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{"@context":"https://linked.art/ns/v1/linked-art.json","id":"https://media.art.yale.edu/content/lux/obj/84314.json","type":"HumanMadeObject","_label":"Quadruped with Two Human Figures","classified_as":[{"id":"http://vocab.getty.edu/aat/300047090","type":"Type","_label":"Sculpture","classified_as":[{"id":"http://vocab.getty.edu/aat/300435443","type":"Type","_label":"Type of Work"}]},{"id":"http://vocab.getty.edu/aat/300010331","type":"Type","_label":"Objects","classified_as":[{"id":"http://vocab.getty.edu/aat/300241507","type":"Type","_label":"Super Type"}]},{"id":"http://vocab.getty.edu/aat/300404114","type":"Type","_label":"human figures (visual works)"}],"identified_by":[{"type":"Name","content":"Quadruped with Two Human Figures","classified_as":[{"id":"http://vocab.getty.edu/aat/300404670","type":"Type","_label":"Primary Title"}],"language":[{"id":"http://vocab.getty.edu/aat/300388277","type":"Language","_label":"eng"}]},{"type":"Identifier","content":"2006.51.118","classified_as":[{"id":"http://vocab.getty.edu/aat/300312355","type":"Type","_label":"Accession Number"}],"assigned_by":[{"type":"AttributeAssignment","carried_out_by":[{"id":"https://media.art.yale.edu/content/lux/agt/12811.json","type":"Group","_label":"Yale University Art Gallery"}]}]},{"type":"Identifier","content":"84314","classified_as":[{"id":"http://vocab.getty.edu/aat/300435704","type":"Type","_label":"System-Assigned Number"}],"assigned_by":[{"type":"AttributeAssignment","carried_out_by":[{"id":"https://media.art.yale.edu/content/lux/agt/12811.json","type":"Group","_label":"Yale University Art Gallery"}]}]}],"current_owner":[{"id":"https://media.art.yale.edu/content/lux/agt/12811.json","type":"Group","_label":"Yale University Art Gallery"}],"member_of":[{"id":"https://media.art.yale.edu/content/lux/set/1.json","type":"Set","_label":"African Art Collection, Yale University Art Gallery"}],"made_of":[{"id":"http://vocab.getty.edu/aat/300010669","type":"Material","_label":"terracotta"}],"dimension":[{"type":"Dimension","value":3.937000000000000e+001,"classified_as":[{"id":"http://vocab.getty.edu/aat/300055644","type":"Type","_label":"height"}],"unit":{"id":"http://vocab.getty.edu/aat/300379098","type":"MeasurementUnit","_label":"cm"},"assigned_by":[{"type":"AttributeAssignment","classified_as":[{"id":"https://media.art.yale.edu/content/lux/dim/13.json","type":"Type","_label":"object"}]}]},{"type":"Dimension","value":5.334000000000000e+001,"classified_as":[{"id":"http://vocab.getty.edu/aat/300055647","type":"Type","_label":"width"}],"unit":{"id":"http://vocab.getty.edu/aat/300379098","type":"MeasurementUnit","_label":"cm"},"assigned_by":[{"type":"AttributeAssignment","classified_as":[{"id":"https://media.art.yale.edu/content/lux/dim/13.json","type":"Type","_label":"object"}]}]},{"type":"Dimension","value":2.286000000000000e+001,"classified_as":[{"id":"http://vocab.getty.edu/aat/300072633","type":"Type","_label":"depth"}],"unit":{"id":"http://vocab.getty.edu/aat/300379098","type":"MeasurementUnit","_label":"cm"},"assigned_by":[{"type":"AttributeAssignment","classified_as":[{"id":"https://media.art.yale.edu/content/lux/dim/13.json","type":"Type","_label":"object"}]}]}],"referred_to_by":[{"type":"LinguisticObject","content":"On view, 1st floor, African Art","classified_as":[{"id":"http://vocab.getty.edu/aat/300133046","type":"Type","_label":"Access statement"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">&quot;Craft Caravan, Inc., advertisement,&quot; <em>African Arts</em> 18, no. 1 (November 1984), 18, ill.</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Susan Vogel, <em>Perspectives: Angles on African Art</em>, exh. cat. (New York: Museum for African Art, 1987), 122-123, ill.</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Susan Vogel and Jerry L. Thompson, <em>Closeup: Lessons in the Art of Seeing African Sculpture from an American Collection and the Horstmann Collection</em>, exh. cat. (New York: Museum for African Art, 1990), 131, fig. 56</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Barkley L. Hendricks, &quot;Acquisitions, July 1, 2005–June 30, 2006,&quot; in \"Photography at Yale,\" special issue, <em>Yale University Art Gallery Bulletin</em> (2006), 222</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Frederick John Lamp, Amanda Maples, and Laura M. Smalligan, <em>Accumulating Histories: African Art from the Charles B. Benenson Collection at the Yale University Art Gallery</em> (New Haven, Conn.: Yale University Art Gallery, 2012), 73, 135, fig. 16</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\">Bernard de Grunne, <em>Djenné-Jeno: 1000 Years of Terracotta Statuary in Mali</em> (New Haven, Conn.: Yale University Press, 2014), 46, fig. 59</span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300311705","type":"Type","_label":"Citations"}]},{"type":"LinguisticObject","content":"Charles B. Benenson, B.A. 1933, Collection","classified_as":[{"id":"http://vocab.getty.edu/aat/300435418","type":"Type","_label":"Credit Line"}]},{"type":"LinguisticObject","content":"Jenne-Jeno","classified_as":[{"id":"http://vocab.getty.edu/aat/300435431","type":"Type","_label":"Culture"}]},{"type":"LinguisticObject","content":"<span class=\"lux_data\"><span lang=\"EN\"><p align=\"LEFT\" dir=\"LTR\">According to Yale University professor Roderick McIntosh, who has excavated at Jenne-Jeno periodically since 1977, \"Within the context of Mande symbolism and legend, the piece suggests <i>baafaro</i>, the composite water-animal guardian spirit of important waterways with which any leader wishing power over a landscape had to conclude a ‘contract.’\" The human locked in the quadruped’s jaws may thus represent a supplicant.</p></span></span>","classified_as":[{"id":"http://vocab.getty.edu/aat/300435416","type":"Type","_label":"Description"}]},{"type":"LinguisticObject","content":"15 1/2 × 21 × 9 in. 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