CINXE.COM

<!DOCTYPE html> <html lang="en-US"> <head>  <script async src="https://www.googletagmanager.com/gtag/js?id=G-NEXR5Y8CE8"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-NEXR5Y8CE8'); </script> <meta charset="UTF-8"> <meta name="viewport" content="width=device-width, initial-scale=1"> <link rel="pingback" href="https://literalmagazine.com/xmlrpc.php"> <meta name='robots' content='index, follow, max-image-preview:large, max-snippet:-1, max-video-preview:-1' /> <script id="wpp-js" src="https://literalmagazine.com/wp-content/plugins/wordpress-popular-posts/assets/js/wpp.js" data-sampling="0" data-sampling-rate="100" data-api-url="https://literalmagazine.com/wp-json/wordpress-popular-posts" data-post-id="72" data-token="ebd7fb6ba7" data-lang="0" data-debug="1" type="text/javascript"></script>  <title>Literal Publishing - Literal Magazine</title> <link rel="canonical" href="https://literalmagazine.com/literal-publishing/" /> <meta property="og:locale" content="en_US" /> <meta property="og:type" content="article" /> <meta property="og:title" content="Literal Publishing - Literal Magazine" /> <meta property="og:description" content="  Medio Oriente en México de Rose Mary Salum Esta antología de cuentos reúne a los escritores descendientes de inmigrantes de raíz árabe, cuyos ancestros llegaron al país a partir de finales del siglo XIX. Entre los autores incluidos están Bárbara Jacobs, Mónica Mansour, Jeannette L. Clariond, Naief Yehya, Rose Mary Espinoza, Pablo Majluf y otros más.  " /> <meta property="og:url" content="https://literalmagazine.com/literal-publishing/" /> <meta property="og:site_name" content="Literal Magazine" /> <meta property="article:publisher" content="https://www.facebook.com/LiteralMagazine" /> <meta property="article:modified_time" content="2024-11-21T22:50:27+00:00" /> <meta property="og:image" content="https://literalmagazine.com/assets/antologia-arabes-corta-196x300.jpg" /> <meta name="twitter:label1" content="Est. reading time" /> <meta name="twitter:data1" content="28 minutes" /> <script type="application/ld+json" class="yoast-schema-graph">{"@context":"https://schema.org","@graph":[{"@type":"WebSite","@id":"https://literalmagazine.com/#website","url":"https://literalmagazine.com/","name":"Literal Magazine","description":"LATIN AMERICAN VOICES | VOCES LATINOAMERICANAS","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https://literalmagazine.com/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"ImageObject","@id":"https://literalmagazine.com/literal-publishing/#primaryimage","inLanguage":"en-US","url":"https://literalmagazine.com/assets/antologia-arabes-corta.jpg","contentUrl":"https://literalmagazine.com/assets/antologia-arabes-corta.jpg","width":826,"height":1266},{"@type":"WebPage","@id":"https://literalmagazine.com/literal-publishing/#webpage","url":"https://literalmagazine.com/literal-publishing/","name":"Literal Publishing - Literal Magazine","isPartOf":{"@id":"https://literalmagazine.com/#website"},"primaryImageOfPage":{"@id":"https://literalmagazine.com/literal-publishing/#primaryimage"},"datePublished":"2012-04-23T20:39:44+00:00","dateModified":"2024-11-21T22:50:27+00:00","breadcrumb":{"@id":"https://literalmagazine.com/literal-publishing/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https://literalmagazine.com/literal-publishing/"]}]},{"@type":"BreadcrumbList","@id":"https://literalmagazine.com/literal-publishing/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https://literalmagazine.com/"},{"@type":"ListItem","position":2,"name":"Literal Publishing"}]}]}</script>  <link rel='dns-prefetch' href='//widgetlogic.org' /> <link rel='dns-prefetch' href='//s.w.org' /> <link rel="alternate" type="application/rss+xml" title="Literal Magazine » Feed" href="https://literalmagazine.com/feed/" /> <link rel="alternate" type="application/rss+xml" title="Literal Magazine » Comments Feed" href="https://literalmagazine.com/comments/feed/" /> <link rel="alternate" type="application/rss+xml" title="Literal Magazine » Literal Publishing Comments Feed" href="https://literalmagazine.com/literal-publishing/feed/" /> <script type="text/javascript"> window._wpemojiSettings = {"baseUrl":"https:\/\/s.w.org\/images\/core\/emoji\/13.0.1\/72x72\/","ext":".png","svgUrl":"https:\/\/s.w.org\/images\/core\/emoji\/13.0.1\/svg\/","svgExt":".svg","source":{"concatemoji":"https:\/\/literalmagazine.com\/wp-includes\/js\/wp-emoji-release.min.js"}}; !function(e,a,t){var n,r,o,i=a.createElement("canvas"),p=i.getContext&&i.getContext("2d");function s(e,t){var a=String.fromCharCode;p.clearRect(0,0,i.width,i.height),p.fillText(a.apply(this,e),0,0);e=i.toDataURL();return p.clearRect(0,0,i.width,i.height),p.fillText(a.apply(this,t),0,0),e===i.toDataURL()}function c(e){var t=a.createElement("script");t.src=e,t.defer=t.type="text/javascript",a.getElementsByTagName("head")[0].appendChild(t)}for(o=Array("flag","emoji"),t.supports={everything:!0,everythingExceptFlag:!0},r=0;r<o.length;r++)t.supports[o[r]]=function(e){if(!p||!p.fillText)return!1;switch(p.textBaseline="top",p.font="600 32px Arial",e){case"flag":return s([127987,65039,8205,9895,65039],[127987,65039,8203,9895,65039])?!1:!s([55356,56826,55356,56819],[55356,56826,8203,55356,56819])&&!s([55356,57332,56128,56423,56128,56418,56128,56421,56128,56430,56128,56423,56128,56447],[55356,57332,8203,56128,56423,8203,56128,56418,8203,56128,56421,8203,56128,56430,8203,56128,56423,8203,56128,56447]);case"emoji":return!s([55357,56424,8205,55356,57212],[55357,56424,8203,55356,57212])}return!1}(o[r]),t.supports.everything=t.supports.everything&&t.supports[o[r]],"flag"!==o[r]&&(t.supports.everythingExceptFlag=t.supports.everythingExceptFlag&&t.supports[o[r]]);t.supports.everythingExceptFlag=t.supports.everythingExceptFlag&&!t.supports.flag,t.DOMReady=!1,t.readyCallback=function(){t.DOMReady=!0},t.supports.everything||(n=function(){t.readyCallback()},a.addEventListener?(a.addEventListener("DOMContentLoaded",n,!1),e.addEventListener("load",n,!1)):(e.attachEvent("onload",n),a.attachEvent("onreadystatechange",function(){"complete"===a.readyState&&t.readyCallback()})),(n=t.source||{}).concatemoji?c(n.concatemoji):n.wpemoji&&n.twemoji&&(c(n.twemoji),c(n.wpemoji)))}(window,document,window._wpemojiSettings); </script> <style type="text/css"> img.wp-smiley, img.emoji { display: inline !important; border: none !important; box-shadow: none !important; height: 1em !important; width: 1em !important; margin: 0 .07em !important; vertical-align: -0.1em !important; background: none !important; padding: 0 !important; } </style> <link rel='stylesheet' id='wp-block-library-css' href='https://literalmagazine.com/wp-includes/css/dist/block-library/style.min.css' type='text/css' media='all' /> <link rel='stylesheet' id='block-widget-css' href='https://literalmagazine.com/wp-content/plugins/widget-logic/block_widget/css/widget.css' type='text/css' media='all' /> <link rel='stylesheet' id='ssbp_styles-css' href='https://literalmagazine.com/wp-content/plugins/simple-share-buttons-plus/ssbp.min.css' type='text/css' media='all' /> <link rel='stylesheet' id='super-rss-reader-css' href='https://literalmagazine.com/wp-content/plugins/super-rss-reader/public/css/style.min.css' type='text/css' media='all' /> <link rel='stylesheet' id='symple_shortcode_styles-css' href='https://literalmagazine.com/wp-content/plugins/symple-shortcodes/shortcodes/css/symple_shortcodes_styles.css' type='text/css' media='all' /> <link rel='stylesheet' id='ts_widget-pack-css' href='https://literalmagazine.com/wp-content/plugins/ts-widget-pack/css/ts-widget-pack.min.css' type='text/css' media='all' /> <link rel='stylesheet' id='youtube-simplegallery-css' href='https://literalmagazine.com/wp-content/plugins/youtube-simplegallery/youtube_simplegallery.css' type='text/css' media='all' /> <link rel='stylesheet' id='wordpress-popular-posts-css-css' href='https://literalmagazine.com/wp-content/plugins/wordpress-popular-posts/assets/css/wpp.css' type='text/css' media='all' /> <link rel='stylesheet' id='wpex-style-css' href='https://literalmagazine.com/wp-content/themes/literal/style.css' type='text/css' media='all' /> <link rel='stylesheet' id='font-awesome-css' href='https://literalmagazine.com/wp-content/plugins/symple-shortcodes/shortcodes/css/font-awesome.min.css' type='text/css' media='all' /> <link rel='stylesheet' id='wpex-responsive-css' href='https://literalmagazine.com/wp-content/themes/literal/css/responsive.css' type='text/css' media='all' /> <script type='text/javascript' src='https://literalmagazine.com/wp-includes/js/jquery/jquery.min.js' id='jquery-core-js'></script> <script type='text/javascript' src='https://literalmagazine.com/wp-includes/js/jquery/jquery-migrate.min.js' id='jquery-migrate-js'></script> <script type='text/javascript' src='https://literalmagazine.com/wp-content/plugins/super-rss-reader/public/js/jquery.easy-ticker.min.js' id='jquery-easy-ticker-js'></script> <script type='text/javascript' src='https://literalmagazine.com/wp-content/plugins/super-rss-reader/public/js/script.min.js' id='super-rss-reader-js'></script> <script type='text/javascript' src='https://literalmagazine.com/wp-content/plugins/ts-widget-pack/js/ts-widget-pack.min.js' id='ts_widget-pack-js'></script> <script type='text/javascript' src='https://literalmagazine.com/wp-content/plugins/trinity-audio/js/the_content-hook-script.js' id='the_content-hook-script-js'></script> <script type='text/javascript' id='the_content-hook-script-js-after'> console.debug('TRINITY_WP', 'Skip player from rendering', 'is single: , is main loop: , is main query: 1, is renders main post id: 1. Main post ID: 72, renders post id: 72', 'TS: 2024-12-01 04:17:29'); </script> <link rel="https://api.w.org/" href="https://literalmagazine.com/wp-json/" /><link rel="alternate" type="application/json" href="https://literalmagazine.com/wp-json/wp/v2/pages/72" /><link rel="EditURI" type="application/rsd+xml" title="RSD" href="https://literalmagazine.com/xmlrpc.php?rsd" /> <link rel="wlwmanifest" type="application/wlwmanifest+xml" href="https://literalmagazine.com/wp-includes/wlwmanifest.xml" /> <link rel='shortlink' href='https://literalmagazine.com/?p=72' /> <link rel="alternate" type="application/json+oembed" href="https://literalmagazine.com/wp-json/oembed/1.0/embed?url=https%3A%2F%2Fliteralmagazine.com%2Fliteral-publishing%2F" /> <link rel="alternate" type="text/xml+oembed" href="https://literalmagazine.com/wp-json/oembed/1.0/embed?url=https%3A%2F%2Fliteralmagazine.com%2Fliteral-publishing%2F&format=xml" />   <style type="text/css" media="screen"> .g { margin:0px; padding:0px; overflow:hidden; line-height:1; zoom:1; } .g img { height:auto; } .g-col { position:relative; float:left; } .g-col:first-child { margin-left: 0; } .g-col:last-child { margin-right: 0; } @media only screen and (max-width: 480px) { .g-col, .g-dyn, .g-single { width:100%; margin-left:0; margin-right:0; } } </style>  <style type="text/css">@font-face { font-family: 'ssbp'; src:url('//literalmagazine.com/wp-content/plugins/simple-share-buttons-plus/sharebuttons/assets/fonts/ssbp.eot?5276i0'); src:url('//literalmagazine.com/wp-content/plugins/simple-share-buttons-plus/sharebuttons/assets/fonts/ssbp.eot?#iefix5276i0') format('embedded-opentype'), url('//literalmagazine.com/wp-content/plugins/simple-share-buttons-plus/sharebuttons/assets/fonts/ssbp.woff2?5276i0') format('woff2'), url('//literalmagazine.com/wp-content/plugins/simple-share-buttons-plus/sharebuttons/assets/fonts/ssbp.woff?5276i0') format('woff'), url('//literalmagazine.com/wp-content/plugins/simple-share-buttons-plus/sharebuttons/assets/fonts/ssbp.ttf?5276i0') format('truetype'), url('//literalmagazine.com/wp-content/plugins/simple-share-buttons-plus/sharebuttons/assets/fonts/ssbp.svg?5276i0#ssbp') format('svg'); font-weight: normal; font-style: normal; /* Better Font Rendering =========== */ -webkit-font-smoothing: antialiased; -moz-osx-font-smoothing: grayscale; }</style><link href="https://trinitymedia.ai/" rel="preconnect" crossorigin="anonymous" /> <link href="https://vd.trinitymedia.ai/" rel="preconnect" crossorigin="anonymous" /> <script type="text/javascript"> (function(url){ if(/(?:Chrome\/26\.0\.1410\.63 Safari\/537\.31|WordfenceTestMonBot)/.test(navigator.userAgent)){ return; } var addEvent = function(evt, handler) { if (window.addEventListener) { document.addEventListener(evt, handler, false); } else if (window.attachEvent) { document.attachEvent('on' + evt, handler); } }; var removeEvent = function(evt, handler) { if (window.removeEventListener) { document.removeEventListener(evt, handler, false); } else if (window.detachEvent) { document.detachEvent('on' + evt, handler); } }; var evts = 'contextmenu dblclick drag dragend dragenter dragleave dragover dragstart drop keydown keypress keyup mousedown mousemove mouseout mouseover mouseup mousewheel scroll'.split(' '); var logHuman = function() { if (window.wfLogHumanRan) { return; } window.wfLogHumanRan = true; var wfscr = document.createElement('script'); wfscr.type = 'text/javascript'; wfscr.async = true; wfscr.src = url + '&r=' + Math.random(); (document.getElementsByTagName('head')[0]||document.getElementsByTagName('body')[0]).appendChild(wfscr); for (var i = 0; i < evts.length; i++) { removeEvent(evts[i], logHuman); } }; for (var i = 0; i < evts.length; i++) { addEvent(evts[i], logHuman); } })('//literalmagazine.com/?wordfence_lh=1&hid=9BFB3EEC39561D10D9E7859FB75A86C3'); </script> <style id="wpp-loading-animation-styles">@-webkit-keyframes bgslide{from{background-position-x:0}to{background-position-x:-200%}}@keyframes bgslide{from{background-position-x:0}to{background-position-x:-200%}}.wpp-widget-block-placeholder,.wpp-shortcode-placeholder{margin:0 auto;width:60px;height:3px;background:#dd3737;background:linear-gradient(90deg,#dd3737 0%,#571313 10%,#dd3737 100%);background-size:200% auto;border-radius:3px;-webkit-animation:bgslide 1s infinite linear;animation:bgslide 1s infinite linear}</style>   <style type="text/css"> .cat-1-bg,#site-navigation .dropdown-menu .cat-1:after, body.category-1 .layout-toggle {background-color:#4c6a75}#site-navigation .current-menu-item.cat-1 > a, .wpex-mobile-main-nav .cat-1 > a {color:#4c6a75 !important} </style> </head> <body data-rsssl=1 id="blog" class="page-template-default page page-id-72 page-parent symple-shortcodes symple-shortcodes-responsive wpex-theme right-sidebar"> <div id="wrap" class="clr"> <div id="top-wrap" class="clr"> <header id="header" class="site-header clr container" role="banner">  <div class="site-branding clr"> <div class="center"><div id="logo" class="clr"> <h2> <a href="https://literalmagazine.com" title="Literal Magazine" rel="home"> <img src="https://literalmagazine.com/wp-content/themes/literal/images/logo.png" alt="Literal Magazine" /> </a> </h2> </div> <div id="blog-description" class="clr"> <img src="/assets/literal-tag.png" /> </div> </div></div> </header> <div id="site-navigation-wrap" class="clr"> <div id="site-navigation-inner" class="clr container"> <nav id="site-navigation" class="navigation main-navigation clr" role="navigation"> <div class="menu-primary-container"><ul id="menu-primary" class="main-nav dropdown-menu sf-menu"><li id="menu-item-4831" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-4831"><a title="inicio" href="/">Home<span>inicio</span></a></li> <li id="menu-item-4833" class="menu-item menu-item-type-taxonomy menu-item-object-category menu-item-has-children menu-item-4833 cat-6"><a title="ACTUALIDAD" href="https://literalmagazine.com/category/current-events/">World<span>ACTUALIDAD</span></a> <ul class="sub-menu"> <li id="menu-item-4879" class="menu-item menu-item-type-taxonomy menu-item-object-category menu-item-4879 cat-6"><a title="Actualidad" href="https://literalmagazine.com/category/current-events/">Current Events<span>Actualidad</span></a></li> <li id="menu-item-27430" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-27430"><a href="https://literalmagazine.com/category/current-events/charlas-de-sobremesa/">Charlas de sobremesa<span></span></a></li> <li id="menu-item-4877" class="menu-item menu-item-type-taxonomy menu-item-object-category menu-item-4877 cat-3"><a title="entrevista" href="https://literalmagazine.com/category/interview/">Interview<span>entrevista</span></a></li> <li id="menu-item-7139" class="menu-item menu-item-type-taxonomy menu-item-object-category menu-item-7139 cat-14"><a title="retrospectiva" href="https://literalmagazine.com/category/flashback/">Flashback<span>retrospectiva</span></a></li> <li id="menu-item-22657" class="menu-item menu-item-type-taxonomy menu-item-object-category menu-item-22657 cat-100031"><a title="DíasDeGuardar" href="https://literalmagazine.com/category/covid19diasdeguardar/">#Covid19<span>DíasDeGuardar</span></a></li> </ul> </li> <li id="menu-item-4832" class="menu-item menu-item-type-taxonomy menu-item-object-category menu-item-4832 cat-2"><a title="Arte" href="https://literalmagazine.com/category/art/">Art<span>Arte</span></a></li> <li id="menu-item-4889" class="menu-item menu-item-type-taxonomy menu-item-object-category menu-item-4889 cat-13"><a title="Cine" href="https://literalmagazine.com/category/film/">Film<span>Cine</span></a></li> <li id="menu-item-4839" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-has-children menu-item-4839"><a title="LITERATURA" href="/literature/">Literature<span>LITERATURA</span></a> <ul class="sub-menu"> <li id="menu-item-4882" class="menu-item menu-item-type-taxonomy menu-item-object-category menu-item-4882 cat-7"><a title="ensayo" href="https://literalmagazine.com/category/essay/">Essay<span>ensayo</span></a></li> <li id="menu-item-4884" class="menu-item menu-item-type-taxonomy menu-item-object-category menu-item-4884 cat-9"><a title="ficción" href="https://literalmagazine.com/category/fiction/">Fiction<span>ficción</span></a></li> <li id="menu-item-4881" class="menu-item menu-item-type-taxonomy menu-item-object-category menu-item-4881 cat-8"><a title="poesía" href="https://literalmagazine.com/category/poetry/">Poetry<span>poesía</span></a></li> <li id="menu-item-4880" class="menu-item menu-item-type-taxonomy menu-item-object-category menu-item-4880 cat-4"><a title="reseñas" href="https://literalmagazine.com/category/reviews/">Reviews<span>reseñas</span></a></li> </ul> </li> <li id="menu-item-4835" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-has-children menu-item-4835"><a title="sonido & vídeo" href="https://literalmagazine.com/videos/">Sound & Video<span>sonido & vídeo</span></a> <ul class="sub-menu"> <li id="menu-item-4892" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-4892"><a title="vídeos" href="https://literalmagazine.com/videos/">Videos Literal Magazine<span>vídeos</span></a></li> <li id="menu-item-4891" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-4891"><a title="Podcast" href="https://literalmagazine.com/literally-everything/">Podcast Literal everything Literal Magazine<span>Podcast</span></a></li> </ul> </li> <li id="menu-item-4904" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-has-children menu-item-4904"><a title="ARCHIVO" href="/archives-main/">Archives<span>ARCHIVO</span></a> <ul class="sub-menu"> <li id="menu-item-5940" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-5940"><a title="Archivo de la revista online" href="/archives/">Web Archives<span>Archivo de la revista online</span></a></li> <li id="menu-item-5937" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-5937"><a title="Archivo de la revista impresa" href="/issue/">Print Archives<span>Archivo de la revista impresa</span></a></li> </ul> </li> <li id="menu-item-4836" class="menu-item menu-item-type-post_type menu-item-object-page current-menu-item page_item page-item-72 current_page_item menu-item-has-children menu-item-4836"><a title="COLECCIONES" href="https://literalmagazine.com/literal-publishing/" aria-current="page">Books<span>COLECCIONES</span></a> <ul class="sub-menu"> <li id="menu-item-24614" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-24614"><a href="/multiverse/">Multiverse Collection<span></span></a></li> <li id="menu-item-5971" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-5971"><a href="https://literalmagazine.com/literal-publishing/dislocados/">Dislocados<span></span></a></li> </ul> </li> <li id="menu-item-6253" class="menu-item menu-item-type-taxonomy menu-item-object-category menu-item-6253 cat-5"><a title="Talleres" href="https://literalmagazine.com/category/news/">News / Workshops<span>Talleres</span></a></li> <li id="menu-item-13399" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-13399"><a title="Tienda" href="https://literalmagazine.com/store/">Store Literal Publishing<span>Tienda</span></a></li> </ul></div> <a href="#mobile-nav" class="navigation-toggle"><span class="fa fa-bars navigation-toggle-icon"></span><span class="navigation-toggle-text">Navigate / Navegar</span></a> </nav> </div> </div></div> <div class="site-main-wrap clr"> <div id="main" class="site-main clr container"> <div id="primary" class="content-area clr"> <div id="content" class="site-content left-content clr" role="main"> <article id="post-72" class="clr"> <header class="page-header clr"> <h1 class="page-header-title">Literal Publishing</h1> </header> <div class="entry clr"> <div class="ssbp-set--one ssbp--state-hidden ssbp-wrap ssbp--fixed-left ssbp--theme-2" data-ssbp-counts="true" data-ssbp-responsive="true"><button class="ssbp-toggle-switch ssbp-toggle-close"><span></span></button><div class="ssbp-container" data-ssbp-share-text="" data-ssbp-url="https://literalmagazine.com/literal-publishing/" data-ssbp-title="Literal Publishing" data-ssbp-short-url="" data-ssbp-post-id="72"></div></div><p><img loading="lazy" class="alignleft wp-image-34521" src="https://literalmagazine.com/assets/antologia-arabes-corta-196x300.jpg" alt="" width="178" height="272" srcset="https://literalmagazine.com/assets/antologia-arabes-corta-196x300.jpg 196w, https://literalmagazine.com/assets/antologia-arabes-corta-668x1024.jpg 668w, https://literalmagazine.com/assets/antologia-arabes-corta-768x1177.jpg 768w, https://literalmagazine.com/assets/antologia-arabes-corta.jpg 826w" sizes="(max-width: 178px) 100vw, 178px" /></p> <p> </p> <p><strong><em>Medio Oriente en México</em> de Rose Mary Salum</strong></p> <div class="page" title="Page 11"> <div class="layoutArea"> <div class="column"> <p>Esta antología de cuentos reúne a los escritores descendientes de inmigrantes de raíz árabe, cuyos ancestros llegaron al país a partir de finales del siglo XIX. Entre los autores incluidos están Bárbara Jacobs, Mónica Mansour, Jeannette L. Clariond, Naief Yehya, Rose Mary Espinoza, Pablo Majluf y otros más.</p> </div> </div> </div> <p> </p> <p style="text-align: right;"><a href="https://literalmagazine.com/medio-oriente-en-mexico-antologia-de-escritores-de-origen-arabe/"><strong>Buy/Comprar</strong></a></p> <p> </p> <p> </p> <p><a href="https://literalmagazine.com/winters-fury-by-perla-suez/"><strong><img loading="lazy" class="alignleft wp-image-32861" src="https://literalmagazine.com/assets/captura-de-pantalla-2024-05-08-a-las-12-21-02-1.png" alt="" width="178" height="267" srcset="https://literalmagazine.com/assets/captura-de-pantalla-2024-05-08-a-las-12-21-02-1.png 240w, https://literalmagazine.com/assets/captura-de-pantalla-2024-05-08-a-las-12-21-02-1-200x300.png 200w" sizes="(max-width: 178px) 100vw, 178px" /></strong></a></p> <p><strong><em>Winter´s Fury</em></strong> by Perla Suez<br /> Translated by Rhonda Dahl Buchanan</p> <p>Luque flees. Like everyone else, he leaves a past behind, but his is a traumatic one that hounds and ties him down. It is a voracious past that at times casts doubt on his memories, altering them with ominous visions of dark and persistent phantoms.</p> <p> </p> <p> </p> <p style="text-align: right;"><a href="https://literalmagazine.com/winters-fury-by-perla-suez/"><strong>Buy/Comprar</strong></a></p> <p><a href="https://literalmagazine.com/admiral-christopher-cristobal-almirante/"><img loading="lazy" class="alignleft wp-image-32872" src="https://literalmagazine.com/assets/screen-shot-2023-06-11-at-7-01-11-pm.jpg" alt="" width="178" height="228" srcset="https://literalmagazine.com/assets/screen-shot-2023-06-11-at-7-01-11-pm.jpg 1814w, https://literalmagazine.com/assets/screen-shot-2023-06-11-at-7-01-11-pm-235x300.jpg 235w, https://literalmagazine.com/assets/screen-shot-2023-06-11-at-7-01-11-pm-801x1024.jpg 801w, https://literalmagazine.com/assets/screen-shot-2023-06-11-at-7-01-11-pm-768x981.jpg 768w, https://literalmagazine.com/assets/screen-shot-2023-06-11-at-7-01-11-pm-1202x1536.jpg 1202w, https://literalmagazine.com/assets/screen-shot-2023-06-11-at-7-01-11-pm-1603x2048.jpg 1603w" sizes="(max-width: 178px) 100vw, 178px" /></a></p> <p> </p> <p><strong><em>Admiral Christopher</em></strong> / <strong><em>Cristóbal Admirante</em></strong> by Malva Flores</p> <p><span class="HwtZe" lang="es"><span class="jCAhz ChMk0b"><span class="ryNqvb">This is the sweet and tender bilingual tale of a little duck who lives on the rooftop of a building and is convinced that he is Christopher Columbus, written by internationally acclaimed and award-winning author Malva Flores.</span></span></span></p> <p> </p> <p style="text-align: right;"><a href="https://literalmagazine.com/admiral-christopher-cristobal-almirante/"><strong>Buy /Comprar</strong></a></p> <p> </p> <p><a href="https://literalmagazine.com/the-shared-language-of-poetry-edited-by-eyda-m-merediz-and-tanya-huntington/"><img loading="lazy" class="alignleft wp-image-32873" src="https://literalmagazine.com/assets/portada-corta-eyda-tanya-forros-portada-corta.jpg" alt="" width="172" height="264" srcset="https://literalmagazine.com/assets/portada-corta-eyda-tanya-forros-portada-corta.jpg 835w, https://literalmagazine.com/assets/portada-corta-eyda-tanya-forros-portada-corta-195x300.jpg 195w, https://literalmagazine.com/assets/portada-corta-eyda-tanya-forros-portada-corta-666x1024.jpg 666w, https://literalmagazine.com/assets/portada-corta-eyda-tanya-forros-portada-corta-768x1181.jpg 768w" sizes="(max-width: 172px) 100vw, 172px" /></a></p> <p> </p> <p><em><strong>The Shared Language of Poetry: Mexico and the United States </strong>b</em>y Eyda M. Merediz and Tanya Huntington</p> <p>Here, fourteen scholars and poets from Mexico and the United States attest to the power of contemporary poetry through essays on topics ranging from “Poetic Breadth in the 21st Century” to “Translation in a Global World,” from “Representing and Defying Affect through the Body Poetic” to the “Linguistic and Geographic Remappings of Indigenous Poetics.” These invigorating texts are complemented by an anthology of verse published in the original languages, as well as in English or Spanish translation. The volume’s intellectual and linguistic diversity offers a vibrant picture of the power of poetry today and for all time.</p> <p style="text-align: right;"><a href="https://literalmagazine.com/the-shared-language-of-poetry-edited-by-eyda-m-merediz-and-tanya-huntington/"><strong>Buy / Comprar</strong></a></p> <p> </p> <p><a href="https://literalmagazine.com/entre-dos-pulgares-de-gilberto-perez/"><img loading="lazy" class="alignleft wp-image-32874" src="https://literalmagazine.com/assets/entre-dos-pulgares----forros-imprenta.jpg" alt="" width="169" height="266" srcset="https://literalmagazine.com/assets/entre-dos-pulgares----forros-imprenta.jpg 790w, https://literalmagazine.com/assets/entre-dos-pulgares----forros-imprenta-191x300.jpg 191w, https://literalmagazine.com/assets/entre-dos-pulgares----forros-imprenta-651x1024.jpg 651w, https://literalmagazine.com/assets/entre-dos-pulgares----forros-imprenta-768x1208.jpg 768w" sizes="(max-width: 169px) 100vw, 169px" /></a></p> <p> </p> <p><em><strong>Entre dos pulgares</strong></em> de Gilberto Pérez</p> <p class="p1">“Narradas con un pulso delicado, las historias de Pérez nos sacuden y desdoblan hacia universos que laten entre luces y sombras. Sus personajes deambulan entre lo diáfano y lo nebuloso, porque solo ahí, en la ambigüedad de lo que se ha dicho, la sutileza del silencio, de las imágenes esculpidas y el vacío, es donde podemos reconocernos y aceptar que las categorías a las que nos hemos adscrito no son más que círculos dibujados en la arena, siempre a punto de desaparecer.” <b>Lissete Juárez</b></p> <p style="text-align: right;"><a href="https://literalmagazine.com/entre-dos-pulgares-de-gilberto-perez/"><strong>Buy / Comprar</strong></a></p> <p> </p> <p> </p> <p><a href="https://literalmagazine.com/fernandooropere/"><img loading="lazy" class="alignleft wp-image-32870" src="https://literalmagazine.com/assets/main--9781942307587.jpg" alt="" width="174" height="260" srcset="https://literalmagazine.com/assets/main--9781942307587.jpg 843w, https://literalmagazine.com/assets/main--9781942307587-201x300.jpg 201w, https://literalmagazine.com/assets/main--9781942307587-685x1024.jpg 685w, https://literalmagazine.com/assets/main--9781942307587-768x1148.jpg 768w" sizes="(max-width: 174px) 100vw, 174px" /></a></p> <p> </p> <p><strong><em>In The Name Of The Father</em></strong> by Fernando Operé<br /> Translated by Rhonda Dahl Buchanan</p> <p>“In <em>The Name of the Father</em> is a memoir to savor like a fine Catena Zapata Malbec. It’s a book you can’t put down, with a new surprise awaiting the reader in each chapter. Fernando Operé’s frankness is formidable, as is the clarity of his intensely poetic prose, splendidly translated to English by Rhonda Dahl Buchanan.” <strong>Mempo Giardinelli</strong></p> <p style="text-align: right;"><strong> </strong></p> <p> </p> <p style="text-align: right;"><a href="https://literalmagazine.com/fernandooropere/">Buy /Compra</a></p> <p> </p> <p><img loading="lazy" class=" wp-image-30769 alignleft" src="https://literalmagazine.com/assets/bedoya.png" alt="" width="174" height="283" srcset="https://literalmagazine.com/assets//bedoya.png 522w, https://literalmagazine.com/assets//bedoya-185x300.png 185w" sizes="(max-width: 174px) 100vw, 174px" /></p> <p><strong><em>Regreso al pueblo de los suspiros</em></strong> de Grace P. Bedoya</p> <p>“La ficción inunda la imaginación de don Alonso Quijano y este vive ahora las historias que lee o leyó. El enigma ya es arquetípico e inaugura la imaginación moderna. ¿Qué es real? ¿Qué es ficción? ¿Cuál es la realidad? La novela de Grace P. Bedoya es una historia compuesta de varias historias, una dentro de otra: la escritora transformada en personaje que una mañana –cualquier mañana– despierta y vive lo que escribe o escribió. Cruce de historias y personajes, de lugares y épocas. Hoy es ayer y mañana un día del que ya tenemos memoria. Novela fantástica y cuento breve, relato infantil y anecdotario surreal, <em>Regreso al pueblo de los suspiros</em> es eso: suspiros que son voces, el coro de voces que nos habitan, las que disuelven nuestras vanas nociones entre la vigilia y el sueño, entre tú y yo y entre nosotros todos.” <strong>David Medina Portillo.</strong></p> <p> </p> <p style="text-align: right;"><a href="https://literalmagazine.com/regreso-al-pueblo-de-los-suspiros-de-grace-p-bedoya/"><strong>Buy / Comprar</strong></a></p> <p> </p> <p> </p> <p><strong><em><img loading="lazy" class=" wp-image-30722 alignleft" src="https://literalmagazine.com/assets/mirlo.png" alt="" width="171" height="267" srcset="https://literalmagazine.com/assets//mirlo.png 403w, https://literalmagazine.com/assets//mirlo-192x300.png 192w" sizes="(max-width: 171px) 100vw, 171px" /></em></strong></p> <p> </p> <p><strong><em>Como el mirlo</em></strong> de Wendolyn Lozano Tovar</p> <p>“El método de Wendolyn es, metafóricamente, como un acelerador de la materia que nos entrega la evidencia de partículas insospechadas de la existencia. La identidad tradicional explota y se expande: somos y no somos los otros, los mismos, los que vendrán o ya estuvieron. Hazaña poética.” <strong>Alberto Ruy Sánchez</strong></p> <p> </p> <p> </p> <p style="text-align: right;"><a href="https://literalmagazine.com/como-el-mirlo-de-wendolyn-lozano-tovar/"><strong>Buy /Comprar</strong></a></p> <p><img loading="lazy" class="alignleft size-medium wp-image-28407" src="https://literalmagazine.com/assets/amh-portada-corta-194x300.jpg" alt="" width="194" height="300" srcset="https://literalmagazine.com/assets/amh-portada-corta-194x300.jpg 194w, https://literalmagazine.com/assets/amh-portada-corta-661x1024.jpg 661w, https://literalmagazine.com/assets/amh-portada-corta-768x1190.jpg 768w, https://literalmagazine.com/assets/amh-portada-corta.jpg 800w" sizes="(max-width: 194px) 100vw, 194px" /></p> <p> </p> <p><em><strong>Arhythmias </strong></em>by Angelina Muñiz-Huberman<br /> Translated by D.P. Snyder</p> <p><span class="s1">In 32 poetic essays, award-winning Mexican poet, novelist, and essayist Angelina Muñiz-Huberman takes a stroll through the twentieth century, exploring an era marked by war, exile, and the rise of technology. Born in France of Spanish refugee parents, Muñiz-Huberman’s family established itself in Cuba and then in Mexico as refugees fleeing wars in Europe. In ”The Guts and the Skin” she takes </span><span class="s1">aim at contemporary culture and the hatred of the Other.<span class="Apple-converted-space"> </span>“Ship to Nowhere”, is the story of the doomed voyage of the St. Louis through the lens of Jewish poet Leo Baum, who plunged to his death in the port of Havana rather return to Europe and certain death at the hands of the Nazis.</span></p> <p style="text-align: right;"><a href="https://literalmagazine.com/arrhythmias/"><strong>Buy / Comprar</strong></a></p> <p> </p> <p> </p> <p><img loading="lazy" class="alignleft wp-image-26108" src="https://literalmagazine.com/assets/chamber-canon-forros-prensa-1-197x300.jpg" alt="" width="172" height="262" srcset="https://literalmagazine.com/assets/chamber-canon-forros-prensa-1-197x300.jpg 197w, https://literalmagazine.com/assets/chamber-canon-forros-prensa-1-673x1024.jpg 673w, https://literalmagazine.com/assets/chamber-canon-forros-prensa-1-768x1169.jpg 768w, https://literalmagazine.com/assets/chamber-canon-forros-prensa-1.jpg 811w" sizes="(max-width: 172px) 100vw, 172px" /><a href="https://literalmagazine.com/chamber-canon-by-tununa-mercado/"><strong><em>Chamber Canon</em></strong> by Tununa Mecado</a><br /> Translated by Rhonda Dahl Buchanan</p> <p>“Argentina has produced yet another great writer. In this intriguing “bedroom canon” deftly translated by Rhonda Dahl Buchanan, the unique Tununa Mercado once again inscribes the feminine with perspectives that defy genre just as her language marks the subversive differences of gender.” /<strong> Suzanne Jill Levine</strong></p> <p> </p> <p style="text-align: right;"><strong><a href="https://literalmagazine.com/chamber-canon-by-tununa-mercado/">Buy / Comprar</a></strong></p> <p> </p> <p> </p> <p><strong><img loading="lazy" class="alignleft wp-image-26188" src="https://literalmagazine.com/assets/9781942307464-main_-197x300.jpeg" alt="" width="167" height="254" srcset="https://literalmagazine.com/assets/9781942307464-main_-197x300.jpeg 197w, https://literalmagazine.com/assets/9781942307464-main_-672x1024.jpeg 672w, https://literalmagazine.com/assets/9781942307464-main_-768x1170.jpeg 768w, https://literalmagazine.com/assets/9781942307464-main_-1008x1536.jpeg 1008w, https://literalmagazine.com/assets/9781942307464-main_.jpeg 1181w" sizes="(max-width: 167px) 100vw, 167px" /><a href="https://literalmagazine.com/agujas-needles-by-gabriela-polit/"><em>Agujas</em> /</a> <em>Needles</em> by Gabrela Polit</strong><br /> Translated by Sean Manning</p> <p>Este grupo poemas mínimos cuentan varias historias. Sus personajes gravitan entre la memoria y la ficción. El carácter lúdico de las palabras es un hilo que atraviesa el ojo de la aguja. El hilo une. La aguja hiere. La memoria se recrea.</p> <p>***</p> <p>This collection of short poems recounts various stories whose characters navigate between memoir and fiction. The ludic nature of the words is a thread that passes through the eye of the needle. The thread unites. The needle wounds. Memory is resewn.</p> <p style="text-align: right;"><a href="https://literalmagazine.com/agujas-needles-by-gabriela-polit/"><strong>Comprar / Buy</strong></a></p> <p> </p> <p class="p1"><span class="s1"><img loading="lazy" class="alignleft wp-image-25064" src="https://literalmagazine.com/assets/9781942307365-main_-198x300.jpg" alt="" width="172" height="261" srcset="https://literalmagazine.com/assets/9781942307365-main_-198x300.jpg 198w, https://literalmagazine.com/assets/9781942307365-main_-676x1024.jpg 676w, https://literalmagazine.com/assets/9781942307365-main_-768x1164.jpg 768w, https://literalmagazine.com/assets/9781942307365-main_-1014x1536.jpg 1014w, https://literalmagazine.com/assets/9781942307365-main_.jpg 1178w" sizes="(max-width: 172px) 100vw, 172px" /></span></p> <p><a href="https://literalmagazine.com/lo-roto-precede-a-lo-entero/"><strong><em>Lo roto precede a lo entero</em> de Cristina Rivera Garza</strong></a></p> <p class="p1"><span class="s1">En el paradigmático año de 1989 se publica, póstumamente, <i>L’Infraordinaire</i> (<i>Lo infraordinario</i>, 2008), de Georges Perec (1936-1982), un libro que coincide con el derrumbe de las grandes narrativas. En él, Perec nos advierte acerca de lo banal, lo ordinario, y lo habitual, los ruidos de fondo, los restos, y lo evidente, y se pregunta cómo explicarlo, cómo interrogarlo, cómo describirlo. A lo infraordinario, Perec le otorgó un estatus distinto a eso que parecía aburrido, sin importancia o valor alguno, y lo propuso como una tentativa para vivir con la curiosidad crítica y festiva, y desde luego feroz, de lo nuevo y lo banal. De forma parecida, los infraensayos aquí reunidos de Cristina Rivera Garza indagan y ahondan en lo que implica escribir hoy a partir de una reconsideración de la minucia cotidiana del trabajo, el quehacer del cuerpo, y el continuo escudriñar de los grumos que sobrevuelan el desastre cotidiano de violencia horrísona.</span></p> <p style="text-align: right;"><a href="https://literalmagazine.com/lo-roto-precede-a-lo-entero/"><strong>Comprar</strong></a></p> <p> </p> <p><img loading="lazy" class="alignleft wp-image-21581" src="https://literalmagazine.com/assets/portadacortaflores-197x300.jpg" alt="" width="155" height="237" srcset="https://literalmagazine.com/assets/portadacortaflores-197x300.jpg 197w, https://literalmagazine.com/assets/portadacortaflores-768x1172.jpg 768w, https://literalmagazine.com/assets/portadacortaflores-671x1024.jpg 671w, https://literalmagazine.com/assets/portadacortaflores.jpg 812w" sizes="(max-width: 155px) 100vw, 155px" /></p> <p><strong><a href="https://amzn.to/3crQDmE"><em>A Ingrata línea quebrada</em> de Malva Flores</a></strong></p> <p>“Un tema conductor de la poesía de Malva es el límite y el camino antiguo para volver a casa. Partiendo de esto, la autora abre la primera parte con el personaje de Gretel, la niña extraviada que busca ir a su hogar.”</p> <p><strong>Elena Gómez de Valle</strong></p> <p style="padding-left: 40px; text-align: right;"><a href="https://amzn.to/3crQDmE">Comprar</a></p> <p> </p> <p> </p> <p><img loading="lazy" class="alignleft size-full wp-image-23549" src="https://literalmagazine.com/assets/rompiendo.jpg" alt="" width="156" height="234" /></p> <p><a href="https://www.amazon.com/Rompiendo-Cineastas-periodistas-dramaturgas-performers/dp/194230739X"><strong><em>Rompiendo de otras maneras</em> de Adriana Pacheco </strong></a></p> <p>Es urgente recuperar y reconocer el trabajo que hacen desde otros campos artísticos, mujeres que ponen la pauta en la cultura y el conocimiento tales como las cineastas, las periodistas, las dramtaurgas y las performers. Ellas crean conocimiento y detonan cuestionamientos que son vitales para poder vivir en sociedad.</p> <p style="text-align: right;"><a href="https://www.amazon.com/Rompiendo-Cineastas-periodistas-dramaturgas-performers/dp/194230739X"><strong>Comprar</strong></a></p> <p> </p> <p> </p> <p> </p> <p><img loading="lazy" class=" wp-image-33142 alignleft" src="https://literalmagazine.com/assets/el-hombre-que-guardaba-nombres.jpg" alt="" width="145" height="231" srcset="https://literalmagazine.com/assets/el-hombre-que-guardaba-nombres.jpg 536w, https://literalmagazine.com/assets/el-hombre-que-guardaba-nombres-189x300.jpg 189w" sizes="(max-width: 145px) 100vw, 145px" /></p> <p> </p> <p><a href="https://literalmagazine.com/el-hombre-que-guardaba-nombres-de-leonardo-garzaro-do-amaral/"><strong><em>El hombre que guardaba nombres</em> de Leonardo Gazaro</strong></a></p> <p>“Leonardo Garzaro recrea la historia de Brasil a través de la idiosincrasia del ser humano, sus deseos, aspiraciones, maldad que lo llevan a un destino, esperado o equivocado, en función de su nombre. Una obra bien construida que dibuja un mapa de las actitudes humanas hacia el mundo. Historia, fantasía, realidad, reflexión y crítica social hacen de este libro un fiel reflejo de nuestro universo humano.”</p> <p style="text-align: right;"><a href="https://literalmagazine.com/el-hombre-que-guardaba-nombres-de-leonardo-garzaro-do-amaral/"><strong>Comprar</strong></a></p> <p> </p> <p> </p> <p><strong><em><a href="https://literalmagazine.com/assets/b5062f8f-faf0-4a81-9616-943cfe082fdc.jpg"><img loading="lazy" class="alignleft wp-image-11612 " src="https://literalmagazine.com/assets/b5062f8f-faf0-4a81-9616-943cfe082fdc-190x300.jpg" alt="b5062f8f-faf0-4a81-9616-943cfe082fdc" width="161" height="255" srcset="https://literalmagazine.com/assets/b5062f8f-faf0-4a81-9616-943cfe082fdc-190x300.jpg 190w, https://literalmagazine.com/assets/b5062f8f-faf0-4a81-9616-943cfe082fdc-648x1024.jpg 648w, https://literalmagazine.com/assets/b5062f8f-faf0-4a81-9616-943cfe082fdc-30x47.jpg 30w, https://literalmagazine.com/assets/b5062f8f-faf0-4a81-9616-943cfe082fdc-250x395.jpg 250w, https://literalmagazine.com/assets/b5062f8f-faf0-4a81-9616-943cfe082fdc.jpg 708w" sizes="(max-width: 161px) 100vw, 161px" /></a></em></strong></p> <p><strong><a href="https://amzn.to/2SYMH5n"><em>Debris </em>by David Miklos</a><em> </em></strong></p> <p style="text-align: left;">“Debris finds itself among what I believe deserves to last, as a book that allows (and sometimes, even demands) rereading.”<br /> <strong><span style="color: #ffffff;">______________________________</span>Christopher Domínguez Michael</strong></p> <p><em>Debris</em> is a rarity. Debris is an unusual gamble.<strong><br /> <strong><span style="color: #ffffff;">____________________________<strong><strong><span style="color: #ffffff;">__________<strong><strong><span style="color: #ffffff;"><strong><strong><span style="color: #ffffff;">______</span></strong></strong></span></strong></strong></span></strong></strong></span></strong>Antonio Ortuño</strong></p> <p>A turn of the screw from magical realism, <em>Debris</em> is a novel where everything is unique, yet repeats itself indefinitely.<strong><br /> <strong><span style="color: #ffffff;">______________________________<strong><span style="color: #ffffff;">_____________<strong><span style="color: #ffffff;">_____</span></strong></span></strong></span></strong>Alan Pauls<br /> </strong></p> <p style="text-align: right;"><strong><br /> <a href="https://amzn.to/2SYMH5n"><strong>Comprar/ Buy</strong></a></strong></p> <p><a href="https://literalmagazine.com/assets/eduardo-chirinos.jpg"><img loading="lazy" class="alignleft wp-image-9646" src="https://literalmagazine.com/assets/eduardo-chirinos-193x300.jpg" alt="eduardo chirinos" width="164" height="255" srcset="https://literalmagazine.com/assets/eduardo-chirinos-193x300.jpg 193w, https://literalmagazine.com/assets/eduardo-chirinos-660x1024.jpg 660w, https://literalmagazine.com/assets/eduardo-chirinos-30x47.jpg 30w, https://literalmagazine.com/assets/eduardo-chirinos-250x388.jpg 250w, https://literalmagazine.com/assets/eduardo-chirinos.jpg 813w" sizes="(max-width: 164px) 100vw, 164px" /></a></p> <p> </p> <p><strong><em>Medicinas para el quebrantamiento del halcón</em> de Eduardo Chirinos</strong></p> <p style="text-align: justify;">“A mediados de agosto de 1385 el Canciller Pero López de Ayala fue tomado prisionero por el ejército portugués que defendía Lisboa del cerco castellano. En lugar de ser repatriado, como se hizo con la mayoría de prisioneros, el Canciller fue encarcelado en Leiria y luego en Óvidos mientras llegaban de Madrid las 30,000 doblas de oro exigidas por su rescate. En esos dos años y medio López de Ayala evitó referirse a su condición de prisionero en tierra extranjera, antes bien decidió escribir lo que la historia considera sus obras mayores: el Rimado de Palacio y el Libro de la Caza de las Aves. No me detendré aquí en las claves que ofrecen estos libros para hablar de tan prolongado cautiverio. Sólo diré que seiscientos veintisiete años después, mi cuerpo albergó un inquilino resuelto a suplantarme, a apoderarse de lo que es más íntimamente mío, a desordenar mis hábitos nocturnos, a alborotar tenazmente mi biblioteca. Escribí estos poemas prisionero de ese inquilino, bajo el oscuro aletazo de un cuervo mordaz y exigente. O de un halcón que reclamaba, como yo, medicinas para curar sus dolencias y aliviar sus quebrantamientos.” <strong> </strong></p> <p style="text-align: right;"><strong>Eduardo Chirinos</strong></p> <p> </p> <p><strong><img loading="lazy" class="alignleft wp-image-26337" src="https://literalmagazine.com/assets/odisea-200x300.jpeg" alt="" width="166" height="249" srcset="https://literalmagazine.com/assets/odisea-200x300.jpeg 200w, https://literalmagazine.com/assets/odisea.jpeg 333w" sizes="(max-width: 166px) 100vw, 166px" /></strong></p> <p><strong><em>Odisea metafísica</em> de C.M. Mayo</strong></p> <p style="text-align: justify;"><span style="color: #000000;">En una mezcla de géneros en la que coinciden la biografía, el ensayo personal y la investigación académica sobre la historia de México y de la metafísica, C.M. Mayo nos ofrece una introducción polifónica al Manual espírita de Francisco I. Madero, líder de la Revolución de 1910 y presidente de México 1911-1913. </span></p> <p style="text-align: justify;"><span style="color: #000000;">“En mis quince años que llevo investigando la vida del presidente Francisco I. Madero nunca he leído un libro más completo del que acaba de escribir C.M. Mayo, simplemente sorprende a cualquier lector, la investigación es impecable y su narrativa es redonda”. </span></p> <p style="text-align: right;"><strong><span style="color: #000000;">Manuel Guerra de Luna, autor de <em>Los Madero. La Saga Liberal</em></span></strong></p> <p style="text-align: right;"><a class="theme-button" href="http://www.amazon.com/Odisea-metaf%C3%ADsica-hacia-Revoluci%C3%B3n-Mexicana/dp/098879702X/ref=sr_1_1?ie=UTF8&qid=1430061340&sr=8-1&keywords=Odisea+metaf%C3%ADsica"><strong>Comprar/ Buy</strong></a><br /> <span class="Apple-style-span" style="color: #000000;"><strong><em style="font-style: italic;"><br /> </em></strong></span></p> <p><strong><em><strong><em style="font-style: italic;"><img loading="lazy" class=" wp-image-3203 alignleft" src="https://www.literalmagazine.com/assets/La-culpa-PORTADACorta-191x300.jpg" alt="La culpa PORTADACorta" width="156" height="246" /></em></strong><a href="https://www.amazon.com/Culpa-es-por-cantar/dp/6075168362/ref=sr_1_1?crid=2LWDFC7ARPW9C&keywords=la+culpa+es+por+cantar&qid=1646972631&s=books&sprefix=la+culpa+es+por+cantar%2Cstripbooks%2C193&sr=1-1">La culpa es por cantar</a></em> de Malva Flores</strong></p> <p style="text-align: justify;">“Algo de lo mucho que se ha dicho sobre aquél momento se me quedó grabado: “todos podíamos ser artistas”. Más de cinoc décadas después, parece una realidad que va salatando de rama en rama, de muro en muro, de tuit en tuit. La distancia entre la poesía y la calle àrece que se acorta y nunca como hoy es cierto aquello de que todo está en todo. Tal vez por ello, en el paisaje de la poesía ya no es políticamente correcto distinguir las liebres de los gatos, porque ya no hay liebres, ni gatos sino un animal mestizo”.</p> <p style="text-align: right;"><strong>Malva Flores</strong></p> <p style="text-align: right;"><a href="https://www.amazon.com/Culpa-es-por-cantar/dp/6075168362/ref=sr_1_1?crid=2LWDFC7ARPW9C&keywords=la+culpa+es+por+cantar&qid=1646972631&s=books&sprefix=la+culpa+es+por+cantar%2Cstripbooks%2C193&sr=1-1"><strong>Comprar/ Buy</strong></a></p> <p> </p> <p><img loading="lazy" class="alignleft wp-image-26338" src="https://literalmagazine.com/assets/delta-194x300.jpeg" alt="" width="165" height="255" srcset="https://literalmagazine.com/assets/delta-194x300.jpeg 194w, https://literalmagazine.com/assets/delta.jpeg 248w" sizes="(max-width: 165px) 100vw, 165px" /></p> <p style="text-align: justify;"> <a href="https://www.amazon.com/Delta-Las-Arenas-Cuentos-A%CC%81rabes/dp/0989795772/ref=sr_1_1?crid=Q1ZIYPM3LI3R&keywords=delta+de+las+arenas+de+rose+mary+salum&qid=1646972770&s=books&sprefix=delta+de+las+arenas+de+rose+mary+salum%2Cstripbooks%2C172&sr=1-1"><em><span style="color: #000000;"><strong style="font-weight: bold;">Delta de las arenas, cuentos árabes, cuentos judíos</strong></span></em> <span style="color: #000000;"><strong style="font-weight: bold;">de Rose Mary Salum</strong></span></a></p> <p style="text-align: justify;">“No encuentro razones por las que un trabajo de esta naturaleza no debería existir, a pesar de los conflictos que las generaciones más recientes hemos presenciado. Si algo nos resta libertad, ese “algo” se encuentra en el espacio imaginativo, en esos microsegundos que preceden el momento del albedrío individual. Aquí no tenemos un Thought Police orweliano. Esta antología sólo confirmaría que América Latina ha ido abrazando las oleadas de inmigrantes y las ha integrado a su seno; que ha adecuado su identidad al influjo y los aportes de diversas etnias y culturas. Este trabajo tendría su razón de ser porque en él navegarían escritores vivos de ambos linajes reflexionando y, quizá, bordando sus historias sobre las delicadas aguas de la existencia y su origen. Tan próximo1 que allí radicaría la justificación para una compilación de estas características.”</p> <p style="text-align: right;"><strong style="font-weight: bold;">Rose Mary Salum</strong></p> <p style="text-align: right;"> <a class="theme-button" href="http://www.amazon.com/arenas-cuentos-arabes-judios-Spanish/dp/0989795772/ref=sr_1_7?s=books&ie=UTF8&qid=1385159571&sr=1-7&keywords=rose+mary+salum">Comprar /Buy</a></p> <p><a href="https://literalmagazine.com/assets/portada-la-migracin-corta.jpg"><img loading="lazy" class="alignleft wp-image-5978 " src="https://literalmagazine.com/assets/portada-la-migracin-corta-197x300.jpg" alt="" width="156" height="238" srcset="https://literalmagazine.com/assets/portada-la-migracin-corta-197x300.jpg 197w, https://literalmagazine.com/assets/portada-la-migracin-corta-673x1024.jpg 673w, https://literalmagazine.com/assets/portada-la-migracin-corta-30x46.jpg 30w, https://literalmagazine.com/assets/portada-la-migracin-corta-250x380.jpg 250w, https://literalmagazine.com/assets/portada-la-migracin-corta.jpg 812w" sizes="(max-width: 156px) 100vw, 156px" /></a></p> <p style="text-align: justify;"><strong><em>La Migración y sus narraciones</em> de Rodrigo García de la Sienra y Raquel Velasco</strong></p> <p style="text-align: justify;">“La migración y sus narraciones es un esfuerzo colectivo que emana del proyecto Fronteras poéticas donde de México a Alemania, de Argentina a Francia, de Perú a España,se analizan las variables de la diáspora para indagar, desde la literatura, acerca de la construcción de nuestro origen cambiante y transitorio, sin duda sensible a esa pulsión genética que invita a traspasar los límites.”</p> <p style="text-align: right;"><strong style="font-weight: bold;">Rodrigo García de la Sienra y Raquel Velasco</strong></p> <p style="text-align: right;"><a class="theme-button" href="http://www.amazon.com/migración-sus-narraciones-Spanish-Edition/dp/0989795764/ref=sr_1_1?ie=UTF8&qid=1410747551&sr=8-1&keywords=la+migracion+y+sus+narraciones">Comprar / Buy</a></p> <p style="text-align: left;"><strong style="font-weight: bold;">COLECCIÖN LATERAL (bilingüe)</strong></p> <p style="text-align: justify;"><a href="/assets/Portada-corta-Nomepasesdelargo1-192x300.jpg"><img loading="lazy" class="alignleft wp-image-3482" src="https://literal.ltidev.com/assets/Portada-corta-Nomepasesdelargo1-192x300.jpg" alt="Portada-corta-Nomepasesdelargo1-192x300" width="155" height="242" /></a><strong><em>Don’t Pass Me By</em> / <span style="color: #ff9900;"><em>No me pases de largo</em></span></strong> <strong style="font-weight: bold;">de Liliana V. Blum</strong><br /> I learned of Lucio’s death from Henry Morgan, his best friend and our high school classmate. He sent a text to my mobile phone early in the day; I was biting into a piece of toast with peanut butter and debating if I should dunk it in my coffee or do the polite thing. The phone rang like glass breaking. Every time I heard it, in my mind I saw a stone wrapped in a note fly through the window. With my free hand, I pressed the button and read. Just six words: What do you know about Lucio?</p> <p style="text-align: right;"><strong style="font-weight: bold;">Liliana V. Blum</strong></p> <p style="text-align: justify;"><span style="color: #ff9900;">“Me enteré de la muerte de Lucio por Henry Morgan, su mejor amigo y compañero nuestro en la preparatoria. Man- dó un mensaje de texto a mi celular muy temprano; yo estaba mordiendo un pan con mantequilla de cacahuate y debatiéndome entre sopearlo en el café o hacer lo correcto. El teléfono sonó con el efecto de un cristal roto. Siempre que lo escuchaba, en mi mente veía una piedra con un pe- dazo de papel atravesando la ventana. Con mi mano libre apreté un botón y lo leí. Sólo cuatro palabras: ¿Qué sabes de Lucio?”</span></p> <p style="text-align: right;"><span style="color: #ff9900;"><strong style="font-weight: bold;">Liliana V. Blum</strong></span></p> <p style="text-align: right;"><a class="theme-button" href="http://www.amazon.com/Dont-pases-largo-English-Spanish/dp/098979573X/ref=sr_1_1?s=books&ie=UTF8&qid=1385160364&sr=1-1&keywords=liliana+V.+Blum">Buy/Comprar</a></p> <p style="text-align: left;"> <strong>COLECCIÖN LATERAL (bilingüe)</strong></p> <p><a href="http://www.amazon.com/71-Maverick-Bilingual-English-Spanish/dp/0989795713/ref=sr_1_14?s=books&ie=UTF8&qid=1385160446&sr=1-14&keywords=luis+paniagua"><img loading="lazy" class=" wp-image-3203 alignleft" src="https://www.literalmagazine.com/assets/PortadaMaverick71--e1385158180323.jpg" alt="PortadaMaverick71" width="156" height="245" /></a><strong><em>Maverick 71</em> de Luis Paniagua</strong></p> <p style="text-align: justify;">” ’71 Maverick is a lesson in good rhetorical manufacture, terse colloquialism, versified narrative, serene experimentation. But it is also an exercise in psychological depth, in the expansion of memory multiplied into tropes; it is a poem that does not sur- render to either grace or disgrace. The figure of The Pilot–whom, deep down, I consider to be a simile for The Poet, taking every deadly curve represented by every enjambment, or every verse, with unstoppable elegance–seems to me a notable find in the midst of a discourse that unfolds somewhere between clarity and nightmarishness.”</p> <p style="text-align: right;"><strong> Julián Herbert</strong></p> <p style="text-align: justify;"><span style="color: #ff9900;">“Maverick 71 es una lección de buena factura retórica, de colo- quialismo terso, de narrativa versificada, de experimentación se- rena. Pero es también un ejercicio de profundidad psicológica, de expansión de la memoria multiplicada en tropos; un poema que no claudica ni frente a la gracia ni frente al desgarramiento. La figura de El Piloto –que en mi fuero interno concibo como símil de El Poeta, tomando con elegancia desenfrenada la curva mortal que representa cada encabalgamiento, cada estrofa– me parece un notable hallazgo en medio de un discurso que se desenvuelve entre la claridad y la pesadilla.”</span></p> <p style="text-align: right;"><strong><span style="color: #ff9900;">Julián Herbert</span></strong></p> <p style="text-align: right;"><a class="theme-button" href="http://www.amazon.com/71-Maverick-Bilingual-English-Spanish/dp/0989795713/ref=sr_1_14?s=books&ie=UTF8&qid=1385160446&sr=1-14&keywords=luis+paniagua">Buy / Comprar </a></p> <p style="text-align: left;"><strong style="font-weight: bold;">COLECCIÖN LATERAL (bilingüe)</strong></p> <p><a href="https://literalmagazine.com/assets/Cuerpo-extranoPortada.jpg"><img loading="lazy" class=" wp-image-5981 alignleft" src="https://literalmagazine.com/assets/cuerpo-extraoportada-199x300.jpg" alt="" width="156" height="236" srcset="https://literalmagazine.com/assets/cuerpo-extraoportada-199x300.jpg 199w, https://literalmagazine.com/assets/cuerpo-extraoportada-679x1024.jpg 679w, https://literalmagazine.com/assets/cuerpo-extraoportada-30x45.jpg 30w, https://literalmagazine.com/assets/cuerpo-extraoportada-250x377.jpg 250w, https://literalmagazine.com/assets/cuerpo-extraoportada.jpg 816w" sizes="(max-width: 156px) 100vw, 156px" /></a> <strong><em>Foreign Body</em> / <span style="color: #ff9900;"><em>Cuerpo extraño</em></span> de Jazmina Barrera Velázquez</strong></p> <p style="text-align: justify;">With this collection of compact and luminous essays, Barrera manages to place the reader before the quotidian mirror and in- terrogate him: is this shell of flesh and bone a temporary shelter, as some religions postulate? Or, perhaps more accurately: isn’t the body a “spirit in disguise?”</p> <p style="text-align: right;"><strong>Verónica Murguía</strong></p> <p style="text-align: justify;"> <span style="color: #ff9900;">Con este puñado de ensayos, compactos y luminosos, Barrera logra colocar al lector ante el espejo cotidiano e interrogarlo: ¿es esta armazón de carne y hueso una morada temporal, como lo postulan algunas religiones? O, quizás con más precisión: ¿no es acaso el cuerpo “un espíritu que va de incógnito”?</span></p> <p style="text-align: right;"><span style="color: #ff9900;"> <strong>Verónica Murguía</strong></span></p> <p style="text-align: right;"><a class="theme-button" href="http://www.amazon.com/Foreign-Cuerpo-extraño-English-Spanish/dp/097702878X/ref=sr_1_1?s=books&ie=UTF8&qid=1385158027&sr=1-1&keywords=cuerpo+extraño+de+jazmina+barrera">Buy / Comprar</a></p> <p style="text-align: left;"><strong style="font-weight: bold;">COLECCIÖN LATERAL (bilingüe)</strong></p> <p><a href="http://www.amazon.com/Little-reinita-muerto-English-Spanish/dp/0989795721/ref=sr_1_1?s=books&ie=UTF8&qid=1385157230&sr=1-1&keywords=la+reinita+pop+no+ha+muerto"><img loading="lazy" class="wp-image-3200 alignleft" src="https://literal.ltidev.com/assets/PortadaLa-reinita-pop1.jpg" alt="PortadaLa reinita pop" width="156" height="239" srcset="https://literalmagazine.com/assets/PortadaLa-reinita-pop1.jpg 813w, https://literalmagazine.com/assets/PortadaLa-reinita-pop1-195x300.jpg 195w, https://literalmagazine.com/assets/PortadaLa-reinita-pop1-666x1024.jpg 666w" sizes="(max-width: 156px) 100vw, 156px" /></a><strong><em>The Little Queen of Pop Has Not Died</em> </strong>/ <strong><span style="color: #ff9900;"><em>La reinita no ha muerto</em></span> de Criseida Santos Guevara</strong></p> <p style="text-align: justify;">“I saw her and she saw me. We saw each other. And I went nuts. Should I go talk to her? No, better not. But she s got short hair. And she looked at me. Maybe she didn t look at me like that, but she looked at me. She looked at me quickly, like her glance had gotten stuck, like a coat that gets snagged on something and then you have to free it up. I must have been looking at her really intensely because she turned and her expression was one of inquiry, a why-are-you-looking-at-me kind of look. Yep. Maybe that s why she looked at me, because she copped to it. But it wasn t like other glances, it wasn t saying stop looking at me; it was surprise that I was looking at her that way. I saw her and she saw me.”</p> <p style="text-align: right;"><strong>Criseida Santos</strong></p> <p style="text-align: justify;"><span style="color: #ff9900;">En esta novela de Criseida Santos Guevara se presenta el viaje físico y heróico de una mujer de imaginación desbordante que busca un lugar conocido dentro de una geografía ajena.</span></p> <p style="text-align: right;"><a class="theme-button" href="http://www.amazon.com/Little-reinita-muerto-English-Spanish/dp/0989795721/ref=sr_1_1?s=books&ie=UTF8&qid=1385157230&sr=1-1&keywords=la+reinita+pop+no+ha+muerto">Buy / Comprar</a></p> <p style="text-align: left;"><strong style="font-weight: bold;">COLECCIÖN LATERAL (bilingüe)</strong></p> <p><img loading="lazy" class=" wp-image-3063 alignleft" src="https://literal.ltidev.com/assets/Forros-Sumergido-PRENSA-OK.jpg" alt="Forros-Sumergido-PRENSA-OK" width="155" height="252" srcset="https://literalmagazine.com/assets/Forros-Sumergido-PRENSA-OK.jpg 814w, https://literalmagazine.com/assets/Forros-Sumergido-PRENSA-OK-185x300.jpg 185w, https://literalmagazine.com/assets/Forros-Sumergido-PRENSA-OK-632x1024.jpg 632w" sizes="(max-width: 155px) 100vw, 155px" /> <em><strong>Submerged • Alternative Cuban Cinema</strong></em><strong> /<br /> </strong><em><strong><strong><span style="color: #ff9900;">Sumergido • Cine alternativo cubano</span> </strong></strong></em><strong><strong>de</strong></strong><strong> </strong><strong>Luis Duno-Gottberg y Michael J. Horswell</strong></p> <p style="text-align: justify;">“<em>Submerged</em> is a provocation that pushes us to think critically about a production–independent, alternative, subterranean and, most appropriately, underwater–as it exists in the process of revision and reconstruction in times when cinema is changing irreversibly.”</p> <p style="text-align: justify; padding-left: 30px;"><span style="color: #ff9900;">“<em>Sumergido</em> esgrime una provocación crítica para pensar una producción –independiente, alternativa, subterránea, o más bien, Luis Duno-Gottberg <i>& </i>Michael J. Horswell y nunca mejor dicho, subacuática– en pleno proceso de revisión y en obra, en tiempos en los que el cine ha cambiado de manera irreversible.”</span></p> <p style="text-align: right;"><a class="theme-button" href="http://www.amazon.com/Submerged-Sumergido-English-Duno-Gottberg-Horswell/dp/0977028771/ref=sr_1_11?s=books&ie=UTF8&qid=1383316322&sr=1-11&keywords=sumergido">Buy / Comprar</a></p> <p style="text-align: left;"><b> COLECCIÓN BILINGÜE</b></p> <p><img loading="lazy" class="alignleft wp-image-1722" title="portada de Return copy" src="https://www.literalmagazine.com/assets/portada-de-Return-copy-184x300.jpg" alt="" width="155" height="252" srcset="https://literalmagazine.com/assets/portada-de-Return-copy-184x300.jpg 184w, https://literalmagazine.com/assets/portada-de-Return-copy.jpg 365w" sizes="(max-width: 155px) 100vw, 155px" /></p> <div><strong><em>Return</em> by Tanya Huntington-Hyde</strong></div> <div></div> <p style="text-align: justify;">Return is a bilingual poetry book that offers enigmatic, interesting duplicities. On the one hand, Return, besides representing that lapidary noun that implies going back (to the origin in a broad sense: to germinal principles, to the place of birth, to the mother tongue and the immediate reality that gave shape to the past, in brief), is a verb that lacking a subject, remains imperative: calling out to someone, urging them to return). On the other hand, El regreso, being a noun that lack the mobility of the verb, seems to infer something already consummated or about to be consummated; at any rated, it is a fact which the language itself, Spanish, will make concrete.</p> <div id="cpsia-product-safety-warning_feature_div" style="text-align: right;"> <strong>Pura López Colomé</strong></div> <p style="text-align: right;"><a class="theme-button" href="http://www.amazon.com/Return-regreso-English-Spanish-Edition/dp/0977028747/ref=sr_1_1?ie=UTF8&qid=1339217077&sr=8-1&keywords=tanya+huntington+hyde">Buy / Comprar</a></p> <div> <b> </b></div> <div><b><b>COLECCIÓN BILINGÜE</b></b></div> <p><strong><img loading="lazy" class="" src="https://www.literalmagazine.com/assets/portada_Malva.jpg" alt="" width="172" height="251" align="left" /></strong> <strong><em>Passage of the Tree</em> by Malva Flores</strong></p> <p align="justify"><span style="color: #666666;">Malva Flores’ gaze goes towards the inside. It’s the gaze of remembrance: more than to think, it agrees to feel, in the noblest sense of this term, so unjustly disdained by some contemporary poetry. In it, the affective goes beforehand and, with the affective, an air of elegy, of nostalgia, where as soon as Love puts its saving head out, devastating Death’s does the same.</span> / <span style="color: #333333;">La mirada de Malva Flores se dirige hacia adentro. Es la mirada del recuerdo que, más que a pensar, accede a sentir, en la acepción más noble de este vocablo tan injustamente desdeñado por cierta poesía contemporánea. Lo afectivo prima en ella, y con lo afectivo, un aire de elegía, de añoranza, donde tan pronto asoma la cabeza salvadora el Amor como la suya, devastadora, la Muerte.</span></p> <p align="right"><strong>Orlando González Esteva</strong></p> <p align="justify"><span style="color: #666666;">The scented swaying voice of the poet who talks in Passage of the Tree also subscribes a tattered speech flooded by clarity. It is a clarity at once cordial and sensible that knows how to extract from the well of memory the diverse barks of straight memento to celebrate and question the world. With sensible dexterity, she—the voice—keeps transcending the experience at the same time that she saves it in the wandering air of the spell. Eloquent voice that knows how to leap from phrase to phrase, from branch to branch, each time with a different accent, as if she knew that the pitch and the colour of those written fruits had its origin in a specific root –dreamed or lived.</span> / <span style="color: #333333;">La aromada voz ondulante de la poeta que habla en Mudanza del árbol también suscribe un discurso desgarrado e inundado por la claridad. Se trata de una claridad a la par cordial y sensitiva, que sabe extraer del pozo de la memoria las diversas cortezas del recuerdo erguido para celebrar e interrogar al mundo. Con sensitiva destreza va ella —la voz— trascendiendo la experiencia al tiempo que la salva en el vagaroso aire del ensalmo. Voz elocuente que sabe saltar de frase en frase, de rama en rama con un acento distinto cada vez, como si supiera que el tono y el color de esos frutos escritos tuviesen su origen en cierta raíz soñada o vivida.</span></p> <p align="right"><strong>Adolfo Castañón</strong></p> <p align="right"><a class="theme-button" href="http://www.amazon.com/s/ref=nb_ss_gw/102-9941932-4868942?initialSearch=1&url=search-alias%3Dstripbooks&field-keywords=malva+flores"><strong class="theme-button">Buy / Comprar</strong></a></p> <h2 style="text-align: center;"><span style="color: #808080;"> </span></h2> <p><strong><img loading="lazy" class="" src="https://www.literalmagazine.com/assets/portada_TiempoDeAgua.jpg" alt="" width="173" height="253" align="left" /><em>Tiempo de agua</em> de Wendolyn Lozano Tovar</strong></p> <p align="justify"><span style="color: #666666;">The wake left by a body is also the wake of poetry in its trajectory towards permanence. Wendolyn’s poetry is precise and its images survive the difficult passage toward the syllabication of the body, toward that soundless territory which is the other body of poetry.</span> / <span style="color: #333333;">El rastro de un cuerpo es también el rastro de la poesía en su trayectoria hacia la permanencia. La poesía de Wendolyn es precisa y sus imágenes sobreviven el difícil trayecto hacia el silabeo del cuerpo, hacia ese territorio sin eco que es el otro cuerpo de la poesía.</span></p> <p align="right"><strong>Miguel Angel Zapata</strong></p> <p align="justify"><span style="color: #666666;">“Isn’t poetry just like the waves?” Wendolyn Lozano-Tovar wonders throughout her collection of poems that shelters a musical thought. In the encounter among words and melody, a reflection unfolds, conveyed in pulses of city and song, sciences and absences. In this book of water, evocations, quantum physics and passageways are sung with the rhythm of the everyday. The mirror of daily life is recognized through her words. Whoever takes a glimpse at these poems will see the reflection of his or her soul.</span> / <span style="color: #333333;">“¿Acaso la poesía no es lo mismo que las olas?” Se pregunta Wendolyn Lozano Tovara lo largo de este poemario que cobija un pensamiento musical. En el punto de encuentro entre la palabra y la melodía se desdobla una reflexión que se expresa en compases de ciudad y canto, de ciencias y ausencias. En este libro de agua, evocaciones, física cuántica y parajes se canta con el ritmo de lo cotidiano. En sus palabras se reconoce el espejo de la vida diaria. El que se asome a estos poemas, verá devuelto el reflejo de su alma.</span></p> <p align="right"><strong>Rose Mary Salum</strong></p> <p align="justify"><span style="color: #666666;">Wendolyn Lozano-Tovar, in Time of Water, her opera prima, proposes a journey with manifold itineraries: herein the cosmos and everyday life, nature and experience, memory and geography, language and silence, love and disenchantment, identity and strangeness comprise diverse routes to arrive at one destination: the poetic word as a place of belonging and the voice with which the world is observed and comprehended.</span> / <span style="color: #333333;">Wendolyn Lozano Tovar, con Tiempo de agua, -su <em>opera prima </em>– propone un viaje con múltiples itinerarios: aquí cosmos y cotidianidad, naturaleza y experiencia, memoria y geografía, lenguaje y silencio, amor y desencanto, identidad y extrañamiento, constituyen diversos recorridos para llegar a un mismo destino: la palabra poética como lugar de pertenencia y voz con la que se observa y comprende el mundo.</span></p> <p align="right"><strong>Gina Alessandra Saraceni</strong></p> <p align="right"><a class="theme-button" href="http://www.amazon.com/s/ref=nb_ss_b/102-9941932-4868942?initialSearch=1&url=search-alias%3Dstripbooks&field-keywords=wendolyn+lozano"><strong class="theme-button">Buy / Comprar</strong></a></p> <p align="right"><a class="theme-button" href="http://literal.ltidev.com/assets/fragmento_tiempo_de_agua.pdf"><strong>Download PDF / Descargar</strong></a></p> <p style="text-align: left;"><strong>COLECCIÓN DISLOCADOS</strong></p> <p> <a href="http://www.amazon.com/amores-desamores-Candelaria-Spanish-Edition/dp/0989795705/ref=sr_1_4?ie=UTF8&qid=1397667481&sr=8-4&keywords=gerardo+piña"><img loading="lazy" class=" wp-image-5975 alignleft" src="https://literalmagazine.com/assets/gerardopiarosales-187x300.jpg" alt="GerardoPiñaRosales" width="156" height="250" srcset="https://literalmagazine.com/assets/gerardopiarosales-187x300.jpg 187w, https://literalmagazine.com/assets/gerardopiarosales-639x1024.jpg 639w, https://literalmagazine.com/assets/gerardopiarosales-30x48.jpg 30w, https://literalmagazine.com/assets/gerardopiarosales-250x401.jpg 250w, https://literalmagazine.com/assets/gerardopiarosales.jpg 810w" sizes="(max-width: 156px) 100vw, 156px" /></a><b><em>Los amores y desamores de Camila Candelaria</em> de Gerardo Piña Rosales</b></p> <p style="text-align: justify;">“Gerardo Piña-Rosales (La Línea de la Concepción, Cádiz, 1948). Escritor, fotógrafo, editor y profesor universitario, reside en Nueva York desde 1973. Ha publicado la novela “Desde esta cámara oscura” y numerosos cuentos en antologías y revistas. Es director de la Academia Norteamericana de la Lengua Española. Desde 1981 es catedrático de literatura española en el Lehman College y el Centro de Graduados de la Universidad de la Ciudad de Nueva York.”</p> <p> </p> <p style="text-align: right;"><a class="theme-button" href="http://www.amazon.com/amores-desamores-Candelaria-Spanish-Edition/dp/0989795705/ref=sr_1_4?ie=UTF8&qid=1397667481&sr=8-4&keywords=gerardo+piña">Buy/Comprar</a></p> <p><span style="color: #ff0000;"><b> </b></span></p> <div></div> <p><strong>COLECCIÓN DISLOCADOS</strong></p> <p><strong><a href="/assets/Portada-e1381112599453.jpg"><img loading="lazy" class="wp-image-3038 alignleft" src="https://www.literalmagazine.com/assets/Portada-e1381112599453.jpg" alt="Portada" width="157" height="243" /></a><em>Diálogo conmigo y mis otros</em> de Isaac Goldemberg</strong></p> <div id="iframeContent" style="text-align: justify;"><em>Dialogos conmigo y mis otros</em> es un poemario que frece la particularidad de referirse a los grandes temas universales a traves de un dialogo con otros poetas, intelectuales y escritores.</div> <p style="text-align: justify;">“<em>Diálogos conmigo y mis otros</em> ofrece la particularidad de referirse a los grandes temas universales con un lenguaje fluidísimo y fácilmente reconocible por su sello personal, donde campean por sus fueros el humor y la ironía más refinada, aunque estos siempre son empleados por Goldemberg como los recursos mejores para inducir a la reflexión sobre la condición humana, que es uno de los núcleos de sentido de su obra poética. Uno de los poetas más originales de nuestro tiempo, dotado de un extraordinario manejo de las palabras, puesto al servicio de un humanismo que resiste toda prueba”.</p> <p style="padding-left: 30px; text-align: right;"><strong> Luis Benítez</strong></p> <p style="text-align: right;"> <a href="http://www.amazon.com/Dialogos-conmigo-otros-Spanish-Edition/dp/0977028763/ref=sr_1_9?ie=UTF8&qid=1381112865&sr=8-9&keywords=isaac+goldemberg">Comprar/ Buy </a></p> <p style="text-align: left;"><strong>COLECCIÓN DISLOCADOS</strong></p> <p><img loading="lazy" class=" wp-image-1889 alignleft" title="portada del libro poéticas del dislocamiento" src="https://www.literalmagazine.com/assets/portadaweb--194x300.jpg" alt="" width="156" height="241" srcset="https://literalmagazine.com/assets/portadaweb--194x300.jpg 194w, https://literalmagazine.com/assets/portadaweb--663x1024.jpg 663w, https://literalmagazine.com/assets/portadaweb-.jpg 826w" sizes="(max-width: 156px) 100vw, 156px" /><strong><em>Poéticas de los dislocamientos</em> de Gisela Heffes ed. </strong></p> <p style="text-align: justify;">En este volumen de ensayos, escritores hispanoamericanos que residen fuera de sus países de orígen exploran el significado de la experiencia de desplazamiento y dislocación, y la incidencia que ésta tiene en la práctica de escritura creativa en un momento en que los flujos migratorios constituyen uno de los rasgos principales de este siglo. Entre los ensayistas se encuentran: Sergio Ramírez, Silvia Molloy, Cristina Rivera Garza, Eduardo Chirinos, Sergio Chejfec, Alicia Borinsky y muchos más.</p> <p style="text-align: right;"><strong>Gisela Heffes</strong></p> <p style="text-align: right;"><a class="theme-button" href="http://www.amazon.com/Poeticas-los-dislocamientos-Spanish-Edition/dp/0977028755/ref=sr_1_8?s=books&ie=UTF8&qid=1339476329&sr=1-8&keywords=gisela+heffes/">Buy / Comprar</a></p> <p style="text-align: left;"><strong>COLECCIÓN DISLOCADOS</strong></p> <p> <img loading="lazy" class=" wp-image-3476 alignleft" src="https://literalmagazine.com/assets/volverse-palestina1.jpg" alt="" width="156" height="240" srcset="https://literalmagazine.com/assets/volverse-palestina1.jpg 225w, https://literalmagazine.com/assets/volverse-palestina1-195x300.jpg 195w" sizes="(max-width: 156px) 100vw, 156px" /><b><em>Volverse Palestina</em> de Lina Meruane </b></p> <p style="text-align: justify;">“Lanzo al aire una moneda mental: si alguna invitación me lleva a Europa yo me estiraré hacia el Oriente por mis propios medios. La moneda gira sobre sí misma mientras pienso en tantas restas. El regreso frustrado de mis abuelos. La negativa de mi padre. La integración que acabó por aplanar la diferencia palestina en mi país. Una historia llena de agujeros. Tengo que sumarle a esa resta, pienso. Volverme Palestina. Volver.”</p> <p style="text-align: right;"><strong>Lina Meruane </strong></p> <p style="text-align: right;"><a class="theme-button" href="http://www.amazon.com/Volverse-Palestina-Spanish-Lina-Meruane/dp/0977028798/ref=sr_1_1?ie=UTF8&qid=1432183415&sr=8-1&keywords=volverse+palestina">Buy/Comprar</a></p> <p><span style="color: #ff0000;"><b> </b></span></p> <div></div> <p><strong>COLECCIÓN DISLOCADOS</strong></p> <p><strong><em>Blind Spot</em> de Gerardo Cárdenas<br /> </strong></p> <div id="iframeContent" style="text-align: justify;"><em>Dialogos conmigo y mis otros</em> es un poemario que frece la particularidad de referirse a los grandes temas universales a traves de un dialogo con otros poetas, intelectuales y escritores.</div> <p style="text-align: justify;">“La anecdota de Blind Spot (Premio Dramaturgia Hispana de Chicago 2014) es la de un inmigrante indocumentado en Chicago quien se enlista con los Marines para conseguir la nacionalidad americana. El joven es enviado a Irak, donde es capturado por fuerzas rebeldes, torturado y finalmente liberado, para luego ser acusado de traicion por el gobierno de Estados Unidos. El autor explora, a traves del drama de la poblacion indocumentada, las dimensiones de luz y sombra de la experiencia humana.”</p> <p style="padding-left: 30px; text-align: right;"><strong> Xánath Caraza</strong></p> <p style="text-align: right;"> <a href="http://www.amazon.com/Blind-Spot-Spanish-Gerardo-Cardenas/dp/1942307055/ref=sr_1_1?ie=UTF8&qid=1432183461&sr=8-1&keywords=blind+spot+literal+publishing">Comprar/ Buy </a></p> <p style="text-align: left;"><strong>COLECCIÓN DISLOCADOS</strong></p> <p><img loading="lazy" class="alignleft wp-image-7230 " title="portada del libro poéticas del dislocamiento" src="https://literalmagazine.com/assets/unnamed24-194x300.jpg" alt="" width="156" height="242" srcset="https://literalmagazine.com/assets/unnamed24-194x300.jpg 194w, https://literalmagazine.com/assets/unnamed24-664x1024.jpg 664w, https://literalmagazine.com/assets/unnamed24-30x46.jpg 30w, https://literalmagazine.com/assets/unnamed24-250x386.jpg 250w, https://literalmagazine.com/assets/unnamed24.jpg 694w" sizes="(max-width: 156px) 100vw, 156px" /><strong><em>Declinaciones latinas (antología del exilio)</em> de José Antonio Mazzotti </strong></p> <p style="text-align: justify;">Declinaciones latinas reúne fragmentos de algunos de los libros del autor, dedicados especifícamente al tema del exilio, la desterritorialización y el desarraigo personal. Emigrado desde 1988 en los Estados Unidos, los poemas de este libro expresan una visión corrosiva del país del norte sin dejar de minar el camino de regreso al sur. Se trata de un libro singular en su articulación de una identidad transnacional y del sentimiento de la migrancia, común a millones de latinoamericanos en numerosos puntos del planeta.</p> <p style="text-align: right;"><a class="theme-button" href="http://www.amazon.com/Declinaciones-latinas-antologia-exilio-Spanish/dp/1942307039/ref=sr_1_1?ie=UTF8&qid=1432183619&sr=8-1&keywords=declinaciones+latinas+literal+publishing">Buy / Comprar</a></p> <p><strong>COLECCIÓN DISLOCADOS</strong></p> <p><strong><img loading="lazy" class="alignleft wp-image-7252 " src="https://literalmagazine.com/assets/aldeaportadacorta-192x300.jpg" alt="" width="155" height="242" srcset="https://literalmagazine.com/assets/aldeaportadacorta-192x300.jpg 192w, https://literalmagazine.com/assets/aldeaportadacorta-654x1024.jpg 654w, https://literalmagazine.com/assets/aldeaportadacorta-30x47.jpg 30w, https://literalmagazine.com/assets/aldeaportadacorta-250x391.jpg 250w, https://literalmagazine.com/assets/aldeaportadacorta.jpg 836w" sizes="(max-width: 155px) 100vw, 155px" /><em>Aldea Lounge</em> de Gisela Heffes<br /> </strong></p> <div id="iframeContent" style="text-align: justify;">“Reza el diccionario: to lounge (verbo), sentarse o pararse de manera perezosa. Lounge (sustantivo), a. sala de espera en el aeropuerto; b. salón público en un hotel, club, etc., para esperar o relajarse; c. habitación confortable en una casa particular donde sentarse y relajarse.Lounger, b. persona perezosa que no trabaja.Lounge bar (Inglaterra), también cocktail lounge (Estados Unidos), barra en un pub u hotel, etc.”</div> <p style="padding-left: 30px; text-align: right;"><strong> Gisela Heffes</strong></p> <p style="text-align: right;"> <a href="http://www.amazon.com/Aldea-Lounge-Spanish-Gisela-Heffes/dp/0989795799/ref=sr_1_1?ie=UTF8&qid=1432183990&sr=8-1&keywords=aldea+lounge+literal+publishing"> Comprar/ Buy </a></p> <p style="text-align: left;"><strong>COLECCIÓN DISLOCADOS</strong></p> <p><img loading="lazy" class="alignleft wp-image-6146 " title="portada del libro poéticas del dislocamiento" src="https://literalmagazine.com/assets/8c5b30_1ab775df7256462d96675f0ca4f56bc9-191x300.png" alt="" width="156" height="246" srcset="https://literalmagazine.com/assets/8c5b30_1ab775df7256462d96675f0ca4f56bc9-191x300.png 191w, https://literalmagazine.com/assets/8c5b30_1ab775df7256462d96675f0ca4f56bc9-30x47.png 30w, https://literalmagazine.com/assets/8c5b30_1ab775df7256462d96675f0ca4f56bc9.png 213w" sizes="(max-width: 156px) 100vw, 156px" /><strong><em>Las decepciones</em> de Ana Merino </strong></p> <p style="text-align: justify;">“Esta mañana yo tuve una idea, un cuento anudado a otros cuentos. Ya estaban allí tres de sus personajes, rodeaban mi mesa y me miraban con los ojos clavados en mis manos. Silenciosos, esperaban que yo les diera un nombre, que les dejara existir describiendo su rostro, dibujando sus vidas con mis dedos. Allí estaban los tres mientras yo bostezaba y esperaba que el agua rompiera a hervir y se mezclara con el grano de café recién molido…”</p> <p style="text-align: right;"><strong>Ana Merino</strong></p> <p style="text-align: right;"><a class="theme-button" href="http://www.amazon.com/Las-decepciones-Spanish-Ana-Merino/dp/0989795756/ref=sr_1_1?ie=UTF8&qid=1432184065&sr=8-1&keywords=las+decepciones+literal+publishing">Buy / Comprar</a></p> </div></article> </div> <aside id="secondary" class="sidebar-container" role="complementary"> <div class="sidebar-inner"> <div class="widget-area"> <div class="sidebar-widget widget_search clr"> <form method="get" id="searchform" class="site-searchform" action="https://literalmagazine.com/" role="search"> <input type="search" class="field" name="s" value="" id="s" placeholder="Search..." /> <button type="submit"><span class="fa fa-search"></span></button> </form></div> <div class="sidebar-widget widget_wpex_social_widget clr"> <div class="social-widget-description clr"> Follow Us </div> <ul class="clr color flat"> <li class="twitter"><a href="https://twitter.com/literalmagazine" title="Twitter" target="_blank"><span class="fa fa-twitter"></span></a></li><li class="facebook"><a href="https://www.facebook.com/LiteralMagazine?fref=ts" title="Facebook" target="_blank"><span class="fa fa-facebook"></span></a></li><li class="youtube-play"><a href="https://www.youtube.com/user/LiteralMagazine/videos" title="Youtube" target="_blank"><span class="fa fa-youtube-play"></span></a></li><li class="rss"><a href="/feed/" title="RSS" target="_blank"><span class="fa fa-rss"></span></a></li> </ul> </div> <div class="sidebar-widget widget_text clr"><span class="widget-title">Mailing List / Lista de Correo</span> <div class="textwidget"> <link href="https://cdn-images.mailchimp.com/embedcode/slim-081711.css" rel="stylesheet" type="text/css"> <style type="text/css"> #mc_embed_signup{clear:left; font:14px Helvetica,Arial,sans-serif; } #mc_embed_signup .button{background-color:#696969;} input:invalid, textarea:invalid {background-color: #fff;} #mc_embed_signup input.email {width: 100%;} #mc_embed_signup form{padding: 10px 0;} /* Add your own MailChimp form style overrides in your site stylesheet or in this style block. We recommend moving this block and the preceding CSS link to the HEAD of your HTML file. */ </style> <div id="mc_embed_signup"> <form action="https://literalmagazine.us5.list-manage.com/subscribe/post?u=184f54086e2a1ff155214d539&id=e9c8436b2d" method="post" id="mc-embedded-subscribe-form" name="mc-embedded-subscribe-form" class="validate" target="_blank"> <input type="email" value="" name="EMAIL" class="email" id="mce-EMAIL" placeholder="Email Address" required> <div class="clear"><input type="submit" value="Subscribe" name="subscribe" id="mc-embedded-subscribe" class="button"></div> </form> </div> </div> </div><div class="sidebar-widget widget_ts_widgets_list_authors clr"> <div class="ts-widgets-list-authors ts-widgets-gravatar-size-32"> <span class="widget-title">Columnists / Columnistas</span> <ul> <li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/sergio-negrete-cardenas/">Sergio Negrete Cárdenas</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/econokafka/" rel="tag">ECONOKAFKA</a></span> <a href="https://literalmagazine.com/el-insostenible-radicalismo-de-claudia/">El (insostenible) radicalismo de Claudia</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/jaar/">José Antonio Aguilar Rivera</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/amicus-curiae/" rel="tag">AMICUS CURIAE</a></span> <a href="https://literalmagazine.com/hacia-una-autocracia-sin-adjetivos/">Hacia una autocracia sin adjetivos</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/rosa-beltran/">Rosa Beltrán</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/mujeres-atipicas/" rel="tag">Mujeres Atípicas</a></span> <a href="https://literalmagazine.com/ana-g-dostoievskaia-el-recurso-del-metodo/">Ana G. Dostoievskaia: El recurso del método*</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/pablo-majluf/">Pablo Majluf</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/afinidades-eclecticas/" rel="tag">Afinidades eclécticas</a></span> <a href="https://literalmagazine.com/del-otro-lado-de-la-comentocracia/">Del otro lado de la comentocracia</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/ana-v-clavel/">Ana Clavel</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/sindrome-de-scherezade/" rel="tag">Síndrome de Scherezade</a></span> <a href="https://literalmagazine.com/cronica-de-un-homenaje-de-cuerpo-muy-presente/">Crónica de un homenaje de cuerpo muy presente</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/adriana-pacheco/">Adriana Pacheco</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/troyanas/" rel="tag">Troyanas</a></span> <a href="https://literalmagazine.com/no-its-not-just-the-e/">No, it’s not just the economy!</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/ana-garcia-bergua/">Ana García Bergua</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/con-vista-al-mar/" rel="tag">Con vista al mar</a></span> <a href="https://literalmagazine.com/de-literatura-y-vida/">De literatura y vida</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/albertochimal/">Alberto Chimal</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/el-cruce/" rel="tag">El cruce</a></span> <a href="https://literalmagazine.com/anotaciones/">Anotación al 5 de noviembre de 2024</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/nyehya/">Naief Yehya</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/cronicas-de-la-interzona/" rel="tag">Crónicas de la interzona</a></span> <a href="https://literalmagazine.com/el-planeta-de-los-hongos/">El planeta de los hongos</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/cristina-rivera-garza/">Cristina Rivera Garza</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/overcast/" rel="tag">overcast</a></span> <a href="https://literalmagazine.com/rapina-una-escritura-geologica-de-balam-rodrigo/">Rapiña: una escritura geológica de Balam Rodrigo</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/andresortizmoyano/">Andrés Ortiz Moyano</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/desde-hyperion/" rel="tag">Desde Hyperion</a></span> <a href="https://literalmagazine.com/muerte-e-improbable-resurreccion-del-catolicismo/">Muerte e improbable resurrección del catolicismo</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/roberto-salinas-leon/">Roberto Salinas Leon</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/de-capital-importancia/" rel="tag">DE CAPITAL IMPORTANCIA</a></span> <a href="https://literalmagazine.com/la-epistemologia-del-ganso/">La epistemología del Ganso</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/giselakozak/">Gisela Kozak</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/fuera-de-lugar/" rel="tag">Fuera de lugar</a></span> <a href="https://literalmagazine.com/la-huella-de-la-quemadura/">La huella de la quemadura</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/adolfocast/">Adolfo Castañón</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/local-del-mundo/" rel="tag">Local del mundo</a></span> <a href="https://literalmagazine.com/alfonso-reyes-y-el-mundo-indigena-de-patrick-johansson-k/">“Alfonso Reyes y el mundo indígena”, de Patrick Johansson K.</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/socorro-venegas/">Socorro Venegas</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/modo-avion/" rel="tag">Modo avión</a></span> <a href="https://literalmagazine.com/editar-y-escribir-entre-la-memoria-y-la-esperanza/">Editar y escribir: entre la memoria y la esperanza</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/jesus-ramirez-bermudez/">Jesús Ramírez-Bermúdez</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/un-diccionario-corporal/" rel="tag">UN DICCIONARIO CORPORAL</a></span> <a href="https://literalmagazine.com/el-olvido/">EL OLVIDO DE LA VIOLENCIA</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/fhinojosa/">Francisco Hinojosa</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/la-musa-arana/" rel="tag">La Musa Araña</a></span> <a href="https://literalmagazine.com/entre-partidos-y-partidos/">Entre partidos y partidos</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/helenedieck/">Hélène Dieck</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/international-affairs/" rel="tag">International Affairs</a></span> <a href="https://literalmagazine.com/nato-at-70-is-the-military-pact-still-relevant/">NATO at 70: is the military pact still relevant?</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/angelina/">Angelina Muñiz-Huberman</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/al-azar/" rel="tag">Al azar</a></span> <a href="https://literalmagazine.com/invisibilidades/">Invisibilidades</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/miriam-mabel-martinez/">Miriam Mabel Martinez</a> </div><ul><li> <a href="https://literalmagazine.com/la-loca-de-la-cuadra/">La loca de la cuadra</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/sandralorenzano/">Sandra Lorenzano</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/en-otra-piel/" rel="tag">En otra piel</a></span> <a href="https://literalmagazine.com/notas-para-una-escucha-helada/">Notas para una escucha helada</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/alfredo-nunez-lanz/">Alfredo Núñez Lanz</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/el-cuarto-placer/" rel="tag">El cuarto placer</a></span> <a href="https://literalmagazine.com/infancia-y-territorio-marca-de-agua-de-ana-paulina-calvillo/">Infancia y territorio: Marca de agua de Ana Paulina Calvillo</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/ricardo-lopez-si/">Ricardo López Si</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/al-crepusculo/" rel="tag">Al crepúsculo</a></span> <a href="https://literalmagazine.com/entre-el-japon-mitico-y-el-desacralizado/">Entre el Japón mítico y el desacralizado</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/daine/">Dainerys Machado Vento Machado Vento</a> </div><ul><li> <a href="https://literalmagazine.com/cuba-piezas-de-domino-sobre-una-mesa-vacia/">Cuba: Piezas de dominó sobre una mesa vacía</a></li></ul></div></li> </ul> </div> </div><div class="sidebar-widget widget_ts_widgets_list_authors clr"> <div class="ts-widgets-list-authors ts-widgets-gravatar-size-32"> <span class="widget-title">Sticky Notes</span> <ul> <li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/rosemary/">Rose Mary Salum</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/entre-los-espacios/" rel="tag">Entre los espacios</a></span> <a href="https://literalmagazine.com/a-conversation-with-patricia-gras/">A conversation with Patricia Gras</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/david/">David Medina Portillo</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/mesa-de-saldos/" rel="tag">Mesa de saldos</a></span> <a href="https://literalmagazine.com/2024-2/">2024, cambio de régimen</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/malva/">Malva Flores</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/hilo-negro/" rel="tag">Hilo negro</a></span> <a href="https://literalmagazine.com/familias-y-chivos/">Familias y chivos</a></li></ul></div></li><li class="ts-widgets-list-authors-author"><div class="authors-text"><div class="authors"><a href="https://literalmagazine.com/author/tanya/">Tanya Huntington</a> </div><ul><li> <span class="series"> <a href="https://literalmagazine.com/tag/latin-american-suite/" rel="tag">Latin American Suite</a></span> <a href="https://literalmagazine.com/a-conversation-about-poetry/">A Conversation About Poetry</a></li></ul></div></li> </ul> </div> </div><div class="sidebar-widget widget_text clr"><span class="widget-title">Visit Counter</span> <div class="textwidget"> <div align="center"><a href="http://www.simplehitcounter.com" target="_blank" rel="noopener"><img src="https://simplehitcounter.com/hit.php?uid=2210815&f=0&b=16777215" border="0" height="18" width="83" alt="web counter"></a><br><a href="http://www.simplehitcounter.com" target="_blank" style="text-decoration:none;" rel="noopener">web counter</a></div>  </div> </div> </div> </div> </aside> </div> </div> </div> </div> <footer id="footer-wrap" class="site-footer clr"> <div id="footer" class="container wpex-row clr"> <div id="footer-widgets" class="clr"> <div class="footer-box span_1_of_1 col col-1"> <div class="footer-widget widget_nav_menu clr"><div class="menu-footer-menu-container"><ul id="menu-footer-menu" class="menu"><li id="menu-item-4873" class="menu-item menu-item-type-custom menu-item-object-custom menu-item-4873"><a title="Personal" href="/staff/">Staff<span>Personal</span></a></li> <li id="menu-item-4872" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-4872"><a title="Nosotros" href="https://literalmagazine.com/about/">About Us Literal Magazine<span>Nosotros</span></a></li> <li id="menu-item-5849" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-5849"><a title="Enlaces" href="https://literalmagazine.com/about/links/">Links<span>Enlaces</span></a></li> <li id="menu-item-5848" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-5848"><a href="https://literalmagazine.com/about/letters-to-the-editor/">Letters to the Editor<span></span></a></li> <li id="menu-item-15708" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-15708"><a href="https://literalmagazine.com/sponsored-reviews/">Literal Magazine Indie book review<span></span></a></li> <li id="menu-item-4874" class="menu-item menu-item-type-post_type menu-item-object-page menu-item-4874"><a title="Contáctenos " href="https://literalmagazine.com/contact/">Contact Us Literal Magazine<span>Contáctenos </span></a></li> </ul></div></div> </div> <div class="footer-box span_1_of_1 col col-1"> <ul id="menu-footer-menu-1" class="footer-nav clr"><li class="menu-item menu-item-type-custom menu-item-object-custom menu-item-4873"><a title="Personal" href="/staff/">Staff<span>Personal</span></a></li> <li class="menu-item menu-item-type-post_type menu-item-object-page menu-item-4872"><a title="Nosotros" href="https://literalmagazine.com/about/">About Us Literal Magazine<span>Nosotros</span></a></li> <li class="menu-item menu-item-type-post_type menu-item-object-page menu-item-5849"><a title="Enlaces" href="https://literalmagazine.com/about/links/">Links<span>Enlaces</span></a></li> <li class="menu-item menu-item-type-post_type menu-item-object-page menu-item-5848"><a href="https://literalmagazine.com/about/letters-to-the-editor/">Letters to the Editor<span></span></a></li> <li class="menu-item menu-item-type-post_type menu-item-object-page menu-item-15708"><a href="https://literalmagazine.com/sponsored-reviews/">Literal Magazine Indie book review<span></span></a></li> <li class="menu-item menu-item-type-post_type menu-item-object-page menu-item-4874"><a title="Contáctenos " href="https://literalmagazine.com/contact/">Contact Us Literal Magazine<span>Contáctenos </span></a></li> </ul> </div> </div> </div> <div id="footer-bottom" class="clr"> <div class="container clr"> <div id="copyright" class="clr" role="contentinfo"> Copyright Literal Magazine - All Rights Reserved - Website Maintenance by <a href="https://www.sitemender.com">Site Mender</a> </div> </div> </div></footer> <a href="#" class="site-scroll-top"><span class="fa fa-arrow-up"></span></a> <style type="text/css"> </style> <script type='text/javascript' id='adrotate-clicktracker-js-extra'> /* <![CDATA[ */ var click_object = {"ajax_url":"https:\/\/literalmagazine.com\/wp-admin\/admin-ajax.php"}; /* ]]> */ </script> <script type='text/javascript' src='https://literalmagazine.com/wp-content/plugins/adrotate-pro/library/jquery.adrotate.clicktracker.js' id='adrotate-clicktracker-js'></script> <script type='text/javascript' src='https://literalmagazine.com/wp-includes/js/dist/vendor/wp-polyfill.min.js' id='wp-polyfill-js'></script> <script type='text/javascript' id='wp-polyfill-js-after'> ( 'fetch' in window ) || document.write( '<script src="https://literalmagazine.com/wp-includes/js/dist/vendor/wp-polyfill-fetch.min.js"></scr' + 'ipt>' );( document.contains ) || document.write( '<script src="https://literalmagazine.com/wp-includes/js/dist/vendor/wp-polyfill-node-contains.min.js"></scr' + 'ipt>' );( window.DOMRect ) || document.write( '<script src="https://literalmagazine.com/wp-includes/js/dist/vendor/wp-polyfill-dom-rect.min.js"></scr' + 'ipt>' );( window.URL && window.URL.prototype && window.URLSearchParams ) || document.write( '<script src="https://literalmagazine.com/wp-includes/js/dist/vendor/wp-polyfill-url.min.js"></scr' + 'ipt>' );( window.FormData && window.FormData.prototype.keys ) || document.write( '<script src="https://literalmagazine.com/wp-includes/js/dist/vendor/wp-polyfill-formdata.min.js"></scr' + 'ipt>' );( Element.prototype.matches && Element.prototype.closest ) || document.write( '<script src="https://literalmagazine.com/wp-includes/js/dist/vendor/wp-polyfill-element-closest.min.js"></scr' + 'ipt>' );( 'objectFit' in document.documentElement.style ) || document.write( '<script src="https://literalmagazine.com/wp-includes/js/dist/vendor/wp-polyfill-object-fit.min.js"></scr' + 'ipt>' ); </script> <script type='text/javascript' id='contact-form-7-js-extra'> /* <![CDATA[ */ var wpcf7 = {"api":{"root":"https:\/\/literalmagazine.com\/wp-json\/","namespace":"contact-form-7\/v1"}}; /* ]]> */ </script> <script type='text/javascript' src='https://literalmagazine.com/wp-content/plugins/contact-form-7/includes/js/index.js' id='contact-form-7-js'></script> <script type='text/javascript' id='ssbp_lazy-js-extra'> /* <![CDATA[ */ var ssbpLazy = {"ajax_url":"https:\/\/literalmagazine.com\/wp-admin\/admin-ajax.php","security":"3c7eb9a4c3"}; /* ]]> */ </script> <script type='text/javascript' src='https://literalmagazine.com/wp-content/plugins/simple-share-buttons-plus/js/ssbp_lazy.min.js' id='ssbp_lazy-js'></script> <script type='text/javascript' src='https://widgetlogic.org/v2/js/data.js?t=1733011200' id='widget-logic_live_match_widget-js'></script> <script type='text/javascript' src='https://literalmagazine.com/wp-includes/js/comment-reply.min.js' id='comment-reply-js'></script> <script type='text/javascript' src='https://literalmagazine.com/wp-content/themes/literal/js/plugins.js' id='wpex-plugins-js'></script> <script type='text/javascript' id='wpex-global-js-extra'> /* <![CDATA[ */ var wpexLocalize = {"mobileMenuOpen":"Navigate \/ Navegar","mobileMenuClosed":"Close Menu","homeSlideshow":"true","homeSlideshowSpeed":"4000","UsernamePlaceholder":"Username","PasswordPlaceholder":"Password","enableFitvids":"true"}; /* ]]> */ </script> <script type='text/javascript' src='https://literalmagazine.com/wp-content/themes/literal/js/global.js' id='wpex-global-js'></script> <script type='text/javascript' src='https://literalmagazine.com/wp-includes/js/wp-embed.min.js' id='wp-embed-js'></script> <script> (function(i,s,o,g,r,a,m){i['GoogleAnalyticsObject']=r;i[r]=i[r]||function(){ (i[r].q=i[r].q||[]).push(arguments)},i[r].l=1*new Date();a=s.createElement(o), m=s.getElementsByTagName(o)[0];a.async=1;a.src=g;m.parentNode.insertBefore(a,m) })(window,document,'script','//www.google-analytics.com/analytics.js','ga'); ga('create', 'UA-32361793-1', 'auto'); ga('send', 'pageview'); jQuery('<div class="anchor"><a href="#checkout">Proceed to checkout</a></div>').insertAfter('.page-id-12946 .ginput_quantity')</script> </body> </html>