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href="#"The_Bonnie_Situation""> <div class="vector-toc-text"> 1.2.3 "The Bonnie Situation" </div> </a> <ul id="toc-"The_Bonnie_Situation"-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> </ul> </li> <li id="toc-Cast" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Cast"> <div class="vector-toc-text"> 2 Cast </div> </a> <ul id="toc-Cast-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Production" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Production"> <div class="vector-toc-text"> 3 Production </div> </a> <button aria-controls="toc-Production-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Production subsection </button> <ul id="toc-Production-sublist" class="vector-toc-list"> <li id="toc-Writing" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Writing"> <div class="vector-toc-text"> 3.1 Writing </div> </a> <ul id="toc-Writing-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Financing" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Financing"> <div class="vector-toc-text"> 3.2 Financing </div> </a> <ul id="toc-Financing-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Casting" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Casting"> <div class="vector-toc-text"> 3.3 Casting </div> </a> <ul id="toc-Casting-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Filming" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Filming"> <div class="vector-toc-text"> 3.4 Filming </div> </a> <ul id="toc-Filming-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Music" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Music"> <div class="vector-toc-text"> 4 Music </div> </a> <ul id="toc-Music-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Release_and_reception" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Release_and_reception"> <div class="vector-toc-text"> 5 Release and reception </div> </a> <button aria-controls="toc-Release_and_reception-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Release and reception subsection </button> <ul id="toc-Release_and_reception-sublist" class="vector-toc-list"> <li id="toc-Release_and_box_office" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Release_and_box_office"> <div class="vector-toc-text"> 5.1 Release and box office </div> </a> <ul id="toc-Release_and_box_office-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Critical_response" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Critical_response"> <div class="vector-toc-text"> 5.2 Critical response </div> </a> <ul id="toc-Critical_response-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Awards_season" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Awards_season"> <div class="vector-toc-text"> 5.3 Awards season </div> </a> <ul id="toc-Awards_season-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Legacy_and_influence" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Legacy_and_influence"> <div class="vector-toc-text"> 6 Legacy and influence </div> </a> <ul id="toc-Legacy_and_influence-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Critical_analysis" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Critical_analysis"> <div class="vector-toc-text"> 7 Critical analysis </div> </a> <button aria-controls="toc-Critical_analysis-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Critical analysis subsection </button> <ul id="toc-Critical_analysis-sublist" class="vector-toc-list"> <li id="toc-Homage_as_essence" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Homage_as_essence"> <div class="vector-toc-text"> 7.1 Homage as essence </div> </a> <ul id="toc-Homage_as_essence-sublist" class="vector-toc-list"> <li id="toc-Cinema" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Cinema"> <div class="vector-toc-text"> 7.1.1 Cinema </div> </a> <ul id="toc-Cinema-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Television" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Television"> <div class="vector-toc-text"> 7.1.2 Television </div> </a> <ul id="toc-Television-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Notable_motifs" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Notable_motifs"> <div class="vector-toc-text"> 7.2 Notable motifs </div> </a> <ul id="toc-Notable_motifs-sublist" class="vector-toc-list"> <li id="toc-The_mysterious_666_briefcase" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#The_mysterious_666_briefcase"> <div class="vector-toc-text"> 7.2.1 The mysterious 666 briefcase </div> </a> <ul id="toc-The_mysterious_666_briefcase-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Jules'_Bible_passage" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Jules'_Bible_passage"> <div class="vector-toc-text"> 7.2.2 Jules' Bible passage </div> </a> <ul id="toc-Jules'_Bible_passage-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-The_bathroom" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#The_bathroom"> <div class="vector-toc-text"> 7.2.3 The bathroom </div> </a> <ul id="toc-The_bathroom-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> </ul> </li> <li id="toc-Accolades" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Accolades"> <div class="vector-toc-text"> 8 Accolades </div> </a> <ul id="toc-Accolades-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-NFT_dispute" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#NFT_dispute"> <div class="vector-toc-text"> 9 NFT dispute </div> </a> <ul id="toc-NFT_dispute-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-See_also" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#See_also"> <div class="vector-toc-text"> 10 See also </div> </a> <ul id="toc-See_also-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Notes" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Notes"> <div class="vector-toc-text"> 11 Notes </div> </a> <ul id="toc-Notes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> 12 References </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Bibliography" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Bibliography"> <div class="vector-toc-text"> 13 Bibliography </div> </a> <ul id="toc-Bibliography-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> 14 External links </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" title="Table of Contents" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" > Toggle the table of contents </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading">Pulp Fiction</h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. Available in 81 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-81" aria-hidden="true" > 81 languages </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-af mw-list-item"><a href="https://af.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Afrikaans" lang="af" hreflang="af" data-title="Pulp Fiction" data-language-autonym="Afrikaans" data-language-local-name="Afrikaans" class="interlanguage-link-target">Afrikaans</a></li><li class="interlanguage-link interwiki-smn mw-list-item"><a href="https://smn.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Inari Sami" lang="smn" hreflang="smn" data-title="Pulp Fiction" data-language-autonym="Anarâškielâ" data-language-local-name="Inari Sami" class="interlanguage-link-target">Anarâškielâ</a></li><li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D8%AE%D9%8A%D8%A7%D9%84_%D8%B1%D8%AE%D9%8A%D8%B5" title="خيال رخيص – Arabic" lang="ar" hreflang="ar" data-title="خيال رخيص" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target">العربية</a></li><li class="interlanguage-link interwiki-an mw-list-item"><a href="https://an.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Aragonese" lang="an" hreflang="an" data-title="Pulp Fiction" data-language-autonym="Aragonés" data-language-local-name="Aragonese" class="interlanguage-link-target">Aragonés</a></li><li class="interlanguage-link interwiki-ast mw-list-item"><a href="https://ast.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Asturian" lang="ast" hreflang="ast" data-title="Pulp Fiction" data-language-autonym="Asturianu" data-language-local-name="Asturian" class="interlanguage-link-target">Asturianu</a></li><li class="interlanguage-link interwiki-az mw-list-item"><a href="https://az.wikipedia.org/wiki/Kriminal_qira%C9%99t" title="Kriminal qiraət – Azerbaijani" lang="az" hreflang="az" data-title="Kriminal qiraət" data-language-autonym="Azərbaycanca" data-language-local-name="Azerbaijani" class="interlanguage-link-target">Azərbaycanca</a></li><li class="interlanguage-link interwiki-azb mw-list-item"><a href="https://azb.wikipedia.org/wiki/%D8%A7%D9%88%D8%AC%D9%88%D8%B2_%D8%B1%D9%88%D9%85%D8%A7%D9%86" title="اوجوز رومان – South Azerbaijani" lang="azb" hreflang="azb" data-title="اوجوز رومان" data-language-autonym="تۆرکجه" data-language-local-name="South Azerbaijani" class="interlanguage-link-target">تۆرکجه</a></li><li class="interlanguage-link interwiki-bn mw-list-item"><a href="https://bn.wikipedia.org/wiki/%E0%A6%AA%E0%A6%BE%E0%A6%B2%E0%A7%8D%E0%A6%AA_%E0%A6%AB%E0%A6%BF%E0%A6%95%E0%A6%B6%E0%A6%A8" title="পাল্প ফিকশন – Bangla" lang="bn" hreflang="bn" data-title="পাল্প ফিকশন" data-language-autonym="বাংলা" data-language-local-name="Bangla" class="interlanguage-link-target">বাংলা</a></li><li class="interlanguage-link interwiki-be mw-list-item"><a href="https://be.wikipedia.org/wiki/%D0%9A%D1%80%D1%8B%D0%BC%D1%96%D0%BD%D0%B0%D0%BB%D1%8C%D0%BD%D0%B0%D0%B5_%D1%87%D1%8B%D1%82%D0%B2%D0%BE" title="Крымінальнае чытво – Belarusian" lang="be" hreflang="be" data-title="Крымінальнае чытво" data-language-autonym="Беларуская" data-language-local-name="Belarusian" class="interlanguage-link-target">Беларуская</a></li><li class="interlanguage-link interwiki-be-x-old mw-list-item"><a href="https://be-tarask.wikipedia.org/wiki/%D0%9A%D1%80%D1%8B%D0%BC%D1%96%D0%BD%D0%B0%D0%BB%D1%8C%D0%BD%D0%B0%D0%B5_%D1%87%D1%8B%D1%82%D0%B2%D0%BE" title="Крымінальнае чытво – Belarusian (Taraškievica orthography)" lang="be-tarask" hreflang="be-tarask" data-title="Крымінальнае чытво" data-language-autonym="Беларуская (тарашкевіца)" data-language-local-name="Belarusian (Taraškievica orthography)" class="interlanguage-link-target">Беларуская (тарашкевіца)</a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/%D0%9A%D1%80%D0%B8%D0%BC%D0%B8%D0%BD%D0%B0%D0%BB%D0%B5_(%D1%84%D0%B8%D0%BB%D0%BC)" title="Криминале (филм) – Bulgarian" lang="bg" hreflang="bg" data-title="Криминале (филм)" data-language-autonym="Български" data-language-local-name="Bulgarian" class="interlanguage-link-target">Български</a></li><li class="interlanguage-link interwiki-bs badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://bs.wikipedia.org/wiki/Pakleni_%C5%A1und" title="Pakleni šund – Bosnian" lang="bs" hreflang="bs" data-title="Pakleni šund" data-language-autonym="Bosanski" data-language-local-name="Bosnian" class="interlanguage-link-target">Bosanski</a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Catalan" lang="ca" hreflang="ca" data-title="Pulp Fiction" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target">Català</a></li><li class="interlanguage-link interwiki-cv mw-list-item"><a href="https://cv.wikipedia.org/wiki/%D0%9A%D1%80%D0%B8%D0%BC%D0%B8%D0%BD%D0%B0%D0%BB%D0%BB%D0%B0_%D0%B2%D1%83%D0%BB%D0%B0%D0%B2%D0%BA%D0%BA%D0%B0" title="Криминалла вулавкка – Chuvash" lang="cv" hreflang="cv" data-title="Криминалла вулавкка" data-language-autonym="Чӑвашла" data-language-local-name="Chuvash" class="interlanguage-link-target">Чӑвашла</a></li><li class="interlanguage-link interwiki-ceb mw-list-item"><a href="https://ceb.wikipedia.org/wiki/Pulp_Fiction_(pelikula)" title="Pulp Fiction (pelikula) – Cebuano" lang="ceb" hreflang="ceb" data-title="Pulp Fiction (pelikula)" data-language-autonym="Cebuano" data-language-local-name="Cebuano" class="interlanguage-link-target">Cebuano</a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Pulp_Fiction:_Historky_z_podsv%C4%9Bt%C3%AD" title="Pulp Fiction: Historky z podsvětí – Czech" lang="cs" hreflang="cs" data-title="Pulp Fiction: Historky z podsvětí" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target">Čeština</a></li><li class="interlanguage-link interwiki-cy mw-list-item"><a href="https://cy.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Welsh" lang="cy" hreflang="cy" data-title="Pulp Fiction" data-language-autonym="Cymraeg" data-language-local-name="Welsh" class="interlanguage-link-target">Cymraeg</a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Danish" lang="da" hreflang="da" data-title="Pulp Fiction" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target">Dansk</a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – German" lang="de" hreflang="de" data-title="Pulp Fiction" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target">Deutsch</a></li><li class="interlanguage-link interwiki-et mw-list-item"><a href="https://et.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Estonian" lang="et" hreflang="et" data-title="Pulp Fiction" data-language-autonym="Eesti" data-language-local-name="Estonian" class="interlanguage-link-target">Eesti</a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Greek" lang="el" hreflang="el" data-title="Pulp Fiction" data-language-autonym="Ελληνικά" data-language-local-name="Greek" class="interlanguage-link-target">Ελληνικά</a></li><li class="interlanguage-link interwiki-eml mw-list-item"><a href="https://eml.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Emiliano-Romagnolo" lang="egl" hreflang="egl" data-title="Pulp Fiction" data-language-autonym="Emiliàn e rumagnòl" data-language-local-name="Emiliano-Romagnolo" class="interlanguage-link-target">Emiliàn e rumagnòl</a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Spanish" lang="es" hreflang="es" data-title="Pulp Fiction" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target">Español</a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Esperanto" lang="eo" hreflang="eo" data-title="Pulp Fiction" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target">Esperanto</a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Basque" lang="eu" hreflang="eu" data-title="Pulp Fiction" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target">Euskara</a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D8%AF%D8%A7%D8%B3%D8%AA%D8%A7%D9%86_%D8%B9%D8%A7%D9%85%D9%87%E2%80%8C%D9%BE%D8%B3%D9%86%D8%AF" title="داستان عامه‌پسند – Persian" lang="fa" hreflang="fa" data-title="داستان عامه‌پسند" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target">فارسی</a></li><li class="interlanguage-link interwiki-fr badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://fr.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – French" lang="fr" hreflang="fr" data-title="Pulp Fiction" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target">Français</a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Galician" lang="gl" hreflang="gl" data-title="Pulp Fiction" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target">Galego</a></li><li class="interlanguage-link interwiki-gu mw-list-item"><a href="https://gu.wikipedia.org/wiki/%E0%AA%AA%E0%AA%B2%E0%AB%8D%E2%80%8D%E0%AA%AA_%E0%AA%AB%E0%AA%BF%E0%AA%95%E0%AB%8D%E0%AA%B6%E0%AA%A8_(%E0%AA%AB%E0%AA%BF%E0%AA%B2%E0%AB%8D%E2%80%8D%E0%AA%AE)" title="પલ્‍પ ફિક્શન (ફિલ્‍મ) – Gujarati" lang="gu" hreflang="gu" data-title="પલ્‍પ ફિક્શન (ફિલ્‍મ)" data-language-autonym="ગુજરાતી" data-language-local-name="Gujarati" class="interlanguage-link-target">ગુજરાતી</a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%ED%8E%84%ED%94%84_%ED%94%BD%EC%85%98" title="펄프 픽션 – Korean" lang="ko" hreflang="ko" data-title="펄프 픽션" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target">한국어</a></li><li class="interlanguage-link interwiki-hy mw-list-item"><a href="https://hy.wikipedia.org/wiki/%D5%94%D6%80%D5%A5%D5%A1%D5%AF%D5%A1%D5%B6_%D5%A8%D5%B6%D5%A9%D5%A5%D6%80%D6%81%D5%BE%D5%A1%D5%AE%D6%84" title="Քրեական ընթերցվածք – Armenian" lang="hy" hreflang="hy" data-title="Քրեական ընթերցվածք" data-language-autonym="Հայերեն" data-language-local-name="Armenian" class="interlanguage-link-target">Հայերեն</a></li><li class="interlanguage-link interwiki-hi mw-list-item"><a href="https://hi.wikipedia.org/wiki/%E0%A4%AA%E0%A4%B2%E0%A5%8D%E0%A4%AA_%E0%A4%AB%E0%A4%BF%E0%A4%95%E0%A5%8D%E0%A4%B6%E0%A4%A8_(%E0%A4%AB%E0%A4%BF%E0%A4%B2%E0%A5%8D%E0%A4%AE)" title="पल्प फिक्शन (फिल्म) – Hindi" lang="hi" hreflang="hi" data-title="पल्प फिक्शन (फिल्म)" data-language-autonym="हिन्दी" data-language-local-name="Hindi" class="interlanguage-link-target">हिन्दी</a></li><li class="interlanguage-link interwiki-hr badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://hr.wikipedia.org/wiki/Pakleni_%C5%A1und" title="Pakleni šund – Croatian" lang="hr" hreflang="hr" data-title="Pakleni šund" data-language-autonym="Hrvatski" data-language-local-name="Croatian" class="interlanguage-link-target">Hrvatski</a></li><li class="interlanguage-link interwiki-io mw-list-item"><a href="https://io.wikipedia.org/wiki/Paplo-Romano" title="Paplo-Romano – Ido" lang="io" hreflang="io" data-title="Paplo-Romano" data-language-autonym="Ido" data-language-local-name="Ido" class="interlanguage-link-target">Ido</a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Pulp_Fiction_(film)" title="Pulp Fiction (film) – Indonesian" lang="id" hreflang="id" data-title="Pulp Fiction (film)" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target">Bahasa Indonesia</a></li><li class="interlanguage-link interwiki-is mw-list-item"><a href="https://is.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Icelandic" lang="is" hreflang="is" data-title="Pulp Fiction" data-language-autonym="Íslenska" data-language-local-name="Icelandic" class="interlanguage-link-target">Íslenska</a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Italian" lang="it" hreflang="it" data-title="Pulp Fiction" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target">Italiano</a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%A1%D7%A4%D7%A8%D7%95%D7%AA_%D7%96%D7%95%D7%9C%D7%94" title="ספרות זולה – Hebrew" lang="he" hreflang="he" data-title="ספרות זולה" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target">עברית</a></li><li class="interlanguage-link interwiki-kn mw-list-item"><a href="https://kn.wikipedia.org/wiki/%E0%B2%AA%E0%B2%B2%E0%B3%8D%E0%B2%AA%E0%B3%8D_%E0%B2%AB%E0%B2%BF%E0%B2%95%E0%B3%8D%E0%B2%B7%E0%B2%A8%E0%B3%8D_(%E0%B2%9A%E0%B2%B2%E0%B2%A8%E0%B2%9A%E0%B2%BF%E0%B2%A4%E0%B3%8D%E0%B2%B0)" title="ಪಲ್ಪ್ ಫಿಕ್ಷನ್ (ಚಲನಚಿತ್ರ) – Kannada" lang="kn" hreflang="kn" data-title="ಪಲ್ಪ್ ಫಿಕ್ಷನ್ (ಚಲನಚಿತ್ರ)" data-language-autonym="ಕನ್ನಡ" data-language-local-name="Kannada" class="interlanguage-link-target">ಕನ್ನಡ</a></li><li class="interlanguage-link interwiki-ka mw-list-item"><a href="https://ka.wikipedia.org/wiki/%E1%83%9B%E1%83%90%E1%83%99%E1%83%A3%E1%83%9A%E1%83%90%E1%83%A2%E1%83%A3%E1%83%A0%E1%83%90_(%E1%83%A4%E1%83%98%E1%83%9A%E1%83%9B%E1%83%98)" title="მაკულატურა (ფილმი) – Georgian" lang="ka" hreflang="ka" data-title="მაკულატურა (ფილმი)" data-language-autonym="ქართული" data-language-local-name="Georgian" class="interlanguage-link-target">ქართული</a></li><li class="interlanguage-link interwiki-kk mw-list-item"><a href="https://kk.wikipedia.org/wiki/%D2%9A%D0%BE%D0%B9%D1%8B%D1%80%D1%82%D0%BF%D0%B0%D2%9B_%D1%88%D1%8B%D2%93%D0%B0%D1%80%D0%BC%D0%B0" title="Қойыртпақ шығарма – Kazakh" lang="kk" hreflang="kk" data-title="Қойыртпақ шығарма" data-language-autonym="Қазақша" data-language-local-name="Kazakh" class="interlanguage-link-target">Қазақша</a></li><li class="interlanguage-link interwiki-ky mw-list-item"><a href="https://ky.wikipedia.org/wiki/%D0%9A%D1%8B%D0%BB%D0%BC%D1%8B%D1%88_%D0%BE%D0%BA%D1%83%D1%8F%D1%81%D1%8B" title="Кылмыш окуясы – Kyrgyz" lang="ky" hreflang="ky" data-title="Кылмыш окуясы" data-language-autonym="Кыргызча" data-language-local-name="Kyrgyz" class="interlanguage-link-target">Кыргызча</a></li><li class="interlanguage-link interwiki-lv mw-list-item"><a href="https://lv.wikipedia.org/wiki/Lubene" title="Lubene – Latvian" lang="lv" hreflang="lv" data-title="Lubene" data-language-autonym="Latviešu" data-language-local-name="Latvian" class="interlanguage-link-target">Latviešu</a></li><li class="interlanguage-link interwiki-lb mw-list-item"><a href="https://lb.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Luxembourgish" lang="lb" hreflang="lb" data-title="Pulp Fiction" data-language-autonym="Lëtzebuergesch" data-language-local-name="Luxembourgish" class="interlanguage-link-target">Lëtzebuergesch</a></li><li class="interlanguage-link interwiki-lt mw-list-item"><a href="https://lt.wikipedia.org/wiki/Bulvarinis_skaitalas" title="Bulvarinis skaitalas – Lithuanian" lang="lt" hreflang="lt" data-title="Bulvarinis skaitalas" data-language-autonym="Lietuvių" data-language-local-name="Lithuanian" class="interlanguage-link-target">Lietuvių</a></li><li class="interlanguage-link interwiki-li mw-list-item"><a href="https://li.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Limburgish" lang="li" hreflang="li" data-title="Pulp Fiction" data-language-autonym="Limburgs" data-language-local-name="Limburgish" class="interlanguage-link-target">Limburgs</a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/Ponyvareg%C3%A9ny_(film)" title="Ponyvaregény (film) – Hungarian" lang="hu" hreflang="hu" data-title="Ponyvaregény (film)" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target">Magyar</a></li><li class="interlanguage-link interwiki-mk badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://mk.wikipedia.org/wiki/%D0%95%D0%B2%D1%82%D0%B8%D0%BD%D0%B8_%D0%BF%D1%80%D0%B8%D0%BA%D0%B0%D0%B7%D0%BD%D0%B8" title="Евтини приказни – Macedonian" lang="mk" hreflang="mk" data-title="Евтини приказни" data-language-autonym="Македонски" data-language-local-name="Macedonian" class="interlanguage-link-target">Македонски</a></li><li class="interlanguage-link interwiki-ml mw-list-item"><a href="https://ml.wikipedia.org/wiki/%E0%B4%AA%E0%B5%BE%E0%B4%AA%E0%B5%8D%E0%B4%AA%E0%B5%8D_%E0%B4%AB%E0%B4%BF%E0%B4%95%E0%B5%8D%E0%B4%B7%E0%B5%BB" title="പൾപ്പ് ഫിക്ഷൻ – Malayalam" lang="ml" hreflang="ml" data-title="പൾപ്പ് ഫിക്ഷൻ" data-language-autonym="മലയാളം" data-language-local-name="Malayalam" class="interlanguage-link-target">മലയാളം</a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D8%AE%D9%8A%D8%A7%D9%84_%D8%B1%D8%AE%D9%8A%D8%B5" title="خيال رخيص – Egyptian Arabic" lang="arz" hreflang="arz" data-title="خيال رخيص" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target">مصرى</a></li><li class="interlanguage-link interwiki-ms mw-list-item"><a href="https://ms.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Malay" lang="ms" hreflang="ms" data-title="Pulp Fiction" data-language-autonym="Bahasa Melayu" data-language-local-name="Malay" class="interlanguage-link-target">Bahasa Melayu</a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Dutch" lang="nl" hreflang="nl" data-title="Pulp Fiction" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target">Nederlands</a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%83%91%E3%83%AB%E3%83%97%E3%83%BB%E3%83%95%E3%82%A3%E3%82%AF%E3%82%B7%E3%83%A7%E3%83%B3" title="パルプ・フィクション – Japanese" lang="ja" hreflang="ja" data-title="パルプ・フィクション" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target">日本語</a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Pulp Fiction" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target">Norsk bokmål</a></li><li class="interlanguage-link interwiki-nn mw-list-item"><a href="https://nn.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Norwegian Nynorsk" lang="nn" hreflang="nn" data-title="Pulp Fiction" data-language-autonym="Norsk nynorsk" data-language-local-name="Norwegian Nynorsk" class="interlanguage-link-target">Norsk nynorsk</a></li><li class="interlanguage-link interwiki-uz mw-list-item"><a href="https://uz.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Uzbek" lang="uz" hreflang="uz" data-title="Pulp Fiction" data-language-autonym="Oʻzbekcha / ўзбекча" data-language-local-name="Uzbek" class="interlanguage-link-target">Oʻzbekcha / ўзбекча</a></li><li class="interlanguage-link interwiki-nds mw-list-item"><a href="https://nds.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Low German" lang="nds" hreflang="nds" data-title="Pulp Fiction" data-language-autonym="Plattdüütsch" data-language-local-name="Low German" class="interlanguage-link-target">Plattdüütsch</a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Polish" lang="pl" hreflang="pl" data-title="Pulp Fiction" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target">Polski</a></li><li class="interlanguage-link interwiki-pt badge-Q17437798 badge-goodarticle mw-list-item" title="good article badge"><a href="https://pt.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Portuguese" lang="pt" hreflang="pt" data-title="Pulp Fiction" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target">Português</a></li><li class="interlanguage-link interwiki-crh mw-list-item"><a href="https://crh.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Crimean Tatar" lang="crh" hreflang="crh" data-title="Pulp Fiction" data-language-autonym="Qırımtatarca" data-language-local-name="Crimean Tatar" class="interlanguage-link-target">Qırımtatarca</a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Romanian" lang="ro" hreflang="ro" data-title="Pulp Fiction" data-language-autonym="Română" data-language-local-name="Romanian" class="interlanguage-link-target">Română</a></li><li class="interlanguage-link interwiki-rm mw-list-item"><a href="https://rm.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Romansh" lang="rm" hreflang="rm" data-title="Pulp Fiction" data-language-autonym="Rumantsch" data-language-local-name="Romansh" class="interlanguage-link-target">Rumantsch</a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%9A%D1%80%D0%B8%D0%BC%D0%B8%D0%BD%D0%B0%D0%BB%D1%8C%D0%BD%D0%BE%D0%B5_%D1%87%D1%82%D0%B8%D0%B2%D0%BE" title="Криминальное чтиво – Russian" lang="ru" hreflang="ru" data-title="Криминальное чтиво" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target">Русский</a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Simple English" lang="en-simple" hreflang="en-simple" data-title="Pulp Fiction" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target">Simple English</a></li><li class="interlanguage-link interwiki-sk mw-list-item"><a href="https://sk.wikipedia.org/wiki/Pulp_Fiction:_Historky_z_podsvetia" title="Pulp Fiction: Historky z podsvetia – Slovak" lang="sk" hreflang="sk" data-title="Pulp Fiction: Historky z podsvetia" data-language-autonym="Slovenčina" data-language-local-name="Slovak" class="interlanguage-link-target">Slovenčina</a></li><li class="interlanguage-link interwiki-sl mw-list-item"><a href="https://sl.wikipedia.org/wiki/%C5%A0und_(film)" title="Šund (film) – Slovenian" lang="sl" hreflang="sl" data-title="Šund (film)" data-language-autonym="Slovenščina" data-language-local-name="Slovenian" class="interlanguage-link-target">Slovenščina</a></li><li class="interlanguage-link interwiki-szl mw-list-item"><a href="https://szl.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Silesian" lang="szl" hreflang="szl" data-title="Pulp Fiction" data-language-autonym="Ślůnski" data-language-local-name="Silesian" class="interlanguage-link-target">Ślůnski</a></li><li class="interlanguage-link interwiki-ckb mw-list-item"><a href="https://ckb.wikipedia.org/wiki/%D9%88%DB%8E%DA%98%DB%95%DB%8C_%D9%BE%DB%95%DA%B5%D9%BE" title="وێژەی پەڵپ – Central Kurdish" lang="ckb" hreflang="ckb" data-title="وێژەی پەڵپ" data-language-autonym="کوردی" data-language-local-name="Central Kurdish" class="interlanguage-link-target">کوردی</a></li><li class="interlanguage-link interwiki-sr mw-list-item"><a href="https://sr.wikipedia.org/wiki/%D0%9F%D0%B5%D1%82%D0%BF%D0%B0%D1%80%D0%B0%D1%87%D0%BA%D0%B5_%D0%BF%D1%80%D0%B8%D1%87%D0%B5" title="Петпарачке приче – Serbian" lang="sr" hreflang="sr" data-title="Петпарачке приче" data-language-autonym="Српски / srpski" data-language-local-name="Serbian" class="interlanguage-link-target">Српски / srpski</a></li><li class="interlanguage-link interwiki-sh mw-list-item"><a href="https://sh.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Serbo-Croatian" lang="sh" hreflang="sh" data-title="Pulp Fiction" data-language-autonym="Srpskohrvatski / српскохрватски" data-language-local-name="Serbo-Croatian" class="interlanguage-link-target">Srpskohrvatski / српскохрватски</a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/Pulp_Fiction_%E2%80%93_Tarinoita_v%C3%A4kivallasta" title="Pulp Fiction – Tarinoita väkivallasta – Finnish" lang="fi" hreflang="fi" data-title="Pulp Fiction – Tarinoita väkivallasta" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target">Suomi</a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Pulp_Fiction" title="Pulp Fiction – Swedish" lang="sv" hreflang="sv" data-title="Pulp Fiction" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target">Svenska</a></li><li class="interlanguage-link interwiki-ta mw-list-item"><a href="https://ta.wikipedia.org/wiki/%E0%AE%AA%E0%AE%B2%E0%AF%8D%E0%AE%AA%E0%AF%8D_%E0%AE%83%E0%AE%AA%E0%AE%BF%E0%AE%95%E0%AF%8D%E0%AE%9A%E0%AE%A9%E0%AF%8D" title="பல்ப் ஃபிக்சன் – Tamil" lang="ta" hreflang="ta" data-title="பல்ப் ஃபிக்சன்" data-language-autonym="தமிழ்" data-language-local-name="Tamil" class="interlanguage-link-target">தமிழ்</a></li><li class="interlanguage-link interwiki-te mw-list-item"><a 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id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">1994 crime film by Quentin Tarantino</div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">This article is about the film. For other uses, see <a href="/wiki/Pulp_fiction_(disambiguation)" class="mw-redirect mw-disambig" title="Pulp fiction (disambiguation)">Pulp fiction</a>.</div> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vevent"><tbody><tr><th colspan="2" class="infobox-above summary" style="font-size: 125%; font-style: italic;">Pulp Fiction</th></tr><tr><td colspan="2" class="infobox-image"><a href="/wiki/File:Pulp_Fiction_(1994)_poster.jpg" class="mw-file-description" title="A pulp-magazine themed poster shows with a woman in a bedroom lying on her stomach in a bed holding a cigarette. Her left hands lays over a novel that reads "Pulp Fiction" on it. An ash tray, pack of cigarettes, and a pistol is laid down near her. The top tagline reads "WINNER - BEST PICTURE - 1994 CANNES FILM FESTIVAL". A sticker below the title reads "10¢"."><img alt="A pulp-magazine themed poster shows with a woman in a bedroom lying on her stomach in a bed holding a cigarette. Her left hands lays over a novel that reads "Pulp Fiction" on it. An ash tray, pack of cigarettes, and a pistol is laid down near her. The top tagline reads "WINNER - BEST PICTURE - 1994 CANNES FILM FESTIVAL". A sticker below the title reads "10¢"." src="//upload.wikimedia.org/wikipedia/en/thumb/3/3b/Pulp_Fiction_%281994%29_poster.jpg/220px-Pulp_Fiction_%281994%29_poster.jpg" decoding="async" width="220" height="320" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/3/3b/Pulp_Fiction_%281994%29_poster.jpg 1.5x" data-file-width="248" data-file-height="361" /></a><div class="infobox-caption">Theatrical release poster</div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Directed by</th><td class="infobox-data"><a href="/wiki/Quentin_Tarantino" title="Quentin Tarantino">Quentin Tarantino</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Written by</th><td class="infobox-data">Quentin Tarantino</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Story by</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist"> <ul><li>Quentin Tarantino</li> <li><a href="/wiki/Roger_Avary" title="Roger Avary">Roger Avary</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Produced by</th><td class="infobox-data"><a href="/wiki/Lawrence_Bender" title="Lawrence Bender">Lawrence Bender</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Starring</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"> <ul><li><a href="/wiki/John_Travolta" title="John Travolta">John Travolta</a></li> <li><a href="/wiki/Samuel_L._Jackson" title="Samuel L. Jackson">Samuel L. Jackson</a></li> <li><a href="/wiki/Uma_Thurman" title="Uma Thurman">Uma Thurman</a></li> <li><a href="/wiki/Harvey_Keitel" title="Harvey Keitel">Harvey Keitel</a></li> <li><a href="/wiki/Tim_Roth" title="Tim Roth">Tim Roth</a></li> <li><a href="/wiki/Amanda_Plummer" title="Amanda Plummer">Amanda Plummer</a></li> <li><a href="/wiki/Maria_de_Medeiros" title="Maria de Medeiros">Maria de Medeiros</a></li> <li><a href="/wiki/Ving_Rhames" title="Ving Rhames">Ving Rhames</a></li> <li><a href="/wiki/Eric_Stoltz" title="Eric Stoltz">Eric Stoltz</a></li> <li><a href="/wiki/Rosanna_Arquette" title="Rosanna Arquette">Rosanna Arquette</a></li> <li><a href="/wiki/Christopher_Walken" title="Christopher Walken">Christopher Walken</a></li> <li><a href="/wiki/Bruce_Willis" title="Bruce Willis">Bruce Willis</a></li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Cinematography</th><td class="infobox-data"><a href="/wiki/Andrzej_Seku%C5%82a" title="Andrzej Sekuła">Andrzej Sekuła</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Edited by</th><td class="infobox-data"><a href="/wiki/Sally_Menke" title="Sally Menke">Sally Menke</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;">Production companies</div></th><td class="infobox-data"><div style="vertical-align: middle;"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist"> <ul><li><a href="/wiki/A_Band_Apart" title="A Band Apart">A Band Apart</a></li> <li><a href="/wiki/Jersey_Films" class="mw-redirect" title="Jersey Films">Jersey Films</a></li></ul> </div></div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Distributed by</th><td class="infobox-data"><a href="/wiki/Miramax_Films" class="mw-redirect" title="Miramax Films">Miramax Films</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0; white-space: normal;">Release dates</div></th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"><div class="plainlist film-date"> <ul><li>May 21, 1994 (1994-05-21) (<a href="/wiki/1994_Cannes_Film_Festival" title="1994 Cannes Film Festival">Cannes</a>)</li> <li>October 14, 1994 (1994-10-14) (United States)</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0; white-space: normal;">Running time</div></th><td class="infobox-data">154 minutes<a href="#cite_note-1">[1]</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Country</th><td class="infobox-data">United States</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Language</th><td class="infobox-data">English</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Budget</th><td class="infobox-data">$8–8.5 million<a href="#cite_note-Mojo-2">[2]</a><a href="#cite_note-8.5_Budget-3">[a]</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Box office</th><td class="infobox-data">$213.9 million<a href="#cite_note-Mojo-2">[2]</a></td></tr></tbody></table> Pulp Fiction is a 1994 American <a href="/wiki/Independent_film" title="Independent film">independent</a> <a href="/wiki/Crime_film" title="Crime film">crime film</a> written and directed by <a href="/wiki/Quentin_Tarantino" title="Quentin Tarantino">Quentin Tarantino</a> from a story he conceived with <a href="/wiki/Roger_Avary" title="Roger Avary">Roger Avary</a>.<a href="#cite_note-washingtonpost.com-4">[3]</a> It tells four intertwining tales of crime and violence in <a href="/wiki/Los_Angeles" title="Los Angeles">Los Angeles</a>. The film stars <a href="/wiki/John_Travolta" title="John Travolta">John Travolta</a>, <a href="/wiki/Samuel_L._Jackson" title="Samuel L. Jackson">Samuel L. Jackson</a>, <a href="/wiki/Bruce_Willis" title="Bruce Willis">Bruce Willis</a>, <a href="/wiki/Tim_Roth" title="Tim Roth">Tim Roth</a>, <a href="/wiki/Ving_Rhames" title="Ving Rhames">Ving Rhames</a>, and <a href="/wiki/Uma_Thurman" title="Uma Thurman">Uma Thurman</a>. The title refers to the <a href="/wiki/Pulp_magazine" title="Pulp magazine">pulp magazines</a> and <a href="/wiki/Hardboiled" title="Hardboiled">hardboiled</a> crime novels popular during the mid-20th century, known for their graphic violence and punchy dialogue. Tarantino wrote Pulp Fiction in 1992 and 1993, incorporating scenes that Avary originally wrote for <a href="/wiki/True_Romance" title="True Romance">True Romance</a> (1993). Its plot occurs <a href="/wiki/Nonlinear_narrative" title="Nonlinear narrative">out of chronological order</a>. The film is also <a href="/wiki/Self-reference" title="Self-reference">self-referential</a> from its opening moments, beginning with a <a href="/wiki/Intertitle" title="Intertitle">title card</a> that gives two dictionary definitions of "pulp". Considerable screen time is devoted to monologues and casual conversations with eclectic dialogue revealing each character's perspectives on several subjects, and the film features an <a href="/wiki/Irony" title="Irony">ironic</a> combination of humor and strong violence. <a href="/wiki/TriStar_Pictures" title="TriStar Pictures">TriStar Pictures</a> reportedly turned down the script as "too demented". <a href="/wiki/Miramax" title="Miramax">Miramax Films</a> co-chairman <a href="/wiki/Harvey_Weinstein" title="Harvey Weinstein">Harvey Weinstein</a> was enthralled, however, and the film became the first that Miramax Films fully financed. Pulp Fiction won the <a href="/wiki/Palme_d%27Or" title="Palme d'Or">Palme d'Or</a> at the <a href="/wiki/1994_Cannes_Film_Festival" title="1994 Cannes Film Festival">1994 Cannes Film Festival</a> and was a major critical and commercial success. It was nominated for seven awards at the <a href="/wiki/67th_Academy_Awards" title="67th Academy Awards">67th Academy Awards</a>, including <a href="/wiki/Academy_Award_for_Best_Picture" title="Academy Award for Best Picture">Best Picture</a>, and won <a href="/wiki/Academy_Award_for_Best_Original_Screenplay" title="Academy Award for Best Original Screenplay">Best Original Screenplay</a>; Travolta, Jackson, and Thurman were nominated for <a href="/wiki/Academy_Award_for_Best_Actor" title="Academy Award for Best Actor">Best Actor</a>, <a href="/wiki/Academy_Award_for_Best_Supporting_Actor" title="Academy Award for Best Supporting Actor">Best Supporting Actor</a>, and <a href="/wiki/Academy_Award_for_Best_Supporting_Actress" title="Academy Award for Best Supporting Actress">Best Supporting Actress</a> respectively. As a result of the film's success, Travolta's career was reinvigorated. The film's development, marketing, distribution, and profitability had a sweeping effect on independent cinema. Pulp Fiction is widely regarded as Tarantino's <a href="/wiki/Magnum_opus" class="mw-redirect" title="Magnum opus">magnum opus</a>, with particular praise for its screenwriting.<a href="#cite_note-5">[4]</a> The self-reflexivity, unconventional structure, and extensive <a href="/wiki/Homage_(arts)" title="Homage (arts)">homage</a> and <a href="/wiki/Pastiche" title="Pastiche">pastiche</a> have led critics to describe it as a touchstone of <a href="/wiki/Postmodernist_film" title="Postmodernist film">postmodern film</a>. It is often considered a cultural watershed, influencing films and other media that adopted elements of its style. The cast was also widely praised, with Travolta, Thurman, and Jackson earning high acclaim. In 2008, <a href="/wiki/Entertainment_Weekly" title="Entertainment Weekly">Entertainment Weekly</a> named it the best film since 1983<a href="#cite_note-EWClassic-6">[5]</a> and it has appeared on many critics' lists of the greatest films ever made. In 2013, Pulp Fiction was selected for preservation in the United States <a href="/wiki/National_Film_Registry" title="National Film Registry">National Film Registry</a> by the <a href="/wiki/Library_of_Congress" title="Library of Congress">Library of Congress</a> as "culturally, historically, or aesthetically significant".<a href="#cite_note-2013Add2-7">[6]</a><a href="#cite_note-8">[7]</a><a href="#cite_note-9">[8]</a> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Plot">Plot</h2></div> <div class="mw-heading mw-heading3"><h3 id="Narrative_structure">Narrative structure</h3></div> Pulp Fiction's narrative is told out of chronological order and follows three main interrelated stories that each have a different protagonist: Vincent Vega, a hitman; Butch Coolidge, a prizefighter; and Jules Winnfield, Vincent's partner in crime.<a href="#cite_note-PF93-10">[9]</a> The film begins with a diner robbery staged by a couple, then begins to shift from one story line to another before returning to the diner for the conclusion. There are seven narrative sequences; the three primary story lines are preceded by intertitles: <ol><li>"Prologue – The Diner" (i)</li> <li>"Prelude to 'Vincent Vega and Marsellus Wallace's Wife'"</li> <li>"Vincent Vega and Marsellus Wallace's Wife"</li> <li>"Prelude to 'The Gold Watch'" (a – flashback, b – present)</li> <li>"The Gold Watch"</li> <li>"The Bonnie Situation"</li> <li>"Epilogue – The Diner" (ii)</li></ol> If the seven sequences were ordered chronologically, they would run: 4a, 2, 6, 1, 7, 3, 4b, 5. Sequences 1 and 7 partially overlap and are presented from different points of view, as do sequences 2 and 6. According to Philip Parker, the structural form is "an episodic narrative with circular events adding a beginning and end and allowing references to elements of each separate episode to be made throughout the narrative".<a href="#cite_note-FOOTNOTEParker200223-11">[10]</a> Other analysts describe the structure as a "circular narrative".<a href="#cite_note-FOOTNOTEDancyger2002235-12">[11]</a><a href="#cite_note-13">[12]</a> <div class="mw-heading mw-heading3"><h3 id="Summary">Summary</h3></div> A pair of thieves, Pumpkin and Honey Bunny, reminisce on their past robbery attempts as they eat breakfast in a diner. Pumpkin proposes they rob the diner at that moment because he believes the patrons and employees will be unprepared to stop them. Honey Bunny agrees. Two hitmen, Jules Winnfield and Vincent Vega, arrive at an apartment to retrieve a briefcase for their boss, influential local gangster Marsellus Wallace, from a business partner, Brett, and his friends. On the way, Vincent mentions that he had been tasked by Marcellus to take his wife, <a href="/wiki/Mia_Wallace" title="Mia Wallace">Mia Wallace</a> to dinner and asks Jules questions about Mia. After Vincent checks the contents of the briefcase, Jules shoots one of Brett's friends. Jules rebukes Brett over his attempt to double-cross Marsellus and recites what is portrayed as a passage from the <a href="/wiki/Book_of_Ezekiel" title="Book of Ezekiel">Book of Ezekiel</a>, before he and Vincent kill Brett. <div class="mw-heading mw-heading4"><h4 id=""Vincent_Vega_and_Marsellus_Wallace's_Wife"">"Vincent Vega and Marsellus Wallace's Wife"</h4></div> Jules and Vincent give the briefcase to Marsellus, who bribes boxer Butch Coolidge to <a href="/wiki/Match_fixing" title="Match fixing">take a dive</a> in his upcoming match. Vincent purchases heroin from his drug dealer, Lance. He shoots up and drives to meet Mia, having agreed to escort her while Marsellus is out of town for the night. They eat at a 1950s-themed restaurant and participate in a <a href="/wiki/Twist_(dance)" title="Twist (dance)">twist</a> contest, then return home. While Vincent is in the bathroom, Mia finds his heroin, mistakes it for cocaine, and snorts it, resulting in an overdose. Vincent rushes her to Lance's house, where Lance helps revive her by getting adrenaline for Vincent to <a href="/wiki/Intracardiac_injection" title="Intracardiac injection">inject into her heart</a>. Vincent takes Mia home, and they agree never to tell Marsellus about the incident. <div class="mw-heading mw-heading4"><h4 id=""The_Gold_Watch"">"The Gold Watch"</h4></div> Butch double-crosses Marsellus by winning the bout, but accidentally kills his opponent in the process. He plans to flee with his girlfriend, Fabienne, but discovers she has forgotten to pack an heirloom: a gold watch which belonged to Butch's father. Returning to his apartment to retrieve it, he notices a gun on the kitchen counter and hears the toilet flush. When Vincent exits the bathroom, Butch realizes he is there to kill him, shoots him dead and departs. When Marsellus spots Butch stopped at a traffic light, Butch rams his car into him. Marsellus chases him into a pawnshop. Maynard, the shop owner, captures them at gunpoint and binds and gags them in the basement. Maynard and his accomplice, Zed, take Marsellus into another room and begin to rape him. Butch breaks free and is about to escape, but decides to save Marsellus and arms himself with a <a href="/wiki/Katana" title="Katana">katana</a> from the pawnshop. He kills Maynard and frees Marsellus, who shoots Zed in the crotch with Maynard's shotgun. Marsellus tells Butch that they are even, and instructs him to tell no one about the incident and depart Los Angeles forever. Butch picks up Fabienne on Zed's <a href="/wiki/Chopper_(motorcycle)" title="Chopper (motorcycle)">chopper</a> and they drive away. <div class="mw-heading mw-heading4"><h4 id=""The_Bonnie_Situation"">"The Bonnie Situation"</h4></div> In the apartment, after Jules and Vincent kill Brett, another man bursts out of the bathroom and fires at them. Every shot misses and they shoot him dead. Jules says that their survival was a miracle, which Vincent disputes, believing the man was just a lousy shot. While driving away with another one of Brett's friends, Marvin (who was actually a plant from Marsellus's organization), Vincent accidentally shoots him in the head after Jules drives over an unidentified inconsistency in the roadbed, covering Vincent, Jules, and the car interior in blood. They hide the car at the home of Jules's old friend and former business partner Jimmie, who demands they deal with the problem before his wife Bonnie comes home. Marsellus sends a <a href="/wiki/Fixer_(person)" title="Fixer (person)">cleaner</a>, Winston Wolfe, who directs Jules and Vincent to hide the body in the trunk, clean the car, dispose of their bloody clothes and take the car to a junkyard. At the diner from the film's prologue, Jules tells Vincent that he plans to retire from his life of crime, convinced that their survival at the apartment was <a href="/wiki/Divine_intervention" title="Divine intervention">divine intervention</a>. While Vincent is in the bathroom, Pumpkin and Honey Bunny hold up the restaurant and demand Marsellus's briefcase. Pumpkin initially holds Jules at gunpoint, but Jules soon overpowers Pumpkin and holds him at gunpoint. Honey Bunny becomes hysterical and points her gun at Jules. Vincent returns with his gun aimed at her, but Jules defuses the situation. He recites the biblical passage, expresses ambivalence about his life of crime, and allows the robbers to take his cash and leave. Jules and Vincent leave the diner with the briefcase. <div class="mw-heading mw-heading2"><h2 id="Cast">Cast</h2></div> <ul><li><a href="/wiki/John_Travolta" title="John Travolta">John Travolta</a> as Vincent Vega:</li></ul> <dl><dd>Jules' partner-in-crime, working for Marsellus Wallace. Tarantino cast Travolta in Pulp Fiction because <a href="/wiki/Michael_Madsen" title="Michael Madsen">Michael Madsen</a>, who had played Vic Vega in <a href="/wiki/Reservoir_Dogs" title="Reservoir Dogs">Reservoir Dogs</a> (1992), chose to appear in <a href="/wiki/Kevin_Costner" title="Kevin Costner">Kevin Costner</a>'s <a href="/wiki/Wyatt_Earp_(film)" title="Wyatt Earp (film)">Wyatt Earp</a> instead. Madsen has since expressed regret over his decision.<a href="#cite_note-14">[13]</a> <a href="/wiki/Harvey_Weinstein" title="Harvey Weinstein">Harvey Weinstein</a> pushed for <a href="/wiki/Daniel_Day-Lewis" title="Daniel Day-Lewis">Daniel Day-Lewis</a> in the part.<a href="#cite_note-FOOTNOTECharyn200668-15">[14]</a> Travolta accepted a reduced rate; sources say either US$100,000 or US$140,000. The film's success and his <a href="/wiki/Academy_Awards" title="Academy Awards">Academy Award</a> nomination for Best Actor revitalized his career.<a href="#cite_note-16">[15]</a> Vincent is the brother of Vic Vega, also known as Mr. Blonde in Reservoir Dogs, and in 2004, Tarantino discussed an idea for a movie starring Travolta and Madsen as the "Vega Brothers"; the concept remains unrealized.<a href="#cite_note-Vega-17">[16]</a></dd></dl> <ul><li><a href="/wiki/Samuel_L._Jackson" title="Samuel L. Jackson">Samuel L. Jackson</a> as Jules Winnfield:</li></ul> <dl><dd>Vincent's partner in crime, working for Marsellus Wallace. Jackson's first audition was overshadowed by <a href="/wiki/Paul_Calder%C3%B3n" title="Paul Calderón">Paul Calderón</a>; Jackson had assumed the audition was merely a reading. Weinstein convinced him to audition a second time and his performance of the final diner scene won over Tarantino.<a href="#cite_note-FOOTNOTEDawson1995154-18">[17]</a><a href="#cite_note-19">[18]</a> Jules was originally scripted with a giant afro,<a href="#cite_note-T3-20">[19]</a> but Tarantino's PA mistakenly bought a <a href="/wiki/Jheri_curl" title="Jheri curl">Jheri curled</a> wig. Tarantino was enraged but Jackson persuaded him to keep it since the hairstyle had gained popularity through the rap group <a href="/wiki/N.W.A" title="N.W.A">N.W.A</a>.<a href="#cite_note-21">[20]</a> Film critic <a href="/wiki/Owen_Gleiberman" title="Owen Gleiberman">Owen Gleiberman</a> took it as a "tacit comic statement about the ghettoization of [Black people] in movies".<a href="#cite_note-OG-22">[21]</a> Jackson received an Oscar nomination for Best Supporting Actor. Calderón appears in the film as Paul, a bartender at Marsellus's social club, as well as Marsellus's assistant. Tarantino wrote the role for <a href="/wiki/Laurence_Fishburne" title="Laurence Fishburne">Laurence Fishburne</a>, who turned it down. According to Tarantino, Fishburne refused it because his team did not see it as a starring role;<a href="#cite_note-23">[22]</a> Fishburne later said he turned it down because he felt the film glamorized heroin.<a href="#cite_note-24">[23]</a></dd></dl> <ul><li><a href="/wiki/Uma_Thurman" title="Uma Thurman">Uma Thurman</a> as <a href="/wiki/Mia_Wallace" title="Mia Wallace">Mia Wallace</a>:</li></ul> <dl><dd>Wallace's wife and an aspiring actress. Miramax favored <a href="/wiki/Holly_Hunter" title="Holly Hunter">Holly Hunter</a> or <a href="/wiki/Meg_Ryan" title="Meg Ryan">Meg Ryan</a> for the role of Mia. <a href="/wiki/Alfre_Woodard" title="Alfre Woodard">Alfre Woodard</a> and <a href="/wiki/Meg_Tilly" title="Meg Tilly">Meg Tilly</a> were also considered but Tarantino wanted Thurman after their first meeting.<a href="#cite_note-FOOTNOTEBiskind2004170-25">[24]</a><a href="#cite_note-FOOTNOTEDawson1995a155-26">[25]</a> She dominated the film's promotional material, appearing on a bed with cigarette in hand. She was nominated for an Oscar for Best Supporting Actress. Despite being launched into the celebrity <a href="/wiki/A-list" title="A-list">A-list</a>, Thurman chose not to do any big-budget films until <a href="/wiki/Batman_%26_Robin_(film)" title="Batman & Robin (film)">Batman & Robin</a> (1997) three years later.<a href="#cite_note-27">[26]</a></dd></dl> <ul><li><a href="/wiki/Harvey_Keitel" title="Harvey Keitel">Harvey Keitel</a> as Winston Wolfe:</li></ul> <dl><dd>A "<a href="/wiki/Fixer_(person)" title="Fixer (person)">cleaner</a>" who aids Jules and Vincent. Tarantino wrote the part of Wolfe for Keitel, who had starred in Reservoir Dogs and was instrumental in its production. In Tarantino's words, "Harvey had been my favorite actor since I was 16 years old."<a href="#cite_note-T23-28">[27]</a> Keitel had played a similarly employed character in <a href="/wiki/Point_of_No_Return_(1993_film)" title="Point of No Return (1993 film)">Point of No Return</a> (1993).<a href="#cite_note-29">[28]</a></dd></dl> <ul><li><a href="/wiki/Tim_Roth" title="Tim Roth">Tim Roth</a> as Ringo/"Pumpkin":</li></ul> <dl><dd>A burglar and Yolanda's boyfriend. Roth had starred in Reservoir Dogs alongside Keitel. He had used an American accent in Reservoir Dogs but used his natural, London accent in Pulp Fiction. Though Tarantino had written the part with Roth in mind, TriStar head <a href="/wiki/Mike_Medavoy" title="Mike Medavoy">Mike Medavoy</a> preferred <a href="/wiki/Johnny_Depp" title="Johnny Depp">Johnny Depp</a> or <a href="/wiki/Christian_Slater" title="Christian Slater">Christian Slater</a>.<a href="#cite_note-FOOTNOTECharyn200673-30">[29]</a> Early in development, Tarantino had contemplated casting Roth as Vincent and <a href="/wiki/Gary_Oldman" title="Gary Oldman">Gary Oldman</a> as Jules, rewriting the characters as "two English guys".<a href="#cite_note-FOOTNOTEBailey201384-31">[30]</a></dd></dl> <ul><li><a href="/wiki/Amanda_Plummer" title="Amanda Plummer">Amanda Plummer</a> as Yolanda/"Honey Bunny":</li></ul> <dl><dd>Ringo's girlfriend and partner in crime. Tarantino wrote the role of Yolanda for Plummer to partner her with Roth. Roth had introduced Tarantino to her, saying: "I want to work with Amanda in one of your films but she has to have a really big gun."<a href="#cite_note-PremiereUK-32">[31]</a></dd></dl> <ul><li><a href="/wiki/Maria_de_Medeiros" title="Maria de Medeiros">Maria de Medeiros</a> as Fabienne:</li></ul> <dl><dd>Butch's girlfriend. Tarantino met de Medeiros, a Portuguese actress, while traveling with Reservoir Dogs around the European film festival circuit.<a href="#cite_note-T14-33">[32]</a></dd></dl> <ul><li><a href="/wiki/Ving_Rhames" title="Ving Rhames">Ving Rhames</a> as Marsellus Wallace:</li></ul> <dl><dd>A crime boss and employer of Jules and Vincent. Before Rhames was cast, the part of Wallace was initially offered to <a href="/wiki/Max_Julien" title="Max Julien">Max Julien</a> and <a href="/wiki/Sid_Haig" title="Sid Haig">Sid Haig</a>, but both turned down the role.<a href="#cite_note-34">[33]</a><a href="#cite_note-35">[34]</a> According to Bender, Rhames gave "one of the best auditions I've ever seen".<a href="#cite_note-FOOTNOTEDawson1995a155-26">[25]</a> His acclaimed performance led to him being cast in big-budget features such as <a href="/wiki/Mission:_Impossible_(film)" title="Mission: Impossible (film)">Mission Impossible</a> (1996), <a href="/wiki/Con_Air" title="Con Air">Con Air</a> (1997) and <a href="/wiki/Out_of_Sight" title="Out of Sight">Out of Sight</a> (1998).<a href="#cite_note-36">[35]</a></dd></dl> <ul><li><a href="/wiki/Eric_Stoltz" title="Eric Stoltz">Eric Stoltz</a> as Lance:</li></ul> <dl><dd>Vincent's drug dealer.<a href="#cite_note-37">[36]</a> Gary Oldman was the preferred choice among TriStar executives, based on his portrayal of drug-dealing pimp Drexl Spivey in <a href="/wiki/True_Romance" title="True Romance">True Romance</a> (1993).<a href="#cite_note-38">[37]</a><a href="#cite_note-shortlist50facts-39">[38]</a></dd></dl> <ul><li><a href="/wiki/Rosanna_Arquette" title="Rosanna Arquette">Rosanna Arquette</a> as Jody:</li></ul> <dl><dd>Lance's wife. <a href="/wiki/Pam_Grier" title="Pam Grier">Pam Grier</a> read for the role, but Tarantino did not believe audiences would find it plausible for Lance to yell at her.<a href="#cite_note-40">[39]</a> Tarantino later cast Grier as the lead role for <a href="/wiki/Jackie_Brown" title="Jackie Brown">Jackie Brown</a>. <a href="/wiki/Ellen_DeGeneres" title="Ellen DeGeneres">Ellen DeGeneres</a> also read for the part of Jody.<a href="#cite_note-FOOTNOTEDawson1995a189-41">[40]</a> Rosanna's sister <a href="/wiki/Alexis_Arquette" title="Alexis Arquette">Alexis</a> (then known as Robert Arquette) also appears in the film, as a man emerging from a bathroom to shoot at and miss Vincent and Jules who then kill him.</dd></dl> <ul><li><a href="/wiki/Christopher_Walken" title="Christopher Walken">Christopher Walken</a> as Captain Koons:</li></ul> <dl><dd>A <a href="/wiki/United_States_Air_Force" title="United States Air Force">USAF</a> veteran of the <a href="/wiki/Vietnam_War" title="Vietnam War">Vietnam War</a> who delivers a young Butch his father's coveted gold watch. During Koons' monologue, which is interspersed with colorful descriptions of the <a href="/wiki/Viet_Cong" title="Viet Cong">Viet Cong</a>, he mentions a soldier called "Winocki".<a href="#cite_note-43">[b]</a> Joe Winocki (<a href="/wiki/John_Garfield" title="John Garfield">John Garfield</a>) is a character in the 1943 film <a href="/wiki/Air_Force_(film)" title="Air Force (film)">Air Force</a> directed by <a href="/wiki/Howard_Hawks" title="Howard Hawks">Howard Hawks</a>, one of Tarantino's favorite directors.<a href="#cite_note-LisaFrance-44">[42]</a> Tarantino played a character named Desmond Winocki in a guest appearance on an episode of <a href="/wiki/All-American_Girl_(TV_series)" title="All-American Girl (TV series)">All-American Girl</a> titled Pulp Sitcom.<a href="#cite_note-45">[43]</a></dd></dl> <ul><li><a href="/wiki/Bruce_Willis" title="Bruce Willis">Bruce Willis</a> as Butch Coolidge:</li></ul> <dl><dd>An aging boxer on the run from Marsellus after having <a href="/wiki/Double_cross_(betrayal)" class="mw-redirect" title="Double cross (betrayal)">double-crossed</a> him. The role was originally written for <a href="/wiki/Matt_Dillon" title="Matt Dillon">Matt Dillon</a> who turned it down.<a href="#cite_note-46">[44]</a> Willis was already a star but most of his recent films had been critical and box-office disappointments. As related by <a href="/wiki/Peter_Bart" title="Peter Bart">Peter Bart</a>, participating in the modestly budgeted film "meant lowering his salary and risking his star status but the strategy ... paid off royally: Pulp Fiction not only brought Willis new respect as an actor but also earned him several million dollars".<a href="#cite_note-FOOTNOTEBart200085-47">[45]</a><sup id="cite_ref-FOOTNOTEPolan2000p._69:_Willis's_deal_for_a_percentage_of_the_box_office_gross_was_presumably_on_top_of_a_base_weekly_salary_that_was_identical_to_the_other_main_actors,_per_Polan_48-0" class="reference"><a href="#cite_note-FOOTNOTEPolan2000p._69:_Willis's_deal_for_a_percentage_of_the_box_office_gross_was_presumably_on_top_of_a_base_weekly_salary_that_was_identical_to_the_other_main_actors,_per_Polan-48">[46]</a><a href="#cite_note-FOOTNOTEDawson1995a148-49">[47]</a> Willis' appearance and physical presence were crucial to Tarantino, "Bruce has the look of a 50s actor. I can't think of any other star that has that look".<a href="#cite_note-FOOTNOTEDargis1994a10-50">[48]</a> Butch's look was modeled on <a href="/wiki/Aldo_Ray" title="Aldo Ray">Aldo Ray</a> in <a href="/wiki/Nightfall_(1956_film)" title="Nightfall (1956 film)">Nightfall</a> and his demeanor based on <a href="/wiki/Ralph_Meeker" title="Ralph Meeker">Ralph Meeker</a>'s portrayal of <a href="/wiki/Mike_Hammer_(character)" title="Mike Hammer (character)">Mike Hammer</a> in <a href="/wiki/Robert_Aldrich" title="Robert Aldrich">Robert Aldrich</a>'s <a href="/wiki/Kiss_Me_Deadly" title="Kiss Me Deadly">Kiss Me Deadly</a>.<a href="#cite_note-51">[49]</a> Chandler Lindauer plays a young Butch.</dd></dl> <a href="/wiki/Bronagh_Gallagher" title="Bronagh Gallagher">Bronagh Gallagher</a> plays Jody's friend Trudi who does little but smoke a <a href="/wiki/Bong" title="Bong">bong</a> during the scene where Vincent revives Mia. According to author Jason Bailey, "Quentin thought it would be funny to have this casual observer who just happened to be there. All of this was born out of the experience of, when you go to someone's house to buy drugs, there are always people who are just there".<a href="#cite_note-52">[50]</a> <a href="/wiki/Phil_LaMarr" title="Phil LaMarr">Phil LaMarr</a> portrays Marvin, an associate of Jules and Vincent. LaMarr auditioned for Tarantino after both had done a show for an improv group a few months prior.<a href="#cite_note-LaMarrCastINterview-53">[51]</a> He read for the roles of Jules Winnfield and Brett before being cast as Marvin.<a href="#cite_note-LaMarrCastINterview-53">[51]</a> Tarantino appears as Jules' friend Jimmie, in whose house they clean up a murder. Tarantino was unsure whether to play Jimmie or Lance, choosing Jimmie as he wanted to be behind the camera during Mia's overdose scene.<a href="#cite_note-shortlist50facts-39">[38]</a> <a href="/wiki/Frank_Whaley" title="Frank Whaley">Frank Whaley</a> portrays Brett, who has a briefcase requested by Marsellus. Whaley met Tarantino while he was filming Reservoir Dogs at a lab in <a href="/wiki/Sundance_Institute" title="Sundance Institute">Sundance Institute</a>. He recalls, "we ended up meeting and spending time together, and I liked him, so I was really happy when he asked me to be in this movie."<a href="#cite_note-WhaleAVCLUB-54">[52]</a> <a href="/wiki/Burr_Steers" title="Burr Steers">Burr Steers</a> appears as Roger, a friend of Brett's nicknamed "<a href="/wiki/A_Flock_of_Seagulls" title="A Flock of Seagulls">Flock of Seagulls</a>" by Jules. The scene of the confrontation between Brett and Jules went through several takes due to Steers making mistakes. Steers recalled in an interview that he had found acting difficult due to the loudness of the gunshots.<a href="#cite_note-55">[53]</a> <a href="/wiki/Angela_Jones" title="Angela Jones">Angela Jones</a> portrays Esmarelda Villalobos, a cab driver who aids Butch's escape. Her casting and character were inspired by her performance in the 1991 short film Curdled, later remade as a <a href="/wiki/Curdled_(film)" title="Curdled (film)">1996 feature film</a> with finance from Tarantino and again starring Jones.<a href="#cite_note-DailyBeast-56">[54]</a> <a href="/wiki/Duane_Whitaker" title="Duane Whitaker">Duane Whitaker</a>, <a href="/wiki/Peter_Greene" title="Peter Greene">Peter Greene</a> and Stephen Hibbert play Maynard, Zed and the gimp.<a href="#cite_note-RollingStoneNotorious-57">[55]</a> According to The Daily Beast, these "three psycho <a href="/wiki/Hillbilly" title="Hillbilly">hillbillies</a>" that rape Marsellus in Maynard's shop's basement allude to the film <a href="/wiki/Deliverance" title="Deliverance">Deliverance</a>.<a href="#cite_note-DailyBeast-56">[54]</a><a href="#cite_note-RollingStoneNotorious-57">[55]</a> <a href="/wiki/Steve_Buscemi" title="Steve Buscemi">Steve Buscemi</a> makes a <a href="/wiki/Cameo_appearance" title="Cameo appearance">cameo appearance</a> as a waiter at Jack Rabbit Slim's, dressed as <a href="/wiki/Buddy_Holly" title="Buddy Holly">Buddy Holly</a>. Buscemi, who had appeared in Reservoir Dogs, was originally considered for the role of Jimmie but was unable to commit.<a href="#cite_note-DailyBeast-56">[54]</a> <a href="/wiki/Kathy_Griffin" title="Kathy Griffin">Kathy Griffin</a> appears as herself.<a href="#cite_note-LisaFrance-44">[42]</a><a href="#cite_note-58">[56]</a> <a href="/wiki/Michael_Gilden" title="Michael Gilden">Michael Gilden</a> and <a href="/wiki/Joseph_Pilato" title="Joseph Pilato">Joseph Pilato</a> also appear at Jack Rabbit Slim's as waiter Phillip Morris Page and a <a href="/wiki/Dean_Martin" title="Dean Martin">Dean Martin</a> impersonator, respectively. <a href="/wiki/Emil_Sitka" title="Emil Sitka">Emil Sitka</a> made a cameo via archival footage from the <a href="/wiki/Three_Stooges" class="mw-redirect" title="Three Stooges">Three Stooges</a> short <a href="/wiki/Brideless_Groom" title="Brideless Groom">Brideless Groom</a> (1947), <a href="/wiki/Karen_Maruyama" title="Karen Maruyama">Karen Maruyama</a> appears as "Gawker #1" after Butch's car accident, and <a href="/wiki/Julia_Sweeney" title="Julia Sweeney">Julia Sweeney</a> portrays Raquel, the daughter of the owner of the junkyard in which Marvin's body is disposed of. Producer <a href="/wiki/Lawrence_Bender" title="Lawrence Bender">Lawrence Bender</a> makes a cameo as a victim of the diner robbery, credited as "Long Hair Yuppie-Scum". Jerome Patrick Hoban appears in the Jack Rabbit Slim's segment as an <a href="/wiki/Ed_Sullivan" title="Ed Sullivan">Ed Sullivan</a> impersonator. Susan Griffiths appears alongside Hoban as a <a href="/wiki/Marilyn_Monroe" title="Marilyn Monroe">Marilyn Monroe</a> impersonator. <div class="mw-heading mw-heading2"><h2 id="Production">Production</h2></div> <div class="mw-heading mw-heading3"><h3 id="Writing">Writing</h3></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Tarantino,_Quentin_(Scream1)_cropped.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1d/Tarantino%2C_Quentin_%28Scream1%29_cropped.jpg/220px-Tarantino%2C_Quentin_%28Scream1%29_cropped.jpg" decoding="async" width="220" height="219" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1d/Tarantino%2C_Quentin_%28Scream1%29_cropped.jpg/330px-Tarantino%2C_Quentin_%28Scream1%29_cropped.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1d/Tarantino%2C_Quentin_%28Scream1%29_cropped.jpg/440px-Tarantino%2C_Quentin_%28Scream1%29_cropped.jpg 2x" data-file-width="654" data-file-height="651" /></a><figcaption>Director and co-writer, <a href="/wiki/Quentin_Tarantino" title="Quentin Tarantino">Quentin Tarantino</a></figcaption></figure> The roots of Pulp Fiction can be traced back to the late 1980s, when Tarantino and <a href="/wiki/Roger_Avary" title="Roger Avary">Roger Avary</a> worked together at <a href="/wiki/Video_Archives" title="Video Archives">Video Archives</a>, a video store in Southern California. Avary recalls that their initial concept was to create three short films with three different filmmakers—himself, Tarantino, and a friend, Adam Rifkin.<a href="#cite_note-Gilchrist-2024-59">[57]</a> Avary wrote the first element of what would become the film's screenplay in the fall of 1990,<a href="#cite_note-FOOTNOTEBiskind2004129-60">[58]</a> titled "Pandemonium Reigns," which eventually expanded into a feature-length screenplay. While Tarantino's short film similarly evolved into a full script, Rifkin never completed his contribution, leaving Pulp Fiction initially uncertain.<a href="#cite_note-Gilchrist-2024-59">[57]</a> The initial inspiration was the three-part horror <a href="/wiki/Anthology_film" title="Anthology film">anthology film</a> <a href="/wiki/Black_Sabbath_(film)" title="Black Sabbath (film)">Black Sabbath</a> (1963), by Italian filmmaker <a href="/wiki/Mario_Bava" title="Mario Bava">Mario Bava</a>. The Tarantino–Avary project was provisionally titled "<a href="/wiki/Black_Mask_(magazine)" title="Black Mask (magazine)">Black Mask</a>", after the seminal <a href="/wiki/Hardboiled" title="Hardboiled">hardboiled</a> <a href="/wiki/Black_Mask_(magazine)" title="Black Mask (magazine)">crime fiction magazine</a>.<a href="#cite_note-T14-33">[32]</a> Tarantino's script was produced as <a href="/wiki/Reservoir_Dogs" title="Reservoir Dogs">Reservoir Dogs</a>, his directorial debut; Avary created the basis for the "Gold Watch" storyline of Pulp Fiction.<a href="#cite_note-FOOTNOTEBiskind2004167-61">[59]</a><a href="#cite_note-FOOTNOTEDawson1995a144–146-62">[60]</a><a href="#cite_note-PR-63">[61]</a><a href="#cite_note-Creative-64">[62]</a> With work on Reservoir Dogs completed, Tarantino returned to the notion of a trilogy film: "I got the idea of doing something that novelists get a chance to do but filmmakers don't: telling three separate stories, having characters float in and out with different weights depending on the story."<a href="#cite_note-65">[63]</a> Tarantino explains that the idea "was basically to take like the oldest chestnuts that you've ever seen when it comes to crime stories – the oldest stories in the book ... You know, 'Vincent Vega and Marsellus Wallace's Wife' – the oldest story about ... the guy's gotta go out with the big man's wife and don't touch her. You know, you've seen the story a zillion times."<a href="#cite_note-PF93-10">[9]</a> "I'm using old forms of storytelling and then purposely having them run awry", he says. "Part of the trick is to take these movie characters, these genre characters and these genre situations and actually apply them to some of real life's rules and see how they unravel."<a href="#cite_note-66">[64]</a> In at least one case, boxer Butch Coolidge, Tarantino had in mind a specific character from a classic Hollywood crime story: "I wanted him to be basically like <a href="/wiki/Ralph_Meeker" title="Ralph Meeker">Ralph Meeker</a> as <a href="/wiki/Mike_Hammer_(character)" title="Mike Hammer (character)">Mike Hammer</a> in <a href="/wiki/Robert_Aldrich" title="Robert Aldrich">Aldrich</a>'s <a href="/wiki/Kiss_Me_Deadly" title="Kiss Me Deadly">Kiss Me Deadly</a> [1955]. I wanted him to be a bully and a jerk".<a href="#cite_note-FOOTNOTEDargis1994a10-50">[48]</a> Tarantino went to work on the script for Pulp Fiction in Amsterdam in March 1992,<a href="#cite_note-FOOTNOTEDawson1995a139-67">[65]</a> possibly at the Winston Hotel in the <a href="/wiki/De_Wallen" title="De Wallen">Red Light District</a>.<a href="#cite_note-68">[66]</a> He was joined there by Avary, who contributed "Pandemonium Reigns" to the project and participated in its rewriting as well as the development of the new storylines that would link up with it.<a href="#cite_note-FOOTNOTEBiskind2004167-61">[59]</a><a href="#cite_note-FOOTNOTEDawson1995a144–146-62">[60]</a><a href="#cite_note-PR-63">[61]</a> Two scenes originally written by Avary for the <a href="/wiki/True_Romance" title="True Romance">True Romance</a> screenplay, exclusively credited to Tarantino, were incorporated into the opening of "The Bonnie Situation": the "miraculous" missed shots by the hidden gunman and the rear seat automobile killing.<a href="#cite_note-FOOTNOTEMottram200671-69">[67]</a> The notion of the crimeworld "cleaner" that became the heart of the episode was inspired by a short, <a href="/wiki/Curdled_(film)" title="Curdled (film)">Curdled</a>, that Tarantino saw at a film festival. He cast the lead actress, <a href="/wiki/Angela_Jones" title="Angela Jones">Angela Jones</a>, in Pulp Fiction and later backed the filmmakers' production of a feature-length version of Curdled.<a href="#cite_note-70">[68]</a> The script included a couple of made-up commercial brands that often featured in later Tarantino films: <a href="/wiki/Big_Kahuna_Burger" title="Big Kahuna Burger">Big Kahuna burgers</a> (a Big Kahuna soda cup appears in Reservoir Dogs) and Red Apple cigarettes.<a href="#cite_note-71">[69]</a> As he worked on the script, Tarantino also accompanied Reservoir Dogs around the European film festivals. Released in the United States in October 1992, the picture was a critical and commercial success. In January 1993, the Pulp Fiction script was complete.<a href="#cite_note-FOOTNOTECharyn200665-72">[70]</a><sup id="cite_ref-FOOTNOTEDawson1995ap._147:_The_published_version_of_the_screenplay_identifies_its_basis_as_"May_1993/last_draft,"_incorporating_brief_revisions_made_in_August,_September,_and_October_(Tarantino_[1994],_n.p.)_73-0" class="reference"><a href="#cite_note-FOOTNOTEDawson1995ap._147:_The_published_version_of_the_screenplay_identifies_its_basis_as_"May_1993/last_draft,"_incorporating_brief_revisions_made_in_August,_September,_and_October_(Tarantino_[1994],_n.p.)-73">[71]</a> <div class="mw-heading mw-heading3"><h3 id="Financing">Financing</h3></div> Tarantino and his producer, <a href="/wiki/Lawrence_Bender" title="Lawrence Bender">Lawrence Bender</a>, brought the script to <a href="/wiki/Jersey_Films" class="mw-redirect" title="Jersey Films">Jersey Films</a>. Before even seeing Reservoir Dogs, Jersey had attempted to sign Tarantino for his next project.<a href="#cite_note-FOOTNOTEDawson1995a140-74">[72]</a> Ultimately a development deal worth around $1 million had been struck: The deal gave <a href="/wiki/A_Band_Apart" title="A Band Apart">A Band Apart</a>, Bender and Tarantino's newly formed production company, initial financing and office facilities; Jersey got a share of the project and the right to shop the script to a studio.<a href="#cite_note-FOOTNOTEDawson1995a146-75">[73]</a><a href="#cite_note-FOOTNOTEBiskind2004p._167:_Biskind_says_$1&nbsp;million-76">[74]</a><a href="#cite_note-FOOTNOTEPolan2000p._68:_Polan_says_"close_to_a_million_dollars"-77">[75]</a><a href="#cite_note-78">[76]</a> Jersey had a distribution and "first look" deal with <a href="/wiki/Sony_Pictures" title="Sony Pictures">Columbia TriStar</a>, which paid Tarantino for the right to consider exercising its option.<a href="#cite_note-FOOTNOTEDawson1995a148-49">[47]</a> In February, Pulp Fiction appeared on a <a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a> list of films in <a href="/wiki/Pre-production" title="Pre-production">pre-production</a> at <a href="/wiki/TriStar_Pictures" title="TriStar Pictures">TriStar</a>.<a href="#cite_note-79">[77]</a> In June, however, the studio put the script into <a href="/wiki/Turnaround_(filmmaking)" title="Turnaround (filmmaking)">turnaround</a>.<a href="#cite_note-FOOTNOTEDawson1995a148-49">[47]</a> According to a studio executive, TriStar chief <a href="/wiki/Mike_Medavoy" title="Mike Medavoy">Mike Medavoy</a> found it "too demented".<a href="#cite_note-FOOTNOTEBiskind2004168-80">[78]</a> There were suggestions that TriStar was resistant to back a film featuring a heroin user; there were also indications that the studio simply saw the project as too low-budget for its desired star-driven image.<a href="#cite_note-FOOTNOTEPolan200068–69-81">[79]</a><a href="#cite_note-FOOTNOTEBiskind2004167–168-82">[80]</a> Avary—who was about to start shooting his own directorial debut, <a href="/wiki/Killing_Zoe" title="Killing Zoe">Killing Zoe</a>—has said that TriStar's objections were comprehensive, encompassing the script's fundamental structure. He characterizes the studio's position: "'This is the worst thing ever written. It makes no sense. Someone's dead and then they're alive. It's too long, violent, and unfilmable.' ... So I thought, 'That's that!'"<a href="#cite_note-FOOTNOTEMottram200671-69">[67]</a> Bender brought the script to <a href="/wiki/Miramax" title="Miramax">Miramax Films</a>, the formerly independent studio that had recently been acquired by <a href="/wiki/Disney" class="mw-redirect" title="Disney">Disney</a>. <a href="/wiki/Harvey_Weinstein" title="Harvey Weinstein">Harvey Weinstein</a>—co-chairman of Miramax Films, along with his brother <a href="/wiki/Bob_Weinstein" title="Bob Weinstein">Bob</a>—was instantly enthralled by the script and the company picked it up.<a href="#cite_note-FOOTNOTEBiskind2004168–169-83">[81]</a> <a href="/wiki/Michael_Shamberg" title="Michael Shamberg">Michael Shamberg</a>, the executive producer, reflected on the bidding process, saying, "Only Harvey [Weinstein] placed a bid. Harvey believed he was engaged in a bidding war, but he wasn't. Even now, whenever I see <a href="/wiki/Robert_Shaye" title="Robert Shaye">Bob Shaye</a>, he expresses regret for turning down Pulp Fiction. Quentin initially wanted to collaborate with <a href="/wiki/Mike_Medavoy" title="Mike Medavoy">Mike Medavoy</a>, given Medavoy's history with the great <a href="/wiki/Orion_Pictures" title="Orion Pictures">Orion</a> films. Ironically, when the opportunity arose, Mike deemed the script too violent."<a href="#cite_note-Gilchrist-2024-59">[57]</a> Pulp Fiction, the first Miramax Films project to get a <a href="/wiki/Green-light" class="mw-redirect" title="Green-light">green light</a> after the <a href="/wiki/The_Walt_Disney_Company" title="The Walt Disney Company">Disney</a> acquisition, was budgeted at $8.5 million, and at the end $500,000 was returned, bringing the final budget to $8 million.<a href="#cite_note-8.5_Budget-3">[a]</a><a href="#cite_note-Gilchrist-2024-59">[57]</a> According to Bender, a lower budget meant that the producers could maintain more control over the movie itself.<a href="#cite_note-Gilchrist-2024-59">[57]</a> It became the first movie that Miramax Films completely financed.<a href="#cite_note-FOOTNOTEDawson1995a149-84">[82]</a> Helping hold costs down was the plan Bender executed to pay all the main actors the same amount per week, regardless of their industry status.<a href="#cite_note-FOOTNOTEPolan200069-85">[83]</a><a href="#cite_note-FOOTNOTEDawson1995a148-49">[47]</a> The New York Times reported, "Most of the actors received relatively small salaries along with a percentage of the profits."<a href="#cite_note-86">[84]</a> The biggest star to sign on to the project was <a href="/wiki/Bruce_Willis" title="Bruce Willis">Bruce Willis</a>. Though he had recently appeared in several big-budget flops, he was still a major overseas draw. On the strength of his name, Miramax Films garnered $11 million for the film's worldwide rights, virtually ensuring its profitability.<a href="#cite_note-FOOTNOTEBiskind2004p._170:_Tarantino_claims_the_overseas_sales_were_due_to_his_own_name-87">[85]</a><a href="#cite_note-FOOTNOTEDawson1995a173-88">[86]</a> <div class="mw-heading mw-heading3"><h3 id="Casting">Casting</h3></div> <a href="/wiki/Danny_DeVito" title="Danny DeVito">Danny DeVito</a>, one of the film's producers,<a href="#cite_note-89">[87]</a> recalls that Weinstein suggested casting <a href="/wiki/Daniel_Day-Lewis" title="Daniel Day-Lewis">Daniel Day-Lewis</a>, who had just won an <a href="/wiki/Academy_Award" class="mw-redirect" title="Academy Award">Academy Award</a> for <a href="/wiki/My_Left_Foot" title="My Left Foot">My Left Foot</a>. DeVito responded by stating that Tarantino wanted John Travolta and reminded Weinstein that he had final cut and cast approval. He later reflected: "I think he [Weinstein] called me every name in the book, but of course, Quentin got what he wanted, and he was absolutely right, and the rest is history."<a href="#cite_note-Gilchrist-2024-59">[57]</a> Bender noted that during the casting process, while Samuel L. Jackson's initial audition was impressive, another candidate later delivered a performance that "blew them away." This prompted Bender to inform Jackson's agent that they might need to consider the other actor. The agent firmly insisted, "No, no, no, you can't do that. Sam will come back." Initially hesitant to ask him for another audition, Bender discovered that Jackson believed he was simply reading for the role, not auditioning, and his subsequent return resulted in an outstanding performance.<a href="#cite_note-Gilchrist-2024-59">[57]</a> Tim Roth, initially interested in the role meant for Willis, suggested Amanda Plummer as a co-star, insisting she should have a gun as he thought it would be "terrifying" - a notion Tarantino later incorporated into the script.<a href="#cite_note-Gilchrist-2024-59">[57]</a> Harvey Keitel played a crucial role in getting Reservoir Dogs made and introduced Bruce Willis to Tarantino. Bender and Tarantino went to see him at his house in Malibu, where they learned that he could recite practically the entire movie of Reservoir Dogs, a movie he loved. After a conversation, Tarantino and Willis took a walk on the beach, where Willis revealed he'd read the Pulp Fiction script and expressed interest in playing Vincent or Jules. Tarantino encouraged him to read the script one last time with the Butch character in mind. Willis called Tarantino the next day and said, "the shortest sentence in the Bible is, 'Jesus wept.' The shortest sentence in Hollywood is, 'I'm in.'"<a href="#cite_note-Gilchrist-2024-59">[57]</a> <div class="mw-heading mw-heading3"><h3 id="Filming">Filming</h3></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Willis_in_Pulp_Fiction.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/2/2e/Willis_in_Pulp_Fiction.jpg/220px-Willis_in_Pulp_Fiction.jpg" decoding="async" width="220" height="148" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/2/2e/Willis_in_Pulp_Fiction.jpg/330px-Willis_in_Pulp_Fiction.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/2/2e/Willis_in_Pulp_Fiction.jpg 2x" data-file-width="384" data-file-height="259" /></a><figcaption>Willis evoked one 1950s actor in particular for Tarantino: "<a href="/wiki/Aldo_Ray" title="Aldo Ray">Aldo Ray</a> in <a href="/wiki/Jacques_Tourneur" title="Jacques Tourneur">Jacques Tourneur</a>'s <a href="/wiki/Nightfall_(1957_film)" class="mw-redirect" title="Nightfall (1957 film)">Nightfall</a> [1956] ... I said let's go for that whole look."<a href="#cite_note-AldoRay-92">[90]</a> His boxing robe, designed by <a href="/wiki/Betsy_Faith_Heimann" class="mw-redirect" title="Betsy Faith Heimann">Betsy Heimann</a>, exemplifies Tarantino's notion of costume as symbolic armor.<a href="#cite_note-FOOTNOTEDargis1994b17-93">[91]</a></figcaption></figure> <a href="/wiki/Principal_photography" title="Principal photography">Principal photography</a> commenced on September 20, 1993.<a href="#cite_note-FOOTNOTEPolan200069,_70-94">[92]</a> The lead offscreen talent had all worked with Tarantino on Reservoir Dogs – <a href="/wiki/Cinematographer" title="Cinematographer">cinematographer</a> <a href="/wiki/Andrzej_Seku%C5%82a" title="Andrzej Sekuła">Andrzej Sekuła</a>, <a href="/wiki/Film_editing" title="Film editing">film editor</a> <a href="/wiki/Sally_Menke" title="Sally Menke">Sally Menke</a>, <a href="/wiki/Production_designer" title="Production designer">production designer</a> <a href="/wiki/David_and_Sandy_Reynolds-Wasco" title="David and Sandy Reynolds-Wasco">David Wasco</a>, and <a href="/wiki/Costume_designer" title="Costume designer">costume designer</a> <a href="/wiki/Betsy_Faith_Heimann" class="mw-redirect" title="Betsy Faith Heimann">Betsy Heimann</a>. According to Tarantino: "[W]e had $8 million. I wanted it to look like a $20–25 million movie. I wanted it to look like an epic. It's an epic in everything – in invention, in ambition, in length, in scope, in everything except the price tag."<a href="#cite_note-T8-95">[93]</a> The film, he says, was shot "on <a href="/wiki/Film_speed" title="Film speed">50 ASA</a> film stock, which is the slowest stock they make. The reason we use it is that it creates an almost <a href="/wiki/Film_grain" title="Film grain">no-grain</a> image, it's lustrous. It's the closest thing we have to 50s <a href="/wiki/Technicolor" title="Technicolor">Technicolor</a>."<a href="#cite_note-FOOTNOTEDargis1994b18-96">[94]</a> The largest chunk of the budget – $150,000 – went to creating the Jack Rabbit Slim's set.<a href="#cite_note-FOOTNOTEPolan200069-85">[83]</a><a href="#cite_note-FOOTNOTEDawson1995a159-97">[95]</a> It was built in a <a href="/wiki/Culver_City,_California" title="Culver City, California">Culver City</a> warehouse, where it was joined by several other sets, as well as the film's production offices.<a href="#cite_note-FOOTNOTEDawson1995a159–160-98">[96]</a> The diner sequence was shot on location in <a href="/wiki/Hawthorne,_California" title="Hawthorne, California">Hawthorne</a> at the Hawthorne Grill, known for its <a href="/wiki/Googie_architecture" title="Googie architecture">Googie architecture</a>.<a href="#cite_note-FOOTNOTEDawson1995ap._158:_The_Hawthorne_Grill_was_torn_down_not_long_after_the_''Pulp_Fiction''_shoot-99">[97]</a> For the costumes, Tarantino took his inspiration from French director <a href="/wiki/Jean-Pierre_Melville" title="Jean-Pierre Melville">Jean-Pierre Melville</a>, who believed that the clothes his characters wore were their symbolic suits of armor.<a href="#cite_note-FOOTNOTEDargis1994b17-93">[91]</a> Tarantino cast himself in a modest-sized role as he had in Reservoir Dogs. One of his pop totems, <a href="/wiki/Monster_cereals" title="Monster cereals">Fruit Brute</a>, a long-discontinued <a href="/wiki/General_Mills" title="General Mills">General Mills</a> cereal, also returned from the earlier film.<a href="#cite_note-FOOTNOTEHoffman200546-100">[98]</a> The shoot wrapped on November 30.<a href="#cite_note-FOOTNOTEDawson1995a164-101">[99]</a> Before Pulp Fiction's premiere, Tarantino convinced Avary to forfeit his agreed-on cowriting credit and accept a "story by" credit, so the line "Written and directed by Quentin Tarantino" could be used in advertising and onscreen.<a href="#cite_note-FOOTNOTEBiskind2004170-25">[24]</a> <div class="mw-heading mw-heading2"><h2 id="Music">Music</h2></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Pulp_Fiction_(soundtrack)" title="Pulp Fiction (soundtrack)">Pulp Fiction (soundtrack)</a></div> No <a href="/wiki/Film_score" title="Film score">film score</a> was composed for Pulp Fiction; Quentin Tarantino instead used an eclectic assortment of <a href="/wiki/Surf_music" title="Surf music">surf music</a>, <a href="/wiki/Rock_and_roll" title="Rock and roll">rock and roll</a>, <a href="/wiki/Soul_music" title="Soul music">soul</a>, and <a href="/wiki/Pop_music" title="Pop music">pop</a> songs. <a href="/wiki/Dick_Dale" title="Dick Dale">Dick Dale</a>'s rendition of "<a href="/wiki/Misirlou" title="Misirlou">Misirlou</a>" plays during the opening credits. Tarantino chose surf music as the basic musical style for the film, but not, he insists, because of its association with surfing culture: "To me it just sounds like rock and roll, even <a href="/wiki/Ennio_Morricone" title="Ennio Morricone">Morricone</a> music. It sounds like rock and roll <a href="/wiki/Spaghetti_Western" title="Spaghetti Western">spaghetti Western</a> music."<a href="#cite_note-FOOTNOTEDawson1995a162-102">[100]</a> Tarantino planned to use a <a href="/wiki/Power_pop" title="Power pop">power pop</a> song, "<a href="/wiki/My_Sharona" title="My Sharona">My Sharona</a>" by <a href="/wiki/The_Knack" title="The Knack">The Knack</a>, during the film's rape scene, but ultimately discounted it.<a href="#cite_note-RollingStoneNotorious-57">[55]</a> Some of the songs were suggested to Tarantino by his friends Chuck Kelley and Laura Lovelace, who were credited as music consultants. Lovelace also appeared in the film as Laura, a waitress; she reprises the role in Jackie Brown.<a href="#cite_note-103">[101]</a> The <a href="/wiki/Pulp_Fiction_(soundtrack)" title="Pulp Fiction (soundtrack)">soundtrack album</a> was released along with the film in 1994. The album peaked on the <a href="/wiki/Billboard_200" title="Billboard 200">Billboard 200</a> chart at number 21.<a href="#cite_note-104">[102]</a> The single, <a href="/wiki/Urge_Overkill" title="Urge Overkill">Urge Overkill</a>'s cover of the <a href="/wiki/Neil_Diamond" title="Neil Diamond">Neil Diamond</a> song "<a href="/wiki/Girl,_You%27ll_Be_a_Woman_Soon" title="Girl, You'll Be a Woman Soon">Girl, You'll Be a Woman Soon</a>", reached number 59.<a href="#cite_note-105">[103]</a> Estella Tincknell describes how the particular combination of well-known and obscure recordings helps establish the film as a "self-consciously 'cool' text. [The] use of the mono-tracked, beat-heavy style of early 1960s U.S. 'underground' pop mixed with 'classic' ballads such as <a href="/wiki/Dusty_Springfield" title="Dusty Springfield">Dusty Springfield</a>'s '<a href="/wiki/Son_of_a_Preacher_Man" title="Son of a Preacher Man">Son of a Preacher Man</a>' is crucial to the film's postmodern knowingness." She contrasts the soundtrack with that of <a href="/wiki/Forrest_Gump" title="Forrest Gump">Forrest Gump</a>, the highest-grossing film of 1994, which also relies on period pop recordings: "[T]he version of 'the sixties' offered by Pulp Fiction ... is certainly not that of the publicly recognized counter-culture featured in Forrest Gump, but is, rather, a more genuinely marginal form of sub-culture based around a lifestyle – surfing, 'hanging' – that is resolutely apolitical." The soundtrack is central, she says, to the film's engagement with the "younger, cinematically knowledgeable spectator" it solicits.<a href="#cite_note-FOOTNOTETincknell2006139-106">[104]</a> <div class="mw-heading mw-heading2"><h2 id="Release_and_reception">Release and reception</h2></div> <div class="mw-heading mw-heading3"><h3 id="Release_and_box_office">Release and box office</h3></div> Pulp Fiction premiered in May 1994 at the <a href="/wiki/1994_Cannes_Film_Festival" title="1994 Cannes Film Festival">Cannes Film Festival</a>. The Weinsteins "hit the beach like commandos," bringing the picture's entire cast over to France.<a href="#cite_note-FOOTNOTECharyn200696-107">[105]</a> The film was unveiled at a midnight hour screening and caused a sensation.<a href="#cite_note-FOOTNOTEBiskind2004174-108">[106]</a><a href="#cite_note-Mas-109">[107]</a> It won the <a href="/wiki/Palme_d%27Or" title="Palme d'Or">Palme d'Or</a>, the festival's top prize, generating a further wave of publicity.<a href="#cite_note-PdO-110">[108]</a> The first U.S. review of the film was published on May 23 in industry trade magazine <a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a>. <a href="/wiki/Todd_McCarthy" title="Todd McCarthy">Todd McCarthy</a> called Pulp Fiction a "spectacularly entertaining piece of pop culture ... a startling, massive success."<a href="#cite_note-TM-111">[109]</a> From Cannes forward, Tarantino was on the road continuously, promoting the film.<a href="#cite_note-FOOTNOTEDawson1995a173-88">[86]</a> Over the next few months, it played in smaller festivals around Europe, building buzz: Nottingham, Munich, <a href="/wiki/Taormina_Film_Fest" title="Taormina Film Fest">Taormina</a>, Locarno, <a href="/wiki/Norwegian_International_Film_Festival" title="Norwegian International Film Festival">Norway</a>, and <a href="/wiki/San_Sebasti%C3%A1n_International_Film_Festival" title="San Sebastián International Film Festival">San Sebastián</a>.<a href="#cite_note-112">[110]</a> Tarantino later said: "One thing that's cool is that by breaking up the linear structure, when I watch the film with an audience, it does break [the audience's] <a href="/wiki/Alpha_wave" title="Alpha wave">alpha</a> state. It's like, all of a sudden, 'I gotta watch this ... I gotta pay attention.' You can almost feel everybody moving in their seats. It's actually fun to watch an audience in some ways chase after a movie."<a href="#cite_note-T24-113">[111]</a> In late September, it opened the <a href="/wiki/New_York_Film_Festival" title="New York Film Festival">New York Film Festival</a>. <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a> published its review the day of the opening. <a href="/wiki/Janet_Maslin" title="Janet Maslin">Janet Maslin</a> called the film a "triumphant, cleverly disorienting journey through a demimonde that springs entirely from Mr. Tarantino's ripe imagination, a landscape of danger, shock, hilarity and vibrant local color ... [He] has come up with a work of such depth, wit and blazing originality that it places him in the front ranks of American film makers."<a href="#cite_note-Mas-109">[107]</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546"><table class="infobox" style="clear: right; float:right;margin:0 0 1.5em 1.5em"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:115%">External videos</th></tr><tr><td colspan="2" class="infobox-full-data" style="text-align: left"><img alt="video icon" src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Nuvola_apps_kaboodle.svg/16px-Nuvola_apps_kaboodle.svg.png" decoding="async" width="16" height="16" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Nuvola_apps_kaboodle.svg/24px-Nuvola_apps_kaboodle.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Nuvola_apps_kaboodle.svg/32px-Nuvola_apps_kaboodle.svg.png 2x" data-file-width="128" data-file-height="128" /> <a rel="nofollow" class="external text" href="https://charlierose.com/videos/368">Charlie Rose interview with Quentin Tarantino on Pulp Fiction, October 14, 1994</a></td></tr></tbody></table> On October 14, 1994, Pulp Fiction went into general release in the United States. As Peter Biskind described: "It was not platformed, that is, it did not open in a handful of theaters and roll out slowly as word of mouth built, the traditional way of releasing an <a href="/wiki/Independent_film" title="Independent film">indie film</a>; it went wide immediately, into 1,100 theaters."<a href="#cite_note-FOOTNOTEBiskind2004189-114">[112]</a> In the eyes of some cultural critics, Reservoir Dogs had given Tarantino a reputation for glamorizing violence. Miramax played with the issue in its marketing campaign: "You won't know the facts till you've seen the fiction", went one slogan.<a href="#cite_note-FOOTNOTEDawson1995a171-115">[113]</a> Pulp Fiction was the <a href="/wiki/List_of_1994_box_office_number-one_films_in_the_United_States" title="List of 1994 box office number-one films in the United States">top-grossing film at the US box office</a> its first weekend with a gross of $9,311,882, edging out a <a href="/wiki/Sylvester_Stallone" title="Sylvester Stallone">Sylvester Stallone</a> vehicle, <a href="/wiki/The_Specialist" title="The Specialist">The Specialist</a>, which was in its second week and playing at more than twice as many theaters. The gross claimed by Miramax was disputed by others. <a href="/wiki/Warner_Bros." title="Warner Bros.">Warner Bros.</a> initially reported an estimated gross of $8.9 million for The Specialist, with Bob Weinstein then reporting a gross for Pulp Fiction of $9.1 million, claiming that the film was on another 100 screens that had previously been overlooked. Warners then updated their gross to $9.3 million, claiming they had made a calculation error.<a href="#cite_note-116">[114]</a> Early Monday morning, Miramax reported a gross of $9.3 million with Warners reporting $8.9 million for The Specialist, placing Pulp Fiction first but other industry sources did not believe Miramax's numbers. Variety estimated that Pulp Fiction grossed $8.6 to $9 million for the weekend.<a href="#cite_note-117">[115]</a> Against its budget of $8.5 million and about $10 million in marketing costs, Pulp Fiction grossed $107.93 million at the U.S. box office, making it the first Miramax film to surpass $100 million in the United States and Canada.<a href="#cite_note-118">[116]</a> Worldwide, it took in nearly $213 million.<a href="#cite_note-BoxOffice-120">[c]</a> In terms of domestic grosses, it was the tenth biggest film of 1994, even though it played on substantially fewer screens than any other film in the top 20.<a href="#cite_note-121">[118]</a> Popular engagement with the film, such as speculation about the contents of the precious briefcase, "indicates the kind of cult status that Pulp Fiction achieved almost immediately."<a href="#cite_note-FOOTNOTEReal1996259-122">[119]</a> As <a href="/wiki/MovieMaker" title="MovieMaker">MovieMaker</a> puts it, "The movie was nothing less than a national cultural phenomenon."<a href="#cite_note-123">[120]</a> Abroad, as well: in Britain, where it opened a week after its U.S. release, not only was the film a big hit, but in book form its screenplay became the most successful in UK publishing history, a top-ten bestseller.<a href="#cite_note-FOOTNOTEDawson1995a171,_13-124">[121]</a> <div class="mw-heading mw-heading3"><h3 id="Critical_response">Critical response</h3></div> On the <a href="/wiki/Review_aggregator" title="Review aggregator">review aggregator</a> website <a href="/wiki/Rotten_Tomatoes" title="Rotten Tomatoes">Rotten Tomatoes</a>, 92% of 183 critics' reviews are positive, with an average rating of 9.3/10. The website's consensus reads: "Injecting its compendium of crime tales with the patois of everyday conversation, Pulp Fiction is a cinematic shot of adrenaline that cements writer-director Quentin Tarantino as an audacious purveyor of killer kino."<a href="#cite_note-Rotten_Tomatoes-125">[122]</a> On <a href="/wiki/Metacritic" title="Metacritic">Metacritic</a>, the film has a <a href="/wiki/Arithmetic_mean" title="Arithmetic mean">weighted average score</a> of 95 out of 100, based on 25 critics, indicating "universal acclaim".<a href="#cite_note-126">[123]</a> Audiences polled by <a href="/wiki/CinemaScore" title="CinemaScore">CinemaScore</a> gave the film an average grade of "B+" on an A+ to F scale.<a href="#cite_note-127">[124]</a> The response of major American film reviewers was widely favorable. <a href="/wiki/Roger_Ebert" title="Roger Ebert">Roger Ebert</a> called it "a comedy about blood, guts, violence, strange sex, drugs, fixed fights, dead body disposal, leather freaks and a wristwatch that makes a dark journey down through the generations... The screenplay by Tarantino and Roger Avary so well-written in a scruffy, <a href="/wiki/Fanzine" title="Fanzine">fanzine</a> way that you want to rub noses in it – the noses of those zombie writers who take 'screenwriting' classes that teach them the formulas for 'hit films'".<a href="#cite_note-128">[125]</a> <a href="/wiki/Richard_Corliss" title="Richard Corliss">Richard Corliss</a> of <a href="/wiki/Time_(magazine)" title="Time (magazine)">Time</a> wrote: "It towers over the year's other movies as majestically and menacingly as a gang lord at a preschool. It dares Hollywood films to be this smart about going this far. If good directors accept Tarantino's implicit challenge, the movie theater could again be a great place to live in."<a href="#cite_note-129">[126]</a> In <a href="/wiki/Newsweek" title="Newsweek">Newsweek</a>, <a href="/wiki/David_Ansen" title="David Ansen">David Ansen</a> wrote: "The miracle of Quentin Tarantino's Pulp Fiction is how, being composed of secondhand, debased parts, it succeeds in gleaming like something new."<a href="#cite_note-130">[127]</a> "You get intoxicated by it," wrote <a href="/wiki/Entertainment_Weekly" title="Entertainment Weekly">Entertainment Weekly</a>'s <a href="/wiki/Owen_Gleiberman" title="Owen Gleiberman">Owen Gleiberman</a>, "high on the rediscovery of how pleasurable a movie can be. I'm not sure I've ever encountered a filmmaker who combined discipline and control with sheer wild-ass joy the way that Tarantino does."<a href="#cite_note-OG-22">[21]</a> "There's a special kick that comes from watching something this thrillingly alive", wrote <a href="/wiki/Peter_Travers" title="Peter Travers">Peter Travers</a> of <a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a>. "Pulp Fiction is indisputably great."<a href="#cite_note-131">[128]</a> The <a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a> was one of the few major news outlets to publish a negative review on the film's opening weekend. <a href="/wiki/Kenneth_Turan" title="Kenneth Turan">Kenneth Turan</a> wrote: "The writer-director appears to be straining for his effects. Some sequences, especially one involving bondage harnesses and homosexual rape, have the uncomfortable feeling of creative desperation, of someone who's afraid of losing his reputation scrambling for any way to offend sensibilities."<a href="#cite_note-132">[129]</a> Some who reviewed it in the following weeks took more exception to the predominant critical reaction than to Pulp Fiction itself. While not panning the film, <a href="/wiki/Stanley_Kauffmann" title="Stanley Kauffmann">Stanley Kauffmann</a> of <a href="/wiki/The_New_Republic" title="The New Republic">The New Republic</a> felt that "the way that [it] has been so widely ravened up and drooled over verges on the disgusting. Pulp Fiction nourishes, abets, cultural slumming."<a href="#cite_note-133">[130]</a> Responding to comparisons between Tarantino's film and the work of <a href="/wiki/French_New_Wave" title="French New Wave">French New Wave</a> director <a href="/wiki/Jean-Luc_Godard" title="Jean-Luc Godard">Jean-Luc Godard</a>, especially his first, most famous feature, <a href="/wiki/Jonathan_Rosenbaum" title="Jonathan Rosenbaum">Jonathan Rosenbaum</a> of the <a href="/wiki/Chicago_Reader" title="Chicago Reader">Chicago Reader</a> wrote: "The fact that Pulp Fiction is garnering more extravagant raves than <a href="/wiki/Breathless_(1960_film)" title="Breathless (1960 film)">Breathless</a> ever did tells you plenty about which kind of cultural references are regarded as more fruitful – namely, the ones we already have and don't wish to expand."<a href="#cite_note-Profusion-134">[131]</a> Observing in the <a href="/wiki/National_Review" title="National Review">National Review</a> that "[n]o film arrives with more advance hype", <a href="/wiki/John_Simon_(critic)" title="John Simon (critic)">John Simon</a> was unswayed: "titillation cures neither hollowness nor shallowness".<a href="#cite_note-135">[132]</a> Debate about the film spread beyond the review pages, with its violence often being the theme. In <a href="/wiki/The_Washington_Post" title="The Washington Post">The Washington Post</a>, Donna Britt described how she was happy not to see Pulp Fiction on a recent weekend and thus avoid "discussing the rousing scene in which a gunshot sprays somebody's brains around a car interior".<a href="#cite_note-136">[133]</a> Some commentators took exception to the film's frequent use of the word "<a href="/wiki/Nigger" title="Nigger">nigger</a>" (mentioned 18 times). In the <a href="/wiki/Chicago_Tribune" title="Chicago Tribune">Chicago Tribune</a>, Todd Boyd argued that the word's recurrence "has the ability to signify the ultimate level of hipness for white males who have historically used their perception of black masculinity as the embodiment of cool".<a href="#cite_note-137">[134]</a> In Britain, <a href="/wiki/James_Wood_(critic)" title="James Wood (critic)">James Wood</a>, writing in <a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a>, set the tone for much subsequent criticism: "Tarantino represents the final triumph of <a href="/wiki/Postmodernism" title="Postmodernism">postmodernism</a>, which is to empty the artwork of all content, thus avoiding its capacity to do anything except helplessly represent our agonies ... Only in this age could a writer as talented as Tarantino produce artworks so vacuous, so entirely stripped of any politics, metaphysics, or moral interest."<a href="#cite_note-138">[135]</a> <div class="mw-heading mw-heading3"><h3 id="Awards_season">Awards season</h3></div> Around the turn of the year, Pulp Fiction was named Best Picture by the <a href="/wiki/National_Society_of_Film_Critics" title="National Society of Film Critics">National Society of Film Critics</a>, <a href="/wiki/National_Board_of_Review" title="National Board of Review">National Board of Review</a>, <a href="/wiki/Los_Angeles_Film_Critics_Association" title="Los Angeles Film Critics Association">Los Angeles Film Critics Association</a>, <a href="/wiki/Boston_Society_of_Film_Critics" title="Boston Society of Film Critics">Boston Society of Film Critics</a>, <a href="/wiki/Society_of_Texas_Film_Critics" title="Society of Texas Film Critics">Society of Texas Film Critics</a>, Southeastern Film Critics Association, and <a href="/wiki/Kansas_City_Film_Critics_Circle" title="Kansas City Film Critics Circle">Kansas City Film Critics Circle</a>.<a href="#cite_note-145">[d]</a> Tarantino was named Best Director by all seven of those organizations as well as by the <a href="/wiki/New_York_Film_Critics_Circle" title="New York Film Critics Circle">New York Film Critics Circle</a><a href="#cite_note-146">[142]</a> and <a href="/wiki/Chicago_Film_Critics_Association" title="Chicago Film Critics Association">Chicago Film Critics Association</a>.<a href="#cite_note-147">[143]</a> The screenplay won several prizes, with various awarding bodies ascribing credit differently. At the <a href="/wiki/52nd_Golden_Globe_Awards" title="52nd Golden Globe Awards">52nd Golden Globe Awards</a>, Tarantino, named as sole recipient of the Best Screenplay honor, failed to mention Avary in his acceptance speech.<a href="#cite_note-FOOTNOTEBiskind2004206-148">[144]</a> In February 1995, the film received seven Oscar nominations – Best Picture, Director, Actor (Travolta), Supporting Actor (Jackson), Supporting Actress (Thurman), Original Screenplay, and Film Editing. Travolta, Jackson, and Thurman were each nominated as well for the <a href="/wiki/1st_Screen_Actors_Guild_Awards" title="1st Screen Actors Guild Awards">1st Screen Actors Guild Awards</a>, presented on February 25, but none took home the honor.<a href="#cite_note-149">[145]</a> At the Academy Awards ceremony the following month, Tarantino and Avary were announced as joint winners of the <a href="/wiki/Academy_Award_for_Best_Original_Screenplay" title="Academy Award for Best Original Screenplay">Academy Award for Best Original Screenplay</a>.<a href="#cite_note-Awards-150">[146]</a> The furor around the film was still going strong: much of the March issue of <a href="/wiki/Artforum" title="Artforum">Artforum</a> was devoted to its critical dissection.<a href="#cite_note-FOOTNOTECharyn200687-151">[147]</a> Pulp Fiction garnered four honors at the <a href="/wiki/Independent_Spirit_Awards" title="Independent Spirit Awards">Independent Spirit Awards</a>, held at the end of the month – <a href="/wiki/Independent_Spirit_Award_for_Best_Film" title="Independent Spirit Award for Best Film">Best Feature</a>, <a href="/wiki/Independent_Spirit_Award_for_Best_Director" title="Independent Spirit Award for Best Director">Best Director</a>, <a href="/wiki/Independent_Spirit_Award_for_Best_Male_Lead" title="Independent Spirit Award for Best Male Lead">Male Lead</a> (Jackson), and <a href="/wiki/Independent_Spirit_Award_for_Best_Screenplay" title="Independent Spirit Award for Best Screenplay">Best Screenplay</a> (Tarantino).<a href="#cite_note-152">[148]</a> At the <a href="/wiki/British_Academy_Film_Awards" title="British Academy Film Awards">British Academy Film Awards</a> (BAFTA), Tarantino and Avary shared the <a href="/wiki/BAFTA_Award_for_Best_Original_Screenplay" title="BAFTA Award for Best Original Screenplay">BAFTA Award for Best Original Screenplay</a>, and Jackson won for <a href="/wiki/BAFTA_Award_for_Best_Actor_in_a_Supporting_Role" title="BAFTA Award for Best Actor in a Supporting Role">Best Supporting Actor</a>.<a href="#cite_note-BAFTA-153">[149]</a> The film was nominated for the <a href="/wiki/Grand_Prix_(Belgian_Film_Critics_Association)" title="Grand Prix (Belgian Film Critics Association)">Grand Prix</a> of the <a href="/wiki/Belgian_Film_Critics_Association" title="Belgian Film Critics Association">Belgian Film Critics Association</a>.<a href="#cite_note-154">[150]</a> The February 2020 issue of <a href="/wiki/New_York_Magazine" class="mw-redirect" title="New York Magazine">New York Magazine</a> listed Pulp Fiction alongside <a href="/wiki/Citizen_Kane" title="Citizen Kane">Citizen Kane</a>, <a href="/wiki/Sunset_Boulevard_(film)" title="Sunset Boulevard (film)">Sunset Boulevard</a>, <a href="/wiki/Dr._Strangelove" title="Dr. Strangelove">Dr. Strangelove</a>, <a href="/wiki/Butch_Cassidy_and_the_Sundance_Kid" title="Butch Cassidy and the Sundance Kid">Butch Cassidy and the Sundance Kid</a>, <a href="/wiki/The_Conversation" title="The Conversation">The Conversation</a>, <a href="/wiki/Nashville_(film)" title="Nashville (film)">Nashville</a>, <a href="/wiki/Taxi_Driver" title="Taxi Driver">Taxi Driver</a>, <a href="/wiki/The_Elephant_Man_(film)" title="The Elephant Man (film)">The Elephant Man</a>, <a href="/wiki/In_the_Bedroom" title="In the Bedroom">In the Bedroom</a>, <a href="/wiki/There_Will_Be_Blood" title="There Will Be Blood">There Will Be Blood</a>, and <a href="/wiki/Roma_(2018_film)" title="Roma (2018 film)">Roma</a> as "The Best Movies That Lost Best Picture at the Oscars".<a href="#cite_note-The_Best_Movies_That_Lost_Best_Picture_at_the_Oscars-155">[151]</a> <div class="mw-heading mw-heading2"><h2 id="Legacy_and_influence">Legacy and influence</h2></div> Pulp Fiction quickly came to be regarded as one of the most significant films of its era. In 1995, in a special edition of <a href="/wiki/At_the_Movies_(1986_TV_program)" title="At the Movies (1986 TV program)">Siskel & Ebert</a> devoted to Tarantino, <a href="/wiki/Gene_Siskel" title="Gene Siskel">Gene Siskel</a> argued that the work posed a major challenge to the "ossification of American movies with their brutal formulas". In Siskel's view, <blockquote> the violent intensity of Pulp Fiction calls to mind other violent watershed films that were considered classics in their time and still are. <a href="/wiki/Alfred_Hitchcock" title="Alfred Hitchcock">Hitchcock</a>'s <a href="/wiki/Psycho_(1960_film)" title="Psycho (1960 film)">Psycho</a> [1960], <a href="/wiki/Arthur_Penn" title="Arthur Penn">Arthur Penn</a>'s <a href="/wiki/Bonnie_and_Clyde_(film)" title="Bonnie and Clyde (film)">Bonnie and Clyde</a> [1967], and <a href="/wiki/Stanley_Kubrick" title="Stanley Kubrick">Stanley Kubrick</a>'s <a href="/wiki/A_Clockwork_Orange_(film)" title="A Clockwork Orange (film)">A Clockwork Orange</a> [1971]. Each film shook up a tired, bloated movie industry and used a world of lively lowlifes to reflect how dull other movies had become. And that, I predict, will be the ultimate honor for Pulp Fiction. Like all great films, it criticizes other movies.<a href="#cite_note-SE-156">[152]</a> </blockquote> Ken Dancyger writes that its "imitative and innovative style" – like that of its predecessor, <a href="/wiki/Reservoir_Dogs" title="Reservoir Dogs">Reservoir Dogs</a> – represents <blockquote> a new phenomenon, the movie whose style is created from the context of movie life rather than real life. The consequence is twofold – the presumption of deep knowledge on the part of the audience of those forms such as the <a href="/wiki/Gangster_film" title="Gangster film">gangster films</a> or Westerns, horror films or adventure films. And that the parody or alteration of that film creates a new form, a different experience for the audience.<a href="#cite_note-FOOTNOTEDancyger2002228-157">[153]</a> </blockquote> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Quentin_Tarantino_Uma_Thurman_John_Travolta_Cannes_2014.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/4/4f/Quentin_Tarantino_Uma_Thurman_John_Travolta_Cannes_2014.jpg/220px-Quentin_Tarantino_Uma_Thurman_John_Travolta_Cannes_2014.jpg" decoding="async" width="220" height="232" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/4f/Quentin_Tarantino_Uma_Thurman_John_Travolta_Cannes_2014.jpg/330px-Quentin_Tarantino_Uma_Thurman_John_Travolta_Cannes_2014.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4f/Quentin_Tarantino_Uma_Thurman_John_Travolta_Cannes_2014.jpg/440px-Quentin_Tarantino_Uma_Thurman_John_Travolta_Cannes_2014.jpg 2x" data-file-width="760" data-file-height="800" /></a><figcaption><a href="/wiki/John_Travolta" title="John Travolta">John Travolta</a>, <a href="/wiki/Uma_Thurman" title="Uma Thurman">Uma Thurman</a> and <a href="/wiki/Quentin_Tarantino" title="Quentin Tarantino">Quentin Tarantino</a> at the <a href="/wiki/2014_Cannes_Film_Festival" title="2014 Cannes Film Festival">2014 Cannes Film Festival</a>, for the film's 20th anniversary tribute.</figcaption></figure> In a widely covered speech on May 31, 1995, <a href="/wiki/Bob_Dole" title="Bob Dole">Bob Dole</a>, Senate Majority Leader and <a href="/wiki/Republican_Party_(United_States)" title="Republican Party (United States)">Republican</a> presidential candidate for the then-upcoming <a href="/wiki/1996_United_States_presidential_election" title="1996 United States presidential election">1996 presidential election</a> (as well as the party's vice presidential nominee in the <a href="/wiki/1976_United_States_presidential_election" title="1976 United States presidential election">1976 presidential election</a>), attacked the American entertainment industry for peddling "nightmares of depravity". Pulp Fiction was soon associated with his charges concerning gratuitous violence. Dole had not mentioned the film, instead citing two less-celebrated movies based on Tarantino screenplays, <a href="/wiki/Oliver_Stone" title="Oliver Stone">Oliver Stone</a>'s <a href="/wiki/Natural_Born_Killers" title="Natural Born Killers">Natural Born Killers</a> and <a href="/wiki/Tony_Scott" title="Tony Scott">Tony Scott</a>'s <a href="/wiki/True_Romance" title="True Romance">True Romance</a>.<a href="#cite_note-158">[154]</a> In September 1996, Dole did accuse Pulp Fiction – which he had not seen at the time – of promoting "the romance of heroin".<a href="#cite_note-159">[155]</a> Paula Rabinowitz expresses the general film industry opinion that Pulp Fiction "simultaneously resurrected John Travolta and film noir".<a href="#cite_note-FOOTNOTERabinowitz200215-160">[156]</a> In Peter Biskind's description, it created a "guys-with-guns frenzy".<a href="#cite_note-FOOTNOTEBiskind2004258-161">[157]</a> The film has also been labeled as a <a href="/wiki/Black_comedy" title="Black comedy">black comedy</a><a href="#cite_note-washingtonpost.com-4">[3]</a> and a "<a href="/wiki/Film_noir#Neo-noir_and_echoes_of_the_classic_mode" title="Film noir">neo-noir</a>".<a href="#cite_note-FOOTNOTEWaxman200564-162">[158]</a><a href="#cite_note-FOOTNOTESilverUrsini200465-163">[159]</a><a href="#cite_note-FOOTNOTEReal1996122-164">[160]</a> Critic <a href="/wiki/Geoffrey_O%27Brien" title="Geoffrey O'Brien">Geoffrey O'Brien</a>, however, argued against the classification of Pulp Fiction into the neo-noir genre: "The old-time <a href="/wiki/Film_noir" title="Film noir">noir</a> passions, the brooding melancholy and operatic death scenes, would be altogether out of place in the crisp and brightly lit wonderland that Tarantino conjures up. [It is] neither neo-noir nor a parody of noir."<a href="#cite_note-FOOTNOTEO'Brien199490-165">[161]</a> Similarly, <a href="/wiki/Nicholas_Christopher" title="Nicholas Christopher">Nicholas Christopher</a> calls it "more gangland <a href="/wiki/Camp_(style)" title="Camp (style)">camp</a> than neo-noir",<a href="#cite_note-FOOTNOTEChristopher2006240-166">[162]</a><a href="#cite_note-FOOTNOTERubin1999174–175-167">[163]</a> and <a href="/wiki/Foster_Hirsch" title="Foster Hirsch">Foster Hirsch</a> suggests that its "trippy fantasy landscape" characterizes it more definitively than any genre label.<a href="#cite_note-FOOTNOTEHirsch1997359-168">[164]</a> Regardless, the stylistic influence of Pulp Fiction soon became apparent. Less than a year after the picture's release, British critic Jon Ronson attended the <a href="/wiki/National_Film_and_Television_School" title="National Film and Television School">National Film School</a>'s end-of-semester screenings and assessed the impact: "Out of the five student movies I watched, four incorporated violent shoot-outs over a soundtrack of iconoclastic 70s pop hits, two climaxed with all the main characters shooting each other at once, and one had two hitmen discussing the idiosyncrasies of <a href="/wiki/The_Brady_Bunch" title="The Brady Bunch">The Brady Bunch</a> before offing their victim. Not since <a href="/wiki/Citizen_Kane" title="Citizen Kane">Citizen Kane</a> has one man appeared from relative obscurity to redefine the art of moviemaking."<a href="#cite_note-FOOTNOTEDawson1995a207-169">[165]</a> Among the first Hollywood films cited as its imitators were <a href="/wiki/Destiny_Turns_on_the_Radio" title="Destiny Turns on the Radio">Destiny Turns on the Radio</a> (1995), in which Tarantino acted,<a href="#cite_note-SE-156">[152]</a> <a href="/wiki/Things_to_Do_in_Denver_When_You%27re_Dead" title="Things to Do in Denver When You're Dead">Things to Do in Denver When You're Dead</a> (1995),<a href="#cite_note-170">[166]</a> and <a href="/wiki/2_Days_in_the_Valley" title="2 Days in the Valley">2 Days in the Valley</a> (1996).<a href="#cite_note-FOOTNOTEHirsch1997360-171">[167]</a> It "triggered a myriad of clones", writes Fiona Villella.<a href="#cite_note-FV-172">[168]</a> Internationally, according to <a href="/wiki/David_Desser" title="David Desser">David Desser</a>, it "not only influenced a British brand of noir, but extended the noir vision virtually around the world".<a href="#cite_note-FOOTNOTEDesser2003519-173">[169]</a> Pulp Fiction's effect on film form was still reverberating in 2007, when <a href="/wiki/David_Denby" title="David Denby">David Denby</a> of <a href="/wiki/The_New_Yorker" title="The New Yorker">The New Yorker</a> credited it with initiating the ongoing cycle of disordered cinematic narratives.<a href="#cite_note-Den-174">[170]</a> According to <a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a>, the trajectory of Pulp Fiction from Cannes launch to commercial smash "forever altered the game" of so-called <a href="/wiki/Independent_film" title="Independent film">independent cinema</a>.<a href="#cite_note-175">[171]</a> It "cemented Miramax's place as the reigning indie superpower", writes Biskind.<a href="#cite_note-FOOTNOTEBiskind2004189-114">[112]</a> "Pulp became the <a href="/wiki/Star_Wars" title="Star Wars">Star Wars</a> of independents, exploding expectations for what an indie film could do at the box office."<a href="#cite_note-FOOTNOTEBiskind2004195-176">[172]</a> The film's large financial return on its small budget <blockquote> transform[ed] the industry's attitude toward the lowly indies ... spawning a flock of me-too classics divisions ... [S]mart studio executives suddenly woke up to the fact that grosses and market share, which got all the press, were not the same as profits ... Once the studios realized that they could exploit the economies of (small) scale, they more or less gave up buying or remaking the films themselves, and either bought the distributors, as Disney had Miramax, or started their own ... copy[ing] Miramax's marketing and distribution strategies.<a href="#cite_note-FOOTNOTEBiskind2004193-177">[173]</a> </blockquote> In 2001, Variety, noting the increasing number of actors switching back and forth between expensive studio films and low-budget independent or indie-style projects, suggested that the "watershed moment for movie stars" came with the decision by Willis – one of Hollywood's highest-paid performers – to appear in Pulp Fiction.<a href="#cite_note-178">[174]</a> In 2024, on the film's 30th anniversary, the magazine wrote that the film "revived the career of John Travolta, minted a star in Samuel L. Jackson and spawned a still-thriving cottage industry of knockoffs and imitation films."<a href="#cite_note-Gilchrist-2024-59">[57]</a> It has been described as a "major cultural event", an "international phenomenon" that influenced television, music, literature, and advertising.<a href="#cite_note-FV-172">[168]</a><a href="#cite_note-179">[175]</a> Not long after its release, it was identified as a significant focus of attention within the growing community of Internet users.<a href="#cite_note-180">[176]</a> Adding Pulp Fiction to his roster of <a href="/wiki/The_Great_Movies" title="The Great Movies">The Great Movies</a> in 2001, Roger Ebert called it "the most influential film of the decade".<a href="#cite_note-181">[177]</a> Four years later, Time's Corliss wrote much the same: "(unquestionably) the most influential American movie of the 90s".<a href="#cite_note-T100-182">[178]</a> Several scenes and images from the film achieved iconic status; in 2008, <a href="/wiki/Entertainment_Weekly" title="Entertainment Weekly">Entertainment Weekly</a> declared, "You'd be hard-pressed, by now, to name a moment from Quentin Tarantino's film that isn't iconic."<a href="#cite_note-EWClassic-6">[5]</a> Jules and Vincent's "Royale with Cheese" dialogue became famous.<a href="#cite_note-183">[179]</a> It was referenced more than a decade and a half later in the Travolta vehicle <a href="/wiki/From_Paris_with_Love_(film)" title="From Paris with Love (film)">From Paris with Love</a>.<a href="#cite_note-184">[180]</a> The adrenalin shot to Mia Wallace's heart is on <a href="/wiki/Premiere_(magazine)" class="mw-redirect" title="Premiere (magazine)">Premiere</a>'s list of "100 Greatest Movie Moments".&#39;s_March_2003_issue,_as_"100_Most_Memorable_Movie_Scenes"_185-0" class="reference"><a href="#cite_note-FOOTNOTEWaxman2005p._72:_Waxman_misidentifies_the_list,_which_appeared_in_''Premiere''<span_class="nowrap"_style="padding-left:0.1em;">&#39;s_March_2003_issue,_as_"100_Most_Memorable_Movie_Scenes"-185">[181]</a> The scene of Travolta and Thurman's characters dancing has been frequently homaged, most unambiguously in the 2005 film <a href="/wiki/Be_Cool" title="Be Cool">Be Cool</a>, starring the same two actors.<a href="#cite_note-186">[182]</a> The image of Travolta and Jackson's characters standing side by side in suit and tie, pointing their guns, has also become widely familiar. In 2007, <a href="/wiki/BBC_News" title="BBC News">BBC News</a> reported that "London transport workers have painted over an iconic mural by 'guerrilla artist' <a href="/wiki/Banksy" title="Banksy">Banksy</a> ... The image depicted a scene from Quentin Tarantino's Pulp Fiction, with Samuel L. Jackson and John Travolta clutching bananas instead of guns."<a href="#cite_note-187">[183]</a> Certain lines were adopted popularly as catchphrases, in particular Marsellus's threat, "I'm 'a get medieval on your ass."<a href="#cite_note-FOOTNOTEDinshaw1997116-188">[184]</a> Jules's "Ezekiel" recitation was voted the fourth greatest movie speech of all time in a 2004 poll. One of the more notable homages to Jules's "Biblical" quote was one Jackson himself played a part in, near the end of 2014's <a href="/wiki/Captain_America:_The_Winter_Soldier" title="Captain America: The Winter Soldier">Captain America: The Winter Soldier</a>, Jackson's character <a href="/wiki/Nick_Fury" title="Nick Fury">Col. Nick Fury</a>, presumed dead, visits his own gravestone, on which, below Fury's name is inscribed "The path of the righteous man ..." Ezekiel 25:17.<a href="#cite_note-189">[185]</a> In 2019, it was reported that <a href="/wiki/Dominic_Cummings" title="Dominic Cummings">Dominic Cummings</a>, <a href="/wiki/Special_advisers_(UK_government)" class="mw-redirect" title="Special advisers (UK government)">special political adviser</a> to <a href="/wiki/Prime_Minister_of_the_United_Kingdom" title="Prime Minister of the United Kingdom">British Prime Minister</a> <a href="/wiki/Boris_Johnson" title="Boris Johnson">Boris Johnson</a>, quoted Jules by telling Conservative MPs to "be cool like <a href="/wiki/Fonzie" title="Fonzie">Fonzies</a>" as political pressure built to request an extension to the date of <a href="/wiki/Brexit_negotiations_in_2019#August_2019" title="Brexit negotiations in 2019">the UK's withdrawal from the European Union</a>.<a href="#cite_note-190">[186]</a> Pulp Fiction now appears in several critical assessments of all-time great films. In 2008, Entertainment Weekly named it the best film of the past quarter-century.<a href="#cite_note-EWClassic-6">[5]</a> That same year, the <a href="/wiki/American_Film_Institute" title="American Film Institute">American Film Institute</a>'s "Ten Top Ten" poll ranked it number 7 all-time in the gangster film genre.<a href="#cite_note-AFI10Top10-191">[187]</a> In 2007, it was voted 94th overall on the <a href="/wiki/AFI%27s_100_Years_..._100_Movies" class="mw-redirect" title="AFI's 100 Years ... 100 Movies">AFI's 100 Years ... 100 Movies</a> list.<a href="#cite_note-AFI10-192">[188]</a> In 2005, it was named one of "<a href="/wiki/Time%27s_All-Time_100_Movies" title="Time's All-Time 100 Movies">Time's All-Time 100 Movies</a>".<a href="#cite_note-T100-182">[178]</a> As of September 2018, it is number 54 on Metacritic's list of all-time highest scores.<a href="#cite_note-193">[189]</a> The film ranks very highly in popular surveys. A 2008 <a href="/wiki/Empire_(film_magazine)" class="mw-redirect" title="Empire (film magazine)">Empire</a> poll combining the opinions of readers, movie industry professionals, and critics named Pulp Fiction the ninth-best film of all time.<a href="#cite_note-194">[190]</a> In a 2006 readers' poll by the British magazine <a href="/wiki/Total_Film" title="Total Film">Total Film</a>, it ranked as the number three film in history.<a href="#cite_note-195">[191]</a> It was voted as the fourth-greatest film of all time in a nationwide poll for Britain's <a href="/wiki/Channel_4" title="Channel 4">Channel 4</a> in 2001.<a href="#cite_note-196">[192]</a> In 2015, Pulp Fiction ranked 28th on <a href="/wiki/BBC" title="BBC">BBC</a>'s "100 Greatest American Films" list, voted on by film critics from around the world.<a href="#cite_note-197">[193]</a> <div class="mw-heading mw-heading2"><h2 id="Critical_analysis">Critical analysis</h2></div> Tarantino has stated that he originally planned "to do a <a href="/wiki/Black_Mask_(magazine)" title="Black Mask (magazine)">Black Mask</a> movie", referring to the magazine largely responsible for popularizing <a href="/wiki/Hardboiled" title="Hardboiled">hardboiled</a> detective fiction. "[I]t kind of went somewhere else".<a href="#cite_note-FOOTNOTEO'Brien199490-165">[161]</a> Geoffrey O'Brien sees the result as connected "rather powerfully to a parallel pulp tradition: the tales of terror and the uncanny practiced by such writers as <a href="/wiki/Cornell_Woolrich" title="Cornell Woolrich">Cornell Woolrich</a> [and] <a href="/wiki/Fredric_Brown" title="Fredric Brown">Fredric Brown</a> ... Both dealt heavily in the realm of improbable coincidences and cruel cosmic jokes, a realm that Pulp Fiction makes its own."<a href="#cite_note-FOOTNOTEO'Brien199490,_91-198">[194]</a> In particular, O'Brien finds a strong affinity between the intricate plot mechanics and twists of Brown's novels and the recursive, interweaving structure of Pulp Fiction.<a href="#cite_note-FOOTNOTEO'Brien199491-199">[195]</a> Philip French describes the film's narrative as a "circular movement or <a href="/wiki/M%C3%B6bius_strip" title="Möbius strip">Möbius strip</a> of a kind <a href="/wiki/Alain_Resnais" title="Alain Resnais">Resnais</a> and <a href="/wiki/Alain_Robbe-Grillet" title="Alain Robbe-Grillet">Robbe-Grillet</a> would admire".<a href="#cite_note-200">[196]</a> James Mottram regards crime novelist <a href="/wiki/Elmore_Leonard" title="Elmore Leonard">Elmore Leonard</a>, whose influence Tarantino has acknowledged, as the film's primary literary antecedent. He suggests that Leonard's "rich dialogue" is reflected in Tarantino's "popular-culture-strewn jive"; he also points to the acute, extremely dark sense of humor Leonard applies to the realm of violence as a source of inspiration.<a href="#cite_note-FOOTNOTEMottram2006228,_77-201">[197]</a> Film scholar/historian <a href="/wiki/Robert_P._Kolker" title="Robert P. Kolker">Robert Kolker</a> sees the "flourishes, the apparent witty banality of the dialogue, the goofy fracturing of temporality [as] a patina over a <a href="/wiki/Pastiche" title="Pastiche">pastiche</a>. The pastiche ... is essentially of two films that Tarantino can't seem to get out of his mind: <a href="/wiki/Mean_Streets" title="Mean Streets">Mean Streets</a> [1973; directed by <a href="/wiki/Martin_Scorsese" title="Martin Scorsese">Martin Scorsese</a>, who loved Pulp Fiction and the way the film was told<a href="#cite_note-Scorsese-202">[198]</a>] and <a href="/wiki/The_Killing_(film)" title="The Killing (film)">The Killing</a> [1956; directed by <a href="/wiki/Stanley_Kubrick" title="Stanley Kubrick">Stanley Kubrick</a>]."<a href="#cite_note-FOOTNOTEKolker2000249-203">[199]</a> He contrasts Pulp Fiction with postmodern Hollywood predecessors <a href="/wiki/Hudson_Hawk" title="Hudson Hawk">Hudson Hawk</a> (1991; starring Willis) and <a href="/wiki/Last_Action_Hero" title="Last Action Hero">Last Action Hero</a> (1993; starring <a href="/wiki/Arnold_Schwarzenegger" title="Arnold Schwarzenegger">Arnold Schwarzenegger</a>) that "took the joke too far ... simply mocked or suggested that they were smarter than the audience" and flopped.<a href="#cite_note-FOOTNOTEKolker2000281-204">[200]</a> Todd McCarthy writes that the film's "striking widescreen compositions often contain objects in extreme close-up as well as vivid contrasts, sometimes bringing to mind the visual strategies of <a href="/wiki/Sergio_Leone" title="Sergio Leone">Sergio Leone</a>", an acknowledged hero of Tarantino's.<a href="#cite_note-TM-111">[109]</a> To Martin Rubin, the "expansive, brightly colored widescreen visuals" evoke comedy directors such as <a href="/wiki/Frank_Tashlin" title="Frank Tashlin">Frank Tashlin</a> and <a href="/wiki/Blake_Edwards" title="Blake Edwards">Blake Edwards</a>.<a href="#cite_note-FOOTNOTERubin1999174-205">[201]</a> The movie's host of <a href="/wiki/Popular_culture" title="Popular culture">pop culture</a> allusions, ranging from the famous image of <a href="/wiki/Marilyn_Monroe" title="Marilyn Monroe">Marilyn Monroe</a>'s skirt flying up over a subway grating to Jules addressing a soon-to-be victim as "<a href="/wiki/A_Flock_of_Seagulls" title="A Flock of Seagulls">Flock of Seagulls</a>" because of his haircut,<a href="#cite_note-FOOTNOTETarantino199424,_27-206">[202]</a><a href="#cite_note-FOOTNOTEConard2006108-207">[203]</a> have led many critics to discuss it within the framework of <a href="/wiki/Postmodernism" title="Postmodernism">postmodernism</a>. Describing the film in 2005 as Tarantino's "postmodern masterpiece ... to date", David Walker writes that it "is marked by its playful reverence for the 1950s ... and its constantly teasing and often deferential references to other films". He characterizes its convoluted narrative technique as "postmodern tricksiness".<a href="#cite_note-FOOTNOTEWalker2005315-208">[204]</a> Calling the film a "terminally hip postmodern collage", Foster Hirsch finds Pulp Fiction far from a masterpiece: "authoritative, influential, and meaningless". Set "in a world that could exist only in the movies", it is "a succulent guilty pleasure, beautifully made junk food for <a href="/wiki/Filmophile" class="mw-redirect" title="Filmophile">cinéastes</a>".<a href="#cite_note-FOOTNOTEHirsch1997360,_340-209">[205]</a> O'Brien, dismissing attempts to associate the movie with <a href="/wiki/Film_noir" title="Film noir">film noir</a>, argues that "Pulp Fiction is more a guided tour of an infernal theme park decorated with cultural detritus, <a href="/wiki/Buddy_Holly" title="Buddy Holly">Buddy Holly</a> and <a href="/wiki/Mamie_Van_Doren" title="Mamie Van Doren">Mamie Van Doren</a>, fragments of <a href="/wiki/Blaxploitation" title="Blaxploitation">blaxploitation</a> and <a href="/wiki/Roger_Corman" title="Roger Corman">Roger Corman</a> and <a href="/wiki/Shogun_Assassin" title="Shogun Assassin">Shogun Assassin</a>, music out of a twenty-four-hour oldies station for which all the decades since the fifties exist simultaneously."<a href="#cite_note-FOOTNOTEO'Brien199490-165">[161]</a> Catherine Constable takes the moment in which a needle filled with adrenalin is plunged into the comatose Mia's heart as exemplary. She proposes that it "can be seen as effecting her resurrection from the dead, simultaneously recalling and undermining the <a href="/wiki/Gothic_fiction" title="Gothic fiction">Gothic</a> convention of the vampire's stake. On this model, the referencing of previous aesthetic forms and styles moves beyond ... empty pastiche, sustaining an 'inventive and affirmative' mode of postmodernism."<a href="#cite_note-FOOTNOTEConstable200454-210">[206]</a> Mark T. Conard asks, "[W]hat is the film about?" and answers, "American <a href="/wiki/Nihilism" title="Nihilism">nihilism</a>."<a href="#cite_note-FOOTNOTEConard2006125-211">[207]</a> Hirsch suggests, "If the film is actually about anything other than its own cleverness, it seems dedicated to the dubious thesis that hit men are part of the human family."<a href="#cite_note-FOOTNOTEHirsch1997360-171">[167]</a> Richard Alleva argues that "Pulp Fiction has about as much to do with actual criminality or violence as <a href="/wiki/Cyrano_de_Bergerac_(play)" title="Cyrano de Bergerac (play)">Cyrano de Bergerac</a> with the realities of seventeenth-century France or <a href="/wiki/The_Prisoner_of_Zenda" title="The Prisoner of Zenda">The Prisoner of Zenda</a> with Balkan politics." He reads the movie as a form of romance whose allure is centered in the characters' nonnaturalistic discourse, "wise-guy literate, media-smart, obscenely <a href="/wiki/Epigram" title="Epigram">epigrammatic</a>".<a href="#cite_note-212">[208]</a> In Alan Stone's view, the "absurd dialogue", like that between Vincent and Jules in the scene where the former accidentally kills Marvin, "unexpectedly transforms the meaning of the violence cliché ... Pulp Fiction unmasks the macho myth by making it laughable and deheroicizes the power trip glorified by standard Hollywood violence."<a href="#cite_note-Stone-213">[209]</a> Stone reads the film as "<a href="/wiki/Political_correctness" title="Political correctness">politically correct</a>. There is no nudity and no violence directed against women ... [It] celebrates interracial friendship and cultural diversity; there are strong women and strong black men, and the director swims against the current of class stereotype."<a href="#cite_note-Stone-213">[209]</a> Where Stone sees a celebration, Kolker finds a vacuum: "The postmodern insouciance, violence, homophobia, and racism of Pulp Fiction were perfectly acceptable because the film didn't pretend seriousness and therefore didn't mock it."<a href="#cite_note-FOOTNOTEKolker2000281-204">[200]</a> Calling it the "acme of postmodern nineties filmmaking", he explains, "the postmodern is about surfaces; it is flattened spatiality in which event and character are in a steady state of reminding us that they are pop-cultural figures."<a href="#cite_note-FOOTNOTEKolker2000249,_250-214">[210]</a> According to Kolker: <blockquote> That's why Pulp Fiction was so popular. Not because all audiences got all or any of its references to Scorsese and Kubrick, but because the narrative and spatial structure of the film never threatened to go beyond themselves into signification. The film's cycle of racist and homophobic jokes might threaten to break out into a quite nasty view of the world, but this nastiness keeps being laughed off – by the mock intensity of the action, the prowling, confronting, perverse, confined, and airless nastiness of the world Tarantino creates.<a href="#cite_note-FOOTNOTEKolker2000250-215">[211]</a> </blockquote> <a href="/wiki/Henry_Giroux" title="Henry Giroux">Henry A. Giroux</a> argues that Tarantino "empties violence of any critical social consequences, offering viewers only the immediacy of shock, humor, and irony-without-insight as elements of mediation. None of these elements gets beyond the seduction of voyeuristic gazing ... [t]he facile consumption of shocking images and hallucinatory delight."<a href="#cite_note-FOOTNOTEGiroux199677-216">[212]</a> Regarding the violence and nihilism in the film, Pamela Demory has suggested that Pulp Fiction should be seen in light of the short stories of <a href="/wiki/Flannery_O%27Connor" title="Flannery O'Connor">Flannery O'Connor</a>,<a href="#cite_note-217">[213]</a> which likewise feature "religious elements, banality, and violence with grotesque humor." Discussing "the connection between violence and redemption," Demory concludes that while O'Connor's purpose is to convince readers "of the powerful force of evil in the world and of our need for grace," Tarantino "seeks to demonstrate that in spite of everything we have seen in the film – all the violence, degradation, death, crime, amoral behavior – grace is still possible; there might still be a God who doesn't judge us on merits."<a href="#cite_note-218">[214]</a> <div class="mw-heading mw-heading3"><h3 id="Homage_as_essence">Homage as essence</h3></div> <div class="mw-heading mw-heading4"><h4 id="Cinema">Cinema</h4></div> Pulp Fiction is full of <a href="/wiki/Homage_(arts)" title="Homage (arts)">homages</a> to other movies. "Tarantino's characters", writes <a href="/wiki/Gary_Groth" title="Gary Groth">Gary Groth</a>, "inhabit a world where the entire landscape is composed of Hollywood product. Tarantino is a cinematic kleptomaniac – he literally can't help himself."<a href="#cite_note-FOOTNOTEGroth1997189-219">[215]</a> Two scenes in particular have prompted discussion of the film's highly <a href="/wiki/Intertextuality" title="Intertextuality">intertextual</a> style. Many have assumed that the dance sequence at Jack Rabbit Slim's was intended as a reference to Travolta's star-making performance as Tony Manero in the epochal <a href="/wiki/Saturday_Night_Fever" title="Saturday Night Fever">Saturday Night Fever</a> (1977); Tarantino, however, credits a scene in the <a href="/wiki/Jean-Luc_Godard" title="Jean-Luc Godard">Jean-Luc Godard</a> film <a href="/wiki/Bande_%C3%A0_part_(film)" title="Bande à part (film)">Bande à part</a> (1964) with the inspiration. According to the filmmaker; <blockquote> Everybody thinks that I wrote this scene just to have John Travolta dancing. But the scene existed before John Travolta was cast. But once he was cast, it was like, "Great. We get to see John dance. All the better."... My favorite musical sequences have always been in Godard, because they just come out of nowhere. It's so infectious, so friendly. And the fact that it's not a musical, but he's stopping the movie to have a musical sequence, makes it all the more sweet.<a href="#cite_note-T9-220">[216]</a> </blockquote> <a href="/wiki/Jerome_Charyn" title="Jerome Charyn">Jerome Charyn</a> argues that, beyond "all the better", Travolta's presence is essential to the power of the scene, and of the film: <blockquote> Travolta's entire career becomes "<a href="/wiki/Backstory" title="Backstory">backstory</a>", the myth of a movie star who has fallen out of favor, but still resides in our memory as the king of disco. We keep waiting for him to shed his paunch, put on a white polyester suit, and enter the 2001 Odyssey club in Bay Ridge, Brooklyn, where he will dance for us and never, never stop. Daniel Day-Lewis couldn't have woken such a powerful longing in us. He isn't part of America's own mad cosmology ... Tony Manero [is] an angel sitting on Vince's shoulder ... [Vince and Mia's] actual dance may be closer to the choreography of <a href="/wiki/Anna_Karina" title="Anna Karina">Anna Karina</a>'s shuffle with her two bumbling gangster boyfriends in Bande à part, but even that reference is lost to us, and we're with Tony again ...<a href="#cite_note-FOOTNOTECharyn2006106-221">[217]</a> </blockquote> Estella Tincknell notes that while the "diner setting seems to be a simulacrum of a 'fifties' restaurant ... the twist contest is a musical sequence which evokes 'the sixties,' while Travolta's dance performance inevitably references 'the seventies' and his appearance in Saturday Night Fever. ... The 'past' thus becomes a more general 'pastness' in which the stylistic signifiers of various decades are loaded in to a single moment."<a href="#cite_note-FOOTNOTETincknell2006140-222">[218]</a> She also argues that in this passage the film "briefly shifts from its habitually ironic discourse to one that references the conventions of the classic <a href="/wiki/Musical_film" title="Musical film">film musical</a> and in doing so makes it possible for the film to inhabit an affective space that goes beyond stylistic allusion."<a href="#cite_note-FOOTNOTETincknell2006140-222">[218]</a> The pivotal moment in which Marsellus crosses the street in front of Butch's car and notices him evokes the scene in which Marion Crane's boss sees her under similar circumstances in <a href="/wiki/Psycho_(1960_film)" title="Psycho (1960 film)">Psycho</a> (1960).<a href="#cite_note-FOOTNOTEDawson1995a178-223">[219]</a><a href="#cite_note-FOOTNOTEPolan200019-224">[220]</a> Marsellus and Butch are soon held captive by Maynard and Zed, "two sadistic honkies straight out of <a href="/wiki/Deliverance" title="Deliverance">Deliverance</a>" (1972), directed by <a href="/wiki/John_Boorman" title="John Boorman">John Boorman</a>.<a href="#cite_note-Stone-213">[209]</a> Zed shares a name with <a href="/wiki/Sean_Connery" title="Sean Connery">Sean Connery</a>'s character in Boorman's follow-up, the science-fiction film <a href="/wiki/Zardoz" title="Zardoz">Zardoz</a> (1974). When Butch decides to rescue Marsellus, in Glyn White's words, "he finds a trove of items with film-hero resonances".<a href="#cite_note-FOOTNOTEWhite2002342-225">[221]</a> Critics have identified these weapons with a range of possible allusions: <ul><li>Hammer – <a href="/wiki/The_Toolbox_Murders" title="The Toolbox Murders">The Toolbox Murders</a> (1978)<a href="#cite_note-FOOTNOTEFulwood200322-226">[222]</a></li> <li>Baseball bat – <a href="/wiki/Walking_Tall_(1973_film)" title="Walking Tall (1973 film)">Walking Tall</a> (1973);<a href="#cite_note-FOOTNOTEWhite2002342-225">[221]</a> <a href="/wiki/The_Untouchables_(film)" title="The Untouchables (film)">The Untouchables</a> (1987)<a href="#cite_note-FOOTNOTEFulwood200322-226">[222]</a></li> <li>Chainsaw – <a href="/wiki/The_Texas_Chain_Saw_Massacre" title="The Texas Chain Saw Massacre">The Texas Chain Saw Massacre</a> (1974);<a href="#cite_note-FOOTNOTEWhite2002342-225">[221]</a><a href="#cite_note-FOOTNOTEFulwood200322-226">[222]</a> <a href="/wiki/Evil_Dead_II" title="Evil Dead II">Evil Dead II</a> (1987)<a href="#cite_note-FOOTNOTEWhite2002342-225">[221]</a></li> <li><a href="/wiki/Katana" title="Katana">Katana</a> (samurai sword) – many, including <a href="/wiki/Seven_Samurai" title="Seven Samurai">Seven Samurai</a> (1954);<a href="#cite_note-FOOTNOTEWhite2002342-225">[221]</a><a href="#cite_note-FOOTNOTEFulwood200322-226">[222]</a> <a href="/wiki/The_Yakuza" title="The Yakuza">The Yakuza</a> (1975);<a href="#cite_note-FOOTNOTEWhite2002342-225">[221]</a> and <a href="/wiki/Shogun_Assassin" title="Shogun Assassin">Shogun Assassin</a> (1980)<a href="#cite_note-FOOTNOTEFulwood200322-226">[222]</a></li></ul> At the conclusion of the scene, a portentous line of Marsellus's echoes one from the crime drama <a href="/wiki/Charley_Varrick" title="Charley Varrick">Charley Varrick</a> (1973), directed by another of Tarantino's heroes, <a href="/wiki/Don_Siegel" title="Don Siegel">Don Siegel</a>; the name of the character who speaks it there is Maynard.<a href="#cite_note-FOOTNOTEGroth1997188–9-227">[223]</a><a href="#cite_note-FOOTNOTEDinshaw1997186-228">[224]</a><a href="#cite_note-FOOTNOTEMottram200675–76-229">[225]</a><a href="#cite_note-230">[226]</a> David Bell argues that far from going against the "current of class stereotype", this scene, like Deliverance, "mobilize[s] a certain construction of poor white country folk – and particularly their sexualization ... 'rustic sexual expression often takes the form of homosexual rape' in American movies."<a href="#cite_note-FOOTNOTEBell200087-231">[227]</a> Stephen Paul Miller believes the Pulp Fiction scene goes down much easier than the one it echoes: "The buggery perpetrated is not at all as shocking as it was in Deliverance ... The nineties film reduces seventies competition, horror, and taboo into an entertainingly subtle adrenaline play – a fiction, a pulp fiction."<a href="#cite_note-FOOTNOTEMiller199976-232">[228]</a> Giroux reads the rape scene homage similarly: "in the end Tarantino's use of parody is about repetition, transgression, and softening the face of violence by reducing it to the property of film history."<a href="#cite_note-FOOTNOTEGiroux199678-233">[229]</a> In Groth's view, the crucial difference is that "in Deliverance the rape created the film's central moral dilemma whereas in Pulp Fiction it was merely 'the single weirdest day of [Butch's] life.'"<a href="#cite_note-FOOTNOTEGroth1997188-234">[230]</a> ("<a href="/wiki/American_Me" title="American Me">American Me</a> did it too," Tarantino observed. "There's like three butt-fucking scenes in American Me. That's definitely the one to beat in that particular category!"<a href="#cite_note-235">[231]</a>) Neil Fulwood focuses on Butch's weapon selection, writing, "Here, Tarantino's love of movies is at its most open and nonjudgemental, tipping a nod to the noble and the notorious, as well as sending up his own reputation as an enfant terrible of movie violence. Moreover, the scene makes a sly comment about the readiness of cinema to seize upon whatever is to hand for its moments of mayhem and murder."<a href="#cite_note-FOOTNOTEFulwood200322-226">[222]</a> White asserts that "the katana he finally, and significantly, selects identifies him with ... <a href="/wiki/Honour" title="Honour">honourable</a> heroes."<a href="#cite_note-FOOTNOTEWhite2002342-225">[221]</a> Conard argues that the first three items symbolize a nihilism that Butch is rejecting. The traditional Japanese sword, in contrasts, represents a culture with a well-defined <a href="/wiki/Morality" title="Morality">moral code</a> and thus connects Butch with a more meaningful approach to life.<a href="#cite_note-FOOTNOTEConard2006125,_133-236">[232]</a> The <a href="/wiki/List_of_biker_films" title="List of biker films">biker film</a> <a href="/wiki/Nam%27s_Angels" class="mw-redirect" title="Nam's Angels">Nam's Angels</a> is also shown with Fabienne characterizing it as "A motorcycle movie, I'm not sure the name."<a href="#cite_note-237">[233]</a> <div class="mw-heading mw-heading4"><h4 id="Television">Television</h4></div> Robert Miklitsch argues that "Tarantino's telephilia" may be more central to the guiding sensibility of Pulp Fiction than the filmmaker's love for rock 'n' roll and even cinema: <blockquote> Talking about his generation, one that came of age in the '70s, Tarantino has commented that the "number one thing we all shared wasn't music, that was a Sixties thing. Our culture was television." A random list of the TV programs referenced in Pulp Fiction confirms his observation: <a href="/wiki/Speed_Racer" title="Speed Racer">Speed Racer</a>, <a href="/wiki/Clutch_Cargo" title="Clutch Cargo">Clutch Cargo</a>, <a href="/wiki/The_Brady_Bunch" title="The Brady Bunch">The Brady Bunch</a>, <a href="/wiki/The_Partridge_Family" title="The Partridge Family">The Partridge Family</a>, <a href="/wiki/The_Avengers_(TV_series)" title="The Avengers (TV series)">The Avengers</a>, <a href="/wiki/The_Three_Stooges" title="The Three Stooges">The Three Stooges</a>, <a href="/wiki/The_Flintstones" title="The Flintstones">The Flintstones</a>, <a href="/wiki/I_Spy_(1965_TV_series)" title="I Spy (1965 TV series)">I Spy</a>, <a href="/wiki/Green_Acres" title="Green Acres">Green Acres</a>, <a href="/wiki/Kung_Fu_(1972_TV_series)" title="Kung Fu (1972 TV series)">Kung Fu</a>, <a href="/wiki/Happy_Days" title="Happy Days">Happy Days</a>, and last but not least, Mia's fictional pilot, Fox Force Five.<sup id="cite_ref-FOOTNOTEMiklitsch2006pp._15,_16:_Note_that_while_the_Three_Stooges_did_have_an_original_TV_series_that_ran_briefly_in_the_mid-1960s,_they_were_most_familiar_from_their_cinematic_[[Short_film|shorts]]_that_were_[[Broadcast_syndication|syndicated]]_to_television_238-0" class="reference"><a href="#cite_note-FOOTNOTEMiklitsch2006pp._15,_16:_Note_that_while_the_Three_Stooges_did_have_an_original_TV_series_that_ran_briefly_in_the_mid-1960s,_they_were_most_familiar_from_their_cinematic_[[Short_film|shorts]]_that_were_[[Broadcast_syndication|syndicated]]_to_television-238">[234]</a> </blockquote> "The above list, with the possible exception of The Avengers," writes Miklitsch, "suggests that Pulp Fiction has less of an elective affinity with the cinematic avant-gardism of Godard than with mainstream network programming."<a href="#cite_note-FOOTNOTEMiklitsch200616-239">[235]</a> Jonathan Rosenbaum had brought TV into his analysis of the Tarantino/Godard comparison, acknowledging that the directors were similar in wanting to cram everything they like onscreen: "But the differences between what Godard likes and what Tarantino likes and why are astronomical; it's like comparing a combined museum, library, film archive, record shop, and department store with a jukebox, a video-rental outlet, and an issue of <a href="/wiki/TV_Guide" title="TV Guide">TV Guide</a>."<a href="#cite_note-Profusion-134">[131]</a> Sharon Willis focuses on the way a television show (<a href="/wiki/Clutch_Cargo" title="Clutch Cargo">Clutch Cargo</a>) marks the beginning of, and plays on through, the scene between young Butch and his father's comrade-in-arms. The Vietnam War veteran is played by Christopher Walken, whose presence in the role evokes his performance as a traumatized G.I. in the Vietnam War movie <a href="/wiki/The_Deer_Hunter" title="The Deer Hunter">The Deer Hunter</a> (1978). Willis writes that "when Captain Koons enters the living room, we see Walken in his function as an image retrieved from a repertoire of 1970s television and movie versions of ruined <a href="/wiki/Masculinity" title="Masculinity">masculinity</a> in search of rehabilitation ... [T]he gray light of the television presiding over the scene seems to inscribe the ghostly paternal gaze."<a href="#cite_note-FOOTNOTEWillis1997195-240">[236]</a> Miklitsch asserts that, for some critics, the film is a "prime example of the pernicious ooze-like influence of mass culture exemplified by their bête noire: TV."<a href="#cite_note-FOOTNOTEMiklitsch200616-239">[235]</a> Kolker might not disagree, arguing that "Pulp Fiction is a simulacrum of our daily exposure to television; its homophobes, thugs and perverts, sentimental boxers and pimp promoters move through a series of long-take tableaux: we watch, laugh, and remain with nothing to comprehend."<a href="#cite_note-FOOTNOTEKolker2000250-215">[211]</a> <div class="mw-heading mw-heading3"><h3 id="Notable_motifs">Notable motifs</h3></div> <div class="mw-heading mw-heading4"><h4 id="The_mysterious_666_briefcase">The mysterious 666 briefcase</h4></div> <style data-mw-deduplicate="TemplateStyles:r1273380762/mw-parser-output/.tmulti">.mw-parser-output .tmulti .multiimageinner{display:flex;flex-direction:column}.mw-parser-output .tmulti .trow{display:flex;flex-direction:row;clear:left;flex-wrap:wrap;width:100%;box-sizing:border-box}.mw-parser-output .tmulti .tsingle{margin:1px;float:left}.mw-parser-output .tmulti .theader{clear:both;font-weight:bold;text-align:center;align-self:center;background-color:transparent;width:100%}.mw-parser-output .tmulti .thumbcaption{background-color:transparent}.mw-parser-output .tmulti .text-align-left{text-align:left}.mw-parser-output .tmulti .text-align-right{text-align:right}.mw-parser-output .tmulti .text-align-center{text-align:center}@media all and (max-width:720px){.mw-parser-output .tmulti .thumbinner{width:100%!important;box-sizing:border-box;max-width:none!important;align-items:center}.mw-parser-output .tmulti .trow{justify-content:center}.mw-parser-output .tmulti .tsingle{float:none!important;max-width:100%!important;box-sizing:border-box;text-align:center}.mw-parser-output .tmulti .tsingle .thumbcaption{text-align:left}.mw-parser-output .tmulti .trow>.thumbcaption{text-align:center}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .tmulti .multiimageinner span:not(.skin-invert-image):not(.skin-invert):not(.bg-transparent) img{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .tmulti .multiimageinner span:not(.skin-invert-image):not(.skin-invert):not(.bg-transparent) img{background-color:white}}</style><div class="thumb tmulti tright"><div class="thumbinner multiimageinner" style="width:204px;max-width:204px"><div class="trow"><div class="tsingle" style="width:202px;max-width:202px"><div class="thumbimage"><a href="/wiki/File:PulpFictionCase.jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/f/fe/PulpFictionCase.jpg/200px-PulpFictionCase.jpg" decoding="async" width="200" height="85" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/f/fe/PulpFictionCase.jpg/300px-PulpFictionCase.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/f/fe/PulpFictionCase.jpg/400px-PulpFictionCase.jpg 2x" data-file-width="483" data-file-height="206" /></a></div><div class="thumbcaption">Vincent "stares ... transfixed" into the glowing case, as specified in Tarantino's screenplay.<a href="#cite_note-FOOTNOTETarantino199428-241">[237]</a></div></div></div><div class="trow"><div class="tsingle" style="width:202px;max-width:202px"><div class="thumbimage"><a href="/wiki/File:KissMeDeadlyPandora.jpg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/1/1d/KissMeDeadlyPandora.jpg/200px-KissMeDeadlyPandora.jpg" decoding="async" width="200" height="121" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/1/1d/KissMeDeadlyPandora.jpg 1.5x" data-file-width="265" data-file-height="160" /></a></div><div class="thumbcaption">Vincent's demeanor reinforces the allusion to the scene in <a href="/wiki/Kiss_Me_Deadly" title="Kiss Me Deadly">Kiss Me Deadly</a> (1955) in which Lily Carver, a.k.a. Gabrielle (<a href="/wiki/Gaby_Rodgers" title="Gaby Rodgers">Gaby Rodgers</a>), gazes into the glowing case.<a href="#cite_note-FOOTNOTEGallafent200646-242">[238]</a></div></div></div></div></div> The combination of the mysterious suitcase lock is 666, the "<a href="/wiki/Number_of_the_beast" title="Number of the beast">Number of the Beast</a>". Tarantino has said there is no explanation for its contents – it is simply a <a href="/wiki/MacGuffin" title="MacGuffin">MacGuffin</a>, a pure <a href="/wiki/Plot_device" title="Plot device">plot device</a>. Originally, the case was to contain diamonds, but this was seen as too mundane. For filming purposes, it contained a hidden orange light bulb that produced an otherworldly glow when the case was opened.<a href="#cite_note-243">[239]</a> In a 2007 video interview with fellow director and friend <a href="/wiki/Robert_Rodriguez" title="Robert Rodriguez">Robert Rodriguez</a>, Tarantino purportedly "reveals" the secret contents of the briefcase, but the film cuts out and skips the scene in the style employed in Tarantino and Rodriguez's <a href="/wiki/Grindhouse_(film)" title="Grindhouse (film)">Grindhouse</a> (2007), with an intertitle that reads "Missing Reel". The interview resumes with Rodriguez discussing how radically the "knowledge" of the briefcase's contents alters one's understanding of the movie.<a href="#cite_note-Myspace-244">[240]</a> Despite Tarantino's statements, many solutions to what one scholar calls this "unexplained postmodern puzzle" have been proposed.<a href="#cite_note-FOOTNOTEReal1996259-122">[119]</a> A strong similarity has often been observed with <a href="/wiki/Robert_Aldrich" title="Robert Aldrich">Robert Aldrich</a>'s 1955 <a href="/wiki/Film_noir" title="Film noir">film noir</a> <a href="/wiki/Kiss_Me_Deadly" title="Kiss Me Deadly">Kiss Me Deadly</a>, which features a glowing briefcase housing an atomic explosive.<a href="#cite_note-FOOTNOTEGroth1997188-234">[230]</a><a href="#cite_note-FOOTNOTEPolan200020-245">[241]</a><a href="#cite_note-246">[242]</a> In their review of <a href="/wiki/Alex_Cox" title="Alex Cox">Alex Cox</a>'s 1984 film <a href="/wiki/Repo_Man_(film)" title="Repo Man (film)">Repo Man</a> in The Daily Telegraph, Nick Cowen and Hari Patience suggest that Pulp Fiction may also owe "a debt of inspiration" to the glowing car trunk in that film.<a href="#cite_note-247">[243]</a> In scholar Paul Gormley's view, this connection with Kiss Me Deadly, and a similar one with <a href="/wiki/Raiders_of_the_Lost_Ark" title="Raiders of the Lost Ark">Raiders of the Lost Ark</a> (1981), makes it possible to read the eerie glow as symbolic of violence itself.<a href="#cite_note-FOOTNOTEGormley2005164-248">[244]</a> The idea that the briefcase contains Marsellus's soul gained popular currency in the mid-1990s. Analyzing the notion, <a href="/wiki/Roger_Ebert" title="Roger Ebert">Roger Ebert</a> dismissed it as "nothing more than a widely distributed urban legend given false credibility by the mystique of the Net".<a href="#cite_note-FOOTNOTEEbert1997188-249">[245]</a> <div class="mw-heading mw-heading4"><h4 id="Jules'_Bible_passage">Jules' Bible passage</h4></div> Jules ritually recites what he describes as a biblical passage, <a href="/wiki/Book_of_Ezekiel" title="Book of Ezekiel">Ezekiel</a> 25:17, before he executes someone. The passage is heard three times – in the introductory sequence in which Jules and Vincent reclaim Marsellus's briefcase from the doomed Brett; that same recitation a second time, at the beginning of "The Bonnie Situation", which overlaps the end of the earlier sequence; and in the epilogue at the diner. The first version of the passage is as follows: <blockquote>The path of the righteous man is beset on all sides by the inequities of the selfish and the tyranny of evil men. Blessed is he who in the name of charity and goodwill shepherds the weak through the valley of darkness, for he is truly his brother's keeper and the finder of lost children. And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy My brothers. And you will know My name is the Lord when I lay My vengeance upon thee.</blockquote> The second version, from the diner scene, is identical except for the final line: "And you will know I am the Lord when I lay My vengeance upon you." <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}</style><style data-mw-deduplicate="TemplateStyles:r1096940132">.mw-parser-output .listen .side-box-text{line-height:1.1em}.mw-parser-output .listen-plain{border:none;background:transparent}.mw-parser-output .listen-embedded{width:100%;margin:0;border-width:1px 0 0 0;background:transparent}.mw-parser-output .listen-header{padding:2px}.mw-parser-output .listen-embedded .listen-header{padding:2px 0}.mw-parser-output .listen-file-header{padding:4px 0}.mw-parser-output .listen .description{padding-top:2px}.mw-parser-output .listen .mw-tmh-player{max-width:100%}@media(max-width:719px){.mw-parser-output .listen{clear:both}}@media(min-width:720px){.mw-parser-output .listen:not(.listen-noimage){width:320px}.mw-parser-output .listen-left{overflow:visible;float:left}.mw-parser-output .listen-center{float:none;margin-left:auto;margin-right:auto}}</style><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/8/87/Gnome-mime-sound-openclipart.svg/50px-Gnome-mime-sound-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/87/Gnome-mime-sound-openclipart.svg/75px-Gnome-mime-sound-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/87/Gnome-mime-sound-openclipart.svg/100px-Gnome-mime-sound-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:End_of_Ezekiel.ogg" title="File:End of Ezekiel.ogg">"And I will strike down ..."</a></div> <div><audio id="mwe_player_0" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="26" data-mwtitle="End_of_Ezekiel.ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/1/1a/End_of_Ezekiel.ogg" type="audio/ogg; codecs="vorbis"" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/en/transcoded/1/1a/End_of_Ezekiel.ogg/End_of_Ezekiel.ogg.mp3" type="audio/mpeg" data-transcodekey="mp3" data-width="0" data-height="0" /></audio></div> <div class="description">Conclusion of the "Ezekiel 25:17" monologue and Brett's murder</div></div></div></div> <div class="side-box-abovebelow"><hr />Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</div> </div> While the final two sentences of Jules's speech are similar to the actual cited passage, the first two are fabricated from various biblical phrases.<a href="#cite_note-FOOTNOTEReinhartz2003108-250">[246]</a> The text of Ezekiel 25 preceding verse 17 indicates that God's wrath is retribution for the hostility of the <a href="/wiki/Philistines" title="Philistines">Philistines</a>. In the <a href="/wiki/King_James_Version" title="King James Version">King James Version</a> from which Jules's speech is adapted, Ezekiel 25:17 reads in its entirety: <blockquote>And I will execute great vengeance upon them with furious rebukes; and they shall know that I am the LORD, when I shall lay My vengeance upon them.<a href="#cite_note-251">[247]</a></blockquote> Tarantino's primary inspiration for the speech was the work of Japanese <a href="/wiki/Martial_arts_film" title="Martial arts film">martial arts</a> star <a href="/wiki/Sonny_Chiba" title="Sonny Chiba">Sonny Chiba</a>. Its text and its identification as Ezekiel 25:17 derive from an almost identical creed that appears at the beginning of the Chiba movie <a href="/wiki/Karate_Kiba" class="mw-redirect" title="Karate Kiba">Karate Kiba</a> (The Bodyguard; 1976), where it is both shown as a scrolling text and read by an offscreen narrator.<a href="#cite_note-FOOTNOTEThomas2003pp._61–62:_Thomas_notes_that_instead_of_"the_Lord",_this_version_reads_"...&nbsp;and_they_shall_know_that_I_am_Chiba_the_Bodyguard&nbsp;..."-252">[248]</a><sup id="cite_ref-FOOTNOTEConard2006p._134:_Conard_claims_that_the_text_originates_from_the_film_''Bodigaado_Kiba''_(''Bodyguard_Kiba''_or_''The_Bodyguard'';_1973)_and_that_the_end_phrase_there_is_"And_you_will_know_my_name_is_Chiba_the_Bodyguard&nbsp;..."_253-0" class="reference"><a href="#cite_note-FOOTNOTEConard2006p._134:_Conard_claims_that_the_text_originates_from_the_film_''Bodigaado_Kiba''_(''Bodyguard_Kiba''_or_''The_Bodyguard'';_1973)_and_that_the_end_phrase_there_is_"And_you_will_know_my_name_is_Chiba_the_Bodyguard&nbsp;..."-253">[249]</a> The version seen at the beginning of The Bodyguard (1976) is as follows: <blockquote>The path of the righteous man and defender is beset on all sides by the inequity of the selfish and the tyranny of evil men. Blessed is he, who in the name of charity and good will, shepherds the weak through the valley of darkness, for he is truly his brother's keeper, and the father of lost children. And I will execute great vengeance upon them with furious anger, who poison and destroy my brothers; and they shall know that I am Chiba the Bodyguard when I shall lay my vengeance upon them!</blockquote> In the 1980s television series Kage no Gundan (<a href="/wiki/Shadow_Warriors_(TV_series)" title="Shadow Warriors (TV series)">Shadow Warriors</a>), Chiba's character would lecture the villain-of-the-week about how the world must be rid of evil before killing him.<a href="#cite_note-254">[250]</a> A killer delivers a similar biblical rant in <a href="/wiki/Modesty_Blaise_(novel)" title="Modesty Blaise (novel)">Modesty Blaise</a>, the hardback but pulp-style novel Vincent is shown with in two scenes.<a href="#cite_note-T25-255">[251]</a> Two critics who have analyzed the role of the speech find different ties between Jules's transformation and the issue of <a href="/wiki/Postmodernity" title="Postmodernity">postmodernity</a>. Gormley argues that unlike the film's other major characters – Marsellus aside – Jules is: <blockquote> linked to a "thing" beyond postmodern simulation ... [T]his is perhaps most marked when he moves on from being a simulation of a Baptist preacher, spouting Ezekiel because it was "just a cool thing to say ..." In his conversion, Jules is shown to be cognizant of a place beyond this simulation, which, in this case, the film constructs as God.<a href="#cite_note-FOOTNOTEGormley2005167-256">[252]</a> </blockquote> <a href="/wiki/Adele_Reinhartz" title="Adele Reinhartz">Adele Reinhartz</a> writes that the "depth of Jules's transformation" is indicated by the difference in his two deliveries of the passage: "In the first, he is a majestic and awe-inspiring figure, proclaiming the prophecy with fury and self-righteousness ... In the second ... he appears to be a different sort of man altogether ... [I]n true postmodern fashion, [he] reflects on the meaning of his speech and provides several different ways that it might pertain to his current situation."<a href="#cite_note-FOOTNOTEReinhartz2003106,_107-257">[253]</a> Similar to Gormley, Conard argues that as Jules reflects on the passage, it dawns on him "that it refers to an objective framework of value and meaning that is absent from his life"; to Conard, this contrasts with the film's prevalent representation of a nihilistic culture.<a href="#cite_note-FOOTNOTEConard2006130-258">[254]</a> Rosenbaum finds much less in Jules's revelation: "[T]he spiritual awakening at the end of Pulp Fiction, which Jackson performs beautifully, is a piece of jive avowedly inspired by kung-fu movies. It may make you feel good, but it certainly doesn't leave you any wiser."<a href="#cite_note-Profusion-134">[131]</a> <div class="mw-heading mw-heading4"><h4 id="The_bathroom">The bathroom</h4></div> Much of Pulp Fiction's action revolves around characters who are either in the bathroom or need to use the toilet. To a lesser extent, Tarantino's other films also feature this narrative element.<a href="#cite_note-259">[255]</a> At Jack Rabbit Slim's, Mia goes to "powder her nose" – literally; she <a href="/wiki/Cocaine#Insufflation" title="Cocaine">snorts coke</a> in the restroom, surrounded by a bevy of women vainly primping. Butch and Fabienne play an extended scene in their motel bathroom, he in the shower, she brushing her teeth; the next morning, but just a few seconds later in screen time, she is again brushing her teeth – vigorously, after having given Butch "oral pleasure." As Jules and Vincent confront Brett and two of his pals, a fourth man is hiding in the bathroom – his actions will lead to Jules' transformative "moment of clarity". After Marvin's absurd death, Vincent and Jules wash up in Jimmie's bathroom, where they get into a contretemps over a bloody hand towel.<a href="#cite_note-Den-174">[170]</a> When the diner holdup turns into a standoff, "Honey Bunny" whines, "I gotta go pee!"<a href="#cite_note-FOOTNOTEFraiman200315-260">[256]</a> As described by Peter and Will Brooker, "In three significant moments Vincent retires to the bathroom [and] returns to an utterly changed world where death is threatened."<a href="#cite_note-FOOTNOTEBrookerBrooker1996239-261">[257]</a> The threat increases in magnitude as the narrative progresses chronologically, and is realized in the third instance: <ol><li>Vincent and Jules's diner breakfast and philosophical conversation is aborted by Vincent's bathroom break; an armed robbery ensues while Vincent is reading on the toilet.</li> <li>While Vincent is in the bathroom worrying about the possibility of going too far with Marsellus's wife, Mia mistakes his heroin for cocaine, snorts it, and overdoses.</li> <li>During a stakeout at Butch's apartment, Vincent emerges from the toilet with his book and is killed by Butch.</li></ol> In the Brookers' analysis, "Through Vince ... we see the contemporary world as utterly contingent, transformed, disastrously, in the instant you are not looking."<a href="#cite_note-FOOTNOTEBrookerBrooker1996239-261">[257]</a> Fraiman finds it particularly significant that Vincent is reading Modesty Blaise in two of these instances. She links this fact with the traditional derisive view of women as "the archetypal consumers of pulp": <blockquote> Locating popular fiction in the bathroom, Tarantino reinforces its association with shit, already suggested by the dictionary meanings of "pulp" that preface the movie: moist, shapeless matter; also, lurid stories on cheap paper. What we have then is a series of damaging associations – pulp, women, shit – that taint not only male producers of mass-market fiction but also male consumers. Perched on the toilet with his book, Vincent is feminized by sitting instead of standing as well as by his trashy tastes; preoccupied by the anal, he is implicitly infantilized and homosexualized; and the seemingly inevitable result is being pulverized by Butch with a Czech M61 submachine gun. That this fate has to do with Vincent's reading habits is strongly suggested by a slow tilt from the book on the floor directly up to the corpse spilled into the tub.<sup id="cite_ref-FOOTNOTEFraiman2003p._14:_Fraiman's_identification_of_the_submachine_gun_as_a_[[Škorpion|Czech_M61]]_matches_the_description_in_the_screenplay:_Tarantino_(1994),_p._96._Visual_evidence_suggests_that_a_different_gun_was_actually_used_in_the_film,_possibly_a_[[MAC-10]]_or_similar_model_262-0" class="reference"><a href="#cite_note-FOOTNOTEFraiman2003p._14:_Fraiman's_identification_of_the_submachine_gun_as_a_[[Škorpion|Czech_M61]]_matches_the_description_in_the_screenplay:_Tarantino_(1994),_p._96._Visual_evidence_suggests_that_a_different_gun_was_actually_used_in_the_film,_possibly_a_[[MAC-10]]_or_similar_model-262">[258]</a> </blockquote> Willis reads Pulp Fiction in almost precisely the opposite direction, finding "its overarching project as a drive to turn shit into gold. This is one way of describing the project of redeeming and recycling popular culture, especially the popular culture of one's childhood, as is Tarantino's wont as well as his stated aim."<a href="#cite_note-FOOTNOTEWillis1997195-240">[236]</a> Despite that, argues Fraiman, "Pulp Fiction demonstrates ... that even an open pulpophile like Tarantino may continue to feel anxious and emasculated by his preferences."<a href="#cite_note-FOOTNOTEFraiman200315-260">[256]</a> <div class="mw-heading mw-heading2"><h2 id="Accolades">Accolades</h2></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236090951"><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/List_of_accolades_received_by_Pulp_Fiction" title="List of accolades received by Pulp Fiction">List of accolades received by Pulp Fiction</a></div> Pulp Fiction won eight major awards from a total of twenty-six nominations, including a <a href="/wiki/Academy_Award_for_Best_Original_Screenplay" title="Academy Award for Best Original Screenplay">Best Original Screenplay</a> win at the <a href="/wiki/67th_Academy_Awards" title="67th Academy Awards">67th Academy Awards</a>.<a href="#cite_note-PdO-110">[108]</a><a href="#cite_note-Awards-150">[146]</a><a href="#cite_note-BAFTA-153">[149]</a><a href="#cite_note-GGA-263">[259]</a><a href="#cite_note-NSFC-139">[136]</a> Also, in the balloting by the <a href="/wiki/National_Society_of_Film_Critics" title="National Society of Film Critics">National Society of Film Critics</a>, <a href="/wiki/Samuel_L._Jackson" title="Samuel L. Jackson">Samuel L. Jackson</a> was the runner-up in both the <a href="/wiki/National_Society_of_Film_Critics_Award_for_Best_Actor" title="National Society of Film Critics Award for Best Actor">Best Actor</a> and the <a href="/wiki/National_Society_of_Film_Critics_Award_for_Best_Supporting_Actor" title="National Society of Film Critics Award for Best Supporting Actor">Best Supporting Actor</a> categories.<a href="#cite_note-NSFC-139">[136]</a> <a href="/wiki/American_Film_Institute" title="American Film Institute">American Film Institute</a> Lists <ul><li><a href="/wiki/AFI%27s_100_Years_..._100_Movies" class="mw-redirect" title="AFI's 100 Years ... 100 Movies">AFI's 100 Years ... 100 Movies</a> – No. 95<a href="#cite_note-264">[260]</a></li> <li><a href="/wiki/AFI%27s_100_Years_..._100_Laughs" class="mw-redirect" title="AFI's 100 Years ... 100 Laughs">AFI's 100 Years ... 100 Laughs</a> – Nominated<a href="#cite_note-265">[261]</a></li> <li><a href="/wiki/AFI%27s_100_Years_..._100_Thrills" class="mw-redirect" title="AFI's 100 Years ... 100 Thrills">AFI's 100 Years ... 100 Thrills</a> – No. 53<a href="#cite_note-266">[262]</a></li> <li><a href="/wiki/AFI%27s_100_Years_..._100_Heroes_%26_Villains" class="mw-redirect" title="AFI's 100 Years ... 100 Heroes & Villains">AFI's 100 Years ... 100 Heroes & Villains</a>:<a href="#cite_note-267">[263]</a> <ul><li>Vincent Vega and Jules Winnfield – Nominated Villains</li></ul></li> <li><a href="/wiki/AFI%27s_100_Years_..._100_Movie_Quotes" class="mw-redirect" title="AFI's 100 Years ... 100 Movie Quotes">AFI's 100 Years ... 100 Movie Quotes</a>:<a href="#cite_note-268">[264]</a> <ul><li>"Bring out the Gimp" – Nominated Quote</li> <li>"They call it a Royale with Cheese" – Nominated Quote</li></ul></li> <li><a href="/wiki/AFI%27s_100_Years_..._100_Movies_(10th_Anniversary_Edition)" class="mw-redirect" title="AFI's 100 Years ... 100 Movies (10th Anniversary Edition)">AFI's 100 Years ... 100 Movies (10th Anniversary Edition)</a> – No. 94<a href="#cite_note-AFI10-192">[188]</a></li> <li><a href="/wiki/AFI%27s_10_Top_10" title="AFI's 10 Top 10">AFI's 10 Top 10</a> – No. 7 gangster film<a href="#cite_note-AFI10Top10-191">[187]</a></li></ul> <div class="mw-heading mw-heading2"><h2 id="NFT_dispute">NFT dispute</h2></div> In November 2021, Miramax filed a lawsuit against Tarantino who released seven <a href="/wiki/Non-fungible_token" title="Non-fungible token">NFTs</a> based on uncut and unseen scenes of Pulp Fiction and including the original handwritten script "revealing secrets about the film and its creator." Miramax claimed they own the film rights.<a href="#cite_note-269">[265]</a> However, Tarantino disputed the lawsuit and claimed he had rights to the film script in written form.<a href="#cite_note-270">[266]</a> The matter was later settled with Miramax's lawyers filing a brief statement in court: "The parties have agreed to put this matter behind them and look forward to collaborating with each other on future projects, including possible NFTs."<a href="#cite_note-271">[267]</a> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2></div> <style data-mw-deduplicate="TemplateStyles:r1266661725">.mw-parser-output .portalbox{padding:0;margin:0.5em 0;display:table;box-sizing:border-box;max-width:175px;list-style:none}.mw-parser-output .portalborder{border:1px solid var(--border-color-base,#a2a9b1);padding:0.1em;background:var(--background-color-neutral-subtle,#f8f9fa)}.mw-parser-output .portalbox-entry{display:table-row;font-size:85%;line-height:110%;height:1.9em;font-style:italic;font-weight:bold}.mw-parser-output .portalbox-image{display:table-cell;padding:0.2em;vertical-align:middle;text-align:center}.mw-parser-output .portalbox-link{display:table-cell;padding:0.2em 0.2em 0.2em 0.3em;vertical-align:middle}@media(min-width:720px){.mw-parser-output .portalleft{margin:0.5em 1em 0.5em 0}.mw-parser-output .portalright{clear:right;float:right;margin:0.5em 0 0.5em 1em}}</style><ul role="navigation" aria-label="Portals" class="noprint portalbox portalborder portalright"> <li class="portalbox-entry"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Video-x-generic.svg/28px-Video-x-generic.svg.png" decoding="async" width="28" height="28" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Video-x-generic.svg/42px-Video-x-generic.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/e/e7/Video-x-generic.svg/56px-Video-x-generic.svg.png 2x" data-file-width="48" data-file-height="48" /><a href="/wiki/Portal:Film" title="Portal:Film">Film portal</a></li><li class="portalbox-entry"><img alt="flag" src="//upload.wikimedia.org/wikipedia/en/thumb/a/a4/Flag_of_the_United_States.svg/32px-Flag_of_the_United_States.svg.png" decoding="async" width="32" height="17" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/a/a4/Flag_of_the_United_States.svg/48px-Flag_of_the_United_States.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/a/a4/Flag_of_the_United_States.svg/64px-Flag_of_the_United_States.svg.png 2x" data-file-width="1235" data-file-height="650" /><a href="/wiki/Portal:United_States" title="Portal:United States">United States portal</a></li><li class="portalbox-entry"><a href="/wiki/File:EC1835_C_cut.jpg" class="mw-file-description"><img alt="icon" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/27/EC1835_C_cut.jpg/24px-EC1835_C_cut.jpg" decoding="async" width="24" height="28" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/27/EC1835_C_cut.jpg/35px-EC1835_C_cut.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/27/EC1835_C_cut.jpg/47px-EC1835_C_cut.jpg 2x" data-file-width="506" data-file-height="600" /></a><a href="/wiki/Portal:1990s" title="Portal:1990s">1990s portal</a></li></ul> <ul><li><a href="/wiki/The_Killers_(Hemingway_short_story)" title="The Killers (Hemingway short story)">The Killers (Hemingway short story)</a></li> <li><a href="/wiki/The_Killers_(1946_film)" title="The Killers (1946 film)">The Killers (1946)</a></li> <li><a href="/wiki/List_of_cult_films" title="List of cult films">List of cult films</a></li> <li><a href="/wiki/Plump_Fiction" title="Plump Fiction">Plump Fiction</a></li> <li><a href="/wiki/Pulp_Friction_(film)" title="Pulp Friction (film)">Pulp Friction</a></li> <li><a href="/wiki/Quentin_Tarantino_filmography" title="Quentin Tarantino filmography">Quentin Tarantino filmography</a></li></ul> <div style="clear:both;" class=""></div> <div class="mw-heading mw-heading2"><h2 id="Notes">Notes</h2></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-lower-alpha"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-8.5_Budget-3">^ <a href="#cite_ref-8.5_Budget_3-0">a</a> <a href="#cite_ref-8.5_Budget_3-1">b</a> In <a href="#CITEREFWaxman2005">Waxman (2005</a>, p. 67), <a href="#CITEREFBiskind2004">Biskind (2004</a>, p. 170), <a href="#CITEREFPolan2000">Polan (2000</a>, p. 69), <a href="#CITEREFDawson1995a">Dawson (1995a</a>, pp. 147–148) </li> <li id="cite_note-43"><a href="#cite_ref-43">^</a> Walken's speech to the young Butch has been described as a "bravura performance of patriotic zeal and scatological fetishism worthy of a Kubrickian anti-hero".<a href="#cite_note-42">[41]</a> </li> <li id="cite_note-BoxOffice-120"><a href="#cite_ref-BoxOffice_120-0">^</a> <a href="#cite_note-FOOTNOTEBiskind2004189-114">[112]</a><a href="#cite_note-FOOTNOTEWaxman200578-119">[117]</a><a href="#cite_note-Mojo-2">[2]</a> Box Office Mojo gives $106 million in foreign grosses for a worldwide total of $213.9 million; Biskind and Waxman apparently concur that $105M / $212.9M are the correct figures. </li> <li id="cite_note-145"><a href="#cite_ref-145">^</a> National Society of Film Critics,<a href="#cite_note-NSFC-139">[136]</a> National Board of Review,<a href="#cite_note-140">[137]</a> Los Angeles Film Critics Society,<a href="#cite_note-141">[138]</a> Boston Society of Film Critics,<a href="#cite_note-142">[139]</a> Society of Texas Film Critics,<a href="#cite_note-143">[140]</a> Kansas City Film Critics Circle<a href="#cite_note-144">[141]</a> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><a href="#cite_ref-1">^</a> <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.bbfc.co.uk/BFF065215">"Pulp Fiction"</a>. <a href="/wiki/British_Board_of_Film_Classification" title="British Board of Film Classification">British Board of Film Classification</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150510235257/http://www.bbfc.co.uk/releases/pulp-fiction-film-0">Archived</a> from the original on May 10, 2015. Retrieved November 11, 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=British+Board+of+Film+Classification&rft.atitle=Pulp+Fiction&rft_id=https%3A%2F%2Fwww.bbfc.co.uk%2FBFF065215&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-Mojo-2">^ <a href="#cite_ref-Mojo_2-0">a</a> <a href="#cite_ref-Mojo_2-1">b</a> <a href="#cite_ref-Mojo_2-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://boxofficemojo.com/movies/?id=pulpfiction.htm">"Pulp Fiction (1994)"</a>. <a href="/wiki/Box_Office_Mojo" title="Box Office Mojo">Box Office Mojo</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110430222745/http://www.boxofficemojo.com/movies/?id=pulpfiction.htm">Archived</a> from the original on April 30, 2011. Retrieved May 13, 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Box+Office+Mojo&rft.atitle=Pulp+Fiction+%281994%29&rft_id=https%3A%2F%2Fboxofficemojo.com%2Fmovies%2F%3Fid%3Dpulpfiction.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-washingtonpost.com-4">^ <a href="#cite_ref-washingtonpost.com_4-0">a</a> <a href="#cite_ref-washingtonpost.com_4-1">b</a> See, e.g., King (2002), pp. 185–7; <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKempley1994" class="citation news cs1">Kempley, Rita (October 14, 1994). <a rel="nofollow" class="external text" href="https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/pulpfictionrkempley_a01ac7.htm">"Pulp Fiction (R)"</a>. <a href="/wiki/The_Washington_Post" title="The Washington Post">The Washington Post</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170709034854/http://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/pulpfictionrkempley_a01ac7.htm">Archived</a> from the original on July 9, 2017. Retrieved September 19, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Washington+Post&rft.atitle=Pulp+Fiction+%28R%29&rft.date=1994-10-14&rft.aulast=Kempley&rft.aufirst=Rita&rft_id=https%3A%2F%2Fwww.washingtonpost.com%2Fwp-srv%2Fstyle%2Flongterm%2Fmovies%2Fvideos%2Fpulpfictionrkempley_a01ac7.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988">; <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLaSalle1995" class="citation news cs1">LaSalle, Mike (September 15, 1995). <a rel="nofollow" class="external text" href="https://www.sfgate.com/movies/article/FILM-REVIEW-Pulp-Grabs-You-Like-a-Novel-3024865.php">"Pulp Grabs You Like a Novel"</a>. San Francisco Chronicle. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120112023743/http://www.sfgate.com/cgi-bin/article.cgi?f=%2Fc%2Fa%2F1995%2F09%2F15%2FDD26653.DTL">Archived</a> from the original on January 12, 2012. Retrieved September 20, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=San+Francisco+Chronicle&rft.atitle=Pulp+Grabs+You+Like+a+Novel&rft.date=1995-09-15&rft.aulast=LaSalle&rft.aufirst=Mike&rft_id=https%3A%2F%2Fwww.sfgate.com%2Fmovies%2Farticle%2FFILM-REVIEW-Pulp-Grabs-You-Like-a-Novel-3024865.php&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-5"><a href="#cite_ref-5">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20130306065813/http://www.wga.org/subpage_newsevents.aspx?id=1807">"101 Greatest Screenplays"</a>. <a href="/wiki/Writers_Guild_of_America,_West" class="mw-redirect" title="Writers Guild of America, West">Writers Guild of America, West</a>. Archived from <a rel="nofollow" class="external text" href="http://www.wga.org/subpage_newsevents.aspx?id=1807">the original</a> on March 6, 2013. Retrieved November 29, 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=101+Greatest+Screenplays&rft.pub=Writers+Guild+of+America%2C+West&rft_id=http%3A%2F%2Fwww.wga.org%2Fsubpage_newsevents.aspx%3Fid%3D1807&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-EWClassic-6">^ <a href="#cite_ref-EWClassic_6-0">a</a> <a href="#cite_ref-EWClassic_6-1">b</a> <a href="#cite_ref-EWClassic_6-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://ew.com/article/2007/06/18/new-classics-movies/">"The New Classics: Movies"</a>. Entertainment Weekly. June 18, 2007. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20080828181342/http://www.ew.com/ew/gallery/0,,20207076_20207079_20207442_24,00.html">Archived</a> from the original on August 28, 2008. Retrieved September 29, 2013.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Entertainment+Weekly&rft.atitle=The+New+Classics%3A+Movies&rft.date=2007-06-18&rft_id=https%3A%2F%2Few.com%2Farticle%2F2007%2F06%2F18%2Fnew-classics-movies%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-2013Add2-7"><a href="#cite_ref-2013Add2_7-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFO'Sullivan2013" class="citation news cs1">O'Sullivan, Michael (December 18, 2013). <a rel="nofollow" class="external text" href="https://www.washingtonpost.com/entertainment/movies/library-of-congress-announces-2013-national-film-registry-selections/2013/12/17/eba98bce-6737-11e3-ae56-22de072140a2_story.html">"Library of Congress announces 2013 National Film Registry selections"</a>. <a href="/wiki/The_Washington_Post" title="The Washington Post">The Washington Post</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131218140500/http://www.washingtonpost.com/entertainment/movies/library-of-congress-announces-2013-national-film-registry-selections/2013/12/17/eba98bce-6737-11e3-ae56-22de072140a2_story.html">Archived</a> from the original on December 18, 2013. Retrieved December 18, 2013.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Washington+Post&rft.atitle=Library+of+Congress+announces+2013+National+Film+Registry+selections&rft.date=2013-12-18&rft.aulast=O%27Sullivan&rft.aufirst=Michael&rft_id=https%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmovies%2Flibrary-of-congress-announces-2013-national-film-registry-selections%2F2013%2F12%2F17%2Feba98bce-6737-11e3-ae56-22de072140a2_story.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-8"><a href="#cite_ref-8">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/">"Complete National Film Registry Listing"</a>. Library of Congress. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20161031213743/https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/">Archived</a> from the original on October 31, 2016. Retrieved May 8, 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Library+of+Congress&rft.atitle=Complete+National+Film+Registry+Listing&rft_id=https%3A%2F%2Fwww.loc.gov%2Fprograms%2Fnational-film-preservation-board%2Ffilm-registry%2Fcomplete-national-film-registry-listing%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-9"><a href="#cite_ref-9">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.loc.gov/item/prn-13-216/2013-national-film-registry/2013-12-18/">"Cinema with the Right Stuff Marks 2013 National Film Registry"</a>. Library of Congress. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200604221938/https://www.loc.gov/item/prn-13-216/2013-national-film-registry/2013-12-18/">Archived</a> from the original on June 4, 2020. Retrieved May 8, 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Library+of+Congress&rft.atitle=Cinema+with+the+Right+Stuff+Marks+2013+National+Film+Registry&rft_id=https%3A%2F%2Fwww.loc.gov%2Fitem%2Fprn-13-216%2F2013-national-film-registry%2F2013-12-18%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-PF93-10">^ <a href="#cite_ref-PF93_10-0">a</a> <a href="#cite_ref-PF93_10-1">b</a> "Pulp Fiction: The Facts" (1993 location interview), Pulp Fiction DVD (Buena Vista Home Entertainment). </li> <li id="cite_note-FOOTNOTEParker200223-11"><a href="#cite_ref-FOOTNOTEParker200223_11-0">^</a> <a href="#CITEREFParker2002">Parker 2002</a>, p. 23. </li> <li id="cite_note-FOOTNOTEDancyger2002235-12"><a href="#cite_ref-FOOTNOTEDancyger2002235_12-0">^</a> <a href="#CITEREFDancyger2002">Dancyger 2002</a>, p. 235. </li> <li id="cite_note-13"><a href="#cite_ref-13">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVillella2000" class="citation web cs1">Villella, Fiona A. (January 2000). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20061231115331/http://www.sensesofcinema.com/contents/00/3/circular.html#b2">"Circular Narratives: Highlights of Popular Cinema in the '90s"</a>. Senses of Cinema. Archived from <a rel="nofollow" class="external text" href="http://archive.sensesofcinema.com/contents/00/3/circular.html#b2">the original</a> on December 31, 2006. Retrieved December 31, 2006.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Senses+of+Cinema&rft.atitle=Circular+Narratives%3A+Highlights+of+Popular+Cinema+in+the+%2790s&rft.date=2000-01&rft.aulast=Villella&rft.aufirst=Fiona+A.&rft_id=http%3A%2F%2Farchive.sensesofcinema.com%2Fcontents%2F00%2F3%2Fcircular.html%23b2&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-14"><a href="#cite_ref-14">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBhattacharya2004" class="citation news cs1">Bhattacharya, Sanjiv (April 18, 2004). <a rel="nofollow" class="external text" href="http://film.guardian.co.uk/interview/interviewpages/0,6737,1194170,00.html">"Mr Blonde's Ambition"</a>. The Guardian. London. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20080709093114/http://film.guardian.co.uk/interview/interviewpages/0,6737,1194170,00.html">Archived</a> from the original on July 9, 2008. Retrieved December 27, 2006.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Guardian&rft.atitle=Mr+Blonde%27s+Ambition&rft.date=2004-04-18&rft.aulast=Bhattacharya&rft.aufirst=Sanjiv&rft_id=http%3A%2F%2Ffilm.guardian.co.uk%2Finterview%2Finterviewpages%2F0%2C6737%2C1194170%2C00.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTECharyn200668-15"><a href="#cite_ref-FOOTNOTECharyn200668_15-0">^</a> <a href="#CITEREFCharyn2006">Charyn 2006</a>, p. 68. </li> <li id="cite_note-16"><a href="#cite_ref-16">^</a> For $100,000, see e.g., Enhanced Trivia Track, ch. 3, Pulp Fiction DVD (Buena Vista Home Entertainment). For USD$140,000, see e.g., <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWills" class="citation web cs1">Wills, Dominic. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20070104050530/http://www.tiscali.co.uk/entertainment/film/biographies/john_travolta_biog/4">"John Travolta Biography"</a>. Tiscali. Archived from <a rel="nofollow" class="external text" href="http://www.tiscali.co.uk/entertainment/film/biographies/john_travolta_biog/4">the original</a> on January 4, 2007. Retrieved December 27, 2006.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=John+Travolta+Biography&rft.pub=Tiscali&rft.aulast=Wills&rft.aufirst=Dominic&rft_id=http%3A%2F%2Fwww.tiscali.co.uk%2Fentertainment%2Ffilm%2Fbiographies%2Fjohn_travolta_biog%2F4&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> Note again that all the main actors were paid identical weekly salaries. It appears that these figures cited for Travolta do not include his participation, if any, in the film's profits. </li> <li id="cite_note-Vega-17"><a href="#cite_ref-Vega_17-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHaddon2008" class="citation web cs1">Haddon, Cole (August 7, 2008). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20081023235552/http://www.film.com/movies/story/michael-madsen-talks-hell-ride/22258175">"Michael Madsen Talks Hell Ride, Inglorious Bastards, and Sin City 2"</a>. Film.com. Archived from <a rel="nofollow" class="external text" href="http://www.film.com/movies/story/michael-madsen-talks-hell-ride/22258175">the original</a> on October 23, 2008. Retrieved November 18, 2008.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Film.com&rft.atitle=Michael+Madsen+Talks+Hell+Ride%2C+Inglorious+Bastards%2C+and+Sin+City+2&rft.date=2008-08-07&rft.aulast=Haddon&rft.aufirst=Cole&rft_id=http%3A%2F%2Fwww.film.com%2Fmovies%2Fstory%2Fmichael-madsen-talks-hell-ride%2F22258175&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTEDawson1995154-18"><a href="#cite_ref-FOOTNOTEDawson1995154_18-0">^</a> <a href="#CITEREFDawson1995">Dawson 1995</a>, p. 154. </li> <li id="cite_note-19"><a href="#cite_ref-19">^</a> Enhanced Trivia Track, ch. 5, Pulp Fiction DVD (Buena Vista Home Entertainment). </li> <li id="cite_note-T3-20"><a href="#cite_ref-T3_20-0">^</a> Enhanced Trivia Track, ch. 3, Pulp Fiction DVD (Buena Vista Home Entertainment). </li> <li id="cite_note-21"><a href="#cite_ref-21">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.yahoo.com/entertainment/samuel-l-jacksons-pulp-fiction-jheri-curl-wig-000105962.html">"Samuel L. Jackson's 'Pulp Fiction' Jheri Curl Wig Was a Happy Accident"</a>. Yahoo. January 6, 2016. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220217105859/https://www.yahoo.com/entertainment/samuel-l-jacksons-pulp-fiction-jheri-curl-wig-000105962.html">Archived</a> from the original on February 17, 2022. Retrieved February 17, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Yahoo&rft.atitle=Samuel+L.+Jackson%27s+%27Pulp+Fiction%27+Jheri+Curl+Wig+Was+a+Happy+Accident&rft.date=2016-01-06&rft_id=https%3A%2F%2Fwww.yahoo.com%2Fentertainment%2Fsamuel-l-jacksons-pulp-fiction-jheri-curl-wig-000105962.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-OG-22">^ <a href="#cite_ref-OG_22-0">a</a> <a href="#cite_ref-OG_22-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGleiberman1994" class="citation magazine cs1">Gleiberman, Owen (October 10, 1994). <a rel="nofollow" class="external text" href="https://ew.com/article/1994/10/14/movie-review-pulp-fiction/">"Pulp Fiction (1994)"</a>. Entertainment Weekly. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20071015004935/http://www.ew.com/ew/article/0,,304048,00.html">Archived</a> from the original on October 15, 2007. Retrieved September 20, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Entertainment+Weekly&rft.atitle=Pulp+Fiction+%281994%29&rft.date=1994-10-10&rft.aulast=Gleiberman&rft.aufirst=Owen&rft_id=https%3A%2F%2Few.com%2Farticle%2F1994%2F10%2F14%2Fmovie-review-pulp-fiction%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-23"><a href="#cite_ref-23">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20200820185534/https://www.theringer.com/video/2020/1/16/21068675/laurence-fishburne-turned-down-samuel-l-jackson-role-in-pulp-fiction">"Laurence Fishburne Turned Down Samuel L. Jackson's Role in 'Pulp Fiction'"</a>. <a href="/wiki/The_Ringer_(website)" title="The Ringer (website)">The Ringer</a>. Archived from <a rel="nofollow" class="external text" href="https://www.theringer.com/video/2020/1/16/21068675/laurence-fishburne-turned-down-samuel-l-jackson-role-in-pulp-fiction">the original</a> on August 20, 2020. Retrieved August 21, 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Ringer&rft.atitle=Laurence+Fishburne+Turned+Down+Samuel+L.+Jackson%27s+Role+in+%27Pulp+Fiction%27&rft_id=https%3A%2F%2Fwww.theringer.com%2Fvideo%2F2020%2F1%2F16%2F21068675%2Flaurence-fishburne-turned-down-samuel-l-jackson-role-in-pulp-fiction&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-24"><a href="#cite_ref-24">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFJung2020" class="citation web cs1">Jung, E. Alex (August 19, 2020). <a rel="nofollow" class="external text" href="https://www.vulture.com/article/laurence-fishburne-in-conversation.html">"Laurence Fishburne Knows Who He Is"</a>. Vulture. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20200821082213/https://www.vulture.com/article/laurence-fishburne-in-conversation.html">Archived</a> from the original on August 21, 2020. Retrieved August 21, 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Vulture&rft.atitle=Laurence+Fishburne+Knows+Who+He+Is&rft.date=2020-08-19&rft.aulast=Jung&rft.aufirst=E.+Alex&rft_id=https%3A%2F%2Fwww.vulture.com%2Farticle%2Flaurence-fishburne-in-conversation.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBiskind2004170-25">^ <a href="#cite_ref-FOOTNOTEBiskind2004170_25-0">a</a> <a href="#cite_ref-FOOTNOTEBiskind2004170_25-1">b</a> <a href="#CITEREFBiskind2004">Biskind 2004</a>, p. 170. </li> <li id="cite_note-FOOTNOTEDawson1995a155-26">^ <a href="#cite_ref-FOOTNOTEDawson1995a155_26-0">a</a> <a href="#cite_ref-FOOTNOTEDawson1995a155_26-1">b</a> <a href="#CITEREFDawson1995a">Dawson 1995a</a>, p. 155. </li> <li id="cite_note-27"><a href="#cite_ref-27">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWills" class="citation web cs1">Wills, Dominic. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20070507080424/http://www.tiscali.co.uk/entertainment/film/biographies/uma_thurman_biog/6">"Uma Thurman Biography"</a>. Tiscali. Archived from <a rel="nofollow" class="external text" href="http://www.tiscali.co.uk/entertainment/film/biographies/uma_thurman_biog/6">the original</a> on May 7, 2007. Retrieved December 29, 2006.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Uma+Thurman+Biography&rft.pub=Tiscali&rft.aulast=Wills&rft.aufirst=Dominic&rft_id=http%3A%2F%2Fwww.tiscali.co.uk%2Fentertainment%2Ffilm%2Fbiographies%2Fuma_thurman_biog%2F6&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-T23-28"><a href="#cite_ref-T23_28-0">^</a> Enhanced Trivia Track, ch. 23, Pulp Fiction DVD (Buena Vista Home Entertainment). </li> <li id="cite_note-29"><a href="#cite_ref-29">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcCarthy1993" class="citation magazine cs1">McCarthy, Todd (March 19, 1993). <a rel="nofollow" class="external text" href="https://variety.com/1993/film/reviews/point-of-no-return-2-1200431702/">"Point of No Return"</a>. Variety. Retrieved June 4, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Variety&rft.atitle=Point+of+No+Return&rft.date=1993-03-19&rft.aulast=McCarthy&rft.aufirst=Todd&rft_id=https%3A%2F%2Fvariety.com%2F1993%2Ffilm%2Freviews%2Fpoint-of-no-return-2-1200431702%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTECharyn200673-30"><a href="#cite_ref-FOOTNOTECharyn200673_30-0">^</a> <a href="#CITEREFCharyn2006">Charyn 2006</a>, p. 73. </li> <li id="cite_note-FOOTNOTEBailey201384-31"><a href="#cite_ref-FOOTNOTEBailey201384_31-0">^</a> <a href="#CITEREFBailey2013">Bailey 2013</a>, p. 84. </li> <li id="cite_note-PremiereUK-32"><a href="#cite_ref-PremiereUK_32-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDawson1995" class="citation news cs1">Dawson, Jeff (December 1995). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130120090146/http://www.tim-roth.com/index.php?id=ukpremieredec95">"Hit Man"</a>. Premiere (UK). Tim-Roth.com. Archived from <a rel="nofollow" class="external text" href="http://www.tim-roth.com/index.php?id=ukpremieredec95">the original</a> on January 20, 2013. 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Retrieved July 20, 2008.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Sid+Haig+Interview%21+Episode%3A+40&rft_id=http%3A%2F%2Fwww.a3upodcast.com%2Fnode%2F187&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-36"><a href="#cite_ref-36">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrennan" class="citation web cs1">Brennan, Sandra. <a rel="nofollow" class="external text" href="https://www.allmovie.com/artist/ving-rhames-p59836">"Ving Rhames Biography"</a>. AllMovie. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120413180958/http://www.allmovie.com/artist/ving-rhames-p59836">Archived</a> from the original on April 13, 2012. Retrieved April 11, 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=AllMovie&rft.atitle=Ving+Rhames+Biography&rft.aulast=Brennan&rft.aufirst=Sandra&rft_id=https%3A%2F%2Fwww.allmovie.com%2Fartist%2Fving-rhames-p59836&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-37"><a href="#cite_ref-37">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://archive.today/20120604135659/http://www.hollywood.com/news/Cobain_Turned_Down_Pulp_Fiction_Role/3555873">"Cobain Turned Down 'Pulp Fiction' Role"</a>. Hollywood.com. September 20, 2006. Archived from <a rel="nofollow" class="external text" href="http://www.hollywood.com/news/Cobain_Turned_Down_Pulp_Fiction_Role/3555873">the original</a> on June 4, 2012. Retrieved September 16, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Hollywood.com&rft.atitle=Cobain+Turned+Down+%27Pulp+Fiction%27+Role&rft.date=2006-09-20&rft_id=http%3A%2F%2Fwww.hollywood.com%2Fnews%2FCobain_Turned_Down_Pulp_Fiction_Role%2F3555873&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-38"><a href="#cite_ref-38">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRoberts1999" class="citation journal cs1">Roberts, Chris (August 1999). "Gary Oldman: A sheep in wolf's clothing". <a href="/wiki/Uncut_(magazine)" title="Uncut (magazine)">Uncut</a> (27). <a href="/wiki/Time_Inc._UK" class="mw-redirect" title="Time Inc. UK">IPC Media</a>. <q>[True Romance] wouldn't have been [Oldman's] last Tarantino collaboration, had TriStar execs gotten their way ... Oldman was the preferred choice for [Lance].</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Uncut&rft.atitle=Gary+Oldman%3A+A+sheep+in+wolf%27s+clothing&rft.issue=27&rft.date=1999-08&rft.aulast=Roberts&rft.aufirst=Chris&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-shortlist50facts-39">^ <a href="#cite_ref-shortlist50facts_39-0">a</a> <a href="#cite_ref-shortlist50facts_39-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20131105123711/http://www.shortlist.com/entertainment/films/50-things-you-(probably)-didnt-know-about-pulp-fiction">"50 Things You (Probably) Didn't Know About Pulp Fiction"</a>. <a href="/wiki/ShortList" title="ShortList">ShortList</a>. October 28, 2013. Archived from <a rel="nofollow" class="external text" href="http://www.shortlist.com/entertainment/films/50-things-you-%28probably%29-didnt-know-about-pulp-fiction">the original</a> on November 5, 2013. Retrieved August 26, 2014.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=ShortList&rft.atitle=50+Things+You+%28Probably%29+Didn%27t+Know+About+Pulp+Fiction&rft.date=2013-10-28&rft_id=http%3A%2F%2Fwww.shortlist.com%2Fentertainment%2Ffilms%2F50-things-you-%2528probably%2529-didnt-know-about-pulp-fiction&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-40"><a href="#cite_ref-40">^</a> Enhanced Trivia Track, ch. 6, Pulp Fiction DVD (Buena Vista Home Entertainment). See also <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRabin2003" class="citation web cs1">Rabin, Nathan (June 25, 2003). <a rel="nofollow" class="external text" href="https://www.avclub.com/pam-grier-1798208273">"Interviews: Pam Grier"</a>. The A.V. Club. The Onion. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20071002130523/http://www.avclub.com/content/node/22535">Archived</a> from the original on October 2, 2007. Retrieved September 20, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+A.V.+Club&rft.atitle=Interviews%3A+Pam+Grier&rft.date=2003-06-25&rft.aulast=Rabin&rft.aufirst=Nathan&rft_id=https%3A%2F%2Fwww.avclub.com%2Fpam-grier-1798208273&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTEDawson1995a189-41"><a href="#cite_ref-FOOTNOTEDawson1995a189_41-0">^</a> <a href="#CITEREFDawson1995a">Dawson 1995a</a>, p. 189. </li> <li id="cite_note-42"><a href="#cite_ref-42">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHowley2004" class="citation journal cs1">Howley, K. (2004). "Breaking, Making, and Killing Time in Pulp Fiction". Scope: An Online Journal of Film and Television Studies: 10.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Scope%3A+An+Online+Journal+of+Film+and+Television+Studies&rft.atitle=Breaking%2C+Making%2C+and+Killing+Time+in+Pulp+Fiction&rft.pages=10&rft.date=2004&rft.aulast=Howley&rft.aufirst=K.&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-LisaFrance-44">^ <a href="#cite_ref-LisaFrance_44-0">a</a> <a href="#cite_ref-LisaFrance_44-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFrance2014" class="citation web cs1">France, Lisa (October 14, 2014). <a rel="nofollow" class="external text" href="http://www.cnn.com/2014/09/23/showbiz/movies/pulp-fiction-20th-anniversary/index.html">"'Pulp Fiction': 20 fun facts as the film turns 20"</a>. <a href="/wiki/CNN" title="CNN">CNN</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180729150353/http://www.cnn.com/2014/09/23/showbiz/movies/pulp-fiction-20th-anniversary/index.html">Archived</a> from the original on July 29, 2018. Retrieved August 14, 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=CNN&rft.atitle=%27Pulp+Fiction%27%3A+20+fun+facts+as+the+film+turns+20&rft.date=2014-10-14&rft.aulast=France&rft.aufirst=Lisa&rft_id=http%3A%2F%2Fwww.cnn.com%2F2014%2F09%2F23%2Fshowbiz%2Fmovies%2Fpulp-fiction-20th-anniversary%2Findex.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-45"><a href="#cite_ref-45">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.chronologicalsnobbery.com/2007/11/quentin-tarantino-on-all-american-girl.html">"Quentin Tarantino on All-American Girl (February 22, 1995)"</a>. Chronological Snobbery. November 26, 2007. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160312154706/http://www.chronologicalsnobbery.com/2007/11/quentin-tarantino-on-all-american-girl.html">Archived</a> from the original on March 12, 2016. Retrieved March 11, 2016.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Chronological+Snobbery&rft.atitle=Quentin+Tarantino+on+All-American+Girl+%28February+22%2C+1995%29&rft.date=2007-11-26&rft_id=http%3A%2F%2Fwww.chronologicalsnobbery.com%2F2007%2F11%2Fquentin-tarantino-on-all-american-girl.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-46"><a href="#cite_ref-46">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGoldberg2024" class="citation web cs1">Goldberg, Reid (October 26, 2024). <a rel="nofollow" class="external text" href="https://collider.com/quentin-tarantino-pulp-fiction-cast/">"You Won't Believe Who Quentin Tarantino Had in Mind for 'Pulp Fiction'"</a>. Collider. Retrieved January 14, 2025.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Collider&rft.atitle=You+Won%27t+Believe+Who+Quentin+Tarantino+Had+in+Mind+for+%27Pulp+Fiction%27&rft.date=2024-10-26&rft.aulast=Goldberg&rft.aufirst=Reid&rft_id=https%3A%2F%2Fcollider.com%2Fquentin-tarantino-pulp-fiction-cast%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBart200085-47"><a href="#cite_ref-FOOTNOTEBart200085_47-0">^</a> <a href="#CITEREFBart2000">Bart 2000</a>, p. 85. </li> <li id="cite_note-FOOTNOTEPolan2000p._69:_Willis's_deal_for_a_percentage_of_the_box_office_gross_was_presumably_on_top_of_a_base_weekly_salary_that_was_identical_to_the_other_main_actors,_per_Polan-48"><a href="#cite_ref-FOOTNOTEPolan2000p._69:_Willis's_deal_for_a_percentage_of_the_box_office_gross_was_presumably_on_top_of_a_base_weekly_salary_that_was_identical_to_the_other_main_actors,_per_Polan_48-0">^</a> <a href="#CITEREFPolan2000">Polan 2000</a>, p. 69: Willis's deal for a percentage of the box office gross was presumably on top of a base weekly salary that was identical to the other main actors, per Polan. </li> <li id="cite_note-FOOTNOTEDawson1995a148-49">^ <a href="#cite_ref-FOOTNOTEDawson1995a148_49-0">a</a> <a href="#cite_ref-FOOTNOTEDawson1995a148_49-1">b</a> <a href="#cite_ref-FOOTNOTEDawson1995a148_49-2">c</a> <a href="#cite_ref-FOOTNOTEDawson1995a148_49-3">d</a> <a href="#CITEREFDawson1995a">Dawson 1995a</a>, p. 148. </li> <li id="cite_note-FOOTNOTEDargis1994a10-50">^ <a href="#cite_ref-FOOTNOTEDargis1994a10_50-0">a</a> <a href="#cite_ref-FOOTNOTEDargis1994a10_50-1">b</a> <a href="#CITEREFDargis1994a">Dargis 1994a</a>, p. 10. </li> <li id="cite_note-51"><a href="#cite_ref-51">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTarantinoPeary2013" class="citation book cs1">Tarantino, Quentin; <a href="/wiki/Gerald_Peary" title="Gerald Peary">Peary, Gerald</a> (2013). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=RRmcAQAAQBAJ&q=%22aldo+ray%22+interview&pg=PA50">Quentin Tarantino: Interviews, Revised and Updated</a>. <a href="/wiki/University_Press_of_Mississippi" title="University Press of Mississippi">University Press of Mississippi</a>. pp. 50–51. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781617038747" title="Special:BookSources/9781617038747"><bdi>9781617038747</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20211023050607/https://books.google.com/books?id=RRmcAQAAQBAJ&q=%22aldo+ray%22+interview&pg=PA50">Archived</a> from the original on October 23, 2021. Retrieved March 4, 2022 – via <a href="/wiki/Google_Books" title="Google Books">Google Books</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Quentin+Tarantino%3A+Interviews%2C+Revised+and+Updated&rft.pages=%3Cspan+class%3D%22nowrap%22%3E50-%3C%2Fspan%3E51&rft.pub=University+Press+of+Mississippi&rft.date=2013&rft.isbn=9781617038747&rft.aulast=Tarantino&rft.aufirst=Quentin&rft.au=Peary%2C+Gerald&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DRRmcAQAAQBAJ%26q%3D%2522aldo%2Bray%2522%2Binterview%26pg%3DPA50&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-52"><a href="#cite_ref-52">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGetlen2014" class="citation news cs1">Getlen, Larry (October 18, 2014). <a rel="nofollow" class="external text" href="https://nypost.com/2014/10/18/inside-the-grisly-scene-that-made-pulp-fiction/">"Inside the grisly scene that made 'Pulp Fiction'"</a>. <a href="/wiki/New_York_Post" title="New York Post">New York Post</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20171114030842/http://nypost.com/2014/10/18/inside-the-grisly-scene-that-made-pulp-fiction/">Archived</a> from the original on November 14, 2017. Retrieved March 15, 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=New+York+Post&rft.atitle=Inside+the+grisly+scene+that+made+%27Pulp+Fiction%27&rft.date=2014-10-18&rft.aulast=Getlen&rft.aufirst=Larry&rft_id=https%3A%2F%2Fnypost.com%2F2014%2F10%2F18%2Finside-the-grisly-scene-that-made-pulp-fiction%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-LaMarrCastINterview-53">^ <a href="#cite_ref-LaMarrCastINterview_53-0">a</a> <a href="#cite_ref-LaMarrCastINterview_53-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHarris2012" class="citation news cs1">Harris, Will (June 26, 2012). <a rel="nofollow" class="external text" href="https://www.avclub.com/article/phil-lamarr-on-ifuturamai-and-getting-shot-in-the--81774">"Phil LaMarr on Futurama and getting shot in the face for Pulp Fiction"</a>. <a href="/wiki/The_A.V._Club" title="The A.V. Club">The A.V. Club</a>. <a href="/wiki/The_Onion" title="The Onion">The Onion</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170316113201/http://www.avclub.com/article/phil-lamarr-on-ifuturamai-and-getting-shot-in-the--81774">Archived</a> from the original on March 16, 2017. Retrieved March 15, 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+A.V.+Club&rft.atitle=Phil+LaMarr+on+Futurama+and+getting+shot+in+the+face+for+Pulp+Fiction&rft.date=2012-06-26&rft.aulast=Harris&rft.aufirst=Will&rft_id=https%3A%2F%2Fwww.avclub.com%2Farticle%2Fphil-lamarr-on-ifuturamai-and-getting-shot-in-the--81774&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-WhaleAVCLUB-54"><a href="#cite_ref-WhaleAVCLUB_54-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHarris2015" class="citation news cs1">Harris, Will (April 9, 2015). <a rel="nofollow" class="external text" href="https://www.avclub.com/article/frank-whaley-acting-directing-and-getting-yelled-s-215751">"Frank Whaley on acting, directing, and getting yelled at by Samuel L. Jackson and Oliver Stone"</a>. The A.V. Club. The Onion. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170103174249/http://www.avclub.com/article/frank-whaley-acting-directing-and-getting-yelled-s-215751">Archived</a> from the original on January 3, 2017. Retrieved March 15, 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+A.V.+Club&rft.atitle=Frank+Whaley+on+acting%2C+directing%2C+and+getting+yelled+at+by+Samuel+L.+Jackson+and+Oliver+Stone&rft.date=2015-04-09&rft.aulast=Harris&rft.aufirst=Will&rft_id=https%3A%2F%2Fwww.avclub.com%2Farticle%2Ffrank-whaley-acting-directing-and-getting-yelled-s-215751&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-55"><a href="#cite_ref-55">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEisenberg2016" class="citation news cs1">Eisenberg, Eric (January 27, 2016). <a rel="nofollow" class="external text" href="https://www.cinemablend.com/new/Pulp-Fiction-Scene-Burr-Steers-Kept-Screwing-Up-Why-108537.html">"The Pulp Fiction Scene That Burr Steers Kept Screwing Up, And Why"</a>. Cinema Blend. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170426201242/http://www.cinemablend.com/new/Pulp-Fiction-Scene-Burr-Steers-Kept-Screwing-Up-Why-108537.html">Archived</a> from the original on April 26, 2017. Retrieved March 15, 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Cinema+Blend&rft.atitle=The+Pulp+Fiction+Scene+That+Burr+Steers+Kept+Screwing+Up%2C+And+Why&rft.date=2016-01-27&rft.aulast=Eisenberg&rft.aufirst=Eric&rft_id=https%3A%2F%2Fwww.cinemablend.com%2Fnew%2FPulp-Fiction-Scene-Burr-Steers-Kept-Screwing-Up-Why-108537.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-DailyBeast-56">^ <a href="#cite_ref-DailyBeast_56-0">a</a> <a href="#cite_ref-DailyBeast_56-1">b</a> <a href="#cite_ref-DailyBeast_56-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="http://www.thedailybeast.com/articles/2014/10/19/the-secrets-of-pulp-fiction-20-things-you-didn-t-know-about-the-movie-on-its-20th-anniversary.html">"The Secrets of 'Pulp Fiction': 20 Things You Didn't Know About the Movie on Its 20th Anniversary"</a>. <a href="/wiki/The_Daily_Beast" title="The Daily Beast">The Daily Beast</a>. October 19, 2014. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170315174845/http://www.thedailybeast.com/articles/2014/10/19/the-secrets-of-pulp-fiction-20-things-you-didn-t-know-about-the-movie-on-its-20th-anniversary.html">Archived</a> from the original on March 15, 2017. Retrieved March 15, 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Daily+Beast&rft.atitle=The+Secrets+of+%27Pulp+Fiction%27%3A+20+Things+You+Didn%27t+Know+About+the+Movie+on+Its+20th+Anniversary&rft.date=2014-10-19&rft_id=http%3A%2F%2Fwww.thedailybeast.com%2Farticles%2F2014%2F10%2F19%2Fthe-secrets-of-pulp-fiction-20-things-you-didn-t-know-about-the-movie-on-its-20th-anniversary.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-RollingStoneNotorious-57">^ <a href="#cite_ref-RollingStoneNotorious_57-0">a</a> <a href="#cite_ref-RollingStoneNotorious_57-1">b</a> <a href="#cite_ref-RollingStoneNotorious_57-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEdwards2014" class="citation magazine cs1">Edwards, Gavin (May 21, 2014). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/movies/news/get-the-gimp-breaking-down-pulp-fictions-most-notorious-scene-20140521">"'Get the Gimp': Breaking Down 'Pulp Fiction's Most Notorious Scene"</a>. <a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170917193424/http://www.rollingstone.com/movies/news/get-the-gimp-breaking-down-pulp-fictions-most-notorious-scene-20140521">Archived</a> from the original on September 17, 2017. Retrieved March 15, 2017.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=%27Get+the+Gimp%27%3A+Breaking+Down+%27Pulp+Fiction%27s+Most+Notorious+Scene&rft.date=2014-05-21&rft.aulast=Edwards&rft.aufirst=Gavin&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmovies%2Fnews%2Fget-the-gimp-breaking-down-pulp-fictions-most-notorious-scene-20140521&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-58"><a href="#cite_ref-58">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.reddit.com/r/MovieDetails/comments/6lv6qj/kathy_griffin_was_playing_herself_in_pulp_fiction/">"Kathy Griffin was playing herself in Pulp Fiction"</a>. Reddit. July 7, 2017. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210629195239/https://www.reddit.com/r/MovieDetails/comments/6lv6qj/kathy_griffin_was_playing_herself_in_pulp_fiction/">Archived</a> from the original on June 29, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Reddit&rft.atitle=Kathy+Griffin+was+playing+herself+in+Pulp+Fiction.&rft.date=2017-07-07&rft_id=https%3A%2F%2Fwww.reddit.com%2Fr%2FMovieDetails%2Fcomments%2F6lv6qj%2Fkathy_griffin_was_playing_herself_in_pulp_fiction%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> A screenshot from the movie confirming that Griffin was cast as herself may be found here. </li> <li id="cite_note-Gilchrist-2024-59">^ <a href="#cite_ref-Gilchrist-2024_59-0">a</a> <a href="#cite_ref-Gilchrist-2024_59-1">b</a> <a href="#cite_ref-Gilchrist-2024_59-2">c</a> <a href="#cite_ref-Gilchrist-2024_59-3">d</a> <a href="#cite_ref-Gilchrist-2024_59-4">e</a> <a href="#cite_ref-Gilchrist-2024_59-5">f</a> <a href="#cite_ref-Gilchrist-2024_59-6">g</a> <a href="#cite_ref-Gilchrist-2024_59-7">h</a> <a href="#cite_ref-Gilchrist-2024_59-8">i</a> <a href="#cite_ref-Gilchrist-2024_59-9">j</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGilchrist2024" class="citation web cs1">Gilchrist, Todd (October 14, 2024). <a rel="nofollow" class="external text" href="https://variety.com/2024/film/news/pulp-fiction-quentin-tarantino-30th-anniversary-retrospective-part-one-1236175164/">"'Pulp Fiction' Turns 30: How Quentin Tarantino's Masterpiece Saved Careers, Conquered Film Festivals and Changed Cinema Forever"</a>. Variety. Retrieved October 21, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Variety&rft.atitle=%27Pulp+Fiction%27+Turns+30%3A+How+Quentin+Tarantino%27s+Masterpiece+Saved+Careers%2C+Conquered+Film+Festivals+and+Changed+Cinema+Forever&rft.date=2024-10-14&rft.aulast=Gilchrist&rft.aufirst=Todd&rft_id=https%3A%2F%2Fvariety.com%2F2024%2Ffilm%2Fnews%2Fpulp-fiction-quentin-tarantino-30th-anniversary-retrospective-part-one-1236175164%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBiskind2004129-60"><a href="#cite_ref-FOOTNOTEBiskind2004129_60-0">^</a> <a href="#CITEREFBiskind2004">Biskind 2004</a>, p. 129. </li> <li id="cite_note-FOOTNOTEBiskind2004167-61">^ <a href="#cite_ref-FOOTNOTEBiskind2004167_61-0">a</a> <a href="#cite_ref-FOOTNOTEBiskind2004167_61-1">b</a> <a href="#CITEREFBiskind2004">Biskind 2004</a>, p. 167. </li> <li id="cite_note-FOOTNOTEDawson1995a144–146-62">^ <a href="#cite_ref-FOOTNOTEDawson1995a144–146_62-0">a</a> <a href="#cite_ref-FOOTNOTEDawson1995a144–146_62-1">b</a> <a href="#CITEREFDawson1995a">Dawson 1995a</a>, pp. 144–146. </li> <li id="cite_note-PR-63">^ <a href="#cite_ref-PR_63-0">a</a> <a href="#cite_ref-PR_63-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMacInnis1994" class="citation news cs1">MacInnis, Craig (October 8, 1994). "Heavyweight Tarantino Won't Be Taken Lightly". <a href="/wiki/Toronto_Star" title="Toronto Star">Toronto Star</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Toronto+Star&rft.atitle=Heavyweight+Tarantino+Won%27t+Be+Taken+Lightly&rft.date=1994-10-08&rft.aulast=MacInnis&rft.aufirst=Craig&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-Creative-64"><a href="#cite_ref-Creative_64-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBauer2013" class="citation interview cs1">Bauer, Erik (August 10, 2013). <a rel="nofollow" class="external text" href="https://www.creativescreenwriting.com/method-writing-interview-with-quentin-tarantino/">"Method Writing: Interview with Quentin Tarantino - Originally published in January 1998"</a>. Creative Screenwriting (Interview). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20210909053014/https://www.creativescreenwriting.com/method-writing-interview-with-quentin-tarantino/">Archived</a> from the original on September 9, 2021. Retrieved March 19, 2022.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Creative+Screenwriting&rft.atitle=Method+Writing%3A+Interview+with+Quentin+Tarantino+-+Originally+published+in+January+1998&rft.date=2013-08-10&rft.aulast=Bauer&rft.aufirst=Erik&rft_id=https%3A%2F%2Fwww.creativescreenwriting.com%2Fmethod-writing-interview-with-quentin-tarantino%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-65"><a href="#cite_ref-65">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLowry1994" class="citation news cs1">Lowry, Beverly (September 11, 1994). <a rel="nofollow" class="external text" href="https://www.nytimes.com/1994/09/11/movies/the-new-season-film-criminals-rendered-in-3-parts-poetically.html">"Criminals Rendered in 3 Parts, Poetically"</a>. The New York Times. Retrieved May 20, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Criminals+Rendered+in+3+Parts%2C+Poetically&rft.date=1994-09-11&rft.aulast=Lowry&rft.aufirst=Beverly&rft_id=https%3A%2F%2Fwww.nytimes.com%2F1994%2F09%2F11%2Fmovies%2Fthe-new-season-film-criminals-rendered-in-3-parts-poetically.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-66"><a href="#cite_ref-66">^</a> "Pulp Fiction: The Facts" (1994 promotional interview), Pulp Fiction DVD (Buena Vista Home Entertainment). </li> <li id="cite_note-FOOTNOTEDawson1995a139-67"><a href="#cite_ref-FOOTNOTEDawson1995a139_67-0">^</a> <a href="#CITEREFDawson1995a">Dawson 1995a</a>, p. 139. </li> <li id="cite_note-68"><a href="#cite_ref-68">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSteves2015" class="citation book cs1">Steves, Rick (April 14, 2015). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=DBOCBgAAQBAJ&q=pulp%2520fiction%2520%2522the%2520winston%2522%2520tarantino%2520amsterdam&pg=PT168">Rick Steves Amsterdam & the Netherlands</a>. Avalon Travel. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-63121-067-9" title="Special:BookSources/978-1-63121-067-9"><bdi>978-1-63121-067-9</bdi></a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20201113181753/https://books.google.com/books?id=DBOCBgAAQBAJ&q=pulp%2520fiction%2520%2522the%2520winston%2522%2520tarantino%2520amsterdam&pg=PT168">Archived</a> from the original on November 13, 2020. Retrieved October 18, 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Rick+Steves+Amsterdam+%26+the+Netherlands&rft.pub=Avalon+Travel&rft.date=2015-04-14&rft.isbn=978-1-63121-067-9&rft.aulast=Steves&rft.aufirst=Rick&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DDBOCBgAAQBAJ%26q%3Dpulp%252520fiction%252520%252522the%252520winston%252522%252520tarantino%252520amsterdam%26pg%3DPT168&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTEMottram200671-69">^ <a href="#cite_ref-FOOTNOTEMottram200671_69-0">a</a> <a href="#cite_ref-FOOTNOTEMottram200671_69-1">b</a> <a href="#CITEREFMottram2006">Mottram 2006</a>, p. 71. </li> <li id="cite_note-70"><a href="#cite_ref-70">^</a> Enhanced Trivia Track, ch. 13, Pulp Fiction DVD (Buena Vista Home Entertainment). </li> <li id="cite_note-71"><a href="#cite_ref-71">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWells1996" class="citation web cs1">Wells, Jeffrey (July 12, 1996). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20091008125832/http://archive.southcoasttoday.com/daily/07-96/07-12-96/c04ae104.htm">"Searching for a Big Kahuna Burger"</a>. SouthCoast Today. Archived from <a rel="nofollow" class="external text" href="http://archive.southcoasttoday.com/daily/07-96/07-12-96/c04ae104.htm">the original</a> on October 8, 2009. Retrieved September 19, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=SouthCoast+Today&rft.atitle=Searching+for+a+Big+Kahuna+Burger&rft.date=1996-07-12&rft.aulast=Wells&rft.aufirst=Jeffrey&rft_id=http%3A%2F%2Farchive.southcoasttoday.com%2Fdaily%2F07-96%2F07-12-96%2Fc04ae104.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTECharyn200665-72"><a href="#cite_ref-FOOTNOTECharyn200665_72-0">^</a> <a href="#CITEREFCharyn2006">Charyn 2006</a>, p. 65. </li> <li id="cite_note-FOOTNOTEDawson1995ap._147:_The_published_version_of_the_screenplay_identifies_its_basis_as_"May_1993/last_draft,"_incorporating_brief_revisions_made_in_August,_September,_and_October_(Tarantino_[1994],_n.p.)-73"><a href="#cite_ref-FOOTNOTEDawson1995ap._147:_The_published_version_of_the_screenplay_identifies_its_basis_as_"May_1993/last_draft,"_incorporating_brief_revisions_made_in_August,_September,_and_October_(Tarantino_[1994],_n.p.)_73-0">^</a> <a href="#CITEREFDawson1995a">Dawson 1995a</a>, p. 147: The published version of the screenplay identifies its basis as "May 1993/last draft," incorporating brief revisions made in August, September, and October (Tarantino [1994], n.p.). </li> <li id="cite_note-FOOTNOTEDawson1995a140-74"><a href="#cite_ref-FOOTNOTEDawson1995a140_74-0">^</a> <a href="#CITEREFDawson1995a">Dawson 1995a</a>, p. 140. </li> <li id="cite_note-FOOTNOTEDawson1995a146-75"><a href="#cite_ref-FOOTNOTEDawson1995a146_75-0">^</a> <a href="#CITEREFDawson1995a">Dawson 1995a</a>, p. 146. </li> <li id="cite_note-FOOTNOTEBiskind2004p._167:_Biskind_says_$1&nbsp;million-76"><a href="#cite_ref-FOOTNOTEBiskind2004p._167:_Biskind_says_$1&nbsp;million_76-0">^</a> <a href="#CITEREFBiskind2004">Biskind 2004</a>, p. 167: Biskind says $1 million. </li> <li id="cite_note-FOOTNOTEPolan2000p._68:_Polan_says_"close_to_a_million_dollars"-77"><a href="#cite_ref-FOOTNOTEPolan2000p._68:_Polan_says_"close_to_a_million_dollars"_77-0">^</a> <a href="#CITEREFPolan2000">Polan 2000</a>, p. 68: Polan says "close to a million dollars". </li> <li id="cite_note-78"><a href="#cite_ref-78">^</a> Enhanced Trivia Track, Pulp Fiction DVD, says $900,000 (ch. 14) </li> <li id="cite_note-79"><a href="#cite_ref-79">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://variety.com/1993/film/news/tristar-pictures-slate-for-1993-103729/">"TriStar Pictures Slate for 1993"</a>. Variety. February 5, 1993. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20080630001906/http://www.variety.com/article/VR103729.html?categoryid=13&cs=1&query=%22pulp+fiction%22+1994+tarantino">Archived</a> from the original on June 30, 2008. Retrieved September 21, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Variety&rft.atitle=TriStar+Pictures+Slate+for+1993&rft.date=1993-02-05&rft_id=https%3A%2F%2Fvariety.com%2F1993%2Ffilm%2Fnews%2Ftristar-pictures-slate-for-1993-103729%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBiskind2004168-80"><a href="#cite_ref-FOOTNOTEBiskind2004168_80-0">^</a> <a href="#CITEREFBiskind2004">Biskind 2004</a>, p. 168. </li> <li id="cite_note-FOOTNOTEPolan200068–69-81"><a href="#cite_ref-FOOTNOTEPolan200068–69_81-0">^</a> <a href="#CITEREFPolan2000">Polan 2000</a>, pp. 68–69. </li> <li id="cite_note-FOOTNOTEBiskind2004167–168-82"><a href="#cite_ref-FOOTNOTEBiskind2004167–168_82-0">^</a> <a href="#CITEREFBiskind2004">Biskind 2004</a>, pp. 167–168. </li> <li id="cite_note-FOOTNOTEBiskind2004168–169-83"><a href="#cite_ref-FOOTNOTEBiskind2004168–169_83-0">^</a> <a href="#CITEREFBiskind2004">Biskind 2004</a>, p. 168–169. </li> <li id="cite_note-FOOTNOTEDawson1995a149-84"><a href="#cite_ref-FOOTNOTEDawson1995a149_84-0">^</a> <a href="#CITEREFDawson1995a">Dawson 1995a</a>, p. 149. </li> <li id="cite_note-FOOTNOTEPolan200069-85">^ <a href="#cite_ref-FOOTNOTEPolan200069_85-0">a</a> <a href="#cite_ref-FOOTNOTEPolan200069_85-1">b</a> <a href="#CITEREFPolan2000">Polan 2000</a>, p. 69. </li> <li id="cite_note-86"><a href="#cite_ref-86">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWeinraub1994" class="citation news cs1">Weinraub, Bernard (September 22, 1994). <a rel="nofollow" class="external text" href="https://www.nytimes.com/1994/09/22/movies/a-film-maker-and-the-art-of-the-deal.html">"A Film Maker and the Art of the Deal"</a>. The New York Times. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170709114430/http://www.nytimes.com/1994/09/22/movies/a-film-maker-and-the-art-of-the-deal.html">Archived</a> from the original on July 9, 2017. Retrieved October 8, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=A+Film+Maker+and+the+Art+of+the+Deal&rft.date=1994-09-22&rft.aulast=Weinraub&rft.aufirst=Bernard&rft_id=https%3A%2F%2Fwww.nytimes.com%2F1994%2F09%2F22%2Fmovies%2Fa-film-maker-and-the-art-of-the-deal.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBiskind2004p._170:_Tarantino_claims_the_overseas_sales_were_due_to_his_own_name-87"><a href="#cite_ref-FOOTNOTEBiskind2004p._170:_Tarantino_claims_the_overseas_sales_were_due_to_his_own_name_87-0">^</a> <a href="#CITEREFBiskind2004">Biskind 2004</a>, p. 170: Tarantino claims the overseas sales were due to his own name. </li> <li id="cite_note-FOOTNOTEDawson1995a173-88">^ <a href="#cite_ref-FOOTNOTEDawson1995a173_88-0">a</a> <a href="#cite_ref-FOOTNOTEDawson1995a173_88-1">b</a> <a href="#CITEREFDawson1995a">Dawson 1995a</a>, p. 173. </li> <li id="cite_note-89"><a href="#cite_ref-89">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKuperinsky2024" class="citation web cs1">Kuperinsky, Amy (October 14, 2024). <a rel="nofollow" class="external text" href="https://www.nj.com/entertainment/2024/10/danny-devito-pulp-fiction-producer-harvey-weinstein-reamed-me-out-for-casting-nj-legend.html">"Danny DeVito: 'Pulp Fiction' producer Harvey Weinstein reamed me out for casting N.J. legend"</a>. nj. Retrieved October 21, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=nj&rft.atitle=Danny+DeVito%3A+%27Pulp+Fiction%27+producer+Harvey+Weinstein+reamed+me+out+for+casting+N.J.+legend&rft.date=2024-10-14&rft.aulast=Kuperinsky&rft.aufirst=Amy&rft_id=https%3A%2F%2Fwww.nj.com%2Fentertainment%2F2024%2F10%2Fdanny-devito-pulp-fiction-producer-harvey-weinstein-reamed-me-out-for-casting-nj-legend.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-90"><a href="#cite_ref-90">^</a> <a href="#CITEREFBrookerBrooker1996">Brooker & Brooker (1996</a>, p. 234) </li> <li id="cite_note-91"><a href="#cite_ref-91">^</a> <a href="#CITEREFPolan2000">Polan (2000</a>, p. 23) </li> <li id="cite_note-AldoRay-92"><a href="#cite_ref-AldoRay_92-0">^</a> Quoted in <a href="#CITEREFDargis1994a">Dargis (1994a</a>, p. 10). Other sources have claimed that Butch was patterned after Ray's Nightfall role.<a href="#cite_note-90">[88]</a> Tarantino's one public statement on the topic, quoted in Polan,<a href="#cite_note-91">[89]</a> is clearly devoted to Butch's look and not his personality. </li> <li id="cite_note-FOOTNOTEDargis1994b17-93">^ <a href="#cite_ref-FOOTNOTEDargis1994b17_93-0">a</a> <a href="#cite_ref-FOOTNOTEDargis1994b17_93-1">b</a> <a href="#CITEREFDargis1994b">Dargis 1994b</a>, p. 17. </li> <li id="cite_note-FOOTNOTEPolan200069,_70-94"><a href="#cite_ref-FOOTNOTEPolan200069,_70_94-0">^</a> <a href="#CITEREFPolan2000">Polan 2000</a>, pp. 69, 70. </li> <li id="cite_note-T8-95"><a href="#cite_ref-T8_95-0">^</a> Enhanced Trivia Track, ch. 8, Pulp Fiction DVD (Buena Vista Home Entertainment). </li> <li id="cite_note-FOOTNOTEDargis1994b18-96"><a href="#cite_ref-FOOTNOTEDargis1994b18_96-0">^</a> <a href="#CITEREFDargis1994b">Dargis 1994b</a>, p. 18. </li> <li id="cite_note-FOOTNOTEDawson1995a159-97"><a href="#cite_ref-FOOTNOTEDawson1995a159_97-0">^</a> <a href="#CITEREFDawson1995a">Dawson 1995a</a>, p. 159. </li> <li id="cite_note-FOOTNOTEDawson1995a159–160-98"><a href="#cite_ref-FOOTNOTEDawson1995a159–160_98-0">^</a> <a href="#CITEREFDawson1995a">Dawson 1995a</a>, pp. 159–160. </li> <li id="cite_note-FOOTNOTEDawson1995ap._158:_The_Hawthorne_Grill_was_torn_down_not_long_after_the_''Pulp_Fiction''_shoot-99"><a href="#cite_ref-FOOTNOTEDawson1995ap._158:_The_Hawthorne_Grill_was_torn_down_not_long_after_the_''Pulp_Fiction''_shoot_99-0">^</a> <a href="#CITEREFDawson1995a">Dawson 1995a</a>, p. 158: The Hawthorne Grill was torn down not long after the Pulp Fiction shoot. </li> <li id="cite_note-FOOTNOTEHoffman200546-100"><a href="#cite_ref-FOOTNOTEHoffman200546_100-0">^</a> <a href="#CITEREFHoffman2005">Hoffman 2005</a>, p. 46. </li> <li id="cite_note-FOOTNOTEDawson1995a164-101"><a href="#cite_ref-FOOTNOTEDawson1995a164_101-0">^</a> <a href="#CITEREFDawson1995a">Dawson 1995a</a>, p. 164. </li> <li id="cite_note-FOOTNOTEDawson1995a162-102"><a href="#cite_ref-FOOTNOTEDawson1995a162_102-0">^</a> <a href="#CITEREFDawson1995a">Dawson 1995a</a>, p. 162. </li> <li id="cite_note-103"><a href="#cite_ref-103">^</a> Enhanced Trivia Track, chs. 1, 2, Pulp Fiction DVD (Buena Vista Home Entertainment). </li> <li id="cite_note-104"><a href="#cite_ref-104">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.allmusic.com/album/r204558">"Pulp Fiction: Charts & Awards/Billboard Albums"</a>. AllMusic.com. Retrieved December 26, 2006.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Pulp+Fiction%3A+Charts+%26+Awards%2FBillboard+Albums&rft.pub=AllMusic.com&rft_id=https%3A%2F%2Fwww.allmusic.com%2Falbum%2Fr204558&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-105"><a href="#cite_ref-105">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.allmusic.com/album/r204558">"Pulp Fiction: Charts & Awards/Billboard Singles"</a>. AllMusic.com. Retrieved September 14, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Pulp+Fiction%3A+Charts+%26+Awards%2FBillboard+Singles&rft.pub=AllMusic.com&rft_id=https%3A%2F%2Fwww.allmusic.com%2Falbum%2Fr204558&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTETincknell2006139-106"><a href="#cite_ref-FOOTNOTETincknell2006139_106-0">^</a> <a href="#CITEREFTincknell2006">Tincknell 2006</a>, p. 139. </li> <li id="cite_note-FOOTNOTECharyn200696-107"><a href="#cite_ref-FOOTNOTECharyn200696_107-0">^</a> <a href="#CITEREFCharyn2006">Charyn 2006</a>, p. 96. </li> <li id="cite_note-FOOTNOTEBiskind2004174-108"><a href="#cite_ref-FOOTNOTEBiskind2004174_108-0">^</a> <a href="#CITEREFBiskind2004">Biskind 2004</a>, p. 174. </li> <li id="cite_note-Mas-109">^ <a href="#cite_ref-Mas_109-0">a</a> <a href="#cite_ref-Mas_109-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMaslin1994" class="citation news cs1">Maslin, Janet (September 23, 1994). <a rel="nofollow" class="external text" href="https://www.nytimes.com/1994/09/23/movies/film-festival-review-pulp-fiction-quentin-tarantino-s-wild-ride-life-s-dangerous.html">"Pulp Fiction; Quentin Tarantino's Wild Ride On Life's Dangerous Road"</a>. <a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180515224056/https://www.nytimes.com/1994/09/23/movies/film-festival-review-pulp-fiction-quentin-tarantino-s-wild-ride-life-s-dangerous.html">Archived</a> from the original on May 15, 2018. Retrieved September 11, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Pulp+Fiction%3B+Quentin+Tarantino%27s+Wild+Ride+On+Life%27s+Dangerous+Road&rft.date=1994-09-23&rft.aulast=Maslin&rft.aufirst=Janet&rft_id=https%3A%2F%2Fwww.nytimes.com%2F1994%2F09%2F23%2Fmovies%2Ffilm-festival-review-pulp-fiction-quentin-tarantino-s-wild-ride-life-s-dangerous.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-PdO-110">^ <a href="#cite_ref-PdO_110-0">a</a> <a href="#cite_ref-PdO_110-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20071013220900/http://www.festival-cannes.com/index.php/en/archives/awards/1994">"All the Awards—Festival 1994"</a>. Cannes Festival. Archived from <a rel="nofollow" class="external text" href="http://www.festival-cannes.com/index.php/en/archives/awards/1994">the original</a> on October 13, 2007. Retrieved September 14, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=All+the+Awards%E2%80%94Festival+1994&rft.pub=Cannes+Festival&rft_id=http%3A%2F%2Fwww.festival-cannes.com%2Findex.php%2Fen%2Farchives%2Fawards%2F1994&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-TM-111">^ <a href="#cite_ref-TM_111-0">a</a> <a href="#cite_ref-TM_111-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMcCarthy1994" class="citation magazine cs1"><a href="/wiki/Todd_McCarthy" title="Todd McCarthy">McCarthy, Todd</a> (May 23, 1994). <a rel="nofollow" class="external text" href="https://variety.com/1994/film/reviews/pulp-fiction-1200437049/">"Pulp Fiction"</a>. <a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20171228172344/https://variety.com/1994/film/reviews/pulp-fiction-1200437049/">Archived</a> from the original on December 28, 2017. Retrieved September 20, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Variety&rft.atitle=Pulp+Fiction&rft.date=1994-05-23&rft.aulast=McCarthy&rft.aufirst=Todd&rft_id=https%3A%2F%2Fvariety.com%2F1994%2Ffilm%2Freviews%2Fpulp-fiction-1200437049%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-112"><a href="#cite_ref-112">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20071012013656/http://variety.com/profiles/Film/main/30051/Pulp%2BFiction.html?dataSet=1&query=%22pulp%2Bfiction%22%2B1994">"Pulp Fiction"</a>. Variety. Archived from <a rel="nofollow" class="external text" href="https://www.variety.com/profiles/Film/main/30051/Pulp+Fiction.html?dataSet=1&query=%22pulp+fiction%22+1994">the original</a> on October 12, 2007. Retrieved September 20, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Variety&rft.atitle=Pulp+Fiction&rft_id=https%3A%2F%2Fwww.variety.com%2Fprofiles%2FFilm%2Fmain%2F30051%2FPulp%2BFiction.html%3FdataSet%3D1%26query%3D%2522pulp%2Bfiction%2522%2B1994&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-T24-113"><a href="#cite_ref-T24_113-0">^</a> Enhanced Trivia Track, ch. 24, Pulp Fiction DVD (Buena Vista Home Entertainment). </li> <li id="cite_note-FOOTNOTEBiskind2004189-114">^ <a href="#cite_ref-FOOTNOTEBiskind2004189_114-0">a</a> <a href="#cite_ref-FOOTNOTEBiskind2004189_114-1">b</a> <a href="#cite_ref-FOOTNOTEBiskind2004189_114-2">c</a> <a href="#CITEREFBiskind2004">Biskind 2004</a>, p. 189. </li> <li id="cite_note-FOOTNOTEDawson1995a171-115"><a href="#cite_ref-FOOTNOTEDawson1995a171_115-0">^</a> <a href="#CITEREFDawson1995a">Dawson 1995a</a>, p. 171. </li> <li id="cite_note-116"><a href="#cite_ref-116">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKlady1994" class="citation magazine cs1">Klady, Leonard (October 17, 1994). "Shootout at the B.O. peak". <a href="/wiki/Daily_Variety" class="mw-redirect" title="Daily Variety">Daily Variety</a>. p. 1.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Daily+Variety&rft.atitle=Shootout+at+the+B.O.+peak&rft.pages=1&rft.date=1994-10-17&rft.aulast=Klady&rft.aufirst=Leonard&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-117"><a href="#cite_ref-117">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKlady1994" class="citation magazine cs1">Klady, Leonard (October 18, 1994). "'Pulp' claims B.O. title; competitors call it fiction". <a href="/wiki/Daily_Variety" class="mw-redirect" title="Daily Variety">Daily Variety</a>. p. 1.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Daily+Variety&rft.atitle=%27Pulp%27+claims+B.O.+title%3B+competitors+call+it+fiction&rft.pages=1&rft.date=1994-10-18&rft.aulast=Klady&rft.aufirst=Leonard&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-118"><a href="#cite_ref-118">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1">"Miramax in hit land". <a href="/wiki/Screen_International" title="Screen International">Screen International</a>. 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Retrieved September 12, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Box+Office+Mojo&rft.atitle=1994+Domestic+Grosses&rft_id=https%3A%2F%2Fwww.boxofficemojo.com%2Fyearly%2Fchart%2F%3Fyr%3D1994%26p%3D.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTEReal1996259-122">^ <a href="#cite_ref-FOOTNOTEReal1996259_122-0">a</a> <a href="#cite_ref-FOOTNOTEReal1996259_122-1">b</a> <a href="#CITEREFReal1996">Real 1996</a>, p. 259. </li> <li id="cite_note-123"><a href="#cite_ref-123">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRose2004" class="citation web cs1">Rose, Andy (Winter 2004). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20071122005136/http://www.moviemaker.com/articles/item/10_years_of_moviemaker_10_years_of_indie_film_2952/">"10 Years of MovieMaker, 10 Years of Indie Film Growth"</a>. MovieMaker. Archived from <a rel="nofollow" class="external text" href="http://www.moviemaker.com/articles/item/10_years_of_moviemaker_10_years_of_indie_film_2952/">the original</a> on November 22, 2007. Retrieved September 21, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=MovieMaker&rft.atitle=10+Years+of+MovieMaker%2C+10+Years+of+Indie+Film+Growth&rft.ssn=winter&rft.date=2004&rft.aulast=Rose&rft.aufirst=Andy&rft_id=http%3A%2F%2Fwww.moviemaker.com%2Farticles%2Fitem%2F10_years_of_moviemaker_10_years_of_indie_film_2952%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTEDawson1995a171,_13-124"><a href="#cite_ref-FOOTNOTEDawson1995a171,_13_124-0">^</a> <a href="#CITEREFDawson1995a">Dawson 1995a</a>, pp. 171, 13. </li> <li id="cite_note-Rotten_Tomatoes-125"><a href="#cite_ref-Rotten_Tomatoes_125-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.rottentomatoes.com/m/pulp_fiction">"Pulp Fiction"</a>. <a href="/wiki/Rotten_Tomatoes" title="Rotten Tomatoes">Rotten Tomatoes</a>. <a href="/wiki/Fandango_Media" title="Fandango Media">Fandango Media</a>. Retrieved October 5, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Rotten+Tomatoes&rft.atitle=Pulp+Fiction&rft_id=https%3A%2F%2Fwww.rottentomatoes.com%2Fm%2Fpulp_fiction&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> <a href="https://www.wikidata.org/wiki/Q104123#P444" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a> </li> <li id="cite_note-126"><a href="#cite_ref-126">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.metacritic.com/movie/pulp-fiction">"Pulp Fiction Reviews"</a>. <a href="/wiki/Metacritic" title="Metacritic">Metacritic</a>. <a href="/wiki/CBS_Interactive" class="mw-redirect" title="CBS Interactive">CBS Interactive</a>. Retrieved December 29, 2006.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Metacritic&rft.atitle=Pulp+Fiction+Reviews&rft_id=https%3A%2F%2Fwww.metacritic.com%2Fmovie%2Fpulp-fiction&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-127"><a href="#cite_ref-127">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.cinemascore.com">"Find CinemaScore"</a> (Type "Pulp Fiction" in the search box). <a href="/wiki/CinemaScore" title="CinemaScore">CinemaScore</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180102130540/https://www.cinemascore.com/">Archived</a> from the original on January 2, 2018. Retrieved March 20, 2019.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Find+CinemaScore&rft.pub=CinemaScore&rft_id=https%3A%2F%2Fwww.cinemascore.com&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-128"><a href="#cite_ref-128">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEbert1994" class="citation news cs1">Ebert, Roger (October 14, 1994). <a rel="nofollow" class="external text" href="https://www.rogerebert.com/reviews/pulp-fiction-1994">"Pulp Fiction"</a>. RogerEbert.com. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130216033721/http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=%2F19941014%2FREVIEWS%2F410140304%2F1023">Archived</a> from the original on February 16, 2013. Retrieved September 12, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=RogerEbert.com&rft.atitle=Pulp+Fiction&rft.date=1994-10-14&rft.aulast=Ebert&rft.aufirst=Roger&rft_id=https%3A%2F%2Fwww.rogerebert.com%2Freviews%2Fpulp-fiction-1994&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-129"><a href="#cite_ref-129">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCorliss1994" class="citation magazine cs1">Corliss, Richard (October 10, 1994). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20090402010106/http://www.time.com/time/magazine/article/0,9171,981560-1,00.html">"A Blast to the Heart"</a>. <a href="/wiki/Time_(magazine)" title="Time (magazine)">TIME</a>. Archived from <a rel="nofollow" class="external text" href="http://www.time.com/time/magazine/article/0,9171,981560-1,00.html">the original</a> on April 2, 2009. Retrieved September 11, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=TIME&rft.atitle=A+Blast+to+the+Heart&rft.date=1994-10-10&rft.aulast=Corliss&rft.aufirst=Richard&rft_id=http%3A%2F%2Fwww.time.com%2Ftime%2Fmagazine%2Farticle%2F0%2C9171%2C981560-1%2C00.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-130"><a href="#cite_ref-130">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAnsen1994" class="citation news cs1">Ansen, David (October 9, 1994). <a rel="nofollow" class="external text" href="https://www.newsweek.com/redemption-pulp-189436">"The Redemption of Pulp"</a>. <a href="/wiki/Newsweek" title="Newsweek">Newsweek</a>. Retrieved May 21, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Newsweek&rft.atitle=The+Redemption+of+Pulp&rft.date=1994-10-09&rft.aulast=Ansen&rft.aufirst=David&rft_id=https%3A%2F%2Fwww.newsweek.com%2Fredemption-pulp-189436&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-131"><a href="#cite_ref-131">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTravers1994" class="citation magazine cs1">Travers, Peter (October 14, 1994). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/movies/reviews/pulp-fiction-19941014">"Pulp Fiction"</a>. Rolling Stone. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110415121356/http://www.rollingstone.com/movies/reviews/pulp-fiction-19941014">Archived</a> from the original on April 15, 2011. Retrieved March 10, 2011.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=Pulp+Fiction&rft.date=1994-10-14&rft.aulast=Travers&rft.aufirst=Peter&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fmovies%2Freviews%2Fpulp-fiction-19941014&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-132"><a href="#cite_ref-132">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTuran1994" class="citation web cs1">Turan, Kenneth (October 14, 1994). <a rel="nofollow" class="external text" href="https://www.latimes.com/archives/la-xpm-1994-10-14-ca-50020-story.html">"Quentin Tarantino's Gangster Rap"</a>. <a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180505050442/http://articles.latimes.com/1994-10-14/entertainment/ca-50020_1_pulp-fiction">Archived</a> from the original on May 5, 2018. Retrieved April 10, 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Los+Angeles+Times&rft.atitle=Quentin+Tarantino%27s+Gangster+Rap&rft.date=1994-10-14&rft.aulast=Turan&rft.aufirst=Kenneth&rft_id=https%3A%2F%2Fwww.latimes.com%2Farchives%2Fla-xpm-1994-10-14-ca-50020-story.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-133"><a href="#cite_ref-133">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKauffman1994" class="citation magazine cs1">Kauffman, Stanley (November 14, 1994). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180411025845/https://newrepublic.com/article/61392/shooting">"Shooting Up"</a>. <a href="/wiki/The_New_Republic" title="The New Republic">The New Republic</a>. Archived from <a rel="nofollow" class="external text" href="https://newrepublic.com/article/61392/shooting">the original</a> on April 11, 2018. Retrieved April 10, 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+Republic&rft.atitle=Shooting+Up&rft.date=1994-11-14&rft.aulast=Kauffman&rft.aufirst=Stanley&rft_id=https%3A%2F%2Fnewrepublic.com%2Farticle%2F61392%2Fshooting&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-Profusion-134">^ <a href="#cite_ref-Profusion_134-0">a</a> <a href="#cite_ref-Profusion_134-1">b</a> <a href="#cite_ref-Profusion_134-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRosenbaum1994" class="citation news cs1">Rosenbaum, Jonathan (October 21, 1994). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230521051042/https://jonathanrosenbaum.net/2022/06/allusion-profusion/">"Allusion Profusion (Ed Wood, Pulp Fiction)"</a>. <a href="/wiki/Chicago_Reader" title="Chicago Reader">Chicago Reader</a>. Archived from <a rel="nofollow" class="external text" href="https://jonathanrosenbaum.net/2022/06/allusion-profusion/">the original</a> on May 21, 2023. Retrieved May 20, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Chicago+Reader&rft.atitle=Allusion+Profusion+%28Ed+Wood%2C+Pulp+Fiction%29&rft.date=1994-10-21&rft.aulast=Rosenbaum&rft.aufirst=Jonathan&rft_id=https%3A%2F%2Fjonathanrosenbaum.net%2F2022%2F06%2Fallusion-profusion%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> Note that the avowed inspiration is actually a TV show, Kung Fu. </li> <li id="cite_note-135"><a href="#cite_ref-135">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSimon1994" class="citation news cs1">Simon, John (November 21, 1994). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20071130072735/http://findarticles.com/p/articles/mi_m1282/is_n22_v46/ai_15999907/pg_1">"Pulp Fiction"</a>. <a href="/wiki/National_Review" title="National Review">National Review</a>. Archived from <a rel="nofollow" class="external text" href="http://findarticles.com/p/articles/mi_m1282/is_n22_v46/ai_15999907/pg_1">the original</a> on November 30, 2007. Retrieved October 8, 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=National+Review&rft.atitle=Pulp+Fiction&rft.date=1994-11-21&rft.aulast=Simon&rft.aufirst=John&rft_id=http%3A%2F%2Ffindarticles.com%2Fp%2Farticles%2Fmi_m1282%2Fis_n22_v46%2Fai_15999907%2Fpg_1&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-136"><a href="#cite_ref-136">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBritt1994" class="citation news cs1">Britt, Donna (October 25, 1994). <a rel="nofollow" class="external text" href="https://www.washingtonpost.com/archive/local/1994/10/25/lets-lose-the-gory-gulp-fiction/dbe0b009-b042-46ad-b245-cc5ad0f4be01/">"Let's Lose the Gory 'Gulp' Fiction"</a>. <a href="/wiki/The_Washington_Post" title="The Washington Post">The Washington Post</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180615032351/https://www.washingtonpost.com/archive/local/1994/10/25/lets-lose-the-gory-gulp-fiction/dbe0b009-b042-46ad-b245-cc5ad0f4be01/">Archived</a> from the original on June 15, 2018. Retrieved April 10, 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Washington+Post&rft.atitle=Let%27s+Lose+the+Gory+%27Gulp%27+Fiction&rft.date=1994-10-25&rft.aulast=Britt&rft.aufirst=Donna&rft_id=https%3A%2F%2Fwww.washingtonpost.com%2Farchive%2Flocal%2F1994%2F10%2F25%2Flets-lose-the-gory-gulp-fiction%2Fdbe0b009-b042-46ad-b245-cc5ad0f4be01%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-137"><a href="#cite_ref-137">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBoyd1994" class="citation web cs1">Boyd, Todd (November 6, 1994). <a rel="nofollow" class="external text" href="https://www.chicagotribune.com/1994/11/06/tarantinos-mantra/">"Tarantino's Mantra?"</a>. <a href="/wiki/Chicago_Tribune" title="Chicago Tribune">Chicago Tribune</a>. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180411025837/http://articles.chicagotribune.com/1994-11-06/entertainment/9411060361_1_n-word-hipness-true-romance">Archived</a> from the original on April 11, 2018. Retrieved April 10, 2018.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Chicago+Tribune&rft.atitle=Tarantino%27s+Mantra%3F&rft.date=1994-11-06&rft.aulast=Boyd&rft.aufirst=Todd&rft_id=https%3A%2F%2Fwww.chicagotribune.com%2F1994%2F11%2F06%2Ftarantinos-mantra%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-138"><a href="#cite_ref-138">^</a> Wood, James (November 12, 1994). <a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a>. </li> <li id="cite_note-NSFC-139">^ <a href="#cite_ref-NSFC_139-0">a</a> <a href="#cite_ref-NSFC_139-1">b</a> <a href="#cite_ref-NSFC_139-2">c</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMaslin1995" class="citation news cs1">Maslin, Janet (January 4, 1995). <a rel="nofollow" class="external text" href="https://www.nytimes.com/1995/01/04/movies/pulp-fiction-gets-top-prize-from-national-film-critics.html">""Pulp Fiction" Gets Top Prize From National Film Critics"</a>. The New York Times. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170709114845/http://www.nytimes.com/1995/01/04/movies/pulp-fiction-gets-top-prize-from-national-film-critics.html">Archived</a> from the original on July 9, 2017. Retrieved September 27, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=%22Pulp+Fiction%22+Gets+Top+Prize+From+National+Film+Critics&rft.date=1995-01-04&rft.aulast=Maslin&rft.aufirst=Janet&rft_id=https%3A%2F%2Fwww.nytimes.com%2F1995%2F01%2F04%2Fmovies%2Fpulp-fiction-gets-top-prize-from-national-film-critics.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-140"><a href="#cite_ref-140">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://nationalboardofreview.org/award-years/1994/">"1994 Award Winners"</a>. National Board of Review. 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Archived from <a rel="nofollow" class="external text" href="http://nl.newsbank.com/nl-search/we/Archives?p_product=AASB&p_theme=aasb&p_action=search&p_maxdocs=200&p_topdoc=1&p_text_direct-0=0EAD96057255BCDF&p_field_direct-0=document_id&p_perpage=10&p_sort=YMD_date:D&s_trackval=GooglePM">the original</a> on October 24, 2012. 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Retrieved September 18, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Variety&rft.atitle=Who+Launched+Whom%3F&rft.date=2006-05-14&rft.aulast=Elley&rft.aufirst=Derek&rft_id=https%3A%2F%2Fwww.variety.com%2Findex.asp%3Flayout%3Dfeatures2006%26content%3Djump%26jump%3Dstory%26dept%3Dcannes%26nav%3DFCannes%26articleid%3DVR1117942945&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBiskind2004195-176"><a href="#cite_ref-FOOTNOTEBiskind2004195_176-0">^</a> <a href="#CITEREFBiskind2004">Biskind 2004</a>, p. 195. </li> <li id="cite_note-FOOTNOTEBiskind2004193-177"><a href="#cite_ref-FOOTNOTEBiskind2004193_177-0">^</a> <a href="#CITEREFBiskind2004">Biskind 2004</a>, p. 193. </li> <li id="cite_note-178"><a href="#cite_ref-178">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKoehler2001" class="citation news cs1">Koehler, Robert (March 7, 2001). <a rel="nofollow" class="external text" href="https://variety.com/2001/film/awards/for-art-s-sake-2-1117794890/">"For Art's Sake"</a>. Variety. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20081012072032/http://www.variety.com/article/VR1117794890.html?categoryid=1037&cs=1&query=%22pulp+fiction%22+1994+tarantino">Archived</a> from the original on October 12, 2008. Retrieved September 21, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Variety&rft.atitle=For+Art%27s+Sake&rft.date=2001-03-07&rft.aulast=Koehler&rft.aufirst=Robert&rft_id=https%3A%2F%2Fvariety.com%2F2001%2Ffilm%2Fawards%2Ffor-art-s-sake-2-1117794890%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-179"><a href="#cite_ref-179">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSamuels2006" class="citation web cs1">Samuels, Mark (November 8, 2006). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20071009170856/http://www.totalfilm.com/features/specials/pulp_fiction">"Pulp Fiction"</a>. Total Film. Archived from <a rel="nofollow" class="external text" href="http://www.totalfilm.com/features/specials/pulp_fiction">the original</a> on October 9, 2007. Retrieved September 21, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Total+Film&rft.atitle=Pulp+Fiction&rft.date=2006-11-08&rft.aulast=Samuels&rft.aufirst=Mark&rft_id=http%3A%2F%2Fwww.totalfilm.com%2Ffeatures%2Fspecials%2Fpulp_fiction&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> For musical influence, see, e.g., <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSarig1996" class="citation magazine cs1">Sarig, Roni (1996). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20080621204015/http://www.rollingstone.com/artists/funlovincriminals/albums/album/107552/review/5944992/come_find_yourself">"Fun Lovin' Criminals—Come Find Yourself"</a>. Rolling Stone. Archived from <a rel="nofollow" class="external text" href="https://www.rollingstone.com/artists/funlovincriminals/albums/album/107552/review/5944992/come_find_yourself">the original</a> on June 21, 2008. Retrieved October 8, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=Fun+Lovin%27+Criminals%E2%80%94Come+Find+Yourself&rft.date=1996&rft.aulast=Sarig&rft.aufirst=Roni&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fartists%2Ffunlovincriminals%2Falbums%2Falbum%2F107552%2Freview%2F5944992%2Fcome_find_yourself&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-180"><a href="#cite_ref-180">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFButler1996" class="citation news cs1">Butler, Robert W. (March 17, 1996). "Pulp Fiction Is a Cultural Phenomenon—And That's a Fact". <a href="/wiki/The_Kansas_City_Star" title="The Kansas City Star">The Kansas City Star</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Kansas+City+Star&rft.atitle=Pulp+Fiction+Is+a+Cultural+Phenomenon%E2%80%94And+That%27s+a+Fact&rft.date=1996-03-17&rft.aulast=Butler&rft.aufirst=Robert+W.&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-181"><a href="#cite_ref-181">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEbert2001" class="citation news cs1">Ebert, Roger (June 10, 2001). <a rel="nofollow" class="external text" href="https://www.rogerebert.com/reviews/great-movie-pulp-fiction-1994">"Great Movies: Pulp Fiction (1994)"</a>. Chicago Sun-Times. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130213235156/http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=%2F20010610%2FREVIEWS08%2F106100301%2F1023">Archived</a> from the original on February 13, 2013. Retrieved December 29, 2006.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Chicago+Sun-Times&rft.atitle=Great+Movies%3A+Pulp+Fiction+%281994%29&rft.date=2001-06-10&rft.aulast=Ebert&rft.aufirst=Roger&rft_id=https%3A%2F%2Fwww.rogerebert.com%2Freviews%2Fgreat-movie-pulp-fiction-1994&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-T100-182">^ <a href="#cite_ref-T100_182-0">a</a> <a href="#cite_ref-T100_182-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20070603155000/http://www.time.com/time/2005/100movies/0,23220,pulp_fiction,00.html">"All-Time 100 Movies: Pulp Fiction (1994)"</a>. Time. February 12, 2005. Archived from <a rel="nofollow" class="external text" href="http://www.time.com/time/2005/100movies/0,23220,pulp_fiction,00.html">the original</a> on June 3, 2007. Retrieved May 15, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Time&rft.atitle=All-Time+100+Movies%3A+Pulp+Fiction+%281994%29&rft.date=2005-02-12&rft_id=http%3A%2F%2Fwww.time.com%2Ftime%2F2005%2F100movies%2F0%2C23220%2Cpulp_fiction%2C00.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-183"><a href="#cite_ref-183">^</a> See, e.g., <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWilson2007" class="citation news cs1">Wilson, Bee (February 14, 2007). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20071121220459/http://tls.timesonline.co.uk/article/0,,25348-2597639,00.html">"The Joy and Horror of Junk Food"</a>. Times Literary Supplement. London. Archived from <a rel="nofollow" class="external text" href="http://tls.timesonline.co.uk/article/0,,25348-2597639,00.html">the original</a> on November 21, 2007. Retrieved October 11, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Times+Literary+Supplement&rft.atitle=The+Joy+and+Horror+of+Junk+Food&rft.date=2007-02-14&rft.aulast=Wilson&rft.aufirst=Bee&rft_id=http%3A%2F%2Ftls.timesonline.co.uk%2Farticle%2F0%2C%2C25348-2597639%2C00.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGates2004" class="citation news cs1">Gates, Anita (August 1, 2004). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2004/08/01/tv/movies-critic-s-choice.html">"Movies: Critic's Choice"</a>. The New York Times. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180602064545/https://www.nytimes.com/2004/08/01/tv/movies-critic-s-choice.html">Archived</a> from the original on June 2, 2018. Retrieved October 11, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Movies%3A+Critic%27s+Choice&rft.date=2004-08-01&rft.aulast=Gates&rft.aufirst=Anita&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2004%2F08%2F01%2Ftv%2Fmovies-critic-s-choice.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-184"><a href="#cite_ref-184">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRea2010" class="citation web cs1">Rea, Steven (February 5, 2010). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160314104706/http://articles.philly.com/2010-02-05/entertainment/24955905_1_charlie-wax-secret-agent-man-pierre-morel">"Travolta, Rhys Meyers Pummel Paris"</a>. <a href="/wiki/The_Philadelphia_Inquirer" title="The Philadelphia Inquirer">The Philadelphia Inquirer</a>. Archived from <a rel="nofollow" class="external text" href="http://articles.philly.com/2010-02-05/entertainment/24955905_1_charlie-wax-secret-agent-man-pierre-morel">the original</a> on March 14, 2016. Retrieved February 9, 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Philadelphia+Inquirer&rft.atitle=Travolta%2C+Rhys+Meyers+Pummel+Paris&rft.date=2010-02-05&rft.aulast=Rea&rft.aufirst=Steven&rft_id=http%3A%2F%2Farticles.philly.com%2F2010-02-05%2Fentertainment%2F24955905_1_charlie-wax-secret-agent-man-pierre-morel&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTEWaxman2005p._72:_Waxman_misidentifies_the_list,_which_appeared_in_''Premiere''<span_class="nowrap"_style="padding-left:0.1em;">&#39;s_March_2003_issue,_as_"100_Most_Memorable_Movie_Scenes"-185"><a href="#cite_ref-FOOTNOTEWaxman2005p._72:_Waxman_misidentifies_the_list,_which_appeared_in_''Premiere''<span_class="nowrap"_style="padding-left:0.1em;">&#39;s_March_2003_issue,_as_"100_Most_Memorable_Movie_Scenes"_185-0">^</a> <a href="#CITEREFWaxman2005">Waxman 2005</a>, p. 72: Waxman misidentifies the list, which appeared in Premiere's March 2003 issue, as "100 Most Memorable Movie Scenes". </li> <li id="cite_note-186"><a href="#cite_ref-186">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLaverick" class="citation web cs1">Laverick, Daniel. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20071011212644/http://www.close-upfilm.com/features/Featuresarchive/sellingamovie.html">"Selling a Movie in Two Minutes—The Modern Day Film Trailer"</a>. Close-Up Film. Archived from <a rel="nofollow" class="external text" href="http://www.close-upfilm.com/features/Featuresarchive/sellingamovie.html">the original</a> on October 11, 2007. Retrieved September 11, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Close-Up+Film&rft.atitle=Selling+a+Movie+in+Two+Minutes%E2%80%94The+Modern+Day+Film+Trailer&rft.aulast=Laverick&rft.aufirst=Daniel&rft_id=http%3A%2F%2Fwww.close-upfilm.com%2Ffeatures%2FFeaturesarchive%2Fsellingamovie.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-187"><a href="#cite_ref-187">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="http://news.bbc.co.uk/2/hi/uk_news/6575345.stm">"Iconic Banksy Image Painted Over"</a>. BBC News. April 20, 2007. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20100106021340/http://news.bbc.co.uk/2/hi/uk_news/6575345.stm">Archived</a> from the original on January 6, 2010. Retrieved September 11, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=BBC+News&rft.atitle=Iconic+Banksy+Image+Painted+Over&rft.date=2007-04-20&rft_id=http%3A%2F%2Fnews.bbc.co.uk%2F2%2Fhi%2Fuk_news%2F6575345.stm&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTEDinshaw1997116-188"><a href="#cite_ref-FOOTNOTEDinshaw1997116_188-0">^</a> <a href="#CITEREFDinshaw1997">Dinshaw 1997</a>, p. 116. </li> <li id="cite_note-189"><a href="#cite_ref-189">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation news cs1"><a rel="nofollow" class="external text" href="http://news.bbc.co.uk/2/hi/entertainment/3362603.stm">""Napalm" Speech Tops Movie Poll"</a>. BBC News. January 2, 2004. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20090708135503/http://news.bbc.co.uk/2/hi/entertainment/3362603.stm">Archived</a> from the original on July 8, 2009. Retrieved September 19, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=BBC+News&rft.atitle=%22Napalm%22+Speech+Tops+Movie+Poll&rft.date=2004-01-02&rft_id=http%3A%2F%2Fnews.bbc.co.uk%2F2%2Fhi%2Fentertainment%2F3362603.stm&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-190"><a href="#cite_ref-190">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDuncan2019" class="citation news cs1">Duncan, Conrad (September 8, 2019). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20190909064808/https://www.indy100.com/article/dominic-cummings-pulp-fiction-cool-like-fonzies-boris-johnson-brexit-9095526">"Dominic Cummings: Boris Johnson's adviser 'quoted Pulp Fiction' by telling aides they need to be 'cool like Fonzies'"</a>. <a href="/wiki/The_Independent" title="The Independent">The Independent</a>. Archived from <a rel="nofollow" class="external text" href="https://www.indy100.com/article/dominic-cummings-pulp-fiction-cool-like-fonzies-boris-johnson-brexit-9095526">the original</a> on September 9, 2019. Retrieved September 9, 2019.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Independent&rft.atitle=Dominic+Cummings%3A+Boris+Johnson%27s+adviser+%27quoted+Pulp+Fiction%27+by+telling+aides+they+need+to+be+%27cool+like+Fonzies%27&rft.date=2019-09-08&rft.aulast=Duncan&rft.aufirst=Conrad&rft_id=https%3A%2F%2Fwww.indy100.com%2Farticle%2Fdominic-cummings-pulp-fiction-cool-like-fonzies-boris-johnson-brexit-9095526&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-AFI10Top10-191">^ <a href="#cite_ref-AFI10Top10_191-0">a</a> <a href="#cite_ref-AFI10Top10_191-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.afi.com/10top10/gangster.html">"AFI's 10 Top 10"</a>. American Film Institute. June 17, 2008. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130116145351/http://www.afi.com/10top10/gangster.html">Archived</a> from the original on January 16, 2013. Retrieved June 18, 2008.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=American+Film+Institute&rft.atitle=AFI%27s+10+Top+10&rft.date=2008-06-17&rft_id=http%3A%2F%2Fwww.afi.com%2F10top10%2Fgangster.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-AFI10-192">^ <a href="#cite_ref-AFI10_192-0">a</a> <a href="#cite_ref-AFI10_192-1">b</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.afi.com/afis-100-years-100-movies-10th-anniversary-edition/">"AFI's 100 Years ... 100 Movies—10th Anniversary Edition"</a>. American Film Institute. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20110716071157/http://connect.afi.com/site/PageServer?pagename=micro_100landing">Archived</a> from the original on July 16, 2011. 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Pueblo, CO. pp. 187–194.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=conference&rft.atitle=Violence+and+Transcendence+in+Pulp+Fiction+and+Flannery+O%27Connor&rft.btitle=The+Image+of+Violence+in+Literature%2C+the+Media%2C+and+Society%3A+Selected+Papers+%5Bfrom+the%5D+1995+Conference+of+the+Society+for+Interdisciplinary+Study+of+Social+Imagery&rft.place=Pueblo%2C+CO&rft.pages=%3Cspan+class%3D%22nowrap%22%3E187-%3C%2Fspan%3E194&rft.date=1995&rft.aulast=Demory&rft.aufirst=Pamela+H.&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-218"><a href="#cite_ref-218">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFScott2002" class="citation book cs1">Scott, R. Neil, ed. (2002). Flannery O'Connor: An Annotated Reference Guide to Criticism. Milledgeville, Georgia: Timberlane Books. p. 185. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0971542808" title="Special:BookSources/978-0971542808"><bdi>978-0971542808</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Flannery+O%27Connor%3A+An+Annotated+Reference+Guide+to+Criticism&rft.place=Milledgeville%2C+Georgia&rft.pages=185&rft.pub=Timberlane+Books&rft.date=2002&rft.isbn=978-0971542808&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTEGroth1997189-219"><a href="#cite_ref-FOOTNOTEGroth1997189_219-0">^</a> <a href="#CITEREFGroth1997">Groth 1997</a>, p. 189. </li> <li id="cite_note-T9-220"><a href="#cite_ref-T9_220-0">^</a> Enhanced Trivia Track, ch. 9, Pulp Fiction DVD (Buena Vista Home Entertainment). </li> <li id="cite_note-FOOTNOTECharyn2006106-221"><a href="#cite_ref-FOOTNOTECharyn2006106_221-0">^</a> <a href="#CITEREFCharyn2006">Charyn 2006</a>, p. 106. </li> <li id="cite_note-FOOTNOTETincknell2006140-222">^ <a href="#cite_ref-FOOTNOTETincknell2006140_222-0">a</a> <a href="#cite_ref-FOOTNOTETincknell2006140_222-1">b</a> <a href="#CITEREFTincknell2006">Tincknell 2006</a>, p. 140. </li> <li id="cite_note-FOOTNOTEDawson1995a178-223"><a href="#cite_ref-FOOTNOTEDawson1995a178_223-0">^</a> <a href="#CITEREFDawson1995a">Dawson 1995a</a>, p. 178. </li> <li id="cite_note-FOOTNOTEPolan200019-224"><a href="#cite_ref-FOOTNOTEPolan200019_224-0">^</a> <a href="#CITEREFPolan2000">Polan 2000</a>, p. 19. </li> <li id="cite_note-FOOTNOTEWhite2002342-225">^ <a href="#cite_ref-FOOTNOTEWhite2002342_225-0">a</a> <a href="#cite_ref-FOOTNOTEWhite2002342_225-1">b</a> <a href="#cite_ref-FOOTNOTEWhite2002342_225-2">c</a> <a href="#cite_ref-FOOTNOTEWhite2002342_225-3">d</a> <a href="#cite_ref-FOOTNOTEWhite2002342_225-4">e</a> <a href="#cite_ref-FOOTNOTEWhite2002342_225-5">f</a> <a href="#cite_ref-FOOTNOTEWhite2002342_225-6">g</a> <a href="#CITEREFWhite2002">White 2002</a>, p. 342. </li> <li id="cite_note-FOOTNOTEFulwood200322-226">^ <a href="#cite_ref-FOOTNOTEFulwood200322_226-0">a</a> <a href="#cite_ref-FOOTNOTEFulwood200322_226-1">b</a> <a href="#cite_ref-FOOTNOTEFulwood200322_226-2">c</a> <a href="#cite_ref-FOOTNOTEFulwood200322_226-3">d</a> <a href="#cite_ref-FOOTNOTEFulwood200322_226-4">e</a> <a href="#cite_ref-FOOTNOTEFulwood200322_226-5">f</a> <a href="#CITEREFFulwood2003">Fulwood 2003</a>, p. 22. </li> <li id="cite_note-FOOTNOTEGroth1997188–9-227"><a href="#cite_ref-FOOTNOTEGroth1997188–9_227-0">^</a> <a href="#CITEREFGroth1997">Groth 1997</a>, pp. 188–9. </li> <li id="cite_note-FOOTNOTEDinshaw1997186-228"><a href="#cite_ref-FOOTNOTEDinshaw1997186_228-0">^</a> <a href="#CITEREFDinshaw1997">Dinshaw 1997</a>, p. 186. </li> <li id="cite_note-FOOTNOTEMottram200675–76-229"><a href="#cite_ref-FOOTNOTEMottram200675–76_229-0">^</a> <a href="#CITEREFMottram2006">Mottram 2006</a>, pp. 75–76. </li> <li id="cite_note-230"><a href="#cite_ref-230">^</a> For Tarantino's admiration of Siegel, see <a href="#CITEREFDawson1995a">Dawson (1995a</a>, p. 142) </li> <li id="cite_note-FOOTNOTEBell200087-231"><a href="#cite_ref-FOOTNOTEBell200087_231-0">^</a> <a href="#CITEREFBell2000">Bell 2000</a>, p. 87. </li> <li id="cite_note-FOOTNOTEMiller199976-232"><a href="#cite_ref-FOOTNOTEMiller199976_232-0">^</a> <a href="#CITEREFMiller1999">Miller 1999</a>, p. 76. </li> <li id="cite_note-FOOTNOTEGiroux199678-233"><a href="#cite_ref-FOOTNOTEGiroux199678_233-0">^</a> <a href="#CITEREFGiroux1996">Giroux 1996</a>, p. 78. </li> <li id="cite_note-FOOTNOTEGroth1997188-234">^ <a href="#cite_ref-FOOTNOTEGroth1997188_234-0">a</a> <a href="#cite_ref-FOOTNOTEGroth1997188_234-1">b</a> <a href="#CITEREFGroth1997">Groth 1997</a>, p. 188. </li> <li id="cite_note-235"><a href="#cite_ref-235">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWild1994" class="citation magazine cs1">Wild, David (November 3, 1994). <a rel="nofollow" class="external text" href="https://www.rollingstone.com/tv-movies/tv-movie-news/quentin-tarantino-the-madman-of-movie-mayhem-186995/">"Quentin Tarantino: The Madman of Movie Mayhem"</a>. <a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a>. p. 110. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20220716045218/https://www.rollingstone.com/tv-movies/tv-movie-news/quentin-tarantino-the-madman-of-movie-mayhem-186995/">Archived</a> from the original on July 16, 2022. Retrieved May 21, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rolling+Stone&rft.atitle=Quentin+Tarantino%3A+The+Madman+of+Movie+Mayhem&rft.pages=110&rft.date=1994-11-03&rft.aulast=Wild&rft.aufirst=David&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Ftv-movies%2Ftv-movie-news%2Fquentin-tarantino-the-madman-of-movie-mayhem-186995%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTEConard2006125,_133-236"><a href="#cite_ref-FOOTNOTEConard2006125,_133_236-0">^</a> <a href="#CITEREFConard2006">Conard 2006</a>, pp. 125, 133. </li> <li id="cite_note-237"><a href="#cite_ref-237">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.filmsite.org/pulp4.htmls">"Pulp Fiction (1994, part 4 of 5)"</a>. filmsite.org.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=filmsite.org&rft.atitle=Pulp+Fiction+%281994%2C+part+4+of+5%29&rft_id=https%3A%2F%2Fwww.filmsite.org%2Fpulp4.htmls&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988">[<a href="/wiki/Wikipedia:Link_rot" title="Wikipedia:Link rot">permanent dead link</a>‍] </li> <li id="cite_note-FOOTNOTEMiklitsch2006pp._15,_16:_Note_that_while_the_Three_Stooges_did_have_an_original_TV_series_that_ran_briefly_in_the_mid-1960s,_they_were_most_familiar_from_their_cinematic_[[Short_film|shorts]]_that_were_[[Broadcast_syndication|syndicated]]_to_television-238"><a href="#cite_ref-FOOTNOTEMiklitsch2006pp._15,_16:_Note_that_while_the_Three_Stooges_did_have_an_original_TV_series_that_ran_briefly_in_the_mid-1960s,_they_were_most_familiar_from_their_cinematic_[[Short_film|shorts]]_that_were_[[Broadcast_syndication|syndicated]]_to_television_238-0">^</a> <a href="#CITEREFMiklitsch2006">Miklitsch 2006</a>, pp. 15, 16: Note that while the Three Stooges did have an original TV series that ran briefly in the mid-1960s, they were most familiar from their cinematic <a href="/wiki/Short_film" title="Short film">shorts</a> that were <a href="/wiki/Broadcast_syndication" title="Broadcast syndication">syndicated</a> to television. </li> <li id="cite_note-FOOTNOTEMiklitsch200616-239">^ <a href="#cite_ref-FOOTNOTEMiklitsch200616_239-0">a</a> <a href="#cite_ref-FOOTNOTEMiklitsch200616_239-1">b</a> <a href="#CITEREFMiklitsch2006">Miklitsch 2006</a>, p. 16. </li> <li id="cite_note-FOOTNOTEWillis1997195-240">^ <a href="#cite_ref-FOOTNOTEWillis1997195_240-0">a</a> <a href="#cite_ref-FOOTNOTEWillis1997195_240-1">b</a> <a href="#CITEREFWillis1997">Willis 1997</a>, p. 195. </li> <li id="cite_note-FOOTNOTETarantino199428-241"><a href="#cite_ref-FOOTNOTETarantino199428_241-0">^</a> <a href="#CITEREFTarantino1994">Tarantino 1994</a>, p. 28. </li> <li id="cite_note-FOOTNOTEGallafent200646-242"><a href="#cite_ref-FOOTNOTEGallafent200646_242-0">^</a> <a href="#CITEREFGallafent2006">Gallafent 2006</a>, p. 46. </li> <li id="cite_note-243"><a href="#cite_ref-243">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.snopes.com/movies/films/pulp.htm">"What's In the Briefcase?"</a>. Snopes.com. August 17, 2007. <a rel="nofollow" class="external text" href="https://archive.today/20180518145158/https://www.snopes.com/fact-check/whats-in-the-briefcase/">Archived</a> from the original on May 18, 2018. Retrieved September 13, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Snopes.com&rft.atitle=What%27s+In+the+Briefcase%3F&rft.date=2007-08-17&rft_id=http%3A%2F%2Fwww.snopes.com%2Fmovies%2Ffilms%2Fpulp.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-Myspace-244"><a href="#cite_ref-Myspace_244-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://creative.myspace.com/groups/_mh/aoa/pages/qtarantino_rrodriguez/qtarantino_rrodriguez.html">"Rodriguez and Tarantino: Artist On Artist"</a>. MySpace.com. April 6, 2007. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20130120090140/http://creative.myspace.com/groups/_mh/aoa/pages/qtarantino_rrodriguez/qtarantino_rrodriguez.html">Archived</a> from the original on January 20, 2013. Retrieved September 13, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=MySpace.com&rft.atitle=Rodriguez+and+Tarantino%3A+Artist+On+Artist&rft.date=2007-04-06&rft_id=http%3A%2F%2Fcreative.myspace.com%2Fgroups%2F_mh%2Faoa%2Fpages%2Fqtarantino_rrodriguez%2Fqtarantino_rrodriguez.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTEPolan200020-245"><a href="#cite_ref-FOOTNOTEPolan200020_245-0">^</a> <a href="#CITEREFPolan2000">Polan 2000</a>, p. 20. </li> <li id="cite_note-246"><a href="#cite_ref-246">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20081120192104/http://www.straightdope.com/mailbag/mpulpfiction.html">"What's in the Briefcase in Pulp Fiction?"</a>. The Straight Dope. May 31, 2000. Archived from <a rel="nofollow" class="external text" href="http://www.straightdope.com/mailbag/mpulpfiction.html">the original</a> on November 20, 2008. Retrieved September 18, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Straight+Dope&rft.atitle=What%27s+in+the+Briefcase+in+Pulp+Fiction%3F&rft.date=2000-05-31&rft_id=http%3A%2F%2Fwww.straightdope.com%2Fmailbag%2Fmpulpfiction.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-247"><a href="#cite_ref-247">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCowenPatience2008" class="citation news cs1">Cowen, Nick; Patience, Hari (August 16, 2008). <a rel="nofollow" class="external text" href="https://www.telegraph.co.uk/motoring/wheelsonfilm/2753942/Wheels-On-Film-Repo-Man.html">"Wheels on Film: Repo Man"</a>. The Daily Telegraph. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180813111607/https://www.telegraph.co.uk/motoring/wheelsonfilm/2753942/Wheels-On-Film-Repo-Man.html">Archived</a> from the original on August 13, 2018. Retrieved July 14, 2012.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Daily+Telegraph&rft.atitle=Wheels+on+Film%3A+Repo+Man&rft.date=2008-08-16&rft.aulast=Cowen&rft.aufirst=Nick&rft.au=Patience%2C+Hari&rft_id=https%3A%2F%2Fwww.telegraph.co.uk%2Fmotoring%2Fwheelsonfilm%2F2753942%2FWheels-On-Film-Repo-Man.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTEGormley2005164-248"><a href="#cite_ref-FOOTNOTEGormley2005164_248-0">^</a> <a href="#CITEREFGormley2005">Gormley 2005</a>, p. 164. </li> <li id="cite_note-FOOTNOTEEbert1997188-249"><a href="#cite_ref-FOOTNOTEEbert1997188_249-0">^</a> <a href="#CITEREFEbert1997">Ebert 1997</a>, p. 188. </li> <li id="cite_note-FOOTNOTEReinhartz2003108-250"><a href="#cite_ref-FOOTNOTEReinhartz2003108_250-0">^</a> <a href="#CITEREFReinhartz2003">Reinhartz 2003</a>, p. 108. </li> <li id="cite_note-251"><a href="#cite_ref-251">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.bartleby.com/108/26/25.html">"The Book of the Prophet Ezekiel, 25"</a>. The Holy Bible: King James Version. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20100131052531/http://www.bartleby.com/108/26/25.html">Archived</a> from the original on January 31, 2010. Retrieved September 13, 2007 – via Bartleby.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Holy+Bible%3A+King+James+Version&rft.atitle=The+Book+of+the+Prophet+Ezekiel%2C+25&rft_id=http%3A%2F%2Fwww.bartleby.com%2F108%2F26%2F25.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTEThomas2003pp._61–62:_Thomas_notes_that_instead_of_"the_Lord",_this_version_reads_"...&nbsp;and_they_shall_know_that_I_am_Chiba_the_Bodyguard&nbsp;..."-252"><a href="#cite_ref-FOOTNOTEThomas2003pp._61–62:_Thomas_notes_that_instead_of_"the_Lord",_this_version_reads_"...&nbsp;and_they_shall_know_that_I_am_Chiba_the_Bodyguard&nbsp;..."_252-0">^</a> <a href="#CITEREFThomas2003">Thomas 2003</a>, pp. 61–62: Thomas notes that instead of "the Lord", this version reads "... and they shall know that I am Chiba the Bodyguard ...". </li> <li id="cite_note-FOOTNOTEConard2006p._134:_Conard_claims_that_the_text_originates_from_the_film_''Bodigaado_Kiba''_(''Bodyguard_Kiba''_or_''The_Bodyguard'';_1973)_and_that_the_end_phrase_there_is_"And_you_will_know_my_name_is_Chiba_the_Bodyguard&nbsp;..."-253"><a href="#cite_ref-FOOTNOTEConard2006p._134:_Conard_claims_that_the_text_originates_from_the_film_''Bodigaado_Kiba''_(''Bodyguard_Kiba''_or_''The_Bodyguard'';_1973)_and_that_the_end_phrase_there_is_"And_you_will_know_my_name_is_Chiba_the_Bodyguard&nbsp;..."_253-0">^</a> <a href="#CITEREFConard2006">Conard 2006</a>, p. 134: Conard claims that the text originates from the film Bodigaado Kiba (Bodyguard Kiba or The Bodyguard; 1973) and that the end phrase there is "And you will know my name is Chiba the Bodyguard ...". </li> <li id="cite_note-254"><a href="#cite_ref-254">^</a> Enhanced Trivia Track, ch. 4, Pulp Fiction DVD (Buena Vista Home Entertainment). </li> <li id="cite_note-T25-255"><a href="#cite_ref-T25_255-0">^</a> Enhanced Trivia Track, ch. 25, Pulp Fiction DVD (Buena Vista Home Entertainment). </li> <li id="cite_note-FOOTNOTEGormley2005167-256"><a href="#cite_ref-FOOTNOTEGormley2005167_256-0">^</a> <a href="#CITEREFGormley2005">Gormley 2005</a>, p. 167. </li> <li id="cite_note-FOOTNOTEReinhartz2003106,_107-257"><a href="#cite_ref-FOOTNOTEReinhartz2003106,_107_257-0">^</a> <a href="#CITEREFReinhartz2003">Reinhartz 2003</a>, pp. 106, 107. </li> <li id="cite_note-FOOTNOTEConard2006130-258"><a href="#cite_ref-FOOTNOTEConard2006130_258-0">^</a> <a href="#CITEREFConard2006">Conard 2006</a>, p. 130. </li> <li id="cite_note-259"><a href="#cite_ref-259">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWhiteThompson1995" class="citation web cs1">White, Mike & Thompson, Mike (Spring 1995). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120211214336/http://www.impossiblefunky.com/archives/issue_2/2_toilet.asp?IshNum=2&Headline=Tarantino%20In%20The%20Can">"Tarantino in a Can?"</a>. Cashiers du Cinemart. Archived from <a rel="nofollow" class="external text" href="http://www.impossiblefunky.com/archives/issue_2/2_toilet.asp?IshNum=2&Headline=Tarantino%20In%20The%20Can">the original</a> on February 11, 2012. Retrieved December 31, 2006.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Cashiers+du+Cinemart&rft.atitle=Tarantino+in+a+Can%3F&rft.ssn=spring&rft.date=1995&rft.aulast=White&rft.aufirst=Mike&rft.au=Thompson%2C+Mike&rft_id=http%3A%2F%2Fwww.impossiblefunky.com%2Farchives%2Fissue_2%2F2_toilet.asp%3FIshNum%3D2%26Headline%3DTarantino%2520In%2520The%2520Can&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-FOOTNOTEFraiman200315-260">^ <a href="#cite_ref-FOOTNOTEFraiman200315_260-0">a</a> <a href="#cite_ref-FOOTNOTEFraiman200315_260-1">b</a> <a href="#CITEREFFraiman2003">Fraiman 2003</a>, p. 15. </li> <li id="cite_note-FOOTNOTEBrookerBrooker1996239-261">^ <a href="#cite_ref-FOOTNOTEBrookerBrooker1996239_261-0">a</a> <a href="#cite_ref-FOOTNOTEBrookerBrooker1996239_261-1">b</a> <a href="#CITEREFBrookerBrooker1996">Brooker & Brooker 1996</a>, p. 239. </li> <li id="cite_note-FOOTNOTEFraiman2003p._14:_Fraiman's_identification_of_the_submachine_gun_as_a_[[Škorpion|Czech_M61]]_matches_the_description_in_the_screenplay:_Tarantino_(1994),_p._96._Visual_evidence_suggests_that_a_different_gun_was_actually_used_in_the_film,_possibly_a_[[MAC-10]]_or_similar_model-262"><a href="#cite_ref-FOOTNOTEFraiman2003p._14:_Fraiman's_identification_of_the_submachine_gun_as_a_[[Škorpion|Czech_M61]]_matches_the_description_in_the_screenplay:_Tarantino_(1994),_p._96._Visual_evidence_suggests_that_a_different_gun_was_actually_used_in_the_film,_possibly_a_[[MAC-10]]_or_similar_model_262-0">^</a> <a href="#CITEREFFraiman2003">Fraiman 2003</a>, p. 14: Fraiman's identification of the submachine gun as a <a href="/wiki/%C5%A0korpion" title="Škorpion">Czech M61</a> matches the description in the screenplay: Tarantino (1994), p. 96. Visual evidence suggests that a different gun was actually used in the film, possibly a <a href="/wiki/MAC-10" title="MAC-10">MAC-10</a> or similar model. </li> <li id="cite_note-GGA-263"><a href="#cite_ref-GGA_263-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20070807063318/http://www1.hfpa.org/browse/film/24792">"Awards Search/Pulp Fiction"</a>. Hollywood Foreign Press Association. Archived from <a rel="nofollow" class="external text" href="http://www.hfpa.org/browse/film/24792">the original</a> on August 7, 2007. Retrieved September 12, 2007.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Awards+Search%2FPulp+Fiction&rft.pub=Hollywood+Foreign+Press+Association&rft_id=http%3A%2F%2Fwww.hfpa.org%2Fbrowse%2Ffilm%2F24792&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-264"><a href="#cite_ref-264">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.afi.com/afis-100-years-100-movies/">"AFI's 100 Years...100 Movies"</a>. AFI. Retrieved May 21, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=AFI&rft.atitle=AFI%27s+100+Years...100+Movies&rft_id=https%3A%2F%2Fwww.afi.com%2Fafis-100-years-100-movies%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-265"><a href="#cite_ref-265">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110313150538/https://www.afi.com/Docs/100Years/laughs500.pdf">"AFI's 100 Years...100 Laughs Nominees"</a> (PDF). AFI. Archived from <a rel="nofollow" class="external text" href="https://www.afi.com/Docs/100Years/laughs500.pdf">the original</a> (PDF) on March 13, 2011. Retrieved May 21, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=AFI&rft.atitle=AFI%27s+100+Years...100+Laughs+Nominees&rft_id=https%3A%2F%2Fwww.afi.com%2FDocs%2F100Years%2Flaughs500.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-266"><a href="#cite_ref-266">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.afi.com/afis-100-years-100-thrills/">"AFI's 100 Years...100 Thrills"</a>. AFI. Retrieved May 21, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=AFI&rft.atitle=AFI%27s+100+Years...100+Thrills&rft_id=https%3A%2F%2Fwww.afi.com%2Fafis-100-years-100-thrills%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-267"><a href="#cite_ref-267">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://prdaficalmjediwestussa.blob.core.windows.net/images/2019/08/handv400.pdf">"AFI's 100 Years...100 Heroes & Villains Nominees"</a> (PDF). AFI. Retrieved May 21, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=AFI&rft.atitle=AFI%27s+100+Years...100+Heroes+%26+Villains+Nominees&rft_id=https%3A%2F%2Fprdaficalmjediwestussa.blob.core.windows.net%2Fimages%2F2019%2F08%2Fhandv400.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-268"><a href="#cite_ref-268">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110313150620/http://www.afi.com/Docs/100Years/quotes400.pdf">"AFI's 100 Years...100 Quotes Nominees"</a> (PDF). AFI. Archived from <a rel="nofollow" class="external text" href="http://www.afi.com/Docs/100Years/quotes400.pdf">the original</a> (PDF) on March 13, 2011. Retrieved May 21, 2023.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=AFI&rft.atitle=AFI%27s+100+Years...100+Quotes+Nominees&rft_id=http%3A%2F%2Fwww.afi.com%2FDocs%2F100Years%2Fquotes400.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-269"><a href="#cite_ref-269">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDiaz2021" class="citation news cs1">Diaz, Johnny (November 17, 2021). <a rel="nofollow" class="external text" href="https://ghostarchive.org/archive/20211228/https://www.nytimes.com/2021/11/17/business/miramax-tarantino-nft-pulp-fiction.html">"Miramax Sues Quentin Tarantino Over Planned 'Pulp Fiction' NFTs"</a>. The New York Times. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0362-4331">0362-4331</a>. Archived from <a rel="nofollow" class="external text" href="https://www.nytimes.com/2021/11/17/business/miramax-tarantino-nft-pulp-fiction.html">the original</a> on December 28, 2021. Retrieved November 17, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Miramax+Sues+Quentin+Tarantino+Over+Planned+%27Pulp+Fiction%27+NFTs&rft.date=2021-11-17&rft.issn=0362-4331&rft.aulast=Diaz&rft.aufirst=Johnny&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2021%2F11%2F17%2Fbusiness%2Fmiramax-tarantino-nft-pulp-fiction.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-270"><a href="#cite_ref-270">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20211117221449/https://news.yahoo.com/quentin-tarantino-sued-over-pulp-214715919.html">"Quentin Tarantino sued over 'Pulp Fiction' NFT plan"</a>. news.yahoo.com. November 17, 2021. Archived from <a rel="nofollow" class="external text" href="https://news.yahoo.com/quentin-tarantino-sued-over-pulp-214715919.html">the original</a> on November 17, 2021. Retrieved November 17, 2021.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=news.yahoo.com&rft.atitle=Quentin+Tarantino+sued+over+%27Pulp+Fiction%27+NFT+plan&rft.date=2021-11-17&rft_id=https%3A%2F%2Fnews.yahoo.com%2Fquentin-tarantino-sued-over-pulp-214715919.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> <li id="cite_note-271"><a href="#cite_ref-271">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMaddaus2022" class="citation news cs1">Maddaus, Gene (September 9, 2022). <a rel="nofollow" class="external text" href="https://variety.com/2022/film/news/quentin-tarantino-miramax-pulp-fiction-nft-settlement-1235365550/">"Quentin Tarantino Settles With Miramax Over 'Pulp Fiction' NFT Auction"</a>. Variety.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Variety&rft.atitle=Quentin+Tarantino+Settles+With+Miramax+Over+%27Pulp+Fiction%27+NFT+Auction&rft.date=2022-09-09&rft.aulast=Maddaus&rft.aufirst=Gene&rft_id=https%3A%2F%2Fvariety.com%2F2022%2Ffilm%2Fnews%2Fquentin-tarantino-miramax-pulp-fiction-nft-settlement-1235365550%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="Bibliography">Bibliography</h2></div> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin refbegin-columns references-column-width" style="column-width: 30em"> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBailey2013" class="citation book cs1">Bailey, Jason (2013). Pulp Fiction: The Complete Story of Quentin Tarantino's Masterpiece. Voyageur Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7603-4479-8" title="Special:BookSources/978-0-7603-4479-8"><bdi>978-0-7603-4479-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Pulp+Fiction%3A+The+Complete+Story+of+Quentin+Tarantino%27s+Masterpiece&rft.pub=Voyageur+Press&rft.date=2013&rft.isbn=978-0-7603-4479-8&rft.aulast=Bailey&rft.aufirst=Jason&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBarkerAustin2000" class="citation book cs1">Barker, Martin; Austin, Thomas (2000). From Antz to Titanic: Reinventing Film Analysis. Pluto Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-7453-1579-8" title="Special:BookSources/0-7453-1579-8"><bdi>0-7453-1579-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=From+Antz+to+Titanic%3A+Reinventing+Film+Analysis&rft.pub=Pluto+Press&rft.date=2000&rft.isbn=0-7453-1579-8&rft.aulast=Barker&rft.aufirst=Martin&rft.au=Austin%2C+Thomas&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBart2000" class="citation book cs1"><a href="/wiki/Peter_Bart" title="Peter Bart">Bart, Peter</a> (2000). The Gross: The Hits, the Flops—The Summer That Ate Hollywood. New York: St. Martin's. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-312-25391-5" title="Special:BookSources/0-312-25391-5"><bdi>0-312-25391-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Gross%3A+The+Hits%2C+the+Flops%E2%80%94The+Summer+That+Ate+Hollywood&rft.place=New+York&rft.pub=St.+Martin%27s&rft.date=2000&rft.isbn=0-312-25391-5&rft.aulast=Bart&rft.aufirst=Peter&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBell2000" class="citation book cs1">Bell, David (2000). "Eroticizing the Rural". In Shuttleton, David; Watt, Diane; Phillips, Richard (eds.). De-Centering Sexualities: Politics and Representations Beyond the Metropolis. London and New York: Routledge. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-415-19466-0" title="Special:BookSources/0-415-19466-0"><bdi>0-415-19466-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Eroticizing+the+Rural&rft.btitle=De-Centering+Sexualities%3A+Politics+and+Representations+Beyond+the+Metropolis&rft.place=London+and+New+York&rft.pub=Routledge&rft.date=2000&rft.isbn=0-415-19466-0&rft.aulast=Bell&rft.aufirst=David&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBiskind2004" class="citation book cs1"><a href="/wiki/Peter_Biskind" title="Peter Biskind">Biskind, Peter</a> (2004). <a rel="nofollow" class="external text" href="https://archive.org/details/isbn_9780965931571">Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film</a>. New York: Simon & Schuster. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-684-86259-X" title="Special:BookSources/0-684-86259-X"><bdi>0-684-86259-X</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Down+and+Dirty+Pictures%3A+Miramax%2C+Sundance%2C+and+the+Rise+of+Independent+Film&rft.place=New+York&rft.pub=Simon+%26+Schuster&rft.date=2004&rft.isbn=0-684-86259-X&rft.aulast=Biskind&rft.aufirst=Peter&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fisbn_9780965931571&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBrookerBrooker1996" class="citation book cs1">Brooker, Peter; Brooker, Will (1996). "Pulpmodernism: Tarantino's Affirmative Action". In Simpson, Philip; Utterson, Andrew; Shepherdson, Karen J. (eds.). Film Theory: Critical Concepts in Media and Cultural Studies. London and New York: Routledge. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-415-25971-1" title="Special:BookSources/0-415-25971-1"><bdi>0-415-25971-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Pulpmodernism%3A+Tarantino%27s+Affirmative+Action&rft.btitle=Film+Theory%3A+Critical+Concepts+in+Media+and+Cultural+Studies&rft.place=London+and+New+York&rft.pub=Routledge&rft.date=1996&rft.isbn=0-415-25971-1&rft.aulast=Brooker&rft.aufirst=Peter&rft.au=Brooker%2C+Will&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCharyn2006" class="citation book cs1">Charyn, Jerome (2006). Raised by Wolves: The Turbulent Art and Times of Quentin Tarantino. New York: Thunder's Mouth Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-56025-858-6" title="Special:BookSources/1-56025-858-6"><bdi>1-56025-858-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Raised+by+Wolves%3A+The+Turbulent+Art+and+Times+of+Quentin+Tarantino&rft.place=New+York&rft.pub=Thunder%27s+Mouth+Press&rft.date=2006&rft.isbn=1-56025-858-6&rft.aulast=Charyn&rft.aufirst=Jerome&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFChristopher2006" class="citation book cs1">Christopher, Nicholas (2006). Somewhere in the Night: Film Noir and the American City. Emeryville, Calif.: Shoemaker & Hoard. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-59376-097-3" title="Special:BookSources/1-59376-097-3"><bdi>1-59376-097-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Somewhere+in+the+Night%3A+Film+Noir+and+the+American+City&rft.place=Emeryville%2C+Calif.&rft.pub=Shoemaker+%26+Hoard&rft.date=2006&rft.isbn=1-59376-097-3&rft.aulast=Christopher&rft.aufirst=Nicholas&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFConard2006" class="citation book cs1">Conard, Mark T. (2006). "Symbolism, Meaning, and Nihilism in Pulp Fiction". The Philosophy of Film Noir. Lexington: University Press of Kentucky. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8131-2377-1" title="Special:BookSources/0-8131-2377-1"><bdi>0-8131-2377-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Symbolism%2C+Meaning%2C+and+Nihilism+in+Pulp+Fiction&rft.btitle=The+Philosophy+of+Film+Noir&rft.place=Lexington&rft.pub=University+Press+of+Kentucky&rft.date=2006&rft.isbn=0-8131-2377-1&rft.aulast=Conard&rft.aufirst=Mark+T.&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFConstable2004" class="citation book cs1">Constable, Catherine (2004). "Postmodernism and Film". In Connor, Steven (ed.). The Cambridge Companion to Postmodernism. Cambridge: Cambridge University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-521-64840-8" title="Special:BookSources/0-521-64840-8"><bdi>0-521-64840-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Postmodernism+and+Film&rft.btitle=The+Cambridge+Companion+to+Postmodernism&rft.place=Cambridge&rft.pub=Cambridge+University+Press&rft.date=2004&rft.isbn=0-521-64840-8&rft.aulast=Constable&rft.aufirst=Catherine&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDancyger2002" class="citation book cs1">Dancyger, Ken (2002). The Technique of Film and Video Editing: History, Theory, and Practice (3rd ed.). New York: Focal Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-240-80420-1" title="Special:BookSources/0-240-80420-1"><bdi>0-240-80420-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Technique+of+Film+and+Video+Editing%3A+History%2C+Theory%2C+and+Practice&rft.place=New+York&rft.edition=3rd&rft.pub=Focal+Press&rft.date=2002&rft.isbn=0-240-80420-1&rft.aulast=Dancyger&rft.aufirst=Ken&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDargis1994a" class="citation magazine cs1"><a href="/wiki/Manohla_Dargis" title="Manohla Dargis">Dargis, Manohla</a> (1994a). <a rel="nofollow" class="external text" href="https://archive.org/details/Sight_and_Sound_1994_05_BFI_GB/page/n7/mode/2up">"Pulp Instincts"</a>. <a href="/wiki/Sight_and_Sound" title="Sight and Sound">Sight and Sound</a>. Vol. 4, no. 5. pp. 6–11.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Sight+and+Sound&rft.atitle=Pulp+Instincts&rft.volume=4&rft.issue=5&rft.pages=%3Cspan+class%3D%22nowrap%22%3E6-%3C%2Fspan%3E11&rft.date=1994&rft.aulast=Dargis&rft.aufirst=Manohla&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2FSight_and_Sound_1994_05_BFI_GB%2Fpage%2Fn7%2Fmode%2F2up&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"> collected in <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPeary1998" class="citation book cs1">Peary, Gerald, ed. (1998). Quentin Tarantino: Interviews. Jackson: University Press of Mississippi. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-57806-051-6" title="Special:BookSources/1-57806-051-6"><bdi>1-57806-051-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Quentin+Tarantino%3A+Interviews&rft.place=Jackson&rft.pub=University+Press+of+Mississippi&rft.date=1998&rft.isbn=1-57806-051-6&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDargis1994b" class="citation magazine cs1">Dargis, Manohla (1994b). "Quentin Tarantino on Pulp Fiction". Sight and Sound. Vol. 4, no. 11.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Sight+and+Sound&rft.atitle=Quentin+Tarantino+on+Pulp+Fiction&rft.volume=4&rft.issue=11&rft.date=1994&rft.aulast=Dargis&rft.aufirst=Manohla&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDavisWomack1998" class="citation journal cs1">Davis, Todd F.; <a href="/wiki/Kenneth_Womack" title="Kenneth Womack">Womack, Kenneth</a> (1998). "Shepherding the Weak: The Ethics of Redemption in Quentin Tarantino's Pulp Fiction". Literature/Film Quarterly. 26 (1).</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Literature%2FFilm+Quarterly&rft.atitle=Shepherding+the+Weak%3A+The+Ethics+of+Redemption+in+Quentin+Tarantino%27s+Pulp+Fiction&rft.volume=26&rft.issue=1&rft.date=1998&rft.aulast=Davis&rft.aufirst=Todd+F.&rft.au=Womack%2C+Kenneth&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDawson1995a" class="citation book cs1">Dawson, Jeff (1995a). Quentin Tarantino: The Cinema of Cool. New York and London: Applause. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-55783-227-7" title="Special:BookSources/1-55783-227-7"><bdi>1-55783-227-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Quentin+Tarantino%3A+The+Cinema+of+Cool&rft.place=New+York+and+London&rft.pub=Applause&rft.date=1995&rft.isbn=1-55783-227-7&rft.aulast=Dawson&rft.aufirst=Jeff&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDesser2003" class="citation book cs1">Desser, David (2003). "Global Noir: Genre Film in the Age of Transnationalism". In Grant, Barry Keith (ed.). Film Genre Reader III. Austin: University of Texas Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-292-70185-3" title="Special:BookSources/0-292-70185-3"><bdi>0-292-70185-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Global+Noir%3A+Genre+Film+in+the+Age+of+Transnationalism&rft.btitle=Film+Genre+Reader+III&rft.place=Austin&rft.pub=University+of+Texas+Press&rft.date=2003&rft.isbn=0-292-70185-3&rft.aulast=Desser&rft.aufirst=David&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDinshaw1997" class="citation book cs1">Dinshaw, Carolyn (1997). "Getting Medieval: Pulp Fiction, Gawain, Foucault". In Frese, Dolores Warwick; O'Keeffe, Katherine O'Brien (eds.). The Book and the Body. Notre Dame: University of Notre Dame Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-268-00700-4" title="Special:BookSources/0-268-00700-4"><bdi>0-268-00700-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Getting+Medieval%3A+Pulp+Fiction%2C+Gawain%2C+Foucault&rft.btitle=The+Book+and+the+Body&rft.place=Notre+Dame&rft.pub=University+of+Notre+Dame+Press&rft.date=1997&rft.isbn=0-268-00700-4&rft.aulast=Dinshaw&rft.aufirst=Carolyn&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEbert1997" class="citation book cs1"><a href="/wiki/Roger_Ebert" title="Roger Ebert">Ebert, Roger</a> (1997). Questions for the Movie Answer Man. Kansas City, Mo.: Andrews McMeel. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8362-2894-4" title="Special:BookSources/0-8362-2894-4"><bdi>0-8362-2894-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Questions+for+the+Movie+Answer+Man&rft.place=Kansas+City%2C+Mo.&rft.pub=Andrews+McMeel&rft.date=1997&rft.isbn=0-8362-2894-4&rft.aulast=Ebert&rft.aufirst=Roger&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFraiman2003" class="citation book cs1">Fraiman, Susan (2003). Cool Men and the Second Sex. New York: Columbia University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-231-12962-9" title="Special:BookSources/0-231-12962-9"><bdi>0-231-12962-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Cool+Men+and+the+Second+Sex&rft.place=New+York&rft.pub=Columbia+University+Press&rft.date=2003&rft.isbn=0-231-12962-9&rft.aulast=Fraiman&rft.aufirst=Susan&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFFulwood2003" class="citation book cs1">Fulwood, Neil (2003). One Hundred Violent Films that Changed Cinema. London and New York: Batsford/Sterling. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-7134-8819-0" title="Special:BookSources/0-7134-8819-0"><bdi>0-7134-8819-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=One+Hundred+Violent+Films+that+Changed+Cinema&rft.place=London+and+New+York&rft.pub=Batsford%2FSterling&rft.date=2003&rft.isbn=0-7134-8819-0&rft.aulast=Fulwood&rft.aufirst=Neil&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGallafent2006" class="citation book cs1">Gallafent, Edward (2006). Quentin Tarantino. London: Pearson Longman. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-582-47304-7" title="Special:BookSources/0-582-47304-7"><bdi>0-582-47304-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Quentin+Tarantino&rft.place=London&rft.pub=Pearson+Longman&rft.date=2006&rft.isbn=0-582-47304-7&rft.aulast=Gallafent&rft.aufirst=Edward&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGiroux1996" class="citation book cs1">Giroux, Henry A. (1996). Fugitive Cultures: Race, Violence, and Youth. London and New York: Routledge. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-415-91577-5" title="Special:BookSources/0-415-91577-5"><bdi>0-415-91577-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Fugitive+Cultures%3A+Race%2C+Violence%2C+and+Youth&rft.place=London+and+New+York&rft.pub=Routledge&rft.date=1996&rft.isbn=0-415-91577-5&rft.aulast=Giroux&rft.aufirst=Henry+A.&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGormley2005" class="citation book cs1">Gormley, Paul (2005). The New-Brutality Film: Race and Affect in Contemporary Hollywood Cinema. Bristol, UK, and Portland, Ore.: Intellect. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-84150-119-0" title="Special:BookSources/1-84150-119-0"><bdi>1-84150-119-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+New-Brutality+Film%3A+Race+and+Affect+in+Contemporary+Hollywood+Cinema&rft.place=Bristol%2C+UK%2C+and+Portland%2C+Ore.&rft.pub=Intellect&rft.date=2005&rft.isbn=1-84150-119-0&rft.aulast=Gormley&rft.aufirst=Paul&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGroth1997" class="citation book cs1">Groth, Gary (1997). "A Dream of Perfect Reception: The Movies of Quentin Tarantino". In Frank, Thomas; Weiland, Matt (eds.). Commodify Your Dissent: Salvos from The Baffler. New York: W.W. Norton. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-393-31673-4" title="Special:BookSources/0-393-31673-4"><bdi>0-393-31673-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=A+Dream+of+Perfect+Reception%3A+The+Movies+of+Quentin+Tarantino&rft.btitle=Commodify+Your+Dissent%3A+Salvos+from+The+Baffler&rft.place=New+York&rft.pub=W.W.+Norton&rft.date=1997&rft.isbn=0-393-31673-4&rft.aulast=Groth&rft.aufirst=Gary&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHirsch1997" class="citation book cs1">Hirsch, Foster (1997). "Afterword". In Clarens, Carlos (ed.). Crime Movies (revised ed.). Cambridge, Mass.: Da Capo. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-306-80768-8" title="Special:BookSources/0-306-80768-8"><bdi>0-306-80768-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Afterword&rft.btitle=Crime+Movies&rft.place=Cambridge%2C+Mass.&rft.edition=revised&rft.pub=Da+Capo&rft.date=1997&rft.isbn=0-306-80768-8&rft.aulast=Hirsch&rft.aufirst=Foster&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHoffman2005" class="citation book cs1">Hoffman, David (2005). The Breakfast Cereal Gourmet. Kansas City, Mo.: Andrews McMeel. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-7407-5029-1" title="Special:BookSources/0-7407-5029-1"><bdi>0-7407-5029-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Breakfast+Cereal+Gourmet&rft.place=Kansas+City%2C+Mo.&rft.pub=Andrews+McMeel&rft.date=2005&rft.isbn=0-7407-5029-1&rft.aulast=Hoffman&rft.aufirst=David&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKing2002" class="citation book cs1">King, Geoff (2002). Film Comedy. London: Wallflower Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-903364-35-3" title="Special:BookSources/1-903364-35-3"><bdi>1-903364-35-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Film+Comedy&rft.place=London&rft.pub=Wallflower+Press&rft.date=2002&rft.isbn=1-903364-35-3&rft.aulast=King&rft.aufirst=Geoff&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKolker2000" class="citation book cs1">Kolker, Robert (2000). A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman. New York: Oxford University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-19-512350-6" title="Special:BookSources/0-19-512350-6"><bdi>0-19-512350-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=A+Cinema+of+Loneliness%3A+Penn%2C+Stone%2C+Kubrick%2C+Scorsese%2C+Spielberg%2C+Altman&rft.place=New+York&rft.pub=Oxford+University+Press&rft.date=2000&rft.isbn=0-19-512350-6&rft.aulast=Kolker&rft.aufirst=Robert&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMiklitsch2006" class="citation book cs1">Miklitsch, Robert (2006). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=oCprHBiGYoMC&pg=PA15">Roll Over Adorno: Critical Theory, Popular Culture, Audiovisual Media</a>. SUNY Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0791467343" title="Special:BookSources/978-0791467343"><bdi>978-0791467343</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Roll+Over+Adorno%3A+Critical+Theory%2C+Popular+Culture%2C+Audiovisual+Media&rft.pub=SUNY+Press&rft.date=2006&rft.isbn=978-0791467343&rft.aulast=Miklitsch&rft.aufirst=Robert&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DoCprHBiGYoMC%26pg%3DPA15&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMiller1999" class="citation book cs1">Miller, Stephen Paul (1999). The Seventies Now: Culture As Surveillance. Durham, N.C: Duke University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8223-2166-1" title="Special:BookSources/0-8223-2166-1"><bdi>0-8223-2166-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Seventies+Now%3A+Culture+As+Surveillance&rft.place=Durham%2C+N.C&rft.pub=Duke+University+Press&rft.date=1999&rft.isbn=0-8223-2166-1&rft.aulast=Miller&rft.aufirst=Stephen+Paul&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMottram2006" class="citation book cs1">Mottram, James (2006). The Sundance Kids: How the Mavericks Took Back Hollywood. New York: Macmillan. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-571-22267-6" title="Special:BookSources/0-571-22267-6"><bdi>0-571-22267-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Sundance+Kids%3A+How+the+Mavericks+Took+Back+Hollywood&rft.place=New+York&rft.pub=Macmillan&rft.date=2006&rft.isbn=0-571-22267-6&rft.aulast=Mottram&rft.aufirst=James&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFO'Brien1994" class="citation book cs1">O'Brien, Geoffrey (1994). "Quentin Tarantino's Pulp Fantastic". Castaways of the Image Planet: Movies, Show Business, Public Spectacle. Washington, D.C.: Counterpoint. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-58243-190-6" title="Special:BookSources/1-58243-190-6"><bdi>1-58243-190-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Quentin+Tarantino%27s+Pulp+Fantastic&rft.btitle=Castaways+of+the+Image+Planet%3A+Movies%2C+Show+Business%2C+Public+Spectacle&rft.place=Washington%2C+D.C.&rft.pub=Counterpoint&rft.date=1994&rft.isbn=1-58243-190-6&rft.aulast=O%27Brien&rft.aufirst=Geoffrey&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFParker2002" class="citation book cs1">Parker, Philip (2002). The Art and Science of Screenwriting (2nd ed.). Bristol, UK: Intellect. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-84150-065-8" title="Special:BookSources/1-84150-065-8"><bdi>1-84150-065-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Art+and+Science+of+Screenwriting&rft.place=Bristol%2C+UK&rft.edition=2nd&rft.pub=Intellect&rft.date=2002&rft.isbn=1-84150-065-8&rft.aulast=Parker&rft.aufirst=Philip&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPolan2000" class="citation book cs1">Polan, Dana (2000). Pulp Fiction. London: BFI. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-85170-808-0" title="Special:BookSources/0-85170-808-0"><bdi>0-85170-808-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Pulp+Fiction&rft.place=London&rft.pub=BFI&rft.date=2000&rft.isbn=0-85170-808-0&rft.aulast=Polan&rft.aufirst=Dana&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRabinowitz2002" class="citation book cs1">Rabinowitz, Paula (2002). Black & White & Noir: America's Pulp Modernism. New York: Columbia University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-231-11480-X" title="Special:BookSources/0-231-11480-X"><bdi>0-231-11480-X</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Black+%26+White+%26+Noir%3A+America%27s+Pulp+Modernism&rft.place=New+York&rft.pub=Columbia+University+Press&rft.date=2002&rft.isbn=0-231-11480-X&rft.aulast=Rabinowitz&rft.aufirst=Paula&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFReal1996" class="citation book cs1">Real, Michael R. (1996). Exploring Media Culture: A Guide. Thousand Oaks, Calif., London, and New Delhi: Sage. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8039-5877-3" title="Special:BookSources/0-8039-5877-3"><bdi>0-8039-5877-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Exploring+Media+Culture%3A+A+Guide&rft.place=Thousand+Oaks%2C+Calif.%2C+London%2C+and+New+Delhi&rft.pub=Sage&rft.date=1996&rft.isbn=0-8039-5877-3&rft.aulast=Real&rft.aufirst=Michael+R.&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFReinhartz2003" class="citation book cs1">Reinhartz, Adele (2003). Scripture on the Silver Screen. Louisville: Westminster John Knox Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-664-22359-1" title="Special:BookSources/0-664-22359-1"><bdi>0-664-22359-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Scripture+on+the+Silver+Screen&rft.place=Louisville&rft.pub=Westminster+John+Knox+Press&rft.date=2003&rft.isbn=0-664-22359-1&rft.aulast=Reinhartz&rft.aufirst=Adele&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRubin1999" class="citation book cs1">Rubin, Martin (1999). Thrillers. Cambridge, New York, and Melbourne: Cambridge University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-521-58839-1" title="Special:BookSources/0-521-58839-1"><bdi>0-521-58839-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Thrillers&rft.place=Cambridge%2C+New+York%2C+and+Melbourne&rft.pub=Cambridge+University+Press&rft.date=1999&rft.isbn=0-521-58839-1&rft.aulast=Rubin&rft.aufirst=Martin&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSilverUrsini2004" class="citation book cs1">Silver, Alain; Ursini, James (2004). Film Noir. Cologne: Taschen. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/3-8228-2261-2" title="Special:BookSources/3-8228-2261-2"><bdi>3-8228-2261-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Film+Noir&rft.place=Cologne&rft.pub=Taschen&rft.date=2004&rft.isbn=3-8228-2261-2&rft.aulast=Silver&rft.aufirst=Alain&rft.au=Ursini%2C+James&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTarantino1994" class="citation book cs1"><a href="/wiki/Quentin_Tarantino" title="Quentin Tarantino">Tarantino, Quentin</a> (1994). Pulp Fiction: A Screenplay. New York: Hyperion/Miramax. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-7868-8104-6" title="Special:BookSources/0-7868-8104-6"><bdi>0-7868-8104-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Pulp+Fiction%3A+A+Screenplay&rft.place=New+York&rft.pub=Hyperion%2FMiramax&rft.date=1994&rft.isbn=0-7868-8104-6&rft.aulast=Tarantino&rft.aufirst=Quentin&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFThomas2003" class="citation book cs1">Thomas, Brian (2003). VideoHound's Dragon: Asian Action & Cult Flicks. Canton, Mich.: Visible Ink Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-57859-141-4" title="Special:BookSources/1-57859-141-4"><bdi>1-57859-141-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=VideoHound%27s+Dragon%3A+Asian+Action+%26+Cult+Flicks&rft.place=Canton%2C+Mich.&rft.pub=Visible+Ink+Press&rft.date=2003&rft.isbn=1-57859-141-4&rft.aulast=Thomas&rft.aufirst=Brian&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFTincknell2006" class="citation book cs1">Tincknell, Estella (2006). "The Soundtrack Movie, Nostalgia and Consumption". In Conrich, Ian; Tincknell, Estella (eds.). Film's Musical Moments. Edinburgh: Edinburgh University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-7486-2344-2" title="Special:BookSources/0-7486-2344-2"><bdi>0-7486-2344-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=The+Soundtrack+Movie%2C+Nostalgia+and+Consumption&rft.btitle=Film%27s+Musical+Moments&rft.place=Edinburgh&rft.pub=Edinburgh+University+Press&rft.date=2006&rft.isbn=0-7486-2344-2&rft.aulast=Tincknell&rft.aufirst=Estella&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWalker2005" class="citation book cs1">Walker, David (2005). "Tarantino, Quentin". In Sim, Stuart (ed.). The Routledge Companion to Postmodernism' (2nd ed.). London and New York: Routledge. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-415-33358-X" title="Special:BookSources/0-415-33358-X"><bdi>0-415-33358-X</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Tarantino%2C+Quentin&rft.btitle=The+Routledge+Companion+to+Postmodernism%27&rft.place=London+and+New+York&rft.edition=2nd&rft.pub=Routledge&rft.date=2005&rft.isbn=0-415-33358-X&rft.aulast=Walker&rft.aufirst=David&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWaxman2005" class="citation book cs1"><a href="/wiki/Sharon_Waxman" title="Sharon Waxman">Waxman, Sharon</a> (2005). <a rel="nofollow" class="external text" href="https://archive.org/details/rebelsonbacklots00waxm">Rebels on the Backlot: Six Maverick Directors and How They Conquered the Hollywood Studio System</a>. New York: HarperCollins. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-06-054017-6" title="Special:BookSources/0-06-054017-6"><bdi>0-06-054017-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Rebels+on+the+Backlot%3A+Six+Maverick+Directors+and+How+They+Conquered+the+Hollywood+Studio+System&rft.place=New+York&rft.pub=HarperCollins&rft.date=2005&rft.isbn=0-06-054017-6&rft.aulast=Waxman&rft.aufirst=Sharon&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Frebelsonbacklots00waxm&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWhite2002" class="citation book cs1">White, Glyn (2002). "Quentin Tarantino". In Tasker, Yvonne (ed.). Fifty Contemporary Filmmakers. London and New York: Routledge. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-415-18973-X" title="Special:BookSources/0-415-18973-X"><bdi>0-415-18973-X</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Quentin+Tarantino&rft.btitle=Fifty+Contemporary+Filmmakers&rft.place=London+and+New+York&rft.pub=Routledge&rft.date=2002&rft.isbn=0-415-18973-X&rft.aulast=White&rft.aufirst=Glyn&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWillis1997" class="citation book cs1">Willis, Sharon (1997). High Contrast: Race and Gender in Contemporary Hollywood Film. Durham, N.C.: Duke University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8223-2041-X" title="Special:BookSources/0-8223-2041-X"><bdi>0-8223-2041-X</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=High+Contrast%3A+Race+and+Gender+in+Contemporary+Hollywood+Film&rft.place=Durham%2C+N.C.&rft.pub=Duke+University+Press&rft.date=1997&rft.isbn=0-8223-2041-X&rft.aulast=Willis&rft.aufirst=Sharon&rfr_id=info%3Asid%2Fen.wikipedia.org%3APulp+Fiction" class="Z3988"></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><style data-mw-deduplicate="TemplateStyles:r1237033735">@media print{body.ns-0 .mw-parser-output .sistersitebox{display:none!important}}@media screen{html.skin-theme-clientpref-night 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<div class="side-box-text plainlist">Wikiquote has quotations related to <a href="https://en.wikiquote.org/wiki/Pulp_Fiction" class="extiw" title="q:Pulp Fiction">Pulp Fiction</a>.</div></div> </div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1237033735"><div class="side-box side-box-right plainlinks sistersitebox"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><a href="/wiki/File:Commons-logo.svg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png" decoding="async" width="30" height="40" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/45px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/59px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /></a></div> <div class="side-box-text plainlist">Wikimedia Commons has media related to <a href="https://commons.wikimedia.org/wiki/Category:Pulp_Fiction" class="extiw" title="commons:Category:Pulp Fiction">Pulp Fiction</a>.</div></div> </div> <ul><li><a rel="nofollow" class="external text" href="https://www.loc.gov/static/programs/national-film-preservation-board/documents/pulp%20fiction.pdf">Pulp Fiction essay</a> by <a href="/wiki/Jami_Bernard" title="Jami Bernard">Jami Bernard</a> at <a href="/wiki/National_Film_Registry" title="National Film Registry">National Film Registry</a></li> <li><a rel="nofollow" class="external text" href="http://www.miramax.com/movie/pulp-fiction">Official website</a> <a href="https://www.wikidata.org/wiki/Q104123#P856" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></li> <li><a rel="nofollow" class="external text" href="https://catalog.afi.com/Catalog/moviedetails/55207">Pulp Fiction</a> at the <a href="/wiki/AFI_Catalog_of_Feature_Films" title="AFI Catalog of Feature Films">AFI Catalog of Feature Films</a></li> <li><a rel="nofollow" class="external text" href="https://www.imdb.com/title/tt0110912/">Pulp Fiction</a> at <a href="/wiki/IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a></li> <li><a rel="nofollow" class="external text" href="https://www.boxofficemojo.com/movies/?id=pulpfiction.htm">Pulp Fiction</a> at <a href="/wiki/Box_Office_Mojo" title="Box Office Mojo">Box Office Mojo</a></li> <li><a rel="nofollow" class="external text" href="https://www.metacritic.com/movie/pulp-fiction">Pulp Fiction</a> at <a href="/wiki/Metacritic" title="Metacritic">Metacritic</a> <a href="https://www.wikidata.org/wiki/Q104123#P1712" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></li> <li><a rel="nofollow" class="external text" href="https://www.rottentomatoes.com/m/pulp_fiction">Pulp Fiction</a> at <a href="/wiki/Rotten_Tomatoes" title="Rotten Tomatoes">Rotten Tomatoes</a></li> <li><a rel="nofollow" class="external text" href="http://www.lib.berkeley.edu/MRC/tarantino.html#pulp">Pulp Fiction bibliography (via UC Berkeley)</a></li> <li><a rel="nofollow" class="external text" href="http://www.bibledex.com/verses/pulp_fiction.html">Discussion of Pulp Fiction use of Ezekiel 25:17 at Bibledex.com</a></li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output 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.navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini abbr{font-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit}.mw-parser-output .navbar-ct-full{font-size:114%;margin:0 7em}.mw-parser-output .navbar-ct-mini{font-size:114%;margin:0 4em}html.skin-theme-clientpref-night .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Quentin_Tarantino" title="Template:Quentin Tarantino"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Quentin_Tarantino" title="Template talk:Quentin Tarantino"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Quentin_Tarantino" title="Special:EditPage/Template:Quentin Tarantino"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Quentin_Tarantino337" style="font-size:114%;margin:0 4em"><a href="/wiki/Quentin_Tarantino" title="Quentin Tarantino">Quentin Tarantino</a></div></th></tr><tr><td class="navbox-abovebelow" colspan="2"><div> <ul><li><a href="/wiki/Quentin_Tarantino_filmography" title="Quentin Tarantino filmography">Filmography</a></li> <li><a href="/wiki/List_of_awards_and_nominations_received_by_Quentin_Tarantino" title="List of awards and nominations received by Quentin Tarantino">Awards and nominations</a></li> <li><a href="/wiki/Quentin_Tarantino%27s_unrealized_projects" title="Quentin Tarantino's unrealized projects">Unrealized projects</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Films written and directed</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Reservoir_Dogs" title="Reservoir Dogs">Reservoir Dogs</a> (1992) <ul><li><a href="/wiki/Reservoir_Dogs_(soundtrack)" title="Reservoir Dogs (soundtrack)">soundtrack</a></li></ul></li> <li><a class="mw-selflink selflink">Pulp Fiction</a> (1994) <ul><li><a href="/wiki/Pulp_Fiction_(soundtrack)" title="Pulp Fiction (soundtrack)">soundtrack</a></li> <li><a href="/wiki/List_of_accolades_received_by_Pulp_Fiction" title="List of accolades received by Pulp Fiction">accolades</a></li></ul></li> <li><a href="/wiki/Jackie_Brown" title="Jackie Brown">Jackie Brown</a> (1997) <ul><li><a href="/wiki/Jackie_Brown:_Music_from_the_Miramax_Motion_Picture" title="Jackie Brown: Music from the Miramax Motion Picture">soundtrack</a></li></ul></li> <li><a href="/wiki/Kill_Bill:_Volume_1" title="Kill Bill: Volume 1">Kill Bill: Volume 1</a> (2003) <ul><li><a href="/wiki/Kill_Bill_Vol._1_Original_Soundtrack" title="Kill Bill Vol. 1 Original Soundtrack">soundtrack</a></li></ul></li> <li><a href="/wiki/Kill_Bill:_Volume_2" title="Kill Bill: Volume 2">Kill Bill: Volume 2</a> (2004) <ul><li><a href="/wiki/Kill_Bill_Vol._2_Original_Soundtrack" title="Kill Bill Vol. 2 Original Soundtrack">soundtrack</a></li></ul></li> <li><a href="/wiki/Death_Proof" title="Death Proof">Death Proof</a> (2007) <ul><li><a href="/wiki/Death_Proof_(soundtrack)" title="Death Proof (soundtrack)">soundtrack</a></li></ul></li> <li><a href="/wiki/Inglourious_Basterds" title="Inglourious Basterds">Inglourious Basterds</a> (2009) <ul><li><a href="/wiki/Inglourious_Basterds_(soundtrack)" title="Inglourious Basterds (soundtrack)">soundtrack</a></li> <li><a href="/wiki/List_of_accolades_received_by_Inglourious_Basterds" title="List of accolades received by Inglourious Basterds">accolades</a></li></ul></li> <li><a href="/wiki/Django_Unchained" title="Django Unchained">Django Unchained</a> (2012) <ul><li><a href="/wiki/Django_Unchained_(soundtrack)" title="Django Unchained (soundtrack)">soundtrack</a></li> <li><a href="/wiki/List_of_accolades_received_by_Django_Unchained" title="List of accolades received by Django Unchained">accolades</a></li></ul></li> <li><a href="/wiki/The_Hateful_Eight" title="The Hateful Eight">The Hateful Eight</a> (2015) <ul><li><a href="/wiki/The_Hateful_Eight_(soundtrack)" title="The Hateful Eight (soundtrack)">soundtrack</a></li> <li><a href="/wiki/List_of_accolades_received_by_The_Hateful_Eight" title="List of accolades received by The Hateful Eight">accolades</a></li></ul></li> <li><a href="/wiki/Once_Upon_a_Time_in_Hollywood" title="Once Upon a Time in Hollywood">Once Upon a Time...in Hollywood</a> (2019) <ul><li><a href="/wiki/Once_Upon_a_Time_in_Hollywood_(soundtrack)" title="Once Upon a Time in Hollywood (soundtrack)">soundtrack</a></li> <li><a href="/wiki/List_of_accolades_received_by_Once_Upon_a_Time_in_Hollywood" title="List of accolades received by Once Upon a Time in Hollywood">accolades</a></li></ul></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Written only</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/True_Romance" title="True Romance">True Romance</a> (1993)</li> <li><a href="/wiki/Natural_Born_Killers" title="Natural Born Killers">Natural Born Killers</a> (1994; story)</li> <li><a href="/wiki/From_Dusk_till_Dawn" title="From Dusk till Dawn">From Dusk till Dawn</a> (1996)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Books</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Once_Upon_a_Time_in_Hollywood_(novel)" title="Once Upon a Time in Hollywood (novel)">Once Upon a Time in Hollywood: A Novel</a> (2021)</li> <li><a href="/wiki/Cinema_Speculation" title="Cinema Speculation">Cinema Speculation</a> (2022)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Characters</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Mia_Wallace" title="Mia Wallace">Mia Wallace</a></li> <li><a href="/wiki/Seth_Gecko" title="Seth Gecko">Seth Gecko</a></li> <li><a href="/wiki/The_Bride_(Kill_Bill)" title="The Bride (Kill Bill)">The Bride</a></li> <li><a href="/wiki/Hans_Landa" title="Hans Landa">Hans Landa</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other work</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/My_Best_Friend%27s_Birthday" title="My Best Friend's Birthday">My Best Friend's Birthday</a> (1987)</li> <li>"<a href="/wiki/Motherhood_(ER)" title="Motherhood (ER)">Motherhood</a>" (1995)</li> <li><a href="/wiki/Four_Rooms" title="Four Rooms">Four Rooms</a> (1995)</li> <li><a href="/wiki/Sin_City_(film)" title="Sin City (film)">Sin City</a> (2005)</li> <li>"<a href="/wiki/Grave_Danger" title="Grave Danger">Grave Danger</a>" (2005)</li> <li><a href="/wiki/Grindhouse_(film)" title="Grindhouse (film)">Grindhouse</a> (2007) <ul><li><a href="/wiki/Planet_Terror" title="Planet Terror">Planet Terror</a> (2007)</li></ul></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Tony_Tarantino" title="Tony Tarantino">Tony Tarantino</a> (father)</li> <li><a href="/wiki/Quentin_Tarantino_Film_Festival" title="Quentin Tarantino Film Festival">Quentin Tarantino Film Festival</a></li> <li><a href="/wiki/New_Beverly_Cinema" title="New Beverly Cinema">New Beverly Cinema</a></li> <li><a href="/wiki/Vista_Theatre_(Los_Angeles)" title="Vista Theatre (Los Angeles)">Vista Theatre</a></li> <li><a href="/wiki/Video_Archives" title="Video Archives">Video Archives</a></li> <li><a href="/wiki/A_Band_Apart" title="A Band Apart">A Band Apart</a></li> <li><a href="/wiki/Rolling_Thunder_Pictures" title="Rolling Thunder Pictures">Rolling Thunder Pictures</a></li> <li><a href="/wiki/Big_Kahuna_Burger" title="Big Kahuna Burger">Big Kahuna Burger</a></li> <li>"<a href="/wiki/Never_Again_(The_X-Files)" title="Never Again (The X-Files)">Never Again</a>" (1997)</li> <li><a href="/wiki/Reservoir_Dogs_(video_game)" title="Reservoir Dogs (video game)">Reservoir Dogs</a> (2006 video game)</li> <li><a href="/wiki/Stealing_Tarantino" title="Stealing Tarantino">Stealing Tarantino</a> (2006)</li> <li><a href="/wiki/Quentin_Tarantino%27s_Suicide_Squad" title="Quentin Tarantino's Suicide Squad">Quentin Tarantino's Suicide Squad</a> (2016)</li> <li><a href="/wiki/QT8:_The_First_Eight" title="QT8: The First Eight">QT8: The First Eight</a> (2019)</li> <li><a href="/wiki/Stealing_Pulp_Fiction" title="Stealing Pulp Fiction">Stealing Pulp Fiction</a> (2024)</li></ul> </div></td></tr><tr><td class="navbox-abovebelow" colspan="2"><div><a href="/wiki/Category:Quentin_Tarantino" title="Category:Quentin Tarantino">Category</a></div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Films_by_Roger_Avary56" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Roger_Avary" title="Template:Roger Avary"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Roger_Avary" title="Template talk:Roger Avary"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Roger_Avary" title="Special:EditPage/Template:Roger Avary"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Films_by_Roger_Avary56" style="font-size:114%;margin:0 4em">Films by <a href="/wiki/Roger_Avary" title="Roger Avary">Roger Avary</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Written and directed</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Killing_Zoe" title="Killing Zoe">Killing Zoe</a> (1993)</li> <li><a href="/wiki/Mr._Stitch" title="Mr. Stitch">Mr. Stitch</a> (1995)</li> <li><a href="/wiki/The_Rules_of_Attraction_(film)" title="The Rules of Attraction (film)">The Rules of Attraction</a> (2002)</li> <li><a href="/wiki/Glitterati_(film)" title="Glitterati (film)">Glitterati</a> (2004)</li> <li><a href="/wiki/Lucky_Day_(film)" title="Lucky Day (film)">Lucky Day</a> (2019)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Written only</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a class="mw-selflink selflink">Pulp Fiction</a> (1994)</li> <li><a href="/wiki/Silent_Hill_(film)" title="Silent Hill (film)">Silent Hill</a> (2006)</li> <li><a href="/wiki/Beowulf_(2007_film)" title="Beowulf (2007 film)">Beowulf</a> (2007)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Awards_for_Pulp_Fiction141" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:#e8e8ff;"><div id="Awards_for_Pulp_Fiction141" style="font-size:114%;margin:0 4em"><a href="/wiki/List_of_accolades_received_by_Pulp_Fiction" title="List of accolades received by Pulp Fiction">Awards for Pulp Fiction</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0;font-size:114%"><div style="padding:0px"> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Blue_Ribbon_Award_for_Best_Foreign_Film43" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Blue_Ribbon_Award_for_Best_Foreign_Film" title="Template:Blue Ribbon Award for Best Foreign Film"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Blue_Ribbon_Award_for_Best_Foreign_Film" title="Template talk:Blue Ribbon Award for Best Foreign Film"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Blue_Ribbon_Award_for_Best_Foreign_Film" title="Special:EditPage/Template:Blue Ribbon Award for Best Foreign Film"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Blue_Ribbon_Award_for_Best_Foreign_Film43" style="font-size:114%;margin:0 4em"><a href="/wiki/Blue_Ribbon_Award_for_Best_Foreign_Film" title="Blue Ribbon Award for Best Foreign Film">Blue Ribbon Award for Best Foreign Film</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Sunset_Boulevard_(film)" title="Sunset Boulevard (film)">Sunset Boulevard</a> (1951)</li> <li><a href="/wiki/Monsieur_Verdoux" title="Monsieur Verdoux">Monsieur Verdoux</a> (1952)</li> <li><a href="/wiki/Forbidden_Games" title="Forbidden Games">Forbidden Games</a> (1953)</li> <li><a href="/wiki/The_Wages_of_Fear" title="The Wages of Fear">The Wages of Fear</a> (1954)</li> <li><a href="/wiki/East_of_Eden_(film)" title="East of Eden (film)">East of Eden</a> (1955)</li> <li><a href="/wiki/Gervaise_(film)" title="Gervaise (film)">Gervaise</a> (1956)</li> <li><a href="/wiki/La_Strada" title="La Strada">La Strada</a> (1957)</li> <li><a href="/wiki/The_Old_Man_and_the_Sea_(1958_film)" title="The Old Man and the Sea (1958 film)">The Old Man and the Sea</a> (1958)</li> <li><a href="/wiki/12_Angry_Men_(1957_film)" title="12 Angry Men (1957 film)">12 Angry Men</a> (1959)</li> <li><a href="/wiki/On_the_Beach_(1959_film)" title="On the Beach (1959 film)">On the Beach</a> (1960)</li> <li><a href="/wiki/Two_Women" title="Two Women">Two Women</a> (1961)</li> <li><a href="/wiki/The_Grapes_of_Wrath_(film)" title="The Grapes of Wrath (film)">The Grapes of Wrath</a> (1962)</li> <li><a href="/wiki/Sundays_and_Cybele" class="mw-redirect" title="Sundays and Cybele">Sundays and Cybele</a> (1963)</li> <li><a href="/wiki/Lilies_of_the_Field_(1963_film)" title="Lilies of the Field (1963 film)">Lilies of the Field</a> (1964)</li> <li><a href="/wiki/Mary_Poppins_(film)" title="Mary Poppins (film)">Mary Poppins</a> (1965)</li> <li><a href="/wiki/A_Man_and_a_Woman" title="A Man and a Woman">A Man and a Woman</a> (1966)</li> <li><a href="/wiki/Lenny_(film)" title="Lenny (film)">Lenny</a> (1975)</li> <li><a href="/wiki/Taxi_Driver" title="Taxi Driver">Taxi Driver</a> (1976)</li> <li><a href="/wiki/Rocky" title="Rocky">Rocky</a> (1977)</li> <li><a href="/wiki/Conversation_Piece_(film)" title="Conversation Piece (film)">Conversation Piece</a> (1978)</li> <li><a href="/wiki/The_Deer_Hunter" title="The Deer Hunter">The Deer Hunter</a> (1979)</li> <li><a href="/wiki/Kramer_vs._Kramer" title="Kramer vs. Kramer">Kramer vs. Kramer</a> (1980)</li> <li><a href="/wiki/The_Tin_Drum_(film)" title="The Tin Drum (film)">The Tin Drum</a> (1981)</li> <li><a href="/wiki/E.T._the_Extra-Terrestrial" title="E.T. the Extra-Terrestrial">E.T. the Extra-Terrestrial</a> (1982)</li> <li><a href="/wiki/Flashdance" title="Flashdance">Flashdance</a> (1983)</li> <li><a href="/wiki/The_Right_Stuff_(film)" title="The Right Stuff (film)">The Right Stuff</a> (1984)</li> <li><a href="/wiki/Witness_(1985_film)" title="Witness (1985 film)">Witness</a> (1985)</li> <li><a href="/wiki/The_Color_Purple_(1985_film)" title="The Color Purple (1985 film)">The Color Purple</a> (1986)</li> <li><a href="/wiki/The_Untouchables_(film)" title="The Untouchables (film)">The Untouchables</a> (1987)</li> <li><a href="/wiki/Wings_of_Desire" title="Wings of Desire">Wings of Desire</a> (1988)</li> <li><a href="/wiki/Die_Hard" title="Die Hard">Die Hard</a> (1989)</li> <li><a href="/wiki/Field_of_Dreams" title="Field of Dreams">Field of Dreams</a> (1990)</li> <li><a href="/wiki/The_Silence_of_the_Lambs_(film)" title="The Silence of the Lambs (film)">The Silence of the Lambs</a> (1991)</li> <li><a href="/wiki/JFK_(film)" title="JFK (film)">JFK</a> (1992)</li> <li><a href="/wiki/Jurassic_Park_(film)" title="Jurassic Park (film)">Jurassic Park</a> (1993)</li> <li><a class="mw-selflink selflink">Pulp Fiction</a> (1994)</li> <li><a href="/wiki/The_Bridges_of_Madison_County_(film)" title="The Bridges of Madison County (film)">The Bridges of Madison County</a> (1995)</li> <li><a href="/wiki/Seven_(1995_film)" title="Seven (1995 film)">Seven</a> (1996)</li> <li><a href="/wiki/Titanic_(1997_film)" title="Titanic (1997 film)">Titanic</a> (1997)</li> <li><a href="/wiki/L.A._Confidential_(film)" title="L.A. Confidential (film)">L.A. Confidential</a> (1998)</li> <li><a href="/wiki/Life_Is_Beautiful" title="Life Is Beautiful">Life Is Beautiful</a> (1999)</li> <li><a href="/wiki/Dancer_in_the_Dark" title="Dancer in the Dark">Dancer in the Dark</a> (2000)</li> <li><a href="/wiki/Joint_Security_Area_(film)" title="Joint Security Area (film)">Joint Security Area</a> (2001)</li> <li><a href="/wiki/Shaolin_Soccer" title="Shaolin Soccer">Shaolin Soccer</a> (2002)</li> <li><a href="/wiki/Infernal_Affairs" title="Infernal Affairs">Infernal Affairs</a> (2003)</li> <li><a href="/wiki/Mystic_River_(film)" title="Mystic River (film)">Mystic River</a> (2004)</li> <li><a href="/wiki/Million_Dollar_Baby" title="Million Dollar Baby">Million Dollar Baby</a> (2005)</li> <li><a href="/wiki/Flags_of_Our_Fathers_(film)" title="Flags of Our Fathers (film)">Flags of Our Fathers</a> (2006)</li> <li><a href="/wiki/Dreamgirls_(film)" title="Dreamgirls (film)">Dreamgirls</a> (2007)</li> <li><a href="/wiki/The_Dark_Knight" title="The Dark Knight">The Dark Knight</a> (2008)</li> <li><a href="/wiki/Gran_Torino" title="Gran Torino">Gran Torino</a> (2009)</li> <li><a href="/wiki/District_9" title="District 9">District 9</a> (2010)</li> <li><a href="/wiki/Black_Swan_(film)" title="Black Swan (film)">Black Swan</a> (2011)</li> <li><a href="/wiki/Les_Mis%C3%A9rables_(2012_film)" title="Les Misérables (2012 film)">Les Misérables</a> (2012)</li> <li><a href="/wiki/Gravity_(2013_film)" title="Gravity (2013 film)">Gravity</a> (2013)</li> <li><a href="/wiki/Jersey_Boys_(film)" title="Jersey Boys (film)">Jersey Boys</a> (2014)</li> <li><a href="/wiki/Mad_Max:_Fury_Road" title="Mad Max: Fury Road">Mad Max: Fury Road</a> (2015)</li> <li><a href="/wiki/Rogue_One" title="Rogue One">Rogue One</a> (2016)</li> <li><a href="/wiki/Hidden_Figures" title="Hidden Figures">Hidden Figures</a> (2017)</li> <li><a href="/wiki/Bohemian_Rhapsody_(film)" title="Bohemian Rhapsody (film)">Bohemian Rhapsody</a> (2018)</li> <li><a href="/wiki/Joker_(2019_film)" title="Joker (2019 film)">Joker</a> (2019)</li> <li><a href="/wiki/Parasite_(2019_film)" title="Parasite (2019 film)">Parasite</a> (2020)</li> <li><a href="/wiki/No_Time_to_Die" title="No Time to Die">No Time to Die</a> (2021)</li> <li><a href="/wiki/Top_Gun:_Maverick" title="Top Gun: Maverick">Top Gun: Maverick</a> (2022)</li> <li><a href="/wiki/The_Super_Mario_Bros._Movie" title="The Super Mario Bros. Movie">The Super Mario Bros. Movie</a> (2023)</li> <li><a href="/wiki/Oppenheimer_(film)" title="Oppenheimer (film)">Oppenheimer</a> (2024)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Boston_Society_of_Film_Critics_Award_for_Best_Film54" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background: #40E0D0"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Boston_Society_of_Film_Critics_Award_for_Best_Film" title="Template:Boston Society of Film Critics Award for Best Film"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Boston_Society_of_Film_Critics_Award_for_Best_Film" title="Template talk:Boston Society of Film Critics Award for Best Film"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Boston_Society_of_Film_Critics_Award_for_Best_Film" title="Special:EditPage/Template:Boston Society of Film Critics Award for Best Film"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Boston_Society_of_Film_Critics_Award_for_Best_Film54" style="font-size:114%;margin:0 4em"><a href="/wiki/Boston_Society_of_Film_Critics_Award_for_Best_Film" title="Boston Society of Film Critics Award for Best Film">Boston Society of Film Critics Award for Best Film</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Raging_Bull" title="Raging Bull">Raging Bull</a> (1980)</li> <li><a href="/wiki/Pixote" title="Pixote">Pixote</a> (1981)</li> <li><a href="/wiki/E.T._the_Extra-Terrestrial" title="E.T. the Extra-Terrestrial">E.T. the Extra-Terrestrial</a> (1982)</li> <li><a href="/wiki/The_Night_of_the_Shooting_Stars" title="The Night of the Shooting Stars">The Night of the Shooting Stars</a> (1983)</li> <li><a href="/wiki/The_Killing_Fields_(film)" title="The Killing Fields (film)">The Killing Fields</a> (1984)</li> <li><a href="/wiki/Ran_(film)" title="Ran (film)">Ran</a> (1985)</li> <li><a href="/wiki/Blue_Velvet_(film)" title="Blue Velvet (film)">Blue Velvet</a> (1986)</li> <li><a href="/wiki/Hope_and_Glory_(film)" title="Hope and Glory (film)">Hope and Glory</a> (1987)</li> <li><a href="/wiki/Bull_Durham" title="Bull Durham">Bull Durham</a> (1988)</li> <li><a href="/wiki/Crimes_and_Misdemeanors" title="Crimes and Misdemeanors">Crimes and Misdemeanors</a> (1989)</li> <li><a href="/wiki/Goodfellas" title="Goodfellas">Goodfellas</a> (1990)</li> <li><a href="/wiki/The_Silence_of_the_Lambs_(film)" title="The Silence of the Lambs (film)">The Silence of the Lambs</a> (1991)</li> <li><a href="/wiki/Unforgiven" title="Unforgiven">Unforgiven</a> (1992)</li> <li><a href="/wiki/Schindler%27s_List" title="Schindler's List">Schindler's List</a> (1993)</li> <li><a class="mw-selflink selflink">Pulp Fiction</a> (1994)</li> <li><a href="/wiki/Sense_and_Sensibility_(film)" title="Sense and Sensibility (film)">Sense and Sensibility</a> (1995)</li> <li><a href="/wiki/Trainspotting_(film)" title="Trainspotting (film)">Trainspotting</a> (1996)</li> <li><a href="/wiki/L.A._Confidential_(film)" title="L.A. Confidential (film)">L.A. Confidential</a> (1997)</li> <li><a href="/wiki/Out_of_Sight" title="Out of Sight">Out of Sight</a> (1998)</li> <li><a href="/wiki/Three_Kings_(1999_film)" title="Three Kings (1999 film)">Three Kings</a> (1999)</li> <li><a href="/wiki/Almost_Famous" title="Almost Famous">Almost Famous</a> (2000)</li> <li><a href="/wiki/Mulholland_Drive_(film)" title="Mulholland Drive (film)">Mulholland Drive</a> (2001)</li> <li><a href="/wiki/The_Pianist_(2002_film)" title="The Pianist (2002 film)">The Pianist</a> (2002)</li> <li><a href="/wiki/Mystic_River_(film)" title="Mystic River (film)">Mystic River</a> (2003)</li> <li><a href="/wiki/Sideways" title="Sideways">Sideways</a> (2004)</li> <li><a href="/wiki/Brokeback_Mountain" title="Brokeback Mountain">Brokeback Mountain</a> (2005)</li> <li><a href="/wiki/The_Departed" title="The Departed">The Departed</a> (2006)</li> <li><a href="/wiki/No_Country_for_Old_Men" title="No Country for Old Men">No Country for Old Men</a> (2007)</li> <li><a href="/wiki/WALL-E" title="WALL-E">WALL-E</a> / <a href="/wiki/Slumdog_Millionaire" title="Slumdog Millionaire">Slumdog Millionaire</a> (2008)</li> <li><a href="/wiki/The_Hurt_Locker" title="The Hurt Locker">The Hurt Locker</a> (2009)</li> <li><a href="/wiki/The_Social_Network" title="The Social Network">The Social Network</a> (2010)</li> <li><a href="/wiki/The_Artist_(film)" title="The Artist (film)">The Artist</a> (2011)</li> <li><a href="/wiki/Zero_Dark_Thirty" title="Zero Dark Thirty">Zero Dark Thirty</a> (2012)</li> <li><a href="/wiki/12_Years_a_Slave_(film)" title="12 Years a Slave (film)">12 Years a Slave</a> (2013)</li> <li><a href="/wiki/Boyhood_(2014_film)" title="Boyhood (2014 film)">Boyhood</a> (2014)</li> <li><a href="/wiki/Spotlight_(film)" title="Spotlight (film)">Spotlight</a> (2015)</li> <li><a href="/wiki/La_La_Land" title="La La Land">La La Land</a> (2016)</li> <li><a href="/wiki/Phantom_Thread" title="Phantom Thread">Phantom Thread</a> (2017)</li> <li><a href="/wiki/If_Beale_Street_Could_Talk_(film)" title="If Beale Street Could Talk (film)">If Beale Street Could Talk</a> (2018)</li> <li><a href="/wiki/Little_Women_(2019_film)" title="Little Women (2019 film)">Little Women</a> (2019)</li> <li><a href="/wiki/Nomadland" title="Nomadland">Nomadland</a> (2020)</li> <li><a href="/wiki/Drive_My_Car_(film)" title="Drive My Car (film)">Drive My Car</a> (2021)</li> <li><a href="/wiki/Return_to_Seoul" title="Return to Seoul">Return to Seoul</a> (2022)</li> <li><a href="/wiki/The_Holdovers" title="The Holdovers">The Holdovers</a> (2023)</li> <li><a href="/wiki/Anora" title="Anora">Anora</a> (2024)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Cannes_Film_Festival_Palme_d&#039;Or82" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Palme_d%27Or" title="Template:Palme d'Or"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Palme_d%27Or" title="Template talk:Palme d'Or"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Palme_d%27Or" title="Special:EditPage/Template:Palme d'Or"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Cannes_Film_Festival_Palme_d&#039;Or82" style="font-size:114%;margin:0 4em"><a href="/wiki/Palme_d%27Or" title="Palme d'Or">Cannes Film Festival Palme d'Or</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">1939–1975</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Union_Pacific_(film)" title="Union Pacific (film)">Union Pacific</a> (1939)</li> <li>No festival held (1940–1945)</li> <li><a href="/wiki/Brief_Encounter" title="Brief Encounter">Brief Encounter</a> (1946)</li> <li><a href="/wiki/The_Last_Chance_(1945_film)" title="The Last Chance (1945 film)">The Last Chance</a> (1946)</li> <li><a href="/wiki/The_Lost_Weekend" title="The Lost Weekend">The Lost Weekend</a> (1946)</li> <li><a href="/wiki/Mar%C3%ADa_Candelaria" title="María Candelaria">María Candelaria</a> (1946)</li> <li><a href="/wiki/Men_Without_Wings" title="Men Without Wings">Men Without Wings</a> (1946)</li> <li><a href="/wiki/Neecha_Nagar" title="Neecha Nagar">Neecha Nagar</a> (1946)</li> <li><a href="/wiki/Pastoral_Symphony_(film)" title="Pastoral Symphony (film)">Pastoral Symphony</a> (1946)</li> <li><a href="/wiki/The_Red_Meadows" title="The Red Meadows">The Red Meadows</a> (1946)</li> <li><a href="/wiki/Rome,_Open_City" title="Rome, Open City">Rome, Open City</a> (1946)</li> <li><a href="/wiki/Torment_(1944_film)" title="Torment (1944 film)">Torment</a> (1946)</li> <li><a href="/wiki/The_Turning_Point_(1945_film)" title="The Turning Point (1945 film)">The Turning Point</a> (1946)</li> <li><a href="/wiki/Antoine_and_Antoinette" title="Antoine and Antoinette">Antoine and Antoinette</a> (1947)</li> <li><a href="/wiki/Crossfire_(film)" title="Crossfire (film)">Crossfire</a> (1947)</li> <li><a href="/wiki/The_Damned_(1947_film)" title="The Damned (1947 film)">The Damned</a> (1947)</li> <li><a href="/wiki/Dumbo" title="Dumbo">Dumbo</a> (1947)</li> <li><a href="/wiki/Ziegfeld_Follies_(film)" title="Ziegfeld Follies (film)">Ziegfeld Follies</a> (1947)</li> <li>No festival held (1948)</li> <li><a href="/wiki/The_Third_Man" title="The Third Man">The Third Man</a> (1949)</li> <li>No festival held (1950)</li> <li><a href="/wiki/Miracle_in_Milan" title="Miracle in Milan">Miracle in Milan</a> (1951)</li> <li><a href="/wiki/Miss_Julie_(1951_film)" title="Miss Julie (1951 film)">Miss Julie</a> (1951)</li> <li><a href="/wiki/Othello_(1951_film)" title="Othello (1951 film)">Othello</a> (1951)</li> <li><a href="/wiki/Two_Cents_Worth_of_Hope" title="Two Cents Worth of Hope">Two Cents Worth of Hope</a> (1952)</li> <li><a href="/wiki/The_Wages_of_Fear" title="The Wages of Fear">The Wages of Fear</a> (1953)</li> <li><a href="/wiki/Gate_of_Hell_(film)" title="Gate of Hell (film)">Gate of Hell</a> (1954)</li> <li><a href="/wiki/Marty_(film)" title="Marty (film)">Marty</a> (1955)</li> <li><a href="/wiki/The_Silent_World" title="The Silent World">The Silent World</a> (1956)</li> <li><a href="/wiki/Friendly_Persuasion_(1956_film)" title="Friendly Persuasion (1956 film)">Friendly Persuasion</a> (1957)</li> <li><a href="/wiki/The_Cranes_Are_Flying" title="The Cranes Are Flying">The Cranes Are Flying</a> (1958)</li> <li><a href="/wiki/Black_Orpheus" title="Black Orpheus">Black Orpheus</a> (1959)</li> <li><a href="/wiki/La_dolce_vita" title="La dolce vita">La dolce vita</a> (1960)</li> <li><a href="/wiki/The_Long_Absence" title="The Long Absence">The Long Absence</a> (1961)</li> <li><a href="/wiki/Viridiana" title="Viridiana">Viridiana</a> (1961)</li> <li><a href="/wiki/O_Pagador_de_Promessas" title="O Pagador de Promessas">O Pagador de Promessas</a> (1962)</li> <li><a href="/wiki/The_Leopard_(1963_film)" title="The Leopard (1963 film)">The Leopard</a> (1963)</li> <li><a href="/wiki/The_Umbrellas_of_Cherbourg" title="The Umbrellas of Cherbourg">The Umbrellas of Cherbourg</a> (1964)</li> <li><a href="/wiki/The_Knack_...and_How_to_Get_It" title="The Knack ...and How to Get It">The Knack ...and How to Get It</a> (1965)</li> <li><a href="/wiki/The_Birds,_the_Bees_and_the_Italians" title="The Birds, the Bees and the Italians">The Birds, the Bees and the Italians</a> (1966)</li> <li><a href="/wiki/A_Man_and_a_Woman" title="A Man and a Woman">A Man and a Woman</a> (1966)</li> <li><a href="/wiki/Blowup" title="Blowup">Blowup</a> (1967)</li> <li>Festival cancelled while in progress (1968)</li> <li><a href="/wiki/If...." title="If....">if....</a> (1969)</li> <li><a href="/wiki/M*A*S*H_(film)" title="M*A*S*H (film)">M*A*S*H</a> (1970)</li> <li><a href="/wiki/The_Go-Between_(1971_film)" title="The Go-Between (1971 film)">The Go-Between</a> (1971)</li> <li><a href="/wiki/The_Mattei_Affair" title="The Mattei Affair">The Mattei Affair</a> (1972)</li> <li><a href="/wiki/The_Working_Class_Goes_to_Heaven" title="The Working Class Goes to Heaven">The Working Class Goes to Heaven</a> (1972)</li> <li><a href="/wiki/The_Hireling" title="The Hireling">The Hireling</a> (1973)</li> <li><a href="/wiki/Scarecrow_(1973_film)" title="Scarecrow (1973 film)">Scarecrow</a> (1973)</li> <li><a href="/wiki/The_Conversation" title="The Conversation">The Conversation</a> (1974)</li> <li><a href="/wiki/Chronicle_of_the_Years_of_Fire" title="Chronicle of the Years of Fire">Chronicle of the Years of Fire</a> (1975)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">1976–2000</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Taxi_Driver" title="Taxi Driver">Taxi Driver</a> (1976)</li> <li><a href="/wiki/Padre_Padrone" title="Padre Padrone">Padre Padrone</a> (1977)</li> <li><a href="/wiki/The_Tree_of_Wooden_Clogs" title="The Tree of Wooden Clogs">The Tree of Wooden Clogs</a> (1978)</li> <li><a href="/wiki/Apocalypse_Now" title="Apocalypse Now">Apocalypse Now</a> (1979)</li> <li><a href="/wiki/The_Tin_Drum_(film)" title="The Tin Drum (film)">The Tin Drum</a> (1979)</li> <li><a href="/wiki/All_That_Jazz_(film)" title="All That Jazz (film)">All That Jazz</a> (1980)</li> <li><a href="/wiki/Kagemusha" title="Kagemusha">Kagemusha</a> (1980)</li> <li><a href="/wiki/Man_of_Iron" title="Man of Iron">Man of Iron</a> (1981)</li> <li><a href="/wiki/Missing_(1982_film)" title="Missing (1982 film)">Missing</a> (1982)</li> <li><a href="/wiki/Yol_(film)" title="Yol (film)">Yol</a> (1982)</li> <li><a href="/wiki/The_Ballad_of_Narayama_(1983_film)" title="The Ballad of Narayama (1983 film)">The Ballad of Narayama</a> (1983)</li> <li><a href="/wiki/Paris,_Texas_(film)" title="Paris, Texas (film)">Paris, Texas</a> (1984)</li> <li><a href="/wiki/When_Father_Was_Away_on_Business" title="When Father Was Away on Business">When Father Was Away on Business</a> (1985)</li> <li><a href="/wiki/The_Mission_(1986_film)" title="The Mission (1986 film)">The Mission</a> (1986)</li> <li><a href="/wiki/Under_the_Sun_of_Satan_(film)" title="Under the Sun of Satan (film)">Under the Sun of Satan</a> (1987)</li> <li><a href="/wiki/Pelle_the_Conqueror" title="Pelle the Conqueror">Pelle the Conqueror</a> (1988)</li> <li><a href="/wiki/Sex,_Lies,_and_Videotape" title="Sex, Lies, and Videotape">Sex, Lies, and Videotape</a> (1989)</li> <li><a href="/wiki/Wild_at_Heart_(film)" title="Wild at Heart (film)">Wild at Heart</a> (1990)</li> <li><a href="/wiki/Barton_Fink" title="Barton Fink">Barton Fink</a> (1991)</li> <li><a href="/wiki/The_Best_Intentions" title="The Best Intentions">The Best Intentions</a> (1992)</li> <li><a href="/wiki/Farewell_My_Concubine_(film)" title="Farewell My Concubine (film)">Farewell My Concubine</a> (1993)</li> <li><a href="/wiki/The_Piano" title="The Piano">The Piano</a> (1993)</li> <li><a class="mw-selflink selflink">Pulp Fiction</a> (1994)</li> <li><a href="/wiki/Underground_(1995_film)" title="Underground (1995 film)">Underground</a> (1995)</li> <li><a href="/wiki/Secrets_%26_Lies_(film)" title="Secrets & Lies (film)">Secrets & Lies</a> (1996)</li> <li><a href="/wiki/The_Eel_(film)" title="The Eel (film)">The Eel</a> (1997)</li> <li><a href="/wiki/Taste_of_Cherry" title="Taste of Cherry">Taste of Cherry</a> (1997)</li> <li><a href="/wiki/Eternity_and_a_Day" title="Eternity and a Day">Eternity and a Day</a> (1998)</li> <li><a href="/wiki/Rosetta_(film)" title="Rosetta (film)">Rosetta</a> (1999)</li> <li><a href="/wiki/Dancer_in_the_Dark" title="Dancer in the Dark">Dancer in the Dark</a> (2000)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2001–present</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Son%27s_Room" title="The Son's Room">The Son's Room</a> (2001)</li> <li><a href="/wiki/The_Pianist_(2002_film)" title="The Pianist (2002 film)">The Pianist</a> (2002)</li> <li><a href="/wiki/Elephant_(2003_film)" title="Elephant (2003 film)">Elephant</a> (2003)</li> <li><a href="/wiki/Fahrenheit_9/11" title="Fahrenheit 9/11">Fahrenheit 9/11</a> (2004)</li> <li><a href="/wiki/L%27Enfant_(film)" title="L'Enfant (film)">L'Enfant</a> (2005)</li> <li><a href="/wiki/The_Wind_That_Shakes_the_Barley_(film)" title="The Wind That Shakes the Barley (film)">The Wind That Shakes the Barley</a> (2006)</li> <li><a href="/wiki/4_Months,_3_Weeks_and_2_Days" title="4 Months, 3 Weeks and 2 Days">4 Months, 3 Weeks and 2 Days</a> (2007)</li> <li><a href="/wiki/The_Class_(2008_film)" title="The Class (2008 film)">The Class</a> (2008)</li> <li><a href="/wiki/The_White_Ribbon" title="The White Ribbon">The White Ribbon</a> (2009)</li> <li><a href="/wiki/Uncle_Boonmee_Who_Can_Recall_His_Past_Lives" title="Uncle Boonmee Who Can Recall His Past Lives">Uncle Boonmee Who Can Recall His Past Lives</a> (2010)</li> <li><a href="/wiki/The_Tree_of_Life_(film)" title="The Tree of Life (film)">The Tree of Life</a> (2011)</li> <li><a href="/wiki/Amour_(2012_film)" title="Amour (2012 film)">Amour</a> (2012)</li> <li><a href="/wiki/Blue_Is_the_Warmest_Colour" title="Blue Is the Warmest Colour">Blue Is the Warmest Colour</a> (2013)</li> <li><a href="/wiki/Winter_Sleep_(film)" title="Winter Sleep (film)">Winter Sleep</a> (2014)</li> <li><a href="/wiki/Dheepan" title="Dheepan">Dheepan</a> (2015)</li> <li><a href="/wiki/I,_Daniel_Blake" title="I, Daniel Blake">I, Daniel Blake</a> (2016)</li> <li><a href="/wiki/The_Square_(2017_film)" title="The Square (2017 film)">The Square</a> (2017)</li> <li><a href="/wiki/Shoplifters_(film)" title="Shoplifters (film)">Shoplifters</a> (2018)</li> <li><a href="/wiki/Parasite_(2019_film)" title="Parasite (2019 film)">Parasite</a> (2019)</li> <li>No festival held (2020)</li> <li><a href="/wiki/Titane" title="Titane">Titane</a> (2021)</li> <li><a href="/wiki/Triangle_of_Sadness" title="Triangle of Sadness">Triangle of Sadness</a> (2022)</li> <li><a href="/wiki/Anatomy_of_a_Fall" title="Anatomy of a Fall">Anatomy of a Fall</a> (2023)</li> <li><a href="/wiki/Anora" title="Anora">Anora</a> (2024)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Dallas–Fort_Worth_Film_Critics_Association_Award_for_Best_Film68" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Dallas%E2%80%93Fort_Worth_Film_Critics_Association_Award_for_Best_Film" title="Template:Dallas–Fort Worth Film Critics Association Award for Best Film"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Dallas%E2%80%93Fort_Worth_Film_Critics_Association_Award_for_Best_Film" title="Template talk:Dallas–Fort Worth Film Critics Association Award for Best Film"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Dallas%E2%80%93Fort_Worth_Film_Critics_Association_Award_for_Best_Film" title="Special:EditPage/Template:Dallas–Fort Worth Film Critics Association Award for Best Film"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Dallas–Fort_Worth_Film_Critics_Association_Award_for_Best_Film68" style="font-size:114%;margin:0 4em"><a href="/wiki/Dallas%E2%80%93Fort_Worth_Film_Critics_Association_Award_for_Best_Film" title="Dallas–Fort Worth Film Critics Association Award for Best Film">Dallas–Fort Worth Film Critics Association Award for Best Film</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Dances_With_Wolves" title="Dances With Wolves">Dances With Wolves</a> (1990)</li> <li><a href="/wiki/JFK_(film)" title="JFK (film)">JFK</a> (1991)</li> <li><a href="/wiki/Unforgiven" title="Unforgiven">Unforgiven</a> (1992)</li> <li><a href="/wiki/Schindler%27s_List" title="Schindler's List">Schindler's List</a> (1993)</li> <li><a class="mw-selflink selflink">Pulp Fiction</a> (1994)</li> <li><a href="/wiki/Leaving_Las_Vegas" title="Leaving Las Vegas">Leaving Las Vegas</a> (1995)</li> <li><a href="/wiki/Fargo_(1996_film)" title="Fargo (1996 film)">Fargo</a> (1996)</li> <li><a href="/wiki/L.A._Confidential_(film)" title="L.A. Confidential (film)">L.A. Confidential</a> (1997)</li> <li><a href="/wiki/Saving_Private_Ryan" title="Saving Private Ryan">Saving Private Ryan</a> (1998)</li> <li><a href="/wiki/American_Beauty_(1999_film)" title="American Beauty (1999 film)">American Beauty</a> (1999)</li> <li><a href="/wiki/Traffic_(2000_film)" title="Traffic (2000 film)">Traffic</a> (2000)</li> <li><a href="/wiki/A_Beautiful_Mind_(film)" title="A Beautiful Mind (film)">A Beautiful Mind</a> (2001)</li> <li><a href="/wiki/Chicago_(2002_film)" title="Chicago (2002 film)">Chicago</a> (2002)</li> <li><a href="/wiki/The_Lord_of_the_Rings:_The_Return_of_the_King" title="The Lord of the Rings: The Return of the King">The Lord of the Rings: The Return of the King</a> (2003)</li> <li><a href="/wiki/Million_Dollar_Baby" title="Million Dollar Baby">Million Dollar Baby</a> (2004)</li> <li><a href="/wiki/Brokeback_Mountain" title="Brokeback Mountain">Brokeback Mountain</a> (2005)</li> <li><a href="/wiki/United_93_(film)" title="United 93 (film)">United 93</a> (2006)</li> <li><a href="/wiki/No_Country_for_Old_Men" title="No Country for Old Men">No Country for Old Men</a> (2007)</li> <li><a href="/wiki/Slumdog_Millionaire" title="Slumdog Millionaire">Slumdog Millionaire</a> (2008)</li> <li><a href="/wiki/Up_in_the_Air_(2009_film)" title="Up in the Air (2009 film)">Up in the Air</a> (2009)</li> <li><a href="/wiki/The_Social_Network" title="The Social Network">The Social Network</a> (2010)</li> <li><a href="/wiki/The_Descendants" title="The Descendants">The Descendants</a> (2011)</li> <li><a href="/wiki/Lincoln_(film)" title="Lincoln (film)">Lincoln</a> (2012)</li> <li><a href="/wiki/12_Years_a_Slave_(film)" title="12 Years a Slave (film)">12 Years a Slave</a> (2013)</li> <li><a href="/wiki/Birdman_(film)" title="Birdman (film)">Birdman or (The Unexpected Virtue of Ignorance)</a> (2014)</li> <li><a href="/wiki/Spotlight_(film)" title="Spotlight (film)">Spotlight</a> (2015)</li> <li><a href="/wiki/Moonlight_(2016_film)" title="Moonlight (2016 film)">Moonlight</a> (2016)</li> <li><a href="/wiki/The_Shape_of_Water" title="The Shape of Water">The Shape of Water</a> (2017)</li> <li><a href="/wiki/A_Star_Is_Born_(2018_film)" title="A Star Is Born (2018 film)">A Star Is Born</a> (2018)</li> <li><a href="/wiki/1917_(2019_film)" title="1917 (2019 film)">1917</a> (2019)</li> <li><a href="/wiki/Nomadland" title="Nomadland">Nomadland</a> (2020)</li> <li><a href="/wiki/The_Power_of_the_Dog_(film)" title="The Power of the Dog (film)">The Power of the Dog</a> (2021)</li> <li><a href="/wiki/Everything_Everywhere_All_at_Once" title="Everything Everywhere All at Once">Everything Everywhere All at Once</a> (2022)</li> <li><a href="/wiki/The_Holdovers" title="The Holdovers">The Holdovers</a> (2023)</li> <li><a href="/wiki/Anora" title="Anora">Anora</a> (2024)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="David_di_Donatello_Award_for_Best_International_Film141" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background: #DDBF5F"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:David_di_Donatello_for_Best_International_Film" title="Template:David di Donatello for Best International Film"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/w/index.php?title=Template_talk:David_di_Donatello_for_Best_International_Film&action=edit&redlink=1" class="new" title="Template talk:David di Donatello for Best International Film (page does not exist)"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:David_di_Donatello_for_Best_International_Film" title="Special:EditPage/Template:David di Donatello for Best International Film"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="David_di_Donatello_Award_for_Best_International_Film141" style="font-size:114%;margin:0 4em"><a href="/wiki/David_di_Donatello_for_Best_International_Film" title="David di Donatello for Best International Film">David di Donatello Award for Best International Film</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background: #DDBF5F;width:1%">1950s–1960s</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Prince_and_the_Showgirl" title="The Prince and the Showgirl">The Prince and the Showgirl</a> (1958)</li> <li><a href="/wiki/Gigi_(1958_film)" title="Gigi (1958 film)">Gigi</a> (1959)</li> <li><a href="/wiki/Ben-Hur_(1959_film)" title="Ben-Hur (1959 film)">Ben-Hur</a> (1961)</li> <li><a href="/wiki/Judgment_at_Nuremberg" title="Judgment at Nuremberg">Judgment at Nuremberg</a> (1962)</li> <li><a href="/wiki/The_Longest_Day_(film)" title="The Longest Day (film)">The Longest Day</a> (1963)</li> <li><a href="/wiki/Lawrence_of_Arabia_(film)" title="Lawrence of Arabia (film)">Lawrence of Arabia</a> (1964)</li> <li><a href="/wiki/My_Fair_Lady_(film)" title="My Fair Lady (film)">My Fair Lady</a> (1965)</li> <li><a href="/wiki/The_Agony_and_the_Ecstasy_(film)" title="The Agony and the Ecstasy (film)">The Agony and the Ecstasy</a> (1966)</li> <li><a href="/wiki/Doctor_Zhivago_(film)" title="Doctor Zhivago (film)">Doctor Zhivago</a> (1967)</li> <li><a href="/wiki/Guess_Who%27s_Coming_to_Dinner" title="Guess Who's Coming to Dinner">Guess Who's Coming to Dinner</a> (1968)</li> <li><a href="/wiki/2001:_A_Space_Odyssey_(film)" class="mw-redirect" title="2001: A Space Odyssey (film)">2001: A Space Odyssey</a> (1969)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #DDBF5F;width:1%">1970–2000</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Lion_in_Winter_(1968_film)" title="The Lion in Winter (1968 film)">The Lion in Winter</a> (1970)</li> <li><a href="/wiki/Ryan%27s_Daughter" title="Ryan's Daughter">Ryan's Daughter</a> (1971)</li> <li><a href="/wiki/The_French_Connection_(film)" title="The French Connection (film)">The French Connection</a> (1972)</li> <li><a href="/wiki/The_Godfather" title="The Godfather">The Godfather</a> (1973)</li> <li><a href="/wiki/Jesus_Christ_Superstar_(film)" title="Jesus Christ Superstar (film)">Jesus Christ Superstar</a> (1974)</li> <li><a href="/wiki/The_Towering_Inferno" title="The Towering Inferno">The Towering Inferno</a> (1975)</li> <li><a href="/wiki/Nashville_(film)" title="Nashville (film)">Nashville</a> (1976)</li> <li><a href="/wiki/Marathon_Man_(film)" title="Marathon Man (film)">Marathon Man</a> (1977)</li> <li><a href="/wiki/Close_Encounters_of_the_Third_Kind" title="Close Encounters of the Third Kind">Close Encounters of the Third Kind</a> (1978)</li> <li><a href="/wiki/The_Wishing_Tree_(1976_film)" title="The Wishing Tree (1976 film)">The Wishing Tree</a> (1979)</li> <li><a href="/wiki/Kramer_vs._Kramer" title="Kramer vs. Kramer">Kramer vs. Kramer</a> (1980)</li> <li><a href="/wiki/Mephisto_(1981_film)" title="Mephisto (1981 film)">Mephisto</a> (1982)</li> <li><a href="/wiki/Gandhi_(film)" title="Gandhi (film)">Gandhi</a> (1983)</li> <li><a href="/wiki/Fanny_and_Alexander" title="Fanny and Alexander">Fanny and Alexander</a> (1984)</li> <li><a href="/wiki/Amadeus_(film)" title="Amadeus (film)">Amadeus</a> (1985)</li> <li><a href="/wiki/Out_of_Africa_(film)" title="Out of Africa (film)">Out of Africa</a> (1986)</li> <li><a href="/wiki/A_Room_with_a_View_(1985_film)" title="A Room with a View (1985 film)">A Room with a View</a> (1987)</li> <li><a href="/wiki/Au_revoir_les_enfants" title="Au revoir les enfants">Au revoir les enfants</a> (1988)</li> <li><a href="/wiki/Rain_Man" title="Rain Man">Rain Man</a> (1989)</li> <li><a href="/wiki/Dead_Poets_Society" title="Dead Poets Society">Dead Poets Society</a> (1990)</li> <li><a href="/wiki/Cyrano_de_Bergerac_(1990_film)" title="Cyrano de Bergerac (1990 film)">Cyrano de Bergerac</a> (1991)</li> <li><a href="/wiki/Raise_the_Red_Lantern" title="Raise the Red Lantern">Raise the Red Lantern</a> (1992)</li> <li><a href="/wiki/A_Heart_in_Winter" title="A Heart in Winter">A Heart in Winter</a> (1993)</li> <li><a href="/wiki/In_the_Name_of_the_Father" title="In the Name of the Father">In the Name of the Father</a> (1994)</li> <li><a class="mw-selflink selflink">Pulp Fiction</a> (1995)</li> <li><a href="/wiki/Nelly_and_Mr._Arnaud" title="Nelly and Mr. Arnaud">Nelly and Mr. Arnaud</a> (1996)</li> <li><a href="/wiki/Ridicule_(film)" title="Ridicule (film)">Ridicule</a> (1997)</li> <li><a href="/wiki/The_Full_Monty" title="The Full Monty">The Full Monty</a> (1998)</li> <li><a href="/wiki/Train_of_Life" title="Train of Life">Train of Life</a> (1999)</li> <li><a href="/wiki/All_About_My_Mother" title="All About My Mother">All About My Mother</a> (2000)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #DDBF5F;width:1%">2001–present</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Taste_of_Others" title="The Taste of Others">The Taste of Others</a> (2001)</li> <li><a href="/wiki/The_Man_Who_Wasn%27t_There_(2001_film)" title="The Man Who Wasn't There (2001 film)">The Man Who Wasn't There</a> (2002)</li> <li><a href="/wiki/The_Pianist_(2002_film)" title="The Pianist (2002 film)">The Pianist</a> (2003)</li> <li><a href="/wiki/The_Barbarian_Invasions" title="The Barbarian Invasions">The Barbarian Invasions</a> (2004)</li> <li><a href="/wiki/Million_Dollar_Baby" title="Million Dollar Baby">Million Dollar Baby</a> (2005)</li> <li><a href="/wiki/Crash_(2004_film)" title="Crash (2004 film)">Crash</a> (2006)</li> <li><a href="/wiki/Babel_(film)" title="Babel (film)">Babel</a> (2007)</li> <li><a href="/wiki/No_Country_for_Old_Men" title="No Country for Old Men">No Country for Old Men</a> (2008)</li> <li><a href="/wiki/Gran_Torino" title="Gran Torino">Gran Torino</a> (2009)</li> <li><a href="/wiki/Inglourious_Basterds" title="Inglourious Basterds">Inglourious Basterds</a> (2010)</li> <li><a href="/wiki/Hereafter_(film)" title="Hereafter (film)">Hereafter</a> (2011)</li> <li><a href="/wiki/A_Separation" title="A Separation">A Separation</a> (2012)</li> <li><a href="/wiki/Django_Unchained" title="Django Unchained">Django Unchained</a> (2013)</li> <li><a href="/wiki/The_Grand_Budapest_Hotel" title="The Grand Budapest Hotel">The Grand Budapest Hotel</a> (2014)</li> <li><a href="/wiki/Birdman_(film)" title="Birdman (film)">Birdman or (The Unexpected Virtue of Ignorance)</a> (2015)</li> <li><a href="/wiki/Bridge_of_Spies_(film)" title="Bridge of Spies (film)">Bridge of Spies</a> (2016)</li> <li><a href="/wiki/Nocturnal_Animals" title="Nocturnal Animals">Nocturnal Animals</a> (2017)</li> <li><a href="/wiki/Dunkirk_(2017_film)" title="Dunkirk (2017 film)">Dunkirk</a> (2018)</li> <li><a href="/wiki/Roma_(2018_film)" title="Roma (2018 film)">Roma</a> (2019)</li> <li><a href="/wiki/Parasite_(2019_film)" title="Parasite (2019 film)">Parasite</a> (2020)</li> <li><a href="/wiki/1917_(2019_film)" title="1917 (2019 film)">1917</a> (2021)</li> <li><a href="/wiki/Belfast_(film)" title="Belfast (film)">Belfast</a> (2022)</li> <li><a href="/wiki/The_Fabelmans" title="The Fabelmans">The Fabelmans</a> (2023)</li> <li><a href="/wiki/Anatomy_of_a_Fall" title="Anatomy of a Fall">Anatomy of a Fall</a> (2024)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Independent_Spirit_Award_for_Best_Film42" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background: #D8BFD8"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Independent_Spirit_Award_for_Best_Film" title="Template:Independent Spirit Award for Best Film"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Independent_Spirit_Award_for_Best_Film" title="Template talk:Independent Spirit Award for Best Film"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Independent_Spirit_Award_for_Best_Film" title="Special:EditPage/Template:Independent Spirit Award for Best Film"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Independent_Spirit_Award_for_Best_Film42" style="font-size:114%;margin:0 4em"><a href="/wiki/Independent_Spirit_Award_for_Best_Film" title="Independent Spirit Award for Best Film">Independent Spirit Award for Best Film</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/After_Hours_(film)" title="After Hours (film)">After Hours</a> (1985)</li> <li><a href="/wiki/Platoon_(film)" title="Platoon (film)">Platoon</a> (1986)</li> <li><a href="/wiki/River%27s_Edge" title="River's Edge">River's Edge</a> (1987)</li> <li><a href="/wiki/Stand_and_Deliver" title="Stand and Deliver">Stand and Deliver</a> (1988)</li> <li><a href="/wiki/Sex,_Lies,_and_Videotape" title="Sex, Lies, and Videotape">Sex, Lies, and Videotape</a> (1989)</li> <li><a href="/wiki/The_Grifters_(film)" title="The Grifters (film)">The Grifters</a> (1990)</li> <li><a href="/wiki/Rambling_Rose_(film)" title="Rambling Rose (film)">Rambling Rose</a> (1991)</li> <li><a href="/wiki/The_Player_(1992_film)" title="The Player (1992 film)">The Player</a> (1992)</li> <li><a href="/wiki/Short_Cuts" title="Short Cuts">Short Cuts</a> (1993)</li> <li><a class="mw-selflink selflink">Pulp Fiction</a> (1994)</li> <li><a href="/wiki/Leaving_Las_Vegas" title="Leaving Las Vegas">Leaving Las Vegas</a> (1995)</li> <li><a href="/wiki/Fargo_(1996_film)" title="Fargo (1996 film)">Fargo</a> (1996)</li> <li><a href="/wiki/The_Apostle" title="The Apostle">The Apostle</a> (1997)</li> <li><a href="/wiki/Gods_and_Monsters_(film)" title="Gods and Monsters (film)">Gods and Monsters</a> (1998)</li> <li><a href="/wiki/Election_(1999_film)" title="Election (1999 film)">Election</a> (1999)</li> <li><a href="/wiki/Crouching_Tiger,_Hidden_Dragon" title="Crouching Tiger, Hidden Dragon">Crouching Tiger, Hidden Dragon</a> (2000)</li> <li><a href="/wiki/Memento_(film)" title="Memento (film)">Memento</a> (2001)</li> <li><a href="/wiki/Far_from_Heaven" title="Far from Heaven">Far from Heaven</a> (2002)</li> <li><a href="/wiki/Lost_in_Translation_(film)" title="Lost in Translation (film)">Lost in Translation</a> (2003)</li> <li><a href="/wiki/Sideways" title="Sideways">Sideways</a> (2004)</li> <li><a href="/wiki/Brokeback_Mountain" title="Brokeback Mountain">Brokeback Mountain</a> (2005)</li> <li><a href="/wiki/Little_Miss_Sunshine" title="Little Miss Sunshine">Little Miss Sunshine</a> (2006)</li> <li><a href="/wiki/Juno_(film)" title="Juno (film)">Juno</a> (2007)</li> <li><a href="/wiki/The_Wrestler_(2008_film)" title="The Wrestler (2008 film)">The Wrestler</a> (2008)</li> <li><a href="/wiki/Precious_(film)" title="Precious (film)">Precious</a> (2009)</li> <li><a href="/wiki/Black_Swan_(film)" title="Black Swan (film)">Black Swan</a> (2010)</li> <li><a href="/wiki/The_Artist_(film)" title="The Artist (film)">The Artist</a> (2011)</li> <li><a href="/wiki/Silver_Linings_Playbook" title="Silver Linings Playbook">Silver Linings Playbook</a> (2012)</li> <li><a href="/wiki/12_Years_a_Slave_(film)" title="12 Years a Slave (film)">12 Years a Slave</a> (2013)</li> <li><a href="/wiki/Birdman_(film)" title="Birdman (film)">Birdman or (The Unexpected Virtue of Ignorance)</a> (2014)</li> <li><a href="/wiki/Spotlight_(film)" title="Spotlight (film)">Spotlight</a> (2015)</li> <li><a href="/wiki/Moonlight_(2016_film)" title="Moonlight (2016 film)">Moonlight</a> (2016)</li> <li><a href="/wiki/Get_Out" title="Get Out">Get Out</a> (2017)</li> <li><a href="/wiki/If_Beale_Street_Could_Talk_(film)" title="If Beale Street Could Talk (film)">If Beale Street Could Talk</a> (2018)</li> <li><a href="/wiki/The_Farewell_(2019_film)" title="The Farewell (2019 film)">The Farewell</a> (2019)</li> <li><a href="/wiki/Nomadland" title="Nomadland">Nomadland</a> (2020)</li> <li><a href="/wiki/The_Lost_Daughter_(film)" title="The Lost Daughter (film)">The Lost Daughter</a> (2021)</li> <li><a href="/wiki/Everything_Everywhere_All_at_Once" title="Everything Everywhere All at Once">Everything Everywhere All at Once</a> (2022)</li> <li><a href="/wiki/Past_Lives_(film)" title="Past Lives (film)">Past Lives</a> (2023)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Los_Angeles_Film_Critics_Association_Award_for_Best_Film85" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Los_Angeles_Film_Critics_Association_Award_for_Best_Film" title="Template:Los Angeles Film Critics Association Award for Best Film"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Los_Angeles_Film_Critics_Association_Award_for_Best_Film" title="Template talk:Los Angeles Film Critics Association Award for Best Film"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Los_Angeles_Film_Critics_Association_Award_for_Best_Film" title="Special:EditPage/Template:Los Angeles Film Critics Association Award for Best Film"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Los_Angeles_Film_Critics_Association_Award_for_Best_Film85" style="font-size:114%;margin:0 4em"><a href="/wiki/Los_Angeles_Film_Critics_Association_Award_for_Best_Film" title="Los Angeles Film Critics Association Award for Best Film">Los Angeles Film Critics Association Award for Best Film</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1975–2000</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Dog_Day_Afternoon" title="Dog Day Afternoon">Dog Day Afternoon</a> / <a href="/wiki/One_Flew_Over_the_Cuckoo%27s_Nest_(film)" title="One Flew Over the Cuckoo's Nest (film)">One Flew Over the Cuckoo's Nest</a> (1975)</li> <li><a href="/wiki/Network_(1976_film)" title="Network (1976 film)">Network</a> / <a href="/wiki/Rocky" title="Rocky">Rocky</a> (1976)</li> <li><a href="/wiki/Star_Wars_(film)" title="Star Wars (film)">Star Wars</a> (1977)</li> <li><a href="/wiki/Coming_Home_(1978_film)" title="Coming Home (1978 film)">Coming Home</a> (1978)</li> <li><a href="/wiki/Kramer_vs._Kramer" title="Kramer vs. Kramer">Kramer vs. Kramer</a> (1979)</li> <li><a href="/wiki/Raging_Bull" title="Raging Bull">Raging Bull</a> (1980)</li> <li><a href="/wiki/Atlantic_City_(1980_film)" title="Atlantic City (1980 film)">Atlantic City</a> (1981)</li> <li><a href="/wiki/E.T._the_Extra-Terrestrial" title="E.T. the Extra-Terrestrial">E.T. the Extra-Terrestrial</a> (1982)</li> <li><a href="/wiki/Terms_of_Endearment" title="Terms of Endearment">Terms of Endearment</a> (1983)</li> <li><a href="/wiki/Amadeus_(film)" title="Amadeus (film)">Amadeus</a> (1984)</li> <li><a href="/wiki/Brazil_(1985_film)" title="Brazil (1985 film)">Brazil</a> (1985)</li> <li><a href="/wiki/Hannah_and_Her_Sisters" title="Hannah and Her Sisters">Hannah and Her Sisters</a> (1986)</li> <li><a href="/wiki/Hope_and_Glory_(film)" title="Hope and Glory (film)">Hope and Glory</a> (1987)</li> <li><a href="/wiki/Little_Dorrit_(1987_film)" title="Little Dorrit (1987 film)">Little Dorrit</a> (1988)</li> <li><a href="/wiki/Do_the_Right_Thing" title="Do the Right Thing">Do the Right Thing</a> (1989)</li> <li><a href="/wiki/Goodfellas" title="Goodfellas">Goodfellas</a> (1990)</li> <li><a href="/wiki/Bugsy" title="Bugsy">Bugsy</a> (1991)</li> <li><a href="/wiki/Unforgiven" title="Unforgiven">Unforgiven</a> (1992)</li> <li><a href="/wiki/Schindler%27s_List" title="Schindler's List">Schindler's List</a> (1993)</li> <li><a class="mw-selflink selflink">Pulp Fiction</a> (1994)</li> <li><a href="/wiki/Leaving_Las_Vegas" title="Leaving Las Vegas">Leaving Las Vegas</a> (1995)</li> <li><a href="/wiki/Secrets_%26_Lies_(film)" title="Secrets & Lies (film)">Secrets & Lies</a> (1996)</li> <li><a href="/wiki/L.A._Confidential_(film)" title="L.A. Confidential (film)">L.A. Confidential</a> (1997)</li> <li><a href="/wiki/Saving_Private_Ryan" title="Saving Private Ryan">Saving Private Ryan</a> (1998)</li> <li><a href="/wiki/The_Insider_(film)" title="The Insider (film)">The Insider</a> (1999)</li> <li><a href="/wiki/Crouching_Tiger,_Hidden_Dragon" title="Crouching Tiger, Hidden Dragon">Crouching Tiger, Hidden Dragon</a> (2000)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">2001–present</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/In_the_Bedroom" title="In the Bedroom">In the Bedroom</a> (2001)</li> <li><a href="/wiki/About_Schmidt" title="About Schmidt">About Schmidt</a> (2002)</li> <li><a href="/wiki/American_Splendor_(film)" title="American Splendor (film)">American Splendor</a> (2003)</li> <li><a href="/wiki/Sideways" title="Sideways">Sideways</a> (2004)</li> <li><a href="/wiki/Brokeback_Mountain" title="Brokeback Mountain">Brokeback Mountain</a> (2005)</li> <li><a href="/wiki/Letters_from_Iwo_Jima" title="Letters from Iwo Jima">Letters from Iwo Jima</a> (2006)</li> <li><a href="/wiki/There_Will_Be_Blood" title="There Will Be Blood">There Will Be Blood</a> (2007)</li> <li><a href="/wiki/WALL-E" title="WALL-E">WALL-E</a> (2008)</li> <li><a href="/wiki/The_Hurt_Locker" title="The Hurt Locker">The Hurt Locker</a> (2009)</li> <li><a href="/wiki/The_Social_Network" title="The Social Network">The Social Network</a> (2010)</li> <li><a href="/wiki/The_Descendants" title="The Descendants">The Descendants</a> (2011)</li> <li><a href="/wiki/Amour_(2012_film)" title="Amour (2012 film)">Amour</a> (2012)</li> <li><a href="/wiki/Gravity_(2013_film)" title="Gravity (2013 film)">Gravity</a> / <a href="/wiki/Her_(2013_film)" title="Her (2013 film)">Her</a> (2013)</li> <li><a href="/wiki/Boyhood_(2014_film)" title="Boyhood (2014 film)">Boyhood</a> (2014)</li> <li><a href="/wiki/Spotlight_(film)" title="Spotlight (film)">Spotlight</a> (2015)</li> <li><a href="/wiki/Moonlight_(2016_film)" title="Moonlight (2016 film)">Moonlight</a> (2016)</li> <li><a href="/wiki/Call_Me_by_Your_Name_(film)" title="Call Me by Your Name (film)">Call Me by Your Name</a> (2017)</li> <li><a href="/wiki/Roma_(2018_film)" title="Roma (2018 film)">Roma</a> (2018)</li> <li><a href="/wiki/Parasite_(2019_film)" title="Parasite (2019 film)">Parasite</a> (2019)</li> <li><a href="/wiki/Small_Axe_(anthology)" title="Small Axe (anthology)">Small Axe</a> (2020)</li> <li><a href="/wiki/Drive_My_Car_(film)" title="Drive My Car (film)">Drive My Car</a> (2021)</li> <li><a href="/wiki/Everything_Everywhere_All_at_Once" title="Everything Everywhere All at Once">Everything Everywhere All at Once</a> / <a href="/wiki/T%C3%A1r" title="Tár">Tár</a> (2022)</li> <li><a href="/wiki/The_Zone_of_Interest_(film)" title="The Zone of Interest (film)">The Zone of Interest</a> (2023)</li> <li><a href="/wiki/Anora" title="Anora">Anora</a> (2024)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="MTV_Movie_&amp;_TV_Award_for_Best_Movie163" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:MTV_Movie_Award_for_Best_Movie" title="Template:MTV Movie Award for Best Movie"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:MTV_Movie_Award_for_Best_Movie" title="Template talk:MTV Movie Award for Best Movie"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:MTV_Movie_Award_for_Best_Movie" title="Special:EditPage/Template:MTV Movie Award for Best Movie"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="MTV_Movie_&amp;_TV_Award_for_Best_Movie163" style="font-size:114%;margin:0 4em"><a href="/wiki/MTV_Movie_Award_for_Movie_of_the_Year" title="MTV Movie Award for Movie of the Year">MTV Movie & TV Award for Best Movie</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Best Movie (1992–2011, 2018–present)</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Terminator_2:_Judgment_Day" title="Terminator 2: Judgment Day">Terminator 2: Judgment Day</a> (1992)</li> <li><a href="/wiki/A_Few_Good_Men" title="A Few Good Men">A Few Good Men</a> (1993)</li> <li><a href="/wiki/Menace_II_Society" title="Menace II Society">Menace II Society</a> (1994)</li> <li><a class="mw-selflink selflink">Pulp Fiction</a> (1995)</li> <li><a href="/wiki/Seven_(1995_film)" title="Seven (1995 film)">Seven</a> (1996)</li> <li><a href="/wiki/Scream_(1996_film)" title="Scream (1996 film)">Scream</a> (1997)</li> <li><a href="/wiki/Titanic_(1997_film)" title="Titanic (1997 film)">Titanic</a> (1998)</li> <li><a href="/wiki/There%27s_Something_About_Mary" title="There's Something About Mary">There's Something About Mary</a> (1999)</li> <li><a href="/wiki/The_Matrix" title="The Matrix">The Matrix</a> (2000)</li> <li><a href="/wiki/Gladiator_(2000_film)" title="Gladiator (2000 film)">Gladiator</a> (2001)</li> <li><a href="/wiki/The_Lord_of_the_Rings:_The_Fellowship_of_the_Ring" title="The Lord of the Rings: The Fellowship of the Ring">The Lord of the Rings: The Fellowship of the Ring</a> (2002)</li> <li><a href="/wiki/The_Lord_of_the_Rings:_The_Two_Towers" title="The Lord of the Rings: The Two Towers">The Lord of the Rings: The Two Towers</a> (2003)</li> <li><a href="/wiki/The_Lord_of_the_Rings:_The_Return_of_the_King" title="The Lord of the Rings: The Return of the King">The Lord of the Rings: The Return of the King</a> (2004)</li> <li><a href="/wiki/Napoleon_Dynamite" title="Napoleon Dynamite">Napoleon Dynamite</a> (2005)</li> <li><a href="/wiki/Wedding_Crashers" title="Wedding Crashers">Wedding Crashers</a> (2006)</li> <li><a href="/wiki/Pirates_of_the_Caribbean:_Dead_Man%27s_Chest" title="Pirates of the Caribbean: Dead Man's Chest">Pirates of the Caribbean: Dead Man's Chest</a> (2007)</li> <li><a href="/wiki/Transformers_(film)" title="Transformers (film)">Transformers</a> (2008)</li> <li><a href="/wiki/Twilight_(2008_film)" title="Twilight (2008 film)">Twilight</a> (2009)</li> <li><a href="/wiki/The_Twilight_Saga:_New_Moon" title="The Twilight Saga: New Moon">The Twilight Saga: New Moon</a> (2010)</li> <li><a href="/wiki/The_Twilight_Saga:_Eclipse" title="The Twilight Saga: Eclipse">The Twilight Saga: Eclipse</a> (2011)</li> <li><a href="/wiki/Black_Panther_(film)" title="Black Panther (film)">Black Panther</a> (2018)</li> <li><a href="/wiki/Avengers:_Endgame" title="Avengers: Endgame">Avengers: Endgame</a> (2019)</li> <li>No Award (2020)</li> <li><a href="/wiki/To_All_the_Boys:_Always_and_Forever" title="To All the Boys: Always and Forever">To All the Boys: Always and Forever</a> (2021)</li> <li><a href="/wiki/Spider-Man:_No_Way_Home" title="Spider-Man: No Way Home">Spider-Man: No Way Home</a> (2022)</li> <li><a href="/wiki/Scream_VI" title="Scream VI">Scream VI</a> (2023)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Movie of the Year (2012–2017)</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Twilight_Saga:_Breaking_Dawn_%E2%80%93_Part_1" title="The Twilight Saga: Breaking Dawn – Part 1">The Twilight Saga: Breaking Dawn – Part 1</a> (2012)</li> <li><a href="/wiki/The_Avengers_(2012_film)" title="The Avengers (2012 film)">The Avengers</a> (2013)</li> <li><a href="/wiki/The_Hunger_Games:_Catching_Fire" title="The Hunger Games: Catching Fire">The Hunger Games: Catching Fire</a> (2014)</li> <li><a href="/wiki/The_Fault_in_Our_Stars_(film)" title="The Fault in Our Stars (film)">The Fault in Our Stars</a> (2015)</li> <li><a href="/wiki/Star_Wars:_The_Force_Awakens" title="Star Wars: The Force Awakens">Star Wars: The Force Awakens</a> (2016)</li> <li><a href="/wiki/Beauty_and_the_Beast_(2017_film)" title="Beauty and the Beast (2017 film)">Beauty and the Beast</a> (2017)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="National_Board_of_Review_Award_for_Best_Film95" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:National_Board_of_Review_Award_for_Best_Film" title="Template:National Board of Review Award for Best Film"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:National_Board_of_Review_Award_for_Best_Film" title="Template talk:National Board of Review Award for Best Film"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:National_Board_of_Review_Award_for_Best_Film" title="Special:EditPage/Template:National Board of Review Award for Best Film"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="National_Board_of_Review_Award_for_Best_Film95" style="font-size:114%;margin:0 4em"><a href="/wiki/National_Board_of_Review_Award_for_Best_Film" title="National Board of Review Award for Best Film">National Board of Review Award for Best Film</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1932–1950</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/I_Am_a_Fugitive_from_a_Chain_Gang" title="I Am a Fugitive from a Chain Gang">I Am a Fugitive from a Chain Gang</a> (1932)</li> <li><a href="/wiki/Topaze_(1933_American_film)" title="Topaze (1933 American film)">Topaze</a> (1933)</li> <li><a href="/wiki/It_Happened_One_Night" title="It Happened One Night">It Happened One Night</a> (1934)</li> <li><a href="/wiki/The_Informer_(1935_film)" title="The Informer (1935 film)">The Informer</a> (1935)</li> <li><a href="/wiki/Mr._Deeds_Goes_to_Town" title="Mr. Deeds Goes to Town">Mr. Deeds Goes to Town</a> (1936)</li> <li><a href="/wiki/Night_Must_Fall_(1937_film)" title="Night Must Fall (1937 film)">Night Must Fall</a> (1937)</li> <li><a href="/wiki/The_Citadel_(1938_film)" title="The Citadel (1938 film)">The Citadel</a> (1938)</li> <li><a href="/wiki/Confessions_of_a_Nazi_Spy" title="Confessions of a Nazi Spy">Confessions of a Nazi Spy</a> (1939)</li> <li><a href="/wiki/The_Grapes_of_Wrath_(film)" title="The Grapes of Wrath (film)">The Grapes of Wrath</a> (1940)</li> <li><a href="/wiki/Citizen_Kane" title="Citizen Kane">Citizen Kane</a> (1941)</li> <li><a href="/wiki/In_Which_We_Serve" title="In Which We Serve">In Which We Serve</a> (1942)</li> <li><a href="/wiki/The_Ox-Bow_Incident" title="The Ox-Bow Incident">The Ox-Bow Incident</a> (1943)</li> <li><a href="/wiki/None_but_the_Lonely_Heart_(film)" title="None but the Lonely Heart (film)">None But the Lonely Heart</a> (1944)</li> <li><a href="/wiki/The_True_Glory" title="The True Glory">The True Glory</a> (1945)</li> <li><a href="/wiki/Henry_V_(1944_film)" title="Henry V (1944 film)">Henry V</a> (1946)</li> <li><a href="/wiki/Monsieur_Verdoux" title="Monsieur Verdoux">Monsieur Verdoux</a> (1947)</li> <li><a href="/wiki/Paisan" title="Paisan">Paisan</a> (1948)</li> <li><a href="/wiki/Bicycle_Thieves" title="Bicycle Thieves">Bicycle Thieves</a> (1949)</li> <li><a href="/wiki/Sunset_Boulevard_(film)" title="Sunset Boulevard (film)">Sunset Boulevard</a> (1950)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1951–1975</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/A_Place_in_the_Sun_(1951_film)" title="A Place in the Sun (1951 film)">A Place in the Sun</a> (1951)</li> <li><a href="/wiki/The_Quiet_Man" title="The Quiet Man">The Quiet Man</a> (1952)</li> <li><a href="/wiki/William_Shakespeare%27s_Julius_Caesar" title="William Shakespeare's Julius Caesar">Julius Caesar</a> (1953)</li> <li><a href="/wiki/On_the_Waterfront" title="On the Waterfront">On the Waterfront</a> (1954)</li> <li><a href="/wiki/Marty_(film)" title="Marty (film)">Marty</a> (1955)</li> <li><a href="/wiki/Around_the_World_in_80_Days_(1956_film)" title="Around the World in 80 Days (1956 film)">Around the World in 80 Days</a> (1956)</li> <li><a href="/wiki/The_Bridge_on_the_River_Kwai" title="The Bridge on the River Kwai">The Bridge on the River Kwai</a> (1957)</li> <li><a href="/wiki/The_Old_Man_and_the_Sea_(1958_film)" title="The Old Man and the Sea (1958 film)">The Old Man and the Sea</a> (1958)</li> <li><a href="/wiki/The_Nun%27s_Story_(film)" title="The Nun's Story (film)">The Nun's Story</a> (1959)</li> <li><a href="/wiki/Sons_and_Lovers_(film)" title="Sons and Lovers (film)">Sons and Lovers</a> (1960)</li> <li><a href="/wiki/Question_7" title="Question 7">Question 7</a> (1961)</li> <li><a href="/wiki/The_Longest_Day_(film)" title="The Longest Day (film)">The Longest Day</a> (1962)</li> <li><a href="/wiki/Tom_Jones_(1963_film)" title="Tom Jones (1963 film)">Tom Jones</a> (1963)</li> <li><a href="/wiki/Becket_(1964_film)" title="Becket (1964 film)">Becket</a> (1964)</li> <li><a href="/wiki/The_Eleanor_Roosevelt_Story" title="The Eleanor Roosevelt Story">The Eleanor Roosevelt Story</a> (1965)</li> <li><a href="/wiki/A_Man_for_All_Seasons_(1966_film)" title="A Man for All Seasons (1966 film)">A Man for All Seasons</a> (1966)</li> <li><a href="/wiki/Far_from_the_Madding_Crowd_(1967_film)" title="Far from the Madding Crowd (1967 film)">Far from the Madding Crowd</a> (1967)</li> <li><a href="/wiki/The_Shoes_of_the_Fisherman_(film)" title="The Shoes of the Fisherman (film)">The Shoes of the Fisherman</a> (1968)</li> <li><a href="/wiki/They_Shoot_Horses,_Don%27t_They%3F_(film)" title="They Shoot Horses, Don't They? (film)">They Shoot Horses, Don't They?</a> (1969)</li> <li><a href="/wiki/Patton_(film)" title="Patton (film)">Patton</a> (1970)</li> <li><a href="/wiki/Macbeth_(1971_film)" title="Macbeth (1971 film)">Macbeth</a> (1971)</li> <li><a href="/wiki/Cabaret_(1972_film)" title="Cabaret (1972 film)">Cabaret</a> (1972)</li> <li><a href="/wiki/The_Sting" title="The Sting">The Sting</a> (1973)</li> <li><a href="/wiki/The_Conversation" title="The Conversation">The Conversation</a> (1974)</li> <li><a href="/wiki/Barry_Lyndon" title="Barry Lyndon">Barry Lyndon</a> / <a href="/wiki/Nashville_(film)" title="Nashville (film)">Nashville</a> (1975)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1976–2000</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/All_the_President%27s_Men_(film)" title="All the President's Men (film)">All the President's Men</a> (1976)</li> <li><a href="/wiki/The_Turning_Point_(1977_film)" title="The Turning Point (1977 film)">The Turning Point</a> (1977)</li> <li><a href="/wiki/Days_of_Heaven" title="Days of Heaven">Days of Heaven</a> (1978)</li> <li><a href="/wiki/Manhattan_(1979_film)" title="Manhattan (1979 film)">Manhattan</a> (1979)</li> <li><a href="/wiki/Ordinary_People" title="Ordinary People">Ordinary People</a> (1980)</li> <li><a href="/wiki/Chariots_of_Fire" title="Chariots of Fire">Chariots of Fire</a> / <a href="/wiki/Reds_(film)" title="Reds (film)">Reds</a> (1981)</li> <li><a href="/wiki/Gandhi_(film)" title="Gandhi (film)">Gandhi</a> (1982)</li> <li><a href="/wiki/Betrayal_(1983_film)" title="Betrayal (1983 film)">Betrayal</a> / <a href="/wiki/Terms_of_Endearment" title="Terms of Endearment">Terms of Endearment</a> (1983)</li> <li><a href="/wiki/A_Passage_to_India_(film)" title="A Passage to India (film)">A Passage to India</a> (1984)</li> <li><a href="/wiki/The_Color_Purple_(1985_film)" title="The Color Purple (1985 film)">The Color Purple</a> (1985)</li> <li><a href="/wiki/A_Room_with_a_View_(1985_film)" title="A Room with a View (1985 film)">A Room with a View</a> (1986)</li> <li><a href="/wiki/Empire_of_the_Sun_(film)" title="Empire of the Sun (film)">Empire of the Sun</a> (1987)</li> <li><a href="/wiki/Mississippi_Burning" title="Mississippi Burning">Mississippi Burning</a> (1988)</li> <li><a href="/wiki/Driving_Miss_Daisy" title="Driving Miss Daisy">Driving Miss Daisy</a> (1989)</li> <li><a href="/wiki/Dances_With_Wolves" title="Dances With Wolves">Dances With Wolves</a> (1990)</li> <li><a href="/wiki/The_Silence_of_the_Lambs_(film)" title="The Silence of the Lambs (film)">The Silence of the Lambs</a> (1991)</li> <li><a href="/wiki/Howards_End_(film)" title="Howards End (film)">Howards End</a> (1992)</li> <li><a href="/wiki/Schindler%27s_List" title="Schindler's List">Schindler's List</a> (1993)</li> <li><a href="/wiki/Forrest_Gump" title="Forrest Gump">Forrest Gump</a> / <a class="mw-selflink selflink">Pulp Fiction</a> (1994)</li> <li><a href="/wiki/Sense_and_Sensibility_(film)" title="Sense and Sensibility (film)">Sense and Sensibility</a> (1995)</li> <li><a href="/wiki/Shine_(film)" title="Shine (film)">Shine</a> (1996)</li> <li><a href="/wiki/L.A._Confidential_(film)" title="L.A. Confidential (film)">L.A. Confidential</a> (1997)</li> <li><a href="/wiki/Gods_and_Monsters_(film)" title="Gods and Monsters (film)">Gods and Monsters</a> (1998)</li> <li><a href="/wiki/American_Beauty_(1999_film)" title="American Beauty (1999 film)">American Beauty</a> (1999)</li> <li><a href="/wiki/Quills_(film)" title="Quills (film)">Quills</a> (2000)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">2001–present</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Moulin_Rouge!" title="Moulin Rouge!">Moulin Rouge!</a> (2001)</li> <li><a href="/wiki/The_Hours_(film)" title="The Hours (film)">The Hours</a> (2002)</li> <li><a href="/wiki/Mystic_River_(film)" title="Mystic River (film)">Mystic River</a> (2003)</li> <li><a href="/wiki/Finding_Neverland_(film)" title="Finding Neverland (film)">Finding Neverland</a> (2004)</li> <li><a href="/wiki/Good_Night,_and_Good_Luck" title="Good Night, and Good Luck">Good Night, and Good Luck</a> (2005)</li> <li><a href="/wiki/Letters_from_Iwo_Jima" title="Letters from Iwo Jima">Letters from Iwo Jima</a> (2006)</li> <li><a href="/wiki/No_Country_for_Old_Men" title="No Country for Old Men">No Country for Old Men</a> (2007)</li> <li><a href="/wiki/Slumdog_Millionaire" title="Slumdog Millionaire">Slumdog Millionaire</a> (2008)</li> <li><a href="/wiki/Up_in_the_Air_(2009_film)" title="Up in the Air (2009 film)">Up in the Air</a> (2009)</li> <li><a href="/wiki/The_Social_Network" title="The Social Network">The Social Network</a> (2010)</li> <li><a href="/wiki/Hugo_(film)" title="Hugo (film)">Hugo</a> (2011)</li> <li><a href="/wiki/Zero_Dark_Thirty" title="Zero Dark Thirty">Zero Dark Thirty</a> (2012)</li> <li><a href="/wiki/Her_(2013_film)" title="Her (2013 film)">Her</a> (2013)</li> <li><a href="/wiki/A_Most_Violent_Year" title="A Most Violent Year">A Most Violent Year</a> (2014)</li> <li><a href="/wiki/Mad_Max:_Fury_Road" title="Mad Max: Fury Road">Mad Max: Fury Road</a> (2015)</li> <li><a href="/wiki/Manchester_by_the_Sea_(film)" title="Manchester by the Sea (film)">Manchester by the Sea</a> (2016)</li> <li><a href="/wiki/The_Post_(film)" title="The Post (film)">The Post</a> (2017)</li> <li><a href="/wiki/Green_Book_(film)" title="Green Book (film)">Green Book</a> (2018)</li> <li><a href="/wiki/The_Irishman" title="The Irishman">The Irishman</a> (2019)</li> <li><a href="/wiki/Da_5_Bloods" title="Da 5 Bloods">Da 5 Bloods</a> (2020)</li> <li><a href="/wiki/Licorice_Pizza" title="Licorice Pizza">Licorice Pizza</a> (2021)</li> <li><a href="/wiki/Top_Gun:_Maverick" title="Top Gun: Maverick">Top Gun: Maverick</a> (2022)</li> <li><a href="/wiki/Killers_of_the_Flower_Moon_(film)" title="Killers of the Flower Moon (film)">Killers of the Flower Moon</a> (2023)</li> <li><a href="/wiki/Wicked_(2024_film)" title="Wicked (2024 film)">Wicked</a> (2024)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="National_Society_of_Film_Critics_Award_for_Best_Film81" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:National_Society_of_Film_Critics_Award_for_Best_Film" title="Template:National Society of Film Critics Award for Best Film"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:National_Society_of_Film_Critics_Award_for_Best_Film" title="Template talk:National Society of Film Critics Award for Best Film"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:National_Society_of_Film_Critics_Award_for_Best_Film" title="Special:EditPage/Template:National Society of Film Critics Award for Best Film"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="National_Society_of_Film_Critics_Award_for_Best_Film81" style="font-size:114%;margin:0 4em"><a href="/wiki/National_Society_of_Film_Critics_Award_for_Best_Film" title="National Society of Film Critics Award for Best Film">National Society of Film Critics Award for Best Film</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">1966–2000</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Blowup" title="Blowup">Blowup</a> (1966)</li> <li><a href="/wiki/Persona_(1966_film)" title="Persona (1966 film)">Persona</a> (1967)</li> <li><a href="/wiki/Shame_(1968_film)" title="Shame (1968 film)">Shame</a> (1968)</li> <li><a href="/wiki/Z_(1969_film)" title="Z (1969 film)">Z</a> (1969)</li> <li><a href="/wiki/M*A*S*H_(film)" title="M*A*S*H (film)">M*A*S*H</a> (1970)</li> <li><a href="/wiki/Claire%27s_Knee" title="Claire's Knee">Claire's Knee</a> (1971)</li> <li><a href="/wiki/The_Discreet_Charm_of_the_Bourgeoisie" title="The Discreet Charm of the Bourgeoisie">The Discreet Charm of the Bourgeoisie</a> (1972)</li> <li><a href="/wiki/Day_for_Night_(film)" title="Day for Night (film)">Day for Night</a> (1973)</li> <li><a href="/wiki/Scenes_from_a_Marriage" title="Scenes from a Marriage">Scenes from a Marriage</a> (1974)</li> <li><a href="/wiki/Nashville_(film)" title="Nashville (film)">Nashville</a> (1975)</li> <li><a href="/wiki/All_the_President%27s_Men_(film)" title="All the President's Men (film)">All the President's Men</a> (1976)</li> <li><a href="/wiki/Annie_Hall" title="Annie Hall">Annie Hall</a> (1977)</li> <li><a href="/wiki/Get_Out_Your_Handkerchiefs" title="Get Out Your Handkerchiefs">Get Out Your Handkerchiefs</a> (1978)</li> <li><a href="/wiki/Breaking_Away" title="Breaking Away">Breaking Away</a> (1979)</li> <li><a href="/wiki/Melvin_and_Howard" title="Melvin and Howard">Melvin and Howard</a> (1980)</li> <li><a href="/wiki/Atlantic_City_(1980_film)" title="Atlantic City (1980 film)">Atlantic City</a> (1981)</li> <li><a href="/wiki/Tootsie" title="Tootsie">Tootsie</a> (1982)</li> <li><a href="/wiki/The_Night_of_the_Shooting_Stars" title="The Night of the Shooting Stars">The Night of the Shooting Stars</a> (1983)</li> <li><a href="/wiki/Stranger_Than_Paradise" title="Stranger Than Paradise">Stranger Than Paradise</a> (1984)</li> <li><a href="/wiki/Ran_(film)" title="Ran (film)">Ran</a> (1985)</li> <li><a href="/wiki/Blue_Velvet_(film)" title="Blue Velvet (film)">Blue Velvet</a> (1986)</li> <li><a href="/wiki/The_Dead_(1987_film)" title="The Dead (1987 film)">The Dead</a> (1987)</li> <li><a href="/wiki/The_Unbearable_Lightness_of_Being_(film)" title="The Unbearable Lightness of Being (film)">The Unbearable Lightness of Being</a> (1988)</li> <li><a href="/wiki/Drugstore_Cowboy" title="Drugstore Cowboy">Drugstore Cowboy</a> (1989)</li> <li><a href="/wiki/Goodfellas" title="Goodfellas">Goodfellas</a> (1990)</li> <li><a href="/wiki/Life_Is_Sweet_(film)" title="Life Is Sweet (film)">Life Is Sweet</a> (1991)</li> <li><a href="/wiki/Unforgiven" title="Unforgiven">Unforgiven</a> (1992)</li> <li><a href="/wiki/Schindler%27s_List" title="Schindler's List">Schindler's List</a> (1993)</li> <li><a class="mw-selflink selflink">Pulp Fiction</a> (1994)</li> <li><a href="/wiki/Babe_(film)" title="Babe (film)">Babe</a> (1995)</li> <li><a href="/wiki/Breaking_the_Waves" title="Breaking the Waves">Breaking the Waves</a> (1996)</li> <li><a href="/wiki/L.A._Confidential_(film)" title="L.A. Confidential (film)">L.A. Confidential</a> (1997)</li> <li><a href="/wiki/Out_of_Sight" title="Out of Sight">Out of Sight</a> (1998)</li> <li><a href="/wiki/Being_John_Malkovich" title="Being John Malkovich">Being John Malkovich</a> / <a href="/wiki/Topsy-Turvy" title="Topsy-Turvy">Topsy-Turvy</a> (1999)</li> <li><a href="/wiki/Yi_Yi" title="Yi Yi">Yi Yi</a> (2000)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:;width:1%">2001–present</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Mulholland_Drive_(film)" title="Mulholland Drive (film)">Mulholland Drive</a> (2001)</li> <li><a href="/wiki/The_Pianist_(2002_film)" title="The Pianist (2002 film)">The Pianist</a> (2002)</li> <li><a href="/wiki/American_Splendor_(film)" title="American Splendor (film)">American Splendor</a> (2003)</li> <li><a href="/wiki/Million_Dollar_Baby" title="Million Dollar Baby">Million Dollar Baby</a> (2004)</li> <li><a href="/wiki/Capote_(film)" title="Capote (film)">Capote</a> (2005)</li> <li><a href="/wiki/Pan%27s_Labyrinth" title="Pan's Labyrinth">Pan's Labyrinth</a> (2006)</li> <li><a href="/wiki/There_Will_Be_Blood" title="There Will Be Blood">There Will Be Blood</a> (2007)</li> <li><a href="/wiki/Waltz_with_Bashir" title="Waltz with Bashir">Waltz with Bashir</a> (2008)</li> <li><a href="/wiki/The_Hurt_Locker" title="The Hurt Locker">The Hurt Locker</a> (2009)</li> <li><a href="/wiki/The_Social_Network" title="The Social Network">The Social Network</a> (2010)</li> <li><a href="/wiki/Melancholia_(2011_film)" title="Melancholia (2011 film)">Melancholia</a> (2011)</li> <li><a href="/wiki/Amour_(2012_film)" title="Amour (2012 film)">Amour</a> (2012)</li> <li><a href="/wiki/Inside_Llewyn_Davis" title="Inside Llewyn Davis">Inside Llewyn Davis</a> (2013)</li> <li><a href="/wiki/Goodbye_to_Language" title="Goodbye to Language">Goodbye to Language</a> (2014)</li> <li><a href="/wiki/Spotlight_(film)" title="Spotlight (film)">Spotlight</a> (2015)</li> <li><a href="/wiki/Moonlight_(2016_film)" title="Moonlight (2016 film)">Moonlight</a> (2016)</li> <li><a href="/wiki/Lady_Bird_(film)" title="Lady Bird (film)">Lady Bird</a> (2017)</li> <li><a href="/wiki/The_Rider_(film)" title="The Rider (film)">The Rider</a> (2018)</li> <li><a href="/wiki/Parasite_(2019_film)" title="Parasite (2019 film)">Parasite</a> (2019)</li> <li><a href="/wiki/Nomadland" title="Nomadland">Nomadland</a> (2020)</li> <li><a href="/wiki/Drive_My_Car_(film)" title="Drive My Car (film)">Drive My Car</a> (2021)</li> <li><a href="/wiki/T%C3%A1r" title="Tár">Tár</a> (2022)</li> <li><a href="/wiki/Past_Lives_(film)" title="Past Lives (film)">Past Lives</a> (2023)</li> <li><a href="/wiki/Nickel_Boys" title="Nickel Boys">Nickel Boys</a> (2024)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Saturn_Award_for_Best_Action_or_Adventure_Film50" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background: #6CC"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Saturn_Award_for_Best_Action_or_Adventure_Film" title="Template:Saturn Award for Best Action or Adventure Film"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Saturn_Award_for_Best_Action_or_Adventure_Film" title="Template talk:Saturn Award for Best Action or Adventure Film"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Saturn_Award_for_Best_Action_or_Adventure_Film" title="Special:EditPage/Template:Saturn Award for Best Action or Adventure Film"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Saturn_Award_for_Best_Action_or_Adventure_Film50" style="font-size:114%;margin:0 4em"><a href="/wiki/Saturn_Award_for_Best_Action_or_Adventure_Film" title="Saturn Award for Best Action or Adventure Film">Saturn Award for Best Action or Adventure Film</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a class="mw-selflink selflink">Pulp Fiction</a> (1994)</li> <li><a href="/wiki/The_Usual_Suspects" title="The Usual Suspects">The Usual Suspects</a> (1995)</li> <li><a href="/wiki/Fargo_(1996_film)" title="Fargo (1996 film)">Fargo</a> (1996)</li> <li><a href="/wiki/L.A._Confidential_(film)" title="L.A. Confidential (film)">L.A. Confidential</a> (1997)</li> <li><a href="/wiki/Saving_Private_Ryan" title="Saving Private Ryan">Saving Private Ryan</a> (1998)</li> <li><a href="/wiki/The_Green_Mile_(film)" title="The Green Mile (film)">The Green Mile</a> (1999)</li> <li><a href="/wiki/Crouching_Tiger,_Hidden_Dragon" title="Crouching Tiger, Hidden Dragon">Crouching Tiger, Hidden Dragon</a> (2000)</li> <li><a href="/wiki/Memento_(film)" title="Memento (film)">Memento</a> (2001)</li> <li><a href="/wiki/Road_to_Perdition" title="Road to Perdition">Road to Perdition</a> (2002)</li> <li><a href="/wiki/Kill_Bill:_Volume_1" title="Kill Bill: Volume 1">Kill Bill: Volume 1</a> (2003)</li> <li><a href="/wiki/Kill_Bill:_Volume_2" title="Kill Bill: Volume 2">Kill Bill: Volume 2</a> (2004)</li> <li><a href="/wiki/Sin_City_(film)" title="Sin City (film)">Sin City</a> (2005)</li> <li><a href="/wiki/Casino_Royale_(2006_film)" title="Casino Royale (2006 film)">Casino Royale</a> (2006)</li> <li><a href="/wiki/300_(film)" title="300 (film)">300</a> (2007)</li> <li><a href="/wiki/The_Dark_Knight" title="The Dark Knight">The Dark Knight</a> (2008)</li> <li><a href="/wiki/Inglourious_Basterds" title="Inglourious Basterds">Inglourious Basterds</a> (2009)</li> <li><a href="/wiki/Salt_(2010_film)" title="Salt (2010 film)">Salt</a> (2010)</li> <li><a href="/wiki/Mission:_Impossible_%E2%80%93_Ghost_Protocol" title="Mission: Impossible – Ghost Protocol">Mission: Impossible – Ghost Protocol</a> (2011)</li> <li><a href="/wiki/Skyfall" title="Skyfall">Skyfall</a> (2012)</li> <li><a href="/wiki/Fast_%26_Furious_6" title="Fast & Furious 6">Fast & Furious 6</a> (2013)</li> <li><a href="/wiki/Unbroken_(film)" title="Unbroken (film)">Unbroken</a> (2014)</li> <li><a href="/wiki/Furious_7" title="Furious 7">Furious 7</a> (2015)</li> <li><a href="/wiki/Hidden_Figures" title="Hidden Figures">Hidden Figures</a> (2016)</li> <li><a href="/wiki/The_Greatest_Showman" title="The Greatest Showman">The Greatest Showman</a> (2017)</li> <li><a href="/wiki/Mission:_Impossible_%E2%80%93_Fallout" title="Mission: Impossible – Fallout">Mission: Impossible – Fallout</a> (2018/19)</li> <li><a href="/wiki/Mulan_(2020_film)" title="Mulan (2020 film)">Mulan</a> (2019/20)</li> <li><a href="/wiki/Top_Gun:_Maverick" title="Top Gun: Maverick">Top Gun: Maverick</a> (2021/22)</li> <li><a href="/wiki/Mission:_Impossible_%E2%80%93_Dead_Reckoning_Part_One" title="Mission: Impossible – Dead Reckoning Part One">Mission: Impossible – Dead Reckoning Part One</a> (2022/23)</li> <li><a href="/wiki/Deadpool_%26_Wolverine" title="Deadpool & Wolverine">Deadpool & Wolverine</a> (2023/24)</li></ul> </div></td></tr></tbody></table></div></div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"><style data-mw-deduplicate="TemplateStyles:r1038841319">.mw-parser-output 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class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/4392032-9">Germany</a></li><li><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n00037922">United States</a></li><li><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb14412038s">France</a></li><li><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb14412038s">BnF data</a></li><li><a rel="nofollow" class="external text" href="https://aleph.nkp.cz/F/?func=find-c&local_base=aut&ccl_term=ica=unn2006375178&CON_LNG=ENG">Czech Republic</a></li><li><a rel="nofollow" class="external text" href="https://authority.bibsys.no/authority/rest/authorities/html/90863471">Norway</a></li><li><a rel="nofollow" class="external text" href="https://www.nli.org.il/en/authorities/987007289809205171">Israel</a></li><li><a rel="nofollow" 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</div><script>(RLQ=window.RLQ||[]).push(function(){mw.config.set({"wgHostname":"mw-web.codfw.main-b766959bd-qcv8q","wgBackendResponseTime":2869,"wgPageParseReport":{"limitreport":{"cputime":"2.382","walltime":"2.600","ppvisitednodes":{"value":23465,"limit":1000000},"postexpandincludesize":{"value":702695,"limit":2097152},"templateargumentsize":{"value":138724,"limit":2097152},"expansiondepth":{"value":24,"limit":100},"expensivefunctioncount":{"value":14,"limit":500},"unstrip-depth":{"value":1,"limit":20},"unstrip-size":{"value":803947,"limit":5000000},"entityaccesscount":{"value":1,"limit":400},"timingprofile":["100.00% 2179.515 1 -total"," 31.26% 681.361 2 Template:Reflist"," 13.72% 298.962 65 Template:Cite_web"," 13.23% 288.329 152 Template:Sfn"," 9.58% 208.798 47 Template:Cite_book"," 8.47% 184.698 47 Template:Cite_news"," 7.43% 161.960 1 Template:Infobox_film"," 7.37% 160.592 2 Template:Infobox"," 7.03% 153.124 1 Template:Rotten_Tomatoes_prose"," 5.34% 116.478 13 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= 1,\n [\"CITEREFDawson1995a\"] = 1,\n [\"CITEREFDemory1995\"] = 1,\n [\"CITEREFDenby2007\"] = 1,\n [\"CITEREFDesser2003\"] = 1,\n [\"CITEREFDiaz2021\"] = 1,\n [\"CITEREFDinshaw1997\"] = 1,\n [\"CITEREFDuncan2019\"] = 1,\n [\"CITEREFEbert1994\"] = 1,\n [\"CITEREFEbert1997\"] = 1,\n [\"CITEREFEbert2001\"] = 1,\n [\"CITEREFEdwards2014\"] = 1,\n [\"CITEREFEisenberg2016\"] = 1,\n [\"CITEREFElley2006\"] = 1,\n [\"CITEREFFraiman2003\"] = 1,\n [\"CITEREFFrance2014\"] = 1,\n [\"CITEREFFrench2006\"] = 1,\n [\"CITEREFFulwood2003\"] = 1,\n [\"CITEREFGallafent2006\"] = 1,\n [\"CITEREFGates2004\"] = 1,\n [\"CITEREFGetlen2014\"] = 1,\n [\"CITEREFGilchrist2024\"] = 1,\n [\"CITEREFGiroux1996\"] = 1,\n [\"CITEREFGleiberman1994\"] = 1,\n [\"CITEREFGoldberg2024\"] = 1,\n [\"CITEREFGorman1996\"] = 1,\n [\"CITEREFGormley2005\"] = 1,\n [\"CITEREFGroth1997\"] = 1,\n [\"CITEREFHaddon2008\"] = 1,\n [\"CITEREFHarris2012\"] = 1,\n [\"CITEREFHarris2015\"] = 1,\n [\"CITEREFHirsch1997\"] = 1,\n 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[\"CITEREFRabin2003\"] = 1,\n [\"CITEREFRabinowitz2002\"] = 1,\n [\"CITEREFRea2010\"] = 1,\n [\"CITEREFReal1996\"] = 1,\n [\"CITEREFReinhartz2003\"] = 1,\n [\"CITEREFRoberts1999\"] = 1,\n [\"CITEREFRose2004\"] = 1,\n [\"CITEREFRosenbaum1994\"] = 1,\n [\"CITEREFRosenbaum1995\"] = 1,\n [\"CITEREFRubin1999\"] = 1,\n [\"CITEREFSamuels2006\"] = 1,\n [\"CITEREFSarig1996\"] = 1,\n [\"CITEREFScott2002\"] = 1,\n [\"CITEREFSeal2013\"] = 1,\n [\"CITEREFSilverUrsini2004\"] = 1,\n [\"CITEREFSimon1994\"] = 1,\n [\"CITEREFSteves2015\"] = 1,\n [\"CITEREFStone1995\"] = 1,\n [\"CITEREFTarantino1994\"] = 1,\n [\"CITEREFTarantinoPeary2013\"] = 1,\n [\"CITEREFThomas2003\"] = 1,\n [\"CITEREFTincknell2006\"] = 1,\n [\"CITEREFTravers1994\"] = 1,\n [\"CITEREFTuran1994\"] = 1,\n [\"CITEREFVillella2000\"] = 2,\n [\"CITEREFWalker2005\"] = 1,\n [\"CITEREFWaxman2005\"] = 1,\n [\"CITEREFWeinraub1994\"] = 1,\n [\"CITEREFWells1996\"] = 1,\n [\"CITEREFWhite2002\"] = 1,\n [\"CITEREFWhiteThompson1995\"] = 1,\n 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