Calenda - Anthropologie et photographie

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href="search.html?primary=fdate&fyear=2022&fmonth=12">déc</a></div> <div class="year"><a href="search.html?primary=fdate&fyear=2022">2022</a></div> </td> </tr> </tbody> </table> </div> </div> <div id="listcategories"> <h2>Catégories</h2> <ul> <li><a href="search?primary=fsubject&fsubject=214">Anthropologie sociale</a></li> <li><a href="search?primary=fsubject&fsubject=289">Vie de la recherche</a></li> <li><a href="search?primary=fsubject&fsubject=215">Anthropologie culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=288">Cartographie, imagerie, SIG</a></li> <li><a href="search?primary=fsubject&fsubject=317">Époque contemporaine</a></li> <li><a href="search?primary=fsubject&fsubject=297">Approches de corpus, enquêtes, archives</a></li> </ul> </div> </div> <div id="document" class="column"> <div id="main"> <div class="titles"> <h1 class="origt"><a href="1033354">Anthropologie et photographie</a></h1> <h2 class="origt">Anthropology and photography</h2> <p class="origd">Revue « Civilisations », volume 72 (2023)</p> <p class="origd altertitle">“Civilisations” journal (vol. 72, 2023)</p> </div> <div class="mapuce2">*  *  *</div> <p id="pubdate"> Publié le jeudi 24 novembre 2022 </p> <div id="texte"> <div id="resume"> <p class="intitule">Résumé</p> <div class="tabMenu"><a href="#resume-1033354-fr" hreflang="fr" class="active">Français</a> <a href="#resume-1033354-en" hreflang="en">English</a> </div> <div id="resume-1033354-fr" class="tabContent" lang="fr" xml:lang="fr"> <p style="text-align: left;">De manière générale, nous appelons des contributions abordant les enjeux techniques et méthodologiques, sociaux et politiques, scientifiques et éthiques que le recours à la photographie dans le cadre de la recherche en anthropologie met en lumière, tout comme les questions soulevées par la « persistance des images » (Le Gall 2014) au-delà des contextes de leur production scientifique. Ce dossier a pour ambition d’explorer les relations entre le projet anthropologique de compréhension de l’humain et la démarche photographique et entend réunir des articles qui mettent la démarche photographique au coeur de leur propos, et ce à travers quatre angles d’approche qui se recoupent abondamment : 1-L’anthropologue-photographe, 2-L’anthropologue et les photographies, 3-L’anthropologie photographique, 4-L’anthropologie photographiée. </p> </div> <div id="resume-1033354-en" class="tabContent hidden" lang="en" xml:lang="en"> <p dir="ltr" style="text-align: left;">We are looking for contributions that explore the technical, methodological, social, political, scientific and ethical aspects arising from the use of photography in anthropological research, as well as reflections on the questions raised by the “persistence of images” (Le Gall 2014) that go beyond the contexts of academic production. This issue seeks to explore the relation between the anthropological desire to understand humankind, and the practice of photography and will feature articles focusing on the photographic process from four different angles, which may be interpreted quite broadly: 1-The anthropologist-photographer, 2-The anthropologist and photographies, 3-Photographic anthropology, 4-Anthropology in photographs.</p> </div> </div> <div id="annonce"> <p class="intitule">Annonce</p> <div class="tabMenu"><a href="#annonce-1033354-fr" hreflang="fr" class="active">Français</a> <a href="#annonce-1033354-en" hreflang="en">English</a> </div> <div id="annonce-1033354-fr" class="tabContent" lang="fr" xml:lang="fr"> <h1>Coordination scientifique</h1> <p style="text-align: left;">Dossier coordonné par Pierre Petit (Université libre de Bruxelles) & Mikaëla Le Meur (Université libre de Bruxelles / EHESS Marseille)</p> <h1>Argumentaire</h1> <p style="text-align: left;">Ce dossier a pour ambition d’explorer les relations entre le projet anthropologique de compréhension de l’humain et la démarche photographique. Adoptant pour la circonstance un format italien et tout en couleur, qui permettra de mettre à l’honneur les contenus visuels, ce dossier thématique de <em>Civilisations</em> entend réunir des articles qui mettent la démarche photographique au c&oelig;ur de leur propos, et ce à travers quatre angles d’approche qui se recoupent abondamment.</p> <h3>L’anthropologue-photographe</h3> <p style="text-align: left;">Sur le terrain, l’anthropologue augmente sa personne par le recours à ses outils techniques, dont l’appareil photo. Quelle place celui-ci tient-il par rapport aux yeux et à la mémoire cérébrale, mais aussi par rapport à l’enregistreur, au bloc note ? Quels sont concrètement les usages de la photographie durant le travail de terrain, et quel est le « pacte » souvent implicite lié avec les participants de l’enquête ? Comment négocier cette identité ethnographique proche de celle du photographe ? Quels possibles cette posture ouvre-t-elle ? Quelles en sont les limites ? Les impressions photographiques comptent aussi parmi les objets transactionnels privilégiés unissant l’anthropologue et ses hôtes, notamment sous forme de don lors du retour sur le terrain, une pratique qui illustre la dimension relationnelle ou « médiatrice » (Conord 2007) de la photographie en anthropologie.</p> <p style="text-align: left;">Après le terrain, les objets photographiques sont développés, de manière analogique ou numérique, et utilisés dans le traitement des matériaux, puis dans l’écriture de l’anthropologie. Quelles intentions animent les anthropologues qui se servent de ce support, au-delà du « pacte réaliste » (Olivier de Sardan 2017) ? S’agit-il davantage d’une volonté de démonstration, d’une intention esthétique, d’une volonté de faire passer une présence et des dimensions affectives ou sensibles qui peineraient à passer par la seule écriture textuelle (Edwards 2015) ?</p> <h3>L’anthropologue et les photographies</h3> <p style="text-align: left;">Bien entendu, l’usage de la photographie en anthropologie ne se limite pas à la seule production des anthropologues. Le champ ouvert à la recherche est immense, allant de la photographie coloniale aux albums de famille en passant par des expositions à vocation humaniste ou d’autres projets de documentation plus circonscrits. Quel regard anthropologique porter sur cette production d’images et sur les usages de la photographie dans ces contextes variés ? Comment analyser en détail des photos produites par des tiers pour élaborer un propos anthropologique ? Que disent-elles des sociétés et des groupes dans lesquels elles sont produites, diffusées, et quels rapports de pouvoir et de contestation traduisent-elles ?</p> <h3>L’anthropologie photographique</h3> <p style="text-align: left;">Une anthropologie photographique à proprement parler suppose que la démarche anthropologique et la démarche photographique, portées par la même personne ou par un collectif, soient intriquées depuis l’enquête jusqu’à la production d’une écriture scientifique. Nous pensons ici notamment à l’analyse photographique de la « personnalité balinaise » entreprise par Bateson & Mead (1942) ou à la « description scriptovisuelle » utilisée par Piette (1996) pour analyser un rituel. Nous pensons aussi aux <em>photo elicitation interviews</em> promues dans le champ des études visuelles (Harper 2002) aux recherches-actions demandant à des participants de l’enquête de prendre des photos qui seraient significatives à leurs yeux (Meyer & Papinot 2017 ; Jonas 2017). Comment ces démarches sont-elles réalisées concrètement et comment s’intègrent-elles dans des dispositifs plus larges de l’enquête de terrain ?</p> <p style="text-align: left;">Le dossier est aussi ouvert à des contributions qui, sans nécessairement relever de ces démarches spécifiques, exemplifient ce que peut être une anthropologie axée sur l’image photographique : articles illustrés par un recours dense à l’image ; projets anthropologiques d’exposition photographique ; portfolios ; etc. Ces contributions donneront, dans le corps du texte ou en exergue de celui-ci, un commentaire réflexif sur ce qui motive leur démarche. Les propositions pourront également faire le récit de collaborations et de projets collectifs imbriquant anthropologie et photographie, en mettant en lumière les enjeux, les difficultés et les réussites d’une telle rencontre de ces deux domaines dans la démarche de production de connaissances.</p> <h3>L’anthropologie photographiée</h3> <p style="text-align: left;">L’anthropologue est aussi lui-même l’objet d’un regard photographique porté par des tiers – parfois ses propres collègues comme Luiz de Castro Faria qui photographia Claude Lévi-Strauss (Perrin 2003). Nous pensons aussi aux corpus photographiques des expéditions d’Evans Pritchard chez les Azande ou d’autres pères fondateurs et mères fondatrices de la discipline, qui révèlent beaucoup sur les modalités et atmosphères de l’anthropologie de l’époque, et qui gagnent à être comparées aux travaux publiés par leurs auteurs et autrices. Sur ces photographies, quelle est la part visible du travail anthropologique ? Qu’est-ce qui demeure invisible ? Et que racontent ces « images absentes » (Pink 2001) ? Quelles relations de pouvoir se matérialisent dans ce cadre et ce hors-cadre ? Comment mobiliser cette anthropologie photographiée pour partager l’histoire de la discipline aux étudiants ou à un public élargi ? Quels enseignements méthodologiques ou épistémologiques tirer de ces clichés évoquant la relation ethnographique ou ses coulisses ?</p> <p style="text-align: left;">Il arrive enfin que des photographes s’embarquent dans les enquêtes et photographient des anthropologues au travail. Cette mise en abîme prolonge de façon originale le tournant réflexif et positionnel dans lequel s’est engagée l’anthropologie du présent. Les propositions pourront s’intéresser à ce regard photographique posé sur la pratique anthropologique. </p> <p style="text-align: left;">De manière générale, nous appelons des contributions abordant les enjeux techniques et méthodologiques, sociaux et politiques, scientifiques et éthiques que le recours à la photographie dans le cadre de la recherche en anthropologie met en lumière, tout comme les questions soulevées par la « persistance des images » (Le Gall 2014) au-delà des contextes de leur production scientifique.</p> <h1>Modalités de soumission</h1> <p style="text-align: left;">Les propositions d'articles, en français ou en anglais (britannique), doivent comporter un titre, un résumé (maximum 500 mots) du projet rédactionnel, 5-6 mots-clés, ainsi que 3 ou 4 photographies et sont à envoyer au secrétariat de la revue : <strong>Isabelle.Renneson@ulb.be</strong></p> <h3>avant le 13 décembre 2022.</h3> <p style="text-align: left;">Consignes aux auteurs et auteures disponibles sur <a href="https://journals.openedition.org/civilisations/58">https://journals.openedition.org/civilisations/58</a></p> <p style="text-align: left;">Procédure d'évaluation des articles disponible sur <a href="https://journals.openedition.org/civilisations/3970">https://journals.openedition.org/civilisations/3970</a></p> <p style="text-align: left;">La revue accepte aussi les propositions de recension d’ouvrages liés au thème mis à l’honneur, ainsi que des lectures croisées (<em>review articles</em>) mettant en perspective plusieurs publications récentes.</p> <h1>Directeur de la revue</h1> <p style="text-align: left;">Pierre PETIT, Maître de recherches au FNRS (Université libre de Bruxelles, Belgique)</p> <h1>Membres du Comité éditorial</h1> <ul> <li>Olivia ANGÉ (Université libre de Bruxelles, Belgique)</li> <li>Gil BARTHOLEYNS (Université de Lille, France)</li> <li>David BERLINER (Université libre de Bruxelles, Belgique)</li> <li>Maïté BOULLOSA-JOLY (Université de Picardie, France)</li> <li>Stefania CAPONE (CNRS, Paris X, France)</li> <li>Robert DELIEGE (Université catholique de Louvain, Belgique)</li> <li>Asuncion FRESNOZA-FLOT (Université libre de Bruxelles, Belgique)</li> <li>Philippe JESPERS (Université libre de Bruxelles, Belgique)</li> <li>Anne-Marie LOSONCZY (EPHE, France & Université libre de Bruxelles, Belgique)</li> <li>Damien MOTTIER (Université Paris Nanterre, France)</li> <li>Sasha NEWELL (Université libre de Bruxelles, Belgique)</li> <li>Joël NORET (Université libre de Bruxelles, Belgique)</li> <li>Benjamin RUBBERS (Université de Liège et Université libre de Bruxelles, Belgique)</li> <li>Tal TAMARI (CNRS, France & Université libre de Bruxelles, Belgique)</li> </ul> <h1>Assistante éditoriale</h1> <p style="text-align: left;">Isabelle RENNESON (Université libre de Bruxelles, Belgique)</p> <h1>Bibliographie indicative</h1> <p style="text-align: left;">Bateson, Gregory & Margaret Mead, 1942. <em>Balinese Character. A Photographic Analysis</em>. New York: New York Academy of the Sciences.</p> <p style="text-align: left;">Conord, Sylvaine, 2007. « Usages et fonctions de la photographie », <em>Ethnologie française</em> 37 (1), pp. 11-22.</p> <p style="text-align: left;">Edwards, Elizabeth, 2015. “Anthropology and Photography: A long history of knowledge and affect”, <em>Photographies</em> 8 (3), pp. 235-252.</p> <p style="text-align: left;">Harper, Douglas, 2002. “Talking about pictures: A case for photo elicitation”, <em>Visual Studies</em> 17 (1), pp. 13-26.</p> <p style="text-align: left;">Jonas, Irène, 2017. « L’appareil photo entre les mains d’auxiliaires de puériculture. Recherche-action en images et partage des compétences », <em>Images du travail, travail des images</em> 3 [<a href="https://journals.openedition.org/itti/1095">en ligne</a>].</p> <p style="text-align: left;">Le Gall, Guillaume(dir.), 2014. <em>La persistance des images</em>. Paris : Le BAL/Textuel/Centre national des arts plastiques.</p> <p style="text-align: left;">Meyer, Michaël & Christian Papinot (dir.), 2017. « Le travail des images dans la démarche de recherche. Analyse réflexive et compréhension de l’objet », <em>Images du travail, travail des images</em> 3 [<a href="https://journals.openedition.org/itti/1053">en ligne</a>].</p> <p style="text-align: left;">Olivier de Sardan, Jean-Pierre, 2017. « Pacte ethnographique et film documentaire », <em>Images du travail, travail des images</em> 3 [<a href="https://journals.openedition.org/itti/1103">en ligne</a>].</p> <p style="text-align: left;">Perrin, Michel, 2003. « Regards croisés. La photographie, entre donnée et emblème », <em>L’Homme</em> 165, pp. 291-300.</p> <p style="text-align: left;">Piette, Albert, 1996. « L’Institution religieuse en images. Modèle de description ethnographique », <em>Archives de sciences sociales des religions</em> 93, pp. 51-80.</p> <p style="text-align: left;">Pink, Sarah, 2001. <em>Doing visual ethnography. Images, media and representation in research</em>. Londres: Thousand Oaks/ New Delhi: SAGE</p> </div> <div id="annonce-1033354-en" class="tabContent hidden" lang="en" xml:lang="en"> <h1>Coordination</h1> <p style="text-align: left;">Special issue coordinated by Pierre Petit (Université libre de Bruxelles, Belgium) & Mikaëla Le Meur (Université libre de Bruxelles / EHESS Marseille)</p> <h1>Argument</h1> <p style="text-align: left;">This issue seeks to explore the relation between the anthropological desire to understand humankind, and the practice of photography. For this issue, the journal will be produced in landscape format, and in full colour, in order to do justice to the visual content. This themed edition of <em>Civilisations</em> will feature articles focusing on the photographic process from four different angles, which may be interpreted quite broadly.</p> <h3>The anthropologist-photographer</h3> <p style="text-align: left;">In the field, anthropologists use different tools and technology, including cameras. But what role does the camera play in relation to one’s actual vision, one’s eyes and visual memory, alongside other recording equipment or note-taking devices? What are the practical uses of photography during fieldwork, and what kind of “pact”, often implicit, does this imply in relation to the research participants? How do we negotiate this ethnographic identity close to the identity of a photographer? What possibilities does this relationship bring with it? And what are its limits? Printed photographs can also serve as a sort of transactional object to bring anthropologists closer to their hosts, most notably in the form of a gift when they return into the field. This practice is an illustration of the relational dimension, or “mediation” role (Conord 2007) of the photograph in anthropology.</p> <p style="text-align: left;">After fieldwork, photographs are developed, whether in analogue or digital form, analysed as material objects, and then used during the process of writing. What intentions lie behind the work of anthropologists who make use of this medium, beyond the idea of the “realist pact” (Olivier de Sardan 2017)? Is there something more here than a mere desire to demonstrate, an aesthetic intention, or a wish to convey a sort of presence, and express affective or subtle aspects that would be difficult to communicate via written text alone (Edwards 2015)?</p> <h3>The anthropologist and photographies</h3> <p style="text-align: left;">Of course, the use of photography in anthropology is not just limited to the work of anthropologists. There is a huge potential field of research here, ranging from photography in the colonial context, to family photo albums, exhibitions with humanist ambitions, or other processes of documentation with more precise aims. How should anthropologists approach the production of such images, and the different uses of photography in these various contexts? How can we conduct detailed analyses of photos produced by third parties for the purposes of anthropological research? What do these photographs tell us about the societies and groups in which they were produced and diffused, and what power relations and debates do they reflect?</p> <h3>Photographic anthropology</h3> <p style="text-align: left;">Photographic anthropology, in its truest form, presupposes that anthropological work and photographic work, conducted by the same person or perhaps by a collective, are closely integrated with one another during the research process leading up to the production of an academic text. There is an important link here with, for example, the photographic analysis of the “Balinese personality” by Bateson & Mead (1942) or the “scriptovisual description” that Piette (1996) used to analyse a ritual. Another reference comes to mind here, namely photo elicitation interviews, which are commonly used in the field of visual studies (Harper 2002), for example in projects where research participants are asked to take photos of whatever they find significant (Meyer & Papinot 2017; Jonas 2017). How do these methods work on a practical level, and what role do they play in the broader context of other fieldwork methodologies?</p> <p style="text-align: left;">For this issue, we also invite submissions which, without necessarily using these specific methods, present a blueprint for anthropology to draw on photographic images. For example, illustrated articles with detailed reference to images; anthropology-themed photography exhibitions; portfolios; etc. These contributions will offer, either in the body of the text or in separate commentary sections, a reflection and analysis of the motivations behind the process in question. Submissions may also present and reflect on collaborations or collective projects that draw on both anthropology and photography, shedding light on the implications, difficulties and benefits of the encounter of these two fields in the framework of knowledge production.</p> <h3>Anthropology in photographs</h3> <p style="text-align: left;">Anthropologists themselves can also be the object of a third party's photographic gaze - sometimes that of their own colleagues, as in the case of Luiz de Castro Faria who photographed Claude Lévi-Strauss (Perrin 2003). This sub-topic also relates to photographic corpuses, for example the photos from Evans Pritchard's expeditions amongst the Azande, or corpuses from other founding mothers and fathers of the discipline.  These can tell us a great deal about the contexts and methods in anthropology at that time and are worth comparing to the published works of the same authors. What aspects of anthropological practice are visible on these photographs? And what remains invisible? What stories do these “absent images” tell (Pink 2001)? What power relations come to light within – and outside – this framework? How can we mine this photographic record of anthropology in order to share the history of the discipline with students or the wider public? What methodological or epistemological insights can we gain from such visual sources about the ethnographic relationship and also about what went on behind the scenes?</p> <p style="text-align: left;">Photographers also sometimes accompany anthropologists during their research trips and photograph them at work. This photographic 'mise en abyme' can perhaps lead to original insights into the reflexive and positional turn in contemporary anthropology. Contributions on this topic could thus explore photographic takes on the practice of anthropology.</p> <h1>How to submit a proposal?</h1> <p style="text-align: left;">Submissions for article may be sent in French or British English, and should include a title, a summary (500 words maximum) of the proposed article, 5-6 keywords, as well as 3 or 4 photographs. The journal also accepts suggestions for book reviews linked to the central theme, as well as review articles covering multiple recent publications on this topic. All submissions should be sent to the journal Editorial assistant, Isabelle Renneson: <strong>isabelle.renneson@ulb.be</strong></p> <h3>by 13 December 2022.</h3> <p style="text-align: left;">Instructions to authors are available on <a href="https://journals.openedition.org/civilisations/5227">https://journals.openedition.org/civilisations/5227</a> </p> <p style="text-align: left;">Information on peer-reviewing: <a href="https://journals.openedition.org/civilisations/3971">https://journals.openedition.org/civilisations/3971</a> </p> <h1>Editor</h1> <p style="text-align: left;">Pierre PETIT, Maître de recherches au FNRS (Université libre de Bruxelles, Belgique)</p> <h1>Editorial committee</h1> <ul> <li>Olivia ANGÉ (Université libre de Bruxelles, Belgique)</li> <li>Gil BARTHOLEYNS (Université de Lille, France)</li> <li>David BERLINER (Université libre de Bruxelles, Belgique)</li> <li>Maïté BOULLOSA-JOLY (Université de Picardie, France)</li> <li>Stefania CAPONE (CNRS, Paris X, France)</li> <li>Robert DELIEGE (Université catholique de Louvain, Belgique)</li> <li>Asuncion FRESNOZA-FLOT (Université libre de Bruxelles, Belgique)</li> <li>Philippe JESPERS (Université libre de Bruxelles, Belgique)</li> <li>Anne-Marie LOSONCZY (EPHE, France & Université libre de Bruxelles, Belgique)</li> <li>Damien MOTTIER (Université Paris Nanterre, France)</li> <li>Sasha NEWELL (Université libre de Bruxelles, Belgique)</li> <li>Joël NORET (Université libre de Bruxelles, Belgique)</li> <li>Benjamin RUBBERS (Université de Liège et Université libre de Bruxelles, Belgique)</li> <li>Tal TAMARI (CNRS, France & Université libre de Bruxelles, Belgique)</li> </ul> <h1>Editorial assistant</h1> <p style="text-align: left;">Isabelle RENNESON (Université libre de Bruxelles, Belgique)</p> <h1>References</h1> <p style="text-align: left;">Bateson, Gregory & Margaret Mead, 1942. <em>Balinese Character. A Photographic Analysis</em>. New York: New York Academy of the Sciences.</p> <p style="text-align: left;">Conord, Sylvaine, 2007. “Usages et fonctions de la photographie”, <em>Ethnologie française</em> 37 (1), pp. 11-22.</p> <p style="text-align: left;">Edwards, Elizabeth, 2015. “Anthropology and Photography: A long history of knowledge and affect”, <em>Photographies</em> 8 (3), pp. 235-252.</p> <p style="text-align: left;">Harper, Douglas, 2002. “Talking about pictures: A case for photo elicitation”, <em>Visual Studies</em> 17 (1), pp. 13-26.</p> <p style="text-align: left;">Jonas, Irène, 2017. « L’appareil photo entre les mains d’auxiliaires de puériculture. Recherche-action en images et partage des compétences », <em>Images du travail, travail des images</em> 3 [<a href="https://journals.openedition.org/itti/1095">online</a>].</p> <p style="text-align: left;">Le Gall, Guillaume(dir.), 2014. <em>La persistance des images</em>. Paris: Le BAL/Textuel/Centre national des arts plastiques.</p> <p style="text-align: left;">Meyer, Michaël & Christian Papinot (dir.), 2017. « Le travail des images dans la démarche de recherche. Analyse réflexive et compréhension de l’objet », <em>Images du travail, travail des images</em> 3 [<a href="https://journals.openedition.org/itti/1053">online</a>].</p> <p style="text-align: left;">Olivier de Sardan, Jean-Pierre, 2017. « Pacte ethnographique et film documentaire », <em>Images du travail, travail des images</em> 3 [<a href="https://journals.openedition.org/itti/1103">online</a>].</p> <p style="text-align: left;">Perrin, Michel, 2003. « Regards croisés. La photographie, entre donnée et emblème », <em>L’Homme</em> 165, pp. 291-300.</p> <p style="text-align: left;">Piette, Albert, 1996. « L’Institution religieuse en images. Modèle de description ethnographique », <em>Archives de sciences sociales des religions</em> 93, pp. 51-80.</p> <p style="text-align: left;">Pink, Sarah, 2001. <em>Doing visual ethnography. Images, media and representation in research</em>. London: Thousand Oaks/ New Delhi: SAGE</p> </div> </div> <div id="categories" class="cat"> <p class="intitule">Catégories</p> <ul> <li><a href="search?primary=fsubject&fsubject=213">Ethnologie, anthropologie</a> (Catégorie principale)</li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=286">Épistémologie et méthodes</a> > <a href="search?primary=fsubject&fsubject=289">Vie de la recherche</a></li> <li><a href="search?primary=fsubject&fsubject=200">Sociétés</a> > <a href="search?primary=fsubject&fsubject=213">Ethnologie, anthropologie</a> > <a href="search?primary=fsubject&fsubject=214">Anthropologie sociale</a></li> <li><a href="search?primary=fsubject&fsubject=200">Sociétés</a> > <a href="search?primary=fsubject&fsubject=213">Ethnologie, anthropologie</a> > <a href="search?primary=fsubject&fsubject=215">Anthropologie culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=286">Épistémologie et méthodes</a> > <a href="search?primary=fsubject&fsubject=288">Cartographie, imagerie, SIG</a></li> <li><a href="search?primary=fsubject&fsubject=302">Périodes</a> > <a href="search?primary=fsubject&fsubject=317">Époque contemporaine</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=286">Épistémologie et méthodes</a> > <a href="search?primary=fsubject&fsubject=297">Approches de corpus, enquêtes, archives</a></li> </ul> </div> <div id="eventformats"><br></div> <div id="dates"> <p class="intitule">Dates</p> <ul> <li>mardi 13 décembre 2022</li> </ul> </div> <div id="attachments"> <p class="intitule">Fichiers attachés</p> <ul> <li><a href="1033368?file=1" target="_blank">AaC Civilisations 72-FR.pdf</a></li> <li><a href="1033372?file=1" target="_blank">CfPCivilisations 72-EN.pdf</a></li> </ul> </div> <div id="motscles"> <p class="intitule">Mots-clés</p> <ul> <li>anthropologie, démarche photographique, compréhension de l'humain, image</li> </ul> </div> <div id="contacts"> <p class="intitule">Contacts</p> <ul> <li>Isabelle Renneson<br/><em>courriel :</em> revuecivilisations [at] ulb [dot] be<br/></li> </ul> </div> <div id="refurl"> <p class="intitule">URLS de référence</p> <ul> <li><a href="https://journals.openedition.org/civilisations/">Revue Civilisations</a></li> </ul> </div> <div id="source"> <p class="intitule">Source de l'information</p> <ul> <li>Isabelle Renneson<br/><em>courriel :</em> revuecivilisations [at] ulb [dot] be</li> </ul> </div> <div id="license"> <p class="intitule">Licence</p> <p><a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/"><img alt="CC0-1.0" class="cc" src="images/cc0-88x31.png" /></a> Cette annonce est mise à disposition selon les termes de la <a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/">Creative Commons CC0 1.0 Universel</a>.</p> </div> <div id="citation"> <p class="intitule">Pour citer cette annonce</p> <p>« Anthropologie et photographie », <span class="category">Appel à contribution</span>, <em>Calenda</em>, Publié le jeudi 24 novembre 2022, <a class="url" href="https://doi.org/10.58079/1a0g">https://doi.org/10.58079/1a0g</a></p> </div> </div> </div> </div> <div id="news" class="column last"> <div id="imprimable"> <a id="impression" onclick="javascript:window.open('1033354?formatage=print', '', 'menubar=yes,toolbar=no,scrollbars=yes,width=800,height=600');return false;" href="1033354?formatage=print">Imprimer</a> <a id="signaler" 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