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Librett.<span style="mso-spacerun: yes"></span>Minneapolis: U of Minnesota P, 1997; xxvi+206 pp.; ISBN: 0816626103 (pbk.); LC call no.: B2430.N363S4613</b></span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"><o:p></o:p></span></div> <div class="MsoNormal" style="text-align:justify"><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;Goudy Old Style&quot;"><![if !supportEmptyParas]><![endif]><o:p></o:p></span></div> <p>&nbsp; <p class="MsoNormal" style="text-align:justify"><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;Goudy Old Style&quot;">Jean-Luc Nancy is for us, here, now, a more important thinker than Derrida,<span style="mso-spacerun: yes"></span>if only because of a relative distancing from certain Heideggerian problematics (which have recently been taken up again by the latter in a text on&nbsp;</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"><i>the Question</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"></i>). In the wake of deconstruction, Nancy - who was born in France in 1942, studied under the ubiquitous Derrida, and currently teaches at the University of Human Sciences in Strasbourg - has written extensively and brilliantly on the major figures of Western philosophy, and is now emerging as one of the world</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">'</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;">s foremost philosophers. Accordingly, the steady flow of translations over the last ten years of such books as <i>The Literary Absolute </i>(with Philip Lacoue-Labarthe, 1978/English trans., 1988), <i>The Inoperative Community</i> (<i>La Communaut&eacute; d&eacute;soeuvr&eacute;e</i>,1989/1991), <i>The Birth to Presence</i> (1993), <i>The Experience of Freedom</i> (1988/1993), and <i>The Muses</i> (1993/1996) testifies to the increased and intensified interest of English-speaking audiences in Nancy</span><span style="mso-ansi-font-size:12.0pt;font-family: &quot;WP TypographicSymbols&quot;">'</span><span style="mso-ansi-font-size:12.0pt; font-family:&quot;Goudy Old Style&quot;">s sagacious probes into the thematic quandaries of community, nihilism, freedom, psychoanalysis, subjectivity, and so forth. <i>The Sense of the World</i> (originally published as <i>Le sens du monde </i>in 1993 by Galil&eacute;e in Paris), having arrived in English at a particularly crucial and felicitous moment just prior to the jointure of two millennia, co-mingles these themes (and many more) with a staggering analysis of sense that articulates a schismatic trembling of the ancient and time-honored quest for redemption or Enlightenment, and offers in its place a joyous release of thought from the <i>ars dialectica</i> of question and answer. It is here that Nancy</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">'</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;">s work unfolds its full exigency and indispensability for us, by exposing the acosmic opening of the world through which the non-millenarian affirmativity that links together the disparate modulations of Nietzsche, Benjamin, Deleuze, and Agamben shall soon come to pass.<o:p></o:p></span> <p class="MsoNormal" style="text-align:justify;text-indent:.5in"><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;">Nevertheless, and for this very reason, there is a peculiar inanity and violent tedium in asking again and again: Are we going beyond metaphysics? Is the collapse of philosophy imminent? Does a desolation of meaning truly stand before us? Such questions are never overcome by incessantly returning to them, viz. by obsessing and sentimentalizing, for nostalgia always bespeaks a crisis ineluctably exemplified by the very discourse which attempts to diagnose it (that scission which Plato could already, and perhaps somewhat affectionately, call a<i> palaias enanti&ocirc;se&ocirc;s</i>). Thus beyond any discrete desirability for solutions, it is no longer even <i>possible</i>, Nancy maintains, to articulate what Jan Patocka termed a&nbsp;</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;">crisis of sense</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"> (2): all sense has suffered an irreparable abandonment. Yet the paradox which intrigues Nancy, and with which the entirety of his singularly exceptional book concerns itself, is that the very world which no longer makes sense to or for us, nevertheless <i>flaunts -</i> from nebula to galaxy, jungle to ocean crevasse, amoeba to monkey - a bewildering excess of sense. On the outskirts of its orbit around rationality, at the utter fragility of its apogean limit, sense thus ruptures and overflows its subjugation to what is&nbsp;</span><span style="mso-ansi-font-size:12.0pt; font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;Goudy Old Style&quot;">sensible,</span><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;Goudy Old Style&quot;"> disseminating itself excessively across the thin border that divorces absolute return from absolute escape, and dissolves the world in an&nbsp;</span><span style="mso-ansi-font-size:12.0pt; font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;Goudy Old Style&quot;">absolute absolution of sense</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"> (167).<o:p></o:p></span></div> <div class="Section2"> <div class="MsoNormal" style="text-align:justify;text-indent:.5in"><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;">To let go - gently, singularly - of the desire for a given sense, to render thought transparent: this, therefore, is the task and obligation of philosophy. If it is true that, according to the paradoxical logic of the border (which partakes of both of its sides without surrendering itself to either), sense participates<i> </i>in both presence and absence, absolution and relativity, the circular perfection of myth and the nihilistic <i>&Ouml;de</i>, the incorporeality of language and the depth of bodies, or proper signification and the a-signifying delirium that threatens it, then it does so only <i>marginally</i>, unexpectedly, playfully. To reach this diaphanous edge of being, with all of the liability that such an endeavor entails, is thus not to cease saying&nbsp;</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;">God" or "philosophy" or even "I" but instead to render such locutions utterly insignificant: to see the world, that is, as an acosmic, impersonal, and pre-individual emission of nomadic singularities-events. Yet further, if it is we, the "plural singular,</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"> who respond to the question of&nbsp;</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;">the sense of the world,</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"> the response nevertheless responds to nothing and to no one in particular. The world does not pose a question (it is, despite New Age hype, neither a mystery nor an enigma), hence a response cannot be&nbsp;</span><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;Goudy Old Style&quot;">the solution to a problem or the appeasement of an interrogation or the conclusion of a search,</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"> but instead only&nbsp;</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;">a given guarantee, a promise, an engaged <i>responsibility</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"></i> (70-1).<o:p></o:p></span></div> <div class="MsoNormal" style="text-align:justify;text-indent:.5in"><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;">Under the aegis of this responsibility, Nancy concocts a series of knots, folds, and quagmires within which this new sense of the world is made to endure multiple extrications and entanglements. Dancing about in a rhizomatic rhythm that befits its topic, Nancy</span><span style="mso-ansi-font-size:12.0pt; font-family:&quot;WP TypographicSymbols&quot;">'</span><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;Goudy Old Style&quot;">s book exhibits its incommensurabilty through a profusion of eclectic explorations (along with requisite sections on&nbsp;</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;">Sense and Truth,</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"></span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;">Politics [the subject, sovereignty, community, speech],</span><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;Goudy Old Style&quot;"></span><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;Goudy Old Style&quot;">Labor,</span><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;Goudy Old Style&quot;"></span><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;Goudy Old Style&quot;">Psychoanalysis,</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"> and even&nbsp;</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"><i>Diff&eacute;rance</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"></i>) into the relationship between the impersonal quality of sense and that which seems to us to be most personal: "Pain. Suffering. Unhappiness," "Gift. Desire. <i>Agathon</i>," "Music," "Painting," and "Touching,</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"> as well as that preponderantly destructive force, mentioned only in passing, which looms constantly upon the nihilistic horizon: boredom. Yet in addition to those things closest in proximity, Nancy also makes use of that which is farthest away: some of the most beautiful passages of the book are indeed given over to musings on the&nbsp;</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;">Constellations</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"> and&nbsp;</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;">Confines</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"> of space, for sense is neither myth nor creation, he maintains, but a spacing (a differing and deferring) that denies any privation of the finite from the infinite, and instead maps out a finitude which, within the very deprivation of all privation, nevertheless&nbsp;</span><span style="mso-ansi-font-size:12.0pt; font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;Goudy Old Style&quot;">affirms itself</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"> (30).&nbsp;<o:p></o:p></span></div> </div> <div class="Section3"> <div class="MsoNormal" style="text-align:justify;text-indent:.5in"><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;">What, then, of the spiritual ascension to the infinite, of its liquid remain(s) at the very threshold which paradoxically marks, beyond all comprehension, the entrancing of sense? If the deconstructive collapse of the nostalgic quest for a pure subjectivity, an other world, a proper dwelling, or an intimacy-in-community occurs at the very moment when secular Enlightenment realizes its object has finally evaded all thought, then it is there too that the figure of the quest is quietly reasserted as a crisis-passing-out-of-itself, a disaster of sense which assures, through its incessant transformations, the very conditions of its inaccessibility. The mystical or psychedelic, in constant tension against their etymologies, are thus not the experience of an esoteric and ineffable communion, but rather the simple communicability of a transitive being-together (the almost fifty years that have passed since the publication of Jean Hyppolite</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">'</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;">s <i>Logique et existence</i>, the very book which has made Nancy</span><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;WP TypographicSymbols&quot;">'</span><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;Goudy Old Style&quot;">s ontology of sense at all possible, now allow for a slight alteration of his lapidary formula:&nbsp;</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;">the secret is [out] that there is no secret</span><span style="mso-ansi-font-size:12.0pt; font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;Goudy Old Style&quot;">). Like the flux of consciousness which, throughout Molly Bloom</span><span style="mso-ansi-font-size:12.0pt;font-family: &quot;WP TypographicSymbols&quot;">'</span><span style="mso-ansi-font-size:12.0pt; font-family:&quot;Goudy Old Style&quot;">s interior monologue, resonates between the odyssey and the&nbsp;</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;">yessydo</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"> (yes I do), Nancy</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">'</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;">s <i>The Sense of the World </i>makes clear that the very exscription of meaning which now plagues us must be understood, beyond any lived experience, as an exoteric opening onto a&nbsp;</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;">becoming-worldwide</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;WP TypographicSymbols&quot;">"</span><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"> (<i>mondialisation</i>) of the sensuous world. Neither affirmation nor negation, the existence and exposition of this sense requires an incipient disposition which has no logical name, but which simply passes over into a thought that continually exposes, in its radiance, <i>a</i> singular life rendered eternally and irreparably thus by its ecstatic being-toward one planet / one life.<o:p></o:p></span> <br>&nbsp;</div> <div class="MsoNormal" style="text-align:justify"><span style="mso-ansi-font-size: 12.0pt;font-family:&quot;Goudy Old Style&quot;"><![if !supportEmptyParas]><![endif]><o:p></o:p></span></div> <div align="right"><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"><span style="mso-tab-count:1"></span>David Patrick<o:p></o:p></span></div> <div align="right"><span style="mso-ansi-font-size:12.0pt;font-family:&quot;Goudy Old Style&quot;"><span style="mso-tab-count:1"></span>University of Western Ontario<o:p></o:p></span></div> </div> </body> </html> <!-- FILE ARCHIVED ON 04:41:25 Apr 30, 2003 AND RETRIEVED FROM THE INTERNET ARCHIVE ON 02:13:41 Nov 28, 2024. 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