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Chung Chin-Yi | National University of Singapore - Academia.edu
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For a list of publications, click on her CV. Her research interests are in continental philosophy, critical theory and cultural studies.<br /><span class="u-fw700">Supervisors: </span>John Phillips<br /><div class="js-profile-less-about u-linkUnstyled u-tcGrayDarker u-textDecorationUnderline u-displayNone">less</div></div></div><div class="suggested-academics-container"><div class="suggested-academics--header"><h3 class="ds2-5-heading-sans-serif-xs">Related Authors</h3></div><ul class="suggested-user-card-list" data-nosnippet="true"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a data-nosnippet="" href="https://uow.academia.edu/DanielDHutto"><img class="profile-avatar u-positionAbsolute" alt="Daniel D. 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href="https://www.academia.edu/16222376/Derridas_methodology">Derrida's methodology</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="aa22ffc856431ba6a72d9aceab39fd58" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":38903174,"asset_id":16222376,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/38903174/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="16222376"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item 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href="https://www.academia.edu/316597/Phenomenology_and_Deconstruction">Phenomenology and Deconstruction</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This book relates the entire tradition of phenomenology to deconstruction. It relates the work of...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This book relates the entire tradition of phenomenology to deconstruction. It relates the work of Husserl, Heidegger, Merleau-Ponty, Blanchot, Levinas, Ricoeur to Derrida's thought and argues that Derrida radicalizes the transcendental-empirical relation in order to rescue phenomenology from aporia. A rethinking of the entire metaphysical tradition, this work will be useful to those working in philosophy and literature who seek to understand the relation of the fields which are normally understood as distinct, phenomenology and deconstruction,where this book argues that this distinction is not as coherent as many argue. This book rethinks the transcedental-empirical relation and radicalizes the relation in order to address the aporias generated within phenomenology by a strict division between the two. Central to the discussion is the reading of the quasi-transcendental as the conditionality of phenomenology which occurs prior to it and enables its functioning. The a priori difference between the transcendental and the empirical institutes the possibility of their distinction and the impossibility of their separation. While many scholars read Derrida as a materialist, this study argues that Derrida radicalized metaphysics to come to terms with its own conditions of possibility such as differance, the trace and iterability</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b0324f6efeaeeba52c91f0acb978c64c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":54221457,"asset_id":316597,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/54221457/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="316597"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="316597"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 316597; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=316597]").text(description); $(".js-view-count[data-work-id=316597]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 316597; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='316597']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b0324f6efeaeeba52c91f0acb978c64c" } } $('.js-work-strip[data-work-id=316597]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":316597,"title":"Phenomenology and Deconstruction","translated_title":"","metadata":{"abstract":"This book relates the entire tradition of phenomenology to deconstruction. 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She has presented papers on the Beckett centenaries in 2006 in Denmark and Ireland, and recently at the Theory Culture and Society 25 th anniversary conference.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3ba6b418642d026cff9de3e10527b419" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109368992,"asset_id":111994612,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109368992/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994612"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994612"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994612; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994612]").text(description); $(".js-view-count[data-work-id=111994612]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994612; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994612']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3ba6b418642d026cff9de3e10527b419" } } $('.js-work-strip[data-work-id=111994612]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994612,"title":"Enslaved","translated_title":"","metadata":{"publisher":"DOAJ: Directory of Open Access Journals","grobid_abstract":"She has 4 years of teaching experience at NUS, teaching exposure modules and higher-level electives. 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She has presented papers on the Beckett centenaries in 2006 in Denmark and Ireland, and recently at the Theory Culture and Society 25 th anniversary conference.","impression_tracking_id":null,"owner":{"id":45375,"first_name":"Chung","middle_initials":null,"last_name":"Chin-Yi","page_name":"ChungChinYi","domain_name":"nus","created_at":"2009-05-30T20:22:27.266-07:00","display_name":"Chung Chin-Yi","url":"https://nus.academia.edu/ChungChinYi"},"attachments":[{"id":109368992,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109368992/thumbnails/1.jpg","file_name":"11616_Article_Text_33922_1_10_20170223.pdf","download_url":"https://www.academia.edu/attachments/109368992/download_file","bulk_download_file_name":"Enslaved.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109368992/11616_Article_Text_33922_1_10_20170223-libre.pdf?1703173642=\u0026response-content-disposition=attachment%3B+filename%3DEnslaved.pdf\u0026Expires=1744332966\u0026Signature=aOLquEYPNxrHTgMgVbSQvwP5N-XPsIEcShDT~JSZpZsFh5BMK7ewh8PjHX-Qufbc7DpZTdK7EATIJeQm1TUMNl5Z2iPRP6GlY7hJSSwZtYUmw2AVzc6T-eplJfYnVyyV~uL244Sm-KArNrVxOSnherqJmt~9q4L4O-4Z40qJWKvT1NCscgjasE~v0e9R5DNH2ZOysAj4vhOA89hubLyVeIqV-T5Wi-fSsLNnMDN2toR2D9GXKuKegqdyjMv49nSEKrlLY8vXN4XnqUETUQDGWlajPzFmVoUdDX~8nvPIsp1wugXYCHrdLFbAGMh8hkTVWRuaUsHWrprgWuwhnksXJw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[],"urls":[{"id":37513869,"url":"https://doaj.org/article/1f56472ec27149f2add4cd0bd54639f6"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") if (false) { Aedu.setUpFigureCarousel('profile-work-111994612-figures'); } }); </script> <div class="js-work-strip profile--work_container" data-work-id="111994611"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111994611/God_is_Between"><img alt="Research paper thumbnail of God is Between" class="work-thumbnail" src="https://attachments.academia-assets.com/109369208/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111994611/God_is_Between">God is Between</a></div><div class="wp-workCard_item"><span>DOAJ (DOAJ: Directory of Open Access Journals)</span><span>, Jun 1, 2017</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="57d0dc24f575249366ae71edd84e9ba9" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109369208,"asset_id":111994611,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109369208/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994611"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994611"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994611; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994611]").text(description); $(".js-view-count[data-work-id=111994611]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994611; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994611']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); 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Negative phen...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In this paper I examine the negative phenomenologies of Merleau-Ponty and Blanchot. Negative phenomenologies repress difference as the transcendental and the empirical are repetitions of the same through iterability. I argue that a negative phenomenology or a reversal of phenomenology repeats it rather than managing to escape from it. This is because it still proceeds within its metaphysical vocabulary and ontological structure. Thus, Merleau-Ponty and Blanchot, in inverting and reversing phenomenology, only repeat it by borrowing entirely from its metaphysical vocabulary and structure. Derrida's phenomenology in place, is a meta-phenomenology in discovering the origin of phenomenology as difference, or the difference between philosophy and non-philosophy, transcendental and empirical. Derrida discovers the condition of possibility for phenomenology as quasi-transcendental, or the interval between the transcendental and empirical which conditions phenomenology in its entirety. The transcendental and empirical are paradoxically identical and non-identical because the difference translates into sameness.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f8f148485182287eddd75aa06d07353b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364305,"asset_id":111994610,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364305/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994610"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994610"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994610; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994610]").text(description); $(".js-view-count[data-work-id=111994610]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994610; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994610']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f8f148485182287eddd75aa06d07353b" } } $('.js-work-strip[data-work-id=111994610]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994610,"title":"LiBRI Journal - The Relation of Merleau-ponty and Blanchot to Derrida","translated_title":"","metadata":{"publisher":"CERN European Organization for Nuclear Research","grobid_abstract":"In this paper I examine the negative phenomenologies of Merleau-Ponty and Blanchot. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") if (false) { Aedu.setUpFigureCarousel('profile-work-111994610-figures'); } }); </script> <div class="js-work-strip profile--work_container" data-work-id="111994607"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111994607/Religious_Satire_in_Oranges_are_not_the_only_Fruit"><img alt="Research paper thumbnail of Religious Satire in Oranges are not the only Fruit" class="work-thumbnail" src="https://attachments.academia-assets.com/109369337/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111994607/Religious_Satire_in_Oranges_are_not_the_only_Fruit">Religious Satire in Oranges are not the only Fruit</a></div><div class="wp-workCard_item"><span>Блесок - литература и други уметности</span><span>, 2013</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Winterson thus decries the patriarchy of the Bible, which would exalt men and place them in place...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Winterson thus decries the patriarchy of the Bible, which would exalt men and place them in places of authority when they do little to earn respect for that authority and abuse that authority, as the men who try to hit on her sexually when they are married show. In Winterson's eyes women are not in any way inferior to men, she does not feel the need to defer to men when she is not intellectually inferior to them, it is only their superior standing inscribed by the bible that keeps her in her place and it is this that she escapes by running away from her Church and home. The alternative, to work in an asylum and funeral parlour, might seem lowly but it is to her a freedom from an oppressive patriarchal slavery which she will not accept. Indeed, with Winterson's talent, it is little wonder she does not feel the desire to defer to a man. Less talented and weak minded members of the female species might be content to be always subordinate, but for Winterson's case, it is clearly a case of one who does not see the need to defer to a male race which is not superior to her in any way.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5b7a8e2d5eaeff608a2581675ce4c56c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109369337,"asset_id":111994607,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109369337/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994607"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994607"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994607; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994607]").text(description); $(".js-view-count[data-work-id=111994607]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994607; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994607']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5b7a8e2d5eaeff608a2581675ce4c56c" } } $('.js-work-strip[data-work-id=111994607]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994607,"title":"Religious Satire in Oranges are not the only Fruit","translated_title":"","metadata":{"ai_title_tag":"Challenging Biblical Patriarchy in Winterson's Work","grobid_abstract":"Winterson thus decries the patriarchy of the Bible, which would exalt men and place them in places of authority when they do little to earn respect for that authority and abuse that authority, as the men who try to hit on her sexually when they are married show. In Winterson's eyes women are not in any way inferior to men, she does not feel the need to defer to men when she is not intellectually inferior to them, it is only their superior standing inscribed by the bible that keeps her in her place and it is this that she escapes by running away from her Church and home. The alternative, to work in an asylum and funeral parlour, might seem lowly but it is to her a freedom from an oppressive patriarchal slavery which she will not accept. Indeed, with Winterson's talent, it is little wonder she does not feel the desire to defer to a man. Less talented and weak minded members of the female species might be content to be always subordinate, but for Winterson's case, it is clearly a case of one who does not see the need to defer to a male race which is not superior to her in any way.","publication_date":{"day":null,"month":null,"year":2013,"errors":{}},"publication_name":"Блесок - литература и други уметности","grobid_abstract_attachment_id":109369337},"translated_abstract":null,"internal_url":"https://www.academia.edu/111994607/Religious_Satire_in_Oranges_are_not_the_only_Fruit","translated_internal_url":"","created_at":"2023-12-21T05:20:27.526-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":45375,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":109369337,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109369337/thumbnails/1.jpg","file_name":"Religious_satire_in_Oranges_are_not_the_1_.pdf","download_url":"https://www.academia.edu/attachments/109369337/download_file","bulk_download_file_name":"Religious_Satire_in_Oranges_are_not_the.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109369337/Religious_satire_in_Oranges_are_not_the_1_-libre.pdf?1703173627=\u0026response-content-disposition=attachment%3B+filename%3DReligious_Satire_in_Oranges_are_not_the.pdf\u0026Expires=1744332966\u0026Signature=eo7Wn8izEueXgU4nMLjNx-pDht1ki52HUjJg214e-9K0ieoHqkVl4pYREjb2Xfe47TklncygMmS~epeOXKPYJ2HZ5ZSUG5UB8GIRt7KjqiPGY4EAIbZZg-x9vzOKjtJKKiMyCq6DSrRCxvkWu~8LJ60s2-cR4q49vWy3R4s8CpRDaLZedz6UWdJM9Z2ps92JeHzgpytvGvdeQJxQ108rT1MLmy2LPhP-vgIrs8eYEpcptCgcnIuYJ0hlP7cCwBkG9P3zLDqutEQWyBGemiUV~EiopKjGECV8WEcrhLDPVVbdjO8Sh5CAwaTauI3UtGNBmI4mQSykIHTFqh3iEw8UrA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Religious_Satire_in_Oranges_are_not_the_only_Fruit","translated_slug":"","page_count":6,"language":"en","content_type":"Work","summary":"Winterson thus decries the patriarchy of the Bible, which would exalt men and place them in places of authority when they do little to earn respect for that authority and abuse that authority, as the men who try to hit on her sexually when they are married show. In Winterson's eyes women are not in any way inferior to men, she does not feel the need to defer to men when she is not intellectually inferior to them, it is only their superior standing inscribed by the bible that keeps her in her place and it is this that she escapes by running away from her Church and home. The alternative, to work in an asylum and funeral parlour, might seem lowly but it is to her a freedom from an oppressive patriarchal slavery which she will not accept. Indeed, with Winterson's talent, it is little wonder she does not feel the desire to defer to a man. 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The Shipping News is mainly about recovery: it&#39;s about having to confront your fears and face your past. It&#39;s about losing everything -- including hope -- and winning it all back.Quoyle thus emerges from being in itself in negating his past to being for itself in embracing his future as we will read with the later section on Blade Runner.Quoyle overcomes his damaged past as he negates it as an in itself to become being for itself to embrace his future with Wavey. Watanabe thus moves from being drowned in the past as an in itself to reinventing himself with Midori in the future as being for itself.The figure of Deckard is also seen to evince a growth from the in-itself to the for-itself.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bc763063a79adb8b4ba6207a7a582210" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109369443,"asset_id":111994606,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109369443/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994606"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994606"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994606; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994606]").text(description); $(".js-view-count[data-work-id=111994606]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994606; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994606']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bc763063a79adb8b4ba6207a7a582210" } } $('.js-work-strip[data-work-id=111994606]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994606,"title":"A Sartrean analysis of Shipping News, Norwegian Wood and Blade Runner","translated_title":"","metadata":{"abstract":": As soon as they are submerged in this faraway place of beauty and solitude, Quoyle\u0026#39;s emotional wounds begin to heal but his demons still haunt him. The Shipping News is mainly about recovery: it\u0026#39;s about having to confront your fears and face your past. It\u0026#39;s about losing everything -- including hope -- and winning it all back.Quoyle thus emerges from being in itself in negating his past to being for itself in embracing his future as we will read with the later section on Blade Runner.Quoyle overcomes his damaged past as he negates it as an in itself to become being for itself to embrace his future with Wavey. Watanabe thus moves from being drowned in the past as an in itself to reinventing himself with Midori in the future as being for itself.The figure of Deckard is also seen to evince a growth from the in-itself to the for-itself.","publisher":"Granthaalayah Publications and Printers","ai_title_tag":"Sartrean Themes in Shipping News and Blade Runner","publication_date":{"day":14,"month":5,"year":2017,"errors":{}},"publication_name":"International Journal of Research"},"translated_abstract":": As soon as they are submerged in this faraway place of beauty and solitude, Quoyle\u0026#39;s emotional wounds begin to heal but his demons still haunt him. The Shipping News is mainly about recovery: it\u0026#39;s about having to confront your fears and face your past. 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We will be subject to the Lamb's wrath if we do not believe and contribute to God's kingdom when he returns. The stalker by Tarkovsky is thus a profound indictment of unbelief and cynicism by intellectuals and the hubris of men who make themselves gods in place of worshipping the true God who promises to bring them redemption and blessing if they would only believe.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3fde1c5521108175fc66b9279a65ae60" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364300,"asset_id":111994604,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364300/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994604"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994604"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994604; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994604]").text(description); $(".js-view-count[data-work-id=111994604]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994604; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994604']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3fde1c5521108175fc66b9279a65ae60" } } $('.js-work-strip[data-work-id=111994604]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994604,"title":"Andrei Tarkovsky’s the Stalker- Intellectualism as the anti-thesis of Hope and Belief","translated_title":"","metadata":{"publisher":"Granthaalayah Publications and Printers","grobid_abstract":"The men who make themselves Gods like the writer and the scientist thus flounder in an eternal perspective because all their writing and scientific discoveries are dust when put in God's eternal perspective, it is the religious faith of a man and his contributions to God's kingdom that will eventually make a difference when Christ returns and judges man, as the allusion to Revelations in the film's middle comments. 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(FT 23) Without representation, there is no double concept that refers to something external as a mere simulacrum, rather the simulacrum is all there is as a birthing to presence. There is no simulacrum as a copy of an ideal infinite form such as beauty. Rather the painting or poetry is radically finite, its own limit, deriving its beauty and existence from its own particularity and specificity rather than owing this beauty to a transcendental absolute of Beauty. (Keywords: Transcendental; Empirical; Metaphysics; Nancy; Phenomenology)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="97c6df41937206c9579edb162dcf6cf4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109369608,"asset_id":111994603,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109369608/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994603"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994603"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994603; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994603]").text(description); $(".js-view-count[data-work-id=111994603]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994603; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994603']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "97c6df41937206c9579edb162dcf6cf4" } } $('.js-work-strip[data-work-id=111994603]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994603,"title":"Philosophical Themes in Jean Luc Nancy","translated_title":"","metadata":{"abstract":"Nancy argues in A Finite Thinking that art no longer represents the idea or Truth because there is nothing that resides outside the finite as the ultimate reality is finitude rather than an infinite that informs the finite. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") if (false) { Aedu.setUpFigureCarousel('profile-work-111994602-figures'); } }); </script> <div class="js-work-strip profile--work_container" data-work-id="111994601"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111994601/Fate_in_Kieslowski_s_Red_and_Allen_s_Irrational_Man"><img alt="Research paper thumbnail of Fate in Kieslowski’s Red and Allen’s Irrational Man" class="work-thumbnail" src="https://attachments.academia-assets.com/109364296/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111994601/Fate_in_Kieslowski_s_Red_and_Allen_s_Irrational_Man">Fate in Kieslowski’s Red and Allen’s Irrational Man</a></div><div class="wp-workCard_item"><span>International Journal of Research</span><span>, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Coincidences are too coincidental to just be chance or even good luck. There has to be some mysti...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Coincidences are too coincidental to just be chance or even good luck. There has to be some mystical, supernatural or theological source influencing these unfathomably deep life-decisions. The study book fell and opened at the page of the exam question is another example of this. Or the moment the old judge spoke his heart to the young woman, the wind outside the opera house suddenly slams the open doors and breaks the windows. The gigantic picture of the young woman happens to predict the one on TV, after the drowning accident on her Canal crossing trip. There is just no luck as is constantly brought up in the film only God's will and divine providence. Luck will run out and turn against you and force you to take responsibility for your own crimes and sins.It is truly only God and divine justice forcing Abe Lucas to take responsibility for his murder in the end.Divine providence or God's justice is relentless and overpowers any of man's efforts to take justice into his own hands as with Abe Lucas' murder of the judge.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1ab329c813f59d5823438d1b0beaa5df" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364296,"asset_id":111994601,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364296/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994601"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994601"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994601; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994601]").text(description); $(".js-view-count[data-work-id=111994601]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994601; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994601']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1ab329c813f59d5823438d1b0beaa5df" } } $('.js-work-strip[data-work-id=111994601]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994601,"title":"Fate in Kieslowski’s Red and Allen’s Irrational Man","translated_title":"","metadata":{"publisher":"Granthaalayah Publications and Printers","grobid_abstract":"Coincidences are too coincidental to just be chance or even good luck. 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Luck will run out and turn against you and force you to take responsibility for your own crimes and sins.It is truly only God and divine justice forcing Abe Lucas to take responsibility for his murder in the end.Divine providence or God's justice is relentless and overpowers any of man's efforts to take justice into his own hands as with Abe Lucas' murder of the judge.","publication_date":{"day":null,"month":null,"year":2017,"errors":{}},"publication_name":"International Journal of Research","grobid_abstract_attachment_id":109364296},"translated_abstract":null,"internal_url":"https://www.academia.edu/111994601/Fate_in_Kieslowski_s_Red_and_Allen_s_Irrational_Man","translated_internal_url":"","created_at":"2023-12-21T05:20:26.251-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":45375,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":109364296,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109364296/thumbnails/1.jpg","file_name":"8712.pdf","download_url":"https://www.academia.edu/attachments/109364296/download_file","bulk_download_file_name":"Fate_in_Kieslowski_s_Red_and_Allen_s_Irr.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109364296/8712-libre.pdf?1703165754=\u0026response-content-disposition=attachment%3B+filename%3DFate_in_Kieslowski_s_Red_and_Allen_s_Irr.pdf\u0026Expires=1744396395\u0026Signature=LhVPdJANjGeyKHhe1BC0cmheyX7HI-xR54bAQ45W2ekOxQymgsBAiFDvyVv6PAH2I33dl1grydRyYaI7QwHIWKg4VtNINrZJQxKQZarAuKUVhGrmIHWiEmuUfd-AX1dNpDOLh2RmeDjrloD-BOvhDzIL5hUT3s-f5pnnOcfG3mv98uXGJTVfeHETMBBRMF95MGK8yJxY1Lgn5OQeiGOAy83k7MXZ7pN8r0VXm6CJrDzGGLutdIVqtTTFY0w5DPV~Bja0LAsBBTn6t2Hid01HKSyRVJ6NRSIp6FS1ZzY6sO~aHGBMmsw7Or0jHRKT8-0mgm9eNTE7VTHTd0c41E3Ebw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Fate_in_Kieslowski_s_Red_and_Allen_s_Irrational_Man","translated_slug":"","page_count":5,"language":"en","content_type":"Work","summary":"Coincidences are too coincidental to just be chance or even good luck. 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Luck will run out and turn against you and force you to take responsibility for your own crimes and sins.It is truly only God and divine justice forcing Abe Lucas to take responsibility for his murder in the end.Divine providence or God's justice is relentless and overpowers any of man's efforts to take justice into his own hands as with Abe Lucas' murder of the judge.","impression_tracking_id":null,"owner":{"id":45375,"first_name":"Chung","middle_initials":null,"last_name":"Chin-Yi","page_name":"ChungChinYi","domain_name":"nus","created_at":"2009-05-30T20:22:27.266-07:00","display_name":"Chung Chin-Yi","url":"https://nus.academia.edu/ChungChinYi"},"attachments":[{"id":109364296,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109364296/thumbnails/1.jpg","file_name":"8712.pdf","download_url":"https://www.academia.edu/attachments/109364296/download_file","bulk_download_file_name":"Fate_in_Kieslowski_s_Red_and_Allen_s_Irr.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109364296/8712-libre.pdf?1703165754=\u0026response-content-disposition=attachment%3B+filename%3DFate_in_Kieslowski_s_Red_and_Allen_s_Irr.pdf\u0026Expires=1744396395\u0026Signature=LhVPdJANjGeyKHhe1BC0cmheyX7HI-xR54bAQ45W2ekOxQymgsBAiFDvyVv6PAH2I33dl1grydRyYaI7QwHIWKg4VtNINrZJQxKQZarAuKUVhGrmIHWiEmuUfd-AX1dNpDOLh2RmeDjrloD-BOvhDzIL5hUT3s-f5pnnOcfG3mv98uXGJTVfeHETMBBRMF95MGK8yJxY1Lgn5OQeiGOAy83k7MXZ7pN8r0VXm6CJrDzGGLutdIVqtTTFY0w5DPV~Bja0LAsBBTn6t2Hid01HKSyRVJ6NRSIp6FS1ZzY6sO~aHGBMmsw7Or0jHRKT8-0mgm9eNTE7VTHTd0c41E3Ebw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":803,"name":"Philosophy","url":"https://www.academia.edu/Documents/in/Philosophy"},{"id":5793,"name":"Economic Justice","url":"https://www.academia.edu/Documents/in/Economic_Justice"},{"id":7322,"name":"Mysticism","url":"https://www.academia.edu/Documents/in/Mysticism"},{"id":11100,"name":"Science Fiction Film","url":"https://www.academia.edu/Documents/in/Science_Fiction_Film"},{"id":348480,"name":"Luck","url":"https://www.academia.edu/Documents/in/Luck"}],"urls":[{"id":37513858,"url":"https://journals.pen2print.org/index.php/ijr/article/download/9045/8712"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") if (false) { Aedu.setUpFigureCarousel('profile-work-111994601-figures'); } }); </script> <div class="js-work-strip profile--work_container" data-work-id="111994600"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111994600/Spiritual_crises_in_The_Sacrifice"><img alt="Research paper thumbnail of Spiritual crises in The Sacrifice" class="work-thumbnail" src="https://attachments.academia-assets.com/109364295/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111994600/Spiritual_crises_in_The_Sacrifice">Spiritual crises in The Sacrifice</a></div><div class="wp-workCard_item"><span>International Journal of Research</span><span>, May 14, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Tarkovsky's The Sacrifice is thus a profound statement on spiritual loss and the fallen ungratefu...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Tarkovsky's The Sacrifice is thus a profound statement on spiritual loss and the fallen ungrateful nature of mankind who have turned their back on God and Christ's atoning sacrifice. This is captured in the Nietszchean philosophy and profoundly mundane and materialistic ways the Swedish family is caught up with in the filmlost and in need of redemption, yet ungrateful and unworthy of redemption when the sacrifice is made. Tarkovsky's sacrifice is thus an indictment of the profound spiritual destitution of modern urban ways of living and the decline of faith in Europe.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="da403a4a1dc1faeba557007e2c84f58f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364295,"asset_id":111994600,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364295/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994600"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994600"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994600; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994600]").text(description); $(".js-view-count[data-work-id=111994600]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994600; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994600']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "da403a4a1dc1faeba557007e2c84f58f" } } $('.js-work-strip[data-work-id=111994600]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994600,"title":"Spiritual crises in The Sacrifice","translated_title":"","metadata":{"publisher":"Granthaalayah Publications and Printers","grobid_abstract":"Tarkovsky's The Sacrifice is thus a profound statement on spiritual loss and the fallen ungrateful nature of mankind who have turned their back on God and Christ's atoning sacrifice. 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Hence life is absurd, certainly, but only for the antiheroic who refuse to embrace God's statutes. The life of meaninglessness and absurdity and vanity in waiting is thus for those who do not embrace the life of faith and learn to lean on God's promises. Indeed, what God gives us is essentially a promise-a promise of hope if we learn to lean on him and seek him, and a life of meaninglessness, vanity and empty striving if we lead the faithless life. So indeed, the play might be indeed seem to be about the vanity about waiting for God, but one should rather see it as the vanity of waiting for God without faith, because God promises a life of meaning and coherence to those who put their faith in him.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="63e13ce5af69ea4065735ae7fee5ed18" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364291,"asset_id":111994599,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364291/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994599"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994599"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994599; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994599]").text(description); $(".js-view-count[data-work-id=111994599]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994599; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994599']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "63e13ce5af69ea4065735ae7fee5ed18" } } $('.js-work-strip[data-work-id=111994599]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994599,"title":"Absurdity in Mood Indigo and Waiting for Godot","translated_title":"","metadata":{"publisher":"Granthaalayah Publications and Printers","ai_title_tag":"Faith and Absurdity in Godot and Mood Indigo","grobid_abstract":"The message of the Mood Indigo and Waiting for Godot thus seems to be that God will show divine mercy only to those who please him and damn the rest to hell. 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So indeed, the play might be indeed seem to be about the vanity about waiting for God, but one should rather see it as the vanity of waiting for God without faith, because God promises a life of meaning and coherence to those who put their faith in him.","publication_date":{"day":14,"month":5,"year":2017,"errors":{}},"publication_name":"International Journal of Research","grobid_abstract_attachment_id":109364292},"translated_abstract":null,"internal_url":"https://www.academia.edu/111994599/Absurdity_in_Mood_Indigo_and_Waiting_for_Godot","translated_internal_url":"","created_at":"2023-12-21T05:20:25.684-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":45375,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":109364291,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109364291/thumbnails/1.jpg","file_name":"7341.pdf","download_url":"https://www.academia.edu/attachments/109364291/download_file","bulk_download_file_name":"Absurdity_in_Mood_Indigo_and_Waiting_for.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109364291/7341-libre.pdf?1703165752=\u0026response-content-disposition=attachment%3B+filename%3DAbsurdity_in_Mood_Indigo_and_Waiting_for.pdf\u0026Expires=1744332966\u0026Signature=O3NWD139yt45Es0l1aRJNf2a5MaMjsSt1cI8OBF2VLqIzGTGpNG2K0d4tKxWbdsC4IOqW3iplch07c0IwMezAfipwk~KAn6mNUCyetP7YexiG57LOd~u8ueIcIrKUUU5FQah3abo30HVcA-5-Ac2EeVsckjLLf8D1Q5hJ1Kx1FBIxj-P4L2NcxW7Ztb623MoWom3-dWhtetI1CJDOR3LIgQFN~ovoCwIcNENBnN0Nr-SPlxrh6GgRryB1BiyIwCzMCElN4pI27DDZw8PIsgGwVnz75OZ4Hlp8XBZzBFSrYnoHjmaAVoHrrRgy5gmhTseKXBFeynusajNYKhQrexfZw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Absurdity_in_Mood_Indigo_and_Waiting_for_Godot","translated_slug":"","page_count":5,"language":"en","content_type":"Work","summary":"The message of the Mood Indigo and Waiting for Godot thus seems to be that God will show divine mercy only to those who please him and damn the rest to hell. 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However television's influence is seen steadily throughout the novel, from the way Denise mutters 'toyota celica' in her sleep to the way the family experiences a numbness to disasters because of their exposure to it on television. Along with the 'most photographed barn in America' Murray Siskind takes Jack Gladney to we see that signs and symbols have replaced reality and we are firmly in the realm of the simulacral where reality is effaced and we are left with hyperreality, mediated or augmented reality.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2aa5bc7a2f660aa8433f3077eff71e99" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364294,"asset_id":111994598,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364294/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994598"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994598"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994598; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994598]").text(description); $(".js-view-count[data-work-id=111994598]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994598; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994598']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2aa5bc7a2f660aa8433f3077eff71e99" } } $('.js-work-strip[data-work-id=111994598]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994598,"title":"Hyperreality and the dominance of the image in White Noise","translated_title":"","metadata":{"publisher":"Granthaalayah Publications and Printers","grobid_abstract":"The pervasive culture of television watching is seen and we see that Babette tries to diminish its glamour by making it a family affair. 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Greene thus seems to imply that while adultery is a sin and the punishment for adultery is inexorable and swift, God does not seem to heed the authenticity of the marriage being violated or the true passion that is destroyed by God seeing to the punishment of his laws through swiftly punishing adultery by having Sarah meet an early death and destroying the affair between Sarah and Bendrix. Emma is also destroyed by adultery as her lovers desert her after she accumulates debt and she commits suicide.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1e508415cc4f71576e5415c2ff62fe3c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364290,"asset_id":111994597,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364290/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994597"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994597"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994597; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994597]").text(description); $(".js-view-count[data-work-id=111994597]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994597; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994597']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1e508415cc4f71576e5415c2ff62fe3c" } } $('.js-work-strip[data-work-id=111994597]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994597,"title":"Adultery as ruin in Flaubert’s Madame Bovary and Greene’s The End of the Affair","translated_title":"","metadata":{"publisher":"Granthaalayah Publications and Printers","ai_title_tag":"Adultery's Consequences in Flaubert's and Greene's Works","grobid_abstract":"Indeed God demands that marriage vows be kept, without considering the state or authenticity of the marriage. 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Emma is also destroyed by adultery as her lovers desert her after she accumulates debt and she commits suicide.","publication_date":{"day":21,"month":1,"year":2017,"errors":{}},"publication_name":"International Journal of Research","grobid_abstract_attachment_id":109364290},"translated_abstract":null,"internal_url":"https://www.academia.edu/111994597/Adultery_as_ruin_in_Flaubert_s_Madame_Bovary_and_Greene_s_The_End_of_the_Affair","translated_internal_url":"","created_at":"2023-12-21T05:20:25.185-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":45375,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":109364290,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109364290/thumbnails/1.jpg","file_name":"6514.pdf","download_url":"https://www.academia.edu/attachments/109364290/download_file","bulk_download_file_name":"Adultery_as_ruin_in_Flaubert_s_Madame_Bo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109364290/6514-libre.pdf?1703165755=\u0026response-content-disposition=attachment%3B+filename%3DAdultery_as_ruin_in_Flaubert_s_Madame_Bo.pdf\u0026Expires=1744396395\u0026Signature=MBHfJxvFRJiQFGgccTm0dF4z5gKwiDyaIhyTyyu3RJ2AmTC9hREbyLKwa1Sg1fVebeLWxK~1g5huLiAlmuvX59oxhq9Rrureot98AjTzTq6DpqgfVHZ9JN4en5IJ~Fc-KX3Z97YdCK7bzYdGLuPuViobpizauHgDQmlx5IvUsi659lzVNRLg0LGLNlaOKvJDX5KtgbNwL6uxg-LBdq1gH2Cccw0rgP1KxvDD6NbirjU9X4FQOgCmwmBF~PA6BHx3VrFgDReWa2fTrtYIkDlkZ8iVxfqcSPF6JC7nNE3mVSP1j74YAmzcf3CojoBWUtljd9H-vzelhMr9UlVnIkRRbQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Adultery_as_ruin_in_Flaubert_s_Madame_Bovary_and_Greene_s_The_End_of_the_Affair","translated_slug":"","page_count":6,"language":"en","content_type":"Work","summary":"Indeed God demands that marriage vows be kept, without considering the state or authenticity of the marriage. Greene thus seems to imply that while adultery is a sin and the punishment for adultery is inexorable and swift, God does not seem to heed the authenticity of the marriage being violated or the true passion that is destroyed by God seeing to the punishment of his laws through swiftly punishing adultery by having Sarah meet an early death and destroying the affair between Sarah and Bendrix. 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I will read destruction in various Heidegger texts and point out its problematic as suggested by Derrida, that every instance of the destruction of metaphysics is in fact a repetition of it as it borrows entirely from the structure of metaphysics it sets out to destroy. The impossibility of the distinction between the transcendental and empirical is its own possibility as differance between the transcendental and empirical distinguishes and separates nothing, hence Heidegger's anti-metaphysics and postrepresentation is no different from the transcendental idealism he destroys. Derrida thus rescues the phenomenological project by discovering the quasi-transcendental, that which is neither transcendental nor empirical, as the condition that allows the thinking of both through iterability and differance.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b0fc412ed3937c90da1ac2d69676db00" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364288,"asset_id":111994596,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364288/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994596"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994596"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994596; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994596]").text(description); $(".js-view-count[data-work-id=111994596]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994596; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994596']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b0fc412ed3937c90da1ac2d69676db00" } } $('.js-work-strip[data-work-id=111994596]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994596,"title":"Heidegger on Destruction","translated_title":"","metadata":{"publisher":"Granthaalayah Publications and Printers","ai_title_tag":"Heidegger's Destruction of Metaphysics Explained","grobid_abstract":"In this paper I will examine Heidegger's move to set out the task of philosophy as the destruction of metaphysics to move into the realm of ontology, or an inquiry into the being of Being. 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Hence in many senses though the Duchess is deemed pure and genuinely bound to love and a fertile marriage with Antonio we can see it is her blindness to the socio-political realities of the true evil of her brothers and the corruption of the court that surrounds her that leads to her inviting her own destruction as she is not cognizant of her subordinated status as a woman in Jacobean times. Therein lies the tragedy, the Duchess wilfully asserts her right to love and marry on the basis of her own preferences disregarding her brothers wishes and is subsequently destroyed by her brothers for what they deem an illegitimate marriage which is an offence to their power.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4444ed77f0b9423948d422330fb2a226" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364286,"asset_id":111994595,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364286/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994595"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994595"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994595; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994595]").text(description); $(".js-view-count[data-work-id=111994595]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994595; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994595']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4444ed77f0b9423948d422330fb2a226" } } $('.js-work-strip[data-work-id=111994595]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994595,"title":"Female imprisonment in the Duchess of Malfi","translated_title":"","metadata":{"publisher":"Granthaalayah Publications and Printers","grobid_abstract":"The Duchess' haughty assertion of nobility, to make opponents her low footsteps are seen to be blind to the socio-political realities that surround her. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") if (false) { Aedu.setUpFigureCarousel('profile-work-111994595-figures'); } }); </script> <div class="js-work-strip profile--work_container" data-work-id="111994594"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111994594/Derrida_Phenomenology_and_Death"><img alt="Research paper thumbnail of Derrida, Phenomenology and Death" class="work-thumbnail" src="https://attachments.academia-assets.com/109364287/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111994594/Derrida_Phenomenology_and_Death">Derrida, Phenomenology and Death</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c359e8d4f1a660654fdb9b50781e13c2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364287,"asset_id":111994594,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364287/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994594"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994594"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994594; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") if (false) { Aedu.setUpFigureCarousel('profile-work-111994594-figures'); } }); </script> <div class="js-work-strip profile--work_container" data-work-id="111994593"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111994593/Hyperreality_the_Question_of_Agency_and_the_Phenomenon_of_Reality_Television"><img alt="Research paper thumbnail of Hyperreality, the Question of Agency, and the Phenomenon of Reality Television" class="work-thumbnail" src="https://attachments.academia-assets.com/109364283/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111994593/Hyperreality_the_Question_of_Agency_and_the_Phenomenon_of_Reality_Television">Hyperreality, the Question of Agency, and the Phenomenon of Reality Television</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This paper examines concepts of hyperreality and agency as advanced by three theorists-Jacques De...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper examines concepts of hyperreality and agency as advanced by three theorists-Jacques Derrida, Jean Baudrillard and Paul Virilio-who argue for a decentred agency and a hyperreality that is artifactual and produced. The paper first examines these theories as they apply to broadcast cable news and reality television. Thereafter, I will explore the notion that the televisual spectator occupies a space between de-centred consumer of images and empowered voyeur. While the spectator cannot control or resist the flood of images politically aimed at diminishing his/her subjectivity and autonomy, as well as to think independently of events presented, the spectator is empowered in the sense of being granted a sense of omnipresence as voyeur, albeit a passive one. An active voyeur successfully navigates media through the intervention of his own agency. As Zizek in "How the Non-Duped Err" notes, the gaze at the same time denotes power (it enables us to exert control over the situation, to occupy the position of master) and impotence (as bearers of a gaze, we are reduced to the role of passive witness) (Zizek, 2). Derrida offers some solutions to this conundrum of a passive agent in works like Echographies of Television, urging us to be critical of a politics of memory and to celebrate the overcoming of the topopolitical boundaries that television enables. Again, this reminds us of Virilio's celebration of omnipresence and omnivoyance. Thus while it is certainly television's effect to de-centre and dissolve subjectivity, an awareness in the vein of Derrida's affords us some mastery over the image and offers us strategies of resistance and the reclamation of agency. Reality television explodes the division between the hyperreal and the real, but what it ultimately represents is the triumph of the hyperreal and the manufactured image. Specifically, when a consciousness loses its ability to distinguish reality from fantasy, and begins to engage with the latter without understanding what it is doing, it has shifted into the world of the hyperreal. The nature of the hyperreal world is characterised by Nebula 4.1, March 2007 Chung: Hyperreality… 32 "enhancement" of reality. As Derrida argues, it is an "artifactuality" that is produced and made rather than a record. (Echographies of Television, 41). Record here means something that is an exact representation of events. It also serves to satisfy our thirst for voyeurism and invasion of privacy, for as Baudrillard states, it increases our fascination with the obscene (Ecstasy of Communication, 33). This is an exercise of "desiring to be seen" and desiring the Other to return our gaze, as we desire the mock celebrity that reality television affords-for instance, the mock celebrity Anna Nicole, who rides more on instant fame than on a substantive career. In witnessing the privation of its participants through elimination rituals, we are also simultaneously celebrating our comforts, so that there is a sadistic element to taking pleasure in watching the sufferings of others at work as well. In coming across as "more real than real" and in our fascination with the hyperreal and manufactured image, Baudrillard's statement that we no longer watch television and that it is television watching us seems remarkably prophetic in the surge and success of reality television programmes (Ecstasy, 31). Reality television appeals to us because of its "live" element, its telepresence, and in Derrida's terms, the space it allows for the 'arrival' of an event, whose expectation is made of a 'nonexpectation.' In so doing, it offers a certain variety, diversity and spontaneity that we cannot find in scripted television programmes. Reality television, though scripted, offers the illusion of being spontaneous and undirected because it captures the "authentic" and often unsavoury aspects of characters onscreen. Derrida also argues for a "messianism" that guides the event, a promise of futurity: hence perhaps it is the openness and heightened anticipation in which we take pleasure (Echographies of Television, 13). There is also an element of "testimony" and truth to live television which separates it from more scripted programmes, like talk shows and sitcoms. As it happens only once in live real time, there is a precious singularity and uniqueness to the moment; Derrida once again explains that the seized moment captures the irreplaceable present and bears witness to the fact that "this was there" (Echographies of Television, 94). One might also argue that the addressee enjoys its status of "being addressed" in reality television, thus enabling the addressee to participate in production of meaning, as the confessional scenes in reality, as well as reporting in broadcast programmes, are directed towards engaging the audience in being "participants" of an event, as with audience voting on shows like "American Idol"</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="425e4897ac66e8acba20846ce03a647a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364283,"asset_id":111994593,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364283/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994593"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994593"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994593; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994593]").text(description); $(".js-view-count[data-work-id=111994593]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994593; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994593']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "425e4897ac66e8acba20846ce03a647a" } } $('.js-work-strip[data-work-id=111994593]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994593,"title":"Hyperreality, the Question of Agency, and the Phenomenon of Reality Television","translated_title":"","metadata":{"ai_title_tag":"Agency and Hyperreality in Reality TV","grobid_abstract":"This paper examines concepts of hyperreality and agency as advanced by three theorists-Jacques Derrida, Jean Baudrillard and Paul Virilio-who argue for a decentred agency and a hyperreality that is artifactual and produced. The paper first examines these theories as they apply to broadcast cable news and reality television. Thereafter, I will explore the notion that the televisual spectator occupies a space between de-centred consumer of images and empowered voyeur. While the spectator cannot control or resist the flood of images politically aimed at diminishing his/her subjectivity and autonomy, as well as to think independently of events presented, the spectator is empowered in the sense of being granted a sense of omnipresence as voyeur, albeit a passive one. An active voyeur successfully navigates media through the intervention of his own agency. As Zizek in \"How the Non-Duped Err\" notes, the gaze at the same time denotes power (it enables us to exert control over the situation, to occupy the position of master) and impotence (as bearers of a gaze, we are reduced to the role of passive witness) (Zizek, 2). Derrida offers some solutions to this conundrum of a passive agent in works like Echographies of Television, urging us to be critical of a politics of memory and to celebrate the overcoming of the topopolitical boundaries that television enables. Again, this reminds us of Virilio's celebration of omnipresence and omnivoyance. Thus while it is certainly television's effect to de-centre and dissolve subjectivity, an awareness in the vein of Derrida's affords us some mastery over the image and offers us strategies of resistance and the reclamation of agency. Reality television explodes the division between the hyperreal and the real, but what it ultimately represents is the triumph of the hyperreal and the manufactured image. Specifically, when a consciousness loses its ability to distinguish reality from fantasy, and begins to engage with the latter without understanding what it is doing, it has shifted into the world of the hyperreal. The nature of the hyperreal world is characterised by Nebula 4.1, March 2007 Chung: Hyperreality… 32 \"enhancement\" of reality. As Derrida argues, it is an \"artifactuality\" that is produced and made rather than a record. (Echographies of Television, 41). Record here means something that is an exact representation of events. It also serves to satisfy our thirst for voyeurism and invasion of privacy, for as Baudrillard states, it increases our fascination with the obscene (Ecstasy of Communication, 33). This is an exercise of \"desiring to be seen\" and desiring the Other to return our gaze, as we desire the mock celebrity that reality television affords-for instance, the mock celebrity Anna Nicole, who rides more on instant fame than on a substantive career. In witnessing the privation of its participants through elimination rituals, we are also simultaneously celebrating our comforts, so that there is a sadistic element to taking pleasure in watching the sufferings of others at work as well. In coming across as \"more real than real\" and in our fascination with the hyperreal and manufactured image, Baudrillard's statement that we no longer watch television and that it is television watching us seems remarkably prophetic in the surge and success of reality television programmes (Ecstasy, 31). Reality television appeals to us because of its \"live\" element, its telepresence, and in Derrida's terms, the space it allows for the 'arrival' of an event, whose expectation is made of a 'nonexpectation.' In so doing, it offers a certain variety, diversity and spontaneity that we cannot find in scripted television programmes. Reality television, though scripted, offers the illusion of being spontaneous and undirected because it captures the \"authentic\" and often unsavoury aspects of characters onscreen. Derrida also argues for a \"messianism\" that guides the event, a promise of futurity: hence perhaps it is the openness and heightened anticipation in which we take pleasure (Echographies of Television, 13). There is also an element of \"testimony\" and truth to live television which separates it from more scripted programmes, like talk shows and sitcoms. As it happens only once in live real time, there is a precious singularity and uniqueness to the moment; Derrida once again explains that the seized moment captures the irreplaceable present and bears witness to the fact that \"this was there\" (Echographies of Television, 94). One might also argue that the addressee enjoys its status of \"being addressed\" in reality television, thus enabling the addressee to participate in production of meaning, as the confessional scenes in reality, as well as reporting in broadcast programmes, are directed towards engaging the audience in being \"participants\" of an event, as with audience voting on shows like \"American Idol\"","publication_date":{"day":null,"month":null,"year":2007,"errors":{}},"grobid_abstract_attachment_id":109364284},"translated_abstract":null,"internal_url":"https://www.academia.edu/111994593/Hyperreality_the_Question_of_Agency_and_the_Phenomenon_of_Reality_Television","translated_internal_url":"","created_at":"2023-12-21T05:20:24.288-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":45375,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":109364283,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109364283/thumbnails/1.jpg","file_name":"Chung.pdf","download_url":"https://www.academia.edu/attachments/109364283/download_file","bulk_download_file_name":"Hyperreality_the_Question_of_Agency_and.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109364283/Chung-libre.pdf?1703165754=\u0026response-content-disposition=attachment%3B+filename%3DHyperreality_the_Question_of_Agency_and.pdf\u0026Expires=1744396395\u0026Signature=FpffMt3YTBazvbyURI~SzoWweNKLNFdaIUZYEHMJzj0hOCVUOPO5OJUNnwI1TiesbOQv7tv3gpxEbAPwlHnaT3GpMhG~jsb-Mui9a6h7j7oykTbeaXgKmGZOo9Xsv33C~ejgic4yciT2Vhn19YnlOA~dJunq1iZrMenpCpHNQZ3KJl0hQlNwUQf6pneIF3WeerOn5H5fJRaYHn9EfN1em~DrovxJV1KfJXdVULD8l20Aj-Hbxz7FHeCVOeErhS2-okwrlzvs9PA6h3QlHOniKcPVQpiWhFfYbBY47Mv61VcRFD8e389FIwiHJUGkJs34R9Qny57l9Af9SGrhrMYyTQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Hyperreality_the_Question_of_Agency_and_the_Phenomenon_of_Reality_Television","translated_slug":"","page_count":14,"language":"en","content_type":"Work","summary":"This paper examines concepts of hyperreality and agency as advanced by three theorists-Jacques Derrida, Jean Baudrillard and Paul Virilio-who argue for a decentred agency and a hyperreality that is artifactual and produced. 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Derrida offers some solutions to this conundrum of a passive agent in works like Echographies of Television, urging us to be critical of a politics of memory and to celebrate the overcoming of the topopolitical boundaries that television enables. Again, this reminds us of Virilio's celebration of omnipresence and omnivoyance. Thus while it is certainly television's effect to de-centre and dissolve subjectivity, an awareness in the vein of Derrida's affords us some mastery over the image and offers us strategies of resistance and the reclamation of agency. Reality television explodes the division between the hyperreal and the real, but what it ultimately represents is the triumph of the hyperreal and the manufactured image. Specifically, when a consciousness loses its ability to distinguish reality from fantasy, and begins to engage with the latter without understanding what it is doing, it has shifted into the world of the hyperreal. The nature of the hyperreal world is characterised by Nebula 4.1, March 2007 Chung: Hyperreality… 32 \"enhancement\" of reality. As Derrida argues, it is an \"artifactuality\" that is produced and made rather than a record. (Echographies of Television, 41). Record here means something that is an exact representation of events. It also serves to satisfy our thirst for voyeurism and invasion of privacy, for as Baudrillard states, it increases our fascination with the obscene (Ecstasy of Communication, 33). This is an exercise of \"desiring to be seen\" and desiring the Other to return our gaze, as we desire the mock celebrity that reality television affords-for instance, the mock celebrity Anna Nicole, who rides more on instant fame than on a substantive career. In witnessing the privation of its participants through elimination rituals, we are also simultaneously celebrating our comforts, so that there is a sadistic element to taking pleasure in watching the sufferings of others at work as well. In coming across as \"more real than real\" and in our fascination with the hyperreal and manufactured image, Baudrillard's statement that we no longer watch television and that it is television watching us seems remarkably prophetic in the surge and success of reality television programmes (Ecstasy, 31). Reality television appeals to us because of its \"live\" element, its telepresence, and in Derrida's terms, the space it allows for the 'arrival' of an event, whose expectation is made of a 'nonexpectation.' In so doing, it offers a certain variety, diversity and spontaneity that we cannot find in scripted television programmes. Reality television, though scripted, offers the illusion of being spontaneous and undirected because it captures the \"authentic\" and often unsavoury aspects of characters onscreen. Derrida also argues for a \"messianism\" that guides the event, a promise of futurity: hence perhaps it is the openness and heightened anticipation in which we take pleasure (Echographies of Television, 13). There is also an element of \"testimony\" and truth to live television which separates it from more scripted programmes, like talk shows and sitcoms. As it happens only once in live real time, there is a precious singularity and uniqueness to the moment; Derrida once again explains that the seized moment captures the irreplaceable present and bears witness to the fact that \"this was there\" (Echographies of Television, 94). One might also argue that the addressee enjoys its status of \"being addressed\" in reality television, thus enabling the addressee to participate in production of meaning, as the confessional scenes in reality, as well as reporting in broadcast programmes, are directed towards engaging the audience in being \"participants\" of an event, as with audience voting on shows like \"American Idol\"","impression_tracking_id":null,"owner":{"id":45375,"first_name":"Chung","middle_initials":null,"last_name":"Chin-Yi","page_name":"ChungChinYi","domain_name":"nus","created_at":"2009-05-30T20:22:27.266-07:00","display_name":"Chung Chin-Yi","url":"https://nus.academia.edu/ChungChinYi"},"attachments":[{"id":109364283,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109364283/thumbnails/1.jpg","file_name":"Chung.pdf","download_url":"https://www.academia.edu/attachments/109364283/download_file","bulk_download_file_name":"Hyperreality_the_Question_of_Agency_and.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109364283/Chung-libre.pdf?1703165754=\u0026response-content-disposition=attachment%3B+filename%3DHyperreality_the_Question_of_Agency_and.pdf\u0026Expires=1744396395\u0026Signature=FpffMt3YTBazvbyURI~SzoWweNKLNFdaIUZYEHMJzj0hOCVUOPO5OJUNnwI1TiesbOQv7tv3gpxEbAPwlHnaT3GpMhG~jsb-Mui9a6h7j7oykTbeaXgKmGZOo9Xsv33C~ejgic4yciT2Vhn19YnlOA~dJunq1iZrMenpCpHNQZ3KJl0hQlNwUQf6pneIF3WeerOn5H5fJRaYHn9EfN1em~DrovxJV1KfJXdVULD8l20Aj-Hbxz7FHeCVOeErhS2-okwrlzvs9PA6h3QlHOniKcPVQpiWhFfYbBY47Mv61VcRFD8e389FIwiHJUGkJs34R9Qny57l9Af9SGrhrMYyTQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"},{"id":109364284,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109364284/thumbnails/1.jpg","file_name":"Chung.pdf","download_url":"https://www.academia.edu/attachments/109364284/download_file","bulk_download_file_name":"Hyperreality_the_Question_of_Agency_and.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109364284/Chung-libre.pdf?1703165752=\u0026response-content-disposition=attachment%3B+filename%3DHyperreality_the_Question_of_Agency_and.pdf\u0026Expires=1744396395\u0026Signature=KDDoGnlnvGjH5yWJUYTj11ByeZzDuxBllV7BL67uoumUYvBgTlvtcYmQnAGdh~AUCfjIviHVXCuDCGaW1u~HXfEzfmOXTTHI76ILj4d-qIeXlBQ8jJdERGoQRGCyZWnqUzrWatP6yMd~cgCnqhhMvjB4-Z9xTLqyIl9G2x8GfO7FqRf6PVCt59qzOBtlRQJ4pJcMRDxq4UWaFJVDI4zGzdFwhol1NLd13iUgxpMhhIdqs9EJyaYAyjHn98YbfXzwrSSoga9JqDp7Ee5xMNCuaF~-1NPZ5ygn7cX-amxxBUZGlV3Lpao6OtNf~ccIlIJnoLZUc56cSDIH3BDX~u6Wiw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":184,"name":"Sociology","url":"https://www.academia.edu/Documents/in/Sociology"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":817,"name":"Philosophy of Agency","url":"https://www.academia.edu/Documents/in/Philosophy_of_Agency"},{"id":4486,"name":"Political Science","url":"https://www.academia.edu/Documents/in/Political_Science"},{"id":6917,"name":"Spectacle","url":"https://www.academia.edu/Documents/in/Spectacle"},{"id":54659,"name":"Subjectivity","url":"https://www.academia.edu/Documents/in/Subjectivity"},{"id":80095,"name":"Gaze","url":"https://www.academia.edu/Documents/in/Gaze"},{"id":328957,"name":"Witness","url":"https://www.academia.edu/Documents/in/Witness"},{"id":2146723,"name":"Nebula","url":"https://www.academia.edu/Documents/in/Nebula"}],"urls":[{"id":37513850,"url":"http://www.nobleworld.biz/images/Chung.pdf"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") if (false) { Aedu.setUpFigureCarousel('profile-work-111994593-figures'); } }); </script> <div class="js-work-strip profile--work_container" data-work-id="111994592"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111994592/Reading_Character_In_Ho_Minfong_s_The_Clay_Marble"><img alt="Research paper thumbnail of Reading Character In Ho Minfong’s The Clay Marble" class="work-thumbnail" src="https://attachments.academia-assets.com/109364351/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111994592/Reading_Character_In_Ho_Minfong_s_The_Clay_Marble">Reading Character In Ho Minfong’s The Clay Marble</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Sarun and Dara share a bittersweet relationship. At the beginning of the novel the relationship i...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Sarun and Dara share a bittersweet relationship. At the beginning of the novel the relationship is supportive as Sarun guides and leads the family towards Nong Chan, where there is supposed to be an abundance of food and supplies. He has dreams of gathering supplies at Nong Chan such as food, rice seed and other supplies so that they can go home, repair the house, replant the fields, and start their life all over again. As a responsible elder brother, he chides her for being impatient in demanding food immediately and complaining that the rice was insufficient and cold. Eventually their relationship becomes an antagonistic one as their character growth levels head in different directions, with Dara maturing towards becoming a responsible adult and Sarun regressing into become a spoilt, temperamental and petty childlike adult.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f42837c9c7973ae8e558d2ab0d6601e9" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364351,"asset_id":111994592,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364351/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994592"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994592"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994592; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994592]").text(description); $(".js-view-count[data-work-id=111994592]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994592; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994592']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f42837c9c7973ae8e558d2ab0d6601e9" } } $('.js-work-strip[data-work-id=111994592]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994592,"title":"Reading Character In Ho Minfong’s The Clay Marble","translated_title":"","metadata":{"grobid_abstract":"Sarun and Dara share a bittersweet relationship. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") if (false) { Aedu.setUpFigureCarousel('profile-work-16222376-figures'); } }); </script> <div class="js-work-strip profile--work_container" data-work-id="316597"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/316597/Phenomenology_and_Deconstruction"><img alt="Research paper thumbnail of Phenomenology and Deconstruction" class="work-thumbnail" src="https://attachments.academia-assets.com/54221457/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/316597/Phenomenology_and_Deconstruction">Phenomenology and Deconstruction</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This book relates the entire tradition of phenomenology to deconstruction. It relates the work of...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This book relates the entire tradition of phenomenology to deconstruction. It relates the work of Husserl, Heidegger, Merleau-Ponty, Blanchot, Levinas, Ricoeur to Derrida's thought and argues that Derrida radicalizes the transcendental-empirical relation in order to rescue phenomenology from aporia. A rethinking of the entire metaphysical tradition, this work will be useful to those working in philosophy and literature who seek to understand the relation of the fields which are normally understood as distinct, phenomenology and deconstruction,where this book argues that this distinction is not as coherent as many argue. This book rethinks the transcedental-empirical relation and radicalizes the relation in order to address the aporias generated within phenomenology by a strict division between the two. Central to the discussion is the reading of the quasi-transcendental as the conditionality of phenomenology which occurs prior to it and enables its functioning. The a priori difference between the transcendental and the empirical institutes the possibility of their distinction and the impossibility of their separation. While many scholars read Derrida as a materialist, this study argues that Derrida radicalized metaphysics to come to terms with its own conditions of possibility such as differance, the trace and iterability</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b0324f6efeaeeba52c91f0acb978c64c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":54221457,"asset_id":316597,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/54221457/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="316597"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="316597"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 316597; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=316597]").text(description); $(".js-view-count[data-work-id=316597]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 316597; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='316597']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b0324f6efeaeeba52c91f0acb978c64c" } } $('.js-work-strip[data-work-id=316597]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":316597,"title":"Phenomenology and Deconstruction","translated_title":"","metadata":{"abstract":"This book relates the entire tradition of phenomenology to deconstruction. 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Negative phen...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">In this paper I examine the negative phenomenologies of Merleau-Ponty and Blanchot. Negative phenomenologies repress difference as the transcendental and the empirical are repetitions of the same through iterability. I argue that a negative phenomenology or a reversal of phenomenology repeats it rather than managing to escape from it. This is because it still proceeds within its metaphysical vocabulary and ontological structure. Thus, Merleau-Ponty and Blanchot, in inverting and reversing phenomenology, only repeat it by borrowing entirely from its metaphysical vocabulary and structure. Derrida's phenomenology in place, is a meta-phenomenology in discovering the origin of phenomenology as difference, or the difference between philosophy and non-philosophy, transcendental and empirical. Derrida discovers the condition of possibility for phenomenology as quasi-transcendental, or the interval between the transcendental and empirical which conditions phenomenology in its entirety. The transcendental and empirical are paradoxically identical and non-identical because the difference translates into sameness.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f8f148485182287eddd75aa06d07353b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364305,"asset_id":111994610,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364305/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994610"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994610"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994610; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994610]").text(description); $(".js-view-count[data-work-id=111994610]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994610; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994610']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f8f148485182287eddd75aa06d07353b" } } $('.js-work-strip[data-work-id=111994610]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994610,"title":"LiBRI Journal - The Relation of Merleau-ponty and Blanchot to Derrida","translated_title":"","metadata":{"publisher":"CERN European Organization for Nuclear Research","grobid_abstract":"In this paper I examine the negative phenomenologies of Merleau-Ponty and Blanchot. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") if (false) { Aedu.setUpFigureCarousel('profile-work-111994610-figures'); } }); </script> <div class="js-work-strip profile--work_container" data-work-id="111994607"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111994607/Religious_Satire_in_Oranges_are_not_the_only_Fruit"><img alt="Research paper thumbnail of Religious Satire in Oranges are not the only Fruit" class="work-thumbnail" src="https://attachments.academia-assets.com/109369337/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111994607/Religious_Satire_in_Oranges_are_not_the_only_Fruit">Religious Satire in Oranges are not the only Fruit</a></div><div class="wp-workCard_item"><span>Блесок - литература и други уметности</span><span>, 2013</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Winterson thus decries the patriarchy of the Bible, which would exalt men and place them in place...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Winterson thus decries the patriarchy of the Bible, which would exalt men and place them in places of authority when they do little to earn respect for that authority and abuse that authority, as the men who try to hit on her sexually when they are married show. In Winterson's eyes women are not in any way inferior to men, she does not feel the need to defer to men when she is not intellectually inferior to them, it is only their superior standing inscribed by the bible that keeps her in her place and it is this that she escapes by running away from her Church and home. The alternative, to work in an asylum and funeral parlour, might seem lowly but it is to her a freedom from an oppressive patriarchal slavery which she will not accept. Indeed, with Winterson's talent, it is little wonder she does not feel the desire to defer to a man. Less talented and weak minded members of the female species might be content to be always subordinate, but for Winterson's case, it is clearly a case of one who does not see the need to defer to a male race which is not superior to her in any way.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5b7a8e2d5eaeff608a2581675ce4c56c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109369337,"asset_id":111994607,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109369337/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994607"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994607"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994607; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994607]").text(description); $(".js-view-count[data-work-id=111994607]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994607; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994607']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5b7a8e2d5eaeff608a2581675ce4c56c" } } $('.js-work-strip[data-work-id=111994607]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994607,"title":"Religious Satire in Oranges are not the only Fruit","translated_title":"","metadata":{"ai_title_tag":"Challenging Biblical Patriarchy in Winterson's Work","grobid_abstract":"Winterson thus decries the patriarchy of the Bible, which would exalt men and place them in places of authority when they do little to earn respect for that authority and abuse that authority, as the men who try to hit on her sexually when they are married show. In Winterson's eyes women are not in any way inferior to men, she does not feel the need to defer to men when she is not intellectually inferior to them, it is only their superior standing inscribed by the bible that keeps her in her place and it is this that she escapes by running away from her Church and home. The alternative, to work in an asylum and funeral parlour, might seem lowly but it is to her a freedom from an oppressive patriarchal slavery which she will not accept. Indeed, with Winterson's talent, it is little wonder she does not feel the desire to defer to a man. 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The Shipping News is mainly about recovery: it&#39;s about having to confront your fears and face your past. It&#39;s about losing everything -- including hope -- and winning it all back.Quoyle thus emerges from being in itself in negating his past to being for itself in embracing his future as we will read with the later section on Blade Runner.Quoyle overcomes his damaged past as he negates it as an in itself to become being for itself to embrace his future with Wavey. Watanabe thus moves from being drowned in the past as an in itself to reinventing himself with Midori in the future as being for itself.The figure of Deckard is also seen to evince a growth from the in-itself to the for-itself.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bc763063a79adb8b4ba6207a7a582210" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109369443,"asset_id":111994606,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109369443/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994606"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994606"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994606; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994606]").text(description); $(".js-view-count[data-work-id=111994606]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994606; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994606']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bc763063a79adb8b4ba6207a7a582210" } } $('.js-work-strip[data-work-id=111994606]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994606,"title":"A Sartrean analysis of Shipping News, Norwegian Wood and Blade Runner","translated_title":"","metadata":{"abstract":": As soon as they are submerged in this faraway place of beauty and solitude, Quoyle\u0026#39;s emotional wounds begin to heal but his demons still haunt him. The Shipping News is mainly about recovery: it\u0026#39;s about having to confront your fears and face your past. It\u0026#39;s about losing everything -- including hope -- and winning it all back.Quoyle thus emerges from being in itself in negating his past to being for itself in embracing his future as we will read with the later section on Blade Runner.Quoyle overcomes his damaged past as he negates it as an in itself to become being for itself to embrace his future with Wavey. Watanabe thus moves from being drowned in the past as an in itself to reinventing himself with Midori in the future as being for itself.The figure of Deckard is also seen to evince a growth from the in-itself to the for-itself.","publisher":"Granthaalayah Publications and Printers","ai_title_tag":"Sartrean Themes in Shipping News and Blade Runner","publication_date":{"day":14,"month":5,"year":2017,"errors":{}},"publication_name":"International Journal of Research"},"translated_abstract":": As soon as they are submerged in this faraway place of beauty and solitude, Quoyle\u0026#39;s emotional wounds begin to heal but his demons still haunt him. The Shipping News is mainly about recovery: it\u0026#39;s about having to confront your fears and face your past. 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We will be subject to the Lamb's wrath if we do not believe and contribute to God's kingdom when he returns. The stalker by Tarkovsky is thus a profound indictment of unbelief and cynicism by intellectuals and the hubris of men who make themselves gods in place of worshipping the true God who promises to bring them redemption and blessing if they would only believe.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3fde1c5521108175fc66b9279a65ae60" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364300,"asset_id":111994604,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364300/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994604"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994604"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994604; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994604]").text(description); $(".js-view-count[data-work-id=111994604]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994604; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994604']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3fde1c5521108175fc66b9279a65ae60" } } $('.js-work-strip[data-work-id=111994604]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994604,"title":"Andrei Tarkovsky’s the Stalker- Intellectualism as the anti-thesis of Hope and Belief","translated_title":"","metadata":{"publisher":"Granthaalayah Publications and Printers","grobid_abstract":"The men who make themselves Gods like the writer and the scientist thus flounder in an eternal perspective because all their writing and scientific discoveries are dust when put in God's eternal perspective, it is the religious faith of a man and his contributions to God's kingdom that will eventually make a difference when Christ returns and judges man, as the allusion to Revelations in the film's middle comments. We will be subject to the Lamb's wrath if we do not believe and contribute to God's kingdom when he returns. 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We will be subject to the Lamb's wrath if we do not believe and contribute to God's kingdom when he returns. 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(FT 23) Without representation, there is no double concept that refers to something external as a mere simulacrum, rather the simulacrum is all there is as a birthing to presence. There is no simulacrum as a copy of an ideal infinite form such as beauty. Rather the painting or poetry is radically finite, its own limit, deriving its beauty and existence from its own particularity and specificity rather than owing this beauty to a transcendental absolute of Beauty. (Keywords: Transcendental; Empirical; Metaphysics; Nancy; Phenomenology)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="97c6df41937206c9579edb162dcf6cf4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109369608,"asset_id":111994603,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109369608/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994603"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994603"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994603; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994603]").text(description); $(".js-view-count[data-work-id=111994603]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994603; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994603']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "97c6df41937206c9579edb162dcf6cf4" } } $('.js-work-strip[data-work-id=111994603]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994603,"title":"Philosophical Themes in Jean Luc Nancy","translated_title":"","metadata":{"abstract":"Nancy argues in A Finite Thinking that art no longer represents the idea or Truth because there is nothing that resides outside the finite as the ultimate reality is finitude rather than an infinite that informs the finite. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") if (false) { Aedu.setUpFigureCarousel('profile-work-111994603-figures'); } }); </script> <div class="js-work-strip profile--work_container" data-work-id="111994602"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111994602/Rape_as_violence_in_Coetzee_s_Disgrace"><img alt="Research paper thumbnail of Rape as violence in Coetzee’s Disgrace" class="work-thumbnail" src="https://attachments.academia-assets.com/109364299/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111994602/Rape_as_violence_in_Coetzee_s_Disgrace">Rape as violence in Coetzee’s Disgrace</a></div><div class="wp-workCard_item"><span>International Journal of Research</span><span>, Feb 5, 2017</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="fc1067ba37424973c5bc711d23504e95" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364299,"asset_id":111994602,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364299/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994602"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994602"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994602; 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Coetzee's novel 'Disgrace' examines the theme of rape as a form of violence, emphasizing the emotional ramifications of shame and disgrace experienced by the characters, particularly Lucy and David. The paper argues that the novel critiques societal attitudes towards women and illustrates a progression in David's awareness of feminism, alongside a complex exploration of morality related to seduction and consent. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") if (false) { Aedu.setUpFigureCarousel('profile-work-111994602-figures'); } }); </script> <div class="js-work-strip profile--work_container" data-work-id="111994601"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111994601/Fate_in_Kieslowski_s_Red_and_Allen_s_Irrational_Man"><img alt="Research paper thumbnail of Fate in Kieslowski’s Red and Allen’s Irrational Man" class="work-thumbnail" src="https://attachments.academia-assets.com/109364296/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111994601/Fate_in_Kieslowski_s_Red_and_Allen_s_Irrational_Man">Fate in Kieslowski’s Red and Allen’s Irrational Man</a></div><div class="wp-workCard_item"><span>International Journal of Research</span><span>, 2017</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Coincidences are too coincidental to just be chance or even good luck. There has to be some mysti...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Coincidences are too coincidental to just be chance or even good luck. There has to be some mystical, supernatural or theological source influencing these unfathomably deep life-decisions. The study book fell and opened at the page of the exam question is another example of this. Or the moment the old judge spoke his heart to the young woman, the wind outside the opera house suddenly slams the open doors and breaks the windows. The gigantic picture of the young woman happens to predict the one on TV, after the drowning accident on her Canal crossing trip. There is just no luck as is constantly brought up in the film only God's will and divine providence. Luck will run out and turn against you and force you to take responsibility for your own crimes and sins.It is truly only God and divine justice forcing Abe Lucas to take responsibility for his murder in the end.Divine providence or God's justice is relentless and overpowers any of man's efforts to take justice into his own hands as with Abe Lucas' murder of the judge.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1ab329c813f59d5823438d1b0beaa5df" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364296,"asset_id":111994601,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364296/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994601"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994601"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994601; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994601]").text(description); $(".js-view-count[data-work-id=111994601]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994601; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994601']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1ab329c813f59d5823438d1b0beaa5df" } } $('.js-work-strip[data-work-id=111994601]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994601,"title":"Fate in Kieslowski’s Red and Allen’s Irrational Man","translated_title":"","metadata":{"publisher":"Granthaalayah Publications and Printers","grobid_abstract":"Coincidences are too coincidental to just be chance or even good luck. There has to be some mystical, supernatural or theological source influencing these unfathomably deep life-decisions. The study book fell and opened at the page of the exam question is another example of this. Or the moment the old judge spoke his heart to the young woman, the wind outside the opera house suddenly slams the open doors and breaks the windows. The gigantic picture of the young woman happens to predict the one on TV, after the drowning accident on her Canal crossing trip. There is just no luck as is constantly brought up in the film only God's will and divine providence. Luck will run out and turn against you and force you to take responsibility for your own crimes and sins.It is truly only God and divine justice forcing Abe Lucas to take responsibility for his murder in the end.Divine providence or God's justice is relentless and overpowers any of man's efforts to take justice into his own hands as with Abe Lucas' murder of the judge.","publication_date":{"day":null,"month":null,"year":2017,"errors":{}},"publication_name":"International Journal of Research","grobid_abstract_attachment_id":109364296},"translated_abstract":null,"internal_url":"https://www.academia.edu/111994601/Fate_in_Kieslowski_s_Red_and_Allen_s_Irrational_Man","translated_internal_url":"","created_at":"2023-12-21T05:20:26.251-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":45375,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":109364296,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109364296/thumbnails/1.jpg","file_name":"8712.pdf","download_url":"https://www.academia.edu/attachments/109364296/download_file","bulk_download_file_name":"Fate_in_Kieslowski_s_Red_and_Allen_s_Irr.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109364296/8712-libre.pdf?1703165754=\u0026response-content-disposition=attachment%3B+filename%3DFate_in_Kieslowski_s_Red_and_Allen_s_Irr.pdf\u0026Expires=1744396395\u0026Signature=LhVPdJANjGeyKHhe1BC0cmheyX7HI-xR54bAQ45W2ekOxQymgsBAiFDvyVv6PAH2I33dl1grydRyYaI7QwHIWKg4VtNINrZJQxKQZarAuKUVhGrmIHWiEmuUfd-AX1dNpDOLh2RmeDjrloD-BOvhDzIL5hUT3s-f5pnnOcfG3mv98uXGJTVfeHETMBBRMF95MGK8yJxY1Lgn5OQeiGOAy83k7MXZ7pN8r0VXm6CJrDzGGLutdIVqtTTFY0w5DPV~Bja0LAsBBTn6t2Hid01HKSyRVJ6NRSIp6FS1ZzY6sO~aHGBMmsw7Or0jHRKT8-0mgm9eNTE7VTHTd0c41E3Ebw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Fate_in_Kieslowski_s_Red_and_Allen_s_Irrational_Man","translated_slug":"","page_count":5,"language":"en","content_type":"Work","summary":"Coincidences are too coincidental to just be chance or even good luck. 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This is captured in the Nietszchean philosophy and profoundly mundane and materialistic ways the Swedish family is caught up with in the filmlost and in need of redemption, yet ungrateful and unworthy of redemption when the sacrifice is made. Tarkovsky's sacrifice is thus an indictment of the profound spiritual destitution of modern urban ways of living and the decline of faith in Europe.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="da403a4a1dc1faeba557007e2c84f58f" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364295,"asset_id":111994600,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364295/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994600"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994600"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994600; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994600]").text(description); $(".js-view-count[data-work-id=111994600]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994600; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994600']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "da403a4a1dc1faeba557007e2c84f58f" } } $('.js-work-strip[data-work-id=111994600]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994600,"title":"Spiritual crises in The Sacrifice","translated_title":"","metadata":{"publisher":"Granthaalayah Publications and Printers","grobid_abstract":"Tarkovsky's The Sacrifice is thus a profound statement on spiritual loss and the fallen ungrateful nature of mankind who have turned their back on God and Christ's atoning sacrifice. 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Hence life is absurd, certainly, but only for the antiheroic who refuse to embrace God's statutes. The life of meaninglessness and absurdity and vanity in waiting is thus for those who do not embrace the life of faith and learn to lean on God's promises. Indeed, what God gives us is essentially a promise-a promise of hope if we learn to lean on him and seek him, and a life of meaninglessness, vanity and empty striving if we lead the faithless life. So indeed, the play might be indeed seem to be about the vanity about waiting for God, but one should rather see it as the vanity of waiting for God without faith, because God promises a life of meaning and coherence to those who put their faith in him.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="63e13ce5af69ea4065735ae7fee5ed18" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364291,"asset_id":111994599,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364291/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994599"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994599"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994599; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994599]").text(description); $(".js-view-count[data-work-id=111994599]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994599; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994599']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "63e13ce5af69ea4065735ae7fee5ed18" } } $('.js-work-strip[data-work-id=111994599]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994599,"title":"Absurdity in Mood Indigo and Waiting for Godot","translated_title":"","metadata":{"publisher":"Granthaalayah Publications and Printers","ai_title_tag":"Faith and Absurdity in Godot and Mood Indigo","grobid_abstract":"The message of the Mood Indigo and Waiting for Godot thus seems to be that God will show divine mercy only to those who please him and damn the rest to hell. Hence life is absurd, certainly, but only for the antiheroic who refuse to embrace God's statutes. The life of meaninglessness and absurdity and vanity in waiting is thus for those who do not embrace the life of faith and learn to lean on God's promises. Indeed, what God gives us is essentially a promise-a promise of hope if we learn to lean on him and seek him, and a life of meaninglessness, vanity and empty striving if we lead the faithless life. So indeed, the play might be indeed seem to be about the vanity about waiting for God, but one should rather see it as the vanity of waiting for God without faith, because God promises a life of meaning and coherence to those who put their faith in him.","publication_date":{"day":14,"month":5,"year":2017,"errors":{}},"publication_name":"International Journal of Research","grobid_abstract_attachment_id":109364292},"translated_abstract":null,"internal_url":"https://www.academia.edu/111994599/Absurdity_in_Mood_Indigo_and_Waiting_for_Godot","translated_internal_url":"","created_at":"2023-12-21T05:20:25.684-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":45375,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":109364291,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109364291/thumbnails/1.jpg","file_name":"7341.pdf","download_url":"https://www.academia.edu/attachments/109364291/download_file","bulk_download_file_name":"Absurdity_in_Mood_Indigo_and_Waiting_for.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109364291/7341-libre.pdf?1703165752=\u0026response-content-disposition=attachment%3B+filename%3DAbsurdity_in_Mood_Indigo_and_Waiting_for.pdf\u0026Expires=1744332966\u0026Signature=O3NWD139yt45Es0l1aRJNf2a5MaMjsSt1cI8OBF2VLqIzGTGpNG2K0d4tKxWbdsC4IOqW3iplch07c0IwMezAfipwk~KAn6mNUCyetP7YexiG57LOd~u8ueIcIrKUUU5FQah3abo30HVcA-5-Ac2EeVsckjLLf8D1Q5hJ1Kx1FBIxj-P4L2NcxW7Ztb623MoWom3-dWhtetI1CJDOR3LIgQFN~ovoCwIcNENBnN0Nr-SPlxrh6GgRryB1BiyIwCzMCElN4pI27DDZw8PIsgGwVnz75OZ4Hlp8XBZzBFSrYnoHjmaAVoHrrRgy5gmhTseKXBFeynusajNYKhQrexfZw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Absurdity_in_Mood_Indigo_and_Waiting_for_Godot","translated_slug":"","page_count":5,"language":"en","content_type":"Work","summary":"The message of the Mood Indigo and Waiting for Godot thus seems to be that God will show divine mercy only to those who please him and damn the rest to hell. 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However television's influence is seen steadily throughout the novel, from the way Denise mutters 'toyota celica' in her sleep to the way the family experiences a numbness to disasters because of their exposure to it on television. Along with the 'most photographed barn in America' Murray Siskind takes Jack Gladney to we see that signs and symbols have replaced reality and we are firmly in the realm of the simulacral where reality is effaced and we are left with hyperreality, mediated or augmented reality.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="2aa5bc7a2f660aa8433f3077eff71e99" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364294,"asset_id":111994598,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364294/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994598"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994598"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994598; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994598]").text(description); $(".js-view-count[data-work-id=111994598]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994598; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994598']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "2aa5bc7a2f660aa8433f3077eff71e99" } } $('.js-work-strip[data-work-id=111994598]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994598,"title":"Hyperreality and the dominance of the image in White Noise","translated_title":"","metadata":{"publisher":"Granthaalayah Publications and Printers","grobid_abstract":"The pervasive culture of television watching is seen and we see that Babette tries to diminish its glamour by making it a family affair. 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Greene thus seems to imply that while adultery is a sin and the punishment for adultery is inexorable and swift, God does not seem to heed the authenticity of the marriage being violated or the true passion that is destroyed by God seeing to the punishment of his laws through swiftly punishing adultery by having Sarah meet an early death and destroying the affair between Sarah and Bendrix. Emma is also destroyed by adultery as her lovers desert her after she accumulates debt and she commits suicide.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1e508415cc4f71576e5415c2ff62fe3c" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364290,"asset_id":111994597,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364290/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994597"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994597"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994597; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994597]").text(description); $(".js-view-count[data-work-id=111994597]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994597; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994597']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1e508415cc4f71576e5415c2ff62fe3c" } } $('.js-work-strip[data-work-id=111994597]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994597,"title":"Adultery as ruin in Flaubert’s Madame Bovary and Greene’s The End of the Affair","translated_title":"","metadata":{"publisher":"Granthaalayah Publications and Printers","ai_title_tag":"Adultery's Consequences in Flaubert's and Greene's Works","grobid_abstract":"Indeed God demands that marriage vows be kept, without considering the state or authenticity of the marriage. 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Emma is also destroyed by adultery as her lovers desert her after she accumulates debt and she commits suicide.","publication_date":{"day":21,"month":1,"year":2017,"errors":{}},"publication_name":"International Journal of Research","grobid_abstract_attachment_id":109364290},"translated_abstract":null,"internal_url":"https://www.academia.edu/111994597/Adultery_as_ruin_in_Flaubert_s_Madame_Bovary_and_Greene_s_The_End_of_the_Affair","translated_internal_url":"","created_at":"2023-12-21T05:20:25.185-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":45375,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":109364290,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109364290/thumbnails/1.jpg","file_name":"6514.pdf","download_url":"https://www.academia.edu/attachments/109364290/download_file","bulk_download_file_name":"Adultery_as_ruin_in_Flaubert_s_Madame_Bo.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109364290/6514-libre.pdf?1703165755=\u0026response-content-disposition=attachment%3B+filename%3DAdultery_as_ruin_in_Flaubert_s_Madame_Bo.pdf\u0026Expires=1744396395\u0026Signature=MBHfJxvFRJiQFGgccTm0dF4z5gKwiDyaIhyTyyu3RJ2AmTC9hREbyLKwa1Sg1fVebeLWxK~1g5huLiAlmuvX59oxhq9Rrureot98AjTzTq6DpqgfVHZ9JN4en5IJ~Fc-KX3Z97YdCK7bzYdGLuPuViobpizauHgDQmlx5IvUsi659lzVNRLg0LGLNlaOKvJDX5KtgbNwL6uxg-LBdq1gH2Cccw0rgP1KxvDD6NbirjU9X4FQOgCmwmBF~PA6BHx3VrFgDReWa2fTrtYIkDlkZ8iVxfqcSPF6JC7nNE3mVSP1j74YAmzcf3CojoBWUtljd9H-vzelhMr9UlVnIkRRbQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Adultery_as_ruin_in_Flaubert_s_Madame_Bovary_and_Greene_s_The_End_of_the_Affair","translated_slug":"","page_count":6,"language":"en","content_type":"Work","summary":"Indeed God demands that marriage vows be kept, without considering the state or authenticity of the marriage. Greene thus seems to imply that while adultery is a sin and the punishment for adultery is inexorable and swift, God does not seem to heed the authenticity of the marriage being violated or the true passion that is destroyed by God seeing to the punishment of his laws through swiftly punishing adultery by having Sarah meet an early death and destroying the affair between Sarah and Bendrix. 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I will read destruction in various Heidegger texts and point out its problematic as suggested by Derrida, that every instance of the destruction of metaphysics is in fact a repetition of it as it borrows entirely from the structure of metaphysics it sets out to destroy. The impossibility of the distinction between the transcendental and empirical is its own possibility as differance between the transcendental and empirical distinguishes and separates nothing, hence Heidegger's anti-metaphysics and postrepresentation is no different from the transcendental idealism he destroys. Derrida thus rescues the phenomenological project by discovering the quasi-transcendental, that which is neither transcendental nor empirical, as the condition that allows the thinking of both through iterability and differance.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b0fc412ed3937c90da1ac2d69676db00" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364288,"asset_id":111994596,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364288/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994596"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994596"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994596; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994596]").text(description); $(".js-view-count[data-work-id=111994596]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994596; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994596']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b0fc412ed3937c90da1ac2d69676db00" } } $('.js-work-strip[data-work-id=111994596]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994596,"title":"Heidegger on Destruction","translated_title":"","metadata":{"publisher":"Granthaalayah Publications and Printers","ai_title_tag":"Heidegger's Destruction of Metaphysics Explained","grobid_abstract":"In this paper I will examine Heidegger's move to set out the task of philosophy as the destruction of metaphysics to move into the realm of ontology, or an inquiry into the being of Being. 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Hence in many senses though the Duchess is deemed pure and genuinely bound to love and a fertile marriage with Antonio we can see it is her blindness to the socio-political realities of the true evil of her brothers and the corruption of the court that surrounds her that leads to her inviting her own destruction as she is not cognizant of her subordinated status as a woman in Jacobean times. Therein lies the tragedy, the Duchess wilfully asserts her right to love and marry on the basis of her own preferences disregarding her brothers wishes and is subsequently destroyed by her brothers for what they deem an illegitimate marriage which is an offence to their power.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4444ed77f0b9423948d422330fb2a226" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364286,"asset_id":111994595,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364286/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994595"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994595"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994595; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994595]").text(description); $(".js-view-count[data-work-id=111994595]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994595; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994595']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4444ed77f0b9423948d422330fb2a226" } } $('.js-work-strip[data-work-id=111994595]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994595,"title":"Female imprisonment in the Duchess of Malfi","translated_title":"","metadata":{"publisher":"Granthaalayah Publications and Printers","grobid_abstract":"The Duchess' haughty assertion of nobility, to make opponents her low footsteps are seen to be blind to the socio-political realities that surround her. 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") if (false) { Aedu.setUpFigureCarousel('profile-work-111994595-figures'); } }); </script> <div class="js-work-strip profile--work_container" data-work-id="111994594"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111994594/Derrida_Phenomenology_and_Death"><img alt="Research paper thumbnail of Derrida, Phenomenology and Death" class="work-thumbnail" src="https://attachments.academia-assets.com/109364287/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111994594/Derrida_Phenomenology_and_Death">Derrida, Phenomenology and Death</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c359e8d4f1a660654fdb9b50781e13c2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364287,"asset_id":111994594,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364287/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994594"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994594"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994594; 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$(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") if (false) { Aedu.setUpFigureCarousel('profile-work-111994594-figures'); } }); </script> <div class="js-work-strip profile--work_container" data-work-id="111994593"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111994593/Hyperreality_the_Question_of_Agency_and_the_Phenomenon_of_Reality_Television"><img alt="Research paper thumbnail of Hyperreality, the Question of Agency, and the Phenomenon of Reality Television" class="work-thumbnail" src="https://attachments.academia-assets.com/109364283/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111994593/Hyperreality_the_Question_of_Agency_and_the_Phenomenon_of_Reality_Television">Hyperreality, the Question of Agency, and the Phenomenon of Reality Television</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">This paper examines concepts of hyperreality and agency as advanced by three theorists-Jacques De...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">This paper examines concepts of hyperreality and agency as advanced by three theorists-Jacques Derrida, Jean Baudrillard and Paul Virilio-who argue for a decentred agency and a hyperreality that is artifactual and produced. The paper first examines these theories as they apply to broadcast cable news and reality television. Thereafter, I will explore the notion that the televisual spectator occupies a space between de-centred consumer of images and empowered voyeur. While the spectator cannot control or resist the flood of images politically aimed at diminishing his/her subjectivity and autonomy, as well as to think independently of events presented, the spectator is empowered in the sense of being granted a sense of omnipresence as voyeur, albeit a passive one. An active voyeur successfully navigates media through the intervention of his own agency. As Zizek in "How the Non-Duped Err" notes, the gaze at the same time denotes power (it enables us to exert control over the situation, to occupy the position of master) and impotence (as bearers of a gaze, we are reduced to the role of passive witness) (Zizek, 2). Derrida offers some solutions to this conundrum of a passive agent in works like Echographies of Television, urging us to be critical of a politics of memory and to celebrate the overcoming of the topopolitical boundaries that television enables. Again, this reminds us of Virilio's celebration of omnipresence and omnivoyance. Thus while it is certainly television's effect to de-centre and dissolve subjectivity, an awareness in the vein of Derrida's affords us some mastery over the image and offers us strategies of resistance and the reclamation of agency. Reality television explodes the division between the hyperreal and the real, but what it ultimately represents is the triumph of the hyperreal and the manufactured image. Specifically, when a consciousness loses its ability to distinguish reality from fantasy, and begins to engage with the latter without understanding what it is doing, it has shifted into the world of the hyperreal. The nature of the hyperreal world is characterised by Nebula 4.1, March 2007 Chung: Hyperreality… 32 "enhancement" of reality. As Derrida argues, it is an "artifactuality" that is produced and made rather than a record. (Echographies of Television, 41). Record here means something that is an exact representation of events. It also serves to satisfy our thirst for voyeurism and invasion of privacy, for as Baudrillard states, it increases our fascination with the obscene (Ecstasy of Communication, 33). This is an exercise of "desiring to be seen" and desiring the Other to return our gaze, as we desire the mock celebrity that reality television affords-for instance, the mock celebrity Anna Nicole, who rides more on instant fame than on a substantive career. In witnessing the privation of its participants through elimination rituals, we are also simultaneously celebrating our comforts, so that there is a sadistic element to taking pleasure in watching the sufferings of others at work as well. In coming across as "more real than real" and in our fascination with the hyperreal and manufactured image, Baudrillard's statement that we no longer watch television and that it is television watching us seems remarkably prophetic in the surge and success of reality television programmes (Ecstasy, 31). Reality television appeals to us because of its "live" element, its telepresence, and in Derrida's terms, the space it allows for the 'arrival' of an event, whose expectation is made of a 'nonexpectation.' In so doing, it offers a certain variety, diversity and spontaneity that we cannot find in scripted television programmes. Reality television, though scripted, offers the illusion of being spontaneous and undirected because it captures the "authentic" and often unsavoury aspects of characters onscreen. Derrida also argues for a "messianism" that guides the event, a promise of futurity: hence perhaps it is the openness and heightened anticipation in which we take pleasure (Echographies of Television, 13). There is also an element of "testimony" and truth to live television which separates it from more scripted programmes, like talk shows and sitcoms. As it happens only once in live real time, there is a precious singularity and uniqueness to the moment; Derrida once again explains that the seized moment captures the irreplaceable present and bears witness to the fact that "this was there" (Echographies of Television, 94). One might also argue that the addressee enjoys its status of "being addressed" in reality television, thus enabling the addressee to participate in production of meaning, as the confessional scenes in reality, as well as reporting in broadcast programmes, are directed towards engaging the audience in being "participants" of an event, as with audience voting on shows like "American Idol"</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="425e4897ac66e8acba20846ce03a647a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364283,"asset_id":111994593,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364283/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994593"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994593"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994593; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994593]").text(description); $(".js-view-count[data-work-id=111994593]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994593; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994593']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "425e4897ac66e8acba20846ce03a647a" } } $('.js-work-strip[data-work-id=111994593]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994593,"title":"Hyperreality, the Question of Agency, and the Phenomenon of Reality Television","translated_title":"","metadata":{"ai_title_tag":"Agency and Hyperreality in Reality TV","grobid_abstract":"This paper examines concepts of hyperreality and agency as advanced by three theorists-Jacques Derrida, Jean Baudrillard and Paul Virilio-who argue for a decentred agency and a hyperreality that is artifactual and produced. The paper first examines these theories as they apply to broadcast cable news and reality television. Thereafter, I will explore the notion that the televisual spectator occupies a space between de-centred consumer of images and empowered voyeur. While the spectator cannot control or resist the flood of images politically aimed at diminishing his/her subjectivity and autonomy, as well as to think independently of events presented, the spectator is empowered in the sense of being granted a sense of omnipresence as voyeur, albeit a passive one. An active voyeur successfully navigates media through the intervention of his own agency. As Zizek in \"How the Non-Duped Err\" notes, the gaze at the same time denotes power (it enables us to exert control over the situation, to occupy the position of master) and impotence (as bearers of a gaze, we are reduced to the role of passive witness) (Zizek, 2). Derrida offers some solutions to this conundrum of a passive agent in works like Echographies of Television, urging us to be critical of a politics of memory and to celebrate the overcoming of the topopolitical boundaries that television enables. Again, this reminds us of Virilio's celebration of omnipresence and omnivoyance. Thus while it is certainly television's effect to de-centre and dissolve subjectivity, an awareness in the vein of Derrida's affords us some mastery over the image and offers us strategies of resistance and the reclamation of agency. Reality television explodes the division between the hyperreal and the real, but what it ultimately represents is the triumph of the hyperreal and the manufactured image. Specifically, when a consciousness loses its ability to distinguish reality from fantasy, and begins to engage with the latter without understanding what it is doing, it has shifted into the world of the hyperreal. The nature of the hyperreal world is characterised by Nebula 4.1, March 2007 Chung: Hyperreality… 32 \"enhancement\" of reality. As Derrida argues, it is an \"artifactuality\" that is produced and made rather than a record. (Echographies of Television, 41). Record here means something that is an exact representation of events. It also serves to satisfy our thirst for voyeurism and invasion of privacy, for as Baudrillard states, it increases our fascination with the obscene (Ecstasy of Communication, 33). This is an exercise of \"desiring to be seen\" and desiring the Other to return our gaze, as we desire the mock celebrity that reality television affords-for instance, the mock celebrity Anna Nicole, who rides more on instant fame than on a substantive career. In witnessing the privation of its participants through elimination rituals, we are also simultaneously celebrating our comforts, so that there is a sadistic element to taking pleasure in watching the sufferings of others at work as well. In coming across as \"more real than real\" and in our fascination with the hyperreal and manufactured image, Baudrillard's statement that we no longer watch television and that it is television watching us seems remarkably prophetic in the surge and success of reality television programmes (Ecstasy, 31). Reality television appeals to us because of its \"live\" element, its telepresence, and in Derrida's terms, the space it allows for the 'arrival' of an event, whose expectation is made of a 'nonexpectation.' In so doing, it offers a certain variety, diversity and spontaneity that we cannot find in scripted television programmes. Reality television, though scripted, offers the illusion of being spontaneous and undirected because it captures the \"authentic\" and often unsavoury aspects of characters onscreen. Derrida also argues for a \"messianism\" that guides the event, a promise of futurity: hence perhaps it is the openness and heightened anticipation in which we take pleasure (Echographies of Television, 13). There is also an element of \"testimony\" and truth to live television which separates it from more scripted programmes, like talk shows and sitcoms. As it happens only once in live real time, there is a precious singularity and uniqueness to the moment; Derrida once again explains that the seized moment captures the irreplaceable present and bears witness to the fact that \"this was there\" (Echographies of Television, 94). One might also argue that the addressee enjoys its status of \"being addressed\" in reality television, thus enabling the addressee to participate in production of meaning, as the confessional scenes in reality, as well as reporting in broadcast programmes, are directed towards engaging the audience in being \"participants\" of an event, as with audience voting on shows like \"American Idol\"","publication_date":{"day":null,"month":null,"year":2007,"errors":{}},"grobid_abstract_attachment_id":109364284},"translated_abstract":null,"internal_url":"https://www.academia.edu/111994593/Hyperreality_the_Question_of_Agency_and_the_Phenomenon_of_Reality_Television","translated_internal_url":"","created_at":"2023-12-21T05:20:24.288-08:00","preview_url":null,"current_user_can_edit":null,"current_user_is_owner":null,"owner_id":45375,"coauthors_can_edit":true,"document_type":"paper","co_author_tags":[],"downloadable_attachments":[{"id":109364283,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109364283/thumbnails/1.jpg","file_name":"Chung.pdf","download_url":"https://www.academia.edu/attachments/109364283/download_file","bulk_download_file_name":"Hyperreality_the_Question_of_Agency_and.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109364283/Chung-libre.pdf?1703165754=\u0026response-content-disposition=attachment%3B+filename%3DHyperreality_the_Question_of_Agency_and.pdf\u0026Expires=1744396395\u0026Signature=FpffMt3YTBazvbyURI~SzoWweNKLNFdaIUZYEHMJzj0hOCVUOPO5OJUNnwI1TiesbOQv7tv3gpxEbAPwlHnaT3GpMhG~jsb-Mui9a6h7j7oykTbeaXgKmGZOo9Xsv33C~ejgic4yciT2Vhn19YnlOA~dJunq1iZrMenpCpHNQZ3KJl0hQlNwUQf6pneIF3WeerOn5H5fJRaYHn9EfN1em~DrovxJV1KfJXdVULD8l20Aj-Hbxz7FHeCVOeErhS2-okwrlzvs9PA6h3QlHOniKcPVQpiWhFfYbBY47Mv61VcRFD8e389FIwiHJUGkJs34R9Qny57l9Af9SGrhrMYyTQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"slug":"Hyperreality_the_Question_of_Agency_and_the_Phenomenon_of_Reality_Television","translated_slug":"","page_count":14,"language":"en","content_type":"Work","summary":"This paper examines concepts of hyperreality and agency as advanced by three theorists-Jacques Derrida, Jean Baudrillard and Paul Virilio-who argue for a decentred agency and a hyperreality that is artifactual and produced. 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Derrida offers some solutions to this conundrum of a passive agent in works like Echographies of Television, urging us to be critical of a politics of memory and to celebrate the overcoming of the topopolitical boundaries that television enables. Again, this reminds us of Virilio's celebration of omnipresence and omnivoyance. Thus while it is certainly television's effect to de-centre and dissolve subjectivity, an awareness in the vein of Derrida's affords us some mastery over the image and offers us strategies of resistance and the reclamation of agency. Reality television explodes the division between the hyperreal and the real, but what it ultimately represents is the triumph of the hyperreal and the manufactured image. Specifically, when a consciousness loses its ability to distinguish reality from fantasy, and begins to engage with the latter without understanding what it is doing, it has shifted into the world of the hyperreal. The nature of the hyperreal world is characterised by Nebula 4.1, March 2007 Chung: Hyperreality… 32 \"enhancement\" of reality. As Derrida argues, it is an \"artifactuality\" that is produced and made rather than a record. (Echographies of Television, 41). Record here means something that is an exact representation of events. It also serves to satisfy our thirst for voyeurism and invasion of privacy, for as Baudrillard states, it increases our fascination with the obscene (Ecstasy of Communication, 33). This is an exercise of \"desiring to be seen\" and desiring the Other to return our gaze, as we desire the mock celebrity that reality television affords-for instance, the mock celebrity Anna Nicole, who rides more on instant fame than on a substantive career. In witnessing the privation of its participants through elimination rituals, we are also simultaneously celebrating our comforts, so that there is a sadistic element to taking pleasure in watching the sufferings of others at work as well. In coming across as \"more real than real\" and in our fascination with the hyperreal and manufactured image, Baudrillard's statement that we no longer watch television and that it is television watching us seems remarkably prophetic in the surge and success of reality television programmes (Ecstasy, 31). Reality television appeals to us because of its \"live\" element, its telepresence, and in Derrida's terms, the space it allows for the 'arrival' of an event, whose expectation is made of a 'nonexpectation.' In so doing, it offers a certain variety, diversity and spontaneity that we cannot find in scripted television programmes. Reality television, though scripted, offers the illusion of being spontaneous and undirected because it captures the \"authentic\" and often unsavoury aspects of characters onscreen. Derrida also argues for a \"messianism\" that guides the event, a promise of futurity: hence perhaps it is the openness and heightened anticipation in which we take pleasure (Echographies of Television, 13). There is also an element of \"testimony\" and truth to live television which separates it from more scripted programmes, like talk shows and sitcoms. As it happens only once in live real time, there is a precious singularity and uniqueness to the moment; Derrida once again explains that the seized moment captures the irreplaceable present and bears witness to the fact that \"this was there\" (Echographies of Television, 94). One might also argue that the addressee enjoys its status of \"being addressed\" in reality television, thus enabling the addressee to participate in production of meaning, as the confessional scenes in reality, as well as reporting in broadcast programmes, are directed towards engaging the audience in being \"participants\" of an event, as with audience voting on shows like \"American Idol\"","impression_tracking_id":null,"owner":{"id":45375,"first_name":"Chung","middle_initials":null,"last_name":"Chin-Yi","page_name":"ChungChinYi","domain_name":"nus","created_at":"2009-05-30T20:22:27.266-07:00","display_name":"Chung Chin-Yi","url":"https://nus.academia.edu/ChungChinYi"},"attachments":[{"id":109364283,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109364283/thumbnails/1.jpg","file_name":"Chung.pdf","download_url":"https://www.academia.edu/attachments/109364283/download_file","bulk_download_file_name":"Hyperreality_the_Question_of_Agency_and.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109364283/Chung-libre.pdf?1703165754=\u0026response-content-disposition=attachment%3B+filename%3DHyperreality_the_Question_of_Agency_and.pdf\u0026Expires=1744396395\u0026Signature=FpffMt3YTBazvbyURI~SzoWweNKLNFdaIUZYEHMJzj0hOCVUOPO5OJUNnwI1TiesbOQv7tv3gpxEbAPwlHnaT3GpMhG~jsb-Mui9a6h7j7oykTbeaXgKmGZOo9Xsv33C~ejgic4yciT2Vhn19YnlOA~dJunq1iZrMenpCpHNQZ3KJl0hQlNwUQf6pneIF3WeerOn5H5fJRaYHn9EfN1em~DrovxJV1KfJXdVULD8l20Aj-Hbxz7FHeCVOeErhS2-okwrlzvs9PA6h3QlHOniKcPVQpiWhFfYbBY47Mv61VcRFD8e389FIwiHJUGkJs34R9Qny57l9Af9SGrhrMYyTQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"},{"id":109364284,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/109364284/thumbnails/1.jpg","file_name":"Chung.pdf","download_url":"https://www.academia.edu/attachments/109364284/download_file","bulk_download_file_name":"Hyperreality_the_Question_of_Agency_and.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/109364284/Chung-libre.pdf?1703165752=\u0026response-content-disposition=attachment%3B+filename%3DHyperreality_the_Question_of_Agency_and.pdf\u0026Expires=1744396395\u0026Signature=KDDoGnlnvGjH5yWJUYTj11ByeZzDuxBllV7BL67uoumUYvBgTlvtcYmQnAGdh~AUCfjIviHVXCuDCGaW1u~HXfEzfmOXTTHI76ILj4d-qIeXlBQ8jJdERGoQRGCyZWnqUzrWatP6yMd~cgCnqhhMvjB4-Z9xTLqyIl9G2x8GfO7FqRf6PVCt59qzOBtlRQJ4pJcMRDxq4UWaFJVDI4zGzdFwhol1NLd13iUgxpMhhIdqs9EJyaYAyjHn98YbfXzwrSSoga9JqDp7Ee5xMNCuaF~-1NPZ5ygn7cX-amxxBUZGlV3Lpao6OtNf~ccIlIJnoLZUc56cSDIH3BDX~u6Wiw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}],"research_interests":[{"id":184,"name":"Sociology","url":"https://www.academia.edu/Documents/in/Sociology"},{"id":808,"name":"Aesthetics","url":"https://www.academia.edu/Documents/in/Aesthetics"},{"id":817,"name":"Philosophy of Agency","url":"https://www.academia.edu/Documents/in/Philosophy_of_Agency"},{"id":4486,"name":"Political Science","url":"https://www.academia.edu/Documents/in/Political_Science"},{"id":6917,"name":"Spectacle","url":"https://www.academia.edu/Documents/in/Spectacle"},{"id":54659,"name":"Subjectivity","url":"https://www.academia.edu/Documents/in/Subjectivity"},{"id":80095,"name":"Gaze","url":"https://www.academia.edu/Documents/in/Gaze"},{"id":328957,"name":"Witness","url":"https://www.academia.edu/Documents/in/Witness"},{"id":2146723,"name":"Nebula","url":"https://www.academia.edu/Documents/in/Nebula"}],"urls":[{"id":37513850,"url":"http://www.nobleworld.biz/images/Chung.pdf"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") if (false) { Aedu.setUpFigureCarousel('profile-work-111994593-figures'); } }); </script> <div class="js-work-strip profile--work_container" data-work-id="111994592"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111994592/Reading_Character_In_Ho_Minfong_s_The_Clay_Marble"><img alt="Research paper thumbnail of Reading Character In Ho Minfong’s The Clay Marble" class="work-thumbnail" src="https://attachments.academia-assets.com/109364351/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111994592/Reading_Character_In_Ho_Minfong_s_The_Clay_Marble">Reading Character In Ho Minfong’s The Clay Marble</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Sarun and Dara share a bittersweet relationship. At the beginning of the novel the relationship i...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Sarun and Dara share a bittersweet relationship. At the beginning of the novel the relationship is supportive as Sarun guides and leads the family towards Nong Chan, where there is supposed to be an abundance of food and supplies. He has dreams of gathering supplies at Nong Chan such as food, rice seed and other supplies so that they can go home, repair the house, replant the fields, and start their life all over again. As a responsible elder brother, he chides her for being impatient in demanding food immediately and complaining that the rice was insufficient and cold. Eventually their relationship becomes an antagonistic one as their character growth levels head in different directions, with Dara maturing towards becoming a responsible adult and Sarun regressing into become a spoilt, temperamental and petty childlike adult.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="f42837c9c7973ae8e558d2ab0d6601e9" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364351,"asset_id":111994592,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364351/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994592"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994592"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994592; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994592]").text(description); $(".js-view-count[data-work-id=111994592]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994592; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994592']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "f42837c9c7973ae8e558d2ab0d6601e9" } } $('.js-work-strip[data-work-id=111994592]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994592,"title":"Reading Character In Ho Minfong’s The Clay Marble","translated_title":"","metadata":{"grobid_abstract":"Sarun and Dara share a bittersweet relationship. 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The slow deterioration of Anne also prevents the audience fro...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">'Amour' rationalizes mercy killing. The slow deterioration of Anne also prevents the audience from judging Georges for finally snapping and killing Anne before he commits suicide. There is a great feeling of relief for the two in this situation which prevents us from judgement. The amount of sacrifice Georges has made for Anne is immense and we do not judge him for killing her in her deteriorative state. George's suffering reflects what life is all about: conflict, and since Anne can't defend herself, she's actually better dead.As with Amour,Plath's suicide is almost a relief to the decline she has been suffering in gradually being enslaved to a man and entrapped with children. Many of us judge those who commit suicide as weak and unstable but given the amount of pain we are exposed to in Amour and Plath's novel, suicide indeed seems a form of relief and escape. While not entirely rationalizing suicide or mercy killing, the gradual decline and excruciating pain that we witness in the characters make us sympathize with the decision to simply escape life through self harm.Yet we are made to see their hubris as they take fate into their own hands rather than let the divine determine it. We are left wondering if they escape in this life but will escape condemnation by the divine for self harm in the next.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="764c5793b27a8a8f13ea43767b693862" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":109364280,"asset_id":111994591,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/109364280/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111994591"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111994591"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111994591; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111994591]").text(description); $(".js-view-count[data-work-id=111994591]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111994591; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111994591']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "764c5793b27a8a8f13ea43767b693862" } } $('.js-work-strip[data-work-id=111994591]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111994591,"title":"Life as suffering in Michael Haneke’s Amour and Syvia Plath’s Bell Jar","translated_title":"","metadata":{"publisher":"Granthaalayah Publications and Printers","ai_title_tag":"Mercy Killing and Suicide: Relief or Condemnation in Amour and Bell Jar","grobid_abstract":"'Amour' rationalizes mercy killing. The slow deterioration of Anne also prevents the audience from judging Georges for finally snapping and killing Anne before he commits suicide. There is a great feeling of relief for the two in this situation which prevents us from judgement. The amount of sacrifice Georges has made for Anne is immense and we do not judge him for killing her in her deteriorative state. George's suffering reflects what life is all about: conflict, and since Anne can't defend herself, she's actually better dead.As with Amour,Plath's suicide is almost a relief to the decline she has been suffering in gradually being enslaved to a man and entrapped with children. Many of us judge those who commit suicide as weak and unstable but given the amount of pain we are exposed to in Amour and Plath's novel, suicide indeed seems a form of relief and escape. 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The slow deterioration of Anne also prevents the audience from judging Georges for finally snapping and killing Anne before he commits suicide. There is a great feeling of relief for the two in this situation which prevents us from judgement. The amount of sacrifice Georges has made for Anne is immense and we do not judge him for killing her in her deteriorative state. George's suffering reflects what life is all about: conflict, and since Anne can't defend herself, she's actually better dead.As with Amour,Plath's suicide is almost a relief to the decline she has been suffering in gradually being enslaved to a man and entrapped with children. Many of us judge those who commit suicide as weak and unstable but given the amount of pain we are exposed to in Amour and Plath's novel, suicide indeed seems a form of relief and escape. 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