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9.5c-.1.1-.1.2-.1.3 0 .1 0 .2.1.2l1.2 1.2c.1.1.1.1.2.1s.2 0 .2-.1l6.7-6.6 1.8 1.8c.1.1.3.2.5.2s.3-.1.5-.2c.1-.1.2-.3.2-.5V.7c0-.2-.1-.4-.2-.5z"></path></svg></a><div class="Transcript_transcript_text__VV7li"><p> You've always had like such a wide variety of dancers that you choose to work with.</p><p>Why?</p><p>Why, what attracts you to that?</p><p>Why not this, you know, this typical ballet, you know, what we think of as this "perfect ballet body"?</p><p>You're drawn to human beings.</p><p>-I like people who have a feeling for what they want to do, who haven't had that washed out of them by the training and sort of made fungible.</p><p>I'm not interested in interchangeable.</p><p>So, people always want to know how do I choose dancers?</p><p>And I say, dancers walk in through the door.</p><p>I'm watching peripherally so they don't know I'm seeing them and I know, by the way they walk in and how they put their bag down whether I want to work with them or not.</p><p>-Okay.</p><p>-Because they enter the room with an excitement, not a fear.</p><p>They're very different.</p><p>They're both heightened conditions, but excitement means they're ready for an adventure and fear means they're afraid of an adventure.</p><p>And a lot of training -- of all sorts, in all disciplines -- has to do with creating that kind of fear and that's not helpful.</p><p>Not if you're working in material where you're trying to evolve something the audience hasn't seen before.</p><p>If they've seen it before, great, fine, then everybody is trying to go for "perfect," you know, they're being graded to a 10.</p><p>I'm not interested in those scales.</p><p>We've done that.</p><p>We're there.</p><p>We know we do that.</p><p>Now, it's, "What do we do?"</p></div></div></section><section aria-labelledby="tab3" class="TabContainer_tab_panel__08wWN" id="section3" role="tabpanel" tabindex="-1"><div class="ClipsAndPreviewsTab_clip_and_preview_tab__zQdTi" data-sentry-component="ClipsAndPreviewsTab" 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alt="Episode 7 Preview | Misty Copeland with Twyla Tharp" width="316" height="177" loading="lazy" data-sentry-component="ITSImage" data-sentry-source-file="ITSImage.tsx"/></a></div><p class="VideoDetailThumbnail_video_title__bnGpj"><a data-sentry-element="Link" data-sentry-source-file="VideoDetailThumbnail.tsx" href="/video/episode-7-preview-misty-copeland-with-twyla-tharp-qnfx1i/">Episode 7 Preview | Misty Copeland with Twyla Tharp</a></p><p class="VideoDetailThumbnail_video_detail_accessibility_icons__QGCBi"><span><span class="visuallyhidden">Video has Closed Captions</span><span aria-hidden="true" class="AccessibilityIcons_accessibility_icons_icons__WLoMC"><span class="AccessibilityIcons_icon__mr09m" data-sentry-component="Icon" data-sentry-source-file="AccessibilityIcons.tsx">CC</span></span></span></p><p class="VideoDetailThumbnail_video_description__ZSGKS">Choreographer Twyla Tharp explores her storied career with fellow dancer Misty Copeland. 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data-sentry-component="ITSImage" data-sentry-source-file="ITSImage.tsx"/></a></li><li><a class="ShowPoster_show_poster__link__gzPSH ShowPoster_show_poster__with_image__RhodZ" data-sentry-element="Link" data-sentry-component="ShowPoster" data-sentry-source-file="ShowPoster.tsx" href="/show/crash-course-theater/"><img src="https://image.pbs.org/contentchannels/hsyTmhG-show-poster2x3-aF2brZf.png?format=webp&crop=227x340" srcSet="https://image.pbs.org/contentchannels/hsyTmhG-show-poster2x3-aF2brZf.png?format=webp&crop=227x340 1x, https://image.pbs.org/contentchannels/hsyTmhG-show-poster2x3-aF2brZf.png?format=webp&crop=454x680 2x" alt="Crash Course Theater" width="227" height="340" loading="lazy" data-sentry-component="ITSImage" data-sentry-source-file="ITSImage.tsx"/></a></li><li><a class="ShowPoster_show_poster__link__gzPSH ShowPoster_show_poster__with_image__RhodZ" data-sentry-element="Link" data-sentry-component="ShowPoster" data-sentry-source-file="ShowPoster.tsx" 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https://image.pbs.org/contentchannels/6tgz0EW-show-poster2x3-XWAAnzW.jpg?format=webp&crop=454x680 2x" alt="Sound Field" width="227" height="340" loading="lazy" data-sentry-component="ITSImage" data-sentry-source-file="ITSImage.tsx"/></a></li><li><a class="ShowPoster_show_poster__link__gzPSH ShowPoster_show_poster__with_image__RhodZ" data-sentry-element="Link" data-sentry-component="ShowPoster" data-sentry-source-file="ShowPoster.tsx" href="/show/off-book/"><img src="https://image.pbs.org/contentchannels/1116/FbMFt8uY9pmBOUpMk8KPQ.jpg?format=webp&crop=227x340" srcSet="https://image.pbs.org/contentchannels/1116/FbMFt8uY9pmBOUpMk8KPQ.jpg?format=webp&crop=227x340 1x, https://image.pbs.org/contentchannels/1116/FbMFt8uY9pmBOUpMk8KPQ.jpg?format=webp&crop=454x680 2x" alt="Off Book" width="227" height="340" loading="lazy" data-sentry-component="ITSImage" data-sentry-source-file="ITSImage.tsx"/></a></li><li><a class="ShowPoster_show_poster__link__gzPSH ShowPoster_show_poster__with_image__RhodZ" 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