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MIDI Compositions

<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN" "http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en"> <head profile="http://dublincore.org/documents/dcq-html/"> <title>MIDI Compositions</title> <meta http-equiv="Content-Language" content="en" /> <meta http-equiv="Content-Script-Type" content="text/javascript" /> <meta http-equiv="Content-Style-Type" content="text/css" /> <meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> <meta http-equiv="PICS-Label" content='(pics-1.1 "http://www.icra.org/ratingsv02.html" l gen true for "http://ptaff.ca/" r (nz 1 vz 1 +lz 1 oz 1 cz 1) gen true for "http://www.ptaff.ca/" r (nz 1 vz 1 lz 1 oz 1 cz 1) gen true for "http://tuxstickers.ptaff.ca/" r (nz 1 vz 1 lz 1 oz 1 cz 1) gen true for "http://tuxstickers.ptaff.ca/" r (nz 1 vz 1 lz 1 oz 1 cz 1) gen true for "http://purl.org/DC/elements/1.0/" r (nz 1 vz 1 lz 1 oz 1 cz 1) gen true for "http://purl.org/dc/terms/" r (nz 1 vz 1 lz 1 oz 1 cz 1) gen true for "http://geotags.com/geo/" r (nz 1 vz 1 lz 1 oz 1 cz 1))' /> <meta http-equiv="X-UA-Compatible" content="IE=EmulateIE7" /> <meta name="DC.Contributor" content="Stefan Michalowski" /> <meta name="DC.Creator" content="Patrice Levesque" /> <meta name="DC.Date" scheme="DCTERMS.W3CDTF" content="2002-01-20" /> <meta name="DC.Date.DateCopyrighted" scheme="DCTERMS.W3CDTF" content="2002-01-20" /> <meta name="DC.Description" content="A couple of MIDI pieces and studies." /> <meta name="DC.Format" scheme="IMT" content="text/html" /> <meta name="DC.Identifier" scheme="DCTERMS.URI" content="http://ptaff.ca/midi/?lang=en_CA" /> <meta name="DC.Language" scheme="DCTERMS.RFC3066" content="en" /> <meta name="DC.Publisher" content="ptaff.ca" /> <meta name="DC.RightsHolder" content="Patrice Levesque" /> <meta name="DC.RightsHolder" content="Stefan Michalowski" /> <meta name="DC.Subject" content="Arts &#38; 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Before you blame me, yes, there are a couple of <sup>12</sup>/<sub>8</sub> measures in the middle of the piece, don't panic. <span class="duree">(1:49)</span></p> <ul class="download"><li><a href="11temps2.mg">11 temps [ Midge ]</a></li> <li><a href="11temps2.mid">11 temps [ MIDI ]</a></li> <li><a href="11temps2.ogg">11 temps [ Ogg Vorbis ]</a></li> </ul></div><div class="songbox"><div class="h2box"><h2>Em B7 Cdim</h2> <div class="author">(Levesque, 1998)</div> </div><p class="description">A simple arpegiated piano theme, switching between two tonalities. A straightforward <sup>4</sup>/<sub>4</sub>, with an overactive flutist. <span class="duree">(0:28)</span></p> <ul class="download"><li><a href="emb7cdim.mg">Em B7 Cdim [ Midge ]</a></li> <li><a href="emb7cdim.mid">Em B7 Cdim [ MIDI ]</a></li> <li><a href="emb7cdim.ogg">Em B7 Cdim [ Ogg Vorbis ]</a></li> </ul></div><div class="songbox"><div class="h2box"><h2>F Am Dm F Am</h2> <div class="author">(Levesque, 1998)</div> </div><p class="description">All interest is in the bass alternating between C and F - the title should be read as "F Am/C Dm/F F/C Am"; but harder to pronounce! Even if syncopated at the end, a <sup>4</sup>/<sub>4</sub>. <span class="duree">(1:33)</span></p> <ul class="download"><li><a href="famdmfam.mg">F Am Dm F Am [ Midge ]</a></li> <li><a href="famdmfam.mid">F Am Dm F Am [ MIDI ]</a></li> <li><a href="famdmfam.ogg">F Am Dm F Am [ Ogg Vorbis ]</a></li> </ul></div><div class="songbox"><div class="h2box"><h2>Hero</h2> <div class="author">(Levesque/Michalowski, 2001)</div> </div><p class="description">A couple of lines hummed by one of my heroes, again one of these melodies that posess your head, in a <sup>10</sup>/<sub>8</sub> rhythm to make it even more teasing. A combat is happening in these measures, watch out of the lost bullets! <span class="duree">(0:59)</span></p> <ul class="download"><li><a href="hero.mg">Hero [ Midge ]</a></li> <li><a href="hero.mid">Hero [ MIDI ]</a></li> <li><a href="hero.ogg">Hero [ Ogg Vorbis ]</a></li> </ul></div><div class="songbox"><div class="h2box"><h2>J.J.</h2> <div class="author">(Levesque/Michalowski, 2001)</div> </div><p class="description">Answering machine episode - I get a melody as a message. An honorable theme in <sup>9</sup>/<sub>4</sub>. I work it out a little, our correspondant adds, suggests, and after a couple of days we get to a solid foundation. Or? <span class="duree">(1:43)</span></p> <ul class="download"><li><a href="jj.mg">J.J. [ Midge ]</a></li> <li><a href="jj.mid">J.J. [ MIDI ]</a></li> <li><a href="jj.ogg">J.J. [ Ogg Vorbis ]</a></li> </ul></div><div class="songbox"><div class="h2box"><h2>Labyrinthitis</h2> <div class="author">(Levesque, 2002)</div> </div><p class="description">While a lovely girl was sleeping, suffering from labyrinthithis and myself unable to shut an eye, I wrote this piano piece for three hands - in <sup>5</sup>/<sub>4</sub> - without any instrument in my reach. <span class="duree">(0:51)</span></p> <ul class="download"><li><a href="labyrinthitis.mg">Labyrinthitis [ Midge ]</a></li> <li><a href="labyrinthitis.mid">Labyrinthitis [ MIDI ]</a></li> <li><a href="labyrinthitis.ogg">Labyrinthitis [ Ogg Vorbis ]</a></li> </ul></div><div class="songbox"><div class="h2box"><h2>Melancholy</h2> <div class="author">(Levesque, 2002)</div> </div><p class="description">Three <sup>7</sup>/<sub>4</sub> themes united, each one of them invented for itself on a three year period. A lot of key switches to expect! <span class="duree">(2:07)</span></p> <ul class="download"><li><a href="melancholy.mg">Melancholy [ Midge ]</a></li> <li><a href="melancholy.mid">Melancholy [ MIDI ]</a></li> <li><a href="melancholy.ogg">Melancholy [ Ogg Vorbis ]</a></li> </ul></div><div class="songbox"><div class="h2box"><h2>Mummy</h2> <div class="author">(Levesque, 1997)</div> </div><p class="description">A snippet written while waiting for my matrix, while living with 4 other persons. A <sup>4</sup>/<sub>4</sub> throughout, in C minor for the "verses" and A major for the "refrains". All my kitsch soul was involved! <span class="duree">(1:22)</span></p> <ul class="download"><li><a href="mummy.mg">Mummy [ Midge ]</a></li> <li><a href="mummy.mid">Mummy [ MIDI ]</a></li> <li><a href="mummy.ogg">Mummy [ Ogg Vorbis ]</a></li> </ul></div><div class="songbox"><div class="h2box"><h2>Papa</h2> <div class="author">(Levesque, 1997)</div> </div><p class="description">Three parts. The first, obviously inspired by a McCartney piece, with its altered second chords. A second part, an E minor arpeggio that brought a resolute sadness. The third part appeared to me the morning after an intoxicated evening. I think that it's a great spicy <sup>4</sup>/<sub>4</sub>. What about you? <span class="duree">(1:34)</span></p> <ul class="download"><li><a href="papa.mg">Papa [ Midge ]</a></li> <li><a href="papa.mid">Papa [ MIDI ]</a></li> <li><a href="papa.ogg">Papa [ Ogg Vorbis ]</a></li> </ul></div><div class="songbox"><div class="h2box"><h2>Poutine McDo</h2> <div class="author">(Levesque, 1999)</div> </div><p class="description">An essay on two similar rhythms played together. The sound reminds me of my childhood elevators. A good old <sup>4</sup>/<sub>4</sub>. <span class="duree">(0:33)</span></p> <ul class="download"><li><a href="poutine.mg">Poutine McDo [ Midge ]</a></li> <li><a href="poutine.mid">Poutine McDo [ MIDI ]</a></li> <li><a href="poutine.ogg">Poutine McDo [ Ogg Vorbis ]</a></li> </ul></div><div class="songbox"><div class="h2box"><h2>Propre Et Sec</h2> <div class="author">(Levesque, 1999)</div> </div><p class="description">A little piano piace mainly in triolets. An almost perfect <sup>4</sup>/<sub>4</sub>. <span class="duree">(0:24)</span></p> <ul class="download"><li><a href="propresc.mg">Propre Et Sec [ Midge ]</a></li> <li><a href="propresc.mid">Propre Et Sec [ MIDI ]</a></li> <li><a href="propresc.ogg">Propre Et Sec [ Ogg Vorbis ]</a></li> </ul></div><div class="songbox"><div class="h2box"><h2>Ptaff Symphony #1</h2> <div class="author">(Levesque, 1996)</div> </div><p class="description">Serious tune and G harmonic minor scale are at the meeting. A relatively coherent string arrangement. <sup>4</sup>/<sub>4</sub>. <span class="duree">(1:38)</span></p> <ul class="download"><li><a href="clasway.mg">Ptaff Symphony #1 [ Midge ]</a></li> <li><a href="clasway.mid">Ptaff Symphony #1 [ MIDI ]</a></li> <li><a href="clasway.ogg">Ptaff Symphony #1 [ Ogg Vorbis ]</a></li> </ul></div><div class="songbox"><div class="h2box"><h2>Ptaff Symphony #2</h2> <div class="author">(Levesque, 1999)</div> </div><p class="description">First serious arrangement experiment; mainly written on piano, with pencil and music paper, the piece starts on a <sup>5</sup>/<sub>4</sub> arpeggio before evolving into a <sup>3</sup>/<sub>4</sub> development. Sorry that it fades as the tubas get into action... <span class="duree">(1:14)</span></p> <ul class="download"><li><a href="symphony.mg">Ptaff Symphony #2 [ Midge ]</a></li> <li><a href="symphony.mid">Ptaff Symphony #2 [ MIDI ]</a></li> <li><a href="symphony.ogg">Ptaff Symphony #2 [ Ogg Vorbis ]</a></li> </ul></div><div class="songbox"><div class="h2box"><h2>Roger</h2> <div class="author">(Levesque/Hexil, 1994)</div> </div><p class="description">And old piece that originally was written as a rythmic essay. In this <sup>4</sup>/<sub>4</sub> piece, a <sup>2</sup>/<sub>4</sub> measure would appear sometimes. Written on my parents' piano. <span class="duree">(2:41)</span></p> <ul class="download"><li><a href="roger.mg">Roger [ Midge ]</a></li> <li><a href="roger.mid">Roger [ MIDI ]</a></li> <li><a href="roger.ogg">Roger [ Ogg Vorbis ]</a></li> </ul></div><div class="songbox"><div class="h2box"><h2>Salsa 13</h2> <div class="author">(Levesque, 2002)</div> </div><p class="description">After peeking in a salsa music fakebook, studying the 4 and 6 time rhythms and the multiple harmonic alterations, I aimed to write a <sup>13</sup>/<sub>8</sub> salsa. As simple as on radio. <span class="duree">(0:44)</span></p> <ul class="download"><li><a href="salsa13.mg">Salsa 13 [ Midge ]</a></li> <li><a href="salsa13.mid">Salsa 13 [ MIDI ]</a></li> <li><a href="salsa13.ogg">Salsa 13 [ Ogg Vorbis ]</a></li> </ul></div><div class="songbox"><div class="h2box"><h2>S&#232;ve bass</h2> <div class="author">(Levesque, 2001)</div> </div><p class="description">Wanting to play a majestic and syncopated rhythm on the guitar, some <sup>7</sup>/<sub>4</sub> measures fell into my hand, harmonically irresolved. An interesting chromatic chord sucession (Db<sup>7</sup>sus4, C<sup>7</sup>, Bm<sup>7</sup>) later, the mixture became clear: it misses only you. <span class="duree">(0:55)</span></p> <ul class="download"><li><a href="seve_bass.mg">S&#232;ve bass [ Midge ]</a></li> <li><a href="seve_bass.mid">S&#232;ve bass [ MIDI ]</a></li> <li><a href="seve_bass.ogg">S&#232;ve bass [ Ogg Vorbis ]</a></li> </ul></div> <div class="ptaffcafooter"> <hr /> <div class="dates"> <div class="vevent"><p class="description">MIDI Compositions</p><span class="summary">Creation</span>&#160;: <abbr class="dtstart" title="2002-01-20">January 20th, 2002</abbr><div class="adr"><span class="locality">Villeray</span><div class="geo"><abbr class="latitude" title="45.5505">N 45&#176; 33&#8242;</abbr> <abbr class="longitude" title="-73.6133">W 73&#176; 36&#8242;</abbr></div></div></div> <div class="vevent"> <p class="description">MIDI Compositions</p><span class="summary">Last update</span>&#160;: <abbr class="dtstart" title="2004-08-27">August 27th, 2004</abbr><span class="filler">, </span><div class="adr"><span class="locality">Villeray</span>, <div class="geo"><abbr class="latitude" title="45.5505">N 45&#176; 33&#8242;</abbr> <abbr class="longitude" title="-73.6133">W 73&#176; 36&#8242;</abbr></div></div></div> </div> <hr /> <ul class="bottomlinks"> <li class="firstli"><a accesskey="1" title="Access key: 1" rel="Home" href="/?lang=en_CA">Home</a></li> <li><a accesskey="3" href="/plan/?lang=en_CA" title="Access key: 3">Site&#160;map</a></li> <li><a accesskey="9" rel="Author" href="/sitemail/?to=ptaff&#38;lang=en_CA" title="Access key: 9">Contact&#160;us</a></li> <li><a href="/manifeste/?lang=en_CA#confidentialite">Confidentiality</a></li> <li><a accesskey="0" href="/accessibilite/?lang=en_CA" title="Access key: 0">Accessibility</a></li> <li class="lastli"><a accesskey="8" rel="Help" href="/manifeste/?lang=en_CA" title="Access key: 8">About&#160;ptaff.ca</a></li> </ul> <ul class="valid"> <li><span class="vbutton"><a href="http://jigsaw.w3.org/css-validator/check/referer" hreflang="en" title="CSS compliance"><span class="yleft"><acronym xml:lang="en" title="World Wide Web Consortium"><span class="w3">W3</span><span class="c">C</span></acronym> </span><span class="yright"><span xml:lang="en" title="Cascading Style Sheets" class="rec">CSS</span><span class="ver">2.1</span></span></a></span></li> <li><span class="vbutton"><a href="http://validator.w3.org/check/referer" hreflang="en" title="XHTML 1.1 compliance"><span class="yleft"><acronym xml:lang="en" title="World Wide Web Consortium"><span class="w3">W3</span><span class="c">C</span></acronym> </span><span class="yright"><span xml:lang="en" title="eXtensible HyperText Markup Language" class="rec">XHTML</span><span class="ver">1.1</span></span></a></span></li> <li> <span class="vbutton"> <a href="http://www.w3.org/WAI/WCAG1AAA-Conformance" hreflang="en" title="Triple-A W3C-WAI compliance"> <span class="yleft"><acronym xml:lang="en" title="World Wide Web Consortium"><span class="w3">W3</span><span class="c">C</span></acronym> </span><span class="yright"><span xml:lang="en" title="Web Accessibility Initiative" class="rec">WAI</span>-<span class="ver">AAA</span></span> </a> </span> </li> </ul> <p class="copyright" id="copyright">Copyright &#169; 1994-2003 <a href="/wayne/?lang=en_CA">Patrice Levesque</a>, <a href="/illmnec/">Stefan Michalowski</a>. 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