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cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet edit-page menu__item--page-actions-edit"> <span class="minerva-icon minerva-icon--edit"></span> <span>Edit</span> </a> </li> </ul> </nav>  <div id="mw-content-subtitle"></div> </div> <div id="bodyContent" class="content"> <div id="mw-content-text" class="mw-body-content"><script>function mfTempOpenSection(id){var block=document.getElementById("mf-section-"+id);block.className+=" open-block";block.previousSibling.className+=" open-block";}</script><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><section class="mf-section-0" id="mf-section-0"> <p><b>Antonio Sartorio</b> (1630 – 30 December 1680) was an Italian <a href="/wiki/Composer" title="Composer">composer</a> active mainly in Venice, Italy, and in <a href="/wiki/Hanover" title="Hanover">Hanover</a>, <a href="/wiki/Germany" title="Germany">Germany</a>. He was a leading composer of operas in his native <a href="/wiki/Venice" title="Venice">Venice</a> in the 1660s and 1670s and was also known for composing in other genres of <a href="/wiki/Vocal_music" title="Vocal music">vocal music</a>. Between 1665 and 1675 he spent most of his time in Hanover, where he held the post of <i><a href="/wiki/Kapellmeister" title="Kapellmeister">Kapellmeister</a></i> to <a href="/wiki/John_Frederick,_Duke_of_Brunswick-L%C3%BCneburg" class="mw-redirect" title="John Frederick, Duke of Brunswick-Lüneburg">Duke Johann Friedrich of Brunswick-Lüneburg</a> – returning frequently to Venice to compose operas for the Carnival. In 1676 he became vice <i>maestro di capella</i> at <a href="/wiki/Saint_Mark%27s_Basilica" class="mw-redirect" title="Saint Mark's Basilica">San Marco</a> in Venice. </p> <div id="toc" class="toc" role="navigation" aria-labelledby="mw-toc-heading"><input type="checkbox" role="button" id="toctogglecheckbox" class="toctogglecheckbox" style="display:none"><div class="toctitle" lang="en" dir="ltr"><h2 id="mw-toc-heading">Contents</h2><span class="toctogglespan"><label class="toctogglelabel" for="toctogglecheckbox"></label></span></div> <ul> <li class="toclevel-1 tocsection-1"><a href="#Early_work_in_Italy_and_work_as_Kapellmeister"><span class="tocnumber">1</span> <span class="toctext">Early work in Italy and work as <i>Kapellmeister</i></span></a></li> <li class="toclevel-1 tocsection-2"><a href="#Trips_home_to_Venice"><span class="tocnumber">2</span> <span class="toctext">Trips home to Venice</span></a></li> <li class="toclevel-1 tocsection-3"><a href="#Later_life_in_Italy"><span class="tocnumber">3</span> <span class="toctext">Later life in Italy</span></a></li> <li class="toclevel-1 tocsection-4"><a href="#Selected_list_of_works"><span class="tocnumber">4</span> <span class="toctext">Selected list of works</span></a></li> <li class="toclevel-1 tocsection-5"><a href="#Recordings"><span class="tocnumber">5</span> <span class="toctext">Recordings</span></a></li> <li class="toclevel-1 tocsection-6"><a href="#Sources"><span class="tocnumber">6</span> <span class="toctext">Sources</span></a></li> </ul> </div> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(1)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Early_work_in_Italy_and_work_as_Kapellmeister">Early work in Italy and work as <i>Kapellmeister</i></h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Antonio_Sartorio&action=edit&section=1" title="Edit section: Early work in Italy and work as Kapellmeister" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-1 collapsible-block" id="mf-section-1"> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:John_Frederick,_Duke_of_Brunswick-L%C3%BCneburg.jpg" class="mw-file-description"><noscript><img src="//upload.wikimedia.org/wikipedia/en/thumb/f/f9/John_Frederick%2C_Duke_of_Brunswick-L%C3%BCneburg.jpg/220px-John_Frederick%2C_Duke_of_Brunswick-L%C3%BCneburg.jpg" decoding="async" width="220" height="304" class="mw-file-element" data-file-width="463" data-file-height="640"></noscript><span class="lazy-image-placeholder" style="width: 220px;height: 304px;" data-src="//upload.wikimedia.org/wikipedia/en/thumb/f/f9/John_Frederick%2C_Duke_of_Brunswick-L%C3%BCneburg.jpg/220px-John_Frederick%2C_Duke_of_Brunswick-L%C3%BCneburg.jpg" data-width="220" data-height="304" data-srcset="//upload.wikimedia.org/wikipedia/en/thumb/f/f9/John_Frederick%2C_Duke_of_Brunswick-L%C3%BCneburg.jpg/330px-John_Frederick%2C_Duke_of_Brunswick-L%C3%BCneburg.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/f/f9/John_Frederick%2C_Duke_of_Brunswick-L%C3%BCneburg.jpg/440px-John_Frederick%2C_Duke_of_Brunswick-L%C3%BCneburg.jpg 2x" data-class="mw-file-element"> </span></a><figcaption>Duke Johann Friedrich of Brunswick-Lüneburg</figcaption></figure> <p>Sartorio was the brother of composer and organist <a href="/wiki/Gasparo_Sartorio" title="Gasparo Sartorio">Gasparo Sartorio</a> and architect <a href="/wiki/Girolamo_Sartorio" title="Girolamo Sartorio">Girolamo Sartorio</a> who also had connections with the theatre. Beyond birth records, the first known information about Sartorio relates to the mounting of his first opera, <i>Gl'amori infruttuosi di Pirro</i>, at the <a href="/wiki/La_Fenice" title="La Fenice">Teatro di San Giovanni Grisostomo</a> in Venice on 4 January 1661. His second opera, <i>Seleuco</i>, did not come until five years later when it was produced at the Teatro San Luca on 16 January 1666. The year before, he had been appointed to the position of <i>Kapellmeister</i> to Duke Johann Friedrich of Brunswick-Lüneburg; just months after the duke had assumed authority over the <a href="/wiki/Principality_of_Calenberg" title="Principality of Calenberg">Principality of Calenberg</a> upon his elder brother <a href="/wiki/George_William,_Duke_of_Brunswick-L%C3%BCneburg" class="mw-redirect" title="George William, Duke of Brunswick-Lüneburg">Georg Wilhelm</a>'s inheriting of the <a href="/wiki/Principality_of_L%C3%BCneburg" title="Principality of Lüneburg">Principality of Lüneburg</a>. Friedrich ruled over the Calenberg subdivision of the duchy from 1665 until his death in 1679, fourteen years later. </p><p>Friedrich was a highly intelligent and educated sovereign who had converted to <a href="/wiki/Roman_Catholic_Church" class="mw-redirect" title="Roman Catholic Church">Roman Catholicism</a> in 1651. Upon becoming duke, he instituted the Catholic rite to his court, which accordingly led to his choice of Sartorio, a Catholic, as <i>Kapellmeister.</i> The duke had met Sartorio upon one of his four visits to Italy, one of which was for the purpose of lending the <a href="/wiki/Republic_of_Venice" title="Republic of Venice">Republic of Venice</a> substantial military aid against the Turks. Sartorio began his duties as <i>Kapellmeister</i> on <a href="/wiki/Trinity_Sunday" title="Trinity Sunday">Trinity Sunday</a> 1666 not too long after the Duke's new palace in <a href="/wiki/Herrenhausen" class="mw-redirect" title="Herrenhausen">Herrenhausen</a> near <a href="/wiki/Hanover" title="Hanover">Hanover</a> was finished. The palace's design was inspired by the <a href="/wiki/Palace_of_Versailles" title="Palace of Versailles">Palace of Versailles</a> and is famous for its gardens, the <a href="/wiki/Herrenhausen_Gardens" title="Herrenhausen Gardens">Herrenhausen Gardens</a>. </p><p>As <i>Kapellmeister,</i> Sartorio had at his disposal six instrumentalists and seven or eight singers, the majority of which were Italian. For the group, Sartorio composed music for the <i>Kapelle,</i> a <i>missa brevis,</i> and several vesper psalms and cantatas in both the <i>stile antico</i> and the <i>stile moderno</i>. In addition, the group's repertory included masses, motets and psalms by <a href="/wiki/Henri_Dumont" title="Henri Dumont">Henri Dumont</a>, <a href="/wiki/Bonifatio_Gratiani" class="mw-redirect" title="Bonifatio Gratiani">Bonifatio Gratiani</a> and Orazio Tarditi. Some of the group's music was discovered in 1958 in an organ bellows in the village of Hüpede. </p> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(2)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Trips_home_to_Venice">Trips home to Venice</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Antonio_Sartorio&action=edit&section=2" title="Edit section: Trips home to Venice" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-2 collapsible-block" id="mf-section-2"> <p>Sartorio worked in Hanover up until 1675, during which time he returned frequently to Venice in the winter, both to compose operas for <a href="/wiki/Carnival" title="Carnival">Carnival</a> and to hire musicians for service at court. His first trip back to his native city was in 1666–1667. During this time his remarkable duo operas, <i>La prosperità d'Elio Seiano</i> and <i>La caduta d'Elio Seiano</i>, were produced on 15 January and 3 February 1667. Originally the librettist, <a href="/wiki/Nicol%C3%B2_Minato" title="Nicolò Minato">Nicolò Minato</a>, had intended for the two works to be performed on successive evenings, but it appears that either Sartorio or the theatre management overturned this decision. </p><p>Sartorio's second visit to Venice was for the Carnival of 1669–1670, during which his next opera, <i>L'Ermengarda regina de' longobardi</i>, was performed. The librettist, <a href="/wiki/Pietro_Dolfin" class="mw-redirect" title="Pietro Dolfin">Pietro Dolfin</a>, a friend of both Sartorio and Duke Johann Friedrich, administered the duke's theatre loges and corresponded regularly with him between 1669 and 1678. Sartorio’s next stay in Venice lasted an entire year, from January or February 1672 to Carnival 1672–1673. On 19 February 1672 his well known opera <i><a href="/wiki/Adelaide_(opera)" class="mw-redirect" title="Adelaide (opera)">L'Adelaide</a></i> was given for the first time. The libretto was again by Dolfin, who later reworked some of Gissilla's arias into a cantata by adding recitatives. Sartorio seems to have responded to Dolfin's wish to have the recitatives set, for a <i>Cantata di Gissilla</i> is extant; it was apparently conceived for a pupil of Dolfin's named Lucretia, who had sung a role in the opera, probably that of Gissilla. </p><p>Sartorio was supposed to return to Hanover at the end of the season in which <i>L'Adelaide</i> premiered, but poor health prevented him from travelling. He was further motivated to stay by an invitation to write one of two operas to be performed at the Teatro di San Luca during the next Carnival season. The Duke assented to Sartorio's extended stay, largely because of a lengthy and persuasive correspondence by Dolfin, who expressed concerns over Sartorio's physical health and emphasized the honour of being asked to compose the opera. Sartorio thereupon offered <i><a href="/wiki/Orfeo_(Sartorio)" title="Orfeo (Sartorio)">L'Orfeo</a>,</i> a variation on the myth of <a href="/wiki/Orpheus" title="Orpheus">Orpheus</a> and <a href="/wiki/Eurydice" title="Eurydice">Eurydice</a> with comic interludes and elaborate sub-plots featuring such incongruous characters as <a href="/wiki/Hercules" title="Hercules">Hercules</a>, <a href="/wiki/Achilles" title="Achilles">Achilles</a>, and Thetis. This work premiered on 14 December 1672. For the theatre's second opera of the season, <a href="/wiki/Francesco_Cavalli" title="Francesco Cavalli">Francesco Cavalli</a> was commissioned. Cavalli was then near the end of a long and successful career as an operatic composer. However, when his newest work, <i>Massenzio</i>, went into rehearsal, it was found unsuitable by the theatre managers "for lack of spirited ariettas." They therefore assigned Sartorio the task of writing his own music to the same libretto just 13 days before the opera premiered on 25 January 1673. Sartorio wrote 78 arias and duets to fulfil his assignment. </p> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(3)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Later_life_in_Italy">Later life in Italy</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Antonio_Sartorio&action=edit&section=3" title="Edit section: Later life in Italy" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-3 collapsible-block" id="mf-section-3"> <p>After spending two more years in Hanover, Sartorio left the service of Duke Johann Friedrich permanently in April 1675, although he still called himself Friedrich's court composer in the manuscripts of his remaining operas and in other documents. Upon his departure, the Duke gave him a gift of 50 <i>thalers</i> and a golden chain. The two men remained on good terms and corresponded often with each other about negotiations with singers or visits on his behalf to cloistered ladies. </p><p>Sartorio settled in Venice in 1675, taking up residence in the San Giovanni Grisostomo quarter of the city. He won the position of vice <i>maestro di cappella</i> of the <a href="/wiki/St_Mark%27s_Basilica" title="St Mark's Basilica">St Mark's Basilica</a>, narrowly defeating <a href="/wiki/Carlo_Grossi" title="Carlo Grossi">Carlo Grossi</a> for the post and assuming his position there on 7 May 1676. A set of eight-part psalms for two choirs that he wrote for the basilica were published in 1680; notably being his only printed volume of music. On 17 December 1676, his opera <i>Giulio Cesare in Egitto</i> premiered in Venice to a resounding success. He composed four more operas between 1677 and 1679. </p><p>Sartorio was supposed to have been visited by Duke Friedrich in early 1680, but the duke died on 18 December 1679 in Augsburg at the start of his fifth journey to Italy. Towards the end of 1680, Sartorio began composing another opera, <i>La Flora</i>, but he died before he could finish the work. He had been ill for seven months prior to his death. The Teatro San Angelo had commissioned <i>La Flora</i>, and not wanting to give it up, hired <a href="/wiki/Marc%27Antonio_Ziani" title="Marc'Antonio Ziani">Marc'Antonio Ziani</a> to finish it. The opera was eventually performed at that house as the first opera of the new Carnival season. <a href="/wiki/Giovanni_Legrenzi" title="Giovanni Legrenzi">Giovanni Legrenzi</a> succeeded him as vice <i>maestro di cappella</i> of the St Mark's Basilica. </p> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(4)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Selected_list_of_works">Selected list of works</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Antonio_Sartorio&action=edit&section=4" title="Edit section: Selected list of works" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-4 collapsible-block" id="mf-section-4"> <ul><li><i>Gl'amori infruttuosi di Pirro</i> (1661)</li> <li>Seleuco (1666)</li> <li><i>L'Ermengarda regina de' longobardi</i></li> <li><i><a href="/wiki/Adelaide_(opera)" class="mw-redirect" title="Adelaide (opera)">L'Adelaide</a></i> (1672)</li> <li><i>Alcina</i> (1674-5) (libretto written by Pietro Dolfin for Sartorio, but never set to music)</li> <li><i>Anacreonte tirano</i> (1677)</li> <li><i>Ercole sul Termodonte</i> (1678)</li> <li><i>Antonio e Pompeiano</i> (1677)</li> <li><i>Elio Seiano</i> (1667) (A double bill or "La prosperita d'Elio Seinano" <i>and</i> "La caduta d'Elio Seiano")</li> <li><i>La Flora</i> (1680, <a href="/wiki/Unfinished_work" class="mw-redirect" title="Unfinished work">unfinished</a>, completed by <a href="/wiki/Marc_Antonio_Ziani" class="mw-redirect" title="Marc Antonio Ziani">Marc Antonio Ziani</a>)</li> <li><i><a href="/wiki/Giulio_Cesare_in_Egitto_(Antonio_Sartorio)" class="mw-redirect" title="Giulio Cesare in Egitto (Antonio Sartorio)">Giulio Cesare in Egitto</a></i> (1676)</li> <li><i>Massenzio</i> (1673)</li> <li><i><a href="/wiki/Orfeo_(Sartorio)" title="Orfeo (Sartorio)">L'Orfeo</a></i> (1672)</li></ul> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(5)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Recordings">Recordings</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Antonio_Sartorio&action=edit&section=5" title="Edit section: Recordings" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-5 collapsible-block" id="mf-section-5"> <p>There is one recording of <i>Giulio Cesare in Egitto</i>, conducted by <a href="/w/index.php?title=Attilio_Cremonesi&action=edit&redlink=1" class="new" title="Attilio Cremonesi (page does not exist)">Attilio Cremonesi</a> (ORF CD409 (3CDs)), and also several recordings of <i>L'Orfeo</i>, including a live recording from the <a href="/wiki/Muziekcentrum_Vredenburg" title="Muziekcentrum Vredenburg">Muziekcentrum Vredenburg</a>, <a href="/wiki/Utrecht_(city)" class="mw-redirect" title="Utrecht (city)">Utrecht</a>, directed by <a href="/wiki/Stephen_Stubbs" title="Stephen Stubbs">Stephen Stubbs</a>: Vanguard 99194 (2CDs) another, also directed by Stephen Stubbs, on <a href="/wiki/Channel_Classics_Records" title="Channel Classics Records">Channel Classics Records</a> 722020, plus one by <a href="/wiki/Ren%C3%A9_Clemencic" title="René Clemencic">René Clemencic</a> on Warner Classics 867384103 (3CDs). </p> </section><div class="mw-heading mw-heading2 section-heading" onclick="mfTempOpenSection(6)"><span class="indicator mf-icon mf-icon-expand mf-icon--small"></span><h2 id="Sources">Sources</h2><span class="mw-editsection"> <a role="button" href="/w/index.php?title=Antonio_Sartorio&action=edit&section=6" title="Edit section: Sources" class="cdx-button cdx-button--size-large cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--icon-only cdx-button--weight-quiet "> <span class="minerva-icon minerva-icon--edit"></span> <span>edit</span> </a> </span> </div><section class="mf-section-6 collapsible-block" id="mf-section-6"> <ul><li><a href="/wiki/Edward_H._Tarr" class="mw-redirect" title="Edward H. Tarr">Edward H. Tarr</a>. "Sartorio [Sertorio], Antonio", <i><a href="/wiki/Grove_Dictionary_of_Music_and_Musicians" class="mw-redirect" title="Grove Dictionary of Music and Musicians">Grove Dictionary of Music and Musicians</a></i> (1980)</li> <li>Vassilis Vavoulis, ‘Antonio Sartorio (c.1630–1680): Documents and sources of a career in seventeenth-century Venetian opera’, <i>Royal Musical Association Research Chronicle</i>, 37 (2004), 1–70</li> <li>Vassilis Vavoulis, <i>‘Nel theatro di tutta l’Europa’: Venetian-Hanoverian patronage in 17th-century Europe</i> (Lucca, 2010)</li> <li>Reinmar Emans, 'Zwischen Hannover und Venedig. Die Hannoveraner Hofkapelle unter Antonio Sartorio', in <i>Musik und Vergnügen am Hohen Ufer. Fest- und Kulturtransfer zwischen Hannover und Venedig in der frühen Neuzeit</i>, eds. S. Meine, N.K. Strohmann, and T.C. Weißmann (Regensburg, 2016), 275-290</li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist 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id='mw-data-after-content'> <div class="read-more-container"></div> </div> <div id="p-lang"> <h4>Languages</h4> <section> <ul id="p-variants" class="minerva-languages"></ul> <ul class="minerva-languages"><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Antonio_Sartorio" title="Antonio Sartorio – Catalan" lang="ca" hreflang="ca" data-title="Antonio Sartorio" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target"><span>Català</span></a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Antonio_Sartorio" title="Antonio Sartorio – Czech" lang="cs" hreflang="cs" data-title="Antonio Sartorio" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target"><span>Čeština</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Antonio_Sartorio" title="Antonio 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