Creative Frictions

<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML+RDFa 1.0//EN" "http://www.w3.org/MarkUp/DTD/xhtml-rdfa-1.dtd"> <html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" version="XHTML+RDFa 1.0" dir="ltr" xmlns:og="http://ogp.me/ns#" xmlns:article="http://ogp.me/ns/article#" xmlns:book="http://ogp.me/ns/book#" xmlns:profile="http://ogp.me/ns/profile#" xmlns:video="http://ogp.me/ns/video#" xmlns:product="http://ogp.me/ns/product#" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:dc="http://purl.org/dc/terms/" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdfs="http://www.w3.org/2000/01/rdf-schema#" xmlns:sioc="http://rdfs.org/sioc/ns#" xmlns:sioct="http://rdfs.org/sioc/types#" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:xsd="http://www.w3.org/2001/XMLSchema#"> <head profile="http://www.w3.org/1999/xhtml/vocab">  <script>(function(w,d,s,l,i){w[l]=w[l]||[];w[l].push({'gtm.start': new Date().getTime(),event:'gtm.js'});var f=d.getElementsByTagName(s)[0], j=d.createElement(s),dl=l!='dataLayer'?'&l='+l:'';j.async=true;j.src= 'https://www.googletagmanager.com/gtm.js?id='+i+dl;f.parentNode.insertBefore(j,f); })(window,document,'script','dataLayer','GTM-5H3R8L');</script>  <meta http-equiv="Content-Type" content="text/html; charset=utf-8" /> <meta scheme="stats-collector" name="DC.type" content="book" /> <meta scheme="stats-collector" name="DC.title" content="Creative Frictions" /> <meta scheme="stats-collector" name="DC.publisher" content="ANU Press" /> <meta scheme="stats-collector" name="DC.identifier" content="9781760464592" /> <meta name="twitter:card" content="summary" /> <meta name="twitter:url" content="https://press.anu.edu.au/publications/creative-frictions" /> <meta name="twitter:title" content="Creative Frictions" /> <meta name="twitter:image" content="https://press.anu.edu.au/sites/default/files/press-publication/9781760464585-b-thumb-cf.jpg" /> <meta name="twitter:description" content="<p><em>Creative Frictions</em> explores the relationship between visionary aspects of practice and policy. Despite over 30 years of arts and cultural policy attention, there remains a widespread view among the general public and artists alike that creative production does not reflect Australia’s culturally diverse population. Australia’s increasingly complex society can no longer be confined to ‘essentialised’ or traditional definitions of ethnic communities. While this diversity and its emerging complexity can be ‘celebrated’ as a source of creativity and innovation, it can also give rise to social, political and creative challenges. A key challenge that remains for the arts sector is its ability to support the creative expression of cultural difference. One&nbsp;measure of inclusive creative production is to look at the participation of artists of non–English speaking backgrounds (NESBs)—a&nbsp;problematic term discussed in the book. There are half as many NESB artists compared to those of other professions participating in the workforce, and while under-representation is an issue for management in the arts sector, the question of representation also benefits from being understood more broadly beyond the narrow sense of multiculturalism as a tool to manage cultural difference. This book explores the crucial role of creative leaders and how they work with the ‘mainstream’ while maintaining their creative integrity and independence to generate a ‘virtuous’ circle of change. <em>Creative Frictions</em>&nbsp;argues that it is the NESB artists who lead change in the arts sector and&nbsp;that&nbsp;creative and organisational leadership working in partnership make creative use of ‘friction’ and develop the necessary ‘trust’ to generate the ‘traction’ for a supportive multicultural arts milieu.</p> " /> <meta name="citation_abstract_html_url" content="https://press.anu.edu.au/publications/creative-frictions" /> <meta name="citation_isbn" content="9781760464592" /> <meta name="citation_pdf_url" content="https://press-files.anu.edu.au/downloads/press/n8744/pdf/book.pdf" /> <meta name="citation_html_url" content="https://press-files.anu.edu.au/downloads/press/n8744/html/" /> <meta name="citation_epub_url" content="https://press-files.anu.edu.au/downloads/press/n8744/epub/book.epub" /> <meta name="citation_author" content="Cecelia Cmielewski" /> <meta name="citation_doi" content="http://doi.org/10.22459/CF.2021" /> <meta name="citation_publication_year" content="2021" /> <meta name="citation_publisher" content="ANU Press" /> <meta name="dc.title" content="Creative Frictions" /> <meta name="dc.identifier" content="doi:http://doi.org/10.22459/CF.2021" /> <meta name="citation_title" content="Creative Frictions" /> <meta name="description" content="Creative Frictions explores the relationship between visionary aspects of practice and policy. Despite over 30 years of arts and cultural policy attention, there remains a widespread view among the general public and artists alike that creative production does not reflect Australia’s culturally diverse population. 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typeof="foaf:Image" width="250" alt="Creative Frictions" src="/sites/default/files/press-publication/9781760464585-b-thumb-cf.jpg" /></div><div class="col-sm-5 pb-2"><h1 class="h3 mt-0">Creative Frictions</h1><h2 class="h5 black" style="color:black !important;">Arts Leadership, Policy and Practice in Multicultural Australia</h2><strong>Authored by</strong>: <a href="/publications/authors-editors/cecelia-cmielewski">Cecelia Cmielewski</a> <a href="https://orcid.org/0000-0002-7423-8236"><img class="absmiddle pb-3" src="//style.anu.edu.au/_anu/images/icons/orcid-round-16.png" alt="orcid" /></a><br /><div class="row py-2"><div class="col-sm-10"><form action="/cart/add" method="post"><input name="nid" type="hidden" value="8744" /> <input style="color: white;" class=" btn pub-buy-btn mt-1" type="submit" value="Buy print ($66.00)" /> </form></div></div><div class="py-1"><strong>DOI</strong>: <a href="http://doi.org/10.22459/CF.2021">http://doi.org/10.22459/CF.2021</a></div><p class="my-1">Please read <a href="/faqs/conditions-use">Conditions of use</a> before downloading the formats.</p><div class="d-flex align-items-center"><span class="__dimensions_badge_embed__ pr-2" data-doi="10.22459/CF.2021" data-hide-zero-citations="true" data-legend="hover-right" data-style="large_rectangle"></span><span data-badge-popover="right" data-badge-type="1" data-doi="http://doi.org/10.22459/CF.2021" data-hide-no-mentions="true" class="altmetric-embed"></span></div></div><div class="col-sm-4"><div class="card pb-2"><div class="ml-0 w-100 pl-3 p-1 bg-press-grey text-white mb-2">Download/view free formats</div><a class="pub-citation-download-btn btn m-1 mx-3" href="https://press-files.anu.edu.au/downloads/press/n8744/pdf/book.pdf">PDF (7.7MB)</a><a class="pub-citation-download-btn btn m-1 mx-3" href="#tabanchor" id="pdfchapterbtn">PDF chapters</a><a class="pub-citation-download-btn btn m-1 mx-3" href="https://press-files.anu.edu.au/downloads/press/n8744/html/">Read online (HTML)</a><a class="pub-citation-download-btn btn m-1 mx-3" href="https://press-files.anu.edu.au/downloads/press/n8744/epub/book.epub">EPUB (3.2MB)</a><a class="pub-citation-download-btn btn m-1 mx-3" href="https://press-files.anu.edu.au/downloads/press/n8744/mobi/book.mobi">MOBI (3.3MB)</a> <script> jQuery('#pdfchapterbtn').click(function () { jQuery('.nav-tabs a[href="#pdf"]').tab('show'); }); jQuery('#mediabtn').click(function () { jQuery('.nav-tabs a[href="#media"]').tab('show'); }); var metrics = 2; jQuery(function () { jQuery('div.altmetric-embed').on('altmetric:hide', function () { jQuery('div.altmetric-embed').remove(); metrics--; if (metrics === 0) { jQuery('li.nav-item a[href="#metrics"]').remove(); } }); }); jQuery(function () { jQuery('.__dimensions_badge_embed__').on('dimensions_embed:hide', function () { metrics--; jQuery('.__dimensions_badge_embed__').remove(); if (metrics === 0) { jQuery('li.nav-item a[href="#metrics"]').remove(); } }); }); jQuery(function () { 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border-top-0"><div id="description" class="tab-pane active"><h3 class="d-none d-print-block">Description</h3><p><em>Creative Frictions</em> explores the relationship between visionary aspects of practice and policy. Despite over 30 years of arts and cultural policy attention, there remains a widespread view among the general public and artists alike that creative production does not reflect Australia’s culturally diverse population. Australia’s increasingly complex society can no longer be confined to ‘essentialised’ or traditional definitions of ethnic communities. While this diversity and its emerging complexity can be ‘celebrated’ as a source of creativity and innovation, it can also give rise to social, political and creative challenges. A key challenge that remains for the arts sector is its ability to support the creative expression of cultural difference. One measure of inclusive creative production is to look at the participation of artists of non–English speaking backgrounds (NESBs)—a problematic term discussed in the book. There are half as many NESB artists compared to those of other professions participating in the workforce, and while under-representation is an issue for management in the arts sector, the question of representation also benefits from being understood more broadly beyond the narrow sense of multiculturalism as a tool to manage cultural difference. This book explores the crucial role of creative leaders and how they work with the ‘mainstream’ while maintaining their creative integrity and independence to generate a ‘virtuous’ circle of change. <em>Creative Frictions</em> argues that it is the NESB artists who lead change in the arts sector and that creative and organisational leadership working in partnership make creative use of ‘friction’ and develop the necessary ‘trust’ to generate the ‘traction’ for a supportive multicultural arts milieu.</p> </div><div id="details" class="tab-pane fade"><h3 class="d-none d-print-block">Details</h3><dl class="row"><dt class="col-sm-3 d-print-table-row d-print-table-cell">ISBN (print): </dt><dd class="col-sm-9 d-print-table-cell">9781760464585</dd><dt class="col-sm-3 d-print-table-row d-print-table-cell">ISBN (online): </dt><dd class="col-sm-9 d-print-table-cell">9781760464592</dd><dt class="col-sm-3 d-print-table-row d-print-table-cell">Publication date: </dt><dd class="col-sm-9 d-print-table-cell">Aug 2021</dd><dt class="col-sm-3 d-print-table-row d-print-table-cell">Imprint: </dt><dd class="col-sm-9 d-print-table-cell">ANU Press</dd><dt class="col-sm-3 d-print-table-row d-print-table-cell">DOI: </dt><dd class="col-sm-9 d-print-table-cell"><a href="http://doi.org/10.22459/CF.2021">http://doi.org/10.22459/CF.2021</a></dd><dt class="col-sm-3 d-print-table-row d-print-table-cell">Disciplines: </dt><dd class="col-sm-9 d-print-table-cell"><a href="/publications?field=711">Arts & Humanities</a>: <a href="/publications?field=713">Art & Music</a>; <a href="/publications?field=739">Social Sciences</a>: <a href="/publications?field=749">Social Policy & Administration</a></dd><dt class="col-sm-3 d-print-table-row d-print-table-cell">Countries: </dt><dd class="col-sm-9 d-print-table-cell"><a href="/publications?region=752">Australia</a></dd></dl><p></p></div><div id="pdf" class="tab-pane fade"><h3 class="d-none d-print-block">PDF Chapters</h3><p><a href="/publications/creative-frictions" class="nounderline">Creative Frictions »</a></p><p>Please read <a href="/faqs/conditions-use">Conditions of use</a> before downloading the formats.</p><div class='divline-solid marginbottom'></div><p>If your web browser doesn't automatically open these files, please download a PDF reader application such as the free <a href='https://acrobat.adobe.com/au/en/products/pdf-reader.html'>Adobe Acrobat Reader</a>.</p><p>To copy a chapter DOI link, right-click (on a PC) or control+click (on a Mac) and then select ‘Copy link location’.</p><ul> <li> <a href="http://press-files.anu.edu.au/downloads/press/n8744/pdf/prelims.pdf">Preliminary Pages (PDF, 0.3MB)</a></li> <li> <a href="http://press-files.anu.edu.au/downloads/press/n8744/pdf/acknowledgements.pdf">Acknowledgements (PDF, 0.1MB)</a></li> <li> <a href="http://press-files.anu.edu.au/downloads/press/n8744/pdf/list_tables.pdf">List of Tables (PDF, 01MB)</a></li> <li> <a href="http://press-files.anu.edu.au/downloads/press/n8744/pdf/list_illustrations.pdf">List of Illustrations (PDF, 0.1MB)</a></li> <li> <a href="http://press-files.anu.edu.au/downloads/press/n8744/pdf/acronyms.pdf">Acronyms (PDF, 0.1MB)</a></li> <li> <a href="http://press-files.anu.edu.au/downloads/press/n8744/pdf/introduction.pdf">Introduction (PDF, 0.8MB)</a></li> </ul> <ol> <li> <a href="http://press-files.anu.edu.au/downloads/press/n8744/pdf/ch01.pdf">Advancing Multicultural Arts: Policies, Problems and Practice (PDF, 0.7MB)</a> <a href="http://doi.org/10.22459/CF.2021.01" class="doi">doi</a></li> <li> <a href="http://press-files.anu.edu.au/downloads/press/n8744/pdf/ch02.pdf">Leading for the Arts in a Multicultural Australia (PDF, 0.2MB)</a> <a href="http://doi.org/10.22459/CF.2021.02" class="doi">doi</a></li> <li> <a href="http://press-files.anu.edu.au/downloads/press/n8744/pdf/ch03.pdf">Shaping the Discourse of Arts in a Multicultural Australia (PDF, 0.7MB)</a> <a href="http://doi.org/10.22459/CF.2021.03" class="doi">doi</a></li> <li> <a href="http://press-files.anu.edu.au/downloads/press/n8744/pdf/ch04.pdf">Creative Leadership: The Agency of the NESB Artist (PDF, 3.1MB)</a> <a href="http://doi.org/10.22459/CF.2021.04" class="doi">doi</a></li> <li> <a href="http://press-files.anu.edu.au/downloads/press/n8744/pdf/ch05.pdf">Challenges of Institutional Leadership: Reluctance in the Australia Council (PDF, 0.9MB)</a> <a href="http://doi.org/10.22459/CF.2021.05" class="doi">doi</a></li> <li> <a href="http://press-files.anu.edu.au/downloads/press/n8744/pdf/ch06.pdf">Organisational Leadership: Expanding the Multicultural Arts Milieu (PDF, 1.0MB)</a> <a href="http://doi.org/10.22459/CF.2021.06" class="doi">doi</a></li> </ol> <ul> <li> <a href="http://press-files.anu.edu.au/downloads/press/n8744/pdf/epilogue.pdf">Epilogue: Towards a Supportive Multicultural Arts Milieu (PDF, 0.5MB)</a></li> <li> <a href="http://press-files.anu.edu.au/downloads/press/n8744/pdf/appendix01.pdf">Appendix A: Participant Biographies (PDF, 0.1MB)</a></li> <li> <a href="http://press-files.anu.edu.au/downloads/press/n8744/pdf/appendix02.pdf">Appendix B: Chronology (PDF, 0.1MB)</a></li> <li> <a href="http://press-files.anu.edu.au/downloads/press/n8744/pdf/appendix03.pdf">Appendix C: Governance (PDF, 0.1MB)</a></li> <li> <a href="http://press-files.anu.edu.au/downloads/press/n8744/pdf/appendix04.pdf">Appendix D: Art + Cultural Difference + Global Collaboration (PDF, 0.1MB)</a></li> <li> <a href="http://press-files.anu.edu.au/downloads/press/n8744/pdf/appendix05.pdf">Appendix E: Cycle of Change (PDF, 0.1MB)</a></li> <li> <a href="http://press-files.anu.edu.au/downloads/press/n8744/pdf/references.pdf">References (PDF, 0.3MB)</a></li> </ul> </div><div id="metrics" class="tab-pane fade"><script type='text/javascript' src='https://d1bxh8uas1mnw7.cloudfront.net/assets/embed.js'></script><div class="d-flex 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Creative Frictions