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full pb-feature pb-layout-item pb-f-toppers-section-subnav" moat-id="toppers/section-subnav|goingoutguide" data-chain-name="no-name" data-feature-name="no-name" data-feature-id="toppers/section-subnav" data-pb-fingerprint="0ffieAnMVr9" id="fX8wsD1BKQ6N8s"> </div> <div class="moat-trackable pb-f-theme-normal pb-f-dehydrate-false pb-f-async-false full pb-feature pb-layout-item pb-f-article-article-topper" moat-id="article/article-topper|goingoutguide" data-chain-name="no-name" data-feature-name="no-name" data-feature-id="article/article-topper" data-pb-fingerprint="0faWpqkNKqf" id="f0bJZSUBKQ6N8s"> <div class="border-bottom-off border-bottom-100-pct"> <div id="article-topper" class="article-topper "> <div class="headline-kicker"><a class="kicker-link" href="/web/20201115225257/https://www.washingtonpost.com/gog">Going Out Guide</a></div> <div id="topper-headline-wrapper"> <div class="topper-headline"> <h1 data-pb-field="custom.topperDisplayName" itemprop="headline">Four ways to experience the new African American Museum</h1> </div> <div class="save_pennant_wrapper" style="display:none;" data-canonical-url="https://www.washingtonpost.com/goingoutguide/four-ways-to-experience-the-new-african-american-history-museum/2016/09/21/a8a156ce-7b50-11e6-beac-57a4a412e93a_story.html"> <div class="save-pennant unsaved active" data-action="save" data-update-action="saved"> <div class="pennant-icon fa fa-plus-alt"></div> <div class="pennant-text">Add to list</div> </div> <div class="save-pennant saved" data-action="unsave" data-update-action="unsaved"> <div class="pennant-icon fa fa-check-alt"></div> <div class="pennant-text">On my list</div> </div> </div> </div> <div class="clear"></div> </div> </div> </div> <div class="pb-container"> </div> </section> <section id="main-content" class="col-xl-9 col-lg-8 col-md-8 col-sm-12 col-xs-12 col-xs-offset-0 col-sm-offset-0 col-md-offset-0 col-lg-offset-0 layout"> <div class="moat-trackable pb-f-theme-normal pb-f-dehydrate-false pb-f-async-false full pb-feature pb-layout-item pb-f-article-article-deck" moat-id="article/article-deck|goingoutguide" data-chain-name="no-name" data-feature-name="no-name" data-feature-id="article/article-deck" data-pb-fingerprint="0fWUbLkNKq0" id="f07wtwDBKQ6N8s"> </div> <div class="moat-trackable pb-f-theme-normal pb-f-dehydrate-false pb-f-async-false full pb-feature pb-layout-item pb-f-article-article-body" moat-id="article/article-body|goingoutguide" data-chain-name="no-name" data-feature-name="no-name" data-feature-id="article/article-body" data-pb-fingerprint="0fDDVXkNKqc" id="f0tVmTEBKQ6N8s"> <div id="article-body" class="article-body content-format-default"> <div class="author-sig-line-wrapper"> <div class="author-sig-line"> <div class="author-byline "> <div class="author-wrapper" data-authorname="Lavanya Ramanathan"> <div class="author-info"> <span class="by-lbl">By </span> <a class="author-name" href="https://web.archive.org/web/20201115225257/https://www.washingtonpost.com/people/lavanya-ramanathan/"> Lavanya Ramanathan</a> </div> <div class="author-hover-card"> <div class="content "> <div class="author-headshot"> <a href="https://web.archive.org/web/20201115225257/https://www.washingtonpost.com/people/lavanya-ramanathan/"> <img class="unprocessed _1-to-1 placeholder " src="https://web.archive.org/web/20201115225257im_/https://www.washingtonpost.com/resizer/yAFxThroW-CI5t-yu8Q6FsF7kHI=/1x1/www.washingtonpost.com/pb/resources/img/spacer.gif" data-hi-res-src="https://web.archive.org/web/20201115225257/https://www.washingtonpost.com/resizer/h4rgtynvpf5lZYfbNWXmAOmbUUs=/90x90/s3.amazonaws.com/arc-authors/washpost/a5d162a5-61d2-4e7d-bc20-627949ae4ed8.png" data-low-res-src="https://web.archive.org/web/20201115225257/https://www.washingtonpost.com/resizer/9bbT4vQg9Rd5T6ApOlBwCIYTx7Y=/29x29/s3.amazonaws.com/arc-authors/washpost/a5d162a5-61d2-4e7d-bc20-627949ae4ed8.png" data-raw-src="https://web.archive.org/web/20201115225257/https://s3.amazonaws.com/arc-authors/washpost/a5d162a5-61d2-4e7d-bc20-627949ae4ed8.png" data-threshold="29"/> </a> </div> <a class="author-name" href="https://web.archive.org/web/20201115225257/https://www.washingtonpost.com/people/lavanya-ramanathan/"> Lavanya Ramanathan</a> <div class="author-bio">Features reporter</div> <div class="social-links"> <a href="https://web.archive.org/web/20201115225257/mailto:lavanya.ramanathan@washpost.com?subject='Four ways to experience the new African American Museum'"><span class="social-lbl">Email </span><i class="fa fa-envelope"></i></a> <a href="https://web.archive.org/web/20201115225257/https://www.washingtonpost.com/people/lavanya-ramanathan/"><span>Bio</span> <i class="fa fa-external-link-alt"></i></a> <a href="https://web.archive.org/web/20201115225257/https://twitter.com/lalamasala">Follow <i class="fa fa-twitter"></i> </a> </div> </div> </div> </div> </div> </div> <span class="author-timestamp" itemprop="datePublished" content="2016-09-22T08:47-500">September 22, 2016</span> </div> <article class="paywall" itemprop="articleBody"> <div class="inline-content inline-photo inline-photo-normal"> <a name=""></a> <img class="unprocessed placeholder" data-hi-res-src="https://web.archive.org/web/20201115225257/https://img.washingtonpost.com/rf/image_1484w/2010-2019/WashingtonPost/2016/09/15/Style/Images/201600914NMAAHCPRESSDAY19A1473901690.jpg?uuid=31d_THrgEeaAZMHdyKckuw" data-low-res-src="https://web.archive.org/web/20201115225257/https://img.washingtonpost.com/rf/image_480w/2010-2019/WashingtonPost/2016/09/15/Style/Images/201600914NMAAHCPRESSDAY19A1473901690.jpg?uuid=31d_THrgEeaAZMHdyKckuw" data-raw-src="https://web.archive.org/web/20201115225257/https://img.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/15/Style/Images/201600914NMAAHCPRESSDAY19A1473901690.jpg?uuid=31d_THrgEeaAZMHdyKckuw" src="https://web.archive.org/web/20201115225257im_/https://img.washingtonpost.com/rf/image_60w/2010-2019/WashingtonPost/2016/09/15/Style/Images/201600914NMAAHCPRESSDAY19A1473901690.jpg?uuid=31d_THrgEeaAZMHdyKckuw"/><br/> <span class="pb-caption">A statue shows Australian Peter Norman, left, with U.S. sprinters Tommie Smith and John Carlos raising fists at the 1968 Olympics. (Jahi Chikwendiu/The Washington Post)</span> </div> <p id="U11201811673240SN">At 400,000 square feet, the new National Museum of African American History and Culture is immense, but it’s also a museum cleaved in two, literally and metaphorically. </p> <p id="U11201811673240rIG">When you enter the museum, you immediately have a choice to make. Venture deep into the dim light of the lower levels, where the history galleries lie, and you can see <a href="https://web.archive.org/web/20201115225257/https://www.washingtonpost.com/lifestyle/style/painful-but-crucial-why-youll-see-emmett-tills-casket-at-the-african-american-museum/2016/08/18/66d1dc2e-484b-11e6-acbc-4d4870a079da_story.html" shape="rect">Emmett Till’s casket</a>, walk through a Southern Railway train car designed for the era of segregation and come face to face with slave shackles and the disembodied, worn satin hood of a Ku Klux Klan member. Or take an elevator up, and it’s America on the upswing, in the culture and community galleries. They are full of stories of achievement, modern fortitude and activism, such as an Instagram-worthy statue of track athletes Tommie Smith and John Carlos, who stood on the medal podium at the 1968 Olympics and gave the Black Power salute.</p> <div class="inline-content inline-graphic-linked"> <div class="photo-wrapper"> <a href="https://web.archive.org/web/20201115225257/http://www.washingtonpost.com/graphics/lifestyle/national-museum-of-african-american-history-and-culture/guided-tour/"><img class="unprocessed placeholder" data-hi-res-src="https://web.archive.org/web/20201115225257/https://img.washingtonpost.com/rf/image_1484w/2010-2019/WashingtonPost/2016/09/20/Style/Graphics/nmaahc-guided-tour-promo.jpg?uuid=GHIyCH8GEeatDqsNEsd5sQ" data-low-res-src="https://web.archive.org/web/20201115225257/https://img.washingtonpost.com/rf/image_480w/2010-2019/WashingtonPost/2016/09/20/Style/Graphics/nmaahc-guided-tour-promo.jpg?uuid=GHIyCH8GEeatDqsNEsd5sQ" data-raw-src="https://web.archive.org/web/20201115225257/https://img.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/20/Style/Graphics/nmaahc-guided-tour-promo.jpg?uuid=GHIyCH8GEeatDqsNEsd5sQ" src="https://web.archive.org/web/20201115225257im_/https://img.washingtonpost.com/rf/image_60w/2010-2019/WashingtonPost/2016/09/20/Style/Graphics/nmaahc-guided-tour-promo.jpg?uuid=GHIyCH8GEeatDqsNEsd5sQ"/></a> <a href="https://web.archive.org/web/20201115225257/http://www.washingtonpost.com/graphics/lifestyle/national-museum-of-african-american-history-and-culture/guided-tour/"> <span class="overlay"> <span class="headline">A peek at the Mall’s latest addition </span><span class="view-graphic">View Graphic <span class="fa fa-arrow-circle-right"></span></span> </span> </a> </div> <span class="pb-caption">A peek at the Mall’s latest addition</span> </div> <p id="U11201811673240gYF">Museum staff suggest starting at the beginning — on the lowest level of the museum — and working your way up, but it’s almost certain you can’t see it all in one day. Instead, come up with a game plan. If you’re seeking out less-touted sights, here are four itineraries to ensure you can steep in some favorite subjects, from Washington history to pop culture. </p> <div class="subhead"></div> <p channel="wp.com" class="interstitial-link"> <i>[<a href="https://web.archive.org/web/20201115225257/https://www.washingtonpost.com/entertainment/museums/national-museum-of-african-american-history-and-culture/" shape="rect" title="www.washingtonpost.com">Full coverage of the opening of the National Museum of African American History and Culture</a>]</i> </p> <div class="inline-content inline-html"> <iframe allowfullscreen="" frameborder="0" height="480" src="https://web.archive.org/web/20201115225257if_/https://my.matterport.com/show/?m=jiW7h3pEMUE" width="853"></iframe> </div> <div class="subhead"></div> <div class="subhead">Pop culture</div> <p id="U11201506786650wBG">Outside of the sports gallery on the third floor, there’s no area of the museum more jam-packed with milestones than the pop culture galleries on the fourth floor, which capture the representation of African Americans in the media and the arts. </p> <p id="U11201506786650OnF"> <b id="U11201506786650azD">“A Raisin in the Sun”</b> </p> <p> <b>Where to find it: </b>Taking the Stage (fourth floor)</p> <p id="U1120150678665087E">The first play written by an African American woman to be staged on Broadway, Lorraine Hansberry’s “Raisin” presented a black family’s story to the theatergoing set when it opened in 1959, with such actors as Sidney Poitier and Ossie Davis. It’s so enduring that it’s often restaged: The museum’s display shows three playbills for three Broadway productions, with three different casts, in 1959, 2004 and 2014. </p> <p id="U11201506786650s5E"></p> <div class="inline-content inline-graphic-linked"> <div class="photo-wrapper"> <a href="https://web.archive.org/web/20201115225257/http://www.washingtonpost.com/graphics/lifestyle/national-museum-of-african-american-history-and-culture/must-see-exhibit-items/"><img class="unprocessed placeholder" data-hi-res-src="https://web.archive.org/web/20201115225257/https://img.washingtonpost.com/rf/image_1484w/2010-2019/WashingtonPost/2016/09/19/Style/Graphics/museum-collection-items_1200x800-2.jpg?uuid=hdejaH5sEeatDqsNEsd5sQ" data-low-res-src="https://web.archive.org/web/20201115225257/https://img.washingtonpost.com/rf/image_480w/2010-2019/WashingtonPost/2016/09/19/Style/Graphics/museum-collection-items_1200x800-2.jpg?uuid=hdejaH5sEeatDqsNEsd5sQ" data-raw-src="https://web.archive.org/web/20201115225257/https://img.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/19/Style/Graphics/museum-collection-items_1200x800-2.jpg?uuid=hdejaH5sEeatDqsNEsd5sQ" src="https://web.archive.org/web/20201115225257im_/https://img.washingtonpost.com/rf/image_60w/2010-2019/WashingtonPost/2016/09/19/Style/Graphics/museum-collection-items_1200x800-2.jpg?uuid=hdejaH5sEeatDqsNEsd5sQ"/></a> <a href="https://web.archive.org/web/20201115225257/http://www.washingtonpost.com/graphics/lifestyle/national-museum-of-african-american-history-and-culture/must-see-exhibit-items/"> <span class="overlay"> <span class="headline">The top 36 must-see items at the African American museum </span><span class="view-graphic">View Graphic <span class="fa fa-arrow-circle-right"></span></span> </span> </a> </div> <span class="pb-caption">The top 36 must-see items at the African American museum</span> </div> <p id="U11201811673240mYG"> <b id="U11201506786650c4B">Richard Pryor </b> </p> <p> <b>Where to find it: </b>Taking the Stage (fourth floor)</p> <p id="U11201506786650PRH">As you work your way up the museum, where the light seeps in through the bronze filigree, there’s metaphorical light, too: comedic voices, truth-tellers who were able to speak for the millions while providing some relief from the burning issues of the day. Richard Pryor’s quotes — “What I am saying might be profane, but it is also profound” is just one — are worth a stop all on their own. </p> <p id="U11201506786650Yr"> <b id="U11201506786650a0H">NeNe Leakes </b> </p> <p> <b>Where to find it: </b>Cultural Expressions (fourth floor)</p> <p id="U11201506786650eeF">In a museum that cannot live only in the past, is there anything more reassuring than finding “The Real Housewives of Atlanta” star’s face plastered on a wall? NeNe Leakes’s dismissive expression makes the cut, in a display on communication and gestures — along with President Obama fist-bumping with the first lady and Clair Huxtable’s “I don’t think so” finger wag. </p> <p id="U112018116732402xC"></p> <p channel="wp.com" class="interstitial-link"> <i>[<a href="https://web.archive.org/web/20201115225257/https://www.washingtonpost.com/entertainment/museums/how-the-museum-talked-chuck-berry-into-giving-up-his-prized-red-cadillac/2016/09/21/9bae84c0-4aa2-11e6-acbc-4d4870a079da_story.html" shape="rect" title="www.washingtonpost.com">How the museum talked Chuck Berry into giving up his prized red Cadillac</a>]</i> </p> <p id="U11201811673240Iz"></p> <div class="inline-content inline-photo-left" style="width:300px;"> <a name=""></a> <img alt="" class="unprocessed" data-hi-res-src="https://web.archive.org/web/20201115225257/https://img.washingtonpost.com/rf/image_1024w/2010-2019/WashingtonPost/2016/09/20/Weekend/Images/maereeves.jpg?uuid=7NpKQH9GEeaNE9fHBO-f2Q" data-low-res-src="https://web.archive.org/web/20201115225257/https://img.washingtonpost.com/rf/image_480w/2010-2019/WashingtonPost/2016/09/20/Weekend/Images/maereeves.jpg?uuid=7NpKQH9GEeaNE9fHBO-f2Q" data-raw-src="https://web.archive.org/web/20201115225257/https://img.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/20/Weekend/Images/maereeves.jpg?uuid=7NpKQH9GEeaNE9fHBO-f2Q" src="https://web.archive.org/web/20201115225257im_/https://img.washingtonpost.com/rf/image_480w/2010-2019/WashingtonPost/2016/09/20/Weekend/Images/maereeves.jpg?uuid=7NpKQH9GEeaNE9fHBO-f2Q"/> <span class="pb-caption">A window into Mae’s Millinery, whose clientele included Lena Horne, is on the third floor. (Lavanya Ramanathan/The Washington Post)</span> </div> <div class="subhead">Fashion</div> <p id="U11201506786650QqB">Not everything in the museum carries deep historical weight. No, sometimes, it’s simply fun to stare at the clothes. </p> <p id="U11201506786650aVF"> <b id="U11201506786650E1B">Michelle Obama’s cocktail dress</b> </p> <p> <b>Where to find it:</b> “A Changing America: 1968 and Beyond” (C1 level)</p> <p id="U11201506786650piC">The first lady donned this 2013 Tracy Reese frock — with its bright orange poppies, well, popping against the dark fabric — for the 50th anniversary of the March on Washington. Designed by an African American designer and retailing for $500, the knee-length dress is the perfect emblem of Obama’s sartorial sense. </p> <p id="U11201506786650wFI"> <b id="U11201506786650fcD">Mae Reeves’s millinery shop </b> </p> <p> <b>Where to find it: </b>“Power of Place” (third floor) </p> <p id="U11201506786650Av">A cream linen topper encircled by flowers. A flapper-style cap covered completely with shiny, green-black plumes. Philadelphia milliner Mae Reeves’s clientele included Ella Fitzgerald and Lena Horne. The museum’s display shows not only the great tradition of crown-like hats among an older generation of African American women, but also opportunity-making and the entrepreneurial spirit of Reeves and others, even in the years of segregation. </p> <p id="U11201506786650qHF"> <b id="U11201506786650sRF">Ben Carson’s physician’s jacket</b> </p> <p> <b>Where to find it:</b> “Making a Way Out of No Way” (third floor)</p> <p id="U11201506786650xqD">You can’t help but do a double-take as you walk past this white overcoat, embroidered with the onetime presidential candidate’s name. But the scrubs and jacket are one of the museum’s many surprises, this one a reminder that Carson was a groundbreaking pediatric neurosurgeon, famed not only for being one of the surgeons who performed a successful separation of twins conjoined at the head, but also for his book, “Gifted Hands.” </p> <p id="U11201506786650NSF"> <b id="U11201506786650MqF">Door-knocker earrings and Adidas</b> </p> <p> <b>Where to find it:</b> “Cultural Expressions” (fourth floor)</p> <p id="U11201506786650vDD">These earrings and sneakers set off a fascinating examination of the ways in which fashion — described here as “styling out” — has been used as armor against stereotyping and arguments of cultural inferiority. It adds up to an interesting take on why fashion is never just fashion, particularly among African Americans. </p> <p id="U11201506786650eS"></p> <p channel="wp.com" class="interstitial-link"> <i>[<a href="https://web.archive.org/web/20201115225257/https://www.washingtonpost.com/entertainment/museums/we-dont-know-what-rosa-parks-wore-the-night-she-was-arrested-but-she-was-carrying-this-dress/2016/09/21/ca5b9700-5e5b-11e6-af8e-54aa2e849447_story.html" shape="rect" title="www.washingtonpost.com">We don’t know what Rosa Parks wore the night she was arrested. But she was carrying this dress.</a>]</i> </p> <p id="U11201811673240Ux"></p> <div class="inline-content inline-photo inline-photo-normal"> <a name=""></a> <img class="unprocessed placeholder" data-hi-res-src="https://web.archive.org/web/20201115225257/https://img.washingtonpost.com/rf/image_1484w/2010-2019/WashingtonPost/2016/09/16/Style/Images/20160914nmaahc69A1474034650.jpg?uuid=cxNiiHwWEeaAZMHdyKckuw" data-low-res-src="https://web.archive.org/web/20201115225257/https://img.washingtonpost.com/rf/image_480w/2010-2019/WashingtonPost/2016/09/16/Style/Images/20160914nmaahc69A1474034650.jpg?uuid=cxNiiHwWEeaAZMHdyKckuw" data-raw-src="https://web.archive.org/web/20201115225257/https://img.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/16/Style/Images/20160914nmaahc69A1474034650.jpg?uuid=cxNiiHwWEeaAZMHdyKckuw" src="https://web.archive.org/web/20201115225257im_/https://img.washingtonpost.com/rf/image_60w/2010-2019/WashingtonPost/2016/09/16/Style/Images/20160914nmaahc69A1474034650.jpg?uuid=cxNiiHwWEeaAZMHdyKckuw"/><br/> <span class="pb-caption">A Public Enemy banner designed by singer and songwriter Chuck D hangs in the “Changing America” exhibition. (Jahi Chikwendiu/The Washington Post)</span> </div> <div class="subhead">Music</div> <p id="U11201506786650o4C">Musical moments can be found throughout the museum, not just in the captivating Musical Crossroads area on the fourth floor, where opera and Michael Jackson’s “Woo!” blissfully clash in an aural mash-up. </p> <p id="U11201506786650xjC"> <b id="U11201506786650VZE">Mapping hip-hop in the Bronx</b> </p> <p> <b>Where to find it:</b> “Power of Place” (third floor)</p> <p id="U11201506786650I0F">Chain-link fencing, turntables and photos wheatpasted on the wall in a grafitti-inspired setup: Yes, you’re in the Bronx, and this display chronicling the birth of hip-hop in the New York neighborhood blends the political influences at play — disenfranchisement, multiculturalism, a new youthful generation — with the rise of the musical form. </p> <p id="U11201506786650qnG"> <b id="U11201506786650sh">Public Enemy banner </b> </p> <p> <b>Where to find it:</b> “A Changing America: 1968 and Beyond” (C1 level)</p> <p id="U11201506786650nuB">The hip-hop crew popularized the notion of melding rap and social justice issues, calling out the disenfranchisement of black communities over beats so hard suburban kids relished cranking it from their boomboxes, too. Their calling card, a banner designed by the group’s own Chuck D, is set off near the museum’s Black Power displays. </p> <div class="inline-content inline-gallery-embedded"> <link href="//web.archive.org/web/20201115225257cs_/https://www.washingtonpost.com/pb/gr/c/ssiSingle/rW51kl1W7jUvVr/css/d9cb19704f.css?_=27541" rel="stylesheet"/> <link href="//web.archive.org/web/20201115225257cs_/https://www.washingtonpost.com/pb/gr/p/ssiSingle/rW51kl1W7jUvVr/style.css?_=cf3db" rel="stylesheet"/> <script>window.pbDeferredSSISingle=window.pbDeferredSSISingle||new Array;</script> <div class="pb-container"> <div class="pb-feature-ssi-single pb-f-theme-normal pb-f-dehydrate-false pb-f-async-false pb-3 pb-feature pb-layout-item pb-f-gallery-gallery" data-chain-name="no-name" data-feature-id="gallery/gallery" data-feature-name="no-name" data-pb-feature-config="gallery/gallery" data-pb-fingerprint="0fh3taXsipu" id="fr47Gf2W7jUvVr"> <div class="wp-volt-gal unprocessed wp-volt-gal-p-disable-ads wp-volt-gal-p-end-circular wp-volt-gal-promo-stub wp-volt-gal-on-promo-slide wp-volt-gal-embed-promo wp-volt-gal-embed-promo-hide" data-blurb="The National Museum of African American History and Culture opens its doors to the media" data-category="Style" data-commercial-node="lifestyle" data-debug="false" data-first-published="1473879432" data-keywords="[The National Museum of African American History and Culture, media, NMAAHC, National Mall, Washingotn, DC]" data-permalink="http://www.washingtonpost.com/lifestyle/see-images-from-the-african-american-museum-press-preview/2016/09/14/fa51853c-7aa3-11e6-beac-57a4a412e93a_gallery.html" data-preroll-zone="" data-published="1473879420" data-section="lifestyle" data-show-interstitials="true" data-show-preroll="true" data-slug="see-images-from-the-african-american-museum-press-preview" data-subsection="" data-title="See images from the African American museum press preview" data-uuid="fa51853c-7aa3-11e6-beac-57a4a412e93a"> <div class="wp-volt-gal-bar"> <div class="wp-volt-gal-nav"> <div class="wp-volt-gal-nav-full-gal"><a data-pb-field="custom.navPromoLabel" data-pb-placeholder="View More Label" data-pb-url-field="custom.navPromoLink" href=""></a></div> <div class="wp-volt-gal-nav-number"><span class="wp-volt-gal-nav-number-current">1</span> of 33</div> <div class="wp-volt-gal-nav-buttons"> <div class="wp-volt-gal-nav-button wp-volt-gal-nav-prev"></div> <div class="wp-volt-gal-nav-button wp-volt-gal-nav-next"></div> </div> </div> <div class="wp-volt-gal-buttons"> <div class="wp-volt-gal-button wp-volt-gal-button-fullscreen">Full Screen</div> <div class="wp-volt-gal-button wp-volt-gal-button-autoplay">Autoplay</div> <div class="wp-volt-gal-bar-pie"></div> <div class="wp-volt-gal-button wp-volt-gal-button-close">Close</div> </div> </div> <div class="wp-volt-gal-main"> <div class="wp-volt-gal-photos"> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="Visitors wait to tour the National Museum of African American History and Culture during a media preview. " data-credit="Jim Lo Scalzo/European Pressphoto Agency" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/05539358-3614.jpg?env=A" data-max-width="4096" data-ratio="1.5" data-title=" Sept. 14, 2016" data-uuid="376e03c8-7aa4-11e6-beac-57a4a412e93a"> <div class="wp-volt-gal-slide-gal-title"></div> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="true" data-caption="A sculpture by African American abstract artist Richard Hunt welcomes vistors in the museum’s lobby." data-credit="Jahi Chikwendiu/The Washington Post" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/15/Style/Images/201600914NMAAHCPRESSDAY20A1473899350.jpg?env=A" data-max-width="3000" data-ratio="1.501" data-title=" Sept. 14, 2016" data-uuid="6db81b80-7adb-11e6-8064-c1ddc8a724bb"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="true" data-caption="A 1930s wooden sculpture by Nigerian artist Olowe of Ise wears a crown, on which the museum’s design is based, in the culture galleries." data-credit="Jahi Chikwendiu/The Washington Post" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/201600914NMAAHCPRESSDAY13A1473896771.jpg?env=A" data-max-width="3000" data-ratio="1.501" data-title=" Sept. 14, 2016" data-uuid="6d377918-7ad5-11e6-8064-c1ddc8a724bb"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="true" data-caption="Historic costumes and memorabilia are housed in the culture galleries." data-credit="Jahi Chikwendiu/The Washington Post" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/201600914NMAAHCPRESSDAY11A1473896110.jpg?env=A" data-max-width="3000" data-ratio="1.501" data-title=" Sept. 14, 2016" data-uuid="e314f36a-7ad3-11e6-8064-c1ddc8a724bb"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="true" data-caption="Exhibits, including one called “Taking the Stage,” are coming together in the fourth-floor galleries." data-credit="Jahi Chikwendiu/The Washington Post" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/12/Style/Images/13nmaahcA1468861391.jpg?env=A" data-max-width="3000" data-ratio="1.501" data-title="July 6, 2016" data-uuid="d4b4f398-7910-11e6-ac8e-cf8e0dd91dc7"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="true" data-caption="The Washington Monument can be seen through an opening of the building’s Corona metalwork near an exhibit honoring Medal of Honor recipients." data-credit="Jahi Chikwendiu/The Washington Post" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/201600914NMAAHCPRESSDAY12A1473896771.jpg?env=A" data-max-width="3000" data-ratio="1.5" data-title=" Sept. 14, 2016" data-uuid="6b0df7f2-7ad5-11e6-8064-c1ddc8a724bb"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="true" data-caption="In a large gallery devoted to music, visitors are greeted by Chuck Berry’s gleaming red Cadillac." data-credit="Jahi Chikwendiu/The Washington Post" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/201600914NMAAHCPRESSDAY03A1473894852.jpg?env=A" data-max-width="3000" data-ratio="1.501" data-title="Sept. 14, 2016" data-uuid="f540ca58-7ad0-11e6-8064-c1ddc8a724bb"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="Louis Armstrong’s trumpet and other artifacts are displayed in the museum." data-credit="Susan Walsh/Associated Press" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/Smithsonian_African_American_Museum-9dd9d.jpg?env=A" data-max-width="4863" data-ratio="1.58" data-title=" Sept. 14, 2016" data-uuid="57d783f0-7aa4-11e6-beac-57a4a412e93a"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="People pose in front of the P-Funk Mothership." data-credit="Kevin Lamarque/Reuters" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/2016-09-14T175851Z_01_WAS216_RTRIDSP_3_USA-MUSEUM.jpg?env=A" data-max-width="3500" data-ratio="1.495" data-title=" Sept. 14, 2016" data-uuid="63ca2e5a-7aa5-11e6-beac-57a4a412e93a"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="Workers stand in front of a video display of rock legend Jimi Hendrix." data-credit="Kevin Lamarque/Reuters" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/2016-09-14T175856Z_01_WAS215_RTRIDSP_3_USA-MUSEUM.jpg?env=A" data-max-width="3500" data-ratio="1.506" data-title=" Sept. 14, 2016" data-uuid="65712eca-7aa5-11e6-beac-57a4a412e93a"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="Ellas McDaniel Jr., a son of music legend Bo Diddley, puts his arm around former background singer Gloria Jolivet as they stand in front of a Bo Diddley display." data-credit="Kevin Lamarque/Reuters" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/2016-09-14T175844Z_01_WAS210_RTRIDSP_3_USA-MUSEUM.jpg?env=A" data-max-width="3437" data-ratio="1.585" data-title=" Sept. 14, 2016" data-uuid="64f5850e-7aa5-11e6-beac-57a4a412e93a"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="Musicians from all genres are on display." data-credit="Preston Keres/Agence France-Presse via Getty Images" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/AFP_G561A.jpg?env=A" data-max-width="6074" data-ratio="1.5" data-title=" Sept. 14, 2016" data-uuid="686f014c-7aa5-11e6-beac-57a4a412e93a"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="An exhibit on music, which includes go-go, hip-hop and rap." data-credit="Susan Walsh/Associated Press" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/Smithsonian_African_American_Museum-b79c3.jpg?env=A" data-max-width="4784" data-ratio="1.592" data-title=" Sept. 14, 2016" data-uuid="58b0f036-7aa4-11e6-beac-57a4a412e93a"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="A pair of Nike Air sneakers hand-painted with the face of President Obama." data-credit="Kevin Lamarque/Reuters" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/2016-09-14T175837Z_01_WAS204_RTRIDSP_3_USA-MUSEUM.jpg?env=A" data-max-width="3500" data-ratio="1.536" data-title=" Sept. 14, 2016" data-uuid="69027206-7aa5-11e6-beac-57a4a412e93a"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="An exhibit on the inauguration of President Obama." data-credit="Jim Lo Scalzo/European Pressphoto Agency" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/05539613.jpg?env=A" data-max-width="4096" data-ratio="1.499" data-title=" Sept. 14, 2016" data-uuid="22643992-7aaa-11e6-beac-57a4a412e93a"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="Members of the media assemble in the Oprah Winfrey Theater." data-credit="Preston Keres/Agence France-Press via Getty Images" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/AFP_G5619.jpg?env=A" data-max-width="5312" data-ratio="1.5" data-title=" Sept. 14, 2016" data-uuid="62ae479a-7aa5-11e6-beac-57a4a412e93a"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="A man looks up at an exhibit on boxer Muhammad Ali." data-credit="Kevin Lamarque/Reuters" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/2016-09-14T175856Z_01_WAS208_RTRIDSP_3_USA-MUSEUM.jpg?env=A" data-max-width="3500" data-ratio="1.653" data-title=" Sept. 14, 2016" data-uuid="645aca5a-7aa5-11e6-beac-57a4a412e93a"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="true" data-caption="A statue of sprinter Jesse Owens stands in the sports galleries." data-credit="Jahi Chikwendiu/The Washington Post" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/201600914NMAAHCPRESSDAY18A1473897430.jpg?env=A" data-max-width="3000" data-ratio="1.501" data-title="Sept. 14, 2016" data-uuid="f4873574-7ad6-11e6-8064-c1ddc8a724bb"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="true" data-caption="A statue depicts U.S. track and field athletes Tommie Smith, center, and John Carlos, right, as they raised gloved fists during their medal ceremony at the 1968 Summer Olympics." data-credit="Jahi Chikwendiu/The Washington Post" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/15/Style/Images/201600914NMAAHCPRESSDAY19A1473901690.jpg?env=A" data-max-width="3000" data-ratio="1.501" data-title=" Sept. 14, 2016" data-uuid="df577f4c-7ae0-11e6-8064-c1ddc8a724bb"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="A statue of basketball hall-of-famer Michael Jordan." data-credit="Susan Walsh/Associated Press" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/Smithsonian_African_American_Museum-25ef5.jpg?env=A" data-max-width="4803" data-ratio="1.637" data-title=" Sept. 14, 2016" data-uuid="568fdc18-7aa4-11e6-beac-57a4a412e93a"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="Tiger Woods is one of many athletes featured at the museum." data-credit="Susan Walsh/Associated Press" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/Smithsonian_African_American_Museum-4fe46.jpg?env=A" data-max-width="4768" data-ratio="1.534" data-title=" Sept. 14, 2016" data-uuid="573540ae-7aa4-11e6-beac-57a4a412e93a"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="Reflected in a mirror, a man points his cane toward images of golfer Tiger Woods and a statue of tennis player Serena Williams." data-credit="Kevin Lamarque/Reuters" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/2016-09-14T191129Z_01_WAS220_RTRIDSP_3_USA-MUSEUM.jpg?env=A" data-max-width="3500" data-ratio="1.396" data-title=" Sept. 14, 2016" data-uuid="532ec614-7aaf-11e6-beac-57a4a412e93a"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="Visitors tour the museum during a media preview." data-credit="Jim Lo Scalzo/European Pressphoto Agency" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/05539596.jpg?env=A" data-max-width="4096" data-ratio="1.499" data-title=" Sept. 14, 2016" data-uuid="397f0d64-7aaa-11e6-beac-57a4a412e93a"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="The David M. Rubenstein History Galleries on the lower levels tell the story of the first Africans in the United States and their descendents." data-credit="Chip Somodevilla/Getty Images" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/605691306.jpg?env=A" data-max-width="3000" data-ratio="1.5" data-title=" Sept. 14, 2016" data-uuid="cab8e554-7ab2-11e6-beac-57a4a412e93a"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="Workers put finishing touches on the Point of Pines Plantation slave cabin display." data-credit="Kevin Lamarque/Reuters" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/2016-09-14T193902Z_01_WAS224_RTRIDSP_3_USA-MUSEUM.jpg?env=A" data-max-width="3500" data-ratio="1.521" data-title=" Sept. 14, 2016" data-uuid="f9276b8e-7ab9-11e6-beac-57a4a412e93a"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="An exhibit includes the role of African American soldiers during the Civil War." data-credit="Susan Walsh/Associated Press" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/Smithsonian_African_American_Museum-775c0.jpg?env=A" data-max-width="4858" data-ratio="1.497" data-title=" Sept. 14, 2016" data-uuid="5b208bce-7aa4-11e6-beac-57a4a412e93a"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="A display featuring the Hope Rosenwald School, also known as Hope School, which served rural African American children in the early 20th century." data-credit="Susan Walsh/AP" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/Smithsonian_African_American_Museum-48f8c.jpg?env=A" data-max-width="4851" data-ratio="1.564" data-title=" " data-uuid="8cea425a-7aa7-11e6-beac-57a4a412e93a"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="true" data-caption="Louisiana State Penitentiary’s Angola prison guard tower, left, and a segregation-era Southern Railway car from 1920 are housed in the lower levels." data-credit="Jahi Chikwendiu/The Washington Post" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/201600914NMAAHCPRESSDAY07A1473895631.jpg?env=A" data-max-width="3000" data-ratio="1.501" data-title=" Sept. 14, 2016" data-uuid="c43ef0cc-7ad2-11e6-8064-c1ddc8a724bb"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="false" data-caption="A Ku Klux Klan mask on display." data-credit="Jim Lo Scalzo/European Pressphoto Agency" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/05539600.jpg?env=A" data-max-width="4096" data-ratio="1.499" data-title=" Sept. 14, 2016" data-uuid="2bfcecc4-7aaa-11e6-beac-57a4a412e93a"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="true" data-caption="One of the few surviving planes that were used to train the Tuskegee Airmen." data-credit="Jahi Chikwendiu/The Washington Post" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Style/Images/201600914NMAAHCPRESSDAY10A1473895874.jpg?env=A" data-max-width="3000" data-ratio="1.501" data-title=" " data-uuid="567424a8-7ad3-11e6-8064-c1ddc8a724bb"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="true" data-caption="The morning sun paints the Washington Monument red near the Smithsonian Institute’s National Museum of African American History and Culture in Washington." data-credit="Jahi Chikwendiu/The Washington Post" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Production/Sunday/SunArt/Images/05nmaahc20160809_1A1471009690.jpg?env=A" data-max-width="3000" data-ratio="1.501" data-title="Aug. 9, 2016" data-uuid="72c5332e-7abd-11e6-bd86-b7bbd53d2b5d"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="true" data-caption="The museum’s windows reflect the sunrise and the Washington Monument." data-credit="Jahi Chikwendiu/The Washington Post" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Production/Sunday/SunArt/Images/16nmaahc20160809A1471009871.jpg?env=A" data-max-width="3000" data-ratio="1.501" data-title="Aug. 9, 2016" data-uuid="742f84d0-7abd-11e6-bd86-b7bbd53d2b5d"> </div> <div class="wp-volt-gal-slide wp-volt-gal-photo" data-buy="true" data-caption="The National Museum of African American History and Culture, seen here at night, sits on the Mall between 14th Street, left, and 15th Street, right, in Washington." data-credit="Jahi Chikwendiu/The Washington Post" data-image="https://www.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/14/Production/Sunday/SunArt/Images/04nmaahc20160810comA1471010111.jpg?env=A" data-max-width="3000" data-ratio="1.501" data-title="Aug. 10, 2016" data-uuid="68dd4bbc-7abd-11e6-bd86-b7bbd53d2b5d"> </div> </div> <div class="wp-volt-gal-title-overlay"> <div 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class="wp-volt-gal-embed-promo-container-table"> <div class="wp-volt-gal-embed-promo-top"><span class="cell">See images from the African American museum press preview</span></div> <div class="wp-volt-gal-embed-promo-mid"> <div class="cell"> <div class="wp-volt-gal-embed-promo-mid-img-container"> <img alt="" src="https://web.archive.org/web/20201115225257im_/https://img.washingtonpost.com/rf/image_606w/2010-2019/WashingtonPost/2016/09/14/Style/Images/05539358.jpg"/> </div> <div class="wp-volt-gal-embed-promo-mid-label"><i class="fa fa-camera"></i>View Photos</div> </div> </div> <div class="wp-volt-gal-embed-promo-bottom"><span class="cell">The National Museum of African American History and Culture opens its doors to the media</span></div> </div> </div> <div class="wp-volt-gal-details"> <div class="wp-volt-gal-details-handle">Caption</div> <div class="wp-volt-gal-details-wrap"> <div class="wp-volt-gal-details-main"> <div class="wp-volt-gal-blurb">The National Museum of African American History and Culture opens its doors to the media</div> <div class="wp-volt-gal-caption"> <span class="wp-volt-gal-caption-title"> Sept. 14, 2016</span> <span class="wp-volt-gal-caption-text">Visitors wait to tour the National Museum of African American History and Culture during a media preview. </span> <span class="wp-volt-gal-caption-credit">Jim Lo Scalzo/European Pressphoto Agency</span> </div> </div> </div> </div> <div class="wp-volt-gal-templates"> <div class="wp-volt-gal-pie"> <div class="wp-volt-gal-pie-anim wp-volt-gal-pie-inner wp-volt-gal-pie-spinner"></div> <div class="wp-volt-gal-pie-anim wp-volt-gal-pie-inner wp-volt-gal-pie-filler"></div> <div class="wp-volt-gal-pie-anim wp-volt-gal-pie-mask"></div> </div> <div class="wp-volt-gal-interstitial-text">Wait 1 second to continue.</div> </div> </div> <style>.wp-volt-gal-preroll-video{width:100%;height:100%}</style> </div> </div> <div class="clear"></div> <script>(function(){var 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red and sultry, the column gown from En Vogue’s “Giving Him Something He Can Feel” video, from the heyday of the music video and MTV, will have people of a certain age — namely, in their 30s and 40s — feeling nostalgic for the New Jack Swing-era of R&B. </p> <p id="U11201811673240TkH"></p> <div class="inline-content inline-photo-left" style="width:300px;"> <a name=""></a> <img alt="" class="unprocessed" data-hi-res-src="https://web.archive.org/web/20201115225257/https://img.washingtonpost.com/rf/image_1024w/2010-2019/WashingtonPost/2016/09/20/Weekend/Images/gogo2.jpg?uuid=8bqnEn9GEeaNE9fHBO-f2Q" data-low-res-src="https://web.archive.org/web/20201115225257/https://img.washingtonpost.com/rf/image_480w/2010-2019/WashingtonPost/2016/09/20/Weekend/Images/gogo2.jpg?uuid=8bqnEn9GEeaNE9fHBO-f2Q" data-raw-src="https://web.archive.org/web/20201115225257/https://img.washingtonpost.com/rw/2010-2019/WashingtonPost/2016/09/20/Weekend/Images/gogo2.jpg?uuid=8bqnEn9GEeaNE9fHBO-f2Q" src="https://web.archive.org/web/20201115225257im_/https://img.washingtonpost.com/rf/image_480w/2010-2019/WashingtonPost/2016/09/20/Weekend/Images/gogo2.jpg?uuid=8bqnEn9GEeaNE9fHBO-f2Q"/> <span class="pb-caption">D.C.’s own Godfather of go-go, Chuck Brown, appears in the “Musical Crossroads” exhibition. (Lavanya Ramanathan/The Washington Post)</span> </div> <div class="subhead">D.C. represent</div> <p id="U11201811673240nY">As the seat of power, Washington is a recurring motif in the museum: the scene of the 1963 March on Washington; the town where, in marble halls, monumental court cases were decided; the second home to some of the nation’s legendary activists. But the museum also squeezes in references to the small urban region affectionately known as “D.C.” </p> <p id="U11201506786650fKG"> <b id="U11201506786650bMD">Resurrection City on the Mall</b> </p> <p> <b>Where to find it:</b> A Changing America: 1968 and Beyond (C1 level) </p> <p id="U11201506786650CLC">Five years after the March on Washington, the Mall was the scene of a lesser-known protest: It played host to a hardscrabble tent city next to the Reflecting Pool. Protesters highlighted conditions that left them impoverished, including limited access to bank loans and full-time jobs. A plywood Basquiat-esque mural from the makeshift town-within-a-town is displayed here. </p> <p id="U11201506786650zFE"> <b id="U11201506786650owE">Go-Go </b> </p> <p> <b>Where to find it:</b> Musical Crossroads (fourth floor) </p> <p id="U11201506786650XCB">The rhythmic, popping drumbeat of go-go was once so ubiquitous in Washington it could be heard pouring from cars and from the windows of homes. See the Jimi Hendrix-adorned drumhead from Experience Unlimited, one the most commercially successful go-go acts to hail from the District, and learn about the music’s distinct, rhythmic “pocket” in a nook devoted to the genre. </p> <p id="U11201506786650ikH"> <b id="U112015067866506NE">Florida Avenue Grill</b> </p> <p> <b>Where to find it:</b> Cultural Expressions (fourth floor)</p> <p id="U11201506786650vHH">Founded in 1944, the Florida Avenue Grill now sits on a corner surrounded by some of the most expensive, modern apartments in the city. But lines still form on weekend mornings for something harder to find here: old D.C. The stockpot on display, gifted by the Grill’s current owners, is a soul food relic, from a place that defies the very idea that the only soul food in this city is reinterpreted by celebrity chefs. </p> <p id="U112018116732400TC"></p> <p id="U11201506786650o6E"> </p> <p id="U11201506786650v7H"> </p> <p id="U11201506786650ff"> </p> </article> <div class="clear"></div> </div> </div> <div id="fHdqW11BKQ6N8s" class="pb-async pb-feature"></div> <div id="f0s3VgeBKQ6N8s" class="pb-async pb-feature"></div> <div class="moat-trackable pb-f-theme-normal pb-f-dehydrate-false pb-f-async-false full pb-feature pb-layout-item pb-f-article-article-author-bio" moat-id="article/article-author-bio|goingoutguide" data-chain-name="no-name" data-feature-name="no-name" data-feature-id="article/article-author-bio" data-pb-fingerprint="0fReOBlNKqz" id="fnxrPN1BKQ6N8s"> <div class="pb-author-sig-line-wrapper pb-author-post-body"> <div class="pb-author-sig-line"> <div class="pb-author-byline"> <div class="pb-author-wrapper" data-authorname="Lavanya Ramanathan"> <div class="pb-author-headshot"><a href="https://web.archive.org/web/20201115225257/https://www.washingtonpost.com/people/lavanya-ramanathan/" class="headshot-link"><img class="unprocessed _1-to-1 placeholder pb-headshot" src="https://web.archive.org/web/20201115225257im_/https://www.washingtonpost.com/resizer/yAFxThroW-CI5t-yu8Q6FsF7kHI=/1x1/www.washingtonpost.com/pb/resources/img/spacer.gif" data-hi-res-src="https://web.archive.org/web/20201115225257/https://www.washingtonpost.com/resizer/opRQbsBoHkY9m3B4a6DPt8eEf_M=/60x60/s3.amazonaws.com/arc-authors/washpost/a5d162a5-61d2-4e7d-bc20-627949ae4ed8.png" data-low-res-src="https://web.archive.org/web/20201115225257/https://www.washingtonpost.com/resizer/Oq-oqiYzyO5ZEZV1ykpX3yPjtzQ=/19x19/s3.amazonaws.com/arc-authors/washpost/a5d162a5-61d2-4e7d-bc20-627949ae4ed8.png" data-raw-src="https://web.archive.org/web/20201115225257/https://s3.amazonaws.com/arc-authors/washpost/a5d162a5-61d2-4e7d-bc20-627949ae4ed8.png" data-threshold="19"/></a></div> <div class="pb-author-info"> <a class="pb-author-name" href="https://web.archive.org/web/20201115225257/https://www.washingtonpost.com/people/lavanya-ramanathan/"> Lavanya Ramanathan</a> <span class="pb-author-role">Lavanya Ramanathan was a features reporter covering youth, culture and trends for Style. 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