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The Hollywood Storycomprehensively covers every aspect of movie-making in America, taking in nickelodeans, drive-ins and multiplexes; the transition from silent to sound, black and white to color; the relationships of producers, directors, stars and technicians; and the function and output of the studios - their major hits and most expensive flops.","my_library_url":"https://www.google.com/accounts/Login?service=print\u0026continue=https://books.google.com.sg/books%3Fop%3Dlibrary\u0026hl=en","is_magazine":false,"is_public_domain":false},{"enableUserFeedbackUI":true,"pseudocontinuous":true,"is_cobrand":false,"sign_in_url":"https://www.google.com/accounts/Login?service=print\u0026continue=https://books.google.com.sg/books%3Fid%3DrvVhEJmbfrsC%26q%3DFrank%26source%3Dgbs_word_cloud_r%26hl%3Den\u0026hl=en","isEntityPageViewport":false,"showViewportOnboarding":false,"showViewportPlainTextOnboarding":false},{"page":[{"pid":"PA201","highlights":[{"X":71,"Y":130,"W":22,"H":9},{"X":63,"Y":161,"W":22,"H":9},{"X":39,"Y":367,"W":22,"H":8},{"X":234,"Y":238,"W":22,"H":8},{"X":253,"Y":313,"W":21,"H":7},{"X":413,"Y":248,"W":21,"H":8},{"X":407,"Y":270,"W":21,"H":8},{"X":429,"Y":476,"W":25,"H":10},{"X":484,"Y":476,"W":25,"H":10},{"X":294,"Y":608,"W":25,"H":10}],"flags":8,"order":210,"vq":"Frank"}]},null,{"number_of_results":90,"search_results":[{"page_id":"PA16","page_number":"16","snippet_text":"... of A Star is Born ( 1954 ) was directed by George Cukor whose What Price Hollywood ? ( 1932 ) had treated a similar theme many years before . As late as 1948 , director \u003cb\u003eFrank\u003c/b\u003e Capra was extolling 16 THE HOLLYWOOD STORY."},{"page_id":"PA17","page_number":"17","snippet_text":"Joel Waldo Finler. As late as 1948 , director \u003cb\u003eFrank\u003c/b\u003e Capra was extolling the virtues of getting away ( from Hollywood ) and suggested that \u0026#39; it gives a producer or director a chance to get acquainted with the lives of other people in\u0026nbsp;..."},{"page_id":"PA29","page_number":"29","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e James ( 1940 ) , both starring Henry Fonda . In addition , Fox provided the opportunity for other directors to work in colour in the early 1940s , among them Rouben Mamoulian with Blood and Sand ( 1940 ) , his first Technicolor\u0026nbsp;..."},{"page_id":"PA47","page_number":"47","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Capra features had risen to the point where the studio\u0026#39;s star director no longer contributed to the company profits . Most expensive of all was the $ 2 million Lost Horizon ( 1937 ) which probably lost money , while You Can\u0026#39;t Take\u0026nbsp;..."},{"page_id":"PA52","page_number":"52","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Marion and quickly expanded its activities to Florida and California . All of these pioneer producers , along with Biograph and the French companies Path茅 and M茅li猫s , had joined together to form the Motion Picture Patents Company\u0026nbsp;..."},{"page_id":"PA58","page_number":"58","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Capra ( at Columbia ) , John Ford ( Fox ) , Cecil B. DeMille ( Paramount ) or King Vidor ( MGM ) would only be expected to complete one or perhaps two - pictures per year . They would be allowed the luxury of thorough preparation\u0026nbsp;..."},{"page_id":"PA65","page_number":"65","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Woods , directors Raoul Walsh and Henry King , and actors Harold Lloyd and Richard Barthelmess . Many important changes were taking place in Hol- lywood at that time . Warner Bros. was investing heavily in experiments with sound\u0026nbsp;..."},{"page_id":"PA68","page_number":"68","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Capra\u0026#39;s second comedy win for Columbia , You Can\u0026#39;t Take It With You ( 1938 ) , was on a much more elaborate scale than his first , with a budget many times larger and a starstudded cast worthy of MGM ( indeed , James Stewart and\u0026nbsp;..."},{"page_id":"PA72","page_number":"72","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Capra as a three - time winner , while two statuettes each had gone to Lewis Milestone , \u003cb\u003eFrank\u003c/b\u003e Borzage and \u003cb\u003eFrank\u003c/b\u003e Lloyd ( an original founder member of the Academy and one of the original group of awards judges ) . Leo McCarey\u0026nbsp;..."},{"page_id":"PA73","page_number":"73","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Capra for Prelude to War ( 1942 ) , and William Wyler for The Fighting Lady ( 1944 ) - while John Huston was nominated for Report From the Aleutians ( 1943 ) . Many of the talented new directors of the 1940s , espe- cially those\u0026nbsp;..."},{"page_id":"PA77","page_number":"77","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Capra and John Ford , were involved in shooting govern- ment - sponsored documentaries . Costume - design awards ( for black - and - white and colour ) were belatedly introduced in 1948 too late to honour many of those talented\u0026nbsp;..."},{"page_id":"PA78","page_number":"78","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Lovejoy , was nominated as a \u0026#39; documentary \u0026#39; in 1951 ! ) The Academy was slow to act , however , and only modified its rules to exclude anyone who was blacklisted from February 1957 , affecting the Oscars for 1956 and 1957 before\u0026nbsp;..."},{"page_id":"PA81","page_number":"81","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Capra , its leading director in the 1930s ; for comedy , the studio\u0026#39;s most successful and popular type of movie ; and for Coca- Cola , the giant soft - drinks company that swallowed Columbia in the 1980s . Most significantly , it\u0026nbsp;..."},{"page_id":"PA82","page_number":"82","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Capra , and he would contribute im- measurably to the rise of Columbia Pictures . As a small , economy - minded outfit , the coming of sound presented special problems for Columbia , push- ing up costs generally and requiring the\u0026nbsp;..."},{"page_id":"PA83","page_number":"83","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Price , the head of Universal television , was hired to head Columbia Pictures and he successfully led the company for a number of years with such smash hits as the Oscar - win- ning Kramer vs Kramer , and Tootsie - both starring\u0026nbsp;..."},{"page_id":"PA85","page_number":"85","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Capra arrives at the studio . 1931 Joe Brandt leaves the company and Harry Cohn takes over the post of president in addition to production chief , while Jack is vice - president and chairman of the board of directors . 1934 The\u0026nbsp;..."},{"page_id":"PA87","page_number":"87","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Capra arrived late in 1927 he began directing com- edies such as That Certain Thing ( starring Viola Dana ) and So This is Love ?, both released early in 1928 , then settled into a pattern of mixing comedy films with dramas\u0026nbsp;..."},{"page_id":"PA90","page_number":"90","snippet_text":"Joel Waldo Finler. Director \u003cb\u003eFrank\u003c/b\u003e Capra with co - stars Claudette Colbert and Clark Gable during the filming of It Happened One Night ments in the picture and assembling the many top talents. 90 THE HOLLYWOOD STORY."},{"page_id":"PA92","page_number":"92","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Capra , was a former chemical engineer , for he relied on his own ingenuity to solve many of the technical problems which arose in the course of filming and with the arrival of sound . He was assigned to Columbia\u0026#39;s first movie\u0026nbsp;..."},{"page_id":"PA94","page_number":"94","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Price . Steven Spielberg\u0026#39;s Close Encounters of the Third Kind was the first for Columbia of a new type of spectacularly suc- cessful \u0026#39; super hit \u0026#39; with rentals at over $ 50 million . Others in that category during the following\u0026nbsp;..."},{"page_id":"PA96","page_number":"96","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Capra\u0026#39;s Submarine ( 1928 ) . Holt and Revier were re - teamed the following year in the stu- dio\u0026#39;s first talkie , The Donovan Affair , again directed by Capra . The beautiful Miss Revier failed to make it in the talkies and\u0026nbsp;..."},{"page_id":"PA101","page_number":"101","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Capra was the studio\u0026#39;s star director in the 1930s and independent director Howard Hawks contributed four pictures of note , while George Stevens was under contract in the early 1940s . Otherwise the studio depended on freelancers\u0026nbsp;..."},{"page_id":"PA102","page_number":"102","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 1940-41 Mann , Daniel 1959-62 Mat茅 , Rudolph 1947-48 Mazursky , Paul 1982-84 Nazarro , Ray 1945-52 Neill , Roy William 1930-36 Pollack , Sydney 1977-82 The Creative Personnel The studio\u0026#39;s leading cameraman for many years. biggest\u0026nbsp;..."},{"page_id":"PA103","page_number":"103","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Borzage , and John Ford\u0026#39;s The Whole Town\u0026#39;s Talking in 1934 . Lucien Ballard was at Columbia when it was still a tiny studio , and recalls that \u0026#39; he had a 40 - week contract , with a 12 - week layoff . So as soon as my 40 weeks\u0026nbsp;..."},{"page_id":"PA105","page_number":"105","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 1957-60 Paxton , John 1954-57 Riskin , Robert 1932-38 Swerling , Jo 1930-36 Taradash , Daniel 1952-58 Tashlin , \u003cb\u003eFrank\u003c/b\u003e 1947-50 Van Upp , Virginia 1944-52 The distinguished musician Morris Stoloff was at the studio almost as long\u0026nbsp;..."},{"page_id":"PA106","page_number":"106","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Capra\u0026#39;s Lady for a Day gained four Oscar nomina- tions including Best Picture and director . When the pre- senter exclaimed , \u0026#39; Come and get it , \u003cb\u003eFrank\u003c/b\u003e \u0026#39; , Capra suffered the embarrassment of heading toward the stage before he\u0026nbsp;..."},{"page_id":"PA107","page_number":"107","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Sinatra as the vul- nerable loser Maggio , while Burt Lancaster - more obvious - was the tough but sympathetic sergeant . All five were nominated , with Sinatra and Miss Reed winning . Similarly , On the Waterfront gained five\u0026nbsp;..."},{"page_id":"PA110","page_number":"110","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Borzage , How- ard Hawks , John Ford , F. W. Murnau from Germany , and Raoul Walsh who returned to the studio as a leading action - adventure director after six years as a successful freelancer . A range of noteworthy pictures\u0026nbsp;..."},{"page_id":"PA111","page_number":"111","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e James ( 1940 ) ; Blood and Sand ( 1941 ) - a stylish remake of the 1922 movie ; a swashbuckler , The Black Swan ( 1942 ) ; and Busby Berkeley\u0026#39;s The Gang\u0026#39;s All Here ( 1943 ) . There was also a noteworthy pair of dramas in colour\u0026nbsp;..."},{"page_id":"PA118","page_number":"118","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e James ( 1940 ) set in Missouri and points west ; the construction of the Western Union tele- graph from Omaha , Nebraska to Salt Lake City ; California of the 1870s featured in Ramona , and the Gay Nineties in musicals such as\u0026nbsp;..."},{"page_id":"PA120","page_number":"120","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e ( 1959 ) , the British - produced Sons and Lovers ( 1960 ) , and The Hustler all won Oscars for the quality of their black - and - white cinematography . In 1956 Fox also introduced black - and - white RegalScope for its cheapest\u0026nbsp;..."},{"page_id":"PA121","page_number":"121","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Borzage , including Walsh\u0026#39;s What Price Glory ? ( 1926 ) , Borzage\u0026#39;s Seventh Heaven ( 1927 ) and John Ford\u0026#39;s Four Sons ( 1928 ) were all capped by the spectacular success of the Janet Gaynor vehicle , Sunny Side Up , in 1929 . In\u0026nbsp;..."},{"page_id":"PA125","page_number":"125","snippet_text":"... - lowed by Seventh Heaven ( 1927 ) in which she was teamed with Farrell for the first time . \u003cb\u003eFrank\u003c/b\u003e Borzage directed the latter , and was again behind the camera for Street Angel ( 1928 ) . For her performance in these three Fox 125."},{"page_id":"PA126","page_number":"126","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e James , The Oxbow Incident ( 1943 ) , one of the first of a new type of adult western , and appeared as Wyatt Earp in John Ford\u0026#39;s My Darling Clementine ( 1946 ) , all at Fox . In keeping with its status as one of the leading\u0026nbsp;..."},{"page_id":"PA127","page_number":"127","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Tashlin - Will Suc- cess Spoil Rock Hunter ? ( 1957 ) and , especially , The Girl Can\u0026#39;t Help It ( 1956 ) , a cult classic for all rock\u0026#39;n\u0026#39;roll fans . Potentially the studio\u0026#39;s greatest star asset , Marilyn Monroe only completed two\u0026nbsp;..."},{"page_id":"PA129","page_number":"129","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Borzage , Raoul Walsh , Howard Hawks , John Stahl , Allan Dwan , Elia Kazan , Otto Preminger and Joseph Mankiewicz , made their home at Fox for extended periods . Indeed , the studio\u0026#39;s most successful years , roughly 1925-30 and\u0026nbsp;..."},{"page_id":"PA131","page_number":"131","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 1916-19 , 1931-34 Lubitsch , Ernst 1943-47 MacFadden , Hamilton 1930-34 Mamoulian , Rouben 1940-42 Mankiewicz , Joseph L. 1945-51 Marin , Edwin L. 1949 Marshall , George 1920-21 , 1926-27 , 1934-38 Mayo , Archie 1940-44 Mazursky\u0026nbsp;..."},{"page_id":"PA134","page_number":"134","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Borzage . His imaginative Paris settings for Seventh Heaven had earned him an Oscar nom- ination , in competition with Gliese\u0026#39;s designs for Sunrise , a fine reflection of the quality of the Fox art department in these years\u0026nbsp;..."},{"page_id":"PA135","page_number":"135","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 1929-33 Jones , Harmon 1944-50 Loeffler , Louis 1927-61 McLean , Barbara 1935-54 McNeil , Allen 1935-43 Morley , James 1938 Morra , Irene 1928-38 Morse , Terrell 1951-53 Murray , Jack 1929-38 Nosler , Lloyd 1935-37 Reynolds\u0026nbsp;..."},{"page_id":"PA137","page_number":"137","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Borzage , both starred Janet Gaynor and were released in 1927 . These two films ensured Fox a fine start to the first year of the Academy Awards . Each won two statuettes - Sunrise for cinematography and \u0026#39; artistic quality of\u0026nbsp;..."},{"page_id":"PA138","page_number":"138","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Lloyd and art director William Darling were also honoured in Fox\u0026#39;s two strongest technical categories . The studio\u0026#39;s supervising art director in the 1930s , Darling would be nominated four more times and share in two more Oscars\u0026nbsp;..."},{"page_id":"PA144","page_number":"144","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Mancuso , former chairman of Paramount . In an attempt to revive the ailing studio , he hires Michael Marcus to head MGM and John Calley to run the new UA . 1996 Kirk Kerkorian buys the studio for the third time for $ 1.3 billion\u0026nbsp;..."},{"page_id":"PA160","page_number":"160","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 1933 , 1935-49 Morley , Karen 1931-33 Morris , Chester 1935-36 Murphy , George 1937 , 1940 , 1946-51 Murray , Mae ( Metro ) 1921-23 , 1924-26 Nagel , Conrad 1924-27 , 1929-30 , 1932 Newman , Paul 1955-56 Novarro , Ramon ( Metro )\u0026nbsp;..."},{"page_id":"PA161","page_number":"161","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 1945-49 , 1955-56 Skelton , Red 1940-53 Smith , Kent 1958 Sondergaard , Gale 1938 Sothern , Ann 1939-47 Stanwyck , Barbara 1950-52 Starke , Pauline 1926-27 Stewart , James 1935-40 Stockwell , Dean 1945-47 , 1949-50 Stone , Lewis\u0026nbsp;..."},{"page_id":"PA163","page_number":"163","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 1935 Lubitsch , Ernst 1934 , 1939 Mann , Anthony 1949-51 Mann , Daniel 1959-62 Marin , Edwin L. 1934-41 Marton , Andrew 1946 , 1950-54 McLeod , Norman Z. 1940-43 Minnelli , Vincente 1943-63 Neilan , Marshall ( Metro ) 1922-23\u0026nbsp;..."},{"page_id":"PA169","page_number":"169","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 1956-66 Sewell , Blanche 1925-49 Smith , Frederick 1936-43 Steinkamp , Fredric 1959-67 Sullivan , \u003cb\u003eFrank\u003c/b\u003e 1925-47 Veron , Elmo 1937-43 Warburton , Irvine 1943-53 Webster , Ferris 1939-59 White , George 1943-53 Whytock , Grant\u0026nbsp;..."},{"page_id":"PA177","page_number":"177","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Mancuso who moved up from vice - president in charge of distribution to chairman of Paramount Pictures . Ned Tanen , who had previously made his name at Universal in the 1970s , took over as the new president of Paramount from\u0026nbsp;..."},{"page_id":"PA179","page_number":"179","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Yablans is hired as president of Paramount . 1972 Francis Coppola\u0026#39;s hit , The Godfather , wins the Oscar for Best Picture . 1974 Coppola repeats his success with The Godfather Part II . Barry Diller brought in as chairman . 1975 \u003cb\u003eFrank\u003c/b\u003e\u0026nbsp;..."},{"page_id":"PA196","page_number":"196","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 1930 Morley , Karen 1937 Morris , Chester 1942-43 Murray , Mae 1916-17 , 1920 Nagel , Conrad 1920-23 Naldi , Nita 1920-25 Negri , Pola 1923-28 Nolan , Lloyd 1936-39 O\u0026#39;Brien , George 1923 O\u0026#39;Connor , Donald 1938-39 , 1955-56 Oakie\u0026nbsp;..."},{"page_id":"PA200","page_number":"200","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Tuttle was promoted in 1924 and spent almost 20 years as a reliable contract director , his work ranging from William Powell thrillers to Bing Crosby musi- cals . In 1925 the studio signed comedy specialists Gregory La Cava and\u0026nbsp;..."},{"page_id":"PA201","page_number":"201","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 1920-22 Bretherton , Howard 1935-36 Brown , Harry Joe 1932-33 Capra , \u003cb\u003eFrank\u003c/b\u003e 1949-51 Clemens , William 1941-42 Cline , Edward 1931-32 , 1935-36 Cromwell , John 1929-32 Cruze , James 1918-27 Cukor , George 1930-31 Curtiz , Michael\u0026nbsp;..."},{"page_id":"PA204","page_number":"204","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 1935-48 \u003cb\u003eFrank\u003c/b\u003e , Melvin ( with Norman Panama ) 1941-46 Frings , Ketti 1948-53 Furthman , Jules 1925-30 , 1931-32 Hayes , John Michael 1953-59 Hecht , Ben 1933-35 Hoffenstein , Samuel 1931-36 Lasky Jr , Jesse 1938-49 Levien , Sonya\u0026nbsp;..."},{"page_id":"PA222","page_number":"222","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Sinatra , Ann Miller , Lucille Ball and Agnes Moorehead , while both Fred Astaire and Katharine Hepburn restarted their careers there after a short break . ) RKO was forced to borrow stars for many of its major productions . Well\u0026nbsp;..."},{"page_id":"PA223","page_number":"223","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 1943-44 Smith , Kent 1942-49 Stanwyck , Barbara 1935-38 Steiger , Rod 1956-57 Stroheim , Erich von 1931 Temple , Shirley 1946-48 Tracy , Lee 1936-40 Trevor , Claire 1944-46 Twelvetrees , Helen ( Path茅 ) 1930-32 Vallee , Rudy 1945\u0026nbsp;..."},{"page_id":"PA260","page_number":"260","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Price . 1985 Universal wins the Oscar for Best Picture for Out of Africa and has another huge Spielberg ( as producer ) hit with Back to the Future . 1986 \u003cb\u003eFrank\u003c/b\u003e Price resigns . Tom Pollock is appointed as the new studio chairman\u0026nbsp;..."},{"page_id":"PA278","page_number":"278","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 1936-55 Havlick , Gene 1928-29 Hilton , Arthur 1940-47 Hornbeck , William ( sup . ed . ) 191960s Kent , Ted 1933-67 Kolster , Clarence 1931-32 Landres , Paul 1937-47 Lawrence , Viola 1919-20 Ludwig , Otto 1939-50 Macrorie , Alma\u0026nbsp;..."},{"page_id":"PA279","page_number":"279","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Skinner and Hans Salter in 1939 just as the studio began to increase its output of movie musicals . The star of the department for a brief period in the late 1940s was Miklos Rozsa who provided suitably hard - boiled scores for\u0026nbsp;..."},{"page_id":"PA280","page_number":"280","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Skinner each received a handful of nominations for their scores ; sound man Bernard Brown was nominated every year from 1938 through 1945 , eight nominations in all ; and Walter Lantz\u0026#39;s cartoon shorts gained seven nominations\u0026nbsp;..."},{"page_id":"PA294","page_number":"294","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Tashlin , a whole new style of fast - moving , free - wheeling an- imation was born in the Warner cartoon section , popularly known as \u0026#39; Termite Terrace \u0026#39; . Breaking free from naturalistic conventions , and full of verbal as well\u0026nbsp;..."},{"page_id":"PA305","page_number":"305","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e McHugh and new arrival Olivia de Havilland . The year 1935 was a \u0026#39; big \u0026#39; one for the studio . Bette Davis finally won her first Oscar , for Dangerous , while Cagney , Powell and Brown made it on to the list of top box office stars\u0026nbsp;..."},{"page_id":"PA307","page_number":"307","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Lloyd who won an Oscar in 1929 for The Divine Lady , a First National picture distributed by Warners . ) Among the studio\u0026#39;s many contract directors , four in particular stand out for quality . Most important of all was the\u0026nbsp;..."},{"page_id":"PA308","page_number":"308","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 1934-37 Bretherton , Howard 1926-34 Butler , David 1943-44 , 1946-56 Capra , \u003cb\u003eFrank\u003c/b\u003e ( FN ) 1926-27 , 1940-41 Clemens , William 1936-41 Cline , Edward 1929-30 Crosland , Alan 1925-31 , 1933-35 Curtiz , Michael 1926-54 Daves , Delmer\u0026nbsp;..."},{"page_id":"PA323","page_number":"323","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Wells formerly at Warners as president and chief operating officer , Jeffrey Katzenberg as chairman of the film studio , Roy E. Disney as vice - chairman and head of animation and Richard \u003cb\u003eFrank\u003c/b\u003e to handle production for TV . The\u0026nbsp;..."},{"page_id":"PA325","page_number":"325","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Wells , the shrewd deal - maker and business expert , second in command behind the scenes had proved to be a winning combination . Recognising the importance of the movie output as the most highly publicized driving force behind\u0026nbsp;..."},{"page_id":"PA329","page_number":"329","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Wells , president and chief op- erating officer , Jeffrey Katzenberg as chairman of the Disney film studio and Roy E. Disney ( Walt\u0026#39;s nephew ) as vice chair- man and head of animation . 1992 Opening of Euro Disneyland theme park\u0026nbsp;..."},{"page_id":"PA333","page_number":"333","snippet_text":"... Nichols 1944-61 Wolfgang ( Woolie ) Reitherman 1933-42 , 1947-77 Ben Sharpsteen 1929-42 , 1952-60 \u003cb\u003eFrank\u003c/b\u003e Thomas 1939-42 , 1947-56 , 1969-81 Riley Thomson 1940-42 PART THREE THE FACTS AND FIGURES Much of the data. DISNEY 333."},{"page_id":"PA346","page_number":"346","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Par 1920-22 , FN 1923-24 , Fox 1925-32 , WB 1934-37 , MGM 1937-42 , Republic 1946-48 Brabin , Charles FN 1926-28 , MGM 1929-34 Brahm , John Col 1937-40 , Fox 1941-44 Brannon , Fred C. Republic 1945-53 Bretherton , Howard WB 1926\u0026nbsp;..."},{"page_id":"PA354","page_number":"354","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e Par 1948-70 Bretherton , David Fox 1955-62 Bryant , Edwin Col 1951-63 Burton , Bernard Univ 1933-41 Cahn , Philip Univ 1933-46 Caldwell , Dwight Majestic 1933-35 , Col 1936-41 Carruth , Milton Univ 1929-66 Clancey , Margaret Fox\u0026nbsp;..."},{"page_id":"PA355","page_number":"355","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e MGM 1956-66 Schmidt , Arthur RKO 1934-36 , Par 1936-54 , Lewis / Par 1961-65 Schoengarth , Russell Grand National 1936 , Monogram 1937-40 , Univ 1942-68 Schuster , Harold Fox 1929-35 Sewell , Blanche MGM 1925-49 Shea , William Par\u0026nbsp;..."},{"page_id":"PA371","page_number":"371","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e McCarthy ( Dimension 150 ) MGM Raintree County ( 1957 ) Edward Dmytryk / David Lewis ( Camera 65 ) 2 Ben Hur ( 1959 ) William Wyler / Sam Zimbalist ( \u0026#39; Camera 65 ) 2 Mutiny on the Bounty ( 1962 ) Lewis Milestone / Aaron Rosenberg\u0026nbsp;..."},{"page_id":"PA385","page_number":"385","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e , and Davidson , Muriel , The Westmores of Hollywood ( W.H. Allen , London , 1976 ) THE STUDIOS COLUMBIA Bernds , Edward , Mr. Bernds Goes to Hollywood : My Early Life and Career in Sound Recording at Columbia with \u003cb\u003eFrank\u003c/b\u003e Capra and\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA385\u0026vq=Frank"},{"page_id":"PA390","page_number":"390","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 179,259-60 biopics 89 , 116 , 214 , 238 , 293 , 307-8,310 Bird on a Wire ( Universal , 1990 ) 264 , 269 , 361 Birdcage , The ( MGM / United Artists , 1996 ) 145 , 155 Birds , The ( Universal , 1963 ) 267 , 275 Birdwell , Russell\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA390\u0026vq=Frank"},{"page_id":"PA392","page_number":"392","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 17 , 47 , 59 , 58 , 72-3 , 77 , 81-2 , 85 , 87-8 , 90 , 92 , 96 , 101-4 , 106 , 201 , 220 , 308 Captain Blood ( Warner Bros. , 1935 ) 291 , 293,301,311 Captain from Castile ( Fox , 1947 ) 119 Captain Kidd Jr. ( Famous Players\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA392\u0026vq=Frank"},{"page_id":"PA395","page_number":"395","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e , The ( Fox , 1959 ) 120 Dick Tracy ( Touchstone , 1990 ) 331 \u0026#39; Dick Tracy \u0026#39; series 215 Dick Turpin ( Fox , 1925 ) 238 Dickinson , Angie , 273 , 303 , 306 Die Another Day ( MGM / UA , 2002 ) 145 , 155 Die Hard ( Fox , 1988 ) 123-4\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA395\u0026vq=Frank"},{"page_id":"PA397","page_number":"397","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e , Melvin 163 , 201 , 204 \u003cb\u003eFrank\u003c/b\u003e , Richard 323 , 325 Frankenheimer , John 60 Frankenstein ( Universal , 1931 ) 25,260,263 , 266 , 268 , 274 , 299 Franklin , Chester 115 Franklin , Sidney 115 , 162-3 , 170 , 302 Freaks ( MGM , 1932 )\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA397\u0026vq=Frank"},{"page_id":"PA399","page_number":"399","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 278 Gross , Roland 228,312 Grossman , Abraham 278 Grot , Anton 2 , 63 , 250 , 252 , 310-12 , 314 Guardsman , The ( MGM , 1931 ) 156 Guber , Peter 84-5 Guess Who\u0026#39;s Coming To Dinner ? ( Columbia , 1967 ) 95 , 106 Guffey , Burnett\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA399\u0026vq=Frank"},{"page_id":"PA401","page_number":"401","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 135 , 169 Hull , Josephine 281 Human Desire ( Columbia , 1954 ) 101 , 104 Humberstone , H. Bruce 129 , 131 , 201 , 308 Humoresque ( Warner Bros. , 1946 ) 294,306 , 311 Hun Within , The ( Paramount , 1918 ) 180 Hunchback of Notre\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA401\u0026vq=Frank"},{"page_id":"PA404","page_number":"404","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 72 , 88 , 102 , 106 , 115 , 129 , 131 , 138 , 163 , 201 , 307-8 Lloyd , Harold 15 , 23 , 65 , 181 , 193 , 196 , 200 Lloyds of London ( Fox , 1936 ) 111 , 134 Loeffler , Louis 135-6 Loew , David 234 Loew , Marcus 51-2 , 55 , 140\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA404\u0026vq=Frank"},{"page_id":"PA405","page_number":"405","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 144 , 177 , 179 Mandell , Daniel 77 , 228 , 250-2 , 228 Manhattan ( UA , 1979 ) 31 Mankiewicz , Herman J. 2 , 204 , 228 Mankiewicz , Joseph 29 , 31 , 59-60 , 69 , 73 , 101 , 111-12 , 117 , 129-33 , 137-8 , 141 , 159 , 165 , 169\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA405\u0026vq=Frank"},{"page_id":"PA406","page_number":"406","snippet_text":"... 1922 ) 81 Moreno , Antonio 160 , 196 Morgan Creek Film Production Company 6 Morgan , Dennis 160 , 196 , 303 Morgan , \u003cb\u003eFrank\u003c/b\u003e 160 , 196 Morgan , Harry 183,333 Motion Picture Patents Company 16 , 36 , 52 ,. 406 THE HOLLYWOOD STORY.","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA406\u0026vq=Frank"},{"page_id":"PA408","page_number":"408","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 105 Nun\u0026#39;s Story , The ( Warner Bros. , 1959 ) 298 Nutty Professor , The ( Universal , 1996 ) 259 , 269 Nutty Professor 2 : The Klumps ( Universal , 2000 ) 269 Nyby , Christian 228,312 Nye , Ben 136 O\u0026#39;Brien , Brian 35 O\u0026#39;Brien\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA408\u0026vq=Frank"},{"page_id":"PA410","page_number":"410","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 83 , 85 , 93-4 , 260 Price , Vincent 128 , 273,296 Prickett , Oliver 44 Pride and Prejudice ( MGM , 1940 ) 167 Pride of the Clan , The ( Paramount , 1916 ) 199 Pride of the Marines ( Warner Bros. , 1945 ) 293,306 Primary Colours\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA410\u0026vq=Frank"},{"page_id":"PA411","page_number":"411","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e James , The ( Fox , 1940 ) 29 , 111 , 118 , 126 Return of the Jedi ( Fox , 1983 ) 114 , 123 Return to Oz ( Disney , 1985 ) 324 Riskin , Robert 87-8 , 103-5 Risky Business ( Warner Bros. , 1983 ) 299 Ritt , Martin 60 , 131 Ritter\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA411\u0026vq=Frank"},{"page_id":"PA412","page_number":"412","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 275 Ryan , Peggy 263 , 271 , 273 Ryan , Robert 128 , 196 , 221-3 , 247 Ryan\u0026#39;s Daughter ( MGM , 1970 ) 35 , 49 , 146 , 151 , 154-5 Saboteur ( Universal , 1942 ) 277 Sabrina ( Paramount , 1954 ) 185 , 194 Sabu 240 , 247,271,273\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA412\u0026vq=Frank"},{"page_id":"PA413","page_number":"413","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 107 , 157 , 161 , 222-3 Sinbad the Sailor ( RKO , 1947 ) 217,228 Since You Went Away ( UA , 1944 ) 234 , 244 , 246 Sinclair , Upton 115 , 121 Singapore Woman ( Warner Bros. , 1941 ) 59 Singer , Bryan 114 Singin \u0026#39; in the Rain ( MGM\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA413\u0026vq=Frank"},{"page_id":"PA415","page_number":"415","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 169,252 Sullivan\u0026#39;s Travels ( Paramount , 1941 ) 16 Sum of all Fears , The ( Paramount , 2002 ) 191 Summer Holiday ( MGM , 1948 ) 150 , 153 Summer Place , A ( Warner Bros. , 1960 ) 298 Sunny Side Up ( Fox , 1929 ) 43 , 115-7 , 121\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA415\u0026vq=Frank"},{"page_id":"PA416","page_number":"416","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 333 Thomas , Jeremy 83 Thomas , Lowell 33 Thomopoulos , Tony 237 Thompson , Walter 135 Thoms , Jerome 105 Thomson , Riley 333 Thoroughbreds Don\u0026#39;t Cry ( MGM , 1937 ) 148 Thoroughly Modern Millie ( Universal , 1967 ) 264 , 267 , 269\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA416\u0026vq=Frank"},{"page_id":"PA417","page_number":"417","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 200-1,308 Twelve Angry Men ( UA , 1957 ) 70 , 239 Twelve O\u0026#39;Clock High ( Fox , 1949 ) 127 , 131 , 138 Twelvetrees , Helen 128 , 214 , 223 Twentieth Century ( Columbia , 1934 ) 88 , 101 Twentieth Century Pictures Twentieth Century\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA417\u0026vq=Frank"},{"page_id":"PA418","page_number":"418","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 323 , 325 , 329 Werewolf of London , The ( Universal , 1935 ) 262 Werker , Alfred L. 131 , 201 Wertmuller , Lina 74 West Side Story ( UA , 1961 ) 73 , 241 , 244 , 253-4 West , Billy 81 West , Claire 204-5 West , Claudine 169 West\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA418\u0026vq=Frank"},{"page_id":"PA419","page_number":"419","snippet_text":"... \u003cb\u003eFrank\u003c/b\u003e 65 Woodstock ( Warner Bros. , 1970 ) 78,298 Woodward , Joanne 75 , 127-8 , 138 , 303 Wooley , Monty 246 Work , Cliff 257 World Com 8 World in his Arms , The ( Universal , 1952 ) 264 World is Not Enough , The ( MGM / UA , 1999 )\u0026nbsp;...","page_url":"https://books.google.com.sg/books?id=rvVhEJmbfrsC\u0026pg=PA419\u0026vq=Frank"}],"search_query_escaped":"Frank"},{});</script></div></div></div><script>(function() {var href = window.location.href;if (href.indexOf('?') !== -1) {var parameters = href.split('?')[1].split('&');for (var i = 0; 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