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Paul Getty Museum, 1200 Getty Center Drive, Los Angeles, CA 90049<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://uned.academia.edu/PilarDiezdelCorralCorredoira"><img class="profile-avatar u-positionAbsolute" alt="Pilar Diez del Corral Corredoira" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/3026/1306/21326612/s200_pilar.diez_del_corral_corredoira.png" /></a></div><div class="suggested-user-card__user-info"><a 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class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/117853357/Picture_Worlds_Greek_Maya_and_Moche_Pottery_10_April_29_July_2024_at_the_Getty_Villa_14th_Sept_15_Dec_2024_at_the_Michael_C_Carlos_Museum_"><img alt="Research paper thumbnail of Picture Worlds: Greek, Maya, and Moche Pottery (10 April - 29 July 2024 at the Getty Villa; 14th Sept - 15 Dec 2024 at the Michael C. Carlos Museum)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/117853357/Picture_Worlds_Greek_Maya_and_Moche_Pottery_10_April_29_July_2024_at_the_Getty_Villa_14th_Sept_15_Dec_2024_at_the_Michael_C_Carlos_Museum_">Picture Worlds: Greek, Maya, and Moche Pottery (10 April - 29 July 2024 at the Getty Villa; 14th Sept - 15 Dec 2024 at the Michael C. Carlos Museum)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Mighty deities, brave heroes, and fantastic beings adorn the terracotta vessels of the ancient Gr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Mighty deities, brave heroes, and fantastic beings adorn the terracotta vessels of the ancient Greeks in the Mediterranean, the Maya in central America, and the Moche of northern Peru. This exhibition juxtaposes these three distinct ceramic traditions and explores the ways in which painted pottery served as a dynamic means of storytelling and social engagement. <br /><a href="https://www.getty.edu/art/exhibitions/picture_worlds/" rel="nofollow">https://www.getty.edu/art/exhibitions/picture_worlds/</a> <br /><a href="https://carlos.emory.edu/exhibition/picture-worlds" rel="nofollow">https://carlos.emory.edu/exhibition/picture-worlds</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="117853357"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="117853357"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 117853357; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=117853357]").text(description); $(".js-view-count[data-work-id=117853357]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 117853357; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='117853357']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=117853357]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":117853357,"title":"Picture Worlds: Greek, Maya, and Moche Pottery (10 April - 29 July 2024 at the Getty Villa; 14th Sept - 15 Dec 2024 at the Michael C. Carlos Museum)","internal_url":"https://www.academia.edu/117853357/Picture_Worlds_Greek_Maya_and_Moche_Pottery_10_April_29_July_2024_at_the_Getty_Villa_14th_Sept_15_Dec_2024_at_the_Michael_C_Carlos_Museum_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37689278"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/37689278/Underworld_Imagining_the_Afterlife_Getty_Villa_31_October_2018_18_March_2019_"><img alt="Research paper thumbnail of Underworld: Imagining the Afterlife (Getty Villa, 31 October 2018 - 18 March 2019)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/37689278/Underworld_Imagining_the_Afterlife_Getty_Villa_31_October_2018_18_March_2019_">Underworld: Imagining the Afterlife (Getty Villa, 31 October 2018 - 18 March 2019)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">How did the ancient Greeks envision life after death? The realm of Hades, god of the Underworld, ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">How did the ancient Greeks envision life after death? The realm of Hades, god of the Underworld, was traditionally imagined as a dreary, joyless place. Yet some individuals believed they could avoid such a fate and ensure a better outcome for their souls. <br /> <br />Organized around a monumental funerary vessel on loan from National Archaeological Museum in Naples and recently conserved at the Getty Villa, this exhibition explores depictions of the Underworld in the art of Greece and southern Italy. Beyond tales of famous wrongdoers and rulers of the dead, the objects on view highlight the desire for a blessed existence after death. <br /><a href="https://www.getty.edu/art/exhibitions/ancient_underworld/index.html" rel="nofollow">https://www.getty.edu/art/exhibitions/ancient_underworld/index.html</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37689278"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37689278"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37689278; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37689278]").text(description); $(".js-view-count[data-work-id=37689278]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37689278; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37689278']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=37689278]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37689278,"title":"Underworld: Imagining the Afterlife (Getty Villa, 31 October 2018 - 18 March 2019)","internal_url":"https://www.academia.edu/37689278/Underworld_Imagining_the_Afterlife_Getty_Villa_31_October_2018_18_March_2019_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="19549055"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/19549055/Greece_s_Enchanting_Landscape_Watercolors_by_Edward_Dodwell_and_Simone_Pomardi_Getty_Villa_21st_October_2015_15th_February_2016_"><img alt="Research paper thumbnail of Greece’s Enchanting Landscape: Watercolors by Edward Dodwell and Simone Pomardi (Getty Villa, 21st October, 2015 – 15th February, 2016)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/19549055/Greece_s_Enchanting_Landscape_Watercolors_by_Edward_Dodwell_and_Simone_Pomardi_Getty_Villa_21st_October_2015_15th_February_2016_">Greece’s Enchanting Landscape: Watercolors by Edward Dodwell and Simone Pomardi (Getty Villa, 21st October, 2015 – 15th February, 2016)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">“Almost every rock, every promontory, every river, is haunted by the shadows of the mighty dead,”...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">“Almost every rock, every promontory, every river, is haunted by the shadows of the mighty dead,” wrote the English antiquarian Edward Dodwell of his travels in Greece in the early nineteenth century. During this time, he and the Italian artist Simone Pomardi produced around one thousand illustrations. Selected from a vast archive of their watercolors and drawings in the collection of the Packard Humanities Institute, this exhibition brings to life a vanished world that enchanted European travelers and inspired their passionate pursuit of classical antiquity. The exhibition culminates with a series of monumental panoramas of Athens rendered with exceptional detail. <br /><a href="https://www.getty.edu/art/exhibitions/greek_watercolors/" rel="nofollow">https://www.getty.edu/art/exhibitions/greek_watercolors/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19549055"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19549055"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19549055; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19549055]").text(description); $(".js-view-count[data-work-id=19549055]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19549055; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19549055']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=19549055]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":19549055,"title":"Greece’s Enchanting Landscape: Watercolors by Edward Dodwell and Simone Pomardi (Getty Villa, 21st October, 2015 – 15th February, 2016)","internal_url":"https://www.academia.edu/19549055/Greece_s_Enchanting_Landscape_Watercolors_by_Edward_Dodwell_and_Simone_Pomardi_Getty_Villa_21st_October_2015_15th_February_2016_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="9399744"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/9399744/Dangerous_Perfection_Funerary_Vases_from_Southern_Italy_Getty_Villa_November_19th_2014_May_11th_2015_"><img alt="Research paper thumbnail of Dangerous Perfection: Funerary Vases from Southern Italy (Getty Villa, November 19th 2014 - May 11th 2015)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/9399744/Dangerous_Perfection_Funerary_Vases_from_Southern_Italy_Getty_Villa_November_19th_2014_May_11th_2015_">Dangerous Perfection: Funerary Vases from Southern Italy (Getty Villa, November 19th 2014 - May 11th 2015)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Thirteen elaborately decorated Apulian vases provide a rich opportunity to examine the funerary c...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Thirteen elaborately decorated Apulian vases provide a rich opportunity to examine the funerary customs of peoples native to southern Italy and the ways they used Greek myth to comprehend death and the afterlife. Displayed following a six-year conservation project at the Antikensammlung Berlin and the Getty Villa, these monumental vessels also reveal the hand of Raffaele Gargiulo, one of the leading restorers of 19th-century Naples. His work exemplifies what one concerned antiquarian described as "dangerous perfection" as such interventions—especially the painted decorations—could be so effective it became difficult to identify what was ancient and what was modern. The vases on view offer a window into the ongoing debate concerning the degree to which ancient artworks should be repaired and repainted. <br /> <a href="https://www.getty.edu/art/exhibitions/apulian_vases/" rel="nofollow">https://www.getty.edu/art/exhibitions/apulian_vases/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="9399744"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="9399744"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9399744; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=9399744]").text(description); $(".js-view-count[data-work-id=9399744]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 9399744; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='9399744']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=9399744]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":9399744,"title":"Dangerous Perfection: Funerary Vases from Southern Italy (Getty Villa, November 19th 2014 - May 11th 2015)","internal_url":"https://www.academia.edu/9399744/Dangerous_Perfection_Funerary_Vases_from_Southern_Italy_Getty_Villa_November_19th_2014_May_11th_2015_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="4869835"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/4869835/Tiberius_Portrait_of_an_Emperor_Getty_Villa_Oct_16th_2013_March_3rd_2014_"><img alt="Research paper thumbnail of Tiberius: Portrait of an Emperor (Getty Villa, Oct. 16th 2013 - March 3rd, 2014)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/4869835/Tiberius_Portrait_of_an_Emperor_Getty_Villa_Oct_16th_2013_March_3rd_2014_">Tiberius: Portrait of an Emperor (Getty Villa, Oct. 16th 2013 - March 3rd, 2014)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Overshadowed by his predecessor, Augustus, Tiberius has long been thought of as an isolated and r...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Overshadowed by his predecessor, Augustus, Tiberius has long been thought of as an isolated and rather unpleasant character. He was often uncomfortable in the role of ruler, and famously fled from Rome to the island of Capri where his cruelty and sexual excesses reportedly reached their peak. <br /> <br />As the two thousandth anniversary of Tiberius's accession as emperor approaches, this exhibition proposes a more balanced view of this complicated figure–both his virtues and his failings–and the political and familial power struggles that framed his life. <br /> <br />The exhibition also highlights information gleaned during the study and treatment of the statue, which has been returned to an upright position after many years off display. As well as revealing the processes by which the portrait was assembled in antiquity, it has also been possible to identify the methods and means used to reassemble and restore the figure following its recovery in the eighteenth century. <br /><a href="https://www.getty.edu/art/exhibitions/tiberius/" rel="nofollow">https://www.getty.edu/art/exhibitions/tiberius/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="4869835"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="4869835"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 4869835; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=4869835]").text(description); $(".js-view-count[data-work-id=4869835]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 4869835; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='4869835']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=4869835]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":4869835,"title":"Tiberius: Portrait of an Emperor (Getty Villa, Oct. 16th 2013 - March 3rd, 2014)","internal_url":"https://www.academia.edu/4869835/Tiberius_Portrait_of_an_Emperor_Getty_Villa_Oct_16th_2013_March_3rd_2014_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="4869805"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/4869805/The_Cyrus_Cylinder_and_Ancient_Persia_A_New_Beginning_Getty_Villa_Oct_2nd_Dec_2nd_2013_"><img alt="Research paper thumbnail of The Cyrus Cylinder and Ancient Persia: A New Beginning (Getty Villa, Oct 2nd - Dec 2nd, 2013)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/4869805/The_Cyrus_Cylinder_and_Ancient_Persia_A_New_Beginning_Getty_Villa_Oct_2nd_Dec_2nd_2013_">The Cyrus Cylinder and Ancient Persia: A New Beginning (Getty Villa, Oct 2nd - Dec 2nd, 2013)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">On loan from the British Museum, The Cyrus Cylinder and Ancient Persia: A New Beginning concludes...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">On loan from the British Museum, The Cyrus Cylinder and Ancient Persia: A New Beginning concludes its U.S. tour with a nine week presentation at the Getty Villa. Found at Babylon in 1879, the Cyrus Cylinder is among the most celebrated discoveries from the ancient world, with a legacy that resounds to this day. <br /> <br /><a href="https://www.getty.edu/art/exhibitions/cyrus_cylinder/" rel="nofollow">https://www.getty.edu/art/exhibitions/cyrus_cylinder/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="4869805"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="4869805"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 4869805; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=4869805]").text(description); $(".js-view-count[data-work-id=4869805]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 4869805; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='4869805']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=4869805]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":4869805,"title":"The Cyrus Cylinder and Ancient Persia: A New Beginning (Getty Villa, Oct 2nd - Dec 2nd, 2013)","internal_url":"https://www.academia.edu/4869805/The_Cyrus_Cylinder_and_Ancient_Persia_A_New_Beginning_Getty_Villa_Oct_2nd_Dec_2nd_2013_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="2603930"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/2603930/Aphrodite_and_the_Gods_of_Love_Getty_Villa_28th_March_9th_July_2012_"><img alt="Research paper thumbnail of Aphrodite and the Gods of Love (Getty Villa, 28th March - 9th July, 2012)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/2603930/Aphrodite_and_the_Gods_of_Love_Getty_Villa_28th_March_9th_July_2012_">Aphrodite and the Gods of Love (Getty Villa, 28th March - 9th July, 2012)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Typically associated with love, beauty and sex, the Greek goddess Aphrodite was a much more compl...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Typically associated with love, beauty and sex, the Greek goddess Aphrodite was a much more complex figure. Not only could she be manipulative and destructive in matters of the heart, especially together with her companion Eros, but her domain extended far beyond desire and romance. Worshipped throughout the ancient Mediterranean by men and women, young and old, Aphrodite was connected with maritime affairs, civic harmony, and even warfare. <br /> <br />This exhibition presents the goddess in her manifold aspects—exploring her precursors in the ancient Near East, her offspring, and her devotees—and culminates with her incorporation and adaptation in Roman religion as Venus. It features a stunning range of objects, from large-scale sculpture to delicate jewelry, drawn from the collections of the Museum of Fine Arts, Boston and the J. Paul Getty Museum, as well as major loans from Italian institutions. <br /> <br />Aphrodite and the Gods of Love was organized by the Museum of Fine Arts, Boston, in association with the J. Paul Getty Museum. <br /><a href="https://www.getty.edu/art/exhibitions/aphrodite/" rel="nofollow">https://www.getty.edu/art/exhibitions/aphrodite/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2603930"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2603930"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2603930; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2603930]").text(description); $(".js-view-count[data-work-id=2603930]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2603930; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2603930']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=2603930]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2603930,"title":"Aphrodite and the Gods of Love (Getty Villa, 28th March - 9th July, 2012)","internal_url":"https://www.academia.edu/2603930/Aphrodite_and_the_Gods_of_Love_Getty_Villa_28th_March_9th_July_2012_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="2603915"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/2603915/Apollo_from_Pompeii_Investigating_an_Ancient_Bronze_Getty_Villa_2nd_March_12th_September_2011_"><img alt="Research paper thumbnail of Apollo from Pompeii: Investigating an Ancient Bronze (Getty Villa, 2nd March - 12th September 2011)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/2603915/Apollo_from_Pompeii_Investigating_an_Ancient_Bronze_Getty_Villa_2nd_March_12th_September_2011_">Apollo from Pompeii: Investigating an Ancient Bronze (Getty Villa, 2nd March - 12th September 2011)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A statue of Apollo in the pose of an archer was one of the first large-scale bronzes to be excava...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A statue of Apollo in the pose of an archer was one of the first large-scale bronzes to be excavated at Pompeii, Italy. It was found in fragments in 1817 and 1818, centuries after the city was destroyed by the eruption of Mount Vesuvius in A.D. 79. <br /> <br />As part of a collaboration with the National Archaeological Museum in Naples, the sculpture was brought to the Getty Villa for conservation in 2009. What began as a project to clean the Apollo and ensure its stability for display developed into a rare opportunity to investigate the many stories it could tell. <br /> <br />This exhibition combines scientific and technical analysis with archival research to present the newly conserved Apollo, constituting yet another chapter in its compelling life history. <br /> <br /><a href="https://www.getty.edu/art/exhibitions/apollo_pompeii/" rel="nofollow">https://www.getty.edu/art/exhibitions/apollo_pompeii/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2603915"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2603915"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2603915; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2603915]").text(description); $(".js-view-count[data-work-id=2603915]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2603915; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2603915']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=2603915]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2603915,"title":"Apollo from Pompeii: Investigating an Ancient Bronze (Getty Villa, 2nd March - 12th September 2011)","internal_url":"https://www.academia.edu/2603915/Apollo_from_Pompeii_Investigating_an_Ancient_Bronze_Getty_Villa_2nd_March_12th_September_2011_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="2603936"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/2603936/The_Golden_Graves_of_Ancient_Vani_Getty_Villa_16th_July_5th_October_2009_"><img alt="Research paper thumbnail of The Golden Graves of Ancient Vani (Getty Villa, 16th July - 5th October 2009)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/2603936/The_Golden_Graves_of_Ancient_Vani_Getty_Villa_16th_July_5th_October_2009_">The Golden Graves of Ancient Vani (Getty Villa, 16th July - 5th October 2009)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Georgian site of Vani lies in what was the ancient kingdom of Colchis, known in Greek myth as...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Georgian site of Vani lies in what was the ancient kingdom of Colchis, known in Greek myth as the destination of Jason and the Argonauts in their quest for the Golden Fleece. Colchis was renowned as a region rich in gold, and excavations at Vani have confirmed this reputation. The archaeological finds not only demonstrate the highly refined craftsmanship of local goldworkers but also testify to contacts with both the Greek world and the Persian Empire. This exhibition presents an array of precious objects from Vani, including four bronze lamps that were discovered in 2007 and are displayed together for the ﬁrst time. The Golden Graves of Ancient Vani has been organized by the Institute for the Study of the Ancient World, New York, and the Georgian National Museum, Tbilisi. <br /><a href="https://www.getty.edu/art/exhibitions/vani/index.html" rel="nofollow">https://www.getty.edu/art/exhibitions/vani/index.html</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2603936"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2603936"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2603936; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2603936]").text(description); $(".js-view-count[data-work-id=2603936]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2603936; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2603936']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=2603936]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2603936,"title":"The Golden Graves of Ancient Vani (Getty Villa, 16th July - 5th October 2009)","internal_url":"https://www.academia.edu/2603936/The_Golden_Graves_of_Ancient_Vani_Getty_Villa_16th_July_5th_October_2009_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Edited Volumes" id="Edited Volumes"><h3 class="profile--tab_heading_container">Edited Volumes by David Saunders</h3></div><div class="js-work-strip profile--work_container" data-work-id="125897092"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/125897092/Saunders_D_A_and_Megan_E_ONeil_eds_Picture_Worlds_Storytelling_on_Greek_Moche_and_Pottery_Pottery_Los_Angeles_Getty_Publications_2024_"><img alt="Research paper thumbnail of Saunders, D.A. and Megan E. O'Neil (eds.), Picture Worlds: Storytelling on Greek, Moche, and Pottery Pottery (Los Angeles: Getty Publications, 2024)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/125897092/Saunders_D_A_and_Megan_E_ONeil_eds_Picture_Worlds_Storytelling_on_Greek_Moche_and_Pottery_Pottery_Los_Angeles_Getty_Publications_2024_">Saunders, D.A. and Megan E. O'Neil (eds.), Picture Worlds: Storytelling on Greek, Moche, and Pottery Pottery (Los Angeles: Getty Publications, 2024)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This abundantly illustrated volume is the first to explore the painted pottery of the ancient Gre...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This abundantly illustrated volume is the first to explore the painted pottery of the ancient Greek, Moche, and Maya cultures side by side.<br /><br />Satyrs and sphinxes, violent legumes, and a dancing maize deity figure in the stories painted on the pottery produced by the ancient Greek, Moche, and Maya cultures, respectively. Picture Worlds is the first book to examine the elaborately decorated terracotta vessels of these three distinct civilizations. Although the cultures were separated by space and time, they all employed pottery as a way to tell stories, explain the world, and illustrate core myths and beliefs. Each of these painted pots is a picture world. But why did these communities reach for pottery as a primary method of visual communication? How were the vessels produced and used? In this book, experts offer introductions to the civilizations, exploring these foundational questions and examining the painted imagery. Readers will be rewarded with a better understanding of each of these ancient societies, fascinating insights into their cultural commonalities and differences, and fresh perspectives on image making and storytelling, practices that remain vibrant to this day. <br /><br /><a href="https://shop.getty.edu/products/picture-worlds-storytelling-on-greek-moche-maya-pottery-978-1606069059?srsltid=AfmBOorxbnzKd1Snb1LqdHbFcQwFiL2T2S20hzQHkmAZABKMAny33bu9" rel="nofollow">https://shop.getty.edu/products/picture-worlds-storytelling-on-greek-moche-maya-pottery-978-1606069059?srsltid=AfmBOorxbnzKd1Snb1LqdHbFcQwFiL2T2S20hzQHkmAZABKMAny33bu9</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125897092"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125897092"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125897092; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=125897092]").text(description); $(".js-view-count[data-work-id=125897092]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 125897092; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='125897092']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=125897092]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125897092,"title":"Saunders, D.A. and Megan E. O'Neil (eds.), Picture Worlds: Storytelling on Greek, Moche, and Pottery Pottery (Los Angeles: Getty Publications, 2024)","internal_url":"https://www.academia.edu/125897092/Saunders_D_A_and_Megan_E_ONeil_eds_Picture_Worlds_Storytelling_on_Greek_Moche_and_Pottery_Pottery_Los_Angeles_Getty_Publications_2024_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="65300153"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/65300153/Saunders_D_A_ed_Underworld_Imagining_the_Afterlife_in_Ancient_South_Italian_Vase_Painting_Los_Angeles_Getty_Publications_2021_"><img alt="Research paper thumbnail of Saunders, D.A. (ed.), Underworld: Imagining the Afterlife in Ancient South Italian Vase-Painting (Los Angeles: Getty Publications, 2021)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/65300153/Saunders_D_A_ed_Underworld_Imagining_the_Afterlife_in_Ancient_South_Italian_Vase_Painting_Los_Angeles_Getty_Publications_2021_">Saunders, D.A. (ed.), Underworld: Imagining the Afterlife in Ancient South Italian Vase-Painting (Los Angeles: Getty Publications, 2021)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Abundantly illustrated, this essential volume examines depictions of the Underworld in southern I...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Abundantly illustrated, this essential volume examines depictions of the Underworld in southern Italian vase painting and explores the religious and cultural beliefs behind them. <br /> <br /><a href="https://shop.getty.edu/products/underworld-imagining-the-afterlife-in-ancient-south-italian-vase-painting-978-1606067345?srsltid=AfmBOoouEEFQqWl-ffZYd0qdf68GyOnWKNpA26QgSwtN_Fpg8x5wSJ1i" rel="nofollow">https://shop.getty.edu/products/underworld-imagining-the-afterlife-in-ancient-south-italian-vase-painting-978-1606067345?srsltid=AfmBOoouEEFQqWl-ffZYd0qdf68GyOnWKNpA26QgSwtN_Fpg8x5wSJ1i</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="65300153"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="65300153"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 65300153; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=65300153]").text(description); $(".js-view-count[data-work-id=65300153]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 65300153; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='65300153']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=65300153]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":65300153,"title":"Saunders, D.A. (ed.), Underworld: Imagining the Afterlife in Ancient South Italian Vase-Painting (Los Angeles: Getty Publications, 2021)","internal_url":"https://www.academia.edu/65300153/Saunders_D_A_ed_Underworld_Imagining_the_Afterlife_in_Ancient_South_Italian_Vase_Painting_Los_Angeles_Getty_Publications_2021_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="36867272"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/36867272/Carpino_A_dAngelo_T_Muratov_M_and_Saunders_D_eds_Collecting_and_Collectors_From_Antiquity_to_Modernity_Selected_Papers_in_Ancient_Art_and_Architecture_vol_4_Boston_MA_Archaeological_Institute_of_America_2018_"><img alt="Research paper thumbnail of Carpino, A., d'Angelo, T., Muratov, M. and Saunders, D. (eds.), Collecting and Collectors: From Antiquity to Modernity. Selected Papers in Ancient Art and Architecture, vol. 4 (Boston, MA: Archaeological Institute of America, 2018)." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/36867272/Carpino_A_dAngelo_T_Muratov_M_and_Saunders_D_eds_Collecting_and_Collectors_From_Antiquity_to_Modernity_Selected_Papers_in_Ancient_Art_and_Architecture_vol_4_Boston_MA_Archaeological_Institute_of_America_2018_">Carpino, A., d'Angelo, T., Muratov, M. and Saunders, D. (eds.), Collecting and Collectors: From Antiquity to Modernity. Selected Papers in Ancient Art and Architecture, vol. 4 (Boston, MA: Archaeological Institute of America, 2018).</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36867272"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36867272"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36867272; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36867272]").text(description); $(".js-view-count[data-work-id=36867272]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36867272; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36867272']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=36867272]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36867272,"title":"Carpino, A., d'Angelo, T., Muratov, M. and Saunders, D. (eds.), Collecting and Collectors: From Antiquity to Modernity. Selected Papers in Ancient Art and Architecture, vol. 4 (Boston, MA: Archaeological Institute of America, 2018).","internal_url":"https://www.academia.edu/36867272/Carpino_A_dAngelo_T_Muratov_M_and_Saunders_D_eds_Collecting_and_Collectors_From_Antiquity_to_Modernity_Selected_Papers_in_Ancient_Art_and_Architecture_vol_4_Boston_MA_Archaeological_Institute_of_America_2018_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="27086925"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/27086925/Kaestner_U_and_Saunders_D_A_eds_Dangerous_Perfection_Ancient_Funerary_Vases_from_Southern_Italy_Los_Angeles_Getty_Publications_2016_"><img alt="Research paper thumbnail of Kaestner, U. and Saunders, D.A. (eds.), Dangerous Perfection: Ancient Funerary Vases from Southern Italy (Los Angeles: Getty Publications, 2016)." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/27086925/Kaestner_U_and_Saunders_D_A_eds_Dangerous_Perfection_Ancient_Funerary_Vases_from_Southern_Italy_Los_Angeles_Getty_Publications_2016_">Kaestner, U. and Saunders, D.A. (eds.), Dangerous Perfection: Ancient Funerary Vases from Southern Italy (Los Angeles: Getty Publications, 2016).</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated"> In 2008, the Berlin Antikensammlung initiated a project with the J. Paul Getty Museum to conserv...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In 2008, the Berlin Antikensammlung initiated a project with the J. Paul Getty Museum to conserve a group of ancient funerary vases from southern Italy. Monumental in scale and richly decorated, these magnificent vessels were discovered in hundreds of fragments in the early nineteenth century at Ceglie, near Bari. Acquired by a Bohemian diplomat, they were reconstructed in the Neapolitan workshop of Raffaele Gargiulo, who was considered one of the leading restorers of antiquities in Europe. His methods exemplify what was referred to as “une perfection dangereuse,” an approach to reassembly and repainting that made it difficult to distinguish what was ancient and what was modern. <br /> <br />Bringing together archival documentation and technical analyses, this volume provides a comprehensive study of the vases and their treatment from the nineteenth century up to today. In addition to lavish illustrations, two in-depth essays on the history of the vases and on Gargiulo’s work, as well as detailed conservation notes for each object, this publication also features the first English translation of Gargiulo’s original text on his understanding as to how ancient Greek vases were manufactured. <br /> <br /><a href="https://shop.getty.edu/products/dangerous-perfection-ancient-funerary-vases-from-southern-italy-978-1606064764?srsltid=AfmBOoom8Bvk2PY1KlIjeLzbAJ534YvbbJnwMc9k81MNEmpzjb0ZoY6p" rel="nofollow">https://shop.getty.edu/products/dangerous-perfection-ancient-funerary-vases-from-southern-italy-978-1606064764?srsltid=AfmBOoom8Bvk2PY1KlIjeLzbAJ534YvbbJnwMc9k81MNEmpzjb0ZoY6p</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="27086925"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="27086925"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 27086925; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=27086925]").text(description); $(".js-view-count[data-work-id=27086925]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 27086925; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='27086925']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=27086925]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":27086925,"title":"Kaestner, U. and Saunders, D.A. 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(eds.), The Restoration of Ancient Bronzes: Naples and Beyond (Los Angeles: Getty Publications, 2013)." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/19549201/Risser_E_and_Saunders_D_A_eds_The_Restoration_of_Ancient_Bronzes_Naples_and_Beyond_Los_Angeles_Getty_Publications_2013_">Risser, E. and Saunders, D.A. (eds.), The Restoration of Ancient Bronzes: Naples and Beyond (Los Angeles: Getty Publications, 2013).</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19549201"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19549201"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19549201; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19549201]").text(description); $(".js-view-count[data-work-id=19549201]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19549201; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19549201']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=19549201]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":19549201,"title":"Risser, E. and Saunders, D.A. (eds.), The Restoration of Ancient Bronzes: Naples and Beyond (Los Angeles: Getty Publications, 2013).","internal_url":"https://www.academia.edu/19549201/Risser_E_and_Saunders_D_A_eds_The_Restoration_of_Ancient_Bronzes_Naples_and_Beyond_Los_Angeles_Getty_Publications_2013_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="2603864"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/2603864/D_C_Kurtz_with_H_C_Meyer_D_A_Saunders_A_Tsingarida_and_N_Harris_eds_Essays_in_classical_archaeology_for_Eleni_Hatzivassiliou_1977_2007_Oxford_Archeopress_2008_"><img alt="Research paper thumbnail of D.C Kurtz, with H.-C. Meyer, D.A. Saunders, A. Tsingarida and N. Harris (eds.), Essays in classical archaeology for Eleni Hatzivassiliou 1977-2007 (Oxford: Archeopress, 2008)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/2603864/D_C_Kurtz_with_H_C_Meyer_D_A_Saunders_A_Tsingarida_and_N_Harris_eds_Essays_in_classical_archaeology_for_Eleni_Hatzivassiliou_1977_2007_Oxford_Archeopress_2008_">D.C Kurtz, with H.-C. Meyer, D.A. Saunders, A. Tsingarida and N. Harris (eds.), Essays in classical archaeology for Eleni Hatzivassiliou 1977-2007 (Oxford: Archeopress, 2008)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">... Michalis Tiverios 23. Private sentiments in public spaces: two votive groups 213 from Epidaur...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... Michalis Tiverios 23. Private sentiments in public spaces: two votive groups 213 from Epidauros Olympia Bobou 24. Cretan nymphs: an Attic hypothesis 221 Milena Melfi 25. ... vni Page 3. 29. Designing the landscapes of the Villa of Livia at Prima Porta 269 Manta Zarmakoupi 30. ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2603864"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2603864"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2603864; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2603864]").text(description); $(".js-view-count[data-work-id=2603864]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2603864; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2603864']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=2603864]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2603864,"title":"D.C Kurtz, with H.-C. Meyer, D.A. Saunders, A. Tsingarida and N. Harris (eds.), Essays in classical archaeology for Eleni Hatzivassiliou 1977-2007 (Oxford: Archeopress, 2008)","internal_url":"https://www.academia.edu/2603864/D_C_Kurtz_with_H_C_Meyer_D_A_Saunders_A_Tsingarida_and_N_Harris_eds_Essays_in_classical_archaeology_for_Eleni_Hatzivassiliou_1977_2007_Oxford_Archeopress_2008_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Articles" id="Articles"><h3 class="profile--tab_heading_container">Articles by David Saunders</h3></div><div class="js-work-strip profile--work_container" data-work-id="125897184"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/125897184/_Ancient_Greece_700_323_BCE_An_Overview_and_Greek_Painted_Pottery_Production_and_Use_in_Saunders_D_A_and_O_Neil_M_E_eds_Picture_Worlds_Storytelling_on_Greek_Moche_and_Maya_Pottery_Los_Angeles_Getty_Publications_2024_25_35"><img alt="Research paper thumbnail of “Ancient Greece, 700-323 BCE: An Overview” and “Greek Painted Pottery: Production and Use”, in Saunders, D. A. and O’Neil, M.E. (eds.), Picture Worlds: Storytelling on Greek, Moche, and Maya Pottery (Los Angeles: Getty Publications, 2024), 25-35." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/125897184/_Ancient_Greece_700_323_BCE_An_Overview_and_Greek_Painted_Pottery_Production_and_Use_in_Saunders_D_A_and_O_Neil_M_E_eds_Picture_Worlds_Storytelling_on_Greek_Moche_and_Maya_Pottery_Los_Angeles_Getty_Publications_2024_25_35">“Ancient Greece, 700-323 BCE: An Overview” and “Greek Painted Pottery: Production and Use”, in Saunders, D. A. and O’Neil, M.E. (eds.), Picture Worlds: Storytelling on Greek, Moche, and Maya Pottery (Los Angeles: Getty Publications, 2024), 25-35.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125897184"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125897184"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125897184; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=125897184]").text(description); $(".js-view-count[data-work-id=125897184]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 125897184; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='125897184']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=125897184]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125897184,"title":"“Ancient Greece, 700-323 BCE: An Overview” and “Greek Painted Pottery: Production and Use”, in Saunders, D. A. and O’Neil, M.E. (eds.), Picture Worlds: Storytelling on Greek, Moche, and Maya Pottery (Los Angeles: Getty Publications, 2024), 25-35.","internal_url":"https://www.academia.edu/125897184/_Ancient_Greece_700_323_BCE_An_Overview_and_Greek_Painted_Pottery_Production_and_Use_in_Saunders_D_A_and_O_Neil_M_E_eds_Picture_Worlds_Storytelling_on_Greek_Moche_and_Maya_Pottery_Los_Angeles_Getty_Publications_2024_25_35","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="125897171"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/125897171/with_ONeil_Megan_E_Modern_Histories_of_Ancient_Vases_and_Postscript_in_Saunders_D_A_and_O_Neil_M_E_eds_Picture_Worlds_Storytelling_on_Greek_Moche_and_Maya_Pottery_Los_Angeles_Getty_Publications_2024_17_19_185"><img alt="Research paper thumbnail of with O'Neil, Megan. E., “Modern Histories of Ancient Vases” and “Postscript”, in Saunders, D. A. and O’Neil, M.E. (eds.), Picture Worlds: Storytelling on Greek, Moche, and Maya Pottery (Los Angeles: Getty Publications, 2024), 17-19; 185." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/125897171/with_ONeil_Megan_E_Modern_Histories_of_Ancient_Vases_and_Postscript_in_Saunders_D_A_and_O_Neil_M_E_eds_Picture_Worlds_Storytelling_on_Greek_Moche_and_Maya_Pottery_Los_Angeles_Getty_Publications_2024_17_19_185">with O'Neil, Megan. E., “Modern Histories of Ancient Vases” and “Postscript”, in Saunders, D. A. and O’Neil, M.E. 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Paul Getty Museum.”" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/44843513/with_Barr_J_and_Budrovich_N_The_Antiquities_Provenance_Project_at_the_J_Paul_Getty_Museum_">with Barr, J. and Budrovich, N., “The Antiquities Provenance Project at the J. Paul Getty Museum.”</a></div><div class="wp-workCard_item"><span>In North Hopkins, J., Kielt Costello, S. and Davis, P. (eds.), Object Biographies. 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Carlos Museum)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/117853357/Picture_Worlds_Greek_Maya_and_Moche_Pottery_10_April_29_July_2024_at_the_Getty_Villa_14th_Sept_15_Dec_2024_at_the_Michael_C_Carlos_Museum_">Picture Worlds: Greek, Maya, and Moche Pottery (10 April - 29 July 2024 at the Getty Villa; 14th Sept - 15 Dec 2024 at the Michael C. Carlos Museum)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Mighty deities, brave heroes, and fantastic beings adorn the terracotta vessels of the ancient Gr...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Mighty deities, brave heroes, and fantastic beings adorn the terracotta vessels of the ancient Greeks in the Mediterranean, the Maya in central America, and the Moche of northern Peru. This exhibition juxtaposes these three distinct ceramic traditions and explores the ways in which painted pottery served as a dynamic means of storytelling and social engagement. <br /><a href="https://www.getty.edu/art/exhibitions/picture_worlds/" rel="nofollow">https://www.getty.edu/art/exhibitions/picture_worlds/</a> <br /><a href="https://carlos.emory.edu/exhibition/picture-worlds" rel="nofollow">https://carlos.emory.edu/exhibition/picture-worlds</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="117853357"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="117853357"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 117853357; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=117853357]").text(description); $(".js-view-count[data-work-id=117853357]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 117853357; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='117853357']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=117853357]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":117853357,"title":"Picture Worlds: Greek, Maya, and Moche Pottery (10 April - 29 July 2024 at the Getty Villa; 14th Sept - 15 Dec 2024 at the Michael C. Carlos Museum)","internal_url":"https://www.academia.edu/117853357/Picture_Worlds_Greek_Maya_and_Moche_Pottery_10_April_29_July_2024_at_the_Getty_Villa_14th_Sept_15_Dec_2024_at_the_Michael_C_Carlos_Museum_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37689278"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/37689278/Underworld_Imagining_the_Afterlife_Getty_Villa_31_October_2018_18_March_2019_"><img alt="Research paper thumbnail of Underworld: Imagining the Afterlife (Getty Villa, 31 October 2018 - 18 March 2019)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/37689278/Underworld_Imagining_the_Afterlife_Getty_Villa_31_October_2018_18_March_2019_">Underworld: Imagining the Afterlife (Getty Villa, 31 October 2018 - 18 March 2019)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">How did the ancient Greeks envision life after death? The realm of Hades, god of the Underworld, ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">How did the ancient Greeks envision life after death? The realm of Hades, god of the Underworld, was traditionally imagined as a dreary, joyless place. Yet some individuals believed they could avoid such a fate and ensure a better outcome for their souls. <br /> <br />Organized around a monumental funerary vessel on loan from National Archaeological Museum in Naples and recently conserved at the Getty Villa, this exhibition explores depictions of the Underworld in the art of Greece and southern Italy. Beyond tales of famous wrongdoers and rulers of the dead, the objects on view highlight the desire for a blessed existence after death. <br /><a href="https://www.getty.edu/art/exhibitions/ancient_underworld/index.html" rel="nofollow">https://www.getty.edu/art/exhibitions/ancient_underworld/index.html</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37689278"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37689278"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37689278; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37689278]").text(description); $(".js-view-count[data-work-id=37689278]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37689278; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37689278']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=37689278]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37689278,"title":"Underworld: Imagining the Afterlife (Getty Villa, 31 October 2018 - 18 March 2019)","internal_url":"https://www.academia.edu/37689278/Underworld_Imagining_the_Afterlife_Getty_Villa_31_October_2018_18_March_2019_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="19549055"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/19549055/Greece_s_Enchanting_Landscape_Watercolors_by_Edward_Dodwell_and_Simone_Pomardi_Getty_Villa_21st_October_2015_15th_February_2016_"><img alt="Research paper thumbnail of Greece’s Enchanting Landscape: Watercolors by Edward Dodwell and Simone Pomardi (Getty Villa, 21st October, 2015 – 15th February, 2016)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/19549055/Greece_s_Enchanting_Landscape_Watercolors_by_Edward_Dodwell_and_Simone_Pomardi_Getty_Villa_21st_October_2015_15th_February_2016_">Greece’s Enchanting Landscape: Watercolors by Edward Dodwell and Simone Pomardi (Getty Villa, 21st October, 2015 – 15th February, 2016)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">“Almost every rock, every promontory, every river, is haunted by the shadows of the mighty dead,”...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">“Almost every rock, every promontory, every river, is haunted by the shadows of the mighty dead,” wrote the English antiquarian Edward Dodwell of his travels in Greece in the early nineteenth century. During this time, he and the Italian artist Simone Pomardi produced around one thousand illustrations. Selected from a vast archive of their watercolors and drawings in the collection of the Packard Humanities Institute, this exhibition brings to life a vanished world that enchanted European travelers and inspired their passionate pursuit of classical antiquity. The exhibition culminates with a series of monumental panoramas of Athens rendered with exceptional detail. <br /><a href="https://www.getty.edu/art/exhibitions/greek_watercolors/" rel="nofollow">https://www.getty.edu/art/exhibitions/greek_watercolors/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19549055"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19549055"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19549055; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19549055]").text(description); $(".js-view-count[data-work-id=19549055]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19549055; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19549055']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=19549055]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":19549055,"title":"Greece’s Enchanting Landscape: Watercolors by Edward Dodwell and Simone Pomardi (Getty Villa, 21st October, 2015 – 15th February, 2016)","internal_url":"https://www.academia.edu/19549055/Greece_s_Enchanting_Landscape_Watercolors_by_Edward_Dodwell_and_Simone_Pomardi_Getty_Villa_21st_October_2015_15th_February_2016_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="9399744"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/9399744/Dangerous_Perfection_Funerary_Vases_from_Southern_Italy_Getty_Villa_November_19th_2014_May_11th_2015_"><img alt="Research paper thumbnail of Dangerous Perfection: Funerary Vases from Southern Italy (Getty Villa, November 19th 2014 - May 11th 2015)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/9399744/Dangerous_Perfection_Funerary_Vases_from_Southern_Italy_Getty_Villa_November_19th_2014_May_11th_2015_">Dangerous Perfection: Funerary Vases from Southern Italy (Getty Villa, November 19th 2014 - May 11th 2015)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Thirteen elaborately decorated Apulian vases provide a rich opportunity to examine the funerary c...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Thirteen elaborately decorated Apulian vases provide a rich opportunity to examine the funerary customs of peoples native to southern Italy and the ways they used Greek myth to comprehend death and the afterlife. Displayed following a six-year conservation project at the Antikensammlung Berlin and the Getty Villa, these monumental vessels also reveal the hand of Raffaele Gargiulo, one of the leading restorers of 19th-century Naples. His work exemplifies what one concerned antiquarian described as "dangerous perfection" as such interventions—especially the painted decorations—could be so effective it became difficult to identify what was ancient and what was modern. The vases on view offer a window into the ongoing debate concerning the degree to which ancient artworks should be repaired and repainted. <br /> <a href="https://www.getty.edu/art/exhibitions/apulian_vases/" rel="nofollow">https://www.getty.edu/art/exhibitions/apulian_vases/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="9399744"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="9399744"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9399744; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=9399744]").text(description); $(".js-view-count[data-work-id=9399744]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 9399744; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='9399744']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=9399744]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":9399744,"title":"Dangerous Perfection: Funerary Vases from Southern Italy (Getty Villa, November 19th 2014 - May 11th 2015)","internal_url":"https://www.academia.edu/9399744/Dangerous_Perfection_Funerary_Vases_from_Southern_Italy_Getty_Villa_November_19th_2014_May_11th_2015_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="4869835"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/4869835/Tiberius_Portrait_of_an_Emperor_Getty_Villa_Oct_16th_2013_March_3rd_2014_"><img alt="Research paper thumbnail of Tiberius: Portrait of an Emperor (Getty Villa, Oct. 16th 2013 - March 3rd, 2014)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/4869835/Tiberius_Portrait_of_an_Emperor_Getty_Villa_Oct_16th_2013_March_3rd_2014_">Tiberius: Portrait of an Emperor (Getty Villa, Oct. 16th 2013 - March 3rd, 2014)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Overshadowed by his predecessor, Augustus, Tiberius has long been thought of as an isolated and r...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Overshadowed by his predecessor, Augustus, Tiberius has long been thought of as an isolated and rather unpleasant character. He was often uncomfortable in the role of ruler, and famously fled from Rome to the island of Capri where his cruelty and sexual excesses reportedly reached their peak. <br /> <br />As the two thousandth anniversary of Tiberius's accession as emperor approaches, this exhibition proposes a more balanced view of this complicated figure–both his virtues and his failings–and the political and familial power struggles that framed his life. <br /> <br />The exhibition also highlights information gleaned during the study and treatment of the statue, which has been returned to an upright position after many years off display. As well as revealing the processes by which the portrait was assembled in antiquity, it has also been possible to identify the methods and means used to reassemble and restore the figure following its recovery in the eighteenth century. <br /><a href="https://www.getty.edu/art/exhibitions/tiberius/" rel="nofollow">https://www.getty.edu/art/exhibitions/tiberius/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="4869835"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="4869835"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 4869835; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=4869835]").text(description); $(".js-view-count[data-work-id=4869835]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 4869835; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='4869835']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=4869835]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":4869835,"title":"Tiberius: Portrait of an Emperor (Getty Villa, Oct. 16th 2013 - March 3rd, 2014)","internal_url":"https://www.academia.edu/4869835/Tiberius_Portrait_of_an_Emperor_Getty_Villa_Oct_16th_2013_March_3rd_2014_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="4869805"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/4869805/The_Cyrus_Cylinder_and_Ancient_Persia_A_New_Beginning_Getty_Villa_Oct_2nd_Dec_2nd_2013_"><img alt="Research paper thumbnail of The Cyrus Cylinder and Ancient Persia: A New Beginning (Getty Villa, Oct 2nd - Dec 2nd, 2013)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/4869805/The_Cyrus_Cylinder_and_Ancient_Persia_A_New_Beginning_Getty_Villa_Oct_2nd_Dec_2nd_2013_">The Cyrus Cylinder and Ancient Persia: A New Beginning (Getty Villa, Oct 2nd - Dec 2nd, 2013)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">On loan from the British Museum, The Cyrus Cylinder and Ancient Persia: A New Beginning concludes...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">On loan from the British Museum, The Cyrus Cylinder and Ancient Persia: A New Beginning concludes its U.S. tour with a nine week presentation at the Getty Villa. Found at Babylon in 1879, the Cyrus Cylinder is among the most celebrated discoveries from the ancient world, with a legacy that resounds to this day. <br /> <br /><a href="https://www.getty.edu/art/exhibitions/cyrus_cylinder/" rel="nofollow">https://www.getty.edu/art/exhibitions/cyrus_cylinder/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="4869805"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="4869805"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 4869805; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=4869805]").text(description); $(".js-view-count[data-work-id=4869805]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 4869805; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='4869805']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=4869805]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":4869805,"title":"The Cyrus Cylinder and Ancient Persia: A New Beginning (Getty Villa, Oct 2nd - Dec 2nd, 2013)","internal_url":"https://www.academia.edu/4869805/The_Cyrus_Cylinder_and_Ancient_Persia_A_New_Beginning_Getty_Villa_Oct_2nd_Dec_2nd_2013_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="2603930"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/2603930/Aphrodite_and_the_Gods_of_Love_Getty_Villa_28th_March_9th_July_2012_"><img alt="Research paper thumbnail of Aphrodite and the Gods of Love (Getty Villa, 28th March - 9th July, 2012)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/2603930/Aphrodite_and_the_Gods_of_Love_Getty_Villa_28th_March_9th_July_2012_">Aphrodite and the Gods of Love (Getty Villa, 28th March - 9th July, 2012)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Typically associated with love, beauty and sex, the Greek goddess Aphrodite was a much more compl...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Typically associated with love, beauty and sex, the Greek goddess Aphrodite was a much more complex figure. Not only could she be manipulative and destructive in matters of the heart, especially together with her companion Eros, but her domain extended far beyond desire and romance. Worshipped throughout the ancient Mediterranean by men and women, young and old, Aphrodite was connected with maritime affairs, civic harmony, and even warfare. <br /> <br />This exhibition presents the goddess in her manifold aspects—exploring her precursors in the ancient Near East, her offspring, and her devotees—and culminates with her incorporation and adaptation in Roman religion as Venus. It features a stunning range of objects, from large-scale sculpture to delicate jewelry, drawn from the collections of the Museum of Fine Arts, Boston and the J. Paul Getty Museum, as well as major loans from Italian institutions. <br /> <br />Aphrodite and the Gods of Love was organized by the Museum of Fine Arts, Boston, in association with the J. Paul Getty Museum. <br /><a href="https://www.getty.edu/art/exhibitions/aphrodite/" rel="nofollow">https://www.getty.edu/art/exhibitions/aphrodite/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2603930"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2603930"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2603930; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2603930]").text(description); $(".js-view-count[data-work-id=2603930]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2603930; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2603930']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=2603930]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2603930,"title":"Aphrodite and the Gods of Love (Getty Villa, 28th March - 9th July, 2012)","internal_url":"https://www.academia.edu/2603930/Aphrodite_and_the_Gods_of_Love_Getty_Villa_28th_March_9th_July_2012_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="2603915"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/2603915/Apollo_from_Pompeii_Investigating_an_Ancient_Bronze_Getty_Villa_2nd_March_12th_September_2011_"><img alt="Research paper thumbnail of Apollo from Pompeii: Investigating an Ancient Bronze (Getty Villa, 2nd March - 12th September 2011)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/2603915/Apollo_from_Pompeii_Investigating_an_Ancient_Bronze_Getty_Villa_2nd_March_12th_September_2011_">Apollo from Pompeii: Investigating an Ancient Bronze (Getty Villa, 2nd March - 12th September 2011)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A statue of Apollo in the pose of an archer was one of the first large-scale bronzes to be excava...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A statue of Apollo in the pose of an archer was one of the first large-scale bronzes to be excavated at Pompeii, Italy. It was found in fragments in 1817 and 1818, centuries after the city was destroyed by the eruption of Mount Vesuvius in A.D. 79. <br /> <br />As part of a collaboration with the National Archaeological Museum in Naples, the sculpture was brought to the Getty Villa for conservation in 2009. What began as a project to clean the Apollo and ensure its stability for display developed into a rare opportunity to investigate the many stories it could tell. <br /> <br />This exhibition combines scientific and technical analysis with archival research to present the newly conserved Apollo, constituting yet another chapter in its compelling life history. <br /> <br /><a href="https://www.getty.edu/art/exhibitions/apollo_pompeii/" rel="nofollow">https://www.getty.edu/art/exhibitions/apollo_pompeii/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2603915"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2603915"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2603915; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2603915]").text(description); $(".js-view-count[data-work-id=2603915]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2603915; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2603915']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=2603915]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2603915,"title":"Apollo from Pompeii: Investigating an Ancient Bronze (Getty Villa, 2nd March - 12th September 2011)","internal_url":"https://www.academia.edu/2603915/Apollo_from_Pompeii_Investigating_an_Ancient_Bronze_Getty_Villa_2nd_March_12th_September_2011_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="2603936"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/2603936/The_Golden_Graves_of_Ancient_Vani_Getty_Villa_16th_July_5th_October_2009_"><img alt="Research paper thumbnail of The Golden Graves of Ancient Vani (Getty Villa, 16th July - 5th October 2009)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/2603936/The_Golden_Graves_of_Ancient_Vani_Getty_Villa_16th_July_5th_October_2009_">The Golden Graves of Ancient Vani (Getty Villa, 16th July - 5th October 2009)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The Georgian site of Vani lies in what was the ancient kingdom of Colchis, known in Greek myth as...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The Georgian site of Vani lies in what was the ancient kingdom of Colchis, known in Greek myth as the destination of Jason and the Argonauts in their quest for the Golden Fleece. Colchis was renowned as a region rich in gold, and excavations at Vani have confirmed this reputation. The archaeological finds not only demonstrate the highly refined craftsmanship of local goldworkers but also testify to contacts with both the Greek world and the Persian Empire. This exhibition presents an array of precious objects from Vani, including four bronze lamps that were discovered in 2007 and are displayed together for the ﬁrst time. The Golden Graves of Ancient Vani has been organized by the Institute for the Study of the Ancient World, New York, and the Georgian National Museum, Tbilisi. <br /><a href="https://www.getty.edu/art/exhibitions/vani/index.html" rel="nofollow">https://www.getty.edu/art/exhibitions/vani/index.html</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2603936"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2603936"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2603936; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2603936]").text(description); $(".js-view-count[data-work-id=2603936]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2603936; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2603936']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=2603936]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2603936,"title":"The Golden Graves of Ancient Vani (Getty Villa, 16th July - 5th October 2009)","internal_url":"https://www.academia.edu/2603936/The_Golden_Graves_of_Ancient_Vani_Getty_Villa_16th_July_5th_October_2009_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="386886" id="editedvolumes"><div class="js-work-strip profile--work_container" data-work-id="125897092"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/125897092/Saunders_D_A_and_Megan_E_ONeil_eds_Picture_Worlds_Storytelling_on_Greek_Moche_and_Pottery_Pottery_Los_Angeles_Getty_Publications_2024_"><img alt="Research paper thumbnail of Saunders, D.A. and Megan E. O'Neil (eds.), Picture Worlds: Storytelling on Greek, Moche, and Pottery Pottery (Los Angeles: Getty Publications, 2024)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/125897092/Saunders_D_A_and_Megan_E_ONeil_eds_Picture_Worlds_Storytelling_on_Greek_Moche_and_Pottery_Pottery_Los_Angeles_Getty_Publications_2024_">Saunders, D.A. and Megan E. O'Neil (eds.), Picture Worlds: Storytelling on Greek, Moche, and Pottery Pottery (Los Angeles: Getty Publications, 2024)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This abundantly illustrated volume is the first to explore the painted pottery of the ancient Gre...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This abundantly illustrated volume is the first to explore the painted pottery of the ancient Greek, Moche, and Maya cultures side by side.<br /><br />Satyrs and sphinxes, violent legumes, and a dancing maize deity figure in the stories painted on the pottery produced by the ancient Greek, Moche, and Maya cultures, respectively. Picture Worlds is the first book to examine the elaborately decorated terracotta vessels of these three distinct civilizations. Although the cultures were separated by space and time, they all employed pottery as a way to tell stories, explain the world, and illustrate core myths and beliefs. Each of these painted pots is a picture world. But why did these communities reach for pottery as a primary method of visual communication? How were the vessels produced and used? In this book, experts offer introductions to the civilizations, exploring these foundational questions and examining the painted imagery. Readers will be rewarded with a better understanding of each of these ancient societies, fascinating insights into their cultural commonalities and differences, and fresh perspectives on image making and storytelling, practices that remain vibrant to this day. <br /><br /><a href="https://shop.getty.edu/products/picture-worlds-storytelling-on-greek-moche-maya-pottery-978-1606069059?srsltid=AfmBOorxbnzKd1Snb1LqdHbFcQwFiL2T2S20hzQHkmAZABKMAny33bu9" rel="nofollow">https://shop.getty.edu/products/picture-worlds-storytelling-on-greek-moche-maya-pottery-978-1606069059?srsltid=AfmBOorxbnzKd1Snb1LqdHbFcQwFiL2T2S20hzQHkmAZABKMAny33bu9</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125897092"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125897092"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125897092; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=125897092]").text(description); $(".js-view-count[data-work-id=125897092]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 125897092; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='125897092']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=125897092]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125897092,"title":"Saunders, D.A. and Megan E. O'Neil (eds.), Picture Worlds: Storytelling on Greek, Moche, and Pottery Pottery (Los Angeles: Getty Publications, 2024)","internal_url":"https://www.academia.edu/125897092/Saunders_D_A_and_Megan_E_ONeil_eds_Picture_Worlds_Storytelling_on_Greek_Moche_and_Pottery_Pottery_Los_Angeles_Getty_Publications_2024_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="65300153"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/65300153/Saunders_D_A_ed_Underworld_Imagining_the_Afterlife_in_Ancient_South_Italian_Vase_Painting_Los_Angeles_Getty_Publications_2021_"><img alt="Research paper thumbnail of Saunders, D.A. (ed.), Underworld: Imagining the Afterlife in Ancient South Italian Vase-Painting (Los Angeles: Getty Publications, 2021)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/65300153/Saunders_D_A_ed_Underworld_Imagining_the_Afterlife_in_Ancient_South_Italian_Vase_Painting_Los_Angeles_Getty_Publications_2021_">Saunders, D.A. (ed.), Underworld: Imagining the Afterlife in Ancient South Italian Vase-Painting (Los Angeles: Getty Publications, 2021)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Abundantly illustrated, this essential volume examines depictions of the Underworld in southern I...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Abundantly illustrated, this essential volume examines depictions of the Underworld in southern Italian vase painting and explores the religious and cultural beliefs behind them. <br /> <br /><a href="https://shop.getty.edu/products/underworld-imagining-the-afterlife-in-ancient-south-italian-vase-painting-978-1606067345?srsltid=AfmBOoouEEFQqWl-ffZYd0qdf68GyOnWKNpA26QgSwtN_Fpg8x5wSJ1i" rel="nofollow">https://shop.getty.edu/products/underworld-imagining-the-afterlife-in-ancient-south-italian-vase-painting-978-1606067345?srsltid=AfmBOoouEEFQqWl-ffZYd0qdf68GyOnWKNpA26QgSwtN_Fpg8x5wSJ1i</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="65300153"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="65300153"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 65300153; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=65300153]").text(description); $(".js-view-count[data-work-id=65300153]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 65300153; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='65300153']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=65300153]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":65300153,"title":"Saunders, D.A. (ed.), Underworld: Imagining the Afterlife in Ancient South Italian Vase-Painting (Los Angeles: Getty Publications, 2021)","internal_url":"https://www.academia.edu/65300153/Saunders_D_A_ed_Underworld_Imagining_the_Afterlife_in_Ancient_South_Italian_Vase_Painting_Los_Angeles_Getty_Publications_2021_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="36867272"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/36867272/Carpino_A_dAngelo_T_Muratov_M_and_Saunders_D_eds_Collecting_and_Collectors_From_Antiquity_to_Modernity_Selected_Papers_in_Ancient_Art_and_Architecture_vol_4_Boston_MA_Archaeological_Institute_of_America_2018_"><img alt="Research paper thumbnail of Carpino, A., d'Angelo, T., Muratov, M. and Saunders, D. (eds.), Collecting and Collectors: From Antiquity to Modernity. Selected Papers in Ancient Art and Architecture, vol. 4 (Boston, MA: Archaeological Institute of America, 2018)." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/36867272/Carpino_A_dAngelo_T_Muratov_M_and_Saunders_D_eds_Collecting_and_Collectors_From_Antiquity_to_Modernity_Selected_Papers_in_Ancient_Art_and_Architecture_vol_4_Boston_MA_Archaeological_Institute_of_America_2018_">Carpino, A., d'Angelo, T., Muratov, M. and Saunders, D. (eds.), Collecting and Collectors: From Antiquity to Modernity. Selected Papers in Ancient Art and Architecture, vol. 4 (Boston, MA: Archaeological Institute of America, 2018).</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36867272"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36867272"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36867272; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36867272]").text(description); $(".js-view-count[data-work-id=36867272]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36867272; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36867272']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=36867272]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36867272,"title":"Carpino, A., d'Angelo, T., Muratov, M. and Saunders, D. (eds.), Collecting and Collectors: From Antiquity to Modernity. Selected Papers in Ancient Art and Architecture, vol. 4 (Boston, MA: Archaeological Institute of America, 2018).","internal_url":"https://www.academia.edu/36867272/Carpino_A_dAngelo_T_Muratov_M_and_Saunders_D_eds_Collecting_and_Collectors_From_Antiquity_to_Modernity_Selected_Papers_in_Ancient_Art_and_Architecture_vol_4_Boston_MA_Archaeological_Institute_of_America_2018_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="27086925"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/27086925/Kaestner_U_and_Saunders_D_A_eds_Dangerous_Perfection_Ancient_Funerary_Vases_from_Southern_Italy_Los_Angeles_Getty_Publications_2016_"><img alt="Research paper thumbnail of Kaestner, U. and Saunders, D.A. (eds.), Dangerous Perfection: Ancient Funerary Vases from Southern Italy (Los Angeles: Getty Publications, 2016)." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/27086925/Kaestner_U_and_Saunders_D_A_eds_Dangerous_Perfection_Ancient_Funerary_Vases_from_Southern_Italy_Los_Angeles_Getty_Publications_2016_">Kaestner, U. and Saunders, D.A. (eds.), Dangerous Perfection: Ancient Funerary Vases from Southern Italy (Los Angeles: Getty Publications, 2016).</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated"> In 2008, the Berlin Antikensammlung initiated a project with the J. Paul Getty Museum to conserv...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In 2008, the Berlin Antikensammlung initiated a project with the J. Paul Getty Museum to conserve a group of ancient funerary vases from southern Italy. Monumental in scale and richly decorated, these magnificent vessels were discovered in hundreds of fragments in the early nineteenth century at Ceglie, near Bari. Acquired by a Bohemian diplomat, they were reconstructed in the Neapolitan workshop of Raffaele Gargiulo, who was considered one of the leading restorers of antiquities in Europe. His methods exemplify what was referred to as “une perfection dangereuse,” an approach to reassembly and repainting that made it difficult to distinguish what was ancient and what was modern. <br /> <br />Bringing together archival documentation and technical analyses, this volume provides a comprehensive study of the vases and their treatment from the nineteenth century up to today. In addition to lavish illustrations, two in-depth essays on the history of the vases and on Gargiulo’s work, as well as detailed conservation notes for each object, this publication also features the first English translation of Gargiulo’s original text on his understanding as to how ancient Greek vases were manufactured. <br /> <br /><a href="https://shop.getty.edu/products/dangerous-perfection-ancient-funerary-vases-from-southern-italy-978-1606064764?srsltid=AfmBOoom8Bvk2PY1KlIjeLzbAJ534YvbbJnwMc9k81MNEmpzjb0ZoY6p" rel="nofollow">https://shop.getty.edu/products/dangerous-perfection-ancient-funerary-vases-from-southern-italy-978-1606064764?srsltid=AfmBOoom8Bvk2PY1KlIjeLzbAJ534YvbbJnwMc9k81MNEmpzjb0ZoY6p</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="27086925"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="27086925"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 27086925; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=27086925]").text(description); $(".js-view-count[data-work-id=27086925]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 27086925; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='27086925']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=27086925]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":27086925,"title":"Kaestner, U. and Saunders, D.A. 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(eds.), The Restoration of Ancient Bronzes: Naples and Beyond (Los Angeles: Getty Publications, 2013)." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/19549201/Risser_E_and_Saunders_D_A_eds_The_Restoration_of_Ancient_Bronzes_Naples_and_Beyond_Los_Angeles_Getty_Publications_2013_">Risser, E. and Saunders, D.A. 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Meyer, D.A. Saunders, A. Tsingarida and N. Harris (eds.), Essays in classical archaeology for Eleni Hatzivassiliou 1977-2007 (Oxford: Archeopress, 2008)" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/2603864/D_C_Kurtz_with_H_C_Meyer_D_A_Saunders_A_Tsingarida_and_N_Harris_eds_Essays_in_classical_archaeology_for_Eleni_Hatzivassiliou_1977_2007_Oxford_Archeopress_2008_">D.C Kurtz, with H.-C. Meyer, D.A. Saunders, A. Tsingarida and N. Harris (eds.), Essays in classical archaeology for Eleni Hatzivassiliou 1977-2007 (Oxford: Archeopress, 2008)</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">... Michalis Tiverios 23. Private sentiments in public spaces: two votive groups 213 from Epidaur...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">... Michalis Tiverios 23. Private sentiments in public spaces: two votive groups 213 from Epidauros Olympia Bobou 24. Cretan nymphs: an Attic hypothesis 221 Milena Melfi 25. ... vni Page 3. 29. Designing the landscapes of the Villa of Livia at Prima Porta 269 Manta Zarmakoupi 30. ...</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="2603864"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="2603864"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 2603864; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=2603864]").text(description); $(".js-view-count[data-work-id=2603864]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 2603864; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='2603864']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=2603864]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":2603864,"title":"D.C Kurtz, with H.-C. 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A. and O’Neil, M.E. (eds.), Picture Worlds: Storytelling on Greek, Moche, and Maya Pottery (Los Angeles: Getty Publications, 2024), 25-35." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/125897184/_Ancient_Greece_700_323_BCE_An_Overview_and_Greek_Painted_Pottery_Production_and_Use_in_Saunders_D_A_and_O_Neil_M_E_eds_Picture_Worlds_Storytelling_on_Greek_Moche_and_Maya_Pottery_Los_Angeles_Getty_Publications_2024_25_35">“Ancient Greece, 700-323 BCE: An Overview” and “Greek Painted Pottery: Production and Use”, in Saunders, D. A. and O’Neil, M.E. (eds.), Picture Worlds: Storytelling on Greek, Moche, and Maya Pottery (Los Angeles: Getty Publications, 2024), 25-35.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125897184"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125897184"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125897184; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=125897184]").text(description); $(".js-view-count[data-work-id=125897184]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 125897184; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='125897184']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=125897184]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125897184,"title":"“Ancient Greece, 700-323 BCE: An Overview” and “Greek Painted Pottery: Production and Use”, in Saunders, D. 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(eds.), Picture Worlds: Storytelling on Greek, Moche, and Maya Pottery (Los Angeles: Getty Publications, 2024), 25-35.","internal_url":"https://www.academia.edu/125897184/_Ancient_Greece_700_323_BCE_An_Overview_and_Greek_Painted_Pottery_Production_and_Use_in_Saunders_D_A_and_O_Neil_M_E_eds_Picture_Worlds_Storytelling_on_Greek_Moche_and_Maya_Pottery_Los_Angeles_Getty_Publications_2024_25_35","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="125897171"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/125897171/with_ONeil_Megan_E_Modern_Histories_of_Ancient_Vases_and_Postscript_in_Saunders_D_A_and_O_Neil_M_E_eds_Picture_Worlds_Storytelling_on_Greek_Moche_and_Maya_Pottery_Los_Angeles_Getty_Publications_2024_17_19_185"><img alt="Research paper thumbnail of with O'Neil, Megan. E., “Modern Histories of Ancient Vases” and “Postscript”, in Saunders, D. A. and O’Neil, M.E. (eds.), Picture Worlds: Storytelling on Greek, Moche, and Maya Pottery (Los Angeles: Getty Publications, 2024), 17-19; 185." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/125897171/with_ONeil_Megan_E_Modern_Histories_of_Ancient_Vases_and_Postscript_in_Saunders_D_A_and_O_Neil_M_E_eds_Picture_Worlds_Storytelling_on_Greek_Moche_and_Maya_Pottery_Los_Angeles_Getty_Publications_2024_17_19_185">with O'Neil, Megan. E., “Modern Histories of Ancient Vases” and “Postscript”, in Saunders, D. A. and O’Neil, M.E. (eds.), Picture Worlds: Storytelling on Greek, Moche, and Maya Pottery (Los Angeles: Getty Publications, 2024), 17-19; 185.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125897171"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125897171"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125897171; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=125897171]").text(description); $(".js-view-count[data-work-id=125897171]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 125897171; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='125897171']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=125897171]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125897171,"title":"with O'Neil, Megan. 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O'Neil and Andrew Turner, “Introduction” and “Understanding the Imagery”, in Saunders, D. A. and O’Neil, M.E. (eds.), Picture Worlds: Storytelling on Greek, Moche, and Maya Pottery (Los Angeles: Getty Publications, 2024), 16-19; 80-101" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/125897127/with_Megan_E_ONeil_and_Andrew_Turner_Introduction_and_Understanding_the_Imagery_in_Saunders_D_A_and_O_Neil_M_E_eds_Picture_Worlds_Storytelling_on_Greek_Moche_and_Maya_Pottery_Los_Angeles_Getty_Publications_2024_16_19_80_101">with Megan E. O'Neil and Andrew Turner, “Introduction” and “Understanding the Imagery”, in Saunders, D. A. and O’Neil, M.E. (eds.), Picture Worlds: Storytelling on Greek, Moche, and Maya Pottery (Los Angeles: Getty Publications, 2024), 16-19; 80-101</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125897127"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125897127"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125897127; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=125897127]").text(description); $(".js-view-count[data-work-id=125897127]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 125897127; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='125897127']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=125897127]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125897127,"title":"with Megan E. 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(ed.), Underworld: Imagining the Afterlife in Ancient South Italian Vase-Painting (Los Angeles: Getty Publications, 2021), pp. 1-9; 91-112; 114-217." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/65300987/_Introduction_Imagining_the_Afterlife_in_South_Italian_Vase_Painting_and_Catalogue_in_Saunders_D_A_ed_Underworld_Imagining_the_Afterlife_in_Ancient_South_Italian_Vase_Painting_Los_Angeles_Getty_Publications_2021_pp_1_9_91_112_114_217">“Introduction”, “Imagining the Afterlife in South Italian Vase-Painting”, and “Catalogue”, in Saunders, D.A. (ed.), Underworld: Imagining the Afterlife in Ancient South Italian Vase-Painting (Los Angeles: Getty Publications, 2021), pp. 1-9; 91-112; 114-217.</a></div><div class="wp-workCard_item"><span>Saunders, D.A. (ed.), Underworld: Imagining the Afterlife in Ancient South Italian Vase-Painting (Los Angeles: Getty Publications, 2021)</span><span>, 2021</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="65300987"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="65300987"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 65300987; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=65300987]").text(description); $(".js-view-count[data-work-id=65300987]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 65300987; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='65300987']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=65300987]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":65300987,"title":"“Introduction”, “Imagining the Afterlife in South Italian Vase-Painting”, and “Catalogue”, in Saunders, D.A. 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Paul Getty Museum.”" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/44843513/with_Barr_J_and_Budrovich_N_The_Antiquities_Provenance_Project_at_the_J_Paul_Getty_Museum_">with Barr, J. and Budrovich, N., “The Antiquities Provenance Project at the J. Paul Getty Museum.”</a></div><div class="wp-workCard_item"><span>In North Hopkins, J., Kielt Costello, S. and Davis, P. (eds.), Object Biographies. Collaborative Approaches to Ancient Mediterranean Art (Houston: Menil Collection, 2021)</span><span>, 2021</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44843513"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44843513"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44843513; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44843513]").text(description); $(".js-view-count[data-work-id=44843513]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44843513; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44843513']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=44843513]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44843513,"title":"with Barr, J. and Budrovich, N., “The Antiquities Provenance Project at the J. 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Cooper (ed.), New Approaches to Ancient Material Culture in the Greek and Roman World: 21st-Century Methods and Classical Antiquity (Leiden and Boston: Brill)</span><span>, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The processes by which Athenian black- and red-figure vases were produced appear to be well under...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The processes by which Athenian black- and red-figure vases were produced appear to be well understood, with text-books regularly offering succinct descriptions of levigation, the application of relief line, and the three-stage firing process. A number of aspects, however, remain hypothetical, and new analytical techniques can inform old questions. In 2011, with funding from the National Science Foundation, the Getty Conservation Institute and J. Paul Getty Museum undertook a project to characterize Athenian black gloss. By partnering with The Aerospace Corporation, the Stanford Synchrotron Radiation Lightsource (SSRL), and The Northwestern University/Art Institute of Chicago Center for Scientific Studies in the Arts (NU-ACCESS), we created a team which had a diverse range of interests and equipment, with a view to obtaining new and rigorously-tested data. Combining these analyses with replication studies, we documented the ways in which black gloss responded during firing. Some of the results have been published in scientific journals, but in order to share them more broadly, we present here a summary of three case-studies. Taken together, they indicate that the production of the vases may be more complex than <br />the conventional notion of a single three-stage firing process (oxidation-reduction-oxidation) suggests.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44590103"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44590103"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44590103; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44590103]").text(description); $(".js-view-count[data-work-id=44590103]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44590103; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44590103']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=44590103]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44590103,"title":"with Trentelman, K. and Maish, J., “Collaborative Investigations into the Production of Athenian Painted Pottery.”","internal_url":"https://www.academia.edu/44590103/with_Trentelman_K_and_Maish_J_Collaborative_Investigations_into_the_Production_of_Athenian_Painted_Pottery_","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44590121"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/44590121/with_Maish_J_Kalandadze_N_and_Walton_M_Artful_Illumination_Four_Hellenistic_Bronze_Lamps_from_the_eastern_Black_Sea_site_of_Vani_"><img alt="Research paper thumbnail of with Maish, J., Kalandadze, N. and Walton, M., “Artful Illumination: Four Hellenistic Bronze Lamps from the eastern Black Sea site of Vani.”" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/44590121/with_Maish_J_Kalandadze_N_and_Walton_M_Artful_Illumination_Four_Hellenistic_Bronze_Lamps_from_the_eastern_Black_Sea_site_of_Vani_">with Maish, J., Kalandadze, N. and Walton, M., “Artful Illumination: Four Hellenistic Bronze Lamps from the eastern Black Sea site of Vani.”</a></div><div class="wp-workCard_item"><span>In Baas, P. (ed.), Proceedings of the XX International Congress on Ancient Bronzes. Resource, Reconstruction, Representation, Role (Oxford: BAR Publishing).</span><span>, 2019</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44590121"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44590121"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44590121; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44590121]").text(description); 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</script> <div class="js-work-strip profile--work_container" data-work-id="36867283"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/36867283/_Introduction_to_Researching_Ownership_Histories_for_Antiquities_in_Museum_Collections_in_Carpino_A_et_al_eds_Collecting_and_Collectors_From_Antiquity_to_Modernity_2018_167_173"><img alt="Research paper thumbnail of -“Introduction to Researching Ownership Histories for Antiquities in Museum Collections” in Carpino, A. et al., (eds.), Collecting and Collectors: From Antiquity to Modernity (2018), 167-173" class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/36867283/_Introduction_to_Researching_Ownership_Histories_for_Antiquities_in_Museum_Collections_in_Carpino_A_et_al_eds_Collecting_and_Collectors_From_Antiquity_to_Modernity_2018_167_173">-“Introduction to Researching Ownership Histories for Antiquities in Museum Collections” in Carpino, A. et al., (eds.), Collecting and Collectors: From Antiquity to Modernity (2018), 167-173</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36867283"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36867283"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36867283; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="36566056"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/36566056/_The_Ceglie_Vases_and_their_Iconographical_Context_in_Schmidt_S_and_K%C3%A4stner_U_eds_Inszenierung_von_Identit%C3%A4t_Unteritalische_Vasenmalerei_zwischen_Griechen_und_Indigenen_Munich_Verlag_der_Bayerischen_Akademie_der_Wissenschaften_M%C3%BCnchen_2018_157_166"><img alt="Research paper thumbnail of - ‘The Ceglie Vases and their Iconographical Context”, in Schmidt, S. and Kästner, U. (eds.), Inszenierung von Identität. Unteritalische Vasenmalerei zwischen Griechen und Indigenen (Munich: Verlag der Bayerischen Akademie der Wissenschaften München, 2018), 157-166." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/36566056/_The_Ceglie_Vases_and_their_Iconographical_Context_in_Schmidt_S_and_K%C3%A4stner_U_eds_Inszenierung_von_Identit%C3%A4t_Unteritalische_Vasenmalerei_zwischen_Griechen_und_Indigenen_Munich_Verlag_der_Bayerischen_Akademie_der_Wissenschaften_M%C3%BCnchen_2018_157_166">- ‘The Ceglie Vases and their Iconographical Context”, in Schmidt, S. and Kästner, U. (eds.), Inszenierung von Identität. Unteritalische Vasenmalerei zwischen Griechen und Indigenen (Munich: Verlag der Bayerischen Akademie der Wissenschaften München, 2018), 157-166.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36566056"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36566056"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36566056; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36566056]").text(description); $(".js-view-count[data-work-id=36566056]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36566056; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36566056']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=36566056]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36566056,"title":"- ‘The Ceglie Vases and their Iconographical Context”, in Schmidt, S. and Kästner, U. 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D.S., and Spinelli, A. (eds.), Artistry in Bronze. The Greeks and their Legacy. 19th International Congress on Ancient Bronzes (Los Angeles: Getty Publications, 2017), 61-68." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/35268535/_and_Risser_E_Tiberius_from_Herculaneum_Assembling_a_Monumental_Bronze_Portrait_in_Daehner_J_Lapatin_K_D_S_and_Spinelli_A_eds_Artistry_in_Bronze_The_Greeks_and_their_Legacy_19th_International_Congress_on_Ancient_Bronzes_Los_Angeles_Getty_Publications_2017_61_68">- and Risser, E., “Tiberius from Herculaneum: Assembling a Monumental Bronze Portrait”, in Daehner, J., Lapatin, K. D.S., and Spinelli, A. (eds.), Artistry in Bronze. The Greeks and their Legacy. 19th International Congress on Ancient Bronzes (Los Angeles: Getty Publications, 2017), 61-68.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Between 2012 and 2013, the J. Paul Getty Museum collaborated with the Museo Archeologico Nazional...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Between 2012 and 2013, the J. Paul Getty Museum collaborated with the Museo Archeologico Nazionale di Napoli to return the bronze portrait of Tiberius from Herculaneum to display. The project provided an opportunity for a full investigation into the statue’s eighteenth-century restorations and its ancient manufacture. <br /> <br />The restoration techniques proved typical of the Royal Foundry at Portici, as documented for other Herculaneum bronzes by Edilberto Formigli and Götz Lahusen. Rather less expected was the discovery that the monumental statue—erected in AD 37—had been assembled from a large number of individually cast pieces. This has valuable implications for our knowledge of Roman bronze-working, and in particular the techniques that were employed to simplify the production of a large, complex statue. The many drapery folds of the toga offered a way of subdividing the larger-than-life-size portrait into numerous smaller parts that could be cast separately. The multiplicity of cast pieces not only made their molding easier but also allowed for smaller, safer pours of molten bronze, required less lead in the alloy, and demanded fewer chaplets. Once cast, the individual pieces were then joined with simple and economical tack welds, which were able to sustain the great weight of the statue. <br /> <br /><a href="https://www.getty.edu/publications/artistryinbronze/large-scale-bronzes/7-risser/" rel="nofollow">https://www.getty.edu/publications/artistryinbronze/large-scale-bronzes/7-risser/</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35268535"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35268535"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35268535; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35268535]").text(description); $(".js-view-count[data-work-id=35268535]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35268535; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35268535']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=35268535]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35268535,"title":"- and Risser, E., “Tiberius from Herculaneum: Assembling a Monumental Bronze Portrait”, in Daehner, J., Lapatin, K. D.S., and Spinelli, A. (eds.), Artistry in Bronze. The Greeks and their Legacy. 19th International Congress on Ancient Bronzes (Los Angeles: Getty Publications, 2017), 61-68.","internal_url":"https://www.academia.edu/35268535/_and_Risser_E_Tiberius_from_Herculaneum_Assembling_a_Monumental_Bronze_Portrait_in_Daehner_J_Lapatin_K_D_S_and_Spinelli_A_eds_Artistry_in_Bronze_The_Greeks_and_their_Legacy_19th_International_Congress_on_Ancient_Bronzes_Los_Angeles_Getty_Publications_2017_61_68","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="32603471"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/32603471/_The_Distribution_of_the_Berlin_Painter_s_Vases_in_Padgett_J_M_ed_The_Berlin_Painter_and_his_World_Princeton_Princeton_University_Press_2017_107_131"><img alt="Research paper thumbnail of - “The Distribution of the Berlin Painter’s Vases”, in Padgett, J.M. (ed.), The Berlin Painter and his World (Princeton: Princeton University Press, 2017), 107-131." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/32603471/_The_Distribution_of_the_Berlin_Painter_s_Vases_in_Padgett_J_M_ed_The_Berlin_Painter_and_his_World_Princeton_Princeton_University_Press_2017_107_131">- “The Distribution of the Berlin Painter’s Vases”, in Padgett, J.M. (ed.), The Berlin Painter and his World (Princeton: Princeton University Press, 2017), 107-131.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="32603471"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="32603471"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 32603471; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=32603471]").text(description); $(".js-view-count[data-work-id=32603471]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 32603471; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='32603471']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=32603471]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":32603471,"title":"- “The Distribution of the Berlin Painter’s Vases”, in Padgett, J.M. (ed.), The Berlin Painter and his World (Princeton: Princeton University Press, 2017), 107-131.","internal_url":"https://www.academia.edu/32603471/_The_Distribution_of_the_Berlin_Painter_s_Vases_in_Padgett_J_M_ed_The_Berlin_Painter_and_his_World_Princeton_Princeton_University_Press_2017_107_131","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="29934973"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/29934973/_with_Svoboda_M_and_Milanese_A_exactitude_and_mastery_The_work_of_Raffaele_Gargiulo_in_Kaestner_U_and_Saunders_D_A_eds_Dangerous_Perfection_Ancient_Funerary_Vases_from_Southern_Italy_Los_Angeles_Getty_Publications_2016_43_66"><img alt="Research paper thumbnail of - with Svoboda, M. and Milanese, A., “‘exactitude and mastery …’: The work of Raffaele Gargiulo”, in Kaestner, U. and Saunders, D.A., (eds.), Dangerous Perfection: Ancient Funerary Vases from Southern Italy (Los Angeles: Getty Publications, 2016), 43-66." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/29934973/_with_Svoboda_M_and_Milanese_A_exactitude_and_mastery_The_work_of_Raffaele_Gargiulo_in_Kaestner_U_and_Saunders_D_A_eds_Dangerous_Perfection_Ancient_Funerary_Vases_from_Southern_Italy_Los_Angeles_Getty_Publications_2016_43_66">- with Svoboda, M. and Milanese, A., “‘exactitude and mastery …’: The work of Raffaele Gargiulo”, in Kaestner, U. and Saunders, D.A., (eds.), Dangerous Perfection: Ancient Funerary Vases from Southern Italy (Los Angeles: Getty Publications, 2016), 43-66.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="29934973"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="29934973"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 29934973; 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(eds.) Proceedings of the 17th International Congress on Ancient Bronzes. Monographies Instrumentum 52 (Autun: Mergoil, 2016) 103-109." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/35268874/_with_Maish_J_Walton_M_and_Kalandadze_N_The_Bronze_Kline_Legs_from_Vani_in_Giumlia_Mair_A_and_Mattusch_C_eds_Proceedings_of_the_17th_International_Congress_on_Ancient_Bronzes_Monographies_Instrumentum_52_Autun_Mergoil_2016_103_109">- with Maish, J., Walton, M., and Kalandadze, N., “The Bronze Kline Legs from Vani”, in Giumlia-Mair, A., and Mattusch, C. (eds.) Proceedings of the 17th International Congress on Ancient Bronzes. Monographies Instrumentum 52 (Autun: Mergoil, 2016) 103-109.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35268874"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35268874"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35268874; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35268874]").text(description); $(".js-view-count[data-work-id=35268874]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35268874; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35268874']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=35268874]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35268874,"title":"- with Maish, J., Walton, M., and Kalandadze, N., “The Bronze Kline Legs from Vani”, in Giumlia-Mair, A., and Mattusch, C. (eds.) Proceedings of the 17th International Congress on Ancient Bronzes. Monographies Instrumentum 52 (Autun: Mergoil, 2016) 103-109.","internal_url":"https://www.academia.edu/35268874/_with_Maish_J_Walton_M_and_Kalandadze_N_The_Bronze_Kline_Legs_from_Vani_in_Giumlia_Mair_A_and_Mattusch_C_eds_Proceedings_of_the_17th_International_Congress_on_Ancient_Bronzes_Monographies_Instrumentum_52_Autun_Mergoil_2016_103_109","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="27185351"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/27185351/with_Akhvlediani_D_et_al_The_Hoard_from_the_City_Site_of_Vani_Bulletin_of_the_Georgian_National_Academy_of_Sciences_10_2_2016_182_191"><img alt="Research paper thumbnail of with Akhvlediani, D. et al. "The Hoard from the City-Site of Vani." Bulletin of the Georgian National Academy of Sciences 10.2 (2016), 182-191." class="work-thumbnail" src="https://attachments.academia-assets.com/47435336/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/27185351/with_Akhvlediani_D_et_al_The_Hoard_from_the_City_Site_of_Vani_Bulletin_of_the_Georgian_National_Academy_of_Sciences_10_2_2016_182_191">with Akhvlediani, D. et al. "The Hoard from the City-Site of Vani." Bulletin of the Georgian National Academy of Sciences 10.2 (2016), 182-191.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A hoard containing bronze and iron objects was discovered at the Vani city-site – one of the cent...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A hoard containing bronze and iron objects was discovered at the Vani city-site – one of the centers of the 8 th-1 st cc. BC Colchis, by the Vani expedition of the Georgian National Museum in 2007. The nature of the hoard is a source of ongoing research and in recent years the Georgian National Museum has collaborated with the Institute for the Study of the Ancient World (ISAW) in New York, the J. Paul Getty Museum and Getty Conservation Institute (Los Angeles), and the Ferdinand Tavadze Institute of Metallurgy (Tbilisi) on the treatment and study of the hoard. The hoard was composed of a bronze bowl, four stands, an incense burner, four lamps, and 10 sets of couch legs, as well as two iron lamp stands, a fire-dog, and dozens of spear-heads and arrowheads. The date of the hoard and the items it contained was determined by means of stratigraphic and radiocarbon methods, as well as through analogy. The hoard seems to have been buried in the middle of the 1 st century BC. Some of the treasure from Vani must belong to the temple inventory, other parts to offerings. Technical study revealed that the lamps were made of lead-tin bronzes with a range of compositions using different lost wax methods; the smaller of two large vessel stands was cast from a leaded bronze, the other stands by casting a tin bronze. The large bowl may have been cast as a general shape and finished by turning; its decorated rim was probably cast and attached separately. Some of the couch parts were made of unleaded tin-bronze, the rest of leaded tin-bronze. Through study of the iron objects, it was estimated that they were manufactured from steel with a low carbon content which has to be received through cold blow process. There is no major difference between the materials. The artifacts were produced by means of free hammering; no traces of thermal treatment were identified. The material is not homogeneous in terms of structure, which is confirmed by microhardness data too. The Vani hoard was also investigated using palynological methods (the Institute of Palaeobiology of the Georgian National Museum). On the grounds of iconographical analysis, it can be proposed that the human busts and elephant heads decorating the bronze six-nozzle lamp correspond to Heracles with a lion skin and Dionysus and his wife Ariadne in the famous mythological scene of Dionysus's expedition in India.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6b6cbdcdece0f677fa04af4e64a69c5a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":47435336,"asset_id":27185351,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/47435336/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="27185351"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="27185351"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 27185351; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="19549044"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/19549044/_and_Risser_E_The_Bronze_Apollo_and_Diana_from_Pompeii_An_Example_of_Serial_Production_Antike_Kunst_58_2015_78_95"><img alt="Research paper thumbnail of - and Risser, E., “The Bronze Apollo and Diana from Pompeii: An Example of Serial Production.” Antike Kunst 58 (2015), 78-95." class="work-thumbnail" src="https://attachments.academia-assets.com/40690800/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/19549044/_and_Risser_E_The_Bronze_Apollo_and_Diana_from_Pompeii_An_Example_of_Serial_Production_Antike_Kunst_58_2015_78_95">- and Risser, E., “The Bronze Apollo and Diana from Pompeii: An Example of Serial Production.” Antike Kunst 58 (2015), 78-95.</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/ErikRisser">Erik Risser</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://getty.academia.edu/DavidSaunders">David Saunders</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Clearly related in appearance and associated together ever since their discovery, the near-life s...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Clearly related in appearance and associated together ever since their discovery, the near-life size bronze statues of Apollo and Diana from Pompeii have long been understood as a pair. The opportunity to examine both figures in close and wide-ranging detail – from comparing measurements at numerous points on their faces, through endoscopy and X-radiography, to the analysis of their bronze alloys - reveals a number of features never noted before, such as the void in the Apollo’s back, or the unusual method of affixing the eyes of both figures. Substantiating the many similarities between these two figures, we have a rare chance to document workshop practice and conclude that the Apollo and Diana were composed of elements that were both created specifically for them and others that appear to have already been in stock. This semi-serialized process is presented in the context of Roman bronze production, and supports the dating of the two figures to the late first century B.C./early first century A.D.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2a5baedda3b020115cb5fb9f98c3da19" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":40690800,"asset_id":19549044,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/40690800/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="19549044"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="19549044"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 19549044; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=19549044]").text(description); $(".js-view-count[data-work-id=19549044]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 19549044; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='19549044']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="13808581"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/13808581/_with_Cianchetta_I_et_al_Investigating_the_firing_protocol_of_Athenian_Pottery_Production_A_Raman_study_of_replicate_and_ancient_sherds_Journal_of_Raman_Spectroscopy_46_10_February_2015_996_1002"><img alt="Research paper thumbnail of - with Cianchetta, I. et al., "Investigating the firing protocol of Athenian Pottery Production: A Raman study of replicate and ancient sherds." Journal of Raman Spectroscopy 46.10 (February 2015), 996-1002." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/13808581/_with_Cianchetta_I_et_al_Investigating_the_firing_protocol_of_Athenian_Pottery_Production_A_Raman_study_of_replicate_and_ancient_sherds_Journal_of_Raman_Spectroscopy_46_10_February_2015_996_1002">- with Cianchetta, I. et al., "Investigating the firing protocol of Athenian Pottery Production: A Raman study of replicate and ancient sherds." Journal of Raman Spectroscopy 46.10 (February 2015), 996-1002.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The black and red coloration of ancient Athenian pottery is due to the different oxidation states...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The black and red coloration of ancient Athenian pottery is due to the different oxidation states of iron oxide: reduced Fe2+ (black) and oxidized Fe3+ (red). It has long been thought that a single, three-step firing — oxidation–reduction–oxidation — was used to manipulate the Fe valence state and achieve different degrees of vitrification between the slip and the body to produce the high contrast black and red images. However, complex and layered structures, with slips of different color overlaying each other, are sometimes found, raising the question of the adequacy of a single three-step firing to produce complex architectures. The firing conditions used in the production of an ancient vessel in the collection of the J. Paul Getty Museum, in which a red glossy layer is found between the black gloss and the body, were investigated. The ancient specimen was compared to a set of replicates produced and fired under a series of controlled temperatures and oxygen fugacities. Raman spectroscopy was used to identify the mineralogical phases present in both the ancient and the replicate samples, and the shape and position of the Eg mode in hematite provided a measure of the temperatures at which the minerals were formed. The results suggest the ancient vessel was produced using at least two separate firings: a high temperature firing under oxidizing conditions to create the underlying red glossy layer, followed by a three-step firing to create the surface black gloss decoration. This finding suggests the firing of ancient Athenian pottery was more complex than previously thought.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b4ca1a1fa3458fd4f798dc488a83b2dd" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":38132361,"asset_id":13808581,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/38132361/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="13808581"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="13808581"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 13808581; 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dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b4ca1a1fa3458fd4f798dc488a83b2dd" } } $('.js-work-strip[data-work-id=13808581]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":13808581,"title":"- with Cianchetta, I. et al., \"Investigating the firing protocol of Athenian Pottery Production: A Raman study of replicate and ancient sherds.\" Journal of Raman Spectroscopy 46.10 (February 2015), 996-1002.","internal_url":"https://www.academia.edu/13808581/_with_Cianchetta_I_et_al_Investigating_the_firing_protocol_of_Athenian_Pottery_Production_A_Raman_study_of_replicate_and_ancient_sherds_Journal_of_Raman_Spectroscopy_46_10_February_2015_996_1002","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[{"id":38132361,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://a.academia-assets.com/images/blank-paper.jpg","file_name":"jrs4662.pdf","download_url":"https://www.academia.edu/attachments/38132361/download_file","bulk_download_file_name":"with_Cianchetta_I_et_al_Investigating_t.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/38132361/jrs4662-libre.pdf?1436383167=\u0026response-content-disposition=attachment%3B+filename%3Dwith_Cianchetta_I_et_al_Investigating_t.pdf\u0026Expires=1739826164\u0026Signature=dSMJnVlKsP65HtUEjXAy90Id0QJn3JL3xnvQ0VrguTFl8vAuzqmE9rHxDO6AZwm7pc-ahdETzlxg9LJjMWPHdbUFRPV9nEsP-6mb3p-xa8uNn-V8fZj3ADJLgmzfhFuOtnCedR94p512hte4-K1gn3J2tndZtjWv7MRQExFJDdwdYCLaBWcCQ8q9D03gs~DANHsHwulzU7QaYFtyRZXssDroO5~hYKrbEfs-98dAkS3wxsaS-d5KndQUBFEFQUPQua6wkE4iSMPdccXJAoSAojlVxLTD~yviXUPsI2BNXeNpLSISnSPk344LUi03h7XY0rbfYKchSbtw3lzCwh-R4g__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="9719570"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/9719570/_with_Cianchetta_I_et_al_Evidence_for_an_Unorthodox_Firing_Sequence_Employed_by_the_Berlin_Painter_Deciphering_Ancient_Ceramic_Firing_Conditions_through_High_Resolution_Material_Characterization_and_Replication_Journal_of_Analytical_Atomic_Spectroscopy_2015_30_666_676"><img alt="Research paper thumbnail of - with Cianchetta, I., et al., "Evidence for an Unorthodox Firing Sequence Employed by the Berlin Painter: Deciphering Ancient Ceramic Firing Conditions through High-Resolution Material Characterization and Replication", Journal of Analytical Atomic Spectroscopy 2015, 30, 666-676." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/9719570/_with_Cianchetta_I_et_al_Evidence_for_an_Unorthodox_Firing_Sequence_Employed_by_the_Berlin_Painter_Deciphering_Ancient_Ceramic_Firing_Conditions_through_High_Resolution_Material_Characterization_and_Replication_Journal_of_Analytical_Atomic_Spectroscopy_2015_30_666_676">- with Cianchetta, I., et al., "Evidence for an Unorthodox Firing Sequence Employed by the Berlin Painter: Deciphering Ancient Ceramic Firing Conditions through High-Resolution Material Characterization and Replication", Journal of Analytical Atomic Spectroscopy 2015, 30, 666-676.</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">XANES spectroscopy was used to complement the results previously obtained with Raman spectroscopy...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">XANES spectroscopy was used to complement the results previously obtained with Raman spectroscopy by the same group to determine the firing conditions used in the production of a single vessel painted by the Berlin Painter in the 5th century B.C. The vessel, part of the collection of the J. Paul Getty Museum, presents a complicated layered architecture of black and red gloss, with different stratigraphy present on the interior and exterior surfaces. The study of two samples, one each from the interior and exterior surface of the vessel, was performed with the complementary analytical techniques of X-ray nano- and micro-spectroscopy (X-ray fluorescence spectroscopy (XRF) and full-field transmission X-ray micro-spectroscopy (FF-XANES) across the Fe K edge), and supported by a replication study. The replicates, made in a laboratory furnace providing complete control over the firing temperature and oxygen partial pressure, provided a paradigm for the comparison of the minerals and phases observed in the ancient samples, which led to a deeper understanding of the firing conditions necessary for the production of the Berlin Painter vessel. Our results confirm the necessity of multiple firings and painting applications to obtain the Berlin Painter’s architecture and provide a further example of the multiplicity of techniques and practices employed by the potters of the Kerameikos in ancient Athens.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0f65935465f023677c3dd665710bf17a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":38132421,"asset_id":9719570,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/38132421/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="9719570"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="9719570"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9719570; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="8565302"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/8565302/Making_Sense_of_Nonsense_Inscriptions_Associated_with_Amazons_and_Scythians_on_Athenian_Vases"><img alt="Research paper thumbnail of Making Sense of Nonsense Inscriptions Associated with Amazons and Scythians on Athenian Vases" class="work-thumbnail" src="https://attachments.academia-assets.com/34937180/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/8565302/Making_Sense_of_Nonsense_Inscriptions_Associated_with_Amazons_and_Scythians_on_Athenian_Vases">Making Sense of Nonsense Inscriptions Associated with Amazons and Scythians on Athenian Vases</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://mcmaster.academia.edu/JohnColartusso">John Colarusso</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://stanford.academia.edu/AdrienneMayor">Adrienne Mayor</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://getty.academia.edu/DavidSaunders">David Saunders</a></span></div><div class="wp-workCard_item"><span>Hesperia 83.3 (2014)</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">More than 1,500 “nonsense” inscriptions appear on ancient Athenian vases. We ask whether some of ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">More than 1,500 “nonsense” inscriptions appear on ancient Athenian vases. We ask whether some of those inscriptions associated with depictions of Scythians and Amazons might represent meaningful sounds in foreign languages spoken in the Black Sea and Caucasus region. Analysis of the linguistic patterns of nonsense inscriptions on 12 vases of the Late Archaic and Early Classical periods reveals that some can be interpreted as names and other words in ancient forms of Iranian, Abkhazian, Circassian, Ubykh, and Georgian. These inscriptions constitute the earliest written evidence for Caucasian languages, and shed light on questions of Greco-Scythian relations, ethnicity, literacy, bilingualism, and iconography.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c2e7c3f3fd480a35657488925d03a75a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":34937180,"asset_id":8565302,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/34937180/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8565302"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8565302"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8565302; 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In John H. Oakley (ed.), Athenian Potters and Painters III (Oxford: Oxbow Books, 2014), 187-196." class="work-thumbnail" src="https://attachments.academia-assets.com/35247995/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/8332991/_An_Amazonomachy_Attributed_to_the_Syleus_Painter_In_John_H_Oakley_ed_Athenian_Potters_and_Painters_III_Oxford_Oxbow_Books_2014_187_196">"An Amazonomachy Attributed to the Syleus Painter." In John H. 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Decorated wi...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Ancient Greek pottery survives in huge quantities, filling museums around the world. Decorated with scenes of gods, mythical heroes, and ritual activity, these vessels reveal how the Greeks visualized their myths and society. They also hold valuable insights about their manufacture.<br /><br /><a href="https://artsandculture.google.com/story/from-fire-to-wine-ancient-greek-pottery-the-j-paul-getty-museum/dgXRNwnaXjXGIA?hl=en" rel="nofollow">https://artsandculture.google.com/story/from-fire-to-wine-ancient-greek-pottery-the-j-paul-getty-museum/dgXRNwnaXjXGIA?hl=en</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125897327"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125897327"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125897327; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=125897327]").text(description); $(".js-view-count[data-work-id=125897327]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 125897327; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='125897327']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=125897327]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125897327,"title":"From Fire to Wine: Ancient Greek Pottery","internal_url":"https://www.academia.edu/125897327/From_Fire_to_Wine_Ancient_Greek_Pottery","owner_id":3330609,"coauthors_can_edit":true,"owner":{"id":3330609,"first_name":"David","middle_initials":null,"last_name":"Saunders","page_name":"DavidSaunders","domain_name":"getty","created_at":"2013-02-13T13:56:37.040-08:00","display_name":"David Saunders","url":"https://getty.academia.edu/DavidSaunders"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="386891" id="blogposts"><div class="js-work-strip profile--work_container" data-work-id="44843535"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/44843535/with_Gaither_P_McAtee_E_and_Lapatin_K_Rethinking_Descriptions_of_Black_Africans_in_Greek_Etruscan_and_Roman_Art_"><img alt="Research paper thumbnail of with Gaither, P., McAtee, E. and Lapatin, K. 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A number of high-pro le case...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">e collecting of antiquities has transformed over the last een years. A number of high-pro le cases have led to major changes in museum practice, and close attention has justi ably been paid to the revision of acquisition policies. Less frequently discussed, however, is how museums should work with objects that are in their care, but were not acquired under today's standards. Concurrently, the explosion of digital resources has transformed the ways in which museums present their collections and the information that users seek. Online databases are vital platforms for enabling access, and at the Getty, we are undertaking to present all aspects of our collections online. In the Antiquities department, provenance research is a key focus, and as our project has evolved, we have corresponded with colleagues at numerous institutions. In many cases, it is striking that the will and interest are there, but that progress has proven di cult without resources and personnel. As such, it has been tremendously exciting to see the CAC project develop, as it o ers a model for tackling a topic that all museums need to address. In connection with the conference, here are some notes on our own methods, experiences, and hopes for the future.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="15e9e23bf0a8f6b826f0ebed012134e2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":50393846,"asset_id":29934891,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/50393846/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="29934891"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="29934891"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 29934891; 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"The pitfalls and possibilities of provenance research: historic collections and the art market in the 20th century." In Carpino, A., d'Angelo, T., Muratov, M. and Saunders, D. (eds.), Collecting and Collectors: From Antiquity to Modernity. SPAA, vol. 4 (Boston, MA: AIA 2018)." class="work-thumbnail" src="https://attachments.academia-assets.com/57851641/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37847738/Barr_Judith_The_pitfalls_and_possibilities_of_provenance_research_historic_collections_and_the_art_market_in_the_20th_century_In_Carpino_A_dAngelo_T_Muratov_M_and_Saunders_D_eds_Collecting_and_Collectors_From_Antiquity_to_Modernity_SPAA_vol_4_Boston_MA_AIA_2018_">Barr, Judith. "The pitfalls and possibilities of provenance research: historic collections and the art market in the 20th century." In Carpino, A., d'Angelo, T., Muratov, M. and Saunders, D. (eds.), Collecting and Collectors: From Antiquity to Modernity. SPAA, vol. 4 (Boston, MA: AIA 2018).</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://getty.academia.edu/JudithBarr">Judith Barr</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://getty.academia.edu/DavidSaunders">David Saunders</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8f36a5b2a2b3736cc3d3b31ef1499481" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57851641,"asset_id":37847738,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57851641/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37847738"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37847738"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37847738; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37847738]").text(description); $(".js-view-count[data-work-id=37847738]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37847738; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37847738']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8f36a5b2a2b3736cc3d3b31ef1499481" } } $('.js-work-strip[data-work-id=37847738]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37847738,"title":"Barr, Judith. \"The pitfalls and possibilities of provenance research: historic collections and the art market in the 20th century.\" In Carpino, A., d'Angelo, T., Muratov, M. and Saunders, D. (eds.), Collecting and Collectors: From Antiquity to Modernity. SPAA, vol. 4 (Boston, MA: AIA 2018).","internal_url":"https://www.academia.edu/37847738/Barr_Judith_The_pitfalls_and_possibilities_of_provenance_research_historic_collections_and_the_art_market_in_the_20th_century_In_Carpino_A_dAngelo_T_Muratov_M_and_Saunders_D_eds_Collecting_and_Collectors_From_Antiquity_to_Modernity_SPAA_vol_4_Boston_MA_AIA_2018_","owner_id":56873351,"coauthors_can_edit":true,"owner":{"id":56873351,"first_name":"Judith","middle_initials":null,"last_name":"Barr","page_name":"JudithBarr","domain_name":"getty","created_at":"2016-11-18T11:52:21.199-08:00","display_name":"Judith Barr","url":"https://getty.academia.edu/JudithBarr"},"attachments":[{"id":57851641,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57851641/thumbnails/1.jpg","file_name":"SPAAAv4_-_Barr_copy.pdf","download_url":"https://www.academia.edu/attachments/57851641/download_file","bulk_download_file_name":"Barr_Judith_The_pitfalls_and_possibiliti.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57851641/SPAAAv4_-_Barr_copy-libre.pdf?1543177875=\u0026response-content-disposition=attachment%3B+filename%3DBarr_Judith_The_pitfalls_and_possibiliti.pdf\u0026Expires=1739826165\u0026Signature=DglYoPlkyhwZefkMsdCgOAEiOVG47QPfNg96I~48dZbHLyvWd5nYcKLEVhXYwHaG3p6Ng1teRbDgXCF41EiKaIKiCeRHKuL0q6OnCTlB1ro8CTFFgoZjNKzTzkvEsg1VpZ8gOfoDrxDNf0D~8HVEzZH4Mf3J3ts8i3dK~fmm9vsawArMpi0xklcqH-LJfgWn1J0jI9ezS8A7mraKalni8f4ukzddQU9Qhd7G8iJ2PCObojQFx1axuRbklezpNopW0qKoe0R8FCdf1G9WFYav2lXE53AENXkb1uaynO0QqbrsAeARW6qSXpSvxhZFmm8tBmQb9YyQ0qDZU-TuLZNDRg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35358504"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35358504/The_Hoard_from_the_City_Site_of_Vani"><img alt="Research paper thumbnail of The Hoard from the City-Site of Vani" class="work-thumbnail" src="https://attachments.academia-assets.com/55218653/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35358504/The_Hoard_from_the_City_Site_of_Vani">The Hoard from the City-Site of Vani</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://georgiannationalmuseum.academia.edu/Ninokalandadze">Nino kalandadze</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://getty.academia.edu/DavidSaunders">David Saunders</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">A hoard containing bronze and iron objects was discovered at the Vani city-site – one of the cent...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">A hoard containing bronze and iron objects was discovered at the Vani city-site – one of the centers of the 8 th-1 st cc. BC Colchis, by the Vani expedition of the Georgian National Museum in 2007. The nature of the hoard is a source of ongoing research and in recent years the Georgian National Museum has collaborated with the Institute for the Study of the Ancient World (ISAW) in New York, the J. Paul Getty Museum and Getty Conservation Institute (Los Angeles), and the Ferdinand Tavadze Institute of Metallurgy (Tbilisi) on the treatment and study of the hoard. The hoard was composed of a bronze bowl, four stands, an incense burner, four lamps, and 10 sets of couch legs, as well as two iron lamp stands, a fire-dog, and dozens of spear-heads and arrowheads. The date of the hoard and the items it contained was determined by means of stratigraphic and radiocarbon methods, as well as through analogy. The hoard seems to have been buried in the middle of the 1 st century BC. Some of the treasure from Vani must belong to the temple inventory, other parts to offerings. Technical study revealed that the lamps were made of lead-tin bronzes with a range of compositions using different lost wax methods; the smaller of two large vessel stands was cast from a leaded bronze, the other stands by casting a tin bronze. The large bowl may have been cast as a general shape and finished by turning; its decorated rim was probably cast and attached separately. Some of the couch parts were made of unleaded tin-bronze, the rest of leaded tin-bronze. Through study of the iron objects, it was estimated that they were manufactured from steel with a low carbon content which has to be received through cold blow process. There is no major difference between the materials. The artifacts were produced by means of free hammering; no traces of thermal treatment were identified. The material is not homogeneous in terms of structure, which is confirmed by microhardness data too. The Vani hoard was also investigated using palynological methods (the Institute of Palaeobiology of the Georgian National Museum). On the grounds of iconographical analysis, it can be proposed that the human busts and elephant heads decorating the bronze six-nozzle lamp correspond to Heracles with a lion skin and Dionysus and his wife Ariadne in the famous mythological scene of Dionysus's expedition in India.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1167be5be5c5506a5acbb88fdfea8608" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55218653,"asset_id":35358504,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55218653/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35358504"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35358504"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35358504; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35358504]").text(description); $(".js-view-count[data-work-id=35358504]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35358504; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35358504']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="9156660"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/9156660/Zn_in_Athenian_Black_Gloss_Ceramic_Slips_A_Trace_Element_Marker_for_Fabrication_Technology"><img alt="Research paper thumbnail of Zn in Athenian Black Gloss Ceramic Slips: A Trace Element Marker for Fabrication Technology" class="work-thumbnail" src="https://attachments.academia-assets.com/35442346/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/9156660/Zn_in_Athenian_Black_Gloss_Ceramic_Slips_A_Trace_Element_Marker_for_Fabrication_Technology">Zn in Athenian Black Gloss Ceramic Slips: A Trace Element Marker for Fabrication Technology</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://getty.academia.edu/DavidSaunders">David Saunders</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://northwestern.academia.edu/MarcWalton">Marc Walton</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/ICianchetta">I. Cianchetta</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/KTrentelman">K. Trentelman</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The black-colored pottery slips produced in Athens from the 6th to 4th centuries B.C., had a cons...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The black-colored pottery slips produced in Athens from the<br />6th to 4th centuries B.C., had a consistent composition<br />achieved through processing and refinement of raw clay. Little<br />direct evidence has been established as to what were these<br />refinement methods. To better understand how the slip material<br />was prepared, the major and trace elemental compositions of<br />19 slips from different ceramic vessels and their corresponding<br />bodies of Athenian red-figure and black-figure vases were<br />determined using laser ablation inductively coupled plasma<br />mass spectrometry (LA-ICPMS). Notably higher Zn concentrations<br />were found in the slips (271–1959 ppm) than in their<br />corresponding body ceramics (<361 ppm). The Zn concentrations<br />in the slips were also found to be above the natural background<br />for typical clay (between 10 and 300 ppm) suggesting<br />an unintentional anthropogenic enrichment of this metal. Based<br />on the abnormally high Zn content of the slip, it is speculated<br />that the clay was treated using vitriol (concentrated acid mine<br />runoff which is rich in Zn), to induce flocculation and remove<br />carbonate mineral phases from the raw material that, if present,<br />would prevent the slip from vitrifying. This same signature<br />of elevated levels of Zn with a corresponding Ce anomaly is<br />also observed for black glosses produced in Corinthian and<br />Etrurian (Italy) workshops indicating that these trace element<br />signatures were imparted to the material by means of shared<br />methods of manufacturing instead of being indicative of a<br />single unique source for this material.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3b740b11aab9374c16b548bcabbd0377" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":35442346,"asset_id":9156660,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/35442346/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="9156660"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="9156660"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 9156660; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=9156660]").text(description); $(".js-view-count[data-work-id=9156660]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 9156660; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='9156660']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3b740b11aab9374c16b548bcabbd0377" } } $('.js-work-strip[data-work-id=9156660]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":9156660,"title":"Zn in Athenian Black Gloss Ceramic Slips: A Trace Element Marker for Fabrication Technology","internal_url":"https://www.academia.edu/9156660/Zn_in_Athenian_Black_Gloss_Ceramic_Slips_A_Trace_Element_Marker_for_Fabrication_Technology","owner_id":10443208,"coauthors_can_edit":true,"owner":{"id":10443208,"first_name":"Marc","middle_initials":null,"last_name":"Walton","page_name":"MarcWalton","domain_name":"northwestern","created_at":"2014-03-24T05:26:55.407-07:00","display_name":"Marc Walton","url":"https://northwestern.academia.edu/MarcWalton"},"attachments":[{"id":35442346,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/35442346/thumbnails/1.jpg","file_name":"JACE_13337_Rev_EV.pdf","download_url":"https://www.academia.edu/attachments/35442346/download_file","bulk_download_file_name":"Zn_in_Athenian_Black_Gloss_Ceramic_Slips.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/35442346/JACE_13337_Rev_EV-libre.pdf?1415265020=\u0026response-content-disposition=attachment%3B+filename%3DZn_in_Athenian_Black_Gloss_Ceramic_Slips.pdf\u0026Expires=1739771654\u0026Signature=cMk~DC~BiSFLWVLQYBSSRDIxL7qYRcjWcyeF8LrXh8RjVjqcEmHMVedFTAJ1W7pbiwqKTe0cSw2enHZE3DoFQ2zFYBrNOw8dV16RCuXmU5Km9cpDbR9yIrBRYMCKoyHh0KF31jiXoELnDwGcPbjMdGFK3gsawCFt-D16QN7T3GJoQKxtMdV1ciMWlL12Zb~wxjpQwpGZaU8on1L40FHjMskS-oitnHWUbizliW92Md8N7kpv4zGmgR4-l2ZR8XWRolbmVJU4Mvy2iunRtkFFfWoSHA2ugu01A~om0x0qE90wJTs3UEt-EWM2mWQkQyZcjDukANkDiS0DyNhNMtOdtw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="22291745"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/22291745/Compositional_Characteristics_of_Athenian_Black_Gloss_Slips_5th_c_BC_"><img alt="Research paper thumbnail of Compositional Characteristics of Athenian Black Gloss Slips (5th c. BC)" class="work-thumbnail" src="https://attachments.academia-assets.com/42936908/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/22291745/Compositional_Characteristics_of_Athenian_Black_Gloss_Slips_5th_c_BC_">Compositional Characteristics of Athenian Black Gloss Slips (5th c. BC)</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://northwestern.academia.edu/MarcWalton">Marc Walton</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://getty.academia.edu/DavidSaunders">David Saunders</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/KTrentelman">K. 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Trentelman</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">The production of Athenian fine ware pottery, produced between the 6th and 4th centuries B.C., re...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">The production of Athenian fine ware pottery, produced between the 6th and 4th centuries B.C., required alternating the high-temperature kiln between oxidative and reductive environments during a single firing to create the iconic red and black decorative scenes. Here, we show that the production of this pottery was even more complex, with vessels subjected to two, or possibly more, firings in the kiln, with applications of slip between each firing. On a representative sherd, we compared three painted black decorative features—relief line, contour line, and background slip. Scanning transmission electron microscopy (STEM) of the slips revealed that the relief line had a more melted microstructure than either the contour line or background slip. By characterizing the chemistry and micromorphology of the slips, we find that the relief line microstructure could only be produced through a separate firing, at a hotter temperature, than the other two decorative features.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3b349c9734ef42de0d22b13f5ce9063f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":35110353,"asset_id":8755502,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/35110353/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8755502"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8755502"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8755502; 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