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Nineteen Eighty-Four - RationalWiki

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Set in the eponymous year,&amp;#91;note 1&amp;#93; it is mainly on the consequences of totalitarianism, mass surveillance, economic deprivation and of indoctrination. Most clearly modelled on Stalin&#039;s Soviet Union and of Nazi Germany, it also draws inspiration from the economic situation of Great Britain (and the rest of Europe) in the aftermath of the Second World War; a worn-out, almost-bankrupt nation with rickety buildings, cold rooms, empty shelves and mystery meat for dinner.&amp;#91;2&amp;#93;"/> <link rel="alternate" type="application/x-wiki" title="Edit" href="/w/index.php?title=Nineteen_Eighty-Four&amp;action=edit"/> <link rel="edit" title="Edit" href="/w/index.php?title=Nineteen_Eighty-Four&amp;action=edit"/> <link rel="shortcut icon" href="/favicon.ico"/> <link rel="search" type="application/opensearchdescription+xml" href="/w/opensearch_desc.php" title="RationalWiki (en)"/> <link rel="EditURI" type="application/rsd+xml" href="https://rationalwiki.org/w/api.php?action=rsd"/> <link rel="license" href="/wiki/RationalWiki:Copyrights"/> <link rel="alternate" type="application/atom+xml" title="RationalWiki Atom feed" href="/w/index.php?title=Special:RecentChanges&amp;feed=atom"/> <meta property="og:type" content="article"/> <meta property="og:site_name" content="RationalWiki"/> <meta property="og:title" content="Nineteen Eighty-Four"/> <meta property="og:description" content="Nineteen Eighty-Four (also printed as 1984) is a dystopian novel and cautionary tale by George Orwell first published in June 1949. 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margin: 0 0 0.5em 0.5em; text-align:left; border: 1px solid #4B0082; width:175px;"> <tbody><tr> <td style="font-size: 95%; text-align:center; color:white; background-color:#4B0082"><b>Great and terrible</b><br /><a href="/wiki/Literature" title="Literature"><font size="5" color="white"><b>Books</b></font></a> </td></tr> <tr> <td style="background-color:#E6E6FA;" align="center"><a href="/wiki/Category:Books" title="Category:Books"><img alt="Icon books.svg" src="/w/images/thumb/5/58/Icon_books.svg/100px-Icon_books.svg.png" decoding="async" width="100" height="100" srcset="/w/images/thumb/5/58/Icon_books.svg/150px-Icon_books.svg.png 1.5x, /w/images/thumb/5/58/Icon_books.svg/200px-Icon_books.svg.png 2x" data-file-width="200" data-file-height="200" /></a> </td></tr> <tr> <td style="font-size: 95%; color:white; background-color:#4B0082; text-align:center;"><b>On our shelf:</b> </td></tr> <tr> <td style="font-size: 95%; background-color:#E6E6FA;"> <ul><li><a href="/wiki/Still_the_Best_Hope" title="Still the Best Hope">Still the Best Hope</a></li> <li><a href="/wiki/The_Skeptic%27s_Dictionary" title="The Skeptic&#39;s Dictionary">The Skeptic's Dictionary</a></li> <li><a href="/wiki/Trump%27s_War:_His_Battle_for_America" title="Trump&#39;s War: His Battle for America">Trump's War: His Battle for America</a></li> <li><a href="/wiki/The_Catcher_in_the_Rye" title="The Catcher in the Rye">The Catcher in the Rye</a></li> <li><a href="/wiki/The_Case_For_Israel" title="The Case For Israel">The Case For Israel</a></li> <li><a href="/wiki/Project_2025" title="Project 2025">Project 2025</a></li></ul> </td></tr> <tr> <td style="font-size: 95%; 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border-collapse:collapse; border-style:none; background-color:transparent;" class="cquote"> <tbody><tr> <td><div style="padding:4px 50px;position:relative;"><span style="position:absolute;left:10px;top:-6px;z-index:1;font-family:&#39;Times New Roman&#39;,serif;font-weight:bold;color:#B2B7F2;font-size:36px">“</span><span style="position:absolute;right:10px;bottom:-20px;z-index:1;font-family:&#39;Times New Roman&#39;,serif;font-weight:bold;color:#B2B7F2;font-size:36px">”</span>If you want a picture of the future, imagine a boot stamping on a human face — forever.</div> </td></tr> <tr> <td style="padding:4px 10px 8px;font-size:smaller;line-height:1.6em;text-align:right;"><cite style="font-style:normal;position:relative;z-index:2">—O'Brien, <i>Nineteen Eighty-Four</i><sup id="cite_ref-1" class="reference"><a href="#cite_note-1">&#91;1&#93;</a></sup></cite> </td></tr></tbody></table> <p><i><b>Nineteen Eighty-Four</b></i> (also printed as <i>1984</i>) is a dystopian novel and cautionary tale by <a href="/wiki/George_Orwell" title="George Orwell">George Orwell</a> first published in June 1949. Set in the eponymous year,<sup id="cite_ref-2" class="reference"><a href="#cite_note-2">&#91;note 1&#93;</a></sup> it is mainly on the consequences of <a href="/wiki/Totalitarianism" title="Totalitarianism">totalitarianism</a>, mass surveillance, economic deprivation and of <a href="/wiki/Indoctrination" class="mw-redirect" title="Indoctrination">indoctrination</a>. Most clearly modelled on <a href="/wiki/Stalin" class="mw-redirect" title="Stalin">Stalin's</a> <a href="/wiki/Soviet_Union" title="Soviet Union">Soviet Union</a> and of <a href="/wiki/Nazi_Germany" title="Nazi Germany">Nazi Germany</a>, it also draws inspiration from the economic situation of <a href="/wiki/Great_Britain" title="Great Britain">Great Britain</a> (and the rest of Europe) in the aftermath of the <a href="/wiki/Second_World_War" class="mw-redirect" title="Second World War">Second World War</a>; a worn-out, almost-bankrupt nation with rickety buildings, cold rooms, empty shelves and mystery meat for dinner.<sup id="cite_ref-3" class="reference"><a href="#cite_note-3">&#91;2&#93;</a></sup> </p><p>As a somewhat clunky critique of the 'Soviet system' turned up to eleven, it was promptly banned in the <a href="/wiki/Eastern_Bloc" title="Eastern Bloc">Eastern Bloc</a>, which gave it a fillip in being translated into other languages for worldwide distribution,<sup id="cite_ref-4" class="reference"><a href="#cite_note-4">&#91;note 2&#93;</a></sup> including behind the Iron Curtain via <a href="https://en.wikipedia.org/wiki/samizdat" class="extiw" title="wp:samizdat" rel="nofollow"><span style="color:#477979 !important;" title="Wikipedia: samizdat">samizdat</span></a><sup><img alt="" src="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/12px-Wikipedia%27s_W.svg.png" decoding="async" width="12" height="12" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/18px-Wikipedia%27s_W.svg.png 1.5x, https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/24px-Wikipedia%27s_W.svg.png 2x" data-file-width="128" data-file-height="128" /></sup>.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5">&#91;note 3&#93;</a></sup> A cynic can also suspect its 'anti-Communist' message might have led the text being inserted into more school reading lists than its literary worth alone would justify.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6">&#91;note 4&#93;</a></sup> Its internal language – 'Newspeak' – has led to a clutch of terms to enter the English language, 'Orwellian' to be a shorthand for totalitarian/dystopian systems and 'Big Brother' to become a reference towards any (apparently) omnipresent system of surveillance and/or cults of personality. </p><p>Now celebrating its seventy-fifth anniversary,<sup id="cite_ref-7" class="reference"><a href="#cite_note-7">&#91;3&#93;</a></sup> the book is still relevant; that while the 'bleak privations' of Airstrip One have not come to pass,<sup id="cite_ref-8" class="reference"><a href="#cite_note-8">&#91;note 5&#93;</a></sup> the powers of surveillance, propaganda and general paucity of facts have at least in part. It is one of those few novels you should read, or if you really <i>cannot</i> read it (or found your school experience of it poor), either read the 2021 graphic novel drawn by Fido Nesti or watch the 1984<sup id="cite_ref-9" class="reference"><a href="#cite_note-9">&#91;note 6&#93;</a></sup> film by Michael Radford. Expect more adaptations to come along in the next few years, as it left copyright (except in the US) in 2021.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10">&#91;4&#93;</a></sup> </p> <div id="toc" class="toc" role="navigation" aria-labelledby="mw-toc-heading"><input type="checkbox" role="button" id="toctogglecheckbox" class="toctogglecheckbox" style="display:none" /><div class="toctitle" lang="en" dir="ltr"><h2 id="mw-toc-heading">Contents</h2><span class="toctogglespan"><label class="toctogglelabel" for="toctogglecheckbox"></label></span></div> <ul> <li class="toclevel-1 tocsection-1"><a href="#Background"><span class="tocnumber">1</span> <span class="toctext">Background</span></a></li> <li class="toclevel-1 tocsection-2"><a href="#.27Orwellian.27"><span class="tocnumber">2</span> <span class="toctext">'Orwellian'</span></a></li> <li class="toclevel-1 tocsection-3"><a href="#.27Newspeak.27"><span class="tocnumber">3</span> <span class="toctext">'Newspeak'</span></a></li> <li class="toclevel-1 tocsection-4"><a href="#External_links"><span class="tocnumber">4</span> <span class="toctext">External links</span></a></li> <li class="toclevel-1 tocsection-5"><a href="#Notes"><span class="tocnumber">5</span> <span class="toctext">Notes</span></a></li> <li class="toclevel-1 tocsection-6"><a href="#References"><span class="tocnumber">6</span> <span class="toctext">References</span></a></li> </ul> </div> <h2><span class="mw-headline" id="Background">Background</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Nineteen_Eighty-Four&amp;action=edit&amp;section=1" title="Edit section: Background">edit</a><span class="mw-editsection-bracket">]</span></span></h2> <p>Some works have a convoluted and opaque backstory; <i>Nineteen Eighty-Four</i> is not one of them. Take the geopolitical and societal predictions of <a href="https://en.wikipedia.org/wiki/James_Burnham" class="extiw" title="wp:James Burnham" rel="nofollow"><span style="color:#477979 !important;" title="Wikipedia: James Burnham">James Burnham</span></a><sup><img alt="" src="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/12px-Wikipedia%27s_W.svg.png" decoding="async" width="12" height="12" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/18px-Wikipedia%27s_W.svg.png 1.5x, https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/24px-Wikipedia%27s_W.svg.png 2x" data-file-width="128" data-file-height="128" /></sup> (in particular his 1941 work <i>The Managerial Revolution</i>), pinch much of the plot of <a href="https://en.wikipedia.org/wiki/Yevgeny_Zamyatin" class="extiw" title="wp:Yevgeny Zamyatin" rel="nofollow"><span style="color:#477979 !important;" title="Wikipedia: Yevgeny Zamyatin">Yevgeny Zamyatin</span></a>'s<sup><img alt="" src="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/12px-Wikipedia%27s_W.svg.png" decoding="async" width="12" height="12" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/18px-Wikipedia%27s_W.svg.png 1.5x, https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/24px-Wikipedia%27s_W.svg.png 2x" data-file-width="128" data-file-height="128" /></sup> 1921 <a href="https://en.wikipedia.org/wiki/We_(novel)" class="extiw" title="wp:We (novel)" rel="nofollow"><span style="color:#477979 !important;" title="Wikipedia: We_(novel)">We (novel)</span></a><sup><img alt="" src="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/12px-Wikipedia%27s_W.svg.png" decoding="async" width="12" height="12" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/18px-Wikipedia%27s_W.svg.png 1.5x, https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/24px-Wikipedia%27s_W.svg.png 2x" data-file-width="128" data-file-height="128" /></sup>,<sup id="cite_ref-11" class="reference"><a href="#cite_note-11">&#91;5&#93;</a></sup> while absorbing the atmosphere and techniques of <a href="/wiki/Arthur_Koestler" title="Arthur Koestler">Arthur Koestler</a> as shown in <a href="https://en.wikipedia.org/wiki/Darkness_at_Noon" class="extiw" title="wp:Darkness at Noon" rel="nofollow"><span style="color:#477979 !important;" title="Wikipedia: Darkness at Noon">Darkness at Noon</span></a><sup><img alt="" src="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/12px-Wikipedia%27s_W.svg.png" decoding="async" width="12" height="12" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/18px-Wikipedia%27s_W.svg.png 1.5x, https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/24px-Wikipedia%27s_W.svg.png 2x" data-file-width="128" data-file-height="128" /></sup> (1940) and <a href="https://en.wikipedia.org/wiki/The_Yogi_and_the_Commissar" class="extiw" title="wp:The Yogi and the Commissar" rel="nofollow"><span style="color:#477979 !important;" title="Wikipedia: The Yogi and the Commissar">The Yogi and the Commissar</span></a><sup><img alt="" src="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/12px-Wikipedia%27s_W.svg.png" decoding="async" width="12" height="12" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/18px-Wikipedia%27s_W.svg.png 1.5x, https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/24px-Wikipedia%27s_W.svg.png 2x" data-file-width="128" data-file-height="128" /></sup> (1945). It could also be said Orwell's work is a counterpoint to <a href="/wiki/Aldous_Huxley" title="Aldous Huxley">Aldous Huxley</a>'s <i><a href="/wiki/Brave_New_World" class="mw-redirect" title="Brave New World">Brave New World</a></i> (1931);<sup id="cite_ref-12" class="reference"><a href="#cite_note-12">&#91;note 7&#93;</a></sup> in which Orwell expressed doubts of how such a hedonistic society would survive long-term as well as questioning the motivations of the novel's ruling class in doing what they did. Not that this is conjecture, either; Orwell wrote essays on Burnham<sup id="cite_ref-13" class="reference"><a href="#cite_note-13">&#91;6&#93;</a></sup> and Koestler,<sup id="cite_ref-14" class="reference"><a href="#cite_note-14">&#91;7&#93;</a></sup> knew Koestler<sup id="cite_ref-15" class="reference"><a href="#cite_note-15">&#91;8&#93;</a></sup> and Huxley<sup id="cite_ref-16" class="reference"><a href="#cite_note-16">&#91;9&#93;</a></sup> personally and had reviewed <i>We</i>.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17">&#91;10&#93;</a></sup> In some of Orwell's other essays in the immediate aftermath of the Second World War, a sharp eye can almost see bones of <i>Nineteen</i> poking through, such as a proto-Newspeak in his 'Politics and the English Language' essay in 1946.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18">&#91;11&#93;</a></sup> </p><p>When Orwell actually started to write <i>Nineteen</i> is a bit more blurry; his surviving notebooks suggest he had started to outline and produce short sketches in late 1943<sup id="cite_ref-19" class="reference"><a href="#cite_note-19">&#91;12&#93;</a></sup> and told his <i><a href="/wiki/Animal_Farm" title="Animal Farm">Animal Farm</a></i> publisher in mid-1944 that he had started drafting what would become <i>Nineteen</i>.<sup id="cite_ref-20" class="reference"><a href="#cite_note-20">&#91;note 8&#93;</a></sup> Progress throughout was slow due to a myriad of issues worthy of a melodrama; Orwell's London home was destroyed by a V-1 rocket that year,<sup id="cite_ref-21" class="reference"><a href="#cite_note-21">&#91;13&#93;</a></sup> his first wife died (leaving him a single parent of a small child) the following year as well as psychologically unable to return to his Hertfordshire home due to (apparent) grief,<sup id="cite_ref-22" class="reference"><a href="#cite_note-22">&#91;14&#93;</a></sup> had to produce 'hackwork' (journalism and reviews) for money to live on until <i>Animal Farm'</i>s financial success and then decided to move to an isolated farmhouse on a remote Scottish island with rudimentary 'creature comforts'<sup id="cite_ref-23" class="reference"><a href="#cite_note-23">&#91;15&#93;</a></sup><sup id="cite_ref-24" class="reference"><a href="#cite_note-24">&#91;16&#93;</a></sup> – perhaps not the wisest move for a man in clear declining heath.<sup id="cite_ref-25" class="reference"><a href="#cite_note-25">&#91;note 9&#93;</a></sup> </p><p>Once at Jura, illness attacked Orwell again, sending him back to London for six months, much of the time he was unable to work,<sup id="cite_ref-26" class="reference"><a href="#cite_note-26">&#91;note 10&#93;</a></sup> a situation which was repeated the next winter. If you want a vision of Orwell in 1948, it is of a haggard, hacking man in a dressing-gown, sustained on Marmite and cups of tea as he worked on his final draft; the clacking of the typewriter within a nicotine fug in a gloomy-looking fortress of a house in one of the most remote locations of Great Britain – deliberately not seeking medical attention due to the (correct) suspicion that it would lead him to be hospitalised again. </p><p>In this race between the reaper and publication, the latter won – just; seven months after British launch, Orwell was dead. </p><p><span id="Orwellian"></span> </p> <h2><span id="'Orwellian'"></span><span class="mw-headline" id=".27Orwellian.27">'Orwellian'</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Nineteen_Eighty-Four&amp;action=edit&amp;section=2" title="Edit section: &#039;Orwellian&#039;">edit</a><span class="mw-editsection-bracket">]</span></span></h2> <p>It is from this work (and this work <i>alone</i>) which the popular definition 'Orwellian' is derived; that if a state is described as such, it is suggestive that they are a totalitarian system in which not even the contents of your head are your own, similar to if a policy is described as 'Big Brother' it is assumed to be regarding intrusive mass surveillance (the British libertarian 'civil liberties' organisation is called 'Big Brother Watch',<sup id="cite_ref-27" class="reference"><a href="#cite_note-27">&#91;17&#93;</a></sup> for example.<sup id="cite_ref-28" class="reference"><a href="#cite_note-28">&#91;note 11&#93;</a></sup> Other aspects of 'Orwellian' – such as a new realistic expose on poverty might be called such a la <i>Road to Wigan Pier</i> – is ignored.<sup id="cite_ref-29" class="reference"><a href="#cite_note-29">&#91;18&#93;</a></sup> </p><p>Orwell himself wouldn't have been that surprised (perhaps a bit proud, though) to learn that 'Orwellian' has become a cliché itself which his own 'Rules for Writing' would advise you to avoid at almost all costs. The term 'Orwellian' has also undergone Orwellian treatment itself; in which some folks will call anything they remotely don't like "Orwellian" in an attempt to smear enemies.<sup id="cite_ref-30" class="reference"><a href="#cite_note-30">&#91;19&#93;</a></sup> </p><p><span id="Newspeak"></span> </p> <h2><span id="'Newspeak'"></span><span class="mw-headline" id=".27Newspeak.27">'Newspeak'</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Nineteen_Eighty-Four&amp;action=edit&amp;section=3" title="Edit section: &#039;Newspeak&#039;">edit</a><span class="mw-editsection-bracket">]</span></span></h2> <p><b>Newspeak</b> is the 'official language' of the state of Oceania; or more correctly (from the appendix) a <i>future</i> official language.<sup id="cite_ref-31" class="reference"><a href="#cite_note-31">&#91;note 12&#93;</a></sup> In short, it is a variant of Basic English turned up to eleven; where the language has not only been pruned down to the bare minimum of words, but the bare minimum of <i>meanings</i> too, with the general goal to make 'incorrect thoughts' impossible (or at least, <a href="/wiki/Heresy" title="Heresy">heresies</a> blatant, such as 'Big Brother is ungood'). Newspeak is to reduce language to the status of a mere <i>tool</i>; to communicate simple facts and basic needs, and no more. This was only really possible in a society which had no need for <a href="/wiki/Literature" title="Literature">literature</a> or <a href="/wiki/Science" title="Science">science</a> (<a href="/wiki/Engineering" title="Engineering">engineering</a> and <a href="/wiki/Technology" title="Technology">technical</a> terms being covered by the 'C' vocabulary) and desired to make 'normal conversions' almost impossible.<sup id="cite_ref-32" class="reference"><a href="#cite_note-32">&#91;note 13&#93;</a></sup> </p><p>There is a small (and frankly pedantic) debate whether the new terms Orwell introduced were in fact 'Newspeak'; for how (for example) can a 'Ministry of Love' (Miniluv) exist in Newspeak if the word 'love' has been eliminated? Technically, several of the terms may simply represent <a href="/wiki/Jargon" class="mw-redirect" title="Jargon">jargon</a> to represent 'new' concepts or situations. Like the totalitarian systems the novel was modelled on, many of the terms are simply political <a href="/wiki/Euphemism" title="Euphemism">euphemisms</a> ('joycamp' = forced labour camp) but Orwell also coined some new terms which entered the English language, such as: </p> <ul><li><b>Crimestop</b> is the ability to quit thinking about a topic before you reach <i>thoughtcrime</i>. That you accept at face value what you are taught/told without 'thinking things through' and seeing the contradictions, holes or simple incoherence within them. It is perhaps closest to being learned <a href="/wiki/Willful_ignorance" title="Willful ignorance">wilful ignorance</a> meaning that leaders are never challenged.</li></ul> <ul><li><b>Doublethink</b> is the ability to believe two incompatible viewpoints simultaneously, while being aware that they are incompatible (as opposed to merely being unaware of the contradiction). A close sibling of <i>crimestop</i>, presumably used when they are topics which cannot be ignored. In short; techniques to 'compartmentalize' the conflicting topics so they do not cause <a href="/wiki/Cognitive_dissonance" title="Cognitive dissonance">cognitive dissonance</a> and lead to <i>thoughtcrime</i>.</li></ul> <ul><li><b>Memory hole</b> is not strictly a Newspeak term, more a particular device (a huge incinerator fed with rubbish transported via pneumatic tubes<sup id="cite_ref-33" class="reference"><a href="#cite_note-33">&#91;20&#93;</a></sup>) which became a verb; to <i>memory hole</i> something, you are <a href="/wiki/Burning_the_evidence" title="Burning the evidence">burning the evidence</a> of things which are 'inconvenient' to you; be it photos, letters, textbooks etc. In the modern age, it is also in electronic medium too, such as trying to erase your 'embarrassing' social media history and evidence of past transgressions.</li></ul> <ul><li><b>Oldthink</b> are the views or ideals that predated the revolution,<sup id="cite_ref-34" class="reference"><a href="#cite_note-34">&#91;note 14&#93;</a></sup> now considered dangerous (such are objectivity, <a href="/wiki/Religion" title="Religion">religion</a>, notions of privacy etc). This is close to the Stalinist mantra of 'continuation of [the] <a href="/wiki/Communist_glossary#Class_struggle" title="Communist glossary">class struggle</a>' which was used to justify the series of bloody purges which ultimately claimed almost all the Old <a href="/wiki/Bolsheviks" class="mw-redirect" title="Bolsheviks">Bolsheviks</a><sup id="cite_ref-35" class="reference"><a href="#cite_note-35">&#91;note 15&#93;</a></sup> themselves.</li></ul> <ul><li><b>Ownlife</b> is the activity/ies of a Party member which is not organised and communal<sup id="cite_ref-36" class="reference"><a href="#cite_note-36">&#91;note 16&#93;</a></sup>&#160;— it suggests individualism and eccentricity (both of which suggest a habitual thought-criminal) and simply makes the target harder to monitor. The clearest analogy is the 'asocial' category used in Nazi Germany; a catch-all for folks who cannot be booked otherwise but were still viewed as 'undesirable' to the <i>volk</i> and thrown into the camps.<sup id="cite_ref-37" class="reference"><a href="#cite_note-37">&#91;21&#93;</a></sup></li></ul> <ul><li><b>Thoughtcrime</b> are beliefs which run counter to the Party's teachings, or a simply lack of <i>genuine</i> belief in said teachings. That unlike in most authoritarian systems – where surface orthodoxy is sufficient – the Party demands intellectual and emotional orthodoxy too. The nearest analogy for this is the 'sins of the heart' <a href="/wiki/Dogma" title="Dogma">dogma</a> in some <a href="/wiki/Christian" class="mw-redirect" title="Christian">Christian</a> sects; where merely <i>wanting</i> to commit a <a href="/wiki/Sin" title="Sin">sin</a> (even if unfulfilled) is in fact the sin.</li></ul> <ul><li><b>Unperson</b> is when a person is not only removed from the present (i.e., <a href="/wiki/Death" title="Death">death</a>), but also past historical records&#160;— that they never existed. Prior achievements are attributed to others, photographs doctored or destroyed, nobody ever mentions them etc. While this has been done on/off throughout history, Orwell was quite clearly inspired about how former leading figures such as <a href="/wiki/Leon_Trotsky" title="Leon Trotsky">Leon Trotsky</a> and <a href="https://en.wikipedia.org/wiki/Ernst_R%C3%B6hm" class="extiw" title="wp:Ernst Röhm" rel="nofollow"><span style="color:#477979 !important;" title="Wikipedia: Ernst Röhm">Ernst Röhm</span></a><sup><img alt="" src="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/12px-Wikipedia%27s_W.svg.png" decoding="async" width="12" height="12" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/18px-Wikipedia%27s_W.svg.png 1.5x, https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/24px-Wikipedia%27s_W.svg.png 2x" data-file-width="128" data-file-height="128" /></sup> were erased from the appropriate Party's histories after their fall.<sup id="cite_ref-38" class="reference"><a href="#cite_note-38">&#91;22&#93;</a></sup></li></ul> <h2><span class="mw-headline" id="External_links">External links</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Nineteen_Eighty-Four&amp;action=edit&amp;section=4" title="Edit section: External links">edit</a><span class="mw-editsection-bracket">]</span></span></h2> <ul><li><a rel="nofollow" class="external text" href="http://www.george-orwell.org/1984/index.html">Nineteen Eighty-Four</a>, via George-Orwell.org.</li> <li><a rel="nofollow" class="external text" href="https://www.cliffsnotes.com/literature/n/1984/1984-at-a-glance">Plot summary</a>, via Cliff Notes.</li> <li><a rel="nofollow" class="external text" href="https://www.theguardian.com/books/2009/may/10/1984-george-orwell">'The masterpiece that killed George Orwell'</a>, <i>The Observer</i> 'long read'.</li></ul> <h2><span class="mw-headline" id="Notes">Notes</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Nineteen_Eighty-Four&amp;action=edit&amp;section=5" title="Edit section: Notes">edit</a><span class="mw-editsection-bracket">]</span></span></h2> <div class="references-small" style="-moz-column-count:2; -webkit-column-count:2; column-count:2; font-size:90%;"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-2"><span class="mw-cite-backlink"><a href="#cite_ref-2">↑</a></span> <span class="reference-text">Except the main character admits he's not sure of the date. This is one of the main 'running themes' of the work; Winston Smith is unsure of almost anything, and what few things he <i>is</i> are psychologically assaulted later on.</span> </li> <li id="cite_note-4"><span class="mw-cite-backlink"><a href="#cite_ref-4">↑</a></span> <span class="reference-text">Sometimes assisted by Western intellgence services.</span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><a href="#cite_ref-5">↑</a></span> <span class="reference-text">Meaning that Goldstein's book is now samizdat <i>within</i> samizdat.</span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><a href="#cite_ref-6">↑</a></span> <span class="reference-text">Some schools choose their lists on the pragmatic criteria of 'what we have in sufficient stock', which means if <i>someone</i> donates to each school a couple of hundred copies, it's more likely to be studied.</span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><a href="#cite_ref-8">↑</a></span> <span class="reference-text">At least for the vast majority in the advanced world.</span> </li> <li id="cite_note-9"><span class="mw-cite-backlink"><a href="#cite_ref-9">↑</a></span> <span class="reference-text">Yes, 1984, filmed in 1984.</span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><a href="#cite_ref-12">↑</a></span> <span class="reference-text">Partly as they are both derivatives of <i>We</i></span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><a href="#cite_ref-20">↑</a></span> <span class="reference-text">Then titled 'Last Man in Europe'</span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><a href="#cite_ref-25">↑</a></span> <span class="reference-text">Getting out of <i>London</i> (and her damp and smogs), good idea. But a self-confessed 'semi-invalid' going to a remote island which didn't even have a doctor? There's a good chance that he only went to Jura because a friend owned the house.</span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><a href="#cite_ref-26">↑</a></span> <span class="reference-text">However, this meant he avoided Jura during the terrible <a href="https://en.wikipedia.org/wiki/winter_of_1946-47_in_the_United_Kingdom" class="extiw" title="wp:winter of 1946-47 in the United Kingdom" rel="nofollow"><span style="color:#477979 !important;" title="Wikipedia: winter of 1946-47 in the United Kingdom">winter of 1946-47 in the United Kingdom</span></a><sup><img alt="" src="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/12px-Wikipedia%27s_W.svg.png" decoding="async" width="12" height="12" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/18px-Wikipedia%27s_W.svg.png 1.5x, https://upload.wikimedia.org/wikipedia/commons/thumb/5/5a/Wikipedia%27s_W.svg/24px-Wikipedia%27s_W.svg.png 2x" data-file-width="128" data-file-height="128" /></sup> which would have killed him.</span> </li> <li id="cite_note-28"><span class="mw-cite-backlink"><a href="#cite_ref-28">↑</a></span> <span class="reference-text">Yes, funded by Tufton Street, so turf of the astro type shall be involved.</span> </li> <li id="cite_note-31"><span class="mw-cite-backlink"><a href="#cite_ref-31">↑</a></span> <span class="reference-text">Supposed to be in general use by 2050, but as of 1984 it is in no real use past <i>tour de force</i> applications such as <i>The Times</i> front pages which (according to the expert Smythe) were 'merely translations'.</span> </li> <li id="cite_note-32"><span class="mw-cite-backlink"><a href="#cite_ref-32">↑</a></span> <span class="reference-text">If people cannot discuss things with each other, they cannot conspire or 'lead' others into thoughtcrime by accident.</span> </li> <li id="cite_note-34"><span class="mw-cite-backlink"><a href="#cite_ref-34">↑</a></span> <span class="reference-text">Presumed to be some time in the 1950s.</span> </li> <li id="cite_note-35"><span class="mw-cite-backlink"><a href="#cite_ref-35">↑</a></span> <span class="reference-text">Members of the Communist Party before 1917, and thus riddled with 'oldthink'.</span> </li> <li id="cite_note-36"><span class="mw-cite-backlink"><a href="#cite_ref-36">↑</a></span> <span class="reference-text">With the exception of a very few activities which neither is realistically possible, for example shopping.</span> </li> </ol></div></div> <h2><span class="mw-headline" id="References">References</span><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Nineteen_Eighty-Four&amp;action=edit&amp;section=6" title="Edit section: References">edit</a><span class="mw-editsection-bracket">]</span></span></h2> <div class="references-small" style="-moz-column-count:2; -webkit-column-count:2; column-count:2; font-size:80%;"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><a href="#cite_ref-1">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="http://www.george-orwell.org/1984/19.html"><i>Nineteen Eighty-Four</i>, Part 3, Chapter 3</a></span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><a href="#cite_ref-3">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.cooksinfo.com/british-wartime-food/">British Wartime Food</a> <i>Cook's Info</i>, 3 May 2011</span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><a href="#cite_ref-7">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.independent.co.uk/news/uk/inner-hebrides-orwell-jura-artist-edinburgh-college-of-art-b2469748.html">Artist collecting 1,984 copies of Orwell’s Nineteen Eighty-Four for display</a> <i>The Independent</i>, 23 December 2023</span> </li> <li id="cite_note-10"><span class="mw-cite-backlink"><a href="#cite_ref-10">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.irwinmitchell.com/news-and-insights/newsandmedia/2021/january/copyright-public-domain-and-george-orwell">Copyright, Public Domain And George Orwell</a> <i>Irwin Mitchell</i>, 1 January 2021</span> </li> <li id="cite_note-11"><span class="mw-cite-backlink"><a href="#cite_ref-11">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.theguardian.com/books/booksblog/2009/jun/08/george-orwell-1984-zamyatin-we">1984 thoughtcrime? Does it matter that George Orwell pinched the plot?</a> <i>The Guardian</i>, 8 June 2008</span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><a href="#cite_ref-13">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.orwellfoundation.com/the-orwell-foundation/orwell/essays-and-other-works/second-thoughts-on-james-burnham/">Second Thoughts on James Burnham</a> <i>The Orwell Foundation</i></span> </li> <li id="cite_note-14"><span class="mw-cite-backlink"><a href="#cite_ref-14">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.orwellfoundation.com/the-orwell-foundation/orwell/essays-and-other-works/arthur-koestler/">Arthur Koestler</a> <i>The Orwell Foundation</i></span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><a href="#cite_ref-15">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.walesartsreview.org/to-the-detriment-of-us-all-the-untouched-legacy-of-arthur-koestler-and-george-orwell/">The untouched legacy of Arthur Koestler and George Orwell</a> <i>Wales Arts Review</i>, 24 February 2016</span> </li> <li id="cite_note-16"><span class="mw-cite-backlink"><a href="#cite_ref-16">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.thevintagenews.com/2017/01/30/aldous-huxley-was-george-orwells-french-teacher-at-eton-college/">Aldous Huxley was George Orwell’s French teacher at Eton College</a> <i>Vintage News</i>, 30 January 2017</span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><a href="#cite_ref-17">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.orwellfoundation.com/the-orwell-foundation/orwell/essays-and-other-works/freedom-and-happiness-review-of-we-by-yevgeny-zamyatin/">Freedom and Happiness (Review of ‘We’ by Yevgeny Zamyatin)</a> <i>The Orwell Foundation</i></span> </li> <li id="cite_note-18"><span class="mw-cite-backlink"><a href="#cite_ref-18">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.orwellfoundation.com/the-orwell-foundation/orwell/essays-and-other-works/politics-and-the-english-language/">Politics and the English Language</a> <i>The Orwell Foundation</i></span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><a href="#cite_ref-19">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://lithub.com/orwells-notes-on-1984-mapping-the-inspiration-of-a-modern-classic/">Orwell’s Notes on 1984: Mapping the Inspiration of a Modern Classic</a> <i>LitHub</i>, 18 October 2019</span> </li> <li id="cite_note-21"><span class="mw-cite-backlink"><a href="#cite_ref-21">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.hamhigh.co.uk/lifestyle/21383795.plaque-unveiled-george-orwells-animal-farm-almost-went-flames/">Plaque unveiled where George Orwell’s Animal Farm almost went up in flames</a> <i>Ham &amp; High</i>, 12 September 2012</span> </li> <li id="cite_note-22"><span class="mw-cite-backlink"><a href="#cite_ref-22">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.hertfordshiremercury.co.uk/news/hertfordshire-news/tiny-village-hertfordshire-home-george-6996388">The tiny village in Hertfordshire which was home to George Orwell and inspired Animal Farm</a> <i>Hertfordshire Mercury</i>, 20 April 2022</span> </li> <li id="cite_note-23"><span class="mw-cite-backlink"><a href="#cite_ref-23">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://orwellsociety.com/in-search-of-orwells-scottish-retreat-by-sylvia-topp/">“You Can’t Get to Barnhill from Here”</a> <i>Orwell Society</i>, 8 April 2012</span> </li> <li id="cite_note-24"><span class="mw-cite-backlink"><a href="#cite_ref-24">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.scotsman.com/news/people/george-orwells-determination-to-finish-nineteen-eighty-four-on-island-of-jura-responsible-for-his-premature-death-1396094">George Orwell's determination to finish Nineteen Eighty-Four on island of Jura 'responsible for his premature death'</a> <i>The Scotsman</i>, 26 January 2020</span> </li> <li id="cite_note-27"><span class="mw-cite-backlink"><a href="#cite_ref-27">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://bigbrotherwatch.org.uk/">Big Brother Watch UK</a></span> </li> <li id="cite_note-29"><span class="mw-cite-backlink"><a href="#cite_ref-29">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.theguardian.com/books/booksblog/2014/nov/11/reading-group-orwellian-1984">Do you really know what ‘Orwellian’ means?</a> <i>The Guardian</i>, 11 November 2014</span> </li> <li id="cite_note-30"><span class="mw-cite-backlink"><a href="#cite_ref-30">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.vox.com/culture/22233197/orwellian-definition-george-orwell-1984-politics-english-language-josh-hawley-donald-trump-jr">The word “Orwellian” has lost all meaning</a> <i>Vox</i>, 16 January 2021</span> </li> <li id="cite_note-33"><span class="mw-cite-backlink"><a href="#cite_ref-33">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.vox.com/2015/6/24/8834989/when-the-pneumatic-tube-carried-fast-food-people-and-cats">The golden era of the pneumatic tube — when it carried fast food, people, and cats</a> <i>Vox</i>, 24 June 2015</span> </li> <li id="cite_note-37"><span class="mw-cite-backlink"><a href="#cite_ref-37">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://arolsen-archives.org/en/about-us/statements/stigmatized-their-whole-lives-long/">Stigmatized their whole lives long</a> <i>Arolsen Archives</i></span> </li> <li id="cite_note-38"><span class="mw-cite-backlink"><a href="#cite_ref-38">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.newyorker.com/culture/photo-booth/the-photo-book-that-captured-how-the-soviet-regime-made-the-truth-disappear">The Photo Book That Captured How the Soviet Regime Made the Truth Disappear</a> <i>The New Yorker</i>, 15 July 2018</span> </li> </ol></div></div> <!-- NewPP limit report Parsed by apache5 Cached time: 20250225121258 Cache expiry: 86400 Dynamic content: false Complications: [] CPU time usage: 0.091 seconds Real time usage: 0.119 seconds Preprocessor visited node count: 1001/1000000 Post‐expand include size: 9095/2097152 bytes Template argument size: 1802/2097152 bytes Highest expansion depth: 10/40 Expensive parser 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