="cite_note-FOOTNOTEGuralnick2004-37"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEGuralnick2004_37-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEGuralnick2004_37-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEGuralnick2004_37-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEGuralnick2004_37-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-FOOTNOTEGuralnick2004_37-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFGuralnick2004">Guralnick 2004</a>.</span> </li> <li id="cite_note-FOOTNOTEBertrand2000205-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBertrand2000205_38-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBertrand2000">Bertrand 2000</a>, p. 205.</span> </li> <li id="cite_note-FOOTNOTESzatmary199635-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESzatmary199635_39-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSzatmary1996">Szatmary 1996</a>, p. 35.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199454-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199454_40-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 54.</span> </li> <li id="cite_note-FOOTNOTEJorgensen19988-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJorgensen19988_41-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJorgensen1998">Jorgensen 1998</a>, p. 8.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199462–64-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199462%E2%80%9364_42-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 62–64.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199465-43"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199465_43-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 65.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199477-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199477_44-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 77.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199483-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199483_45-0">^</a></b></span> <span 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href="#cite_ref-FOOTNOTEGuralnick1994400_135-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 400.</span> </li> <li id="cite_note-FOOTNOTEGuralnick1994430-136"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEGuralnick1994430_136-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEGuralnick1994430_136-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 430.</span> </li> <li id="cite_note-FOOTNOTETurner2004104-137"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTETurner2004104_137-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFTurner2004">Turner 2004</a>, p. 104.</span> </li> <li id="cite_note-FOOTNOTEGuralnick1994437-138"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994437_138-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 437.</span> </li> <li id="cite_note-FOOTNOTEGuralnick1994431-139"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994431_139-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 431.</span> </li> <li id="cite_note-FOOTNOTEGrein2008-140"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGrein2008_140-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGrein2008">Grein 2008</a>.</span> </li> <li id="cite_note-FOOTNOTECaulfield2016-141"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECaulfield2016_141-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCaulfield2016">Caulfield 2016</a>.</span> </li> <li id="cite_note-FOOTNOTEBaird2017-142"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBaird2017_142-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBaird2017">Baird 2017</a>.</span> </li> <li id="cite_note-FOOTNOTEGuralnick1994431–435-143"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994431%E2%80%93435_143-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 431–435.</span> </li> <li id="cite_note-FOOTNOTEGuralnick1994448–449-144"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994448%E2%80%93449_144-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 448–449.</span> </li> <li id="cite_note-FOOTNOTEFox1986179-145"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEFox1986179_145-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFox1986179_145-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFFox1986">Fox 1986</a>, p. 179.</span> </li> <li id="cite_note-FOOTNOTEJorgensen199899,_105-146"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJorgensen199899,_105_146-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJorgensen1998">Jorgensen 1998</a>, pp. 99, 105.</span> </li> <li id="cite_note-FOOTNOTEGuralnick1994461–474-147"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994461%E2%80%93474_147-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 461–474.</span> </li> <li id="cite_note-FOOTNOTEVictor200827-148"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEVictor200827_148-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFVictor2008">Victor 2008</a>, p. 27.</span> </li> <li id="cite_note-FOOTNOTEJorgensen1998106–111-149"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJorgensen1998106%E2%80%93111_149-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJorgensen1998">Jorgensen 1998</a>, pp. 106–111.</span> </li> <li id="cite_note-FOOTNOTEGuralnick1994474–480-150"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994474%E2%80%93480_150-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 474–480.</span> </li> <li id="cite_note-FOOTNOTENeibaur2014[httpsbooksgooglecombooksidu95XAwAAQBAJpgPA51qelvispresleywasneverthesameafterthearmy_51]-151"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTENeibaur2014%5Bhttpsbooksgooglecombooksidu95XAwAAQBAJpgPA51qelvispresleywasneverthesameafterthearmy_51%5D_151-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFNeibaur2014">Neibaur 2014</a>, p. <a rel="nofollow" class="external text" href="https://books.google.com/books?id=u95XAwAAQBAJ&amp;pg=PA51&amp;q=elvis+presley+was+never+the+same+after+the+army">51</a>.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199921-152"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199921_152-0">^</a></b></span> 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class="reference-text"><a href="#CITEREFTillery2013">Tillery 2013</a>, Chapter 5: Patriot.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199947,_49,_55,_60,_73-157"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199947,_49,_55,_60,_73_157-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1999">Guralnick 1999</a>, pp. 47, 49, 55, 60, 73.</span> </li> <li id="cite_note-FOOTNOTEClaytonHeard2003160-158"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEClaytonHeard2003160_158-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFClaytonHeard2003">Clayton &amp; Heard 2003</a>, p. 160.</span> </li> <li id="cite_note-FOOTNOTEJeffreyKaplan2022-159"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJeffreyKaplan2022_159-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJeffreyKaplan2022">Jeffrey &amp; Kaplan 2022</a>.</span> </li> <li id="cite_note-FOOTNOTEPresley198540-160"><span 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Nixon 2004</a>, p. 57.</span> </li> <li id="cite_note-FOOTNOTEMarcus1982279–280-168"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMarcus1982279%E2%80%93280_168-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMarcus1982">Marcus 1982</a>, pp. 279–280.</span> </li> <li id="cite_note-FOOTNOTERobertson200450-169"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERobertson200450_169-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRobertson2004">Robertson 2004</a>, p. 50.</span> </li> <li id='cite_note-FOOTNOTE"Red_Carpet"1960-170'><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTE%22Red_Carpet%221960_170-0">^</a></b></span> <span class="reference-text"><a href="#CITEREF%22Red_Carpet%221960">"Red Carpet" 1960</a>.</span> </li> <li id="cite_note-FOOTNOTEJorgensen1998124–127,_414-171"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJorgensen1998124%E2%80%93127,_414_171-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJorgensen1998">Jorgensen 1998</a>, pp. 124–127, 414.</span> </li> <li id="cite_note-FOOTNOTEGuralnick199944,_62–63-172"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199944,_62%E2%80%9363_172-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1999">Guralnick 1999</a>, pp. 44, 62–63.</span> </li> <li id="cite_note-FOOTNOTEGordon2005110,_114-173"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGordon2005110,_114_173-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGordon2005">Gordon 2005</a>, pp. 110, 114.</span> </li> <li id="cite_note-FOOTNOTEJorgensen1998148-174"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJorgensen1998148_174-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJorgensen1998">Jorgensen 1998</a>, p. 148.</span> </li> <li id="cite_note-FOOTNOTERobertson200452-175"><span class="mw-cite-backlink"><b><a 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.id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFSun" class="citation web cs1">Sun, Bruce Fessier. <a rel="nofollow" class="external 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Retrieved <span class="nowrap">August 12,</span> 2024</span>. <q>Those figures now seem dubious. Aloha was transmitted to 38 nations, the combined populations of those countries was 1.3 billion. 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id="cite_note-FOOTNOTEMillerGriswoldScharffRezac2012-437"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMillerGriswoldScharffRezac2012_437-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMillerGriswoldScharffRezac2012">Miller et al. 2012</a>.</span> </li> <li id="cite_note-FOOTNOTEBBC_News2018-438"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBBC_News2018_438-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBBC_News2018">BBC News 2018</a>.</span> </li> <li id="cite_note-439"><span class="mw-cite-backlink"><b><a href="#cite_ref-439">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrown2014" class="citation web cs1">Brown, Merrisa (September 30, 2014). <a rel="nofollow" class="external text" href="https://www.mysanantonio.com/news/local/slideshow/San-Antonio-street-names-and-groupings-94695.php">"San Antonio street names and groupings"</a>. <i>mysanantonio.com</i>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=mysanantonio.com&amp;rft.atitle=San+Antonio+street+names+and+groupings&amp;rft.date=2014-09-30&amp;rft.aulast=Brown&amp;rft.aufirst=Merrisa&amp;rft_id=https%3A%2F%2Fwww.mysanantonio.com%2Fnews%2Flocal%2Fslideshow%2FSan-Antonio-street-names-and-groupings-94695.php&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span> </li> <li id="cite_note-FOOTNOTEVictor2008438-440"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEVictor2008438_440-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFVictor2008">Victor 2008</a>, p. 438.</span> </li> </ol></div> <div class="mw-heading mw-heading3"><h3 id="General_sources">General sources</h3></div> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin refbegin-columns references-column-width" style="column-width: 30em"> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAdelman2002" class="citation book cs1">Adelman, Kim (2002). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/girlsguidetoelvi0000adel"><i>The Girls' Guide to Elvis: The Clothes, the Hair, the Women, and More!</i></a></span>. Random House. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7679-1188-7" title="Special:BookSources/978-0-7679-1188-7"><bdi>978-0-7679-1188-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Girls%27+Guide+to+Elvis%3A+The+Clothes%2C+the+Hair%2C+the+Women%2C+and+More%21&amp;rft.pub=Random+House&amp;rft.date=2002&amp;rft.isbn=978-0-7679-1188-7&amp;rft.aulast=Adelman&amp;rft.aufirst=Kim&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fgirlsguidetoelvi0000adel&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAlden2014" class="citation book cs1">Alden, Ginger (2014). <i>Elvis &amp; Ginger: Elvis Presley's Fiancée and Last Love Finally Tells her Story</i>. Berkeley Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-101-61613-0" title="Special:BookSources/978-1-101-61613-0"><bdi>978-1-101-61613-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+%26+Ginger%3A+Elvis+Presley%27s+Fianc%C3%A9e+and+Last+Love+Finally+Tells+her+Story&amp;rft.pub=Berkeley+Publishing&amp;rft.date=2014&amp;rft.isbn=978-1-101-61613-0&amp;rft.aulast=Alden&amp;rft.aufirst=Ginger&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAllen1992" class="citation book cs1">Allen, Steve (1992). <i>Hi-Ho, Steverino!: My Adventures in the Wonderful Wacky World of TV</i>. Thorndike Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-56054-521-7" title="Special:BookSources/978-1-56054-521-7"><bdi>978-1-56054-521-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Hi-Ho%2C+Steverino%21%3A+My+Adventures+in+the+Wonderful+Wacky+World+of+TV&amp;rft.pub=Thorndike+Press&amp;rft.date=1992&amp;rft.isbn=978-1-56054-521-7&amp;rft.aulast=Allen&amp;rft.aufirst=Steve&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFArnett2006" class="citation book cs1">Arnett, Jeffrey Jensen (2006). <i>Adolescence and Emerging Adulthood: A Cultural Approach</i> (3rd ed.). Pearson Prentice Hall. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-13-195071-9" title="Special:BookSources/978-0-13-195071-9"><bdi>978-0-13-195071-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Adolescence+and+Emerging+Adulthood%3A+A+Cultural+Approach&amp;rft.edition=3rd&amp;rft.pub=Pearson+Prentice+Hall&amp;rft.date=2006&amp;rft.isbn=978-0-13-195071-9&amp;rft.aulast=Arnett&amp;rft.aufirst=Jeffrey+Jensen&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAshley2009" class="citation book cs1">Ashley, Martin (2009). <i>How High Should Boys Sing?</i>. Ashgate. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7546-6475-8" title="Special:BookSources/978-0-7546-6475-8"><bdi>978-0-7546-6475-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=How+High+Should+Boys+Sing%3F&amp;rft.pub=Ashgate&amp;rft.date=2009&amp;rft.isbn=978-0-7546-6475-8&amp;rft.aulast=Ashley&amp;rft.aufirst=Martin&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAtlantic2006" class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.theatlantic.com/magazine/archive/2006/12/the-top-100-influential-figures-in-american-history/305384/">"The Top 100"</a>. <i><a href="/wiki/The_Atlantic" title="The Atlantic">The Atlantic</a></i>. December 2006. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140916161415/http://www.theatlantic.com/magazine/archive/2006/12/the-top-100-influential-figures-in-american-history/305384/">Archived</a> from the original on September 16, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">January 19,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Atlantic&amp;rft.atitle=The+Top+100&amp;rft.date=2006-12&amp;rft_id=https%3A%2F%2Fwww.theatlantic.com%2Fmagazine%2Farchive%2F2006%2F12%2Fthe-top-100-influential-figures-in-american-history%2F305384%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAusten2005" class="citation book cs1">Austen, Jake (2005). <i>TV-A-Go-Go: Rock on TV from American Bandstand to American Idol</i>. Chicago Review Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-55652-572-8" title="Special:BookSources/978-1-55652-572-8"><bdi>978-1-55652-572-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=TV-A-Go-Go%3A+Rock+on+TV+from+American+Bandstand+to+American+Idol&amp;rft.pub=Chicago+Review+Press&amp;rft.date=2005&amp;rft.isbn=978-1-55652-572-8&amp;rft.aulast=Austen&amp;rft.aufirst=Jake&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBadenHennessee1990" class="citation book cs1">Baden, Michael M.; Hennessee, Judith Adler (1990). <i>Unnatural Death: Confessions of a Medical Examiner</i>. Ballantine. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8041-0599-6" title="Special:BookSources/978-0-8041-0599-6"><bdi>978-0-8041-0599-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Unnatural+Death%3A+Confessions+of+a+Medical+Examiner&amp;rft.pub=Ballantine&amp;rft.date=1990&amp;rft.isbn=978-0-8041-0599-6&amp;rft.aulast=Baden&amp;rft.aufirst=Michael+M.&amp;rft.au=Hennessee%2C+Judith+Adler&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBaillie2010" class="citation news cs1">Baillie, Russell (November 6, 2010). <a rel="nofollow" class="external text" href="http://www.nzherald.co.nz/entertainment-reviews/news/article.cfm?c_id=1502967&amp;objectid=10685618">"Album Review: <i>Elvis Presley Viva Elvis The Album</i>"</a>. <i><a href="/wiki/The_New_Zealand_Herald" title="The New Zealand Herald">The New Zealand Herald</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200806004002/https://www.nzherald.co.nz/entertainment-reviews/news/article.cfm?c_id=1502967&amp;objectid=10685618">Archived</a> from the original on August 6, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">November 9,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+Zealand+Herald&amp;rft.atitle=Album+Review%3A+Elvis+Presley+Viva+Elvis+The+Album&amp;rft.date=2010-11-06&amp;rft.aulast=Baillie&amp;rft.aufirst=Russell&amp;rft_id=http%3A%2F%2Fwww.nzherald.co.nz%2Fentertainment-reviews%2Fnews%2Farticle.cfm%3Fc_id%3D1502967%26objectid%3D10685618&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBaird2017" class="citation magazine cs1">Baird, Robert (December 23, 2017). <a rel="nofollow" class="external text" href="https://www.stereophile.com/content/elvis-and-royal-philharmonic">"Elvis and the Royal Philharmonic"</a>. <i>Stereophile</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180118181243/https://www.stereophile.com/content/elvis-and-royal-philharmonic">Archived</a> from the original on January 18, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">January 17,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Stereophile&amp;rft.atitle=Elvis+and+the+Royal+Philharmonic&amp;rft.date=2017-12-23&amp;rft.aulast=Baird&amp;rft.aufirst=Robert&amp;rft_id=https%3A%2F%2Fwww.stereophile.com%2Fcontent%2Felvis-and-royal-philharmonic&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBBC_News2001" class="citation news cs1"><a rel="nofollow" class="external text" href="http://news.bbc.co.uk/2/hi/entertainment/1281522.stm">"Sinatra Is Voice of the Century"</a>. BBC News. April 18, 2001. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20090106183538/http://news.bbc.co.uk/2/hi/entertainment/1281522.stm">Archived</a> from the original on January 6, 2009<span class="reference-accessdate">. Retrieved <span class="nowrap">December 29,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=Sinatra+Is+Voice+of+the+Century&amp;rft.date=2001-04-18&amp;rft_id=http%3A%2F%2Fnews.bbc.co.uk%2F2%2Fhi%2Fentertainment%2F1281522.stm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBBC_News2018" class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.bbc.com/news/entertainment-arts-46233352">"Elvis Presley gets US Presidential Medal of Freedom"</a>. BBC News. November 16, 2018. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20181116211209/https://www.bbc.com/news/entertainment-arts-46233352">Archived</a> from the original on November 16, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">November 17,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=Elvis+Presley+gets+US+Presidential+Medal+of+Freedom&amp;rft.date=2018-11-16&amp;rft_id=https%3A%2F%2Fwww.bbc.com%2Fnews%2Fentertainment-arts-46233352&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFThe_Beatles2000" class="citation book cs1">The Beatles (2000). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/beatlesanthology0000unse"><i>The Beatles Anthology</i></a></span>. Chronicle Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8118-2684-6" title="Special:BookSources/978-0-8118-2684-6"><bdi>978-0-8118-2684-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Beatles+Anthology&amp;rft.pub=Chronicle+Books&amp;rft.date=2000&amp;rft.isbn=978-0-8118-2684-6&amp;rft.au=The+Beatles&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fbeatlesanthology0000unse&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBertrand2000" class="citation book cs1">Bertrand, Michael T. (2000). <i>Race, Rock, and Elvis</i>. University of Illinois Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-252-02586-0" title="Special:BookSources/978-0-252-02586-0"><bdi>978-0-252-02586-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Race%2C+Rock%2C+and+Elvis&amp;rft.pub=University+of+Illinois+Press&amp;rft.date=2000&amp;rft.isbn=978-0-252-02586-0&amp;rft.aulast=Bertrand&amp;rft.aufirst=Michael+T.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBono2010" class="citation magazine cs1">Bono (December 3, 2010). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/music-lists/100-greatest-artists-147446/elvis-presley-2-30887/">"100 Greatest Artists"</a>. <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20240131222535/https://www.rollingstone.com/music/music-lists/100-greatest-artists-147446/elvis-presley-2-30887/">Archived</a> from the original on January 31, 2024<span class="reference-accessdate">. Retrieved <span class="nowrap">January 31,</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=100+Greatest+Artists&amp;rft.date=2010-12-03&amp;rft.au=Bono&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2F100-greatest-artists-147446%2Felvis-presley-2-30887%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBouchard2010" class="citation news cs1">Bouchard, Dany (November 5, 2010). <a rel="nofollow" class="external text" href="http://www.torontosun.com/entertainment/music/2010/11/05/15987851.html">"Priscilla Presley Keeps King Alive"</a>. <i>Toronto Sun</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170314065939/http://www.torontosun.com/entertainment/music/2010/11/05/15987851.html">Archived</a> from the original on March 14, 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">November 9,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Toronto+Sun&amp;rft.atitle=Priscilla+Presley+Keeps+King+Alive&amp;rft.date=2010-11-05&amp;rft.aulast=Bouchard&amp;rft.aufirst=Dany&amp;rft_id=http%3A%2F%2Fwww.torontosun.com%2Fentertainment%2Fmusic%2F2010%2F11%2F05%2F15987851.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBox_Office_Mojo" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.boxofficemojo.com/title/tt3704428/?ref_=bo_se_r_1">"Elvis (2022)"</a>. <a href="/wiki/Box_Office_Mojo" title="Box Office Mojo">Box Office Mojo</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220713184133/https://www.boxofficemojo.com/title/tt3704428/?ref_=bo_se_r_1">Archived</a> from the original on July 13, 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">August 15,</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Elvis+%282022%29&amp;rft.pub=Box+Office+Mojo&amp;rft_id=https%3A%2F%2Fwww.boxofficemojo.com%2Ftitle%2Ftt3704428%2F%3Fref_%3Dbo_se_r_1&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBronson2004" class="citation magazine cs1">Bronson, Fred (July 3, 2004). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=OhAEAAAAMBAJ">"Chart Beat"</a>. <i>Billboard</i>. p. 57.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=Chart+Beat&amp;rft.pages=57&amp;rft.date=2004-07-03&amp;rft.aulast=Bronson&amp;rft.aufirst=Fred&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DOhAEAAAAMBAJ&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrownBroeske1997" class="citation book cs1">Brown, Peter Harry; Broeske, Pat H. (1997). <i>Down at the End of Lonely Street: The Life and Death of Elvis Presley</i>. Signet. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-451-19094-9" title="Special:BookSources/978-0-451-19094-9"><bdi>978-0-451-19094-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Down+at+the+End+of+Lonely+Street%3A+The+Life+and+Death+of+Elvis+Presley&amp;rft.pub=Signet&amp;rft.date=1997&amp;rft.isbn=978-0-451-19094-9&amp;rft.aulast=Brown&amp;rft.aufirst=Peter+Harry&amp;rft.au=Broeske%2C+Pat+H.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDuffett2018" class="citation book cs1">Duffett, Mark (2018). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=a7hJDwAAQBAJ"><i>Counting Down Elvis: His 100 Finest Songs</i></a>. Rowman &amp; Littlefield Publishers. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4422-4805-2" title="Special:BookSources/978-1-4422-4805-2"><bdi>978-1-4422-4805-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Counting+Down+Elvis%3A+His+100+Finest+Songs&amp;rft.pub=Rowman+%26+Littlefield+Publishers&amp;rft.date=2018&amp;rft.isbn=978-1-4422-4805-2&amp;rft.aulast=Duffett&amp;rft.aufirst=Mark&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Da7hJDwAAQBAJ&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBurkeGriffin2006" class="citation book cs1">Burke, Ken; Griffin, Dan (2006). <a rel="nofollow" class="external text" href="https://archive.org/details/bluemoonboys00burk"><i>The Blue Moon Boys: The Story of Elvis Presley's Band</i></a>. Chicago Review Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-55652-614-5" title="Special:BookSources/978-1-55652-614-5"><bdi>978-1-55652-614-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Blue+Moon+Boys%3A+The+Story+of+Elvis+Presley%27s+Band&amp;rft.pub=Chicago+Review+Press&amp;rft.date=2006&amp;rft.isbn=978-1-55652-614-5&amp;rft.aulast=Burke&amp;rft.aufirst=Ken&amp;rft.au=Griffin%2C+Dan&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fbluemoonboys00burk&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCaine2005" class="citation book cs1">Caine, Andrew (2005). <i>Interpreting Rock Movies: The Pop Film and Its Critics in Britain</i>. Palgrave Macmillan. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7190-6538-5" title="Special:BookSources/978-0-7190-6538-5"><bdi>978-0-7190-6538-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Interpreting+Rock+Movies%3A+The+Pop+Film+and+Its+Critics+in+Britain&amp;rft.pub=Palgrave+Macmillan&amp;rft.date=2005&amp;rft.isbn=978-0-7190-6538-5&amp;rft.aulast=Caine&amp;rft.aufirst=Andrew&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCampbell2009" class="citation book cs1">Campbell, Michael (2009). <i>Popular Music in America</i> (3rd ed.).</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Popular+Music+in+America&amp;rft.edition=3rd&amp;rft.date=2009&amp;rft.aulast=Campbell&amp;rft.aufirst=Michael&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCaulfield2016" class="citation news cs1">Caulfield, Keith (November 25, 2016). <a rel="nofollow" class="external text" href="https://www.billboard.com/articles/columns/chart-beat/5847879/top-selling-christmas-albums-all-time-elvis-kenny-g">"Popular Demand"</a>. <i>Billboard</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180105063911/https://www.billboard.com/articles/columns/chart-beat/5847879/top-selling-christmas-albums-all-time-elvis-kenny-g">Archived</a> from the original on January 5, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">January 17,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=Popular+Demand&amp;rft.date=2016-11-25&amp;rft.aulast=Caulfield&amp;rft.aufirst=Keith&amp;rft_id=https%3A%2F%2Fwww.billboard.com%2Farticles%2Fcolumns%2Fchart-beat%2F5847879%2Ftop-selling-christmas-albums-all-time-elvis-kenny-g&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCharlton2006" class="citation book cs1">Charlton, Katherine (2006). <i>Rock Music Styles: A History</i> (5th ed.). McGraw-Hill. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-07-312162-8" title="Special:BookSources/978-0-07-312162-8"><bdi>978-0-07-312162-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Rock+Music+Styles%3A+A+History&amp;rft.edition=5th&amp;rft.pub=McGraw-Hill&amp;rft.date=2006&amp;rft.isbn=978-0-07-312162-8&amp;rft.aulast=Charlton&amp;rft.aufirst=Katherine&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFChristgau1985" class="citation news cs1"><a href="/wiki/Robert_Christgau" title="Robert Christgau">Christgau, Robert</a> (December 24, 1985). <a rel="nofollow" class="external text" href="http://www.robertchristgau.com/xg/cg/cgv12b-85.php">"Christgau's Consumer Guide"</a>. <i><a href="/wiki/The_Village_Voice" title="The Village Voice">The Village Voice</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20231016024215/https://www.robertchristgau.com/xg/cg/cgv12b-85.php">Archived</a> from the original on October 16, 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">August 26,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Village+Voice&amp;rft.atitle=Christgau%27s+Consumer+Guide&amp;rft.date=1985-12-24&amp;rft.aulast=Christgau&amp;rft.aufirst=Robert&amp;rft_id=http%3A%2F%2Fwww.robertchristgau.com%2Fxg%2Fcg%2Fcgv12b-85.php&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFClarke2006" class="citation book cs1">Clarke, Steve (2006). "Conspiracy Theories and Conspiracy Theorizing". In Coady, David (ed.). <i>Conspiracy Theories: The Philosophical Debate</i>. Ashgate. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7546-5250-2" title="Special:BookSources/978-0-7546-5250-2"><bdi>978-0-7546-5250-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Conspiracy+Theories+and+Conspiracy+Theorizing&amp;rft.btitle=Conspiracy+Theories%3A+The+Philosophical+Debate&amp;rft.pub=Ashgate&amp;rft.date=2006&amp;rft.isbn=978-0-7546-5250-2&amp;rft.aulast=Clarke&amp;rft.aufirst=Steve&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFClaytonHeard2003" class="citation book cs1">Clayton, Dick; Heard, James (2003). <i>Elvis: By Those Who Knew Him Best</i>. Virgin Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7535-0835-0" title="Special:BookSources/978-0-7535-0835-0"><bdi>978-0-7535-0835-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis%3A+By+Those+Who+Knew+Him+Best&amp;rft.pub=Virgin+Publishing&amp;rft.date=2003&amp;rft.isbn=978-0-7535-0835-0&amp;rft.aulast=Clayton&amp;rft.aufirst=Dick&amp;rft.au=Heard%2C+James&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCMT2005" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110606215012/http://www.cmt.com/shows/dyn/greatest_series/76607/episode_countdown.jhtml">"40 Greatest Men in Country Music"</a>. CMT. 2005. Archived from <a rel="nofollow" class="external text" href="http://www.cmt.com/shows/dyn/greatest_series/76607/episode_countdown.jhtml">the original</a> on June 6, 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">December 29,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=40+Greatest+Men+in+Country+Music&amp;rft.pub=CMT&amp;rft.date=2005&amp;rft_id=http%3A%2F%2Fwww.cmt.com%2Fshows%2Fdyn%2Fgreatest_series%2F76607%2Fepisode_countdown.jhtml&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCoffey1997" class="citation book cs1">Coffey, Frank (1997). <i>The Complete Idiot's Guide to Elvis</i>. Alpha Books.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Complete+Idiot%27s+Guide+to+Elvis&amp;rft.pub=Alpha+Books&amp;rft.date=1997&amp;rft.aulast=Coffey&amp;rft.aufirst=Frank&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCollins2002" class="citation web cs1">Collins, Dan (August 7, 2002). <a rel="nofollow" class="external text" href="https://www.cbsnews.com/news/how-big-was-the-king/">"How Big Was The King?"</a>. CBS News. Associated Press. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20090723025233/http://www.cbsnews.com/stories/2002/08/07/entertainment/main517851.shtml">Archived</a> from the original on July 23, 2009<span class="reference-accessdate">. Retrieved <span class="nowrap">December 27,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=How+Big+Was+The+King%3F&amp;rft.pub=CBS+News&amp;rft.date=2002-08-07&amp;rft.aulast=Collins&amp;rft.aufirst=Dan&amp;rft_id=https%3A%2F%2Fwww.cbsnews.com%2Fnews%2Fhow-big-was-the-king%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCook2004" class="citation book cs1">Cook, Jody (2004). <a rel="nofollow" class="external text" href="https://npgallery.nps.gov/GetAsset?assetID=5db64e4b-7360-4b57-9d04-fae564edd7fc"><i>Graceland National Historic Landmark Nomination Form</i></a> <span class="cs1-format">(PDF)</span>. United States Department of the Interior. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201013161127/https://npgallery.nps.gov/GetAsset?assetID=5db64e4b-7360-4b57-9d04-fae564edd7fc">Archived</a> from the original on October 13, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">October 13,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Graceland+National+Historic+Landmark+Nomination+Form&amp;rft.pub=United+States+Department+of+the+Interior&amp;rft.date=2004&amp;rft.aulast=Cook&amp;rft.aufirst=Jody&amp;rft_id=https%3A%2F%2Fnpgallery.nps.gov%2FGetAsset%3FassetID%3D5db64e4b-7360-4b57-9d04-fae564edd7fc&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCorcoran1998" class="citation news cs1">Corcoran, John (March 1, 1998). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=NdoDAAAAMBAJ&amp;pg=PA50">"The King and Karate"</a>. <i>Black Belt</i>. pp. <span class="nowrap">48–</span>54<span class="reference-accessdate">. Retrieved <span class="nowrap">December 17,</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Black+Belt&amp;rft.atitle=The+King+and+Karate&amp;rft.pages=%3Cspan+class%3D%22nowrap%22%3E48-%3C%2Fspan%3E54&amp;rft.date=1998-03-01&amp;rft.aulast=Corcoran&amp;rft.aufirst=John&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DNdoDAAAAMBAJ%26pg%3DPA50&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCosby2016" class="citation book cs1">Cosby, James A. (2016). <i>Devil's Music, Holy Rollers and Hillbillies: How America Gave Birth to Rock and Roll</i>. McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4766-6229-9" title="Special:BookSources/978-1-4766-6229-9"><bdi>978-1-4766-6229-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Devil%27s+Music%2C+Holy+Rollers+and+Hillbillies%3A+How+America+Gave+Birth+to+Rock+and+Roll&amp;rft.pub=McFarland&amp;rft.date=2016&amp;rft.isbn=978-1-4766-6229-9&amp;rft.aulast=Cosby&amp;rft.aufirst=James+A.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDavies1996" class="citation book cs1">Davies, Hunter (1996). <a rel="nofollow" class="external text" href="https://archive.org/details/beatles00davi"><i>The Beatles</i></a> (2nd rev. ed.). W. W. Norton. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-393-31571-4" title="Special:BookSources/978-0-393-31571-4"><bdi>978-0-393-31571-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Beatles&amp;rft.edition=2nd+rev.&amp;rft.pub=W.+W.+Norton&amp;rft.date=1996&amp;rft.isbn=978-0-393-31571-4&amp;rft.aulast=Davies&amp;rft.aufirst=Hunter&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fbeatles00davi&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDenisoff1975" class="citation book cs1">Denisoff, R. Serge (1975). <i>Solid Gold: The Popular Record Industry</i>. Transaction Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-87855-586-4" title="Special:BookSources/978-0-87855-586-4"><bdi>978-0-87855-586-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Solid+Gold%3A+The+Popular+Record+Industry&amp;rft.pub=Transaction+Books&amp;rft.date=1975&amp;rft.isbn=978-0-87855-586-4&amp;rft.aulast=Denisoff&amp;rft.aufirst=R.+Serge&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDiscovery_Channel2005" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20100129115404/http://dsc.discovery.com/convergence/greatestamerican/greatestamerican.html">"Greatest American"</a>. Discovery Channel. 2005. Archived from <a rel="nofollow" class="external text" href="http://dsc.discovery.com/convergence/greatestamerican/greatestamerican.html">the original</a> on January 29, 2010<span class="reference-accessdate">. Retrieved <span class="nowrap">December 29,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Greatest+American&amp;rft.pub=Discovery+Channel&amp;rft.date=2005&amp;rft_id=http%3A%2F%2Fdsc.discovery.com%2Fconvergence%2Fgreatestamerican%2Fgreatestamerican.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDoll2016" class="citation book cs1">Doll, Susan (2016). <i>Understanding Elvis: Southern Roots vs. Star Image</i>. Routledge. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8153-3164-3" title="Special:BookSources/978-0-8153-3164-3"><bdi>978-0-8153-3164-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Understanding+Elvis%3A+Southern+Roots+vs.+Star+Image&amp;rft.pub=Routledge&amp;rft.date=2016&amp;rft.isbn=978-0-8153-3164-3&amp;rft.aulast=Doll&amp;rft.aufirst=Susan&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDoss1999" class="citation book cs1"><a href="/wiki/Erika_Doss" title="Erika Doss">Doss, Erika Lee</a> (1999). <a rel="nofollow" class="external text" href="https://archive.org/details/elvisculturefans00doss"><i>Elvis Culture: Fans, Faith, and Image</i></a>. University of Kansas Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7006-0948-2" title="Special:BookSources/978-0-7006-0948-2"><bdi>978-0-7006-0948-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+Culture%3A+Fans%2C+Faith%2C+and+Image&amp;rft.pub=University+of+Kansas+Press&amp;rft.date=1999&amp;rft.isbn=978-0-7006-0948-2&amp;rft.aulast=Doss&amp;rft.aufirst=Erika+Lee&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Felvisculturefans00doss&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDundy2004" class="citation book cs1"><a href="/wiki/Elaine_Dundy" title="Elaine Dundy">Dundy, Elaine</a> (2004). <i>Elvis and Gladys</i> (2nd ed.). University Press of Mississippi. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-57806-634-6" title="Special:BookSources/978-1-57806-634-6"><bdi>978-1-57806-634-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+and+Gladys&amp;rft.edition=2nd&amp;rft.pub=University+Press+of+Mississippi&amp;rft.date=2004&amp;rft.isbn=978-1-57806-634-6&amp;rft.aulast=Dundy&amp;rft.aufirst=Elaine&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDyer1959–1960" class="citation magazine cs1">Dyer, Peter John (Winter 1959–1960). "The Teenage Rave". <i>Sight and Sound</i>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Sight+and+Sound&amp;rft.atitle=The+Teenage+Rave&amp;rft.ssn=winter&amp;rft.date=1959%2F1960&amp;rft.aulast=Dyer&amp;rft.aufirst=Peter+John&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEames2022a" class="citation web cs1">Eames, Tom (May 20, 2022a). <a rel="nofollow" class="external text" href="https://www.smoothradio.com/artists/elvis-presley/father-vernon-presley-death-wife/">"Who was Elvis Presley's father Vernon and what happened to him after his son's death?"</a>. <i><a href="/wiki/Smooth_Radio_(2014)" title="Smooth Radio (2014)">Smooth Radio</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20231106224658/https://www.smoothradio.com/artists/elvis-presley/father-vernon-presley-death-wife/">Archived</a> from the original on November 6, 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">November 6,</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Smooth+Radio&amp;rft.atitle=Who+was+Elvis+Presley%27s+father+Vernon+and+what+happened+to+him+after+his+son%27s+death%3F&amp;rft.date=2022-05-20&amp;rft.aulast=Eames&amp;rft.aufirst=Tom&amp;rft_id=https%3A%2F%2Fwww.smoothradio.com%2Fartists%2Felvis-presley%2Ffather-vernon-presley-death-wife%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEames2022b" class="citation web cs1">Eames, Tom (May 20, 2022b). <a rel="nofollow" class="external text" href="https://www.smoothradio.com/artists/elvis-presley/mother-gladys-death-husband/">"Who was Elvis Presley's mother Gladys? The heartbreaking story behind her life and death"</a>. <i>Smooth Radio</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20231106224658/https://www.smoothradio.com/artists/elvis-presley/mother-gladys-death-husband/">Archived</a> from the original on November 6, 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">November 6,</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Smooth+Radio&amp;rft.atitle=Who+was+Elvis+Presley%27s+mother+Gladys%3F+The+heartbreaking+story+behind+her+life+and+death&amp;rft.date=2022-05-20&amp;rft.aulast=Eames&amp;rft.aufirst=Tom&amp;rft_id=https%3A%2F%2Fwww.smoothradio.com%2Fartists%2Felvis-presley%2Fmother-gladys-death-husband%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEarl2017" class="citation news cs1">Earl, Jennifer (February 14, 2017). <a rel="nofollow" class="external text" href="https://www.cbsnews.com/pictures/celebrities-you-didnt-know-were-twins/20/">"19 celebrities you didn't know were twins (Elvis and Jesse Presley)"</a>. CBS News. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200715064113/https://www.cbsnews.com/pictures/celebrities-you-didnt-know-were-twins/20/">Archived</a> from the original on July 15, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">July 12,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=19+celebrities+you+didn%27t+know+were+twins+%28Elvis+and+Jesse+Presley%29&amp;rft.date=2017-02-14&amp;rft.aulast=Earl&amp;rft.aufirst=Jennifer&amp;rft_id=https%3A%2F%2Fwww.cbsnews.com%2Fpictures%2Fcelebrities-you-didnt-know-were-twins%2F20%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEder2013" class="citation book cs1">Eder, Mike (2013). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=XcYIAgAAQBAJ"><i>Elvis Music FAQ: All That's Left to Know About the King's Recorded Works</i></a>. Backbeat Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-61713-580-4" title="Special:BookSources/978-1-61713-580-4"><bdi>978-1-61713-580-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+Music+FAQ%3A+All+That%27s+Left+to+Know+About+the+King%27s+Recorded+Works&amp;rft.pub=Backbeat+Books&amp;rft.date=2013&amp;rft.isbn=978-1-61713-580-4&amp;rft.aulast=Eder&amp;rft.aufirst=Mike&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DXcYIAgAAQBAJ&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEdgerton2007" class="citation book cs1">Edgerton, Gary R. (2007). <i>The Columbia History of American Television</i>. Columbia University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-231-12165-1" title="Special:BookSources/978-0-231-12165-1"><bdi>978-0-231-12165-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Columbia+History+of+American+Television&amp;rft.pub=Columbia+University+Press&amp;rft.date=2007&amp;rft.isbn=978-0-231-12165-1&amp;rft.aulast=Edgerton&amp;rft.aufirst=Gary+R.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEiland2018" class="citation news cs1">Eiland, Murray (2018). <a rel="nofollow" class="external text" href="https://www.academia.edu/38516784">"Elvis Presley's Coat of Arms"</a>. <i>The Armiger's News</i>. Vol. 41, no. 1. p. 6. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230221091309/https://www.academia.edu/38516784">Archived</a> from the original on February 21, 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">December 27,</span> 2022</span> – via academia.edu.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Armiger%27s+News&amp;rft.atitle=Elvis+Presley%27s+Coat+of+Arms&amp;rft.volume=41&amp;rft.issue=1&amp;rft.pages=6&amp;rft.date=2018&amp;rft.aulast=Eiland&amp;rft.aufirst=Murray&amp;rft_id=https%3A%2F%2Fwww.academia.edu%2F38516784&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFElster2006" class="citation book cs1">Elster, Charles Harrington (2006). <i>The Big Book of Beastly Mispronunciations</i>. Houghton Mifflin. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-618-42315-6" title="Special:BookSources/978-0-618-42315-6"><bdi>978-0-618-42315-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Big+Book+of+Beastly+Mispronunciations&amp;rft.pub=Houghton+Mifflin&amp;rft.date=2006&amp;rft.isbn=978-0-618-42315-6&amp;rft.aulast=Elster&amp;rft.aufirst=Charles+Harrington&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEscott1998" class="citation book cs1"><a href="/wiki/Colin_Escott" title="Colin Escott">Escott, Colin</a> (1998). "Elvis Presley". In Kingsbury, Paul (ed.). <i>The Encyclopedia of Country Music</i>. Oxford University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-19-517608-7" title="Special:BookSources/978-0-19-517608-7"><bdi>978-0-19-517608-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Elvis+Presley&amp;rft.btitle=The+Encyclopedia+of+Country+Music&amp;rft.pub=Oxford+University+Press&amp;rft.date=1998&amp;rft.isbn=978-0-19-517608-7&amp;rft.aulast=Escott&amp;rft.aufirst=Colin&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFarmer2000" class="citation book cs1">Farmer, Brett (2000). <i>Spectacular Passions: Cinema, Fantasy, Gay Male Spectatorships</i> (2nd ed.). Duke University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8223-2589-5" title="Special:BookSources/978-0-8223-2589-5"><bdi>978-0-8223-2589-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Spectacular+Passions%3A+Cinema%2C+Fantasy%2C+Gay+Male+Spectatorships&amp;rft.edition=2nd&amp;rft.pub=Duke+University+Press&amp;rft.date=2000&amp;rft.isbn=978-0-8223-2589-5&amp;rft.aulast=Farmer&amp;rft.aufirst=Brett&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFeeney2010" class="citation news cs1">Feeney, Mark (January 3, 2010). <a rel="nofollow" class="external text" href="https://www.boston.com/ae/music/articles/2010/01/03/elvis_the_performer_and_the_punch_line/">"Elvis at 75: Can We Ever Again See the Performer, Not the Punch Line?"</a>. <i><a href="/wiki/The_Boston_Globe" title="The Boston Globe">The Boston Globe</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20100115083709/http://www.boston.com/ae/music/articles/2010/01/03/elvis_the_performer_and_the_punch_line/?">Archived</a> from the original on January 15, 2010<span class="reference-accessdate">. Retrieved <span class="nowrap">February 1,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Boston+Globe&amp;rft.atitle=Elvis+at+75%3A+Can+We+Ever+Again+See+the+Performer%2C+Not+the+Punch+Line%3F&amp;rft.date=2010-01-03&amp;rft.aulast=Feeney&amp;rft.aufirst=Mark&amp;rft_id=https%3A%2F%2Fwww.boston.com%2Fae%2Fmusic%2Farticles%2F2010%2F01%2F03%2Felvis_the_performer_and_the_punch_line%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFensch2001" class="citation book cs1">Fensch, Thomas (2001). <i>The FBI Files on Elvis Presley</i>. New Century Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-930751-03-6" title="Special:BookSources/978-0-930751-03-6"><bdi>978-0-930751-03-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+FBI+Files+on+Elvis+Presley&amp;rft.pub=New+Century+Books&amp;rft.date=2001&amp;rft.isbn=978-0-930751-03-6&amp;rft.aulast=Fensch&amp;rft.aufirst=Thomas&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFessier2013" class="citation news cs1">Fessier, Bruce (May 10, 2013). <a rel="nofollow" class="external text" href="https://www.usatoday.com/story/life/tv/2013/05/10/elvis-presley-aloha-from-hawaii/2151617/">"Director Remembers Landmark Elvis Presley Performance"</a>. <i>USA Today</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210128025704/https://www.usatoday.com/story/life/tv/2013/05/10/elvis-presley-aloha-from-hawaii/2151617/">Archived</a> from the original on January 28, 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">January 19,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=USA+Today&amp;rft.atitle=Director+Remembers+Landmark+Elvis+Presley+Performance&amp;rft.date=2013-05-10&amp;rft.aulast=Fessier&amp;rft.aufirst=Bruce&amp;rft_id=https%3A%2F%2Fwww.usatoday.com%2Fstory%2Flife%2Ftv%2F2013%2F05%2F10%2Felvis-presley-aloha-from-hawaii%2F2151617%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFields2007" class="citation news cs1">Fields, Curt (August 3, 2007). <a rel="nofollow" class="external text" href="https://www.washingtonpost.com/wp-dyn/content/article/2007/08/02/AR2007080200660.html">"A Whole Lotta Elvis Is Goin' to the Small Screen"</a>. <i><a href="/wiki/The_Washington_Post" title="The Washington Post">The Washington Post</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20121102204500/http://www.washingtonpost.com/wp-dyn/content/article/2007/08/02/AR2007080200660.html">Archived</a> from the original on November 2, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">December 27,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Washington+Post&amp;rft.atitle=A+Whole+Lotta+Elvis+Is+Goin%27+to+the+Small+Screen&amp;rft.date=2007-08-03&amp;rft.aulast=Fields&amp;rft.aufirst=Curt&amp;rft_id=https%3A%2F%2Fwww.washingtonpost.com%2Fwp-dyn%2Fcontent%2Farticle%2F2007%2F08%2F02%2FAR2007080200660.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFox1986" class="citation book cs1">Fox, Ted (1986). <i>In the Groove: The People Behind the Music</i>. St Martin's Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-312-01776-7" title="Special:BookSources/978-0-312-01776-7"><bdi>978-0-312-01776-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=In+the+Groove%3A+The+People+Behind+the+Music&amp;rft.pub=St+Martin%27s+Press&amp;rft.date=1986&amp;rft.isbn=978-0-312-01776-7&amp;rft.aulast=Fox&amp;rft.aufirst=Ted&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFriedlander1996" class="citation book cs1">Friedlander, Paul (1996). <i>Rock and Roll: A Social History</i>. Westview. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8133-2725-9" title="Special:BookSources/978-0-8133-2725-9"><bdi>978-0-8133-2725-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Rock+and+Roll%3A+A+Social+History&amp;rft.pub=Westview&amp;rft.date=1996&amp;rft.isbn=978-0-8133-2725-9&amp;rft.aulast=Friedlander&amp;rft.aufirst=Paul&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGarber1997" class="citation book cs1">Garber, Marjorie (1997). <i>Vested Interests: Cross-Dressing and Cultural Anxiety</i>. Routledge. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-415-91951-7" title="Special:BookSources/978-0-415-91951-7"><bdi>978-0-415-91951-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Vested+Interests%3A+Cross-Dressing+and+Cultural+Anxiety&amp;rft.pub=Routledge&amp;rft.date=1997&amp;rft.isbn=978-0-415-91951-7&amp;rft.aulast=Garber&amp;rft.aufirst=Marjorie&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGarrity2002" class="citation magazine cs1">Garrity, Brian (October 12, 2002). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=Fg0EAAAAMBAJ">"King's Crown Shines: First No. 1 Debut"</a>. <i>Billboard</i>. pp. 1, 3.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=King%27s+Crown+Shines%3A+First+No.+1+Debut&amp;rft.pages=1%2C+3&amp;rft.date=2002-10-12&amp;rft.aulast=Garrity&amp;rft.aufirst=Brian&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DFg0EAAAAMBAJ&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGibson2005" class="citation magazine cs1">Gibson, Christine (December 6, 2005). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20090515154236/http://www.americanheritage.com/entertainment/articles/web/20050909-elvis-presley-ed-sullivan-show-steve-allen-milton-berle-charles-laughton.shtml">"Elvis on Ed Sullivan: The Real Story"</a>. <i>American Heritage</i>. Archived from <a rel="nofollow" class="external text" href="http://www.americanheritage.com/entertainment/articles/web/20050909-elvis-presley-ed-sullivan-show-steve-allen-milton-berle-charles-laughton.shtml">the original</a> on May 15, 2009<span class="reference-accessdate">. Retrieved <span class="nowrap">December 31,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=American+Heritage&amp;rft.atitle=Elvis+on+Ed+Sullivan%3A+The+Real+Story&amp;rft.date=2005-12-06&amp;rft.aulast=Gibson&amp;rft.aufirst=Christine&amp;rft_id=http%3A%2F%2Fwww.americanheritage.com%2Fentertainment%2Farticles%2Fweb%2F20050909-elvis-presley-ed-sullivan-show-steve-allen-milton-berle-charles-laughton.shtml&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGillett2000" class="citation book cs1"><a href="/wiki/Charlie_Gillett" title="Charlie Gillett">Gillett, Charlie</a> (2000). "The Five Styles of Rock'n'Roll". In McKeen, William (ed.). <i>Rock and Roll Is Here To Stay: An Anthology</i>. W. W. Norton. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-393-04700-4" title="Special:BookSources/978-0-393-04700-4"><bdi>978-0-393-04700-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=The+Five+Styles+of+Rock%27n%27Roll&amp;rft.btitle=Rock+and+Roll+Is+Here+To+Stay%3A+An+Anthology&amp;rft.pub=W.+W.+Norton&amp;rft.date=2000&amp;rft.isbn=978-0-393-04700-4&amp;rft.aulast=Gillett&amp;rft.aufirst=Charlie&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGoldmanEwalt2007" class="citation magazine cs1">Goldman, Lea; Ewalt, David M. (October 29, 2007). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20080611105814/http://www.forbes.com/business/2007/10/29/dead-celebrity-earning-biz-media-deadcelebs07_cz_lg_1029celeb_land.html">"Top-Earning Dead Celebrities"</a>. <i>Forbes</i>. Archived from <a rel="nofollow" class="external text" href="https://www.forbes.com/business/2007/10/29/dead-celebrity-earning-biz-media-deadcelebs07_cz_lg_1029celeb_land.html">the original</a> on June 11, 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">January 5,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Forbes&amp;rft.atitle=Top-Earning+Dead+Celebrities&amp;rft.date=2007-10-29&amp;rft.aulast=Goldman&amp;rft.aufirst=Lea&amp;rft.au=Ewalt%2C+David+M.&amp;rft_id=https%3A%2F%2Fwww.forbes.com%2Fbusiness%2F2007%2F10%2F29%2Fdead-celebrity-earning-biz-media-deadcelebs07_cz_lg_1029celeb_land.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGoldmanPaine2007" class="citation magazine cs1">Goldman, Lea; Paine, Jake (October 29, 2007). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110426025601/https://www.forbes.com/2007/10/26/top-dead-celebrity-biz-media-deadcelebs07-cz_lg_1029celeb.html">"Top-Earning Dead Celebrities"</a>. <i>Forbes</i>. Archived from <a rel="nofollow" class="external text" href="https://www.forbes.com/2007/10/26/top-dead-celebrity-biz-media-deadcelebs07-cz_lg_1029celeb.html">the original</a> on April 26, 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">June 5,</span> 2011</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Forbes&amp;rft.atitle=Top-Earning+Dead+Celebrities&amp;rft.date=2007-10-29&amp;rft.aulast=Goldman&amp;rft.aufirst=Lea&amp;rft.au=Paine%2C+Jake&amp;rft_id=https%3A%2F%2Fwww.forbes.com%2F2007%2F10%2F26%2Ftop-dead-celebrity-biz-media-deadcelebs07-cz_lg_1029celeb.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGordon2005" class="citation book cs1">Gordon, Robert (2005). <i>The King on the Road</i>. Bounty Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7537-1088-3" title="Special:BookSources/978-0-7537-1088-3"><bdi>978-0-7537-1088-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+King+on+the+Road&amp;rft.pub=Bounty+Books&amp;rft.date=2005&amp;rft.isbn=978-0-7537-1088-3&amp;rft.aulast=Gordon&amp;rft.aufirst=Robert&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGostin2023" class="citation web cs1">Gostin, Nicki (June 27, 2023). <a rel="nofollow" class="external text" href="https://pagesix.com/2023/06/27/elvis-presleys-ex-slams-step-brothers-claim-that-singer-killed-himself/">"Elvis Presley's ex slams step-brother's claim that singer killed himself"</a>. <i>Page Six</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230714074734/https://pagesix.com/2023/06/27/elvis-presleys-ex-slams-step-brothers-claim-that-singer-killed-himself/">Archived</a> from the original on July 14, 2023.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Page+Six&amp;rft.atitle=Elvis+Presley%27s+ex+slams+step-brother%27s+claim+that+singer+killed+himself&amp;rft.date=2023-06-27&amp;rft.aulast=Gostin&amp;rft.aufirst=Nicki&amp;rft_id=https%3A%2F%2Fpagesix.com%2F2023%2F06%2F27%2Felvis-presleys-ex-slams-step-brothers-claim-that-singer-killed-himself%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGould1956" class="citation news cs1">Gould, Jack (June 6, 1956). <a rel="nofollow" class="external text" href="http://graphics8.nytimes.com/packages/pdf/archives/elvis-presley-on-milton-berle-show-06-06-1956.pdf">"TV: New Phenomenon – Elvis Presley Rises to Fame as Vocalist Who Is Virtuoso of Hootchy-Kootchy"</a> <span class="cs1-format">(PDF)</span>. <i>The New York Times</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230529032209/http://graphics8.nytimes.com/packages/pdf/archives/elvis-presley-on-milton-berle-show-06-06-1956.pdf">Archived</a> <span class="cs1-format">(PDF)</span> from the original on May 29, 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">December 31,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=TV%3A+New+Phenomenon+%E2%80%93+Elvis+Presley+Rises+to+Fame+as+Vocalist+Who+Is+Virtuoso+of+Hootchy-Kootchy&amp;rft.date=1956-06-06&amp;rft.aulast=Gould&amp;rft.aufirst=Jack&amp;rft_id=http%3A%2F%2Fgraphics8.nytimes.com%2Fpackages%2Fpdf%2Farchives%2Felvis-presley-on-milton-berle-show-06-06-1956.pdf&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGraceland_Blog2015" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.graceland.com/blog/posts/elvis-presley-the-musician">"Elvis Presley, the Musician"</a>. Graceland Blog. December 3, 2015. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20191101115434/https://www.graceland.com/blog/posts/elvis-presley-the-musician">Archived</a> from the original on November 1, 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">July 1,</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Elvis+Presley%2C+the+Musician&amp;rft.pub=Graceland+Blog&amp;rft.date=2015-12-03&amp;rft_id=https%3A%2F%2Fwww.graceland.com%2Fblog%2Fposts%2Felvis-presley-the-musician&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGrammy2014" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20190406230258/https://www.grammy.com/grammys/artists/elvis-presley">"Elvis Presley"</a>. Grammy Awards. March 17, 2014. Archived from <a rel="nofollow" class="external text" href="https://www.grammy.com/grammys/artists/elvis-presley">the original</a> on April 6, 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">January 9,</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Elvis+Presley&amp;rft.pub=Grammy+Awards&amp;rft.date=2014-03-17&amp;rft_id=https%3A%2F%2Fwww.grammy.com%2Fgrammys%2Fartists%2Felvis-presley&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGreenburg2017" class="citation magazine cs1">Greenburg, Zack O'Malley (October 30, 2017). <a rel="nofollow" class="external text" href="https://www.forbes.com/sites/zackomalleygreenburg/2017/10/30/the-top-earning-dead-celebrities-of-2017/">"The Top-Earning Dead Celebrities of 2017"</a>. <i>Forbes</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190205143455/https://www.forbes.com/sites/zackomalleygreenburg/2017/10/30/the-top-earning-dead-celebrities-of-2017/#75dd8def41f5">Archived</a> from the original on February 5, 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">January 8,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Forbes&amp;rft.atitle=The+Top-Earning+Dead+Celebrities+of+2017&amp;rft.date=2017-10-30&amp;rft.aulast=Greenburg&amp;rft.aufirst=Zack+O%27Malley&amp;rft_id=https%3A%2F%2Fwww.forbes.com%2Fsites%2Fzackomalleygreenburg%2F2017%2F10%2F30%2Fthe-top-earning-dead-celebrities-of-2017%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGreene2018" class="citation magazine cs1">Greene, Andy (July 31, 2018). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/music-news/flashback-elvis-presleys-aloha-from-hawaii-marks-his-final-truly-great-moment-705310/">"Flashback: Elvis Presley's 'Aloha From Hawaii' Marks His Final Truly Great Moment"</a>. <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230117121303/https://www.rollingstone.com/music/music-news/flashback-elvis-presleys-aloha-from-hawaii-marks-his-final-truly-great-moment-705310/">Archived</a> from the original on January 17, 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">January 17,</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=Flashback%3A+Elvis+Presley%27s+%27Aloha+From+Hawaii%27+Marks+His+Final+Truly+Great+Moment&amp;rft.date=2018-07-31&amp;rft.aulast=Greene&amp;rft.aufirst=Andy&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-news%2Fflashback-elvis-presleys-aloha-from-hawaii-marks-his-final-truly-great-moment-705310%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGrein2008" class="citation web cs1">Grein, Paul (December 5, 2008). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20111224030746/http://music.yahoo.com/blogs/chart-watch/chart-watch-extra-the-top-40-christmas-albums.html">"Chart Watch Extra: The Top 40 Christmas Albums"</a>. Yahoo! Music. Archived from <a rel="nofollow" class="external text" href="http://music.yahoo.com/blogs/chart-watch/chart-watch-extra-the-top-40-christmas-albums.html">the original</a> on December 24, 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">February 1,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Chart+Watch+Extra%3A+The+Top+40+Christmas+Albums&amp;rft.pub=Yahoo%21+Music&amp;rft.date=2008-12-05&amp;rft.aulast=Grein&amp;rft.aufirst=Paul&amp;rft_id=http%3A%2F%2Fmusic.yahoo.com%2Fblogs%2Fchart-watch%2Fchart-watch-extra-the-top-40-christmas-albums.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGuralnick1989" class="citation book cs1">Guralnick, Peter (1989). <i>Lost Highway: Journeys &amp; Arrivals of American Musicians</i>. Vintage. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-394-75215-0" title="Special:BookSources/978-0-394-75215-0"><bdi>978-0-394-75215-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Lost+Highway%3A+Journeys+%26+Arrivals+of+American+Musicians&amp;rft.pub=Vintage&amp;rft.date=1989&amp;rft.isbn=978-0-394-75215-0&amp;rft.aulast=Guralnick&amp;rft.aufirst=Peter&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGuralnick1994" class="citation book cs1">Guralnick, Peter (1994). <i>Last Train to Memphis: The Rise of Elvis Presley</i>. Little, Brown. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-316-33225-5" title="Special:BookSources/978-0-316-33225-5"><bdi>978-0-316-33225-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Last+Train+to+Memphis%3A+The+Rise+of+Elvis+Presley&amp;rft.pub=Little%2C+Brown&amp;rft.date=1994&amp;rft.isbn=978-0-316-33225-5&amp;rft.aulast=Guralnick&amp;rft.aufirst=Peter&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGuralnick1999" class="citation book cs1">Guralnick, Peter (1999). <a rel="nofollow" class="external text" href="https://archive.org/details/isbn_9780316332972"><i>Careless Love: The Unmaking of Elvis Presley</i></a>. Back Bay Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-316-33297-2" title="Special:BookSources/978-0-316-33297-2"><bdi>978-0-316-33297-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Careless+Love%3A+The+Unmaking+of+Elvis+Presley&amp;rft.pub=Back+Bay+Books&amp;rft.date=1999&amp;rft.isbn=978-0-316-33297-2&amp;rft.aulast=Guralnick&amp;rft.aufirst=Peter&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fisbn_9780316332972&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGuralnick2004" class="citation news cs1">Guralnick, Peter (January 8, 2004). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2007/08/11/opinion/11guralnick.html">"How Did Elvis Get Turned into a Racist?"</a>. <i>The New York Times</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210512180531/https://www.nytimes.com/2007/08/11/opinion/11guralnick.html">Archived</a> from the original on May 12, 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">August 11,</span> 2007</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=How+Did+Elvis+Get+Turned+into+a+Racist%3F&amp;rft.date=2004-01-08&amp;rft.aulast=Guralnick&amp;rft.aufirst=Peter&amp;rft_id=https%3A%2F%2Fwww.nytimes.com%2F2007%2F08%2F11%2Fopinion%2F11guralnick.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGuralnickJorgensen1999" class="citation book cs1">Guralnick, Peter; Jorgensen, Ernst (1999). <i>Elvis Day by Day: The Definitive Record of His Life and Music</i>. Ballantine. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-345-42089-3" title="Special:BookSources/978-0-345-42089-3"><bdi>978-0-345-42089-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+Day+by+Day%3A+The+Definitive+Record+of+His+Life+and+Music&amp;rft.pub=Ballantine&amp;rft.date=1999&amp;rft.isbn=978-0-345-42089-3&amp;rft.aulast=Guralnick&amp;rft.aufirst=Peter&amp;rft.au=Jorgensen%2C+Ernst&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHarrison1992" class="citation book cs1">Harrison, Ted (1992). <a rel="nofollow" class="external text" href="https://archive.org/details/elvispeopleculto00harr"><i>Elvis People: The Cult of the King</i></a>. Fount. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-00-627620-3" title="Special:BookSources/978-0-00-627620-3"><bdi>978-0-00-627620-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+People%3A+The+Cult+of+the+King&amp;rft.pub=Fount&amp;rft.date=1992&amp;rft.isbn=978-0-00-627620-3&amp;rft.aulast=Harrison&amp;rft.aufirst=Ted&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Felvispeopleculto00harr&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHarrison2016" class="citation book cs1">Harrison, Ted (2016). <i>The Death and Resurrection of Elvis Presley</i>. Reaktion. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-78023-637-7" title="Special:BookSources/978-1-78023-637-7"><bdi>978-1-78023-637-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Death+and+Resurrection+of+Elvis+Presley&amp;rft.pub=Reaktion&amp;rft.date=2016&amp;rft.isbn=978-1-78023-637-7&amp;rft.aulast=Harrison&amp;rft.aufirst=Ted&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHasty2008" class="citation magazine cs1">Hasty, Katie (May 7, 2008). <a rel="nofollow" class="external text" href="https://www.billboard.com/articles/news/1045488/madonna-leads-busy-billboard-200-with-7th-no-1">"Madonna Leads Busy Billboard 200 with 7th No. 1"</a>. <i>Billboard</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130523062750/http://www.billboard.com/articles/news/1045488/madonna-leads-busy-billboard-200-with-7th-no-1">Archived</a> from the original on May 23, 2013<span class="reference-accessdate">. Retrieved <span class="nowrap">January 20,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=Madonna+Leads+Busy+Billboard+200+with+7th+No.+1&amp;rft.date=2008-05-07&amp;rft.aulast=Hasty&amp;rft.aufirst=Katie&amp;rft_id=https%3A%2F%2Fwww.billboard.com%2Farticles%2Fnews%2F1045488%2Fmadonna-leads-busy-billboard-200-with-7th-no-1&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHigginbotham2002" class="citation news cs1">Higginbotham, Alan (August 11, 2002). <a rel="nofollow" class="external text" href="https://www.theguardian.com/theobserver/2002/aug/11/features.magazine27">"Doctor Feelgood"</a>. <i>The Observer</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170922062642/https://www.theguardian.com/theobserver/2002/aug/11/features.magazine27">Archived</a> from the original on September 22, 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">December 29,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Observer&amp;rft.atitle=Doctor+Feelgood&amp;rft.date=2002-08-11&amp;rft.aulast=Higginbotham&amp;rft.aufirst=Alan&amp;rft_id=https%3A%2F%2Fwww.theguardian.com%2Ftheobserver%2F2002%2Faug%2F11%2Ffeatures.magazine27&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHilburn2005" class="citation news cs1">Hilburn, Robert (February 6, 2005). <a rel="nofollow" class="external text" href="https://www.latimes.com/archives/la-xpm-2005-feb-06-ca-presley6-story.html">"From the Man Who Would Be King"</a>. <i>Los Angeles Times</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20100711033522/http://articles.latimes.com/2005/feb/06/entertainment/ca-presley6">Archived</a> from the original on July 11, 2010<span class="reference-accessdate">. Retrieved <span class="nowrap">January 4,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Los+Angeles+Times&amp;rft.atitle=From+the+Man+Who+Would+Be+King&amp;rft.date=2005-02-06&amp;rft.aulast=Hilburn&amp;rft.aufirst=Robert&amp;rft_id=https%3A%2F%2Fwww.latimes.com%2Farchives%2Fla-xpm-2005-feb-06-ca-presley6-story.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHilburn2007" class="citation news cs1">Hilburn, Robert (October 30, 2007). <a rel="nofollow" class="external text" href="https://www.latimes.com/entertainment/la-et-backtracking30oct30,0,1043136.story">"This Fan of Charts Is No. 1, with a Bullet"</a>. <i>Los Angeles Times</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20100523225302/http://www.latimes.com/entertainment/la-et-backtracking30oct30,0,1043136.story">Archived</a> from the original on May 23, 2010<span class="reference-accessdate">. Retrieved <span class="nowrap">January 17,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Los+Angeles+Times&amp;rft.atitle=This+Fan+of+Charts+Is+No.+1%2C+with+a+Bullet&amp;rft.date=2007-10-30&amp;rft.aulast=Hilburn&amp;rft.aufirst=Robert&amp;rft_id=https%3A%2F%2Fwww.latimes.com%2Fentertainment%2Fla-et-backtracking30oct30%2C0%2C1043136.story&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id='CITEREF"Hits_of_the_World"2004' class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=aRAEAAAAMBAJ">"Hits of the World"</a>. <i>Billboard</i>. Vol. 116, no. 30. July 24, 2004. p. 62.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=Hits+of+the+World&amp;rft.volume=116&amp;rft.issue=30&amp;rft.pages=62&amp;rft.date=2004-07-24&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DaRAEAAAAMBAJ&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHopkins1986" class="citation book cs1">Hopkins, Jerry (1986). <i>Elvis: The Final Years</i>. Berkley. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-425-08999-6" title="Special:BookSources/978-0-425-08999-6"><bdi>978-0-425-08999-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis%3A+The+Final+Years&amp;rft.pub=Berkley&amp;rft.date=1986&amp;rft.isbn=978-0-425-08999-6&amp;rft.aulast=Hopkins&amp;rft.aufirst=Jerry&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHopkins2002" class="citation book cs1">Hopkins, Jerry (2002). <i>Elvis in Hawaii</i>. Bess Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-57306-142-1" title="Special:BookSources/978-1-57306-142-1"><bdi>978-1-57306-142-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+in+Hawaii&amp;rft.pub=Bess+Press&amp;rft.date=2002&amp;rft.isbn=978-1-57306-142-1&amp;rft.aulast=Hopkins&amp;rft.aufirst=Jerry&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHopkins2007" class="citation book cs1">Hopkins, Jerry (2007). <i>Elvis – The Biography</i>. Plexus. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-85965-391-6" title="Special:BookSources/978-0-85965-391-6"><bdi>978-0-85965-391-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+%26ndash%3B%26%2332%3BThe+Biography&amp;rft.pub=Plexus&amp;rft.date=2007&amp;rft.isbn=978-0-85965-391-6&amp;rft.aulast=Hopkins&amp;rft.aufirst=Jerry&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHoy2008" class="citation magazine cs1">Hoy, Peter (October 27, 2008). <a rel="nofollow" class="external text" href="https://www.forbes.com/2008/10/27/top-dead-celebrity-biz-media-deadcelebs08-cz_ph_1027celeb.html">"Top-Earning Dead Celebrities"</a>. <i>Forbes</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110710001716/http://www.forbes.com/2008/10/27/top-dead-celebrity-biz-media-deadcelebs08-cz_ph_1027celeb.html">Archived</a> from the original on July 10, 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">June 5,</span> 2011</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Forbes&amp;rft.atitle=Top-Earning+Dead+Celebrities&amp;rft.date=2008-10-27&amp;rft.aulast=Hoy&amp;rft.aufirst=Peter&amp;rft_id=https%3A%2F%2Fwww.forbes.com%2F2008%2F10%2F27%2Ftop-dead-celebrity-biz-media-deadcelebs08-cz_ph_1027celeb.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJancik1998" class="citation book cs1">Jancik, Wayne (1998). <i>The Billboard Book of One-Hit Wonders</i>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Billboard+Book+of+One-Hit+Wonders&amp;rft.date=1998&amp;rft.aulast=Jancik&amp;rft.aufirst=Wayne&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJeffreyKaplan2022" class="citation web cs1">Jeffrey, Joyann; Kaplan, Anna (June 27, 2022) [Updated November 6, 2023]. <a rel="nofollow" class="external text" href="https://www.today.com/popculture/music/elvis-priscilla-presley-relationship-true-story-rcna35050">"Priscilla Presley and Elvis Presley's relationship story, in their own words"</a>. <i><a href="/wiki/Today_(American_TV_program)" title="Today (American TV program)">Today</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">February 26,</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Today&amp;rft.atitle=Priscilla+Presley+and+Elvis+Presley%27s+relationship+story%2C+in+their+own+words&amp;rft.date=2022-06-27&amp;rft.aulast=Jeffrey&amp;rft.aufirst=Joyann&amp;rft.au=Kaplan%2C+Anna&amp;rft_id=https%3A%2F%2Fwww.today.com%2Fpopculture%2Fmusic%2Felvis-priscilla-presley-relationship-true-story-rcna35050&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJezer1982" class="citation book cs1">Jezer, Marty (1982). <a rel="nofollow" class="external text" href="https://archive.org/details/darkageslifeinth00jeze"><i>The Dark Ages: Life in the United States 1945–1960</i></a>. South End Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-89608-127-7" title="Special:BookSources/978-0-89608-127-7"><bdi>978-0-89608-127-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Dark+Ages%3A+Life+in+the+United+States+1945%E2%80%931960&amp;rft.pub=South+End+Press&amp;rft.date=1982&amp;rft.isbn=978-0-89608-127-7&amp;rft.aulast=Jezer&amp;rft.aufirst=Marty&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fdarkageslifeinth00jeze&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJorgensen1998" class="citation book cs1">Jorgensen, Ernst (1998). <i>Elvis Presley – A Life in Music: The Complete Recording Sessions</i>. St Martin's Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-312-18572-5" title="Special:BookSources/978-0-312-18572-5"><bdi>978-0-312-18572-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+Presley+%26ndash%3B%26%2332%3BA+Life+in+Music%3A+The+Complete+Recording+Sessions&amp;rft.pub=St+Martin%27s+Press&amp;rft.date=1998&amp;rft.isbn=978-0-312-18572-5&amp;rft.aulast=Jorgensen&amp;rft.aufirst=Ernst&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKeogh2004" class="citation book cs1">Keogh, Pamela Clarke (2004). <a rel="nofollow" class="external text" href="https://archive.org/details/elvispresleymanl00keog_0"><i>Elvis Presley: The Man, The Life, The Legend</i></a>. Simon &amp; Schuster. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7434-5603-6" title="Special:BookSources/978-0-7434-5603-6"><bdi>978-0-7434-5603-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+Presley%3A+The+Man%2C+The+Life%2C+The+Legend&amp;rft.pub=Simon+%26+Schuster&amp;rft.date=2004&amp;rft.isbn=978-0-7434-5603-6&amp;rft.aulast=Keogh&amp;rft.aufirst=Pamela+Clarke&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Felvispresleymanl00keog_0&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKirchbergHendrickx1999" class="citation book cs1">Kirchberg, Connie; Hendrickx, Marc (1999). <a rel="nofollow" class="external text" href="https://archive.org/details/elvispresleyrich00kirc"><i>Elvis Presley, Richard Nixon, and the American Dream</i></a>. McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7864-0716-3" title="Special:BookSources/978-0-7864-0716-3"><bdi>978-0-7864-0716-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+Presley%2C+Richard+Nixon%2C+and+the+American+Dream&amp;rft.pub=McFarland&amp;rft.date=1999&amp;rft.isbn=978-0-7864-0716-3&amp;rft.aulast=Kirchberg&amp;rft.aufirst=Connie&amp;rft.au=Hendrickx%2C+Marc&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Felvispresleyrich00kirc&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKochManningToplikar2008" class="citation news cs1">Koch, Ed; Manning, Mary; Toplikar, Dave (May 15, 2008). <a rel="nofollow" class="external text" href="https://m.lasvegassun.com/news/2008/may/15/evolution-worlds-entertainment-capital/">"Showtime: How Sin City evolved into 'The Entertainment Capital of the World'<span class="cs1-kern-right"></span>"</a>. <i><a href="/wiki/Las_Vegas_Sun" title="Las Vegas Sun">Las Vegas Sun</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190306043145/https://m.lasvegassun.com/news/2008/may/15/evolution-worlds-entertainment-capital/">Archived</a> from the original on March 6, 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">March 3,</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Las+Vegas+Sun&amp;rft.atitle=Showtime%3A+How+Sin+City+evolved+into+%27The+Entertainment+Capital+of+the+World%27&amp;rft.date=2008-05-15&amp;rft.aulast=Koch&amp;rft.aufirst=Ed&amp;rft.au=Manning%2C+Mary&amp;rft.au=Toplikar%2C+Dave&amp;rft_id=https%3A%2F%2Fm.lasvegassun.com%2Fnews%2F2008%2Fmay%2F15%2Fevolution-worlds-entertainment-capital%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKolawole2002" class="citation news cs1">Kolawole, Helen (August 15, 2002). <a rel="nofollow" class="external text" href="https://www.theguardian.com/music/2002/aug/15/elvis25yearson.elvispresley">"He Wasn't My King"</a>. <i>The Guardian</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230514190740/https://www.theguardian.com/music/2002/aug/15/elvis25yearson.elvispresley">Archived</a> from the original on May 14, 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">December 27,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Guardian&amp;rft.atitle=He+Wasn%27t+My+King&amp;rft.date=2002-08-15&amp;rft.aulast=Kolawole&amp;rft.aufirst=Helen&amp;rft_id=https%3A%2F%2Fwww.theguardian.com%2Fmusic%2F2002%2Faug%2F15%2Felvis25yearson.elvispresley&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKubernick2008" class="citation book cs1">Kubernick, Harvey (2008). <i>The Complete '68 Comeback Special</i>. CD Booklet RCA/BMG. UPC 88697306262.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Complete+%2768+Comeback+Special&amp;rft.pub=CD+Booklet+RCA%2FBMG.+UPC+88697306262&amp;rft.date=2008&amp;rft.aulast=Kubernick&amp;rft.aufirst=Harvey&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLegacy2018" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.legacyrecordings.com/2018/06/21/groundbreaking-new-elvis-presley-album-where-no-one-stands-alone-to-be-released-august-10/">"Groundbreaking New Elvis Presley Album, 'Where No One Stands Alone', To Be Released August 10"</a>. <i>Legacy</i>. Sony Music Entertainment. June 21, 2018. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220130141032/https://www.legacyrecordings.com/2018/06/21/groundbreaking-new-elvis-presley-album-where-no-one-stands-alone-to-be-released-august-10/">Archived</a> from the original on January 30, 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">January 30,</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Legacy&amp;rft.atitle=Groundbreaking+New+Elvis+Presley+Album%2C+%27Where+No+One+Stands+Alone%27%2C+To+Be+Released+August+10&amp;rft.date=2018-06-21&amp;rft_id=https%3A%2F%2Fwww.legacyrecordings.com%2F2018%2F06%2F21%2Fgroundbreaking-new-elvis-presley-album-where-no-one-stands-alone-to-be-released-august-10%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLeigh2017" class="citation book cs1"><a href="/wiki/Spencer_Leigh_(radio_presenter)" title="Spencer Leigh (radio presenter)">Leigh, Spencer</a> (2017). <i>Elvis Presley: Caught in a Trap</i>. McNidder and Grace. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-85716-166-6" title="Special:BookSources/978-0-85716-166-6"><bdi>978-0-85716-166-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+Presley%3A+Caught+in+a+Trap&amp;rft.pub=McNidder+and+Grace&amp;rft.date=2017&amp;rft.isbn=978-0-85716-166-6&amp;rft.aulast=Leigh&amp;rft.aufirst=Spencer&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLewis2017" class="citation news cs1">Lewis, Randy (August 16, 2017). <a rel="nofollow" class="external text" href="https://www.latimes.com/entertainment/la-et-entertainment-news-updates-august-elvis-presley-in-the-youtube-age-still-1502897506-htmlstory.html">"40 Years After His Death, Elvis Presley Is Still the King in the YouTube Age"</a>. <i>Los Angeles Times</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180120124652/http://www.latimes.com/entertainment/la-et-entertainment-news-updates-august-elvis-presley-in-the-youtube-age-still-1502897506-htmlstory.html">Archived</a> from the original on January 20, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">January 19,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Los+Angeles+Times&amp;rft.atitle=40+Years+After+His+Death%2C+Elvis+Presley+Is+Still+the+King+in+the+YouTube+Age&amp;rft.date=2017-08-16&amp;rft.aulast=Lewis&amp;rft.aufirst=Randy&amp;rft_id=https%3A%2F%2Fwww.latimes.com%2Fentertainment%2Fla-et-entertainment-news-updates-august-elvis-presley-in-the-youtube-age-still-1502897506-htmlstory.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLisanti2000" class="citation book cs1">Lisanti, Tom (2000). <i>Fantasy Femmes of 60s Cinema: Interviews with 20 Actresses from Biker, Beach, and Elvis Movies</i>. McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7864-0868-9" title="Special:BookSources/978-0-7864-0868-9"><bdi>978-0-7864-0868-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Fantasy+Femmes+of+60s+Cinema%3A+Interviews+with+20+Actresses+from+Biker%2C+Beach%2C+and+Elvis+Movies&amp;rft.pub=McFarland&amp;rft.date=2000&amp;rft.isbn=978-0-7864-0868-9&amp;rft.aulast=Lisanti&amp;rft.aufirst=Tom&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLottUebel1997" class="citation book cs1">Lott, Eric; Uebel, Michael (1997). "All the King's Men: Elvis Impersonators and White Working-Class Masculinity". In Stecopoulos, Harry (ed.). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/racesubjectofmas0000unse"><i>Race and the Subject of Masculinities</i></a></span>. Duke University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8223-1966-5" title="Special:BookSources/978-0-8223-1966-5"><bdi>978-0-8223-1966-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=All+the+King%27s+Men%3A+Elvis+Impersonators+and+White+Working-Class+Masculinity&amp;rft.btitle=Race+and+the+Subject+of+Masculinities&amp;rft.pub=Duke+University+Press&amp;rft.date=1997&amp;rft.isbn=978-0-8223-1966-5&amp;rft.aulast=Lott&amp;rft.aufirst=Eric&amp;rft.au=Uebel%2C+Michael&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fracesubjectofmas0000unse&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLynch2011" class="citation news cs1">Lynch, Rene (August 16, 2011). <a rel="nofollow" class="external text" href="http://latimesblogs.latimes.com/nationnow/2011/08/elvis-presley.html">"Elvis Presley, Who Died 34 Years Ago Today, Spurs Fresh Tears"</a>. <i>Los Angeles Times</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220527070238/https://latimesblogs.latimes.com/nationnow/2011/08/elvis-presley.html">Archived</a> from the original on May 27, 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">August 17,</span> 2011</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Los+Angeles+Times&amp;rft.atitle=Elvis+Presley%2C+Who+Died+34+Years+Ago+Today%2C+Spurs+Fresh+Tears&amp;rft.date=2011-08-16&amp;rft.aulast=Lynch&amp;rft.aufirst=Rene&amp;rft_id=http%3A%2F%2Flatimesblogs.latimes.com%2Fnationnow%2F2011%2F08%2Felvis-presley.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarcus1982" class="citation book cs1">Marcus, Greil (1982). <a rel="nofollow" class="external text" href="https://archive.org/details/mysterytrainimag00marcus"><i>Mystery Train: Images of America in Rock 'n' Roll Music</i></a> (Revised ed.). E.P. Dutton. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-525-47708-2" title="Special:BookSources/978-0-525-47708-2"><bdi>978-0-525-47708-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Mystery+Train%3A+Images+of+America+in+Rock+%27n%27+Roll+Music&amp;rft.edition=Revised&amp;rft.pub=E.P.+Dutton&amp;rft.date=1982&amp;rft.isbn=978-0-525-47708-2&amp;rft.aulast=Marcus&amp;rft.aufirst=Greil&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fmysterytrainimag00marcus&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarcus2006" class="citation book cs1">Marcus, Greil (2006). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20111219163909/http://www.msopr.com/n/past-campaigns/elvis-presley-the-ed-sullivan-shows/"><i>Elvis Presley: The Ed Sullivan Shows</i></a>. DVD Booklet Image Entertainment. UPC 01438137302. Archived from <a rel="nofollow" class="external text" href="http://www.msopr.com/n/past-campaigns/elvis-presley-the-ed-sullivan-shows/">the original</a> on December 19, 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">February 1,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+Presley%3A+The+Ed+Sullivan+Shows&amp;rft.pub=DVD+Booklet+Image+Entertainment.+UPC+01438137302&amp;rft.date=2006&amp;rft.aulast=Marcus&amp;rft.aufirst=Greil&amp;rft_id=http%3A%2F%2Fwww.msopr.com%2Fn%2Fpast-campaigns%2Felvis-presley-the-ed-sullivan-shows%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarcus2015" class="citation book cs1">Marcus, Greil (2015). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=trEBDAAAQBAJ"><i>Mystery Train: Images of America in Rock 'n' Roll Music</i></a>. Plume. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-14-218158-4" title="Special:BookSources/978-0-14-218158-4"><bdi>978-0-14-218158-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Mystery+Train%3A+Images+of+America+in+Rock+%27n%27+Roll+Music&amp;rft.pub=Plume&amp;rft.date=2015&amp;rft.isbn=978-0-14-218158-4&amp;rft.aulast=Marcus&amp;rft.aufirst=Greil&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DtrEBDAAAQBAJ&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarsh1980" class="citation book cs1">Marsh, Dave (1980). "Elvis Presley". In Marsh, Dave; Swenson, John (eds.). <i>The Rolling Stone Record Guide</i> (2nd ed.). Virgin. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-907080-00-8" title="Special:BookSources/978-0-907080-00-8"><bdi>978-0-907080-00-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Elvis+Presley&amp;rft.btitle=The+Rolling+Stone+Record+Guide&amp;rft.edition=2nd&amp;rft.pub=Virgin&amp;rft.date=1980&amp;rft.isbn=978-0-907080-00-8&amp;rft.aulast=Marsh&amp;rft.aufirst=Dave&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarsh1982" class="citation book cs1">Marsh, Dave (1982). <i>Elvis</i>. Times Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8129-0947-0" title="Special:BookSources/978-0-8129-0947-0"><bdi>978-0-8129-0947-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis&amp;rft.pub=Times+Books&amp;rft.date=1982&amp;rft.isbn=978-0-8129-0947-0&amp;rft.aulast=Marsh&amp;rft.aufirst=Dave&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarsh1989" class="citation book cs1">Marsh, Dave (1989). <i>The Heart of Rock &amp; Soul: The 1001 Greatest Singles Ever Made</i>. Penguin Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-14-012108-7" title="Special:BookSources/978-0-14-012108-7"><bdi>978-0-14-012108-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Heart+of+Rock+%26+Soul%3A+The+1001+Greatest+Singles+Ever+Made&amp;rft.pub=Penguin+Books&amp;rft.date=1989&amp;rft.isbn=978-0-14-012108-7&amp;rft.aulast=Marsh&amp;rft.aufirst=Dave&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarsh2004" class="citation book cs1">Marsh, Dave (2004). "Elvis Presley". In Brackett, Nathan; Hoard, Christian (eds.). <a rel="nofollow" class="external text" href="https://archive.org/details/newrollingstonea00brac"><i>The New Rolling Stone Album Guide</i></a> (4th ed.). Simon &amp; Schuster. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7432-0169-8" title="Special:BookSources/978-0-7432-0169-8"><bdi>978-0-7432-0169-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Elvis+Presley&amp;rft.btitle=The+New+Rolling+Stone+Album+Guide&amp;rft.edition=4th&amp;rft.pub=Simon+%26+Schuster&amp;rft.date=2004&amp;rft.isbn=978-0-7432-0169-8&amp;rft.aulast=Marsh&amp;rft.aufirst=Dave&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fnewrollingstonea00brac&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarsh2015" class="citation news cs1">Marsh, Stefanie (December 21, 2015). <span class="id-lock-subscription" title="Paid subscription required"><a rel="nofollow" class="external text" href="https://www.thetimes.co.uk/article/did-elvis-indoctrinate-me-probably-but-i-dont-see-it-as-a-bad-thing-73rpgqlc3r3">"Did Elvis indoctrinate me? Probably – but I don't see it as a bad thing"</a></span>. <i>The Times</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220619014522/https://www.thetimes.co.uk/article/did-elvis-indoctrinate-me-probably-but-i-dont-see-it-as-a-bad-thing-73rpgqlc3r3">Archived</a> from the original on June 19, 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">April 5,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Times&amp;rft.atitle=Did+Elvis+indoctrinate+me%3F+Probably+%E2%80%93+but+I+don%27t+see+it+as+a+bad+thing&amp;rft.date=2015-12-21&amp;rft.aulast=Marsh&amp;rft.aufirst=Stefanie&amp;rft_id=https%3A%2F%2Fwww.thetimes.co.uk%2Farticle%2Fdid-elvis-indoctrinate-me-probably-but-i-dont-see-it-as-a-bad-thing-73rpgqlc3r3&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMartin2000" class="citation news cs1">Martin, Douglas (June 5, 2000). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2000/06/05/us/mary-jenkins-langston-78-cook-for-presley.html">"Mary Jenkins Langston, 78, Cook for Presley"</a>. <i>The New York Times</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180121125808/http://www.nytimes.com/2000/06/05/us/mary-jenkins-langston-78-cook-for-presley.html">Archived</a> from the original on January 21, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">January 20,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=Mary+Jenkins+Langston%2C+78%2C+Cook+for+Presley&amp;rft.date=2000-06-05&amp;rft.aulast=Martin&amp;rft.aufirst=Douglas&amp;rft_id=https%3A%2F%2Fwww.nytimes.com%2F2000%2F06%2F05%2Fus%2Fmary-jenkins-langston-78-cook-for-presley.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMasley2002" class="citation news cs1">Masley, Ed (August 15, 2002). <a rel="nofollow" class="external text" href="https://news.google.com/newspapers?nid=1129&amp;dat=20020815&amp;id=15INAAAAIBAJ&amp;sjid=YnADAAAAIBAJ&amp;pg=3942,3866464">"It's Good To Be King"</a>. <i>Pittsburgh Post-Gazette</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230819011116/https://news.google.com/newspapers?nid=1129&amp;dat=20020815&amp;id=15INAAAAIBAJ&amp;sjid=YnADAAAAIBAJ&amp;pg=3942,3866464">Archived</a> from the original on August 19, 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">January 31,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Pittsburgh+Post-Gazette&amp;rft.atitle=It%27s+Good+To+Be+King&amp;rft.date=2002-08-15&amp;rft.aulast=Masley&amp;rft.aufirst=Ed&amp;rft_id=https%3A%2F%2Fnews.google.com%2Fnewspapers%3Fnid%3D1129%26dat%3D20020815%26id%3D15INAAAAIBAJ%26sjid%3DYnADAAAAIBAJ%26pg%3D3942%2C3866464&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMason2007" class="citation book cs1">Mason, Bobbie Ann (2007). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=NqCQo9nqVHYC&amp;pg=PA37"><i>Elvis Presley</i></a>. Penguin. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-14-303889-4" title="Special:BookSources/978-0-14-303889-4"><bdi>978-0-14-303889-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+Presley&amp;rft.pub=Penguin&amp;rft.date=2007&amp;rft.isbn=978-0-14-303889-4&amp;rft.aulast=Mason&amp;rft.aufirst=Bobbie+Ann&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DNqCQo9nqVHYC%26pg%3DPA37&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMatthew-Walker1979" class="citation book cs1">Matthew-Walker, Robert (1979). <i>Elvis Presley. A Study in Music</i>. Midas Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-85936-162-0" title="Special:BookSources/978-0-85936-162-0"><bdi>978-0-85936-162-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+Presley.+A+Study+in+Music&amp;rft.pub=Midas+Books&amp;rft.date=1979&amp;rft.isbn=978-0-85936-162-0&amp;rft.aulast=Matthew-Walker&amp;rft.aufirst=Robert&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcPhate2017" class="citation web cs1">McPhate, Tim (August 15, 2017). <a rel="nofollow" class="external text" href="https://www.grammy.com/grammys/news/remembering-elvis-presley-5-grammy-facts">"Elvis: Do You Know These 5 Facts?"</a>. Grammy Awards. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20191227044323/https://www.grammy.com/grammys/news/remembering-elvis-presley-5-grammy-facts">Archived</a> from the original on December 27, 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">January 9,</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Elvis%3A+Do+You+Know+These+5+Facts%3F&amp;rft.pub=Grammy+Awards&amp;rft.date=2017-08-15&amp;rft.aulast=McPhate&amp;rft.aufirst=Tim&amp;rft_id=https%3A%2F%2Fwww.grammy.com%2Fgrammys%2Fnews%2Fremembering-elvis-presley-5-grammy-facts&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMillerGriswoldScharffRezac2012" class="citation journal cs1">Miller, Jeremy A.; Griswold, Charles E.; Scharff, Nikolaj; Rezac, Milan; Szuts, Tamas; Marhabaie, Mohammad (May 18, 2012). <a rel="nofollow" class="external text" href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3361087">"The velvet spiders: an atlas of the Eresidae (Arachnida, Araneae)"</a>. <i>ZooKeys</i> (195): <span class="nowrap">1–</span>144. <a href="/wiki/Bibcode_(identifier)" class="mw-redirect" title="Bibcode (identifier)">Bibcode</a>:<a rel="nofollow" class="external text" href="https://ui.adsabs.harvard.edu/abs/2012ZooK..195....1M">2012ZooK..195....1M</a>. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<span class="id-lock-free" title="Freely accessible"><a rel="nofollow" class="external text" href="https://doi.org/10.3897%2Fzookeys.195.2342">10.3897/zookeys.195.2342</a></span>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/1313-2970">1313-2970</a>. <a href="/wiki/PMC_(identifier)" class="mw-redirect" title="PMC (identifier)">PMC</a> <span class="id-lock-free" title="Freely accessible"><a rel="nofollow" class="external text" href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3361087">3361087</a></span>. <a href="/wiki/PMID_(identifier)" class="mw-redirect" title="PMID (identifier)">PMID</a> <a rel="nofollow" class="external text" href="https://pubmed.ncbi.nlm.nih.gov/22679386">22679386</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=ZooKeys&amp;rft.atitle=The+velvet+spiders%3A+an+atlas+of+the+Eresidae+%28Arachnida%2C+Araneae%29&amp;rft.issue=195&amp;rft.pages=%3Cspan+class%3D%22nowrap%22%3E1-%3C%2Fspan%3E144&amp;rft.date=2012-05-18&amp;rft_id=https%3A%2F%2Fwww.ncbi.nlm.nih.gov%2Fpmc%2Farticles%2FPMC3361087%23id-name%3DPMC&amp;rft_id=info%3Abibcode%2F2012ZooK..195....1M&amp;rft_id=info%3Apmid%2F22679386&amp;rft_id=info%3Adoi%2F10.3897%2Fzookeys.195.2342&amp;rft.issn=1313-2970&amp;rft.aulast=Miller&amp;rft.aufirst=Jeremy+A.&amp;rft.au=Griswold%2C+Charles+E.&amp;rft.au=Scharff%2C+Nikolaj&amp;rft.au=Rezac%2C+Milan&amp;rft.au=Szuts%2C+Tamas&amp;rft.au=Marhabaie%2C+Mohammad&amp;rft_id=https%3A%2F%2Fwww.ncbi.nlm.nih.gov%2Fpmc%2Farticles%2FPMC3361087&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMiller2000" class="citation book cs1">Miller, James (2000). <i>Flowers in the Dustbin: The Rise of Rock and Roll, 1947–1977</i>. Fireside. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-684-86560-7" title="Special:BookSources/978-0-684-86560-7"><bdi>978-0-684-86560-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Flowers+in+the+Dustbin%3A+The+Rise+of+Rock+and+Roll%2C+1947%E2%80%931977&amp;rft.pub=Fireside&amp;rft.date=2000&amp;rft.isbn=978-0-684-86560-7&amp;rft.aulast=Miller&amp;rft.aufirst=James&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMiller2021" class="citation web cs1">Miller, Madison (March 23, 2021). <a rel="nofollow" class="external text" href="https://outsider.com/news/entertainment/elvis-presley-how-king-rock-roll-developed-his-signature-dance-moves/">"Elvis Presley: How the King of Rock 'n' Rolling Developed His Signature Dance Moves"</a>. <i>Outsider</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220214105458/https://outsider.com/news/entertainment/elvis-presley-how-king-rock-roll-developed-his-signature-dance-moves/">Archived</a> from the original on February 14, 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">February 14,</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Outsider&amp;rft.atitle=Elvis+Presley%3A+How+the+King+of+Rock+%27n%27+Rolling+Developed+His+Signature+Dance+Moves&amp;rft.date=2021-03-23&amp;rft.aulast=Miller&amp;rft.aufirst=Madison&amp;rft_id=https%3A%2F%2Foutsider.com%2Fnews%2Fentertainment%2Felvis-presley-how-king-rock-roll-developed-his-signature-dance-moves%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMoody2008" class="citation news cs1">Moody, Nekesa Mumbi (April 2, 2008). <a rel="nofollow" class="external text" href="http://usatoday30.usatoday.com/life/music/news/2008-04-02-carey_N.htm">"Mariah Carey Surpasses Elvis in No. 1s"</a>. <i>USA Today</i>. Associated Press. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230512161449/http://usatoday30.usatoday.com/life/music/news/2008-04-02-carey_N.htm">Archived</a> from the original on May 12, 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">April 14,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=USA+Today&amp;rft.atitle=Mariah+Carey+Surpasses+Elvis+in+No.+1s&amp;rft.date=2008-04-02&amp;rft.aulast=Moody&amp;rft.aufirst=Nekesa+Mumbi&amp;rft_id=http%3A%2F%2Fusatoday30.usatoday.com%2Flife%2Fmusic%2Fnews%2F2008-04-02-carey_N.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMooreDickerson1997" class="citation book cs1">Moore, Scotty; Dickerson, James (1997). <i>That's Alright, Elvis</i>. Schirmer Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-02-864599-5" title="Special:BookSources/978-0-02-864599-5"><bdi>978-0-02-864599-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=That%27s+Alright%2C+Elvis&amp;rft.pub=Schirmer+Books&amp;rft.date=1997&amp;rft.isbn=978-0-02-864599-5&amp;rft.aulast=Moore&amp;rft.aufirst=Scotty&amp;rft.au=Dickerson%2C+James&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMorrison1996" class="citation book cs1">Morrison, Craig (1996). <i>Go Cat Go!: Rockabilly Music and Its Makers</i>. University of Illinois Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-252-02207-4" title="Special:BookSources/978-0-252-02207-4"><bdi>978-0-252-02207-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Go+Cat+Go%21%3A+Rockabilly+Music+and+Its+Makers&amp;rft.pub=University+of+Illinois+Press&amp;rft.date=1996&amp;rft.isbn=978-0-252-02207-4&amp;rft.aulast=Morrison&amp;rft.aufirst=Craig&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMoscheo2007" class="citation book cs1">Moscheo, Joe (2007). <i>The Gospel Side of Elvis</i>. Center Street. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-59995-729-6" title="Special:BookSources/978-1-59995-729-6"><bdi>978-1-59995-729-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Gospel+Side+of+Elvis&amp;rft.pub=Center+Street&amp;rft.date=2007&amp;rft.isbn=978-1-59995-729-6&amp;rft.aulast=Moscheo&amp;rft.aufirst=Joe&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMoyer2002" class="citation book cs1">Moyer, Susan M. (2002). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/elviskingremembe0000moye"><i>Elvis: The King Remembered</i></a></span>. Sports Publishing LLC. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-58261-558-5" title="Special:BookSources/978-1-58261-558-5"><bdi>978-1-58261-558-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis%3A+The+King+Remembered&amp;rft.pub=Sports+Publishing+LLC&amp;rft.date=2002&amp;rft.isbn=978-1-58261-558-5&amp;rft.aulast=Moyer&amp;rft.aufirst=Susan+M.&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Felviskingremembe0000moye&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMurray1961" class="citation magazine cs1">Murray, Don (October 1961). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=R31UAAAAMAAJ&amp;pg=RA6-PA63">"One Million Times 98¢"</a>. <i>HiFi/Stereo Review</i>. Vol. 7, no. 4. Ziff-Davis Publishing Company. pp. <span class="nowrap">63–</span>66.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=HiFi%2FStereo+Review&amp;rft.atitle=One+Million+Times+98%C2%A2&amp;rft.volume=7&amp;rft.issue=4&amp;rft.pages=%3Cspan+class%3D%22nowrap%22%3E63-%3C%2Fspan%3E66&amp;rft.date=1961-10&amp;rft.aulast=Murray&amp;rft.aufirst=Don&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DR31UAAAAMAAJ%26pg%3DRA6-PA63&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMyers2022" class="citation web cs1">Myers, Justin (September 30, 2022). <a rel="nofollow" class="external text" href="https://www.officialcharts.com/chart-news/artists-with-the-most-number-1-singles-on-the-uk-chart__23765/">"Artists with the most Number 1 singles on the UK chart"</a>. <a href="/wiki/Official_Charts_Company" title="Official Charts Company">Official Charts Company</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220226150127/https://www.officialcharts.com/chart-news/artists-with-the-most-number-1-singles-on-the-uk-chart__23765/">Archived</a> from the original on February 26, 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">October 15,</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Artists+with+the+most+Number+1+singles+on+the+UK+chart&amp;rft.pub=Official+Charts+Company&amp;rft.date=2022-09-30&amp;rft.aulast=Myers&amp;rft.aufirst=Justin&amp;rft_id=https%3A%2F%2Fwww.officialcharts.com%2Fchart-news%2Fartists-with-the-most-number-1-singles-on-the-uk-chart__23765%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMyers2021" class="citation news cs1">Myers, Justin (September 17, 2021). <a rel="nofollow" class="external text" href="https://www.officialcharts.com/chart-news/artists-with-the-most-top-10-singles-in-the-uk__25400/">"Artists with the most Top 10 singles in the UK"</a>. Official Charts Company. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220617194018/https://www.officialcharts.com/chart-news/artists-with-the-most-top-10-singles-in-the-uk__25400/">Archived</a> from the original on June 17, 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">October 15,</span> 2022</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=Artists+with+the+most+Top+10+singles+in+the+UK&amp;rft.date=2021-09-17&amp;rft.aulast=Myers&amp;rft.aufirst=Justin&amp;rft_id=https%3A%2F%2Fwww.officialcharts.com%2Fchart-news%2Fartists-with-the-most-top-10-singles-in-the-uk__25400%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMyrie2009" class="citation book cs1">Myrie, Russell (2009). <a rel="nofollow" class="external text" href="https://archive.org/details/dontrhymeforsake00myri"><i>Don't Rhyme for the Sake of Riddlin': The Authorized Story of Public Enemy</i></a>. Canongate. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84767-182-0" title="Special:BookSources/978-1-84767-182-0"><bdi>978-1-84767-182-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Don%27t+Rhyme+for+the+Sake+of+Riddlin%27%3A+The+Authorized+Story+of+Public+Enemy&amp;rft.pub=Canongate&amp;rft.date=2009&amp;rft.isbn=978-1-84767-182-0&amp;rft.aulast=Myrie&amp;rft.aufirst=Russell&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fdontrhymeforsake00myri&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNash2003" class="citation book cs1"><a href="/wiki/Alanna_Nash" title="Alanna Nash">Nash, Alanna</a> (2003). <a rel="nofollow" class="external text" href="https://archive.org/details/colonelextraordi00nash"><i>The Colonel: The Extraordinary Story of Colonel Tom Parker and Elvis Presley</i></a>. Simon &amp; Schuster. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7432-1301-1" title="Special:BookSources/978-0-7432-1301-1"><bdi>978-0-7432-1301-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Colonel%3A+The+Extraordinary+Story+of+Colonel+Tom+Parker+and+Elvis+Presley&amp;rft.pub=Simon+%26+Schuster&amp;rft.date=2003&amp;rft.isbn=978-0-7432-1301-1&amp;rft.aulast=Nash&amp;rft.aufirst=Alanna&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fcolonelextraordi00nash&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNash2005" class="citation book cs1">Nash, Alanna (2005). <i>Elvis and the Memphis Mafia</i>. Aurum. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84513-128-9" title="Special:BookSources/978-1-84513-128-9"><bdi>978-1-84513-128-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+and+the+Memphis+Mafia&amp;rft.pub=Aurum&amp;rft.date=2005&amp;rft.isbn=978-1-84513-128-9&amp;rft.aulast=Nash&amp;rft.aufirst=Alanna&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNational_Park_Service2010" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20111230214217/http://tps.cr.nps.gov/nhl/detail.cfm?ResourceId=1146152923&amp;ResourceType=Building">"Graceland"</a>. National Park Service. 2010. Archived from <a rel="nofollow" class="external text" href="http://tps.cr.nps.gov/nhl/detail.cfm?ResourceId=1146152923&amp;ResourceType=Building">the original</a> on December 30, 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">January 7,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Graceland&amp;rft.pub=National+Park+Service&amp;rft.date=2010&amp;rft_id=http%3A%2F%2Ftps.cr.nps.gov%2Fnhl%2Fdetail.cfm%3FResourceId%3D1146152923%26ResourceType%3DBuilding&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNeibaur2014" class="citation book cs1">Neibaur, James L. (2014). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=u95XAwAAQBAJ"><i>The Elvis Movies</i></a>. Rowman &amp; Littlefield. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4422-3074-3" title="Special:BookSources/978-1-4422-3074-3"><bdi>978-1-4422-3074-3</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20240321182638/https://books.google.com/books?id=u95XAwAAQBAJ">Archived</a> from the original on March 21, 2024<span class="reference-accessdate">. Retrieved <span class="nowrap">March 21,</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Elvis+Movies&amp;rft.pub=Rowman+%26+Littlefield&amp;rft.date=2014&amp;rft.isbn=978-1-4422-3074-3&amp;rft.aulast=Neibaur&amp;rft.aufirst=James+L.&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Du95XAwAAQBAJ&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNew_York_Times2002" class="citation news cs1"><a rel="nofollow" class="external text" href="https://query.nytimes.com/gst/fullpage.html?res=9B0CE0DD143DF935A2575BC0A9649C8B63">"Long Live the King"</a>. <i>The New York Times</i>. August 16, 2002. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20080119104830/http://query.nytimes.com/gst/fullpage.html?res=9B0CE0DD143DF935A2575BC0A9649C8B63">Archived</a> from the original on January 19, 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">December 30,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=Long+Live+the+King&amp;rft.date=2002-08-16&amp;rft_id=https%3A%2F%2Fquery.nytimes.com%2Fgst%2Ffullpage.html%3Fres%3D9B0CE0DD143DF935A2575BC0A9649C8B63&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFO'Malley2016" class="citation news cs1">O'Malley, Sheila (April 4, 2016). <a rel="nofollow" class="external text" href="http://www.brightwalldarkroom.com/2016/04/04/love-me-tender/">"Love Me Tender"</a>. <i>Bright Wall/Dark Room</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180118182902/http://www.brightwalldarkroom.com/2016/04/04/love-me-tender/">Archived</a> from the original on January 18, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">January 17,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Bright+Wall%2FDark+Room&amp;rft.atitle=Love+Me+Tender&amp;rft.date=2016-04-04&amp;rft.aulast=O%27Malley&amp;rft.aufirst=Sheila&amp;rft_id=http%3A%2F%2Fwww.brightwalldarkroom.com%2F2016%2F04%2F04%2Flove-me-tender%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFOsborne2000" class="citation book cs1">Osborne, Jerry (2000). <a rel="nofollow" class="external text" href="https://archive.org/details/elvis00jerr"><i>Elvis: Word for Word</i></a>. Harmony. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-609-60803-6" title="Special:BookSources/978-0-609-60803-6"><bdi>978-0-609-60803-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis%3A+Word+for+Word&amp;rft.pub=Harmony&amp;rft.date=2000&amp;rft.isbn=978-0-609-60803-6&amp;rft.aulast=Osborne&amp;rft.aufirst=Jerry&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Felvis00jerr&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFOsborne2017" class="citation book cs1">Osborne, Jerry (2017). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=CE6JPQyNKawC"><i>Presleyana VIII – the Elvis Presley Record, CD, and Memorabilia Price Guide</i></a>. Jerry Osborne Enterprises. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-932117-97-7" title="Special:BookSources/978-0-932117-97-7"><bdi>978-0-932117-97-7</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20240321182514/https://books.google.com/books?id=CE6JPQyNKawC">Archived</a> from the original on March 21, 2024<span class="reference-accessdate">. Retrieved <span class="nowrap">March 21,</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Presleyana+VIII+%E2%80%93+the+Elvis+Presley+Record%2C+CD%2C+and+Memorabilia+Price+Guide&amp;rft.pub=Jerry+Osborne+Enterprises&amp;rft.date=2017&amp;rft.isbn=978-0-932117-97-7&amp;rft.aulast=Osborne&amp;rft.aufirst=Jerry&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DCE6JPQyNKawC&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPalladino1996" class="citation book cs1">Palladino, Grace (1996). <i>Teenagers: An American History</i>. Westview. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-465-00766-0" title="Special:BookSources/978-0-465-00766-0"><bdi>978-0-465-00766-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Teenagers%3A+An+American+History&amp;rft.pub=Westview&amp;rft.date=1996&amp;rft.isbn=978-0-465-00766-0&amp;rft.aulast=Palladino&amp;rft.aufirst=Grace&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPendergastPendergast2000" class="citation book cs1">Pendergast, Sara; Pendergast, Tom (2000). <i>St. James Encyclopedia of Popular Culture</i> (4th ed.). St. James Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-55862-404-7" title="Special:BookSources/978-1-55862-404-7"><bdi>978-1-55862-404-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=St.+James+Encyclopedia+of+Popular+Culture&amp;rft.edition=4th&amp;rft.pub=St.+James+Press&amp;rft.date=2000&amp;rft.isbn=978-1-55862-404-7&amp;rft.aulast=Pendergast&amp;rft.aufirst=Sara&amp;rft.au=Pendergast%2C+Tom&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPilgrim2006" class="citation web cs1">Pilgrim, David (March 2006). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120106054126/http://www.ferris.edu/JIMCROW/question/mar06/">"Question of the Month: Elvis Presley and Racism"</a>. Jim Crow Museum of Racist Memorabilia. Archived from <a rel="nofollow" class="external text" href="http://www.ferris.edu/JIMCROW/question/mar06/">the original</a> on January 6, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">December 28,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Question+of+the+Month%3A+Elvis+Presley+and+Racism&amp;rft.pub=Jim+Crow+Museum+of+Racist+Memorabilia&amp;rft.date=2006-03&amp;rft.aulast=Pilgrim&amp;rft.aufirst=David&amp;rft_id=http%3A%2F%2Fwww.ferris.edu%2FJIMCROW%2Fquestion%2Fmar06%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPleasants2004" class="citation book cs1">Pleasants, Henry (2004). "Elvis Presley". In Frith, Simon (ed.). <i>Popular Music: Critical Concepts in Media and Cultural Studies, Volume 3: Popular Music Analysis</i>. Routledge. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-415-33269-9" title="Special:BookSources/978-0-415-33269-9"><bdi>978-0-415-33269-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Elvis+Presley&amp;rft.btitle=Popular+Music%3A+Critical+Concepts+in+Media+and+Cultural+Studies%2C+Volume+3%3A+Popular+Music+Analysis&amp;rft.pub=Routledge&amp;rft.date=2004&amp;rft.isbn=978-0-415-33269-9&amp;rft.aulast=Pleasants&amp;rft.aufirst=Henry&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPomerantz2011" class="citation magazine cs1">Pomerantz, Dorothy (October 25, 2011). <a rel="nofollow" class="external text" href="https://www.forbes.com/sites/dorothypomerantz/2011/10/25/the-top-earning-dead-celebrities/">"The Top-Earning Dead Celebrities"</a>. <i>Forbes</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190407203457/https://www.forbes.com/sites/dorothypomerantz/2011/10/25/the-top-earning-dead-celebrities/">Archived</a> from the original on April 7, 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">January 6,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Forbes&amp;rft.atitle=The+Top-Earning+Dead+Celebrities&amp;rft.date=2011-10-25&amp;rft.aulast=Pomerantz&amp;rft.aufirst=Dorothy&amp;rft_id=https%3A%2F%2Fwww.forbes.com%2Fsites%2Fdorothypomerantz%2F2011%2F10%2F25%2Fthe-top-earning-dead-celebrities%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPomerantz_et_al.2009" class="citation magazine cs1">Pomerantz, Dorothy; Lacey, Rose; Lauren, Streib; Thibault, Marie (October 27, 2009). <a rel="nofollow" class="external text" href="https://www.forbes.com/2009/10/27/top-earning-dead-celebrities-list-dead-celebs-09-entertainment_land.html">"Top-Earning Dead Celebrities"</a>. <i>Forbes</i>. <a rel="nofollow" class="external text" href="https://archive.today/20121205021043/http://www.forbes.com/2009/10/27/top-earning-dead-celebrities-list-dead-celebs-09-entertainment_land.html">Archived</a> from the original on December 5, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">January 5,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Forbes&amp;rft.atitle=Top-Earning+Dead+Celebrities&amp;rft.date=2009-10-27&amp;rft.aulast=Pomerantz&amp;rft.aufirst=Dorothy&amp;rft.au=Lacey%2C+Rose&amp;rft.au=Lauren%2C+Streib&amp;rft.au=Thibault%2C+Marie&amp;rft_id=https%3A%2F%2Fwww.forbes.com%2F2009%2F10%2F27%2Ftop-earning-dead-celebrities-list-dead-celebs-09-entertainment_land.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPonce_de_Leon2007" class="citation book cs1">Ponce de Leon, Charles L. (2007). <i>Fortunate Son: The Life of Elvis Presley</i>. Macmillan. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8090-1641-9" title="Special:BookSources/978-0-8090-1641-9"><bdi>978-0-8090-1641-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Fortunate+Son%3A+The+Life+of+Elvis+Presley&amp;rft.pub=Macmillan&amp;rft.date=2007&amp;rft.isbn=978-0-8090-1641-9&amp;rft.aulast=Ponce+de+Leon&amp;rft.aufirst=Charles+L.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPresley1985" class="citation book cs1">Presley, Priscilla (1985). <i>Elvis and Me</i>. G.P. Putnam's Sons. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-399-12984-1" title="Special:BookSources/978-0-399-12984-1"><bdi>978-0-399-12984-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+and+Me&amp;rft.pub=G.P.+Putnam%27s+Sons&amp;rft.date=1985&amp;rft.isbn=978-0-399-12984-1&amp;rft.aulast=Presley&amp;rft.aufirst=Priscilla&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRamsland2010" class="citation web cs1">Ramsland, Katherine (2010). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131105181517/http://www.trutv.com/library/crime/criminal_mind/forensics/cyril_wecht/4.html/index.html">"Cyril Wecht: Forensic Pathologist – Coverup for a King"</a>. TruTV. Archived from <a rel="nofollow" class="external text" href="http://www.trutv.com/library/crime/criminal_mind/forensics/cyril_wecht/4.html/">the original</a> on November 5, 2013.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Cyril+Wecht%3A+Forensic+Pathologist+%26ndash%3B%26%2332%3BCoverup+for+a+King&amp;rft.pub=TruTV&amp;rft.date=2010&amp;rft.aulast=Ramsland&amp;rft.aufirst=Katherine&amp;rft_id=http%3A%2F%2Fwww.trutv.com%2Flibrary%2Fcrime%2Fcriminal_mind%2Fforensics%2Fcyril_wecht%2F4.html%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRIAA2010" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20070701162536/http://www.riaa.com/goldandplatinumdata.php?table=tblTop100">"Top 100 Albums"</a>. Recording Industry Association of America. 2010. Archived from <a rel="nofollow" class="external text" href="https://www.riaa.com/goldandplatinumdata.php?table=tblTop100">the original</a> on July 1, 2007<span class="reference-accessdate">. Retrieved <span class="nowrap">January 31,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Top+100+Albums&amp;rft.pub=Recording+Industry+Association+of+America&amp;rft.date=2010&amp;rft_id=https%3A%2F%2Fwww.riaa.com%2Fgoldandplatinumdata.php%3Ftable%3DtblTop100&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRIAA2020a" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.riaa.com/gold-platinum/?tab_active=top_tallies&amp;ttt=TAA">"Gold &amp; Platinum: Top Artists (Albums)"</a>. Recording Industry Association of America. 2020. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20171203033345/https://www.riaa.com/gold-platinum/?tab_active=top_tallies&amp;ttt=TAA">Archived</a> from the original on December 3, 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">February 8,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Gold+%26+Platinum%3A+Top+Artists+%28Albums%29&amp;rft.pub=Recording+Industry+Association+of+America&amp;rft.date=2020&amp;rft_id=https%3A%2F%2Fwww.riaa.com%2Fgold-platinum%2F%3Ftab_active%3Dtop_tallies%26ttt%3DTAA&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRIAA2020b" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.riaa.com/gold-platinum/?tab_active=awards_by_artist&amp;col=gold_units&amp;ord=desc#search_section">"Gold &amp; Platinum: Artists – Albums/EPs (Gold)"</a>. Recording Industry Association of America. 2020. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200424044216/https://www.riaa.com/gold-platinum/?tab_active=awards_by_artist&amp;col=gold_units&amp;ord=desc#search_section">Archived</a> from the original on April 24, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">February 8,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Gold+%26+Platinum%3A+Artists+%26ndash%3B%26%2332%3BAlbums%2FEPs+%28Gold%29&amp;rft.pub=Recording+Industry+Association+of+America&amp;rft.date=2020&amp;rft_id=https%3A%2F%2Fwww.riaa.com%2Fgold-platinum%2F%3Ftab_active%3Dawards_by_artist%26col%3Dgold_units%26ord%3Ddesc%23search_section&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRIAA2020c" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.riaa.com/gold-platinum/?tab_active=awards_by_artist&amp;col=platinum_units&amp;ord=desc#search_section">"Gold &amp; Platinum: Artists – Albums/EPs (Platinum)"</a>. Recording Industry Association of America. 2020. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200424070914/https://www.riaa.com/gold-platinum/?tab_active=awards_by_artist&amp;col=platinum_units&amp;ord=desc#search_section">Archived</a> from the original on April 24, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">February 8,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Gold+%26+Platinum%3A+Artists+%26ndash%3B%26%2332%3BAlbums%2FEPs+%28Platinum%29&amp;rft.pub=Recording+Industry+Association+of+America&amp;rft.date=2020&amp;rft_id=https%3A%2F%2Fwww.riaa.com%2Fgold-platinum%2F%3Ftab_active%3Dawards_by_artist%26col%3Dplatinum_units%26ord%3Ddesc%23search_section&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRIAA2020d" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.riaa.com/gold-platinum/?tab_active=awards_by_artist&amp;col=multi_platinum_units&amp;ord=desc#search_section">"Gold &amp; Platinum: Artists – Albums/EPs (Multi-Platinum)"</a>. Recording Industry Association of America. 2020. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200424070736/https://www.riaa.com/gold-platinum/?tab_active=awards_by_artist&amp;col=multi_platinum_units&amp;ord=desc#search_section">Archived</a> from the original on April 24, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">February 8,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Gold+%26+Platinum%3A+Artists+%26ndash%3B%26%2332%3BAlbums%2FEPs+%28Multi-Platinum%29&amp;rft.pub=Recording+Industry+Association+of+America&amp;rft.date=2020&amp;rft_id=https%3A%2F%2Fwww.riaa.com%2Fgold-platinum%2F%3Ftab_active%3Dawards_by_artist%26col%3Dmulti_platinum_units%26ord%3Ddesc%23search_section&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRIAA2020e" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.riaa.com/gold-platinum/?advance_search=1&amp;tab_active=awards_by_artist&amp;format_option=singles&amp;type_option=ST&amp;col=gold_units&amp;ord=desc#search_section">"Gold &amp; Platinum: Artists – Singles (Gold)"</a>. Recording Industry Association of America. 2020. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200613130432/https://www.riaa.com/gold-platinum/?advance_search=1&amp;tab_active=awards_by_artist&amp;format_option=singles&amp;type_option=ST&amp;col=gold_units&amp;ord=desc#search_section">Archived</a> from the original on June 13, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">February 8,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Gold+%26+Platinum%3A+Artists+%26ndash%3B%26%2332%3BSingles+%28Gold%29&amp;rft.pub=Recording+Industry+Association+of+America&amp;rft.date=2020&amp;rft_id=https%3A%2F%2Fwww.riaa.com%2Fgold-platinum%2F%3Fadvance_search%3D1%26tab_active%3Dawards_by_artist%26format_option%3Dsingles%26type_option%3DST%26col%3Dgold_units%26ord%3Ddesc%23search_section&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRIAA2020f" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.riaa.com/gold-platinum/?advance_search=1&amp;tab_active=awards_by_artist&amp;format_option=singles&amp;type_option=ST&amp;col=platinum_units&amp;ord=desc#search_section">"Gold &amp; Platinum: Artists – Singles (Platinum)"</a>. Recording Industry Association of America. 2020. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200613113423/https://www.riaa.com/gold-platinum/?advance_search=1&amp;tab_active=awards_by_artist&amp;format_option=singles&amp;type_option=ST&amp;col=platinum_units&amp;ord=desc#search_section">Archived</a> from the original on June 13, 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">February 8,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Gold+%26+Platinum%3A+Artists+%26ndash%3B%26%2332%3BSingles+%28Platinum%29&amp;rft.pub=Recording+Industry+Association+of+America&amp;rft.date=2020&amp;rft_id=https%3A%2F%2Fwww.riaa.com%2Fgold-platinum%2F%3Fadvance_search%3D1%26tab_active%3Dawards_by_artist%26format_option%3Dsingles%26type_option%3DST%26col%3Dplatinum_units%26ord%3Ddesc%23search_section&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id='CITEREF"Red_Carpet"1960' class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=xh8EAAAAMBAJ">"Red Carpet for Elvis LP"</a>. <i>Billboard</i>. April 18, 1960. p. 11.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=Red+Carpet+for+Elvis+LP&amp;rft.pages=11&amp;rft.date=1960-04-18&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dxh8EAAAAMBAJ&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFReuters2022" class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.reuters.com/article/us-universal-music-elvis-idCAKCN2M40UH">"Universal Music can't help falling for Elvis Presley, to manage song catalog"</a>. <i><a href="/wiki/Reuters" title="Reuters">Reuters</a></i>. April 12, 2022. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220718055826/https://www.reuters.com/article/us-universal-music-elvis-idCAKCN2M40UH">Archived</a> from the original on July 18, 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">March 19,</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Reuters&amp;rft.atitle=Universal+Music+can%27t+help+falling+for+Elvis+Presley%2C+to+manage+song+catalog&amp;rft.date=2022-04-12&amp;rft_id=https%3A%2F%2Fwww.reuters.com%2Farticle%2Fus-universal-music-elvis-idCAKCN2M40UH&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRobertson2004" class="citation book cs1">Robertson, John (2004). <i>Elvis Presley: The Complete Guide to His Music</i>. Omnibus Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84449-711-9" title="Special:BookSources/978-1-84449-711-9"><bdi>978-1-84449-711-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+Presley%3A+The+Complete+Guide+to+His+Music&amp;rft.pub=Omnibus+Press&amp;rft.date=2004&amp;rft.isbn=978-1-84449-711-9&amp;rft.aulast=Robertson&amp;rft.aufirst=John&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRRHF2010" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20160629124806/http://www.rockhall.com/exhibits/featured-collections/elvis-presley/">"Elvis Presley"</a>. Rock and Roll Hall of Fame. 2010. Archived from <a rel="nofollow" class="external text" href="http://rockhall.com/exhibits/featured-collections/elvis-presley/">the original</a> on June 29, 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">July 22,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Elvis+Presley&amp;rft.pub=Rock+and+Roll+Hall+of+Fame&amp;rft.date=2010&amp;rft_id=http%3A%2F%2Frockhall.com%2Fexhibits%2Ffeatured-collections%2Felvis-presley%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRock_'N_Roll_Stars1956" class="citation magazine cs1">"Elvis Presley: 'King of Rock'<span class="cs1-kern-right"></span>". <i>Rock 'N Roll Stars</i>. 1956. pp. <span class="nowrap">2–</span>13.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rock+%27N+Roll+Stars&amp;rft.atitle=Elvis+Presley%3A+%27King+of+Rock%27&amp;rft.pages=%3Cspan+class%3D%22nowrap%22%3E2-%3C%2Fspan%3E13&amp;rft.date=1956&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span> via <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">Rabbers, Jans (July 11, 2013). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20231007172218/http://www.elvisechoesofthepast.com/rock-n-roll-stars-1956/">"Rock 'N Roll Stars (1956)"</a>. <i>Smelly Paper Vintage Magazines</i>. Archived from <a rel="nofollow" class="external text" href="http://www.elvisechoesofthepast.com/rock-n-roll-stars-1956/">the original</a> on October 7, 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">December 5,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Smelly+Paper+Vintage+Magazines&amp;rft.atitle=Rock+%27N+Roll+Stars+%281956%29&amp;rft.date=2013-07-11&amp;rft.aulast=Rabbers&amp;rft.aufirst=Jans&amp;rft_id=http%3A%2F%2Fwww.elvisechoesofthepast.com%2Frock-n-roll-stars-1956%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRodman1996" class="citation book cs1">Rodman, Gilbert B. (1996). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/elvisafterelvisp0000rodm"><i>Elvis After Elvis, The Posthumous Career of a Living Legend</i></a></span>. Routledge. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-415-11002-0" title="Special:BookSources/978-0-415-11002-0"><bdi>978-0-415-11002-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+After+Elvis%2C+The+Posthumous+Career+of+a+Living+Legend&amp;rft.pub=Routledge&amp;rft.date=1996&amp;rft.isbn=978-0-415-11002-0&amp;rft.aulast=Rodman&amp;rft.aufirst=Gilbert+B.&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Felvisafterelvisp0000rodm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRodman2013" class="citation book cs1">Rodman, Gilbert B. (2013). <i>Elvis After Elvis The Posthumous Career of a Living Legend</i>. Taylor &amp; Francis. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-136-15506-2" title="Special:BookSources/978-1-136-15506-2"><bdi>978-1-136-15506-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+After+Elvis+The+Posthumous+Career+of+a+Living+Legend&amp;rft.pub=Taylor+%26+Francis&amp;rft.date=2013&amp;rft.isbn=978-1-136-15506-2&amp;rft.aulast=Rodman&amp;rft.aufirst=Gilbert+B.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRogers1982" class="citation book cs1">Rogers, Dave (1982). <i>Rock 'n' Roll</i>. 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April 15, 2004. Archived from <a rel="nofollow" class="external text" href="https://www.rollingstone.com/news/story/5939214/the_immortals_the_first_fifty">the original</a> on June 25, 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">December 29,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=The+Immortals%3A+The+First+Fifty&amp;rft.date=2004-04-15&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fnews%2Fstory%2F5939214%2Fthe_immortals_the_first_fifty&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRolling_Stone2009" class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20080705162924/http://www.rollingstone.com/photos/gallery/5392211/1969_rolling_stone_covers/photo/13">"1969 Rolling Stone Covers"</a>. <i>Rolling Stone</i>. 2009. Archived from <a rel="nofollow" class="external text" href="https://www.rollingstone.com/coverwall/1969#0037">the original</a> on July 5, 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">November 20,</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=1969+Rolling+Stone+Covers&amp;rft.date=2009&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fcoverwall%2F1969%230037&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRolling_Stone2023" class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.rollingstone.com/music/music-lists/best-singers-all-time-1234642307/elvis-presley-18-1234643185/">"The 200 Greatest Singers of All Time"</a>. <i>Rolling Stone</i>. January 1, 2023. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20231024005113/https://www.rollingstone.com/music/music-lists/best-singers-all-time-1234642307/elvis-presley-18-1234643185/">Archived</a> from the original on October 24, 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">October 11,</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Rolling+Stone&amp;rft.atitle=The+200+Greatest+Singers+of+All+Time&amp;rft.date=2023-01-01&amp;rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2Fbest-singers-all-time-1234642307%2Felvis-presley-18-1234643185%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRose2006" class="citation magazine cs1">Rose, Lacey (October 24, 2006). <a rel="nofollow" class="external text" href="https://www.forbes.com/2006/10/23/celebrities-earnings-fame-tech-media-06deadcelebs-cx_lr_topearnintro.html">"Top-Earning Dead Celebrities"</a>. <i>Forbes</i>. <a rel="nofollow" class="external text" href="https://archive.today/20121208153548/http://www.forbes.com/2006/10/23/celebrities-earnings-fame-tech-media-06deadcelebs-cx_lr_topearnintro.html">Archived</a> from the original on December 8, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">June 5,</span> 2011</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Forbes&amp;rft.atitle=Top-Earning+Dead+Celebrities&amp;rft.date=2006-10-24&amp;rft.aulast=Rose&amp;rft.aufirst=Lacey&amp;rft_id=https%3A%2F%2Fwww.forbes.com%2F2006%2F10%2F23%2Fcelebrities-earnings-fame-tech-media-06deadcelebs-cx_lr_topearnintro.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRose_et_al.2010" class="citation magazine cs1">Rose, Lacey; Pomerantz, Dorothy; Greenburg, Zack O'Malley; Paine, Jake (October 25, 2010). <a rel="nofollow" class="external text" href="https://www.forbes.com/2010/10/21/michael-jackson-elvis-presley-tolkien-business-entertainment-dead-celebs-10_slide_3.html">"In Pictures: The 13 Top-Earning Dead Celebs – No. 2 Elvis Presley"</a>. <i>Forbes</i>. <a rel="nofollow" class="external text" href="https://archive.today/20120730101503/http://www.forbes.com/2010/10/21/michael-jackson-elvis-presley-tolkien-business-entertainment-dead-celebs-10_slide_3.html">Archived</a> from the original on July 30, 2012<span class="reference-accessdate">. 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"Presley Records a Craze in Soviet". <i>The New York Times</i>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=Presley+Records+a+Craze+in+Soviet&amp;rft.date=1957-02-03&amp;rft.aulast=Salisbury&amp;rft.aufirst=Harrison&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFScherman2006" class="citation magazine cs1">Scherman, Tony (August 16, 2006). <a rel="nofollow" class="external text" href="http://www.southingtonschools.org/file.cfm?resourceid=5339&amp;filename=The%20Death%20of%20Elvis.docx">"Elvis Dies"</a>. <i>American Heritage</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20231008211539/https://www.southingtonschools.org/file.cfm?resourceid=5339&amp;filename=The%20Death%20of%20Elvis.docx">Archived</a> from the original on October 8, 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">December 29,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=American+Heritage&amp;rft.atitle=Elvis+Dies&amp;rft.date=2006-08-16&amp;rft.aulast=Scherman&amp;rft.aufirst=Tony&amp;rft_id=http%3A%2F%2Fwww.southingtonschools.org%2Ffile.cfm%3Fresourceid%3D5339%26filename%3DThe%2520Death%2520of%2520Elvis.docx&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSegré2002" class="citation journal cs1">Segré, Gabriel (2002). <a rel="nofollow" class="external text" href="https://doi.org/10.3917%2Fethn.021.0149">"Le rite de la Candlelight"</a>. <i>Ethnologie française</i>. <b>32</b>: 149. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<span class="id-lock-free" title="Freely accessible"><a rel="nofollow" class="external text" href="https://doi.org/10.3917%2Fethn.021.0149">10.3917/ethn.021.0149</a></span>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0046-2616">0046-2616</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Ethnologie+fran%C3%A7aise&amp;rft.atitle=Le+rite+de+la+Candlelight&amp;rft.volume=32&amp;rft.pages=149&amp;rft.date=2002&amp;rft_id=info%3Adoi%2F10.3917%2Fethn.021.0149&amp;rft.issn=0046-2616&amp;rft.aulast=Segr%C3%A9&amp;rft.aufirst=Gabriel&amp;rft_id=https%3A%2F%2Fdoi.org%2F10.3917%252Fethn.021.0149&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSexton2007" class="citation magazine cs1">Sexton, Paul (August 3, 2007). <a rel="nofollow" class="external text" href="https://www.billboard.com/articles/news/1050223/new-presley-reissue-campaign-aimed-at-uk">"New Presley Reissue Campaign Aimed at U.K."</a> <i>Billboard</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180510082108/https://www.billboard.com/articles/news/1050223/new-presley-reissue-campaign-aimed-at-uk">Archived</a> from the original on May 10, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">January 21,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=New+Presley+Reissue+Campaign+Aimed+at+U.K.&amp;rft.date=2007-08-03&amp;rft.aulast=Sexton&amp;rft.aufirst=Paul&amp;rft_id=https%3A%2F%2Fwww.billboard.com%2Farticles%2Fnews%2F1050223%2Fnew-presley-reissue-campaign-aimed-at-uk&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSexton2016" class="citation magazine cs1">Sexton, Paul (October 28, 2016). <a rel="nofollow" class="external text" href="https://www.billboard.com/articles/columns/chart-beat/7557774/elvis-presley-wonder-of-you-uk-charts-little-mix">"The King Reigns Again as Elvis Presley Takes U.K. Album Honors"</a>. <i>Billboard</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20211111130125/https://www.billboard.com/articles/columns/chart-beat/7557774/elvis-presley-wonder-of-you-uk-charts-little-mix">Archived</a> from the original on November 11, 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">January 20,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=The+King+Reigns+Again+as+Elvis+Presley+Takes+U.K.+Album+Honors&amp;rft.date=2016-10-28&amp;rft.aulast=Sexton&amp;rft.aufirst=Paul&amp;rft_id=https%3A%2F%2Fwww.billboard.com%2Farticles%2Fcolumns%2Fchart-beat%2F7557774%2Felvis-presley-wonder-of-you-uk-charts-little-mix&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSlater2002" class="citation news cs1">Slater, Nigel (August 11, 2002). <a rel="nofollow" class="external text" href="https://www.theguardian.com/music/2002/aug/11/elvis25yearson.elvispresley6">"Grease Is the Word"</a>. <i>The Guardian</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180121072058/https://www.theguardian.com/music/2002/aug/11/elvis25yearson.elvispresley6">Archived</a> from the original on January 21, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">January 20,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Guardian&amp;rft.atitle=Grease+Is+the+Word&amp;rft.date=2002-08-11&amp;rft.aulast=Slater&amp;rft.aufirst=Nigel&amp;rft_id=https%3A%2F%2Fwww.theguardian.com%2Fmusic%2F2002%2Faug%2F11%2Felvis25yearson.elvispresley6&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSlaughterNixon2004" class="citation book cs1">Slaughter, Todd; Nixon, Anne E. (2004). <i>The Elvis Archives</i>. Omnibus Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84449-380-7" title="Special:BookSources/978-1-84449-380-7"><bdi>978-1-84449-380-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Elvis+Archives&amp;rft.pub=Omnibus+Press&amp;rft.date=2004&amp;rft.isbn=978-1-84449-380-7&amp;rft.aulast=Slaughter&amp;rft.aufirst=Todd&amp;rft.au=Nixon%2C+Anne+E.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSmith2002" class="citation news cs1">Smith, Liz (November 10, 2002). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2002/11/10/magazine/ain-t-nothin-but-a-chow-hound.html">"Ain't Nothin' but a Chow Hound"</a>. <i>The New York Times</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230824100751/https://www.nytimes.com/2002/11/10/magazine/ain-t-nothin-but-a-chow-hound.html">Archived</a> from the original on August 24, 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">January 20,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+New+York+Times&amp;rft.atitle=Ain%27t+Nothin%27+but+a+Chow+Hound&amp;rft.date=2002-11-10&amp;rft.aulast=Smith&amp;rft.aufirst=Liz&amp;rft_id=https%3A%2F%2Fwww.nytimes.com%2F2002%2F11%2F10%2Fmagazine%2Fain-t-nothin-but-a-chow-hound.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSpeakman2023" class="citation web cs1">Speakman, Kimberlee (January 13, 2023). <a rel="nofollow" class="external text" href="https://people.com/music/elvis-presley-former-fiancee-ginger-alden-pays-tribute-lisa-marie-presley-you-were-loved/">"Elvis Presley's Former Fiancée Ginger Alden Pays Tribute to Lisa Marie: 'You Were Loved'<span class="cs1-kern-right"></span>"</a>. <i>People</i>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=People&amp;rft.atitle=Elvis+Presley%27s+Former+Fianc%C3%A9e+Ginger+Alden+Pays+Tribute+to+Lisa+Marie%3A+%27You+Were+Loved%27&amp;rft.date=2023-01-13&amp;rft.aulast=Speakman&amp;rft.aufirst=Kimberlee&amp;rft_id=https%3A%2F%2Fpeople.com%2Fmusic%2Felvis-presley-former-fiancee-ginger-alden-pays-tribute-lisa-marie-presley-you-were-loved%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFStanleyCoffey1998" class="citation book cs1">Stanley, David; Coffey, Frank (1998). <i>The Elvis Encyclopedia</i>. Virgin Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7535-0293-8" title="Special:BookSources/978-0-7535-0293-8"><bdi>978-0-7535-0293-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Elvis+Encyclopedia&amp;rft.pub=Virgin+Books&amp;rft.date=1998&amp;rft.isbn=978-0-7535-0293-8&amp;rft.aulast=Stanley&amp;rft.aufirst=David&amp;rft.au=Coffey%2C+Frank&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFStein1997" class="citation news cs1">Stein, Ruthe (August 3, 1997). <a rel="nofollow" class="external text" href="http://www.sfgate.com/entertainment/article/Girls-Girls-Girls-From-small-town-women-to-2814423.php">"Girls! Girls! Girls!"</a>. <i><a href="/wiki/San_Francisco_Chronicle" title="San Francisco Chronicle">San Francisco Chronicle</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230830125539/https://www.sfgate.com/entertainment/article/Girls-Girls-Girls-From-small-town-women-to-2814423.php">Archived</a> from the original on August 30, 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">December 29,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=San+Francisco+Chronicle&amp;rft.atitle=Girls%21+Girls%21+Girls%21&amp;rft.date=1997-08-03&amp;rft.aulast=Stein&amp;rft.aufirst=Ruthe&amp;rft_id=http%3A%2F%2Fwww.sfgate.com%2Fentertainment%2Farticle%2FGirls-Girls-Girls-From-small-town-women-to-2814423.php&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSzatmary1996" class="citation book cs1">Szatmary, David (1996). <a rel="nofollow" class="external text" href="https://archive.org/details/timetorocksocial00szat"><i>A Time to Rock: A Social History of Rock 'n' Roll</i></a>. Schirmer Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-02-864670-1" title="Special:BookSources/978-0-02-864670-1"><bdi>978-0-02-864670-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=A+Time+to+Rock%3A+A+Social+History+of+Rock+%27n%27+Roll&amp;rft.pub=Schirmer+Books&amp;rft.date=1996&amp;rft.isbn=978-0-02-864670-1&amp;rft.aulast=Szatmary&amp;rft.aufirst=David&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Ftimetorocksocial00szat&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTasker2007" class="citation book cs1">Tasker, Yvonne (2007). "Cowgirl Tales". In Codell, Julie F. (ed.). <i>Genre, Gender, Race, and World Cinema: An Anthology</i>. Blackwell. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4051-3232-9" title="Special:BookSources/978-1-4051-3232-9"><bdi>978-1-4051-3232-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=bookitem&amp;rft.atitle=Cowgirl+Tales&amp;rft.btitle=Genre%2C+Gender%2C+Race%2C+and+World+Cinema%3A+An+Anthology&amp;rft.pub=Blackwell&amp;rft.date=2007&amp;rft.isbn=978-1-4051-3232-9&amp;rft.aulast=Tasker&amp;rft.aufirst=Yvonne&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTennant2013" class="citation magazine cs1">Tennant, Forest (June 2013). <a rel="nofollow" class="external text" href="https://www.practicalpainmanagement.com/pain/other/brain-injury/elvis-presley-head-trauma-autoimmunity-pain-early-death">"Elvis Presley: Head Trauma, Autoimmunity, Pain, and Early Death"</a>. <i>Practical Pain Management</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20211028004415/https://www.practicalpainmanagement.com/pain/other/brain-injury/elvis-presley-head-trauma-autoimmunity-pain-early-death">Archived</a> from the original on October 28, 2021<span class="reference-accessdate">. Retrieved <span class="nowrap">January 9,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Practical+Pain+Management&amp;rft.atitle=Elvis+Presley%3A+Head+Trauma%2C+Autoimmunity%2C+Pain%2C+and+Early+Death&amp;rft.date=2013-06&amp;rft.aulast=Tennant&amp;rft.aufirst=Forest&amp;rft_id=https%3A%2F%2Fwww.practicalpainmanagement.com%2Fpain%2Fother%2Fbrain-injury%2Felvis-presley-head-trauma-autoimmunity-pain-early-death&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTillery2013" class="citation book cs1">Tillery, Gary (2013). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=fFdbBgAAQBAJ&amp;pg=PT40"><i>The Seeker King: A Spiritual Biography of Elvis Presley</i></a>. Quest Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8356-0915-9" title="Special:BookSources/978-0-8356-0915-9"><bdi>978-0-8356-0915-9</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20240321182438/https://books.google.com/books?id=fFdbBgAAQBAJ&amp;pg=PT40#v=onepage&amp;q&amp;f=false">Archived</a> from the original on March 21, 2024<span class="reference-accessdate">. Retrieved <span class="nowrap">February 2,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Seeker+King%3A+A+Spiritual+Biography+of+Elvis+Presley&amp;rft.pub=Quest+Books&amp;rft.date=2013&amp;rft.isbn=978-0-8356-0915-9&amp;rft.aulast=Tillery&amp;rft.aufirst=Gary&amp;rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DfFdbBgAAQBAJ%26pg%3DPT40&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTrust2015" class="citation magazine cs1">Trust, Gary (January 8, 2015). <a rel="nofollow" class="external text" href="https://www.billboard.com/pro/elvis-presleys-billboard-chart-records/#!">"Elvis Presley's Billboard Chart Records"</a>. <i>Billboard</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230405152304/https://www.billboard.com/pro/elvis-presleys-billboard-chart-records/#!">Archived</a> from the original on April 5, 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">April 5,</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=Elvis+Presley%27s+Billboard+Chart+Records&amp;rft.date=2015-01-08&amp;rft.aulast=Trust&amp;rft.aufirst=Gary&amp;rft_id=https%3A%2F%2Fwww.billboard.com%2Fpro%2Felvis-presleys-billboard-chart-records%2F%23%21&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTrust2019" class="citation magazine cs1">Trust, Gary (January 1, 2019). <a rel="nofollow" class="external text" href="https://www.billboard.com/articles/columns/chart-beat/8491989/elvis-presley-highest-charting-hot-100-hit-since-1978-blue-christmas-debut">"Elvis Presley Earns Highest-Charting Billboard Hot 100 Hit Since 1981 as 'Blue Christmas' Jingles In at No. 40"</a>. <i><a href="/wiki/Billboard_(magazine)" title="Billboard (magazine)">Billboard</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190101173530/https://www.billboard.com/articles/columns/chart-beat/8491989/elvis-presley-highest-charting-hot-100-hit-since-1978-blue-christmas-debut">Archived</a> from the original on January 1, 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">July 1,</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=Elvis+Presley+Earns+Highest-Charting+Billboard+Hot+100+Hit+Since+1981+as+%27Blue+Christmas%27+Jingles+In+at+No.+40&amp;rft.date=2019-01-01&amp;rft.aulast=Trust&amp;rft.aufirst=Gary&amp;rft_id=https%3A%2F%2Fwww.billboard.com%2Farticles%2Fcolumns%2Fchart-beat%2F8491989%2Felvis-presley-highest-charting-hot-100-hit-since-1978-blue-christmas-debut&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTrust2022" class="citation magazine cs1">Trust, Gary (June 27, 2022). <a rel="nofollow" class="external text" href="https://www.billboard.com/music/chart-beat/drake-21-savage-jimmy-cooks-number-1-hot-100-1235106933/">"Drake &amp; 21 Savage's 'Jimmy Cooks' Soars in at No. 1 on Billboard Hot 100"</a>. <i>Billboard</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220701055305/https://www.billboard.com/music/chart-beat/drake-21-savage-jimmy-cooks-number-1-hot-100-1235106933/">Archived</a> from the original on July 1, 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">March 19,</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=Drake+%26+21+Savage%27s+%27Jimmy+Cooks%27+Soars+in+at+No.+1+on+Billboard+Hot+100&amp;rft.date=2022-06-27&amp;rft.aulast=Trust&amp;rft.aufirst=Gary&amp;rft_id=https%3A%2F%2Fwww.billboard.com%2Fmusic%2Fchart-beat%2Fdrake-21-savage-jimmy-cooks-number-1-hot-100-1235106933%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTrust2023" class="citation magazine cs1">Trust, Gary (January 3, 2023). <a rel="nofollow" class="external text" href="https://www.billboard.com/music/chart-beat/mariah-carey-all-i-want-for-christmas-is-you-12-weeks-number-one-nat-king-cole-top-10-1235192947/">"Mariah Carey's 'All I Want for Christmas Is You' Adds 12th Week Atop Hot 100, Nat King Cole Hits Top 10"</a>. <i>Billboard</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230103152607/https://www.billboard.com/music/chart-beat/mariah-carey-all-i-want-for-christmas-is-you-12-weeks-number-one-nat-king-cole-top-10-1235192947/">Archived</a> from the original on January 3, 2023<span class="reference-accessdate">. Retrieved <span class="nowrap">March 19,</span> 2023</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=Mariah+Carey%27s+%27All+I+Want+for+Christmas+Is+You%27+Adds+12th+Week+Atop+Hot+100%2C+Nat+King+Cole+Hits+Top+10&amp;rft.date=2023-01-03&amp;rft.aulast=Trust&amp;rft.aufirst=Gary&amp;rft_id=https%3A%2F%2Fwww.billboard.com%2Fmusic%2Fchart-beat%2Fmariah-carey-all-i-want-for-christmas-is-you-12-weeks-number-one-nat-king-cole-top-10-1235192947%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTurner2004" class="citation book cs1">Turner, John Frayn (2004). <a rel="nofollow" class="external text" href="https://archive.org/details/franksinatra00john"><i>Frank Sinatra</i></a>. Taylor Trade Publications. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-58979-145-9" title="Special:BookSources/978-1-58979-145-9"><bdi>978-1-58979-145-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Frank+Sinatra&amp;rft.pub=Taylor+Trade+Publications&amp;rft.date=2004&amp;rft.isbn=978-1-58979-145-9&amp;rft.aulast=Turner&amp;rft.aufirst=John+Frayn&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Ffranksinatra00john&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFUS_Department_of_Defense1960" class="citation book cs1"><i>Presley, Elvis Aron; DD 214: Armed Forces of the United States Report of Transfer or Discharge</i>. <a href="/wiki/United_States_Department_of_Defense" title="United States Department of Defense">United States Department of Defense</a>. March 5, 1960.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Presley%2C+Elvis+Aron%3B+DD+214%3A+Armed+Forces+of+the+United+States+Report+of+Transfer+or+Discharge&amp;rft.pub=United+States+Department+of+Defense&amp;rft.date=1960-03-05&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVariety2005" class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://www.variety.com/index.asp?layout=variety100">"100 Icons of the Century"</a>. <i>Variety</i>. 2005. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20091230082420/http://www.variety.com/index.asp?layout=variety100">Archived</a> from the original on December 30, 2009<span class="reference-accessdate">. Retrieved <span class="nowrap">December 29,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Variety&amp;rft.atitle=100+Icons+of+the+Century&amp;rft.date=2005&amp;rft_id=https%3A%2F%2Fwww.variety.com%2Findex.asp%3Flayout%3Dvariety100&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVH11998" class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.rockonthenet.com/archive/1998/vh1artists.htm">"100 Greatest Artists of Rock &amp; Roll"</a>. VH1. 1998. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20191119191122/http://www.rockonthenet.com/archive/1998/vh1artists.htm">Archived</a> from the original on November 19, 2019<span class="reference-accessdate">. Retrieved <span class="nowrap">December 29,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=100+Greatest+Artists+of+Rock+%26+Roll&amp;rft.pub=VH1&amp;rft.date=1998&amp;rft_id=http%3A%2F%2Fwww.rockonthenet.com%2Farchive%2F1998%2Fvh1artists.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVictor2008" class="citation book cs1">Victor, Adam (2008). <i>The Elvis Encyclopedia</i>. Overlook Duckworth. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-58567-598-2" title="Special:BookSources/978-1-58567-598-2"><bdi>978-1-58567-598-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Elvis+Encyclopedia&amp;rft.pub=Overlook+Duckworth&amp;rft.date=2008&amp;rft.isbn=978-1-58567-598-2&amp;rft.aulast=Victor&amp;rft.aufirst=Adam&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWadey2004" class="citation news cs1">Wadey, Paul (January 8, 2004). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20100713025605/http://www.independent.co.uk/news/obituaries/jake-hess-549231.html">"Jake Hess"</a>. <i>The Independent</i>. Archived from <a rel="nofollow" class="external text" href="https://www.independent.co.uk/news/obituaries/jake-hess-549231.html">the original</a> on July 13, 2010.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Independent&amp;rft.atitle=Jake+Hess&amp;rft.date=2004-01-08&amp;rft.aulast=Wadey&amp;rft.aufirst=Paul&amp;rft_id=https%3A%2F%2Fwww.independent.co.uk%2Fnews%2Fobituaries%2Fjake-hess-549231.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWalker2023" class="citation web cs1">Walker, Howard (January 9, 2023). <a rel="nofollow" class="external text" href="https://robbreport.com/motors/aviation/elvis-presley-private-jet-sells-mecum-collector-car-auction-1234792793/">"Elvis Presley's Dilapidated Private Jet Sat in the Desert for 40 Years. It Just Sold for $260,000"</a>. <i>Robb Report</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20240216195254/https://robbreport.com/motors/aviation/elvis-presley-private-jet-sells-mecum-collector-car-auction-1234792793/">Archived</a> from the original on February 16, 2024<span class="reference-accessdate">. Retrieved <span class="nowrap">February 16,</span> 2024</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Robb+Report&amp;rft.atitle=Elvis+Presley%27s+Dilapidated+Private+Jet+Sat+in+the+Desert+for+40+Years.+It+Just+Sold+for+%24260%2C000.&amp;rft.date=2023-01-09&amp;rft.aulast=Walker&amp;rft.aufirst=Howard&amp;rft_id=https%3A%2F%2Frobbreport.com%2Fmotors%2Faviation%2Felvis-presley-private-jet-sells-mecum-collector-car-auction-1234792793%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWarwickKutnerBrown2004" class="citation book cs1">Warwick, Neil; Kutner, Jon; Brown, Tony (2004). <i>The Complete Book of the British Charts: Singles &amp; Albums</i> (3rd ed.). Omnibus Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84449-058-5" title="Special:BookSources/978-1-84449-058-5"><bdi>978-1-84449-058-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Complete+Book+of+the+British+Charts%3A+Singles+%26+Albums&amp;rft.edition=3rd&amp;rft.pub=Omnibus+Press&amp;rft.date=2004&amp;rft.isbn=978-1-84449-058-5&amp;rft.aulast=Warwick&amp;rft.aufirst=Neil&amp;rft.au=Kutner%2C+Jon&amp;rft.au=Brown%2C+Tony&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWaters2003" class="citation journal cs1">Waters, Lindsay (Spring 2003). <a rel="nofollow" class="external text" href="https://muse.jhu.edu/article/41348">"Come Softly, Darling, Hear What I Say: Listening in a State of Distraction – A Tribute to the Work of Walter Benjamin, Elvis Presley, and Robert Christgau"</a>. <i>Boundary 2</i>. <b>30</b>: <span class="nowrap">199–</span>212. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1215%2F01903659-30-1-199">10.1215/01903659-30-1-199</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a> <a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:161635612">161635612</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220518012109/https://muse.jhu.edu/article/41348">Archived</a> from the original on May 18, 2022<span class="reference-accessdate">. Retrieved <span class="nowrap">February 25,</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Boundary+2&amp;rft.atitle=Come+Softly%2C+Darling%2C+Hear+What+I+Say%3A+Listening+in+a+State+of+Distraction+%26ndash%3B%26%2332%3BA+Tribute+to+the+Work+of+Walter+Benjamin%2C+Elvis+Presley%2C+and+Robert+Christgau&amp;rft.ssn=spring&amp;rft.volume=30&amp;rft.pages=%3Cspan+class%3D%22nowrap%22%3E199-%3C%2Fspan%3E212&amp;rft.date=2003&amp;rft_id=info%3Adoi%2F10.1215%2F01903659-30-1-199&amp;rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A161635612%23id-name%3DS2CID&amp;rft.aulast=Waters&amp;rft.aufirst=Lindsay&amp;rft_id=https%3A%2F%2Fmuse.jhu.edu%2Farticle%2F41348&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWhitburn1993" class="citation book cs1">Whitburn, Joel (1993). <i>Billboard Top 1000 Singles 1955–1992</i>. Billboard Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7935-2072-5" title="Special:BookSources/978-0-7935-2072-5"><bdi>978-0-7935-2072-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Billboard+Top+1000+Singles+1955%E2%80%931992&amp;rft.pub=Billboard+Books&amp;rft.date=1993&amp;rft.isbn=978-0-7935-2072-5&amp;rft.aulast=Whitburn&amp;rft.aufirst=Joel&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWhitburn2006" class="citation book cs1">Whitburn, Joel (2006). <i>The Billboard Book of Top 40 Country Hits</i> (2nd ed.). Billboard Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8230-8291-9" title="Special:BookSources/978-0-8230-8291-9"><bdi>978-0-8230-8291-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Billboard+Book+of+Top+40+Country+Hits&amp;rft.edition=2nd&amp;rft.pub=Billboard+Books&amp;rft.date=2006&amp;rft.isbn=978-0-8230-8291-9&amp;rft.aulast=Whitburn&amp;rft.aufirst=Joel&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWhitburn2010" class="citation book cs1">Whitburn, Joel (2010). <i>The Billboard Book of Top 40 Hits</i> (9th ed.). Billboard Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8230-8554-5" title="Special:BookSources/978-0-8230-8554-5"><bdi>978-0-8230-8554-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Billboard+Book+of+Top+40+Hits&amp;rft.edition=9th&amp;rft.pub=Billboard+Books&amp;rft.date=2010&amp;rft.isbn=978-0-8230-8554-5&amp;rft.aulast=Whitburn&amp;rft.aufirst=Joel&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWilliams2012" class="citation news cs1">Williams, Todd (August 20, 2012). <a rel="nofollow" class="external text" href="https://creativeloafing.com/content-153575-why-i-stopped-hating-elvis-presley">"Why I Stopped Hating Elvis Presley"</a>. <i>Creative Loafing</i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160704192651/http://clatl.com/cribnotes/archives/2012/08/20/why-i-stopped-hating-elvis-presley">Archived</a> from the original on July 4, 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">January 20,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Creative+Loafing&amp;rft.atitle=Why+I+Stopped+Hating+Elvis+Presley&amp;rft.date=2012-08-20&amp;rft.aulast=Williams&amp;rft.aufirst=Todd&amp;rft_id=https%3A%2F%2Fcreativeloafing.com%2Fcontent-153575-why-i-stopped-hating-elvis-presley&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWilliamson2015" class="citation book cs1">Williamson, Joel (2015). <i>Elvis Presley: A Southern Life</i>. Oxford University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-19-986317-4" title="Special:BookSources/978-0-19-986317-4"><bdi>978-0-19-986317-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Elvis+Presley%3A+A+Southern+Life&amp;rft.pub=Oxford+University+Press&amp;rft.date=2015&amp;rft.isbn=978-0-19-986317-4&amp;rft.aulast=Williamson&amp;rft.aufirst=Joel&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWilson2010" class="citation book cs1">Wilson, Bee (2010). <i>Sandwich: A Global History</i>. Reaktion. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-86189-771-8" title="Special:BookSources/978-1-86189-771-8"><bdi>978-1-86189-771-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Sandwich%3A+A+Global+History&amp;rft.pub=Reaktion&amp;rft.date=2010&amp;rft.isbn=978-1-86189-771-8&amp;rft.aulast=Wilson&amp;rft.aufirst=Bee&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWolfe1994" class="citation book cs1">Wolfe, Charles (1994). <i>Amazing Grace: His Greatest Sacred Performances</i>. CD Booklet RCA/BMG. UPC 7863664212.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Amazing+Grace%3A+His+Greatest+Sacred+Performances&amp;rft.pub=CD+Booklet+RCA%2FBMG.+UPC+7863664212&amp;rft.date=1994&amp;rft.aulast=Wolfe&amp;rft.aufirst=Charles&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWoolleyPeters1977" class="citation web cs1">Woolley, John T.; Peters, Gerhard (August 17, 1977). <a rel="nofollow" class="external text" href="https://www.presidency.ucsb.edu/node/243942">"Jimmy Carter: Death of Elvis Presley Statement by the President"</a>. <i>American Presidency Project</i>. University of California, Santa Barbara. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20240321182640/https://www.presidency.ucsb.edu/documents/statement-the-president-the-death-elvis-presley">Archived</a> from the original on March 21, 2024<span class="reference-accessdate">. Retrieved <span class="nowrap">May 15,</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=American+Presidency+Project&amp;rft.atitle=Jimmy+Carter%3A+Death+of+Elvis+Presley+Statement+by+the+President&amp;rft.date=1977-08-17&amp;rft.aulast=Woolley&amp;rft.aufirst=John+T.&amp;rft.au=Peters%2C+Gerhard&amp;rft_id=https%3A%2F%2Fwww.presidency.ucsb.edu%2Fnode%2F243942&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li></ul> </div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(11)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Further_reading">Further reading</h2></div><section class="mf-section-11 collapsible-block" id="mf-section-11"> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239549316"><div class="refbegin refbegin-columns references-column-width" style="column-width: 30em"> <ul><li>Allen, Lew (2007). <i>Elvis and the Birth of Rock</i>. Genesis. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-905662-00-5" title="Special:BookSources/978-1-905662-00-5">978-1-905662-00-5</a>.</li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1">Bennet, Mark (August 15, 2017). <a rel="nofollow" class="external text" href="http://www.dailyherald.com/article/20170815/news/308159978">"Elvis impersonator reviews his career highlights, wardrobe"</a>. <i><a href="/wiki/Daily_Herald_(Arlington_Heights,_Illinois)" title="Daily Herald (Arlington Heights, Illinois)">Daily Herald</a></i>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180504232317/http://www.dailyherald.com/article/20170815/news/308159978">Archived</a> from the original on May 4, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">February 2,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Daily+Herald&amp;rft.atitle=Elvis+impersonator+reviews+his+career+highlights%2C+wardrobe&amp;rft.date=2017-08-15&amp;rft.aulast=Bennet&amp;rft.aufirst=Mark&amp;rft_id=http%3A%2F%2Fwww.dailyherald.com%2Farticle%2F20170815%2Fnews%2F308159978&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20180507043025/https://www.billboard.com/music/elvis-presley/chart-history/classical-albums">"Elvis Presley: Chart History – Classical Albums"</a>. <i>Billboard</i>. 2018. Archived from <span class="id-lock-subscription" title="Paid subscription required"><a rel="nofollow" class="external text" href="https://www.billboard.com/artist/elvis-presley/chart-history/coa/">the original</a></span> on May 7, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">January 9,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Billboard&amp;rft.atitle=Elvis+Presley%3A+Chart+History+%E2%80%93+Classical+Albums&amp;rft.date=2018&amp;rft_id=https%3A%2F%2Fwww.billboard.com%2Fartist%2Felvis-presley%2Fchart-history%2Fcoa%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">Bloom, Nate (2010). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20111109001825/http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/The_Jews_Who_Wrote_Christmas_Songs_2010.shtml">"The Jews Who Wrote Christmas Songs"</a>. <i><a href="/wiki/18Doors" title="18Doors">18Doors</a></i>. Archived from <a rel="nofollow" class="external text" href="https://18doors.org/the_jews_who_wrote_christmas_songs_2012/">the original</a> on November 9, 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">February 6,</span> 2011</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=18Doors&amp;rft.atitle=The+Jews+Who+Wrote+Christmas+Songs&amp;rft.date=2010&amp;rft.aulast=Bloom&amp;rft.aufirst=Nate&amp;rft_id=https%3A%2F%2F18doors.org%2Fthe_jews_who_wrote_christmas_songs_2012%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li>Cantor, Louis (2005). <i>Dewey and Elvis: The Life and Times of a Rock 'n' Roll Deejay</i>. University of Illinois Press. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-252-02981-3" title="Special:BookSources/978-0-252-02981-3">978-0-252-02981-3</a>.</li> <li>Dickerson, James L. (2001). <i>Colonel Tom Parker: The Curious Life of Elvis Presley's Eccentric Manager</i>. Cooper Square Press. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8154-1267-0" title="Special:BookSources/978-0-8154-1267-0">978-0-8154-1267-0</a>.</li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1">Gatto, Kimberly; Racimo, Victoria (2017). <i>All the King's Horses: the Equestrian Life of Elvis Presley</i>. Regnery History. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-62157-603-7" title="Special:BookSources/978-1-62157-603-7"><bdi>978-1-62157-603-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=All+the+King%27s+Horses%3A+the+Equestrian+Life+of+Elvis+Presley.&amp;rft.pub=Regnery+History&amp;rft.date=2017&amp;rft.isbn=978-1-62157-603-7&amp;rft.aulast=Gatto&amp;rft.aufirst=Kimberly&amp;rft.au=Racimo%2C+Victoria&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><a href="/wiki/Albert_Goldman" title="Albert Goldman">Goldman, Albert</a> (1981). <i>Elvis.</i> McGraw-Hill. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-07-023657-8" title="Special:BookSources/978-0-07-023657-8">978-0-07-023657-8</a>.</li> <li>Goldman, Albert (1990). <i>Elvis: The Last 24 Hours.</i> St. Martin's. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-312-92541-3" title="Special:BookSources/978-0-312-92541-3">978-0-312-92541-3</a>.</li> <li>Klein, George (2010). <i>Elvis: My Best Man: Radio Days, Rock 'n' Roll Nights, and My Lifelong Friendship with Elvis Presley</i>. Virgin Books. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-307-45274-0" title="Special:BookSources/978-0-307-45274-0">978-0-307-45274-0</a></li> <li>Marcus, Greil (1991). <i>Dead Elvis: A Chronicle of a Cultural Obsession</i>. Doubleday. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-385-41718-1" title="Special:BookSources/978-0-385-41718-1">978-0-385-41718-1</a>.</li> <li>Marcus, Greil (2000). <i>Double Trouble: Bill Clinton and Elvis Presley in a Land of No Alternative</i>. Picador. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-571-20676-6" title="Special:BookSources/978-0-571-20676-6">978-0-571-20676-6</a>.</li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1">Mawer, Sharon (2007a). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20071217123646/http://www.theofficialcharts.com/album_chart_history_1974.php">"Album Chart History – 1974"</a>. Official Charts Company. Archived from <a rel="nofollow" class="external text" href="http://www.theofficialcharts.com/album_chart_history_1974.php">the original</a> on December 17, 2007<span class="reference-accessdate">. Retrieved <span class="nowrap">February 1,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Album+Chart+History+%26ndash%3B%26%2332%3B1974&amp;rft.pub=Official+Charts+Company&amp;rft.date=2007&amp;rft.aulast=Mawer&amp;rft.aufirst=Sharon&amp;rft_id=http%3A%2F%2Fwww.theofficialcharts.com%2Falbum_chart_history_1974.php&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1">Mawer, Sharon (2007b). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20080415042918/http://www.theofficialcharts.com/album_chart_history_1977.php">"Album Chart History – 1977"</a>. Official Charts Company. Archived from <a rel="nofollow" class="external text" href="http://www.theofficialcharts.com/album_chart_history_1977.php">the original</a> on April 15, 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">February 1,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Album+Chart+History+%26ndash%3B%26%2332%3B1977&amp;rft.pub=Official+Charts+Company&amp;rft.date=2007&amp;rft.aulast=Mawer&amp;rft.aufirst=Sharon&amp;rft_id=http%3A%2F%2Fwww.theofficialcharts.com%2Falbum_chart_history_1977.php&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li>Nash, Alanna (2010). <i>Baby, Let's Play House: Elvis Presley and the Women Who Loved Him</i>. It Books. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-06-169984-9" title="Special:BookSources/978-0-06-169984-9">978-0-06-169984-9</a>.</li> <li>Roy, Samuel (1985). <i>Elvis: Prophet of Power</i>. Branden, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8283-1898-3" title="Special:BookSources/978-0-8283-1898-3">978-0-8283-1898-3</a>.</li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="http://www.voanews.com/content/a-13-2007-07-25-voa66-66720472/560593.html">"Southern Genealogy Yields Surprises"</a>. Voice of America. October 27, 2009. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160419205537/http://www.voanews.com/content/a-13-2007-07-25-voa66-66720472/560593.html">Archived</a> from the original on April 19, 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">January 19,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.atitle=Southern+Genealogy+Yields+Surprises&amp;rft.date=2009-10-27&amp;rft_id=http%3A%2F%2Fwww.voanews.com%2Fcontent%2Fa-13-2007-07-25-voa66-66720472%2F560593.html&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1">Wertheimer, Neil (1997). <i>Total Health for Men</i>. Rodale Press.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Total+Health+for+Men&amp;rft.pub=Rodale+Press&amp;rft.date=1997&amp;rft.aulast=Wertheimer&amp;rft.aufirst=Neil&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1">Whitburn, Joel (2007). <i>Joel Whitburn Presents the Billboard Albums</i> (6th ed.). Record Research. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-89820-166-6" title="Special:BookSources/978-0-89820-166-6"><bdi>978-0-89820-166-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Joel+Whitburn+Presents+the+Billboard+Albums&amp;rft.edition=6th&amp;rft.pub=Record+Research&amp;rft.date=2007&amp;rft.isbn=978-0-89820-166-6&amp;rft.aulast=Whitburn&amp;rft.aufirst=Joel&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1">Whitburn, Joel (2008). <i>Joel Whitburn Presents Hot Country Albums: Billboard 1964 to 2007</i>. Record Research. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-89820-173-4" title="Special:BookSources/978-0-89820-173-4"><bdi>978-0-89820-173-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Joel+Whitburn+Presents+Hot+Country+Albums%3A+Billboard+1964+to+2007&amp;rft.pub=Record+Research&amp;rft.date=2008&amp;rft.isbn=978-0-89820-173-4&amp;rft.aulast=Whitburn&amp;rft.aufirst=Joel&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li> <li>Red West, Sonny West, and Dave Hebler as told to <a href="/wiki/Steve_Dunleavy" title="Steve Dunleavy">Steve Dunleavy</a> (1977). <i><a href="/wiki/Elvis:_What_Happened%3F" title="Elvis: What Happened?">Elvis: What Happened?</a></i> Bantam Books. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-345-27215-7" title="Special:BookSources/978-0-345-27215-7">978-0-345-27215-7</a>.</li></ul> </div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(12)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="External_links">External links</h2></div><section class="mf-section-12 collapsible-block" id="mf-section-12"> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><style data-mw-deduplicate="TemplateStyles:r1237033735">@media print{body.ns-0 .mw-parser-output .sistersitebox{display:none!important}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .sistersitebox 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src="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/34px-Wikiquote-logo.svg.png" decoding="async" width="34" height="40" class="mw-file-element" data-file-width="300" data-file-height="355"></noscript><span class="lazy-image-placeholder" style="width: 34px;height: 40px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/34px-Wikiquote-logo.svg.png" data-alt="" data-width="34" data-height="40" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/51px-Wikiquote-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/68px-Wikiquote-logo.svg.png 2x" data-class="mw-file-element">&nbsp;</span></a></span></div> <div class="side-box-text plainlist">Wikiquote has quotations related to <i><b><a href="https://en.wikiquote.org/wiki/Special:Search/Elvis_Presley" class="extiw" title="q:Special:Search/Elvis Presley">Elvis Presley</a></b></i>.</div></div> </div> <link 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record label site</li> <li><a rel="nofollow" class="external text" href="http://interviews.elvis.com.au/">Elvis Presley Interviews</a> on officially sanctioned Elvis Australia site</li> <li><a rel="nofollow" class="external text" href="https://digital.library.unt.edu/ark:/67531/metadc19754/">"The All American Boy: Enter Elvis and the Rock-a-billies"</a> episode of 1968 <i>Pop Chronicles</i> radio series</li></ul> </div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1236075235">.mw-parser-output .navbox{box-sizing:border-box;border:1px solid #a2a9b1;width:100%;clear:both;font-size:88%;text-align:center;padding:1px;margin:1em auto 0}.mw-parser-output .navbox .navbox{margin-top:0}.mw-parser-output .navbox+.navbox,.mw-parser-output .navbox+.navbox-styles+.navbox{margin-top:-1px}.mw-parser-output .navbox-inner,.mw-parser-output .navbox-subgroup{width:100%}.mw-parser-output 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.portal-bar-content-related{margin:0;list-style:none}.mw-parser-output .portal-bar-item{display:inline-block;margin:0.15em 0.2em;min-height:24px;line-height:24px}@media screen and (max-width:768px){.mw-parser-output .portal-bar{font-size:88%;font-weight:bold;display:flex;flex-flow:column wrap;align-items:baseline}.mw-parser-output .portal-bar-header{text-align:center;flex:0;padding-left:0.5em;margin:0 auto}.mw-parser-output .portal-bar-related{font-size:100%;align-items:flex-start}.mw-parser-output .portal-bar-content{display:flex;flex-flow:row wrap;align-items:center;flex:0;column-gap:1em;border-top:1px solid #a2a9b1;margin:0 auto;list-style:none}.mw-parser-output .portal-bar-content-related{border-top:none;margin:0;list-style:none}}.mw-parser-output .navbox+link+.portal-bar,.mw-parser-output .navbox+style+.portal-bar,.mw-parser-output .navbox+link+.portal-bar-bordered,.mw-parser-output .navbox+style+.portal-bar-bordered,.mw-parser-output .sister-bar+link+.portal-bar,.mw-parser-output .sister-bar+style+.portal-bar,.mw-parser-output .portal-bar+.navbox-styles+.navbox,.mw-parser-output .portal-bar+.navbox-styles+.sister-bar{margin-top:-1px}</style><div class="portal-bar noprint metadata noviewer portal-bar-bordered" role="navigation" aria-label="Portals"><span class="portal-bar-header"><a href="/wiki/Wikipedia:Contents/Portals" title="Wikipedia:Contents/Portals">Portals</a>:</span><ul class="portal-bar-content"><li class="portal-bar-item"><span class="nowrap"><span typeof="mw:File"><span><noscript><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/6/61/Fifties_jukebox.png/11px-Fifties_jukebox.png" decoding="async" width="11" height="19" class="mw-file-element" data-file-width="298" data-file-height="493"></noscript><span class="lazy-image-placeholder" style="width: 11px;height: 19px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/6/61/Fifties_jukebox.png/11px-Fifties_jukebox.png" data-alt="" data-width="11" data-height="19" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/61/Fifties_jukebox.png/17px-Fifties_jukebox.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/61/Fifties_jukebox.png/23px-Fifties_jukebox.png 2x" data-class="mw-file-element">&nbsp;</span></span></span> </span><a href="/wiki/Portal:1950s" title="Portal:1950s">1950s</a></li><li class="portal-bar-item"><span class="nowrap"><span typeof="mw:File"><span><noscript><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/6/69/P_vip.svg/19px-P_vip.svg.png" decoding="async" width="19" height="19" class="mw-file-element" data-file-width="1911" data-file-height="1944"></noscript><span class="lazy-image-placeholder" style="width: 19px;height: 19px;" data-mw-src="//upload.wikimedia.org/wikipedia/en/thumb/6/69/P_vip.svg/19px-P_vip.svg.png" data-alt="" data-width="19" data-height="19" data-mw-srcset="//upload.wikimedia.org/wikipedia/en/thumb/6/69/P_vip.svg/28px-P_vip.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/6/69/P_vip.svg/37px-P_vip.svg.png 2x" data-class="mw-file-element">&nbsp;</span></span></span> </span><a href="/wiki/Portal:Biography" title="Portal:Biography">Biography</a></li><li class="portal-bar-item"><span class="nowrap"><span typeof="mw:File"><span><noscript><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Video-x-generic.svg/19px-Video-x-generic.svg.png" decoding="async" width="19" height="19" class="mw-file-element" data-file-width="48" data-file-height="48"></noscript><span class="lazy-image-placeholder" style="width: 19px;height: 19px;" data-mw-src="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Video-x-generic.svg/19px-Video-x-generic.svg.png" data-alt="" data-width="19" data-height="19" data-mw-srcset="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Video-x-generic.svg/29px-Video-x-generic.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/e/e7/Video-x-generic.svg/38px-Video-x-generic.svg.png 2x" data-class="mw-file-element">&nbsp;</span></span></span> </span><a href="/wiki/Portal:Film" title="Portal:Film">Film</a></li><li class="portal-bar-item"><span class="nowrap"><span class="mw-image-border" typeof="mw:File"><span><noscript><img alt="flag" src="//upload.wikimedia.org/wikipedia/commons/thumb/4/42/Flag_of_Mississippi.svg/21px-Flag_of_Mississippi.svg.png" decoding="async" width="21" height="13" class="mw-file-element" data-file-width="1200" data-file-height="720"></noscript><span class="lazy-image-placeholder" style="width: 21px;height: 13px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/4/42/Flag_of_Mississippi.svg/21px-Flag_of_Mississippi.svg.png" data-alt="flag" data-width="21" data-height="13" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/42/Flag_of_Mississippi.svg/32px-Flag_of_Mississippi.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/42/Flag_of_Mississippi.svg/42px-Flag_of_Mississippi.svg.png 2x" data-class="mw-file-element">&nbsp;</span></span></span> </span><a href="/wiki/Portal:Mississippi" title="Portal:Mississippi">Mississippi</a></li><li class="portal-bar-item"><span class="nowrap"><span typeof="mw:File"><a href="/wiki/File:Audio-input-microphone.png" class="mw-file-description"><noscript><img alt="icon" src="//upload.wikimedia.org/wikipedia/commons/thumb/6/6c/Audio-input-microphone.png/19px-Audio-input-microphone.png" decoding="async" width="19" height="19" class="mw-file-element" data-file-width="128" data-file-height="128"></noscript><span class="lazy-image-placeholder" style="width: 19px;height: 19px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/6/6c/Audio-input-microphone.png/19px-Audio-input-microphone.png" data-alt="icon" data-width="19" data-height="19" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/6c/Audio-input-microphone.png/29px-Audio-input-microphone.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/6c/Audio-input-microphone.png/38px-Audio-input-microphone.png 2x" data-class="mw-file-element">&nbsp;</span></a></span> </span><a href="/wiki/Portal:Pop_music" title="Portal:Pop music">Pop music</a></li><li class="portal-bar-item"><span class="nowrap"><span typeof="mw:File"><span><noscript><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Guitar_1.svg/15px-Guitar_1.svg.png" decoding="async" width="15" height="19" class="mw-file-element" data-file-width="709" data-file-height="886"></noscript><span class="lazy-image-placeholder" style="width: 15px;height: 19px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Guitar_1.svg/15px-Guitar_1.svg.png" data-alt="" data-width="15" data-height="19" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Guitar_1.svg/23px-Guitar_1.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Guitar_1.svg/30px-Guitar_1.svg.png 2x" data-class="mw-file-element">&nbsp;</span></span></span> </span><a href="/wiki/Portal:Rock_music" title="Portal:Rock music">Rock music</a></li><li class="portal-bar-item"><span class="nowrap"><span typeof="mw:File"><span><noscript><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/96/Musical_note_nicu_bucule_01.svg/19px-Musical_note_nicu_bucule_01.svg.png" decoding="async" width="19" height="19" class="mw-file-element" data-file-width="100" data-file-height="100"></noscript><span class="lazy-image-placeholder" style="width: 19px;height: 19px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/9/96/Musical_note_nicu_bucule_01.svg/19px-Musical_note_nicu_bucule_01.svg.png" data-alt="" data-width="19" data-height="19" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/96/Musical_note_nicu_bucule_01.svg/29px-Musical_note_nicu_bucule_01.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/96/Musical_note_nicu_bucule_01.svg/38px-Musical_note_nicu_bucule_01.svg.png 2x" data-class="mw-file-element">&nbsp;</span></span></span> </span><a href="/wiki/Portal:Rhythm_and_blues" title="Portal:Rhythm and blues">Rhythm and blues</a></li><li class="portal-bar-item"><span class="nowrap"><span typeof="mw:File"><a href="/wiki/File:Blank_television_set.svg" class="mw-file-description"><noscript><img alt="icon" src="//upload.wikimedia.org/wikipedia/commons/thumb/8/8c/Blank_television_set.svg/21px-Blank_television_set.svg.png" decoding="async" width="21" height="14" class="mw-file-element" data-file-width="138" data-file-height="92"></noscript><span class="lazy-image-placeholder" style="width: 21px;height: 14px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/8/8c/Blank_television_set.svg/21px-Blank_television_set.svg.png" data-alt="icon" data-width="21" data-height="14" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/8c/Blank_television_set.svg/32px-Blank_television_set.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/8c/Blank_television_set.svg/42px-Blank_television_set.svg.png 2x" data-class="mw-file-element">&nbsp;</span></a></span> </span><a href="/wiki/Portal:Television" title="Portal:Television">Television</a></li><li class="portal-bar-item"><span class="nowrap"><span class="mw-image-border" typeof="mw:File"><span><noscript><img alt="flag" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/9e/Flag_of_Tennessee.svg/21px-Flag_of_Tennessee.svg.png" decoding="async" width="21" height="13" class="mw-file-element" data-file-width="1000" data-file-height="600"></noscript><span class="lazy-image-placeholder" style="width: 21px;height: 13px;" data-mw-src="//upload.wikimedia.org/wikipedia/commons/thumb/9/9e/Flag_of_Tennessee.svg/21px-Flag_of_Tennessee.svg.png" data-alt="flag" data-width="21" data-height="13" data-mw-srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/9e/Flag_of_Tennessee.svg/32px-Flag_of_Tennessee.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/9e/Flag_of_Tennessee.svg/42px-Flag_of_Tennessee.svg.png 2x" data-class="mw-file-element">&nbsp;</span></span></span> </span><a href="/wiki/Portal:Tennessee" title="Portal:Tennessee">Tennessee</a></li><li class="portal-bar-item"><span class="nowrap"><span class="mw-image-border" typeof="mw:File"><span><noscript><img alt="flag" src="//upload.wikimedia.org/wikipedia/en/thumb/a/a4/Flag_of_the_United_States.svg/21px-Flag_of_the_United_States.svg.png" decoding="async" width="21" height="11" class="mw-file-element" data-file-width="1235" data-file-height="650"></noscript><span class="lazy-image-placeholder" style="width: 21px;height: 11px;" data-mw-src="//upload.wikimedia.org/wikipedia/en/thumb/a/a4/Flag_of_the_United_States.svg/21px-Flag_of_the_United_States.svg.png" data-alt="flag" data-width="21" data-height="11" data-mw-srcset="//upload.wikimedia.org/wikipedia/en/thumb/a/a4/Flag_of_the_United_States.svg/32px-Flag_of_the_United_States.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/a/a4/Flag_of_the_United_States.svg/42px-Flag_of_the_United_States.svg.png 2x" data-class="mw-file-element">&nbsp;</span></span></span> </span><a href="/wiki/Portal:United_States" title="Portal:United States">United States</a></li></ul></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"><style data-mw-deduplicate="TemplateStyles:r1038841319">.mw-parser-output .tooltip-dotted{border-bottom:1px dotted;cursor:help}</style></div> <!-- NewPP limit report Parsed by mw‐web.codfw.main‐bf6d45f98‐qp55z Cached time: 20250225210244 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 4.507 seconds Real time usage: 4.969 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Rendering was triggered because: page-view --> </section></div> <!-- MobileFormatter took 0.082 seconds --><!--esi <esi:include src="/esitest-fa8a495983347898/content" /> --><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?useformat=mobile&amp;type=1x1&amp;usesul3=0" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Elvis_Presley&amp;oldid=1277338513">https://en.wikipedia.org/w/index.php?title=Elvis_Presley&amp;oldid=1277338513</a>"</div></div> </div> <div class="post-content" id="page-secondary-actions"> </div> </main> <footer class="mw-footer minerva-footer" role="contentinfo"> <a class="last-modified-bar" href="/w/index.php?title=Elvis_Presley&amp;action=history"> <div class="post-content last-modified-bar__content"> <span class="minerva-icon minerva-icon-size-medium minerva-icon--modified-history"></span> <span class="last-modified-bar__text modified-enhancement" data-user-name="Graham87" data-user-gender="male" data-timestamp="1740362735"> <span>Last edited on 24 February 2025, at 02:05</span> </span> <span class="minerva-icon minerva-icon-size-small minerva-icon--expand"></span> </div> </a> <div class="post-content footer-content"> <div id='mw-data-after-content'> <div class="read-more-container"></div> </div> <div id="p-lang"> <h4>Languages</h4> <section> <ul id="p-variants" class="minerva-languages"></ul> <ul class="minerva-languages"><li class="interlanguage-link interwiki-ace mw-list-item"><a href="https://ace.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Acehnese" lang="ace" hreflang="ace" data-title="Elvis Presley" data-language-autonym="Acèh" data-language-local-name="Acehnese" class="interlanguage-link-target"><span>Acèh</span></a></li><li class="interlanguage-link interwiki-af mw-list-item"><a href="https://af.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Afrikaans" lang="af" hreflang="af" data-title="Elvis Presley" data-language-autonym="Afrikaans" data-language-local-name="Afrikaans" class="interlanguage-link-target"><span>Afrikaans</span></a></li><li class="interlanguage-link interwiki-als mw-list-item"><a href="https://als.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Alemannic" lang="gsw" hreflang="gsw" data-title="Elvis Presley" data-language-autonym="Alemannisch" data-language-local-name="Alemannic" class="interlanguage-link-target"><span>Alemannisch</span></a></li><li class="interlanguage-link interwiki-am mw-list-item"><a href="https://am.wikipedia.org/wiki/%E1%8A%A4%E1%88%8D%E1%89%AD%E1%88%B5_%E1%8D%95%E1%88%AC%E1%88%B5%E1%88%8A" title="ኤልቭስ ፕሬስሊ – Amharic" lang="am" hreflang="am" data-title="ኤልቭስ ፕሬስሊ" data-language-autonym="አማርኛ" data-language-local-name="Amharic" class="interlanguage-link-target"><span>አማርኛ</span></a></li><li class="interlanguage-link interwiki-smn mw-list-item"><a href="https://smn.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Inari Sami" lang="smn" hreflang="smn" data-title="Elvis Presley" data-language-autonym="Anarâškielâ" data-language-local-name="Inari Sami" class="interlanguage-link-target"><span>Anarâškielâ</span></a></li><li class="interlanguage-link interwiki-ang mw-list-item"><a href="https://ang.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Old English" lang="ang" hreflang="ang" data-title="Elvis Presley" data-language-autonym="Ænglisc" data-language-local-name="Old English" class="interlanguage-link-target"><span>Ænglisc</span></a></li><li class="interlanguage-link interwiki-ab mw-list-item"><a href="https://ab.wikipedia.org/wiki/%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8,_%D0%95%D0%BB%D0%B2%D0%B8%D1%81" title="Пресли, Елвис – Abkhazian" lang="ab" hreflang="ab" data-title="Пресли, Елвис" data-language-autonym="Аԥсшәа" data-language-local-name="Abkhazian" class="interlanguage-link-target"><span>Аԥсшәа</span></a></li><li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D8%A5%D9%84%D9%81%D9%8A%D8%B3_%D8%A8%D8%B1%D9%8A%D8%B3%D9%84%D9%8A" title="إلفيس بريسلي – Arabic" lang="ar" hreflang="ar" data-title="إلفيس بريسلي" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target"><span>العربية</span></a></li><li class="interlanguage-link interwiki-an mw-list-item"><a href="https://an.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Aragonese" lang="an" hreflang="an" data-title="Elvis Presley" data-language-autonym="Aragonés" data-language-local-name="Aragonese" class="interlanguage-link-target"><span>Aragonés</span></a></li><li class="interlanguage-link interwiki-hyw mw-list-item"><a href="https://hyw.wikipedia.org/wiki/%D4%B7%D5%AC%D5%BE%D5%AB%D5%BD_%D5%93%D6%80%D5%A5%D5%BD%D5%AC%D5%AB" title="Էլվիս Փրեսլի – Western Armenian" lang="hyw" hreflang="hyw" data-title="Էլվիս Փրեսլի" data-language-autonym="Արեւմտահայերէն" data-language-local-name="Western Armenian" class="interlanguage-link-target"><span>Արեւմտահայերէն</span></a></li><li class="interlanguage-link interwiki-ast mw-list-item"><a href="https://ast.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Asturian" lang="ast" hreflang="ast" data-title="Elvis Presley" data-language-autonym="Asturianu" data-language-local-name="Asturian" class="interlanguage-link-target"><span>Asturianu</span></a></li><li class="interlanguage-link interwiki-awa mw-list-item"><a href="https://awa.wikipedia.org/wiki/%E0%A4%8F%E0%A4%B2%E0%A5%8D%E0%A4%B5%E0%A4%BF%E0%A4%B8_%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A5%87%E0%A4%B8%E0%A5%8D%E0%A4%B2%E0%A5%80" title="एल्विस प्रेस्ली – Awadhi" lang="awa" hreflang="awa" data-title="एल्विस प्रेस्ली" data-language-autonym="अवधी" data-language-local-name="Awadhi" class="interlanguage-link-target"><span>अवधी</span></a></li><li class="interlanguage-link interwiki-gn mw-list-item"><a href="https://gn.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Guarani" lang="gn" hreflang="gn" data-title="Elvis Presley" data-language-autonym="Avañe&#039;ẽ" data-language-local-name="Guarani" class="interlanguage-link-target"><span>Avañe'ẽ</span></a></li><li class="interlanguage-link interwiki-av mw-list-item"><a href="https://av.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Avaric" lang="av" hreflang="av" data-title="Elvis Presley" data-language-autonym="Авар" data-language-local-name="Avaric" class="interlanguage-link-target"><span>Авар</span></a></li><li class="interlanguage-link interwiki-ay mw-list-item"><a href="https://ay.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Aymara" lang="ay" hreflang="ay" data-title="Elvis Presley" data-language-autonym="Aymar aru" data-language-local-name="Aymara" class="interlanguage-link-target"><span>Aymar aru</span></a></li><li class="interlanguage-link interwiki-az mw-list-item"><a href="https://az.wikipedia.org/wiki/Elvis_Presli" title="Elvis Presli – Azerbaijani" lang="az" hreflang="az" data-title="Elvis Presli" data-language-autonym="Azərbaycanca" data-language-local-name="Azerbaijani" class="interlanguage-link-target"><span>Azərbaycanca</span></a></li><li class="interlanguage-link interwiki-azb mw-list-item"><a href="https://azb.wikipedia.org/wiki/%D8%A7%D9%84%D9%88%DB%8C%D8%B3_%D9%BE%D8%B1%D8%B3%D9%84%DB%8C" title="الویس پرسلی – South Azerbaijani" lang="azb" hreflang="azb" data-title="الویس پرسلی" data-language-autonym="تۆرکجه" data-language-local-name="South Azerbaijani" class="interlanguage-link-target"><span>تۆرکجه</span></a></li><li class="interlanguage-link interwiki-bn mw-list-item"><a href="https://bn.wikipedia.org/wiki/%E0%A6%8F%E0%A6%B2%E0%A6%AD%E0%A6%BF%E0%A6%B8_%E0%A6%AA%E0%A7%8D%E0%A6%B0%E0%A7%87%E0%A6%B8%E0%A6%B2%E0%A6%BF" title="এলভিস প্রেসলি – Bangla" lang="bn" hreflang="bn" data-title="এলভিস প্রেসলি" data-language-autonym="বাংলা" data-language-local-name="Bangla" class="interlanguage-link-target"><span>বাংলা</span></a></li><li class="interlanguage-link interwiki-zh-min-nan mw-list-item"><a href="https://zh-min-nan.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Minnan" lang="nan" hreflang="nan" data-title="Elvis Presley" data-language-autonym="閩南語 / Bân-lâm-gú" data-language-local-name="Minnan" class="interlanguage-link-target"><span>閩南語 / Bân-lâm-gú</span></a></li><li class="interlanguage-link interwiki-ba mw-list-item"><a href="https://ba.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Элвис Пресли – Bashkir" lang="ba" hreflang="ba" data-title="Элвис Пресли" data-language-autonym="Башҡортса" data-language-local-name="Bashkir" class="interlanguage-link-target"><span>Башҡортса</span></a></li><li class="interlanguage-link interwiki-be mw-list-item"><a href="https://be.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D1%96%D1%81_%D0%9F%D1%80%D1%8D%D1%81%D0%BB%D1%96" title="Элвіс Прэслі – Belarusian" lang="be" hreflang="be" data-title="Элвіс Прэслі" data-language-autonym="Беларуская" data-language-local-name="Belarusian" class="interlanguage-link-target"><span>Беларуская</span></a></li><li class="interlanguage-link interwiki-be-x-old mw-list-item"><a href="https://be-tarask.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D1%96%D1%81_%D0%9F%D1%80%D1%8D%D1%81%D1%8C%D0%BB%D1%96" title="Элвіс Прэсьлі – Belarusian (Taraškievica orthography)" lang="be-tarask" hreflang="be-tarask" data-title="Элвіс Прэсьлі" data-language-autonym="Беларуская (тарашкевіца)" data-language-local-name="Belarusian (Taraškievica orthography)" class="interlanguage-link-target"><span>Беларуская (тарашкевіца)</span></a></li><li class="interlanguage-link interwiki-bh mw-list-item"><a href="https://bh.wikipedia.org/wiki/%E0%A4%8F%E0%A4%B2%E0%A5%8D%E0%A4%B5%E0%A4%BF%E0%A4%B8_%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A5%87%E0%A4%B8%E0%A5%8D%E0%A4%B2%E0%A5%80" title="एल्विस प्रेस्ली – Bhojpuri" lang="bh" hreflang="bh" data-title="एल्विस प्रेस्ली" data-language-autonym="भोजपुरी" data-language-local-name="Bhojpuri" class="interlanguage-link-target"><span>भोजपुरी</span></a></li><li class="interlanguage-link interwiki-bcl mw-list-item"><a href="https://bcl.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Central Bikol" lang="bcl" hreflang="bcl" data-title="Elvis Presley" data-language-autonym="Bikol Central" data-language-local-name="Central Bikol" class="interlanguage-link-target"><span>Bikol Central</span></a></li><li class="interlanguage-link interwiki-bi mw-list-item"><a href="https://bi.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Bislama" lang="bi" hreflang="bi" data-title="Elvis Presley" data-language-autonym="Bislama" data-language-local-name="Bislama" class="interlanguage-link-target"><span>Bislama</span></a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/%D0%95%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Елвис Пресли – Bulgarian" lang="bg" hreflang="bg" data-title="Елвис Пресли" data-language-autonym="Български" data-language-local-name="Bulgarian" class="interlanguage-link-target"><span>Български</span></a></li><li class="interlanguage-link interwiki-bar mw-list-item"><a href="https://bar.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Bavarian" lang="bar" hreflang="bar" data-title="Elvis Presley" data-language-autonym="Boarisch" data-language-local-name="Bavarian" class="interlanguage-link-target"><span>Boarisch</span></a></li><li class="interlanguage-link interwiki-bo mw-list-item"><a href="https://bo.wikipedia.org/wiki/%E0%BD%A8%E0%BD%BA%E0%BD%A3%E0%BC%8B%E0%BD%9D%E0%BD%BA%E0%BC%8B%E0%BD%A6%E0%BD%B2%E0%BC%8B%E0%BD%95%E0%BD%B2%E0%BD%A2%E0%BC%8B%E0%BD%9F%E0%BD%B2%E0%BC%8B%E0%BD%A3%E0%BD%B1%E0%BD%BA%E0%BC%8D" title="ཨེལ་ཝེ་སི་ཕིར་ཟི་ལཱེ། – Tibetan" lang="bo" hreflang="bo" data-title="ཨེལ་ཝེ་སི་ཕིར་ཟི་ལཱེ།" data-language-autonym="བོད་ཡིག" data-language-local-name="Tibetan" class="interlanguage-link-target"><span>བོད་ཡིག</span></a></li><li class="interlanguage-link interwiki-bs mw-list-item"><a href="https://bs.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Bosnian" lang="bs" hreflang="bs" data-title="Elvis Presley" data-language-autonym="Bosanski" data-language-local-name="Bosnian" class="interlanguage-link-target"><span>Bosanski</span></a></li><li class="interlanguage-link interwiki-br mw-list-item"><a href="https://br.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Breton" lang="br" hreflang="br" data-title="Elvis Presley" data-language-autonym="Brezhoneg" data-language-local-name="Breton" class="interlanguage-link-target"><span>Brezhoneg</span></a></li><li class="interlanguage-link interwiki-bxr mw-list-item"><a href="https://bxr.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Элвис Пресли – Russia Buriat" lang="bxr" hreflang="bxr" data-title="Элвис Пресли" data-language-autonym="Буряад" data-language-local-name="Russia Buriat" class="interlanguage-link-target"><span>Буряад</span></a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Catalan" lang="ca" hreflang="ca" data-title="Elvis Presley" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target"><span>Català</span></a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Czech" lang="cs" hreflang="cs" data-title="Elvis Presley" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target"><span>Čeština</span></a></li><li class="interlanguage-link interwiki-cy mw-list-item"><a href="https://cy.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Welsh" lang="cy" hreflang="cy" data-title="Elvis Presley" data-language-autonym="Cymraeg" data-language-local-name="Welsh" class="interlanguage-link-target"><span>Cymraeg</span></a></li><li class="interlanguage-link interwiki-da badge-Q17559452 badge-recommendedarticle mw-list-item" title="recommended article"><a href="https://da.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Danish" lang="da" hreflang="da" data-title="Elvis Presley" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target"><span>Dansk</span></a></li><li class="interlanguage-link interwiki-se mw-list-item"><a href="https://se.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Northern Sami" lang="se" hreflang="se" data-title="Elvis Presley" data-language-autonym="Davvisámegiella" data-language-local-name="Northern Sami" class="interlanguage-link-target"><span>Davvisámegiella</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – German" lang="de" hreflang="de" data-title="Elvis Presley" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-et mw-list-item"><a href="https://et.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Estonian" lang="et" hreflang="et" data-title="Elvis Presley" data-language-autonym="Eesti" data-language-local-name="Estonian" class="interlanguage-link-target"><span>Eesti</span></a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/%CE%88%CE%BB%CE%B2%CE%B9%CF%82_%CE%A0%CF%81%CE%AF%CF%83%CE%BB%CE%B5%CF%8A" title="Έλβις Πρίσλεϊ – Greek" lang="el" hreflang="el" data-title="Έλβις Πρίσλεϊ" data-language-autonym="Ελληνικά" data-language-local-name="Greek" class="interlanguage-link-target"><span>Ελληνικά</span></a></li><li class="interlanguage-link interwiki-eml mw-list-item"><a href="https://eml.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Emiliano-Romagnolo" lang="egl" hreflang="egl" data-title="Elvis Presley" data-language-autonym="Emiliàn e rumagnòl" data-language-local-name="Emiliano-Romagnolo" class="interlanguage-link-target"><span>Emiliàn e rumagnòl</span></a></li><li class="interlanguage-link interwiki-myv mw-list-item"><a href="https://myv.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Элвис Пресли – Erzya" lang="myv" hreflang="myv" data-title="Элвис Пресли" data-language-autonym="Эрзянь" data-language-local-name="Erzya" class="interlanguage-link-target"><span>Эрзянь</span></a></li><li class="interlanguage-link interwiki-es badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://es.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Spanish" lang="es" hreflang="es" data-title="Elvis Presley" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Esperanto" lang="eo" hreflang="eo" data-title="Elvis Presley" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target"><span>Esperanto</span></a></li><li class="interlanguage-link interwiki-ext mw-list-item"><a href="https://ext.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Extremaduran" lang="ext" hreflang="ext" data-title="Elvis Presley" data-language-autonym="Estremeñu" data-language-local-name="Extremaduran" class="interlanguage-link-target"><span>Estremeñu</span></a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Basque" lang="eu" hreflang="eu" data-title="Elvis Presley" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target"><span>Euskara</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D8%A7%D9%84%D9%88%DB%8C%D8%B3_%D9%BE%D8%B1%D8%B3%D9%84%DB%8C" title="الویس پرسلی – Persian" lang="fa" hreflang="fa" data-title="الویس پرسلی" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-hif mw-list-item"><a href="https://hif.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Fiji Hindi" lang="hif" hreflang="hif" data-title="Elvis Presley" data-language-autonym="Fiji Hindi" data-language-local-name="Fiji Hindi" class="interlanguage-link-target"><span>Fiji Hindi</span></a></li><li class="interlanguage-link interwiki-fo mw-list-item"><a href="https://fo.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Faroese" lang="fo" hreflang="fo" data-title="Elvis Presley" data-language-autonym="Føroyskt" data-language-local-name="Faroese" class="interlanguage-link-target"><span>Føroyskt</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – French" lang="fr" hreflang="fr" data-title="Elvis Presley" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-fy mw-list-item"><a href="https://fy.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Western Frisian" lang="fy" hreflang="fy" data-title="Elvis Presley" data-language-autonym="Frysk" data-language-local-name="Western Frisian" class="interlanguage-link-target"><span>Frysk</span></a></li><li class="interlanguage-link interwiki-ga mw-list-item"><a href="https://ga.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Irish" lang="ga" hreflang="ga" data-title="Elvis Presley" data-language-autonym="Gaeilge" data-language-local-name="Irish" class="interlanguage-link-target"><span>Gaeilge</span></a></li><li class="interlanguage-link interwiki-gv mw-list-item"><a href="https://gv.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Manx" lang="gv" hreflang="gv" data-title="Elvis Presley" data-language-autonym="Gaelg" data-language-local-name="Manx" class="interlanguage-link-target"><span>Gaelg</span></a></li><li class="interlanguage-link interwiki-gd mw-list-item"><a href="https://gd.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Scottish Gaelic" lang="gd" hreflang="gd" data-title="Elvis Presley" data-language-autonym="Gàidhlig" data-language-local-name="Scottish Gaelic" class="interlanguage-link-target"><span>Gàidhlig</span></a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Galician" lang="gl" hreflang="gl" data-title="Elvis Presley" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target"><span>Galego</span></a></li><li class="interlanguage-link interwiki-gan mw-list-item"><a href="https://gan.wikipedia.org/wiki/%E8%B2%93%E7%8E%8B" title="貓王 – Gan" lang="gan" hreflang="gan" data-title="貓王" data-language-autonym="贛語" data-language-local-name="Gan" class="interlanguage-link-target"><span>贛語</span></a></li><li class="interlanguage-link interwiki-gom mw-list-item"><a href="https://gom.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Goan Konkani" lang="gom" hreflang="gom" data-title="Elvis Presley" data-language-autonym="गोंयची कोंकणी / Gõychi Konknni" data-language-local-name="Goan Konkani" class="interlanguage-link-target"><span>गोंयची कोंकणी / Gõychi Konknni</span></a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EC%97%98%EB%B9%84%EC%8A%A4_%ED%94%84%EB%A0%88%EC%8A%AC%EB%A6%AC" title="엘비스 프레슬리 – Korean" lang="ko" hreflang="ko" data-title="엘비스 프레슬리" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target"><span>한국어</span></a></li><li class="interlanguage-link interwiki-ha mw-list-item"><a href="https://ha.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Hausa" lang="ha" hreflang="ha" data-title="Elvis Presley" data-language-autonym="Hausa" data-language-local-name="Hausa" class="interlanguage-link-target"><span>Hausa</span></a></li><li class="interlanguage-link interwiki-hy mw-list-item"><a href="https://hy.wikipedia.org/wiki/%D4%B7%D5%AC%D5%BE%D5%AB%D5%BD_%D5%93%D6%80%D5%A5%D5%BD%D5%AC%D5%AB" title="Էլվիս Փրեսլի – Armenian" lang="hy" hreflang="hy" data-title="Էլվիս Փրեսլի" data-language-autonym="Հայերեն" data-language-local-name="Armenian" class="interlanguage-link-target"><span>Հայերեն</span></a></li><li class="interlanguage-link interwiki-hi mw-list-item"><a href="https://hi.wikipedia.org/wiki/%E0%A4%8F%E0%A4%B2%E0%A5%8D%E0%A4%B5%E0%A4%BF%E0%A4%B8_%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A5%87%E0%A4%B8%E0%A5%8D%E0%A4%B2%E0%A5%80" title="एल्विस प्रेस्ली – Hindi" lang="hi" hreflang="hi" data-title="एल्विस प्रेस्ली" data-language-autonym="हिन्दी" data-language-local-name="Hindi" class="interlanguage-link-target"><span>हिन्दी</span></a></li><li class="interlanguage-link interwiki-hr mw-list-item"><a href="https://hr.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Croatian" lang="hr" hreflang="hr" data-title="Elvis Presley" data-language-autonym="Hrvatski" data-language-local-name="Croatian" class="interlanguage-link-target"><span>Hrvatski</span></a></li><li class="interlanguage-link interwiki-io mw-list-item"><a href="https://io.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Ido" lang="io" hreflang="io" data-title="Elvis Presley" data-language-autonym="Ido" data-language-local-name="Ido" class="interlanguage-link-target"><span>Ido</span></a></li><li class="interlanguage-link interwiki-ig mw-list-item"><a href="https://ig.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Igbo" lang="ig" hreflang="ig" data-title="Elvis Presley" data-language-autonym="Igbo" data-language-local-name="Igbo" class="interlanguage-link-target"><span>Igbo</span></a></li><li class="interlanguage-link interwiki-ilo mw-list-item"><a href="https://ilo.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Iloko" lang="ilo" hreflang="ilo" data-title="Elvis Presley" data-language-autonym="Ilokano" data-language-local-name="Iloko" class="interlanguage-link-target"><span>Ilokano</span></a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Indonesian" lang="id" hreflang="id" data-title="Elvis Presley" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target"><span>Bahasa Indonesia</span></a></li><li class="interlanguage-link interwiki-ia mw-list-item"><a href="https://ia.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Interlingua" lang="ia" hreflang="ia" data-title="Elvis Presley" data-language-autonym="Interlingua" data-language-local-name="Interlingua" class="interlanguage-link-target"><span>Interlingua</span></a></li><li class="interlanguage-link interwiki-ie mw-list-item"><a href="https://ie.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Interlingue" lang="ie" hreflang="ie" data-title="Elvis Presley" data-language-autonym="Interlingue" data-language-local-name="Interlingue" class="interlanguage-link-target"><span>Interlingue</span></a></li><li class="interlanguage-link interwiki-is mw-list-item"><a href="https://is.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Icelandic" lang="is" hreflang="is" data-title="Elvis Presley" data-language-autonym="Íslenska" data-language-local-name="Icelandic" class="interlanguage-link-target"><span>Íslenska</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Italian" lang="it" hreflang="it" data-title="Elvis Presley" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%90%D7%9C%D7%91%D7%99%D7%A1_%D7%A4%D7%A8%D7%A1%D7%9C%D7%99" title="אלביס פרסלי – Hebrew" lang="he" hreflang="he" data-title="אלביס פרסלי" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target"><span>עברית</span></a></li><li class="interlanguage-link interwiki-jv mw-list-item"><a href="https://jv.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Javanese" lang="jv" hreflang="jv" data-title="Elvis Presley" data-language-autonym="Jawa" data-language-local-name="Javanese" class="interlanguage-link-target"><span>Jawa</span></a></li><li class="interlanguage-link interwiki-kbp mw-list-item"><a href="https://kbp.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Kabiye" lang="kbp" hreflang="kbp" data-title="Elvis Presley" data-language-autonym="Kabɩyɛ" data-language-local-name="Kabiye" class="interlanguage-link-target"><span>Kabɩyɛ</span></a></li><li class="interlanguage-link interwiki-kn mw-list-item"><a href="https://kn.wikipedia.org/wiki/%E0%B2%8E%E0%B2%B2%E0%B3%8D%E0%B2%B5%E0%B2%BF%E0%B2%B8%E0%B3%8D_%E0%B2%AA%E0%B3%8D%E0%B2%B0%E0%B3%80%E0%B2%B8%E0%B3%8D%E0%B2%B2%E0%B2%BF" title="ಎಲ್ವಿಸ್ ಪ್ರೀಸ್ಲಿ – Kannada" lang="kn" hreflang="kn" data-title="ಎಲ್ವಿಸ್ ಪ್ರೀಸ್ಲಿ" data-language-autonym="ಕನ್ನಡ" data-language-local-name="Kannada" class="interlanguage-link-target"><span>ಕನ್ನಡ</span></a></li><li class="interlanguage-link interwiki-pam mw-list-item"><a href="https://pam.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Pampanga" lang="pam" hreflang="pam" data-title="Elvis Presley" data-language-autonym="Kapampangan" data-language-local-name="Pampanga" class="interlanguage-link-target"><span>Kapampangan</span></a></li><li class="interlanguage-link interwiki-ka mw-list-item"><a href="https://ka.wikipedia.org/wiki/%E1%83%94%E1%83%9A%E1%83%95%E1%83%98%E1%83%A1_%E1%83%9E%E1%83%A0%E1%83%94%E1%83%A1%E1%83%9A%E1%83%98" title="ელვის პრესლი – Georgian" lang="ka" hreflang="ka" data-title="ელვის პრესლი" data-language-autonym="ქართული" data-language-local-name="Georgian" class="interlanguage-link-target"><span>ქართული</span></a></li><li class="interlanguage-link interwiki-kk mw-list-item"><a href="https://kk.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Элвис Пресли – Kazakh" lang="kk" hreflang="kk" data-title="Элвис Пресли" data-language-autonym="Қазақша" data-language-local-name="Kazakh" class="interlanguage-link-target"><span>Қазақша</span></a></li><li class="interlanguage-link interwiki-kw mw-list-item"><a href="https://kw.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Cornish" lang="kw" hreflang="kw" data-title="Elvis Presley" data-language-autonym="Kernowek" data-language-local-name="Cornish" class="interlanguage-link-target"><span>Kernowek</span></a></li><li class="interlanguage-link interwiki-sw mw-list-item"><a href="https://sw.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Swahili" lang="sw" hreflang="sw" data-title="Elvis Presley" data-language-autonym="Kiswahili" data-language-local-name="Swahili" class="interlanguage-link-target"><span>Kiswahili</span></a></li><li class="interlanguage-link interwiki-ht mw-list-item"><a href="https://ht.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Haitian Creole" lang="ht" hreflang="ht" data-title="Elvis Presley" data-language-autonym="Kreyòl ayisyen" data-language-local-name="Haitian Creole" class="interlanguage-link-target"><span>Kreyòl ayisyen</span></a></li><li class="interlanguage-link interwiki-gcr mw-list-item"><a href="https://gcr.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Guianan Creole" lang="gcr" hreflang="gcr" data-title="Elvis Presley" data-language-autonym="Kriyòl gwiyannen" data-language-local-name="Guianan Creole" class="interlanguage-link-target"><span>Kriyòl gwiyannen</span></a></li><li class="interlanguage-link interwiki-ku mw-list-item"><a href="https://ku.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Kurdish" lang="ku" hreflang="ku" data-title="Elvis Presley" data-language-autonym="Kurdî" data-language-local-name="Kurdish" class="interlanguage-link-target"><span>Kurdî</span></a></li><li class="interlanguage-link interwiki-ky mw-list-item"><a href="https://ky.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Элвис Пресли – Kyrgyz" lang="ky" hreflang="ky" data-title="Элвис Пресли" data-language-autonym="Кыргызча" data-language-local-name="Kyrgyz" class="interlanguage-link-target"><span>Кыргызча</span></a></li><li class="interlanguage-link interwiki-mrj mw-list-item"><a href="https://mrj.wikipedia.org/wiki/%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8,_%D0%AD%D0%BB%D0%B2%D0%B8%D1%81" title="Пресли, Элвис – Western Mari" lang="mrj" hreflang="mrj" data-title="Пресли, Элвис" data-language-autonym="Кырык мары" data-language-local-name="Western Mari" class="interlanguage-link-target"><span>Кырык мары</span></a></li><li class="interlanguage-link interwiki-lo mw-list-item"><a href="https://lo.wikipedia.org/wiki/%E0%BB%80%E0%BA%AD%E0%BA%A5%E0%BA%A7%E0%BA%B4%E0%BA%94_%E0%BB%80%E0%BA%9E%E0%BA%B1%E0%BA%AA%E0%BA%A5%E0%BA%B5" title="ເອລວິດ ເພັສລີ – Lao" lang="lo" hreflang="lo" data-title="ເອລວິດ ເພັສລີ" data-language-autonym="ລາວ" data-language-local-name="Lao" class="interlanguage-link-target"><span>ລາວ</span></a></li><li class="interlanguage-link interwiki-la mw-list-item"><a href="https://la.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Latin" lang="la" hreflang="la" data-title="Elvis Presley" data-language-autonym="Latina" data-language-local-name="Latin" class="interlanguage-link-target"><span>Latina</span></a></li><li class="interlanguage-link interwiki-lv mw-list-item"><a href="https://lv.wikipedia.org/wiki/Elviss_Preslijs" title="Elviss Preslijs – Latvian" lang="lv" hreflang="lv" data-title="Elviss Preslijs" data-language-autonym="Latviešu" data-language-local-name="Latvian" class="interlanguage-link-target"><span>Latviešu</span></a></li><li class="interlanguage-link interwiki-lb mw-list-item"><a href="https://lb.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Luxembourgish" lang="lb" hreflang="lb" data-title="Elvis Presley" data-language-autonym="Lëtzebuergesch" data-language-local-name="Luxembourgish" class="interlanguage-link-target"><span>Lëtzebuergesch</span></a></li><li class="interlanguage-link interwiki-lez mw-list-item"><a href="https://lez.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Элвис Пресли – Lezghian" lang="lez" hreflang="lez" data-title="Элвис Пресли" data-language-autonym="Лезги" data-language-local-name="Lezghian" class="interlanguage-link-target"><span>Лезги</span></a></li><li class="interlanguage-link interwiki-lt mw-list-item"><a href="https://lt.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Lithuanian" lang="lt" hreflang="lt" data-title="Elvis Presley" data-language-autonym="Lietuvių" data-language-local-name="Lithuanian" class="interlanguage-link-target"><span>Lietuvių</span></a></li><li class="interlanguage-link interwiki-li mw-list-item"><a href="https://li.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Limburgish" lang="li" hreflang="li" data-title="Elvis Presley" data-language-autonym="Limburgs" data-language-local-name="Limburgish" class="interlanguage-link-target"><span>Limburgs</span></a></li><li class="interlanguage-link interwiki-olo mw-list-item"><a href="https://olo.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Livvi-Karelian" lang="olo" hreflang="olo" data-title="Elvis Presley" data-language-autonym="Livvinkarjala" data-language-local-name="Livvi-Karelian" class="interlanguage-link-target"><span>Livvinkarjala</span></a></li><li class="interlanguage-link interwiki-lmo mw-list-item"><a href="https://lmo.wikipedia.org/wiki/Elvis_Aaron_Presley" title="Elvis Aaron Presley – Lombard" lang="lmo" hreflang="lmo" data-title="Elvis Aaron Presley" data-language-autonym="Lombard" data-language-local-name="Lombard" class="interlanguage-link-target"><span>Lombard</span></a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Hungarian" lang="hu" hreflang="hu" data-title="Elvis Presley" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target"><span>Magyar</span></a></li><li class="interlanguage-link interwiki-mk mw-list-item"><a href="https://mk.wikipedia.org/wiki/%D0%95%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Елвис Пресли – Macedonian" lang="mk" hreflang="mk" data-title="Елвис Пресли" data-language-autonym="Македонски" data-language-local-name="Macedonian" class="interlanguage-link-target"><span>Македонски</span></a></li><li class="interlanguage-link interwiki-mg mw-list-item"><a href="https://mg.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Malagasy" lang="mg" hreflang="mg" data-title="Elvis Presley" data-language-autonym="Malagasy" data-language-local-name="Malagasy" class="interlanguage-link-target"><span>Malagasy</span></a></li><li class="interlanguage-link interwiki-ml mw-list-item"><a href="https://ml.wikipedia.org/wiki/%E0%B4%8E%E0%B5%BD%E0%B4%B5%E0%B4%BF%E0%B4%B8%E0%B5%8D_%E0%B4%AA%E0%B5%8D%E0%B4%B0%E0%B5%86%E0%B4%B8%E0%B5%8D%E2%80%8C%E0%B4%B2%E0%B4%BF" title="എൽവിസ് പ്രെസ്‌ലി – Malayalam" lang="ml" hreflang="ml" data-title="എൽവിസ് പ്രെസ്‌ലി" data-language-autonym="മലയാളം" data-language-local-name="Malayalam" class="interlanguage-link-target"><span>മലയാളം</span></a></li><li class="interlanguage-link interwiki-mt mw-list-item"><a href="https://mt.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Maltese" lang="mt" hreflang="mt" data-title="Elvis Presley" data-language-autonym="Malti" data-language-local-name="Maltese" class="interlanguage-link-target"><span>Malti</span></a></li><li class="interlanguage-link interwiki-mr mw-list-item"><a href="https://mr.wikipedia.org/wiki/%E0%A4%8F%E0%A4%B2%E0%A5%8D%E0%A4%B5%E0%A5%8D%E0%A4%B9%E0%A4%BF%E0%A4%B8_%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A5%87%E0%A4%B8%E0%A5%8D%E0%A4%B2%E0%A5%80" title="एल्व्हिस प्रेस्ली – Marathi" lang="mr" hreflang="mr" data-title="एल्व्हिस प्रेस्ली" data-language-autonym="मराठी" data-language-local-name="Marathi" class="interlanguage-link-target"><span>मराठी</span></a></li><li class="interlanguage-link interwiki-xmf mw-list-item"><a href="https://xmf.wikipedia.org/wiki/%E1%83%94%E1%83%9A%E1%83%95%E1%83%98%E1%83%A1_%E1%83%9E%E1%83%A0%E1%83%94%E1%83%A1%E1%83%9A%E1%83%98" title="ელვის პრესლი – Mingrelian" lang="xmf" hreflang="xmf" data-title="ელვის პრესლი" data-language-autonym="მარგალური" data-language-local-name="Mingrelian" class="interlanguage-link-target"><span>მარგალური</span></a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D8%A7%D9%84%DA%A4%D9%8A%D8%B3_%D9%BE%D8%B1%D9%8A%D8%B3%D9%84%D9%89" title="الڤيس پريسلى – Egyptian Arabic" lang="arz" hreflang="arz" data-title="الڤيس پريسلى" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target"><span>مصرى</span></a></li><li class="interlanguage-link interwiki-mzn mw-list-item"><a href="https://mzn.wikipedia.org/wiki/%D8%A7%D9%84%D9%88%DB%8C%D8%B3_%D9%BE%D8%B1%DB%8C%D8%B3%D9%84%DB%8C" title="الویس پریسلی – Mazanderani" lang="mzn" hreflang="mzn" data-title="الویس پریسلی" data-language-autonym="مازِرونی" data-language-local-name="Mazanderani" class="interlanguage-link-target"><span>مازِرونی</span></a></li><li class="interlanguage-link interwiki-ms mw-list-item"><a href="https://ms.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Malay" lang="ms" hreflang="ms" data-title="Elvis Presley" data-language-autonym="Bahasa Melayu" data-language-local-name="Malay" class="interlanguage-link-target"><span>Bahasa Melayu</span></a></li><li class="interlanguage-link interwiki-min mw-list-item"><a href="https://min.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Minangkabau" lang="min" hreflang="min" data-title="Elvis Presley" data-language-autonym="Minangkabau" data-language-local-name="Minangkabau" class="interlanguage-link-target"><span>Minangkabau</span></a></li><li class="interlanguage-link interwiki-mwl mw-list-item"><a href="https://mwl.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Mirandese" lang="mwl" hreflang="mwl" data-title="Elvis Presley" data-language-autonym="Mirandés" data-language-local-name="Mirandese" class="interlanguage-link-target"><span>Mirandés</span></a></li><li class="interlanguage-link interwiki-mn mw-list-item"><a href="https://mn.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Элвис Пресли – Mongolian" lang="mn" hreflang="mn" data-title="Элвис Пресли" data-language-autonym="Монгол" data-language-local-name="Mongolian" class="interlanguage-link-target"><span>Монгол</span></a></li><li class="interlanguage-link interwiki-my mw-list-item"><a href="https://my.wikipedia.org/wiki/%E1%80%95%E1%80%9B%E1%80%80%E1%80%BA%E1%80%85%E1%80%9C%E1%80%B1" title="ပရက်စလေ – Burmese" lang="my" hreflang="my" data-title="ပရက်စလေ" data-language-autonym="မြန်မာဘာသာ" data-language-local-name="Burmese" class="interlanguage-link-target"><span>မြန်မာဘာသာ</span></a></li><li class="interlanguage-link interwiki-nah mw-list-item"><a href="https://nah.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Nahuatl" lang="nah" hreflang="nah" data-title="Elvis Presley" data-language-autonym="Nāhuatl" data-language-local-name="Nahuatl" class="interlanguage-link-target"><span>Nāhuatl</span></a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Dutch" lang="nl" hreflang="nl" data-title="Elvis Presley" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target"><span>Nederlands</span></a></li><li class="interlanguage-link interwiki-nds-nl mw-list-item"><a href="https://nds-nl.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Low Saxon" lang="nds-NL" hreflang="nds-NL" data-title="Elvis Presley" data-language-autonym="Nedersaksies" data-language-local-name="Low Saxon" class="interlanguage-link-target"><span>Nedersaksies</span></a></li><li class="interlanguage-link interwiki-new mw-list-item"><a href="https://new.wikipedia.org/wiki/%E0%A4%8F%E0%A4%B2%E0%A5%8D%E0%A4%AD%E0%A4%BF%E0%A4%B8_%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A5%87%E0%A4%B8%E0%A5%8D%E0%A4%B2%E0%A5%80" title="एल्भिस प्रेस्ली – Newari" lang="new" hreflang="new" data-title="एल्भिस प्रेस्ली" data-language-autonym="नेपाल भाषा" data-language-local-name="Newari" class="interlanguage-link-target"><span>नेपाल भाषा</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%82%A8%E3%83%AB%E3%83%B4%E3%82%A3%E3%82%B9%E3%83%BB%E3%83%97%E3%83%AC%E3%82%B9%E3%83%AA%E3%83%BC" title="エルヴィス・プレスリー – Japanese" lang="ja" hreflang="ja" data-title="エルヴィス・プレスリー" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-ce mw-list-item"><a href="https://ce.wikipedia.org/wiki/%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8,_%D0%AD%D0%BB%D0%B2%D0%B8%D1%81" title="Пресли, Элвис – Chechen" lang="ce" hreflang="ce" data-title="Пресли, Элвис" data-language-autonym="Нохчийн" data-language-local-name="Chechen" class="interlanguage-link-target"><span>Нохчийн</span></a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Elvis Presley" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target"><span>Norsk bokmål</span></a></li><li class="interlanguage-link interwiki-nn mw-list-item"><a href="https://nn.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Norwegian Nynorsk" lang="nn" hreflang="nn" data-title="Elvis Presley" data-language-autonym="Norsk nynorsk" data-language-local-name="Norwegian Nynorsk" class="interlanguage-link-target"><span>Norsk nynorsk</span></a></li><li class="interlanguage-link interwiki-oc mw-list-item"><a href="https://oc.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Occitan" lang="oc" hreflang="oc" data-title="Elvis Presley" data-language-autonym="Occitan" data-language-local-name="Occitan" class="interlanguage-link-target"><span>Occitan</span></a></li><li class="interlanguage-link interwiki-mhr mw-list-item"><a href="https://mhr.wikipedia.org/wiki/%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8,_%D0%AD%D0%BB%D0%B2%D0%B8%D1%81" title="Пресли, Элвис – Eastern Mari" lang="mhr" hreflang="mhr" data-title="Пресли, Элвис" data-language-autonym="Олык марий" data-language-local-name="Eastern Mari" class="interlanguage-link-target"><span>Олык марий</span></a></li><li class="interlanguage-link interwiki-uz mw-list-item"><a href="https://uz.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Uzbek" lang="uz" hreflang="uz" data-title="Elvis Presley" data-language-autonym="Oʻzbekcha / ўзбекча" data-language-local-name="Uzbek" class="interlanguage-link-target"><span>Oʻzbekcha / ўзбекча</span></a></li><li class="interlanguage-link interwiki-pa mw-list-item"><a href="https://pa.wikipedia.org/wiki/%E0%A8%90%E0%A8%B2%E0%A8%B5%E0%A8%BF%E0%A8%B8_%E0%A8%AA%E0%A8%B0%E0%A9%88%E0%A8%B8%E0%A8%B2%E0%A9%87" title="ਐਲਵਿਸ ਪਰੈਸਲੇ – Punjabi" lang="pa" hreflang="pa" data-title="ਐਲਵਿਸ ਪਰੈਸਲੇ" data-language-autonym="ਪੰਜਾਬੀ" data-language-local-name="Punjabi" class="interlanguage-link-target"><span>ਪੰਜਾਬੀ</span></a></li><li class="interlanguage-link interwiki-pi mw-list-item"><a href="https://pi.wikipedia.org/wiki/%E0%A4%8F%E0%A4%B2%E0%A5%8D%E0%A4%AD%E0%A4%BF%E0%A4%B8_%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A5%87%E0%A4%B8%E0%A5%8D%E0%A4%B2%E0%A5%80" title="एल्भिस प्रेस्ली – Pali" lang="pi" hreflang="pi" data-title="एल्भिस प्रेस्ली" data-language-autonym="पालि" data-language-local-name="Pali" class="interlanguage-link-target"><span>पालि</span></a></li><li class="interlanguage-link interwiki-pnb mw-list-item"><a href="https://pnb.wikipedia.org/wiki/%D8%A7%DB%8C%D9%84%D9%88%D8%B3_%D9%BE%D8%B1%DB%8C%D8%B3%D9%84%DB%92" title="ایلوس پریسلے – Western Punjabi" lang="pnb" hreflang="pnb" data-title="ایلوس پریسلے" data-language-autonym="پنجابی" data-language-local-name="Western Punjabi" class="interlanguage-link-target"><span>پنجابی</span></a></li><li class="interlanguage-link interwiki-pap mw-list-item"><a href="https://pap.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Papiamento" lang="pap" hreflang="pap" data-title="Elvis Presley" data-language-autonym="Papiamentu" data-language-local-name="Papiamento" class="interlanguage-link-target"><span>Papiamentu</span></a></li><li class="interlanguage-link interwiki-jam mw-list-item"><a href="https://jam.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Jamaican Creole English" lang="jam" hreflang="jam" data-title="Elvis Presley" data-language-autonym="Patois" data-language-local-name="Jamaican Creole English" class="interlanguage-link-target"><span>Patois</span></a></li><li class="interlanguage-link interwiki-km mw-list-item"><a href="https://km.wikipedia.org/wiki/%E1%9E%A2%E1%9F%8A%E1%9F%81%E1%9E%9B%E1%9E%9C%E1%9E%B7%E1%9E%9F_%E1%9E%95%E1%9F%92%E1%9E%9A%E1%9F%81%E1%9E%9F%E1%9E%9B%E1%9E%B8" title="អ៊េលវិស ផ្រេសលី – Khmer" lang="km" hreflang="km" data-title="អ៊េលវិស ផ្រេសលី" data-language-autonym="ភាសាខ្មែរ" data-language-local-name="Khmer" class="interlanguage-link-target"><span>ភាសាខ្មែរ</span></a></li><li class="interlanguage-link interwiki-pms mw-list-item"><a href="https://pms.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Piedmontese" lang="pms" hreflang="pms" data-title="Elvis Presley" data-language-autonym="Piemontèis" data-language-local-name="Piedmontese" class="interlanguage-link-target"><span>Piemontèis</span></a></li><li class="interlanguage-link interwiki-tpi mw-list-item"><a href="https://tpi.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Tok Pisin" lang="tpi" hreflang="tpi" data-title="Elvis Presley" data-language-autonym="Tok Pisin" data-language-local-name="Tok Pisin" class="interlanguage-link-target"><span>Tok Pisin</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Polish" lang="pl" hreflang="pl" data-title="Elvis Presley" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Portuguese" lang="pt" hreflang="pt" data-title="Elvis Presley" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target"><span>Português</span></a></li><li class="interlanguage-link interwiki-kaa mw-list-item"><a href="https://kaa.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Kara-Kalpak" lang="kaa" hreflang="kaa" data-title="Elvis Presley" data-language-autonym="Qaraqalpaqsha" data-language-local-name="Kara-Kalpak" class="interlanguage-link-target"><span>Qaraqalpaqsha</span></a></li><li class="interlanguage-link interwiki-crh mw-list-item"><a href="https://crh.wikipedia.org/wiki/Elvis_Presli" title="Elvis Presli – Crimean Tatar" lang="crh" hreflang="crh" data-title="Elvis Presli" data-language-autonym="Qırımtatarca" data-language-local-name="Crimean Tatar" class="interlanguage-link-target"><span>Qırımtatarca</span></a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Romanian" lang="ro" hreflang="ro" data-title="Elvis Presley" data-language-autonym="Română" data-language-local-name="Romanian" class="interlanguage-link-target"><span>Română</span></a></li><li class="interlanguage-link interwiki-rmy mw-list-item"><a href="https://rmy.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Vlax Romani" lang="rmy" hreflang="rmy" data-title="Elvis Presley" data-language-autonym="Romani čhib" data-language-local-name="Vlax Romani" class="interlanguage-link-target"><span>Romani čhib</span></a></li><li class="interlanguage-link interwiki-qu mw-list-item"><a href="https://qu.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Quechua" lang="qu" hreflang="qu" data-title="Elvis Presley" data-language-autonym="Runa Simi" data-language-local-name="Quechua" class="interlanguage-link-target"><span>Runa Simi</span></a></li><li class="interlanguage-link interwiki-rue mw-list-item"><a href="https://rue.wikipedia.org/wiki/%D0%95%D0%BB%D0%B2%D1%96%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D1%96" title="Елвіс Преслі – Rusyn" lang="rue" hreflang="rue" data-title="Елвіс Преслі" data-language-autonym="Русиньскый" data-language-local-name="Rusyn" class="interlanguage-link-target"><span>Русиньскый</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8,_%D0%AD%D0%BB%D0%B2%D0%B8%D1%81" title="Пресли, Элвис – Russian" lang="ru" hreflang="ru" data-title="Пресли, Элвис" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-sah mw-list-item"><a href="https://sah.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Элвис Пресли – Yakut" lang="sah" hreflang="sah" data-title="Элвис Пресли" data-language-autonym="Саха тыла" data-language-local-name="Yakut" class="interlanguage-link-target"><span>Саха тыла</span></a></li><li class="interlanguage-link interwiki-sm mw-list-item"><a href="https://sm.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Samoan" lang="sm" hreflang="sm" data-title="Elvis Presley" data-language-autonym="Gagana Samoa" data-language-local-name="Samoan" class="interlanguage-link-target"><span>Gagana Samoa</span></a></li><li class="interlanguage-link interwiki-sc mw-list-item"><a href="https://sc.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Sardinian" lang="sc" hreflang="sc" data-title="Elvis Presley" data-language-autonym="Sardu" data-language-local-name="Sardinian" class="interlanguage-link-target"><span>Sardu</span></a></li><li class="interlanguage-link interwiki-sco mw-list-item"><a href="https://sco.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Scots" lang="sco" hreflang="sco" data-title="Elvis Presley" data-language-autonym="Scots" data-language-local-name="Scots" class="interlanguage-link-target"><span>Scots</span></a></li><li class="interlanguage-link interwiki-stq mw-list-item"><a href="https://stq.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Saterland Frisian" lang="stq" hreflang="stq" data-title="Elvis Presley" data-language-autonym="Seeltersk" data-language-local-name="Saterland Frisian" class="interlanguage-link-target"><span>Seeltersk</span></a></li><li class="interlanguage-link interwiki-st mw-list-item"><a href="https://st.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Southern Sotho" lang="st" hreflang="st" data-title="Elvis Presley" data-language-autonym="Sesotho" data-language-local-name="Southern Sotho" class="interlanguage-link-target"><span>Sesotho</span></a></li><li class="interlanguage-link interwiki-sq mw-list-item"><a href="https://sq.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Albanian" lang="sq" hreflang="sq" data-title="Elvis Presley" data-language-autonym="Shqip" data-language-local-name="Albanian" class="interlanguage-link-target"><span>Shqip</span></a></li><li class="interlanguage-link interwiki-scn mw-list-item"><a href="https://scn.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Sicilian" lang="scn" hreflang="scn" data-title="Elvis Presley" data-language-autonym="Sicilianu" data-language-local-name="Sicilian" class="interlanguage-link-target"><span>Sicilianu</span></a></li><li class="interlanguage-link interwiki-si mw-list-item"><a href="https://si.wikipedia.org/wiki/%E0%B6%91%E0%B6%BD%E0%B7%8A%E0%B7%80%E0%B7%92%E0%B7%83%E0%B7%8A_%E0%B6%B4%E0%B7%8A%E2%80%8D%E0%B6%BB%E0%B7%99%E0%B7%83%E0%B7%8A%E0%B6%BD%E0%B7%92" title="එල්විස් ප්‍රෙස්ලි – Sinhala" lang="si" hreflang="si" data-title="එල්විස් ප්‍රෙස්ලි" data-language-autonym="සිංහල" data-language-local-name="Sinhala" class="interlanguage-link-target"><span>සිංහල</span></a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Simple English" lang="en-simple" hreflang="en-simple" data-title="Elvis Presley" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target"><span>Simple English</span></a></li><li class="interlanguage-link interwiki-sk mw-list-item"><a href="https://sk.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Slovak" lang="sk" hreflang="sk" data-title="Elvis Presley" data-language-autonym="Slovenčina" data-language-local-name="Slovak" class="interlanguage-link-target"><span>Slovenčina</span></a></li><li class="interlanguage-link interwiki-sl mw-list-item"><a href="https://sl.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Slovenian" lang="sl" hreflang="sl" data-title="Elvis Presley" data-language-autonym="Slovenščina" data-language-local-name="Slovenian" class="interlanguage-link-target"><span>Slovenščina</span></a></li><li class="interlanguage-link interwiki-szl mw-list-item"><a href="https://szl.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Silesian" lang="szl" hreflang="szl" data-title="Elvis Presley" data-language-autonym="Ślůnski" data-language-local-name="Silesian" class="interlanguage-link-target"><span>Ślůnski</span></a></li><li class="interlanguage-link interwiki-ckb mw-list-item"><a href="https://ckb.wikipedia.org/wiki/%D8%A6%DB%8E%D9%84%DA%A4%D8%B3_%D9%BE%DB%8E%D8%B1%DB%8C%D8%B3%D9%84%DB%8C" title="ئێلڤس پێریسلی – Central Kurdish" lang="ckb" hreflang="ckb" data-title="ئێلڤس پێریسلی" data-language-autonym="کوردی" data-language-local-name="Central Kurdish" class="interlanguage-link-target"><span>کوردی</span></a></li><li class="interlanguage-link interwiki-sr mw-list-item"><a href="https://sr.wikipedia.org/wiki/%D0%95%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Елвис Пресли – Serbian" lang="sr" hreflang="sr" data-title="Елвис Пресли" data-language-autonym="Српски / srpski" data-language-local-name="Serbian" class="interlanguage-link-target"><span>Српски / srpski</span></a></li><li class="interlanguage-link interwiki-sh mw-list-item"><a href="https://sh.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Serbo-Croatian" lang="sh" hreflang="sh" data-title="Elvis Presley" data-language-autonym="Srpskohrvatski / српскохрватски" data-language-local-name="Serbo-Croatian" class="interlanguage-link-target"><span>Srpskohrvatski / српскохрватски</span></a></li><li class="interlanguage-link interwiki-su mw-list-item"><a href="https://su.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Sundanese" lang="su" hreflang="su" data-title="Elvis Presley" data-language-autonym="Sunda" data-language-local-name="Sundanese" class="interlanguage-link-target"><span>Sunda</span></a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Finnish" lang="fi" hreflang="fi" data-title="Elvis Presley" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target"><span>Suomi</span></a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Swedish" lang="sv" hreflang="sv" data-title="Elvis Presley" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target"><span>Svenska</span></a></li><li class="interlanguage-link interwiki-tl mw-list-item"><a href="https://tl.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Tagalog" lang="tl" hreflang="tl" data-title="Elvis Presley" data-language-autonym="Tagalog" data-language-local-name="Tagalog" class="interlanguage-link-target"><span>Tagalog</span></a></li><li class="interlanguage-link interwiki-ta mw-list-item"><a href="https://ta.wikipedia.org/wiki/%E0%AE%8E%E0%AE%B2%E0%AF%8D%E0%AE%B5%E0%AE%BF%E0%AE%B8%E0%AF%8D_%E0%AE%AA%E0%AE%BF%E0%AE%B0%E0%AF%86%E0%AE%B8%E0%AF%8D%E0%AE%B2%E0%AE%BF" title="எல்விஸ் பிரெஸ்லி – Tamil" lang="ta" hreflang="ta" data-title="எல்விஸ் பிரெஸ்லி" data-language-autonym="தமிழ்" data-language-local-name="Tamil" class="interlanguage-link-target"><span>தமிழ்</span></a></li><li class="interlanguage-link interwiki-shi mw-list-item"><a href="https://shi.wikipedia.org/wiki/Ilfis_Brisliy" title="Ilfis Brisliy – Tachelhit" lang="shi" hreflang="shi" data-title="Ilfis Brisliy" data-language-autonym="Taclḥit" data-language-local-name="Tachelhit" class="interlanguage-link-target"><span>Taclḥit</span></a></li><li class="interlanguage-link interwiki-kab mw-list-item"><a href="https://kab.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Kabyle" lang="kab" hreflang="kab" data-title="Elvis Presley" data-language-autonym="Taqbaylit" data-language-local-name="Kabyle" class="interlanguage-link-target"><span>Taqbaylit</span></a></li><li class="interlanguage-link interwiki-tt mw-list-item"><a href="https://tt.wikipedia.org/wiki/Elvis_Presli" title="Elvis Presli – Tatar" lang="tt" hreflang="tt" data-title="Elvis Presli" data-language-autonym="Татарча / tatarça" data-language-local-name="Tatar" class="interlanguage-link-target"><span>Татарча / tatarça</span></a></li><li class="interlanguage-link interwiki-te mw-list-item"><a href="https://te.wikipedia.org/wiki/%E0%B0%8E%E0%B0%B2%E0%B1%8D%E0%B0%B5%E0%B0%BF%E0%B0%B8%E0%B1%8D_%E0%B0%AA%E0%B1%8D%E0%B0%B0%E0%B1%86%E0%B0%B8%E0%B1%8D%E0%B0%B2%E0%B1%80" title="ఎల్విస్ ప్రెస్లీ – Telugu" lang="te" hreflang="te" data-title="ఎల్విస్ ప్రెస్లీ" data-language-autonym="తెలుగు" data-language-local-name="Telugu" class="interlanguage-link-target"><span>తెలుగు</span></a></li><li class="interlanguage-link interwiki-th mw-list-item"><a href="https://th.wikipedia.org/wiki/%E0%B9%80%E0%B8%AD%E0%B8%A5%E0%B8%A7%E0%B8%B4%E0%B8%AA_%E0%B9%80%E0%B8%9E%E0%B8%A3%E0%B8%AA%E0%B8%A5%E0%B8%B5%E0%B8%A2%E0%B9%8C" title="เอลวิส เพรสลีย์ – Thai" lang="th" hreflang="th" data-title="เอลวิส เพรสลีย์" data-language-autonym="ไทย" data-language-local-name="Thai" class="interlanguage-link-target"><span>ไทย</span></a></li><li class="interlanguage-link interwiki-tg mw-list-item"><a href="https://tg.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Элвис Пресли – Tajik" lang="tg" hreflang="tg" data-title="Элвис Пресли" data-language-autonym="Тоҷикӣ" data-language-local-name="Tajik" class="interlanguage-link-target"><span>Тоҷикӣ</span></a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Turkish" lang="tr" hreflang="tr" data-title="Elvis Presley" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target"><span>Türkçe</span></a></li><li class="interlanguage-link interwiki-tyv mw-list-item"><a href="https://tyv.wikipedia.org/wiki/%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8,_%D0%AD%D0%BB%D0%B2%D0%B8%D1%81" title="Пресли, Элвис – Tuvinian" lang="tyv" hreflang="tyv" data-title="Пресли, Элвис" data-language-autonym="Тыва дыл" data-language-local-name="Tuvinian" class="interlanguage-link-target"><span>Тыва дыл</span></a></li><li class="interlanguage-link interwiki-udm mw-list-item"><a href="https://udm.wikipedia.org/wiki/%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8,_%D0%AD%D0%BB%D0%B2%D0%B8%D1%81" title="Пресли, Элвис – Udmurt" lang="udm" hreflang="udm" data-title="Пресли, Элвис" data-language-autonym="Удмурт" data-language-local-name="Udmurt" class="interlanguage-link-target"><span>Удмурт</span></a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%95%D0%BB%D0%B2%D1%96%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D1%96" title="Елвіс Преслі – Ukrainian" lang="uk" hreflang="uk" data-title="Елвіс Преслі" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target"><span>Українська</span></a></li><li class="interlanguage-link interwiki-ur mw-list-item"><a href="https://ur.wikipedia.org/wiki/%D8%A7%DB%8C%D9%84%D9%88%D8%B3_%D9%BE%D8%B1%DB%8C%D8%B3%D9%84%DB%92" title="ایلوس پریسلے – Urdu" lang="ur" hreflang="ur" data-title="ایلوس پریسلے" data-language-autonym="اردو" data-language-local-name="Urdu" class="interlanguage-link-target"><span>اردو</span></a></li><li class="interlanguage-link interwiki-vec mw-list-item"><a href="https://vec.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Venetian" lang="vec" hreflang="vec" data-title="Elvis Presley" data-language-autonym="Vèneto" data-language-local-name="Venetian" class="interlanguage-link-target"><span>Vèneto</span></a></li><li class="interlanguage-link interwiki-vep mw-list-item"><a href="https://vep.wikipedia.org/wiki/Presli_Elvis" title="Presli Elvis – Veps" lang="vep" hreflang="vep" data-title="Presli Elvis" data-language-autonym="Vepsän kel’" data-language-local-name="Veps" class="interlanguage-link-target"><span>Vepsän kel’</span></a></li><li class="interlanguage-link interwiki-vi mw-list-item"><a href="https://vi.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Vietnamese" lang="vi" hreflang="vi" data-title="Elvis Presley" data-language-autonym="Tiếng Việt" data-language-local-name="Vietnamese" class="interlanguage-link-target"><span>Tiếng Việt</span></a></li><li class="interlanguage-link interwiki-vo mw-list-item"><a href="https://vo.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Volapük" lang="vo" hreflang="vo" data-title="Elvis Presley" data-language-autonym="Volapük" data-language-local-name="Volapük" class="interlanguage-link-target"><span>Volapük</span></a></li><li class="interlanguage-link interwiki-war mw-list-item"><a href="https://war.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Waray" lang="war" hreflang="war" data-title="Elvis Presley" data-language-autonym="Winaray" data-language-local-name="Waray" class="interlanguage-link-target"><span>Winaray</span></a></li><li class="interlanguage-link interwiki-wuu mw-list-item"><a href="https://wuu.wikipedia.org/wiki/%E7%8C%AB%E7%8E%8B" title="猫王 – Wu" lang="wuu" hreflang="wuu" data-title="猫王" data-language-autonym="吴语" data-language-local-name="Wu" class="interlanguage-link-target"><span>吴语</span></a></li><li class="interlanguage-link interwiki-yi mw-list-item"><a href="https://yi.wikipedia.org/wiki/%D7%A2%D7%9C%D7%95%D7%95%D7%99%D7%A1_%D7%A4%D7%A8%D7%A2%D7%A1%D7%9C%D7%99" title="עלוויס פרעסלי – Yiddish" lang="yi" hreflang="yi" data-title="עלוויס פרעסלי" data-language-autonym="ייִדיש" data-language-local-name="Yiddish" class="interlanguage-link-target"><span>ייִדיש</span></a></li><li class="interlanguage-link interwiki-yo mw-list-item"><a href="https://yo.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Yoruba" lang="yo" hreflang="yo" data-title="Elvis Presley" data-language-autonym="Yorùbá" data-language-local-name="Yoruba" class="interlanguage-link-target"><span>Yorùbá</span></a></li><li class="interlanguage-link interwiki-zh-yue mw-list-item"><a href="https://zh-yue.wikipedia.org/wiki/%E7%9A%AE%E7%A6%AE%E5%A3%AB%E5%88%A9" title="皮禮士利 – Cantonese" lang="yue" hreflang="yue" data-title="皮禮士利" data-language-autonym="粵語" data-language-local-name="Cantonese" class="interlanguage-link-target"><span>粵語</span></a></li><li class="interlanguage-link interwiki-diq mw-list-item"><a href="https://diq.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Dimli" lang="diq" hreflang="diq" data-title="Elvis Presley" data-language-autonym="Zazaki" data-language-local-name="Dimli" class="interlanguage-link-target"><span>Zazaki</span></a></li><li class="interlanguage-link interwiki-zea mw-list-item"><a href="https://zea.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Zeelandic" lang="zea" hreflang="zea" data-title="Elvis Presley" data-language-autonym="Zeêuws" data-language-local-name="Zeelandic" class="interlanguage-link-target"><span>Zeêuws</span></a></li><li class="interlanguage-link interwiki-bat-smg mw-list-item"><a href="https://bat-smg.wikipedia.org/wiki/Elvis_Preslis" title="Elvis Preslis – Samogitian" lang="sgs" hreflang="sgs" data-title="Elvis Preslis" data-language-autonym="Žemaitėška" data-language-local-name="Samogitian" class="interlanguage-link-target"><span>Žemaitėška</span></a></li><li class="interlanguage-link interwiki-zh mw-list-item"><a href="https://zh.wikipedia.org/wiki/%E8%89%BE%E7%B6%AD%E6%96%AF%C2%B7%E7%9A%AE%E7%A6%AE%E5%A3%AB%E5%88%A9" title="艾維斯·皮禮士利 – Chinese" lang="zh" hreflang="zh" data-title="艾維斯·皮禮士利" data-language-autonym="中文" data-language-local-name="Chinese" class="interlanguage-link-target"><span>中文</span></a></li><li class="interlanguage-link interwiki-btm mw-list-item"><a href="https://btm.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Batak Mandailing" lang="btm" hreflang="btm" data-title="Elvis Presley" data-language-autonym="Batak Mandailing" data-language-local-name="Batak Mandailing" class="interlanguage-link-target"><span>Batak Mandailing</span></a></li><li class="interlanguage-link interwiki-iba mw-list-item"><a href="https://iba.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Iban" lang="iba" hreflang="iba" data-title="Elvis Presley" data-language-autonym="Jaku Iban" data-language-local-name="Iban" class="interlanguage-link-target"><span>Jaku Iban</span></a></li><li class="interlanguage-link interwiki-knc mw-list-item"><a href="https://knc.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Central Kanuri" lang="knc" hreflang="knc" data-title="Elvis Presley" data-language-autonym="Yerwa Kanuri" data-language-local-name="Central Kanuri" class="interlanguage-link-target"><span>Yerwa Kanuri</span></a></li><li class="interlanguage-link interwiki-tly mw-list-item"><a href="https://tly.wikipedia.org/wiki/Elvis_Presli" title="Elvis Presli – Talysh" lang="tly" hreflang="tly" data-title="Elvis Presli" data-language-autonym="Tolışi" data-language-local-name="Talysh" class="interlanguage-link-target"><span>Tolışi</span></a></li></ul> </section> </div> <div class="minerva-footer-logo"><img src="/static/images/mobile/copyright/wikipedia-wordmark-en.svg" alt="Wikipedia" width="120" height="18" style="width: 7.5em; height: 1.125em;"/> </div> <ul id="footer-info" class="footer-info hlist hlist-separated"> <li id="footer-info-lastmod"> This page was last edited on 24 February 2025, at 02:05<span class="anonymous-show">&#160;(UTC)</span>.</li> <li id="footer-info-copyright">Content is available under <a class="external" rel="nofollow" href="https://creativecommons.org/licenses/by-sa/4.0/deed.en">CC BY-SA 4.0</a> unless otherwise noted.</li> </ul> <ul id="footer-places" class="footer-places hlist hlist-separated"> <li id="footer-places-privacy"><a href="https://foundation.wikimedia.org/wiki/Special:MyLanguage/Policy:Privacy_policy">Privacy policy</a></li> <li id="footer-places-about"><a href="/wiki/Wikipedia:About">About Wikipedia</a></li> <li id="footer-places-disclaimers"><a href="/wiki/Wikipedia:General_disclaimer">Disclaimers</a></li> <li id="footer-places-contact"><a href="//en.wikipedia.org/wiki/Wikipedia:Contact_us">Contact Wikipedia</a></li> <li id="footer-places-wm-codeofconduct"><a href="https://foundation.wikimedia.org/wiki/Special:MyLanguage/Policy:Universal_Code_of_Conduct">Code of Conduct</a></li> <li id="footer-places-developers"><a href="https://developer.wikimedia.org">Developers</a></li> <li id="footer-places-statslink"><a href="https://stats.wikimedia.org/#/en.wikipedia.org">Statistics</a></li> <li id="footer-places-cookiestatement"><a href="https://foundation.wikimedia.org/wiki/Special:MyLanguage/Policy:Cookie_statement">Cookie statement</a></li> <li id="footer-places-terms-use"><a href="https://foundation.m.wikimedia.org/wiki/Special:MyLanguage/Policy:Terms_of_Use">Terms of Use</a></li> <li id="footer-places-desktop-toggle"><a id="mw-mf-display-toggle" href="//en.wikipedia.org/w/index.php?title=Elvis_Presley&amp;mobileaction=toggle_view_desktop" data-event-name="switch_to_desktop">Desktop</a></li> </ul> </div> </footer> </div> </div> <div class="mw-notification-area" data-mw="interface"></div> <!-- v:8.3.1 --> <script>(RLQ=window.RLQ||[]).push(function(){mw.config.set({"wgHostname":"mw-web.codfw.main-bf6d45f98-ngzsc","wgBackendResponseTime":479,"wgPageParseReport":{"limitreport":{"cputime":"4.507","walltime":"4.969","ppvisitednodes":{"value":54910,"limit":1000000},"postexpandincludesize":{"value":831691,"limit":2097152},"templateargumentsize":{"value":146539,"limit":2097152},"expansiondepth":{"value":21,"limit":100},"expensivefunctioncount":{"value":46,"limit":500},"unstrip-depth":{"value":1,"limit":20},"unstrip-size":{"value":851702,"limit":5000000},"entityaccesscount":{"value":1,"limit":400},"timingprofile":["100.00% 4130.782 1 -total"," 30.46% 1258.409 482 Template:Sfn"," 13.41% 553.764 1 Template:Infobox_person"," 12.49% 515.971 104 Template:Cite_book"," 6.86% 283.341 36 Template:Cite_web"," 6.01% 248.449 2 Template:Reflist"," 5.70% 235.462 39 Template:Cite_news"," 4.42% 182.404 2 Template:Infobox"," 4.26% 176.126 36 Template:Cite_magazine"," 3.81% 157.203 1 Template:Infobox_military_person"]},"scribunto":{"limitreport-timeusage":{"value":"2.742","limit":"10.000"},"limitreport-memusage":{"value":23658688,"limit":52428800},"limitreport-logs":"table#1 {\n}\n\"\"\nanchor_id_list = table#1 {\n [\"CITEREF\u0026quot;Hits_of_the_World\u0026quot;2004\"] = 1,\n [\"CITEREF\u0026quot;Red_Carpet\u0026quot;1960\"] = 1,\n [\"CITEREFAdelman2002\"] = 1,\n [\"CITEREFAlden2014\"] = 1,\n [\"CITEREFAllen1992\"] = 1,\n [\"CITEREFArnett2006\"] = 1,\n [\"CITEREFAshley2009\"] = 1,\n [\"CITEREFAtlantic2006\"] = 1,\n [\"CITEREFAusten2005\"] = 1,\n [\"CITEREFBBC_News2001\"] = 1,\n [\"CITEREFBBC_News2018\"] = 1,\n [\"CITEREFBadenHennessee1990\"] = 1,\n [\"CITEREFBaillie2010\"] = 1,\n [\"CITEREFBaird2017\"] = 1,\n [\"CITEREFBertrand2000\"] = 1,\n [\"CITEREFBono2010\"] = 1,\n [\"CITEREFBouchard2010\"] = 1,\n [\"CITEREFBox_Office_Mojo\"] = 1,\n [\"CITEREFBronson2004\"] = 1,\n [\"CITEREFBrown2014\"] = 1,\n [\"CITEREFBrownBroeske1997\"] = 1,\n [\"CITEREFBurkeGriffin2006\"] = 1,\n [\"CITEREFCMT2005\"] = 1,\n [\"CITEREFCaine2005\"] = 1,\n [\"CITEREFCampbell2009\"] = 1,\n [\"CITEREFCaulfield2016\"] = 1,\n [\"CITEREFCharlton2006\"] = 1,\n [\"CITEREFChristgau1985\"] = 1,\n [\"CITEREFClarke2006\"] = 1,\n [\"CITEREFClaytonHeard2003\"] = 1,\n [\"CITEREFCoffey1997\"] = 1,\n [\"CITEREFCollins2002\"] = 1,\n [\"CITEREFCook2004\"] = 1,\n [\"CITEREFCorcoran1998\"] = 1,\n [\"CITEREFCosby2016\"] = 1,\n [\"CITEREFDavies1996\"] = 1,\n [\"CITEREFDenisoff1975\"] = 1,\n [\"CITEREFDiscovery_Channel2005\"] = 1,\n [\"CITEREFDoll2016\"] = 1,\n [\"CITEREFDoss1999\"] = 1,\n [\"CITEREFDuffett2018\"] = 1,\n [\"CITEREFDundy2004\"] = 1,\n [\"CITEREFDyer1959–1960\"] = 1,\n [\"CITEREFEames2022a\"] = 1,\n [\"CITEREFEames2022b\"] = 1,\n [\"CITEREFEarl2017\"] = 1,\n [\"CITEREFEder2013\"] = 1,\n [\"CITEREFEdgerton2007\"] = 1,\n [\"CITEREFEiland2018\"] = 1,\n [\"CITEREFElster2006\"] = 1,\n [\"CITEREFEscott1998\"] = 1,\n [\"CITEREFFarmer2000\"] = 1,\n [\"CITEREFFeeney2010\"] = 1,\n [\"CITEREFFensch2001\"] = 1,\n [\"CITEREFFessier2013\"] = 1,\n [\"CITEREFFields2007\"] = 1,\n [\"CITEREFFinn2024\"] = 1,\n [\"CITEREFFox1986\"] = 1,\n [\"CITEREFFriedlander1996\"] = 1,\n [\"CITEREFGarber1997\"] = 1,\n [\"CITEREFGarrity2002\"] = 1,\n [\"CITEREFGibson2005\"] = 1,\n [\"CITEREFGillett2000\"] = 1,\n [\"CITEREFGoldmanEwalt2007\"] = 1,\n [\"CITEREFGoldmanPaine2007\"] = 1,\n [\"CITEREFGordon2005\"] = 1,\n [\"CITEREFGostin2023\"] = 1,\n [\"CITEREFGould1956\"] = 1,\n [\"CITEREFGraceland_Blog2015\"] = 1,\n [\"CITEREFGrammy2014\"] = 1,\n [\"CITEREFGreenburg2017\"] = 1,\n [\"CITEREFGreene2018\"] = 1,\n [\"CITEREFGrein2008\"] = 1,\n [\"CITEREFGuralnick1989\"] = 1,\n [\"CITEREFGuralnick1994\"] = 1,\n [\"CITEREFGuralnick1999\"] = 1,\n [\"CITEREFGuralnick2004\"] = 1,\n [\"CITEREFGuralnickJorgensen1999\"] = 1,\n [\"CITEREFHarrison1992\"] = 1,\n [\"CITEREFHarrison2016\"] = 1,\n [\"CITEREFHasty2008\"] = 1,\n [\"CITEREFHigginbotham2002\"] = 1,\n [\"CITEREFHilburn2005\"] = 1,\n [\"CITEREFHilburn2007\"] = 1,\n [\"CITEREFHopkins1986\"] = 1,\n [\"CITEREFHopkins2002\"] = 1,\n [\"CITEREFHopkins2007\"] = 1,\n [\"CITEREFHoy2008\"] = 1,\n [\"CITEREFJancik1998\"] = 1,\n [\"CITEREFJeffreyKaplan2022\"] = 1,\n [\"CITEREFJezer1982\"] = 1,\n [\"CITEREFJorgensen1998\"] = 1,\n [\"CITEREFKeogh2004\"] = 1,\n [\"CITEREFKirchbergHendrickx1999\"] = 1,\n [\"CITEREFKochManningToplikar2008\"] = 1,\n [\"CITEREFKolawole2002\"] = 1,\n [\"CITEREFKubernick2008\"] = 1,\n [\"CITEREFLegacy2018\"] = 1,\n [\"CITEREFLeigh2017\"] = 1,\n [\"CITEREFLewis2017\"] = 1,\n [\"CITEREFLisanti2000\"] = 1,\n [\"CITEREFLiz_Nickles,_Savita_Iyer\"] = 1,\n [\"CITEREFLottUebel1997\"] = 1,\n [\"CITEREFLynch2011\"] = 1,\n [\"CITEREFMarcus1982\"] = 1,\n [\"CITEREFMarcus2006\"] = 1,\n [\"CITEREFMarcus2015\"] = 1,\n [\"CITEREFMarsh1980\"] = 1,\n [\"CITEREFMarsh1982\"] = 1,\n [\"CITEREFMarsh1989\"] = 1,\n [\"CITEREFMarsh2004\"] = 1,\n [\"CITEREFMarsh2015\"] = 1,\n [\"CITEREFMartin2000\"] = 1,\n [\"CITEREFMasley2002\"] = 1,\n [\"CITEREFMason2007\"] = 1,\n [\"CITEREFMatthew-Walker1979\"] = 1,\n [\"CITEREFMcPhate2017\"] = 1,\n [\"CITEREFMiller2000\"] = 1,\n [\"CITEREFMiller2021\"] = 1,\n [\"CITEREFMillerGriswoldScharffRezac2012\"] = 1,\n [\"CITEREFMoody2008\"] = 1,\n [\"CITEREFMooreDickerson1997\"] = 1,\n [\"CITEREFMorrison1996\"] = 1,\n [\"CITEREFMoscheo2007\"] = 1,\n [\"CITEREFMoyer2002\"] = 1,\n [\"CITEREFMurray1961\"] = 1,\n [\"CITEREFMyers2021\"] = 1,\n [\"CITEREFMyers2022\"] = 1,\n [\"CITEREFMyrie2009\"] = 1,\n [\"CITEREFNash2003\"] = 1,\n [\"CITEREFNash2005\"] = 1,\n [\"CITEREFNational_Park_Service2010\"] = 1,\n [\"CITEREFNeibaur2014\"] = 1,\n [\"CITEREFNew_York_Times2002\"] = 1,\n [\"CITEREFO\u0026#039;Malley2016\"] = 1,\n [\"CITEREFOsborne2000\"] = 1,\n [\"CITEREFOsborne2017\"] = 1,\n [\"CITEREFPalladino1996\"] = 1,\n [\"CITEREFPendergastPendergast2000\"] = 1,\n [\"CITEREFPilgrim2006\"] = 1,\n [\"CITEREFPleasants2004\"] = 1,\n [\"CITEREFPomerantz2011\"] = 1,\n [\"CITEREFPomerantz_et_al.2009\"] = 1,\n [\"CITEREFPonce_de_Leon2007\"] = 1,\n [\"CITEREFPresley1985\"] = 1,\n [\"CITEREFRIAA2010\"] = 1,\n [\"CITEREFRIAA2020a\"] = 1,\n [\"CITEREFRIAA2020b\"] = 1,\n [\"CITEREFRIAA2020c\"] = 1,\n [\"CITEREFRIAA2020d\"] = 1,\n [\"CITEREFRIAA2020e\"] = 1,\n [\"CITEREFRIAA2020f\"] = 1,\n [\"CITEREFRRHF2010\"] = 1,\n [\"CITEREFRamsland2010\"] = 1,\n [\"CITEREFReuters2022\"] = 1,\n [\"CITEREFRobertson2004\"] = 1,\n [\"CITEREFRock_\u0026#039;N_Roll_Stars1956\"] = 1,\n [\"CITEREFRodman1996\"] = 1,\n [\"CITEREFRodman2013\"] = 1,\n [\"CITEREFRogers1982\"] = 1,\n [\"CITEREFRolling_Stone2004\"] = 1,\n [\"CITEREFRolling_Stone2009\"] = 1,\n [\"CITEREFRolling_Stone2023\"] = 1,\n [\"CITEREFRose2006\"] = 1,\n [\"CITEREFRose_et_al.2010\"] = 1,\n [\"CITEREFSadie1994\"] = 1,\n [\"CITEREFSalisbury1957\"] = 1,\n [\"CITEREFScherman2006\"] = 1,\n [\"CITEREFSegré2002\"] = 1,\n [\"CITEREFSexton2007\"] = 1,\n [\"CITEREFSexton2016\"] = 1,\n [\"CITEREFSlater2002\"] = 1,\n [\"CITEREFSlaughterNixon2004\"] = 1,\n [\"CITEREFSmith2002\"] = 1,\n [\"CITEREFSpeakman2023\"] = 1,\n [\"CITEREFStanleyCoffey1998\"] = 1,\n [\"CITEREFStein1997\"] = 1,\n [\"CITEREFSun\"] = 1,\n [\"CITEREFSzatmary1996\"] = 1,\n [\"CITEREFTasker2007\"] = 1,\n [\"CITEREFTennant2013\"] = 1,\n [\"CITEREFThe_Beatles2000\"] = 1,\n [\"CITEREFTillery2013\"] = 1,\n [\"CITEREFTrust2015\"] = 1,\n [\"CITEREFTrust2019\"] = 1,\n [\"CITEREFTrust2022\"] = 1,\n [\"CITEREFTrust2023\"] = 1,\n [\"CITEREFTurner2004\"] = 1,\n [\"CITEREFUS_Department_of_Defense1960\"] = 1,\n [\"CITEREFUshe2022\"] = 1,\n [\"CITEREFVH11998\"] = 1,\n [\"CITEREFVariety2005\"] = 1,\n [\"CITEREFVictor2008\"] = 1,\n [\"CITEREFWadey2004\"] = 1,\n [\"CITEREFWalker2023\"] = 1,\n [\"CITEREFWarwickKutnerBrown2004\"] = 1,\n [\"CITEREFWaters2003\"] = 1,\n [\"CITEREFWhitburn1993\"] = 1,\n [\"CITEREFWhitburn2006\"] = 1,\n [\"CITEREFWhitburn2010\"] = 1,\n [\"CITEREFWilliams2012\"] = 1,\n [\"CITEREFWilliamson2015\"] = 1,\n [\"CITEREFWilson2010\"] = 1,\n [\"CITEREFWolfe1994\"] = 1,\n [\"CITEREFWoolleyPeters1977\"] = 1,\n}\ntemplate_list = table#1 {\n [\"\\\"'\"] = 1,\n [\"'\"] = 7,\n [\"'\\\"\"] = 2,\n [\"1986 Rock and Roll Hall of Fame\"] = 1,\n [\"1990s Country Music Hall of Fame\"] = 1,\n [\"American Music Award of Merit\"] = 1,\n [\"As of\"] = 1,\n [\"Authority control\"] = 1,\n [\"Birth date\"] = 1,\n [\"Blockquote\"] = 1,\n [\"Cite book\"] = 104,\n [\"Cite journal\"] = 3,\n [\"Cite magazine\"] = 36,\n [\"Cite news\"] = 39,\n [\"Cite web\"] = 36,\n [\"Col-2\"] = 2,\n [\"Col-begin\"] = 1,\n [\"Col-end\"] = 1,\n [\"Colbegin\"] = 1,\n [\"Colend\"] = 1,\n [\"Commons category\"] = 1,\n [\"Coord\"] = 1,\n [\"DEFAULTSORT:Presley, Elvis\"] = 1,\n [\"Death date and age\"] = 1,\n [\"Div col\"] = 1,\n [\"Div col end\"] = 1,\n [\"Efn\"] = 2,\n [\"Elvis Presley\"] = 1,\n [\"Elvis Presley singles\"] = 1,\n [\"Featured article\"] = 1,\n [\"Flatlist\"] = 5,\n [\"Further\"] = 1,\n [\"GBurl\"] = 15,\n [\"Grammy Lifetime Achievement Award\"] = 1,\n [\"Harvnb\"] = 1,\n [\"IMDb name\"] = 1,\n [\"IPAc-en\"] = 2,\n [\"ISBN\"] = 11,\n [\"Inflation\"] = 5,\n [\"Infobox military person\"] = 1,\n [\"Infobox musical artist\"] = 1,\n [\"Infobox person\"] = 1,\n [\"Lang\"] = 1,\n [\"Listen\"] = 6,\n [\"Main\"] = 5,\n [\"Marriage\"] = 1,\n [\"Navboxes\"] = 1,\n [\"Nbsp\"] = 1,\n [\"Née\"] = 1,\n [\"Other uses\"] = 1,\n [\"Portal bar\"] = 1,\n [\"Pp\"] = 1,\n [\"Pp-move\"] = 1,\n [\"Quote box\"] = 1,\n [\"Redirect-multi\"] = 1,\n [\"Refbegin\"] = 2,\n [\"Refend\"] = 2,\n [\"Reflist\"] = 2,\n [\"Refn\"] = 6,\n [\"Respell\"] = 2,\n [\"See also\"] = 5,\n [\"Sfn\"] = 482,\n [\"SfnRef\"] = 27,\n [\"Sfnref\"] = 4,\n [\"Short description\"] = 1,\n [\"Snd\"] = 14,\n [\"TCMDb name\"] = 1,\n [\"UK best-selling singles (by year)\"] = 1,\n [\"US$\"] = 3,\n [\"Use American English\"] = 1,\n [\"Use mdy dates\"] = 1,\n [\"Wikiquote\"] = 1,\n}\narticle_whitelist = table#1 {\n}\nciteref_patterns = table#1 {\n}\nno target: CITEREFHumphries2003\n","limitreport-profile":[["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::callParserFunction","480","16.2"],["?","340","11.5"],["recursiveClone \u003CmwInit.lua:45\u003E","320","10.8"],["dataWrapper 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