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Frank O. Gehry - Academy of Achievement

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Gehry - Academy of Achievement</title> <!-- This site is optimized with the Yoast SEO plugin v4.1 - https://yoast.com/wordpress/plugins/seo/ --> <meta name="description" content="When the other products of a culture have faded from human memory, it is the works of architecture that remain to define an era for successive generations. As the 20th century gave way to the 21st, it was hard to dispute that the definitive architect of the age was Frank Gehry, Canadian by birth, a resident of Los Angeles by choice. He first drew notice in his adopted city with works deploying commonplace industrial materials in unexpected ways, but he came to international prominence with works which exploded the geometry of traditional architecture to create a dramatic new form of expression. He deployed cutting-edge computer technology to realize shapes and forms of hitherto unimaginable complexity, such as the startling irregularities of his Guggenheim Museum in Bilbao, Spain, or the Walt Disney Concert Hall in Los Angeles. In these monumental buildings, the uninhibited whimsy of his pencil sketches took shape in powerful structures of gleaming titanium. From Switzerland to Japan, from Santa Monica to Prague, his buildings have transformed human expectations of the designed space. Once mocked for their astonishing originality, his buildings have become the signature structures of the challenging times we live in."/> <meta name="robots" content="noodp"/> <link rel="canonical" href="https://web.archive.org/web/20170701113722/http://www.achievement.org/achiever/frank-gehry/"/> <meta property="og:locale" content="en_US"/> <meta property="og:type" content="article"/> <meta property="og:title" content="Frank O. Gehry - Academy of Achievement"/> <meta property="og:description" content="<p class=&quot;inputTextFirst&quot;>When the other products of a culture have faded from human memory, it is the works of architecture that remain to define an era for successive generations. As the 20th century gave way to the 21st, it was hard to dispute that the definitive architect of the age was Frank Gehry, Canadian by birth, a resident of Los Angeles by choice.</p> <p class=&quot;inputText&quot;>He first drew notice in his adopted city with works deploying commonplace industrial materials in unexpected ways, but he came to international prominence with works which exploded the geometry of traditional architecture to create a dramatic new form of expression. He deployed cutting-edge computer technology to realize shapes and forms of hitherto unimaginable complexity, such as the startling irregularities of his Guggenheim Museum in Bilbao, Spain, or the Walt Disney Concert Hall in Los Angeles. In these monumental buildings, the uninhibited whimsy of his pencil sketches took shape in powerful structures of gleaming titanium.</p> <p class=&quot;inputText&quot;>From Switzerland to Japan, from Santa Monica to Prague, his buildings have transformed human expectations of the designed space. Once mocked for their astonishing originality, his buildings have become the signature structures of the challenging times we live in.</p>"/> <meta property="og:url" content="https://web.archive.org/web/20170701113722/http://www.achievement.org/achiever/frank-gehry/"/> <meta property="og:site_name" content="Academy of Achievement"/> <meta property="og:image" content="https://web.archive.org/web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/gehry-Feature-Image-2800x1120.jpg"/> <meta property="og:image:width" content="2800"/> <meta property="og:image:height" content="1120"/> <meta name="twitter:card" content="summary"/> <meta name="twitter:description" content="<p class=&quot;inputTextFirst&quot;>When the other products of a culture have faded from human memory, it is the works of architecture that remain to define an era for successive generations. As the 20th century gave way to the 21st, it was hard to dispute that the definitive architect of the age was Frank Gehry, Canadian by birth, a resident of Los Angeles by choice.</p> <p class=&quot;inputText&quot;>He first drew notice in his adopted city with works deploying commonplace industrial materials in unexpected ways, but he came to international prominence with works which exploded the geometry of traditional architecture to create a dramatic new form of expression. He deployed cutting-edge computer technology to realize shapes and forms of hitherto unimaginable complexity, such as the startling irregularities of his Guggenheim Museum in Bilbao, Spain, or the Walt Disney Concert Hall in Los Angeles. In these monumental buildings, the uninhibited whimsy of his pencil sketches took shape in powerful structures of gleaming titanium.</p> <p class=&quot;inputText&quot;>From Switzerland to Japan, from Santa Monica to Prague, his buildings have transformed human expectations of the designed space. Once mocked for their astonishing originality, his buildings have become the signature structures of the challenging times we live in.</p>"/> <meta name="twitter:title" content="Frank O. 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Gehry</h1> <h5 class="sans-6 feature-area__blurb">Architecture Gold Medal</h5> </div> </figcaption> </div> </div> </figure> </header> </div> <!-- Nav tabs --> <nav class="in-page-nav row fixedsticky"> <ul class="nav text-xs-center clearfix" role="tablist"> <li class="nav-item col-xs-3"> <a class="nav-link active" data-toggle="tab" href="#biography" role="tab" data-gtm-category="tab" data-gtm-action="click" data-gtm-label="Achiever Biography">Biography</a> </li> <li class="nav-item col-xs-3"> <a class="nav-link" data-toggle="tab" href="#profile" role="tab" data-gtm-category="tab" data-gtm-action="click" data-gtm-label="Achiever Profile">Profile</a> </li> <li class="nav-item col-xs-3"> <a class="nav-link" data-toggle="tab" href="#interview" role="tab" data-gtm-category="tab" data-gtm-action="click" data-gtm-label="Achiever Interview">Interview</a> </li> <li class="nav-item col-xs-3"> <a class="nav-link" data-toggle="tab" href="#gallery" role="tab" data-gtm-category="tab" data-gtm-action="click" data-gtm-label="Achiever Gallery">Gallery</a> </li> </ul> </nav> <article class="post-2392 achiever type-achiever status-publish has-post-thumbnail hentry careers-artist-and-architect"> <div class="entry-content container clearfix"> <!-- Tab panes --> <div class="tab-content"> <div class="tab-pane fade in active" id="biography" role="tabpanel"> <section class="achiever--biography"> <div class="banner clearfix"> <div class="banner--single clearfix"> <div class="col-lg-8 col-lg-offset-2"> <div class="banner__image__container"> <figure class="ratio-container ratio-container--square bg-black"> <img class="lazyload banner__image" data-src="/wp-content/uploads/2016/05/gehry_WhatItTakes_256x256-190x190.jpg" alt=""/> </figure> </div> <div class="banner__text__container"> <h3 class="serif-3 banner__headline"> Listen to this achiever on <i>What It Takes</i> </h3> <p class="sans-6 banner__text m-b-0"><i>What It Takes</i> is an audio podcast on iTunes produced by the American Academy of Achievement featuring intimate, revealing conversations with influential leaders in the diverse fields of endeavor: music, science and exploration, sports, film, technology, literature, the military and social justice.</p> </div> </div> </div> </div> <div class="row"> <header class="editorial-article__header col-md-8 col-md-offset-2 text-xs-center"> <i class="icon-icon_bio text-brand-primary"></i> <h3 class="serif-3 quote-marks">There's a range of creativity possible, and I think it behooves us to explore that envelope and push at it.</h3> </header> </div> <div class="row"> <aside class="col-md-4 sidebar clearfix"> <h2 class="serif-3 p-b-1">Building the Inspiring Space</h2> <div class="col-xs-12 sidebar--chunk p-b-2"> <dt class="serif-7">Date of Birth</dt> <dd class="sans-2"> February 28, 1929 </dd> </div> </aside> <article class="editorial-article col-md-8"> <!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"> <html><body><p class="p1"><span class="s1">Frank Gehry was born Ephraim Owen Goldberg in Toronto, Canada. He moved with his family to Los Angeles as a teenager in 1947 and later became a naturalized U.S. citizen. His father changed the family&rsquo;s name to Gehry when the family immigrated. Ephraim adopted the first name Frank in his 20s; since then he has signed his name Frank O. Gehry.</span></p> <figure id="attachment_27613" style="width: 678px" class="wp-caption aligncenter"><noscript><img class="wp-image-27613 size-full " src="https://web.archive.org/web/20170701113722im_/http://162.243.3.155/wp-content/uploads/2016/05/gehry-FGBox-02_258.jpg"></noscript><img class="wp-image-27613 size-full lazyload" alt="gehry-fgbox-02_258" width="678" height="1187" data-sizes="(max-width: 678px) 100vw, 678px" data-srcset="/web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/gehry-FGBox-02_258.jpg 678w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/gehry-FGBox-02_258-217x380.jpg 217w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/gehry-FGBox-02_258-434x760.jpg 434w" data-src="https://web.archive.org/web/20170701113722/http://162.243.3.155/wp-content/uploads/2016/05/gehry-FGBox-02_258.jpg"><figcaption class="wp-caption-text">A young Ephraim Owen Goldberg with his parents, Irving and Thelma, at their home in Toronto, Canada.</figcaption></figure><p class="p1"><span class="s1">Uncertain of his career direction, the teenage Gehry drove a delivery truck to support himself while taking a variety of courses at Los Angeles City College. He took his first architecture courses on a hunch, and became enthralled with the possibilities of the art, although at first he found himself hampered by his relative lack of skill as a draftsman. Sympathetic teachers and an early encounter with modernist architect Raphael Soriano confirmed his career choice. He won scholarships to the University of Southern California and graduated in 1954 with a degree in architecture.</span></p> <figure id="attachment_27614" style="width: 2994px" class="wp-caption aligncenter"><noscript><img class="wp-image-27614 size-full " src="https://web.archive.org/web/20170701113722im_/http://162.243.3.155/wp-content/uploads/2016/05/wp-gehry-FG_.jpg"></noscript><img class="wp-image-27614 size-full lazyload" alt="wp-gehry-fg_" width="2994" height="4186" data-sizes="(max-width: 2994px) 100vw, 2994px" data-srcset="/web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wp-gehry-FG_.jpg 2994w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wp-gehry-FG_-272x380.jpg 272w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wp-gehry-FG_-544x760.jpg 544w" data-src="https://web.archive.org/web/20170701113722/http://162.243.3.155/wp-content/uploads/2016/05/wp-gehry-FG_.jpg"><figcaption class="wp-caption-text">Frank as a young teenager. He moved to Los Angeles in 1947 and soon thereafter took his first architectural class.</figcaption></figure><p class="p1"><span class="s1">Los Angeles was in the middle of a post-war housing boom, and the work of pioneering modernists like Richard Neutra and Rudolph Schindler were an exciting part of the city&rsquo;s architectural scene. Gehry went to work full-time for the notable Los Angeles firm of Victor Gruen Associates, where he had apprenticed as a student, but his work at Gruen was soon interrupted by compulsory military service. After serving for a year in the United States Army, Gehry entered the Harvard Graduate School of Design, where he studied city planning, but he returned to Los Angeles without completing a graduate degree. He briefly joined the firm of Pereira and Luckman before returning to Victor Gruen. Gruen Associates were highly successful practitioners of the severe utilitarian style of the period, but Gehry was restless. He took his wife and two children to Paris, where he spent a year working in the office of the French architect Andre Remondet and studied firsthand the work of the pioneer modernist Le Corbusier.</span></p> <figure id="attachment_13802" style="width: 2280px" class="wp-caption aligncenter"><noscript><img class="size-full wp-image-13802 " src="https://web.archive.org/web/20170701113722im_/http://162.243.3.155/wp-content/uploads/2016/05/geh0-corbusier-gehry-GettyImages-160653107.jpg"></noscript><img class="size-full wp-image-13802 lazyload" alt="Charles-Édouard Jeanneret-Gris, better known as Le Corbusier, the Swiss-French architect, designer, painter, urban planner, author and one of the pioneers of modern architecture. Frank Gehry spent a year as a young architect in Paris where he studied the work of Le Corbusier. (Photo by Willy Rizzo / Paris Match via Getty Images)" width="2280" height="2272" data-sizes="(max-width: 2280px) 100vw, 2280px" data-srcset="/web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/geh0-corbusier-gehry-GettyImages-160653107.jpg 2280w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/geh0-corbusier-gehry-GettyImages-160653107-190x190.jpg 190w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/geh0-corbusier-gehry-GettyImages-160653107-380x380.jpg 380w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/geh0-corbusier-gehry-GettyImages-160653107-760x757.jpg 760w" data-src="https://web.archive.org/web/20170701113722/http://162.243.3.155/wp-content/uploads/2016/05/geh0-corbusier-gehry-GettyImages-160653107.jpg"><figcaption class="wp-caption-text">Charles-&Eacute;douard Jeanneret-Gris, better known as Le Corbusier, the Swiss-French architect, designer, painter, urban planner, author and one of the pioneers of modern architecture. Frank Gehry spent a year as a young architect in Paris, where he studied the work of Le Corbusier. (Photo by Willy Rizzo/Paris Match via Getty Images)</figcaption></figure><p class="p1"><span class="s1">Gehry and his family returned to Los Angeles in 1962, and he established his own firm, Gehry Associates, now known as Gehry Partners, LLP. For a number of years, he continued to work in the established International Style, initiated by Le Corbusier and the Bauhaus, but he was increasingly drawn to the avant-garde arts scene growing up around the beach communities of Venice and Santa Monica. He spent more of his time in the company of sculptors and painters like Ed Kienholz, Bob Irwin, Ed Moses and Ed Ruscha, who were finding new uses for the overlooked by-products of industrial civilization. Frank Gehry began to look for an opportunity to express a more personal vision in his own work.</span></p> <figure id="attachment_26696" style="width: 2280px" class="wp-caption aligncenter"><noscript><img class="wp-image-26696 size-full " src="https://web.archive.org/web/20170701113722im_/http://162.243.3.155/wp-content/uploads/2016/05/small-GEHRY-2013.0026-C_JWhite-e1438698249845.jpg"></noscript><img class="wp-image-26696 size-full lazyload" alt="2012: Frank Gehry, &quot;Fish Lamp&quot;, metal wire, ColorCore formica, silicone, and wooden base. The first Fish Lamps, which were shown in “Frank Gehry: Unique Lamps” in 1984 at Gagosian Los Angeles, employed wire armatures molded into fish shapes, onto which shards of ColorCore are individually glued, creating clear allusions to the morphic attributes of real fish. Since the creation of the first lamp in 1984, Gehry’s Fish Lamps have been exhibited in London, Paris, Hong Kong, and now Rome. The fish has become a recurrent motif in Gehry’s work, as much for its “good design” as for its iconographical and natural attributes. Its quicksilver appeal informs the undulating, curvilinear forms of the Guggenheim Museum in Bilbao, Spain (1997); the Jay Pritzker Pavilion in Chicago (2004); and the Marqués de Riscal Vineyard Hotel in Elciego, Spain (2006), as well as the Fish Sculpture at Vila Olímpica in Barcelona (1989–92) and Standing Glass Fish for the Minneapolis Sculpture Garden (1986). In 2012 Gehry decided to revisit his earlier ideas, and began working on an entirely new group of Fish Lamps. The resulting works range in scale from life-size to outsize, and the use of ColorCore is bolder, incorporating larger and morejagged elements. The sculptures are each unique, and each made by hand. The softly glowing Fish Lamps are full of whimsy and vigor. Curling and flexing in attitudes of simulated motion, these artificial creatures emit a warm, incandescent light. This intimation of life, underscored by the almost organic textures of the nuanced surfaces, presents a spirited symbiosis of material, form, and function. (Josh White)" width="2280" height="1522" data-sizes="(max-width: 2280px) 100vw, 2280px" data-srcset="/web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/small-GEHRY-2013.0026-C_JWhite-e1438698249845.jpg 2280w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/small-GEHRY-2013.0026-C_JWhite-e1438698249845-380x254.jpg 380w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/small-GEHRY-2013.0026-C_JWhite-e1438698249845-760x507.jpg 760w" data-src="https://web.archive.org/web/20170701113722/http://162.243.3.155/wp-content/uploads/2016/05/small-GEHRY-2013.0026-C_JWhite-e1438698249845.jpg"><figcaption class="wp-caption-text">Frank Gehry, &ldquo;Fish Lamp&rdquo;, metal wire, ColorCore formica, silicone, and wooden base. The first Fish Lamps, which were shown in &ldquo;Frank Gehry: Unique Lamps&rdquo; in 1984 at Gagosian Los Angeles, employed wire armatures molded into fish shapes, onto which shards of ColorCore are individually glued, creating clear allusions to the morphic attributes of real fish. Since the creation of the first lamp in 1984, Gehry&rsquo;s Fish Lamps have been exhibited in London, Paris, Hong Kong, and Rome. The fish has become a recurrent motif in Gehry&rsquo;s work, as much for its &ldquo;good design&rdquo; as for its iconographical and natural attributes. Its quicksilver appeal informs the undulating, curvilinear forms of the Guggenheim Museum in Bilbao, Spain (1997); the Jay Pritzker Pavilion in Chicago (2004); and the Marqu&eacute;s de Riscal Vineyard Hotel in Elciego, Spain (2006), as well as the Fish Sculpture at Vila Ol&iacute;mpica in Barcelona (1989&ndash;92) and Standing Glass Fish for the Minneapolis Sculpture Garden (1986). In 2012, Gehry decided to revisit his earlier ideas, and began working on an entirely new group of Fish Lamps. The resulting works range in scale from life-size to outsize, and the use of ColorCore is bolder, incorporating larger and more jagged elements. The softly glowing Fish Lamps are full of whimsy and vigor. Curling and flexing in attitudes of simulated motion, these artificial creatures emit a warm, incandescent light. This intimation of life, underscored by the almost organic textures of the nuanced surfaces, presents a spirited symbiosis of material, form, and function.</figcaption></figure><p class="p1"><span class="s1">He had his first brush with national attention when some furniture he had built from industrial corrugated cardboard experienced a sudden popularity. The line of furniture, called Easy Edges, was featured in national magazine spreads, and the Los Angeles architect experienced an unexpected notoriety. Although Gehry built imaginative houses for a number of artist friends, including Ruscha, in the 1970s, for most of the decade his larger works were distinguished but relatively conventional buildings such as the Rouse Company headquarters in Columbia, Maryland, and the Santa Monica Place shopping mall.</span></p> <figure id="attachment_8843" style="width: 1600px" class="wp-caption alignnone"><noscript><img class="wp-image-8843 size-full " src="https://web.archive.org/web/20170701113722im_/http://162.243.3.155/wp-content/uploads/2016/05/wordpres-gehry-santamonica.jpg"></noscript><img class="wp-image-8843 size-full lazyload" alt="Frank Gehry's Santa Monica residence. A breakthrough in his work, it was initially resisted by his Santa Monica neighbors. (Frank Gehry &amp; Associates)" width="1600" height="1206" data-sizes="(max-width: 1600px) 100vw, 1600px" data-srcset="/web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpres-gehry-santamonica.jpg 1600w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpres-gehry-santamonica-380x286.jpg 380w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpres-gehry-santamonica-760x573.jpg 760w" data-src="https://web.archive.org/web/20170701113722/http://162.243.3.155/wp-content/uploads/2016/05/wordpres-gehry-santamonica.jpg"><figcaption class="wp-caption-text">Frank Gehry&rsquo;s Santa Monica residence. A breakthrough in his work, it was initially resisted by Gehry&rsquo;s neighbors.</figcaption></figure><p class="p1"><span class="s1">Gehry found a creative outlet in rebuilding his own home, converting what he called &ldquo;a dumb little house with charm&rdquo; into a showplace for a radically new style of domestic building. He took common, unlovely elements of American homebuilding, such as chain link fencing, corrugated aluminum and unfinished plywood, and used them as flamboyant expressive elements, while stripping the interior walls of the house to reveal the structural elements. His Santa Monica neighbors were scandalized, but Gehry&rsquo;s house attracted serious critical attention, and he began to employ more imaginative elements in his commercial work. A series of public structures in and around Los Angeles marked his evolution away from orthodox modernist practice, including the Frances Goldwyn Branch Library in Hollywood, the California Aerospace Museum and the Loyola University Law School. A number of his works in this period featured the unusual decorative motif of a Formica fish, and he designed a number of lamps and other objects in the form of snakes and fishes.</span></p> <figure id="attachment_26694" style="width: 2280px" class="wp-caption aligncenter"><noscript><img class="wp-image-26694 size-full " src="https://web.archive.org/web/20170701113722im_/http://162.243.3.155/wp-content/uploads/2016/05/small-Barcelona_Frank_Gehrys_Peix.jpg"></noscript><img class="wp-image-26694 size-full lazyload" alt="1992: One of the first public projects of Gehry is the Barcelona Fish – a huge fish sculpture placed on Barcelona’s waterfront for the 1992 Olympics. The monumental fish sculpture functions as a landmark in the Olympic Village, anchoring a retail complex designed by Gehry Partners within a larger hotel development by Skidmore, Owing &amp; Merill. This fish sculpture was also a landmark in the history of Frank O. Gehry &amp; Associates, inaugurating the firm's use of computer-aided design and manufacturing. The project's financial and scheduling constraints prompted James M. Glymph, a partner in the firm, to search for a computer program that would facilitate the design and construction process, leading to the adoption of CATIA (computer aided three-dimensional interactive application). The sculpture was modeled entirely in 3D and delivered directly to the fabricators as a 3D model. The fish is a frequently recurring motif in Gehry's work, serving as inspiration and mascot." width="2280" height="1514" data-sizes="(max-width: 2280px) 100vw, 2280px" data-srcset="/web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/small-Barcelona_Frank_Gehrys_Peix.jpg 2280w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/small-Barcelona_Frank_Gehrys_Peix-380x252.jpg 380w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/small-Barcelona_Frank_Gehrys_Peix-760x505.jpg 760w" data-src="https://web.archive.org/web/20170701113722/http://162.243.3.155/wp-content/uploads/2016/05/small-Barcelona_Frank_Gehrys_Peix.jpg"><figcaption class="wp-caption-text">1992: One of the first public projects of Gehry is the Barcelona Fish &mdash; a huge fish sculpture placed on Barcelona&rsquo;s waterfront for the 1992 Olympics. The monumental fish sculpture functions as a landmark in the Olympic Village, anchoring a retail complex designed by Gehry Partners. This fish sculpture was also a landmark in the history of Frank O. Gehry &amp; Associates, inaugurating the firm&rsquo;s use of computer-aided design and manufacturing. The project&rsquo;s financial and scheduling constraints prompted James M. Glymph, a partner in the firm, to search for a computer program that would facilitate the design and construction process, leading to the adoption of CATIA (computer aided three-dimensional interactive application). The sculpture was modeled in 3D and delivered to the fabricators as a 3D model. The fish is a frequently recurring motif in Gehry&rsquo;s work, serving as an inspiration.</figcaption></figure><p class="p1"><span class="s1">By the mid-&rsquo;80s, his work had attracted international attention, and he was commissioned to build the Vitra furniture factory in Basel, Switzerland, as well as the Vitra Design Museum in Weil-am-Rhein, Germany. These projects established him as a major presence on the international architecture scene. His buildings displayed a penchant for whimsy and playfulness previously unknown in serious architecture. Most distinctive of all was his ability to explode familiar geometric volumes and reassemble them in original new forms of unprecedented complexity, a practice the critics dubbed &ldquo;deconstructivism.&rdquo; His international reputation was confirmed when he received the 1989 Pritzker Prize, the world&rsquo;s most prestigious architecture award.</span></p> <figure id="attachment_8852" style="width: 2280px" class="wp-caption alignnone"><noscript><img class="wp-image-8852 size-full " src="https://web.archive.org/web/20170701113722im_/http://162.243.3.155/wp-content/uploads/2016/05/wordpress-Rasin-Building.jpg"></noscript><img class="wp-image-8852 size-full lazyload" alt="The Rasin Building, also known as the Dancing House or the Fred and Ginger Building, designed by Frank Gehry in Prague, Czech Republic. " width="2280" height="3420" data-sizes="(max-width: 2280px) 100vw, 2280px" data-srcset="/web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-Rasin-Building.jpg 2280w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-Rasin-Building-253x380.jpg 253w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-Rasin-Building-507x760.jpg 507w" data-src="https://web.archive.org/web/20170701113722/http://162.243.3.155/wp-content/uploads/2016/05/wordpress-Rasin-Building.jpg"><figcaption class="wp-caption-text">The Rasin Building, also known as the Dancing House or the Fred and Ginger Building, in Prague, Czech Republic.</figcaption></figure><p class="p1"><span class="s1">Although he originally completed his design for the proposed Walt Disney Concert Hall in downtown Los Angeles in 1989, funding shortages and political infighting delayed construction of the project for many years. The Weisman Art Museum at the University of Minnesota, completed in 1990, was to be Gehry&rsquo;s first monumental work in his own country, a billowing fantasy in brick and stainless steel. Meanwhile, his interest in collaboration with other artists was expressed in the fanciful design for the West Coast headquarters of the advertising firm Chiat Day, in Venice, California. The entrance to the building took the form of a pair of giant binoculars, created by the sculptors Claes Oldenburg and Coosje van Bruggen.</span></p> <figure id="attachment_30487" style="width: 2280px" class="wp-caption aligncenter"><noscript><img class="wp-image-30487 size-full " src="https://web.archive.org/web/20170701113722im_/http://162.243.3.155/wp-content/uploads/2016/05/Gehry-Frank-purple-and-blue-image.jpg"></noscript><img class="wp-image-30487 size-full lazyload" alt="gehry-frank-purple-and-blue-image" width="2280" height="1568" data-sizes="(max-width: 2280px) 100vw, 2280px" data-srcset="/web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/Gehry-Frank-purple-and-blue-image.jpg 2280w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/Gehry-Frank-purple-and-blue-image-380x261.jpg 380w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/Gehry-Frank-purple-and-blue-image-760x523.jpg 760w" data-src="https://web.archive.org/web/20170701113722/http://162.243.3.155/wp-content/uploads/2016/05/Gehry-Frank-purple-and-blue-image.jpg"><figcaption class="wp-caption-text">Frank Gehry joined forces with Dassault Systemes for a collaborative development to revolutionize the world of architecture. The three-dimensional computer-aided design solution developed for the aerospace industry, allowed Gehry to create technologically-sophisticated masterpieces such as the Guggenheim Museum in Bilbao.</figcaption></figure><p class="p1"><span class="s1">Although his main project for Los Angeles went unbuilt through the &rsquo;90s, he completed major projects in a number of other countries. His playful side reappeared in the &ldquo;Dancing House&rdquo; in the Czech capital, Prague. Comprising two undulating cylinders on a corner facing the river Vltava, the Czechs nicknamed the building &ldquo;Fred and Ginger.&rdquo; His proposal for a museum in Seoul, South Korea, which he discusses in his 1995 interview with the Academy of Achievement, was ultimately rejected, but an even more ambitious undertaking lay just ahead.</span></p> <figure id="attachment_8845" style="width: 2280px" class="wp-caption alignnone"><noscript><img class="wp-image-8845 size-full " src="https://web.archive.org/web/20170701113722im_/http://162.243.3.155/wp-content/uploads/2016/05/wordpress-174610889.jpg"></noscript><img class="wp-image-8845 size-full lazyload" alt="Frank Gehry's masterpiece, the Guggenheim Museum in Bilbao, Spain. (© Jose Fuste Raga/CORBIS)" width="2280" height="1514" data-sizes="(max-width: 2280px) 100vw, 2280px" data-srcset="/web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-174610889.jpg 2280w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-174610889-380x252.jpg 380w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-174610889-760x505.jpg 760w" data-src="https://web.archive.org/web/20170701113722/http://162.243.3.155/wp-content/uploads/2016/05/wordpress-174610889.jpg"><figcaption class="wp-caption-text">Frank Gehry&rsquo;s masterpiece, the Guggenheim Museum in Bilbao, Spain. The museum has been voted as the most important piece of architecture created since 1980 and heralded as a &ldquo;signal moment in architectural culture.&rdquo;</figcaption></figure><p class="p1"><span class="s1">Gehry&rsquo;s most spectacular design of the 1990s was that of the new Guggenheim Museum in Bilbao, Spain, completed in 1997. Gehry first envisioned its form, like all his works, through a simple freestyle hand sketch, but breakthroughs in computer software had enabled him to build in increasingly eccentric shapes, sweeping irregular curves that were the antithesis of the severely rectilinear International Style. Traditional modernists criticized the work as arbitrary, or gratuitously eccentric, but distinguished former exponents of the International Style, such as the late <span class="s2">Philip Johnson,</span>&nbsp;championed his work, and Gehry became the most visible of an elite cohort of highly publicized &ldquo;starchitects.&rdquo; He drew fire again with his design for the Experience Music Project Museum in Seattle, but in his adopted hometown of Los Angeles, a long-delayed project was reaching fruition.</span></p> <figure id="attachment_8849" style="width: 2280px" class="wp-caption aligncenter"><noscript><img class="wp-image-8849 size-full " src="https://web.archive.org/web/20170701113722im_/http://162.243.3.155/wp-content/uploads/2016/05/wordpress-Frank-Gehry-Hotel-Marques-de-Riscal-photo-Thomas-Meyer.jpg"></noscript><img class="wp-image-8849 size-full lazyload" alt="Marques de Riscal Hotel in Elciego, Spain (2006) designed by Frank Gehry." width="2280" height="1514" data-sizes="(max-width: 2280px) 100vw, 2280px" data-srcset="/web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-Frank-Gehry-Hotel-Marques-de-Riscal-photo-Thomas-Meyer.jpg 2280w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-Frank-Gehry-Hotel-Marques-de-Riscal-photo-Thomas-Meyer-380x252.jpg 380w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-Frank-Gehry-Hotel-Marques-de-Riscal-photo-Thomas-Meyer-760x505.jpg 760w" data-src="https://web.archive.org/web/20170701113722/http://162.243.3.155/wp-content/uploads/2016/05/wordpress-Frank-Gehry-Hotel-Marques-de-Riscal-photo-Thomas-Meyer.jpg"><figcaption class="wp-caption-text">2006: Marqu&eacute;s de Riscal Hotel in Elciego, Spain, designed by Gehry. The multi-colored titanium facade reflects the hues of Rioja, the silver foil shielding the cork and the gold mesh which adorns all Marqu&eacute;s de Riscal wine bottles.</figcaption></figure><p class="p1"><span class="s1">The year 2004 saw the long-awaited completion of the Walt Disney Concert Hall in downtown Los Angeles. The building opened to great public celebration and immediately became the sprawling city&rsquo;s landmark building. Although built after his Guggenheim Museum in Bilbao, the design actually predated it and featured a similar panoply of exploding titanium. The splayed pipes of the hall&rsquo;s massive pipe organ were likened by more than one writer to a packet of French fries, but the public response was ecstatic. Gehry&rsquo;s earlier experience building and renovating concert halls and amphitheaters had paid off in a facility that not only attracted international attention with its striking appearance, but thrilled musicians and listeners with its acoustically brilliant interior.</span></p> <figure id="attachment_13638" style="width: 2280px" class="wp-caption aligncenter"><noscript><img class="wp-image-13638 size-full " src="https://web.archive.org/web/20170701113722im_/http://162.243.3.155/wp-content/uploads/2016/05/gehr0-Walt_Disney_Concert_Hall.jpg"></noscript><img class="wp-image-13638 size-full lazyload" alt="Frank Gehry's Walt Disney Concert Hall opened in 2004 in downtown Los Angeles. (John O'Neill / Public Domain)" width="2280" height="1098" data-sizes="(max-width: 2280px) 100vw, 2280px" data-srcset="/web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/gehr0-Walt_Disney_Concert_Hall.jpg 2280w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/gehr0-Walt_Disney_Concert_Hall-380x183.jpg 380w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/gehr0-Walt_Disney_Concert_Hall-760x366.jpg 760w" data-src="https://web.archive.org/web/20170701113722/http://162.243.3.155/wp-content/uploads/2016/05/gehr0-Walt_Disney_Concert_Hall.jpg"><figcaption class="wp-caption-text">Frank Gehry&rsquo;s Walt Disney Concert Hall opened in 2004 in downtown Los Angeles, California. (John O&rsquo;Neill)</figcaption></figure><p class="p1"><span class="s1">Over the years, Gehry has lent his imaginative designs to a number of products outside the field of architecture, including the Wyborovka Vodka bottle, a wristwatch for Fossil, jewelry for Tiffany &amp; Co. and the World Cup of Hockey trophy. In 2006, the architect and his work were the subject of a feature-length documentary film, <i>Sketches of Frank Gehry</i>, by director Sydney Pollack.</span></p> <figure id="attachment_26788" style="width: 2280px" class="wp-caption aligncenter"><noscript><img class="wp-image-26788 size-full " src="https://web.archive.org/web/20170701113722im_/http://162.243.3.155/wp-content/uploads/2016/05/wp-AP_724971320598.jpg"></noscript><img class="wp-image-26788 size-full lazyload" alt="Canadian artist Frank Gehry, who has recently been announced as the architect to take on the redevelopment of Battersea Power Station, stands next his fish lamps at the opening of his exhibition at the Gagosian Mayfair gallery, in central London, Thursday, Nov. 7, 2013. (Photo by Joel Ryan/Invision/AP)" width="2280" height="1436" data-sizes="(max-width: 2280px) 100vw, 2280px" data-srcset="/web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wp-AP_724971320598.jpg 2280w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wp-AP_724971320598-380x239.jpg 380w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wp-AP_724971320598-760x479.jpg 760w" data-src="https://web.archive.org/web/20170701113722/http://162.243.3.155/wp-content/uploads/2016/05/wp-AP_724971320598.jpg"><figcaption class="wp-caption-text">November 7, 2013: Frank Gehry, who has recently been announced as the architect to take on the redevelopment of Battersea Power Station, stands next to his fish lamps at the opening of his exhibition at the Gagosian Mayfair gallery, in London. Fish have been a constant creative inspiration throughout Frank Gehry&rsquo;s career as an architect.</figcaption></figure><p class="p1"><span class="s1">In the following years, Gehry immersed himself in a number of projects, including the Barclays Center sports arena in Brooklyn, New York, a concert hall for the New World Symphony in Miami Beach, and another branch of the Guggenheim Museum in Abu Dhabi. Most ambitious of all is the massive Grand Street project, a plan to entirely remake the thoroughfare leading from Los Angeles City Hall to Disney Hall. When it is completed, a wide swath of downtown Los Angeles will bear the indelible stamp of its adopted son, Frank Gehry, and his restless imagination. In 2010, <i>Vanity Fair</i> magazine polled 52 of the world&rsquo;s best-known architects and architectural critics, asking them to name the most significant works of architecture of the last 30 years. By an overwhelming margin they placed Frank Gehry&rsquo;s Guggenheim Museum in Bilbao at the top of the list.</span></p> <figure id="attachment_8844" style="width: 2280px" class="wp-caption alignnone"><noscript><img class="wp-image-8844 size-full " src="https://web.archive.org/web/20170701113722im_/http://162.243.3.155/wp-content/uploads/2016/05/wordpress-42-62294744.jpg"></noscript><img class="wp-image-8844 size-full lazyload" alt="Frank Gehry's Fondation Louis Vuitton in the Bois de Boulogne. (© Christopher Peterson/Splash News/Corbis)" width="2280" height="1204" data-sizes="(max-width: 2280px) 100vw, 2280px" data-srcset="/web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-42-62294744.jpg 2280w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-42-62294744-380x201.jpg 380w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-42-62294744-760x401.jpg 760w" data-src="https://web.archive.org/web/20170701113722/http://162.243.3.155/wp-content/uploads/2016/05/wordpress-42-62294744.jpg"><figcaption class="wp-caption-text">Frank Gehry&rsquo;s <em>Fondation Louis Vuitton</em> in the Bois de Boulogne. (&copy; Christopher Peterson/Splash News/Corbis)</figcaption></figure><p class="p1"><span class="s1">In 2014, the architect, age 85, completed one of his most dramatic structures yet: the billowing glass and steel <i>Fondation Louis Vuitton</i> in Paris, France. The project was built as a center for contemporary art and culture, and to house the rapidly growing art collection of the charitable arm of the French luxury-goods company LVMH Mo&euml;t Hennessy-Louis Vuitton. The 126,000-square-foot, 2.5-story building is sunk slightly below ground level to comply with the height limits of Paris&rsquo;s main park, the Bois de Boulogne. The building&rsquo;s glass and steel exterior framework, which Gehry calls the <i>Verri&egrave;re</i>, was inspired in part by photographs of a greenhouse that had formerly stood on the site. The interior, which Gehry terms &ldquo;the iceberg,&rdquo; is formed by an array of white concrete cubes, supplying ample neutral space for the exhibition of art. The interior employs water in the form of a moat and a waterfall to reflect the ample light that floods all connecting areas of the structure. Located among the fields and trees of the <i>Jardin d&rsquo;Acclimatation</i>, the historic children&rsquo;s playground of the Bois de Boulogne, the Fondation Louis Vuitton may soon become the newest beloved landmark of the City of Light.</span></p> <figure id="attachment_32895" style="width: 2280px" class="wp-caption aligncenter"><noscript><img class="wp-image-32895 size-full " src="https://web.archive.org/web/20170701113722im_/http://162.243.3.155/wp-content/uploads/2016/05/wp-gehry-wh-2016.jpg"></noscript><img class="wp-image-32895 size-full lazyload" alt="November 22, 2016: President Barack Obama awards Frank Gehry with the Presidential Medal of Freedom during a ceremony in the East Room of the White House in Washington, D.C." width="2280" height="1710" data-sizes="(max-width: 2280px) 100vw, 2280px" data-srcset="/web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wp-gehry-wh-2016.jpg 2280w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wp-gehry-wh-2016-380x285.jpg 380w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wp-gehry-wh-2016-760x570.jpg 760w" data-src="https://web.archive.org/web/20170701113722/http://162.243.3.155/wp-content/uploads/2016/05/wp-gehry-wh-2016.jpg"><figcaption class="wp-caption-text">November 22, 2016: President Barack Obama presents Frank O. Gehry with the Presidential Medal of Freedom, the nation&rsquo;s highest civilian honor, during an inspiring ceremony in the East Room of the White House in Washington.</figcaption></figure><p>In 2016, Frank Gehry&rsquo;s accomplishments were honored by President Barack Obama with the nation&rsquo;s highest civilian honor, the Presidential Medal of Freedom. The presidential awards citation, read in part, &ldquo;never limited by conventional materials, styles, or processes, Frank Gehry&rsquo;s bold and thoughtful structures demonstrate architecture&rsquo;s power to induce wonder and revitalize communities. From his pioneering use of technology to the dozens of awe-inspiring sights that bear his signature style, to his public service as a citizen artist through his work with Turnaround Arts, Frank Gehry has proven himself an exemplar of American innovation.&rdquo;</p> </body></html> <div class="clearfix"> </div> </article> </div> </section> </div> <div class="tab-pane fade" id="profile" role="tabpanel"> <section class="clearfix"> <header class="editorial-article__header"> <figure class="text-xs-center"> <img class="inductee-badge" src="/web/20170701113722im_/http://www.achievement.org/wp-content/themes/aoa/assets/images/inducted-badge@2x.png" alt="Inducted Badge" width="120" height="120"/> <figcaption class="serif-3 text-brand-primary"> Inducted in 1995 </figcaption> </figure> </header> <div class="row"> <aside class="col-md-4 sidebar"> <dl class="clearfix m-b-0"> <div class="col-xs-12 sidebar--chunk p-b-2"> <dt class="serif-7">Career</dt> <dd class="sans-2"> <div><a href="/web/20170701113722/http://www.achievement.org/achiever/#filter=.artist-and-architect">Artist and Architect</a></div> </dd> </div> <div class="col-xs-12 sidebar--chunk p-b-2"> <dt class="serif-7">Date of Birth</dt> <dd class="sans-2"> February 28, 1929 </dd> </div> </dl> </aside> <article class="col-md-8 editorial-article clearfix"> <p class="inputTextFirst">When the other products of a culture have faded from human memory, it is the works of architecture that remain to define an era for successive generations. As the 20th century gave way to the 21st, it was hard to dispute that the definitive architect of the age was Frank Gehry, Canadian by birth, a resident of Los Angeles by choice.</p> <p class="inputText">He first drew notice in his adopted city with works deploying commonplace industrial materials in unexpected ways, but he came to international prominence with works which exploded the geometry of traditional architecture to create a dramatic new form of expression. He deployed cutting-edge computer technology to realize shapes and forms of hitherto unimaginable complexity, such as the startling irregularities of his Guggenheim Museum in Bilbao, Spain, or the Walt Disney Concert Hall in Los Angeles. In these monumental buildings, the uninhibited whimsy of his pencil sketches took shape in powerful structures of gleaming titanium.</p> <p class="inputText">From Switzerland to Japan, from Santa Monica to Prague, his buildings have transformed human expectations of the designed space. Once mocked for their astonishing originality, his buildings have become the signature structures of the challenging times we live in.</p> </article> </div> </section> </div> <div class="tab-pane fade" id="interview" role="tabpanel"> <section class="clearfix"> <div class="col-md-12 interview-feature-video"> <figure> <div class="embed-responsive embed-responsive-16by9"> <iframe class="embed-responsive-item embed-responsive--has-thumbnail" width="200" height="150" src="https://web.archive.org/web/20170701113722if_/https://www.youtube.com/embed/5e9M8mC_AnQ?feature=oembed&amp;autohide=1&amp;hd=1&amp;color=white&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;theme=light&amp;start=0&amp;end=2435&amp;version=3" frameborder="0" allowfullscreen></iframe> <div class="embed-responsive__thumbnail ratio-container__image lazyload" data-sizes="auto" data-bgset="/wp-content/uploads/2016/06/gehry-frank-1995-MasterEdit.00_34_50_25.Still013-380x214.jpg [(max-width:576px)] | /wp-content/uploads/2016/06/gehry-frank-1995-MasterEdit.00_34_50_25.Still013-760x428.jpg"></div> <div class="video-tag sans-4"> <i class="embed-responsive__play icon-icon_play-full text-brand-primary"></i> <div class="video-tag__text">Watch full interview</div> </div> </div> </figure> </div> <header class="col-md-12 text-xs-center m-b-2"> <i class="icon-icon_bio text-brand-primary"></i> </header> <aside class="col-md-4 sidebar"> <h2 class="serif-3 achiever--biography-subtitle">Building the Inspiring Space</h2> <div class="sans-2">Williamsburg, Virginia</div> <div class="sans-2">June 3, 1995</div> </aside> <article class="editorial-article col-md-8"> <!-- check if we should display this row --> <!-- interview copy --> <div class="achiever__interview-copy"> <p class="p1"><span class="s1"><b>What first made you think of being an architect? What attracted you to this field?</b></span></p> </div> <!-- end interview copy --> <!-- end js-full-interview --> <!-- check if we should display this row --> <!-- interview video --> <div class="achiever__video-block"> <figure class="achiever__interview-video"> <div class="embed-responsive embed-responsive-16by9"> <iframe class="embed-responsive-item embed-responsive--has-thumbnail" width="200" height="150" src="https://web.archive.org/web/20170701113722if_/https://www.youtube.com/embed/W4ydBHOB6w0?feature=oembed&amp;autohide=1&amp;hd=1&amp;color=white&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;theme=light&amp;start=0" frameborder="0" allowfullscreen></iframe> <div class="embed-responsive__thumbnail ratio-container__image lazyload" data-sizes="auto" data-bgset="/wp-content/uploads/2016/06/gehry-frank-1995-MasterEdit.00_01_42_07.Still001-380x214.jpg [(max-width:576px)] | /wp-content/uploads/2016/06/gehry-frank-1995-MasterEdit.00_01_42_07.Still001-760x428.jpg"></div> <i class="embed-responsive__play icon-icon_play-full text-brand-primary"></i> </div> </figure> <!-- interview video copy --> <div class="achiever__interview-video__copy"> <p class="p1">Frank Gehry: My grandmother played with me on the floor with blocks when I was eight years old in Canada, and she got cuttings for her wood stove from the shop.<span class="Apple-converted-space">  </span>They were like bandsaw and jigsaw cuttings, and they were odd shapes, and we used to play, make fantasy cities.<span class="Apple-converted-space">  </span>Grandmother! So it was like a license from an adult to play, creative play. Anyway, I didn’t remember that until I was struggling and struggling with what I wanted to be when I grew up.<span class="Apple-converted-space">  </span>I was a truck driver in L.A., going to City College, and I tried radio announcing, which I wasn’t very good at.</p> </div> </div> <!-- end interview video copy --> <!-- end interview video --> <!-- end js-full-interview --> <!-- check if we should display this row --> <!-- interview copy --> <div class="achiever__interview-copy"> <!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"> <html><body><figure id="attachment_8848" style="width: 1464px" class="wp-caption alignnone"><noscript><img class="wp-image-8848 size-full " src="https://web.archive.org/web/20170701113722im_/http://162.243.3.155/wp-content/uploads/2016/05/wordpress-Frank-Gehry-young290.jpg"></noscript><img class="wp-image-8848 size-full lazyload" alt="Frank Gehry in front of his boyhood home in Toronto in the mid-1940s. (Courtesy of Frank O. Gehry)" width="1464" height="1463" data-sizes="(max-width: 1464px) 100vw, 1464px" data-srcset="/web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-Frank-Gehry-young290.jpg 1464w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-Frank-Gehry-young290-190x190.jpg 190w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-Frank-Gehry-young290-380x380.jpg 380w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-Frank-Gehry-young290-760x760.jpg 760w" data-src="https://web.archive.org/web/20170701113722/http://162.243.3.155/wp-content/uploads/2016/05/wordpress-Frank-Gehry-young290.jpg"><figcaption class="wp-caption-text">Frank Gehry in front of his boyhood home in Toronto in the mid-1940s. (Courtesy of Frank O. Gehry)</figcaption></figure><p class="p1"></p></body></html> </div> <!-- end interview copy --> <!-- end js-full-interview --> <!-- check if we should display this row --> <!-- interview video --> <div class="achiever__video-block"> <figure class="achiever__interview-video"> <div class="embed-responsive embed-responsive-16by9"> <iframe class="embed-responsive-item embed-responsive--has-thumbnail" width="200" height="150" src="https://web.archive.org/web/20170701113722if_/https://www.youtube.com/embed/cLFSUyJScOU?feature=oembed&amp;autohide=1&amp;hd=1&amp;color=white&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;theme=light&amp;start=0" frameborder="0" allowfullscreen></iframe> <div class="embed-responsive__thumbnail ratio-container__image lazyload" data-sizes="auto" data-bgset="/wp-content/uploads/2016/06/gehry-frank-1995-MasterEdit.00_04_19_01.Still003-380x214.jpg [(max-width:576px)] | /wp-content/uploads/2016/06/gehry-frank-1995-MasterEdit.00_04_19_01.Still003-760x428.jpg"></div> <i class="embed-responsive__play icon-icon_play-full text-brand-primary"></i> </div> <figcaption class="achiever__interview-video-terms"> <span>Keys to success &mdash;</span> <a class="comma-item" href="/web/20170701113722/http://www.achievement.org/keys-to-success/passion/">Passion</a> </figcaption> </figure> <!-- interview video copy --> <div class="achiever__interview-video__copy"> <p class="p1">I tried chemical engineering, which I wasn&#8217;t very good at and didn&#8217;t like, and then I remembered.<span class="Apple-converted-space">  </span>You know, somehow I just started racking my brain about, &#8220;What do I like?&#8221; Where was I? What made me excited? And I remembered art, that I loved going to museums and I loved looking at paintings, loved listening to music.<span class="Apple-converted-space">  </span>Those things came from my mother, who took me to concerts and museums. I remembered Grandma and the blocks.</p> </div> </div> <!-- end interview video copy --> <!-- end interview video --> <!-- end js-full-interview --> <!-- check if we should display this row --> <!-- interview copy --> <div class="achiever__interview-copy"> <p><strong>And then what happened?</strong></p> </div> <!-- end interview copy --> <!-- end js-full-interview --> <!-- check if we should display this row --> <!-- interview video --> <div class="achiever__video-block"> <figure class="achiever__interview-video"> <div class="embed-responsive embed-responsive-16by9"> <iframe class="embed-responsive-item embed-responsive--has-thumbnail" width="200" height="150" src="https://web.archive.org/web/20170701113722if_/https://www.youtube.com/embed/nvQW2FAjEc4?feature=oembed&amp;autohide=1&amp;hd=1&amp;color=white&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;theme=light&amp;start=0" frameborder="0" allowfullscreen></iframe> <div class="embed-responsive__thumbnail ratio-container__image lazyload" data-sizes="auto" data-bgset="/wp-content/uploads/2016/06/gehry-frank-1995-MasterEdit.00_04_30_23.Still002-380x214.jpg [(max-width:576px)] | /wp-content/uploads/2016/06/gehry-frank-1995-MasterEdit.00_04_30_23.Still002-760x428.jpg"></div> <i class="embed-responsive__play icon-icon_play-full text-brand-primary"></i> </div> <figcaption class="achiever__interview-video-terms"> <span>Keys to success &mdash;</span> <a class="comma-item" href="/web/20170701113722/http://www.achievement.org/keys-to-success/perseverance/">Perseverance</a> </figcaption> </figure> <!-- interview video copy --> <div class="achiever__interview-video__copy"> <p class="p1">Frank Gehry: Just on a hunch, I tried some architecture classes. <span style="font-size: 1rem;">At first I didn&#8217;t do great.</span> <span style="font-size: 1rem;">In fact, I flunked the first class in perspective drawing, and it really got me angry.</span>  <span style="font-size: 1rem;">So I went back the next semester and took it and got an A, and then I had an architecture drafting class, which the teacher and I got along real well.</span>  <span style="font-size: 1rem;">He was an architect. At the same time, I was taking classes at USC, summer classes in ceramics and art, drawing, art design, and the ceramics teacher — Glen Lukens at the time — was having a house designed by Raphael Soriano, and Glen somehow looked at me and said, &#8220;I just have another hunch.&#8221;</span>  <span style="font-size: 1rem;">He said, &#8220;I would like you to meet Soriano,&#8221; and I did, and I watched how Soriano — a guy with a black suit and a black tie and a beret, you know — I mean, he was a really funny guy. But there was something about it that excited me, maybe the drama of it, maybe the theater of it, and he knew what he was doing.</span>  <span style="font-size: 1rem;">He was very Miesian.</span>  <span style="font-size: 1rem;">He did very stark things, and that all excited me. Based on Glen&#8217;s recommendation, I took a class at night in architectural design, and I did really well.</span>  <span style="font-size: 1rem;">I was skipped into second year.</span></p> </div> </div> <!-- end interview video copy --> <!-- end interview video --> <!-- end js-full-interview --> <!-- check if we should display this row --> <!-- interview copy --> <div class="achiever__interview-copy"> <!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"> <html><body><figure id="attachment_8846" style="width: 2280px" class="wp-caption aligncenter"><noscript><img class="size-full wp-image-8846 " src="https://web.archive.org/web/20170701113722im_/http://162.243.3.155/wp-content/uploads/2016/05/wordpress-AP100317054102.jpg"></noscript><img class="size-full wp-image-8846 lazyload" alt="March 17, 2010: Architect Frank Gehry is seen in front of his creation, the Cleveland Clinic Lou Ruvo Center for Brain Health, in Las Vegas. (AP Photo/Isaac Brekken)" width="2280" height="1539" data-sizes="(max-width: 2280px) 100vw, 2280px" data-srcset="/web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-AP100317054102.jpg 2280w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-AP100317054102-380x257.jpg 380w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-AP100317054102-760x513.jpg 760w" data-src="https://web.archive.org/web/20170701113722/http://162.243.3.155/wp-content/uploads/2016/05/wordpress-AP100317054102.jpg"><figcaption class="wp-caption-text">2010: Frank Gehry seen in front of his creation, the Cleveland Clinic Lou Ruvo Center for Brain Health, in Las Vegas.</figcaption></figure><p><strong>What school was this?</strong></p> <p>Frank Gehry: USC. That was the only architecture school at that time.</p></body></html> </div> <!-- end interview copy --> <!-- end js-full-interview --> <!-- check if we should display this row --> <!-- interview video --> <div class="achiever__video-block"> <figure class="achiever__interview-video"> <div class="embed-responsive embed-responsive-16by9"> <iframe class="embed-responsive-item embed-responsive--has-thumbnail" width="200" height="150" src="https://web.archive.org/web/20170701113722if_/https://www.youtube.com/embed/irxuGwBoEMU?feature=oembed&amp;autohide=1&amp;hd=1&amp;color=white&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;theme=light&amp;start=0&amp;end=49&amp;version=3" frameborder="0" allowfullscreen></iframe> <div class="embed-responsive__thumbnail ratio-container__image lazyload" data-sizes="auto" data-bgset="/wp-content/uploads/2016/06/gehry-frank-1995-MasterEdit.00_11_23_12.Still006-380x214.jpg [(max-width:576px)] | /wp-content/uploads/2016/06/gehry-frank-1995-MasterEdit.00_11_23_12.Still006-760x428.jpg"></div> <i class="embed-responsive__play icon-icon_play-full text-brand-primary"></i> </div> <figcaption class="achiever__interview-video-terms"> <span>Keys to success &mdash;</span> <a class="comma-item" href="/web/20170701113722/http://www.achievement.org/keys-to-success/perseverance/">Perseverance</a> </figcaption> </figure> <!-- interview video copy --> <div class="achiever__interview-video__copy"> <p class="p1">I couldn&#8217;t afford it, and they didn&#8217;t have scholarships for architects, but somehow I worked and got through. Then once I got in it, I was off to the races, except the first half of the second year, my teacher came in and called me in and said, &#8220;This isn&#8217;t for you.<span class="Apple-converted-space">  </span>You&#8217;re not going to make it,&#8221; and somehow I worked through that.<span class="Apple-converted-space">  </span>And that guy works at the airport.<span class="Apple-converted-space">  </span>I see him every once in a while, the teacher.<span class="Apple-converted-space">  </span>I mean, he acknowledges his mistake, of course, but it&#8217;s — I mean, I just sort of kept going.<span class="Apple-converted-space">  </span>It was dogged persistence once I got into it.</p> </div> </div> <!-- end interview video copy --> <!-- end interview video --> <!-- end js-full-interview --> <!-- check if we should display this row --> <!-- interview copy --> <div class="achiever__interview-copy"> <p class="p1"><b>What was the turn-on for you? How would you describe it to somebody who doesn&#8217;t know that much about architecture?<span class="Apple-converted-space">  </span>What makes it exciting for you?</b></p> </div> <!-- end interview copy --> <!-- end js-full-interview --> <!-- check if we should display this row --> <!-- interview video --> <div class="achiever__video-block"> <figure class="achiever__interview-video"> <div class="embed-responsive embed-responsive-16by9"> <iframe class="embed-responsive-item embed-responsive--has-thumbnail" width="200" height="150" src="https://web.archive.org/web/20170701113722if_/https://www.youtube.com/embed/hhC60TCq6GI?feature=oembed&amp;autohide=1&amp;hd=1&amp;color=white&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;theme=light&amp;start=0&amp;end=0&amp;version=3" frameborder="0" allowfullscreen></iframe> <div class="embed-responsive__thumbnail ratio-container__image lazyload" data-sizes="auto" data-bgset="/wp-content/uploads/2016/06/gehry-frank-1995-MasterEdit.00_11_26_22.Still005-380x214.jpg [(max-width:576px)] | /wp-content/uploads/2016/06/gehry-frank-1995-MasterEdit.00_11_26_22.Still005-760x428.jpg"></div> <i class="embed-responsive__play icon-icon_play-full text-brand-primary"></i> </div> <figcaption class="achiever__interview-video-terms"> <span>Keys to success &mdash;</span> <a class="comma-item" href="/web/20170701113722/http://www.achievement.org/keys-to-success/vision/">Vision</a> </figcaption> </figure> <!-- interview video copy --> <div class="achiever__interview-video__copy"> <p class="p1">Frank Gehry: What got me excited in the beginning were the social issues.<span class="Apple-converted-space">  </span>I come from a very lefty liberal family in Canada, and architecture looked like it was the panacea.<span class="Apple-converted-space">  </span>You could make housing for the poor and make wonderful cities, city planning in the future and so on.<span class="Apple-converted-space">  </span>That was the initial turn-on.<span class="Apple-converted-space">  </span>That lasted me all the way through school, actually.</p> <p class="p1">When I got out of school I hit the brick wall. You can’t do any of that. It doesn’t exist.<span class="Apple-converted-space">  </span>You can’t do it.<span class="Apple-converted-space">  </span>There are no clients for social housing in America.<span class="Apple-converted-space">  </span>There is no program, no nothing.<span class="Apple-converted-space"> </span>City planning?<span class="Apple-converted-space">  </span>Forget it.<span class="Apple-converted-space">  </span>It’s a kind of bureaucratic nonsense.<span class="Apple-converted-space">  </span>It has nothing to do with ideas.<span class="Apple-converted-space">  </span>It only has to do with real estate and politics.</p> </div> </div> <!-- end interview video copy --> <!-- end interview video --> <!-- end js-full-interview --> <!-- check if we should display this row --> <!-- interview video --> <div class="achiever__video-block"> <figure class="achiever__interview-video"> <div class="embed-responsive embed-responsive-16by9"> <iframe class="embed-responsive-item embed-responsive--has-thumbnail" width="200" height="150" src="https://web.archive.org/web/20170701113722if_/https://www.youtube.com/embed/yxkjvhDGDf4?feature=oembed&amp;autohide=1&amp;hd=1&amp;color=white&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;theme=light&amp;start=0" frameborder="0" allowfullscreen></iframe> <div class="embed-responsive__thumbnail ratio-container__image lazyload" data-sizes="auto" data-bgset="/wp-content/uploads/2016/06/gehry-frank-1995-MasterEdit.00_06_52_03.Still004-380x214.jpg [(max-width:576px)] | /wp-content/uploads/2016/06/gehry-frank-1995-MasterEdit.00_06_52_03.Still004-760x428.jpg"></div> <i class="embed-responsive__play icon-icon_play-full text-brand-primary"></i> </div> <figcaption class="achiever__interview-video-terms"> <span>Keys to success &mdash;</span> <a class="comma-item" href="/web/20170701113722/http://www.achievement.org/keys-to-success/passion/">Passion</a> </figcaption> </figure> <!-- interview video copy --> <div class="achiever__interview-video__copy"> <p class="p1">I used to say, &#8220;I don&#8217;t want to do houses for rich people.&#8221;<span class="Apple-converted-space">  </span>I always said that through school. &#8220;I&#8217;m just not going to do that.&#8221; But I started to find some excitement in the forms, the spaces, being able to conceive of something and then see it built. The process of building, the working with the craftsmen — or lack of craftsmen is more likely — but trying to. It is an energy, and it is a mind game too, trying to get these people motivated. I guess it&#8217;s like directing a movie.<span class="Apple-converted-space">  </span>It&#8217;s similar, except there&#8217;s legal implications times jillions. But it&#8217;s really exciting when you get to the level I am at now, where I have a lot of freedom. I don&#8217;t get a lot of projects, but I get enough, and when I do get them, usually people want what I am doing and egg me on to explore things, and that&#8217;s exciting.</p> </div> </div> <!-- end interview video copy --> <!-- end interview video --> <!-- end js-full-interview --> <!-- check if we should display this row --> <!-- interview copy --> <div class="achiever__interview-copy"> <!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"> <html><body><figure id="attachment_8850" style="width: 2754px" class="wp-caption alignnone"><noscript><img class="wp-image-8850 size-full " src="https://web.archive.org/web/20170701113722im_/http://162.243.3.155/wp-content/uploads/2016/05/wordpress-gehry-frank255.jpg"></noscript><img class="wp-image-8850 size-full lazyload" alt="Architect Frank Gehry works on a model for a new building. (Courtesy of Frank O. Gehry)" width="2754" height="1812" data-sizes="(max-width: 2754px) 100vw, 2754px" data-srcset="/web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-gehry-frank255.jpg 2754w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-gehry-frank255-380x250.jpg 380w, /web/20170701113722im_/http://www.achievement.org/wp-content/uploads/2016/05/wordpress-gehry-frank255-760x500.jpg 760w" data-src="https://web.archive.org/web/20170701113722/http://162.243.3.155/wp-content/uploads/2016/05/wordpress-gehry-frank255.jpg"><figcaption class="wp-caption-text">Architect Frank O. Gehry working on early models for the Walt Disney Concert Hall with Michael Maltzan.</figcaption></figure><p><strong>To make a difference in the world?</strong></p> <p>Frank Gehry: Make a difference in a microcosm, but in the world, we don&rsquo;t know yet.</p> <p><strong>You say you hit a brick wall when you got out of school. When did that change? What was the turning point?</strong></p> <p>Frank Gehry: I guess when I did my house.</p></body></html> </div> <!-- end interview copy --> <!-- end js-full-interview --> <!-- check if we should display this row --> <!-- interview video --> <div class="achiever__video-block"> <figure class="achiever__interview-video"> <div class="embed-responsive embed-responsive-16by9"> <iframe class="embed-responsive-item embed-responsive--has-thumbnail" width="200" height="150" src="https://web.archive.org/web/20170701113722if_/https://www.youtube.com/embed/Az1AxmkT10A?feature=oembed&amp;autohide=1&amp;hd=1&amp;color=white&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;theme=light&amp;start=0" frameborder="0" allowfullscreen></iframe> <div class="embed-responsive__thumbnail ratio-container__image lazyload" data-sizes="auto" data-bgset="/wp-content/uploads/2016/06/gehry-frank-1995-MasterEdit.00_34_02_11.Still008-380x214.jpg [(max-width:576px)] | /wp-content/uploads/2016/06/gehry-frank-1995-MasterEdit.00_34_02_11.Still008-760x428.jpg"></div> <i class="embed-responsive__play icon-icon_play-full text-brand-primary"></i> </div> <figcaption class="achiever__interview-video-terms"> <span>Keys to success &mdash;</span> <a class="comma-item" href="/web/20170701113722/http://www.achievement.org/keys-to-success/integrity/">Integrity</a> </figcaption> </figure> <!-- interview video copy --> <div class="achiever__interview-video__copy"> <p>Up until the point where I did my house, which was in the late &#8217;70s, most of the work — up until that point I think, I thought of myself as an architect, as a service business. I was working on Santa Monica Place. But I hadn&#8217;t had much freedom to really do things, and for the first time — even though it wasn&#8217;t a lot of money, we only had a budget of like forty, fifty thousand dollars — I was able to do what I wanted, exactly what I wanted, and explore and play and do things, and I realized that I couldn&#8217;t go back after that. My office changed at that point. The clients that we were working with all left. The house, I finished it. One of the major clients said to me — the first Santa Monica Place — said, &#8220;If you like this&#8230;&#8221; He was sitting in my living room. He said, &#8220;If you like this, then you don&#8217;t like that.&#8221; He was pointing to Santa Monica Place, and I said, &#8220;Yeah, you&#8217;re right,&#8221; and we shook hands and decided not to work together anymore, and we never have. That was the Rouse Company in Maryland. I liked them too, but it wasn&#8217;t going anywhere.</p> </div> </div> <!-- end interview video copy --> <!-- end interview video --> <!-- end js-full-interview --> <!-- check if we should display this row --> <aside class="collapse" id="full-interview"> <!-- end js-full-interview --> <!-- check if we should display this row --> <!-- interview copy --> <div class="achiever__interview-copy"> <p><strong>You have to be a big risk-taker, don&#8217;t you?</strong></p> <p>Frank Gehry: Yeah. It&#8217;s not about making money. I think you stick your neck out a lot, but over time, you feel more confident.</p> <p>My house was strange. I mean some of the things I did, like the chain-link fence. It wasn&#8217;t about what people thought it was about. The chain-link fence, so much of that material is made and used and absorbed by the culture, and there is so much denial about it. I was fascinated by the denial, and I was trying to humanize it, so that if you are going to use it, at least use it, find some way to use it right or aesthetically more pleasing. Well, that backfired on me. Everybody thought I was making some kind of great &#8220;stick in the ribs&#8221; kind of thing about it. Also, the house was me trying to find my middle class self in a middle class neighborhood. How do I relate to this? I guess I am here. I am with them. They have their cars on the front lawn. They have chain link. They have corrugated metal. They have all these things, and how am I going to? So I dealt with it, but when I dealt with it, it was like the neighbors thought I was making fun of them, which I wasn&#8217;t.</p> <p><strong>Your house created quite a stir.</strong></p> <p>Frank Gehry: It did, yeah.</p> <p><strong>Is it true that there was a gunshot in the picture?</strong></p> <p>Frank Gehry: Well, the police chief said it was architectural criticism. I heard two gunshots, but later he said it was some neighborhood stuff, and it was happening all over the neighborhood.</p> <p><strong>What was it that provoked this kind of reaction? Could you tell us a little more about what you did with your house?</strong></p> <p>Frank Gehry: I bought an old house, and I put a new house around it. I got interested in the dialogue between the old and the new and trying to sculpturally create a new entity, but that retained the qualities of the new as independent of the old. I set myself goals like that when I started. I kind of pulled it off. I also wanted it to be seamless, that you couldn&#8217;t tell where it began and where it stopped, and that was very successful, and that was the power of it. In fact, critics would come in and would look at a rain spot on the plaster and say, &#8220;Is that on purpose or not?&#8221; They thought they were maligning me, and I thought that was just wonderful. That was exactly what I wanted them to worry about.</p> <p>Recently, I had to remodel it again, because my kids are grown up, and we needed to. Now it&#8217;s ten years later, and I couldn&#8217;t be me as I was then. I couldn&#8217;t tear the house down and start over again, which artistically would have been the right thing to do. I couldn&#8217;t sell it, because it wasn&#8217;t saleable. So I had to fix it, and once I started, it was like unraveling a sweater. What you see, if you go there now, is not seamless. You can see the old house and you can see the new house. I couldn&#8217;t hang onto it. I realized I was losing it. In fact, I had a dream. I was hanging onto some parts of what I did in &#8217;78 for dear life, and I realized they weren&#8217;t working with the new stuff. Some of this, because it was my house, I played out as we went. I don&#8217;t do that often, but in this case, I did some of that.</p> <p>I had a nightmare that a helicopter crashed into a Zeppelin, and the helicopter had a woman in a pink dress — and my house is pink, pink outside — flat against the hull — and she came crashing down on me in the street, and I pulled my mother to safety. I realized when I woke up, that it was about my house, that I was losing it. It made me resolve that I could go forward somehow. I don&#8217;t know why, it&#8217;s kind of mystical. But I did. I cut out all the stuff that I was hanging onto, and after that, I slept. It was wonderful. Something was going on. It was a panic of losing something that I had really worked on, and now it&#8217;s becoming something else, but it&#8217;s not as good as it was. It&#8217;s not. I know it isn&#8217;t — yet. It will be, I hope.</p> <p><strong>Mr. Gehry, that chair that you&#8217;re sitting in is quite interesting. Is there something that you can tell us about that?</strong></p> <p>Frank Gehry: The nice thing is you can just pick a piece off and throw it away if you don&#8217;t like it. I had made some chairs earlier, and they were shown at Bloomingdale&#8217;s. I made them out of paper. They achieved some kind of commercial success and it scared me, so I stopped them, because I wasn&#8217;t ready to be a successful furniture designer. I still wanted to be an architect. Somehow I thought that was going to end my life, so I stopped them, and I started making chairs that I thought nobody would like, and that&#8217;s what these are.</p> <p><strong>What are those made out of? Is that cardboard?</strong></p> <p>Frank Gehry: It&#8217;s paper. It&#8217;s a honeycomb paper that is made as an in-fill between two pieces of metal or wood, as a structural panel.</p> <p><strong>How do you get your ideas? Where do you find your inspiration when you&#8217;re designing a building?</strong></p> <p>Frank Gehry: For me it&#8217;s a free association, but it grows out of a sense of responsibility, sense of values, human values. The importance of relating to the community, and all of those things&#8230;and the client&#8217;s budget, their pocketbook, the client&#8217;s wishes. But even within that there&#8217;s a&#8230;</p> <p>There is a range of creativity possible, and I think it behooves us to explore that envelope and push at it. It comes out of an intuition, or a learned intuition, I guess. You study a long time &#8217;til you can do it. But it&#8217;s from looking around you, it&#8217;s from understanding what&#8217;s happening in the culture, what&#8217;s happening in the world. It&#8217;s a really big picture. Because there are no real rules. If you look at the world around us, and you think of all these adult and intelligent people who have gathered together over the years to create the biggest mess. It always looks like that, whatever period. It looked like that when I was a kid, it looks like that now. And yet, somehow we muddle forward and make things. So out of that comes inspiration, believe it or not, and leads to ideas. For instance, I&#8217;ve been interested in the sense of movement in architecture. Well, who cares whether a building looks like it&#8217;s moving or not? Maybe they shouldn&#8217;t, but that&#8217;s something that interested me. Maybe it comes from the fast society, the fast world around me, that I&#8217;m trying to make some kind of connection to. So I think you&#8217;ve just got to keep your eyes open, keep your ears open and understand what&#8217;s going on. And then play with it, and move with it, and make your expression grow from that.</p> <p><strong>Your designs are considered unconventional and innovative. How did you find these forms?</strong></p> <p>Frank Gehry: Slowly, by doing the things I&#8217;ve already said, not the least of which is studying history. You develop a base of information. You look at what&#8217;s around you, you take things in, you absorb. I think the most important thing is the people, finally, it&#8217;s a human thing. It&#8217;s how you interact with people and how you interpret their wishes and yearnings. It&#8217;s intuitive. It&#8217;s very difficult to explain why you do things, why you curve something. It becomes an evolution of thought and ideas. I feel like the picture of the cat pushing the ball of string. You just keep pushing it and it moves around. Then it falls off the table and creates this beautiful line in space.</p> <p>I think creativity&#8230; I guess (Henry) James wrote that it was like poking around in a deep well with a big stick, and every once in a while you would pull this stick out and something was there. These ideas are not easy to describe. They&#8217;re easy to rationalize after the fact, like the sense of movement is easy to rationalize, or certain materials, or certain constructs, and shapes, and forms. But basically, I am trying to make buildings and spaces that will inspire people, that will move people, that will get a reaction. Not just to get a reaction, but to get a positive reaction, hopefully, a place that they like to be in. My greatest thrill is to still be friends with the clients and people that helped me make these buildings.</p> <p><strong>Do you think that society curtails individual imagination? And if so, why?</strong></p> <p>Frank Gehry: I don&#8217;t think it does. I think it&#8217;s wide open. You curtail your own imagination if you do it. Certainly there are constraints: budgets and politics and sites. Gravity is a constraint, finally. But those are, to any artist, manageable.</p> <p>Every artist confronts a series of issues that are constraints. Those constraints are then turned by the artist into a positive force, to make something, make their mud pie, whatever it is. I think we learn to do that. I had a house recently with no constraints, and I had a horrible time with it. I had to look in the mirror a lot. Who am I? Why am I doing this? What is this all about? What is the social relevance of this? There was none. Finally, the owner gave me a quote from Oscar Wilde. I can&#8217;t remember the quote, but it was in essence that everything didn&#8217;t have to be relevant, that you could make a folly, and that there was some value in that. I lived on that for a while and made the so-called folly, which he&#8217;s not going to build anyway. I think we turn those constraints into action.</p> <p><strong>You&#8217;ve spoken about what you hoped to express in a given building, a feeling of movement for instance, but how do you reconcile that with the fact that people also need to use those buildings?</strong></p> <p>Frank Gehry: They wouldn&#8217;t get built if they didn&#8217;t respond to the programs. In one case it&#8217;s the Guggenheim Museum in Bilbao, Spain. Another is in Toledo, Ohio, it&#8217;s an art school. All of these buildings have very strict functional programs that have to be honored, and met and explored. I look at these programs, and many times question them, and try to present the clients with opportunities they haven&#8217;t thought of. That involves them in the process. So at the end, a building is a product of working with the client.</p> <p>One is in Czechoslovakia, Prague, on the beautiful river. It&#8217;s adjacent to a 19th century building. Even though it has its own body language, it fits very well into the form of the city. I think the function is like the budget, you have to respect it, honor it and deal with it. And if you disagree with it, don&#8217;t do it.</p> <p><strong>Has working in other cultures influenced you in your architecture?</strong></p> <p>Frank Gehry: I&#8217;m very concerned with that issue today (1995) in Seoul, Korea. I&#8217;m doing a museum on a very tight urban site, surrounded by half a dozen of the worst high-rise towers I&#8217;ve ever seen, the worst copies of American commercial architecture. But on the diagonals, the site looks at the mountains and looks at some shrines and temples. One of the shrines, Jongmyo, which I&#8217;d never heard of, has got to be at least in the top ten buildings ever built on this earth, and not many people know about it. It&#8217;s an extraordinary building, and it&#8217;s within view of my site, just like these others.</p> <p>How do you fit in contextually? Even though the bad buildings are there, they&#8217;re built, they&#8217;re by human beings, there has to be a certain accommodation to them. You can&#8217;t ignore them. So this is kind of an American image transplanted, and yet there is this landscape and these beautiful shrines. How to make these connections? And sitting right next to my site is a palace, a one-story Korean palace. And a 19th century two-story building. It&#8217;s not very good, but it&#8217;s protected building. All of these elements, I&#8217;m trying to gather them into my head and use them in some way. And then this building, as a museum, it has a function, it has galleries, and will show international art, so it has an international requirement. Then you get into all the requirements of showing art in galleries and so on.</p> <p>In the end, the historic elements of the culture, the strengths of Korea, at this point I think have to do with gardens and landscapes, because most of their buildings were torn down by invaders over the years. How to recapture, how to understand, culturally, the needs of this community that needs to find a pride in art again, because it was destroyed for them. They&#8217;re trying to search for that. So I&#8217;m looking at all of those things for this building. Will I succeed? I don&#8217;t know, but I have to be interpretive, I have to bring all of those elements in: the history, the current, the present, the chaos.</p> <p><strong>How soon might we see that building?</strong></p> <p>Frank Gehry: Well, I&#8217;m presenting it in a couple of weeks. If they like it, we might see it. But if they don&#8217;t, we won&#8217;t.</p> <p><strong>Have new technologies and computers affected your work, and how?</strong></p> <p>Frank Gehry: I try very hard to get the energy of the idea, the first idea, the drawing, and that character to the finished building. And I hate all the computer images that I&#8217;ve been confronted with, from the beginning until today. However, since I&#8217;ve gotten involved with buildings that have shape to them, that are very difficult to describe to a contractor, to a builder, I&#8217;ve made a relationship by some circuitous route, through IBM, to the people in France that make the Mirage airplane, Dassault. And they have a software, or a program, CATIA, for making airplanes, that allowed us to describe steel structures and curved structures in a way that demystified them for the builder, so that they weren&#8217;t afraid and didn&#8217;t superimpose fear costs on the project. We&#8217;ve been very successful in that, and I think it&#8217;s turned the tide. In other words, most architects and contractors are in mortal battle from the day they start. The contractor is scared of the costs and losing money, and the architect is pushing to get his or her dream to fruition, and they&#8217;re in conflict. And I found, through this funny gadget, that the architect can become the master builder, can become the leader, can direct the project, and the contractor likes it. They would rather be the child in the equation than the parent. They&#8217;d rather have the conceiver take a parental role. So it&#8217;s through this technology that I&#8217;ve found, in the few projects now, that it&#8217;s been very possible to change that relationship, in a positive way, for everybody.</p> <p><strong>Does working with computers make a difference in terms of two-dimensional and three-dimensional thinking?</strong></p> <p>Frank Gehry: I don&#8217;t like the computer, except as a gadget to explain myself to the contractors. But I did, in the course of working with it, get into trying to design on it, even though I hate the imagery. I likened it to putting my hand in the fire and seeing how long you could keep it in there before I pulled it out. So I would sit at the thing. It took about three minutes to four minutes before the fire got too hot and I&#8217;ll pull it out.</p> <p>But in doing that, I did design a form that I never had before. It looked like a prehistoric horse&#8217;s skull. It was interesting. I think it is possible. I think it&#8217;s just a training thing, if you&#8217;re aware that you&#8217;re putting your hand in the fire for a few minutes&#8230;</p> <p><strong>What can you predict about the future of architecture?</strong></p> <p>Frank Gehry: I hang on to democracy, sort of, even though it&#8217;s not perfectly practiced, that this has changed the game a lot. And you see a lot of architects, a lot of ideas being more accepted. There are more all-star architects today than there were when I was a kid. There are many different kinds of work, signatures in work, and we do co-exist. I like Bob Stern&#8217;s work a lot. So we can be different, we can co-exist. We&#8217;re going to have to find ways to make cities that express that. They can&#8217;t be the historical, idyllic 19th century model anymore, because we&#8217;re not living like that anymore, and our world isn&#8217;t like that. We&#8217;re finding ways to move forward, while learning from the past. You don&#8217;t ignore it, you don&#8217;t destroy it, but you build from it. I think pluralism is the most optimistic. There are now many ideas, many possibilities. How do you bring that together into a new city form?</p> <p><strong>What role do you see yourself playing in that?</strong></p> <p>Frank Gehry: You just do your work, and if somebody likes it, they like it, and if they don&#8217;t, you don&#8217;t try to sell them on it. I think that most of the world wants to live in the past, and I think it is going to catch up with us at some point, and I don&#8217;t know when that&#8217;s going to happen. Maybe it&#8217;s my fantasy. Maybe I want it to happen because I&#8217;m tired of it. I think we should start living in the present in trying to deal with it. It seems like it would be much more positive.</p> <p>I think the blurring of the lines between art and architecture has got to happen. I don&#8217;t think these categories are working very well. I am finding the crossover much more exhilarating and much more interesting, and the collaboration much more interesting. In architecture, I don&#8217;t think you can build Rockefeller Center today. It represents a different politic, a different ethic, a different idea.</p> <p><strong>The grand monument kind of thing?</strong></p> <p>Frank Gehry: It just represents the power of the Rockefellers, and I see it breaking down and becoming much more pluralistic, which leads me to collaboration. I think that our politics suggest that many ideas could coexist, and the richness of ideas coexisting interests me, and it&#8217;s led me to collaborating with other architects, with other artists, and I find that exhilarating and very fruitful. Things happen. I just collaborated with Philip Johnson and Claes Oldenburg and his wife and Richard Serra and Larry Bell.</p> <p><strong>On what project?</strong></p> <p>Frank Gehry: On a house, which the guy isn&#8217;t building.</p> <p><strong>He&#8217;s not building it after all that?</strong></p> <p>Frank Gehry: No. No. It&#8217;s very painful when these things happen, but when you do houses, you are dealing with emotion at some kind of high pitch. So I never expect much, but this one got pretty good. It was like a chess game. I had the biggest piece of it. It was my project. I brought them all in, and Philip had a little guest house, and he made his move on the guest house, and then I would play against him. It was like a chess game, and he is so brilliant, this guy! He could preempt my trajectory. He would get me just before I made the move. And then Claes had done stuff before that had seeped into my head through the binoculars and stuff like that. So some of the shapes, after the fact, I could recognize were coming from way back somewhere. Those shapes turned on Richard Serra to do a new kind of piece, which came out of the house. So there was this play happening. When you see the whole package, you can see the energy. If it was built, it would be really clear. We all can feel it. We can see it, and that&#8217;s kept us going. That&#8217;s pretty exciting. That&#8217;s really taking the best people you can get and upping the ante a lot.</p> <p><strong>There&#8217;s a sort of stereotype image of the architect as an autocratic egomaniac that we see in movies and in novels like <em>The Fountainhead</em>. You seem like the antithesis of that.</strong></p> <p>Frank Gehry: Yeah.</p> <p><strong>In the real world, what personal characteristics do you think a person needs to be an architect?</strong></p> <p>Frank Gehry: Well, I think there are all kinds of architects. So one of the problems is the schools supposedly create architects like me. That&#8217;s the whole thrust, and not many people can do it. I think the educational thing has to change a bit, so that you allow different kinds of architects to evolve, because when you get in practice, you need all these different skills. It&#8217;s not something you can do yourself. I think that having an open mind about collaboration with people is important. If you are the Lone Ranger, it&#8217;s a little bit harder, I think. I think that the iconoclast that you suggest, <em>The Fountainhead</em>, is hard to exist in the context of our politics now, in our world. There are a few people that try it and get away with it, but the people that do it, I don&#8217;t see them producing what the guys who used to do it did. So it&#8217;s a pose. It&#8217;s not real.</p> <p><strong>You have to be a collaborator, don&#8217;t you?</strong></p> <p>Frank Gehry: I think you do. I think you have to be a collaborator on lots of levels. You have to be willing to be a leader in the collaboration. You have to be able to work with the clients and inspire them to more than they — I mean, usually when they come to me, they are ready. They want to do something special. Even the Disney Hall thing, they carved out a real free path for me. Even today with all the troubles, they&#8217;re not really hitting at the design as the flaw. I&#8217;m 66, so you get to a point where you get some powers and some credibility — it took a long time — with certain people. It&#8217;s not with everybody. The U.S. Government won&#8217;t hire me. They laugh.</p> <p><strong>It sounds like patience is important too.</strong></p> <p>Frank Gehry: Patience, yeah. But hanging on, being relentless, just never giving up, I guess that&#8217;s patience, and having a vision. You&#8217;ve got to know where you want to go with it, and how to explain it.</p> <p>I used to think that the explanation robbed the essence out of the thing. It was sort of, &#8220;I didn&#8217;t want to take this.&#8221; There is a feeling of that in the art world or in architecture, but I discovered that the more I could explain myself, the better it was in terms of the relationship with the other people, and that even when I became very intuitive and I didn&#8217;t know exactly where I was going, I could analyze it for somebody and tell them what I thought I was doing and where I thought I was doing it and how it fit into the history of my work. So I think in my case, I find the clients very important to the equation.</p> <p><strong>Can you tell us a little bit about what students should be thinking about, if they&#8217;re interested in going into architecture. Should they be doing a lot of math courses?</strong></p> <p>Frank Gehry: I think there are a lot of ways to be an architect, and math is certainly an important part of it. But there are a lot of different areas in architecture, and the schools have a tendency to develop a certain kind architect — trying to make the stars. But all of us need a lot of help from a lot of different kinds of people. First of all, you have to love architecture. If you love it more than anything and you want to be part of it, then you find your particular niche or your way of dealing with it. It may not be the same way I deal with it, it may be working with research in planning and housing. It may develop into materials research. It may be in graphics as it applies to architecture. It may be in the presentation of architecture. There are so many parts I can enumerate, but I think it&#8217;s a broader field.</p> <p><strong>I suppose you can&#8217;t be thinking about being an artist and also thinking maybe you&#8217;d like to be a lawyer, or a doctor, or something as well. You&#8217;ve got to be committed.</strong></p> <p>Frank Gehry: A nine-year-old kid came to my office the other day. He was doing a paper for his class on architecture. And he said, &#8220;How do you know when you want to be something, like an architect? How will I know?&#8221; And I said, &#8220;What&#8217;s your favorite thing?&#8221; This just popped out of me. &#8220;What is your favorite thing that you do?&#8221; And he said, &#8220;I love the sleepovers at my house when I can stay up late with my friends.&#8221; And I said, &#8220;Okay. When you love architecture more than that, then you&#8217;ll know it&#8217;s the right thing.&#8221;</p> <p><strong>You make it all sound pretty daunting.</strong></p> <p>Frank Gehry: It&#8217;s an awesome thing to come out and look for a way to make a living, and to get into the world. It looks awesome, and it&#8217;s huge, and some of us do things now that make us look so smart, like we&#8217;ve conquered it. But it just takes baby steps. You start a little bit at a time, and it grows, and you can do it. We&#8217;re just normal human beings, and we did it, so you can do it.</p> <p><strong>You came to this country from Canada, and I wondered what kind of image you get when you think of the American Dream.</strong></p> <p>Frank Gehry: It&#8217;s the same as the Canadian Dream, I think. The American Dream is about freedom, free expression, melting pot, ideas, exchange of ideas. That&#8217;s my American Dream. It&#8217;s very naive, I think, but I hang onto it. I&#8217;m scared of the guns and stuff that&#8217;s going on.</p> <p><strong>But is there still a possibility of that dream?</strong></p> <p>Frank Gehry: Well, if you look at my career, I&#8217;m realizing an American Dream. I&#8217;m having a great time. I&#8217;m certainly appreciated by enough people to make it worthwhile. I feel good, and I&#8217;m getting to act out a certain game or whatever you want to call it, and I think it is contributing something to the world. How important it is, I don&#8217;t know. I don&#8217;t have any illusions or visions of grandeur about it.</p> <p><strong>And you call yourself an architect!</strong></p> <p>Frank Gehry: Yeah!</p> </div> <!-- end interview copy --> </aside> <!-- end js-full-interview --> <div class="read-more__toggle collapsed" data-toggle="collapse" data-target="#full-interview"><a href="#" class="sans-4 btn">Read full interview</a></div> </article> </section> </div> <div class="tab-pane fade" id="gallery" role="tabpanel"> <section class="isotope-wrapper"> <!-- photos --> <header class="toolbar toolbar--gallery bg-white clearfix"> <div class="col-md-6"> <div class="serif-4">Frank O. Gehry Gallery</div> </div> <div class="col-md-6 text-md-right isotope-toolbar"> <ul class="list-unstyled list-inline m-b-0 text-brand-primary sans-4"> <li class="list-inline-item" data-filter=".photo"><i class="icon-icon_camera"></i>22&nbsp;photos</li> </ul> </div> </header> <div class="isotope-gallery isotope-box single-achiever__gallery clearfix"> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="1.4990138067061" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(1.4990138067061 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/wordpress-Rasin-Building.jpg" data-image-caption="The Rasin Building, also known as the Dancing House or the Fred and Ginger Building, designed by Frank Gehry in Prague, Czech Republic. " data-image-copyright="wordpress-Rasin-Building" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/wordpress-Rasin-Building-253x380.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/wordpress-Rasin-Building-507x760.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="1.7511520737327" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(1.7511520737327 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/gehry-FGBox-02_258.jpg" data-image-caption="" data-image-copyright="gehry-fgbox-02_258" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/gehry-FGBox-02_258-217x380.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/gehry-FGBox-02_258-434x760.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="0.65789473684211" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(0.65789473684211 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/wordpress-gehry-frank255.jpg" data-image-caption="Architect Frank Gehry works on a model for a new building. (Courtesy of Frank O. Gehry)" data-image-copyright="wordpress-gehry-frank255" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/wordpress-gehry-frank255-380x250.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/wordpress-gehry-frank255-760x500.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="0.66447368421053" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(0.66447368421053 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/wordpress-Frank-Gehry-Hotel-Marques-de-Riscal-photo-Thomas-Meyer.jpg" data-image-caption="2006: Marques de Riscal Hotel in Elciego, Spain, designed by Frank Gehry." data-image-copyright="wordpress-Frank-Gehry-Hotel-Marques-de-Riscal-photo-Thomas-Meyer" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/wordpress-Frank-Gehry-Hotel-Marques-de-Riscal-photo-Thomas-Meyer-380x252.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/wordpress-Frank-Gehry-Hotel-Marques-de-Riscal-photo-Thomas-Meyer-760x505.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="1" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(1 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/wordpress-Frank-Gehry-young290.jpg" data-image-caption="Frank Gehry in front of his boyhood home in Toronto in the mid-1940s. (Courtesy of Frank O. Gehry)" data-image-copyright="wordpress-Frank Gehry young290" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/wordpress-Frank-Gehry-young290-380x380.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/wordpress-Frank-Gehry-young290-760x760.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="0.66447368421053" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(0.66447368421053 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/small-Barcelona_Frank_Gehrys_Peix.jpg" data-image-caption="1992: One of the first public projects of Gehry is the Barcelona Fish – a huge fish sculpture placed on Barcelona’s waterfront for the 1992 Olympics. The monumental fish sculpture functions as a landmark in the Olympic Village, anchoring a retail complex designed by Gehry Partners within a larger hotel development by Skidmore, Owing &amp;amp; Merill. This fish sculpture was also a landmark in the history of Frank O. Gehry &amp;amp; Associates, inaugurating the firm's use of computer-aided design and manufacturing. The project's financial and scheduling constraints prompted James M. Glymph, a partner in the firm, to search for a computer program that would facilitate the design and construction process, leading to the adoption of CATIA (computer aided three-dimensional interactive application). The sculpture was modeled entirely in 3D and delivered directly to the fabricators as a 3D model. The fish is a frequently recurring motif in Gehry's work, serving as inspiration and mascot." data-image-copyright="small-barcelona_frank_gehrys_peix" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/small-Barcelona_Frank_Gehrys_Peix-380x252.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/small-Barcelona_Frank_Gehrys_Peix-760x505.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="0.66315789473684" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(0.66315789473684 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/wordpress-Frank-Gehry-young289.jpg" data-image-caption="A teenage Frank Gehry (right) horsing around with a friend in his old neighborhood in Toronto. (Courtesy of Frank O. Gehry)" data-image-copyright="wordpress-Frank Gehry young289" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/wordpress-Frank-Gehry-young289-380x252.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/wordpress-Frank-Gehry-young289-760x504.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="0.675" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(0.675 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/wordpress-AP100317054102.jpg" data-image-caption="March 17, 2010: Architect Frank Gehry is seen in front of his creation, the Cleveland Clinic Lou Ruvo Center for Brain Health, in Las Vegas. (AP Photo/Isaac Brekken)" data-image-copyright="Frank Gehry" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/wordpress-AP100317054102-380x257.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/wordpress-AP100317054102-760x513.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="0.66447368421053" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(0.66447368421053 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/wordpress-174610889.jpg" data-image-caption="Frank Gehry's masterpiece, the Guggenheim Museum in Bilbao, Spain. (© Jose Fuste Raga/CORBIS)" data-image-copyright="The Guggenheim Bilbao, Museum of Modern Art, by architect" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/wordpress-174610889-380x252.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/wordpress-174610889-760x505.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="0.52763157894737" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(0.52763157894737 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/wordpress-42-62294744.jpg" data-image-caption="Frank Gehry's Fondation Louis Vuitton in the Bois de Boulogne. (© Christopher Peterson/Splash News/Corbis)" data-image-copyright="General views of of architect Frank Gehry's building Fondation Louis Vuitton designed for French billionaire Bernard Arnault located located at 8, Avenue du Mahatma Gandhi in the Bois de Boulogne on September 20, 2014 in Paris, France" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/wordpress-42-62294744-380x201.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/wordpress-42-62294744-760x401.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="1.3970588235294" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(1.3970588235294 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/wp-gehry-FG_.jpg" data-image-caption="" data-image-copyright="wp-gehry-fg_" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/wp-gehry-FG_-272x380.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/wp-gehry-FG_-544x760.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="0.66710526315789" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(0.66710526315789 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/small-GEHRY-2013.0026-C_JWhite-e1438698249845.jpg" data-image-caption="2012: Frank Gehry, &quot;Fish Lamp&quot;, metal wire, ColorCore formica, silicone, and wooden base. The first Fish Lamps, which were shown in “Frank Gehry: Unique Lamps” in 1984 at Gagosian Los Angeles, employed wire armatures molded into fish shapes, onto which shards of ColorCore are individually glued, creating clear allusions to the morphic attributes of real fish. Since the creation of the first lamp in 1984, Gehry’s Fish Lamps have been exhibited in London, Paris, Hong Kong, and now Rome. The fish has become a recurrent motif in Gehry’s work, as much for its “good design” as for its iconographical and natural attributes. Its quicksilver appeal informs the undulating, curvilinear forms of the Guggenheim Museum in Bilbao, Spain (1997); the Jay Pritzker Pavilion in Chicago (2004); and the Marqués de Riscal Vineyard Hotel in Elciego, Spain (2006), as well as the Fish Sculpture at Vila Olímpica in Barcelona (1989–92) and Standing Glass Fish for the Minneapolis Sculpture Garden (1986). In 2012 Gehry decided to revisit his earlier ideas, and began working on an entirely new group of Fish Lamps. The resulting works range in scale from life-size to outsize, and the use of ColorCore is bolder, incorporating larger and morejagged elements. The sculptures are each unique, and each made by hand. The softly glowing Fish Lamps are full of whimsy and vigor. Curling and flexing in attitudes of simulated motion, these artificial creatures emit a warm, incandescent light. This intimation of life, underscored by the almost organic textures of the nuanced surfaces, presents a spirited symbiosis of material, form, and function. (Josh White)" data-image-copyright="small-gehry-2013-0026-c_jwhite-e1438698249845" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/small-GEHRY-2013.0026-C_JWhite-e1438698249845-380x254.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/small-GEHRY-2013.0026-C_JWhite-e1438698249845-760x507.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="1.0919540229885" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(1.0919540229885 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/wordpress-GehryFrank351.jpg" data-image-caption="(Courtesy of Frank O. Gehry)" data-image-copyright="wordpress-GehryFrank351" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/wordpress-GehryFrank351-348x380.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/wordpress-GehryFrank351-696x760.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="0.75394736842105" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(0.75394736842105 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/wordpres-gehry-santamonica.jpg" data-image-caption="Frank Gehry's Santa Monica residence. A breakthrough in his work, it was initially resisted by his Santa Monica neighbors. (Frank Gehry &amp; Associates)" data-image-copyright="wordpres-gehry-santamonica" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/wordpres-gehry-santamonica-380x286.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/wordpres-gehry-santamonica-760x573.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="0.84078947368421" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(0.84078947368421 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/GettyImages-525509740.jpg" data-image-caption="Canadian-American Pritzker Prize–winning architect Frank Gehry. (Photo by Michael Childers/Corbis via Getty Images)" data-image-copyright="Canadian-American architect Frank Gehry" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/GettyImages-525509740-380x319.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/GettyImages-525509740-760x639.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="0.48157894736842" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(0.48157894736842 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/gehr0-Walt_Disney_Concert_Hall.jpg" data-image-caption="Frank Gehry's Walt Disney Concert Hall opened in 2004 in downtown Los Angeles. (John O'Neill/Public Domain)" data-image-copyright="gehr0-Walt_Disney_Concert_Hall" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/gehr0-Walt_Disney_Concert_Hall-380x183.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/gehr0-Walt_Disney_Concert_Hall-760x366.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="0.99605263157895" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(0.99605263157895 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/geh0-corbusier-gehry-GettyImages-160653107.jpg" data-image-caption="Charles-Édouard Jeanneret-Gris, better known as Le Corbusier, the Swiss-French architect, designer, painter, urban planner, author and one of the pioneers of modern architecture. Frank Gehry spent a year as a young architect in Paris, where he studied the work of Le Corbusier. (Photo by Willy Rizzo / Paris Match via Getty Images)" data-image-copyright="Close-up Of Le Corbusier" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/geh0-corbusier-gehry-GettyImages-160653107-380x380.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/geh0-corbusier-gehry-GettyImages-160653107-760x757.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="0.63026315789474" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(0.63026315789474 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/wp-AP_724971320598.jpg" data-image-caption="Canadian artist Frank Gehry, who has recently been announced as the architect to take on the redevelopment of Battersea Power Station, stands next his fish lamps at the opening of his exhibition at the Gagosian Mayfair gallery, in central London, Thursday, Nov. 7, 2013. (Photo by Joel Ryan/Invision/AP)" data-image-copyright="Britain Frank Gehry Fish Lamps" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/wp-AP_724971320598-380x239.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/wp-AP_724971320598-760x479.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="0.91710526315789" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(0.91710526315789 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/Gehry-Frank-Neon-light-sculpture.jpg" data-image-caption="" data-image-copyright="gehry-frank-neon-light-sculpture" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/Gehry-Frank-Neon-light-sculpture-380x348.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/Gehry-Frank-Neon-light-sculpture-760x697.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="0.68815789473684" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(0.68815789473684 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/Gehry-Frank-purple-and-blue-image.jpg" data-image-caption="" data-image-copyright="gehry-frank-purple-and-blue-image" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/Gehry-Frank-purple-and-blue-image-380x261.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/Gehry-Frank-purple-and-blue-image-760x523.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="0.75" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(0.75 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/wp-gehry-wh-2016.jpg" data-image-caption="November 22, 2016: President Barack Obama awards Frank Gehry with the Presidential Medal of Freedom, the nation's highest civilian award, during a ceremony in the East Room of the White House in Washington, D.C." data-image-copyright="wp-gehry-wh-2016" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/wp-gehry-wh-2016-380x285.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/wp-gehry-wh-2016-760x570.jpg"></div> <!-- </a> --> </figure> <figure class="isotope-item ratio-container--gallery photo" data-category="photo" data-ratio="0.6" title="" data-gtm-category="photo" data-gtm-action="click" data-gtm-label="Achiever - "> <!-- style="padding-bottom: calc(0.6 * 380px);" --> <!-- <a href="" class=""> --> <div class="lazyload ratio-container__image" data-toggle="modal" data-target="#imageModal" data-image-src="/wp-content/uploads/2016/05/wp-Guggenheim-Abu-Dhabi-Small162201581635.jpg" data-image-caption="The Guggenheim Abu Dhabi, designed by Frank Gehry, presents an innovative vision for viewing contemporary art in the context of a desert landscape. Currently under development, the new museum will be situated on a peninsula at the northwestern tip of Saadiyat Island adjacent to Abu Dhabi in the United Arab Emirates. Surrounded on three sides by the the Persian Gulf, the building site also serves as a manmade breakwater. Inspired by expansive industrial studio spaces, the museum design reflects the large scale at which many contemporary artists work, and presents new gallery layouts unlike conventional museum spaces." data-image-copyright="wp-guggenheim-abu-dhabi-small162201581635" data-sizes="auto" data-bgset="/wp-content/uploads/2016/05/wp-Guggenheim-Abu-Dhabi-Small162201581635-380x228.jpg [(max-width:576px)] | /wp-content/uploads/2016/05/wp-Guggenheim-Abu-Dhabi-Small162201581635-760x456.jpg"></div> <!-- </a> --> </figure> <!-- end photos --> <!-- videos --> <!-- end videos --> </div> </section> </div> </div> <div class="container"> <footer class="editorial-article__footer col-md-8 col-md-offset-4"> <div class="editorial-article__next-link sans-3"> <a href="#"><strong>What's next:</strong> <span class="editorial-article__next-link-title">profile</span></a> </div> <ul class="social list-unstyled list-inline ssk-group m-b-0"> <li class="list-inline-item"><a href="" class="ssk ssk-facebook" data-gtm-category="social" data-gtm-action="click" data-gtm-label="Shared Achiever on Facebook"><i class="icon-icon_facebook-circle"></i></a></li> <li class="list-inline-item"><a href="" class="ssk ssk-twitter" data-gtm-category="social" data-gtm-action="click" data-gtm-label="Shared Achiever on Twitter"><i class="icon-icon_twitter-circle"></i></a></li> <!-- <li class="list-inline-item"><a href="" class="ssk ssk-google-plus" data-gtm-category="social" data-gtm-action="click" data-gtm-label="Shared Achiever on G+"><i class="icon-icon_google-circle"></i></a></li> --> <li class="list-inline-item"><a href="" class="ssk ssk-email" data-gtm-category="social" data-gtm-action="click" data-gtm-label="Shared Achiever via Email"><i class="icon-icon_email-circle"></i></a></li> </ul> <time class="editorial-article__last-updated sans-6">This page last revised on February 6, 2017</time> <div class="sans-4"><a href="/web/20170701113722/http://www.achievement.org/how-to-cite" target="_blank">How to cite this page</a></div> </footer> </div> <div class="container interview-related-achievers"> <hr class="m-t-3 m-b-3"/> <footer class="clearfix small-blocks text-xs-center"> <h3 class="m-b-3 serif-3">If you are inspired by this achiever&rsquo;s story, you&nbsp;might&nbsp;also&nbsp;enjoy:</h3> <div class="centered-blocks"> <div class="isotope-achiever public-service difficulty-with-school ambitious curious " data-year-inducted="2001" data-achiever-name="Brown"> <div class="achiever-block view-grid"> <a href="/web/20170701113722/http://www.achievement.org/achiever/carter-j-brown/"> <figure class="ratio-container ratio-container--square bg-black"> <div class="lazyload box achiever-block__image" data-sizes="auto" data-bgset="/wp-content/uploads/2016/03/bro1-001-190x190.jpg [(max-width:576px)] | /wp-content/uploads/2016/03/bro1-001-380x380.jpg"></div> <div class="achiever-block__overlay"></div> <figcaption class="text-xs-center achiever-block__text"> <div class="display--table"> <div class="display--table-cell"> <div class="achiever-block__text--center"> <div class="achiever-block__name text-brand-primary">J. 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Johnson</div> <div class="achiever-block__known-as text-white sans-6">Dean of American Architects</div> </div> </div> </div> <div class="text-white achiever-block__text--bottom"> <div class="achiever-block__year sans-4">Inducted in <span class="year-inducted">1991</span></div> </div> </figcaption> </figure> </a> </div> </div> </div> <div class="centered-blocks"> <div class="isotope-achiever the-arts racism-discrimination small-town-rural-upbringing analytical curious resourceful build-or-create-things design-draw " data-year-inducted="2000" data-achiever-name="Lin"> <div class="achiever-block view-grid"> <a href="/web/20170701113722/http://www.achievement.org/achiever/maya-lin/"> <figure class="ratio-container ratio-container--square bg-black"> <div class="lazyload box achiever-block__image" data-sizes="auto" data-bgset="/wp-content/uploads/2016/03/lin-760_ac-1-190x190.jpg [(max-width:576px)] | /wp-content/uploads/2016/03/lin-760_ac-1-380x380.jpg"></div> <div 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class="centered-blocks"> <div class="isotope-achiever public-service public-service difficulty-with-school illness-or-disability poverty racism-discrimination ambitious extroverted pursue-public-office help-mankind athletic " data-year-inducted="2006" data-achiever-name="Villaraigosa"> <div class="achiever-block view-grid"> <a href="/web/20170701113722/http://www.achievement.org/achiever/antonio-villaraigosa/"> <figure class="ratio-container ratio-container--square bg-black"> <div class="lazyload box achiever-block__image" data-sizes="auto" data-bgset="/wp-content/uploads/2016/04/villaraigosa_760_SQUARE-190x190.jpg [(max-width:576px)] | /wp-content/uploads/2016/04/villaraigosa_760_SQUARE-380x380.jpg"></div> <div class="achiever-block__overlay"></div> <figcaption class="text-xs-center achiever-block__text"> <div class="display--table"> <div class="display--table-cell"> <div class="achiever-block__text--center"> <div class="achiever-block__name text-brand-primary">Antonio 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Ballard, Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/sir-roger-bannister-2/"><span class="achiever-list-name">Sir Roger Bannister</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/ehud-barak/"><span class="achiever-list-name">Ehud Barak</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/lee-r-berger-ph-d/"><span class="achiever-list-name">Lee R. Berger, Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/sir-timothy-berners-lee/"><span class="achiever-list-name">Sir Tim Berners-Lee</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/yogi-berra/"><span class="achiever-list-name">Yogi Berra</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/jeffrey-p-bezos/"><span class="achiever-list-name">Jeffrey P. Bezos</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/benazir-bhutto/"><span class="achiever-list-name">Benazir Bhutto</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/keith-l-black/"><span class="achiever-list-name">Keith L. Black, M.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/elizabeth-blackburn/"><span class="achiever-list-name">Elizabeth Blackburn, Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/david-boies-2/"><span class="achiever-list-name">David Boies</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/norman-e-borlaug/"><span class="achiever-list-name">Norman E. Borlaug, Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/benjamin-c-bradlee/"><span class="achiever-list-name">Benjamin C. Bradlee</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/sergey-brin/"><span class="achiever-list-name">Sergey Brin</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/carter-j-brown/"><span class="achiever-list-name">J. Carter Brown</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/linda-buck/"><span class="achiever-list-name">Linda Buck, Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/carol-burnett/"><span class="achiever-list-name">Carol Burnett</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/george-h-w-bush/"><span class="achiever-list-name">George H. W. Bush</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/susan-butcher/"><span class="achiever-list-name">Susan Butcher</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/james-cameron/"><span class="achiever-list-name">James Cameron</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/benjamin-s-carson/"><span class="achiever-list-name">Benjamin S. Carson, M.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/jimmy-carter/"><span class="achiever-list-name">Jimmy Carter</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/johnny-cash/"><span class="achiever-list-name">Johnny Cash</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/francis-s-collins/"><span class="achiever-list-name">Francis S. Collins, M.D., Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/denton-a-cooley/"><span class="achiever-list-name">Denton A. Cooley, M.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/francis-ford-coppola/"><span class="achiever-list-name">Francis Ford Coppola</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/ray-dalio/"><span class="achiever-list-name">Ray Dalio</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/olivia-de-havilland/"><span class="achiever-list-name">Dame Olivia de Havilland</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/michael-e-debakey-m-d/"><span class="achiever-list-name">Michael E. DeBakey, M.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/michael-dell/"><span class="achiever-list-name">Michael S. Dell</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/joan-didion/"><span class="achiever-list-name">Joan Didion</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/rita-dove/"><span class="achiever-list-name">Rita Dove</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/sylvia-earle/"><span class="achiever-list-name">Sylvia Earle, Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/elbaradei/"><span class="achiever-list-name">Mohamed ElBaradei</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/gertrude-elion/"><span class="achiever-list-name">Gertrude B. Elion, M.Sc.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/larry-j-ellison/"><span class="achiever-list-name">Larry J. Ellison</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/nora-ephron/"><span class="achiever-list-name">Nora Ephron</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/julius-erving/"><span class="achiever-list-name">Julius Erving</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/tony-fadell/"><span class="achiever-list-name">Tony Fadell</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/paul-farmer/"><span class="achiever-list-name">Paul Farmer, M.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/suzanne-farrell/"><span class="achiever-list-name">Suzanne Farrell</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/sally-field/"><span class="achiever-list-name">Sally Field</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/milton-friedman-ph-d/"><span class="achiever-list-name">Milton Friedman, Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/carlos-fuentes/"><span class="achiever-list-name">Carlos Fuentes</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/athol-fugard/"><span class="achiever-list-name">Athol Fugard</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/ernest-j-gaines/"><span class="achiever-list-name">Ernest J. Gaines</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/william-h-gates-iii/"><span class="achiever-list-name">William H. Gates III</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/frank-gehry/"><span class="achiever-list-name">Frank O. Gehry</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/vince-gill/"><span class="achiever-list-name">Vince Gill</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/ruth-bader-ginsburg/"><span class="achiever-list-name">Ruth Bader Ginsburg</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/louise-gluck/"><span class="achiever-list-name">Louise Glück</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/whoopi-goldberg/"><span class="achiever-list-name">Whoopi Goldberg</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/jane-goodall/"><span class="achiever-list-name">Dame Jane Goodall</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/doris-kearns-goodwin/"><span class="achiever-list-name">Doris Kearns Goodwin, Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/mikhail-s-gorbachev/"><span class="achiever-list-name">Mikhail S. Gorbachev</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/nadine-gordimer/"><span class="achiever-list-name">Nadine Gordimer</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/stephen-jay-gould/"><span class="achiever-list-name">Stephen Jay Gould, Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/carol-greider-ph-d/"><span class="achiever-list-name">Carol Greider, Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/john-grisham/"><span class="achiever-list-name">John Grisham</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/dorothy-hamill/"><span class="achiever-list-name">Dorothy Hamill</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/lauryn-hill/"><span class="achiever-list-name">Lauryn Hill</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/sir-edmund-hillary/"><span class="achiever-list-name">Sir Edmund Hillary</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/reid-hoffman/"><span class="achiever-list-name">Reid Hoffman</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/khaled-hosseini/"><span class="achiever-list-name">Khaled Hosseini, M.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/ron-howard/"><span class="achiever-list-name">Ron Howard</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/john-hume/"><span class="achiever-list-name">John Hume</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/louis-ignarro-ph-d/"><span class="achiever-list-name">Louis Ignarro, Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/daniel-inouye/"><span class="achiever-list-name">Daniel K. Inouye</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/jeremy-irons/"><span class="achiever-list-name">Jeremy Irons</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/john-irving/"><span class="achiever-list-name">John Irving</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/sir-peter-jackson/"><span class="achiever-list-name">Sir Peter Jackson</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/donald-c-johanson/"><span class="achiever-list-name">Donald C. Johanson, Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/frank-m-johnson/"><span class="achiever-list-name">Frank M. Johnson, Jr.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/philip-johnson/"><span class="achiever-list-name">Philip C. Johnson</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/chuck-jones/"><span class="achiever-list-name">Chuck Jones</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/james-earl-jones/"><span class="achiever-list-name">James Earl Jones</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/quincy-jones/"><span class="achiever-list-name">Quincy Jones</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/thomas-keller-2/"><span class="achiever-list-name">Thomas Keller</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/anthony-m-kennedy/"><span class="achiever-list-name">Anthony M. Kennedy</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/b-b-king/"><span class="achiever-list-name">B.B. King</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/carole-king/"><span class="achiever-list-name">Carole King</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/coretta-scott-king/"><span class="achiever-list-name">Coretta Scott King</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/henry-kissinger-ph-d/"><span class="achiever-list-name">Henry A. Kissinger, Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/willem-j-kolff/"><span class="achiever-list-name">Willem J. Kolff, M.D., Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/wendy-kopp/"><span class="achiever-list-name">Wendy Kopp</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/henry-r-kravis/"><span class="achiever-list-name">Henry R. Kravis</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/nicholas-d-kristof/"><span class="achiever-list-name">Nicholas D. Kristof</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/mike-krzyzewski/"><span class="achiever-list-name">Mike Krzyzewski</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/ray-kurzwell/"><span class="achiever-list-name">Ray Kurzweil</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/eric-lander-ph-d/"><span class="achiever-list-name">Eric S. Lander, Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/robert-s-langer-ph-d/"><span class="achiever-list-name">Robert S. Langer, Sc.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/richard-leakey/"><span class="achiever-list-name">Richard E. Leakey</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/robert-lefkowitz-m-d/"><span class="achiever-list-name">Robert J. Lefkowitz, M.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/congressman-john-r-lewis/"><span class="achiever-list-name">Congressman John R. Lewis</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/maya-lin/"><span class="achiever-list-name">Maya Lin</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/george-lucas/"><span class="achiever-list-name">George Lucas</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/norman-mailer/"><span class="achiever-list-name">Norman Mailer</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/peyton-manning/"><span class="achiever-list-name">Peyton Manning</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/wynton-marsalis/"><span class="achiever-list-name">Wynton Marsalis</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/john-c-mather-ph-d/"><span class="achiever-list-name">John C. Mather, Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/johnny-mathis/"><span class="achiever-list-name">Johnny Mathis</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/willie-mays/"><span class="achiever-list-name">Willie Mays</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/frank-mccourt/"><span class="achiever-list-name">Frank McCourt</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/david-mccullough/"><span class="achiever-list-name">David McCullough</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/audra-mcdonald/"><span class="achiever-list-name">Audra McDonald</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/admiral-william-h-mcraven/"><span class="achiever-list-name">Admiral William H. McRaven, USN</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/w-s-merwin/"><span class="achiever-list-name">W. S. Merwin</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/james-a-michener/"><span class="achiever-list-name">James A. Michener</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/marvin-minsky-ph-d/"><span class="achiever-list-name">Marvin Minsky, Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/mario-j-molina-ph-d/"><span class="achiever-list-name">Mario J. Molina, Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/n-scott-momaday-ph-d/"><span class="achiever-list-name">N. Scott Momaday, Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/story-musgrave/"><span class="achiever-list-name">Story Musgrave, M.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/ralph-nader/"><span class="achiever-list-name">Ralph Nader</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/peggy-noonan/"><span class="achiever-list-name">Peggy Noonan</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/jessye-norman/"><span class="achiever-list-name">Jessye Norman</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/tommy-norris/"><span class="achiever-list-name">Lt. Thomas R. Norris, USN</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/joyce-carol-oates/"><span class="achiever-list-name">Joyce Carol Oates</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/pierre-omidyar/"><span class="achiever-list-name">Pierre Omidyar</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/larry-page/"><span class="achiever-list-name">Larry Page</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/arnold-palmer/"><span class="achiever-list-name">Arnold Palmer</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/rosa-parks/"><span class="achiever-list-name">Rosa Parks</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/suzan-lori-parks/"><span class="achiever-list-name">Suzan-Lori Parks</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/linus-pauling/"><span class="achiever-list-name">Linus C. Pauling, Ph.D.</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/shimon-peres/"><span class="achiever-list-name">Shimon Peres</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/general-david-petraeus/"><span class="achiever-list-name">General David H. Petraeus, USA</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/sidney-poitier/"><span class="achiever-list-name">Sidney Poitier</span></a> </li> <li> <a href="/web/20170701113722/http://www.achievement.org/achiever/general-colin-l-powell/"><span class="achiever-list-name">General Colin L. 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