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class="vector-toc-list"> </ul> </li> <li id="toc-1900–1912:_theater" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1900–1912:_theater"> <div class="vector-toc-text"> 1.2 1900–1912: theater </div> </a> <ul id="toc-1900–1912:_theater-sublist" class="vector-toc-list"> <li id="toc-Charles_Frohman,_Constance_Adams,_and_David_Belasco" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Charles_Frohman,_Constance_Adams,_and_David_Belasco"> <div class="vector-toc-text"> 1.2.1 Charles Frohman, Constance Adams, and David Belasco </div> </a> <ul id="toc-Charles_Frohman,_Constance_Adams,_and_David_Belasco-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Losing_interest_in_theatre" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Losing_interest_in_theatre"> <div class="vector-toc-text"> 1.2.2 Losing interest in theatre </div> </a> <ul id="toc-Losing_interest_in_theatre-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-1913–1914:_entering_films" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1913–1914:_entering_films"> <div class="vector-toc-text"> 1.3 1913–1914: entering films </div> </a> <ul id="toc-1913–1914:_entering_films-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-1915–1928:_silent_era" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1915–1928:_silent_era"> <div class="vector-toc-text"> 1.4 1915–1928: silent era </div> </a> <ul id="toc-1915–1928:_silent_era-sublist" class="vector-toc-list"> <li id="toc-Westerns,_Paradise,_and_World_War_I" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Westerns,_Paradise,_and_World_War_I"> <div class="vector-toc-text"> 1.4.1 Westerns, Paradise, and World War I </div> </a> <ul id="toc-Westerns,_Paradise,_and_World_War_I-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Scandalous_dramas,_Biblical_epics,_and_departure_from_Paramount" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Scandalous_dramas,_Biblical_epics,_and_departure_from_Paramount"> <div class="vector-toc-text"> 1.4.2 Scandalous dramas, Biblical epics, and departure from Paramount </div> </a> <ul id="toc-Scandalous_dramas,_Biblical_epics,_and_departure_from_Paramount-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-1929–1956:_sound_era" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#1929–1956:_sound_era"> <div class="vector-toc-text"> 1.5 1929–1956: sound era </div> </a> <ul id="toc-1929–1956:_sound_era-sublist" class="vector-toc-list"> <li id="toc-MGM_and_return_to_Paramount" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#MGM_and_return_to_Paramount"> <div class="vector-toc-text"> 1.5.1 MGM and return to Paramount </div> </a> <ul id="toc-MGM_and_return_to_Paramount-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Politics_and_Lux_Radio_Theatre" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Politics_and_Lux_Radio_Theatre"> <div class="vector-toc-text"> 1.5.2 Politics and Lux Radio Theatre </div> </a> <ul id="toc-Politics_and_Lux_Radio_Theatre-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Adventure_films_and_dramatic_spectacles" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Adventure_films_and_dramatic_spectacles"> <div class="vector-toc-text"> 1.5.3 Adventure films and dramatic spectacles </div> </a> <ul id="toc-Adventure_films_and_dramatic_spectacles-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Final_works_and_unrealized_projects" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Final_works_and_unrealized_projects"> <div class="vector-toc-text"> 1.5.4 Final works and unrealized projects </div> </a> <ul id="toc-Final_works_and_unrealized_projects-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Death" class="vector-toc-list-item vector-toc-level-3"> <a class="vector-toc-link" href="#Death"> <div class="vector-toc-text"> 1.5.5 Death </div> </a> <ul id="toc-Death-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> </ul> </li> <li id="toc-Filmmaking" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Filmmaking"> <div class="vector-toc-text"> 2 Filmmaking </div> </a> <button aria-controls="toc-Filmmaking-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Filmmaking subsection </button> <ul id="toc-Filmmaking-sublist" class="vector-toc-list"> <li id="toc-Influences" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Influences"> <div class="vector-toc-text"> 2.1 Influences </div> </a> <ul id="toc-Influences-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Method" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Method"> <div class="vector-toc-text"> 2.2 Method </div> </a> <ul id="toc-Method-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Style_and_themes" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Style_and_themes"> <div class="vector-toc-text"> 2.3 Style and themes </div> </a> <ul id="toc-Style_and_themes-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Legacy" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Legacy"> <div class="vector-toc-text"> 3 Legacy </div> </a> <button aria-controls="toc-Legacy-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Legacy subsection </button> <ul id="toc-Legacy-sublist" class="vector-toc-list"> <li id="toc-Commemoration_and_tributes" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Commemoration_and_tributes"> <div class="vector-toc-text"> 3.1 Commemoration and tributes </div> </a> <ul id="toc-Commemoration_and_tributes-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Awards_and_recognition" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Awards_and_recognition"> <div class="vector-toc-text"> 4 Awards and recognition </div> </a> <ul id="toc-Awards_and_recognition-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Filmography" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Filmography"> <div class="vector-toc-text"> 5 Filmography </div> </a> <button aria-controls="toc-Filmography-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle Filmography subsection </button> <ul id="toc-Filmography-sublist" class="vector-toc-list"> <li id="toc-Directed_features" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Directed_features"> <div class="vector-toc-text"> 5.1 Directed features </div> </a> <ul id="toc-Directed_features-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Directing_or_producing_credit" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Directing_or_producing_credit"> <div class="vector-toc-text"> 5.2 Directing or producing credit </div> </a> <ul id="toc-Directing_or_producing_credit-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Acting_and_cameos" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Acting_and_cameos"> <div class="vector-toc-text"> 5.3 Acting and cameos </div> </a> <ul id="toc-Acting_and_cameos-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Explanatory_notes" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Explanatory_notes"> <div class="vector-toc-text"> 6 Explanatory notes </div> </a> <ul id="toc-Explanatory_notes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Citations" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Citations"> <div class="vector-toc-text"> 7 Citations </div> </a> <ul id="toc-Citations-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-General_sources" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#General_sources"> <div class="vector-toc-text"> 8 General sources </div> </a> <ul id="toc-General_sources-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> 9 External links </div> </a> <button aria-controls="toc-External_links-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> Toggle External links subsection </button> <ul id="toc-External_links-sublist" class="vector-toc-list"> <li id="toc-Archival_materials" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Archival_materials"> <div class="vector-toc-text"> 9.1 Archival materials </div> </a> <ul id="toc-Archival_materials-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" > Toggle the table of contents </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading">Cecil B. DeMille</h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. Available in 60 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-60" aria-hidden="true" > 60 languages </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-af mw-list-item"><a href="https://af.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Afrikaans" lang="af" hreflang="af" data-title="Cecil B. DeMille" data-language-autonym="Afrikaans" data-language-local-name="Afrikaans" class="interlanguage-link-target">Afrikaans</a></li><li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D8%B3%D9%8A%D8%B3%D9%8A%D9%84_%D8%AF%D9%8A%D9%85%D9%8A%D9%84" title="سيسيل ديميل – Arabic" lang="ar" hreflang="ar" data-title="سيسيل ديميل" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target">العربية</a></li><li class="interlanguage-link interwiki-an mw-list-item"><a href="https://an.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Aragonese" lang="an" hreflang="an" data-title="Cecil B. DeMille" data-language-autonym="Aragonés" data-language-local-name="Aragonese" class="interlanguage-link-target">Aragonés</a></li><li class="interlanguage-link interwiki-ast mw-list-item"><a href="https://ast.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Asturian" lang="ast" hreflang="ast" data-title="Cecil B. DeMille" data-language-autonym="Asturianu" data-language-local-name="Asturian" class="interlanguage-link-target">Asturianu</a></li><li class="interlanguage-link interwiki-azb mw-list-item"><a href="https://azb.wikipedia.org/wiki/%D8%B3%DB%8C%D8%B3%DB%8C%D9%84_%D8%A8%DB%8C._%D8%AF%D9%85%DB%8C%D9%84" title="سیسیل بی. دمیل – South Azerbaijani" lang="azb" hreflang="azb" data-title="سیسیل بی. دمیل" data-language-autonym="تۆرکجه" data-language-local-name="South Azerbaijani" class="interlanguage-link-target">تۆرکجه</a></li><li class="interlanguage-link interwiki-bn mw-list-item"><a href="https://bn.wikipedia.org/wiki/%E0%A6%B8%E0%A7%87%E0%A6%B8%E0%A6%BF%E0%A6%B2_%E0%A6%AC%E0%A6%BF._%E0%A6%A1%E0%A6%BE%E0%A6%AE%E0%A6%BF%E0%A6%B2" title="সেসিল বি. ডামিল – Bangla" lang="bn" hreflang="bn" data-title="সেসিল বি. ডামিল" data-language-autonym="বাংলা" data-language-local-name="Bangla" class="interlanguage-link-target">বাংলা</a></li><li class="interlanguage-link interwiki-zh-min-nan mw-list-item"><a href="https://zh-min-nan.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Minnan" lang="nan" hreflang="nan" data-title="Cecil B. DeMille" data-language-autonym="閩南語 / Bân-lâm-gú" data-language-local-name="Minnan" class="interlanguage-link-target">閩南語 / Bân-lâm-gú</a></li><li class="interlanguage-link interwiki-be mw-list-item"><a href="https://be.wikipedia.org/wiki/%D0%A1%D0%B5%D1%81%D1%96%D0%BB_%D0%91%D0%BB%D0%B0%D1%9E%D0%BD%D1%82_%D0%94%D1%8D%D0%BC%D1%96%D0%BB%D1%8C" title="Сесіл Блаўнт Дэміль – Belarusian" lang="be" hreflang="be" data-title="Сесіл Блаўнт Дэміль" data-language-autonym="Беларуская" data-language-local-name="Belarusian" class="interlanguage-link-target">Беларуская</a></li><li class="interlanguage-link interwiki-bcl mw-list-item"><a href="https://bcl.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Central Bikol" lang="bcl" hreflang="bcl" data-title="Cecil B. DeMille" data-language-autonym="Bikol Central" data-language-local-name="Central Bikol" class="interlanguage-link-target">Bikol Central</a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/%D0%A1%D0%B5%D1%81%D0%B8%D0%BB_%D0%94%D0%B5%D0%BC%D0%B8%D0%BB" title="Сесил Демил – Bulgarian" lang="bg" hreflang="bg" data-title="Сесил Демил" data-language-autonym="Български" data-language-local-name="Bulgarian" class="interlanguage-link-target">Български</a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Catalan" lang="ca" hreflang="ca" data-title="Cecil B. DeMille" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target">Català</a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Czech" lang="cs" hreflang="cs" data-title="Cecil B. DeMille" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target">Čeština</a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Danish" lang="da" hreflang="da" data-title="Cecil B. DeMille" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target">Dansk</a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – German" lang="de" hreflang="de" data-title="Cecil B. DeMille" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target">Deutsch</a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/%CE%A3%CE%AD%CF%83%CE%B9%CE%BB_%CE%9D%CF%84%CE%B5_%CE%9C%CE%B9%CE%BB" title="Σέσιλ Ντε Μιλ – Greek" lang="el" hreflang="el" data-title="Σέσιλ Ντε Μιλ" data-language-autonym="Ελληνικά" data-language-local-name="Greek" class="interlanguage-link-target">Ελληνικά</a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Spanish" lang="es" hreflang="es" data-title="Cecil B. DeMille" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target">Español</a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Esperanto" lang="eo" hreflang="eo" data-title="Cecil B. DeMille" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target">Esperanto</a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Basque" lang="eu" hreflang="eu" data-title="Cecil B. DeMille" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target">Euskara</a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D8%B3%DB%8C%D8%B3%DB%8C%D9%84_%D8%A8%DB%8C._%D8%AF%D9%85%DB%8C%D9%84" title="سیسیل بی. دمیل – Persian" lang="fa" hreflang="fa" data-title="سیسیل بی. دمیل" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target">فارسی</a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – French" lang="fr" hreflang="fr" data-title="Cecil B. DeMille" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target">Français</a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Galician" lang="gl" hreflang="gl" data-title="Cecil B. DeMille" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target">Galego</a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EC%84%B8%EC%8B%A4_B._%EB%93%9C%EB%B0%80" title="세실 B. 드밀 – Korean" lang="ko" hreflang="ko" data-title="세실 B. 드밀" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target">한국어</a></li><li class="interlanguage-link interwiki-hy mw-list-item"><a href="https://hy.wikipedia.org/wiki/%D5%8D%D5%A5%D5%BD%D5%AB%D5%AC_%D4%B2%D5%AC%D5%A1%D5%B8%D6%82%D5%B6%D5%BF_%D5%A4%D5%A5_%D5%84%D5%AB%D5%AC%D5%AC" title="Սեսիլ Բլաունտ դե Միլլ – Armenian" lang="hy" hreflang="hy" data-title="Սեսիլ Բլաունտ դե Միլլ" data-language-autonym="Հայերեն" data-language-local-name="Armenian" class="interlanguage-link-target">Հայերեն</a></li><li class="interlanguage-link interwiki-hr mw-list-item"><a href="https://hr.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Croatian" lang="hr" hreflang="hr" data-title="Cecil B. DeMille" data-language-autonym="Hrvatski" data-language-local-name="Croatian" class="interlanguage-link-target">Hrvatski</a></li><li class="interlanguage-link interwiki-io mw-list-item"><a href="https://io.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Ido" lang="io" hreflang="io" data-title="Cecil B. DeMille" data-language-autonym="Ido" data-language-local-name="Ido" class="interlanguage-link-target">Ido</a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Indonesian" lang="id" hreflang="id" data-title="Cecil B. DeMille" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target">Bahasa Indonesia</a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Italian" lang="it" hreflang="it" data-title="Cecil B. DeMille" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target">Italiano</a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%A1%D7%A1%D7%99%D7%9C_%D7%91._%D7%93%D7%94-%D7%9E%D7%99%D7%9C" title="ססיל ב. דה-מיל – Hebrew" lang="he" hreflang="he" data-title="ססיל ב. דה-מיל" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target">עברית</a></li><li class="interlanguage-link interwiki-kn mw-list-item"><a href="https://kn.wikipedia.org/wiki/%E0%B2%B8%E0%B3%86%E0%B2%B8%E0%B2%BF%E0%B2%B2%E0%B3%8D_%E0%B2%AC%E0%B2%BF_%E0%B2%A1_%E0%B2%AE%E0%B2%BF%E0%B2%B2%E0%B3%8D" title="ಸೆಸಿಲ್ ಬಿ ಡ ಮಿಲ್ – Kannada" lang="kn" hreflang="kn" data-title="ಸೆಸಿಲ್ ಬಿ ಡ ಮಿಲ್" data-language-autonym="ಕನ್ನಡ" data-language-local-name="Kannada" class="interlanguage-link-target">ಕನ್ನಡ</a></li><li class="interlanguage-link interwiki-ka mw-list-item"><a href="https://ka.wikipedia.org/wiki/%E1%83%A1%E1%83%94%E1%83%A1%E1%83%98%E1%83%9A_%E1%83%93%E1%83%94%E1%83%9B%E1%83%98%E1%83%9A%E1%83%98" title="სესილ დემილი – Georgian" lang="ka" hreflang="ka" data-title="სესილ დემილი" data-language-autonym="ქართული" data-language-local-name="Georgian" class="interlanguage-link-target">ქართული</a></li><li class="interlanguage-link interwiki-ht mw-list-item"><a href="https://ht.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Haitian Creole" lang="ht" hreflang="ht" data-title="Cecil B. DeMille" data-language-autonym="Kreyòl ayisyen" data-language-local-name="Haitian Creole" class="interlanguage-link-target">Kreyòl ayisyen</a></li><li class="interlanguage-link interwiki-la mw-list-item"><a href="https://la.wikipedia.org/wiki/Caecilius_B._DeMille" title="Caecilius B. DeMille – Latin" lang="la" hreflang="la" data-title="Caecilius B. DeMille" data-language-autonym="Latina" data-language-local-name="Latin" class="interlanguage-link-target">Latina</a></li><li class="interlanguage-link interwiki-lv mw-list-item"><a href="https://lv.wikipedia.org/wiki/Sesils_Demills" title="Sesils Demills – Latvian" lang="lv" hreflang="lv" data-title="Sesils Demills" data-language-autonym="Latviešu" data-language-local-name="Latvian" class="interlanguage-link-target">Latviešu</a></li><li class="interlanguage-link interwiki-lb mw-list-item"><a href="https://lb.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Luxembourgish" lang="lb" hreflang="lb" data-title="Cecil B. DeMille" data-language-autonym="Lëtzebuergesch" data-language-local-name="Luxembourgish" class="interlanguage-link-target">Lëtzebuergesch</a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Hungarian" lang="hu" hreflang="hu" data-title="Cecil B. DeMille" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target">Magyar</a></li><li class="interlanguage-link interwiki-mg mw-list-item"><a href="https://mg.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Malagasy" lang="mg" hreflang="mg" data-title="Cecil B. DeMille" data-language-autonym="Malagasy" data-language-local-name="Malagasy" class="interlanguage-link-target">Malagasy</a></li><li class="interlanguage-link interwiki-ml mw-list-item"><a href="https://ml.wikipedia.org/wiki/%E0%B4%B8%E0%B5%86%E0%B4%B8%E0%B4%BF%E0%B5%BD_%E0%B4%AC%E0%B5%8D%E0%B4%B2%E0%B5%97%E0%B4%A3%E0%B5%8D%E0%B4%9F%E0%B5%8D_%E0%B4%A1%E0%B4%BF_%E0%B4%AE%E0%B4%BF%E0%B4%B2%E0%B5%8D%E0%B4%B2%E0%B5%86" title="സെസിൽ ബ്ലൗണ്ട് ഡി മില്ലെ – Malayalam" lang="ml" hreflang="ml" data-title="സെസിൽ ബ്ലൗണ്ട് ഡി മില്ലെ" data-language-autonym="മലയാളം" data-language-local-name="Malayalam" class="interlanguage-link-target">മലയാളം</a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D8%B3%D9%8A%D8%B3%D9%8A%D9%84_%D8%AF%D9%8A%D9%85%D9%8A%D9%84" title="سيسيل ديميل – Egyptian Arabic" lang="arz" hreflang="arz" data-title="سيسيل ديميل" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target">مصرى</a></li><li class="interlanguage-link interwiki-ms mw-list-item"><a href="https://ms.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Malay" lang="ms" hreflang="ms" data-title="Cecil B. DeMille" data-language-autonym="Bahasa Melayu" data-language-local-name="Malay" class="interlanguage-link-target">Bahasa Melayu</a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Dutch" lang="nl" hreflang="nl" data-title="Cecil B. DeMille" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target">Nederlands</a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%82%BB%E3%82%B7%E3%83%AB%E3%83%BBB%E3%83%BB%E3%83%87%E3%83%9F%E3%83%AB" title="セシル・B・デミル – Japanese" lang="ja" hreflang="ja" data-title="セシル・B・デミル" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target">日本語</a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Cecil B. DeMille" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target">Norsk bokmål</a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Polish" lang="pl" hreflang="pl" data-title="Cecil B. DeMille" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target">Polski</a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Portuguese" lang="pt" hreflang="pt" data-title="Cecil B. DeMille" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target">Português</a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Romanian" lang="ro" hreflang="ro" data-title="Cecil B. DeMille" data-language-autonym="Română" data-language-local-name="Romanian" class="interlanguage-link-target">Română</a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%94%D0%B5%D0%BC%D0%B8%D0%BB%D0%BB%D1%8C,_%D0%A1%D0%B5%D1%81%D0%B8%D0%BB_%D0%91%D0%BB%D0%B0%D1%83%D0%BD%D1%82" title="Демилль, Сесил Блаунт – Russian" lang="ru" hreflang="ru" data-title="Демилль, Сесил Блаунт" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target">Русский</a></li><li class="interlanguage-link interwiki-sco mw-list-item"><a href="https://sco.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Scots" lang="sco" hreflang="sco" data-title="Cecil B. DeMille" data-language-autonym="Scots" data-language-local-name="Scots" class="interlanguage-link-target">Scots</a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Simple English" lang="en-simple" hreflang="en-simple" data-title="Cecil B. DeMille" data-language-autonym="Simple English" data-language-local-name="Simple English" class="interlanguage-link-target">Simple English</a></li><li class="interlanguage-link interwiki-sk mw-list-item"><a href="https://sk.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Slovak" lang="sk" hreflang="sk" data-title="Cecil B. DeMille" data-language-autonym="Slovenčina" data-language-local-name="Slovak" class="interlanguage-link-target">Slovenčina</a></li><li class="interlanguage-link interwiki-sr mw-list-item"><a href="https://sr.wikipedia.org/wiki/%D0%A1%D0%B5%D1%81%D0%B8%D0%BB_%D0%91._%D0%94%D0%B5%D0%BC%D0%B8%D0%BB" title="Сесил Б. Демил – Serbian" lang="sr" hreflang="sr" data-title="Сесил Б. Демил" data-language-autonym="Српски / srpski" data-language-local-name="Serbian" class="interlanguage-link-target">Српски / srpski</a></li><li class="interlanguage-link interwiki-sh mw-list-item"><a href="https://sh.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Serbo-Croatian" lang="sh" hreflang="sh" data-title="Cecil B. DeMille" data-language-autonym="Srpskohrvatski / српскохрватски" data-language-local-name="Serbo-Croatian" class="interlanguage-link-target">Srpskohrvatski / српскохрватски</a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Finnish" lang="fi" hreflang="fi" data-title="Cecil B. DeMille" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target">Suomi</a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Swedish" lang="sv" hreflang="sv" data-title="Cecil B. DeMille" data-language-autonym="Svenska" data-language-local-name="Swedish" class="interlanguage-link-target">Svenska</a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/Cecil_Blount_DeMille" title="Cecil Blount DeMille – Turkish" lang="tr" hreflang="tr" data-title="Cecil Blount DeMille" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target">Türkçe</a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%A1%D0%B5%D1%81%D1%96%D0%BB%D1%8C_%D0%91%D0%BB%D0%B0%D1%83%D0%BD%D1%82_%D0%94%D0%B5_%D0%9C%D1%96%D0%BB%D0%BB%D1%8C" title="Сесіль Блаунт Де Мілль – Ukrainian" lang="uk" hreflang="uk" data-title="Сесіль Блаунт Де Мілль" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target">Українська</a></li><li class="interlanguage-link interwiki-vi mw-list-item"><a href="https://vi.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Vietnamese" lang="vi" hreflang="vi" data-title="Cecil B. DeMille" data-language-autonym="Tiếng Việt" data-language-local-name="Vietnamese" class="interlanguage-link-target">Tiếng Việt</a></li><li class="interlanguage-link interwiki-war mw-list-item"><a href="https://war.wikipedia.org/wiki/Cecil_B._DeMille" title="Cecil B. DeMille – Waray" lang="war" hreflang="war" data-title="Cecil B. DeMille" data-language-autonym="Winaray" data-language-local-name="Waray" class="interlanguage-link-target">Winaray</a></li><li class="interlanguage-link interwiki-wuu mw-list-item"><a href="https://wuu.wikipedia.org/wiki/%E5%A1%9E%E8%A5%BF%E5%B0%94%C2%B7%E5%BE%B7%E7%B1%B3%E5%B0%94" title="塞西尔·德米尔 – Wu" lang="wuu" hreflang="wuu" data-title="塞西尔·德米尔" data-language-autonym="吴语" data-language-local-name="Wu" class="interlanguage-link-target">吴语</a></li><li class="interlanguage-link interwiki-zh-yue mw-list-item"><a href="https://zh-yue.wikipedia.org/wiki/%E6%96%BD%E7%B4%A0%E5%BE%B7%E7%BE%8E" title="施素德美 – Cantonese" lang="yue" hreflang="yue" data-title="施素德美" data-language-autonym="粵語" data-language-local-name="Cantonese" class="interlanguage-link-target">粵語</a></li><li class="interlanguage-link interwiki-zh mw-list-item"><a href="https://zh.wikipedia.org/wiki/%E5%A1%9E%E8%A5%BF%E7%88%BE%C2%B7%E5%BE%B7%E7%B1%B3%E7%88%BE" title="塞西爾·德米爾 – Chinese" lang="zh" hreflang="zh" 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DeMille</div></th></tr><tr><td colspan="2" class="infobox-image"><a href="/wiki/File:Demille_-_c1920.JPG" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c0/Demille_-_c1920.JPG/220px-Demille_-_c1920.JPG" decoding="async" width="220" height="334" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c0/Demille_-_c1920.JPG/330px-Demille_-_c1920.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c0/Demille_-_c1920.JPG/440px-Demille_-_c1920.JPG 2x" data-file-width="888" data-file-height="1348" /></a><div class="infobox-caption">Publicity portrait, <abbr title="circa">c.</abbr> 1920</div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><div style="display:inline" class="nickname">Cecil Blount DeMille</div> (1881-08-12)August 12, 1881 <div style="display:inline" class="birthplace"><a href="/wiki/Ashfield,_Massachusetts" title="Ashfield, Massachusetts">Ashfield, Massachusetts</a>, U.S.</div></td></tr><tr><th scope="row" class="infobox-label">Died</th><td class="infobox-data">January 21, 1959(1959-01-21) (aged 77) <div style="display:inline" class="deathplace"><a href="/wiki/Los_Angeles" title="Los Angeles">Los Angeles</a>, California, U.S.</div></td></tr><tr><th scope="row" class="infobox-label">Resting place</th><td class="infobox-data label"><a href="/wiki/Hollywood_Forever_Cemetery" title="Hollywood Forever Cemetery">Hollywood Forever Cemetery</a></td></tr><tr><th scope="row" class="infobox-label">Alma mater</th><td class="infobox-data"><a href="/wiki/Widener_University" title="Widener University">Pennsylvania Military College</a> <a href="/wiki/American_Academy_of_Dramatic_Arts" title="American Academy of Dramatic Arts">American Academy of Dramatic Arts</a></td></tr><tr><th scope="row" class="infobox-label">Occupations</th><td class="infobox-data role"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist dd:last-child::after,.mw-parser-output .hlist dt:last-child::after,.mw-parser-output .hlist li:last-child::after{content:none}.mw-parser-output .hlist dd dd:first-child::before,.mw-parser-output .hlist dd dt:first-child::before,.mw-parser-output .hlist dd li:first-child::before,.mw-parser-output .hlist dt dd:first-child::before,.mw-parser-output .hlist dt dt:first-child::before,.mw-parser-output .hlist dt li:first-child::before,.mw-parser-output .hlist li dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><div class="hlist"><ul><li>Filmmaker</li><li>actor</li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Years active</th><td class="infobox-data">1899–1958</td></tr><tr><th scope="row" class="infobox-label">Political party</th><td class="infobox-data org"><a href="/wiki/Republican_Party_(United_States)" title="Republican Party (United States)">Republican</a></td></tr><tr><th scope="row" class="infobox-label">Spouse</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1151524712">.mw-parser-output .marriage-line-margin2px{line-height:0;margin-bottom:-2px}.mw-parser-output .marriage-line-margin3px{line-height:0;margin-bottom:-3px}.mw-parser-output .marriage-display-ws{display:inline;white-space:nowrap}</style> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;"><a href="/wiki/Constance_Adams_DeMille" title="Constance Adams DeMille">Constance Adams DeMille</a></div> <div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> 1902)</div></td></tr><tr><th scope="row" class="infobox-label">Children</th><td class="infobox-data">4, including <a href="/wiki/Katherine_DeMille" title="Katherine DeMille">Katherine DeMille</a> (adopted) and <a href="/wiki/Richard_de_Mille" title="Richard de Mille">Richard de Mille</a> (adopted)</td></tr><tr><th scope="row" class="infobox-label">Parent(s)</th><td class="infobox-data"><a href="/wiki/Henry_Churchill_de_Mille" title="Henry Churchill de Mille">Henry Churchill de Mille</a> <a href="/wiki/Beatrice_deMille" title="Beatrice deMille">Matilda Beatrice deMille</a></td></tr><tr><th scope="row" class="infobox-label">Relatives</th><td class="infobox-data"><a href="/wiki/William_C._deMille" title="William C. deMille">William C. deMille</a> (brother) <a href="/wiki/Agnes_de_Mille" title="Agnes de Mille">Agnes de Mille</a> (niece) <a href="/wiki/Peggy_George" title="Peggy George">Peggy George</a> (niece)</td></tr><tr><th scope="row" class="infobox-label">Website</th><td class="infobox-data"><a rel="nofollow" class="external text" href="https://www.cecilbdemille.com/">Official website</a></td></tr></tbody></table> Cecil Blount DeMille (<a href="/wiki/Help:IPA/English" title="Help:IPA/English">/ˈsɛsəl dəˈmɪl/</a>; August 12, 1881 – January 21, 1959) was an American filmmaker and actor. Between 1914 and 1958, he made 70 features, both <a href="/wiki/Silent_film" title="Silent film">silent</a> and <a href="/wiki/Sound_film" title="Sound film">sound films</a>. He is acknowledged as a founding father of <a href="/wiki/Cinema_of_the_United_States" title="Cinema of the United States">American cinema</a> and the most commercially successful producer-director in film history. His films were distinguished by their epic scale and by his cinematic showmanship. His silent films included social dramas, comedies, Westerns, farces, morality plays, and historical pageants. He was an active Freemason and member of Prince of Orange Lodge #16 in New York City.<a href="#cite_note-1">[1]</a><a href="#cite_note-2">[2]</a> DeMille was born in <a href="/wiki/Ashfield,_Massachusetts" title="Ashfield, Massachusetts">Ashfield, Massachusetts</a>, and grew up in New York City. He began his career as a stage actor in 1900. He later moved to writing and directing stage productions, some with <a href="/wiki/Jesse_L._Lasky" title="Jesse L. Lasky">Jesse L. Lasky</a>, who was then a <a href="/wiki/Vaudeville" title="Vaudeville">vaudeville</a> producer. DeMille's first film, <a href="/wiki/The_Squaw_Man_(1914_film)" title="The Squaw Man (1914 film)">The Squaw Man</a> (1914), was also the first full-length feature film shot in <a href="/wiki/Hollywood,_Los_Angeles" title="Hollywood, Los Angeles">Hollywood</a>. Its interracial love story made it commercially successful, and it first publicized Hollywood as the home of the U.S. film industry. The continued success of his productions led to the founding of <a href="/wiki/Paramount_Pictures" title="Paramount Pictures">Paramount Pictures</a> with Lasky and <a href="/wiki/Adolph_Zukor" title="Adolph Zukor">Adolph Zukor</a>. His first biblical epic, <a href="/wiki/The_Ten_Commandments_(1923_film)" title="The Ten Commandments (1923 film)">The Ten Commandments</a> (1923), was both a critical and commercial success; it held the Paramount revenue record for twenty-five years. DeMille directed <a href="/wiki/The_King_of_Kings_(1927_film)" title="The King of Kings (1927 film)">The King of Kings</a> (1927), a biography of Jesus, which gained approval for its sensitivity and reached more than 800 million viewers. <a href="/wiki/The_Sign_of_the_Cross_(1932_film)" title="The Sign of the Cross (1932 film)">The Sign of the Cross</a> (1932) is said to be the first sound film to integrate all aspects of cinematic technique. <a href="/wiki/Cleopatra_(1934_film)" title="Cleopatra (1934 film)">Cleopatra</a> (1934) was his first film to be nominated for the <a href="/wiki/Academy_Award_for_Best_Picture" title="Academy Award for Best Picture">Academy Award for Best Picture</a>. After more than thirty years in film production, DeMille reached a pinnacle in his career with <a href="/wiki/Samson_and_Delilah_(1949_film)" title="Samson and Delilah (1949 film)">Samson and Delilah</a> (1949), a biblical epic that became the highest-grossing film of 1950. Along with biblical and historical narratives, he also directed films oriented toward "neo-naturalism", which tried to portray the laws of man fighting the forces of nature. He received his first nomination for the <a href="/wiki/Academy_Award_for_Best_Director" title="Academy Award for Best Director">Academy Award for Best Director</a> for his circus drama <a href="/wiki/The_Greatest_Show_on_Earth_(film)" title="The Greatest Show on Earth (film)">The Greatest Show on Earth</a> (1952), which won both the <a href="/wiki/25th_Academy_Awards" title="25th Academy Awards">Academy Award for Best Picture</a> and the <a href="/wiki/Golden_Globe_Award_for_Best_Motion_Picture_%E2%80%93_Drama" title="Golden Globe Award for Best Motion Picture – Drama">Golden Globe Award for Best Motion Picture – Drama</a>. His last and best-known film, <a href="/wiki/The_Ten_Commandments_(1956_film)" title="The Ten Commandments (1956 film)">The Ten Commandments</a> (1956), also a Best Picture Academy Award nominee, is currently the <a href="/wiki/List_of_highest-grossing_films_adjusted_for_inflation" class="mw-redirect" title="List of highest-grossing films adjusted for inflation">eighth-highest-grossing film of all time, adjusted for inflation</a>. In addition to his Best Picture Awards, he received an <a href="/wiki/Academy_Honorary_Award" title="Academy Honorary Award">Academy Honorary Award</a> for his film contributions, the <a href="/wiki/Palme_d%27Or" title="Palme d'Or">Palme d'Or</a> (posthumously) for <a href="/wiki/Union_Pacific_(film)" title="Union Pacific (film)">Union Pacific</a> (1939), a <a href="/wiki/Directors_Guild_of_America_Award" class="mw-redirect" title="Directors Guild of America Award">DGA Award</a> for Lifetime Achievement, and the <a href="/wiki/Irving_G._Thalberg_Memorial_Award" title="Irving G. Thalberg Memorial Award">Irving G. Thalberg Memorial Award</a>. He was the first recipient of the <a href="/wiki/Golden_Globe_Cecil_B._DeMille_Award" title="Golden Globe Cecil B. DeMille Award">Golden Globe Cecil B. DeMille Award</a>, which was named in his honor. DeMille's reputation had a renaissance in the 2010s, and his work has influenced numerous other films and directors. <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Biography">Biography</h2>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=1" title="Edit section: Biography">edit</a>]</div> <div class="mw-heading mw-heading3"><h3 id="1881–1899:_early_years">1881–1899: early years</h3>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=2" title="Edit section: 1881–1899: early years">edit</a>]</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:AADA_at_the_Colony_Club.jpg" class="mw-file-description"><img alt="A multi-leveled brick building with many whitepaned windows with skycraper visible in the top right corner" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c4/AADA_at_the_Colony_Club.jpg/220px-AADA_at_the_Colony_Club.jpg" decoding="async" width="220" height="326" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c4/AADA_at_the_Colony_Club.jpg/330px-AADA_at_the_Colony_Club.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c4/AADA_at_the_Colony_Club.jpg/440px-AADA_at_the_Colony_Club.jpg 2x" data-file-width="700" data-file-height="1037" /></a><figcaption>The American Academy of Dramatic Arts in New York</figcaption></figure> Cecil Blount DeMille<a href="#cite_note-6">[note 1]</a> was born on August 12, 1881, in a <a href="/wiki/Boarding_house" title="Boarding house">boarding house</a> on Main Street in <a href="/wiki/Ashfield,_Massachusetts" title="Ashfield, Massachusetts">Ashfield, Massachusetts</a>, where his parents had been vacationing for the summer.<a href="#cite_note-FOOTNOTEEyman201018-7">[6]</a> On September 1, 1881, the family returned with the newborn DeMille to their flat in New York.<a href="#cite_note-FOOTNOTEEyman201018-7">[6]</a> DeMille was named after his grandmothers Cecelia Wolff and Margarete Blount.<a href="#cite_note-FOOTNOTELouvish20076-8">[7]</a> He was the second of three children of <a href="/wiki/Henry_Churchill_de_Mille" title="Henry Churchill de Mille">Henry Churchill de Mille</a> (September 4, 1853 – February 10, 1893) and his wife, <a href="/wiki/Beatrice_deMille" title="Beatrice deMille">Matilda Beatrice deMille</a> (née Samuel; January 30, 1853 – October 8, 1923), known as Beatrice.<a href="#cite_note-9">[8]</a> His brother, <a href="/wiki/William_C._deMille" title="William C. deMille">William C. deMille</a>, was born on July 25, 1878.<a href="#cite_note-FOOTNOTEEyman201017-10">[9]</a> Henry de Mille, whose ancestors were of English and Dutch-Belgian descent, was a <a href="/wiki/North_Carolina" title="North Carolina">North Carolina</a>-born dramatist, actor, and lay reader in the <a href="/wiki/Episcopal_Church_in_the_United_States_of_America" class="mw-redirect" title="Episcopal Church in the United States of America">Episcopal Church</a>.<a href="#cite_note-FOOTNOTEEyman201015–21-11">[10]</a> DeMille's father was also an English teacher at Columbia College (now <a href="/wiki/Columbia_University" title="Columbia University">Columbia University</a>).<a href="#cite_note-FOOTNOTERinggoldBodeen19691-12">[11]</a> He worked as a playwright, administrator, and faculty member during the early years of the <a href="/wiki/American_Academy_of_Dramatic_Arts" title="American Academy of Dramatic Arts">American Academy of Dramatic Arts</a>, established in New York City in 1884.<a href="#cite_note-FOOTNOTEEyman201023-13">[12]</a> Henry deMille frequently collaborated with <a href="/wiki/David_Belasco" title="David Belasco">David Belasco</a> in playwriting;<a href="#cite_note-FOOTNOTEEyman201022-14">[13]</a> their best-known collaborations included "The Wife", "Lord Chumley", "The Charity Ball", and "Men and Women".<a href="#cite_note-FOOTNOTERinggoldBodeen19691-12">[11]</a> Cecil B. DeMille's mother, Beatrice, a literary agent and scriptwriter, was the daughter of <a href="/wiki/History_of_the_Jews_in_Germany" title="History of the Jews in Germany">German Jews</a>.<a href="#cite_note-15">[14]</a> She had emigrated from England with her parents in 1871 when she was 18; the newly arrived family settled in <a href="/wiki/Brooklyn" title="Brooklyn">Brooklyn</a>, New York, where they maintained a middle-class, English-speaking household.<a href="#cite_note-Easton-16">[15]</a> DeMille's parents met as members of a music and literary society in New York. Henry was a tall, red-headed student. Beatrice was intelligent, educated, forthright, and strong-willed.<a href="#cite_note-Louvish_2007_4-17">[16]</a> The two were married on July 1, 1876, despite Beatrice's parents' objections because of the young couple's differing religions; Beatrice converted to <a href="/wiki/Episcopalianism" class="mw-redirect" title="Episcopalianism">Episcopalianism</a>.<a href="#cite_note-Louvish_2007_4-17">[16]</a> DeMille was a brave and confident child.<a href="#cite_note-FOOTNOTEEyman201024-18">[17]</a> He gained his love of theater while watching his father and Belasco rehearse their plays. A lasting memory for DeMille was a lunch with his father and actor <a href="/wiki/Edwin_Booth" title="Edwin Booth">Edwin Booth</a>.<a href="#cite_note-FOOTNOTEEyman201026–27-19">[18]</a> As a child, DeMille created an alter ego, Champion Driver, a <a href="/wiki/Robin_Hood" title="Robin Hood">Robin Hood</a>-like character, evidence of his creativity and imagination.<a href="#cite_note-FOOTNOTEPresleyVieira201418-20">[19]</a> The family lived in <a href="/wiki/Washington,_North_Carolina" title="Washington, North Carolina">Washington, North Carolina</a>,<a href="#cite_note-21">[20]</a> until Henry built a three-story <a href="/wiki/Victorian_architecture" title="Victorian architecture">Victorian</a>-style house for his family in <a href="/wiki/Pompton_Lakes,_New_Jersey" title="Pompton Lakes, New Jersey">Pompton Lakes, New Jersey</a>; they named this estate "Pamlico".<a href="#cite_note-22">[21]</a> <a href="/wiki/John_Philip_Sousa" title="John Philip Sousa">John Philip Sousa</a> was a friend of the family, and DeMille recalled throwing mud balls in the air so neighbor <a href="/wiki/Annie_Oakley" title="Annie Oakley">Annie Oakley</a> could practice her shooting.<a href="#cite_note-FOOTNOTEEyman201028-23">[22]</a> DeMille's sister, Agnes, was born on April 23, 1891; his mother nearly did not survive the birth.<a href="#cite_note-FOOTNOTEEyman201029-24">[23]</a> Agnes would die on February 11, 1894, at the age of three from <a href="/wiki/Spinal_meningitis" class="mw-redirect" title="Spinal meningitis">spinal meningitis</a>.<a href="#cite_note-25">[24]</a><a href="#cite_note-27">[note 2]</a> DeMille's parents operated a private school in town and attended Christ Episcopal Church. DeMille recalled that this church was the place where he visualized the story of his 1923 version of The Ten Commandments.<a href="#cite_note-28">[26]</a> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Young_Cecil_B._DeMille.jpg" class="mw-file-description"><img alt="Head shot of a young-looking DeMille" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Young_Cecil_B._DeMille.jpg/170px-Young_Cecil_B._DeMille.jpg" decoding="async" width="170" height="267" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Young_Cecil_B._DeMille.jpg/255px-Young_Cecil_B._DeMille.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c7/Young_Cecil_B._DeMille.jpg/340px-Young_Cecil_B._DeMille.jpg 2x" data-file-width="646" data-file-height="1014" /></a><figcaption>DeMille as a young man, c. 1904</figcaption></figure> On January 8, 1893, at age 40, Henry de Mille died suddenly from <a href="/wiki/Typhoid_fever" title="Typhoid fever">typhoid fever</a>, leaving Beatrice with three children. To provide for her family, she opened the Henry C. de Mille School for Girls in her home in February 1893.<a href="#cite_note-29">[27]</a> The aim of the school was to teach young women to properly understand and fulfill the women's duty to herself, her home, and her country.<a href="#cite_note-FOOTNOTELouvish200714-30">[28]</a> Before Henry de Mille's death, Beatrice had "enthusiastically supported" her husband's theatrical aspirations. She later became the second female play broker on <a href="/wiki/Broadway_theatre" title="Broadway theatre">Broadway</a>.<a href="#cite_note-FOOTNOTEPresleyVieira201447-31">[29]</a> On Henry de Mille's deathbed, he told his wife that he did not want his sons to become playwrights. DeMille's mother sent him to <a href="/wiki/Widener_University" title="Widener University">Pennsylvania Military College</a> (now Widener University) in <a href="/wiki/Chester,_Pennsylvania" title="Chester, Pennsylvania">Chester, Pennsylvania</a>, at age 15.<a href="#cite_note-32">[30]</a> He fled the school to join the <a href="/wiki/Spanish%E2%80%93American_War" title="Spanish–American War">Spanish–American War</a>, but failed to meet the age requirement.<a href="#cite_note-FOOTNOTERinggoldBodeen19691-12">[11]</a> At the military college, even though his grades were average, he reportedly excelled in personal conduct.<a href="#cite_note-FOOTNOTELouvish200717-33">[31]</a> DeMille attended the American Academy of Dramatic Arts (tuition-free due to his father's service to the academy). He graduated in 1900, and for graduation, his performance was the play The Arcady Trail. In the audience was <a href="/wiki/Charles_Frohman" title="Charles Frohman">Charles Frohman</a>, who would cast DeMille in his play Hearts are Trumps, DeMille's <a href="/wiki/Broadway_theatre" title="Broadway theatre">Broadway</a> debut. <div class="mw-heading mw-heading3"><h3 id="1900–1912:_theater">1900–1912: theater</h3>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=3" title="Edit section: 1900–1912: theater">edit</a>]</div> <div class="mw-heading mw-heading4"><h4 id="Charles_Frohman,_Constance_Adams,_and_David_Belasco">Charles Frohman, Constance Adams, and David Belasco</h4>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=4" title="Edit section: Charles Frohman, Constance Adams, and David Belasco">edit</a>]</div> Cecil B. DeMille began his career as an actor on the stage in the theatrical company of <a href="/wiki/Charles_Frohman" title="Charles Frohman">Charles Frohman</a> in 1900. He debuted as an actor on February 21, 1900, in the play Hearts Are Trumps at New York's <a href="/wiki/Garden_Theater" title="Garden Theater">Garden Theater</a>.<a href="#cite_note-34">[32]</a> In 1901, DeMille starred in productions of A Repentance, To Have and to Hold, and Are You a Mason?<a href="#cite_note-FOOTNOTELouvish200720-35">[33]</a> At the age of 21, Cecil B. DeMille married <a href="/wiki/Constance_Adams_DeMille" title="Constance Adams DeMille">Constance Adams</a> on August 16, 1902, at Adams's father's home in East Orange, New Jersey. The wedding party was small. Beatrice DeMille's family was not in attendance, and <a href="/wiki/Simon_Louvish" title="Simon Louvish">Simon Louvish</a> suggests that this was to conceal DeMille's partial Jewish heritage. Adams was 29 years old at the time of their marriage, eight years older than DeMille.<a href="#cite_note-FOOTNOTELouvish200720–21-36">[34]</a> They had met in a theater in Washington D.C. while they were both acting in Hearts Are Trumps.<a href="#cite_note-FOOTNOTEPresleyVieira201421-37">[35]</a> They were sexually incompatible; according to DeMille, Adams was too "pure" to "feel such violent and evil passions".<a href="#cite_note-FOOTNOTELouvish200730–31-38">[36]</a> DeMille had more violent sexual preferences and fetishes than his wife. Adams allowed DeMille to have several long-term mistresses during their marriage as an outlet while maintaining an outward appearance of a faithful marriage.<a href="#cite_note-FOOTNOTELouvish200790-39">[37]</a> One of DeMille's affairs was with his screenwriter Jeanie MacPherson.<a href="#cite_note-FOOTNOTEEyman201080-40">[38]</a> Despite his reputation for extramarital affairs, DeMille did not like to have affairs with his stars, as he believed it would cause him to lose control as a director. He related a story that he maintained his self-control when <a href="/wiki/Gloria_Swanson" title="Gloria Swanson">Gloria Swanson</a> sat on his lap, refusing to touch her.<a href="#cite_note-FOOTNOTEEyman2010167–168-41">[39]</a> In 1902, he played a small part in <a href="/wiki/Hamlet" title="Hamlet">Hamlet</a>.<a href="#cite_note-FOOTNOTELouvish200720-35">[33]</a> Publicists wrote that he became an actor in order to learn how to direct and produce, but DeMille admitted that he became an actor in order to pay the bills.<a href="#cite_note-FOOTNOTELouvish200720-35">[33]</a> From 1904 to 1905, DeMille attempted to make a living as a stock theatre actor with his wife, Constance. DeMille made a 1905 reprise in Hamlet as Osric.<a href="#cite_note-FOOTNOTELouvish200724-42">[40]</a> In the summer of 1905, DeMille joined the stock cast at the <a href="/wiki/Elitch_Theatre" title="Elitch Theatre">Elitch Theatre</a> in Denver, Colorado. He appeared in eleven of the fifteen plays presented that season, although all were minor roles. <a href="/wiki/Maude_Fealy" title="Maude Fealy">Maude Fealy</a> would appear as the featured actress in several productions that summer and would develop a lasting friendship with DeMille. (He would later cast her in The Ten Commandments.)<a href="#cite_note-43">[41]</a> His brother, William, was establishing himself as a playwright and sometimes invited DeMille to collaborate.<a href="#cite_note-FOOTNOTEPresleyVieira201418-20">[19]</a> DeMille and William collaborated on The Genius, The Royal Mounted, and After Five.<a href="#cite_note-FOOTNOTERinggoldBodeen19692-44">[42]</a> However, none of these were very successful; William deMille was most successful when he worked alone.<a href="#cite_note-FOOTNOTERinggoldBodeen19692-44">[42]</a> DeMille and his brother at times worked with the legendary impresario <a href="/wiki/David_Belasco" title="David Belasco">David Belasco</a>, who had been a friend and collaborator of their father.<a href="#cite_note-FOOTNOTEPresleyVieira201420-45">[43]</a> DeMille would later adapt Belasco's <a href="/wiki/The_Girl_of_the_Golden_West_(play)" title="The Girl of the Golden West (play)">The Girl of the Golden West</a>, Rose of the Rancho, and <a href="/wiki/The_Warrens_of_Virginia_(play)" title="The Warrens of Virginia (play)">The Warrens of Virginia</a> into films.<a href="#cite_note-FOOTNOTELouvish200732–33-46">[44]</a> DeMille was credited with creating the premise of Belasco's The Return of Peter Grimm.<a href="#cite_note-FOOTNOTERinggoldBodeen19692-44">[42]</a> The Return of Peter Grimm sparked controversy, because Belasco had taken DeMille's unnamed screenplay, changed the characters, and named it The Return of Peter Grimm, producing and presenting it as his own work. DeMille was credited in small print as "based on an idea by Cecil DeMille". The play was successful, and DeMille was distraught that his childhood idol had plagiarized his work.<a href="#cite_note-FOOTNOTELouvish200737-47">[45]</a> <div class="mw-heading mw-heading4"><h4 id="Losing_interest_in_theatre">Losing interest in theatre</h4>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=5" title="Edit section: Losing interest in theatre">edit</a>]</div> DeMille performed on stage with actors whom he would later direct in films: <a href="/wiki/Charlotte_Walker_(actress)" class="mw-redirect" title="Charlotte Walker (actress)">Charlotte Walker</a>, <a href="/wiki/Mary_Pickford" title="Mary Pickford">Mary Pickford</a>, and <a href="/wiki/Pedro_de_Cordoba_(actor)" class="mw-redirect" title="Pedro de Cordoba (actor)">Pedro de Cordoba</a>. DeMille also produced and directed plays.<a href="#cite_note-48">[46]</a> His 1905 performance in The Prince Chap as the Earl of Huntington was well received by audiences.<a href="#cite_note-FOOTNOTELouvish200724-42">[40]</a> DeMille wrote a few of his own plays in-between stage performances, but his playwriting was not as successful.<a href="#cite_note-FOOTNOTERinggoldBodeen19692-44">[42]</a> His first play was The Pretender-A Play in a Prologue and 4 Acts set in seventeenth century Russia.<a href="#cite_note-FOOTNOTELouvish200724-42">[40]</a> Another unperformed play he wrote was Son of the Winds, a mythological Native American story.<a href="#cite_note-FOOTNOTELouvish200726-49">[47]</a> Life was difficult for DeMille and his wife as traveling actors; however, traveling allowed him to experience part of the United States he had not yet seen.<a href="#cite_note-FOOTNOTELouvish200727-50">[48]</a> DeMille sometimes worked with the director <a href="/wiki/E._H._Sothern" title="E. H. Sothern">E. H. Sothern</a>, who influenced DeMille's later perfectionism in his work.<a href="#cite_note-FOOTNOTELouvish200727-50">[48]</a> In 1907, due to a scandal with one of Beatrice's students, <a href="/wiki/Evelyn_Nesbit" title="Evelyn Nesbit">Evelyn Nesbit</a>, the Henry de Mille School lost students. The school closed, and Beatrice filed for bankruptcy.<a href="#cite_note-FOOTNOTELouvish200729-51">[49]</a> DeMille wrote another play originally called Sergeant Devil May Care, which was renamed The Royal Mounted. He also toured with the Standard Opera Company, but there are few records to indicate DeMille's singing ability.<a href="#cite_note-FOOTNOTELouvish200731-52">[50]</a> DeMille had a daughter, Cecilia, on November 5, 1908, who would be his only biological child.<a href="#cite_note-FOOTNOTELouvish200731-52">[50]</a> In the 1910s, DeMille began directing and producing other writer's plays.<a href="#cite_note-FOOTNOTELouvish200738-53">[51]</a> DeMille was poor and struggled to find work. Consequently, his mother hired him for her agency The DeMille Play Company, and taught him how to be an agent and a playwright. Eventually, he became manager of the agency and later, a junior partner with his mother.<a href="#cite_note-54">[52]</a> In 1911, DeMille became acquainted with vaudeville producer Jesse Lasky when Lasky was searching for a writer for his new musical. He initially sought out William deMille. William had been a successful playwright, but DeMille was suffering from the failure of his plays The Royal Mounted and The Genius. However, Beatrice introduced Lasky to DeMille instead.<a href="#cite_note-55">[53]</a> The collaboration of DeMille and Lasky produced a successful musical called California, which opened in New York in January 1912.<a href="#cite_note-56">[54]</a> Another DeMille-Lasky production that opened in January 1912 was The Antique Girl.<a href="#cite_note-FOOTNOTELouvish200747-57">[55]</a> DeMille found success in the spring of 1913, producing Reckless Age by Lee Wilson, a play about a high society girl wrongly accused of manslaughter starring <a href="/wiki/Frederick_Burton_(actor)" title="Frederick Burton (actor)">Frederick Burton</a> and <a href="/wiki/Sydney_Shields" title="Sydney Shields">Sydney Shields</a>.<a href="#cite_note-58">[56]</a><a href="#cite_note-FOOTNOTEBirchard20042-59">[57]</a> However, changes in the theater rendered DeMille's <a href="/wiki/Melodrama" title="Melodrama">melodramas</a> obsolete before they were produced, and true theatrical success eluded him. He produced many flops.<a href="#cite_note-FOOTNOTEPresleyVieira201422-60">[58]</a> Having become disinterested in working in theatre, DeMille's passion for film was ignited when he watched the 1912 French film <a href="/wiki/Les_Amours_de_la_reine_%C3%89lisabeth" title="Les Amours de la reine Élisabeth">Les Amours de la reine Élisabeth</a>.<a href="#cite_note-FOOTNOTEDick20017-61">[59]</a> <div class="mw-heading mw-heading3"><h3 id="1913–1914:_entering_films">1913–1914: entering films</h3>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=6" title="Edit section: 1913–1914: entering films">edit</a>]</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><video id="mwe_player_0" poster="//upload.wikimedia.org/wikipedia/commons/thumb/1/17/The_Squaw_Man_%281914%29.webm/220px--The_Squaw_Man_%281914%29.webm.jpg" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="220" height="165" data-durationhint="4348" data-mwtitle="The_Squaw_Man_(1914).webm" data-mwprovider="wikimediacommons" resource="/wiki/File:The_Squaw_Man_(1914).webm"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/1/17/The_Squaw_Man_%281914%29.webm/The_Squaw_Man_%281914%29.webm.240p.vp9.webm" type="video/webm; codecs="vp9, opus"" data-transcodekey="240p.vp9.webm" data-width="320" data-height="240" /><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/1/17/The_Squaw_Man_%281914%29.webm/The_Squaw_Man_%281914%29.webm.360p.webm" type="video/webm; codecs="vp8, vorbis"" data-transcodekey="360p.webm" data-width="320" data-height="240" /><source src="//upload.wikimedia.org/wikipedia/commons/1/17/The_Squaw_Man_%281914%29.webm" type="video/webm; codecs="vp8"" data-width="320" data-height="240" /><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/1/17/The_Squaw_Man_%281914%29.webm/The_Squaw_Man_%281914%29.webm.144p.mjpeg.mov" type="video/quicktime" data-transcodekey="144p.mjpeg.mov" data-width="192" data-height="144" /></video><figcaption><a href="/wiki/The_Squaw_Man_(1914_film)" title="The Squaw Man (1914 film)">The Squaw Man</a> (1914) full film</figcaption></figure> Desiring a change of scene, Cecil B. DeMille, Jesse Lasky, Sam Goldfish (later <a href="/wiki/Samuel_Goldwyn" title="Samuel Goldwyn">Samuel Goldwyn</a>), and a group of East Coast businessmen created the <a href="/wiki/Jesse_L._Lasky_Feature_Play_Company" class="mw-redirect" title="Jesse L. Lasky Feature Play Company">Jesse L. Lasky Feature Play Company</a> in 1913, over which DeMille became director-general.<a href="#cite_note-62">[60]</a> Lasky and DeMille were said to have sketched out the organization of the company on the back of a restaurant menu.<a href="#cite_note-FOOTNOTEEdmondsMimura198038-63">[61]</a> As director-general, DeMille's job was to make the films.<a href="#cite_note-FOOTNOTEEdmondsMimura198038-63">[61]</a> In addition to directing, DeMille was the supervisor and consultant for the first year of films made by the Lasky Feature Play Company.<a href="#cite_note-FOOTNOTERinggoldBodeen19699-64">[62]</a> Sometimes, he directed scenes for other directors at the Feature Play Company in order to release films on time.<a href="#cite_note-FOOTNOTERinggoldBodeen19699-64">[62]</a> Moreover, when he was busy directing other films, he would co-author other Lasky Company scripts as well as create screen adaptations that others directed.<a href="#cite_note-FOOTNOTERinggoldBodeen19699-64">[62]</a> The Lasky Play Company sought out William deMille to join the company, but he rejected the offer because he did not believe there was any promise in a film career.<a href="#cite_note-FOOTNOTERinggoldBodeen19693-65">[63]</a> When William found out that DeMille had begun working in the motion picture industry, he wrote DeMille a letter, disappointed that he was willing "to throw away [his] future" when he was "born and raised in the finest traditions of the theater".<a href="#cite_note-FOOTNOTELouvish200766-66">[64]</a> The Lasky Company wanted to attract high-class audiences to their films, so they began producing films from literary works.<a href="#cite_note-FOOTNOTEHigashi19941-67">[65]</a> The Lasky Company bought the rights to the play <a href="/wiki/The_Squaw_Man_(play)" title="The Squaw Man (play)">The Squaw Man</a> by <a href="/wiki/Edwin_Milton_Royle" title="Edwin Milton Royle">Edwin Milton Royle</a> and cast <a href="/wiki/Dustin_Farnum" title="Dustin Farnum">Dustin Farnum</a> in the lead role.<a href="#cite_note-FOOTNOTERinggoldBodeen19693-65">[63]</a> They offered Farnum a choice to have a quarter stock in the company (similar to William deMille) or $250 per week as salary. Farnum chose $250 per week.<a href="#cite_note-FOOTNOTELouvish200758-68">[66]</a> Already $15,000 in debt to Royle for the screenplay of <a href="/wiki/The_Squaw_Man_(1914_film)" title="The Squaw Man (1914 film)">The Squaw Man</a>, Lasky's relatives bought the $5,000 stock to save the Lasky Company from bankruptcy.<a href="#cite_note-FOOTNOTEEames19859–10-69">[67]</a> With no knowledge of filmmaking, DeMille was introduced to observe the process at film studios. He was eventually introduced to <a href="/wiki/Oscar_Apfel" title="Oscar Apfel">Oscar Apfel</a>, a stage director who had been a director with the <a href="/wiki/Edison_Company" class="mw-redirect" title="Edison Company">Edison Company</a>.<a href="#cite_note-FOOTNOTEEdmondsMimura198040-70">[68]</a> On December 12, 1913, DeMille, his cast, and crew boarded a Southern Pacific train bound for <a href="/wiki/Flagstaff,_Arizona" title="Flagstaff, Arizona">Flagstaff</a> via <a href="/wiki/New_Orleans" title="New Orleans">New Orleans</a>. His tentative plan was to shoot a film in <a href="/wiki/Arizona" title="Arizona">Arizona</a>, but he felt that Arizona did not typify the Western look they were searching for. They also learned that other filmmakers were successfully shooting in Los Angeles, even in winter.<a href="#cite_note-71">[69]</a> He continued to Los Angeles. Once there, he chose not to shoot in <a href="/wiki/Edendale,_Los_Angeles" title="Edendale, Los Angeles">Edendale</a>, where many studios were, but in Hollywood.<a href="#cite_note-FOOTNOTEDick20018-72">[70]</a> DeMille rented a barn to function as their film studio.<a href="#cite_note-FOOTNOTERinggoldBodeen19694-73">[71]</a> Filming began on December 29, 1913, and lasted three weeks.<a href="#cite_note-FOOTNOTELouvish200759-74">[72]</a> Apfel filmed most of The Squaw Man due to DeMille's inexperience; however, DeMille learned quickly and was particularly adept at impromptu screenwriting as necessary.<a href="#cite_note-FOOTNOTEEames198510-75">[73]</a> He made his first film run sixty minutes, as long as a short play. The Squaw Man (1914), co-directed by Oscar Apfel, was a sensation, and it established the Lasky Company. This was the first feature-length film made in Hollywood.<a href="#cite_note-FOOTNOTEPresleyVieira20148-76">[74]</a> There were problems with the perforation of the film stock, and it was discovered the DeMille had brought a cheap British film perforator, which had punched in sixty-five holes per foot instead of the industry-standard of sixty-four. Lasky and DeMille convinced film pioneer <a href="/wiki/Siegmund_Lubin" title="Siegmund Lubin">Siegmund Lubin</a> of the <a href="/wiki/Lubin_Manufacturing_Company" title="Lubin Manufacturing Company">Lubin Manufacturing Company</a> of Philadelphia to have his experienced technicians reperforate the film <a href="#cite_note-FOOTNOTELouvish200765-77">[75]</a> This was also the first American feature film; however, only by release date, as <a href="/wiki/D._W._Griffith" title="D. W. Griffith">D. W. Griffith</a>'s <a href="/wiki/Judith_of_Bethulia" title="Judith of Bethulia">Judith of Bethulia</a> was filmed earlier than The Squaw Man, but released later.<a href="#cite_note-FOOTNOTELouvish200760-78">[76]</a> Additionally, this was the only film in which DeMille shared director's credit with Oscar C. Apfel.<a href="#cite_note-FOOTNOTERinggoldBodeen19699-64">[62]</a> The Squaw Man was a success, which led to the eventual founding of Paramount Pictures and Hollywood becoming the "film capital of the world".<a href="#cite_note-DeMille_At_75_Still_Creating-79">[77]</a><a href="#cite_note-80">[78]</a> The film grossed over ten times its budget after its New York premiere in February 1914.<a href="#cite_note-FOOTNOTEEames198510-75">[73]</a> DeMille's next project was to aid Oscar Apfel in directing <a href="/wiki/Brewster%27s_Millions_(1914_film)" title="Brewster's Millions (1914 film)">Brewster's Millions</a>, which was wildly successful.<a href="#cite_note-FOOTNOTELouvish200769–70-81">[79]</a> In December 1914, Constance Adams brought home John DeMille, a fifteen-month-old, whom the couple legally adopted three years later. Biographer Scott Eyman suggested that this may have been a result of Adams's recent miscarriage.<a href="#cite_note-FOOTNOTEEyman201099-82">[80]</a><a href="#cite_note-83">[note 3]</a> <div class="mw-heading mw-heading3"><h3 id="1915–1928:_silent_era">1915–1928: silent era</h3>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=7" title="Edit section: 1915–1928: silent era">edit</a>]</div> <div class="mw-heading mw-heading4"><h4 id="Westerns,_Paradise,_and_World_War_I">Westerns, Paradise, and World War I</h4>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=8" title="Edit section: Westerns, Paradise, and World War I">edit</a>]</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:FamousPlayers-Lasky-partners,_1916.jpg" class="mw-file-description"><img alt="Five well-dressed men seated or standing at various levels" src="//upload.wikimedia.org/wikipedia/commons/thumb/6/6e/FamousPlayers-Lasky-partners%2C_1916.jpg/220px-FamousPlayers-Lasky-partners%2C_1916.jpg" decoding="async" width="220" height="164" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/6e/FamousPlayers-Lasky-partners%2C_1916.jpg/330px-FamousPlayers-Lasky-partners%2C_1916.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/6e/FamousPlayers-Lasky-partners%2C_1916.jpg/440px-FamousPlayers-Lasky-partners%2C_1916.jpg 2x" data-file-width="5359" data-file-height="4001" /></a><figcaption>Famous Players–Lasky Corporation – DeMille is seated, second from the right.</figcaption></figure> Cecil B. DeMille's second film credited exclusively to him was <a href="/wiki/The_Virginian_(1914_film)" title="The Virginian (1914 film)">The Virginian</a>. This is the earliest of DeMille's films available in a quality, color-tinted video format. However, this version is actually a 1918 re-release.<a href="#cite_note-FOOTNOTELouvish200771-84">[81]</a> The first few years of the Lasky Company were spent in making films nonstop, literally writing the language of film. DeMille himself directed twenty films by 1915.<a href="#cite_note-FOOTNOTELouvish200775-85">[82]</a> The most successful films during the beginning of the Lasky Company were Brewster's Millions (co-directed by DeMille), <a href="/wiki/Rose_of_the_Rancho_(1914_film)" title="Rose of the Rancho (1914 film)">Rose of the Rancho</a>, and <a href="/wiki/The_Ghost_Breaker_(1914_film)" title="The Ghost Breaker (1914 film)">The Ghost Breaker</a>.<a href="#cite_note-FOOTNOTEEames198510-75">[73]</a> DeMille adapted Belasco's dramatic lighting techniques to film technology, mimicking moonlight with U.S. cinema's first attempts at "motivated lighting" in <a href="/wiki/The_Warrens_of_Virginia_(1915_film)" title="The Warrens of Virginia (1915 film)">The Warrens of Virginia</a>.<a href="#cite_note-FOOTNOTEPresleyVieira201447-31">[29]</a> This was the first of few film collaborations with his brother William. They struggled to adapt the play from the stage to the set. After the film was shown, viewers complained that the shadows and lighting prevented the audience from seeing the actors' full faces, complaining that they would only pay half price. However, Sam Goldwyn realized that if they called it "Rembrandt" lighting, the audience would pay double the price.<a href="#cite_note-FOOTNOTELouvish200784-86">[83]</a> Additionally, because of DeMille's cordiality after the Peter Grimm incident, DeMille was able to rekindle his partnership with Belasco. He adapted several of Belasco's screenplays into film.<a href="#cite_note-FOOTNOTELouvish200776–77-87">[84]</a> DeMille's most successful film was <a href="/wiki/The_Cheat_(1915_film)" title="The Cheat (1915 film)">The Cheat</a>; DeMille's direction in the film was acclaimed.<a href="#cite_note-FOOTNOTEEames198511-88">[85]</a> In 1916, exhausted from three years of nonstop filmmaking, DeMille purchased land in the <a href="/wiki/Angeles_National_Forest" title="Angeles National Forest">Angeles National Forest</a> for a ranch that would become his getaway. He called this place, "Paradise", declaring it a wildlife sanctuary; no shooting of animals besides snakes was allowed. His wife did not like Paradise, so DeMille often brought his mistresses there with him, including actress <a href="/wiki/Julia_Faye" title="Julia Faye">Julia Faye</a>.<a href="#cite_note-89">[86]</a><a href="#cite_note-paradise-90">[87]</a> In addition to his Paradise, DeMille purchased a yacht in 1921, which he called The Seaward.<a href="#cite_note-92">[note 4]</a> While filming <a href="/wiki/The_Captive_(1915_film)" title="The Captive (1915 film)">The Captive</a> in 1915, an extra, Bob Fleming, died on set when another extra failed to heed DeMille's orders to unload all guns for rehearsal. DeMille instructed the guilty man to leave town and would never reveal his name. Lasky and DeMille maintained the widow Fleming on the payroll; however, according to leading actor <a href="/wiki/House_Peters_Sr." class="mw-redirect" title="House Peters Sr.">House Peters Sr.</a>, DeMille refused to stop production for the funeral of Fleming. Peters claimed that he encouraged the cast to attend the funeral with him anyway since DeMille would not be able to shoot the film without him.<a href="#cite_note-FOOTNOTELouvish200795-93">[89]</a> On July 19, 1916, the Jesse Lasky Feature Play Company merged with Adolph Zukor's <a href="/wiki/Famous_Players_Film_Company" title="Famous Players Film Company">Famous Players Film Company</a>, becoming <a href="/wiki/Famous_Players%E2%80%93Lasky" title="Famous Players–Lasky">Famous Players–Lasky</a>. Zukor became president with Lasky as the vice president.<a href="#cite_note-FOOTNOTEDick200111-94">[90]</a> DeMille was maintained as director-general, and Goldwyn became chairman of the board.<a href="#cite_note-FOOTNOTEEames198511-88">[85]</a> Goldwyn was later fired from Famous Players–Lasky due to frequent clashes with Lasky, DeMille, and Zukor.<a href="#cite_note-FOOTNOTEEames198511-88">[85]</a> While on a European vacation in 1921, DeMille contracted rheumatic fever in Paris. He was confined to bed and unable to eat. His poor physical condition upon his return home affected the production of his 1922 film <a href="/wiki/Manslaughter_(1922_film)" title="Manslaughter (1922 film)">Manslaughter</a>. According to Richard Birchard, DeMille's weakened state during production may have led to the film being received as uncharacteristically substandard.<a href="#cite_note-FOOTNOTEBirchard2004172–173-95">[91]</a> During World War I, the Famous Players–Lasky organized a military company underneath the National Guard called the Home Guard made up of film studio employees with DeMille as captain. Eventually, the Guard was enlarged to a battalion and recruited soldiers from other film studios. They took time off weekly from film production to practice military drills. Additionally, during the war, DeMille volunteered for the Justice Department's Intelligence Office, investigating friends, neighbors, and others he came in contact with in connection with the Famous Players–Lasky. He volunteered for the Intelligence Office during World War II as well.<a href="#cite_note-FOOTNOTEEyman2010140–141-96">[92]</a> Although DeMille considered enlisting in World War I, he stayed in the United States and made films. However, he did take a few months to set up a movie theater for the French front. Famous Players–Lasky donated the films.<a href="#cite_note-FOOTNOTEEyman2010141-97">[93]</a> DeMille and Adams adopted <a href="/wiki/Katherine_DeMille" title="Katherine DeMille">Katherine Lester</a> in 1920, whom Adams had found in the orphanage over which she was the director.<a href="#cite_note-FOOTNOTEEyman2010162-98">[94]</a> <a href="#cite_note-101">[note 5]</a> In 1922, the couple adopted Richard deMille.<a href="#cite_note-FOOTNOTELouvish200790-39">[37]</a><a href="#cite_note-106">[note 6]</a> <div class="mw-heading mw-heading4"><h4 id="Scandalous_dramas,_Biblical_epics,_and_departure_from_Paramount">Scandalous dramas, Biblical epics, and departure from Paramount</h4>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=9" title="Edit section: Scandalous dramas, Biblical epics, and departure from Paramount">edit</a>]</div> Film started becoming more sophisticated and the subsequent films of the Lasky company were criticized for primitive and unrealistic set design.<a href="#cite_note-FOOTNOTEBirchard200421-107">[101]</a> Consequently, Beatrice deMille introduced the Famous Players–Lasky to <a href="/wiki/Wilfred_Buckland" title="Wilfred Buckland">Wilfred Buckland</a>, who DeMille had known from his time at the American Academy of Dramatic Arts, and he became DeMille's art director. William deMille reluctantly became a story editor. William deMille would later convert from theater to Hollywood and would spend the rest of his career as a film director.<a href="#cite_note-FOOTNOTEEames198511-88">[85]</a> Throughout his career, DeMille would frequently remake his own films. In his first instance, in 1917, he remade <a href="/wiki/The_Squaw_Man_(1918_film)" title="The Squaw Man (1918 film)">The Squaw Man</a> (1918), only waiting four years from the 1914 original. Despite its quick turnaround, the film was fairly successful. However, DeMille's second remake at <a href="/wiki/Metro-Goldwyn-Mayer" title="Metro-Goldwyn-Mayer">MGM</a> in 1931 would be a failure.<a href="#cite_note-FOOTNOTEEames198517-108">[102]</a> After five years and thirty hit films, DeMille became the American film industry's most successful director. In the silent era, he was renowned for <a href="/wiki/Male_and_Female" title="Male and Female">Male and Female</a> (1919), Manslaughter (1922), <a href="/wiki/The_Volga_Boatman_(1926_film)" title="The Volga Boatman (1926 film)">The Volga Boatman</a> (1926), and <a href="/wiki/The_Godless_Girl" title="The Godless Girl">The Godless Girl</a> (1928). DeMille's trademark scenes included bathtubs, lion attacks, and Roman orgies.<a href="#cite_note-FOOTNOTEEames198519-109">[103]</a> Many of his films featured scenes in two-color <a href="/wiki/Technicolor" title="Technicolor">Technicolor</a>. In 1923, DeMille released a modern melodrama The Ten Commandments, which was a significant change from his previous stint of irreligious films. The film was produced on a large budget of $600,000, the most expensive production at Paramount. This concerned the executives at Paramount; however, the film turned out to be the studio's highest-grossing film.<a href="#cite_note-FOOTNOTEEames198528-110">[104]</a> It held the Paramount record for twenty-five years until DeMille broke the record again.<a href="#cite_note-He_Himself_Was_'Colossal'-111">[105]</a> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Cecil_B._DeMille_1919.jpg" class="mw-file-description"><img alt="Sepia toned advertisement for "For Better, For Worse" with a headshot of DeMille at the top" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/97/Cecil_B._DeMille_1919.jpg/200px-Cecil_B._DeMille_1919.jpg" decoding="async" width="200" height="274" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/97/Cecil_B._DeMille_1919.jpg/300px-Cecil_B._DeMille_1919.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/97/Cecil_B._DeMille_1919.jpg/400px-Cecil_B._DeMille_1919.jpg 2x" data-file-width="662" data-file-height="907" /></a><figcaption>Advertisement (1919)</figcaption></figure> In the early 1920s, scandal surrounded Paramount; religious groups and the media opposed portrayals of immorality in films. A censorship board called the <a href="/wiki/Hays_Code" title="Hays Code">Hays Code</a> was established. DeMille's film <a href="/wiki/The_Affairs_of_Anatol" title="The Affairs of Anatol">The Affairs of Anatol</a> came under fire. Furthermore, DeMille argued with Zukor over his extravagant and over-budget production costs.<a href="#cite_note-FOOTNOTEEames198513,_23-112">[106]</a> Consequently, DeMille left Paramount in 1924 despite having helped establish it. He joined the <a href="/wiki/Producers_Distributing_Corporation" title="Producers Distributing Corporation">Producers Distributing Corporation</a>.<a href="#cite_note-113">[107]</a> His first film in the new production company, DeMille Pictures Corporation, was <a href="/wiki/The_Road_to_Yesterday" title="The Road to Yesterday">The Road to Yesterday</a> in 1925. He directed and produced four films on his own, working with Producers Distributing Corporation because he found front office supervision too restricting.<a href="#cite_note-FOOTNOTERinggoldBodeen19695–6-114">[108]</a> Aside from The King of Kings, none of DeMille's films away from Paramount were successful.<a href="#cite_note-FOOTNOTERinggoldBodeen19698–12-115">[109]</a> The King of Kings established DeMille as "master of the grandiose and of biblical sagas".<a href="#cite_note-FOOTNOTELouvish2007xiv-116">[110]</a> Considered at the time to be the most successful Christian film of the silent era, DeMille calculated that it had been viewed over 800 million times around the world.<a href="#cite_note-117">[111]</a> After the release of DeMille's The Godless Girl, silent films in America became obsolete, and DeMille was forced to shoot a shoddy final reel with the new sound production technique. Although this final reel looked so different from the previous eleven reels that it appeared to be from another movie, according to Simon Louvish, the film is one of DeMille's strangest and most "DeMillean" film.<a href="#cite_note-FOOTNOTELouvish2007278-118">[112]</a> The immense popularity of DeMille's silent films enabled him to branch out into other areas. The <a href="/wiki/Roaring_Twenties" title="Roaring Twenties">Roaring Twenties</a> were the boom years and DeMille took full advantage, opening the <a href="/wiki/Mercury_Aviation_Company" title="Mercury Aviation Company">Mercury Aviation Company</a>, one of America's first commercial airlines.<a href="#cite_note-119">[113]</a> He was also a real estate speculator,<a href="#cite_note-register-120">[114]</a> an underwriter of political campaigns, and vice president of <a href="/wiki/Bank_of_America" title="Bank of America">Bank of America</a>.<a href="#cite_note-121">[115]</a> He was additionally vice president of the Commercial National Trust and Savings Bank in Los Angeles where he approved loans for other filmmakers.<a href="#cite_note-122">[116]</a> In 1916, DeMille purchased a mansion in Hollywood. <a href="/wiki/Charlie_Chaplin" title="Charlie Chaplin">Charlie Chaplin</a> lived next door for a time, and after he moved, DeMille purchased the other house and combined the estates.<a href="#cite_note-123">[117]</a> <div class="mw-heading mw-heading3"><h3 id="1929–1956:_sound_era">1929–1956: sound era</h3>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=10" title="Edit section: 1929–1956: sound era">edit</a>]</div> <div class="mw-heading mw-heading4"><h4 id="MGM_and_return_to_Paramount">MGM and return to Paramount</h4>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=11" title="Edit section: MGM and return to Paramount">edit</a>]</div> When "talking pictures" were invented in 1928, Cecil B. DeMille made a successful transition, offering his own innovations to the painful process; he devised a microphone boom and a soundproof <a href="/wiki/Sound_blimp" title="Sound blimp">camera blimp</a>.<a href="#cite_note-FOOTNOTEPresleyVieira2014152–155-124">[118]</a> He also popularized the camera crane.<a href="#cite_note-FOOTNOTEPresleyVieira2014166-125">[119]</a> His first three sound films were produced at Metro-Goldwyn-Mayer.<a href="#cite_note-FOOTNOTERinggoldBodeen19697-126">[120]</a> These three films, <a href="/wiki/Dynamite_(1929_film)" title="Dynamite (1929 film)">Dynamite</a>, <a href="/wiki/Madame_Satan" class="mw-redirect" title="Madame Satan">Madame Satan</a>, and his 1931 remake of <a href="/wiki/The_Squaw_Man_(1931_film)" title="The Squaw Man (1931 film)">The Squaw Man</a> were critically and financially unsuccessful. He had completely adapted to the production of sound film despite the film's poor dialogue.<a href="#cite_note-FOOTNOTEBlanke2018129-127">[121]</a> After his contract ended at MGM, he left, but no production studios would hire him. He attempted to create a guild of a half a dozen directors with the same creative desires called the Director's Guild. However, the idea failed due to lack of funding and commitment. Moreover, DeMille was audited by the <a href="/wiki/Internal_Revenue_Service" title="Internal Revenue Service">Internal Revenue Service</a> due to issues with his production company. This was, according to DeMille, the lowest point of his career. DeMille traveled abroad to find employment until he was offered a deal at Paramount.<a href="#cite_note-FOOTNOTEBlanke2018129–130-128">[122]</a> In 1932, DeMille returned to Paramount at the request of Lasky, bringing with him his own production unit.<a href="#cite_note-129">[123]</a> His first film back at Paramount, The Sign of the Cross, was also his first success since leaving Paramount besides The King of Kings. DeMille's return was approved by Zukor under the condition that DeMille not exceed his production budget of $650,000 for The Sign of the Cross. Produced in eight weeks without exceeding budget, the film was financially successful.<a href="#cite_note-FOOTNOTEEames198588-130">[124]</a> The Sign of the Cross was the first film to integrate all cinematic techniques. The film was considered a "masterpiece" and surpassed the quality of other sound films of the time.<a href="#cite_note-FOOTNOTEPresleyVieira2014198-131">[125]</a> DeMille followed this epic uncharacteristically with two dramas released in 1933 and 1934. <a href="/wiki/This_Day_and_Age_(film)" title="This Day and Age (film)">This Day and Age</a> and <a href="/wiki/Four_Frightened_People" title="Four Frightened People">Four Frightened People</a> were box office disappointments, though Four Frightened People received good reviews. DeMille would stick to his large-budget spectaculars for the rest of his career.<a href="#cite_note-FOOTNOTEEames198598–100-132">[126]</a> <div class="mw-heading mw-heading4"><h4 id="Politics_and_Lux_Radio_Theatre">Politics and Lux Radio Theatre</h4>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=12" title="Edit section: Politics and Lux Radio Theatre">edit</a>]</div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Cecil_B_DeMille_1937.JPG" class="mw-file-description"><img alt="Full body photograph of DeMille wearing a blakc suit, holding a top hat in one hand and the CBS radio microphone in the other" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/9f/Cecil_B_DeMille_1937.JPG/220px-Cecil_B_DeMille_1937.JPG" decoding="async" width="220" height="299" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/9f/Cecil_B_DeMille_1937.JPG/330px-Cecil_B_DeMille_1937.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/9f/Cecil_B_DeMille_1937.JPG/440px-Cecil_B_DeMille_1937.JPG 2x" data-file-width="866" data-file-height="1176" /></a><figcaption>DeMille as producer of the Lux Radio Theatre, broadcast on CBS, 1937</figcaption></figure> Cecil B. DeMille was outspoken about his strong Episcopalian integrity, but his private life included mistresses and adultery.<a href="#cite_note-FOOTNOTEEyman20107-133">[127]</a> DeMille was a conservative <a href="/wiki/Republican_Party_(United_States)" title="Republican Party (United States)">Republican</a> activist, becoming more conservative as he aged.[<a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed">citation needed</a>] He was known as anti-union and worked to prevent the unionizing of film production studios.<a href="#cite_note-FOOTNOTEEyman2010270–272-134">[128]</a> However, according to DeMille himself, he was not anti-union and belonged to a few unions himself. He said he was rather against union leaders such as <a href="/wiki/Walter_Reuther" title="Walter Reuther">Walter Reuther</a> and <a href="/wiki/Harry_Bridges" title="Harry Bridges">Harry Bridges</a>, whom he compared to dictators.<a href="#cite_note-FOOTNOTEEyman2010376-135">[129]</a> He supported <a href="/wiki/Herbert_Hoover" title="Herbert Hoover">Herbert Hoover</a> and in 1928 made his largest campaign donation to Hoover.<a href="#cite_note-FOOTNOTEEyman2010288-136">[130]</a> DeMille also liked Franklin D. Roosevelt, however, finding him charismatic, tenacious, and intelligent and agreeing with Roosevelt's abhorrence of Prohibition. DeMille lent Roosevelt a car for his campaign for the <a href="/wiki/1932_United_States_presidential_election" title="1932 United States presidential election">1932 United States presidential election</a> and voted for him. However, he would never again vote for a Democratic candidate in a presidential election.<a href="#cite_note-FOOTNOTEEyman2010288-136">[130]</a> From June 1, 1936, until January 22, 1945, Cecil DeMille hosted and directed <a href="/wiki/Lux_Radio_Theatre" title="Lux Radio Theatre">Lux Radio Theatre</a>, a weekly digest of current feature films.<a href="#cite_note-FOOTNOTERinggoldBodeen1969367-137">[131]</a> Broadcast on the <a href="/wiki/Columbia_Broadcasting_System" class="mw-redirect" title="Columbia Broadcasting System">Columbia Broadcasting System</a> (CBS) from 1935 to 1954,<a href="#cite_note-138">[132]</a> the Lux Radio show was one of the most popular weekly shows in the history of radio.<a href="#cite_note-FOOTNOTERinggoldBodeen1969367-137">[131]</a> While DeMille was host, the show had forty million weekly listeners, gaining DeMille an annual salary of $100,000.<a href="#cite_note-FOOTNOTERinggoldBodeen1969367-137">[131]</a> From 1936 to 1945, he produced, hosted, and directed all shows with the occasional exception of a guest director.<a href="#cite_note-FOOTNOTERinggoldBodeen1969367-137">[131]</a> He resigned from the Lux Radio show because he refused to pay a dollar to the American Federation of Radio Artists (AFRA) because he did not believe that any organization had the right to "levy a compulsory assessment upon any member."<a href="#cite_note-FOOTNOTERinggoldBodeen1969368-139">[133]</a> DeMille sued the union for reinstatement but lost. He then appealed to the California Supreme Court and lost again. When the AFRA expanded to television, DeMille was banned from television appearances. Consequently, he formed the DeMille Foundation for Political Freedom in order to campaign for the right to work.<a href="#cite_note-FOOTNOTEEyman2010375-140">[134]</a> He began presenting speeches across the United States for the next few years. DeMille's primary criticism was of closed shops, but later included criticism of communism and unions in general. The United States Supreme Court declined to review his case. Despite his loss, DeMille continued to lobby for the <a href="/wiki/Taft%E2%80%93Hartley_Act" title="Taft–Hartley Act">Taft–Hartley Act</a>, which passed. This prohibited denying anyone the right to work if they refuse to pay a political assessment, however, the law did not apply retroactively. Consequently, DeMille's television and radio appearance ban lasted for the remainder of his life, though he was permitted to appear on radio or television to publicize a movie.<a href="#cite_note-FOOTNOTEEyman2010375–377-141">[135]</a> <a href="/wiki/William_Keighley" title="William Keighley">William Keighley</a> was his replacement.<a href="#cite_note-FOOTNOTERinggoldBodeen1969368-139">[133]</a> DeMille would never again work on radio.<a href="#cite_note-FOOTNOTERinggoldBodeen1969368-139">[133]</a> <a href="#cite_note-143">[note 7]</a> <div class="mw-heading mw-heading4"><h4 id="Adventure_films_and_dramatic_spectacles">Adventure films and dramatic spectacles</h4>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=13" title="Edit section: Adventure films and dramatic spectacles">edit</a>]</div> In 1939, DeMille's <a href="/wiki/Union_Pacific_(film)" title="Union Pacific (film)">Union Pacific</a> was successful through DeMille's collaboration with the <a href="/wiki/Union_Pacific_Railroad" title="Union Pacific Railroad">Union Pacific Railroad</a>. The Union Pacific gave DeMille access to historical data, early period trains, and expert crews, adding to the authenticity of the film.<a href="#cite_note-FOOTNOTEEames1985140-144">[137]</a> During pre-production of Union Pacific, DeMille was dealing with his first serious health issue. In March 1938, he underwent a major emergency <a href="/wiki/Prostatectomy" title="Prostatectomy">prostatectomy</a>. He suffered from a post-surgery infection from which he nearly did not recover, citing <a href="/wiki/Streptomycin" title="Streptomycin">streptomycin</a> as his saving grace. The surgery caused him to suffer from sexual dysfunction for the rest of his life, according to some family members.<a href="#cite_note-FOOTNOTEEyman2010332–333-145">[138]</a> Following his surgery and the success of Union Pacific, in 1940, DeMille first used three-strip Technicolor in <a href="/wiki/North_West_Mounted_Police_(film)" title="North West Mounted Police (film)">North West Mounted Police</a>. DeMille wanted to film in Canada; however, due to budget constraints, the film was instead shot in <a href="/wiki/Oregon" title="Oregon">Oregon</a> and Hollywood.<a href="#cite_note-FOOTNOTEEames1985149-146">[139]</a> Critics were impressed with the visuals but found the scripts dull, calling it DeMille's "poorest Western".<a href="#cite_note-FOOTNOTEEames1985149-146">[139]</a> Despite the criticism, it was Paramount's highest-grossing film of the year.<a href="#cite_note-FOOTNOTEEames1985149-146">[139]</a> Audiences liked its highly saturated color, so DeMille made no further black-and-white features.<a href="#cite_note-FOOTNOTELouvish2007359–360-147">[140]</a> DeMille was anti-communist and abandoned a project in 1940 to film Ernest Hemingway's <a href="/wiki/For_Whom_the_Bell_Tolls" title="For Whom the Bell Tolls">For Whom the Bell Tolls</a> due to its communist themes, despite the fact he had already paid $100,000 for the rights to the novel. He was so eager to produce the film that he hadn't yet read the novel. He claimed he abandoned the project in order to complete a different project, but in reality, it was to preserve his reputation and avoid appearing reactionary.<a href="#cite_note-FOOTNOTEEyman2010337–338-148">[141]</a><a href="#cite_note-149">[note 8]</a> While concurrently filmmaking, he served in World War II at the age of sixty as his neighborhood air-raid warden.<a href="#cite_note-FOOTNOTELouvish2007372-150">[142]</a> In 1942, DeMille worked with <a href="/wiki/Jeanie_MacPherson" title="Jeanie MacPherson">Jeanie MacPherson</a> and brother William deMille in order to produce a film called Queen of Queens, which was intended to be about <a href="/wiki/Mary,_mother_of_Jesus" title="Mary, mother of Jesus">Mary, mother of Jesus</a>. After reading the screenplay, <a href="/wiki/Daniel_A._Lord" title="Daniel A. Lord">Daniel A. Lord</a> warned DeMille that Catholics would find the film too irreverent, while non-Catholics would have considered the film Catholic propaganda. Consequently, the film was never made.<a href="#cite_note-FOOTNOTELouvish2007271-151">[143]</a> Jeanie MacPherson would work as a scriptwriter for many of DeMille's films.<a href="#cite_note-FOOTNOTEEyman201096–97-152">[144]</a> <a href="#cite_note-153">[note 9]</a> In 1938, DeMille supervised the compilation of film <a href="/wiki/Land_of_Liberty" title="Land of Liberty">Land of Liberty</a> to represent the contribution of the American film industry to the <a href="/wiki/1939_New_York_World%27s_Fair" title="1939 New York World's Fair">1939 New York World's Fair</a>. DeMille used clips from his own films in Land of Liberty. Though the film was not high-grossing, it was well-received, and DeMille was asked to shorten its running time to allow for more showings per day. MGM distributed the film in 1941 and donated profits to World War II relief charities.<a href="#cite_note-FOOTNOTEEyman2010336–337-154">[145]</a> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Cecil_B_de_Mille_in_The_Greatest_Show_on_Earth_trailer.jpg" class="mw-file-description"><img alt="Closeup of DeMille leaning on a setpiece" src="//upload.wikimedia.org/wikipedia/commons/thumb/8/8f/Cecil_B_de_Mille_in_The_Greatest_Show_on_Earth_trailer.jpg/220px-Cecil_B_de_Mille_in_The_Greatest_Show_on_Earth_trailer.jpg" decoding="async" width="220" height="184" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/8/8f/Cecil_B_de_Mille_in_The_Greatest_Show_on_Earth_trailer.jpg 1.5x" data-file-width="278" data-file-height="233" /></a><figcaption>DeMille in the trailer for <a href="/wiki/The_Greatest_Show_on_Earth_(film)" title="The Greatest Show on Earth (film)">The Greatest Show on Earth</a> (1952), the film for which he won the <a href="/wiki/Academy_Award_for_Best_Picture" title="Academy Award for Best Picture">Academy Award for Best Picture</a></figcaption></figure> In 1942, DeMille released Paramount's most successful film, <a href="/wiki/Reap_the_Wild_Wind" title="Reap the Wild Wind">Reap the Wild Wind</a>. It was produced with a large budget and contained many special effects including an electronically operated <a href="/wiki/Giant_squid" title="Giant squid">giant squid</a>.<a href="#cite_note-FOOTNOTEEames1985158-155">[146]</a> After working on Reap the Wild Wind, in <a href="/wiki/U.S._presidential_election,_1944" class="mw-redirect" title="U.S. presidential election, 1944">1944</a>, he was the <a href="/wiki/Master_of_ceremonies" title="Master of ceremonies">master of ceremonies</a> at the rally organized by <a href="/wiki/David_O._Selznick" title="David O. Selznick">David O. Selznick</a> in the <a href="/wiki/Los_Angeles_Coliseum" class="mw-redirect" title="Los Angeles Coliseum">Los Angeles Coliseum</a> in support of the <a href="/wiki/Thomas_E._Dewey" title="Thomas E. Dewey">Dewey</a>–<a href="/wiki/John_W._Bricker" title="John W. Bricker">Bricker</a> ticket as well as <a href="/wiki/Governor_of_California" title="Governor of California">Governor</a> <a href="/wiki/Earl_Warren" title="Earl Warren">Earl Warren</a> of California.<a href="#cite_note-David_M._Jordan_2011_pp._231-232-156">[147]</a><a href="#cite_note-157">[note 10]</a> DeMille's subsequent film <a href="/wiki/Unconquered_(1947_film)" title="Unconquered (1947 film)">Unconquered</a> (1947) had the longest running time (146 minutes), longest filming schedule (102 days), and largest budget ($5 million). The sets and effects were so realistic that 30 extras needed to be hospitalized due to a scene with fireballs and flaming arrows. It was commercially very successful.<a href="#cite_note-FOOTNOTEEames1985183-158">[148]</a> DeMille's next film, Samson and Delilah in 1949, became Paramount's highest-grossing film up to that time. A Biblical epic with sex, it was a characteristically DeMille film.<a href="#cite_note-FOOTNOTEEames1985191-159">[149]</a> Again, 1952's The Greatest Show on Earth became Paramount's highest-grossing film to that point. Furthermore, DeMille's film won the Academy Award for Best Picture and the <a href="/wiki/Academy_Award_for_Best_Story" title="Academy Award for Best Story">Academy Award for Best Story</a>. The film began production in 1949, Ringling Brothers-Barnum and Bailey were paid $250,000 for use of the title and facilities. DeMille toured with the circus while helping write the script. Noisy and bright, it was not well-liked by critics, but was a favorite among audiences.<a href="#cite_note-160">[150]</a><a href="#cite_note-161">[151]</a> DeMille signed a contract with Prentice Hall publishers in August 1953 to publish an autobiography.<a href="#cite_note-FOOTNOTEEyman2010436–437-162">[152]</a> DeMille would reminisce into a voice recorder, the recording would be transcribed, and the information would be organized in the biography based on the topic.<a href="#cite_note-FOOTNOTEEyman2010481-163">[153]</a> Art Arthur also interviewed people for the autobiography. DeMille did not like the first draft of the biography, saying that he thought the person portrayed in the biography was an "SOB"; he said it made him sound too egotistical.<a href="#cite_note-FOOTNOTEEyman2010482-164">[154]</a> Besides filmmaking and finishing his autobiography, DeMille was involved in other projects. In the early 1950s, DeMille was recruited by <a href="/wiki/Allen_Dulles" title="Allen Dulles">Allen Dulles</a> and <a href="/wiki/Frank_Wisner" title="Frank Wisner">Frank Wisner</a> to serve on the board of the <a href="/wiki/Anti-communist" class="mw-redirect" title="Anti-communist">anti-communist</a> <a href="/wiki/National_Committee_for_a_Free_Europe" title="National Committee for a Free Europe">National Committee for a Free Europe</a>, the public face of the organization that oversaw the <a href="/wiki/Radio_Free_Europe" class="mw-redirect" title="Radio Free Europe">Radio Free Europe</a> service.<a href="#cite_note-165">[155]</a> In 1954, Secretary of the Air Force <a href="/wiki/Harold_E._Talbott" title="Harold E. Talbott">Harold E. Talbott</a> asked DeMille for help in designing the cadet uniforms at the newly established <a href="/wiki/United_States_Air_Force_Academy" title="United States Air Force Academy">United States Air Force Academy</a>. DeMille's designs, most notably his design of the distinctive cadet parade uniform, won praise from Air Force and Academy leadership, were ultimately adopted, and are still worn by cadets.<a href="#cite_note-166">[156]</a> <div class="mw-heading mw-heading4"><h4 id="Final_works_and_unrealized_projects">Final works and unrealized projects</h4>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=14" title="Edit section: Final works and unrealized projects">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1224211176">.mw-parser-output .quotebox{background-color:#F9F9F9;border:1px solid #aaa;box-sizing:border-box;padding:10px;font-size:88%;max-width:100%}.mw-parser-output .quotebox.floatleft{margin:.5em 1.4em .8em 0}.mw-parser-output .quotebox.floatright{margin:.5em 0 .8em 1.4em}.mw-parser-output .quotebox.centered{overflow:hidden;position:relative;margin:.5em auto .8em auto}.mw-parser-output .quotebox.floatleft span,.mw-parser-output .quotebox.floatright span{font-style:inherit}.mw-parser-output .quotebox>blockquote{margin:0;padding:0;border-left:0;font-family:inherit;font-size:inherit}.mw-parser-output .quotebox-title{text-align:center;font-size:110%;font-weight:bold}.mw-parser-output .quotebox-quote>:first-child{margin-top:0}.mw-parser-output .quotebox-quote:last-child>:last-child{margin-bottom:0}.mw-parser-output .quotebox-quote.quoted:before{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" “ ";vertical-align:-45%;line-height:0}.mw-parser-output .quotebox-quote.quoted:after{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" ” ";line-height:0}.mw-parser-output .quotebox .left-aligned{text-align:left}.mw-parser-output .quotebox .right-aligned{text-align:right}.mw-parser-output .quotebox .center-aligned{text-align:center}.mw-parser-output .quotebox .quote-title,.mw-parser-output .quotebox .quotebox-quote{display:block}.mw-parser-output .quotebox cite{display:block;font-style:normal}@media screen and (max-width:640px){.mw-parser-output .quotebox{width:100%!important;margin:0 0 .8em!important;float:none!important}}</style><div class="quotebox pullquote floatright" style="width:25%; ; color: #202122;background-color: #E0E6F8;"> <blockquote class="quotebox-quote left-aligned" style=""> We have just lived through a war where our people were systematically executed. Here we have a man who made a film praising the Jewish people, that tells of Samson, one of the legends of our Scripture. Now he wants to make the life of Moses. We should get down on our knees to Cecil and say "Thank you!"<a href="#cite_note-FOOTNOTEPresleyVieira2014371-167">[157]</a> </blockquote> <cite class="left-aligned" style="">– Alfred Zukor responding to DeMille's proposal of The Ten Commandments remake</cite> </div> In 1952, DeMille sought approval for a lavish remake of his 1923 silent film The Ten Commandments. He went before the Paramount board of directors, which was mostly Jewish-American. The members rejected his proposal, even though his last two films, Samson and Delilah and The Greatest Show on Earth, had been record-breaking hits.<a href="#cite_note-168">[158]</a> Adolph Zukor convinced the board to change their minds on the grounds of morality.<a href="#cite_note-FOOTNOTEPresleyVieira2014371-167">[157]</a> DeMille did not have an exact budget proposal for the project,<a href="#cite_note-FOOTNOTEEyman2010438-169">[159]</a> and it promised to be the most costly in U.S. film history. Still, the members unanimously approved it.<a href="#cite_note-FOOTNOTEEdmondsMimura1980115-170">[160]</a> The Ten Commandments, released in 1956, was DeMille's final film. It was the longest (3 hours, 39 minutes) and most expensive ($13 million) film in Paramount history.<a href="#cite_note-FOOTNOTEEames1985218,_340-171">[161]</a> Production of The Ten Commandments began in October 1954.<a href="#cite_note-FOOTNOTEEames1985218,_340-171">[161]</a> The Exodus scene was filmed on-site in Egypt with the use of four Technicolor-VistaVision camera filming 12,000 people. They continued filming in 1955 in Paris and Hollywood on 30 different sound stages. They were even required to expand to RKO sound studios for filming.<a href="#cite_note-FOOTNOTEEames1985218-172">[162]</a> Post-production lasted a year, and the film premiered in <a href="/wiki/Salt_Lake_City" title="Salt Lake City">Salt Lake City</a>.<a href="#cite_note-FOOTNOTEPresleyVieira2014384-173">[163]</a> Nominated for an Academy Award for Best Picture, it grossed over $80 million, which surpassed the gross of The Greatest Show on Earth and every other film in history, except for <a href="/wiki/Gone_with_the_Wind_(film)" title="Gone with the Wind (film)">Gone with the Wind</a>.<a href="#cite_note-FOOTNOTEEames1985218,_340-171">[161]</a> A unique practice at the time, DeMille offered ten percent of his profit to the crew.<a href="#cite_note-FOOTNOTEPresleyVieira2014381,_387-174">[164]</a> On November 7, 1954, while in Egypt filming the <a href="/wiki/The_Exodus" title="The Exodus">Exodus</a> sequence for The Ten Commandments, DeMille (who was seventy-three) climbed a 107-foot (33 m) ladder to the top of the massive Per Rameses set and suffered a serious heart attack. Despite the urging of his associate producer, DeMille wanted to return to the set right away. DeMille developed a plan with his doctor to allow him to continue directing while reducing his physical stress.<a href="#cite_note-175">[165]</a> Although DeMille completed the film, his health was diminished by several more heart attacks. His daughter Cecilia took over as director as DeMille sat behind the camera with <a href="/wiki/Loyal_Griggs" title="Loyal Griggs">Loyal Griggs</a> as the cinematographer.<a href="#cite_note-FOOTNOTEPresleyVieira2014396-176">[166]</a> This film would be his last.<a href="#cite_note-177">[167]</a> <a href="#cite_note-179">[note 11]</a> Due to his frequent heart attacks, DeMille asked his son-in-law, actor <a href="/wiki/Anthony_Quinn" title="Anthony Quinn">Anthony Quinn</a>, to direct a remake of his 1938 film <a href="/wiki/The_Buccaneer_(1958_film)" title="The Buccaneer (1958 film)">The Buccaneer</a>. DeMille served as executive producer, overseeing producer <a href="/wiki/Henry_Wilcoxon" title="Henry Wilcoxon">Henry Wilcoxon</a>.<a href="#cite_note-FOOTNOTEPresleyVieira2014402-180">[169]</a> Despite a cast led by <a href="/wiki/Charlton_Heston" title="Charlton Heston">Charlton Heston</a> and <a href="/wiki/Yul_Brynner" title="Yul Brynner">Yul Brynner</a>, the 1958 film <a href="/wiki/The_Buccaneer_(1958_film)" title="The Buccaneer (1958 film)">The Buccaneer</a> was a disappointment.<a href="#cite_note-FOOTNOTEDick200176-181">[170]</a> DeMille attended the Santa Barbara premiere of The Buccaneer in December 1958.<a href="#cite_note-FOOTNOTEPresleyVieira2014402-180">[169]</a> DeMille was unable to attend the Los Angeles premiere of The Buccaneer.<a href="#cite_note-FOOTNOTEPresleyVieira2014402-180">[169]</a> In the months before his death, DeMille was researching a film biography of <a href="/wiki/Robert_Baden-Powell,_1st_Baron_Baden-Powell" title="Robert Baden-Powell, 1st Baron Baden-Powell">Robert Baden-Powell</a>, the founder of the <a href="/wiki/Scouting" title="Scouting">Scout Movement</a>. DeMille asked <a href="/wiki/David_Niven" title="David Niven">David Niven</a> to star in the film, but it was never made. DeMille also was planning a film about the space race as well as another biblical epic about the <a href="/wiki/Book_of_Revelation" title="Book of Revelation">Book of Revelation</a>.<a href="#cite_note-182">[171]</a> DeMille's autobiography was mostly completed by the time DeMille died and was published in November 1959.<a href="#cite_note-FOOTNOTEEyman2010507-183">[172]</a> <div class="mw-heading mw-heading4"><h4 id="Death">Death</h4>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=15" title="Edit section: Death">edit</a>]</div> <figure class="mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:DeMilleTomb.JPG" class="mw-file-description"><img alt="Two large white crypts next to each other in a cememtery" src="//upload.wikimedia.org/wikipedia/en/thumb/9/9b/DeMilleTomb.JPG/150px-DeMilleTomb.JPG" decoding="async" width="150" height="113" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/9b/DeMilleTomb.JPG/225px-DeMilleTomb.JPG 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/9b/DeMilleTomb.JPG/300px-DeMilleTomb.JPG 2x" data-file-width="800" data-file-height="600" /></a><figcaption>DeMille's tomb at Hollywood Forever Cemetery</figcaption></figure> Cecil B. DeMille suffered a series of heart attacks from June 1958 to January 1959,<a href="#cite_note-FOOTNOTEPresleyVieira2014402-180">[169]</a> and died on January 21, 1959, following an attack.<a href="#cite_note-stars-184">[173]</a> DeMille's funeral was held on January 23 at St. Stephen's Episcopal Church. He was entombed at the <a href="/wiki/Hollywood_Forever_Cemetery" title="Hollywood Forever Cemetery">Hollywood Memorial Cemetery</a> (now known as Hollywood Forever).<a href="#cite_note-185">[174]</a> After his death, notable news outlets such as The New York Times, the <a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a>, and The Guardian honored DeMille as "pioneer of movies", "the greatest creator and showman of our industry", and "the founder of Hollywood".<a href="#cite_note-FOOTNOTEPresleyVieira201412-186">[175]</a> DeMille left his multi-million dollar estate in <a href="/wiki/Los_Feliz,_Los_Angeles" title="Los Feliz, Los Angeles">Los Feliz, Los Angeles</a>, in Laughlin Park to his daughter Cecilia because his wife had dementia and was unable to care for an estate. She would die one year later.<a href="#cite_note-187">[176]</a><a href="#cite_note-jolie-188">[177]</a> His personal will drew a line between Cecilia and his three adopted children, with Cecilia receiving a majority of DeMille's inheritance and estate. The other three children were surprised by this, as DeMille did not treat the children differently in life.<a href="#cite_note-FOOTNOTEEyman2010506–507-189">[178]</a> Cecilia lived in the house for many years until her death in 1984,<a href="#cite_note-190">[179]</a> but the house was auctioned by his granddaughter Cecilia DeMille Presley who also lived there in the late 1980s.<a href="#cite_note-191">[180]</a><a href="#cite_note-192">[note 12]</a> <div class="mw-heading mw-heading2"><h2 id="Filmmaking">Filmmaking</h2>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=16" title="Edit section: Filmmaking">edit</a>]</div> <div class="mw-heading mw-heading3"><h3 id="Influences">Influences</h3>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=17" title="Edit section: Influences">edit</a>]</div> DeMille believed his first influences to be his parents, Henry and Beatrice DeMille.<a href="#cite_note-FOOTNOTEPresleyVieira2014398-193">[181]</a> His playwright father introduced him to the theater at a young age.<a href="#cite_note-FOOTNOTELouvish20078–9-194">[182]</a> Henry was heavily influenced by the work of <a href="/wiki/Charles_Kingsley" title="Charles Kingsley">Charles Kingsley</a>, whose ideas trickled down to DeMille.<a href="#cite_note-FOOTNOTELouvish200715–16-195">[183]</a> DeMille noted that his mother had a "high sense of the dramatic" and was determined to continue the artistic legacy of her husband after he died. Beatrice became a play broker and author's agent, influencing DeMille's early life and career.<a href="#cite_note-FOOTNOTELouvish200713-196">[184]</a> DeMille's father worked with David Belasco who was a theatrical producer, impresario, and playwright. Belasco was known for adding realistic elements in his plays such as real flowers, food, and aromas that could transport his audiences into the scenes.<a href="#cite_note-FOOTNOTEEyman201018–22-197">[185]</a> While working in theatre, DeMille used real fruit trees in his play California, as influenced by Belasco.<a href="#cite_note-FOOTNOTEEyman201051-198">[186]</a> Similar to Belasco, DeMille's theatre revolved around entertainment rather than artistry.<a href="#cite_note-FOOTNOTEEyman201053-199">[187]</a> Generally, Belasco's influence of DeMille's career can be seen in DeMille's showmanship and narration.<a href="#cite_note-FOOTNOTERinggoldBodeen19695-200">[188]</a> E. H. Sothern's early influence on DeMille's work can be seen in DeMille's perfectionism.<a href="#cite_note-201">[189]</a><a href="#cite_note-genius-202">[190]</a> DeMille recalled that one of the most influential plays he saw was Hamlet, directed by Sothern.<a href="#cite_note-FOOTNOTEEyman201048-203">[191]</a> <div class="mw-heading mw-heading3"><h3 id="Method">Method</h3>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=18" title="Edit section: Method">edit</a>]</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Cecil_B._DeMille_bookplate_(exlibris)_circa_1918.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f3/Cecil_B._DeMille_bookplate_%28exlibris%29_circa_1918.jpg/220px-Cecil_B._DeMille_bookplate_%28exlibris%29_circa_1918.jpg" decoding="async" width="220" height="173" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f3/Cecil_B._DeMille_bookplate_%28exlibris%29_circa_1918.jpg/330px-Cecil_B._DeMille_bookplate_%28exlibris%29_circa_1918.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f3/Cecil_B._DeMille_bookplate_%28exlibris%29_circa_1918.jpg/440px-Cecil_B._DeMille_bookplate_%28exlibris%29_circa_1918.jpg 2x" data-file-width="1769" data-file-height="1395" /></a><figcaption>Cecil B. DeMille <a href="/wiki/Ex_Libris_(bookplate)" title="Ex Libris (bookplate)">bookplate</a> from his library</figcaption></figure> DeMille's filmmaking process always began with extensive research. Next, he would work with writers to develop the story that he was envisioning. Then, he would help writers construct a script. Finally, he would leave the script with artists and allow them to create artistic depictions and renderings of each scene.<a href="#cite_note-FOOTNOTEPresleyVieira201411-204">[192]</a> Plot and dialogue were not a strong point of DeMille's films. Consequently, he focused his efforts on his films' visuals. He worked with visual technicians, editors, art directors, costume designers, cinematographers, and set carpenters in order to perfect the visual aspects of his films. With his editor, <a href="/wiki/Anne_Bauchens" title="Anne Bauchens">Anne Bauchens</a>, DeMille used editing techniques to allow the visual images to bring the plot to climax rather than dialogue.<a href="#cite_note-FOOTNOTEBlanke2018272-205">[193]</a> DeMille had large and frequent office conferences to discuss and examine all aspects of the working film including story-boards, props, and special effects.<a href="#cite_note-FOOTNOTEBlanke2018272–273-206">[194]</a> DeMille rarely gave direction to actors; he preferred to "office-direct", where he would work with actors in his office, going over characters and reading through scripts. Any problems on the set were often fixed by writers in the office rather than on the set. DeMille did not believe a large movie set was the place to discuss minor character or line issues.<a href="#cite_note-FOOTNOTEEyman2010297–298-207">[195]</a> DeMille was particularly adept at directing and managing large crowds in his films. <a href="/wiki/Martin_Scorsese" title="Martin Scorsese">Martin Scorsese</a> recalled that DeMille had the skill to maintain control of not only the lead actors in a frame but the many extras in the frame as well.<a href="#cite_note-FOOTNOTEEyman2010324–325-208">[196]</a> DeMille was adept at directing "thousands of extras",<a href="#cite_note-register-120">[114]</a> and many of his pictures include spectacular set pieces: the toppling of the <a href="/wiki/Paganism" title="Paganism">pagan</a> temple in Samson and Delilah;<a href="#cite_note-209">[197]</a> train wrecks in The Road to Yesterday,<a href="#cite_note-FOOTNOTEPresleyVieira2014124-210">[198]</a> Union Pacific<a href="#cite_note-211">[199]</a> and The Greatest Show on Earth;<a href="#cite_note-212">[200]</a> the destruction of an airship in Madam Satan;<a href="#cite_note-FOOTNOTEDoherty199926-213">[201]</a> and the parting of the <a href="/wiki/Red_Sea" title="Red Sea">Red Sea</a> in both versions of The Ten Commandments.<a href="#cite_note-214">[202]</a> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Temple_of_Dagon_in_Samson_and_Delilah_trailer.jpg" class="mw-file-description"><img alt="Large pagan temple film set with a large idol in the middle, and surrounded by hieroglyphics and red drapery" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/90/Temple_of_Dagon_in_Samson_and_Delilah_trailer.jpg/220px-Temple_of_Dagon_in_Samson_and_Delilah_trailer.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/90/Temple_of_Dagon_in_Samson_and_Delilah_trailer.jpg/330px-Temple_of_Dagon_in_Samson_and_Delilah_trailer.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/90/Temple_of_Dagon_in_Samson_and_Delilah_trailer.jpg/440px-Temple_of_Dagon_in_Samson_and_Delilah_trailer.jpg 2x" data-file-width="1440" data-file-height="1080" /></a><figcaption>DeMille's set pieces include this pagan temple in <a href="/wiki/Samson_and_Delilah_(1949_film)" title="Samson and Delilah (1949 film)">Samson and Delilah</a> (1949)</figcaption></figure> In his early films, DeMille experimented with photographic light and shade, which created dramatic shadows instead of glare.<a href="#cite_note-FOOTNOTEEames198511-88">[85]</a> His specific use of lighting, influenced by his mentor David Belasco, was for the purpose of creating "striking images" and heightening "dramatic situations".<a href="#cite_note-FOOTNOTEEyman201094-215">[203]</a> DeMille was unique in using this technique. In addition to his use of volatile and abrupt film editing, his lighting and composition were innovative for the time period as filmmakers were primarily concerned with a clear, realistic image.<a href="#cite_note-FOOTNOTEEyman201094-215">[203]</a> Another important aspect of DeMille's editing technique was to put the film away for a week or two after an initial edit in order to re-edit the picture with a fresh mind. This allowed for the rapid production of his films in the early years of the Lasky Company. The cuts were sometimes rough, but the movies were always interesting.<a href="#cite_note-FOOTNOTEEyman2010100-216">[204]</a> DeMille often edited in a manner that favored psychological space rather than physical space through his cuts. In this way, the characters' thoughts and desires are the visual focus rather than the circumstances regarding the physical scene.<a href="#cite_note-FOOTNOTEEyman2010112-217">[205]</a> As DeMille's career progressed, he increasingly relied on artist Dan Sayre Groesbeck's concept, costume, and storyboard art. Groesbeck's art was circulated on set to give actors and crew members a better understanding of DeMille's vision. His art was even shown at Paramount meetings when pitching new films. DeMille adored the art of Groesbeck, even hanging it above his fireplace, but film staff found it difficult to convert his art into three-dimensional sets. As DeMille continued to rely on Groesbeck, the nervous energy of his early films transformed into more steady compositions of his later films. While visually appealing, this made the films appear more old-fashioned.<a href="#cite_note-FOOTNOTEEyman2010298-218">[206]</a> Composer <a href="/wiki/Elmer_Bernstein" title="Elmer Bernstein">Elmer Bernstein</a> described DeMille as "sparing no effort" when filmmaking.<a href="#cite_note-FOOTNOTEEyman2010363-219">[207]</a> Bernstein recalled that DeMille would scream, yell, or flatter—whatever it took to achieve the perfection he required in his films. DeMille was painstakingly attentive to details on set and was as critical of himself as he was of his crew.<a href="#cite_note-FOOTNOTEEyman2010364-220">[208]</a> Costume designer Dorothy Jeakins, who worked with DeMille on The Ten Commandments (1956), said that he was skilled in humiliating people. Jeakins admitted that she received quality training from him, but that it was necessary to become a perfectionist on a DeMille set to avoid being fired.<a href="#cite_note-221">[209]</a> DeMille had an authoritarian persona on set; he required absolute attention from the cast and crew. He had a band of assistants who catered to his needs. He would speak to the entire set, sometimes enormous with countless numbers of crew members and extras, via a microphone to maintain control of the set. He was disliked by many inside and outside of the film industry for his cold and controlling reputation.<a href="#cite_note-FOOTNOTEEyman20109–10-222">[210]</a><a href="#cite_note-224">[note 13]</a> DeMille was known for autocratic behavior on the set, singling out and berating extras who were not paying attention. Many of these displays were thought to be staged, however, as an exercise in discipline.<a href="#cite_note-FOOTNOTEPresleyVieira2014259-225">[212]</a> He despised actors who were unwilling to take physical risks, especially when he had first demonstrated that the required stunt would not harm them. This occurred with <a href="/wiki/Victor_Mature" title="Victor Mature">Victor Mature</a> in Samson and Delilah. Mature refused to wrestle Jackie the Lion, even though DeMille had just tussled with the lion, proving that he was tame. DeMille told the actor that he was "one hundred percent yellow".<a href="#cite_note-FOOTNOTEPresleyVieira2014344-226">[213]</a> <a href="/wiki/Paulette_Goddard" title="Paulette Goddard">Paulette Goddard</a>'s refusal to risk personal injury in a scene involving fire in Unconquered cost her DeMille's favor and a role in The Greatest Show on Earth.<a href="#cite_note-FOOTNOTEPresleyVieira2014363-227">[214]</a> DeMille did receive help in his films, notably from <a href="/wiki/Alvin_Wyckoff" title="Alvin Wyckoff">Alvin Wyckoff</a>, who shot forty-three of DeMille's films;<a href="#cite_note-FOOTNOTELouvish200771-84">[81]</a> brother William deMille who would occasionally serve as his screenwriter;<a href="#cite_note-FOOTNOTELouvish200784-86">[83]</a> and Jeanie Macpherson, who served as DeMille's exclusive screenwriter for fifteen years;<a href="#cite_note-228">[215]</a> and Eddie Salven, DeMille's favorite assistant director.<a href="#cite_note-FOOTNOTEEyman2010364-220">[208]</a> DeMille made stars of unknown actors: <a href="/wiki/Gloria_Swanson" title="Gloria Swanson">Gloria Swanson</a>, <a href="/wiki/Bebe_Daniels" title="Bebe Daniels">Bebe Daniels</a>, <a href="/wiki/Rod_La_Rocque" title="Rod La Rocque">Rod La Rocque</a>, <a href="/wiki/William_Boyd_(actor)" title="William Boyd (actor)">William Boyd</a>, <a href="/wiki/Claudette_Colbert" title="Claudette Colbert">Claudette Colbert</a>, and <a href="/wiki/Charlton_Heston" title="Charlton Heston">Charlton Heston</a>.<a href="#cite_note-229">[216]</a><a href="#cite_note-230">[217]</a><a href="#cite_note-231">[218]</a> He also cast established stars such as <a href="/wiki/Gary_Cooper" title="Gary Cooper">Gary Cooper</a>, <a href="/wiki/Robert_Preston_(actor)" title="Robert Preston (actor)">Robert Preston</a>, Paulette Goddard and <a href="/wiki/Fredric_March" title="Fredric March">Fredric March</a> in multiple pictures.<a href="#cite_note-232">[219]</a><a href="#cite_note-233">[220]</a> DeMille cast some of his performers repeatedly, including Henry Wilcoxon,<a href="#cite_note-234">[221]</a> <a href="/wiki/Julia_Faye" title="Julia Faye">Julia Faye</a>, <a href="/wiki/Joseph_Schildkraut" title="Joseph Schildkraut">Joseph Schildkraut</a>,<a href="#cite_note-235">[222]</a> <a href="/wiki/Ian_Keith" title="Ian Keith">Ian Keith</a>,<a href="#cite_note-FOOTNOTELouvish2007478-236">[223]</a> <a href="/wiki/Charles_Bickford" title="Charles Bickford">Charles Bickford</a>,<a href="#cite_note-FOOTNOTEBirchard2004235–236-237">[224]</a> <a href="/wiki/Theodore_Roberts" title="Theodore Roberts">Theodore Roberts</a>, <a href="/wiki/Akim_Tamiroff" title="Akim Tamiroff">Akim Tamiroff</a>,<a href="#cite_note-238">[225]</a> and William Boyd.<a href="#cite_note-239">[226]</a><a href="#cite_note-240">[227]</a> DeMille was credited by actor <a href="/wiki/Edward_G._Robinson" title="Edward G. Robinson">Edward G. Robinson</a> with saving his career following his eclipse in the <a href="/wiki/Hollywood_blacklist" title="Hollywood blacklist">Hollywood blacklist</a>.<a href="#cite_note-FOOTNOTEPresleyVieira2014375-241">[228]</a> <div class="mw-heading mw-heading3"><h3 id="Style_and_themes">Style and themes</h3>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=19" title="Edit section: Style and themes">edit</a>]</div> Cecil B. DeMille's film production career evolved from critically significant silent films to financially significant sound films. He began his career with reserved yet brilliant melodramas; from there, his style developed into marital comedies with outrageously melodramatic plots.<a href="#cite_note-FOOTNOTEEyman20105-242">[229]</a> In order to attract a high-class audience, DeMille based many of his early films on stage melodramas, novels, and short stories.<a href="#cite_note-FOOTNOTEHigashi19942-243">[230]</a> He began the production of epics earlier in his career until they began to solidify his career in the 1920s. By 1930, DeMille had perfected his film style of mass-interest spectacle films with Western, Roman, or Biblical themes.<a href="#cite_note-FOOTNOTEEyman20105-242">[229]</a> DeMille was often criticized for making his spectacles too colorful and for being too occupied with entertaining the audience rather than accessing the artistic and auteur possibilities that film could provide. However, others interpreted DeMille's work as visually impressive, thrilling, and nostalgic. Along the same lines, critics of DeMille often qualify him by his later spectacles and fail to consider several decades of ingenuity and energy that defined him during his generation.<a href="#cite_note-FOOTNOTEEyman20105-242">[229]</a> Throughout his career, he did not alter his films to better adhere to contemporary or popular styles.<a href="#cite_note-FOOTNOTEEyman20105–6-244">[231]</a> Actor Charlton Heston admitted DeMille was, "terribly unfashionable" and <a href="/wiki/Sidney_Lumet" title="Sidney Lumet">Sidney Lumet</a> called DeMille, "the cheap version of <a href="/wiki/D.W._Griffith" class="mw-redirect" title="D.W. Griffith">D.W. Griffith</a>", adding that DeMille, "[didn't have]...an original thought in his head", though Heston added that DeMille was much more than that.<a href="#cite_note-FOOTNOTEEyman20106-245">[232]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Cecil-b-demille_paramount-pictures.jpg" class="mw-file-description"><img alt="DeMille posing on a chair with a pen in hand" src="//upload.wikimedia.org/wikipedia/commons/thumb/d/de/Cecil-b-demille_paramount-pictures.jpg/220px-Cecil-b-demille_paramount-pictures.jpg" decoding="async" width="220" height="283" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/d/de/Cecil-b-demille_paramount-pictures.jpg 1.5x" data-file-width="280" data-file-height="360" /></a><figcaption>Cecil B. DeMille at Paramount Pictures</figcaption></figure> According to Scott Eyman, DeMille's films were at the same time masculine and feminine due to his thematic adventurousness and his eye for the extravagant.<a href="#cite_note-FOOTNOTEEyman20106-245">[232]</a> DeMille's distinctive style can be seen through camera and lighting effects as early as The Squaw Man with the use of daydream images; moonlight and sunset on a mountain; and side-lighting through a tent flap.<a href="#cite_note-FOOTNOTELouvish200764-246">[233]</a> In the early age of cinema, DeMille differentiated the Lasky Company from other production companies due to the use of dramatic, low-key lighting they called "Lasky lighting" and marketed as "<a href="/wiki/Rembrandt_lighting" title="Rembrandt lighting">Rembrandt lighting</a>" to appeal to the public. DeMille achieved international recognition for his unique use of lighting and color tint in his film The Cheat.<a href="#cite_note-247">[234]</a> DeMille's 1956 version of The Ten Commandments, according to director Martin Scorsese, is renowned for its level of production and the care and detail that went into creating the film. He stated that The Ten Commandments was the final culmination of DeMille's style.<a href="#cite_note-FOOTNOTEEyman2010478-248">[235]</a> DeMille was interested in art and his favorite artist was <a href="/wiki/Gustave_Dor%C3%A9" title="Gustave Doré">Gustave Doré</a>; DeMille based some of his most well-known scenes on the work of Doré.<a href="#cite_note-FOOTNOTEPresleyVieira201411-204">[192]</a> DeMille was the first director to connect art to filmmaking; he created the title of "art director" on the film set.<a href="#cite_note-FOOTNOTEPresleyVieira201416-249">[236]</a> DeMille was also known for his use of special effects without the use of digital technology. Notably, DeMille had cinematographer <a href="/wiki/John_P._Fulton" title="John P. Fulton">John P. Fulton</a> create the <a href="/wiki/Crossing_the_Red_Sea" title="Crossing the Red Sea">parting of the Red Sea</a> scene in his 1956 film The Ten Commandments, which was one of the most expensive special effects in film history, and has been called by <a href="/wiki/Steven_Spielberg" title="Steven Spielberg">Steven Spielberg</a> "the greatest special effect in film history". The actual parting of the sea was created by releasing 360,000 gallons of water into a huge water tank split by a U-shaped trough, overlaying it with a film of a giant waterfall that was built on the Paramount backlot, and playing the clip backward.<a href="#cite_note-250">[237]</a><a href="#cite_note-genius-202">[190]</a><a href="#cite_note-251">[238]</a> Aside from his Biblical and historical epics, which are concerned with how man relates to God, some of DeMille's films contained themes of "neo-naturalism", which portray the conflict between the laws of man and the laws of nature.<a href="#cite_note-252">[239]</a> Although he is known for his later "spectacular" films, his early films are held in high regard by critics and film historians. DeMille discovered the possibilities of the "bathroom" or "boudoir" in the film without being "vulgar" or "cheap".<a href="#cite_note-FOOTNOTERinggoldBodeen19695-200">[188]</a> DeMille's films Male and Female, <a href="/wiki/Why_Change_Your_Wife%3F" title="Why Change Your Wife?">Why Change Your Wife?</a>, and The Affairs of Anatol can be retrospectively described as <a href="/wiki/Camp_(style)" title="Camp (style)">high camp</a> and are categorized as "early DeMille films" due to their particular style of production and costume and set design. However, his earlier films The Captive, <a href="/wiki/Kindling_(1915_film)" title="Kindling (1915 film)">Kindling</a>, <a href="/wiki/Carmen_(1915_Cecil_B._DeMille_film)" title="Carmen (1915 Cecil B. DeMille film)">Carmen</a>, and <a href="/wiki/The_Whispering_Chorus" title="The Whispering Chorus">The Whispering Chorus</a> are more serious films.<a href="#cite_note-FOOTNOTERinggoldBodeen19695-200">[188]</a> It is difficult to typify DeMille's films into one specific genre. His first three films were Westerns, and he filmed many Westerns throughout his career. However, throughout his career, he filmed comedies, periodic and contemporary romances, dramas, fantasies, propaganda, Biblical spectacles, musical comedies, suspense, and war films. At least one DeMille film can represent each film genre.<a href="#cite_note-FOOTNOTERinggoldBodeen19695-200">[188]</a> DeMille produced the majority of his films before the 1930s, and by the time sound films were invented, film critics saw DeMille as antiquated, with his best filmmaking years behind him.<a href="#cite_note-FOOTNOTELouvish2007xiv–xv-253">[240]</a> DeMille's films contained many similar themes throughout his career. However, the films of his silent era were often thematically different from the films of his sound era. His silent-era films often included the "battle of the sexes" theme due to the era of women's suffrage and the enlarging role of women in society.<a href="#cite_note-FOOTNOTELouvish200769-254">[241]</a> Moreover, before his religious-themed films, many of his silent era films revolved around "husband-and-wife-divorce-and-remarry satires", considerably more adult-themed. According to Simon Louvish, these films reflected DeMille's inner thoughts and opinions about marriage and human sexuality.<a href="#cite_note-FOOTNOTELouvish2007xv–xvi-255">[242]</a> Religion was a theme that DeMille returned to throughout his career. Of his seventy films, five revolved around stories of the Bible and the New Testament; however many others, while not direct retellings of Biblical stories, had themes of faith and religious fanaticism in films such as The Crusades and The Road to Yesterday.<a href="#cite_note-FOOTNOTELouvish2007xiv-116">[110]</a> Western and frontier American were also themes that DeMille returned to throughout his career. His first several films were Westerns, and he produced a chain of westerns during the sound era. Instead of portraying the danger and anarchy of the West, he portrayed the opportunity and redemption found in Western America.<a href="#cite_note-FOOTNOTELouvish2007340-256">[243]</a> Another common theme in DeMille's films is the reversal of fortune and the portrayal of the rich and the poor, including the war of the classes and man versus society conflicts such as in The Golden Chance and The Cheat.<a href="#cite_note-FOOTNOTELouvish200781,_111,_178-257">[244]</a> In relation to his own interests and sexual preferences, <a href="/wiki/Sadomasochism" title="Sadomasochism">sadomasochism</a> was a minor theme present in some of his films.<a href="#cite_note-FOOTNOTELouvish200790,_255-258">[245]</a> Another minor characteristic of DeMille's films include train crashes, which can be found in several of his films.<a href="#cite_note-FOOTNOTELouvish2007402-259">[246]</a> <div class="mw-heading mw-heading2"><h2 id="Legacy">Legacy</h2>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=20" title="Edit section: Legacy">edit</a>]</div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Charlton_Heston_in_The_Ten_Commandments_film_trailer.jpg" class="mw-file-description"><img alt="Actor playing Moses wearing a red robe and holding his arms out to the sides with dark clouds behind him" src="//upload.wikimedia.org/wikipedia/commons/thumb/1/17/Charlton_Heston_in_The_Ten_Commandments_film_trailer.jpg/220px-Charlton_Heston_in_The_Ten_Commandments_film_trailer.jpg" decoding="async" width="220" height="124" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/17/Charlton_Heston_in_The_Ten_Commandments_film_trailer.jpg/330px-Charlton_Heston_in_The_Ten_Commandments_film_trailer.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/17/Charlton_Heston_in_The_Ten_Commandments_film_trailer.jpg/440px-Charlton_Heston_in_The_Ten_Commandments_film_trailer.jpg 2x" data-file-width="1366" data-file-height="768" /></a><figcaption>Charlton Heston as Moses in The Ten Commandments which is the eighth highest-grossing film in the world, adjusted for inflation</figcaption></figure> Known as the father of the Hollywood motion picture industry, Cecil B. DeMille made 70 films including several box-office hits. DeMille is one of the more commercially successful film directors in history,<a href="#cite_note-260">[247]</a> with his films before the release of The Ten Commandments estimated to have grossed $650  million worldwide.<a href="#cite_note-261">[248]</a> Adjusted for inflation, DeMille's remake of The Ten Commandments is the eighth highest-grossing film in the world.<a href="#cite_note-Guinness_2015-262">[249]</a> According to Sam Goldwyn, critics did not like DeMille's films, but the audiences did, and "they have the final word".<a href="#cite_note-FOOTNOTEPresleyVieira201414-263">[250]</a> Similarly, scholar David Blanke, argued that DeMille had lost the respect of his colleagues and film critics by his late film career. However, his final films maintained that DeMille was still respected by his audiences.<a href="#cite_note-FOOTNOTEBlanke2018300-264">[251]</a> Five of DeMille's films were the highest-grossing films at the year of their release, with only Spielberg topping him with six of his films as the highest-grossing films of the year. DeMille's highest-grossing films include: The Sign of the Cross (1932), Unconquered (1947), Samson and Delilah (1949), The Greatest Show on Earth (1952), and The Ten Commandments (1956).<a href="#cite_note-Dirks_(year)-265">[252]</a> Director <a href="/wiki/Ridley_Scott" title="Ridley Scott">Ridley Scott</a> has been called "the Cecil B. DeMille of the digital era" due to his classical and medieval epics.<a href="#cite_note-266">[253]</a> Despite his box-office success, awards, and artistic achievements, DeMille has been dismissed and ignored by critics both during his life and posthumously. He was consistently criticized for producing shallow films without talent or artistic care. Compared to other directors, few film scholars have taken the time to academically analyze his films and style. During the <a href="/wiki/French_New_Wave" title="French New Wave">French New Wave</a>, critics began to categorize certain filmmakers as <a href="/wiki/Auteur" title="Auteur">auteurs</a> such as <a href="/wiki/Howard_Hawks" title="Howard Hawks">Howard Hawks</a>, <a href="/wiki/John_Ford" title="John Ford">John Ford</a>, and <a href="/wiki/Raoul_Walsh" title="Raoul Walsh">Raoul Walsh</a>. DeMille was omitted from the list, thought to be too unsophisticated and antiquated to be considered an auteur.<a href="#cite_note-FOOTNOTELouvish2007270-267">[254]</a> However, <a href="/wiki/Simon_Louvish" title="Simon Louvish">Simon Louvish</a> wrote "he was the complete master and auteur of his films",<a href="#cite_note-FOOTNOTELouvish2007xvii-268">[255]</a> and Anton Kozlovic called him the "unsung American auteur".<a href="#cite_note-samson-269">[256]</a> <a href="/wiki/Andrew_Sarris" title="Andrew Sarris">Andrew Sarris</a>, a leading proponent of the auteur theory, ranked DeMille highly as an auteur in the "Far Side of Paradise", just below the "Pantheon". Sarris added that despite the influence of the styles of contemporary directors throughout his career, DeMille's style remained unchanged. Robert Birchard wrote that one could argue the auteurship of DeMille on the basis that DeMille's thematic and visual style remained consistent throughout his career. However, Birchard acknowledged that Sarris's point was more likely that DeMille's style was behind the development of film as an art form.<a href="#cite_note-FOOTNOTEBirchard2004xii-270">[257]</a> Meanwhile, Sumiko Higashi sees DeMille as "not only a figure who was shaped and influenced by the forces of his era but as a filmmaker who left his own signature on the <a href="/wiki/Culture_industry" title="Culture industry">culture industry</a>."<a href="#cite_note-FOOTNOTEWilliams2014355-271">[258]</a> The critic <a href="/wiki/Camille_Paglia" title="Camille Paglia">Camille Paglia</a> has called The Ten Commandments one of the ten greatest films of all time.<a href="#cite_note-272">[259]</a><figure typeof="mw:File/Thumb"><a href="/wiki/File:Cecil_b_de_mille_directing.png" class="mw-file-description"><img alt="DeMille on a stand, holding a megaphone, giving commands to crew members which surround him and several film cameras" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/23/Cecil_b_de_mille_directing.png/240px-Cecil_b_de_mille_directing.png" decoding="async" width="240" height="137" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/23/Cecil_b_de_mille_directing.png/360px-Cecil_b_de_mille_directing.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/23/Cecil_b_de_mille_directing.png/480px-Cecil_b_de_mille_directing.png 2x" data-file-width="607" data-file-height="346" /></a><figcaption>DeMille directing, 1920</figcaption></figure> DeMille was one of the first directors to become a celebrity in his own right.<a href="#cite_note-273">[260]</a> He cultivated the image of the omnipotent director,<a href="#cite_note-274">[261]</a> complete with <a href="/wiki/Megaphone" title="Megaphone">megaphone</a>, <a href="/wiki/Riding_crop" class="mw-redirect" title="Riding crop">riding crop</a>, and <a href="/wiki/Jodhpurs" title="Jodhpurs">jodhpurs</a>.<a href="#cite_note-275">[262]</a><a href="#cite_note-276">[263]</a> He was known for his unique working wardrobe, which included riding boots, riding pants, and soft, open necked shirts.<a href="#cite_note-FOOTNOTEEyman201064-277">[264]</a> <a href="/wiki/Joseph_Henabery" title="Joseph Henabery">Joseph Henabery</a> recalled that DeMille looked like "a king on a throne surrounded by his court" while directing films on a camera platform.<a href="#cite_note-FOOTNOTEEyman2010147-278">[265]</a> DeMille was liked by some of his fellow directors and disliked by others, though his actual films were usually dismissed by his peers as a vapid spectacle. Director <a href="/wiki/John_Huston" title="John Huston">John Huston</a> intensely disliked both DeMille and his films. "He was a thoroughly bad director", Huston said. "A dreadful showoff. Terrible. To diseased proportions."<a href="#cite_note-279">[266]</a> Said fellow director <a href="/wiki/William_Wellman" class="mw-redirect" title="William Wellman">William Wellman</a>: "Directorially, I think his pictures were the most horrible things I've ever seen in my life. But he put on pictures that made a fortune. In that respect, he was better than any of us."<a href="#cite_note-280">[267]</a> Producer David O. Selznick wrote: "There has appeared only one Cecil B. DeMille. He is one of the most extraordinarily able showmen of modern times. However much I may dislike some of his pictures, it would be very silly of me, as a producer of commercial motion pictures, to demean for an instant his unparalleled skill as a maker of mass entertainment."<a href="#cite_note-281">[268]</a> <a href="/wiki/Salvador_Dal%C3%AD" title="Salvador Dalí">Salvador Dalí</a> wrote that DeMille, <a href="/wiki/Walt_Disney" title="Walt Disney">Walt Disney</a>, and the <a href="/wiki/Marx_Brothers" title="Marx Brothers">Marx Brothers</a> were "the three great American <a href="/wiki/Surrealism" title="Surrealism">Surrealists</a>".<a href="#cite_note-FOOTNOTEKing200759-282">[269]</a> DeMille appeared as himself in numerous films, including the MGM comedy <a href="/wiki/Free_and_Easy_(1930_film)" title="Free and Easy (1930 film)">Free and Easy</a>.<a href="#cite_note-FOOTNOTEBirchard2004374-283">[270]</a> He often appeared in his coming-attraction trailers and narrated many of his later films,<a href="#cite_note-FOOTNOTEEyman20107–8-284">[271]</a> even stepping on screen to introduce The Ten Commandments.<a href="#cite_note-285">[272]</a> DeMille was immortalized in <a href="/wiki/Billy_Wilder" title="Billy Wilder">Billy Wilder</a>'s <a href="/wiki/Sunset_Boulevard_(film)" title="Sunset Boulevard (film)">Sunset Boulevard</a> when Gloria Swanson spoke the line: "All right, Mr. DeMille. I'm ready for my close-up." DeMille plays himself in the film.<a href="#cite_note-FOOTNOTEEyman20101–2-286">[273]</a> DeMille's reputation had a renaissance in the 2010s.<a href="#cite_note-287">[274]</a> As a filmmaker, DeMille was the aesthetic inspiration of many directors and films due to his early influence during the crucial development of the film industry. DeMille's early silent comedies influenced the comedies of <a href="/wiki/Ernst_Lubitsch" title="Ernst Lubitsch">Ernst Lubitsch</a> and Charlie Chaplin's <a href="/wiki/A_Woman_of_Paris" title="A Woman of Paris">A Woman of Paris</a>. Additionally, DeMille's epics such as The Crusades influenced <a href="/wiki/Sergei_Eisenstein" title="Sergei Eisenstein">Sergei Eisenstein</a>'s <a href="/wiki/Alexander_Nevsky_(film)" title="Alexander Nevsky (film)">Alexander Nevsky</a>. Moreover, DeMille's epics inspired directors such as Howard Hawks, <a href="/wiki/Nicholas_Ray" title="Nicholas Ray">Nicholas Ray</a>, <a href="/wiki/Joseph_L._Mankiewicz" title="Joseph L. Mankiewicz">Joseph L. Mankiewicz</a>, and <a href="/wiki/George_Stevens" title="George Stevens">George Stevens</a> to try producing epics.<a href="#cite_note-FOOTNOTEEyman20106-245">[232]</a> Cecil B. DeMille has influenced the work of several well-known directors. <a href="/wiki/Alfred_Hitchcock" title="Alfred Hitchcock">Alfred Hitchcock</a> cited DeMille's 1921 film <a href="/wiki/Forbidden_Fruit_(1921_film)" title="Forbidden Fruit (1921 film)">Forbidden Fruit</a> as an influence of his work and one of his top ten favorite films.<a href="#cite_note-288">[275]</a> DeMille has influenced the careers of many modern directors. Martin Scorsese cited Unconquered, Samson and Delilah, and The Greatest Show on Earth as DeMille films that have imparted lasting memories on him.<a href="#cite_note-FOOTNOTEPresleyVieira20146-289">[276]</a> Scorsese said he had viewed The Ten Commandments forty or fifty times.<a href="#cite_note-290">[277]</a> Famed director Steven Spielberg stated that DeMille's The Greatest Show on Earth was one of the films that influenced him to become a filmmaker.<a href="#cite_note-FOOTNOTEPresleyVieira20148-76">[74]</a> Furthermore, DeMille influenced about half of Spielberg's films, including <a href="/wiki/War_of_the_Worlds_(2005_film)" title="War of the Worlds (2005 film)">War of the Worlds</a>.<a href="#cite_note-FOOTNOTEEyman20106-245">[232]</a><a href="#cite_note-292">[note 14]</a> The Ten Commandments inspired <a href="/wiki/DreamWorks_Animation" title="DreamWorks Animation">DreamWorks Animation</a>'s later film about Moses, <a href="/wiki/The_Prince_of_Egypt" title="The Prince of Egypt">The Prince of Egypt</a>.<a href="#cite_note-Production3-293">[279]</a> As one of the establishing members of Paramount Pictures and co-founder of Hollywood, DeMille had a role in the development of the film industry.<a href="#cite_note-samson-269">[256]</a> Consequently, the name "DeMille" has become synonymous with filmmaking.<a href="#cite_note-samson-269">[256]</a> Publicly Episcopalian, DeMille drew on his Christian and Jewish ancestors to convey a message of tolerance.<a href="#cite_note-294">[280]</a><a href="#cite_note-295">[281]</a> DeMille received more than a dozen awards from Christian and Jewish religious and cultural groups, including <a href="/wiki/B%27nai_B%27rith" title="B'nai B'rith">B'nai B'rith</a>.<a href="#cite_note-FOOTNOTELouvish2007422–423-296">[282]</a> However, not everyone received DeMille's religious films favorably. DeMille was accused of antisemitism after the release of The King of Kings,<a href="#cite_note-FOOTNOTEBlanke2018139-297">[283]</a> and director <a href="/wiki/John_Ford" title="John Ford">John Ford</a> despised DeMille for what he saw as "hollow" biblical epics meant to promote DeMille's reputation during the politically turbulent 1950s.<a href="#cite_note-298">[284]</a> In response to the claims, DeMille donated some of the profits from The King of Kings to charity.<a href="#cite_note-genius-202">[190]</a> In the 2012 <a href="/wiki/Sight_%26_Sound" class="mw-redirect" title="Sight & Sound">Sight & Sound</a> poll, both DeMille's Samson and Delilah and 1923 version of The Ten Commandments received votes, but did not make the top 100 films.<a href="#cite_note-299">[285]</a> Although many of DeMille's films are available on DVD and <a href="/wiki/Blu-ray" title="Blu-ray">Blu-ray</a> release, only 20 of his silent films are commercially available on DVD <a href="#cite_note-FOOTNOTEPresleyVieira2014404–405-300">[286]</a><a href="#cite_note-302">[note 15]</a> <div class="mw-heading mw-heading3"><h3 id="Commemoration_and_tributes">Commemoration and tributes</h3>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=21" title="Edit section: Commemoration and tributes">edit</a>]</div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:HollywoodHeritageMuseum01.jpg" class="mw-file-description"><img alt="Yellow, house-like barn with a large white museum sign" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2d/HollywoodHeritageMuseum01.jpg/220px-HollywoodHeritageMuseum01.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/2d/HollywoodHeritageMuseum01.jpg/330px-HollywoodHeritageMuseum01.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/2d/HollywoodHeritageMuseum01.jpg/440px-HollywoodHeritageMuseum01.jpg 2x" data-file-width="1600" data-file-height="1200" /></a><figcaption>The <a href="/wiki/Lasky-DeMille_Barn" class="mw-redirect" title="Lasky-DeMille Barn">Lasky-DeMille Barn</a> was the place of origin of <a href="/wiki/Paramount_Pictures" title="Paramount Pictures">Paramount Pictures</a> and the location in which The Squaw Man (1913) was filmed. It became the <a href="/wiki/Hollywood_Heritage_Museum" title="Hollywood Heritage Museum">Hollywood Heritage Museum</a> in 1985.</figcaption></figure> The original <a href="/wiki/Lasky-DeMille_Barn" class="mw-redirect" title="Lasky-DeMille Barn">Lasky-DeMille Barn</a> in which The Squaw Man was filmed was converted into a museum named the "<a href="/wiki/Hollywood_Heritage_Museum" title="Hollywood Heritage Museum">Hollywood Heritage Museum</a>". It opened on December 13, 1985, and features some of DeMille's personal artifacts.<a href="#cite_note-303">[288]</a><a href="#cite_note-304">[289]</a> The Lasky-DeMille Barn was dedicated as a California historical landmark in a ceremony on December 27, 1956; DeMille was the keynote speaker.<a href="#cite_note-FOOTNOTEPresleyVieira2014398-193">[181]</a> It was listed on the <a href="/wiki/National_Register_of_Historic_Places" title="National Register of Historic Places">National Register of Historic Places</a> in 2014.<a href="#cite_note-305">[290]</a> The Dunes Center in <a href="/wiki/Guadalupe,_California" title="Guadalupe, California">Guadalupe, California</a>, contains an exhibition of artifacts uncovered in the desert near Guadalupe from DeMille's set of his 1923 version of The Ten Commandments, known as the "Lost City of Cecil B. DeMille".<a href="#cite_note-306">[291]</a><a href="#cite_note-308">[note 16]</a> Donated by the Cecil B. DeMille Foundation in 2004, the moving image collection of Cecil B. DeMille is held at the <a href="/wiki/Academy_Film_Archive" title="Academy Film Archive">Academy Film Archive</a> and includes home movies, outtakes, and never-before-seen test footage.<a href="#cite_note-309">[293]</a> In summer 2019, The Friends of the Pompton Lakes Library hosted a Cecil B DeMille film festival to celebrate DeMille's achievements and connection to Pompton Lakes. They screened four of his films at Christ Church, where DeMille and his family attended church when they lived there.<a href="#cite_note-310">[294]</a> Two schools have been named after him: Cecil B. DeMille Middle School, in <a href="/wiki/Long_Beach,_California" title="Long Beach, California">Long Beach, California</a>, which was closed and demolished in 2010 to make way for a new high school;<a href="#cite_note-311">[295]</a> and Cecil B. DeMille Elementary School in <a href="/wiki/Midway_City,_California" title="Midway City, California">Midway City, California</a>.<a href="#cite_note-register-120">[114]</a><a href="#cite_note-312">[296]</a> The former film building at <a href="/wiki/Chapman_University" title="Chapman University">Chapman University</a> in <a href="/wiki/Orange,_California" title="Orange, California">Orange, California</a>, is named in honor of DeMille.<a href="#cite_note-313">[297]</a> During the Apollo 11 mission, Buzz Aldrin referred to himself in one instance as "Cecil B. DeAldrin", as a humorous nod to DeMille.<a href="#cite_note-314">[298]</a> The title of the 2000 <a href="/wiki/John_Waters" title="John Waters">John Waters</a> film <a href="/wiki/Cecil_B._Demented" title="Cecil B. Demented">Cecil B. Demented</a> alludes to DeMille.<a href="#cite_note-315">[299]</a><a href="#cite_note-316">[300]</a> DeMille's legacy is maintained by his granddaughter Cecilia DeMille Presley who serves as the president of the Cecil B. DeMille Foundation, which strives to support higher education, child welfare, and film in Southern California.<a href="#cite_note-317">[301]</a> In 1963, the Cecil B. DeMille Foundation donated the "Paradise" ranch to the Hathaway Foundation, which cares for emotionally disturbed and abused children.<a href="#cite_note-paradise-90">[87]</a> A large collection of DeMille's materials including scripts, storyboards, and films resides at <a href="/wiki/Brigham_Young_University" title="Brigham Young University">Brigham Young University</a> in <a href="/wiki/L._Tom_Perry_Special_Collections" class="mw-redirect" title="L. Tom Perry Special Collections">L. Tom Perry Special Collections</a>.<a href="#cite_note-318">[302]</a><a href="#cite_note-319">[303]</a> <div class="mw-heading mw-heading2"><h2 id="Awards_and_recognition">Awards and recognition</h2>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=22" title="Edit section: Awards and recognition">edit</a>]</div> Cecil B. DeMille received many awards and honors, especially later in his career. <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Grauman%27s_Chinese_Theatre,_cecil_b._demille.JPG" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/85/Grauman%27s_Chinese_Theatre%2C_cecil_b._demille.JPG/220px-Grauman%27s_Chinese_Theatre%2C_cecil_b._demille.JPG" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/85/Grauman%27s_Chinese_Theatre%2C_cecil_b._demille.JPG/330px-Grauman%27s_Chinese_Theatre%2C_cecil_b._demille.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/85/Grauman%27s_Chinese_Theatre%2C_cecil_b._demille.JPG/440px-Grauman%27s_Chinese_Theatre%2C_cecil_b._demille.JPG 2x" data-file-width="2592" data-file-height="1944" /></a><figcaption>DeMille's block in the forecourt of <a href="/wiki/Grauman%27s_Chinese_Theatre" title="Grauman's Chinese Theatre">Grauman's Chinese Theatre</a>.</figcaption></figure> In August 1941, DeMille was honored with a block in the forecourt of <a href="/wiki/Grauman%27s_Chinese_Theatre" title="Grauman's Chinese Theatre">Grauman's Chinese Theatre</a>. The <a href="/wiki/American_Academy_of_Dramatic_Arts" title="American Academy of Dramatic Arts">American Academy of Dramatic Arts</a> honored DeMille with an Alumni Achievement Award in 1958.<a href="#cite_note-320">[304]</a> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Cecil_B._DeMille_receives_an_Honorary_Doctorate_degree_from_Brigham_Young_University_commencement_1957.png" class="mw-file-description"><img alt="DeMille standing at a graduation ceremony in graduation robes among others sitting and applauding" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Cecil_B._DeMille_receives_an_Honorary_Doctorate_degree_from_Brigham_Young_University_commencement_1957.png/220px-Cecil_B._DeMille_receives_an_Honorary_Doctorate_degree_from_Brigham_Young_University_commencement_1957.png" decoding="async" width="220" height="175" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Cecil_B._DeMille_receives_an_Honorary_Doctorate_degree_from_Brigham_Young_University_commencement_1957.png/330px-Cecil_B._DeMille_receives_an_Honorary_Doctorate_degree_from_Brigham_Young_University_commencement_1957.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Cecil_B._DeMille_receives_an_Honorary_Doctorate_degree_from_Brigham_Young_University_commencement_1957.png/440px-Cecil_B._DeMille_receives_an_Honorary_Doctorate_degree_from_Brigham_Young_University_commencement_1957.png 2x" data-file-width="635" data-file-height="506" /></a><figcaption>DeMille (middle, standing) receives an Honorary Doctorate degree at Brigham Young University commencement, 1957</figcaption></figure> In 1957, DeMille gave the commencement address for the graduation ceremony of <a href="/wiki/Brigham_Young_University" title="Brigham Young University">Brigham Young University</a>, wherein he received an honorary Doctorate of Letter degree.<a href="#cite_note-321">[305]</a> Additionally, in 1958, he received an honorary Doctorate of Law degree from <a href="/wiki/Temple_University" title="Temple University">Temple University</a>.<a href="#cite_note-FOOTNOTEEyman2010493-322">[306]</a> From the film industry, DeMille received the Irving G. Thalberg Memorial Award at the Academy Awards in 1953,<a href="#cite_note-FOOTNOTEPresleyVieira2014369-323">[307]</a> and a Lifetime Achievement Award from the Directors Guild of America Award the same year.<a href="#cite_note-324">[308]</a> In the same ceremony, DeMille received a nomination from Directors Guild of America Award for Outstanding Directorial Achievement in Motion Pictures for The Greatest Show on Earth.<a href="#cite_note-325">[309]</a> In 1952, DeMille was awarded the first Cecil B. DeMille Award at the <a href="/wiki/Golden_Globe" class="mw-redirect" title="Golden Globe">Golden Globes</a>. An annual award, the Golden Globe's Cecil B. DeMille Award recognizes lifetime achievement in the film industry.<a href="#cite_note-326">[310]</a><a href="#cite_note-327">[311]</a><a href="#cite_note-330">[note 17]</a> For his contribution to the motion picture and radio industry, DeMille has two stars on the <a href="/wiki/Hollywood_Walk_of_Fame" title="Hollywood Walk of Fame">Hollywood Walk of Fame</a>. The first, for radio contributions, is located at 6240 Hollywood Blvd. The second star is located at 1725 Vine Street.<a href="#cite_note-stars-184">[173]</a> DeMille received two <a href="/wiki/Academy_Awards" title="Academy Awards">Academy Awards</a>: an Honorary Award for "37 years of brilliant showmanship" in 1950<a href="#cite_note-history-331">[314]</a> and a Best Picture award in 1953 for The Greatest Show on Earth.<a href="#cite_note-FOOTNOTEPresleyVieira2014369-323">[307]</a> DeMille received a Golden Globe Award for Best Director<a href="#cite_note-332">[315]</a> and was additionally nominated for the <a href="/wiki/Academy_Award_for_Best_Director" title="Academy Award for Best Director">Best Director</a> category at the 1953 Academy Awards for the same film.<a href="#cite_note-333">[316]</a> He was further nominated in the Best Picture category for The Ten Commandments at the 1957 Academy Awards.<a href="#cite_note-334">[317]</a> DeMille's Union Pacific received a <a href="/wiki/Palme_d%27Or" title="Palme d'Or">Palme d'Or</a> in retrospect at the 2002 Cannes Film Festival.<a href="#cite_note-335">[318]</a> Two of DeMille's films have been selected for preservation in the <a href="/wiki/National_Film_Registry" title="National Film Registry">National Film Registry</a> by the United States <a href="/wiki/Library_of_Congress" title="Library of Congress">Library of Congress</a>: The Cheat (1915) and The Ten Commandments (1956).<a href="#cite_note-336">[319]</a> <div class="mw-heading mw-heading2"><h2 id="Filmography">Filmography</h2>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=23" title="Edit section: Filmography">edit</a>]</div> DeMille made 70 features,<a href="#cite_note-FOOTNOTEPresleyVieira2014371-167">[157]</a> 52 of which are <a href="/wiki/Silent_film" title="Silent film">silent</a>. The first 24 of his silents were produced during the first three years of his career (1913–1916).<a href="#cite_note-FOOTNOTELouvish2007xiv-116">[110]</a> Eight of his films were "epics" with five classified as "Biblical".<a href="#cite_note-FOOTNOTELouvish2007xiv-116">[110]</a> Six of DeMille's films — The Arab, The Wild Goose Chase, The Dream Girl, The Devil-Stone, We Can't Have Everything, and The Squaw Man (1918) — were destroyed by <a href="/wiki/Film_base#Nitrate" title="Film base">nitrate decomposition</a>, and are considered <a href="/wiki/Lost_film" title="Lost film">lost</a>.<a href="#cite_note-FOOTNOTEPresleyVieira2014404-337">[320]</a> <a href="/wiki/The_Ten_Commandments_(1956_film)" title="The Ten Commandments (1956 film)">The Ten Commandments</a> is broadcast every Saturday at <a href="/wiki/Passover" title="Passover">Passover</a> in the United States on the <a href="/wiki/ABC_Television_Network" class="mw-redirect" title="ABC Television Network">ABC Television Network</a>.<a href="#cite_note-338">[321]</a> <div class="mw-heading mw-heading3"><h3 id="Directed_features">Directed features</h3>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=24" title="Edit section: Directed features">edit</a>]</div> Filmography obtained from Fifty Hollywood Directors.<a href="#cite_note-339">[322]</a>: 21–23  Silent films <style data-mw-deduplicate="TemplateStyles:r1184024115">.mw-parser-output .div-col{margin-top:0.3em;column-width:30em}.mw-parser-output .div-col-small{font-size:90%}.mw-parser-output .div-col-rules{column-rule:1px solid #aaa}.mw-parser-output .div-col dl,.mw-parser-output .div-col ol,.mw-parser-output .div-col ul{margin-top:0}.mw-parser-output .div-col li,.mw-parser-output .div-col dd{page-break-inside:avoid;break-inside:avoid-column}</style><div class="div-col" style="column-width: 22em;"> <ul><li><a href="/wiki/The_Squaw_Man_(1914_film)" title="The Squaw Man (1914 film)">The Squaw Man</a> (1914)</li> <li><a href="/wiki/The_Call_of_the_North_(1914_film)" title="The Call of the North (1914 film)">The Call of the North</a> (1914)</li> <li><a href="/wiki/The_Virginian_(1914_film)" title="The Virginian (1914 film)">The Virginian</a> (1914)</li> <li><a href="/wiki/What%27s_His_Name" title="What's His Name">What's His Name</a> (1914)</li> <li><a href="/wiki/The_Man_from_Home_(1914_film)" title="The Man from Home (1914 film)">The Man from Home</a> (1914)</li> <li><a href="/wiki/Rose_of_the_Rancho_(1914_film)" title="Rose of the Rancho (1914 film)">Rose of the Rancho</a> (1914)</li> <li><a href="/wiki/The_Girl_of_the_Golden_West_(1915_film)" title="The Girl of the Golden West (1915 film)">The Girl of the Golden West</a> (1915)</li> <li><a href="/wiki/The_Warrens_of_Virginia_(1915_film)" title="The Warrens of Virginia (1915 film)">The Warrens of Virginia</a> (1915)</li> <li><a href="/wiki/The_Unafraid" title="The Unafraid">The Unafraid</a> (1915)</li> <li><a href="/wiki/The_Captive_(1915_film)" title="The Captive (1915 film)">The Captive</a> (1915)</li> <li><a href="/wiki/The_Wild_Goose_Chase_(1915_film)" title="The Wild Goose Chase (1915 film)">The Wild Goose Chase</a> (1915, Lost)<a href="#cite_note-FOOTNOTEBirchard200447-340">[323]</a></li> <li><a href="/wiki/The_Arab_(1915_film)" title="The Arab (1915 film)">The Arab</a> (1915, Lost)<a href="#cite_note-FOOTNOTEBirchard200450-341">[324]</a></li> <li><a href="/wiki/Chimmie_Fadden" title="Chimmie Fadden">Chimmie Fadden</a> (1915)</li> <li><a href="/wiki/Kindling_(1915_film)" title="Kindling (1915 film)">Kindling</a> (1915)</li> <li><a href="/wiki/Carmen_(1915_Cecil_B._DeMille_film)" title="Carmen (1915 Cecil B. DeMille film)">Carmen</a> (1915)</li> <li><a href="/wiki/Chimmie_Fadden_Out_West" title="Chimmie Fadden Out West">Chimmie Fadden Out West</a> (1915)</li> <li><a href="/wiki/The_Cheat_(1915_film)" title="The Cheat (1915 film)">The Cheat</a> (1915)</li> <li><a href="/wiki/Temptation_(1915_film)" title="Temptation (1915 film)">Temptation</a> (1915, Lost)<a href="#cite_note-FOOTNOTEBirchard200464-342">[325]</a></li> <li><a href="/wiki/The_Golden_Chance" title="The Golden Chance">The Golden Chance</a> (1915)</li> <li><a href="/wiki/The_Trail_of_the_Lonesome_Pine_(1916_film)" title="The Trail of the Lonesome Pine (1916 film)">The Trail of the Lonesome Pine</a> (1916)</li> <li><a href="/wiki/The_Heart_of_Nora_Flynn" title="The Heart of Nora Flynn">The Heart of Nora Flynn</a> (1916)</li> <li><a href="/wiki/Maria_Rosa_(1916_film)" title="Maria Rosa (1916 film)">Maria Rosa</a> (1916)</li> <li><a href="/wiki/The_Dream_Girl_(film)" title="The Dream Girl (film)">The Dream Girl</a> (1916, Lost)<a href="#cite_note-FOOTNOTEBirchard200483-343">[326]</a></li> <li><a href="/wiki/Joan_the_Woman" title="Joan the Woman">Joan the Woman</a> (1916)</li> <li><a href="/wiki/A_Romance_of_the_Redwoods" title="A Romance of the Redwoods">A Romance of the Redwoods</a> (1917)</li> <li><a href="/wiki/The_Little_American" title="The Little American">The Little American</a> (1917)</li> <li><a href="/wiki/The_Woman_God_Forgot" title="The Woman God Forgot">The Woman God Forgot</a> (1917)</li> <li><a href="/wiki/The_Devil-Stone" title="The Devil-Stone">The Devil-Stone</a> (1917)</li> <li><a href="/wiki/The_Whispering_Chorus" title="The Whispering Chorus">The Whispering Chorus</a> (1918)</li> <li><a href="/wiki/Old_Wives_for_New" title="Old Wives for New">Old Wives for New</a> (1918)</li> <li><a href="/wiki/We_Can%27t_Have_Everything" title="We Can't Have Everything">We Can't Have Everything</a> (1918, Lost)<a href="#cite_note-FOOTNOTEBirchard2004125-344">[327]</a></li> <li><a href="/wiki/Till_I_Come_Back_to_You" title="Till I Come Back to You">Till I Come Back to You</a> (1918)</li> <li><a href="/wiki/The_Squaw_Man_(1918_film)" title="The Squaw Man (1918 film)">The Squaw Man</a> (1918, Lost)<a href="#cite_note-FOOTNOTEBirchard2004134-345">[328]</a></li> <li><a href="/wiki/Don%27t_Change_Your_Husband" title="Don't Change Your Husband">Don't Change Your Husband</a> (1919)</li> <li><a href="/wiki/For_Better,_for_Worse_(1919_film)" title="For Better, for Worse (1919 film)">For Better, for Worse</a> (1919)</li> <li><a href="/wiki/Male_and_Female" title="Male and Female">Male and Female</a> (1919)</li> <li><a href="/wiki/Why_Change_Your_Wife%3F" title="Why Change Your Wife?">Why Change Your Wife?</a> (1920)</li> <li><a href="/wiki/Something_to_Think_About" title="Something to Think About">Something to Think About</a> (1920)</li> <li><a href="/wiki/Forbidden_Fruit_(1921_film)" title="Forbidden Fruit (1921 film)">Forbidden Fruit</a> (1921)</li> <li><a href="/wiki/The_Affairs_of_Anatol" title="The Affairs of Anatol">The Affairs of Anatol</a> (1921)</li> <li><a href="/wiki/Fool%27s_Paradise_(1921_film)" title="Fool's Paradise (1921 film)">Fool's Paradise</a> (1921)</li> <li><a href="/wiki/Saturday_Night_(1922_film)" title="Saturday Night (1922 film)">Saturday Night</a> (1922)</li> <li><a href="/wiki/Manslaughter_(1922_film)" title="Manslaughter (1922 film)">Manslaughter</a> (1922)</li> <li><a href="/wiki/Adam%27s_Rib_(1923_film)" title="Adam's Rib (1923 film)">Adam's Rib</a> (1923)</li> <li><a href="/wiki/The_Ten_Commandments_(1923_film)" title="The Ten Commandments (1923 film)">The Ten Commandments</a> (1923)</li> <li><a href="/wiki/Triumph_(1924_film)" title="Triumph (1924 film)">Triumph</a> (1924)</li> <li><a href="/wiki/Feet_of_Clay_(1924_film)" title="Feet of Clay (1924 film)">Feet of Clay</a> (1924, Lost)</li> <li><a href="/wiki/The_Golden_Bed" title="The Golden Bed">The Golden Bed</a> (1925)</li> <li><a href="/wiki/The_Road_to_Yesterday" title="The Road to Yesterday">The Road to Yesterday</a> (1925)</li> <li><a href="/wiki/The_Volga_Boatman_(1926_film)" title="The Volga Boatman (1926 film)">The Volga Boatman</a> (1926)</li> <li><a href="/wiki/The_King_of_Kings_(1927_film)" title="The King of Kings (1927 film)">The King of Kings</a> (1927)</li> <li><a href="/wiki/The_Godless_Girl" title="The Godless Girl">The Godless Girl</a> (1928)</li></ul></div> Sound films <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1184024115"><div class="div-col" style="column-width: 22em;"> <ul><li><a href="/wiki/Dynamite_(1929_film)" title="Dynamite (1929 film)">Dynamite</a> (1929)</li> <li><a href="/wiki/Madam_Satan" title="Madam Satan">Madam Satan</a> (1930)</li> <li><a href="/wiki/The_Squaw_Man_(1931_film)" title="The Squaw Man (1931 film)">The Squaw Man</a> (1931)</li> <li><a href="/wiki/The_Sign_of_the_Cross_(1932_film)" title="The Sign of the Cross (1932 film)">The Sign of the Cross</a> (1932)</li> <li><a href="/wiki/This_Day_and_Age_(film)" title="This Day and Age (film)">This Day and Age</a> (1933)</li> <li><a href="/wiki/Four_Frightened_People" title="Four Frightened People">Four Frightened People</a> (1934)</li> <li><a href="/wiki/Cleopatra_(1934_film)" title="Cleopatra (1934 film)">Cleopatra</a> (1934)</li> <li><a href="/wiki/The_Crusades_(1935_film)" title="The Crusades (1935 film)">The Crusades</a> (1935)</li> <li><a href="/wiki/The_Plainsman" title="The Plainsman">The Plainsman</a> (1936)</li> <li><a href="/wiki/The_Buccaneer_(1938_film)" title="The Buccaneer (1938 film)">The Buccaneer</a> (1938)</li> <li><a href="/wiki/Union_Pacific_(film)" title="Union Pacific (film)">Union Pacific</a> (1939)</li> <li><a href="/wiki/North_West_Mounted_Police_(film)" title="North West Mounted Police (film)">North West Mounted Police</a> (1940)</li> <li><a href="/wiki/Reap_the_Wild_Wind" title="Reap the Wild Wind">Reap the Wild Wind</a> (1942)</li> <li><a href="/wiki/The_Story_of_Dr._Wassell" title="The Story of Dr. Wassell">The Story of Dr. Wassell</a> (1944)</li> <li><a href="/wiki/Unconquered_(1947_film)" title="Unconquered (1947 film)">Unconquered</a> (1947)</li> <li><a href="/wiki/Samson_and_Delilah_(1949_film)" title="Samson and Delilah (1949 film)">Samson and Delilah</a> (1949)</li> <li><a href="/wiki/The_Greatest_Show_on_Earth_(film)" title="The Greatest Show on Earth (film)">The Greatest Show on Earth</a> (1952)</li> <li><a href="/wiki/The_Ten_Commandments_(1956_film)" title="The Ten Commandments (1956 film)">The Ten Commandments</a> (1956)</li></ul></div> <div class="mw-heading mw-heading3"><h3 id="Directing_or_producing_credit">Directing or producing credit</h3>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=25" title="Edit section: Directing or producing credit">edit</a>]</div> These films represent those which DeMille produced or assisted in directing, credited or uncredited. <ul><li><a href="/wiki/Brewster%27s_Millions_(1914_film)" title="Brewster's Millions (1914 film)">Brewster's Millions</a> (1914, lost)<a href="#cite_note-346">[329]</a></li> <li><a href="/wiki/The_Master_Mind_(1914_film)" title="The Master Mind (1914 film)">The Master Mind</a> (1914)</li> <li><a href="/wiki/The_Only_Son_(1914_film)" title="The Only Son (1914 film)">The Only Son</a> (1914, lost)<a href="#cite_note-347">[330]</a></li> <li><a href="/wiki/The_Man_on_the_Box" title="The Man on the Box">The Man on the Box</a> (1914)</li> <li><a href="/wiki/The_Ghost_Breaker_(1914_film)" title="The Ghost Breaker (1914 film)">The Ghost Breaker</a> (1914, lost)<a href="#cite_note-FOOTNOTESoisterNicolella2012219-348">[331]</a></li> <li><a href="/wiki/After_Five" title="After Five">After Five</a> (1915)<a href="#cite_note-FOOTNOTEAmerican_Film_Institute199714-349">[332]</a></li> <li><a href="/wiki/Nan_of_Music_Mountain" title="Nan of Music Mountain">Nan of Music Mountain</a> (1917)<a href="#cite_note-FOOTNOTEBirchard2004369-350">[333]</a></li> <li><a href="/wiki/Chicago_(1927_film)" title="Chicago (1927 film)">Chicago</a> (1927, Producer)[<a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed">citation needed</a>]</li> <li><a href="/wiki/When_Worlds_Collide_(1951_film)" title="When Worlds Collide (1951 film)">When Worlds Collide</a> (1951, executive producer)<a href="#cite_note-351">[334]</a></li> <li><a href="/wiki/The_War_of_the_Worlds_(1953_film)" title="The War of the Worlds (1953 film)">The War of the Worlds</a> (1953, executive producer)<a href="#cite_note-352">[335]</a></li> <li><a href="/wiki/The_Buccaneer_(1958_film)" title="The Buccaneer (1958 film)">The Buccaneer</a> (1958, producer)<a href="#cite_note-FOOTNOTEBirchard2004370-353">[336]</a></li></ul> <div class="mw-heading mw-heading3"><h3 id="Acting_and_cameos">Acting and cameos</h3>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=26" title="Edit section: Acting and cameos">edit</a>]</div> DeMille frequently made cameos as himself in other Paramount films. Additionally, he often starred in prologues and special trailers that he created for his films, having an opportunity to personally address the audience.<a href="#cite_note-FOOTNOTERinggoldBodeen196912-354">[337]</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1184024115"><div class="div-col"> <ul><li><a href="/wiki/The_Squaw_Man_(1914_film)" title="The Squaw Man (1914 film)">The Squaw Man</a> (1914) as Faro Dealer (uncredited)<a href="#cite_note-FOOTNOTEEyman20103-355">[338]</a></li> <li><a href="/wiki/Hollywood_(1923_film)" title="Hollywood (1923 film)">Hollywood</a> (1923) as Himself<a href="#cite_note-FOOTNOTEEdmondsMimura1980121-356">[339]</a></li> <li><a href="/wiki/Free_and_Easy_(1930_film)" title="Free and Easy (1930 film)">Free and Easy</a> (1930) as Himself<a href="#cite_note-FOOTNOTEMaltin2009492-357">[340]</a></li> <li>Estrellados (1930) as Himself (Guest Appearance)<a href="#cite_note-FOOTNOTEAmerican_Film_Institute1997318-358">[341]</a></li> <li><a href="/wiki/Madam_Satan" title="Madam Satan">Madam Satan</a> (1930) as Radio Newscaster (voice, uncredited)<a href="#cite_note-FOOTNOTEEyman2010275-359">[342]</a></li> <li><a href="/wiki/The_Last_Train_from_Madrid" title="The Last Train from Madrid">The Last Train from Madrid</a> (1937) as Crowd Member (uncredited)<a href="#cite_note-360">[343]</a></li> <li><a href="/wiki/North_West_Mounted_Police_(film)" title="North West Mounted Police (film)">North West Mounted Police</a> (1940) as Narrator (voice, uncredited)<a href="#cite_note-FOOTNOTELyon1984125-361">[344]</a></li> <li><a href="/wiki/Glamour_Boy_(film)" title="Glamour Boy (film)">Glamour Boy</a> (1941) as Movie Director (uncredited)<a href="#cite_note-FOOTNOTEBirchard2004374-283">[270]</a></li> <li><a href="/wiki/Reap_the_Wild_Wind" title="Reap the Wild Wind">Reap the Wild Wind</a> (1942) as Prologue Speaker (voice, uncredited)<a href="#cite_note-FOOTNOTELyon1984125-361">[344]</a></li> <li><a href="/wiki/Star_Spangled_Rhythm" title="Star Spangled Rhythm">Star Spangled Rhythm</a> (1942) as Himself<a href="#cite_note-362">[345]</a></li> <li><a href="/wiki/The_Story_of_Dr._Wassell" title="The Story of Dr. Wassell">The Story of Dr. Wassell</a> (1944) as Narrator (uncredited)<a href="#cite_note-FOOTNOTEBirchard2004375-363">[346]</a></li> <li><a href="/wiki/Variety_Girl" title="Variety Girl">Variety Girl</a> (1947) as Himself<a href="#cite_note-364">[347]</a></li> <li><a href="/wiki/Unconquered_(1947_film)" title="Unconquered (1947 film)">Unconquered</a> (1947) as Narrator (uncredited)<a href="#cite_note-365">[348]</a></li> <li><a href="/wiki/Jens_Mansson_in_America" title="Jens Mansson in America">Jens Mansson in America</a> (1947) as Himself<a href="#cite_note-FOOTNOTEBirchard2004374-283">[270]</a></li> <li><a href="/wiki/Samson_and_Delilah_(1949_film)" title="Samson and Delilah (1949 film)">Samson and Delilah</a> (1949) as Narrator (uncredited)<a href="#cite_note-366">[349]</a></li> <li><a href="/wiki/Sunset_Boulevard_(film)" title="Sunset Boulevard (film)">Sunset Boulevard</a> (1950) as Himself<a href="#cite_note-367">[350]</a></li> <li><a href="/wiki/The_Greatest_Show_on_Earth_(film)" title="The Greatest Show on Earth (film)">The Greatest Show on Earth</a> (1952) as Narrator (voice, uncredited)<a href="#cite_note-FOOTNOTELyon1984125-361">[344]</a></li> <li><a href="/wiki/Son_of_Paleface" title="Son of Paleface">Son of Paleface</a> (1952) as Photographer (uncredited)<a href="#cite_note-FOOTNOTELyon1984126-368">[351]</a></li> <li><a href="/wiki/The_Ten_Commandments_(1956_film)" title="The Ten Commandments (1956 film)">The Ten Commandments</a> (1956) as Himself (film introduction) and Narrator (uncredited)<a href="#cite_note-369">[352]</a></li> <li><a href="/wiki/The_Buster_Keaton_Story" title="The Buster Keaton Story">The Buster Keaton Story</a> (1957) as Himself<a href="#cite_note-FOOTNOTEBirchard2004376-370">[353]</a></li> <li><a href="/wiki/The_Buccaneer_(1958_film)" title="The Buccaneer (1958 film)">The Buccaneer</a> (1958) as Himself - Prologue (uncredited) (final film role)<a href="#cite_note-FOOTNOTELyon1984125-361">[344]</a></li></ul></div> <div class="mw-heading mw-heading2"><h2 id="Explanatory_notes">Explanatory notes</h2>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=27" title="Edit section: Explanatory notes">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-6"><a href="#cite_ref-6">^</a> There are several variants of DeMille's surname. His family's <a href="/wiki/Dutch_people" title="Dutch people">Dutch</a> surname, originally spelled de Mil, became de Mille when William deMille (Cecil's grandfather) added an "e" for "visual symmetry".<a href="#cite_note-FOOTNOTEEyman201015-3">[3]</a> As an adult, he adopted the spelling DeMille because he believed it would look better on a marquee, but continued to use de Mille in private life.<a href="#cite_note-4">[4]</a> The family name de Mille was used by his children Cecilia, John, Richard, and Katherine. DeMille's brother, William, and his daughters, Margaret and Agnes, as well as DeMille's granddaughter, Cecilia de Mille Presley, also used the de Mille spelling.<a href="#cite_note-5">[5]</a> </li> <li id="cite_note-27"><a href="#cite_ref-27">^</a> DeMille's niece and William deMille's daughter <a href="/wiki/Agnes_de_Mille" title="Agnes de Mille">Agnes de Mille</a> was a famed dancer-choreographer.<a href="#cite_note-26">[25]</a> </li> <li id="cite_note-83"><a href="#cite_ref-83">^</a> Unlike the other children the DeMille's adopted, John was never told about his birth parents.<a href="#cite_note-FOOTNOTEEyman201099-82">[80]</a> </li> <li id="cite_note-92"><a href="#cite_ref-92">^</a> DeMille liked to sail and dive; he had several boats throughout his lifetime. He donated The Seaward, his most cherished boat, to the merchant marine for service during World War II. The boat was returned to him destroyed. DeMille gave up the boat and never bought another one.<a href="#cite_note-FOOTNOTEEyman2010370-91">[88]</a> </li> <li id="cite_note-101"><a href="#cite_ref-101">^</a> Katherine's father had been killed in <a href="/wiki/World_War_I" title="World War I">World War I</a> and her mother had died of <a href="/wiki/Tuberculosis" title="Tuberculosis">tuberculosis</a>.<a href="#cite_note-99">[95]</a> To DeMille's dismay, Katherine became an actress; however, she ultimately gained his approval. In 1936 she married actor Anthony Quinn.<a href="#cite_note-100">[96]</a> </li> <li id="cite_note-106"><a href="#cite_ref-106">^</a> After the death of William deMille, DeMille revealed to Richard DeMille that William was his father and he had been born to William and a mistress. DeMille had adopted him to avoid revealing the affairs to William's wife. The mistress could not keep the boy due to her tuberculosis.<a href="#cite_note-FOOTNOTELouvish200790,_206-207-102">[97]</a> DeMille became a notable psychiatrist, filmmaker and writer.<a href="#cite_note-103">[98]</a><a href="#cite_note-104">[99]</a><a href="#cite_note-obit-105">[100]</a> </li> <li id="cite_note-143"><a href="#cite_ref-143">^</a> Frequent actors and actresses on the show included Barbara Stanwyck, Claudette Colbert, Loretta Young, Don Ameche, and Fred MacMurray.<a href="#cite_note-FOOTNOTERinggoldBodeen1969369-142">[136]</a> </li> <li id="cite_note-149"><a href="#cite_ref-149">^</a> The project was later completed by DeMille's former assistant director <a href="/wiki/Sam_Wood" title="Sam Wood">Sam Wood</a> who was notoriously anti-communist.<a href="#cite_note-FOOTNOTEEyman2010337–338-148">[141]</a> </li> <li id="cite_note-153"><a href="#cite_ref-153">^</a> DeMille claimed that MacPherson was not a good writer, but she received credit in his films because she gave him many ideas for the screenplays.<a href="#cite_note-FOOTNOTEEyman201096–97-152">[144]</a> </li> <li id="cite_note-157"><a href="#cite_ref-157">^</a> The gathering drew 93,000, with short speeches by <a href="/wiki/Hedda_Hopper" title="Hedda Hopper">Hedda Hopper</a> and <a href="/wiki/Walt_Disney" title="Walt Disney">Walt Disney</a>. Among those in attendance were <a href="/wiki/Ann_Sothern" title="Ann Sothern">Ann Sothern</a>, <a href="/wiki/Ginger_Rogers" title="Ginger Rogers">Ginger Rogers</a>, <a href="/wiki/Randolph_Scott" title="Randolph Scott">Randolph Scott</a>, <a href="/wiki/Adolphe_Menjou" title="Adolphe Menjou">Adolphe Menjou</a>, <a href="/wiki/Gary_Cooper" title="Gary Cooper">Gary Cooper</a>, and <a href="/wiki/Walter_Pidgeon" title="Walter Pidgeon">Walter Pidgeon</a>. Though the rally drew a good response, most Hollywood celebrities who took a public position sided with the <a href="/wiki/Franklin_Roosevelt" class="mw-redirect" title="Franklin Roosevelt">Roosevelt</a>-<a href="/wiki/Harry_Truman" class="mw-redirect" title="Harry Truman">Truman</a> ticket.<a href="#cite_note-David_M._Jordan_2011_pp._231-232-156">[147]</a> </li> <li id="cite_note-179"><a href="#cite_ref-179">^</a> While the film was a huge success, DeMille regretted that he could not share the success with his wife who had developed <a href="/wiki/Alzheimer%27s_disease" title="Alzheimer's disease">Alzheimer's disease</a>.<a href="#cite_note-FOOTNOTEPresleyVieira2014387-178">[168]</a> </li> <li id="cite_note-192"><a href="#cite_ref-192">^</a> The estate cycled through several different homeowners for the next 30 years until it was bought by American actress <a href="/wiki/Angelina_Jolie" title="Angelina Jolie">Angelina Jolie</a> in 2017 for nearly $25 million.<a href="#cite_note-jolie-188">[177]</a> </li> <li id="cite_note-224"><a href="#cite_ref-224">^</a> Further illustrated by his home life, DeMille required formality and politeness at home. Sons-and daughters-in-law were required to call him "Mr. DeMille", and Richard deMille never recalled hugging his father, claiming he received handshakes instead.<a href="#cite_note-FOOTNOTEEyman2010369-223">[211]</a> </li> <li id="cite_note-292"><a href="#cite_ref-292">^</a> DeMille had considered making the film himself. He bought the rights to the novel in 1925 but abandoned the project in pre-production.<a href="#cite_note-291">[278]</a> </li> <li id="cite_note-302"><a href="#cite_ref-302">^</a> In the 1950s, Paramount sold its entire pre-1948 film library, including those of DeMille, to <a href="/wiki/EMKA" class="mw-redirect" title="EMKA">EMKA</a>. Consequently, most of DeMille's pre-1948 films no longer belong to Paramount.<a href="#cite_note-301">[287]</a> </li> <li id="cite_note-308"><a href="#cite_ref-308">^</a> The set was discovered by Peter Brosnan after hearing a rumor in 1982 that DeMille had ordered the enormous set to be buried after filming rather than taken away. A documentary titled The Lost City of Cecil B. DeMille follows the story of Brosnan's 30-year journey to find and uncover the set.<a href="#cite_note-307">[292]</a> </li> <li id="cite_note-330"><a href="#cite_ref-330">^</a> Later recipients of the award include <a href="/wiki/Kirk_Douglas" title="Kirk Douglas">Kirk Douglas</a>, <a href="/wiki/Robert_Redford" title="Robert Redford">Robert Redford</a>, <a href="/wiki/Lauren_Bacall" title="Lauren Bacall">Lauren Bacall</a>.<a href="#cite_note-328">[312]</a> <a href="/wiki/Jeff_Bridges" title="Jeff Bridges">Jeff Bridges</a> was the 2019 Cecil B. DeMille Award winner.<a href="#cite_note-329">[313]</a> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="Citations">Citations</h2>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=28" title="Edit section: Citations">edit</a>]</div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist reflist-columns references-column-width" style="column-width: 20em;"> <ol class="references"> <li id="cite_note-1"><a href="#cite_ref-1">^</a> <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20210726023303/https://www.masonrytoday.com/index.php?new_month=8&new_day=12&new_year=2014">"TODAY in Masonic History"</a>. Archived from <a rel="nofollow" class="external text" href="https://www.masonrytoday.com/index.php?new_month=8&new_day=12&new_year=2014">the original</a> on July 26, 2021. Retrieved April 11, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=TODAY+in+Masonic+History&rft_id=https%3A%2F%2Fwww.masonrytoday.com%2Findex.php%3Fnew_month%3D8%26new_day%3D12%26new_year%3D2014&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"> </li> <li id="cite_note-2"><a href="#cite_ref-2">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20131110010123/http://www.nymasons.org/about-freemasonry/famous-masons-i.html">"Famous Masons I: Dreamers and Doers: Cecil B. DeMille"</a>. Archived from <a rel="nofollow" class="external text" href="http://www.nymasons.org/about-freemasonry/famous-masons-i.html">the original</a> on November 10, 2013. Retrieved April 11, 2024.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Famous+Masons+I%3A+Dreamers+and+Doers%3A+Cecil+B.+DeMille&rft_id=http%3A%2F%2Fwww.nymasons.org%2Fabout-freemasonry%2Ffamous-masons-i.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"> </li> <li id="cite_note-FOOTNOTEEyman201015-3"><a href="#cite_ref-FOOTNOTEEyman201015_3-0">^</a> <a href="#CITEREFEyman2010">Eyman 2010</a>, p. 15. </li> <li id="cite_note-4"><a href="#cite_ref-4">^</a> <a href="#CITEREFPresleyVieira2014">Presley & Vieira 2014</a>, p. 18; <a href="#CITEREFEyman2010">Eyman 2010</a>, p. 15 </li> <li id="cite_note-5"><a href="#cite_ref-5">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDeMille1959" class="citation book cs1">DeMille, Cecil B. (1959). <a rel="nofollow" class="external text" href="https://archive.org/stream/autobiographyofc006995mbp/autobiographyofc006995mbp_djvu.txt">Autobiography of Cecil B. DeMille</a>. New York: <a href="/wiki/Prentice_Hall" title="Prentice Hall">Prentice Hall</a> – via archive.org.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Autobiography+of+Cecil+B.+DeMille&rft.place=New+York&rft.pub=Prentice+Hall&rft.date=1959&rft.aulast=DeMille&rft.aufirst=Cecil+B.&rft_id=https%3A%2F%2Farchive.org%2Fstream%2Fautobiographyofc006995mbp%2Fautobiographyofc006995mbp_djvu.txt&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"> </li> <li id="cite_note-FOOTNOTEEyman201018-7">^ <a href="#cite_ref-FOOTNOTEEyman201018_7-0">a</a> <a href="#cite_ref-FOOTNOTEEyman201018_7-1">b</a> <a href="#CITEREFEyman2010">Eyman 2010</a>, p. 18. </li> <li id="cite_note-FOOTNOTELouvish20076-8"><a href="#cite_ref-FOOTNOTELouvish20076_8-0">^</a> <a href="#CITEREFLouvish2007">Louvish 2007</a>, p. 6. </li> <li id="cite_note-9"><a href="#cite_ref-9">^</a> <a href="#CITEREFEyman2010">Eyman 2010</a>, pp. 15–17, 30, 206; <a href="#CITEREFLouvish2007">Louvish 2007</a>, p. 465 </li> <li id="cite_note-FOOTNOTEEyman201017-10"><a href="#cite_ref-FOOTNOTEEyman201017_10-0">^</a> <a href="#CITEREFEyman2010">Eyman 2010</a>, p. 17. </li> <li id="cite_note-FOOTNOTEEyman201015–21-11"><a href="#cite_ref-FOOTNOTEEyman201015–21_11-0">^</a> <a href="#CITEREFEyman2010">Eyman 2010</a>, pp. 15–21. </li> <li id="cite_note-FOOTNOTERinggoldBodeen19691-12">^ <a href="#cite_ref-FOOTNOTERinggoldBodeen19691_12-0">a</a> <a href="#cite_ref-FOOTNOTERinggoldBodeen19691_12-1">b</a> <a href="#cite_ref-FOOTNOTERinggoldBodeen19691_12-2">c</a> <a href="#CITEREFRinggoldBodeen1969">Ringgold & Bodeen 1969</a>, p. 1. </li> <li id="cite_note-FOOTNOTEEyman201023-13"><a href="#cite_ref-FOOTNOTEEyman201023_13-0">^</a> <a href="#CITEREFEyman2010">Eyman 2010</a>, p. 23. </li> <li id="cite_note-FOOTNOTEEyman201022-14"><a href="#cite_ref-FOOTNOTEEyman201022_14-0">^</a> <a href="#CITEREFEyman2010">Eyman 2010</a>, p. 22. </li> <li id="cite_note-15"><a href="#cite_ref-15">^</a> <a href="#CITEREFLouvish2007">Louvish 2007</a>, p. 3;<a href="#CITEREFPresleyVieira2014">Presley & Vieira 2014</a>, p. 18; <a href="#CITEREFEyman2010">Eyman 2010</a>, pp. 15–17, 138 </li> <li id="cite_note-Easton-16"><a href="#cite_ref-Easton_16-0">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEaston1996" class="citation book cs1">Easton, Carol (1996). 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Jefferson, NC: McFarland & Company Inc. p. 6. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781476634807" title="Special:BookSources/9781476634807"><bdi>9781476634807</bdi></a>. 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Jefferson, NC: McFarland & Company. p. 228. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780786443635" title="Special:BookSources/9780786443635"><bdi>9780786443635</bdi></a>. Retrieved May 22, 2019.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Evelyn+Brent%3A+The+Life+and+Films+of+Hollywood%27s+Lady+Crook&rft.place=Jefferson%2C+NC&rft.pages=228&rft.pub=McFarland+%26+Company&rft.date=2009&rft.isbn=9780786443635&rft.aulast=Kear&rft.aufirst=Lynn&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DP_ODoCwz2EsC%26q%3D%2522the%2Blast%2Btrain%2Bfrom%2Bmadrid%2522%2Bcecil%2Bb%2Bdemille%26pg%3DPA228&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"> </li> <li id="cite_note-FOOTNOTELyon1984125-361">^ <a href="#cite_ref-FOOTNOTELyon1984125_361-0">a</a> <a href="#cite_ref-FOOTNOTELyon1984125_361-1">b</a> <a href="#cite_ref-FOOTNOTELyon1984125_361-2">c</a> <a href="#cite_ref-FOOTNOTELyon1984125_361-3">d</a> <a href="#CITEREFLyon1984">Lyon 1984</a>, p. 125. </li> <li id="cite_note-362"><a href="#cite_ref-362">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCrowther1942" class="citation news cs1"><a href="/wiki/Bosley_Crowther" title="Bosley Crowther">Crowther, Bosley</a> (December 31, 1942). <a rel="nofollow" class="external text" href="https://www.nytimes.com/1942/12/31/archives/starspangled-rhythm-bulky-allstar-variety-show-makes-its-premiere.html">"'Star-Spangled Rhythm,' Bulky All-Star Variety Show, Makes Its Premiere Appearance at the Paramount Theatre"</a>. The New York Times. Retrieved May 22, 2019.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=%27Star-Spangled+Rhythm%2C%27+Bulky+All-Star+Variety+Show%2C+Makes+Its+Premiere+Appearance+at+the+Paramount+Theatre&rft.date=1942-12-31&rft.aulast=Crowther&rft.aufirst=Bosley&rft_id=https%3A%2F%2Fwww.nytimes.com%2F1942%2F12%2F31%2Farchives%2Fstarspangled-rhythm-bulky-allstar-variety-show-makes-its-premiere.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBirchard2004375-363"><a href="#cite_ref-FOOTNOTEBirchard2004375_363-0">^</a> <a href="#CITEREFBirchard2004">Birchard 2004</a>, p. 375. </li> <li id="cite_note-364"><a href="#cite_ref-364">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFT.M.P.1947" class="citation news cs1">T.M.P. 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(1994). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=940-CgAAQBAJ&q=unconquered+cecil+b+demille+narrator&pg=PA478">Film Quotations: 11,000 Lines Spoken on Screen, Arranged by Subject, and Indexed</a>. Jefferson, NC: McFarland & Company. p. 478. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780786474066" title="Special:BookSources/9780786474066"><bdi>9780786474066</bdi></a>. 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Life. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20170202135210/http://time.com/4636897/photographs-1949-sunset-boulevard/">Archived</a> from the original on February 2, 2017. Retrieved May 22, 2019.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Life&rft.atitle=Rare+1949+Photographs+Show+the+Making+of+%27Sunset+Boulevard%27&rft.date=2017-02-02&rft.aulast=Rothman&rft.aufirst=Lily&rft.au=Ronk%2C+Liz&rft_id=https%3A%2F%2Ftime.com%2F4636897%2Fphotographs-1949-sunset-boulevard%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"> </li> <li id="cite_note-FOOTNOTELyon1984126-368"><a href="#cite_ref-FOOTNOTELyon1984126_368-0">^</a> <a href="#CITEREFLyon1984">Lyon 1984</a>, p. 126. </li> <li id="cite_note-369"><a href="#cite_ref-369">^</a> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCrowther1956" class="citation news cs1">Crowther, Bosley (November 9, 1956). <a rel="nofollow" class="external text" href="https://www.nytimes.com/1956/11/09/archives/screen-the-ten-commandments-de-milles-production-opens-at-criterion.html">"Screen: 'The Ten Commandments'; De Mille's Production Opens at Criterion The Cast"</a>. The New York Times. Retrieved May 22, 2019.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Screen%3A+%27The+Ten+Commandments%27%3B+De+Mille%27s+Production+Opens+at+Criterion+The+Cast&rft.date=1956-11-09&rft.aulast=Crowther&rft.aufirst=Bosley&rft_id=https%3A%2F%2Fwww.nytimes.com%2F1956%2F11%2F09%2Farchives%2Fscreen-the-ten-commandments-de-milles-production-opens-at-criterion.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"> </li> <li id="cite_note-FOOTNOTEBirchard2004376-370"><a href="#cite_ref-FOOTNOTEBirchard2004376_370-0">^</a> <a href="#CITEREFBirchard2004">Birchard 2004</a>, p. 376. </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="General_sources">General sources</h2>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=29" title="Edit section: General sources">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin" style=""> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAbel2005" class="citation book cs1">Abel, Richard, ed. (2005). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=hFxwX-dM008C&q=Lasky+Feature+Play+company+July+1913&pg=PA229">Encyclopedia of Early Cinema</a>. London: Routledge. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0415234405" title="Special:BookSources/978-0415234405"><bdi>978-0415234405</bdi></a>. Retrieved May 22, 2019.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Encyclopedia+of+Early+Cinema&rft.place=London&rft.pub=Routledge&rft.date=2005&rft.isbn=978-0415234405&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DhFxwX-dM008C%26q%3DLasky%2BFeature%2BPlay%2Bcompany%2BJuly%2B1913%26pg%3DPA229&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAmerican_Film_Institute1997" class="citation book cs1">American Film Institute (1997). Gevinson, Alan (ed.). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=bsoUXGZSxZcC&q=cecil+b+demille+%22after+five%22+film&pg=PA14">Within Our Gates: Ethnicity in American Feature Film, 1911–1960</a>. Berkeley: University of California Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0520209640" title="Special:BookSources/978-0520209640"><bdi>978-0520209640</bdi></a>. Retrieved May 21, 2019.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Within+Our+Gates%3A+Ethnicity+in+American+Feature+Film%2C+1911%E2%80%931960&rft.place=Berkeley&rft.pub=University+of+California+Press&rft.date=1997&rft.isbn=978-0520209640&rft.au=American+Film+Institute&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DbsoUXGZSxZcC%26q%3Dcecil%2Bb%2Bdemille%2B%2522after%2Bfive%2522%2Bfilm%26pg%3DPA14&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBirchard2004" class="citation book cs1">Birchard, Robert S. (2004). Cecil B. DeMille's Hollywood. University Press of Kentucky. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0813123240" title="Special:BookSources/978-0813123240"><bdi>978-0813123240</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Cecil+B.+DeMille%27s+Hollywood&rft.pub=University+Press+of+Kentucky&rft.date=2004&rft.isbn=978-0813123240&rft.aulast=Birchard&rft.aufirst=Robert+S.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBlanke2018" class="citation book cs1">Blanke, David (2018). Cecil B. DeMille, Classical Hollywood, and Modern American Mass Culture. London: Palgrave Macmillan. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1007%2F978-3-319-76986-8">10.1007/978-3-319-76986-8</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-3319769868" title="Special:BookSources/978-3319769868"><bdi>978-3319769868</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Cecil+B.+DeMille%2C+Classical+Hollywood%2C+and+Modern+American+Mass+Culture&rft.place=London&rft.pub=Palgrave+Macmillan&rft.date=2018&rft_id=info%3Adoi%2F10.1007%2F978-3-319-76986-8&rft.isbn=978-3319769868&rft.aulast=Blanke&rft.aufirst=David&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDick2001" class="citation book cs1">Dick, Bernard F. (2001). Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood. Lexington: University Press of Kentucky. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0813122021" title="Special:BookSources/978-0813122021"><bdi>978-0813122021</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Engulfed%3A+The+Death+of+Paramount+Pictures+and+the+Birth+of+Corporate+Hollywood&rft.place=Lexington&rft.pub=University+Press+of+Kentucky&rft.date=2001&rft.isbn=978-0813122021&rft.aulast=Dick&rft.aufirst=Bernard+F.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDoherty1999" class="citation book cs1">Doherty, Thomas (1999). <a rel="nofollow" class="external text" href="https://archive.org/details/precodehollywood0000dohe">Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930–1934</a>. New York: Columbia University Press. p. <a rel="nofollow" class="external text" href="https://archive.org/details/precodehollywood0000dohe/page/26">26</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0231110952" title="Special:BookSources/0231110952"><bdi>0231110952</bdi></a>. Retrieved June 20, 2019. <q>demille madam satan destruction of an airship.</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Pre-Code+Hollywood%3A+Sex%2C+Immorality%2C+and+Insurrection+in+American+Cinema%2C+1930%E2%80%931934&rft.place=New+York&rft.pages=26&rft.pub=Columbia+University+Press&rft.date=1999&rft.isbn=0231110952&rft.aulast=Doherty&rft.aufirst=Thomas&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fprecodehollywood0000dohe&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEames1985" class="citation book cs1">Eames, John Douglas (1985). The Paramount Story. New York: Crown Publishers, Inc. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0517553481" title="Special:BookSources/0517553481"><bdi>0517553481</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Paramount+Story&rft.place=New+York&rft.pub=Crown+Publishers%2C+Inc&rft.date=1985&rft.isbn=0517553481&rft.aulast=Eames&rft.aufirst=John+Douglas&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEdmondsMimura1980" class="citation book cs1">Edmonds, I.G.; Mimura, Reiko (1980). Paramount Pictures and the People Who Made Them. San Diego: A.S. Barnes & Company, Inc. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0498023224" title="Special:BookSources/978-0498023224"><bdi>978-0498023224</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Paramount+Pictures+and+the+People+Who+Made+Them&rft.place=San+Diego&rft.pub=A.S.+Barnes+%26+Company%2C+Inc.&rft.date=1980&rft.isbn=978-0498023224&rft.aulast=Edmonds&rft.aufirst=I.G.&rft.au=Mimura%2C+Reiko&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFEyman2010" class="citation book cs1">Eyman, Scott (2010). <a rel="nofollow" class="external text" href="https://archive.org/details/empireofdreamsep00eyma">Empire of Dreams: The Epic Life of Cecil B. DeMille</a>. New York: Simon & Schuster. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0743289559" title="Special:BookSources/978-0743289559"><bdi>978-0743289559</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Empire+of+Dreams%3A+The+Epic+Life+of+Cecil+B.+DeMille&rft.place=New+York&rft.pub=Simon+%26+Schuster&rft.date=2010&rft.isbn=978-0743289559&rft.aulast=Eyman&rft.aufirst=Scott&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fempireofdreamsep00eyma&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHigashi1994" class="citation book cs1">Higashi, Sumiko (1994). <a rel="nofollow" class="external text" href="https://archive.org/details/cecilbdemilleame0000higa">Cecil B. DeMille and American Culture: The Silent Era</a>. Berkeley: University of California Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0520085574" title="Special:BookSources/0520085574"><bdi>0520085574</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Cecil+B.+DeMille+and+American+Culture%3A+The+Silent+Era&rft.place=Berkeley&rft.pub=University+of+California+Press&rft.date=1994&rft.isbn=0520085574&rft.aulast=Higashi&rft.aufirst=Sumiko&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fcecilbdemilleame0000higa&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHighman1973" class="citation book cs1">Highman, Charles (1973). Cecil B. DeMille. New York: Da Capo Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0306801310" title="Special:BookSources/0306801310"><bdi>0306801310</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Cecil+B.+DeMille&rft.place=New+York&rft.pub=Da+Capo+Press&rft.date=1973&rft.isbn=0306801310&rft.aulast=Highman&rft.aufirst=Charles&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKing2007" class="citation book cs1">King, Elliot H. (2007). <a rel="nofollow" class="external text" href="https://archive.org/details/dalsurrealismcin0000king">Dalí, Surrealism and Cinema</a>. Harpenden, UK: Kamera Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1904048909" title="Special:BookSources/978-1904048909"><bdi>978-1904048909</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Dal%C3%AD%2C+Surrealism+and+Cinema&rft.place=Harpenden%2C+UK&rft.pub=Kamera+Books&rft.date=2007&rft.isbn=978-1904048909&rft.aulast=King&rft.aufirst=Elliot+H.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fdalsurrealismcin0000king&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"> <a href="/wiki/Open_access#Free_access" title="Free to read"><img alt="Free access icon" src="//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png" decoding="async" width="9" height="14" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/14px-Lock-green.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/18px-Lock-green.svg.png 2x" data-file-width="512" data-file-height="813" /></a></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLouvish2007" class="citation book cs1">Louvish, Simon (2007). <a rel="nofollow" class="external text" href="https://archive.org/details/cecilbdemillelif00louv">Cecil B. DeMille: A Life in Art</a>. New York: Thomas Dunne Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0312377335" title="Special:BookSources/978-0312377335"><bdi>978-0312377335</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Cecil+B.+DeMille%3A+A+Life+in+Art&rft.place=New+York&rft.pub=Thomas+Dunne+Books&rft.date=2007&rft.isbn=978-0312377335&rft.aulast=Louvish&rft.aufirst=Simon&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fcecilbdemillelif00louv&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLyon1984" class="citation book cs1">Lyon, Christopher, ed. (1984). The International Dictionary of Films and Filmmakers: Directors/Filmmakers (Volume II). Chicago: St. James Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0912289052" title="Special:BookSources/978-0912289052"><bdi>978-0912289052</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+International+Dictionary+of+Films+and+Filmmakers%3A+Directors%2FFilmmakers+%28Volume+II%29&rft.place=Chicago&rft.pub=St.+James+Press&rft.date=1984&rft.isbn=978-0912289052&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"></li> <li>Orrison, Katherine. Written in Stone: Making Cecil B. DeMille's Epic, The Ten Commandments. New York: Vestal Press, 1990. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/187951124X" title="Special:BookSources/187951124X">187951124X</a>.</li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMaltin2009" class="citation book cs1">Maltin, Leonard, ed. (2009). <a rel="nofollow" class="external text" href="https://archive.org/details/isbn_9780452289789">Leonard Maltin's 2009 Movie Guide</a>. New York: Plume. p. <a rel="nofollow" class="external text" href="https://archive.org/details/isbn_9780452289789/page/492">492</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0452289789" title="Special:BookSources/978-0452289789"><bdi>978-0452289789</bdi></a>. Retrieved May 22, 2019. <q>free and easy film.</q></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Leonard+Maltin%27s+2009+Movie+Guide&rft.place=New+York&rft.pages=492&rft.pub=Plume&rft.date=2009&rft.isbn=978-0452289789&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fisbn_9780452289789&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPresleyVieira2014" class="citation book cs1">Presley, Cecilia DeMille; Vieira, Mark A. (2014). Cecil B. DeMille: The Art of Hollywood Epic. Philadelphia: Running Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0762454907" title="Special:BookSources/978-0762454907"><bdi>978-0762454907</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Cecil+B.+DeMille%3A+The+Art+of+Hollywood+Epic&rft.place=Philadelphia&rft.pub=Running+Press&rft.date=2014&rft.isbn=978-0762454907&rft.aulast=Presley&rft.aufirst=Cecilia+DeMille&rft.au=Vieira%2C+Mark+A.&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFRinggoldBodeen1969" class="citation book cs1">Ringgold, Gene; Bodeen, DeWitt (1969). The Films of Cecil B. DeMille. New York: Citadel Press.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Films+of+Cecil+B.+DeMille&rft.place=New+York&rft.pub=Citadel+Press&rft.date=1969&rft.aulast=Ringgold&rft.aufirst=Gene&rft.au=Bodeen%2C+DeWitt&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSoisterNicolella2012" class="citation book cs1">Soister, John T.; Nicolella, Henry (2012). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=ajXwxJuYd5gC&q=%22the+ghost+breaker%22+cecil+b+demille+%22lost%22&pg=PA219">American Silent Horror, Science Fiction, and Fantasy Feature Films, 1913–1929</a>. Jefferson, NC: McFarland & Company. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0786435814" title="Special:BookSources/978-0786435814"><bdi>978-0786435814</bdi></a>. Retrieved May 22, 2019.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=American+Silent+Horror%2C+Science+Fiction%2C+and+Fantasy+Feature+Films%2C+1913%E2%80%931929&rft.place=Jefferson%2C+NC&rft.pub=McFarland+%26+Company&rft.date=2012&rft.isbn=978-0786435814&rft.aulast=Soister&rft.aufirst=John+T.&rft.au=Nicolella%2C+Henry&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DajXwxJuYd5gC%26q%3D%2522the%2Bghost%2Bbreaker%2522%2Bcecil%2Bb%2Bdemille%2B%2522lost%2522%26pg%3DPA219&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWilliams2014" class="citation book cs1">Williams, Tony (2014). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=-gpNBQAAQBAJ&q=ed+wood+cecil+b+demille&pg=PA355">Larry Cohen: The Radical Allegories of an Independent Filmmaker</a>. Jefferson, NC: McFarland & Company. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1476618197" title="Special:BookSources/978-1476618197"><bdi>978-1476618197</bdi></a>. Retrieved July 19, 2019.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Larry+Cohen%3A+The+Radical+Allegories+of+an+Independent+Filmmaker&rft.place=Jefferson%2C+NC&rft.pub=McFarland+%26+Company&rft.date=2014&rft.isbn=978-1476618197&rft.aulast=Williams&rft.aufirst=Tony&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D-gpNBQAAQBAJ%26q%3Ded%2Bwood%2Bcecil%2Bb%2Bdemille%26pg%3DPA355&rfr_id=info%3Asid%2Fen.wikipedia.org%3ACecil+B.+DeMille" class="Z3988"></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=30" title="Edit section: External links">edit</a>]</div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}</style><style data-mw-deduplicate="TemplateStyles:r1237033735">@media print{body.ns-0 .mw-parser-output .sistersitebox{display:none!important}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}</style><div class="side-box side-box-right plainlinks sistersitebox"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style> <div class="side-box-flex"> <div class="side-box-image"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png" decoding="async" width="30" height="40" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/45px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/59px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /></div> <div class="side-box-text plainlist">Wikimedia Commons has media related to <a href="https://commons.wikimedia.org/wiki/Category:Cecil_B._DeMille" class="extiw" title="commons:Category:Cecil B. 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DeMille</a>.</div></div> </div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1237033735"><div class="side-box side-box-right plainlinks sistersitebox"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/38px-Wikisource-logo.svg.png" decoding="async" width="38" height="40" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/57px-Wikisource-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/76px-Wikisource-logo.svg.png 2x" data-file-width="410" data-file-height="430" /></div> <div class="side-box-text plainlist"><a href="/wiki/Wikisource" title="Wikisource">Wikisource</a> has original works by or about: <a href="https://en.wikisource.org/wiki/Author:Cecil_Blount_DeMille" class="extiw" title="s:Author:Cecil Blount DeMille">Cecil B. 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DeMille">Cecil B. DeMille</a>.</div></div> </div> <ul><li><a rel="nofollow" class="external text" href="http://www.cecilbdemille.com/">Official website</a> by the Cecil B. DeMille Foundation</li> <li><a rel="nofollow" class="external text" href="https://www.ibdb.com/broadway-cast-staff/4709">Cecil B. DeMille</a> at the <a href="/wiki/Internet_Broadway_Database" title="Internet Broadway Database">Internet Broadway Database</a> <a href="https://www.wikidata.org/wiki/Q72267#P1220" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></li> <li><a rel="nofollow" class="external text" href="https://www.imdb.com/name/nm0001124/">Cecil B. DeMille</a> at <a href="/wiki/IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a></li> <li><a rel="nofollow" class="external text" href="https://www.tcm.com/tcmdb/person/48461%7C28676/wp">Cecil B. DeMille</a> at the <a href="/wiki/Turner_Classic_Movies" title="Turner Classic Movies">TCM Movie Database</a> <a href="https://www.wikidata.org/wiki/Q72267#P3056" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></li> <li><a rel="nofollow" class="external text" href="https://archive.org/search.php?query=%28%28subject%3A%22DeMille%2C%20Cecil%20B.%22%20OR%20subject%3A%22DeMille%2C%20Cecil%20B%2E%22%20OR%20subject%3A%22DeMille%2C%20C%2E%20B%2E%22%20OR%20subject%3A%22Cecil%20B.%20DeMille%22%20OR%20subject%3A%22Cecil%20B%2E%20DeMille%22%20OR%20subject%3A%22C%2E%20B%2E%20DeMille%22%20OR%20creator%3A%22Cecil%20B.%20DeMille%22%20OR%20creator%3A%22Cecil%20B%2E%20DeMille%22%20OR%20creator%3A%22C%2E%20B%2E%20DeMille%22%20OR%20creator%3A%22C%2E%20B.%20DeMille%22%20OR%20creator%3A%22DeMille%2C%20Cecil%20B.%22%20OR%20creator%3A%22DeMille%2C%20Cecil%20B%2E%22%20OR%20creator%3A%22DeMille%2C%20C%2E%20B%2E%22%20OR%20creator%3A%22DeMille%2C%20C%2E%20B.%22%20OR%20title%3A%22Cecil%20B.%20DeMille%22%20OR%20title%3A%22Cecil%20B%2E%20DeMille%22%20OR%20title%3A%22C%2E%20B%2E%20DeMille%22%20OR%20description%3A%22Cecil%20B.%20DeMille%22%20OR%20description%3A%22Cecil%20B%2E%20DeMille%22%20OR%20description%3A%22C%2E%20B%2E%20DeMille%22%20OR%20description%3A%22DeMille%2C%20Cecil%20B.%22%20OR%20description%3A%22DeMille%2C%20Cecil%20B%2E%22%29%20OR%20%28%221881-1959%22%20AND%20DeMille%29%29%20AND%20%28-mediatype:software%29">Works by or about Cecil B. DeMille</a> at the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a></li> <li><a rel="nofollow" class="external text" href="http://film.virtual-history.com/person.php?personid=2378">Cecil B. DeMille at Virtual History</a></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110927190052/http://www.cinemaweb.com/silentfilm/bookshelf/10_dwp_3.htm">Cecil B. DeMille's Early Films' Costs and Grosses by David Pierce</a></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110927190052/http://www.cinemaweb.com/silentfilm/bookshelf/index.htm">Silent Film Bookshelf</a></li></ul> <div class="mw-heading mw-heading3"><h3 id="Archival_materials">Archival materials</h3>[<a href="/w/index.php?title=Cecil_B._DeMille&action=edit&section=31" title="Edit section: Archival materials">edit</a>]</div> <ul><li><a rel="nofollow" class="external text" href="http://archives.lib.byu.edu/repositories/ltpsc/resources/upb_mss1400">Cecil B. DeMille papers</a>, Vault MSS 1400, <a href="/wiki/L._Tom_Perry_Special_Collections" class="mw-redirect" title="L. Tom Perry Special Collections">L. Tom Perry Special Collections</a>, <a href="/wiki/Harold_B._Lee_Library" title="Harold B. Lee Library">Harold B. Lee Library</a>, <a href="/wiki/Brigham_Young_University" title="Brigham Young University">Brigham Young University</a>, DeMille's personal and business papers including correspondence, audio, and video recordings, financial ledgers, and memorabilia</li> <li><a rel="nofollow" class="external text" href="http://archives.lib.byu.edu/agents/people/2596">Other collections related to DeMille</a> at the <a href="/wiki/L._Tom_Perry_Special_Collections" class="mw-redirect" title="L. Tom Perry Special Collections">L. Tom Perry Special Collections</a>, <a href="/wiki/Harold_B._Lee_Library" title="Harold B. Lee Library">Harold B. Lee Library</a>, <a href="/wiki/Brigham_Young_University" title="Brigham Young University">Brigham Young University</a></li> <li><a rel="nofollow" class="external text" href="https://archive.today/20140602193934/http://digital.library.pitt.edu/cgi-bin/f/findaid/findaid-idx?c=ascead;cc=ascead;q1=1958.03;rgn=main;view=text;didno=US-PPiU-sc195803">The Mary Roberts Rinehart Papers</a>, Vault SC.1958.03, ULS Special Collections, University of Pittsburgh Library, includes conversations with DeMille about her plays</li></ul> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1236075235">.mw-parser-output .navbox{box-sizing:border-box;border:1px solid #a2a9b1;width:100%;clear:both;font-size:88%;text-align:center;padding:1px;margin:1em auto 0}.mw-parser-output .navbox .navbox{margin-top:0}.mw-parser-output .navbox+.navbox,.mw-parser-output .navbox+.navbox-styles+.navbox{margin-top:-1px}.mw-parser-output .navbox-inner,.mw-parser-output .navbox-subgroup{width:100%}.mw-parser-output .navbox-group,.mw-parser-output .navbox-title,.mw-parser-output .navbox-abovebelow{padding:0.25em 1em;line-height:1.5em;text-align:center}.mw-parser-output .navbox-group{white-space:nowrap;text-align:right}.mw-parser-output .navbox,.mw-parser-output .navbox-subgroup{background-color:#fdfdfd}.mw-parser-output .navbox-list{line-height:1.5em;border-color:#fdfdfd}.mw-parser-output .navbox-list-with-group{text-align:left;border-left-width:2px;border-left-style:solid}.mw-parser-output tr+tr>.navbox-abovebelow,.mw-parser-output tr+tr>.navbox-group,.mw-parser-output tr+tr>.navbox-image,.mw-parser-output tr+tr>.navbox-list{border-top:2px solid #fdfdfd}.mw-parser-output .navbox-title{background-color:#ccf}.mw-parser-output .navbox-abovebelow,.mw-parser-output .navbox-group,.mw-parser-output .navbox-subgroup .navbox-title{background-color:#ddf}.mw-parser-output .navbox-subgroup .navbox-group,.mw-parser-output .navbox-subgroup .navbox-abovebelow{background-color:#e6e6ff}.mw-parser-output .navbox-even{background-color:#f7f7f7}.mw-parser-output .navbox-odd{background-color:transparent}.mw-parser-output .navbox .hlist td dl,.mw-parser-output .navbox .hlist td ol,.mw-parser-output .navbox .hlist td ul,.mw-parser-output .navbox td.hlist dl,.mw-parser-output .navbox td.hlist ol,.mw-parser-output .navbox td.hlist ul{padding:0.125em 0}.mw-parser-output .navbox .navbar{display:block;font-size:100%}.mw-parser-output .navbox-title .navbar{float:left;text-align:left;margin-right:0.5em}body.skin--responsive .mw-parser-output .navbox-image img{max-width:none!important}@media print{body.ns-0 .mw-parser-output .navbox{display:none!important}}</style></div><div role="navigation" class="navbox" aria-labelledby="Films_directed_by_Cecil_B._DeMille" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><style data-mw-deduplicate="TemplateStyles:r1239400231">.mw-parser-output .navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output .navbar-boxtext{word-spacing:0}.mw-parser-output .navbar ul{display:inline-block;white-space:nowrap;line-height:inherit}.mw-parser-output .navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini abbr{font-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit}.mw-parser-output .navbar-ct-full{font-size:114%;margin:0 7em}.mw-parser-output .navbar-ct-mini{font-size:114%;margin:0 4em}html.skin-theme-clientpref-night .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Cecil_B._DeMille" title="Template:Cecil B. DeMille"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Cecil_B._DeMille" title="Template talk:Cecil B. DeMille"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Cecil_B._DeMille" title="Special:EditPage/Template:Cecil B. DeMille"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Films_directed_by_Cecil_B._DeMille" style="font-size:114%;margin:0 4em">Films directed by <a class="mw-selflink selflink">Cecil B. DeMille</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Silent</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/The_Squaw_Man_(1914_film)" title="The Squaw Man (1914 film)">The Squaw Man</a> (1914)</li> <li><a href="/wiki/Brewster%27s_Millions_(1914_film)" title="Brewster's Millions (1914 film)">Brewster's Millions</a> (1914)</li> <li><a href="/wiki/The_Master_Mind_(1914_film)" title="The Master Mind (1914 film)">The Master Mind</a> (1914)</li> <li><a href="/wiki/The_Only_Son_(1914_film)" title="The Only Son (1914 film)">The Only Son</a> (1914)</li> <li><a href="/wiki/The_Man_on_the_Box" title="The Man on the Box">The Man on the Box</a> (1914)</li> <li><a href="/wiki/The_Call_of_the_North_(1914_film)" title="The Call of the North (1914 film)">The Call of the North</a> (1914)</li> <li><a href="/wiki/The_Virginian_(1914_film)" title="The Virginian (1914 film)">The Virginian</a> (1914)</li> <li><a href="/wiki/What%27s_His_Name" title="What's His Name">What's His Name</a> (1914)</li> <li><a href="/wiki/The_Man_from_Home_(1914_film)" title="The Man from Home (1914 film)">The Man from Home</a> (1914)</li> <li><a href="/wiki/Rose_of_the_Rancho_(1914_film)" title="Rose of the Rancho (1914 film)">Rose of the Rancho</a> (1914)</li> <li><a href="/wiki/The_Ghost_Breaker_(1914_film)" title="The Ghost Breaker (1914 film)">The Ghost Breaker</a> (1914)</li> <li><a href="/wiki/The_Girl_of_the_Golden_West_(1915_film)" title="The Girl of the Golden West (1915 film)">The Girl of the Golden West</a> (1915)</li> <li><a href="/wiki/After_Five" title="After Five">After Five</a> (1915)</li> <li><a href="/wiki/The_Warrens_of_Virginia_(1915_film)" title="The Warrens of Virginia (1915 film)">The Warrens of Virginia</a> (1915)</li> <li><a href="/wiki/The_Unafraid" title="The Unafraid">The Unafraid</a> (1915)</li> <li><a href="/wiki/The_Captive_(1915_film)" title="The Captive (1915 film)">The Captive</a> (1915)</li> <li><a href="/wiki/The_Wild_Goose_Chase_(1915_film)" title="The Wild Goose Chase (1915 film)">The Wild Goose Chase</a> (1915)</li> <li><a href="/wiki/The_Arab_(1915_film)" title="The Arab (1915 film)">The Arab</a> (1915)</li> <li><a href="/wiki/Chimmie_Fadden" title="Chimmie Fadden">Chimmie Fadden</a> (1915)</li> <li><a href="/wiki/Kindling_(1915_film)" title="Kindling (1915 film)">Kindling</a> (1915)</li> <li><a href="/wiki/Carmen_(1915_Cecil_B._DeMille_film)" title="Carmen (1915 Cecil B. DeMille film)">Carmen</a> (1915)</li> <li><a href="/wiki/Chimmie_Fadden_Out_West" title="Chimmie Fadden Out West">Chimmie Fadden Out West</a> (1915)</li> <li><a href="/wiki/The_Cheat_(1915_film)" title="The Cheat (1915 film)">The Cheat</a> (1915)</li> <li><a href="/wiki/Temptation_(1915_film)" title="Temptation (1915 film)">Temptation</a> (1915)</li> <li><a href="/wiki/The_Golden_Chance" title="The Golden Chance">The Golden Chance</a> (1915)</li> <li><a href="/wiki/The_Trail_of_the_Lonesome_Pine_(1916_film)" title="The Trail of the Lonesome Pine (1916 film)">The Trail of the Lonesome Pine</a> (1916)</li> <li><a href="/wiki/The_Heart_of_Nora_Flynn" title="The Heart of Nora Flynn">The Heart of Nora Flynn</a> (1916)</li> <li><a href="/wiki/Maria_Rosa_(1916_film)" title="Maria Rosa (1916 film)">Maria Rosa</a> (1916)</li> <li><a href="/wiki/The_Dream_Girl_(film)" title="The Dream Girl (film)">The Dream Girl</a> (1916)</li> <li><a href="/wiki/Joan_the_Woman" title="Joan the Woman">Joan the Woman</a> (1916)</li> <li><a href="/wiki/A_Romance_of_the_Redwoods" title="A Romance of the Redwoods">A Romance of the Redwoods</a> (1917)</li> <li><a href="/wiki/The_Little_American" title="The Little American">The Little American</a> (1917)</li> <li><a href="/wiki/The_Woman_God_Forgot" title="The Woman God Forgot">The Woman God Forgot</a> (1917)</li> <li><a href="/wiki/Nan_of_Music_Mountain" title="Nan of Music Mountain">Nan of Music Mountain</a> (1917)</li> <li><a href="/wiki/The_Devil-Stone" title="The Devil-Stone">The Devil-Stone</a> (1917)</li> <li><a href="/wiki/The_Whispering_Chorus" title="The Whispering Chorus">The Whispering Chorus</a> (1918)</li> <li><a href="/wiki/Old_Wives_for_New" title="Old Wives for New">Old Wives for New</a> (1918)</li> <li><a href="/wiki/We_Can%27t_Have_Everything" title="We Can't Have Everything">We Can't Have Everything</a> (1918)</li> <li><a href="/wiki/Till_I_Come_Back_to_You" title="Till I Come Back to You">Till I Come Back to You</a> (1918)</li> <li><a href="/wiki/The_Squaw_Man_(1918_film)" title="The Squaw Man (1918 film)">The Squaw Man</a> (1918)</li> <li><a href="/wiki/Don%27t_Change_Your_Husband" title="Don't Change Your Husband">Don't Change Your Husband</a> (1919)</li> <li><a href="/wiki/For_Better,_for_Worse_(1919_film)" title="For Better, for Worse (1919 film)">For Better, for Worse</a> (1919)</li> <li><a href="/wiki/Male_and_Female" title="Male and Female">Male and Female</a> (1919)</li> <li><a href="/wiki/Why_Change_Your_Wife%3F" title="Why Change Your Wife?">Why Change Your Wife?</a> (1920)</li> <li><a href="/wiki/Something_to_Think_About" title="Something to Think About">Something to Think About</a> (1920)</li> <li><a href="/wiki/Forbidden_Fruit_(1921_film)" title="Forbidden Fruit (1921 film)">Forbidden Fruit</a> (1921)</li> <li><a href="/wiki/The_Affairs_of_Anatol" title="The Affairs of Anatol">The Affairs of Anatol</a> (1921)</li> <li><a href="/wiki/Fool%27s_Paradise_(1921_film)" title="Fool's Paradise (1921 film)">Fool's Paradise</a> (1921)</li> <li><a href="/wiki/Saturday_Night_(1922_film)" title="Saturday Night (1922 film)">Saturday Night</a> (1922)</li> <li><a href="/wiki/Manslaughter_(1922_film)" title="Manslaughter (1922 film)">Manslaughter</a> (1922)</li> <li><a href="/wiki/Adam%27s_Rib_(1923_film)" title="Adam's Rib (1923 film)">Adam's Rib</a> (1923)</li> <li><a href="/wiki/The_Ten_Commandments_(1923_film)" title="The Ten Commandments (1923 film)">The Ten Commandments</a> (1923)</li> <li><a href="/wiki/Triumph_(1924_film)" title="Triumph (1924 film)">Triumph</a> (1924)</li> <li><a href="/wiki/Feet_of_Clay_(1924_film)" title="Feet of Clay (1924 film)">Feet of Clay</a> (1924)</li> <li><a href="/wiki/The_Golden_Bed" title="The Golden Bed">The Golden Bed</a> (1925)</li> <li><a href="/wiki/The_Road_to_Yesterday" title="The Road to Yesterday">The Road to Yesterday</a> (1925)</li> <li><a href="/wiki/The_Volga_Boatman_(1926_film)" title="The Volga Boatman (1926 film)">The Volga Boatman</a> (1926)</li> <li><a href="/wiki/The_King_of_Kings_(1927_film)" title="The King of Kings (1927 film)">The King of Kings</a> (1927)</li> <li><a href="/wiki/Walking_Back" title="Walking Back">Walking Back</a> (1928)</li> <li><a href="/wiki/The_Godless_Girl" title="The Godless Girl">The Godless Girl</a> (1928)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Sound</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Dynamite_(1929_film)" title="Dynamite (1929 film)">Dynamite</a> (1929)</li> <li><a href="/wiki/Madam_Satan" title="Madam Satan">Madam Satan</a> (1930)</li> <li><a href="/wiki/The_Squaw_Man_(1931_film)" title="The Squaw Man (1931 film)">The Squaw Man</a> (1931)</li> <li><a href="/wiki/The_Sign_of_the_Cross_(1932_film)" title="The Sign of the Cross (1932 film)">The Sign of the Cross</a> (1932)</li> <li><a href="/wiki/This_Day_and_Age_(film)" title="This Day and Age (film)">This Day and Age</a> (1933)</li> <li><a href="/wiki/Four_Frightened_People" title="Four Frightened People">Four Frightened People</a> (1934)</li> <li><a href="/wiki/Cleopatra_(1934_film)" title="Cleopatra (1934 film)">Cleopatra</a> (1934)</li> <li><a href="/wiki/The_Crusades_(1935_film)" title="The Crusades (1935 film)">The Crusades</a> (1935)</li> <li><a href="/wiki/The_Plainsman" title="The Plainsman">The Plainsman</a> (1936)</li> <li><a href="/wiki/The_Buccaneer_(1938_film)" title="The Buccaneer (1938 film)">The Buccaneer</a> (1938)</li> <li><a href="/wiki/Union_Pacific_(film)" title="Union Pacific (film)">Union Pacific</a> (1939)</li> <li><a href="/wiki/North_West_Mounted_Police_(film)" title="North West Mounted Police (film)">North West Mounted Police</a> (1940)</li> <li><a href="/wiki/Reap_the_Wild_Wind" title="Reap the Wild Wind">Reap the Wild Wind</a> (1942)</li> <li><a href="/wiki/The_Story_of_Dr._Wassell" title="The Story of Dr. Wassell">The Story of Dr. Wassell</a> (1944)</li> <li><a href="/wiki/Unconquered_(1947_film)" title="Unconquered (1947 film)">Unconquered</a> (1947)</li> <li><a href="/wiki/Samson_and_Delilah_(1949_film)" title="Samson and Delilah (1949 film)">Samson and Delilah</a> (1949)</li> <li><a href="/wiki/The_Greatest_Show_on_Earth_(film)" title="The Greatest Show on Earth (film)">The Greatest Show on Earth</a> (1952)</li> <li><a href="/wiki/The_Ten_Commandments_(1956_film)" title="The Ten Commandments (1956 film)">The Ten Commandments</a> (1956)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Awards_for_Cecil_B._DeMille" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:#e8e8ff;"><div id="Awards_for_Cecil_B._DeMille" style="font-size:114%;margin:0 4em">Awards for Cecil B. DeMille</div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0;font-size:114%"><div style="padding:0px"> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Academy_Award_for_Best_Picture" style="padding:3px"><table class="nowraplinks hlist mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:#EEDD82"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Academy_Award_Best_Picture_Producers" title="Template:Academy Award Best Picture Producers"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Academy_Award_Best_Picture_Producers" title="Template talk:Academy Award Best Picture Producers"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Academy_Award_Best_Picture_Producers" title="Special:EditPage/Template:Academy Award Best Picture Producers"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Academy_Award_for_Best_Picture" style="font-size:114%;margin:0 4em"><a href="/wiki/Academy_Award_for_Best_Picture" title="Academy Award for Best Picture">Academy Award for Best Picture</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background:#EEDD82;width:1%">1951–1975</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Arthur_Freed" title="Arthur Freed">Arthur Freed</a> (1951)</li> <li><a class="mw-selflink selflink">Cecil B. DeMille</a> (1952)</li> <li><a href="/wiki/Buddy_Adler" title="Buddy Adler">Buddy Adler</a> (1953)</li> <li><a href="/wiki/Sam_Spiegel" title="Sam Spiegel">Sam Spiegel</a> (1954)</li> <li><a href="/wiki/Harold_Hecht" title="Harold Hecht">Harold Hecht</a> (1955)</li> <li><a href="/wiki/Mike_Todd" title="Mike Todd">Michael Todd</a> (1956)</li> <li><a href="/wiki/Sam_Spiegel" title="Sam Spiegel">Sam Spiegel</a> (1957)</li> <li><a href="/wiki/Arthur_Freed" title="Arthur Freed">Arthur Freed</a> (1958)</li> <li><a href="/wiki/Sam_Zimbalist" title="Sam Zimbalist">Sam Zimbalist</a> (1959)</li> <li><a href="/wiki/Billy_Wilder" title="Billy Wilder">Billy Wilder</a> (1960)</li> <li><a href="/wiki/Robert_Wise" title="Robert Wise">Robert Wise</a> (1961)</li> <li><a href="/wiki/Sam_Spiegel" title="Sam Spiegel">Sam Spiegel</a> (1962)</li> <li><a href="/wiki/Tony_Richardson" title="Tony Richardson">Tony Richardson</a> (1963)</li> <li><a href="/wiki/Jack_L._Warner" title="Jack L. Warner">Jack L. Warner</a> (1964)</li> <li><a href="/wiki/Robert_Wise" title="Robert Wise">Robert Wise</a> (1965)</li> <li><a href="/wiki/Fred_Zinnemann" title="Fred Zinnemann">Fred Zinnemann</a> (1966)</li> <li><a href="/wiki/Walter_Mirisch" title="Walter Mirisch">Walter Mirisch</a> (1967)</li> <li><a href="/wiki/John_and_James_Woolf" title="John and James Woolf">John Woolf</a> (1968)</li> <li><a href="/wiki/Jerome_Hellman" title="Jerome Hellman">Jerome Hellman</a> (1969)</li> <li><a href="/wiki/Frank_McCarthy_(producer)" title="Frank McCarthy (producer)">Frank McCarthy</a> (1970)</li> <li><a href="/wiki/Philip_D%27Antoni" title="Philip D'Antoni">Philip D'Antoni</a> (1971)</li> <li><a href="/wiki/Albert_S._Ruddy" title="Albert S. Ruddy">Albert S. Ruddy</a> (1972)</li> <li><a href="/wiki/Tony_Bill" title="Tony Bill">Tony Bill</a>, <a href="/wiki/Julia_Phillips" title="Julia Phillips">Julia Phillips</a> and <a href="/wiki/Michael_Phillips_(producer)" title="Michael Phillips (producer)">Michael Phillips</a> (1973)</li> <li><a href="/wiki/Francis_Ford_Coppola" title="Francis Ford Coppola">Francis Ford Coppola</a>, <a href="/wiki/Gray_Frederickson" title="Gray Frederickson">Gray Frederickson</a> and <a href="/wiki/Fred_Roos" title="Fred Roos">Fred Roos</a> (1974)</li> <li><a href="/wiki/Michael_Douglas" title="Michael Douglas">Michael Douglas</a> and <a href="/wiki/Saul_Zaentz" title="Saul Zaentz">Saul Zaentz</a> (1975)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#EEDD82;width:1%">1976–2000</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Robert_Chartoff" title="Robert Chartoff">Robert Chartoff</a> and <a href="/wiki/Irwin_Winkler" title="Irwin Winkler">Irwin Winkler</a> (1976)</li> <li><a href="/wiki/Charles_H._Joffe" title="Charles H. Joffe">Charles H. Joffe</a> (1977)</li> <li><a href="/wiki/Michael_Cimino" title="Michael Cimino">Michael Cimino</a>, <a href="/wiki/Michael_Deeley" title="Michael Deeley">Michael Deeley</a>, John Peverall and <a href="/wiki/Barry_Spikings" title="Barry Spikings">Barry Spikings</a> (1978)</li> <li><a href="/wiki/Stanley_R._Jaffe" title="Stanley R. Jaffe">Stanley R. Jaffe</a> (1979)</li> <li><a href="/wiki/Ronald_L._Schwary" title="Ronald L. Schwary">Ronald L. Schwary</a> (1980)</li> <li><a href="/wiki/David_Puttnam" title="David Puttnam">David Puttnam</a> (1981)</li> <li><a href="/wiki/Richard_Attenborough" title="Richard Attenborough">Richard Attenborough</a> (1982)</li> <li><a href="/wiki/James_L._Brooks" title="James L. Brooks">James L. Brooks</a> (1983)</li> <li><a href="/wiki/Saul_Zaentz" title="Saul Zaentz">Saul Zaentz</a> (1984)</li> <li><a href="/wiki/Sydney_Pollack" title="Sydney Pollack">Sydney Pollack</a> (1985)</li> <li><a href="/wiki/Arnold_Kopelson" title="Arnold Kopelson">Arnold Kopelson</a> (1986)</li> <li><a href="/wiki/Jeremy_Thomas" title="Jeremy Thomas">Jeremy Thomas</a> (1987)</li> <li><a href="/wiki/Mark_Johnson_(producer)" title="Mark Johnson (producer)">Mark Johnson</a> (1988)</li> <li><a href="/wiki/Lili_Fini_Zanuck" title="Lili Fini Zanuck">Lili Fini Zanuck</a> and <a href="/wiki/Richard_D._Zanuck" title="Richard D. Zanuck">Richard D. Zanuck</a> (1989)</li> <li><a href="/wiki/Kevin_Costner" title="Kevin Costner">Kevin Costner</a> and <a href="/wiki/Jim_Wilson_(producer)" title="Jim Wilson (producer)">Jim Wilson</a> (1990)</li> <li><a href="/wiki/Ron_Bozman" title="Ron Bozman">Ron Bozman</a>, <a href="/wiki/Edward_Saxon" title="Edward Saxon">Edward Saxon</a> and <a href="/wiki/Kenneth_Utt" title="Kenneth Utt">Kenneth Utt</a> (1991)</li> <li><a href="/wiki/Clint_Eastwood" title="Clint Eastwood">Clint Eastwood</a> (1992)</li> <li><a href="/wiki/Branko_Lustig" title="Branko Lustig">Branko Lustig</a>, <a href="/wiki/Gerald_R._Molen" title="Gerald R. Molen">Gerald R. Molen</a> and <a href="/wiki/Steven_Spielberg" title="Steven Spielberg">Steven Spielberg</a> (1993)</li> <li><a href="/wiki/Wendy_Finerman" title="Wendy Finerman">Wendy Finerman</a>, <a href="/wiki/Steve_Starkey" title="Steve Starkey">Steve Starkey</a> and <a href="/wiki/Steve_Tisch" title="Steve Tisch">Steve Tisch</a> (1994)</li> <li><a href="/wiki/Bruce_Davey" title="Bruce Davey">Bruce Davey</a>, <a href="/wiki/Mel_Gibson" title="Mel Gibson">Mel Gibson</a> and <a href="/wiki/Alan_Ladd_Jr." title="Alan Ladd Jr.">Alan Ladd Jr.</a> (1995)</li> <li><a href="/wiki/Saul_Zaentz" title="Saul Zaentz">Saul Zaentz</a> (1996)</li> <li><a href="/wiki/James_Cameron" title="James Cameron">James Cameron</a> and <a href="/wiki/Jon_Landau_(film_producer)" title="Jon Landau (film producer)">Jon Landau</a> (1997)</li> <li><a href="/wiki/Donna_Gigliotti" title="Donna Gigliotti">Donna Gigliotti</a>, <a href="/wiki/Marc_Norman" title="Marc Norman">Marc Norman</a>, <a href="/wiki/David_Parfitt" title="David Parfitt">David Parfitt</a>, <a href="/wiki/Harvey_Weinstein" title="Harvey Weinstein">Harvey Weinstein</a> and <a href="/wiki/Edward_Zwick" title="Edward Zwick">Edward Zwick</a> (1998)</li> <li><a href="/wiki/Bruce_Cohen" title="Bruce Cohen">Bruce Cohen</a> and <a href="/wiki/Dan_Jinks" title="Dan Jinks">Dan Jinks</a> (1999)</li> <li><a href="/wiki/David_Franzoni" title="David Franzoni">David Franzoni</a>, <a href="/wiki/Branko_Lustig" title="Branko Lustig">Branko Lustig</a> and <a href="/wiki/Douglas_Wick" title="Douglas Wick">Douglas Wick</a> (2000)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background:#EEDD82;width:1%">2001–present</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Brian_Grazer" title="Brian Grazer">Brian Grazer</a> and <a href="/wiki/Ron_Howard" title="Ron Howard">Ron Howard</a> (2001)</li> <li><a href="/wiki/Martin_Richards_(producer)" title="Martin Richards (producer)">Martin Richards</a> (2002)</li> <li><a href="/wiki/Peter_Jackson" title="Peter Jackson">Peter Jackson</a>, <a href="/wiki/Barrie_M._Osborne" title="Barrie M. Osborne">Barrie M. Osborne</a> and <a href="/wiki/Fran_Walsh" title="Fran Walsh">Fran Walsh</a> (2003)</li> <li><a href="/wiki/Clint_Eastwood" title="Clint Eastwood">Clint Eastwood</a>, <a href="/wiki/Tom_Rosenberg" title="Tom Rosenberg">Tom Rosenberg</a> and <a href="/wiki/Albert_S._Ruddy" title="Albert S. Ruddy">Albert S. Ruddy</a> (2004)</li> <li><a href="/wiki/Paul_Haggis" title="Paul Haggis">Paul Haggis</a> and <a href="/wiki/Cathy_Schulman" title="Cathy Schulman">Cathy Schulman</a> (2005)</li> <li><a href="/wiki/Graham_King" title="Graham King">Graham King</a> (2006)</li> <li><a href="/wiki/Coen_brothers" title="Coen brothers">Ethan Coen, Joel Coen</a> and <a href="/wiki/Scott_Rudin" title="Scott Rudin">Scott Rudin</a> (2007)</li> <li><a href="/wiki/Christian_Colson" title="Christian Colson">Christian Colson</a> (2008)</li> <li><a href="/wiki/Kathryn_Bigelow" title="Kathryn Bigelow">Kathryn Bigelow</a>, <a href="/wiki/Mark_Boal" title="Mark Boal">Mark Boal</a>, <a href="/wiki/Nicolas_Chartier" title="Nicolas Chartier">Nicolas Chartier</a> and <a href="/wiki/Greg_Shapiro_(producer)" title="Greg Shapiro (producer)">Greg Shapiro</a> (2009)</li> <li><a href="/wiki/Iain_Canning" title="Iain Canning">Iain Canning</a>, <a href="/wiki/Emile_Sherman" title="Emile Sherman">Emile Sherman</a> and <a href="/wiki/Gareth_Unwin" title="Gareth Unwin">Gareth Unwin</a> (2010)</li> <li><a href="/wiki/Thomas_Langmann" title="Thomas Langmann">Thomas Langmann</a> (2011)</li> <li><a href="/wiki/Ben_Affleck" title="Ben Affleck">Ben Affleck</a>, <a href="/wiki/George_Clooney" title="George Clooney">George Clooney</a> and <a href="/wiki/Grant_Heslov" title="Grant Heslov">Grant Heslov</a> (2012)</li> <li><a href="/wiki/Dede_Gardner" title="Dede Gardner">Dede Gardner</a>, <a href="/wiki/Anthony_Katagas" title="Anthony Katagas">Anthony Katagas</a>, <a href="/wiki/Jeremy_Kleiner" title="Jeremy Kleiner">Jeremy Kleiner</a>, <a href="/wiki/Steve_McQueen_(director)" title="Steve McQueen (director)">Steve McQueen</a> and <a href="/wiki/Brad_Pitt" title="Brad Pitt">Brad Pitt</a> (2013)</li> <li><a href="/wiki/Alejandro_Gonz%C3%A1lez_I%C3%B1%C3%A1rritu" title="Alejandro González Iñárritu">Alejandro G. Iñárritu</a>, <a href="/wiki/John_Lesher_(producer)" title="John Lesher (producer)">John Lesher</a> and <a href="/wiki/James_W._Skotchdopole" title="James W. Skotchdopole">James W. Skotchdopole</a> (2014)</li> <li><a href="/wiki/Blye_Pagon_Faust" title="Blye Pagon Faust">Blye Pagon Faust</a>, <a href="/wiki/Steve_Golin" title="Steve Golin">Steve Golin</a>, <a href="/wiki/Nicole_Rocklin" title="Nicole Rocklin">Nicole Rocklin</a> and <a href="/wiki/Michael_Sugar" title="Michael Sugar">Michael Sugar</a> (2015)</li> <li><a href="/wiki/Dede_Gardner" title="Dede Gardner">Dede Gardner</a>, <a href="/wiki/Jeremy_Kleiner" title="Jeremy Kleiner">Jeremy Kleiner</a> and <a href="/wiki/Adele_Romanski" title="Adele Romanski">Adele Romanski</a> (2016)</li> <li><a href="/wiki/J._Miles_Dale" title="J. Miles Dale">J. Miles Dale</a> and <a href="/wiki/Guillermo_del_Toro" title="Guillermo del Toro">Guillermo del Toro</a> (2017)</li> <li><a href="/wiki/Jim_Burke_(film_producer)" title="Jim Burke (film producer)">Jim Burke</a>, Brian Currie, <a href="/wiki/Peter_Farrelly" title="Peter Farrelly">Peter Farrelly</a>, <a href="/wiki/Nick_Vallelonga" title="Nick Vallelonga">Nick Vallelonga</a> and <a href="/wiki/Charles_B._Wessler" title="Charles B. Wessler">Charles B. Wessler</a> (2018)</li> <li><a href="/wiki/Bong_Joon-ho" title="Bong Joon-ho">Bong Joon-ho</a> and <a href="/wiki/Kwak_Sin-ae" title="Kwak Sin-ae">Kwak Sin-ae</a> (2019)</li> <li>Mollye Asher, Dan Janvey, <a href="/wiki/Frances_McDormand" title="Frances McDormand">Frances McDormand</a>, <a href="/wiki/Peter_Spears" title="Peter Spears">Peter Spears</a> and <a href="/wiki/Chlo%C3%A9_Zhao" title="Chloé Zhao">Chloé Zhao</a> (2020)</li> <li>Fabrice Gianfermi, <a href="/wiki/Philippe_Rousselet" title="Philippe Rousselet">Philippe Rousselet</a>, Patrick Wachsberger (2021)</li> <li><a href="/wiki/Daniels_(directors)" title="Daniels (directors)">Daniel Kwan, Daniel Scheinert</a> and <a href="/wiki/Jonathan_Wang" title="Jonathan Wang">Jonathan Wang</a> (2022)</li> <li><a href="/wiki/Emma_Thomas" title="Emma Thomas">Emma Thomas</a>, <a href="/wiki/Charles_Roven" title="Charles Roven">Charles Roven</a>, and <a href="/wiki/Christopher_Nolan" title="Christopher Nolan">Christopher Nolan</a> (2023)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Academy_Honorary_Award" style="padding:3px"><table class="nowraplinks hlist mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background: #EEDD82"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Academy_Honorary_Award" title="Template:Academy Honorary Award"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Academy_Honorary_Award" title="Template talk:Academy Honorary Award"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Academy_Honorary_Award" title="Special:EditPage/Template:Academy Honorary Award"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Academy_Honorary_Award" style="font-size:114%;margin:0 4em"><a href="/wiki/Academy_Honorary_Award" title="Academy Honorary Award">Academy Honorary Award</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background: #EEDD82;width:1%">1928–1950</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Warner_Bros." title="Warner Bros.">Warner Bros.</a> / <a href="/wiki/Charlie_Chaplin" title="Charlie Chaplin">Charlie Chaplin</a> (1928)</li> <li><a href="/wiki/Walt_Disney" title="Walt Disney">Walt Disney</a> (1932)</li> <li><a href="/wiki/Shirley_Temple" title="Shirley Temple">Shirley Temple</a> (1934)</li> <li><a href="/wiki/D._W._Griffith" title="D. W. Griffith">D. W. Griffith</a> (1935)</li> <li><a href="/wiki/The_March_of_Time" title="The March of Time">The March of Time</a> / <a href="/wiki/W._Howard_Greene" title="W. Howard Greene">W. Howard Greene</a> and <a href="/wiki/Harold_Rosson" title="Harold Rosson">Harold Rosson</a> (1936)</li> <li><a href="/wiki/Edgar_Bergen" title="Edgar Bergen">Edgar Bergen</a> / <a href="/wiki/W._Howard_Greene" title="W. Howard Greene">W. Howard Greene</a> / <a href="/wiki/Museum_of_Modern_Art_Department_of_Film" title="Museum of Modern Art Department of Film">Museum of Modern Art Film Library</a> / <a href="/wiki/Mack_Sennett" title="Mack Sennett">Mack Sennett</a> (1937)</li> <li><a href="/wiki/Joseph_A._Ball_(inventor)" title="Joseph A. Ball (inventor)">J. Arthur Ball</a> / <a href="/wiki/Walt_Disney" title="Walt Disney">Walt Disney</a> / <a href="/wiki/Deanna_Durbin" title="Deanna Durbin">Deanna Durbin</a> and <a href="/wiki/Mickey_Rooney" title="Mickey Rooney">Mickey Rooney</a> / <a href="/wiki/Gordon_Jennings" title="Gordon Jennings">Gordon Jennings</a>, <a href="/wiki/Jan_Domela" title="Jan Domela">Jan Domela</a>, Devereaux Jennings, Irmin Roberts, Art Smith, <a href="/wiki/Farciot_Edouart" title="Farciot Edouart">Farciot Edouart</a>, <a href="/wiki/Loyal_Griggs" title="Loyal Griggs">Loyal Griggs</a>, <a href="/wiki/Loren_L._Ryder" title="Loren L. Ryder">Loren L. Ryder</a>, Harry D. Mills, <a href="/wiki/Louis_Mesenkop" title="Louis Mesenkop">Louis Mesenkop</a>, Walter Oberst / <a href="/wiki/Oliver_T._Marsh" title="Oliver T. Marsh">Oliver T. Marsh</a> and Allen Davey / <a href="/wiki/Harry_Warner" title="Harry Warner">Harry Warner</a> (1938)</li> <li><a href="/wiki/Douglas_Fairbanks" title="Douglas Fairbanks">Douglas Fairbanks</a> / <a href="/wiki/Judy_Garland" title="Judy Garland">Judy Garland</a> / <a href="/wiki/William_Cameron_Menzies" title="William Cameron Menzies">William Cameron Menzies</a> / <a href="/wiki/Motion_Picture_%26_Television_Fund" title="Motion Picture & Television Fund">Motion Picture Relief Fund</a> (<a href="/wiki/Jean_Hersholt" title="Jean Hersholt">Jean Hersholt</a>, <a href="/wiki/Ralph_Morgan" title="Ralph Morgan">Ralph Morgan</a>, <a href="/wiki/Ralph_Block" title="Ralph Block">Ralph Block</a>, <a href="/wiki/Conrad_Nagel" title="Conrad Nagel">Conrad Nagel</a>) / <a href="/wiki/Vantiva" title="Vantiva">Technicolor SA</a> (1939)</li> <li><a href="/wiki/Bob_Hope" title="Bob Hope">Bob Hope</a> / <a href="/wiki/Nathan_Levinson" title="Nathan Levinson">Nathan Levinson</a> (1940)</li> <li><a href="/wiki/Walt_Disney" title="Walt Disney">Walt Disney</a>, <a href="/wiki/William_Garity" title="William Garity">William Garity</a>, John N. A. Hawkins, and the <a href="/wiki/RCA" title="RCA">RCA Manufacturing Company</a> / <a href="/wiki/Leopold_Stokowski" title="Leopold Stokowski">Leopold Stokowski</a> and his associates / Rey Scott / <a href="/wiki/Ministry_of_Information_(United_Kingdom)" title="Ministry of Information (United Kingdom)">British Ministry of Information</a> (1941)</li> <li><a href="/wiki/Charles_Boyer" title="Charles Boyer">Charles Boyer</a> / <a href="/wiki/No%C3%ABl_Coward" title="Noël Coward">Noël Coward</a> / <a href="/wiki/Metro-Goldwyn-Mayer" title="Metro-Goldwyn-Mayer">Metro-Goldwyn-Mayer</a> (1942)</li> <li><a href="/wiki/George_Pal" title="George Pal">George Pal</a> (1943)</li> <li><a href="/wiki/Bob_Hope" title="Bob Hope">Bob Hope</a> / <a href="/wiki/Margaret_O%27Brien" title="Margaret O'Brien">Margaret O'Brien</a> (1944)</li> <li>Republic Studio, <a href="/wiki/Daniel_J._Bloomberg" title="Daniel J. Bloomberg">Daniel J. Bloomberg</a>, and the Republic Studio Sound Department / <a href="/wiki/Walter_Wanger" title="Walter Wanger">Walter Wanger</a> / <a href="/wiki/The_House_I_Live_In_(1945_film)" title="The House I Live In (1945 film)">The House I Live In</a> / <a href="/wiki/Peggy_Ann_Garner" title="Peggy Ann Garner">Peggy Ann Garner</a> (1945)</li> <li><a href="/wiki/Harold_Russell" title="Harold Russell">Harold Russell</a> / <a href="/wiki/Laurence_Olivier" title="Laurence Olivier">Laurence Olivier</a> / <a href="/wiki/Ernst_Lubitsch" title="Ernst Lubitsch">Ernst Lubitsch</a> / <a href="/wiki/Claude_Jarman_Jr." title="Claude Jarman Jr.">Claude Jarman Jr.</a> (1946)</li> <li><a href="/wiki/James_Baskett" title="James Baskett">James Baskett</a> / <a href="/wiki/Thomas_Armat" title="Thomas Armat">Thomas Armat</a>, <a href="/wiki/William_Selig" title="William Selig">William Nicholas Selig</a>, <a href="/wiki/Albert_E._Smith_(producer)" title="Albert E. Smith (producer)">Albert E. Smith</a>, and <a href="/wiki/George_Kirke_Spoor" title="George Kirke Spoor">George Kirke Spoor</a> / <a href="/wiki/Bill_and_Coo" title="Bill and Coo">Bill and Coo</a> / <a href="/wiki/Shoeshine_(film)" title="Shoeshine (film)">Shoeshine</a> (1947)</li> <li><a href="/wiki/Walter_Wanger" title="Walter Wanger">Walter Wanger</a> / <a href="/wiki/Monsieur_Vincent" title="Monsieur Vincent">Monsieur Vincent</a> / <a href="/wiki/Sid_Grauman" title="Sid Grauman">Sid Grauman</a> / <a href="/wiki/Adolph_Zukor" title="Adolph Zukor">Adolph Zukor</a> (1948)</li> <li><a href="/wiki/Jean_Hersholt" title="Jean Hersholt">Jean Hersholt</a> / <a href="/wiki/Fred_Astaire" title="Fred Astaire">Fred Astaire</a> / <a class="mw-selflink selflink">Cecil B. DeMille</a> / <a href="/wiki/Bicycle_Thieves" title="Bicycle Thieves">The Bicycle Thief</a> (1949)</li> <li><a href="/wiki/Louis_B._Mayer" title="Louis B. Mayer">Louis B. Mayer</a> / <a href="/wiki/George_Murphy" title="George Murphy">George Murphy</a> / <a href="/wiki/The_Walls_of_Malapaga" title="The Walls of Malapaga">The Walls of Malapaga</a> (1950)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #EEDD82;width:1%">1951–1975</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Gene_Kelly" title="Gene Kelly">Gene Kelly</a> / <a href="/wiki/Rashomon" title="Rashomon">Rashomon</a> (1951)</li> <li><a href="/wiki/Merian_C._Cooper" title="Merian C. Cooper">Merian C. Cooper</a> / <a href="/wiki/Bob_Hope" title="Bob Hope">Bob Hope</a> / <a href="/wiki/Harold_Lloyd" title="Harold Lloyd">Harold Lloyd</a> / George Mitchell / <a href="/wiki/Joseph_M._Schenck" title="Joseph M. Schenck">Joseph M. Schenck</a> / <a href="/wiki/Forbidden_Games" title="Forbidden Games">Forbidden Games</a> (1952)</li> <li><a href="/wiki/20th_Century_Studios" title="20th Century Studios">20th Century-Fox Film Corporation</a> / <a href="/wiki/Bell_%26_Howell" title="Bell & Howell">Bell & Howell Company</a> / <a href="/wiki/Joseph_Breen" title="Joseph Breen">Joseph Breen</a> / <a href="/wiki/Pete_Smith_(film_producer)" title="Pete Smith (film producer)">Pete Smith</a> (1953)</li> <li><a href="/wiki/Bausch_%26_Lomb" title="Bausch & Lomb">Bausch & Lomb Optical Company</a> / <a href="/wiki/Danny_Kaye" title="Danny Kaye">Danny Kaye</a> / Kemp Niver / <a href="/wiki/Greta_Garbo" title="Greta Garbo">Greta Garbo</a> / <a href="/wiki/Jon_Whiteley" title="Jon Whiteley">Jon Whiteley</a> / <a href="/wiki/Vincent_Winter" title="Vincent Winter">Vincent Winter</a> / <a href="/wiki/Gate_of_Hell_(film)" title="Gate of Hell (film)">Gate of Hell</a> (1954)</li> <li><a href="/wiki/Samurai_I:_Musashi_Miyamoto" title="Samurai I: Musashi Miyamoto">Samurai I: Musashi Miyamoto</a> (1955)</li> <li><a href="/wiki/Eddie_Cantor" title="Eddie Cantor">Eddie Cantor</a> (1956)</li> <li><a href="/wiki/Society_of_Motion_Picture_and_Television_Engineers" title="Society of Motion Picture and Television Engineers">Society of Motion Picture and Television Engineers</a> / <a href="/wiki/Broncho_Billy_Anderson" title="Broncho Billy Anderson">Gilbert M. "Broncho Billy" Anderson</a> / <a href="/wiki/Charles_Brackett" title="Charles Brackett">Charles Brackett</a> / <a href="/wiki/B._B._Kahane" title="B. B. Kahane">B. B. Kahane</a> (1957)</li> <li><a href="/wiki/Maurice_Chevalier" title="Maurice Chevalier">Maurice Chevalier</a> (1958)</li> <li><a href="/wiki/Buster_Keaton" title="Buster Keaton">Buster Keaton</a> / <a href="/wiki/Lee_de_Forest" title="Lee de Forest">Lee de Forest</a> (1959)</li> <li><a href="/wiki/Gary_Cooper" title="Gary Cooper">Gary Cooper</a> / <a href="/wiki/Stan_Laurel" title="Stan Laurel">Stan Laurel</a> / <a href="/wiki/Hayley_Mills" title="Hayley Mills">Hayley Mills</a> (1960)</li> <li><a href="/wiki/William_L._Hendricks" title="William L. Hendricks">William L. Hendricks</a> / Fred L. Metzler / <a href="/wiki/Jerome_Robbins" title="Jerome Robbins">Jerome Robbins</a> (1961)</li> <li><a href="/wiki/William_J._Tuttle" title="William J. Tuttle">William J. Tuttle</a> (1964)</li> <li><a href="/wiki/Bob_Hope" title="Bob Hope">Bob Hope</a> (1965)</li> <li><a href="/wiki/Yakima_Canutt" title="Yakima Canutt">Yakima Canutt</a> / <a href="/wiki/Y._Frank_Freeman" title="Y. Frank Freeman">Y. Frank Freeman</a> (1966)</li> <li><a href="/wiki/Arthur_Freed" title="Arthur Freed">Arthur Freed</a> (1967)</li> <li><a href="/wiki/John_Chambers_(make-up_artist)" title="John Chambers (make-up artist)">John Chambers</a> / <a href="/wiki/Onna_White" title="Onna White">Onna White</a> (1968)</li> <li><a href="/wiki/Cary_Grant" title="Cary Grant">Cary Grant</a> (1969)</li> <li><a href="/wiki/Lillian_Gish" title="Lillian Gish">Lillian Gish</a> / <a href="/wiki/Orson_Welles" title="Orson Welles">Orson Welles</a> (1970)</li> <li><a href="/wiki/Charlie_Chaplin" title="Charlie Chaplin">Charlie Chaplin</a> (1971)</li> <li>Charles S. Boren / <a href="/wiki/Edward_G._Robinson" title="Edward G. Robinson">Edward G. Robinson</a> (1972)</li> <li><a href="/wiki/Henri_Langlois" title="Henri Langlois">Henri Langlois</a> / <a href="/wiki/Groucho_Marx" title="Groucho Marx">Groucho Marx</a> (1973)</li> <li><a href="/wiki/Howard_Hawks" title="Howard Hawks">Howard Hawks</a> / <a href="/wiki/Jean_Renoir" title="Jean Renoir">Jean Renoir</a> (1974)</li> <li><a href="/wiki/Mary_Pickford" title="Mary Pickford">Mary Pickford</a> (1975)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #EEDD82;width:1%">1976–2000</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Margaret_Booth" title="Margaret Booth">Margaret Booth</a> (1977)</li> <li><a href="/wiki/Walter_Lantz" title="Walter Lantz">Walter Lantz</a> / <a href="/wiki/Laurence_Olivier" title="Laurence Olivier">Laurence Olivier</a> / <a href="/wiki/King_Vidor" title="King Vidor">King Vidor</a> / <a href="/wiki/Museum_of_Modern_Art" title="Museum of Modern Art">Museum of Modern Art Department of Film</a> (1978)</li> <li>Hal Elias / <a href="/wiki/Alec_Guinness" title="Alec Guinness">Alec Guinness</a> (1979)</li> <li><a href="/wiki/Henry_Fonda" title="Henry Fonda">Henry Fonda</a> (1980)</li> <li><a href="/wiki/Barbara_Stanwyck" title="Barbara Stanwyck">Barbara Stanwyck</a> (1981)</li> <li><a href="/wiki/Mickey_Rooney" title="Mickey Rooney">Mickey Rooney</a> (1982)</li> <li><a href="/wiki/Hal_Roach" title="Hal Roach">Hal Roach</a> (1983)</li> <li><a href="/wiki/James_Stewart" title="James Stewart">James Stewart</a> / <a href="/wiki/National_Endowment_for_the_Arts" title="National Endowment for the Arts">National Endowment for the Arts</a> (1984)</li> <li><a href="/wiki/Paul_Newman" title="Paul Newman">Paul Newman</a> / <a href="/wiki/Alex_North" title="Alex North">Alex North</a> (1985)</li> <li><a href="/wiki/Ralph_Bellamy" title="Ralph Bellamy">Ralph Bellamy</a> (1986)</li> <li><a href="/wiki/Kodak" title="Kodak">Eastman Kodak Company</a> / <a href="/wiki/National_Film_Board_of_Canada" title="National Film Board of Canada">National Film Board of Canada</a> (1988)</li> <li><a href="/wiki/Akira_Kurosawa" title="Akira Kurosawa">Akira Kurosawa</a> (1989)</li> <li><a href="/wiki/Sophia_Loren" title="Sophia Loren">Sophia Loren</a> / <a href="/wiki/Myrna_Loy" title="Myrna Loy">Myrna Loy</a> (1990)</li> <li><a href="/wiki/Satyajit_Ray" title="Satyajit Ray">Satyajit Ray</a> (1991)</li> <li><a href="/wiki/Federico_Fellini" title="Federico Fellini">Federico Fellini</a> (1992)</li> <li><a href="/wiki/Deborah_Kerr" title="Deborah Kerr">Deborah Kerr</a> (1993)</li> <li><a href="/wiki/Michelangelo_Antonioni" title="Michelangelo Antonioni">Michelangelo Antonioni</a> (1994)</li> <li><a href="/wiki/Kirk_Douglas" title="Kirk Douglas">Kirk Douglas</a> / <a href="/wiki/Chuck_Jones" title="Chuck Jones">Chuck Jones</a> (1995)</li> <li><a href="/wiki/Michael_Kidd" title="Michael Kidd">Michael Kidd</a> (1996)</li> <li><a href="/wiki/Stanley_Donen" title="Stanley Donen">Stanley Donen</a> (1997)</li> <li><a href="/wiki/Elia_Kazan" title="Elia Kazan">Elia Kazan</a> (1998)</li> <li><a href="/wiki/Andrzej_Wajda" title="Andrzej Wajda">Andrzej Wajda</a> (1999)</li> <li><a href="/wiki/Jack_Cardiff" title="Jack Cardiff">Jack Cardiff</a> / <a href="/wiki/Ernest_Lehman" title="Ernest Lehman">Ernest Lehman</a> (2000)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="background: #EEDD82;width:1%">2001–present</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Sidney_Poitier" title="Sidney Poitier">Sidney Poitier</a> / <a href="/wiki/Robert_Redford" title="Robert Redford">Robert Redford</a> (2001)</li> <li><a href="/wiki/Peter_O%27Toole" title="Peter O'Toole">Peter O'Toole</a> (2002)</li> <li><a href="/wiki/Blake_Edwards" title="Blake Edwards">Blake Edwards</a> (2003)</li> <li><a href="/wiki/Sidney_Lumet" title="Sidney Lumet">Sidney Lumet</a> (2004)</li> <li><a href="/wiki/Robert_Altman" title="Robert Altman">Robert Altman</a> (2005)</li> <li><a href="/wiki/Ennio_Morricone" title="Ennio Morricone">Ennio Morricone</a> (2006)</li> <li><a href="/wiki/Robert_F._Boyle" title="Robert F. Boyle">Robert F. Boyle</a> (2007)</li> <li><a href="/wiki/Lauren_Bacall" title="Lauren Bacall">Lauren Bacall</a> / <a href="/wiki/Roger_Corman" title="Roger Corman">Roger Corman</a> / <a href="/wiki/Gordon_Willis" title="Gordon Willis">Gordon Willis</a> (2009)</li> <li><a href="/wiki/Kevin_Brownlow" title="Kevin Brownlow">Kevin Brownlow</a> / <a href="/wiki/Jean-Luc_Godard" title="Jean-Luc Godard">Jean-Luc Godard</a> / <a href="/wiki/Eli_Wallach" title="Eli Wallach">Eli Wallach</a> (2010)</li> <li><a href="/wiki/James_Earl_Jones" title="James Earl Jones">James Earl Jones</a> / <a href="/wiki/Dick_Smith_(make-up_artist)" title="Dick Smith (make-up artist)">Dick Smith</a> (2011)</li> <li><a href="/wiki/D._A._Pennebaker" title="D. A. Pennebaker">D. A. Pennebaker</a> / <a href="/wiki/Hal_Needham" title="Hal Needham">Hal Needham</a> / <a href="/wiki/George_Stevens_Jr." title="George Stevens Jr.">George Stevens Jr.</a> (2012)</li> <li><a href="/wiki/Angela_Lansbury" title="Angela Lansbury">Angela Lansbury</a> / <a href="/wiki/Steve_Martin" title="Steve Martin">Steve Martin</a> / <a href="/wiki/Piero_Tosi" title="Piero Tosi">Piero Tosi</a> (2013)</li> <li><a href="/wiki/Jean-Claude_Carri%C3%A8re" title="Jean-Claude Carrière">Jean-Claude Carrière</a> / <a href="/wiki/Hayao_Miyazaki" title="Hayao Miyazaki">Hayao Miyazaki</a> / <a href="/wiki/Maureen_O%27Hara" title="Maureen O'Hara">Maureen O'Hara</a> (2014)</li> <li><a href="/wiki/Spike_Lee" title="Spike Lee">Spike Lee</a> / <a href="/wiki/Gena_Rowlands" title="Gena Rowlands">Gena Rowlands</a> (2015)</li> <li><a href="/wiki/Jackie_Chan" title="Jackie Chan">Jackie Chan</a> / <a href="/wiki/Lynn_Stalmaster" title="Lynn Stalmaster">Lynn Stalmaster</a> / <a href="/wiki/Anne_V._Coates" title="Anne V. Coates">Anne V. Coates</a> / <a href="/wiki/Frederick_Wiseman" title="Frederick Wiseman">Frederick Wiseman</a> (2016)</li> <li><a href="/wiki/Charles_Burnett_(director)" title="Charles Burnett (director)">Charles Burnett</a> / <a href="/wiki/Owen_Roizman" title="Owen Roizman">Owen Roizman</a> / <a href="/wiki/Donald_Sutherland" title="Donald Sutherland">Donald Sutherland</a> / <a href="/wiki/Agn%C3%A8s_Varda" title="Agnès Varda">Agnès Varda</a> (2017)</li> <li><a href="/wiki/Marvin_Levy_(publicist)" title="Marvin Levy (publicist)">Marvin Levy</a> / <a href="/wiki/Lalo_Schifrin" title="Lalo Schifrin">Lalo Schifrin</a> / <a href="/wiki/Cicely_Tyson" title="Cicely Tyson">Cicely Tyson</a> (2018)</li> <li><a href="/wiki/David_Lynch" title="David Lynch">David Lynch</a> / <a href="/wiki/Wes_Studi" title="Wes Studi">Wes Studi</a> / <a href="/wiki/Lina_Wertm%C3%BCller" title="Lina Wertmüller">Lina Wertmüller</a> (2019)</li> <li><a href="/wiki/Samuel_L._Jackson" title="Samuel L. Jackson">Samuel L. Jackson</a> / <a href="/wiki/Elaine_May" title="Elaine May">Elaine May</a> / <a href="/wiki/Liv_Ullmann" title="Liv Ullmann">Liv Ullmann</a> (2021)</li> <li><a href="/wiki/Euzhan_Palcy" title="Euzhan Palcy">Euzhan Palcy</a> / <a href="/wiki/Diane_Warren" title="Diane Warren">Diane Warren</a> / <a href="/wiki/Peter_Weir" title="Peter Weir">Peter Weir</a> (2022)</li> <li><a href="/wiki/Angela_Bassett" title="Angela Bassett">Angela Bassett</a> / <a href="/wiki/Mel_Brooks" title="Mel Brooks">Mel Brooks</a> / <a href="/wiki/Carol_Littleton" title="Carol Littleton">Carol Littleton</a> (2023)</li> <li><a href="/wiki/Quincy_Jones" title="Quincy Jones">Quincy Jones</a> / <a href="/wiki/Juliet_Taylor" title="Juliet Taylor">Juliet Taylor</a> (2024)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Cecil_B._DeMille_Award" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background: #CFB53B"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Cecil_B._DeMille_Award" title="Template:Cecil B. DeMille Award"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Cecil_B._DeMille_Award" title="Template talk:Cecil B. DeMille Award"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Cecil_B._DeMille_Award" title="Special:EditPage/Template:Cecil B. DeMille Award"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Cecil_B._DeMille_Award" style="font-size:114%;margin:0 4em"><a href="/wiki/Golden_Globe_Cecil_B._DeMille_Award" title="Golden Globe Cecil B. DeMille Award">Cecil B. DeMille Award</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a class="mw-selflink selflink">Cecil B. DeMille</a> (1952)</li> <li><a href="/wiki/Walt_Disney" title="Walt Disney">Walt Disney</a> (1953)</li> <li><a href="/wiki/Darryl_F._Zanuck" title="Darryl F. Zanuck">Darryl F. Zanuck</a> (1954)</li> <li><a href="/wiki/Jean_Hersholt" title="Jean Hersholt">Jean Hersholt</a> (1955)</li> <li><a href="/wiki/Jack_L._Warner" title="Jack L. Warner">Jack L. Warner</a> (1956)</li> <li><a href="/wiki/Mervyn_LeRoy" title="Mervyn LeRoy">Mervyn LeRoy</a> (1957)</li> <li><a href="/wiki/Buddy_Adler" title="Buddy Adler">Buddy Adler</a> (1958)</li> <li><a href="/wiki/Maurice_Chevalier" title="Maurice Chevalier">Maurice Chevalier</a> (1959)</li> <li><a href="/wiki/Bing_Crosby" title="Bing Crosby">Bing Crosby</a> (1960)</li> <li><a href="/wiki/Fred_Astaire" title="Fred Astaire">Fred Astaire</a> (1961)</li> <li><a href="/wiki/Judy_Garland" title="Judy Garland">Judy Garland</a> (1962)</li> <li><a href="/wiki/Bob_Hope" title="Bob Hope">Bob Hope</a> (1963)</li> <li><a href="/wiki/Joseph_E._Levine" title="Joseph E. Levine">Joseph E. Levine</a> (1964)</li> <li><a href="/wiki/James_Stewart" title="James Stewart">James Stewart</a> (1965)</li> <li><a href="/wiki/John_Wayne" title="John Wayne">John Wayne</a> (1966)</li> <li><a href="/wiki/Charlton_Heston" title="Charlton Heston">Charlton Heston</a> (1967)</li> <li><a href="/wiki/Kirk_Douglas" title="Kirk Douglas">Kirk Douglas</a> (1968)</li> <li><a href="/wiki/Gregory_Peck" title="Gregory Peck">Gregory Peck</a> (1969)</li> <li><a href="/wiki/Joan_Crawford" title="Joan Crawford">Joan Crawford</a> (1970)</li> <li><a href="/wiki/Frank_Sinatra" title="Frank Sinatra">Frank Sinatra</a> (1971)</li> <li><a href="/wiki/Alfred_Hitchcock" title="Alfred Hitchcock">Alfred Hitchcock</a> (1972)</li> <li><a href="/wiki/Samuel_Goldwyn" title="Samuel Goldwyn">Samuel Goldwyn</a> (1973)</li> <li><a href="/wiki/Bette_Davis" title="Bette Davis">Bette Davis</a> (1974)</li> <li><a href="/wiki/Hal_B._Wallis" title="Hal B. Wallis">Hal B. Wallis</a> (1975)</li> <li>No Award (1976)</li> <li><a href="/wiki/Walter_Mirisch" title="Walter Mirisch">Walter Mirisch</a> (1977)</li> <li><a href="/wiki/Red_Skelton" title="Red Skelton">Red Skelton</a> (1978)</li> <li><a href="/wiki/Lucille_Ball" title="Lucille Ball">Lucille Ball</a> (1979)</li> <li><a href="/wiki/Henry_Fonda" title="Henry Fonda">Henry Fonda</a> (1980)</li> <li><a href="/wiki/Gene_Kelly" title="Gene Kelly">Gene Kelly</a> (1981)</li> <li><a href="/wiki/Sidney_Poitier" title="Sidney Poitier">Sidney Poitier</a> (1982)</li> <li><a href="/wiki/Laurence_Olivier" title="Laurence Olivier">Laurence Olivier</a> (1983)</li> <li><a href="/wiki/Paul_Newman" title="Paul Newman">Paul Newman</a> (1984)</li> <li><a href="/wiki/Elizabeth_Taylor" title="Elizabeth Taylor">Elizabeth Taylor</a> (1985)</li> <li><a href="/wiki/Barbara_Stanwyck" title="Barbara Stanwyck">Barbara Stanwyck</a> (1986)</li> <li><a href="/wiki/Anthony_Quinn" title="Anthony Quinn">Anthony Quinn</a> (1987)</li> <li><a href="/wiki/Clint_Eastwood" title="Clint Eastwood">Clint Eastwood</a> (1988)</li> <li><a href="/wiki/Doris_Day" title="Doris Day">Doris Day</a> (1989)</li> <li><a href="/wiki/Audrey_Hepburn" title="Audrey Hepburn">Audrey Hepburn</a> (1990)</li> <li><a href="/wiki/Jack_Lemmon" title="Jack Lemmon">Jack Lemmon</a> (1991)</li> <li><a href="/wiki/Robert_Mitchum" title="Robert Mitchum">Robert Mitchum</a> (1992)</li> <li><a href="/wiki/Lauren_Bacall" title="Lauren Bacall">Lauren Bacall</a> (1993)</li> <li><a href="/wiki/Robert_Redford" title="Robert Redford">Robert Redford</a> (1994)</li> <li><a href="/wiki/Sophia_Loren" title="Sophia Loren">Sophia Loren</a> (1995)</li> <li><a href="/wiki/Sean_Connery" title="Sean Connery">Sean Connery</a> (1996)</li> <li><a href="/wiki/Dustin_Hoffman" title="Dustin Hoffman">Dustin Hoffman</a> (1997)</li> <li><a href="/wiki/Shirley_MacLaine" title="Shirley MacLaine">Shirley MacLaine</a> (1998)</li> <li><a href="/wiki/Jack_Nicholson" title="Jack Nicholson">Jack Nicholson</a> (1999)</li> <li><a href="/wiki/Barbra_Streisand" title="Barbra Streisand">Barbra Streisand</a> (2000)</li> <li><a href="/wiki/Al_Pacino" title="Al Pacino">Al Pacino</a> (2001)</li> <li><a href="/wiki/Harrison_Ford" title="Harrison Ford">Harrison Ford</a> (2002)</li> <li><a href="/wiki/Gene_Hackman" title="Gene Hackman">Gene Hackman</a> (2003)</li> <li><a href="/wiki/Michael_Douglas" title="Michael Douglas">Michael Douglas</a> (2004)</li> <li><a href="/wiki/Robin_Williams" title="Robin Williams">Robin Williams</a> (2005)</li> <li><a href="/wiki/Anthony_Hopkins" title="Anthony Hopkins">Anthony Hopkins</a> (2006)</li> <li><a href="/wiki/Warren_Beatty" title="Warren Beatty">Warren Beatty</a> (2007)</li> <li>No Award (2008)</li> <li><a href="/wiki/Steven_Spielberg" title="Steven Spielberg">Steven Spielberg</a> (2009)</li> <li><a href="/wiki/Martin_Scorsese" title="Martin Scorsese">Martin Scorsese</a> (2010)</li> <li><a href="/wiki/Robert_De_Niro" title="Robert De Niro">Robert De Niro</a> (2011)</li> <li><a href="/wiki/Morgan_Freeman" title="Morgan Freeman">Morgan Freeman</a> (2012)</li> <li><a href="/wiki/Jodie_Foster" title="Jodie Foster">Jodie Foster</a> (2013)</li> <li><a href="/wiki/Woody_Allen" title="Woody Allen">Woody Allen</a> (2014)</li> <li><a href="/wiki/George_Clooney" title="George Clooney">George Clooney</a> (2015)</li> <li><a href="/wiki/Denzel_Washington" title="Denzel Washington">Denzel Washington</a> (2016)</li> <li><a href="/wiki/Meryl_Streep" title="Meryl Streep">Meryl Streep</a> (2017)</li> <li><a href="/wiki/Oprah_Winfrey" title="Oprah Winfrey">Oprah Winfrey</a> (2018)</li> <li><a href="/wiki/Jeff_Bridges" title="Jeff Bridges">Jeff Bridges</a> (2019)</li> <li><a href="/wiki/Tom_Hanks" title="Tom Hanks">Tom Hanks</a> (2020)</li> <li><a href="/wiki/Jane_Fonda" title="Jane Fonda">Jane Fonda</a> (2021)</li> <li>No Award (2022)</li> <li><a href="/wiki/Eddie_Murphy" title="Eddie Murphy">Eddie Murphy</a> (2023)</li> <li>No Award (2024)</li> <li><a href="/wiki/Viola_Davis" title="Viola Davis">Viola Davis</a> (2025)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Directors_Guild_of_America_Lifetime_Achievement_Award_–_Feature_Film" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background: #ABCDEF"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:DirectorsGuildofAmericaAwardLifetimeFilm" title="Template:DirectorsGuildofAmericaAwardLifetimeFilm"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:DirectorsGuildofAmericaAwardLifetimeFilm" title="Template talk:DirectorsGuildofAmericaAwardLifetimeFilm"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:DirectorsGuildofAmericaAwardLifetimeFilm" title="Special:EditPage/Template:DirectorsGuildofAmericaAwardLifetimeFilm"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Directors_Guild_of_America_Lifetime_Achievement_Award_–_Feature_Film" style="font-size:114%;margin:0 4em"><a href="/wiki/Directors_Guild_of_America_Lifetime_Achievement_Award_%E2%80%93_Feature_Film" title="Directors Guild of America Lifetime Achievement Award – Feature Film">Directors Guild of America Lifetime Achievement Award – Feature Film</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a class="mw-selflink selflink">Cecil B. DeMille</a> (1952)</li> <li><a href="/wiki/John_Ford" title="John Ford">John Ford</a> (1953)</li> <li><a href="/wiki/Henry_King_(director)" title="Henry King (director)">Henry King</a> (1955)</li> <li><a href="/wiki/King_Vidor" title="King Vidor">King Vidor</a> (1956)</li> <li><a href="/wiki/Frank_Capra" title="Frank Capra">Frank Capra</a> (1958)</li> <li><a href="/wiki/George_Stevens" title="George Stevens">George Stevens</a> (1959)</li> <li><a href="/wiki/Frank_Borzage" title="Frank Borzage">Frank Borzage</a> (1960)</li> <li><a href="/wiki/William_Wyler" title="William Wyler">William Wyler</a> (1965)</li> <li><a href="/wiki/Alfred_Hitchcock" title="Alfred Hitchcock">Alfred Hitchcock</a> (1967)</li> <li><a href="/wiki/Fred_Zinnemann" title="Fred Zinnemann">Fred Zinnemann</a> (1969)</li> <li><a href="/wiki/David_Lean" title="David Lean">David Lean</a> and <a href="/wiki/William_A._Wellman" title="William A. Wellman">William A. Wellman</a> (1972)</li> <li><a href="/wiki/George_Cukor" title="George Cukor">George Cukor</a> (1980)</li> <li><a href="/wiki/Rouben_Mamoulian" title="Rouben Mamoulian">Rouben Mamoulian</a> (1981)</li> <li><a href="/wiki/John_Huston" title="John Huston">John Huston</a> (1982)</li> <li><a href="/wiki/Orson_Welles" title="Orson Welles">Orson Welles</a> (1983)</li> <li><a href="/wiki/Billy_Wilder" title="Billy Wilder">Billy Wilder</a> (1984)</li> <li><a href="/wiki/Joseph_L._Mankiewicz" title="Joseph L. Mankiewicz">Joseph L. Mankiewicz</a> (1985)</li> <li><a href="/wiki/Elia_Kazan" title="Elia Kazan">Elia Kazan</a> (1986)</li> <li><a href="/wiki/Robert_Wise" title="Robert Wise">Robert Wise</a> (1987)</li> <li><a href="/wiki/Ingmar_Bergman" title="Ingmar Bergman">Ingmar Bergman</a> (1989)</li> <li><a href="/wiki/Akira_Kurosawa" title="Akira Kurosawa">Akira Kurosawa</a> (1991)</li> <li><a href="/wiki/Sidney_Lumet" title="Sidney Lumet">Sidney Lumet</a> (1992)</li> <li><a href="/wiki/Robert_Altman" title="Robert Altman">Robert Altman</a> (1993)</li> <li><a href="/wiki/James_Ivory" title="James Ivory">James Ivory</a> (1994)</li> <li><a href="/wiki/Woody_Allen" title="Woody Allen">Woody Allen</a> (1995)</li> <li><a href="/wiki/Stanley_Kubrick" title="Stanley Kubrick">Stanley Kubrick</a> (1996)</li> <li><a href="/wiki/Francis_Ford_Coppola" title="Francis Ford Coppola">Francis Ford Coppola</a> (1997)</li> <li><a href="/wiki/Steven_Spielberg" title="Steven Spielberg">Steven Spielberg</a> (1999)</li> <li><a href="/wiki/Martin_Scorsese" title="Martin Scorsese">Martin Scorsese</a> (2002)</li> <li><a href="/wiki/Mike_Nichols" title="Mike Nichols">Mike Nichols</a> (2003)</li> <li><a href="/wiki/Clint_Eastwood" title="Clint Eastwood">Clint Eastwood</a> (2005)</li> <li><a href="/wiki/Norman_Jewison" title="Norman Jewison">Norman Jewison</a> (2009)</li> <li><a href="/wiki/Milo%C5%A1_Forman" title="Miloš Forman">Miloš Forman</a> (2012)</li> <li><a href="/wiki/Ridley_Scott" title="Ridley Scott">Ridley Scott</a> (2016)</li> <li><a href="/wiki/Spike_Lee" title="Spike Lee">Spike Lee</a> (2021)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Irving_G._Thalberg_Memorial_Award" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background: #EEDD82"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Thalberg_Award" title="Template:Thalberg Award"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Thalberg_Award" title="Template talk:Thalberg Award"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Thalberg_Award" title="Special:EditPage/Template:Thalberg Award"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Irving_G._Thalberg_Memorial_Award" style="font-size:114%;margin:0 4em"><a href="/wiki/Irving_G._Thalberg_Memorial_Award" title="Irving G. Thalberg Memorial Award">Irving G. Thalberg Memorial Award</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Darryl_F._Zanuck" title="Darryl F. Zanuck">Darryl F. Zanuck</a> (1938)</li> <li><a href="/wiki/Hal_B._Wallis" title="Hal B. Wallis">Hal B. Wallis</a> (1939)</li> <li><a href="/wiki/David_O._Selznick" title="David O. Selznick">David O. Selznick</a> (1940)</li> <li><a href="/wiki/Walt_Disney" title="Walt Disney">Walt Disney</a> (1942)</li> <li><a href="/wiki/Sidney_Franklin_(director)" title="Sidney Franklin (director)">Sidney Franklin</a> (1943)</li> <li><a href="/wiki/Hal_B._Wallis" title="Hal B. Wallis">Hal B. Wallis</a> (1944)</li> <li><a href="/wiki/Darryl_F._Zanuck" title="Darryl F. Zanuck">Darryl F. Zanuck</a> (1945)</li> <li><a href="/wiki/Samuel_Goldwyn" title="Samuel Goldwyn">Samuel Goldwyn</a> (1947)</li> <li><a href="/wiki/Jerry_Wald" title="Jerry Wald">Jerry Wald</a> (1949)</li> <li><a href="/wiki/Darryl_F._Zanuck" title="Darryl F. Zanuck">Darryl F. Zanuck</a> (1951)</li> <li><a href="/wiki/Arthur_Freed" title="Arthur Freed">Arthur Freed</a> (1952)</li> <li><a class="mw-selflink selflink">Cecil B. DeMille</a> (1953)</li> <li><a href="/wiki/George_Stevens" title="George Stevens">George Stevens</a> (1954)</li> <li><a href="/wiki/Buddy_Adler" title="Buddy Adler">Buddy Adler</a> (1957)</li> <li><a href="/wiki/Jack_L._Warner" title="Jack L. Warner">Jack L. Warner</a> (1959)</li> <li><a href="/wiki/Stanley_Kramer" title="Stanley Kramer">Stanley Kramer</a> (1962)</li> <li><a href="/wiki/Sam_Spiegel" title="Sam Spiegel">Sam Spiegel</a> (1964)</li> <li><a href="/wiki/William_Wyler" title="William Wyler">William Wyler</a> (1966)</li> <li><a href="/wiki/Robert_Wise" title="Robert Wise">Robert Wise</a> (1967)</li> <li><a href="/wiki/Alfred_Hitchcock" title="Alfred Hitchcock">Alfred Hitchcock</a> (1968)</li> <li><a href="/wiki/Ingmar_Bergman" title="Ingmar Bergman">Ingmar Bergman</a> (1971)</li> <li><a href="/wiki/Lawrence_Weingarten" title="Lawrence Weingarten">Lawrence Weingarten</a> (1974)</li> <li><a href="/wiki/Mervyn_LeRoy" title="Mervyn LeRoy">Mervyn LeRoy</a> (1976)</li> <li><a href="/wiki/Pandro_S._Berman" title="Pandro S. Berman">Pandro S. Berman</a> (1977)</li> <li><a href="/wiki/Walter_Mirisch" title="Walter Mirisch">Walter Mirisch</a> (1978)</li> <li><a href="/wiki/Ray_Stark" title="Ray Stark">Ray Stark</a> (1980)</li> <li><a href="/wiki/Albert_R._Broccoli" title="Albert R. Broccoli">Albert R. Broccoli</a> (1982)</li> <li><a href="/wiki/Steven_Spielberg" title="Steven Spielberg">Steven Spielberg</a> (1987)</li> <li><a href="/wiki/Billy_Wilder" title="Billy Wilder">Billy Wilder</a> (1988)</li> <li><a href="/wiki/David_Brown_(producer)" title="David Brown (producer)">David Brown</a> and <a href="/wiki/Richard_D._Zanuck" title="Richard D. Zanuck">Richard D. Zanuck</a> (1991)</li> <li><a href="/wiki/George_Lucas" title="George Lucas">George Lucas</a> (1992)</li> <li><a href="/wiki/Clint_Eastwood" title="Clint Eastwood">Clint Eastwood</a> (1995)</li> <li><a href="/wiki/Saul_Zaentz" title="Saul Zaentz">Saul Zaentz</a> (1997)</li> <li><a href="/wiki/Norman_Jewison" title="Norman Jewison">Norman Jewison</a> (1999)</li> <li><a href="/wiki/Warren_Beatty" title="Warren Beatty">Warren Beatty</a> (2000)</li> <li><a href="/wiki/Dino_De_Laurentiis" title="Dino De Laurentiis">Dino De Laurentiis</a> (2001)</li> <li><a href="/wiki/John_Calley" title="John Calley">John Calley</a> (2009)</li> <li><a href="/wiki/Francis_Ford_Coppola" title="Francis Ford Coppola">Francis Ford Coppola</a> (2010)</li> <li><a href="/wiki/Kathleen_Kennedy_(producer)" title="Kathleen Kennedy (producer)">Kathleen Kennedy</a> and <a href="/wiki/Frank_Marshall_(filmmaker)" title="Frank Marshall (filmmaker)">Frank Marshall</a> (2018)</li> <li><a href="/wiki/Barbara_Broccoli" title="Barbara Broccoli">Barbara Broccoli</a> and <a href="/wiki/Michael_G._Wilson" title="Michael G. Wilson">Michael G. Wilson</a> (2024)</li></ul> </div></td></tr></tbody></table></div></div></td></tr></tbody></table></div> <style data-mw-deduplicate="TemplateStyles:r1130092004">.mw-parser-output .portal-bar{font-size:88%;font-weight:bold;display:flex;justify-content:center;align-items:baseline}.mw-parser-output .portal-bar-bordered{padding:0 2em;background-color:#fdfdfd;border:1px solid #a2a9b1;clear:both;margin:1em auto 0}.mw-parser-output .portal-bar-related{font-size:100%;justify-content:flex-start}.mw-parser-output .portal-bar-unbordered{padding:0 1.7em;margin-left:0}.mw-parser-output .portal-bar-header{margin:0 1em 0 0.5em;flex:0 0 auto;min-height:24px}.mw-parser-output .portal-bar-content{display:flex;flex-flow:row wrap;flex:0 1 auto;padding:0.15em 0;column-gap:1em;align-items:baseline;margin:0;list-style:none}.mw-parser-output .portal-bar-content-related{margin:0;list-style:none}.mw-parser-output .portal-bar-item{display:inline-block;margin:0.15em 0.2em;min-height:24px;line-height:24px}@media screen and (max-width:768px){.mw-parser-output .portal-bar{font-size:88%;font-weight:bold;display:flex;flex-flow:column wrap;align-items:baseline}.mw-parser-output .portal-bar-header{text-align:center;flex:0;padding-left:0.5em;margin:0 auto}.mw-parser-output .portal-bar-related{font-size:100%;align-items:flex-start}.mw-parser-output .portal-bar-content{display:flex;flex-flow:row wrap;align-items:center;flex:0;column-gap:1em;border-top:1px solid #a2a9b1;margin:0 auto;list-style:none}.mw-parser-output .portal-bar-content-related{border-top:none;margin:0;list-style:none}}.mw-parser-output .navbox+link+.portal-bar,.mw-parser-output .navbox+style+.portal-bar,.mw-parser-output .navbox+link+.portal-bar-bordered,.mw-parser-output .navbox+style+.portal-bar-bordered,.mw-parser-output .sister-bar+link+.portal-bar,.mw-parser-output .sister-bar+style+.portal-bar,.mw-parser-output .portal-bar+.navbox-styles+.navbox,.mw-parser-output .portal-bar+.navbox-styles+.sister-bar{margin-top:-1px}</style><div class="portal-bar noprint metadata noviewer portal-bar-bordered" role="navigation" aria-label="Portals"><a href="/wiki/Wikipedia:Contents/Portals" title="Wikipedia:Contents/Portals">Portals</a>:<ul class="portal-bar-content"><li class="portal-bar-item"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/6/69/P_vip.svg/19px-P_vip.svg.png" decoding="async" width="19" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/6/69/P_vip.svg/28px-P_vip.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/6/69/P_vip.svg/37px-P_vip.svg.png 2x" data-file-width="1911" data-file-height="1944" /> <a href="/wiki/Portal:Biography" title="Portal:Biography">Biography</a></li><li class="portal-bar-item"><img alt="flag" src="//upload.wikimedia.org/wikipedia/en/thumb/a/a4/Flag_of_the_United_States.svg/21px-Flag_of_the_United_States.svg.png" decoding="async" width="21" height="11" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/a/a4/Flag_of_the_United_States.svg/32px-Flag_of_the_United_States.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/a/a4/Flag_of_the_United_States.svg/42px-Flag_of_the_United_States.svg.png 2x" data-file-width="1235" data-file-height="650" /> <a href="/wiki/Portal:United_States" title="Portal:United States">United States</a></li><li class="portal-bar-item"><img alt="flag" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/92/Flag_of_New_Jersey.svg/21px-Flag_of_New_Jersey.svg.png" decoding="async" width="21" height="13" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/92/Flag_of_New_Jersey.svg/32px-Flag_of_New_Jersey.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/92/Flag_of_New_Jersey.svg/42px-Flag_of_New_Jersey.svg.png 2x" data-file-width="1000" data-file-height="600" /> <a href="/wiki/Portal:New_Jersey" title="Portal:New Jersey">New Jersey</a></li><li class="portal-bar-item"><img alt="photo" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/57/LA_Skyline_Mountains2.jpg/21px-LA_Skyline_Mountains2.jpg" decoding="async" width="21" height="14" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/57/LA_Skyline_Mountains2.jpg/32px-LA_Skyline_Mountains2.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/57/LA_Skyline_Mountains2.jpg/42px-LA_Skyline_Mountains2.jpg 2x" data-file-width="2816" data-file-height="1880" /> <a href="/wiki/Portal:Los_Angeles" class="mw-redirect" title="Portal:Los Angeles">Los Angeles</a></li><li class="portal-bar-item"><img alt="flag" src="//upload.wikimedia.org/wikipedia/commons/thumb/0/01/Flag_of_California.svg/21px-Flag_of_California.svg.png" decoding="async" width="21" height="14" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/01/Flag_of_California.svg/32px-Flag_of_California.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/01/Flag_of_California.svg/42px-Flag_of_California.svg.png 2x" data-file-width="900" data-file-height="600" /> <a href="/wiki/Portal:California" title="Portal:California">California</a></li><li class="portal-bar-item"><a href="/wiki/File:P_culture.svg" class="mw-file-description"><img alt="icon" src="//upload.wikimedia.org/wikipedia/commons/thumb/4/4f/P_culture.svg/21px-P_culture.svg.png" decoding="async" width="21" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/4f/P_culture.svg/32px-P_culture.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4f/P_culture.svg/42px-P_culture.svg.png 2x" data-file-width="400" data-file-height="360" /></a> <a href="/wiki/Portal:Theatre" title="Portal:Theatre">Theatre</a></li><li class="portal-bar-item"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Video-x-generic.svg/19px-Video-x-generic.svg.png" decoding="async" width="19" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Video-x-generic.svg/29px-Video-x-generic.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/e/e7/Video-x-generic.svg/38px-Video-x-generic.svg.png 2x" data-file-width="48" data-file-height="48" /> <a href="/wiki/Portal:Film" title="Portal:Film">Film</a></li><li class="portal-bar-item"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/6/66/DodgerBlue_flag_waving.svg/18px-DodgerBlue_flag_waving.svg.png" decoding="async" width="18" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/66/DodgerBlue_flag_waving.svg/27px-DodgerBlue_flag_waving.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/66/DodgerBlue_flag_waving.svg/35px-DodgerBlue_flag_waving.svg.png 2x" data-file-width="249" data-file-height="268" /> <a href="/wiki/Portal:Conservatism" title="Portal:Conservatism">Conservatism</a></li><li class="portal-bar-item"><a href="/wiki/File:P_christianity.svg" class="mw-file-description"><img alt="icon" src="//upload.wikimedia.org/wikipedia/commons/thumb/7/79/P_christianity.svg/21px-P_christianity.svg.png" decoding="async" width="21" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/79/P_christianity.svg/32px-P_christianity.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/79/P_christianity.svg/42px-P_christianity.svg.png 2x" data-file-width="400" data-file-height="360" /></a> <a href="/wiki/Portal:Christianity" title="Portal:Christianity">Christianity</a></li></ul></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"><style data-mw-deduplicate="TemplateStyles:r1038841319">.mw-parser-output .tooltip-dotted{border-bottom:1px dotted;cursor:help}</style></div><div role="navigation" class="navbox authority-control" aria-labelledby="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q72267#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Authority_control_databases_frameless&#124;text-top&#124;10px&#124;alt=Edit_this_at_Wikidata&#124;link=https&#58;//www.wikidata.org/wiki/Q72267#identifiers&#124;class=noprint&#124;Edit_this_at_Wikidata" style="font-size:114%;margin:0 4em"><a href="/wiki/Help:Authority_control" title="Help:Authority control">Authority control databases</a> <a href="https://www.wikidata.org/wiki/Q72267#identifiers" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">International</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://isni.org/isni/0000000120201545">ISNI</a></li><li><a rel="nofollow" class="external text" href="https://viaf.org/viaf/4989279">VIAF</a></li><li><a rel="nofollow" class="external text" href="http://id.worldcat.org/fast/56301/">FAST</a></li><li><a rel="nofollow" class="external text" href="https://id.oclc.org/worldcat/entity/E39PBJqVVfJp4Vmb4dBjFWWhpP">WorldCat</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/119244012">Germany</a></li><li><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n80073529">United States</a></li><li><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb122633922">France</a></li><li><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb122633922">BnF data</a></li><li><a rel="nofollow" class="external text" href="https://aleph.nkp.cz/F/?func=find-c&local_base=aut&ccl_term=ica=xx0122734&CON_LNG=ENG">Czech Republic</a></li><li><a rel="nofollow" class="external text" href="http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX1297187">Spain</a></li><li><a rel="nofollow" class="external text" href="http://data.bibliotheken.nl/id/thes/p070367027">Netherlands</a></li><li><a rel="nofollow" class="external text" href="https://kopkatalogs.lv/F?func=direct&local_base=lnc10&doc_number=000242393&P_CON_LNG=ENG">Latvia</a></li><li><a rel="nofollow" class="external text" href="https://lod.nl.go.kr/resource/KAC201204174">Korea</a></li><li><a rel="nofollow" class="external text" href="https://dbn.bn.org.pl/descriptor-details/9810532142905606">Poland</a></li><li><a rel="nofollow" class="external text" href="http://olduli.nli.org.il/F/?func=find-b&local_base=NLX10&find_code=UID&request=987007274218105171">Israel</a></li><li><a rel="nofollow" class="external text" href="https://opac.kbr.be/LIBRARY/doc/AUTHORITY/14266229">Belgium</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Academics</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://ci.nii.ac.jp/author/DA07892615?l=en">CiNii</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Artists</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://www.moma.org/artists/32223">Museum of Modern Art</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">People</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://trove.nla.gov.au/people/1008076">Trove</a></li><li><a rel="nofollow" class="external text" href="https://www.deutsche-biographie.de/pnd119244012.html?language=en">Deutsche Biographie</a></li><li><a rel="nofollow" class="external text" href="https://www.deutsche-digitale-bibliothek.de/person/gnd/119244012">DDB</a></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><a rel="nofollow" class="external text" href="https://www.idref.fr/031415490">IdRef</a></li><li><a rel="nofollow" class="external text" href="https://catalog.archives.gov/id/10569938">NARA</a></li><li><a rel="nofollow" class="external text" href="https://snaccooperative.org/ark:/99166/w60r9vtx">SNAC</a></li></ul></div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Cecil_B._DeMille&oldid=1258558694">https://en.wikipedia.org/w/index.php?title=Cecil_B._DeMille&oldid=1258558694</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Help:Category" title="Help:Category">Categories</a>: <ul><li><a href="/wiki/Category:1881_births" title="Category:1881 births">1881 births</a></li><li><a href="/wiki/Category:1959_deaths" title="Category:1959 deaths">1959 deaths</a></li><li><a href="/wiki/Category:20th-century_American_dramatists_and_playwrights" title="Category:20th-century American dramatists and playwrights">20th-century American dramatists and playwrights</a></li><li><a href="/wiki/Category:20th-century_American_male_actors" title="Category:20th-century American male actors">20th-century American male actors</a></li><li><a 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DeMille Award Golden Globe winners">Cecil B. DeMille Award Golden Globe winners</a></li><li><a href="/wiki/Category:DeMille_family" title="Category:DeMille family">DeMille family</a></li><li><a href="/wiki/Category:Directors_of_Best_Picture_Academy_Award_winners" title="Category:Directors of Best Picture Academy Award winners">Directors of Best Picture Academy Award winners</a></li><li><a href="/wiki/Category:Directors_of_Palme_d%27Or_winners" title="Category:Directors of Palme d'Or winners">Directors of Palme d'Or winners</a></li><li><a href="/wiki/Category:Episcopalians_from_Massachusetts" title="Category:Episcopalians from Massachusetts">Episcopalians from Massachusetts</a></li><li><a href="/wiki/Category:Film_directors_from_Massachusetts" title="Category:Film directors from Massachusetts">Film directors from Massachusetts</a></li><li><a href="/wiki/Category:Film_directors_from_New_Jersey" title="Category:Film directors from New Jersey">Film directors from New Jersey</a></li><li><a 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[\"CITEREFEdmondsMimura1980\"] = 1,\n [\"CITEREFEliot2006\"] = 1,\n [\"CITEREFEyman2010\"] = 1,\n [\"CITEREFFlynn2005\"] = 1,\n [\"CITEREFFolkart1984\"] = 1,\n [\"CITEREFGibson\"] = 1,\n [\"CITEREFHavert2019\"] = 1,\n [\"CITEREFHigashi1994\"] = 1,\n [\"CITEREFHiggins2018\"] = 1,\n [\"CITEREFHighman1973\"] = 1,\n [\"CITEREFHoad2016\"] = 1,\n [\"CITEREFHoward2011\"] = 1,\n [\"CITEREFHubbard2000\"] = 1,\n [\"CITEREFInga2017\"] = 1,\n [\"CITEREFJames\"] = 1,\n [\"CITEREFJorgensen2010\"] = 1,\n [\"CITEREFJorgensenScoggins2015\"] = 1,\n [\"CITEREFKear2009\"] = 1,\n [\"CITEREFKing2007\"] = 1,\n [\"CITEREFKing2015\"] = 1,\n [\"CITEREFKozlovic2004\"] = 1,\n [\"CITEREFKozlovic2009\"] = 1,\n [\"CITEREFKozlovic2016\"] = 1,\n [\"CITEREFLaPlaca2011\"] = 1,\n [\"CITEREFLevy2015\"] = 1,\n [\"CITEREFLinden2017\"] = 1,\n [\"CITEREFLiz_Smith_and_the_Tribune_Content_Agency2014\"] = 1,\n [\"CITEREFLouvish2007\"] = 1,\n [\"CITEREFLowe1956\"] = 1,\n [\"CITEREFLuciaGrundmannSimon2016\"] = 1,\n [\"CITEREFLyon1984\"] = 1,\n [\"CITEREFMahar2006\"] = 1,\n [\"CITEREFMaltin2005\"] = 1,\n [\"CITEREFMaltin2009\"] = 1,\n [\"CITEREFMantgani2016\"] = 1,\n [\"CITEREFMasters2017\"] = 1,\n [\"CITEREFMcCarthy2002\"] = 1,\n [\"CITEREFMcNary2015\"] = 1,\n [\"CITEREFMcSmithByrne2008\"] = 1,\n [\"CITEREFMennel2012\"] = 1,\n [\"CITEREFNichols2013\"] = 1,\n [\"CITEREFNowlanNowlan1994\"] = 1,\n [\"CITEREFPeterson1988\"] = 1,\n [\"CITEREFPhillips2016\"] = 1,\n [\"CITEREFPowell1986\"] = 1,\n [\"CITEREFPresleyVieira2014\"] = 1,\n [\"CITEREFPulver2014\"] = 1,\n [\"CITEREFRasmussen1997\"] = 2,\n [\"CITEREFRecords2014\"] = 1,\n [\"CITEREFRinggoldBodeen1969\"] = 1,\n [\"CITEREFRothmanRonk2017\"] = 1,\n [\"CITEREFShales2004\"] = 1,\n [\"CITEREFSobchack1996\"] = 1,\n [\"CITEREFSoisterNicolella2012\"] = 1,\n [\"CITEREFStein2017\"] = 1,\n [\"CITEREFSullivan2010\"] = 1,\n [\"CITEREFT.M.P.1947\"] = 1,\n [\"CITEREFTaskerLeonard2015\"] = 1,\n [\"CITEREFThomas1990\"] = 1,\n [\"CITEREFToone2014\"] = 1,\n [\"CITEREFTownsend\"] = 1,\n [\"CITEREFVyzralek1988\"] = 1,\n [\"CITEREFWarren2019\"] = 1,\n [\"CITEREFWatkins2015\"] = 1,\n [\"CITEREFWhite1988\"] = 1,\n [\"CITEREFWilliams2014\"] = 1,\n}\ntemplate_list = table#1 {\n [\"Academy Award Best Picture Producers\"] = 1,\n [\"Academy Honorary Award\"] = 1,\n [\"Authority control\"] = 1,\n [\"Birth date\"] = 1,\n [\"Cecil B. DeMille\"] = 1,\n [\"Cecil B. DeMille Award 1952–1975\"] = 1,\n [\"Circa\"] = 1,\n [\"Citation needed\"] = 2,\n [\"Cite book\"] = 40,\n [\"Cite journal\"] = 4,\n [\"Cite magazine\"] = 5,\n [\"Cite news\"] = 43,\n [\"Cite web\"] = 33,\n [\"Commons category\"] = 1,\n [\"Convert\"] = 1,\n [\"DEFAULTSORT:Demille, Cecil B.\"] = 1,\n [\"Death date and age\"] = 1,\n [\"DirectorsGuildofAmericaAwardLifetimeFilm\"] = 1,\n [\"Div col\"] = 3,\n [\"Free access\"] = 1,\n [\"Good article\"] = 1,\n [\"Harvnb\"] = 58,\n [\"Hlist\"] = 1,\n [\"IBDB name\"] = 1,\n [\"IMDb name\"] = 1,\n [\"IPAc-en\"] = 1,\n [\"ISBN\"] = 5,\n [\"Infobox person\"] = 1,\n [\"Internet Archive author\"] = 1,\n [\"Marriage\"] = 1,\n [\"Navboxes\"] = 1,\n [\"Official website\"] = 2,\n [\"Portal bar\"] = 1,\n [\"Quote box\"] = 1,\n [\"Refbegin\"] = 1,\n [\"Refend\"] = 1,\n [\"Reflist\"] = 2,\n [\"Refn\"] = 17,\n [\"Rp\"] = 1,\n [\"Sfn\"] = 273,\n [\"Short description\"] = 1,\n [\"Spnd\"] = 1,\n [\"Tcmdb name\"] = 1,\n [\"Thalberg Award\"] = 1,\n [\"Use American English\"] = 1,\n [\"Use mdy dates\"] = 1,\n [\"Wikiquote\"] = 1,\n [\"Wikisource author\"] = 1,\n}\narticle_whitelist = table#1 {\n}\n","limitreport-profile":[["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::callParserFunction","340","25.0"],["?","200","14.7"],["recursiveClone \u003CmwInit.lua:45\u003E","140","10.3"],["dataWrapper \u003Cmw.lua:672\u003E","80","5.9"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::getExpandedArgument","80","5.9"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::gsub","80","5.9"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::find","60","4.4"],["\u003Cmw.lua:694\u003E","60","4.4"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::match","40","2.9"],["MediaWiki\\Extension\\Scribunto\\Engines\\LuaSandbox\\LuaSandboxCallback::fetchLanguageName","40","2.9"],["[others]","240","17.6"]]},"cachereport":{"origin":"mw-web.eqiad.main-5dc468848-mfkht","timestamp":"20241122141144","ttl":2592000,"transientcontent":false}}});});</script> <script type="application/ld+json">{"@context":"https:\/\/schema.org","@type":"Article","name":"Cecil B. DeMille","url":"https:\/\/en.wikipedia.org\/wiki\/Cecil_B._DeMille","sameAs":"http:\/\/www.wikidata.org\/entity\/Q72267","mainEntity":"http:\/\/www.wikidata.org\/entity\/Q72267","author":{"@type":"Organization","name":"Contributors to Wikimedia projects"},"publisher":{"@type":"Organization","name":"Wikimedia Foundation, Inc.","logo":{"@type":"ImageObject","url":"https:\/\/www.wikimedia.org\/static\/images\/wmf-hor-googpub.png"}},"datePublished":"2001-08-21T20:51:59Z","dateModified":"2024-11-20T10:33:02Z","image":"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/c\/c0\/Demille_-_c1920.JPG","headline":"American film director, producer and actor (1881\u20131959)"}</script> </body> </html>