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Calenda - Quand cin茅ma et audiovisuel d茅cha卯nent les passions
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Replacés dans leur contexte, ils permettent de mettre au jour les reconfigurations permanentes des rapports de force au sein de multiples espaces sociaux, mais aussi l’intensité des mécanismes de concentration de l’attention et de dissémination de certaines prises de position (Quemener 2018), « où s’expriment de manière parfois virulente et spectaculaire les antagonismes qui travaillent le collectif » (Devars et Taieb 2023). À ce titre, les polémiques et controverses ne sauraient laisser indifférents et constituent de précieux terrains d’investigation pour de nombreuses disciplines.</p> </div> </div> <div id="annonce"> <p class="intitule">Annonce</p> <div id="annonce-1203773-fr" class="tabContent" lang="fr" xml:lang="fr"> <h1 class="MsoNormal" align="left">Programme</h1> <h2 class="MsoNormal" align="left">Séance 1, 15 novembre 2024, « Télévision et cinéma aux Etats鈥慤nis » (campus Nation)</h2> <ul> <li class="MsoNormal"><strong>Julie Richard</strong> : La controverse sur « le sexe et la violence » dans les fictions télévisées américaines à travers les archives des années 1950 du département Continuity Acceptance de NBC : la bataille du prime-time, mode de relation entre publics et média ?</li> <li class="MsoNormal"><strong>Lilou Arlaud</strong>, <em>Mommie Dearest</em> (Frank Perry, 1981) ou la chute de Joan Crawford</li> </ul> <h2 class="MsoNormal" align="left">Séance 2, 13 décembre 2024, « France, entre-deux-guerres » (campus Nation)</h2> <ul> <li class="MsoNormal"><strong>Hala Habache</strong>, Histoire d’un scandale : <em>Zéro de Conduite</em> (1933) de Jean Vigo, victime d’une réappropriation politique ?</li> <li class="MsoNormal"><strong>Nataliya Puchenkina</strong>, « Des incidents du même genre sont susceptibles de se produire » : quand la police s’invite à des projections cinématographiques (en France, dans l’entre-deux-guerres)</li> </ul> <h2 class="MsoNormal" align="left">Séance 3, 24 janvier 2025 , « France, d’une guerre à l’autre » (Maison de la recherche)</h2> <ul> <li class="MsoNormal"><strong>Iris Mommeransy</strong>, <em>Le Petit Soldat</em> de Jean-Luc Godard (1960) : la réception brûlante d’un film « trop » actuel</li> <li class="MsoNormal"><strong>Simon Rozel</strong>, La réception du <em>Chagrin et la Pitié</em> (1969) de Marcel Ophuls : une « guerre franco-française » ?</li> </ul> <h2 class="MsoNormal" align="left">Séance 4, 14 février 2025, « Débats contemporains » (Maison de la recherche)</h2> <ul> <li class="MsoNormal"><strong>Benjamin Campion</strong>, Les séries télévisées, une menace pour le cinéma ? Regards critiques du milieu cinéphile</li> <li class="MsoNormal"><strong>Thelma Klebert</strong>, Analyser les trajectoires de films populistes au sein des débats publics français et américains à l’aune d’une sociologie pragmatique des transformations</li> </ul> <h2 class="MsoNormal" align="left">Séance 5, 14 mars 2025, « Cultures fan » (Maison de la recherche)</h2> <ul> <li class="MsoNormal"><strong>Shakila Zamboulingame</strong>, <em>Thala </em>versus <em>Thalapathy</em> : un exemple de <em>fan clash</em> du cinéma tamoul</li> <li class="MsoNormal"><strong>Yaël Pignol</strong>, Du « fan » au « spect’acteur » : étude de la réception des amateurs engagés pour une patrimonialisation des anciens doublages de films</li> </ul> <h2 class="MsoNormal" align="left">Séance 6, 25 avril 2025, « Lectures et groupes politiques » (Maison de la recherche)</h2> <ul> <li class="MsoNormal"><strong>Vivien Soldé</strong> : L’affaire <em>Clochemerle</em> (1948) : une satire de la rivalité entre catholiques et laïques à censurer ?</li> <li class="MsoNormal"><strong>Daniel Morgan</strong> : La réception en France des films sur la peine de mort (<em>Le Pull-over rouge</em>, Michel Drach, 1979)</li> </ul> <h1 class="MsoNormal">Organisation</h1> <ul> <li class="MsoNormal">Quentin Mazel</li> <li class="MsoNormal">Daniel Morgan</li> <li class="MsoNormal">Thomas Pillard</li> <li class="MsoNormal">Vivien Soldé</li> <li class="MsoNormal">Héloïse Van Appelghem</li> </ul> <p class="MsoNormal" style="text-align: left;" align="left"><a href="https://grepssite.wordpress.com">https://grepssite.wordpress.com</a> / polemiques.controverses@gmail.com</p> <h1 class="MsoNormal" align="left">Informations utiles</h1> <p class="MsoNormal" style="text-align: left;">Ce sémimaire se passera dans les locaux de la Sorbonne Nouvelle.</p> <p class="MsoNormal" style="text-align: left;"><strong>Attention</strong> il y a deux lieux différents :</p> <ul> <li class="MsoNormal">salle C105A du campus Nation, 8 av Saint-Mandé, pour les 2 premières séances fin 2024</li> <li class="MsoNormal">salle Mezzanine de la Maison de la Recherche, 4 rue des Irlandais pour les 4 suivantes en 2025)</li> </ul> <p class="MsoNormal" style="text-align: left;">Ouvert à tou·te·s, le séminaire accueillera très volontiers les étudiant·e·s de master !</p> </div> </div> <div id="categories" class="cat"> <p class="intitule">Cat茅gories</p> <ul> <li><a href="search?primary=fsubject&fsubject=354">Europe</a> (Cat茅gorie principale)</li> <li><a href="search?primary=fsubject&fsubject=200">Soci茅t茅s</a> > <a href="search?primary=fsubject&fsubject=201">Sociologie</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=277">Histoire culturelle</a></li> <li><a href="search?primary=fsubject&fsubject=327">Espaces</a> > <a href="search?primary=fsubject&fsubject=336">Am茅riques</a> > <a href="search?primary=fsubject&fsubject=342">脡tats-Unis</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=280">脡tudes visuelles</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=270">Information</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=270">Information</a> > <a href="search?primary=fsubject&fsubject=275">Histoire et sociologie des m茅dias</a></li> <li><a href="search?primary=fsubject&fsubject=259">Esprit et Langage</a> > <a href="search?primary=fsubject&fsubject=276">Repr茅sentations</a> > <a href="search?primary=fsubject&fsubject=281">Identit茅s culturelles</a></li> </ul> </div> <div id="lieux"> <p class="intitule">Lieux</p> <ul> <li class="location"> salle Mezzanine - Maison de la Recherche, 4 rue des Irlandais <br/> Paris, France (75005) </li> </ul> </div> <div id="eventformats"> <h2 class="intitule">Format de l'茅v茅nement</h2> <p>脡v茅nement uniquement sur site</p><br></div> <div id="dates"> <p class="intitule">Dates</p> <ul> <li>vendredi 15 novembre 2024</li> <li>vendredi 13 d茅cembre 2024</li> <li>vendredi 24 janvier 2025</li> <li>vendredi 14 f茅vrier 2025</li> <li>vendredi 14 mars 2025</li> <li>vendredi 25 avril 2025</li> </ul> </div> <div id="motscles"> <p class="intitule">Mots-cl茅s</p> <ul> <li>audiovisuel, cin茅ma, pol茅mique, controverse m茅diatique, d茅bat publique, r茅ception</li> </ul> </div> <div id="contacts"> <p class="intitule">Contacts</p> <ul> <li>Thomas Pillard<br/><em>courriel :</em> thomas [dot] pillard [at] sorbonne-nouvelle [dot] fr<br/></li> <li>Vivien Sold茅<br/><em>courriel :</em> soldevivien [at] gmail [dot] com<br/></li> <li>Daniel Morgan<br/><em>courriel :</em> danielmorgan [at] disroot [dot] org<br/></li> <li> GREPs (Groupe de Recherche sur les 脡crans et leurs Publics)<br/><em>courriel :</em> polemiques [dot] controverses [at] gmail [dot] com<br/></li> <li>Quentin Mazel<br/><em>courriel :</em> quentin [dot] mazel [at] gmail [dot] com<br/></li> </ul> </div> <div id="refurl"> <p class="intitule">URLS de r茅f茅rence</p> <ul> <li><a href="https://grepssite.wordpress.com">GREPs</a></li> </ul> </div> <div id="source"> <p class="intitule">Source de l'information</p> <ul> <li>H茅lo茂se Van Appelghem<br/><em>courriel :</em> heloise [dot] van-appelghem [at] sorbonne-nouvelle [dot] fr</li> </ul> </div> <div id="license"> <p class="intitule">Licence</p> <p><a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/"><img alt="CC0-1.0" class="cc" src="images/cc0-88x31.png" /></a> Cette annonce est mise 脿 disposition selon les termes de la <a rel="license" href="https://creativecommons.org/publicdomain/zero/1.0/">Creative Commons CC0 1.0 Universel</a>.</p> </div> <div id="citation"> <p class="intitule">Pour citer cette annonce</p> <p>芦 Quand cin茅ma et audiovisuel d茅cha卯nent les passions 禄, <span class="category">S茅minaire</span>, <em>Calenda</em>, Publi茅 le vendredi 08 novembre 2024, <a class="url" href="https://doi.org/10.58079/12n6l">https://doi.org/10.58079/12n6l</a></p> </div> </div> </div> </div> <div id="news" class="column last"> <div id="imprimable"> <a id="impression" onclick="javascript:window.open('1203773?formatage=print', '', 'menubar=yes,toolbar=no,scrollbars=yes,width=800,height=600');return false;" href="1203773?formatage=print">Imprimer</a> <a id="signaler" 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