Kunsthistorisches Institut in Florenz

<!DOCTYPE html> <html lang="de"> <head><meta charset="UTF-8" /> <title>Kunsthistorisches Institut in Florenz – Max-Planck-Institut</title> <meta name="description" content="Das Kunsthistorische Institut in Florenz ist ein Forschungsinstitut zur Kunst- und Architekturgeschichte. 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Schwerpunkte gelten der Kunst und visuellen Kultur Italiens, Europas und des Mittelmeerraums in globalem Horizont." /> <meta property="og:url" content="https://www.khi.fi.it/index.php" /> <meta property="og:site_name" content="Kunsthistorisches Institut in lorenz – Max-Planck-Institut" /> <meta property="og:image" content="https://www.khi.fi.it"> <link rel="shortcut icon" href="/assets/favicon/favicon.ico" type="image/x-icon"> <link rel="icon" href="/assets/favicon/favicon.ico" type="image/x-icon"> <link rel="apple-touch-icon" sizes="57x57" href="/assets/favicon/apple-icon-57x57.png"> <link rel="apple-touch-icon" sizes="60x60" href="/assets/favicon/apple-icon-60x60.png"> <link rel="apple-touch-icon" sizes="72x72" href="/assets/favicon/apple-icon-72x72.png"> <link rel="apple-touch-icon" sizes="76x76" href="/assets/favicon/apple-icon-76x76.png"> <link rel="apple-touch-icon" sizes="114x114" href="/assets/favicon/apple-icon-114x114.png"> <link rel="apple-touch-icon" sizes="120x120" href="/assets/favicon/apple-icon-120x120.png"> <link rel="apple-touch-icon" sizes="144x144" href="/assets/favicon/apple-icon-144x144.png"> <link rel="apple-touch-icon" sizes="152x152" href="/assets/favicon/apple-icon-152x152.png"> <link rel="apple-touch-icon" sizes="180x180" href="/assets/favicon/apple-icon-180x180.png"> <link rel="icon" type="image/png" sizes="192x192" href="/assets/favicon/android-icon-192x192.png"> <link rel="icon" type="image/png" sizes="32x32" href="/assets/favicon/favicon-32x32.png"> <link rel="icon" type="image/png" sizes="96x96" href="/assets/favicon/favicon-96x96.png"> <link rel="icon" type="image/png" sizes="16x16" href="/assets/favicon/favicon-16x16.png"> <link rel="manifest" href="/assets/favicon/manifest.json"> <meta name="msapplication-TileColor" content="#ffffff"> <meta name="msapplication-TileImage" content="/assets/favicon/ms-icon-144x144.png"> <meta name="theme-color" content="#ffffff"> </head> <body class="start desktop"> <header> <div class="container"> <div class="row"> <div class="col-md-6"> <div class="logo-outer"> <a href="/index.php" class="logo bildmarke"><img src="/assets/img/bildmarke-khi.png" height="163" width="101" /></a> <a href="/index.php" class="logo wortmarke"><img src="/assets/img/wortmarke-khi.png" height="164" width="542" /></a> </div> </div> <div class="col-md-6 hidden-xs hidden-sm visible-md visible-lg"> <a href="/index.php" class="logo logo-max-planck"><img src="/assets/img/logo-max-planck.png" /></a> </div> </div> </div> <nav id="navigation-main"> <div class="container"> <div class="row"> <div class="col-md-12"> <div class="ul outer"> <ul class="main"> <li class="back"><span>back</span></li> <li> <a href="/de/aktuelles/index.php" >Aktuelles</a> <div class="ul"> <div class="desktop-holder"> <div class="row"> <div class="col-md-6"> <div class="t"> Aktuelles </div> <div class="pd"> <p>Mit seinem umfangreichen Programm an öffentlichen Veranstaltungen in Florenz, Berlin und an anderen Orten versteht sich das Kunsthistorische Institut in Florenz als Forum für einen lebendigen, internationalen und interdisziplinär offenen wissenschaftlichen Austausch. Die Ergebnisse der Forschungen des Instituts werden in Ausstellungen und Publikationen der Öffentlichkeit zugänglich gemacht. Mit Call for Papers und Stellenausschreibungen sollen internationale Wissenschaftler*innen für eine Zusammenarbeit gewonnen werden.</p> </div> <div class="pm"> <p>Mit seinem Programm an Veranstaltungen und Ausstellungen versteht sich das Kunsthistorische Institut in Florenz als Forum für einen wissenschaftlichen Austausch. Mit seinen Ausschreibungen sollen Wissenschaftler*innen für eine Zusammenarbeit gewonnen werden.</p> </div> </div> <div class="col-md-6"> <ul> <li> <a href="/de/aktuelles/index.php" >What’s on</a> </li> <li> <a href="/de/aktuelles/veranstaltungen.php" >Veranstaltungen</a> </li> <li> <a href="/de/aktuelles/ausstellungen.php" >Ausstellungen</a> </li> <li> <a href="/de/aktuelles/neuerscheinungen.php" >Neuerscheinungen</a> </li> <li> <a href="/de/aktuelles/call-for-papers-applications.php" >Call for Papers & Applications</a> </li> <li> <a href="/de/aktuelles/stellen.php" >Stellen</a> </li> <li> <a href="/de/aktuelles/support-for-ukrainian-scholars-and-concern-about-the-destruction-of-ukrainian-cultural-heritage.php" >Support for Ukrainian Scholars</a> </li> <li> <a href="/de/aktuelles/via-gustavo-modena.php" >Via Gustavo Modena</a> </li> </ul> </div> </div> </div> </div> </li> <li> <a href="/de/institut/index.php" >Institut</a> <div class="ul"> <div class="desktop-holder"> <div class="row"> <div class="col-md-6"> <div class="t"> Institut </div> <div class="pd"> <p>Das Kunsthistorische Institut in Florenz versteht sich als Labor der kunsthistorischen Grundlagenforschung im Dialog mit anderen Disziplinen. Gegründet 1897, ist es seit 2002 ein Institut der Max-Planck-Gesellschaft. Seine Forschungen widmen sich Kunst- und Architekturgeschichten in transkultureller und globaler Perspektive, wobei der Schwerpunkt auf Italien, Europa und dem Mittelmeerraum liegt. Das Institut engagiert sich besonders für die Förderung junger Wissenschaftler*innen, während seine renommierte Bibliothek und die Photothek der internationalen wissenschaftlichen Community offenstehen.</p> </div> <div class="pm"> <p>Das Kunsthistorische Institut in Florenz versteht sich als Labor der kunsthistorischen Grundlagenforschung im Dialog mit anderen Disziplinen. Gegründet 1897, ist es seit 2002 ein Institut der Max-Planck-Gesellschaft. Seine Forschungen widmen sich Kunst- und Architekturgeschichten in transkultureller und globaler Perspektive, wobei der Schwerpunkt auf Italien, Europa und dem Mittelmeerraum liegt.</p> </div> </div> <div class="col-md-6"> <ul> <li> <a href="/de/institut/index.php" >Über das Institut</a> </li> <li> <a href="/de/institut/forschungsbereiche.php" >Abteilungen & Forschungsgruppen</a> </li> <li> <a href="/de/institut/mitarbeiter/index.php" >Mitarbeiterinnen & Mitarbeiter</a> </li> <li> <a href="/de/institut/chancengleichheit.php" >Chancengleichheit</a> </li> <li> <a href="/de/institut/foerderangebot.php" >Förderangebot</a> </li> <li> <a href="/de/institut/geschichte.php" >Geschichte</a> </li> <li> <a href="/de/institut/archive.php" >Archive</a> </li> <li> <a href="/de/institut/fachbeirat.php" >Fachbeirat</a> </li> <li> <a href="/de/institut/kuratorium.php" >Kuratorium</a> </li> <li> <a href="/de/institut/foerderverein.php" >Förderverein</a> </li> <li> <a href="/de/institut/sponsoren.php" >Sponsoren und Mäzene</a> </li> </ul> </div> </div> </div> </div> </li> <li> <a href="/de/forschung/index.php" >Forschung</a> <div class="ul"> <div class="desktop-holder"> <div class="row"> <div class="col-md-6"> <div class="t"> Forschung </div> <div class="pd"> <p>Die Forschungen des Kunsthistorischen Instituts in Florenz widmen sich Kunst- und Architekturgeschichten in transkultureller und globaler Perspektive, wobei der Schwerpunkt auf Italien, Europa und dem Mittelmeerraum liegt. Ein wichtiges Anliegen ist die Verbindung von innovativer historischer Forschung und kritischer Auseinandersetzung mit aktuellen Debatten und Herausforderungen wie Ökologie, <em>Heritage</em>, Urbanisierung, Migration und Diversität, ästhetischen und künstlerischen Praktiken, <em>Media</em> und <em>Material Cultures</em>, dem digitalen Wandel und der Zukunft der Museen.</p> </div> <div class="pm"> <p>Die Forschungen des Kunsthistorischen Instituts in Florenz widmen sich Kunst- und Architekturgeschichten in transkultureller und globaler Perspektive, wobei der Schwerpunkt auf Italien, Europa und dem Mittelmeerraum liegt. Ein wichtiges Anliegen ist die Verbindung von innovativer historischer Forschung und kritischer Auseinandersetzung mit aktuellen Debatten und Herausforderungen.</p> </div> </div> <div class="col-md-6"> <ul> <li> <a href="/de/forschung/index.php" >Forschungsthemen im Überblick</a> </li> <li> <a href="/de/forschung/abteilung-wolf/index.php" >Abteilung Gerhard Wolf</a> </li> <li> <a href="/de/forschung/senior-research-scholar-baader/index.php" >Research Group Hannah Baader</a> </li> <li> <a href="/de/forschung/senior-research-scholar-gruendler/index.php" >Research Group Hana Gründler</a> </li> <li> <a href="/de/forschung/lise-meitner-group-meister/index.php" >Lise-Meitner-Gruppe Anna-Maria Meister</a> </li> <li> <a href="/de/forschung/external-scientific-member/index.php" >Auswärtiges Mitglied Jaś Elsner</a> </li> <li> <a href="/de/forschung/4a-laboratory/index.php" >Forschungsprogramm 4A_Lab</a> </li> <li> <a href="/de/forschung/direktor-emeritus-nova/index.php" >Direktor emeritus Alessandro Nova</a> </li> <li> <a href="/de/forschung/direktor-emeritus-seidel/index.php" >Direktor emeritus Max Seidel</a> </li> <li> <a href="/de/forschung/photothek/index.php" >Photothek</a> </li> <li> <a href="/de/forschung/digital-humanities/index.php" >Digital Humanities</a> </li> <li> <a href="/de/forschung/promovierende/index.php" >Promotionsprojekte</a> </li> <li> <a href="/de/forschung/postdoktoranden/index.php" >Postdoc-Projekte</a> </li> <li> <a href="/de/forschung/wissenschaftliche-mitarbeiter/index.php" >Projekte der Mitarbeitenden</a> </li> <li> <a href="/de/forschung/kooperationsprojekte/index.php" >Kooperationsprojekte</a> </li> <li> <a href="/de/forschung/assoziierte-projekte/index.php" >Assoziierte Projekte</a> </li> <li> <a href="/de/forschung/abgeschlossene-projekte/index.php" >Abgeschlossene Projekte</a> </li> </ul> </div> </div> </div> </div> </li> <li> <a href="/de/publikationen/index.php" >Publikationen</a> <div class="ul"> <div class="desktop-holder"> <div class="row"> <div class="col-md-6"> <div class="t"> Publikationen </div> <div class="pd"> <p>Das Kunsthistorische Institut in Florenz gibt eine Vielzahl an Publikationsreihen und Einzelveröffentlichungen heraus, mit denen es seine Forschungsergebnisse der Öffentlichkeit zugänglich macht. Zu den traditionsreichsten und renommiertesten kunsthistorischen Fachzeitschriften weltweit gehören die Mitteilungen des Kunsthistorischen Institutes in Florenz. Die Forschungsberichte informieren über die Aktivitäten des Instituts und über die wissenschaftlichen Tätigkeiten seiner Mitarbeiterinnen und Mitarbeiter sowie seiner Fellows.</p> </div> <div class="pm"> <p>Das Kunsthistorische Institut in Florenz gibt eine Vielzahl an Publikationsreihen und Einzelveröffentlichungen sowie eine Fachzeitschrift und Forschungsberichte heraus, mit denen es seine Forschungsergebnisse der Öffentlichkeit zugänglich macht.</p> </div> </div> <div class="col-md-6"> <ul> <li> <a href="/de/publikationen/index.php" >Publikationen im Überblick</a> </li> <li> <a href="/de/publikationen/mitteilungen/index.php" >Mitteilungen des KHI</a> </li> <li> <a href="/de/publikationen/einzelveroeffentlichungen/index.php" >Einzelveröffentlichungen</a> </li> <li> <a href="/de/publikationen/forschungsberichte/index.php" >Forschungsberichte</a> </li> <li> <a href="/de/publikationen/italienische-forschungen/index.php" >Italienische Forschungen</a> </li> <li> <a href="/de/publikationen/studi-e-ricerche/index.php" >Studi e Ricerche</a> </li> <li> <a href="/de/publikationen/i-mandorli/index.php" >I mandorli</a> </li> <li> <a href="/de/publikationen/collana-del-khi/index.php" >Collana del KHI</a> </li> <li> <a href="/de/publikationen/connecting-art-histories-in-the-museum/index.php" >Connecting Art Histories in the Museum</a> </li> <li> <a href="/de/publikationen/zeitschrift-fuer-ideengeschichte/index.php" >Zeitschrift für Ideengeschichte</a> </li> <li> <a href="/de/publikationen/deutsche-ausgabe-der-vite/index.php" >Deutsche Ausgabe der Vite</a> </li> <li> <a href="/de/publikationen/die-kirchen-von-siena/index.php" >Die Kirchen von Siena</a> </li> </ul> </div> </div> </div> </div> </li> <li> <a href="/de/bibliothek/index.php" >Bibliothek</a> <div class="ul"> <div class="desktop-holder"> <div class="row"> <div class="col-md-6"> <div class="t"> Bibliothek </div> <div class="pd"> <p>In ihrer Funktion als Archiv und Werkstatt bildet die Bibliothek mit ihren Sammlungen und Arbeitsbedingungen die wichtigste Grundlage des wissenschaftlichen Arbeitens für Institutsangehörige und Gäste. Sowohl historische als auch aktuelle Fachliteratur über verschiedene Disziplinen hinweg wird einer internationalen Gemeinschaft von Forscherinnen und Forschern zur Nutzung bereitgestellt. Darüber hinaus leistet die Bibliothek mit der anspruchsvollen Erschließung der Literatur einen wesentlichen Beitrag zur Qualitätssicherung der Forschungstätigkeit am Institut.</p> </div> <div class="pm"> <p>In ihrer Funktion als Archiv und Werkstatt bildet die Bibliothek mit ihren Sammlungen die wichtigste Grundlage für wissenschaftliches Arbeiten. Sowohl historische als auch aktuelle Fachliteratur wird zur Nutzung bereitgestellt.</p> </div> </div> <div class="col-md-6"> <ul> <li> <a href="/de/bibliothek/index.php" >Über die Bibliothek</a> </li> <li> <a href="/de/bibliothek/sammlungsschwerpunkte.php" >Sammlungsschwerpunkte</a> </li> <li> <a href="/de/bibliothek/kataloge.php" >Kataloge</a> </li> <li> <a href="/de/bibliothek/digitale-bibliothek.php" >Digitale Bibliothek</a> </li> <li> <a href="/de/bibliothek/projekte.php" >Projekte</a> </li> <li> <a href="/de/bibliothek/Sondersammlungen/biblioteca-serlupiana.php" >Sondersammlungen</a> </li> <li> <a href="/de/bibliothek/kooperationen.php" >Kooperationen</a> </li> <li> <a href="/de/bibliothek/video-tutorials.php" >Video-Tutorials</a> </li> </ul> </div> </div> </div> </div> </li> <li> <a href="/de/photothek/index.php" >Photothek</a> <div class="ul"> <div class="desktop-holder"> <div class="row"> <div class="col-md-6"> <div class="t"> Photothek </div> <div class="pd"> <p>Die Photothek ist eine der wichtigsten Sammlungen dokumentarischer Fotografie zur italienischen Kunst und Architektur. Als Forschungseinrichtung und Labor spielt sie eine Hauptrolle in der internationalen und transdisziplinären Debatte über die Funktion von Fotoarchiven in Forschung und Gesellschaften des 21. Jahrhunderts. Ihre täglichen Aufgaben, wie Fotokampagnen, Katalogisierung und Digitalisierung, sind untrennbar mit den wissenschaftlichen Aktivitäten verbunden. Mit ihren Projekten, Tagungen, Workshops und Publikationen trägt die Photothek zum akademischen Leben des Instituts aktiv bei.</p> </div> <div class="pm"> <p>Die Photothek ist eine der wichtigsten Sammlungen dokumentarischer Fotografien zur italienischen Kunst. Als Forschungslabor trägt sie zur internationalen und transdisziplinären Debatte über die Rolle von Fotoarchiven im 21. Jahrhundert bei.</p> </div> </div> <div class="col-md-6"> <ul> <li> <a href="/de/photothek/index.php" >Über die Photothek</a> </li> <li> <a href="/de/photothek/bestand.php" >Bestand</a> </li> <li> <a href="/de/photothek/digitale-ressourcen.php" >Digitale Ressourcen</a> </li> <li> <a href="/de/photothek/projekte.php" >Projekte</a> </li> <li> <a href="/de/photothek/publikationen.php" >Publikationen</a> </li> <li> <a href="/de/photothek/fotobibliothek.php" >Fotobibliothek</a> </li> <li> <a href="/de/photothek/florence-declaration.php" >Florence Declaration</a> </li> </ul> </div> </div> </div> </div> </li> </ul> <ul class="service"> <li class="contact"><a href="/de/kontakt.php"><span>Kontakt</span></a></li> <li class="lang"> <a href="/index.php"><span>DE</span></a> <div class="ul"> <ul> <li><a href="/en/index.php">EN</a></li> <li><a href="/it/index.php">IT</a></li> </ul> </div> </li> <li class="search"><a href="/index.php" rel="nofollow"><span><span class="icon-search"></span></span></a></li> </ul> </div> </div> </div> </div> </nav> </header> <div class="toggle-nav"> <span></span> <span></span> <span></span> <span></span> </div> <nav id="navigation-main-mobile"> <div class="container"> <div class="row"> <div class="col-md-12"> <div class="ul outer"> <ul class="main"> <li class="back"><span>Zurück</span></li> <li> <a href="/de/aktuelles/index.php" >Aktuelles</a> <div class="ul"> <div class="desktop-holder"> <div class="row"> <div class="col-md-6"> <div class="t"> Aktuelles </div> <div class="pd"> <p>Mit seinem umfangreichen Programm an öffentlichen Veranstaltungen in Florenz, Berlin und an anderen Orten versteht sich das Kunsthistorische Institut in Florenz als Forum für einen lebendigen, internationalen und interdisziplinär offenen wissenschaftlichen Austausch. Die Ergebnisse der Forschungen des Instituts werden in Ausstellungen und Publikationen der Öffentlichkeit zugänglich gemacht. Mit Call for Papers und Stellenausschreibungen sollen internationale Wissenschaftler*innen für eine Zusammenarbeit gewonnen werden.</p> </div> <div class="pm"> <p>Mit seinem Programm an Veranstaltungen und Ausstellungen versteht sich das Kunsthistorische Institut in Florenz als Forum für einen wissenschaftlichen Austausch. Mit seinen Ausschreibungen sollen Wissenschaftler*innen für eine Zusammenarbeit gewonnen werden.</p> </div> </div> <div class="col-md-6"> <ul> <li> <a href="/de/aktuelles/index.php" >What’s on</a> </li> <li> <a href="/de/aktuelles/veranstaltungen.php" >Veranstaltungen</a> </li> <li> <a href="/de/aktuelles/ausstellungen.php" >Ausstellungen</a> </li> <li> <a href="/de/aktuelles/neuerscheinungen.php" >Neuerscheinungen</a> </li> <li> <a href="/de/aktuelles/call-for-papers-applications.php" >Call for Papers & Applications</a> </li> <li> <a href="/de/aktuelles/stellen.php" >Stellen</a> </li> <li> <a href="/de/aktuelles/support-for-ukrainian-scholars-and-concern-about-the-destruction-of-ukrainian-cultural-heritage.php" >Support for Ukrainian Scholars</a> </li> <li> <a href="/de/aktuelles/via-gustavo-modena.php" >Via Gustavo Modena</a> </li> </ul> </div> </div> </div> </div> </li> <li> <a href="/de/institut/index.php" >Institut</a> <div class="ul"> <div class="desktop-holder"> <div class="row"> <div class="col-md-6"> <div class="t"> Institut </div> <div class="pd"> <p>Das Kunsthistorische Institut in Florenz versteht sich als Labor der kunsthistorischen Grundlagenforschung im Dialog mit anderen Disziplinen. Gegründet 1897, ist es seit 2002 ein Institut der Max-Planck-Gesellschaft. Seine Forschungen widmen sich Kunst- und Architekturgeschichten in transkultureller und globaler Perspektive, wobei der Schwerpunkt auf Italien, Europa und dem Mittelmeerraum liegt. Das Institut engagiert sich besonders für die Förderung junger Wissenschaftler*innen, während seine renommierte Bibliothek und die Photothek der internationalen wissenschaftlichen Community offenstehen.</p> </div> <div class="pm"> <p>Das Kunsthistorische Institut in Florenz versteht sich als Labor der kunsthistorischen Grundlagenforschung im Dialog mit anderen Disziplinen. Gegründet 1897, ist es seit 2002 ein Institut der Max-Planck-Gesellschaft. Seine Forschungen widmen sich Kunst- und Architekturgeschichten in transkultureller und globaler Perspektive, wobei der Schwerpunkt auf Italien, Europa und dem Mittelmeerraum liegt.</p> </div> </div> <div class="col-md-6"> <ul> <li> <a href="/de/institut/index.php" >Über das Institut</a> </li> <li> <a href="/de/institut/forschungsbereiche.php" >Abteilungen & Forschungsgruppen</a> </li> <li> <a href="/de/institut/mitarbeiter/index.php" >Mitarbeiterinnen & Mitarbeiter</a> </li> <li> <a href="/de/institut/chancengleichheit.php" >Chancengleichheit</a> </li> <li> <a href="/de/institut/foerderangebot.php" >Förderangebot</a> </li> <li> <a href="/de/institut/geschichte.php" >Geschichte</a> </li> <li> <a href="/de/institut/archive.php" >Archive</a> </li> <li> <a href="/de/institut/fachbeirat.php" >Fachbeirat</a> </li> <li> <a href="/de/institut/kuratorium.php" >Kuratorium</a> </li> <li> <a href="/de/institut/foerderverein.php" >Förderverein</a> </li> <li> <a href="/de/institut/sponsoren.php" >Sponsoren und Mäzene</a> </li> </ul> </div> </div> </div> </div> </li> <li> <a href="/de/forschung/index.php" >Forschung</a> <div class="ul"> <div class="desktop-holder"> <div class="row"> <div class="col-md-6"> <div class="t"> Forschung </div> <div class="pd"> <p>Die Forschungen des Kunsthistorischen Instituts in Florenz widmen sich Kunst- und Architekturgeschichten in transkultureller und globaler Perspektive, wobei der Schwerpunkt auf Italien, Europa und dem Mittelmeerraum liegt. Ein wichtiges Anliegen ist die Verbindung von innovativer historischer Forschung und kritischer Auseinandersetzung mit aktuellen Debatten und Herausforderungen wie Ökologie, <em>Heritage</em>, Urbanisierung, Migration und Diversität, ästhetischen und künstlerischen Praktiken, <em>Media</em> und <em>Material Cultures</em>, dem digitalen Wandel und der Zukunft der Museen.</p> </div> <div class="pm"> <p>Die Forschungen des Kunsthistorischen Instituts in Florenz widmen sich Kunst- und Architekturgeschichten in transkultureller und globaler Perspektive, wobei der Schwerpunkt auf Italien, Europa und dem Mittelmeerraum liegt. Ein wichtiges Anliegen ist die Verbindung von innovativer historischer Forschung und kritischer Auseinandersetzung mit aktuellen Debatten und Herausforderungen.</p> </div> </div> <div class="col-md-6"> <ul> <li> <a href="/de/forschung/index.php" >Forschungsthemen im Überblick</a> </li> <li> <a href="/de/forschung/abteilung-wolf/index.php" >Abteilung Gerhard Wolf</a> </li> <li> <a href="/de/forschung/senior-research-scholar-baader/index.php" >Research Group Hannah Baader</a> </li> <li> <a href="/de/forschung/senior-research-scholar-gruendler/index.php" >Research Group Hana Gründler</a> </li> <li> <a href="/de/forschung/lise-meitner-group-meister/index.php" >Lise-Meitner-Gruppe Anna-Maria Meister</a> </li> <li> <a href="/de/forschung/external-scientific-member/index.php" >Auswärtiges Mitglied Jaś Elsner</a> </li> <li> <a href="/de/forschung/4a-laboratory/index.php" >Forschungsprogramm 4A_Lab</a> </li> <li> <a href="/de/forschung/direktor-emeritus-nova/index.php" >Direktor emeritus Alessandro Nova</a> </li> <li> <a href="/de/forschung/direktor-emeritus-seidel/index.php" >Direktor emeritus Max Seidel</a> </li> <li> <a href="/de/forschung/photothek/index.php" >Photothek</a> </li> <li> <a href="/de/forschung/digital-humanities/index.php" >Digital Humanities</a> </li> <li> <a href="/de/forschung/promovierende/index.php" >Promotionsprojekte</a> </li> <li> <a href="/de/forschung/postdoktoranden/index.php" >Postdoc-Projekte</a> </li> <li> <a href="/de/forschung/wissenschaftliche-mitarbeiter/index.php" >Projekte der Mitarbeitenden</a> </li> <li> <a href="/de/forschung/kooperationsprojekte/index.php" >Kooperationsprojekte</a> </li> <li> <a href="/de/forschung/assoziierte-projekte/index.php" >Assoziierte Projekte</a> </li> <li> <a href="/de/forschung/abgeschlossene-projekte/index.php" >Abgeschlossene Projekte</a> </li> </ul> </div> </div> </div> </div> </li> <li> <a href="/de/publikationen/index.php" >Publikationen</a> <div class="ul"> <div class="desktop-holder"> <div class="row"> <div class="col-md-6"> <div class="t"> Publikationen </div> <div class="pd"> <p>Das Kunsthistorische Institut in Florenz gibt eine Vielzahl an Publikationsreihen und Einzelveröffentlichungen heraus, mit denen es seine Forschungsergebnisse der Öffentlichkeit zugänglich macht. Zu den traditionsreichsten und renommiertesten kunsthistorischen Fachzeitschriften weltweit gehören die Mitteilungen des Kunsthistorischen Institutes in Florenz. Die Forschungsberichte informieren über die Aktivitäten des Instituts und über die wissenschaftlichen Tätigkeiten seiner Mitarbeiterinnen und Mitarbeiter sowie seiner Fellows.</p> </div> <div class="pm"> <p>Das Kunsthistorische Institut in Florenz gibt eine Vielzahl an Publikationsreihen und Einzelveröffentlichungen sowie eine Fachzeitschrift und Forschungsberichte heraus, mit denen es seine Forschungsergebnisse der Öffentlichkeit zugänglich macht.</p> </div> </div> <div class="col-md-6"> <ul> <li> <a href="/de/publikationen/index.php" >Publikationen im Überblick</a> </li> <li> <a href="/de/publikationen/mitteilungen/index.php" >Mitteilungen des KHI</a> </li> <li> <a href="/de/publikationen/einzelveroeffentlichungen/index.php" >Einzelveröffentlichungen</a> </li> <li> <a href="/de/publikationen/forschungsberichte/index.php" >Forschungsberichte</a> </li> <li> <a href="/de/publikationen/italienische-forschungen/index.php" >Italienische Forschungen</a> </li> <li> <a href="/de/publikationen/studi-e-ricerche/index.php" >Studi e Ricerche</a> </li> <li> <a href="/de/publikationen/i-mandorli/index.php" >I mandorli</a> </li> <li> <a href="/de/publikationen/collana-del-khi/index.php" >Collana del KHI</a> </li> <li> <a href="/de/publikationen/connecting-art-histories-in-the-museum/index.php" >Connecting Art Histories in the Museum</a> </li> <li> <a href="/de/publikationen/zeitschrift-fuer-ideengeschichte/index.php" >Zeitschrift für Ideengeschichte</a> </li> <li> <a href="/de/publikationen/deutsche-ausgabe-der-vite/index.php" >Deutsche Ausgabe der Vite</a> </li> <li> <a href="/de/publikationen/die-kirchen-von-siena/index.php" >Die Kirchen von Siena</a> </li> </ul> </div> </div> </div> </div> </li> <li> <a href="/de/bibliothek/index.php" >Bibliothek</a> <div class="ul"> <div class="desktop-holder"> <div class="row"> <div class="col-md-6"> <div class="t"> Bibliothek </div> <div class="pd"> <p>In ihrer Funktion als Archiv und Werkstatt bildet die Bibliothek mit ihren Sammlungen und Arbeitsbedingungen die wichtigste Grundlage des wissenschaftlichen Arbeitens für Institutsangehörige und Gäste. Sowohl historische als auch aktuelle Fachliteratur über verschiedene Disziplinen hinweg wird einer internationalen Gemeinschaft von Forscherinnen und Forschern zur Nutzung bereitgestellt. Darüber hinaus leistet die Bibliothek mit der anspruchsvollen Erschließung der Literatur einen wesentlichen Beitrag zur Qualitätssicherung der Forschungstätigkeit am Institut.</p> </div> <div class="pm"> <p>In ihrer Funktion als Archiv und Werkstatt bildet die Bibliothek mit ihren Sammlungen die wichtigste Grundlage für wissenschaftliches Arbeiten. Sowohl historische als auch aktuelle Fachliteratur wird zur Nutzung bereitgestellt.</p> </div> </div> <div class="col-md-6"> <ul> <li> <a href="/de/bibliothek/index.php" >Über die Bibliothek</a> </li> <li> <a href="/de/bibliothek/sammlungsschwerpunkte.php" >Sammlungsschwerpunkte</a> </li> <li> <a href="/de/bibliothek/kataloge.php" >Kataloge</a> </li> <li> <a href="/de/bibliothek/digitale-bibliothek.php" >Digitale Bibliothek</a> </li> <li> <a href="/de/bibliothek/projekte.php" >Projekte</a> </li> <li> <a href="/de/bibliothek/Sondersammlungen/biblioteca-serlupiana.php" >Sondersammlungen</a> </li> <li> <a href="/de/bibliothek/kooperationen.php" >Kooperationen</a> </li> <li> <a href="/de/bibliothek/video-tutorials.php" >Video-Tutorials</a> </li> </ul> </div> </div> </div> </div> </li> <li> <a href="/de/photothek/index.php" >Photothek</a> <div class="ul"> <div class="desktop-holder"> <div class="row"> <div class="col-md-6"> <div class="t"> Photothek </div> <div class="pd"> <p>Die Photothek ist eine der wichtigsten Sammlungen dokumentarischer Fotografie zur italienischen Kunst und Architektur. Als Forschungseinrichtung und Labor spielt sie eine Hauptrolle in der internationalen und transdisziplinären Debatte über die Funktion von Fotoarchiven in Forschung und Gesellschaften des 21. Jahrhunderts. Ihre täglichen Aufgaben, wie Fotokampagnen, Katalogisierung und Digitalisierung, sind untrennbar mit den wissenschaftlichen Aktivitäten verbunden. Mit ihren Projekten, Tagungen, Workshops und Publikationen trägt die Photothek zum akademischen Leben des Instituts aktiv bei.</p> </div> <div class="pm"> <p>Die Photothek ist eine der wichtigsten Sammlungen dokumentarischer Fotografien zur italienischen Kunst. Als Forschungslabor trägt sie zur internationalen und transdisziplinären Debatte über die Rolle von Fotoarchiven im 21. Jahrhundert bei.</p> </div> </div> <div class="col-md-6"> <ul> <li> <a href="/de/photothek/index.php" >Über die Photothek</a> </li> <li> <a href="/de/photothek/bestand.php" >Bestand</a> </li> <li> <a href="/de/photothek/digitale-ressourcen.php" >Digitale Ressourcen</a> </li> <li> <a href="/de/photothek/projekte.php" >Projekte</a> </li> <li> <a href="/de/photothek/publikationen.php" >Publikationen</a> </li> <li> <a href="/de/photothek/fotobibliothek.php" >Fotobibliothek</a> </li> <li> <a href="/de/photothek/florence-declaration.php" >Florence Declaration</a> </li> </ul> </div> </div> </div> </div> </li> </ul> <ul class="service"> <li><a href="/de/kontakt.php"><span>Kontakt</span></a></li> <li class="search"><a href="/index.php" rel="nofollow"><span><span class="icon-search"></span>Suche</span></a></li> <li class="lang"> <a href="/index.php"><span>Deutsch</span></a> <a href="/en/index.php" rel="nofollow"><span>English</span></a> <a href="/it/index.php" rel="nofollow"><span>italiano</span></a> </li> </ul> </div> </div> </div> </div> </nav> <main id="top">  <div id="start_header_slider"> <div class="arrows"> <div class="container"> <div class="row"> <div class="col-md-12"> <span class="icon-arrow-big-right"></span> <span class="icon-arrow-big-left"></span> </div> </div> </div> </div> <div class="slides"> <a href="/de/aktuelles/veranstaltungen/2025/04/perspectives-from-the-peruvian-amazon.php" class="slide palette color_20"> <div class="bg-slide bg-palette color_20"></div> <div class="content"> <div class="tr"> <div class="td"> <div class="container"> <div class="row"> <div class="col-md-9 offset-col"> <div class="topline"> Pucallpa Seminar </div> <div class="headline"> Empires, <br/>Environments, <br/>Objects </div> <div class="teaser"> Perspectives from the Peruvian Amazon<br/><br /> 7. – 10. April 2025 </div> </div> </div> </div> </div> </div> </div> <div class="image-mobile"> <ol class="flickity-page-dots"> <li class="dot "></li> <li class="dot "></li> <li class="dot "></li> </ol> <img src="/_thumbnails_/5/14228_202504-Pucallpa-cut-2.jpg"/> </div> <div class="image-tablet"> <div class="inner" style="background-image:url(/_thumbnails_/5/14228_202504-Pucallpa-cut-2.jpg)"></div> </div> <div class="image-desktop"> <div class="container"> <div class="row"> <div class="col-sm-12"> <div class="image"> <div class="inner" style="background-image:url(/_thumbnails_/3/14228_202504-Pucallpa-cut-2.jpg)"></div> </div> </div> </div> </div> </div> </a> <a href="/de/aktuelles/stellen.php" class="slide palette color_23"> <div class="bg-slide bg-palette color_23"></div> <div class="content"> <div class="tr"> <div class="td"> <div class="container"> <div class="row"> <div class="col-md-9 offset-col"> <div class="topline"> Stellen </div> <div class="headline"> IT-Administrator/in (m/w/d) </div> <div class="teaser"> Bewerbungsschluss: 21. April 2025 </div> </div> </div> </div> </div> </div> </div> <div class="image-mobile"> <ol class="flickity-page-dots"> <li class="dot "></li> <li class="dot "></li> <li class="dot "></li> </ol> <img src=""/> </div> <div class="image-tablet"> <div class="inner" style="background-image:url()"></div> </div> <div class="image-desktop"> <div class="container"> <div class="row"> <div class="col-sm-12"> <div class="image"> <div class="inner" style="background-image:url()"></div> </div> </div> </div> </div> </div> </a> <a href="/de/aktuelles/call-for-papers-applications.php" class="slide palette color_33"> <div class="bg-slide bg-palette color_33"></div> <div class="content"> <div class="tr"> <div class="td"> <div class="container"> <div class="row"> <div class="col-md-9 offset-col"> <div class="topline"> Ausschreibung </div> <div class="headline"> Lise-Meitner-Exzellenzprogramm 2025 </div> <div class="teaser"> Bewerbungsschluss: 8. April 2025 </div> </div> </div> </div> </div> </div> </div> <div class="image-mobile"> <ol class="flickity-page-dots"> <li class="dot "></li> <li class="dot "></li> <li class="dot "></li> </ol> <img src=""/> </div> <div class="image-tablet"> <div class="inner" style="background-image:url()"></div> </div> <div class="image-desktop"> <div class="container"> <div class="row"> <div class="col-sm-12"> <div class="image"> <div class="inner" style="background-image:url()"></div> </div> </div> </div> </div> </div> </a> </div> <div class="lnk-bar"> <div class="container"> <div class="row"> <div class="col-md-12"> <div class="link-bar"> <ul class="link-slider"> <li><a href="https://aleph.mpg.de/F?func=file&file_name=find-b&local_base=kub01" target="_blank"><span>OPAC</span></a></li> <li><a href="/de/bibliothek/digitale-bibliothek.php"><span>Digitale Bibliothek</span></a></li> <li><a href="http://photothek.khi.fi.it/" target="_blank"><span>Digitale Photothek</span></a></li> <li><a href="http://expo.khi.fi.it/galerie/index_html/view?set_language=de" target="_blank"><span>Online-Ausstellungen</span></a></li> <li><a href="https://blog.khi.fi.it/" target="_blank" ><span>Blog</span></a></li> </ul> </div> </div> </div> </div> </div> </div> <div class="bg-gray start-teasers"> <div class="container"> <div class="row"> <div class="col-xs-12 col-sm-6 col-md-4"> <div class="box_start_teaser"> <div class="head"> 02. Juni 2025 </div> <h6> Call for Papers/Applications </h6> <h4> Call for Papers: 3° Congreso internacional sobre cultura visual iberoamericana (siglos XVI a XIX) </h4> <div class="date"> De reinos y naturalezas: ecologías, saberes y visiones del territorio<br /> 14, 15 y 16 de octubre 2025, Buenos Aires </div> <div class="info hidden"> Bewerbungsschluss: 2. Juni 2025 </div> <a href="/de/aktuelles/call-for-papers-applications.php">Alle Call for Papers/Applications</a> </div> </div> <div class="col-xs-12 col-sm-6 col-md-4"> <div class="box_start_teaser"> <div class="head"> 21. April 2025 </div> <h6> Stellen </h6> <h4> IT-Administrator/in (m/w/d) </h4> <div class="date"> Für unser IT-Team suchen wir zum nächstmöglichen Zeitpunkt eine/n IT-Administrator/in (m/w/d) in Vollzeit. </div> <a href="/de/aktuelles/stellen.php">Alle Stellen</a> </div> </div> <div class="col-xs-12 col-sm-12 col-md-4"> <div class="note bg-palette color_058"> <h2> <span>Bibliothek und Photothek</span> </h2> <h3> <span></span> </h3> <p>Die Bibliothek und Photothek sind für Benutzer*innen mit einem gültigen Bibliotheksausweis von Montag bis Freitag von 09:00 bis 20:00 Uhr zugänglich.</p><br /> <p>---</p><br /> <p>Die Sektion Za (Auktionskataloge) der Bibliothek wird <strong>für längere Zeit</strong> leider nicht zugänglich sein.</p><br /> <p>---</p><br /> <p><strong>Osterschließung</strong></p><br /> <p>Wir informieren unsere Benutzer*innen, dass das Institut am <strong>Freitag, den 18. April</strong>, und <strong>Montag, den 21. April</strong>, geschlossen bleibt. Wir wünschen Ihnen schöne Feiertage!</p> </div> </div> </div> </div> </div> <div class="slider start-forschungen"> <div class="container"> <div class="row"> <div class="col-md-12"> <div class="row"> <div class="col-sm-12"> <a class="all_link" href="/de/forschung/index.php">Alle anzeigen</a> </div> <div class="col-sm-6"> <h2> Forschungsthemen </h2> </div> <div class="col-sm-6"> <div class="slider-nav"> <span class="icon-arrow-round-left"></span> <span class="icon-arrow-round-right active"></span> </div> </div> </div> <div class="slider-inner"> <div class="slide"> <div class=""> <a href="/de/forschung/abteilung-wolf/the-art-of-containment.php"> <div class="wrapper" style="padding-top: 65.46875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/906_header_image-1446471468.jpg"/> </div> </div> <div class="inner-item"> <h4> The Art of Containment </h4> <p> The Art of Containment is a long-term collaborative research project concerned with all kinds of vessels and containers, their materiality, shape and decoration, their functions and agency, their biographies and itineraries. The project is the next step in the research focus on concepts and theories, relations and constellations of image and object (Ding/Bild). </p> </div> </a> </div> </div> <div class="slide"> <div class="symbol-box"> <div class="symbol symbol-1 color color_23"> <svg version="1.1" id="symbol_1" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" x="0px" y="0px" viewBox="0 0 41 70.8" style="enable-background:new 0 0 41 70.8;" xml:space="preserve"><polygon class="symbol-1" points="20.5,0 0,35.3 20.3,70.8 41,35.6 "/></svg> <a href="#" class="show-overlay-box subnav black"> <span class="tr"> <span class="td"> Forschungsbereiche<br><span class="icon-arrow-round-right-fat"></span> </span> </span> </a> </div> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/abteilung-wolf/storia-dellarte-e-catastrofi.php"> <div class="wrapper" style="padding-top: 100%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/4001_wolf_Post-catastrophic-cities_LAquila_header.jpg"/> </div> </div> <div class="inner-item"> <h4> Storia dell'arte e catastrofi: L'italia sismica (sta-sis) </h4> <p> Un progetto transdisciplinare incentrato sul ruolo della storia dell’arte negli scenari post-catastrofe, con un’attenzione particolare al paesaggio e al patrimonio culturale italiani. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/kooperationsprojekte/ecology-and-aesthetics-environmental-approaches-in-art-history.php"> <div class="wrapper" style="padding-top: 102.34375%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/2043_Ecology-and-Aesthetics.jpg"/> </div> </div> <div class="inner-item"> <h4> Ecology and Aesthetics. Environmental Approaches in Art History (e/ae) </h4> <p> Ecological and aesthetic theories are intertwined in multiple ways. The project opens a dialogue with archeology, anthropology and history of science concerned with the "anthropocene", rethinking the nature/culture divide in a transcultural perspective, including notions of heritage and sustainability, creation and consumption. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/abteilung-wolf/sacred-landscapes-between-materiality-transportability-and-narration-jerusalem-project.php"> <div class="wrapper" style="padding-top: 133.59375%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/2047_The-Substance-of-Sacred-Place.jpg"/> </div> </div> <div class="inner-item"> <h4> Sacred Landscapes: <br /> Between Materiality, Transportability and Narration (Jerusalem Project) </h4> <p> Sacred Landscapes, in particular deserts and mountains are liminal spaces and also places of aesthetic production or response. Their dimensions are material, narrative and iconic, and they are connected to monumental sacred sites. The long-term Jerusalem project is concerned with all these aspects and analyses the ways in which they are intertwined. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/abteilung-wolf/georgia-project.php"> <div class="wrapper" style="padding-top: 75%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1016_zoom-1446475483.jpg"/> </div> </div> <div class="inner-item"> <h4> Aesthetics, Art, and Architecture in the Caucasus (Georgia Project) </h4> <p> While most debates regarding intercultural dynamics between Christianity, Islam and Judaism are concerned with the Mediterranean, this project is concentrating on the art and architecture of South Caucasus, an under these premises hardly studied region comprising Georgia, Armenia and Azerbaijan as well as Georgian and Armenian heritage in Eastern Turkey. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/senior-research-scholar-baader/hannah-baader-iconologies-and-iconospheres-of-the-sea.php"> <div class="wrapper" style="padding-top: 75%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/7625_hannah-baader-iconologies-and-iconospheres-of-the-sea.jpg"/> </div> </div> <div class="inner-item"> <h4> Iconologies and Iconospheres of the Sea, ca. 1200–1650, III: Liquid Materialities </h4> <p> The project investigates the interdependencies of art and nature and the production of knowledge in mainly Western, pre-modern worlds, by studying the... </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/senior-research-scholar-baader/hannah-baader-ship-exvoto-as-objects-metaphors-and-figures-of-communality.php"> <div class="wrapper" style="padding-top: 107.03125%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/7624_hannah-baader-ship-exvoto-as-objects-metaphors-and-figures-of-communality.jpg"/> </div> </div> <div class="inner-item"> <h4> Ship Ex-Voto as Objects, Metaphors and Figures of Communality, from Antiquity to the Nineteenth Century </h4> <p> A canvas by the French artist Ulysse Butin, presented at the Salon in Paris in 1881, sentimentally evokes a maritime votive scenario showing a young l... </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/senior-research-scholar-baader/index.php"> <div class="wrapper" style="padding-top: 43.90625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1721_img-header-forschung-mpg-senior-research-scholars-2.jpg"/> </div> </div> <div class="inner-item"> <h4> Transregional Art Histories. Actors, Spaces, Ecologies from the 13th Century to the Present </h4> <p> Die Research Group widmet sich der Geschichte der Kunst und der ästhetischen Praktiken aus transregionaler und ökologischer Perspektive. Mit einem Schwerpunkt auf der Materialität werden Kunstwerke oder ästhetische Praktiken im Verhältnis zu Orten, Räumen und Umgebungen untersucht. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/direktor-emeritus-nova/vasaris-welten.php"> <div class="wrapper" style="padding-top: 45.3125%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1710_teaser_9.jpg"/> </div> </div> <div class="inner-item"> <h4> Vasaris Welten und die deutsche kommentierte Ausgabe der 'Vite' in den beiden Editionen von 1550 und 1568 </h4> <p> Das Werk und Denken Giorgio Vasaris bildet für die europäische Kunstwissenschaft bis heute das wichtigste Referenzmodell und einen konstanten methodol... </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/direktor-emeritus-nova/rinascimento-conteso.php"> <div class="wrapper" style="padding-top: 113.4375%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1724_Rinascimento.jpg"/> </div> </div> <div class="inner-item"> <h4> Rinascimento conteso </h4> <p> 'Rinascimento conteso' aims to construct a dialogue with challenges to the historiographical paradigm of a supposedly triumphant Renaissance, responding to sound criticisms of the term’s elitist connotations. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/direktor-emeritus-nova/languages-art-history.php"> <div class="wrapper" style="padding-top: 161.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1726_00_Haederbild.jpg"/> </div> </div> <div class="inner-item"> <h4> Languages of Art History </h4> <p> How did conventions of art historical writing come into being across various linguistic traditions, and how have they survived and developed out of inter-linguistic exchange? </p> </div> </a> </div> </div> <div class="slide"> <div class="symbol-box"> <div class="symbol symbol-5 color color_04"> <svg version="1.1" id="symbol_5" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" x="0px" y="0px" viewBox="0 0 40.6 52.3" style="enable-background:new 0 0 40.6 52.3;" xml:space="preserve"><ellipse class="symbol-5" cx="20.3" cy="26.0" rx="20.3" ry="26.0"/></svg> <a href="#" class="show-overlay-box subnav black"> <span class="tr"> <span class="td"> Forschungsbereiche<br><span class="icon-arrow-round-right-fat"></span> </span> </span> </a> </div> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/direktor-emeritus-nova/ethik-architektur.php"> <div class="wrapper" style="padding-top: 75%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1740_00_Headerbild_E_A_1_Homepage_2017_0.jpg"/> </div> </div> <div class="inner-item"> <h4> Ethik und Architektur </h4> <p> Das Spektrum der Fragen nach dem Verhältnis von Ethik und Architektur ist breit. Es reicht von der Vitruv- und Aristotelesrezeption des Trecento über Überlegungen zur moralischen Dimension von Architektur im 18. Jahrhundert bis hin zur aktuellen Theorie und Praxis des Bauens. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/photothek/fotografie-als-instrument-und-medium-der-kunstgeschichte.php"> <div class="wrapper" style="padding-top: 63.125%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/2057_img-photothek-fotografie-als-instrument.jpg"/> </div> </div> <div class="inner-item"> <h4> Fotografie als Instrument und Medium der Kunstgeschichte </h4> <p> Historische Fotosammlungen, die zu kunsthistorischen Dokumentationszwecken angelegt wurden, bilden beispielhaft die methodische und inhaltliche Geschichte des Faches ab. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/photothek/photo-archives.php"> <div class="wrapper" style="padding-top: 75%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/3613_catalogue-photothek-detail-2.jpg"/> </div> </div> <div class="inner-item"> <h4> Photo Archives </h4> <p> 'Photo Archives' ist eine offene wissenschaftliche Veranstaltungsreihe, die sich Fragen der Wechselbeziehungen zwischen Fotoarchiven, Fotografie und akademischen Disziplinen widmet. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/photothek/cenobium/index.php"> <div class="wrapper" style="padding-top: 75%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1808_header_image-1446720737.jpg"/> </div> </div> <div class="inner-item"> <h4> CENOBIUM - Ein Projekt zur multimedialen Darstellung romanischer Kreuzgangkapitelle im Mittelmeerraum </h4> <p> CENOBIUM verfolgt das Ziel, einen Beitrag zur Analyse der komplexen Dynamiken künstlerischen Austausches im 12. und 13. Jahrhundert zu leisten und bedient sich dabei hochauflösender Digitalfotografie, Video, 3D-Scanning und einer interaktiven Weboberfläche. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/kooperationsprojekte/euploos/index.php"> <div class="wrapper" style="padding-top: 67.8125%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1938_img-header-kooperationsprojekte-euploos.jpg"/> </div> </div> <div class="inner-item"> <h4> Il Progetto EUPLOOS </h4> <p> Il Progetto Euploos intende promuovere un dialogo internazionale tra la comunità dei ricercatori e degli studiosi offrendo uno strumento di ricerca in... </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/senior-research-scholar-gruendler/index.php"> <div class="wrapper" style="padding-top: 43.90625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/7619_senior-research-scholar-gruendler_header.jpg"/> </div> </div> <div class="inner-item"> <h4> Etho-Ästhetiken des Visuellen </h4> <p> Die weitreichenden Beziehungen zwischen Kunst, Visualität und Ethik benötigen eine grundlegende Untersuchung. Die Kunst- und Bildgeschichte hat sich d... </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/senior-research-scholar-baader/hannah-baader-the-city-as-archive.php"> <div class="wrapper" style="padding-top: 72.8125%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/7620_20180918_studienkurs_2018.jpg"/> </div> </div> <div class="inner-item"> <h4> The City as Archive. Histories of Collecting and Archiving in and the Musealisation of Florence, Eighteenth Century to the Present </h4> <p> In November 1916 a spectacular auction took place in the city of New York, when the art dealer, collector and trained artist Elia Volpi (1858–1938) so... </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/senior-research-scholar-gruendler/hana-gruendler-katharine-stahlbuhk-die-erbauung-der-seele.php"> <div class="wrapper" style="padding-top: 138.4375%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/7707_hana-gruendler-katharine-stahlbuhk-die-erbauung-der-seele.jpg"/> </div> </div> <div class="inner-item"> <h4> Die Erbauung der Seele. Leon Battista Albertis Dialog <i>Über die Seelenruhe</i> </h4> <p> Das Projekt widmet sich der ersten deutschen Übersetzung und Kommentierung von Leon Battista Albertis Dialog Profugiorum ab aerumna libri III, au... </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/senior-research-scholar-gruendler/hana-gruendler-perspektivwechsel.php"> <div class="wrapper" style="padding-top: 75%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/7709_hana-gruendler-perspektivwechsel.jpg"/> </div> </div> <div class="inner-item"> <h4> Perspektivwechsel: Kunst und Philosophie nach Wittgenstein </h4> <p> Im Vorwort zu den Philosophischen Untersuchungen beschreibt Ludwig Wittgenstein das Resultat seiner langjährigen Denkbewegungen wie folgt: "Die philos... </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/senior-research-scholar-gruendler/hana-gruendler-zwischen-ethos-und-exzess.php"> <div class="wrapper" style="padding-top: 75%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/7711_hana-gruendler-zwischen-ethos-und-exzess.jpg"/> </div> </div> <div class="inner-item"> <h4> Zwischen Ethos und Exzess? Eine Kritik des Erhabenen </h4> <p> "Le sublime est à la mode" – Jean-François Lyotards 1984 formulierter Satz scheint heute keine Gültigkeit mehr zu besitzen. Gerade in den Visual&... </p> </div> </a> </div> </div> <div class="slide"> <div class="symbol-box"> <div class="symbol symbol-2 color color_23"> <svg version="1.1" id="symbol_2" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" x="0px" y="0px" viewBox="0 0 36.5 61.3" style="enable-background:new 0 0 36.5 61.3;" xml:space="preserve"><path class="symbol-2" d="M18.2,0C15.4,7.2,8.7,13.2,0,16.6v44.7h36.5V16.6C27.8,13.2,21.1,7.2,18.2,0z"/></svg> <a href="#" class="show-overlay-box subnav black"> <span class="tr"> <span class="td"> Forschungsbereiche<br><span class="icon-arrow-round-right-fat"></span> </span> </span> </a> </div> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/senior-research-scholar-gruendler/hana-gruendler-aktion-retraktion.php"> <div class="wrapper" style="padding-top: 138.90625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/7713_hana-gruendler-aktion-retraktion.jpg"/> </div> </div> <div class="inner-item"> <h4> Aktion ǀ Retraktion: Tschechoslowakische Kunst und Philosophie im internationalen Kontext, 1945–1989 </h4> <p> Die in den letzten Jahren zu beobachtende Tendenz, die eindimensionale, noch immer zutiefst westlich geprägte Geschichte des (Post-)Modernismus infrag... </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/senior-research-scholar-baader/4a-laboratory.php"> <div class="wrapper" style="padding-top: 75%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8108_4A_LAB.jpg"/> </div> </div> <div class="inner-item"> <h4> 4A Laboratory: Art Histories, Archaeologies, Anthropologies, Aesthetics (2019–2023) </h4> <p> Eine Kooperation des Kunsthistorischen Institut in Florenz, Max-Planck-Institut, und der Stiftung Preußischer Kulturbesitz zusammen mit der Humboldt-Universität zu Berlin und dem Forum Transregionale Studien </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/4a-laboratory/index.php"> <div class="wrapper" style="padding-top: 75%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8108_4A_LAB.jpg"/> </div> </div> <div class="inner-item"> <h4> 4A Laboratory: Art Histories, Archaeologies, Anthropologies, Aesthetics </h4> <p> 4A_Lab möchte einen neuen Dialog zwischen Kunstgeschichte, Archäologie, Ethnologie und Ästhetik und anderen Disziplinen in Gang bringen mit Blick auf Objekte, Praktiken, Ökologien und Narrationen. </p> <div class="logo"> <div class="logo-inner"> <div class="wrapper" style="padding-top: 51.315789473684%;"> <div class="img"> <img class="lazym" src="/images/forschung/logos/4A_LAB_Logo_schwarz.png" data-original="/images/forschung/logos/4A_LAB_Logo_schwarz.png"/> </div> </div> </div> </div> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/digital-humanities/index.php"> <div class="wrapper" style="padding-top: 44.0625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9162_digital-humanities_haeder.jpg"/> </div> </div> <div class="inner-item"> <h4> Digital Humanities Lab </h4> <p> The Digital Humanities Laboratory (DH Lab) is an interdisciplinary research center within the Kunsthistorisches Institut in Florenz that focuses on in... </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/senior-research-scholar-gruendler/hana-gruendler-julie-deschepper-milica-prokic-materiality-and-invisibility.php"> <div class="wrapper" style="padding-top: 141.875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10976_header_2021-09-23_She-is-made-of-stone.jpg"/> </div> </div> <div class="inner-item"> <h4> Materiality and (In-)Visibility: Women in Socialist and Post-Socialist Public Spaces </h4> <p> This trans-disciplinary project explores the multiple presences of women within socialist and post-socialist public spaces, focusing on their represen... </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/abteilung-wolf/the-aesthetics-of-marble.php"> <div class="wrapper" style="padding-top: 76.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11111_the-aesthetics-of-marble.jpg"/> </div> </div> <div class="inner-item"> <h4> The Aesthetics of Marble </h4> <p> The project combines geo-aesthetics with an exploration of the metaphorical and transmaterial dimension of marble. The historical focus spans from Late Antiquity to the twenty-first century, looking at certain “marble moments”, mostly in the history of architecture, such as Roman and Byzantine wall decoration, early Omayyad art, Venetian medieval marble cladding, Roman baroque chapels, and the early twentieth century rethinking of wall decoration. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/kooperationsprojekte/the-ligurian-complex-case-studies-in-ecology-and-aesthetics.php"> <div class="wrapper" style="padding-top: 70.46875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11112_the-ligurian-complex.jpg"/> </div> </div> <div class="inner-item"> <h4> The Ligurian Complex. Case Studies in Ecology and Aesthetics </h4> <p> The project examines the complex overlaying and interpenetration of horizontal, vertical, or entangled spaces in Liguria, which are a challenge for an art historical investigation of both the production of landscape, terraforming, the interaction of human and non-human factors, and their aesthetics. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/abteilung-wolf/a-heritage-observatory-of-socialist-worlds.php"> <div class="wrapper" style="padding-top: 46.875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11118_a-heritage-observatory-of-socialist-worlds.jpg"/> </div> </div> <div class="inner-item"> <h4> A Heritage Observatory of Socialist Worlds </h4> <p> This project focuses on the artistic, visual, and material culture of the former Soviet Union and Socialist worlds. Reflecting on the profoundly different realities of the States that were part of the Soviet sphere, as well as on the historiography and narratives, including ideological ones, that have affected issues of museography, restoration, protection and valorization, the project contributes to the understanding of architecture, art and heritage in the twentieth century. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/abteilung-wolf/heritage-art-history-tourism-hat.php"> <div class="wrapper" style="padding-top: 66.71875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11110_HAT.jpg"/> </div> </div> <div class="inner-item"> <h4> Heritage, Art History, Tourism (H.A.T.) </h4> <p> H.A.T. was launched in 2019 as a platform for transdisciplinary conversations and research on the entanglement between heritage, art history, and tourism in a global horizon. The project is concerned with landscapes and territory, and with historical and contemporary dynamics of archaeology, architecture, site management and exploitation. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/kooperationsprojekte/the-space-of-childhood.php"> <div class="wrapper" style="padding-top: 73.59375%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11537_coop_space-of-childhood.jpg"/> </div> </div> <div class="inner-item"> <h4> The Space of Childhood: The Adler Collection between Architecture, Art, History, Pedagogy and Creativity </h4> <p> This project studies a recent donation to the Biblioteca Nazionale Braidense in Milan: the unpublished correspondence of the architects Hedwig Feldmann and Hans Edward Adler, dating back to their stay in the USSR from 1930 to 1933, as well as their collection of 257 Soviet children’s books, most of which were published between the 1920s and 1933. </p> </div> </a> </div> </div> <div class="slide"> <div class="symbol-box"> <div class="symbol symbol-6 color color_08"> <svg version="1.1" id="symbol_6" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" x="0px" y="0px" viewBox="0 0 42 51.9" style="enable-background:new 0 0 42 51.9;" xml:space="preserve"><path class="symbol-6" d="M21.3,51.9c7.2-5.4,12.7-12.4,16.5-21.1c3.8-8.7,5-17.6,3.8-26.6C34.4,1.4,27.4,0,20.7,0C14,0,7.2,1.5,0.3,4.4 c-1,9.6,0.3,18.3,3.8,26.3C7.5,38.7,13.3,45.8,21.3,51.9z"/></svg> <a href="#" class="show-overlay-box subnav black"> <span class="tr"> <span class="td"> Forschungsbereiche<br><span class="icon-arrow-round-right-fat"></span> </span> </span> </a> </div> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/senior-research-scholar-gruendler/hana-gruendler-giulia-baldelli-jakob-moser-practices-of-imagination.php"> <div class="wrapper" style="padding-top: 33.28125%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11187_Gruendler_Practices_of_Imagination.jpg"/> </div> </div> <div class="inner-item"> <h4> Practices of Imagination </h4> <p> Against the backdrop of contemporary debates over the creative potential and embodiment of cognitive processes, imagination, a concept that according ... </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/senior-research-scholar-gruendler/hana-gruendler-franziska-lampe-katharine-stahlbuhk-phenomenon-colour.php"> <div class="wrapper" style="padding-top: 133.28125%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11194_Gruendler_Phenomenon-Colour.jpg"/> </div> </div> <div class="inner-item"> <h4> Phenomenon ‘Colour’: Aesthetics – Epistemology – Politics </h4> <p> Colour and its perception is dependent on a variety of subjective predispositions and external physical conditions, and is decisively determined by so... </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/photothek/photo-objects-cultural-displays-and-rhetorics-of-value.php"> <div class="wrapper" style="padding-top: 75%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11197_Photothek_Cultural-Displays.jpg"/> </div> </div> <div class="inner-item"> <h4> Photo-Objects, Cultural Displays, and Rhetorics of Value </h4> <p> Systems of value impact the lives of photographs as well as the work practices in art-historical photo archives. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/photothek/objects-of-migration-photo-objects-of-art-history-encounters-in-an-archive.php"> <div class="wrapper" style="padding-top: 66.5625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11179_Photothek_Encounters.jpg"/> </div> </div> <div class="inner-item"> <h4> Objects of Migration, Photo-Objects of Art History: Encounters in an Archive </h4> <p> <i>Objects of Migration, Photo-Objects of Art History: Encounters in an Archive</i> is a joint project by the Photothek and the artist Massimo Ricciardo. It links questions of the archive with burning issues of global migration, rhetorics of value and cultural heritage. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/photothek/la-duplice-polarita-estetica-e-storica.php"> <div class="wrapper" style="padding-top: 133.28125%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11182_Photothek_Schleicher.jpg"/> </div> </div> <div class="inner-item"> <h4> „La duplice polarità estetica e storica“ – Methode, Ästhetik und Funktion der Fotografien im Werk der Restauratorin Barbara Schleicher </h4> <p> Die international renommierte Restauratorin Barbara Schleicher (*1937) war in den Jahren 1960–2014 vor allem für Denkmalbehörden, Kirchen und Museen in der Toskana tätig. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/photothek/studies-on-the-photography-laboratory-and-archival-practice-of-anton-hautmann-around-1860.php"> <div class="wrapper" style="padding-top: 65.46875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11181_Photothek_Hautmann.jpg"/> </div> </div> <div class="inner-item"> <h4> Studies on the Photography, Laboratory, and Archival Practice of Anton Hautmann around 1860 </h4> <p> Anton Hautmann, who was born in Munich in 1821, settled in Florence as a sculptor in 1849, where he was also active as a photographer from 1858 until his death in 1862. As one of the pioneers of stereoscopic photography, he is best known for his views of Florentine architecture and the cityscape. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/photothek/on-alinari-archive-in-transition.php"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11196_Photothek_Alinari_0.jpg"/> </div> </div> <div class="inner-item"> <h4> On Alinari: Archive in Transition </h4> <p> Artist Armin Linke participates in a dialogue between theory and practice that examines and questions the process of institutionalizing photographic archives. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/photothek/the-photographers-sales-catalogue-collection-of-the-photothek.php"> <div class="wrapper" style="padding-top: 159.21875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11180_Photothek_Fotokataloge.jpg"/> </div> </div> <div class="inner-item"> <h4> The Photographers’ Sales Catalogue Collection of the Photothek </h4> <p> Photographers’ Sales Catalogues are essential sources for the study of professional photographers, photographic ateliers as well as the photographs themselves since they contain important information concerning techniques, circulation, dating and attribution. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/senior-research-scholar-baader/hannah-baader-kings-finger.php"> <div class="wrapper" style="padding-top: 129.0625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11688_Hannah_Baader_Kings_Finger.jpg"/> </div> </div> <div class="inner-item"> <h4> The King’s Finger, the Mermaid’s Body and the Power of the Sea </h4> <p>  This project explores aspects of the transformative power of art by looking at a pair of medieval gloves. Among its particularly rare and precio... </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/senior-research-scholar-baader/hannah-baader-cultural-possessions.php"> <div class="wrapper" style="padding-top: 75%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11692_Hannah_Baader_Cultural_Possessions.jpg"/> </div> </div> <div class="inner-item"> <h4> Cultural Possessions </h4> <p>  The Prussian Cultural Heritage Foundation is a complex legal structure that serves as the subject of this art historical and artistic investigat... </p> </div> </a> </div> </div> <div class="slide"> <div class="symbol-box"> <div class="symbol symbol-3 color color_23"> <svg version="1.1" id="symbol_3" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" x="0px" y="0px" viewBox="0 0 38.3 49" style="enable-background:new 0 0 38.3 49;" xml:space="preserve"><path class="symbol-3" d="M0,4.4v40.4c2.3,0,4.2,1.9,4.2,4.2h29.5c0-2.3,1.9-4.2,4.2-4.2c0.1,0,0.2,0,0.2,0V4.4c-0.1,0-0.2,0-0.2,0 c-2.3,0-4.2-1.9-4.2-4.2c0,0,0-0.1,0-0.1H4.2c0,0,0,0.1,0,0.1C4.2,2.5,2.3,4.4,0,4.4z"/></svg> <a href="#" class="show-overlay-box subnav black"> <span class="tr"> <span class="td"> Forschungsbereiche<br><span class="icon-arrow-round-right-fat"></span> </span> </span> </a> </div> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/kooperationsprojekte/empires-environments-objects.php"> <div class="wrapper" style="padding-top: 75%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11966_cupula_de_la_Capilla_de_San_Ignacio_de_Loyola_de_la_Iglesia_de_la_Compania_de_Arequipa.jpg"/> </div> </div> <div class="inner-item"> <h4> Empires, Environments, Objects </h4> <p> Max-Planck Partner Group 2022-2027<br/> Pontificia Universidad Católica del Perú, Lima – Kunsthistorisches Institut in Florenz </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/senior-research-scholar-baader/hannah-baader-sounds-of-melancholy.php"> <div class="wrapper" style="padding-top: 133.28125%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12145_Titelbild.jpg"/> </div> </div> <div class="inner-item"> <h4> Sounds of Melancholy </h4> <p> Die „Farben“ der Melancholie standen im elisabethanischen Zeitalter hoch im Kurs bei Philosophen und Dichtern, in der Kunst und in der Musik: 88 versc... </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/abteilung-wolf/oscop.php"> <div class="wrapper" style="padding-top: 95.625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12292_projekt_oscop.jpg"/> </div> </div> <div class="inner-item"> <h4> OSCOP – Observing South Caucasus’ Historical Landscape: An Open Photo Archive </h4> <p> The OSCOP project aims to critically recover the collection of photographs on the cultural heritage of the South Caucasus taken in the Soviet period by scholars working at the Centro Studi e Documentazione della Cultura Armena, founded in Milan by Adriano Alpago Novello in 1976. </p> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/lise-meitner-group-meister/index.php"> <div class="wrapper" style="padding-top: 68.28125%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12803_lise-meitner-group-meister.jpg"/> </div> </div> <div class="inner-item"> <h4> Coded Objects </h4> <p> "Coded Objects" stellt als methodische Perspektive jegliche Annahme "neutraler" Technologie oder immaterieller Bürokratie in Frage. Stattdessen untersucht die Lise-Meitner-Gruppe, wie Prozesse durch Objekte Werte formen—und wie Objekte wiederum gesellschaftliche Prozesse formatieren. </p> <div class="logo"> <div class="logo-inner"> <div class="wrapper" style="padding-top: 100%;"> <div class="img"> <img class="lazym" src="/images/forschung/lise-meitner-group-meister/coded-objects-logo.png" data-original="/images/forschung/lise-meitner-group-meister/coded-objects-logo.png"/> </div> </div> </div> </div> </div> </a> </div> </div> <div class="slide"> <div class=""> <a href="/de/forschung/lise-meitner-group-meister/fragile-objects.php"> <div class="wrapper" style="padding-top: 75%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12958_fragile-objects.jpg"/> </div> </div> <div class="inner-item"> <h4> Fragile Objects, Coded Knowledge (Architecture's Archives) </h4> <p> In architecture, the construction of disciplinary knowledge has been bound to the making of objects and their processes—be it plans, models, sketches or renderings—and their subsequent preservation: what the archive holds informs the histories that are written. In order to question its seemingly stable categories and include marginalized makers, the Lise Meitner Group’s project embraces fragile objects as a way to understand how disciplinary knowledge has been coded. </p> </div> </a> </div> </div> </div> </div> </div> </div> </div> <section class="tab-area"> <div class="container hidden-xs hidden-sm visible-md visible-lg"> <div class="row"> <div class="col-md-12"> <ul class="nav nav-tabs" role="tablist"> <li role="presentation" class="active" style="width: 20%"><a href="#calendar" class="desktop tab-color color_26 active" aria-controls="calendar" role="tab" data-toggle="tab" data-tab="#calendar" >Kalender</a> </li> <li role="presentation" class="" style="width: 20%"><a href="#exhibtions" class="desktop tab-color color_21" aria-controls="exhibtions" role="tab" data-toggle="tab" data-tab="#exhibtions">Ausstellungen</a></li> <li role="presentation" class="" style="width: 20%"><a href="#neuerscheinungen" class="desktop tab-color color_31" aria-controls="neuerscheinungen" role="tab" data-toggle="tab" data-tab="#neuerscheinungen">Publikationen</a></li> <li role="presentation" class="" style="width: 20%"><a href="#blogs" class="desktop tab-color color_05" aria-controls="blogs" role="tab" data-toggle="tab" data-tab="#blogs">Blogs</a></li> <li role="presentation" class="" style="width: 20%"><a href="#videos" class="desktop tab-color color_10" aria-controls="videos" role="tab" data-toggle="tab" data-tab="#videos">Videos</a></li> </ul> </div> </div> </div> <div class="visible-xs visible-sm hidden-md hidden-lg mobile-tab tab-color active" data-tab="#calendar"> <div class="container"> <div class="row"> <div class="col-md-12"> <a href="#calendar" aria-controls="calendar" role="tab" data-toggle="tab" class="color_26">Kalender</a> </div> </div> </div> </div>  <div class="tab-content"> <div role="tabpanel" class="tab-pane projects active" id="calendar"> <div class="bg-palette color_26"> <div class="container"> <div class="row"> <div class="col-md-12"> <a class="all-link" href="/de/aktuelles/veranstaltungen.php">Alle anzeigen</a> <div class="slider teaser start-va"> <div class="slider-nav"> <span class="icon-arrow-round-left"></span> <span class="icon-arrow-round-right active"></span> </div> <div class="slider-inner"> <div class="slide first-va"> <a href="/de/aktuelles/veranstaltungen/2025/04/perspectives-from-the-peruvian-amazon.php"> <div class="date"> 07. – 10. 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Empires, Environments, Objects: Perspectives from the Peruvian Amazon </h4> <div class="loc hidden"> </div> <div class="short_location">Pucallpa, Peru</div> <div class="wrapper" style="padding-top: 66.71875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/13959_20250407_PeruSeminar.jpg"/> </div> </div> </a> </div> </div> </div> </div> </div> </div> </div> </div> </div> <div class="visible-xs visible-sm hidden-md hidden-lg mobile-tab tab-color" data-tab="#exhibtions"> <div class="container"> <div class="row"> <div class="col-md-12"> <a href="#exhibtions" aria-controls="exhibtions" role="tab" data-toggle="tab" class="color_21">Ausstellungen</a> </div> </div> </div> </div>  <div class="tab-content"> <div role="tabpanel" class="tab-pane projects" id="exhibtions"> <div class="bg-palette color_21"> <div class="container"> <div class="row"> <div class="col-md-12"> <a class="all-link" href="/de/aktuelles/ausstellungen.php">Alle anzeigen</a> <div class="slider teaser"> <div class="slider-nav"> <span class="icon-arrow-round-left"></span> <span class="icon-arrow-round-right active"></span> </div> <div class="slider-inner"> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2025-03_im-fokus_marsilio_ficino_de.php"> <div class="wrapper" style="padding-top: 0%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload=""/> </div> </div> <h4> <img src="/images/bibliothek/MarsilioFicino/_L6A8298.jpg" width="110%" height="110%" style="margin-left: -5%; margin-top: -3%"><br/><br/>Conversazioni Serlupiane I - Die ausgestellten Werke </h4> <p>07. März 2025 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2024-10_transitions.php"> <div class="wrapper" style="padding-top: 141.5625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/13641_2024_10_Transitions_Saluto.jpg"/> </div> </div> <h4> TRANSITIONS: Via Modena 13 </h4> <p>ab 14. Oktober 2024 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/20240921_burma.php"> <div class="wrapper" style="padding-top: 54.375%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/13479_20240921-burma-lucca.jpg"/> </div> </div> <h4> Burma. L'arte di Sawangwongse Yawnghwe fra Birmania ed Europa. </h4> <p>21. September – 03. November 2024 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/abolition-garden-installation-study-display.php"> <div class="wrapper" style="padding-top: 66.71875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/13853_20240920_Study_Display_Foto_Baerbel_Reinhand.jpg"/> </div> </div> <h4> Abolition Garden muSa Michelle Mattiuzzi Installation & Study Display </h4> <p>20. – 25. September 2024 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2024-06_im-fokus_fuori_formato.php"> <div class="wrapper" style="padding-top: 66.71875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/13202_L6A9376.jpg"/> </div> </div> <h4> Fuori Formato Bücher jenseits der Norm </h4> <p>13. Juni 2024 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2024-kunst-der-freiheit.php"> <div class="wrapper" style="padding-top: 66.71875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/13172_2024-ms-wissenschaft-exponat.jpg"/> </div> </div> <h4> Kunst der Freiheit – Experimentierfelder in Worten und Bildern </h4> <p>14. Mai – 15. September 2024 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/20240117_hilde-in-italia.php"> <div class="wrapper" style="padding-top: 177.8125%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12920_20240117_HildeinItalia.jpg"/> </div> </div> <h4> Hilde in Italia. Arte e vita nelle fotografie di Hilde Lotz-Bauer </h4> <p>17. Januar – 05. Mai 2024 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2023-12_palazzo-buontalenti.php"> <div class="wrapper" style="padding-top: 141.5625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12875_Plakat_jpg_fuer_Website.jpg"/> </div> </div> <h4> Palazzo Buontalenti. Eine Fotokampagne </h4> <p>ab 11. Dezember 2023 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2023_10_im-fokus_Schenkungen_Aby_Warburgs.php"> <div class="wrapper" style="padding-top: 0%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload=""/> </div> </div> <h4> <img src="/images/bibliothek/FokusWarburg/Cover.jpg" width="100%" height="100%" style="margin-top:-10px;"> <p width="100%" height="100%" style="margin-top:-20px;"><br/></p> <i>„Dem kunsthistorischen Institut ergebenst zur Lektüre empfohlen“</i> Schenkungen Aby Warburgs von der Institutsgründung bis zu seinem Tod (1897-1929) </h4> <p>17. Oktober 2023 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/202310-kluge-grosse-linke.php"> <div class="wrapper" style="padding-top: 75%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12662_DIF_000957_177_B.jpg"/> </div> </div> <h4> Works by Alexander Kluge with Katharina Grosse and by Armin Linke in occasion of the exhibition "Aby Warburg, il Kunsthistorisches Institut in Florenz e il laboratorio delle immagini" </h4> <p>12. Oktober – 10. Dezember 2023 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/202310-warburg-e-il-Kunsthistorisches-Institut-in-Florenz.php"> <div class="wrapper" style="padding-top: 150%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12782_202311_Warburg_KHI_2.jpg"/> </div> </div> <h4> Aby Warburg, il Kunsthistorisches Institut in Florenz e il laboratorio delle immagini </h4> <p>12. Oktober – 10. Dezember 2023 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/20230923-warburg.php"> <div class="wrapper" style="padding-top: 66.71875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12559_CCV_01.jpg"/> </div> </div> <h4> Rooms with a View. Aby Warburg, Florenz und das Labor der Bilder </h4> <p>19. September – 10. Dezember 2023 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2023-06-sammlung-hautmann.php"> <div class="wrapper" style="padding-top: 142.5%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12325_2023-06-sammlung-hautmann.jpg"/> </div> </div> <h4> Die Sammlung Hautmann </h4> <p>ab 05. Juni 2023 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2023-das-universum-in-bildern.php"> <div class="wrapper" style="padding-top: 66.71875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12311_20230509_MSWI_16_Universum_in_Bildern_151718_0.jpg"/> </div> </div> <h4> Das Universum in Bildern – Wissen und Vorstellung in Geschichte und Gegenwart </h4> <p>09. Mai – 27. September 2023 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/exhibition-berlin.php"> <div class="wrapper" style="padding-top: 151.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12299_2023_Berlin_Ausstellung.jpg"/> </div> </div> <h4> Rhythm and Colour Foregrounding Music in Indian Album Paintings (16th-18th Centuries) </h4> <p>28. April – 25. Juni 2023 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2023-nicolo-degiorgis-102metri.php"> <div class="wrapper" style="padding-top: 142.8125%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12182_20230329_102metridef_page-0001.jpg"/> </div> </div> <h4> Nicolò Degiorgis 102 metri </h4> <p>29. März – 30. April 2023 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2022_12_im-fokus_inspiration_und_ordnung.php"> <div class="wrapper" style="padding-top: 0%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload=""/> </div> </div> <h4> <img src="/images/bibliothek/125Jahren/A1B1bis.jpg" width="100%" height="100%" style="margin-top: -3%"><br/><br/>Inspiration und Ordnung. Die Bibliothek – seit 125 Jahren ein Ort der Forschung </h4> <p>12. Dezember 2022 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2022-11_Mudejarismo-and-Moorish-Revival.php"> <div class="wrapper" style="padding-top: 141.5625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11821_Poster_Mudejarismo_150_facebook.jpg"/> </div> </div> <h4> „Mudejarismo“ und „maurisches Revival“ </h4> <p>ab 14. November 2022 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2022_09_image-capital.php"> <div class="wrapper" style="padding-top: 93.4375%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11563_2022-09-22_ImageCapital.jpg"/> </div> </div> <h4> IMAGE CAPITAL by Estelle Blaschke and Armin Linke: exhibition at Fondazione MAST </h4> <p>22. September 2022 – 08. Januar 2023 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2022-04_im-fokus_figurationen-des-raums.php"> <div class="wrapper" style="padding-top: 150%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11131_Alberti-01.jpg"/> </div> </div> <h4> Figurationen des Raums. Alberti-Drucke in der Rara-Abteilung der Bibliothek </h4> <p>25. April 2022 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2022-04_archivpraktiken-in-der-photothek.php"> <div class="wrapper" style="padding-top: 141.5625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11101_20220420_archivpraktiken-in-der-photothek.jpg"/> </div> </div> <h4> Archivpraktiken in der Photothek </h4> <p>ab 20. April 2022 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2021-12_im-fokus_in-edlem-gewand.php"> <div class="wrapper" style="padding-top: 150%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10774_05a_Title.jpg"/> </div> </div> <h4> In edlem Gewand – Historische Einbandpapiere in der Bibliothek </h4> <p>16. Dezember 2021 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2021-11_Lieberman.php"> <div class="wrapper" style="padding-top: 141.5625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10723_2021-11_Lieberman.jpg"/> </div> </div> <h4> ART HISTORY WITH A CAMERA. The photography of Ralph Lieberman </h4> <p>ab 29. November 2021 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2021-07-beuys.php"> <div class="wrapper" style="padding-top: 150%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10248_Beuys_Ansicht-b.jpg"/> </div> </div> <h4> Sammlung Joseph Beuys </h4> <p>20. Juli 2021 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2021-05-retusche.php"> <div class="wrapper" style="padding-top: 141.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10050_20210503_Retusche.jpg"/> </div> </div> <h4> Retusche – Bildmanipulationen in der Fotografie </h4> <p>ab 03. Mai 2021 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2020-09-Sigismondi.php"> <div class="wrapper" style="padding-top: 141.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9479_2020_Sigismondi.jpg"/> </div> </div> <h4> DIE METIERS DES FOTOGRAFEN Roberto Sigismondi </h4> <p>ab 21. September 2020 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2020-images-crisis-care.php"> <div class="wrapper" style="padding-top: 141.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9338_covid_gallery_v2.jpg"/> </div> </div> <h4> Covid-19 Gallery </h4> <p>ab 01. März 2020 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/tresors-d-art-a-la-portee-de-tous.php"> <div class="wrapper" style="padding-top: 141.5625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8785_20191125_tresors-d-art.jpg"/> </div> </div> <h4> "Trésors d'art à la portée de tous" – Die Verkaufskataloge der Fotografen </h4> <p>ab 25. November 2019 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/neo-rauch-works-from-2008-to-2019.php"> <div class="wrapper" style="padding-top: 135.46875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8629_20191016_neo-rauch.jpg"/> </div> </div> <h4> Neo Rauch – Works from 2008 to 2019 </h4> <p>17. Oktober 2019 – 12. Januar 2020 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/20190928_natalia-goncharova-a-woman-of-the-avant-garde-with-gauguin-matisse-and-picasso.php"> <div class="wrapper" style="padding-top: 100%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8624_201909_Goncharova2.jpg"/> </div> </div> <h4> Natalia Goncharova. A Woman of the Avant-garde with Gauguin, Matisse and Picasso </h4> <p>28. September 2019 – 12. Januar 2020 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2019-06-encounters.php"> <div class="wrapper" style="padding-top: 141.5625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8310_20190611_Encounters.jpg"/> </div> </div> <h4> Encounters: Migrants * Photographers * Artists * Activists </h4> <p>ab 11. Juni 2019 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2019026-antony-gormley-essere.php"> <div class="wrapper" style="padding-top: 146.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8037_20190226_Antony-Gormley.jpg"/> </div> </div> <h4> Antony Gormley. ESSERE </h4> <p>26. Februar – 26. Mai 2019 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/fotografie-und-katastrophe.php"> <div class="wrapper" style="padding-top: 141.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/7772_20181120_Katastrophen_de.jpg"/> </div> </div> <h4> Photographie und Katastrophe Antonio Di Cecco im Dialog mit den Sammlungen der Photothek </h4> <p>ab 20. November 2018 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/architecture-in-photography.php"> <div class="wrapper" style="padding-top: 141.5625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/4890_20180604_Architecture-in-Photography.jpg"/> </div> </div> <h4> Architecture in Photography </h4> <p>ab 04. Juni 2018 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/20180515_handarbeit-oder-denkarbeit.php"> <div class="wrapper" style="padding-top: 66.875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/4936_20180515_MS-Wissenschaft.jpg"/> </div> </div> <h4> Handarbeit oder Denkarbeit? Die Kunst und das (Nichts-)Tun </h4> <p>15. Mai – 22. Oktober 2018 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/spagna-e-italia-in-dialogo.php"> <div class="wrapper" style="padding-top: 55%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/4626_20180227_spagna-e-italia.jpg"/> </div> </div> <h4> Spagna e Italia in dialogo nell'Europa del Cinquecento </h4> <p>27. Februar – 27. Mai 2018 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2018-02-unboxing-photographs.php"> <div class="wrapper" style="padding-top: 131.875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/3290_20180215_Unboxing-Photographs.jpg"/> </div> </div> <h4> Unboxing Photographs Arbeiten im Fotoarchiv </h4> <p>16. Februar – 27. Mai 2018 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2017-11-ramboux.php"> <div class="wrapper" style="padding-top: 141.5625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1659_standard-1510925571.jpg"/> </div> </div> <h4> Ramboux Zwischen Kunst und Kunstgeschichte </h4> <p>ab 20. November 2017 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2017-10-ambrogio-lorenzetti.php"> <div class="wrapper" style="padding-top: 96.5625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/3296_2017_10-ambrogio-lorenzetti.jpg"/> </div> </div> <h4> Ambrogio Lorenzetti </h4> <p>22. Oktober 2017 – 08. April 2018 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2017-09-wechselblicke.php"> <div class="wrapper" style="padding-top: 66.71875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1358_header_image-1.jpg"/> </div> </div> <h4> Wechselblicke Zwischen China und Europa 1669-1907 </h4> <p>29. September 2017 – 07. Januar 2018 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2017-06-sangallo.php"> <div class="wrapper" style="padding-top: 141.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1449_teaser.jpg"/> </div> </div> <h4> Giuliano da Sangallos Architektur der Fläche </h4> <p>ab 12. Juni 2017 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2016-11-materiality-photographs.php"> <div class="wrapper" style="padding-top: 141.5625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1450_2016_Into-the-Archive.jpg"/> </div> </div> <h4> Into the Archive<br /> On the Materiality of Photographs </h4> <p>ab 14. November 2016 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2016-06-francesco-clemente.php"> <div class="wrapper" style="padding-top: 136.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1454_teaser-5.jpg"/> </div> </div> <h4> Francesco Clemente<br /> Fiori d’inverno a New York </h4> <p>29. Juni – 02. Oktober 2016 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2016-06-elfenbeintafeln-salerno.php"> <div class="wrapper" style="padding-top: 141.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1455_2016_1_Salerno-Ivories.jpg"/> </div> </div> <h4> Die Elfenbeintafeln in Salerno – neu fotografiert </h4> <p>ab 13. Juni 2016 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2017-04-bildergeschichten-meer.php"> <div class="wrapper" style="padding-top: 66.875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1451_teaser-2.jpg"/> </div> </div> <h4> Bildergeschichten vom Meer </h4> <p>03. Mai 2016 – 08. Oktober 2017 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2015-11-foto-objekte-photothek.php"> <div class="wrapper" style="padding-top: 141.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1453_2015_Foto-Objekte.jpg"/> </div> </div> <h4> Foto-Objekte und Kunstgewerbe in der Photothek </h4> <p>ab 23. November 2015 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2015-05-romualdo-moscioni.php"> <div class="wrapper" style="padding-top: 141.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1456_2015_1_Apulia-Monumentale.jpg"/> </div> </div> <h4> Romualdo Moscioni<br /> Apulia Monumentale </h4> <p>ab 04. Mai 2015 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2014-11-visualisierung-des-unsichtbaren.php"> <div class="wrapper" style="padding-top: 141.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1458_2014_2_Michelangelo.jpg"/> </div> </div> <h4> Visualisierung des Unsichtbaren in Zeichnungen Michelangelos aus der Casa Buonarroti </h4> <p>ab 17. November 2014 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2015-04-mschatta-im-fokus.php"> <div class="wrapper" style="padding-top: 214.84375%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1457_teaser-8.jpg"/> </div> </div> <h4> Mschatta im Fokus<br /> Das jordanische Wüstenschloss in historischen Fotografien </h4> <p>02. Oktober 2014 – 30. Juli 2015 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2014-05-nomos-der-bilder.php"> <div class="wrapper" style="padding-top: 141.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1459_2014_1_Nomos.jpg"/> </div> </div> <h4> Nomos der Bilder<br /> Manifestationen des Rechts in Bildatlanten und Fotoarchiven </h4> <p>ab 05. Mai 2014 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2014-03-florentine-renaissance.php"> <div class="wrapper" style="padding-top: 78.4375%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1460_2014_Florentine_Renaissance.jpg"/> </div> </div> <h4> The Florentine Renaissance<br /> The City as the Crucible of Culture </h4> <p>30. März – 03. Juni 2014 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2013-11-florenz-um-1900.php"> <div class="wrapper" style="padding-top: 141.09375%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8411_2013_2_Florenz.jpg"/> </div> </div> <h4> Florenz um 1900. Der fotografische Blick </h4> <p>ab 25. November 2013 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2013-11-florenz.php"> <div class="wrapper" style="padding-top: 141.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1506_teaser-1_7.jpg"/> </div> </div> <h4> Florenz! </h4> <p>22. November 2013 – 09. März 2014 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2013-04-sammlung-volpis.php"> <div class="wrapper" style="padding-top: 141.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8410_2013_1_Volpi.jpg"/> </div> </div> <h4> Fotografien eines Kunsthändlers. Die Sammlung Elia Volpis </h4> <p>ab 22. April 2013 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2012-11-translatio-nummorum.php"> <div class="wrapper" style="padding-top: 210%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1488_teaser-6_1.jpg"/> </div> </div> <h4> Translatio Nummorum<br /> Die zwölf ersten römischen Caesaren in der Renaissance </h4> <p>23. November 2012 – 15. März 2013 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2012-11-size-matters.php"> <div class="wrapper" style="padding-top: 140%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8409_2012_2_Size_Matters_web.jpg"/> </div> </div> <h4> Size Matters. Scale and Measure in Photography </h4> <p>ab 05. November 2012 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2012-06-il-dolce-potere.php"> <div class="wrapper" style="padding-top: 87.5%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1491_teaser-4_2.jpg"/> </div> </div> <h4> Il Dolce Potere delle Corde<br /> Orfeo, Apollo, Arione e Davide nella grafica tra Quattro e Cinquecento </h4> <p>21. Juni – 23. September 2012 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2012-06-ms-wissenschaft.php"> <div class="wrapper" style="padding-top: 140%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8406_2012_1_MS_Wissenschaft.jpg"/> </div> </div> <h4> MS Wissenschaft - Das schwimmende Science Center 2012 </h4> <p>18. Juni 2012 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2011-11-bartolomeo-ammannati.php"> <div class="wrapper" style="padding-top: 140%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8403_2011_3_Ammanati_web.jpg"/> </div> </div> <h4> Bartolomeo Ammannati </h4> <p>ab 21. November 2011 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2011-09-francesco-clemente.php"> <div class="wrapper" style="padding-top: 188.90625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1493_teaser-1_6.jpg"/> </div> </div> <h4> Francesco Clemente I Tarocchi </h4> <p>09. September – 06. November 2011 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2011-06-research-horizons-eupoloos-project.php"> <div class="wrapper" style="padding-top: 259.84375%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1494_teaser_6.jpg"/> </div> </div> <h4> Research horizons and new technologies<br /> The Euploos project for the Collection of the Gabinetto Disegni e Stampe degli Uffizi </h4> <p>29. Juni – 28. August 2011 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2011-06-musiche-di-legni.php"> <div class="wrapper" style="padding-top: 66.71875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1487_2011-gavazzi.jpg"/> </div> </div> <h4> Musiche di legni in riva d'Arno dai Canottieri a Ponte Vecchio </h4> <p>23. Juni – 15. Juli 2011 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2011-06-gustav-ludwig.php"> <div class="wrapper" style="padding-top: 141.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1486_2011_2_Ludwig.jpg"/> </div> </div> <h4> Gustav Ludwig. Der fotografische Nachlass </h4> <p>ab 20. Juni 2011 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2011-05-das-jahrhundert-vasaris.php"> <div class="wrapper" style="padding-top: 111.09375%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1485_teaser-7_0.jpg"/> </div> </div> <h4> Das Jahrhundert Vasaris<br /> Florentiner Zeichner des Cinquecento </h4> <p>17. Mai – 21. August 2011 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2011-03-el-vuelo-de-las-imagenes.php"> <div class="wrapper" style="padding-top: 146.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1484_2011_El-Vuelo.jpg"/> </div> </div> <h4> El Vuelo de las Imágenes Arte plumario en México y Europa </h4> <p>24. März – 19. Juni 2011 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2011-02-zeichnungen-aus-den-uffizien.php"> <div class="wrapper" style="padding-top: 140%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1483_2011_1_Uffizi.jpg"/> </div> </div> <h4> Zeichnungen aus den Uffizien - neu gesehen </h4> <p>ab 14. Februar 2011 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2010-10-skulpturen-boboli-garten.php"> <div class="wrapper" style="padding-top: 141.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8250_2010_3_Giardini_Boboli.jpg"/> </div> </div> <h4> Skulpturen aus dem Boboli-Garten </h4> <p>ab 18. Oktober 2010 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2010-09-zukunft der tradition.php"> <div class="wrapper" style="padding-top: 100%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1481_teaser-2_4.jpg"/> </div> </div> <h4> Zukunft der Tradition - Tradition der Zukunft<br /> 100 Jahre nach der Ausstellung 'Meisterwerke muhammedanischer Kunst' in München </h4> <p>17. September 2010 – 09. Januar 2011 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2010-06-palazzo-grifoni.php"> <div class="wrapper" style="padding-top: 141.5625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8249_2010_2_Palazzo_Grifoni.jpg"/> </div> </div> <h4> Palazzo Grifoni Budini Gattai </h4> <p>ab 15. Juni 2010 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2010-03-da-jacopo.php"> <div class="wrapper" style="padding-top: 125.78125%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8248_2010_03_siena.jpg"/> </div> </div> <h4> Da Jacopo della Quercia a Donatello Le Arti a Siena nel primo Rinascimento </h4> <p>26. März – 11. Juli 2010 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2010-02-natural-artifizio.php"> <div class="wrapper" style="padding-top: 140%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8247_2010_1_Grotten.jpg"/> </div> </div> <h4> Natural artifizio - artifiziosa natura Grotten der frühen Neuzeit in Italien </h4> <p>ab 22. Februar 2010 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2009-10-sigilli.php"> <div class="wrapper" style="padding-top: 141.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/4028_2009_3_Sigilli_kl.jpg"/> </div> </div> <h4> Sigilli </h4> <p>ab 19. Oktober 2009 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2009-06-kreuzgang-monreale.php"> <div class="wrapper" style="padding-top: 141.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8245_2009_2_Monreale.jpg"/> </div> </div> <h4> Der Kreuzgang von Monreale </h4> <p>ab 22. Juni 2009 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2009-02-cimelia-photographica.php"> <div class="wrapper" style="padding-top: 140%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8246_2009_1_Cimelia_Photographica.jpg"/> </div> </div> <h4> Cimelia Photographica </h4> <p>ab 23. Februar 2009 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2009-02-rothko-giotto.php"> <div class="wrapper" style="padding-top: 56.5625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8244_2009_rothko_giotto.jpg"/> </div> </div> <h4> Rothko / Giotto Die Berührbarkeit des Bildes </h4> <p>06. Februar – 03. Mai 2009 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2008-10-casa-vasari.php"> <div class="wrapper" style="padding-top: 141.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8242_2008_3_Casa_Vasari.jpg"/> </div> </div> <h4> Casa Vasari in Florenz </h4> <p>ab 27. Oktober 2008 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2008-07-georgien.php"> <div class="wrapper" style="padding-top: 140.625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8243_2008_Georgien.jpg"/> </div> </div> <h4> Georgien - Mittelalterliche Monumente </h4> <p>ab 07. Juli 2008 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2008-04-florentiner-ansichten.php"> <div class="wrapper" style="padding-top: 141.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1470_teaser-4_0.jpg"/> </div> </div> <h4> Florentiner Ansichten aus der druckgraphischen Sammlung der Photothek </h4> <p>ab 28. April 2008 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2008-01-zang-tumb-tuum.php"> <div class="wrapper" style="padding-top: 100%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1469_teaser-3_0.jpg"/> </div> </div> <h4> ZANG TUMB TUUM...<br /> 100 Werke des Futurismus </h4> <p>ab 28. Januar 2008 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2007-10-contrappunti-ii.php"> <div class="wrapper" style="padding-top: 100%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1476_teaser-5_1.jpg"/> </div> </div> <h4> Contrappunti II<br /> Arte contemporanea alla Casa Zuccari Pfadfinder - Sentieri Susanne Weirich </h4> <p>26. – 30. Oktober 2007 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2007-09-assisi-1997.php"> <div class="wrapper" style="padding-top: 100%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1468_teaser-1_3.jpg"/> </div> </div> <h4> Assisi 1997 </h4> <p>ab 26. September 2007 </p> </a> </div> <div class="slide"> <a href="/de/aktuelles/ausstellungen/2007-06-hilde-lotz-bauer.php"> <div class="wrapper" style="padding-top: 99.53125%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/1467_teaser_3.jpg"/> </div> </div> <h4> Hilde Lotz-Bauer in Florenz </h4> <p>ab 25. 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Februar 2023 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/878286436" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12773_20230222_Amerindian_0.jpg"/><span class="play"></span> </div> </div> <h6> Symposium </h6> <h4> Amerindian Art Histories and Archaeologies (Part 4) | The materiality of color: pigments, painted skins, and feathers </h4> <p>22. Februar 2023 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/874029842" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12771_20230215_Amerindian.jpg"/><span class="play"></span> </div> </div> <h6> Symposium </h6> <h4> Amerindian Art Histories and Archaeologies (Part 3) | Between liquid and solid: metals and their transformation </h4> <p>15. Februar 2023 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/857454282" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12770_Hinweise_Monitor_template_1008202141.jpg"/><span class="play"></span> </div> </div> <h6> Symposium </h6> <h4> Amerindian Art Histories and Archaeologies (Part 2) | Working with stone </h4> <p>08. Februar 2023 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/871455134" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12769_20230201_Amerindian.jpg"/><span class="play"></span> </div> </div> <h6> Symposium </h6> <h4> Amerindian Art Histories and Archaeologies (Part 1) | Interplay between materialities and sensory experiences </h4> <p>01. Februar 2023 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/823043883" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12255_Hinweise_Monitor_template_20230144.jpg"/><span class="play"></span> </div> </div> <h6> Vortrag </h6> <h4> Roberto Santamaria: <br/>Pietre "di diversi colori come l'arco celeste": il marmo a Genova nell’Età moderna </h4> <p>25. Januar 2023 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/792245671" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12044_20221201_Kemperdick.jpg"/><span class="play"></span> </div> </div> <h6> Vortrag </h6> <h4> Stephan Kemperdick:<br/>Hugo van der Goes and Pictorial Logic </h4> <p>01. Dezember 2022 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/788961082" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/12043_20221215_Kircher.jpg"/><span class="play"></span> </div> </div> <h6> Vortrag </h6> <h4> Timothy Kircher:<br/>Humanist Conversations: The Creative Range of Renaissance Dialogue </h4> <p>15. Dezember 2022 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9440611/video/696923812" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11451_2021-12-09_AgainstIdentity_Villa.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy" </h6> <h4> Paolo Villa — Questa piazza al mondo intero. Le molteplici identità della piazza italiana nel cinema </h4> <p>09. – 10. Dezember 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9440611/video/700772565" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11442_2021-12-09_AgainstIdentity_Costagliola.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy" </h6> <h4> Viviana Costagliola — La costruzione dell’identità collettiva del Meridione attraverso le fotografie del Touring Club Italiano </h4> <p>09. – 10. Dezember 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9440611/video/700741041" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11450_2021-12-09_AgainstIdentity_Stafferini.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy" </h6> <h4> Elisa Stafferini — The Ambiguity of Rome’s Foundation Myth and Its Protagonists in Early Modern Italian Art </h4> <p>09. – 10. Dezember 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9440611/video/696544322" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11445_2021-12-09_AgainstIdentity_Miceli.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy" </h6> <h4> Elvira Miceli — The Liber ad honorem Augusti (Bern, Burgerbibliothek, Cod. 120 II) and the Problem of Sicilian Art </h4> <p>09. – 10. Dezember 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9440611/video/696479563" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11446_2021-12-09_AgainstIdentity_Motisi.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy" </h6> <h4> Giorgio Motisi — Al di là del volto. Ritratto e identità nel gruppo di «Corrente» </h4> <p>09. – 10. Dezember 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9440611/video/696152128" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11447_2021-12-09_AgainstIdentity_Murace.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy" </h6> <h4> Giulia Murace — «A Roma ognuno trova la sua patria ideale»: l’arte dei primi del Novecento attraverso le esperienze rioplatensi </h4> <p>09. – 10. Dezember 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9440611/video/698269873" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11441_2021-12-09_AgainstIdentity_Calipari.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy" </h6> <h4> Jessica Calipari — Monumenti d’artista e biografie dipinte nell’Italia del XIX secolo: fra genius loci e nation building </h4> <p>09. – 10. Dezember 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9440611/video/697042908" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11440_2021-12-09_AgainstIdentity_Bernard.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy" </h6> <h4> Elisa Bernard — Against Identity: Stability and Change in Museum Institutions </h4> <p>09. – 10. Dezember 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9440611/video/700777647" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11448_2021-12-09_AgainstIdentity_Murar.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy" </h6> <h4> Tomáš Murár — Michelangelo and the Concept of Identity in Austrian Art History </h4> <p>09. – 10. Dezember 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9440611/video/695637547" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11449_2021-12-09_AgainstIdentity_Sedlerenok.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy" </h6> <h4> Valeria Sedlerenok — L’identità culturale e il patrimonio artistico della Serenissima a Venezia all’inizio dell’Ottocento </h4> <p>09. – 10. Dezember 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9440611/video/695622841" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11443_2021-12-09_AgainstIdentity_DiCola.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy" </h6> <h4> Daniele Di Cola — Gustave Soulier e il problema dell’italianità in Les Influences orientales dans la peinture toscane (1924) </h4> <p>09. – 10. Dezember 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9440611/video/699810219" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11444_2021-12-09_AgainstIdentity_Ferri-Policicchio.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz "Against Identity? Discourses of Art History and Visual Culture in Italy" </h6> <h4> Davide Ferri, Giada Policicchio — Introduzione </h4> <p>09. – 10. Dezember 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/7610025/video/705055525" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11316_2022-05-10_Hannouch.jpg"/><span class="play"></span> </div> </div> <h6> 4A_Lab Seminar </h6> <h4> Hanin Hannouch: Gustav Fritsch: Three-Color Photography and Nature in the German Empire </h4> <p>10. Mai 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/7610025/video/696599735" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.09375%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11315_2022-03-09_Eriksen.jpg"/><span class="play"></span> </div> </div> <h6> 4A_Lab Lecture & Panel Discussion </h6> <h4> Christoffer Basse Eriksen: Nehemiah Grew and the Making of the “Anatomy of Plants” (1682) </h4> <p>Part 2 | Response & Panel Discussion<br/>09. März 2022 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/7610025/video/695648065" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.09375%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11315_2022-03-09_Eriksen.jpg"/><span class="play"></span> </div> </div> <h6> 4A_Lab Lecture & Panel Discussion </h6> <h4> Christoffer Basse Eriksen: Nehemiah Grew and the Making of the “Anatomy of Plants” (1682) </h4> <p>Part 1 | Lecture<br/>09. März 2022 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9359412/video/687154139" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11239_2021-12-16_Lagrou.jpg"/><span class="play"></span> </div> </div> <h6> KHI Amerindian Lecture Series </h6> <h4> Els Lagrou: <br/>Amerindian Abstract Chimeras: Relational Aesthetics in a Transformational Universe </h4> <p>16. Dezember 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9359412/video/687052946" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11238_2021-12-02_Hamilton.jpg"/><span class="play"></span> </div> </div> <h6> KHI Amerindian Lecture Series </h6> <h4> Andrew Hamilton: <br/>Fragments of Empire: The Afterlife of a Colonial Inca Tunic </h4> <p>02. Dezember 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9359412/video/687101772" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11237_2021-11-25_ulfe.jpg"/><span class="play"></span> </div> </div> <h6> KHI Amerindian Lecture Series </h6> <h4> María Eugenia Ulfe: <br/>The Case of Andean Artists and Their Contemporary Artwork </h4> <p>25. November 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9359412/video/683689276" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11236_2021-11-11_Majluf.jpg"/><span class="play"></span> </div> </div> <h6> KHI Amerindian Lecture Series </h6> <h4> Natalia Majluf: <br/>Textiles/Art. An Essay on Aesthetic Categories in Twentieth-Century Peru </h4> <p>11. November 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9359412/video/678827301" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11235_2021-09-30_Navarrete.jpg"/><span class="play"></span> </div> </div> <h6> KHI Amerindian Lecture Series </h6> <h4> Federico Navarrete Linares: <br/>Lienzo de Tlaxcala and Codex Mendoza: Two Examples of Codigophagy in 16th Century New Spain </h4> <p>30. September 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9359412/video/626551801" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/11234_2021-09-16_Neurath.jpg"/><span class="play"></span> </div> </div> <h6> KHI Amerindian Lecture Series </h6> <h4> Johannes Neurath: <br/>The Uncertain Power of Images: Ambiguous Figuration and Amerindian Cosmopolitics </h4> <p>16. September 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/5775096/video/665171670" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.5625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10826_2020-06-05_Aurenhammer.jpg"/><span class="play"></span> </div> </div> <h6> Vortrag </h6> <h4> Hans Aurenhammer: ‘Linea centrica’ und gekrümmter Erdenrand. Horizonte und Perspektive in italienischen Bildern </h4> <p>25. Juni 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/659887336" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.09375%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10806_2021-12-13_Handel.jpg"/><span class="play"></span> </div> </div> <h6> 4A_Lab Seminar </h6> <h4> Dan Handel: The Forest Cons: Sylvan Reflections within Architectural Imaginaries </h4> <p>13. Dezember 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9122441/video/696947905" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10801_2021-09_temple-cultures.jpg"/><span class="play"></span> </div> </div> <h6> International Conference "Temple Cultures & Premodern Worlds" </h6> <h4> Concluding Remarks – Richard Davis & Subhashini Kaligotla </h4> <p>17. September 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9122441/video/696696561" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10801_2021-09_temple-cultures.jpg"/><span class="play"></span> </div> </div> <h6> International Conference "Temple Cultures & Premodern Worlds" </h6> <h4> Kathleen Morrison: Landscape as Temple </h4> <p>17. September 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9122441/video/671224435" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10801_2021-09_temple-cultures.jpg"/><span class="play"></span> </div> </div> <h6> International Conference "Temple Cultures & Premodern Worlds" </h6> <h4> Pia Brancaccio: The Stupa at Sopara: Looking Beyond the Buddhist Remains </h4> <p>17. September 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9122441/video/661582578" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10801_2021-09_temple-cultures.jpg"/><span class="play"></span> </div> </div> <h6> International Conference "Temple Cultures & Premodern Worlds" </h6> <h4> Whitney Cox: Seeing Double: The Tantrāloka, the Bṛhadīśvara Temple and the History of Medieval Śaivism </h4> <p>17. September 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9122441/video/658641751" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10801_2021-09_temple-cultures.jpg"/><span class="play"></span> </div> </div> <h6> International Conference "Temple Cultures & Premodern Worlds" </h6> <h4> Ruth Barnes: Indian Textiles for Island Taste – Cloth in Early Indian Ocean Trade </h4> <p>15. September 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9122441/video/658621861" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10801_2021-09_temple-cultures.jpg"/><span class="play"></span> </div> </div> <h6> International Conference "Temple Cultures & Premodern Worlds" </h6> <h4> Katherine Kasdorf: Temples and Urban Experience in Premodern South Asia: Monuments for the City </h4> <p>03. September 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9122441/video/670772031" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10801_2021-09_temple-cultures.jpg"/><span class="play"></span> </div> </div> <h6> International Conference "Temple Cultures & Premodern Worlds" </h6> <h4> Naman Ahuja: Self-Reflecting & Reflecting the Self in the Other: Mirrors in Hindu Iconography and Rituals </h4> <p>03. September 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9122441/video/658636743" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10801_2021-09_temple-cultures.jpg"/><span class="play"></span> </div> </div> <h6> International Conference "Temple Cultures & Premodern Worlds" </h6> <h4> Andrea Acri: A Buddhist Bhairava? Kṛtanagara’s Icons against the Backdrop of Pan-Asian Late Tantric Buddhism </h4> <p>03. September 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9122441/video/667694756" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10801_2021-09_temple-cultures.jpg"/><span class="play"></span> </div> </div> <h6> International Conference "Temple Cultures & Premodern Worlds" </h6> <h4> Madhuri Desai: The Mughal Temple in Banaras </h4> <p>02. September 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9122441/video/660965291" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10801_2021-09_temple-cultures.jpg"/><span class="play"></span> </div> </div> <h6> International Conference "Temple Cultures & Premodern Worlds" </h6> <h4> Pushkar Sohoni: Yadava Temples, Before and After </h4> <p>02. September 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9122441/video/666749682" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10801_2021-09_temple-cultures.jpg"/><span class="play"></span> </div> </div> <h6> International Conference "Temple Cultures & Premodern Worlds" </h6> <h4> James McHugh: Alcohol Culture and Indian Temples </h4> <p>02. September 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9122441/video/658629838" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10801_2021-09_temple-cultures.jpg"/><span class="play"></span> </div> </div> <h6> International Conference "Temple Cultures & Premodern Worlds" </h6> <h4> Welcome and Introduction </h4> <p>02. September 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/9122441/video/658523868" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10801_2021-09_temple-cultures.jpg"/><span class="play"></span> </div> </div> <h6> International Conference "Temple Cultures & Premodern Worlds" </h6> <h4> Roundtable and Book Forum with Vidya Dehejia </h4> <p>01. September 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/657738128" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10779_2021-07-12_Wang.jpg"/><span class="play"></span> </div> </div> <h6> 4A_Lab Seminar </h6> <h4> Lianming Wang: The Last Gift from Beijing: the Jesuit Gardens and the Sino-European Botanical Exchanges </h4> <p>12. Juli 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/657827998" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10778_2020-12-14_Guengoer.jpg"/><span class="play"></span> </div> </div> <h6> 4A_Lab Seminar </h6> <h4> Ayşe Güngör: Roots in Resistance: Vegetal Life in the Contemporary Eco-art Practices from Turkey </h4> <p>14. Dezember 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/512898405" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.5625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10280_2021-02-09_Fischer-Artzi.jpg"/><span class="play"></span> </div> </div> <h6> 4A_Lab Seminar </h6> <h4> Curator Talk with Manuela Fischer & Bat-Ami Artzi: Fragments of the Spanish Conquest from the Americas: Relics or Memorials? </h4> <p>09. Februar 2021 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/479773619" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10279_2020-11-10_Chao.jpg"/><span class="play"></span> </div> </div> <h6> 4A_Lab Seminar </h6> <h4> Sophie Chao: Taking Plants and People Seriously: Multispecies Entanglements in the West Papuan Oil Palm Nexus </h4> <p>10. November 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/479770751" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10646_2020-11-04_Kemperdick.jpg"/><span class="play"></span> </div> </div> <h6> 4A_Lab Seminar </h6> <h4> Curator talk with Stephan Kemperdick </h4> <p>04. November 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/474687538" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10277_2020-10-13_Neurath.jpg"/><span class="play"></span> </div> </div> <h6> 4A_Lab Seminar </h6> <h4> Johannes Neurath: Images and Psychotropic Plants in Mesoamerica </h4> <p>13. Oktober 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/462675600" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.40625%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/10276_2020-09-22_Nikolai.jpg"/><span class="play"></span> </div> </div> <h6> 4A_Lab Seminar </h6> <h4> Angela Nikolai: Naturally Functional? Moritz Meurer’s Teaching Aids between Theory and Practice </h4> <p>27. September 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/510647841" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9828_Introduction_Titel_V1.jpg"/><span class="play"></span> </div> </div> <h6> Online Book Presentation “Foto-Objekte” </h6> <h4> Costanza Caraffa: Introduction </h4> <p>16. Dezember 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/510742598" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9830_Vortrag_Jutojo_Titel_V1.jpg"/><span class="play"></span> </div> </div> <h6> Online Book Presentation “Foto-Objekte” </h6> <h4> Johannes Braun & Toby Cornish (JUTOJO): "An den Rändern, rau". From the Video Installation to the Book </h4> <p>16. Dezember 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/510748678" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9831_Vortrag_ObjGruppe_Titel_V1.jpg"/><span class="play"></span> </div> </div> <h6> Online Book Presentation “Foto-Objekte” </h6> <h4> Petra Wodtke: Networks – Julia Bärnighausen: Disruptions – Stefanie Klamm: Transformations – Franka Schneider: Co-laboration </h4> <p>16. Dezember 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/510753130" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9832_Vortrag_TroppoDesign_Titel_V1.jpg"/><span class="play"></span> </div> </div> <h6> Online Book Presentation “Foto-Objekte” </h6> <h4> Heike Grebin & Andreas Trogisch (Troppo Design): From the Project to the Book, or: The Project is the Book, the Book is the Project </h4> <p>16. Dezember 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/510757512" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9829_Vortrag_Faerber_Titel_V1.jpg"/><span class="play"></span> </div> </div> <h6> Online Book Presentation “Foto-Objekte” </h6> <h4> Alexa Färber: Studying Photography's Multiple Modes of Existence </h4> <p>16. Dezember 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/510761765" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9827_Vortrag_Sykora_Titel_V1.jpg"/><span class="play"></span> </div> </div> <h6> Online Book Presentation “Foto-Objekte” </h6> <h4> Katharina Sykora: About the 'Nature' of the Photo/Book </h4> <p>16. Dezember 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/487142809" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9660_Intro_Palozzi_Minden_1.jpg"/><span class="play"></span> </div> </div> <h6> Online Conference </h6> <h4> Ariella Minden and Luca Palozzi: Introduction </h4> <p>5.-6. November 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/489311514" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9673_Bell_Corrected_Mistakes_1.jpg"/><span class="play"></span> </div> </div> <h6> Online Conference </h6> <h4> Janis Bell: Corrected mistakes: Printing Leonardo in Paris </h4> <p>5.-6. November 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/487142384" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9659_Blum_Upside_Down_1.jpg"/><span class="play"></span> </div> </div> <h6> Online Conference </h6> <h4> Gerd Blum: Upside Down: The Fragment of a Failed Monument Presented as a<br/>Masterpiece of Success – Michelangelo’s Moses and His Inverted Tablets in Image and Text, 1513–1568 </h4> <p>5.-6. November 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/487141284" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9658_Boyd_Waste_not_1.jpg"/><span class="play"></span> </div> </div> <h6> Online Conference </h6> <h4> Rachel E. Boyd: Waste not, want not: Repairing Renaissance glazed terracotta </h4> <p>5.-6. November 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/487140164" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9657_Nanobashvili_Rise_and_Fall_1.jpg"/><span class="play"></span> </div> </div> <h6> Online Conference </h6> <h4> Nino Nanobashvili: The Rise and Fall of Anatomy: Alessandro Allori’s Unfinished Drawing<br/>Manual and his Iterative Struggles with It </h4> <p>5.-6. November 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/489311552" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9672_Murphy_Diagnosing_Disorder_1.jpg"/><span class="play"></span> </div> </div> <h6> Online Conference </h6> <h4> Caroline Murphy: Diagnosing Disorder: Girolamo di Pace da Prato’s “Memoriale” (1558) and Aqueous Expertise in the Tuscan Landscape </h4> <p>5.-6. November 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/487139828" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9656_Dickey_Rembrandts_Failure_1.jpg"/><span class="play"></span> </div> </div> <h6> Online Conference </h6> <h4> Stephanie S. Dickey: Rembrandt’s Failure as a Printmaker </h4> <p>5.-6. November 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/487139383" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9655_Uchacz_Recipes_for_Failure_1.jpg"/><span class="play"></span> </div> </div> <h6> Online Conference </h6> <h4> Tianna Uchacz: Recipes for Failure: Experimenting, Repairing, and Quitting in Renaissance Toulouse </h4> <p>5.-6. November 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/487137383" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9654_Collareta_Fortuna_1.jpg"/><span class="play"></span> </div> </div> <h6> Online Conference </h6> <h4> Marco Collareta: Fortuna e sfortuna del colore nella scultura invetriata del Rinascimento </h4> <p>5.-6. November 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/473437946" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9591_Giorgio_Van_Straten1992x1120_CI_RT.jpg"/><span class="play"></span> </div> </div> <h6> Online Study Day </h6> <h4> Giorgio Van Straten: Presentation </h4> <p>13. Oktober 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/473437329" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9588_Costanza_Caraffa1992x1120_CI_RT.jpg"/><span class="play"></span> </div> </div> <h6> Online Study Day </h6> <h4> Costanza Caraffa: Introduction </h4> <p>13. Oktober 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/475804342" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9614_Elizabeth_Edwards_1992x1120_CI_0.jpg"/><span class="play"></span> </div> </div> <h6> Online Study Day </h6> <h4> Elizabeth Edwards: Street Views: An Everyday Dissemination of Photographs </h4> <p>13. Oktober 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/473436529" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9590_Estelle_Blaschke_1992x1120_CI.jpg"/><span class="play"></span> </div> </div> <h6> Online Study Day </h6> <h4> Estelle Blaschke: Rarity vs. Ubiquity. Some Thoughts on the Institutionalisation of Photography </h4> <p>13. Oktober 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/473434930" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9593_Paul_Frosh_1992x1120_CI.jpg"/><span class="play"></span> </div> </div> <h6> Online Study Day </h6> <h4> Paul Frosh: When is an Archive Also a Bank? Industry, Value and Economy in a Photographic Institution </h4> <p>13. Oktober 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/474665374" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9603_Kelley_Wilder_1992x1120_CI.jpg"/><span class="play"></span> </div> </div> <h6> Online Study Day </h6> <h4> Kelley Wilder: Photographs as Bureaucracy in the Business of Photography </h4> <p>13. Oktober 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/473040405" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9587_Armin_Linke_1992x1120_CI.jpg"/><span class="play"></span> </div> </div> <h6> Online Study Day </h6> <h4> Armin Linke: Artistic Practices in Photographic Archives: Some Examples </h4> <p>13. Oktober 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/473433582" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9592_Joan_Schwartz_1992x1120_CI.jpg"/><span class="play"></span> </div> </div> <h6> Online Study Day </h6> <h4> Joan M. Schwartz: Access Aims and Descriptive Affordances </h4> <p>13. Oktober 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/474666273" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9604_Tiziana_Serena_1992x1120_CI.jpg"/><span class="play"></span> </div> </div> <h6> Online Study Day </h6> <h4> Tiziana Serena: Making Choices. History is Not a Ready-Made: Institutionalisation as Re-Writing </h4> <p>13. Oktober 2020 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/393385449" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9052_20191213_Spartimento9_cervini.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Fulvio Cervini: Spartimenti di Marte. Visioni e narrazioni nelle armature da parata </h4> <p>13. Dezember 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/390996768" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9047_20191213_Spartimento5.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Sara Ragni: «Canone» dosiano e sue declinazioni nella genesi e nella decorazione delle cappelle gentilizie fiorentine </h4> <p>13. Dezember 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/390996489" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/9046_20191213_Spartimento11_farina.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Ariana Farina: Facciate dipinte e teoria del partimento. Un dialogo possibile </h4> <p>13. Dezember 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/384716834" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8946_20191203_Bellucci-Frosinini.jpg"/><span class="play"></span> </div> </div> <h6> Abendvortrag </h6> <h4> Roberto Bellucci e Cecilia Frosinini: L’Adorazione dei Magi di Leonardo da Vinci prima e dopo il 1481 </h4> <p>3. Dezember 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/384468471" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8945_20191112_Giuliani.jpg"/><span class="play"></span> </div> </div> <h6> Abendvortrag </h6> <h4> Luca Giuliani: Michelangelo, il David e la fionda </h4> <p>12. November 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/384466400" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8944_20191113_Blume.jpg"/><span class="play"></span> </div> </div> <h6> Abendvortrag </h6> <h4> Dieter Blume: Between vices and virtues – How to survive in an Italian ‘Comune’ of the Trecento </h4> <p>13. November 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/383478789" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8947_20191216_Envisioning8.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Ariella Azoulay: Errata - Imperial Rights </h4> <p>16. Dezember 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/383476810" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8942_20191216_Envisioning5.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Thomas Keenan: How to Make a Refugee </h4> <p>16. Dezember 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/383472809" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8941_20191216_Envisioning4.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Katherine Bregengaard: Visualizing Universalism. A story of Unesco’s travelling Human Rights Exhibition, 1949 - today </h4> <p>16. Dezember 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/380031645" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8940_vlcsnap-00014.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Özge Calafato: A Collection in Abu Dhabi. Vernacular Photography, Archive and Heritage Making </h4> <p>24-25. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/380025234" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8939_vlcsnap-00013.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Zoé E. Headley: Making the Private Public? Creating an Archive of Tamil Studio Photography </h4> <p>24-25. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/380020281" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8938_vlcsnap-00012.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Zeinab Azarbadegan: Producing Knowledge of the Space in Nineteenth Century. The Golestan Palace Archive in Iran </h4> <p>24-25. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/380018965" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8937_vlcsnap-00011.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Ahmet A. Ersoy/ Deniz Türker: Photography and the Archival Field at the Yıldız Palace (1876-1909) </h4> <p>24-25. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/378841094" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8936_vlcsnap-00010.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Liam Buckley: Photo Archiving, Monasticism, and Yogic Life at Sivananda Ashram (Rishikesh, India) </h4> <p>24-25. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/378812031" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8935_vlcsnap-00009.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Kylie Thomas: States of Emergency. Photographic Archives During and After Apartheid </h4> <p>24-25. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/378239987" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8934_vlcsnap-00008.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Jessica Holland: Decolonial ‘Affordances’ in the Digital Archive </h4> <p>24-25. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/378238997" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8933_vlcsnap-00007.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Ibrahim A. Ali: New Insights from the Photographic Archives of the Pioneer Studios of Antonio Beato and Attaya Gaddis </h4> <p>24-25. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/378237418" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8932_vlcsnap-00006.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Rodrigo Porto Bozzetti: An International Collection of 1 Million Photographs. Diários Associados Rio de Janeiro </h4> <p>24-25. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/377770020" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8931_vlcsnap-00005.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Sary Zananiri: Gleaning in the Archives. A Transnational Approach to Imaging and Palestine </h4> <p>24-25. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/377754541" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8930_vlcsnap-00003.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Ping-Heng Chen: The Japanese and Guatemalan Collections of the Photographic Work of Yasu Kohei/Juan José de Jesús Yas </h4> <p>24-25. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/377294855" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8929_vlcsnap-00004.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Giulia Paoletti: Escaping the Colonial Archive. The Itinerancy of Amadou Bamba’s Portrait </h4> <p>24-25. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/377027077" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8928_vlcsnap-00002.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Deborah Schultz: Changing Contexts, Challenging Amnesia. Rosângela Rennó’s Rio-Montevideo </h4> <p>24-25. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/377021352" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8927_vlcsnap-00001.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Shahidul Alam: Understanding Absence </h4> <p>24-25. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/377011955" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8917_vlcsnap-2020-01-13-13h27m33s197.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Shamoon Zamir and Costanza Caraffa: Introduction </h4> <p>24-25. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/374148029" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8836_Folie35.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Margaret H.Ellis, C.Richard Johnson Jr, William A.Sethares: Computational Characterization of Leonardo’s Papers </h4> <p>12. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/372658520" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8835_Folie32.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Barbara Fanini: Dai Glossari alla Leonardo//thek@ Nuovi strumenti e nuove prospettive d’indagine per il lessico vinciano </h4> <p>12. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/372599967" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8834_Folie31_galluzzi.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Paolo Galluzzi: Leonardo//thek@1.0. Un’infrastruttura digitale per evitare il naufragio nell’oceano di dati del Codice Atlantico </h4> <p>12. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/377274484" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8843_Folie25.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Claudio Calì: Filigrane dal Codice Atlantico. Proposta per una loro valorizzazione “design oriented” </h4> <p>12. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/372321962" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8833_Folie24_marani.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Pietro C. Marani: Trascrivere, pubblicare, catalogare il Codice Atlantico. Un bilancio degli ultimi cento anni </h4> <p>12. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/371411662" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8832_Folie16.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Nicholas Pickwoad: Deconstructing the Forster Codices. An Artefactual History </h4> <p>11. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/371375478" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8818_Folie15_claire_farago.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Claire Farago: Unfinished Business. Leonardo’s Artful Art and Its Written Legacy </h4> <p>11. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/6528343/video/371147212" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8820_Folie11.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Frank Fehrenbach: Trasgressioni </h4> <p>11. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/6528343/video/369308148" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8819_Folie7.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Domenico Laurenza: La compilazione del Codice Leicester </h4> <p>11. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/6528343/video/370834241" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8816_Folie10_francesca_borgo.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Francesca Borgo: Da sinistra a destra. Leonardo cambia direzione </h4> <p>11. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/showcase/6528343/video/368784280" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8817_Folie6_frosini.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Fabio Frosini: Come lavorava Leonardo. Un percorso nel labirinto delle sue carte </h4> <p>11. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/368213428" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8751_Folie6_0.jpg"/><span class="play"></span> </div> </div> <h6> Projektpräsentation </h6> <h4> Dirk Jacob Jansen: Magnum ac Novum Opus in Translatio Nummorum. A Digital Edition of Jacopo Strada’s Numismatic Corpus </h4> <p>15. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/368211423" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8750_Folie5.jpg"/><span class="play"></span> </div> </div> <h6> Projektpräsentation </h6> <h4> Jan Simane: Translatio Nummorum. The Project and its Prospects </h4> <p>15. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/368025461" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8749_Folie4.jpg"/><span class="play"></span> </div> </div> <h6> Projektpräsentation </h6> <h4> Volker Heenes: Strada’s Coin Drawings and Coin Descriptions and their Sources in the Census </h4> <p>15. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/367976676" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8748_Folie3_strauch.jpg"/><span class="play"></span> </div> </div> <h6> Projektpräsentation </h6> <h4> Timo Strauch: Ancient Coins and Renaissance Documentation of Coins in the Census of Antique Works of Art and Architecture Known in the Renaissance </h4> <p>15. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/365012772" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8690_20191007_Mahajan.jpg"/><span class="play"></span> </div> </div> <h6> Matinée </h6> <h4> Shruti Mahajan: Dastavez I Documents – Memory, Identity and the Archival Paradigm </h4> <p>08. Oktober 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/363764963" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8661_20190925_Pinotti.jpg"/><span class="play"></span> </div> </div> <h6> Abendvortrag </h6> <h4> Andrea Pinotti: "Einfühlung als stilbildende Macht". Warburg, Hildebrand, Vischer, and Corporeal Empathy </h4> <p>25. September 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/363499984" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8660_20190923_Beyer.jpg"/><span class="play"></span> </div> </div> <h6> Abendvortrag </h6> <h4> Andreas Beyer: Die Renaissance vergegenwärtigen. Aby Warburg und André Jolles in Florenz um 1900 </h4> <p>23. September 2019 </p> </a> </div> <div class="slide"> <a href=" https://vimeo.com/349610225" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8432_20190614_Lederer-Aicher_16-9.jpg"/><span class="play"></span> </div> </div> <h6> Abendvortrag </h6> <h4> Arno Lederer: Weder alt noch neu </h4> <p>13. Juni 2019 </p> </a> </div> <div class="slide"> <a href=" https://vimeo.com/348379465" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8431_20190612_Jussen_16-9.jpg"/><span class="play"></span> </div> </div> <h6> Abendvortrag </h6> <h4> Bernhard Jussen: From Marcus Aurelius's Horse to the Sexuality of Christ </h4> <p>12. Juni 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/342269397" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8429_20190607_Raffaello_16-9_anna_rebecca.jpg"/><span class="play"></span> </div> </div> <h6> Workshop: Raffaello e l’architettura </h6> <h4> Anna Rebecca Sartore: Il vescovo e il cardinale </h4> <p>07. Juni 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/342706069" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8430_20190607_Raffaello_16-9_belluzzi.jpg"/><span class="play"></span> </div> </div> <h6> Workshop: Raffaello e l’architettura </h6> <h4> Amedeo Belluzzi: Palazzo Pandolfini a Firenze </h4> <p>07. Juni 2019 </p> </a> </div> <div class="slide"> <a href=" https://vimeo.com/344506106" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8428_20190603_Baroque_krieger.jpg"/><span class="play"></span> </div> </div> <h6> Tagung </h6> <h4> Peter Krieger: Contemporary Neo-Baroque Architecture and Neo-Colonial Ideology </h4> <p>03. – 05. Juni 2019 </p> </a> </div> <div class="slide"> <a href=" https://vimeo.com/344492702" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8427_20190603_Baroque_baumgarten.jpg"/><span class="play"></span> </div> </div> <h6> Tagung </h6> <h4> Jens Baumgarten: Invention of the Baroque and Discourses of the Neo-Baroque </h4> <p>03. – 05. Juni 2019 </p> </a> </div> <div class="slide"> <a href=" https://vimeo.com/344319068" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8426_20190603_Baroque_cecchini.jpg"/><span class="play"></span> </div> </div> <h6> Tagung </h6> <h4> Laura Moure Cecchini: Italian Fascism and the Baroque </h4> <p>03. – 05. Juni 2019 </p> </a> </div> <div class="slide"> <a href=" https://vimeo.com/344259742" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8425_20190603_Baroque_lingoo.jpg"/><span class="play"></span> </div> </div> <h6> Tagung </h6> <h4> Estelle Lingo: Baroque Visuality between Perspective and the Photograph </h4> <p>03. – 05. Juni 2019 </p> </a> </div> <div class="slide"> <a href=" https://vimeo.com/343610878" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8424_20190603_Baroque_brusati.jpg"/><span class="play"></span> </div> </div> <h6> Tagung </h6> <h4> Celeste Brusati: Painting Naturally in the Netherlands </h4> <p>03. – 05. Juni 2019 </p> </a> </div> <div class="slide"> <a href=" https://vimeo.com/342234739" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8423_20190603_Baroque_pericolo.jpg"/><span class="play"></span> </div> </div> <h6> Tagung </h6> <h4> Lorenzo Pericolo: The Baroque Body as a Stylistic Paradox </h4> <p>03. – 05. Juni 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/341798306" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8326_20190603_Baroque_Levy.jpg"/><span class="play"></span> </div> </div> <h6> Tagung </h6> <h4> Evonne Levy: “Baroque”. Mnemosyne Atlas </h4> <p>03. – 05. Juni 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/341795357" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8362_Diapositiva1.jpg"/><span class="play"></span> </div> </div> <h6> Tagung </h6> <h4> Baroque to Neo-Baroque: Curves of an Art Historical Concept </h4> <p>03. – 05. Juni 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/341509796" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8322_20190527_Gursel_16-9.jpg"/><span class="play"></span> </div> </div> <h6> Abendvortrag </h6> <h4> Zeynep D. Gürsel: A Picture of Health. Undressing Patients, Redressing Photographs </h4> <p>27. Mai 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/341323594" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8321_20190522_Belamaric.jpg"/><span class="play"></span> </div> </div> <h6> Matinée </h6> <h4> Josip Belamarić: The Conversion of Diocletian’s Mausoleum into the Cathedral of St. Domnius (Split, Croatia) </h4> <p>22. Mai 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/336280810" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8264_20190513_DeMarchi_16-9.jpg"/><span class="play"></span> </div> </div> <h6> Abendvortrag </h6> <h4> Andrea De Marchi: Alla ricerca di Verrocchio pittore </h4> <p>13. Mai 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/336076432" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8320_20190430_Wolf2.jpg"/><span class="play"></span> </div> </div> <h6> Abendvortrag </h6> <h4> Gerhard Wolf: Broken Vases, Walking Vessels. The Art of Containment in 4½ Objects </h4> <p>30. April 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/335889339" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8253_20190404_Conforti.jpg"/><span class="play"></span> </div> </div> <h6> Abendvortrag </h6> <h4> Claudia Conforti: Giovanni Michelucci. L'architettura e la città </h4> <p>4. April 2019 </p> </a> </div> <div class="slide"> <a href=" https://vimeo.com/322779198" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8086_20190305_Mussolin.jpg"/><span class="play"></span> </div> </div> <h6> Abendvortrag </h6> <h4> Mauro Mussolin: Palinsesti. Michelangelo e la carta </h4> <p>mit einer Einführung von Alessandro Nova<br/><br/>5. März 2019 </p> </a> </div> <div class="slide"> <a href=" https://vimeo.com/323400470" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8087_20190301_Translating_the_History_of_Art.jpg"/><span class="play"></span> </div> </div> <h6> Workshop </h6> <h4> Audrey Rieber: Translating Riegl. On the constitution of a postivist language of art </h4> <p>mit einer Einführung von Marco Matteo Mascolo<br/><br/>1. März 2019 </p> </a> </div> <div class="slide"> <a href=" https://vimeo.com/322799014" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8087_20190301_Translating_the_History_of_Art.jpg"/><span class="play"></span> </div> </div> <h6> Workshop </h6> <h4> Claudia Hopkins: 10 Years of 'Art in Translation' Reflections on Art History and Translation </h4> <p>mit einer Einführung von Robert Brennan<br/><br/>1. März 2019 </p> </a> </div> <div class="slide"> <a href=" https://vimeo.com/322760525" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8087_20190301_Translating_the_History_of_Art.jpg"/><span class="play"></span> </div> </div> <h6> Workshop </h6> <h4> Introduction by Alessandro Nova and Giovanna Targia </h4> <p>1. März 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/334878878" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8087_20190301_Translating_the_History_of_Art.jpg"/><span class="play"></span> </div> </div> <h6> Workshop </h6> <h4> Achim Wurm: Traduzioni d’arte – A Practitioner’s View </h4> <p>mit einer Einführung von Giovanna Targia<br/><br/>1. März 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/318190633" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/8056_20190212_Etienne.jpg"/><span class="play"></span> </div> </div> <h6> Seminar </h6> <h4> Noémie Etienne: Liotard and the Exotic </h4> <p>12. Februar 2019 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/223418529" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/5325_before-the-deluge.jpg"/><span class="play"></span> </div> </div> <h6> Abendvortrag </h6> <h4> Ben Marzeion: Before the Deluge - the UNESCO World Heritage under Climate Change </h4> <p>mit einer Einführung von Eva-Maria Troelenberg<br/><br/>22. Juni 2017 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/222479206" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/5339_streets-routes-methods.jpg"/><span class="play"></span> </div> </div> <h6> A Conversation </h6> <h4> Joseph Rykwert and Francesco Pellizzi </h4> <p>im Rahmen der Tagung "Streets, Routes, Methods I: Reflections on Paths, Spaces and Temporalities"<br/><br/>5. – 6. Mai 2017 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/216631002" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.09375%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/5326_photo-objects-1.jpg"/><span class="play"></span> </div> </div> <h6> Konferenz </h6> <h4> Costanza Caraffa: Welcome and Introduction </h4> <p>im Rahmen der Tagung "Foto-Objekte. Zur Materialität von Fotografien und Foto-Archiven in den Wissenschaften"<br/><br/>15. – 17. Februar 2017 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/216499220" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/5327_photo-objects-2.jpg"/><span class="play"></span> </div> </div> <h6> Vortrag </h6> <h4> Petra Trnková: The Unbearable (and Irresistible) Charm of “Duplicates” </h4> <p>im Rahmen der Tagung "Foto-Objekte. Zur Materialität von Fotografien und Foto-Archiven in den Wissenschaften"<br/><br/>15. – 17. Februar 2017 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/216499143" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/5328_photo-objects-3.jpg"/><span class="play"></span> </div> </div> <h6> Vortrag </h6> <h4> Kelley Wilder: The Two Cultures of Word and Image. On Materiality and the Photographic Catalogue </h4> <p>im Rahmen der Tagung "Foto-Objekte. Zur Materialität von Fotografien und Foto-Archiven in den Wissenschaften"<br/><br/>15. – 17. Februar 2017 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/216498593" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/5329_photo-objects-4.jpg"/><span class="play"></span> </div> </div> <h6> Vortrag </h6> <h4> H. Geismar and P. Laurenson: Finding Photography, Opening up the Photo-Object: A Dialogue between Anthropology and Conservation </h4> <p>im Rahmen der Tagung "Foto-Objekte. Zur Materialität von Fotografien und Foto-Archiven in den Wissenschaften"<br/><br/>15. – 17. Februar 2017 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/216498482" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/5330_photo-objects-5.jpg"/><span class="play"></span> </div> </div> <h6> Vortrag </h6> <h4> Katharina Sykora: In the Archive's Eye. A Triumphant Autopoiesis of Photography </h4> <p>im Rahmen der Tagung "Foto-Objekte. Zur Materialität von Fotografien und Foto-Archiven in den Wissenschaften"<br/><br/>15. – 17. Februar 2017 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/216497218" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/5331_photo-objects-6.jpg"/><span class="play"></span> </div> </div> <h6> Vortrag </h6> <h4> Joan M. Schwartz: Closing Remarks </h4> <p>im Rahmen der Tagung "Foto-Objekte. Zur Materialität von Fotografien und Foto-Archiven in den Wissenschaften"<br/><br/>15. – 17. Februar 2017 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/216497134" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/5332_photo-objects-7.jpg"/><span class="play"></span> </div> </div> <h6> Vortrag </h6> <h4> Christina Riggs: Photo-Objects and the Archival Afterlives of Colonial Archaeology </h4> <p>im Rahmen der Tagung "Foto-Objekte. Zur Materialität von Fotografien und Foto-Archiven in den Wissenschaften"<br/><br/>15. – 17. Februar 2017 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/216497056" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/5333_photo-objects-8.jpg"/><span class="play"></span> </div> </div> <h6> Vortrag </h6> <h4> Maria Männig: The Memory of Art History: Analyzing Slide Collections </h4> <p>im Rahmen der Tagung "Foto-Objekte. Zur Materialität von Fotografien und Foto-Archiven in den Wissenschaften"<br/><br/>15. – 17. Februar 2017 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/216497003" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/5334_photo-objects-9.jpg"/><span class="play"></span> </div> </div> <h6> Vortrag </h6> <h4> Lena Holbein: Reflections on the Archive: Reconsidering the "Evidence‹-Project" (1977–2017) </h4> <p>im Rahmen der Tagung "Foto-Objekte. Zur Materialität von Fotografien und Foto-Archiven in den Wissenschaften"<br/><br/>15. – 17. Februar 2017 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/216496922" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/5335_photo-objects-10.jpg"/><span class="play"></span> </div> </div> <h6> Vortrag </h6> <h4> Christopher Pinney: Digital Cows: Flesh and Code </h4> <p>im Rahmen der Tagung "Foto-Objekte. Zur Materialität von Fotografien und Foto-Archiven in den Wissenschaften"<br/><br/>15. – 17. Februar 2017 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/216496805" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/5336_photo-objects-11.jpg"/><span class="play"></span> </div> </div> <h6> Vortrag </h6> <h4> Zeynep Çelik: Late Ottoman Practices: Modernity, Photography, Medical Research, and Anthropological Documentation </h4> <p>im Rahmen der Tagung "Foto-Objekte. Zur Materialität von Fotografien und Foto-Archiven in den Wissenschaften"<br/><br/>15. – 17. Februar 2017 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/216496701" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 56.25%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/5337_photo-objects-12.jpg"/><span class="play"></span> </div> </div> <h6> Vortrag </h6> <h4> Anaïs Mauuarin: The Two-Faced Photothèque of the Museum of Man: Between Scientific and Commercial Uses </h4> <p>im Rahmen der Tagung "Foto-Objekte. Zur Materialität von Fotografien und Foto-Archiven in den Wissenschaften"<br/><br/>15. – 17. Februar 2017 </p> </a> </div> <div class="slide"> <a href="https://vimeo.com/216635501" class="video-play" target="blank"> <div class="wrapper" style="padding-top: 57.96875%;"> <div class="img"> <img class="lazym" src="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" data-flickity-lazyload="/_thumbnails_/4/5338_restaurare-il-cielo.jpg"/><span class="play"></span> </div> </div> <h6> Abendvortrag </h6> <h4> Giammarco Piacenti e Michele Bacci: Restaurare il Cielo </h4> <p>mit einer Einführung von Gerhard Wolf und Maria Aresin<br/><br/>12. Juli 2016 </p> </a> </div> </div> </div> </div> </div> </div> </div> </div> </div> </section> <div class="overlay-box subnav"> <span class="icon-close"></span> <div class="container"> <div class="row"> <div class="col-sm-12"> <div class="title"> Überblick Forschungsbereiche </div> <ul> <li> <a href="/de/forschung/index.php" >Forschungsthemen im Überblick</a> </li> <li> <a href="/de/forschung/abteilung-wolf/index.php" >Abteilung Gerhard Wolf</a> </li> <li> <a href="/de/forschung/senior-research-scholar-baader/index.php" >Research Group Hannah Baader</a> </li> <li> <a href="/de/forschung/senior-research-scholar-gruendler/index.php" >Research Group Hana Gründler</a> </li> <li> <a href="/de/forschung/lise-meitner-group-meister/index.php" >Lise-Meitner-Gruppe Anna-Maria Meister</a> </li> <li> <a href="/de/forschung/external-scientific-member/index.php" >Auswärtiges Mitglied Jaś Elsner</a> </li> <li> <a href="/de/forschung/4a-laboratory/index.php" >Forschungsprogramm 4A_Lab</a> </li> <li> <a 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