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class="vector-toc-numb">2</span> <span>Musical structure</span> </div> </a> <button aria-controls="toc-Musical_structure-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Musical structure subsection</span> </button> <ul id="toc-Musical_structure-sublist" class="vector-toc-list"> <li id="toc-Sonata_No._1_in_E-flat_major,_BWV_525" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Sonata_No._1_in_E-flat_major,_BWV_525"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.1</span> <span>Sonata No. 1 in E-flat major, BWV 525</span> </div> </a> <ul id="toc-Sonata_No._1_in_E-flat_major,_BWV_525-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Sonata_No._2_in_C_minor,_BWV_526" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Sonata_No._2_in_C_minor,_BWV_526"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.2</span> <span>Sonata No. 2 in C minor, BWV 526</span> </div> </a> <ul id="toc-Sonata_No._2_in_C_minor,_BWV_526-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Sonata_No._3_in_D_minor,_BWV_527" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Sonata_No._3_in_D_minor,_BWV_527"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.3</span> <span>Sonata No. 3 in D minor, BWV 527</span> </div> </a> <ul id="toc-Sonata_No._3_in_D_minor,_BWV_527-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Sonata_No._4_in_E_minor,_BWV_528" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Sonata_No._4_in_E_minor,_BWV_528"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.4</span> <span>Sonata No. 4 in E minor, BWV 528</span> </div> </a> <ul id="toc-Sonata_No._4_in_E_minor,_BWV_528-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Sonata_No._5_in_C_major,_BWV_529" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Sonata_No._5_in_C_major,_BWV_529"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.5</span> <span>Sonata No. 5 in C major, BWV 529</span> </div> </a> <ul id="toc-Sonata_No._5_in_C_major,_BWV_529-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Sonata_No._6_in_G_major,_BWV_530" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Sonata_No._6_in_G_major,_BWV_530"> <div class="vector-toc-text"> <span class="vector-toc-numb">2.6</span> <span>Sonata No. 6 in G major, BWV 530</span> </div> </a> <ul id="toc-Sonata_No._6_in_G_major,_BWV_530-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Reception_and_legacy" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Reception_and_legacy"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>Reception and legacy</span> </div> </a> <button aria-controls="toc-Reception_and_legacy-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Reception and legacy subsection</span> </button> <ul id="toc-Reception_and_legacy-sublist" class="vector-toc-list"> <li id="toc-German-speaking_countries" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#German-speaking_countries"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.1</span> <span>German-speaking countries</span> </div> </a> <ul id="toc-German-speaking_countries-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-England" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#England"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.2</span> <span>England</span> </div> </a> <ul id="toc-England-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-France" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#France"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.3</span> <span>France</span> </div> </a> <ul id="toc-France-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Arrangements_and_transcriptions" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Arrangements_and_transcriptions"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>Arrangements and transcriptions</span> </div> </a> <ul id="toc-Arrangements_and_transcriptions-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Selected_recordings" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Selected_recordings"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> 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class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">6.2</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Sources" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Sources"> <div class="vector-toc-text"> <span class="vector-toc-numb">6.3</span> <span>Sources</span> </div> </a> <ul id="toc-Sources-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Further_reading" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Further_reading"> <div class="vector-toc-text"> <span class="vector-toc-numb">7</span> <span>Further reading</span> </div> </a> <ul id="toc-Further_reading-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" 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mw-list-item"><a href="https://es.wikipedia.org/wiki/Seis_sonatas_a_tr%C3%ADo_para_%C3%B3rgano,_BWV_525-530" title="Seis sonatas a trío para órgano, BWV 525-530 – Spanish" lang="es" hreflang="es" data-title="Seis sonatas a trío para órgano, BWV 525-530" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Sonates_en_trio_pour_orgue_de_Bach" title="Sonates en trio pour orgue de Bach – French" lang="fr" hreflang="fr" data-title="Sonates en trio pour orgue de Bach" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Sonate_in_trio_per_organo" title="Sonate in trio per organo – Italian" lang="it" hreflang="it" data-title="Sonate in trio per organo" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/6%E3%81%A4%E3%81%AE%E3%83%88%E3%83%AA%E3%82%AA%E3%83%BB%E3%82%BD%E3%83%8A%E3%82%BF" title="6つのトリオ・ソナタ – Japanese" lang="ja" hreflang="ja" data-title="6つのトリオ・ソナタ" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Triosonater_for_orgel_(Bach)" title="Triosonater for orgel (Bach) – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Triosonater for orgel (Bach)" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target"><span>Norsk bokmål</span></a></li> </ul> <div class="after-portlet after-portlet-lang"><span class="wb-langlinks-edit 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data-mw-ve-target-container> <div class="vector-body-before-content"> <div class="mw-indicators"> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"><span class="mw-redirectedfrom">(Redirected from <a href="/w/index.php?title=BWV_528&redirect=no" class="mw-redirect" title="BWV 528">BWV 528</a>)</span></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:BWV529.3.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/27/BWV529.3.jpg/220px-BWV529.3.jpg" decoding="async" width="220" height="346" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/27/BWV529.3.jpg/330px-BWV529.3.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/27/BWV529.3.jpg/440px-BWV529.3.jpg 2x" data-file-width="1222" data-file-height="1923" /></a><figcaption>Autograph manuscript of first page of last movement of organ sonata 5, BWV 529</figcaption></figure> <p>The <b>organ sonatas</b>, <a href="/wiki/Bach-Werke-Verzeichnis" title="Bach-Werke-Verzeichnis">BWV</a> 525–530 by <a href="/wiki/Johann_Sebastian_Bach" title="Johann Sebastian Bach">Johann Sebastian Bach</a> are a collection of six <a href="/wiki/Sonata" title="Sonata">sonatas</a> in <a href="/wiki/Trio_sonata" title="Trio sonata">trio sonata form</a>. Each of the sonatas has three <a href="/wiki/Movement_(music)" title="Movement (music)">movements</a>, with three independent parts in the two manuals and <a href="/wiki/Obbligato" title="Obbligato">obbligato</a> pedal. The collection was put together in Leipzig in the late 1720s and contained reworkings of prior compositions by Bach from earlier cantatas, organ works and chamber music as well as some newly composed movements. The sixth sonata, BWV 530, is the only one for which all three movements were specially composed for the collection. When played on an organ, the second manual part is often played an octave lower on the keyboard with appropriate <a href="/wiki/Registration_(organ)" title="Registration (organ)">registration</a>. Commentators have suggested that the collection might partly have been intended for private study to perfect organ technique, some pointing out that its <a href="/wiki/Compass_(music)" class="mw-redirect" title="Compass (music)">compass</a> allows it to be played on a <a href="/wiki/Pedal_clavichord" title="Pedal clavichord">pedal clavichord</a>.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> The collection of sonatas is generally regarded as one of Bach's masterpieces for organ. The sonatas are also considered to be amongst his most difficult compositions for the instrument. </p> <style data-mw-deduplicate="TemplateStyles:r886046785">.mw-parser-output .toclimit-2 .toclevel-1 ul,.mw-parser-output .toclimit-3 .toclevel-2 ul,.mw-parser-output .toclimit-4 .toclevel-3 ul,.mw-parser-output .toclimit-5 .toclevel-4 ul,.mw-parser-output .toclimit-6 .toclevel-5 ul,.mw-parser-output .toclimit-7 .toclevel-6 ul{display:none}</style><div class="toclimit-4"><meta property="mw:PageProp/toc" /></div> <div class="mw-heading mw-heading2"><h2 id="Origins_and_purpose">Origins and purpose</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=1" title="Edit section: Origins and purpose"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Instructional_manual">Instructional manual</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=2" title="Edit section: Instructional manual"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Title_page_Bach_organ_sonatas_Poelchau.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/7e/Title_page_Bach_organ_sonatas_Poelchau.jpg/220px-Title_page_Bach_organ_sonatas_Poelchau.jpg" decoding="async" width="220" height="335" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/7e/Title_page_Bach_organ_sonatas_Poelchau.jpg/330px-Title_page_Bach_organ_sonatas_Poelchau.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/7e/Title_page_Bach_organ_sonatas_Poelchau.jpg/440px-Title_page_Bach_organ_sonatas_Poelchau.jpg 2x" data-file-width="1507" data-file-height="2297" /></a><figcaption>Covering page for the autograph manuscript of the organ sonatas, written some years later by the musician Georg Poelchau</figcaption></figure> <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote"><p>Sechs Sonaten oder Trio für zwey Claviere mit dem obligaten Pedal. Bach hat sie für seinen ältesten Sohn, Wilh. Friedemann, aufgesetzt, welcher sich damit zu dem großen Orgelspieler vorbereiten musste, der er nachher geworden ist. Man kann von ihrer Schönheit nicht genug sagen. Sie sind in dem reifsten Alter des Verfassers gemacht, und können als das Hauptwerk desselben in dieser Art angesehen werden</p><div class="templatequotecite">— <cite><i>Ueber Johann Sebastian Bachs Leben, Kunst und Kunstwerke</i>, <a href="/wiki/Johann_Nikolaus_Forkel" title="Johann Nikolaus Forkel">Johann Nikolaus Forkel</a>, <a href="/wiki/Leipzig" title="Leipzig">Leipzig</a>, 1802</cite></div></blockquote> <p>The organ sonatas were first gathered together in <a href="/wiki/Leipzig" title="Leipzig">Leipzig</a> in an autograph manuscript which Bach scholars have dated to a period roughly between 1727 and 1730. Apart from the heading with the numbering of the six sonatas and an indication of where the manuscript ends, Bach himself left no further specifications. After Bach's death, the musician Georg Poelchau (1773–1836) produced a covering page for the collection (along with the <a href="/wiki/Great_Eighteen_Chorale_Preludes" title="Great Eighteen Chorale Preludes">Great Eighteen Chorale Preludes</a>) with a title and commentary.<sup id="cite_ref-2" class="reference"><a href="#cite_note-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> </p><p>The sonatas were described by Bach's biographer <a href="/wiki/Johann_Nikolaus_Forkel" title="Johann Nikolaus Forkel">Johann Nikolaus Forkel</a> as follows:<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712" /><blockquote class="templatequote"><p>Six sonatas or trios for two keyboards with obbligato pedal. Bach composed them for his eldest son, Willhelm Friedemann, who, by practising them, prepared himself to be the great organist he later became. It is impossible to say enough about their beauty. They were written when the composer was in his full maturity and can be considered his principal work of this kind.</p></blockquote> <p>Poelchau's commentary on the covering page is a direct quotation of this passage from Forkel. </p> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Sophienkirche-Dresden-Silbermann-Organ.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/4/4f/Sophienkirche-Dresden-Silbermann-Organ.jpg/250px-Sophienkirche-Dresden-Silbermann-Organ.jpg" decoding="async" width="220" height="160" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/4f/Sophienkirche-Dresden-Silbermann-Organ.jpg/330px-Sophienkirche-Dresden-Silbermann-Organ.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4f/Sophienkirche-Dresden-Silbermann-Organ.jpg/500px-Sophienkirche-Dresden-Silbermann-Organ.jpg 2x" data-file-width="1092" data-file-height="795" /></a><figcaption>Silbermann Organ (1718–1720) in the <a href="/wiki/Sophienkirche" title="Sophienkirche">Sophienkirche</a>, where <a href="/wiki/Wilhelm_Friedemann_Bach" title="Wilhelm Friedemann Bach">Wilhelm Friedemann Bach</a> became organist in 1733</figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Johann_Franke_-_Die_Sophienkirche_in_Dresden_um_1800.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Johann_Franke_-_Die_Sophienkirche_in_Dresden_um_1800.jpg/250px-Johann_Franke_-_Die_Sophienkirche_in_Dresden_um_1800.jpg" decoding="async" width="220" height="247" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Johann_Franke_-_Die_Sophienkirche_in_Dresden_um_1800.jpg/330px-Johann_Franke_-_Die_Sophienkirche_in_Dresden_um_1800.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/65/Johann_Franke_-_Die_Sophienkirche_in_Dresden_um_1800.jpg/440px-Johann_Franke_-_Die_Sophienkirche_in_Dresden_um_1800.jpg 2x" data-file-width="479" data-file-height="537" /></a><figcaption><a href="/wiki/Sophienkirche" title="Sophienkirche">Sophienkirche</a>, Dresden, 1800</figcaption></figure> <p>The organ sonatas represent the culmination of Bach's collections of keyboard works with a partly didactic purpose, from the point of both playing and composition. Although intended initially for Bach's eldest son <a href="/wiki/Wilhelm_Friedemann_Bach" title="Wilhelm Friedemann Bach">Wilhelm Friedemann Bach</a>, they also became part of the staple repertoire of his students. The keyboard collections include the <a href="/wiki/Orgelb%C3%BCchlein" title="Orgelbüchlein">Orgelbüchlein</a>, the <a href="/wiki/Inventions_and_Sinfonias_(Bach)" class="mw-redirect" title="Inventions and Sinfonias (Bach)">two and three part inventions</a>, the first book of <i><a href="/wiki/The_Well-Tempered_Clavier" title="The Well-Tempered Clavier">The Well-Tempered Clavier</a></i>, the <a href="/wiki/French_Suites" class="mw-redirect" title="French Suites">French Suites</a>, and the <a href="/wiki/Partitas_for_keyboard_(Bach)" title="Partitas for keyboard (Bach)">Six partitas</a> (<i>Clavier–Übung I</i>).<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p><p>Two main sources are known for the collection of sonatas. The first autograph score—possibly not the original composing score—is on paper with a watermark that allows it to be dated to the period 1727–1730. The second "fair copy" was started by Wilhelm Friedemann and completed by Bach's second wife <a href="/wiki/Anna_Magdalena_Bach" title="Anna Magdalena Bach">Anna Magdalena</a>. In addition, there are numerous other later copies by the circle of Bach, including copies of the first movement of BWV 527 and the slow movement of BWV 529 made by Bach's former pupil from Weimar, <a href="/wiki/Johann_Caspar_Vogler" title="Johann Caspar Vogler">Johann Caspar Vogler</a>. From these surviving manuscripts of the collection and the circumstances surrounding its composition—including Wilhelm Friedemann's future career (as a law student in Leipzig and then as organist of the <a href="/wiki/Sophienkirche" title="Sophienkirche">Sophienkirche</a> in <a href="/wiki/Dresden" title="Dresden">Dresden</a>) and Bach's renewed interest in the obbligato organ in his third cycle of cantatas—the date when the collection was compiled can be roughly set at a time between 1727 and 1730, although without any precision.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Genesis_of_collection">Genesis of collection</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=3" title="Edit section: Genesis of collection"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>From the two main sources, from Bach's knowledge of works by other composers and from his own compositions for organ and instrumental ensemble that predate the collection, it is possible to gain a partial idea of how the collection was put together and how the genre of the Bach organ trio evolved. </p><p>Some of the movements had precursors either as organ works or chamber works: only the last sonata BWV 530 had all its movements newly composed. The only other movements that are known with certainty to have been newly composed are the slow movement of BWV 525 and the first movement of BWV 529; the last movement of BWV 529 probably also falls into this category but might be a transcription of a lost instrumental trio sonata from Bach's periods in Cöthen and Weimar. Although Hans Eppstein has suggested that several movements might be transcriptions of lost chamber works, the writing for organ is often so idiosyncratic that his hypothesis can apply to at most a few movements. </p> <figure typeof="mw:File/Thumb"><a href="/wiki/File:BWV76-8_autograph_manuscript.jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/4/49/BWV76-8_autograph_manuscript.jpeg/300px-BWV76-8_autograph_manuscript.jpeg" decoding="async" width="300" height="245" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/49/BWV76-8_autograph_manuscript.jpeg/450px-BWV76-8_autograph_manuscript.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/49/BWV76-8_autograph_manuscript.jpeg/600px-BWV76-8_autograph_manuscript.jpeg 2x" data-file-width="10432" data-file-height="8528" /></a><figcaption>Autograph manuscript of sinfonia starting second part of cantata <a href="/wiki/Die_Himmel_erz%C3%A4hlen_die_Ehre_Gottes,_BWV_76" title="Die Himmel erzählen die Ehre Gottes, BWV 76">Die Himmel erzählen die Ehre Gottes, BWV 76</a>, 1723</figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Nekrolog_Mizler_Musikalische_Bibliothek_Bd_4_1754.jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Nekrolog_Mizler_Musikalische_Bibliothek_Bd_4_1754.jpeg/220px-Nekrolog_Mizler_Musikalische_Bibliothek_Bd_4_1754.jpeg" decoding="async" width="220" height="398" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Nekrolog_Mizler_Musikalische_Bibliothek_Bd_4_1754.jpeg/330px-Nekrolog_Mizler_Musikalische_Bibliothek_Bd_4_1754.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Nekrolog_Mizler_Musikalische_Bibliothek_Bd_4_1754.jpeg/440px-Nekrolog_Mizler_Musikalische_Bibliothek_Bd_4_1754.jpeg 2x" data-file-width="1972" data-file-height="3564" /></a><figcaption>First page of <a href="/wiki/Bach%27s_Nekrolog" title="Bach's Nekrolog">Bach's Nekrolog</a> in Mizler's Musikalische Bibliothek, 1754</figcaption></figure> <p>There are six movements known with reasonable certainty to date from earlier compositions. </p><p>Four movements have previous versions as organ compositions: </p> <ul><li>the first movement of BWV 525;</li> <li>the first movement of BWV 527;</li> <li>the slow movement of BWV 528;</li> <li>the slow movement of BWV 529.</li></ul> <p>Two movements are known to be transcriptions of instrumental trios: </p> <ul><li>The slow movement of the BWV 527 is a reworking of a lost instrumental work which was also re-used later in the slow movement of the triple concerto for flute, violin and harpsichord, <a href="/wiki/BWV_1044" class="mw-redirect" title="BWV 1044">BWV 1044</a>. This arrangement has been ascribed to the period 1729–1740 when Bach was director of the <a href="/wiki/Collegium_Musicum#Leipzig" title="Collegium Musicum">Collegium Musicum</a> in Leipzig, an association of town musicians that mounted concerts in the <a href="/wiki/Caf%C3%A9_Zimmermann" title="Café Zimmermann">Café Zimmermann</a>.</li> <li>The first movement of BWV 528 is a transcription of the sinfonia that begins the second part of the cantata <a href="/wiki/Die_Himmel_erz%C3%A4hlen_die_Ehre_Gottes,_BWV_76" title="Die Himmel erzählen die Ehre Gottes, BWV 76">Die Himmel erzählen die Ehre Gottes, BWV 76</a>, scored for <a href="/wiki/Oboe_d%27amore" title="Oboe d'amore">oboe d'amore</a>, <a href="/wiki/Viola_da_gamba" class="mw-redirect" title="Viola da gamba">viola da gamba</a> and continuo. <a href="#CITEREFBach2013">Bach (2013)</a>, designated BWV 528a, is a reconstruction of an entire trio sonata for the same combination of instruments using the remaining two movements. The lost work is thought to date to Bach's period in Weimar. Pieter Dirksen's edition allows the performers a choice of three possible keys: G minor; E minor; or a mixture of the two.</li></ul> <p>Some individual movements were associated with other organ works of Bach: the earlier version of the slow movement of BWV 529—the most elaborate and skilfully written of the slow movements—was paired with the Prelude and Fugue in C major, BWV 545; and the last movement of BWV 528 was paired with the Prelude and Fugue in G major, BWV 541. It is now thought that these pairings originated in Bach's Leipzig period. One problem in deciding how the collection came about is that many instrumental works on which the organ sonatas might have been based have been lost. Such chamber works are mentioned by <a href="/wiki/Carl_Philipp_Emanuel_Bach" title="Carl Philipp Emanuel Bach">Carl Philipp Emanuel Bach</a> in his 1754 <i><a href="/wiki/Bach%27s_Nekrolog" title="Bach's Nekrolog">Nekrolog</a></i> and many are thought to have been composed in Cöthen. <a href="#CITEREFWolff1994">Wolff (1994)</a> has suggested this might reflect the fact that, after Bach's death, his vocal works passed to Wilhelm Friedemann and Carl Philipp Emanuel who guaranteed their survival; while the chamber works, very few of which survive, were mostly inherited by Bach's younger sons <a href="/wiki/Johann_Christian_Bach" title="Johann Christian Bach">Johann Christian Bach</a> and <a href="/wiki/Johann_Christoph_Friedrich_Bach" title="Johann Christoph Friedrich Bach">Johann Christoph Friedrich Bach</a>. </p><p>Corrections in the autograph manuscript and a detailed analysis of stylistic elements in the sonatas have led <a href="#CITEREFBreig1999">Breig (1999)</a> to suggest that the sonatas were composed in their final state in two distinct groups. The first group, consisting of the first, third and fourth sonatas, has first and last movements which have a fugal character and as close stylistic relation. The second group, consisting of the second, fifth and sixth sonatas where the bulk of composing corrections occur have a concerto-like form, with contrasting tutti and concertato sections in the opening movements and fugal final movements. Even in the second "fair copy" produced by Wilhelm Friedemann and Anna Magdalena, Bach made corrections in three movements (in the first, fifth and sixth sonatas).<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Origins_of_organ_trio">Origins of organ trio</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=4" title="Edit section: Origins of organ trio"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712" /><blockquote class="templatequote"><p>The Sonatas make a world of their own, as distinctive and accomplished as the first movements of Leipzig cantatas or the preludes and fugues of <i>The Well-Tempered Clavier I</i>. The two hands are not merely imitative but so planned as to give a curious satisfaction to the player, with phrases answering each other and syncopations dancing from hand to hand, palpable in a way not quite known even to two violinists. Melodies are bright or subdued, long or short, jolly or plaintive, instantly recognizable for what they are, and so made (as the ear soon senses) to be <a href="/wiki/Invertible_counterpoint" class="mw-redirect" title="Invertible counterpoint">invertible</a>. Probably the technical demands on the player also contribute to their unique aura.</p><div class="templatequotecite">— <cite><a href="#CITEREFWilliams2003">Williams (2003</a>, p. 9)</cite></div></blockquote> <p>Although Bach created a unique compositional genre in this collection of sonatas, the roots of the organ trio can be traced back to the works of earlier composers and some of Bach's own earlier compositions for organ. </p><p>Bach had in his possession many organ works by seventeenth century French organists such as <a href="/wiki/Boyvin" class="mw-redirect" title="Boyvin">Boyvin</a>, <a href="/wiki/Louis-Nicolas_Cl%C3%A9rambault" title="Louis-Nicolas Clérambault">Clérambault</a>, <a href="/wiki/Nicolas_de_Grigny" title="Nicolas de Grigny">Grigny</a>, <a href="/wiki/Nicolas_Leb%C3%A8gue" title="Nicolas Lebègue">Lebègue</a> and <a href="/wiki/Andr%C3%A9_Raison" title="André Raison">Raison</a> who wrote <i>trios</i>, <i>trios en dialogue</i> and <i>trios à trois claviers</i> for two manuals and pedal, with distinctive registrations for each manual keyboard. Bach's sonatas however, with their binary or ritornello form, owe very little to these French organ trios. </p> <figure typeof="mw:File/Thumb"><a href="/wiki/File:Buxtehude_Chorale_Prelude_BuxWV_213_III.jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/ee/Buxtehude_Chorale_Prelude_BuxWV_213_III.jpeg/300px-Buxtehude_Chorale_Prelude_BuxWV_213_III.jpeg" decoding="async" width="300" height="153" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/ee/Buxtehude_Chorale_Prelude_BuxWV_213_III.jpeg/450px-Buxtehude_Chorale_Prelude_BuxWV_213_III.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/ee/Buxtehude_Chorale_Prelude_BuxWV_213_III.jpeg/600px-Buxtehude_Chorale_Prelude_BuxWV_213_III.jpeg 2x" data-file-width="1368" data-file-height="696" /></a><figcaption>Start of Versus III of <i>Nun lob, mein Seel</i>, BuxWV 213, <a href="/wiki/Dieterich_Buxtehude" title="Dieterich Buxtehude">Dieterich Buxtehude</a></figcaption></figure> <figure typeof="mw:File/Thumb"><a href="/wiki/File:BWV664a_Krebs.png" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/e/ea/BWV664a_Krebs.png/330px-BWV664a_Krebs.png" decoding="async" width="300" height="245" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/ea/BWV664a_Krebs.png/500px-BWV664a_Krebs.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/ea/BWV664a_Krebs.png/960px-BWV664a_Krebs.png 2x" data-file-width="1243" data-file-height="1017" /></a><figcaption><i>Allein Gott in der Höh' sei Ehr</i>, BWV 664a, in hand copy by <a href="/wiki/Johann_Tobias_Krebs" title="Johann Tobias Krebs">Johann Tobias Krebs</a></figcaption></figure> <p>Earlier models for Bach's type of organ trio occurred in the first versions of the trios in the <a href="/wiki/Great_Eighteen_Chorale_Preludes" title="Great Eighteen Chorale Preludes">Great Eighteen Chorale Preludes</a>, particularly <i>Allein Gott in der Höh' sei Ehr</i>, BWV 664a, and <i>Herr Jesu Christ, dich zu uns wend</i>, BWV 655a. Both these chorale preludes were written towards the end of Bach's years in Weimar. Both BWV 664a and BWV 655a follow the pattern of the Italian trio sonata for two violins involving <a href="/wiki/Invertible_counterpoint" class="mw-redirect" title="Invertible counterpoint">invertible counterpoint</a>. In a more rudimentary form, trios of this kind already appeared in German organ music in a few of the freely composed chorale preludes of <a href="/wiki/Dietrich_Buxtehude" class="mw-redirect" title="Dietrich Buxtehude">Buxtehude</a>, <a href="/wiki/Anthoni_van_Noordt" title="Anthoni van Noordt">van Noordt</a>, <a href="/wiki/Andreas_Armsdorff" title="Andreas Armsdorff">Armsdorff</a> and <a href="/wiki/Georg_B%C3%B6hm" title="Georg Böhm">Georg Böhm</a>, Bach's teacher from <a href="/wiki/L%C3%BCneburg" title="Lüneburg">Lüneburg</a>. In the two chorale preludes of Bach, the organ trio became fully developed into a concerto-like fast movement: they are written in ritornello form, with the theme in the bass as well as the upper parts, which are written imitatively with virtuosic episodes. The first version of the slow movement of BWV 528 also dates from roughly the same period: instead of the larger scale structure of the two chorale preludes, the musical material is broken up into imitative two bar phrases, often of bewitching beauty. Although no longer having any liturgical references (in particular no <i><a href="/wiki/Cantus_firmus" title="Cantus firmus">cantus firmus</a></i>), the sonatas BWV 525–530 preserve the concerto-like quality of the two Weimar chorale preludes; like them the manual and pedal parts are written within an idiom particular to the organ rather than that of solo instruments like the violin or flute. On the other hand, there is very little similarity between the compositional style of the organ sonatas and that of Bach's organ transcriptions of instrumental concertos by Vivaldi and other composers.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> </p><p>With their chamber music quality, the organ sonatas have clear affinities with Bach's sonatas for obbligato harpsichord and solo instrument—violin, viola da gamba and flute, also composed or compiled in Leipzig. They are all written in <a href="/wiki/Trio_sonata" title="Trio sonata">trio sonata</a> form with binary and ritornello movements. Moreover, the collection of <a href="/wiki/Six_Sonatas_for_Violin_and_Harpsichord,_BWV_1014%E2%80%931019" title="Six Sonatas for Violin and Harpsichord, BWV 1014–1019">six sonatas for obbligato harpsichord and violin, BWV 1014–1019</a> seems to have involved a similar survey, recording all possible ways of writing for the instrumental combination. There are, however, significant differences: </p> <ul><li>the organ sonatas are conceived more in concerto form with three movements, whereas the instrumental sonatas have four or more movements like a <a href="/wiki/Sonata_da_chiesa" title="Sonata da chiesa">sonata da chiesa</a>;</li> <li>the instrumental sonatas do not preserve a strict equality between the upper part—there is often a distinction between material for the melody instrument and the keyboard part, which can play a purely continuo-like role;</li> <li>in the instrumental sonatas, either part can be divided, with the addition of an extra voice or double stopping;</li> <li>while movements from the instrumental sonatas can be diffuse and expansive—possibly because more musical textures are available—movements in the organ sonatas are in general less concerned with texture, clearer in form, and more concise and succinct, sometimes to the extent of seeming like miniatures.</li></ul> <p>Probably the closest similarities between the instrumental sonatas and the organ sonatas occur in their fugal final movements in every aspect—texture, melody and structure. The distinction between sonata types was subsequently delineated by Scheibe, who introduced the term <i>Sonate auf Concertenart</i> to contrast with the <i>sonata da chiesa</i> (see below), but there are as many exceptions to the rule as adherences. Commentators agree that the collection of organ sonatas marks one of the later stages in Bach's development of the trio form.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> </p><p>One of the main composers to develop the purely instrumental trio sonata was Bach's contemporary <a href="/wiki/Georg_Philipp_Telemann" title="Georg Philipp Telemann">Georg Philipp Telemann</a>, godfather to <a href="/wiki/Carl_Philipp_Emanuel_Bach" title="Carl Philipp Emanuel Bach">Carl Philipp Emanuel Bach</a> and his predecessor as <a href="/wiki/Kapellmeister" title="Kapellmeister">Kapellmeister</a> in <a href="/wiki/Hamburg" title="Hamburg">Hamburg</a>. One of the only features that Telemann adopted from the older French tradition of the trio sonata was the adaptability of the instrumentation. Telemann's <i>Six Concerts et Six Suites</i> (1715–1720) could be played on two or three instruments (with an optional viola da gamba or cello). Some movements in the <i>Concerts</i> occasionally show similarities in texture and form with Bach's organ sonatas: <a href="#CITEREFWilliams1980">Williams (1980)</a> gives the following example from the second half of the second movement of Concert IV for flute and harpsichord in E minor, <a href="/wiki/TWV" class="mw-redirect" title="TWV">TWV</a> 42:e3. </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:VI_Concerts_et_VI_Suites_Telemann_TWC42_e3_ii.jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/79/VI_Concerts_et_VI_Suites_Telemann_TWC42_e3_ii.jpeg/220px-VI_Concerts_et_VI_Suites_Telemann_TWC42_e3_ii.jpeg" decoding="async" width="220" height="262" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/79/VI_Concerts_et_VI_Suites_Telemann_TWC42_e3_ii.jpeg/330px-VI_Concerts_et_VI_Suites_Telemann_TWC42_e3_ii.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/79/VI_Concerts_et_VI_Suites_Telemann_TWC42_e3_ii.jpeg/440px-VI_Concerts_et_VI_Suites_Telemann_TWC42_e3_ii.jpeg 2x" data-file-width="876" data-file-height="1045" /></a><figcaption>Harpsichord part of second half of second movement of Telemann's <i>Concert IV</i> engraved in Hamburg in 1734 by Telemann himself</figcaption></figure> <dl><dd><dl><dd><span typeof="mw:File"><a href="/wiki/File:Telemann_Concert_IV_TWV_42_e3.jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/25/Telemann_Concert_IV_TWV_42_e3.jpeg/400px-Telemann_Concert_IV_TWV_42_e3.jpeg" decoding="async" width="400" height="372" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/25/Telemann_Concert_IV_TWV_42_e3.jpeg/600px-Telemann_Concert_IV_TWV_42_e3.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/2/25/Telemann_Concert_IV_TWV_42_e3.jpeg 2x" data-file-width="737" data-file-height="685" /></a></span></dd></dl></dd></dl> <p>Some of the other movements of the <i>Concerts</i> have been cited by <a href="#CITEREFSwack1993">Swack (1993)</a> and <a href="#CITEREFZohn2008">Zohn (2008)</a> as examples of the <i>Sonate auf Concertenart</i>. Later organ sonatas by Bach's student <a href="/wiki/Johann_Ludwig_Krebs" title="Johann Ludwig Krebs">Johann Ludwig Krebs</a> show a clear influence of Bach and closely imitate his style; conversely the newer <i><a href="/wiki/Galant" class="mw-redirect" title="Galant">galant</a></i> style of writing, popular among Krebs' generation, can be discerned in some movements of BWV 525–530, for example the slow movement of the fourth sonata. Several organ trios written by Bach's students survive and are discussed in detail in <a href="#CITEREFStauffer2016">Stauffer (2016)</a> and by Dirksen in <a href="#CITEREFBach2010">Bach (2010)</a>.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> </p> <div style="clear:both;" class=""></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Pedal-clavichord.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/7a/Pedal-clavichord.jpg/250px-Pedal-clavichord.jpg" decoding="async" width="220" height="139" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/7a/Pedal-clavichord.jpg/330px-Pedal-clavichord.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/7a/Pedal-clavichord.jpg/500px-Pedal-clavichord.jpg 2x" data-file-width="2061" data-file-height="1302" /></a><figcaption>J. Verscheure Reynvaan: engraving of an eighteenth-century pedal clavichord</figcaption></figure> <div class="mw-heading mw-heading3"><h3 id="Performance_practice">Performance practice</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=5" title="Edit section: Performance practice"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><a href="#CITEREFWilliams2003">Williams (2003)</a> and <a href="#CITEREFSpeerstra2004">Speerstra (2004)</a> have noted that the compass of the keyboard parts of Bach's BWV 525–530 rarely go below the tenor C, so they could have been played on a single manual <a href="/wiki/Pedal_clavichord" title="Pedal clavichord">pedal clavichord</a>, by moving the left hand down an octave, a customary practice in the 18th century. </p> <div class="mw-heading mw-heading3"><h3 id="Sonaten_auf_Concertenart"><i>Sonaten auf Concertenart</i></h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=6" title="Edit section: Sonaten auf Concertenart"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The music theoretician and organist <a href="/wiki/Johann_Adolph_Scheibe" class="mw-redirect" title="Johann Adolph Scheibe">Johann Adolph Scheibe</a>, a former pupil of Bach, was one of the first people in Germany to describe musical genres, such as the sonata, concerto and sinfonia. He had mixed views on Bach's compositions. He was extremely critical of some of Bach's organ works because of their complexity, comparing Bach's "artful" counterpoint unfavourably with the "natural" melodies of the organist-composer <a href="/wiki/Johann_Mattheson" title="Johann Mattheson">Johann Mattheson</a>, another musical commentator who since 1730 had become a staunch critic of Bach. In 1737 Scheibe wrote that Bach "deprived his pieces of all that was natural by giving them a bombastic and confused character, and eclipsed their beauty by too much art."<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEZohn2015286_14-0" class="reference"><a href="#cite_note-FOOTNOTEZohn2015286-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup><sup class="noprint Inline-Template" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:CITESHORT" class="mw-redirect" title="Wikipedia:CITESHORT"><span title="More information is required to link this short citation to its long citation. (June 2022)">incomplete short citation</span></a></i>]</sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Johann_Adolph_Scheibe.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1e/Johann_Adolph_Scheibe.jpg/220px-Johann_Adolph_Scheibe.jpg" decoding="async" width="220" height="220" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1e/Johann_Adolph_Scheibe.jpg/330px-Johann_Adolph_Scheibe.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1e/Johann_Adolph_Scheibe.jpg/440px-Johann_Adolph_Scheibe.jpg 2x" data-file-width="800" data-file-height="800" /></a><figcaption><a href="/wiki/Johann_Adolf_Scheibe" title="Johann Adolf Scheibe">Johann Adolf Scheibe</a></figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Scheibe_Der_critische_Musicus_1745_Titel.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3c/Scheibe_Der_critische_Musicus_1745_Titel.jpg/220px-Scheibe_Der_critische_Musicus_1745_Titel.jpg" decoding="async" width="220" height="358" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3c/Scheibe_Der_critische_Musicus_1745_Titel.jpg/330px-Scheibe_Der_critische_Musicus_1745_Titel.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/3c/Scheibe_Der_critische_Musicus_1745_Titel.jpg/440px-Scheibe_Der_critische_Musicus_1745_Titel.jpg 2x" data-file-width="1221" data-file-height="1987" /></a><figcaption>Title page of the revised edition of Scheibe's <i>Critischer Musikus</i></figcaption></figure> <p>About the trio sonatas, however, Scheibe had only praise as he considered that they fitted into his theory of the <i>Sonaten auf Concertenart</i>—"sonatas in concerto style". In his treatise <i>Critischer Musikus</i> (1740-1745), Scheibe gave the following description of this musical genre, distinguishing between the a proper or genuine sonata and one <i>auf Concertenart</i>:<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>a<span class="cite-bracket">]</span></a></sup> </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712" /><blockquote class="templatequote"><p>I will first discuss three- and four-part sonatas, of which the former are usually called "trios," the latter "quartets"; then I will comment upon the others. Both types of sonatas that I will discuss first are properly arranged in one of two ways, namely as proper sonatas or as sonatas in concerto style... </p><p>The proper essence of [trios] is above all the presence of a regular melody in all parts, especially the upper voices, and a fugal working out. If they are not arranged in concerto style, one may introduce few convoluted and varied passages; rather, there must be a concise, flowing, and natural melody throughout... </p><p>The ordering that one usually observes in these sonatas is the following. First a slow movement appears, then a fast or lively one; this is followed by a slow movement, and finally a fast and cheerful movement concludes. But now and then one may omit the first, slow movement, and begin immediately with the lively one. One does this particularly if composing sonatas in concerto style... </p><p> The fast or lively movement that follows [the first, slow movement] is usually worked out in fugal style, if it is not in fact a regular fugue. Should the trio be concerto-like, one [upper] part can be worked out more fully than the other, and thus a number of convoluted, running, and varied passages may be heard. In this case the lowest part can be composed less concisely than in another, regular sonata.</p></blockquote> <p>As <a href="#CITEREFBreig1999">Breig (1999)</a> comments, Scheibe regarded Bach's organ sonatas as his main contribution to the genre of <i>Sonaten auf Concertenart</i>. They conform to Scheibe's description in two ways: the role and style of the bass part; and the three-movement format. Firstly the limitations on pedalboard technique dictated that the bass line in the pedal had to be simpler than the two upper parts in the manuals. Even so, Scheibe's analysis only applies in its strict form to half the movements: the starting fast movements of all but the first sonata; the slow movements of all but the first and fourth sonatas; and the whole of the third sonata BWV 527. In all the other movements—in particular in the entire first sonata BWV 525 and in all the final fast movements—the theme passes to the pedal, usually in simplified form stripped of ornaments; thus even in these movements the bass line is less elaborate than the upper parts. </p><p>Secondly the limitation to three movements, omitting a first slow movement, was perhaps a conscious decision of Bach.<sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> In the earlier collection of <a href="/wiki/Six_Sonatas_for_Violin_and_Harpsichord,_BWV_1014%E2%80%931019" title="Six Sonatas for Violin and Harpsichord, BWV 1014–1019">sonatas for violin and obbligato harpsichord (BWV 1014–1019)</a>, mostly composed in four movements, the opening slow movements have long <a href="https://en.wiktionary.org/wiki/Cantilena" class="extiw" title="wiktionary:Cantilena">cantilena</a> melodies for the solo violin. This style of writing would not have translated well to the organ: indeed Bach reserved such lines for the elaborate <a href="/wiki/Cantus_firmus" title="Cantus firmus">cantus firmus</a> parts in his ornamental <a href="/wiki/Chorale_prelude" title="Chorale prelude">chorale preludes</a>. In the sonatas for violin and harpsichord, Bach does not adhere to strict <a href="/wiki/Trio_sonata" title="Trio sonata">trio sonata</a> form in the slow movements, where the upper part in the obbligato harpsichord part can be divided into two voices; and where the violin can fill out the harmonies with <a href="/wiki/Double_stopping" class="mw-redirect" title="Double stopping">double stopping</a>. In the organ sonatas the harmonies are provided by the pedal and the two manual parts, which play single melodic lines throughout.<sup id="cite_ref-18" class="reference"><a href="#cite_note-18"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Musical_structure">Musical structure</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=7" title="Edit section: Musical structure"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Sonata_No._1_in_E-flat_major,_BWV_525"><span id="Sonata_No._1_in_E-flat_major.2C_BWV_525"></span>Sonata No. 1 in E-flat major, BWV 525</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=8" title="Edit section: Sonata No. 1 in E-flat major, BWV 525"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}</style><style data-mw-deduplicate="TemplateStyles:r1096940132">.mw-parser-output .listen .side-box-text{line-height:1.1em}.mw-parser-output .listen-plain{border:none;background:transparent}.mw-parser-output .listen-embedded{width:100%;margin:0;border-width:1px 0 0 0;background:transparent}.mw-parser-output .listen-header{padding:2px}.mw-parser-output .listen-embedded .listen-header{padding:2px 0}.mw-parser-output .listen-file-header{padding:4px 0}.mw-parser-output .listen .description{padding-top:2px}.mw-parser-output .listen .mw-tmh-player{max-width:100%}@media(max-width:719px){.mw-parser-output .listen{clear:both}}@media(min-width:720px){.mw-parser-output .listen:not(.listen-noimage){width:320px}.mw-parser-output .listen-left{overflow:visible;float:left}.mw-parser-output .listen-center{float:none;margin-left:auto;margin-right:auto}}</style><div class="side-box side-box-right listen noprint"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /></span><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_E-flat_major_BWV_525_Johannes-Ernst_K%C3%B6hler_Silbermann-Organ.mp3" title="File:Johann Sebastian Bach first movement Organ Sonata in E-flat major BWV 525 Johannes-Ernst Köhler Silbermann-Organ.mp3">Allegro</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_0" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="203" data-mwtitle="Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_E-flat_major_BWV_525_Johannes-Ernst_Köhler_Silbermann-Organ.mp3" data-mwprovider="wikimediacommons"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/5/5c/Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_E-flat_major_BWV_525_Johannes-Ernst_K%C3%B6hler_Silbermann-Organ.mp3/Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_E-flat_major_BWV_525_Johannes-Ernst_K%C3%B6hler_Silbermann-Organ.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/commons/5/5c/Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_E-flat_major_BWV_525_Johannes-Ernst_K%C3%B6hler_Silbermann-Organ.mp3" type="audio/mpeg" data-width="0" data-height="0" /></audio></span></span></div> <div class="description"></div></div><hr /><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_E-flat_major_BWV_525_Johannes-Ernst_K%C3%B6hler_Silbermann-Organ.mp3" title="File:Johann Sebastian Bach second movement Organ Sonata in E-flat major BWV 525 Johannes-Ernst Köhler Silbermann-Organ.mp3">Adagio</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_1" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="651" data-mwtitle="Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_E-flat_major_BWV_525_Johannes-Ernst_Köhler_Silbermann-Organ.mp3" data-mwprovider="wikimediacommons"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/8/82/Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_E-flat_major_BWV_525_Johannes-Ernst_K%C3%B6hler_Silbermann-Organ.mp3/Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_E-flat_major_BWV_525_Johannes-Ernst_K%C3%B6hler_Silbermann-Organ.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/commons/8/82/Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_E-flat_major_BWV_525_Johannes-Ernst_K%C3%B6hler_Silbermann-Organ.mp3" type="audio/mpeg" data-width="0" data-height="0" /></audio></span></span></div> <div class="description"></div></div><hr /><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_E-flat_major_BWV_525_Johannes-Ernst_K%C3%B6hler_Silbermann-Organ.mp3" title="File:Johann Sebastian Bach third movement Organ Sonata in E-flat major BWV 525 Johannes-Ernst Köhler Silbermann-Organ.mp3">Allegro</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_2" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="245" data-mwtitle="Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_E-flat_major_BWV_525_Johannes-Ernst_Köhler_Silbermann-Organ.mp3" data-mwprovider="wikimediacommons"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/b/b9/Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_E-flat_major_BWV_525_Johannes-Ernst_K%C3%B6hler_Silbermann-Organ.mp3/Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_E-flat_major_BWV_525_Johannes-Ernst_K%C3%B6hler_Silbermann-Organ.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/commons/b/b9/Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_E-flat_major_BWV_525_Johannes-Ernst_K%C3%B6hler_Silbermann-Organ.mp3" type="audio/mpeg" data-width="0" data-height="0" /></audio></span></span></div> <div class="description">All performed by <a href="/wiki/Johannes-Ernst_K%C3%B6hler" title="Johannes-Ernst Köhler">Johannes-Ernst Köhler</a>, Silbermann organ, Fraureuth</div></div></div></div> <div class="side-box-abovebelow"><hr /><i class="selfreference">Problems playing these files? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></div> </div> <style data-mw-deduplicate="TemplateStyles:r1034237262">.mw-parser-output .stack{box-sizing:border-box}.mw-parser-output .stack>div{margin:1px;overflow:hidden}@media all and (min-width:720px){.mw-parser-output .stack-clear-left{float:left;clear:left}.mw-parser-output .stack-clear-right{float:right;clear:right}.mw-parser-output .stack-left{float:left}.mw-parser-output .stack-right{float:right}.mw-parser-output .stack-margin-clear-left{float:left;clear:left;margin-right:1em}.mw-parser-output .stack-margin-clear-right{float:right;clear:right;margin-left:1em}.mw-parser-output .stack-margin-left{float:left;margin-right:1em}.mw-parser-output .stack-margin-right{float:right;margin-left:1em}}</style><div class="stack mw-stack stack-right"><div><figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Fraureuth_Orgel_Silbermann_(2).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/bc/Fraureuth_Orgel_Silbermann_%282%29.jpg/110px-Fraureuth_Orgel_Silbermann_%282%29.jpg" decoding="async" width="110" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/bc/Fraureuth_Orgel_Silbermann_%282%29.jpg/165px-Fraureuth_Orgel_Silbermann_%282%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/bc/Fraureuth_Orgel_Silbermann_%282%29.jpg/220px-Fraureuth_Orgel_Silbermann_%282%29.jpg 2x" data-file-width="2362" data-file-height="3543" /></a><figcaption>1742 <a href="/wiki/Silbermann_organs" class="mw-redirect" title="Silbermann organs">Silbermann organ</a> in Fraureuth</figcaption></figure></div></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1034237262" /><div class="stack mw-stack stack-right"><div><figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Fraureuther_Kirche.JPG" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/75/Fraureuther_Kirche.JPG/120px-Fraureuther_Kirche.JPG" decoding="async" width="110" height="147" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/75/Fraureuther_Kirche.JPG/250px-Fraureuther_Kirche.JPG 1.5x" data-file-width="1728" data-file-height="2304" /></a><figcaption>Village church of <a href="/wiki/Fraureuth" title="Fraureuth">Fraureuth</a> in Saxony</figcaption></figure></div></div> <p><b>Movements</b> </p> <ul><li>[Allegro] <span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="serif-fonts" style="font-family: 'Georgia Pro', Georgia, 'DejaVu Serif', Times, 'Times New Roman', FreeSerif, 'DejaVu Math TeX', 'URW Bookman L', serif;"><span class="nowrap"><span style="display:inline-block;margin-bottom:-0.3em;vertical-align:-0.4em;line-height:0.85em;font-size:80%;text-align:center"><sup style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>2</b></sup><br /><sub style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>2</b></sub></span></span></span></span> E-flat major</li> <li>Adagio <span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="serif-fonts" style="font-family: 'Georgia Pro', Georgia, 'DejaVu Serif', Times, 'Times New Roman', FreeSerif, 'DejaVu Math TeX', 'URW Bookman L', serif;"><span class="nowrap"><span style="display:inline-block;margin-bottom:-0.3em;vertical-align:-0.4em;line-height:0.85em;font-size:80%;text-align:center"><sup style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>12</b></sup><br /><sub style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>8</b></sub></span></span></span></span> C minor</li> <li>Allegro <span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="serif-fonts" style="font-family: 'Georgia Pro', Georgia, 'DejaVu Serif', Times, 'Times New Roman', FreeSerif, 'DejaVu Math TeX', 'URW Bookman L', serif;"><span class="nowrap"><span style="display:inline-block;margin-bottom:-0.3em;vertical-align:-0.4em;line-height:0.85em;font-size:80%;text-align:center"><sup style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>3</b></sup><br /><sub style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>4</b></sub></span></span></span></span> E-flat major</li></ul> <div style="clear:right;" class=""></div> <div class="mw-heading mw-heading3"><h3 id="Sonata_No._2_in_C_minor,_BWV_526"><span id="Sonata_No._2_in_C_minor.2C_BWV_526"></span>Sonata No. 2 in C minor, BWV 526</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=9" title="Edit section: Sonata No. 2 in C minor, BWV 526"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1034237262" /><div class="stack mw-stack stack-right"><div><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132" /><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409" /> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /></span><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_C_minor_BWV_526_Hans_Otto_Silbermann-Organ.mp3" title="File:Johann Sebastian Bach first movement Organ Sonata in C minor BWV 526 Hans Otto Silbermann-Organ.mp3">Vivace (3:38)</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_3" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="238" data-mwtitle="Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_C_minor_BWV_526_Hans_Otto_Silbermann-Organ.mp3" data-mwprovider="wikimediacommons"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/7/7e/Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_C_minor_BWV_526_Hans_Otto_Silbermann-Organ.mp3/Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_C_minor_BWV_526_Hans_Otto_Silbermann-Organ.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/commons/7/7e/Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_C_minor_BWV_526_Hans_Otto_Silbermann-Organ.mp3" type="audio/mpeg" data-width="0" data-height="0" /></audio></span></span></div> <div class="description"></div></div><hr /><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_C_minor_BWV_526_Hans_Otto_Silbermann-Organ.mp3" title="File:Johann Sebastian Bach second movement Organ Sonata in C minor BWV 526 Hans Otto Silbermann-Organ.mp3">Lento (3:09)</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_4" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="190" data-mwtitle="Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_C_minor_BWV_526_Hans_Otto_Silbermann-Organ.mp3" data-mwprovider="wikimediacommons"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/0/00/Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_C_minor_BWV_526_Hans_Otto_Silbermann-Organ.mp3/Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_C_minor_BWV_526_Hans_Otto_Silbermann-Organ.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/commons/0/00/Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_C_minor_BWV_526_Hans_Otto_Silbermann-Organ.mp3" type="audio/mpeg" data-width="0" data-height="0" /></audio></span></span></div> <div class="description"></div></div><hr /><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_C_minor_BWV_526_Hans_Otto_Silbermann-Organ.mp3" title="File:Johann Sebastian Bach third movement Organ Sonata in C minor BWV 526 Hans Otto Silbermann-Organ.mp3">Allegro BWV 526/3 • 4:29</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_5" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="299" data-mwtitle="Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_C_minor_BWV_526_Hans_Otto_Silbermann-Organ.mp3" data-mwprovider="wikimediacommons"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/7/74/Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_C_minor_BWV_526_Hans_Otto_Silbermann-Organ.mp3/Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_C_minor_BWV_526_Hans_Otto_Silbermann-Organ.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/commons/7/74/Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_C_minor_BWV_526_Hans_Otto_Silbermann-Organ.mp3" type="audio/mpeg" data-width="0" data-height="0" /></audio></span></span></div> <div class="description"><a href="/wiki/Hans_Otto_(organist)" title="Hans Otto (organist)">Hans Otto</a>, Silbermann Organ, <a href="/wiki/Fraureuth" title="Fraureuth">Fraureuth</a></div></div></div></div> <div class="side-box-abovebelow"><hr /><i class="selfreference">Problems playing these files? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></div> </div></div></div> <p><b>Movements</b> </p> <ul><li>Vivace <span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="serif-fonts" style="font-family: 'Georgia Pro', Georgia, 'DejaVu Serif', Times, 'Times New Roman', FreeSerif, 'DejaVu Math TeX', 'URW Bookman L', serif;"><span class="nowrap"><span style="display:inline-block;margin-bottom:-0.3em;vertical-align:-0.4em;line-height:0.85em;font-size:80%;text-align:center"><sup style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>2</b></sup><br /><sub style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>2</b></sub></span></span></span></span> C minor</li> <li>Largo <span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="serif-fonts" style="font-family: 'Georgia Pro', Georgia, 'DejaVu Serif', Times, 'Times New Roman', FreeSerif, 'DejaVu Math TeX', 'URW Bookman L', serif;"><span class="nowrap"><span style="display:inline-block;margin-bottom:-0.3em;vertical-align:-0.4em;line-height:0.85em;font-size:80%;text-align:center"><sup style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>3</b></sup><br /><sub style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>4</b></sub></span></span></span></span> E-flat major</li> <li>Allegro <span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="serif-fonts" style="font-family: 'Georgia Pro', Georgia, 'DejaVu Serif', Times, 'Times New Roman', FreeSerif, 'DejaVu Math TeX', 'URW Bookman L', serif;"><span class="nowrap"><span style="display:inline-block;margin-bottom:-0.3em;vertical-align:-0.4em;line-height:0.85em;font-size:80%;text-align:center"><sup style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>2</b></sup><br /><sub style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>2</b></sub></span></span></span></span> C minor</li></ul> <div style="clear:right;" class=""></div> <div class="mw-heading mw-heading3"><h3 id="Sonata_No._3_in_D_minor,_BWV_527"><span id="Sonata_No._3_in_D_minor.2C_BWV_527"></span>Sonata No. 3 in D minor, BWV 527</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=10" title="Edit section: Sonata No. 3 in D minor, BWV 527"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132" /><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409" /> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /></span><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_D_minor_BWV_527_Hans_Otto_Silbermann-Organ.mp3" title="File:Johann Sebastian Bach first movement Organ Sonata in D minor BWV 527 Hans Otto Silbermann-Organ.mp3">Andante</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_6" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="392" data-mwtitle="Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_D_minor_BWV_527_Hans_Otto_Silbermann-Organ.mp3" data-mwprovider="wikimediacommons"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/6/6d/Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_D_minor_BWV_527_Hans_Otto_Silbermann-Organ.mp3/Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_D_minor_BWV_527_Hans_Otto_Silbermann-Organ.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/commons/6/6d/Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_D_minor_BWV_527_Hans_Otto_Silbermann-Organ.mp3" type="audio/mpeg" data-width="0" data-height="0" /></audio></span></span></div> <div class="description"></div></div><hr /><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_D_minor_BWV_527_Hans_Otto_Silbermann-Organ.mp3" title="File:Johann Sebastian Bach second movement Organ Sonata in D minor BWV 527 Hans Otto Silbermann-Organ.mp3">Adagio e dolce</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_7" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="291" data-mwtitle="Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_D_minor_BWV_527_Hans_Otto_Silbermann-Organ.mp3" data-mwprovider="wikimediacommons"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/9/96/Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_D_minor_BWV_527_Hans_Otto_Silbermann-Organ.mp3/Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_D_minor_BWV_527_Hans_Otto_Silbermann-Organ.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/commons/9/96/Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_D_minor_BWV_527_Hans_Otto_Silbermann-Organ.mp3" type="audio/mpeg" data-width="0" data-height="0" /></audio></span></span></div> <div class="description"></div></div><hr /><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_D_minor_BWV_527_Hans_Otto_Silbermann-Organ.mp3" title="File:Johann Sebastian Bach third movement Organ Sonata in D minor BWV 527 Hans Otto Silbermann-Organ.mp3">Vivace</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_8" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="241" data-mwtitle="Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_D_minor_BWV_527_Hans_Otto_Silbermann-Organ.mp3" data-mwprovider="wikimediacommons"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/d/d7/Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_D_minor_BWV_527_Hans_Otto_Silbermann-Organ.mp3/Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_D_minor_BWV_527_Hans_Otto_Silbermann-Organ.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/commons/d/d7/Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_D_minor_BWV_527_Hans_Otto_Silbermann-Organ.mp3" type="audio/mpeg" data-width="0" data-height="0" /></audio></span></span></div> <div class="description"><a href="/wiki/Hans_Otto_(organist)" title="Hans Otto (organist)">Hans Otto</a>, Silbermann Organ, <a href="/wiki/Gro%C3%9Fhartmannsdorf" title="Großhartmannsdorf">Großhartmannsdorf</a></div></div></div></div> <div class="side-box-abovebelow"><hr /><i class="selfreference">Problems playing these files? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></div> </div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1034237262" /><div class="stack mw-stack stack-right"><div><figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Gro%C3%9Fhartmannsdorf,_Dorfkirche,_die_Orgel.JPG" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/a/a3/Gro%C3%9Fhartmannsdorf%2C_Dorfkirche%2C_die_Orgel.JPG/170px-Gro%C3%9Fhartmannsdorf%2C_Dorfkirche%2C_die_Orgel.JPG" decoding="async" width="170" height="120" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/a/a3/Gro%C3%9Fhartmannsdorf%2C_Dorfkirche%2C_die_Orgel.JPG/255px-Gro%C3%9Fhartmannsdorf%2C_Dorfkirche%2C_die_Orgel.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a3/Gro%C3%9Fhartmannsdorf%2C_Dorfkirche%2C_die_Orgel.JPG/340px-Gro%C3%9Fhartmannsdorf%2C_Dorfkirche%2C_die_Orgel.JPG 2x" data-file-width="3597" data-file-height="2534" /></a><figcaption>Silbermann organ, 1738–41, Großhartmannsdorf</figcaption></figure></div></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1034237262" /><div class="stack mw-stack stack-right"><div><figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:20171213305DR_Gro%C3%9Fhartmannsdorf_Kirche_und_Kunstgraben.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/fd/20171213305DR_Gro%C3%9Fhartmannsdorf_Kirche_und_Kunstgraben.jpg/170px-20171213305DR_Gro%C3%9Fhartmannsdorf_Kirche_und_Kunstgraben.jpg" decoding="async" width="170" height="128" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/fd/20171213305DR_Gro%C3%9Fhartmannsdorf_Kirche_und_Kunstgraben.jpg/255px-20171213305DR_Gro%C3%9Fhartmannsdorf_Kirche_und_Kunstgraben.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fd/20171213305DR_Gro%C3%9Fhartmannsdorf_Kirche_und_Kunstgraben.jpg/340px-20171213305DR_Gro%C3%9Fhartmannsdorf_Kirche_und_Kunstgraben.jpg 2x" data-file-width="3510" data-file-height="2640" /></a><figcaption>Village church of <a href="/wiki/Gro%C3%9Fhartmannsdorf" title="Großhartmannsdorf">Großhartmannsdorf</a> in Saxony</figcaption></figure></div></div> <p><b>Movements</b> </p> <ul><li>Andante <span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="serif-fonts" style="font-family: 'Georgia Pro', Georgia, 'DejaVu Serif', Times, 'Times New Roman', FreeSerif, 'DejaVu Math TeX', 'URW Bookman L', serif;"><span class="nowrap"><span style="display:inline-block;margin-bottom:-0.3em;vertical-align:-0.4em;line-height:0.85em;font-size:80%;text-align:center"><sup style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>2</b></sup><br /><sub style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>4</b></sub></span></span></span></span> D minor</li> <li>Adagio e dolce <span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="serif-fonts" style="font-family: 'Georgia Pro', Georgia, 'DejaVu Serif', Times, 'Times New Roman', FreeSerif, 'DejaVu Math TeX', 'URW Bookman L', serif;"><span class="nowrap"><span style="display:inline-block;margin-bottom:-0.3em;vertical-align:-0.4em;line-height:0.85em;font-size:80%;text-align:center"><sup style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>6</b></sup><br /><sub style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>8</b></sub></span></span></span></span> F major</li> <li>Vivace <span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="serif-fonts" style="font-family: 'Georgia Pro', Georgia, 'DejaVu Serif', Times, 'Times New Roman', FreeSerif, 'DejaVu Math TeX', 'URW Bookman L', serif;"><span class="nowrap"><span style="display:inline-block;margin-bottom:-0.3em;vertical-align:-0.4em;line-height:0.85em;font-size:80%;text-align:center"><sup style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>3</b></sup><br /><sub style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>8</b></sub></span></span></span></span> D minor</li></ul> <div style="clear:right;" class=""></div> <div class="mw-heading mw-heading3"><h3 id="Sonata_No._4_in_E_minor,_BWV_528"><span id="Sonata_No._4_in_E_minor.2C_BWV_528"></span>Sonata No. 4 in E minor, BWV 528</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=11" title="Edit section: Sonata No. 4 in E minor, BWV 528"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132" /><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409" /> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /></span><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_E_minor_BWV_528_Christoph_Albrecht_Silbermann-Organ.mp3" title="File:Johann Sebastian Bach first movement Organ Sonata in E minor BWV 528 Christoph Albrecht Silbermann-Organ.mp3">Adagio – Vivace</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_9" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="168" data-mwtitle="Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_E_minor_BWV_528_Christoph_Albrecht_Silbermann-Organ.mp3" data-mwprovider="wikimediacommons"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/f/f4/Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_E_minor_BWV_528_Christoph_Albrecht_Silbermann-Organ.mp3/Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_E_minor_BWV_528_Christoph_Albrecht_Silbermann-Organ.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/commons/f/f4/Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_E_minor_BWV_528_Christoph_Albrecht_Silbermann-Organ.mp3" type="audio/mpeg" data-width="0" data-height="0" /></audio></span></span></div> <div class="description"></div></div><hr /><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_E_minor_BWV_528_Christoph_Albrecht_Silbermann-Organ.mp3" title="File:Johann Sebastian Bach second movement Organ Sonata in E minor BWV 528 Christoph Albrecht Silbermann-Organ.mp3">Andante</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_10" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="269" data-mwtitle="Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_E_minor_BWV_528_Christoph_Albrecht_Silbermann-Organ.mp3" data-mwprovider="wikimediacommons"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/f/fd/Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_E_minor_BWV_528_Christoph_Albrecht_Silbermann-Organ.mp3/Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_E_minor_BWV_528_Christoph_Albrecht_Silbermann-Organ.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/commons/f/fd/Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_E_minor_BWV_528_Christoph_Albrecht_Silbermann-Organ.mp3" type="audio/mpeg" data-width="0" data-height="0" /></audio></span></span></div> <div class="description"></div></div><hr /><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_E_minor_BWV_528_Christoph_Albrecht_Silbermann-Organ.mp3" title="File:Johann Sebastian Bach third movement Organ Sonata in E minor BWV 528 Christoph Albrecht Silbermann-Organ.mp3">Un poco Allegro</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_11" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="159" data-mwtitle="Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_E_minor_BWV_528_Christoph_Albrecht_Silbermann-Organ.mp3" data-mwprovider="wikimediacommons"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/e/ee/Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_E_minor_BWV_528_Christoph_Albrecht_Silbermann-Organ.mp3/Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_E_minor_BWV_528_Christoph_Albrecht_Silbermann-Organ.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/commons/e/ee/Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_E_minor_BWV_528_Christoph_Albrecht_Silbermann-Organ.mp3" type="audio/mpeg" data-width="0" data-height="0" /></audio></span></span></div> <div class="description"><a href="/wiki/Christoph_Albrecht" title="Christoph Albrecht">Christoph Albrecht</a>, Silbermann Organ, <a href="/wiki/Crostau" title="Crostau">Crostau</a></div></div></div></div> <div class="side-box-abovebelow"><hr /><i class="selfreference">Problems playing these files? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></div> </div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1034237262" /><div class="stack mw-stack stack-right"><div><figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Crostau-church.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Crostau-church.jpg/220px-Crostau-church.jpg" decoding="async" width="220" height="165" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Crostau-church.jpg/330px-Crostau-church.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Crostau-church.jpg/440px-Crostau-church.jpg 2x" data-file-width="800" data-file-height="600" /></a><figcaption>Village church of <a href="/wiki/Crostau" title="Crostau">Crostau</a> in Saxony</figcaption></figure></div></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1034237262" /><div class="stack mw-stack stack-right"><div><figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Crostau_Orgel_(2).JPG" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/7e/Crostau_Orgel_%282%29.JPG/220px-Crostau_Orgel_%282%29.JPG" decoding="async" width="220" height="147" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/7e/Crostau_Orgel_%282%29.JPG/330px-Crostau_Orgel_%282%29.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/7e/Crostau_Orgel_%282%29.JPG/440px-Crostau_Orgel_%282%29.JPG 2x" data-file-width="2736" data-file-height="1824" /></a><figcaption>1728 <a href="/wiki/Silbermann_organs" class="mw-redirect" title="Silbermann organs">Silbermann organ</a> in Crostau</figcaption></figure></div></div> <p><b>Movements</b> </p> <ul><li>Adagio <span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="serif-fonts" style="font-family: 'Georgia Pro', Georgia, 'DejaVu Serif', Times, 'Times New Roman', FreeSerif, 'DejaVu Math TeX', 'URW Bookman L', serif;"><span class="nowrap"><span style="display:inline-block;margin-bottom:-0.3em;vertical-align:-0.4em;line-height:0.85em;font-size:80%;text-align:center"><sup style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>4</b></sup><br /><sub style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>4</b></sub></span></span></span></span> – Vivace <span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="serif-fonts" style="font-family: 'Georgia Pro', Georgia, 'DejaVu Serif', Times, 'Times New Roman', FreeSerif, 'DejaVu Math TeX', 'URW Bookman L', serif;"><span class="nowrap"><span style="display:inline-block;margin-bottom:-0.3em;vertical-align:-0.4em;line-height:0.85em;font-size:80%;text-align:center"><sup style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>3</b></sup><br /><sub style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>4</b></sub></span></span></span></span> E minor</li></ul> <dl><dd>This movement is a transcription from the 8th movement of Die Himmel erzählen die Ehre Gottes, BWV 76. It was scored there for Oboe d'amore and Viola da gamba.<sup class="noprint Inline-Template Template-Fact" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citation_needed" title="Wikipedia:Citation needed"><span title="This claim needs references to reliable sources. (January 2025)">citation needed</span></a></i>]</sup></dd></dl> <ul><li>Andante <span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="serif-fonts" style="font-family: 'Georgia Pro', Georgia, 'DejaVu Serif', Times, 'Times New Roman', FreeSerif, 'DejaVu Math TeX', 'URW Bookman L', serif;"><span class="nowrap"><span style="display:inline-block;margin-bottom:-0.3em;vertical-align:-0.4em;line-height:0.85em;font-size:80%;text-align:center"><sup style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>4</b></sup><br /><sub style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>4</b></sub></span></span></span></span> B minor</li> <li>Un poco Allegro <span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="serif-fonts" style="font-family: 'Georgia Pro', Georgia, 'DejaVu Serif', Times, 'Times New Roman', FreeSerif, 'DejaVu Math TeX', 'URW Bookman L', serif;"><span class="nowrap"><span style="display:inline-block;margin-bottom:-0.3em;vertical-align:-0.4em;line-height:0.85em;font-size:80%;text-align:center"><sup style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>3</b></sup><br /><sub style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>8</b></sub></span></span></span></span> E minor</li></ul> <div style="clear:right;" class=""></div> <div class="mw-heading mw-heading3"><h3 id="Sonata_No._5_in_C_major,_BWV_529"><span id="Sonata_No._5_in_C_major.2C_BWV_529"></span>Sonata No. 5 in C major, BWV 529</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=12" title="Edit section: Sonata No. 5 in C major, BWV 529"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><b>Movements</b> </p> <ul><li><b>Allegro </b><span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="serif-fonts" style="font-family: 'Georgia Pro', Georgia, 'DejaVu Serif', Times, 'Times New Roman', FreeSerif, 'DejaVu Math TeX', 'URW Bookman L', serif;"><span class="nowrap"><span style="display:inline-block;margin-bottom:-0.3em;vertical-align:-0.4em;line-height:0.85em;font-size:80%;text-align:center"><sup style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>3</b></sup><br /><sub style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>4</b></sub></span></span></span></span><b> C major</b></li></ul> <p><span typeof="mw:File"><a href="/wiki/File:BWV529-1-start.jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/74/BWV529-1-start.jpeg/800px-BWV529-1-start.jpeg" decoding="async" width="800" height="167" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/74/BWV529-1-start.jpeg/1200px-BWV529-1-start.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/74/BWV529-1-start.jpeg/1600px-BWV529-1-start.jpeg 2x" data-file-width="1873" data-file-height="390" /></a></span> </p> <div style="clear:both;" class=""></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132" /><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409" /> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /></span><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_C_major_BWV_529_Hans_Otto_Silbermann-Organ.mp3" title="File:Johann Sebastian Bach first movement Organ Sonata in C major BWV 529 Hans Otto Silbermann-Organ.mp3">Allegro</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_12" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="336" data-mwtitle="Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_C_major_BWV_529_Hans_Otto_Silbermann-Organ.mp3" data-mwprovider="wikimediacommons"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/f/f1/Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_C_major_BWV_529_Hans_Otto_Silbermann-Organ.mp3/Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_C_major_BWV_529_Hans_Otto_Silbermann-Organ.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/commons/f/f1/Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_C_major_BWV_529_Hans_Otto_Silbermann-Organ.mp3" type="audio/mpeg" data-width="0" data-height="0" /></audio></span></span></div> <div class="description"><a href="/wiki/Hans_Otto_(organist)" title="Hans Otto (organist)">Hans Otto</a>, Silbermann Organ, <a href="/wiki/Gro%C3%9Fhartmannsdorf" title="Großhartmannsdorf">Großhartmannsdorf</a></div></div></div></div> <div class="side-box-abovebelow"><hr /><i class="selfreference">Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></div> </div> <p>This brightly scored and skillfully composed movement has a <a href="/wiki/Da_capo" title="Da capo">da capo</a> <i>A</i>–<i>B</i>–<i>A</i> form. In structure and texture it resembles a trio sonata in the <a href="/wiki/Galant" class="mw-redirect" title="Galant">galant</a> style for two flutes and continuo. The range of the keyboard parts, however, is beyond that of such instruments; and the succinct and idiomatic keyboard writing with intricate development sections is typical of the organ sonatas. The <i>A</i> section is 50 bars long. After the 54 bar development section <i>B</i>, it is reprised in its entirety. </p><p>The opening two bars of the A section comprise a solo semiquaver flourish in one of the manuals followed by a tutti response in quavers. It recurs throughout the movement, marking the beginning of new episodes. In the first sixteen bar segment it alternates with semiquaver scale passages played imitatively between the two manuals. That material is then repeated in the dominant key with the upper parts exchanged. There is a short "development" episode of 14 bars where for 7 bars the material of the opening segment is permuted between the parts—at one stage over a long pedal point—and then repeated with the manual parts <a href="/wiki/Invertible_counterpoint" class="mw-redirect" title="Invertible counterpoint">inverted</a>. A brief 5 bar coda reprising the imitative semiquaver scales leads into section <i>B</i>. </p><p>In conformity with the whole movement, the main development section <i>B</i> has a symmetrical da capo <i>a</i>–<i>b</i>–<i>a</i> structure, made up of 21 bars, 12 bars and 21 bars. A fugue subject in semiquavers is introduced at the beginning of section <i>B</i>: although similar in shape to the flourish opening of the main theme, it involves scale figures in contrast to arpeggios. The fugue subject is freely developed in exchanges between the upper parts before fragments of the main theme of increasing length begin to be heard, starting with the opening flourish. In the central <i>b</i> episode, two 4 bar reprises of the main theme encase 4 bars where elements of both themes are heard simultaneously, alternating between the manuals. There are significant modulations in section <i>B</i> particularly in the interjections of the main theme: the first section <i>a</i> is in the key of C major; section <i>b</i> is in C major with interjections in F major and A minor; and then an inversion of the material of section <i>a</i> returns in A minor with interjections of the main theme in G major, F major, D minor and C major, in anticipation of the reprise of section <i>A</i>. </p><p>Throughout the movement the pedal part plays the role of a continuo, in a particularly simple form in section <i>B</i>. In the <i>A</i> sections the pedal part includes a walking bass in quavers as well as pedal points; many of the pedal motifs are derived from figures in the keyboard parts.<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> </p> <ul><li><b>Largo </b><span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="serif-fonts" style="font-family: 'Georgia Pro', Georgia, 'DejaVu Serif', Times, 'Times New Roman', FreeSerif, 'DejaVu Math TeX', 'URW Bookman L', serif;"><span class="nowrap"><span style="display:inline-block;margin-bottom:-0.3em;vertical-align:-0.4em;line-height:0.85em;font-size:80%;text-align:center"><sup style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>6</b></sup><br /><sub style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>8</b></sub></span></span></span></span><b> A minor</b></li></ul> <p><span typeof="mw:File"><a href="/wiki/File:BWV529-2-start.jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/9/92/BWV529-2-start.jpeg/600px-BWV529-2-start.jpeg" decoding="async" width="600" height="175" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/92/BWV529-2-start.jpeg/900px-BWV529-2-start.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/92/BWV529-2-start.jpeg/1200px-BWV529-2-start.jpeg 2x" data-file-width="1966" data-file-height="574" /></a></span> </p> <div style="clear:both;" class=""></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132" /><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409" /> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /></span><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_C_major_BWV_529_Hans_Otto_Silbermann-Organ.mp3" title="File:Johann Sebastian Bach second movement Organ Sonata in C major BWV 529 Hans Otto Silbermann-Organ.mp3">Largo</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_13" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="376" data-mwtitle="Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_C_major_BWV_529_Hans_Otto_Silbermann-Organ.mp3" data-mwprovider="wikimediacommons"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/5/57/Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_C_major_BWV_529_Hans_Otto_Silbermann-Organ.mp3/Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_C_major_BWV_529_Hans_Otto_Silbermann-Organ.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/commons/5/57/Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_C_major_BWV_529_Hans_Otto_Silbermann-Organ.mp3" type="audio/mpeg" data-width="0" data-height="0" /></audio></span></span></div> <div class="description">Hans Otto, Silbermann Organ, Großhartmannsdorf</div></div></div></div> <div class="side-box-abovebelow"><hr /><i class="selfreference">Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></div> </div> <p>Manuscript copies, made by <a href="/wiki/Johann_Caspar_Vogler" title="Johann Caspar Vogler">Vogler</a>, <a href="/wiki/Johann_Gottfried_Walther" title="Johann Gottfried Walther">Walther</a> and <a href="/wiki/Johann_Peter_Kellner" title="Johann Peter Kellner">Kellner</a>, show that this movement was often performed as an intermediate movement between the Prelude and Fugue in C major for organ, BWV 545. It is thought to have been originally composed in <a href="/wiki/Weimar" title="Weimar">Weimar</a> and reworked for the collection of organ sonatas. </p><p><a href="#CITEREFSackmann2000">Sackmann (2000)</a> notes that this movement—like many other instrumental slow movements by Bach such as the <a href="/wiki/Sinfonia" title="Sinfonia">sinfonia</a> from the Weimar cantata <a href="/wiki/BWV_21" class="mw-redirect" title="BWV 21"><i>Ich hatte viel Bekümmernis</i>, BWV 21</a>—shows the influence of the so-called "Corelli style," an Italian sonata style refined and perfected by <a href="/wiki/Arcangelo_Corelli" title="Arcangelo Corelli">Arcangelo Corelli</a>. The style is exemplified in the "embellished" slow movements of Corelli's violin sonatas Op. 5, in which the range of musical motifs is widely varied, both through rhythm and <i>"<a href="https://en.wiktionary.org/wiki/diastema" class="extiw" title="wiktionary:diastema">diastema</a>"</i> [the intervals between consecutive notes in the melody].<sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Corelli_21-0" class="reference"><a href="#cite_note-Corelli-21"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> As <a href="#CITEREFCrocker1986">Crocker (1986)</a> explains, this style is distinguished by its lyricism: Corelli elevated the <i><a href="/wiki/Sonata_da_chiesa" title="Sonata da chiesa">sonata da chiesa</a></i> to a new level of eloquence "with a lyricism found only before in vocal music"; the style was "smoother and clearer" than that of earlier composers, "giving a feeling of spaciousness and breadth that happily reinforced the greater length".<sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> </p><p><a href="#CITEREFWilliams1985">Williams (1985)</a><span class="error harv-error" style="display: none; font-size:100%"> harvtxt error: no target: CITEREFWilliams1985 (<a href="/wiki/Category:Harv_and_Sfn_template_errors" title="Category:Harv and Sfn template errors">help</a>)</span><sup class="noprint Inline-Template" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:CITESHORT" class="mw-redirect" title="Wikipedia:CITESHORT"><span title="More information is required to link this short citation to its long citation. (June 2022)">incomplete short citation</span></a></i>]</sup> gives a broad musical description of the <i>Largo</i> as a movement with two voices in dialogue over a continuo bass combining aspects of three different musical forms: <a href="/wiki/Fugue" title="Fugue">fugue</a>, <a href="/wiki/Ritornello" title="Ritornello">ritornello</a> and <a href="/wiki/Da_capo_aria" title="Da capo aria">da capo aria</a>. Together these create a mood or <a href="/wiki/Affekt" class="mw-redirect" title="Affekt">affekt</a> tinged with melancholy. In the opening bars the first fugal subject and counter-subject are heard in the manuals over the continuo bass. The elegiac passage with the lyrical subject and counter-subject in counterpoint is heard several times, scarcely altered, during the movement. It is instantly recognizable each time it returns and plays the role of a ritornello. The second subject starts at bar 13 and illustrates the other groups of musical figures that Bach employs in the movement. </p><p><span typeof="mw:File"><a href="/wiki/File:BWV529-2-section-B.jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/67/BWV529-2-section-B.jpeg/600px-BWV529-2-section-B.jpeg" decoding="async" width="600" height="181" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/67/BWV529-2-section-B.jpeg/900px-BWV529-2-section-B.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/67/BWV529-2-section-B.jpeg/1200px-BWV529-2-section-B.jpeg 2x" data-file-width="2144" data-file-height="646" /></a></span> </p><p>The detailed structure of the movement is as follows: </p> <ul><li><i>A</i>, bars 1–12. Fugal 3-bar subject in A minor in the upper manual with a continuo accompaniment in crotchets and quavers in the pedal. A bar before the entry of the subject in the lower manual a fourth below, the <a href="/wiki/Chromaticism" title="Chromaticism">chromatic</a> counter-subject starts in the upper manual. In the last 5 bars 8–12 there is counterpoint between the keyboards derived from figures in the chromatic counter-subject, partly in sequence and partly in imitative responses.</li> <li><i>B</i>, bars 13–20. Section with second subject in C major. In the first bar there are sequences of demisemiquavers in the upper part and semiquavers in the lower part, <a href="/wiki/Inversion_(music)" title="Inversion (music)">inverted</a> and exchanged between the parts in the next bar. After a two bar interlude with contrary motion between the parts and further demisemiquaver figures, the imitative phrases in the episode from section <i>A</i> are heard again, before a reprise in reverse order of the two opening bars of demisemiquaver/semiquaver figures.</li> <li><i>A</i>, bars 21–32. Return of the first fugal subject in C major in the first eight bars, swapped between the manual parts, with the lower manual falling silent in the eighth bar; chromaticism is not used during the counterpoint. This is followed by a reprise of bars 15–18 with the upper voices swapped.</li> <li><i>B</i>, bars 33–40. Second subject (bars 13–14) slightly altered in dominant key of D minor; then reprises of bars 9–12 in D minor followed by a reprise of bars 15–16 modulating back to the home key of A minor.</li> <li><i>A</i>, bars 41–54. Repeat of opening section <i>A</i>, but now with the accompanying counter-subject in the lower manual from the start. Coda in the last two bars with a cadence in the <a href="/wiki/Phrygian_mode" title="Phrygian mode">phrygian mode</a>.</li></ul> <p>The <i>da capo</i> aspects of the movement are manifested in the first and last sections in A minor, which frame the middle section, comprising bars 13–40, that starts with new musical material in the relative major key of C major. In the movement the seven bar fugal melody segment (bars 1–7, 21–27, 41–47) that forms the ritornello is never divided up, in contrast to the intervening bars which are developed from demisemiquaver figures spun out into long phrases which are freely permuted. The long demisemiquaver phrases are themselves developed from distinct "motif-cells" of four demisemiquavers—these can be seen in the last quaver of bar 4, the first quaver of bar 13 and the last quaver of bar 16. None of these occur in the ritornello segment and are examples of what <a href="/wiki/Johann_Gottfried_Walther" title="Johann Gottfried Walther">Walther</a> termed "varied figures" in his 1708 theoretical treatise <i>Praecepta der musicalischen Composition.</i> (Examples of freely developed material occur already in bar 8 (and later in bar 48), which serves as a linking passage: the <a href="/wiki/Diminished_fifth" class="mw-redirect" title="Diminished fifth">diminished fifths</a> there are similar to those Bach used later in the opening Fantasia of the <a href="/wiki/Partitas_for_keyboard_(Bach)" title="Partitas for keyboard (Bach)">third keyboard partita in A minor, BWV 827</a>.) Thus the lyrical thematic material of the ritornello melody is kept distinct from that of the freely developed demisemiquaver episodes it frames. In this way Bach pushed his system of "composing through motifs" even further than he did in the chorale preludes of the <a href="/wiki/Orgelb%C3%BCchlein" title="Orgelbüchlein">Orgelbüchlein</a>.<sup id="cite_ref-23" class="reference"><a href="#cite_note-23"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> </p> <ul><li><b>Allegro </b><span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="serif-fonts" style="font-family: 'Georgia Pro', Georgia, 'DejaVu Serif', Times, 'Times New Roman', FreeSerif, 'DejaVu Math TeX', 'URW Bookman L', serif;"><span class="nowrap"><span style="display:inline-block;margin-bottom:-0.3em;vertical-align:-0.4em;line-height:0.85em;font-size:80%;text-align:center"><sup style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>2</b></sup><br /><sub style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>4</b></sub></span></span></span></span><b> C major</b></li></ul> <p><span typeof="mw:File"><a href="/wiki/File:BWV529-3-start.jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c0/BWV529-3-start.jpeg/800px-BWV529-3-start.jpeg" decoding="async" width="800" height="184" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c0/BWV529-3-start.jpeg/1200px-BWV529-3-start.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c0/BWV529-3-start.jpeg/1600px-BWV529-3-start.jpeg 2x" data-file-width="2328" data-file-height="534" /></a></span> </p> <div style="clear:both;" class=""></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132" /><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409" /> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /></span><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_C_major_BWV_529_Hans_Otto_Silbermann-Organ.mp3" title="File:Johann Sebastian Bach third movement Organ Sonata in C major BWV 529 Hans Otto Silbermann-Organ.mp3">Allegro</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_14" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="258" data-mwtitle="Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_C_major_BWV_529_Hans_Otto_Silbermann-Organ.mp3" data-mwprovider="wikimediacommons"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/5/58/Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_C_major_BWV_529_Hans_Otto_Silbermann-Organ.mp3/Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_C_major_BWV_529_Hans_Otto_Silbermann-Organ.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/commons/5/58/Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_C_major_BWV_529_Hans_Otto_Silbermann-Organ.mp3" type="audio/mpeg" data-width="0" data-height="0" /></audio></span></span></div> <div class="description">Hans Otto, Silbermann Organ, Großhartmannsdorf</div></div></div></div> <div class="side-box-abovebelow"><hr /><i class="selfreference">Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></div> </div> <figure typeof="mw:File/Thumb"><a href="/wiki/File:Corelli_Sonata_Op.5_No.3_Allegro.jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/dd/Corelli_Sonata_Op.5_No.3_Allegro.jpeg/200px-Corelli_Sonata_Op.5_No.3_Allegro.jpeg" decoding="async" width="200" height="137" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/dd/Corelli_Sonata_Op.5_No.3_Allegro.jpeg/300px-Corelli_Sonata_Op.5_No.3_Allegro.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/dd/Corelli_Sonata_Op.5_No.3_Allegro.jpeg/400px-Corelli_Sonata_Op.5_No.3_Allegro.jpeg 2x" data-file-width="1370" data-file-height="938" /></a><figcaption>Allegro from Sonata No.3 of <a href="/wiki/Arcangelo_Corelli" title="Arcangelo Corelli">Corelli</a>'s Op.5, first published in Rome in 1700 and later in Amsterdam in 1710 with <i>agréments</i> or "embellishments"</figcaption></figure> <figure typeof="mw:File/Thumb"><a href="/wiki/File:BWV_886_2_Well_Tempered_Clavier_II_Fugue_No_17_in_A_flat_major.jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/BWV_886_2_Well_Tempered_Clavier_II_Fugue_No_17_in_A_flat_major.jpeg/200px-BWV_886_2_Well_Tempered_Clavier_II_Fugue_No_17_in_A_flat_major.jpeg" decoding="async" width="200" height="311" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/BWV_886_2_Well_Tempered_Clavier_II_Fugue_No_17_in_A_flat_major.jpeg/300px-BWV_886_2_Well_Tempered_Clavier_II_Fugue_No_17_in_A_flat_major.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fa/BWV_886_2_Well_Tempered_Clavier_II_Fugue_No_17_in_A_flat_major.jpeg/400px-BWV_886_2_Well_Tempered_Clavier_II_Fugue_No_17_in_A_flat_major.jpeg 2x" data-file-width="1290" data-file-height="2008" /></a><figcaption>Autograph manuscript of fugue in A-flat major, BWV 886, from Book II of <i><a href="/wiki/The_Well-Tempered_Clavier" title="The Well-Tempered Clavier">The Well-Tempered Clavier</a></i></figcaption></figure> <p>The fugal last movement of BWV 529—in contrast to the more forward-looking first movement—follows established patterns. The opening theme—the first subject—is similar to that of the earlier <i>Allegro</i> in the <a href="/wiki/Sonata_da_chiesa" title="Sonata da chiesa">Violin Sonata</a> No. 3 of <a href="/wiki/Arcangelo_Corelli" title="Arcangelo Corelli">Corelli</a>'s Op. 5<sup id="cite_ref-Corelli_21-1" class="reference"><a href="#cite_note-Corelli-21"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> and that of the later four-part fugue in A-flat major in Book II of <i><a href="/wiki/The_Well-Tempered_Clavier" title="The Well-Tempered Clavier">The Well-Tempered Clavier</a></i>. In BWV 529 the pedal also participates as a third voice in the fugue: the quaver chief motif of the first fugue subject (the first six notes) fits well with the pedal; and later on in the second subject the semiquavers in the manuals are also taken up in the pedal part. </p><p><span typeof="mw:File"><a href="/wiki/File:BWV_529_3_second_subject.jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/9/92/BWV_529_3_second_subject.jpeg/600px-BWV_529_3_second_subject.jpeg" decoding="async" width="600" height="89" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/92/BWV_529_3_second_subject.jpeg/900px-BWV_529_3_second_subject.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/92/BWV_529_3_second_subject.jpeg/1200px-BWV_529_3_second_subject.jpeg 2x" data-file-width="2132" data-file-height="318" /></a></span> </p><p><a href="#CITEREFWilliams2003">Williams (2003)</a> discusses the "ingenious" structure of the movement which he describes as "bright, extrovert, tuneful, restless, intricate": there is "inventive" semiquaver passagework in the manuals matched by "instructive" or challenging footwork in the pedal. The structure can be seen on two levels. On the one hand there is the broad binary structure of a dance-form: the first part comprising bars 1–73 with the first and second subject followed by a short coda in the dominant key of G major; then the second part, bars 73–163, in which the reprise of the first subject has the form of a development section, followed by the second subject and the coda in the tonic key of C major.<sup id="cite_ref-BWV529-3_24-0" class="reference"><a href="#cite_note-BWV529-3-24"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> </p><p>On the other hand, there is a more detailed division into sections:<sup id="cite_ref-BWV529-3_24-1" class="reference"><a href="#cite_note-BWV529-3-24"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> </p> <dl><dd><ul><li><i>A</i>, first subject, bars 1–29. The fugal subject is heard in the manuals followed by a semiquaver countersubject; the pedal plays a <a href="/wiki/Basso_continuo" title="Basso continuo">continuo</a> role with its own fragmented motifs. An episode begins at bar 13 with semiquaver passagework alternating between the manuals over a <a href="/wiki/Walking_bass" class="mw-redirect" title="Walking bass">walking bass</a>. At bar 21 the counterpoint in the upper voices continues over three statements (bars 21, 23 and 25) of the chief motif of the fugue subject before the concluding cadence.</li> <li><i>B</i>, second subject, bars 29–59. The second subject is heard in the tonic key in the upper keyboard, answered by the lower keyboard and then the pedal an octave lower. At bar 39, it is heard in the lower manual in A minor, answered in the upper manual with the lower manual in parallel thirds. The first subject is then heard again with its countersubject in A minor, starting in the lower manual. At bar 51 section <i>B</i> concludes with an eight-bar coda similar to the close of section <i>A</i>: the upper voices alternate in playing the semiquaver chief motif of the second subject over four statements of the chief motif of the first subject in the pedal.</li> <li><i>A</i>, coda, bars 59–73. In the dominant key of G major, there is a <a href="/wiki/Stretto" title="Stretto">stretto</a> version of the first subject leading to a reprise of the episode starting at bar 13.</li> <li><i>A</i>, first subject, bars 73–119. An extended and complex development section, which modulates through various minor keys and is divided into four parts; it is described in detail below.</li> <li><i>B</i>, second subject, bars 119–149. As in the first section <i>B</i> but now with the upper parts interchanged and in the subdominant key of F major.</li> <li><i>A</i>, coda, bars 149–163. As in the first coda, but again with the upper parts switched and an adjustment for the closing cadence.</li></ul></dd></dl> <p>The development section (bars 73–119) is formed of four parts. In the first tersely scored part, bars 73–89, the first subject is heard modulating through different minor keys with an almost constant stream of semiquavers running through the three parts. </p><p><span typeof="mw:File"><a href="/wiki/File:BWV_529_3_development.jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/ca/BWV_529_3_development.jpeg/800px-BWV_529_3_development.jpeg" decoding="async" width="800" height="173" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/ca/BWV_529_3_development.jpeg/1200px-BWV_529_3_development.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/ca/BWV_529_3_development.jpeg/1600px-BWV_529_3_development.jpeg 2x" data-file-width="2128" data-file-height="460" /></a></span> </p><p>Although the chief motif in the fugue subject is unaltered, the semiquaver counter-subject is freely modified. The fugue subject is heard first in the upper keyboard, then in the lower keyboard, and finally in the pedal in bar 79. Without a break in bar 81 the pedal repeats the chief motif off the beat, followed by entries in the upper manual and then lower manual. The latter is accompanied by an angular version of the semiquaver counter-subject in the pedal which leads on to a further statement of the head motif. In bars 89–97 the first fugue subject and modified counter-subject are heard in the two upper voices in the key of D minor. In bars 97–111, there is another episode with the pedal playing three statements of the chief motif below semiquavers in the upper parts which culminate in six bars of imitative <a href="/wiki/Broken_chord" class="mw-redirect" title="Broken chord">broken chords</a>: </p><p><span typeof="mw:File"><a href="/wiki/File:BWV_529_3_end_development.jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/b/bb/BWV_529_3_end_development.jpeg/650px-BWV_529_3_end_development.jpeg" decoding="async" width="650" height="91" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/bb/BWV_529_3_end_development.jpeg/975px-BWV_529_3_end_development.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/bb/BWV_529_3_end_development.jpeg/1300px-BWV_529_3_end_development.jpeg 2x" data-file-width="2134" data-file-height="298" /></a></span> </p><p>These lead seamlessly into the fourth part, bars 111–119, a 7 bar reprise of the first fugue subject (starting in the last three bars above) in the subdominant key of F major, which concludes the development section.<sup id="cite_ref-BWV529-3_24-2" class="reference"><a href="#cite_note-BWV529-3-24"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> </p><p>As <a href="#CITEREFWilliams2003">Williams (2003)</a> comments, the movement's "lively continuity is aided throughout by the tied notes and suspensions typical of the first subject [...] in all three parts."<sup id="cite_ref-BWV529-3_24-3" class="reference"><a href="#cite_note-BWV529-3-24"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Sonata_No._6_in_G_major,_BWV_530"><span id="Sonata_No._6_in_G_major.2C_BWV_530"></span>Sonata No. 6 in G major, BWV 530</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=13" title="Edit section: Sonata No. 6 in G major, BWV 530"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1096940132" /><div class="side-box side-box-right listen noprint"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409" /> <div class="side-box-flex"> <div class="side-box-image"><figure class="mw-halign-center" typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /></span><figcaption></figcaption></figure></div> <div class="side-box-text plainlist"><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_G_major_BWV_530_Erich_Piasetzki_Silbermann-Organ.mp3" title="File:Johann Sebastian Bach first movement Organ Sonata in G major BWV 530 Erich Piasetzki Silbermann-Organ.mp3">Vivace</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_15" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="242" data-mwtitle="Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_G_major_BWV_530_Erich_Piasetzki_Silbermann-Organ.mp3" data-mwprovider="wikimediacommons"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/b/bc/Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_G_major_BWV_530_Erich_Piasetzki_Silbermann-Organ.mp3/Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_G_major_BWV_530_Erich_Piasetzki_Silbermann-Organ.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/commons/b/bc/Johann_Sebastian_Bach_first_movement_Organ_Sonata_in_G_major_BWV_530_Erich_Piasetzki_Silbermann-Organ.mp3" type="audio/mpeg" data-width="0" data-height="0" /></audio></span></span></div> <div class="description"></div></div><hr /><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_G_major_BWV_530_Erich_Piasetzki_Silbermann-Organ.mp3" title="File:Johann Sebastian Bach second movement Organ Sonata in G major BWV 530 Erich Piasetzki Silbermann-Organ.mp3">Lento</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_16" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="479" data-mwtitle="Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_G_major_BWV_530_Erich_Piasetzki_Silbermann-Organ.mp3" data-mwprovider="wikimediacommons"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/8/86/Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_G_major_BWV_530_Erich_Piasetzki_Silbermann-Organ.mp3/Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_G_major_BWV_530_Erich_Piasetzki_Silbermann-Organ.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/commons/8/86/Johann_Sebastian_Bach_second_movement_Organ_Sonata_in_G_major_BWV_530_Erich_Piasetzki_Silbermann-Organ.mp3" type="audio/mpeg" data-width="0" data-height="0" /></audio></span></span></div> <div class="description"></div></div><hr /><div class="haudio"> <div class="listen-file-header"><a href="/wiki/File:Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_G_major_BWV_530_Erich_Piasetzki_Silbermann-Organ.mp3" title="File:Johann Sebastian Bach third movement Organ Sonata in G major BWV 530 Erich Piasetzki Silbermann-Organ.mp3">Allegro</a></div> <div><span typeof="mw:File"><span><audio id="mwe_player_17" controls="" preload="none" data-mw-tmh="" class="mw-file-element" width="232" style="width:232px;" data-durationhint="241" data-mwtitle="Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_G_major_BWV_530_Erich_Piasetzki_Silbermann-Organ.mp3" data-mwprovider="wikimediacommons"><source src="//upload.wikimedia.org/wikipedia/commons/transcoded/5/52/Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_G_major_BWV_530_Erich_Piasetzki_Silbermann-Organ.mp3/Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_G_major_BWV_530_Erich_Piasetzki_Silbermann-Organ.mp3.ogg" type="audio/ogg; codecs="vorbis"" data-transcodekey="ogg" data-width="0" data-height="0" /><source src="//upload.wikimedia.org/wikipedia/commons/5/52/Johann_Sebastian_Bach_third_movement_Organ_Sonata_in_G_major_BWV_530_Erich_Piasetzki_Silbermann-Organ.mp3" type="audio/mpeg" data-width="0" data-height="0" /></audio></span></span></div> <div class="description"><a href="/wiki/Erich_Piasetzki" title="Erich Piasetzki">Erich Piasetzki</a>, Silbermann Organ, <a href="/wiki/Nassau,_Saxony" title="Nassau, Saxony">Nassau, Saxony</a></div></div></div></div> </div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1034237262" /><div class="stack mw-stack stack-right"><div><figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Nassau_im_Erzgebirge_Silbermannorgel_1748.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/88/Nassau_im_Erzgebirge_Silbermannorgel_1748.jpg/110px-Nassau_im_Erzgebirge_Silbermannorgel_1748.jpg" decoding="async" width="110" height="152" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/88/Nassau_im_Erzgebirge_Silbermannorgel_1748.jpg/165px-Nassau_im_Erzgebirge_Silbermannorgel_1748.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/88/Nassau_im_Erzgebirge_Silbermannorgel_1748.jpg/220px-Nassau_im_Erzgebirge_Silbermannorgel_1748.jpg 2x" data-file-width="866" data-file-height="1200" /></a><figcaption>1748 <a href="/wiki/Silbermann_organs" class="mw-redirect" title="Silbermann organs">Silbermann organ</a> in Nassau</figcaption></figure></div></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1034237262" /><div class="stack mw-stack stack-right"><div><figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Nassau_(Frauenstein)_Kirche1.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/28/Nassau_%28Frauenstein%29_Kirche1.jpg/170px-Nassau_%28Frauenstein%29_Kirche1.jpg" decoding="async" width="170" height="127" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/28/Nassau_%28Frauenstein%29_Kirche1.jpg/255px-Nassau_%28Frauenstein%29_Kirche1.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/28/Nassau_%28Frauenstein%29_Kirche1.jpg/340px-Nassau_%28Frauenstein%29_Kirche1.jpg 2x" data-file-width="3551" data-file-height="2663" /></a><figcaption>Village church of <a href="/wiki/Nassau,_Saxony" title="Nassau, Saxony">Nassau</a> in Saxony</figcaption></figure></div></div> <p><b>Movements</b> </p> <ul><li>Vivace <span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="serif-fonts" style="font-family: 'Georgia Pro', Georgia, 'DejaVu Serif', Times, 'Times New Roman', FreeSerif, 'DejaVu Math TeX', 'URW Bookman L', serif;"><span class="nowrap"><span style="display:inline-block;margin-bottom:-0.3em;vertical-align:-0.4em;line-height:0.85em;font-size:80%;text-align:center"><sup style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>2</b></sup><br /><sub style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>4</b></sub></span></span></span></span> G major</li> <li>Lento <span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="serif-fonts" style="font-family: 'Georgia Pro', Georgia, 'DejaVu Serif', Times, 'Times New Roman', FreeSerif, 'DejaVu Math TeX', 'URW Bookman L', serif;"><span class="nowrap"><span style="display:inline-block;margin-bottom:-0.3em;vertical-align:-0.4em;line-height:0.85em;font-size:80%;text-align:center"><sup style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>6</b></sup><br /><sub style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>8</b></sub></span></span></span></span> E minor</li> <li>Allegro <span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="serif-fonts" style="font-family: 'Georgia Pro', Georgia, 'DejaVu Serif', Times, 'Times New Roman', FreeSerif, 'DejaVu Math TeX', 'URW Bookman L', serif;"><span class="nowrap"><span style="display:inline-block;margin-bottom:-0.3em;vertical-align:-0.4em;line-height:0.85em;font-size:80%;text-align:center"><sup style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>2</b></sup><br /><sub style="font-size:inherit;line-height:inherit;vertical-align:baseline"><b>2</b></sub></span></span></span></span> G major</li></ul> <div style="clear:right;" class=""></div> <div class="mw-heading mw-heading2"><h2 id="Reception_and_legacy">Reception and legacy</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=14" title="Edit section: Reception and legacy"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="German-speaking_countries">German-speaking countries</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=15" title="Edit section: German-speaking countries"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <dl><dd><table> <tbody><tr> <td>Ich gehe alle Sonntage um 12 uhr zum Baron von Suiten—und da wird nichts gespiellt als Händl und Bach.— ich mach mir eben eine Collection von den Bachischen fugen.— so wohl sebastian als Emanuel und friedemann.— Dann auch von den händlishcen ... Sie werden auch wissen daß der Engländer Bach gestorben ist?— schade der Musikalischer Welt! </td> <td>At noon every Sunday I go to the Baron van Swieten's where nothing but Handel and Bach is played. I am making a collection of Bach fugues, not only of Sebastian but also of Emanuel and Friedemann. Then also those of Handel ... Have you also heard that the English Bach has died? What a shame for the musical world! </td></tr> <tr> <td colspan="2"><a href="/wiki/Wolfgang_Amadeus_Mozart" title="Wolfgang Amadeus Mozart">Wolfgang Amadeus Mozart</a>, Vienna, 10 April 1782, letter to <a href="/wiki/Leopold_Mozart" title="Leopold Mozart">his father</a> in Salzburg<sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> </td></tr></tbody></table></dd></dl> <p>In the eighteenth century in Germany, the organ sonatas were transmitted through hand copies made by Bach's pupils and circle, although no copies of the complete collection survive from students such as <a href="/wiki/Johann_Peter_Kellner" title="Johann Peter Kellner">Johann Peter Kellner</a>, <a href="/wiki/Johann_Friedrich_Agricola" title="Johann Friedrich Agricola">Johann Friedrich Agricola</a>, and <a href="/wiki/Johann_Christian_Kittel" title="Johann Christian Kittel">Johann Christian Kittel</a>. A copy made by Kittel of part of the autograph manuscript survives; and <a href="/wiki/Johann_Ludwig_Krebs" title="Johann Ludwig Krebs">Johann Ludwig Krebs</a> and <a href="/wiki/Johann_Gottfried_Walther" title="Johann Gottfried Walther">Johann Gottfried Walther</a> made copies of individual movements that might predate the manuscript. In 1764 handwritten copies of three movements of the sonatas were also available from the Leipzig publisher <a href="/wiki/Bernhard_Christoph_Breitkopf" title="Bernhard Christoph Breitkopf">Bernhard Christoph Breitkopf</a>, who also produced librettos of Bach's cantatas during his lifetime. </p> <figure typeof="mw:File/Thumb"><a href="/wiki/File:Title_Page_N%C3%A4geli_Organ_Sonatas_BWV_525-530.jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/84/Title_Page_N%C3%A4geli_Organ_Sonatas_BWV_525-530.jpeg/300px-Title_Page_N%C3%A4geli_Organ_Sonatas_BWV_525-530.jpeg" decoding="async" width="300" height="214" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/84/Title_Page_N%C3%A4geli_Organ_Sonatas_BWV_525-530.jpeg/450px-Title_Page_N%C3%A4geli_Organ_Sonatas_BWV_525-530.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/84/Title_Page_N%C3%A4geli_Organ_Sonatas_BWV_525-530.jpeg/600px-Title_Page_N%C3%A4geli_Organ_Sonatas_BWV_525-530.jpeg 2x" data-file-width="3196" data-file-height="2280" /></a><figcaption>Title page of edition of <a href="/wiki/Hans_Georg_N%C3%A4geli" title="Hans Georg Nägeli">Hans Georg Nägeli</a>, published in Zürich around 1815</figcaption></figure> <p>Later in the eighteenth century publishers could supply hand copies of the entire collection: in 1799 the Viennese publisher <a href="/wiki/Johann_Traeg" title="Johann Traeg">Johann Traeg</a> advertised the collection on their lists. After Bach's death the organ sonatas entered the standard repertoire of German organists, although more as a benchmark for the mastery of technique than for public performance. The organ sonatas were also disseminated amongst musical amateurs in more accessible arrangements as chamber works or <i>Hausmusik</i> for private performance in the home: an arrangement for two harpsichords, with each player taking an upper part and the bass line, was probably first copied by Wilhelm Friedemann Bach or Carl Philipp Emanuel Bach and might have originated from domestic music-making in the Bach household. <sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> </p><p>The first printed score for organ only appeared in the early nineteenth century and was also derived from the autograph manuscript. It was published around 1815 in Zürich by the Swiss musicologist <a href="/wiki/Hans_Georg_N%C3%A4geli" title="Hans Georg Nägeli">Hans Georg Nägeli</a>.<sup id="cite_ref-FOOTNOTEBach1815_27-0" class="reference"><a href="#cite_note-FOOTNOTEBach1815-27"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> The son of a musically inclined Protestant pastor in <a href="/wiki/Wetzikon" title="Wetzikon">Wetzikon</a>, Nägeli showed precocious musical skills. In 1790 he moved to Zurich where he took lessons with the Swiss pianist Johann David Brünings, who introduced him to the music of Bach. A year later he set up a music shop and in 1794 a publishing house. Corresponding with Breitkopf and the widow of C.P.E. Bach, he was able to acquire Bach manuscripts, including that of the <a href="/wiki/Mass_in_B_minor" title="Mass in B minor">Mass in B minor</a>, which he eventually published. His Bach publications started with <i><a href="/wiki/The_Well-Tempered_Clavier" title="The Well-Tempered Clavier">The Well-Tempered Clavier</a></i> in 1801 and <i><a href="/wiki/The_Art_of_Fugue" title="The Art of Fugue">The Art of Fugue</a></i> in 1802. His interests later turned to pedagogy and singing: in Zurich he set up an institute similar to the <a href="/wiki/Sing-Akademie_zu_Berlin" title="Sing-Akademie zu Berlin">Sing-Akademie zu Berlin</a> of <a href="/wiki/Carl_Friedrich_Christian_Fasch" title="Carl Friedrich Christian Fasch">Carl Friedrich Christian Fasch</a>.<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Anna_Amalie,_Prinzessin_von_Preu%C3%9Fen_(Pesne_und_Werkstatt).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/77/Anna_Amalie%2C_Prinzessin_von_Preu%C3%9Fen_%28Pesne_und_Werkstatt%29.jpg/250px-Anna_Amalie%2C_Prinzessin_von_Preu%C3%9Fen_%28Pesne_und_Werkstatt%29.jpg" decoding="async" width="150" height="195" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/77/Anna_Amalie%2C_Prinzessin_von_Preu%C3%9Fen_%28Pesne_und_Werkstatt%29.jpg/330px-Anna_Amalie%2C_Prinzessin_von_Preu%C3%9Fen_%28Pesne_und_Werkstatt%29.jpg 2x" data-file-width="1434" data-file-height="1866" /></a><figcaption>Princess Anna Amalie</figcaption></figure> <p>There are also later copies of the autograph manuscript in Vienna, made by <a href="/wiki/Johann_Christoph_Oley" title="Johann Christoph Oley">Johann Christoph Oley</a> in the 1760s, and in Berlin, in the library of <a href="/wiki/Anna_Amalia,_Abbess_of_Quedlinburg" title="Anna Amalia, Abbess of Quedlinburg">Princess Anna Amalia</a>,<sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> which contained an exceptional number of Bach manuscripts. Bach's former pupil <a href="/wiki/Johann_Kirnberger" title="Johann Kirnberger">Johann Kirnberger</a> was music teacher to Anna Amalia: like her flute-playing brother <a href="/wiki/Frederick_the_Great" title="Frederick the Great">Frederick the Great</a>, who employed <a href="/wiki/Carl_Philipp_Emanuel_Bach" title="Carl Philipp Emanuel Bach">Carl Philipp Emanuel Bach</a> as court harpsichordist, she was a keen amateur musician, composing and playing the organ. </p> <figure typeof="mw:File/Thumb"><a href="/wiki/File:Sara_Itzig_Levy_Anton_Graff.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/74/Sara_Itzig_Levy_Anton_Graff.jpg/150px-Sara_Itzig_Levy_Anton_Graff.jpg" decoding="async" width="150" height="194" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/74/Sara_Itzig_Levy_Anton_Graff.jpg/225px-Sara_Itzig_Levy_Anton_Graff.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/74/Sara_Itzig_Levy_Anton_Graff.jpg/300px-Sara_Itzig_Levy_Anton_Graff.jpg 2x" data-file-width="733" data-file-height="950" /></a><figcaption>Portrait of Sara Levy by <a href="/wiki/Anton_Graff" title="Anton Graff">Anton Graff</a>, 1786</figcaption></figure> <p>The royal court was not the only place in Berlin where Bach was performed. The family of <a href="/wiki/Daniel_Itzig" title="Daniel Itzig">Daniel Itzig</a>, banker to Frederick the Great and his father, also provided a cultural milieu for musical connoisseurs: four of his daughters, <a href="/wiki/Sara_Itzig" class="mw-redirect" title="Sara Itzig">Sara</a>, Zippora, <a href="/wiki/Fanny_von_Arnstein" title="Fanny von Arnstein">Fanny</a> and Bella (maternal grandmother of <a href="/wiki/Felix_Mendelssohn" title="Felix Mendelssohn">Felix Mendelssohn</a>), were all keyboard players. Sara was the most gifted harpsichordist, of professional standard. When <a href="/wiki/Wilhelm_Friedemann_Bach" title="Wilhelm Friedemann Bach">Wilhelm Friedemann Bach</a> moved to Berlin from <a href="/wiki/Dresden" title="Dresden">Dresden</a>, she took lessons from him and provided him with some financial support in his old age. After her marriage to the banker Samuel Salomon Levy in 1784, she ran a weekly musical salon in their residence on the <a href="/wiki/Museum_Island" title="Museum Island">Museuminsel</a>: the concert room housed both a harpsichord and a <a href="/wiki/Fortepiano" title="Fortepiano">fortepiano</a> and was large enough to accommodate a chamber orchestra. With the help of Wilhelm Friedemann and Carl Philipp Emanuel, Sara also built up a significant library of hand copies of Bach manuscripts. Her collection included Bach's organ sonatas, which eventually were passed on to her grandnephew Felix Mendelssohn; there was also a copy of the two harpsichord arrangement of the organ sonatas in the Itzig household, belonging to Sara's sister Fanny. Sara also commissioned works, including C. P. Bach's final composition, the Double concerto for harpsichord and fortepiano (1788). Her salon attracted the Berlin intelligentsia, including <a href="/wiki/Alexander_von_Humboldt" title="Alexander von Humboldt">Alexander von Humboldt</a>, <a href="/wiki/Wilhelm_von_Humboldt" title="Wilhelm von Humboldt">Wilhelm von Humboldt</a>, <a href="/wiki/Friedrich_Schleiermacher" title="Friedrich Schleiermacher">Friedrich Schleiermacher</a> and <a href="/wiki/Johann_Gottlieb_Fichte" title="Johann Gottlieb Fichte">Johann Gottlieb Fichte</a>. Sara herself performed in public, including performances at the <a href="/wiki/Sing-Akademie_zu_Berlin" title="Sing-Akademie zu Berlin">Sing-Akademie zu Berlin</a>, from its foundation by <a href="/wiki/Carl_Friedrich_Christian_Fasch" title="Carl Friedrich Christian Fasch">Carl Friedrich Christian Fasch</a> in 1791 until her retirement in 1810. Fasch's successor as director of the Sing-Akademie was <a href="/wiki/Carl_Friedrich_Zelter" title="Carl Friedrich Zelter">Carl Friedrich Zelter</a>, another devotee of Bach who later became Mendelssohn's teacher and mentor. Zelter ensured that Bach's organ works featured in the institution's <i>Ripienschule</i> instrumental concerts: both BWV 525 and BWV 526 were included in the concert programme. The collections of Bachiana of Sara Levy and C. P. E. Bach became part of the Sing-Akademie's library, now held in the <a href="/wiki/Berlin_State_Library" title="Berlin State Library">Berlin State Library</a>.<sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p> <figure typeof="mw:File/Thumb"><a href="/wiki/File:Mozart_(unfinished)_by_Lange_1782.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Mozart_%28unfinished%29_by_Lange_1782.jpg/150px-Mozart_%28unfinished%29_by_Lange_1782.jpg" decoding="async" width="150" height="207" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Mozart_%28unfinished%29_by_Lange_1782.jpg/225px-Mozart_%28unfinished%29_by_Lange_1782.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Mozart_%28unfinished%29_by_Lange_1782.jpg/300px-Mozart_%28unfinished%29_by_Lange_1782.jpg 2x" data-file-width="4180" data-file-height="5776" /></a><figcaption>Wolfgang Amadeus Mozart, unfinished portrait by <a href="/wiki/Joseph_Lange" title="Joseph Lange">Joseph Lange</a>, 1782</figcaption></figure> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Gottried_van_Swieten_(c_clavereau).jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f9/Gottried_van_Swieten_%28c_clavereau%29.jpg/150px-Gottried_van_Swieten_%28c_clavereau%29.jpg" decoding="async" width="150" height="194" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f9/Gottried_van_Swieten_%28c_clavereau%29.jpg/225px-Gottried_van_Swieten_%28c_clavereau%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f9/Gottried_van_Swieten_%28c_clavereau%29.jpg/300px-Gottried_van_Swieten_%28c_clavereau%29.jpg 2x" data-file-width="761" data-file-height="984" /></a><figcaption><a href="/wiki/Gottfried_van_Swieten" title="Gottfried van Swieten">Gottfried van Swieten</a></figcaption></figure> <p>The fair copy made by <a href="/wiki/Wilhelm_Friedemann_Bach" title="Wilhelm Friedemann Bach">Wilhelm Friedemann Bach</a> and <a href="/wiki/Anna_Magdalena_Bach" title="Anna Magdalena Bach">Anna Magdalena Bach</a> was probably disseminated through Bach's biographer <a href="/wiki/Johann_Nikolaus_Forkel" title="Johann Nikolaus Forkel">Johann Nikolaus Forkel</a> and the Austrian Ambassador to Berlin, Baron <a href="/wiki/Gottfried_van_Swieten" title="Gottfried van Swieten">Gottfried van Swieten</a>. van Swieten, an avid collector of music, knew Kirnberger and Princess Anna Amalia from Berlin and had brought back to Vienna several hand copies of Bach manuscripts of keyboard and organ works, including a transcription of the organ sonatas for two keyboards: van Swieten's large collection of musical manuscripts is now preserved in the <a href="/wiki/%C3%96sterreichische_Nationalbibliothek" class="mw-redirect" title="Österreichische Nationalbibliothek">Imperial Library</a>, which he directed from 1777 onwards. In late eighteenth century Vienna renewed interest amongst the musical intelligentsia in the "old music" of Bach had given rise to weekly meetings of a musical salon run by van Swieten; in 1782 the young <a href="/wiki/Wolfgang_Amadeus_Mozart" title="Wolfgang Amadeus Mozart">Wolfgang Amadeus Mozart</a> became an active participant.<sup id="cite_ref-31" class="reference"><a href="#cite_note-31"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> In both Berlin and Vienna it had become fashionable to play Bach in arrangements more suited for domestic performance. Mozart himself made string quartet arrangements of some of the fugues in <i><a href="/wiki/The_Well-Tempered_Clavier" title="The Well-Tempered Clavier">The Well-Tempered Clavier</a></i>; and three of the movements in the string trios for violin, viola and cello, K. 404a, are transcriptions of movements from the organ sonatas (BWV 527/ii, BWV 526/ii and BWV 526/iii).<sup id="cite_ref-32" class="reference"><a href="#cite_note-32"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Fanny_Arnstein_Litho.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/9/91/Fanny_Arnstein_Litho.jpg/250px-Fanny_Arnstein_Litho.jpg" decoding="async" width="150" height="225" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/91/Fanny_Arnstein_Litho.jpg/330px-Fanny_Arnstein_Litho.jpg 2x" data-file-width="1614" data-file-height="2421" /></a><figcaption><a href="/wiki/Fanny_von_Arnstein" title="Fanny von Arnstein">Fanny von Arnstein</a>, lithograph by Louis Pereira, 1819</figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:BWV526_ii-iii_Fanny_von_Arnstein.jpeg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/5/54/BWV526_ii-iii_Fanny_von_Arnstein.jpeg/220px-BWV526_ii-iii_Fanny_von_Arnstein.jpeg" decoding="async" width="220" height="346" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/54/BWV526_ii-iii_Fanny_von_Arnstein.jpeg/330px-BWV526_ii-iii_Fanny_von_Arnstein.jpeg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/54/BWV526_ii-iii_Fanny_von_Arnstein.jpeg/440px-BWV526_ii-iii_Fanny_von_Arnstein.jpeg 2x" data-file-width="1278" data-file-height="2010" /></a><figcaption>Page from <i>Primo</i> part with end of BWV 526/ii and start of BWV 526/iii in arrangement for two harpsichords from collection of <a href="/wiki/Fanny_von_Arnstein" title="Fanny von Arnstein">Fanny von Arnstein</a>, <a href="/wiki/%C3%96sterreichische_Nationalbibliothek" class="mw-redirect" title="Österreichische Nationalbibliothek">ONB</a>, Vienna</figcaption></figure> <p>The string trios K. 404a have not been included in the <i><a href="/wiki/Neue_Mozart-Ausgabe" title="Neue Mozart-Ausgabe">Neue Mozart-Ausgabe</a></i> of 2010.<sup id="cite_ref-34" class="reference"><a href="#cite_note-34"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> Their previous inclusion in the catalogue of Mozart's works, following the assessments of the musicologists <a href="/wiki/Wilhelm_Rust" title="Wilhelm Rust">Wilhelm Rust</a> in the nineteenth century and <a href="/wiki/Alfred_Einstein" title="Alfred Einstein">Alfred Einstein</a> in the twentieth century, was challenged in the 1960s due to problems in authenticating the authorship of the newly composed slow movements preceding the fugal movements. In addition it was assumed that the sources for the organ sonatas used in the transcriptions were those brought back to Vienna by Baron van Swieten. <a href="#CITEREFWolff2012a">Wolff (2012a)</a> has suggested that Mozart's special circumstances in Vienna in 1782 point with high probability to a quite different version of events, which makes Mozart's authorship of K. 404a far more likely.<sup id="cite_ref-ReferenceA_35-0" class="reference"><a href="#cite_note-ReferenceA-35"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> </p><p>Mozart's contacts with the Bach circle date back to the concert tour with <a href="/wiki/Maria_Anna_Mozart" title="Maria Anna Mozart">his sister</a> and <a href="/wiki/Leopold_Mozart" title="Leopold Mozart">father</a> when they <a href="/wiki/Mozart_family_grand_tour#London_(April_1764_–_July_1765)" title="Mozart family grand tour">stayed in London</a> from April 1764 until July 1765. The eight year old Mozart played before <a href="/wiki/George_III_of_the_United_Kingdom" class="mw-redirect" title="George III of the United Kingdom">George III</a>. In his second recital he was requested to perform compositions by Bach's son <a href="/wiki/Johann_Christian_Bach" title="Johann Christian Bach">Johann Christian Bach</a>—the "London Bach"—who befriended the family during their visit. In 1781 in Vienna he came into contact with the Itzig family. Sara's older sister <a href="/wiki/Fanny_von_Arnstein" title="Fanny von Arnstein">Fanny</a> had moved to Vienna in 1776 following her marriage to the Viennese banker Adam Nathan Arnstein. She attended the musical salons of Baron van Swieten and brought with her from Berlin her extensive personal collection of Bach family manuscripts. These included the arrangement of the organ sonatas for two harpsichords; and the Itzig family collection of manuscripts in Berlin frequently had volumes containing fugues from <i>The Well-Tempered Clavier</i> fugues bound with fugues by Bach's two eldest sons. In August 1781 Mozart took up lodgings with his fortepiano in "a very prettily furnished room" (<i>ein recht hüpsches eingerichtetes zimmer</i>) in the servants' quarters on the third floor of the Arnstein family mansion "auf dem Graben". He remained there for eleven months: his letter to his father of 10 April concerning van Zwieten's Sunday salons dates from that period. Wolff considers it likely that Mozart's involvement in van Zwieten's salon came about through Fanny van Arnstein; and that, while lodging with her, Mozart would have had access to her library and in particular the Bach manuscripts on which K. 404a is based.<sup id="cite_ref-ReferenceA_35-1" class="reference"><a href="#cite_note-ReferenceA-35"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="England">England</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=16" title="Edit section: England"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure typeof="mw:File/Thumb"><a href="/wiki/File:Horn-wesley-trio-sonatas.png" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Horn-wesley-trio-sonatas.png/300px-Horn-wesley-trio-sonatas.png" decoding="async" width="300" height="360" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Horn-wesley-trio-sonatas.png/450px-Horn-wesley-trio-sonatas.png 1.5x, //upload.wikimedia.org/wikipedia/commons/d/d6/Horn-wesley-trio-sonatas.png 2x" data-file-width="468" data-file-height="561" /></a><figcaption>Title page of BWV 525 in the 1809 edition of <a href="/wiki/Charles_Frederick_Horn" title="Charles Frederick Horn">Charles Frederick Horn</a> and <a href="/wiki/Samuel_Wesley_(composer,_born_1766)" title="Samuel Wesley (composer, born 1766)">Samuel Wesley</a>, Arranged for piano duet (three hands) and available as six separate works, this was the first time all six sonatas had been published. <a href="/wiki/Augustus_Frederic_Christopher_Kollmann" title="Augustus Frederic Christopher Kollmann">A.F.C. Kollmann</a> had previously published BWV 525 in 1799 as part of <i>"An Essay on Practical Musical Composition"</i>.<sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup></figcaption></figure> <div class="mw-heading mw-heading3"><h3 id="France">France</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=17" title="Edit section: France"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading2"><h2 id="Arrangements_and_transcriptions">Arrangements and transcriptions</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=18" title="Edit section: Arrangements and transcriptions"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Reconstruction of BWV 525/1, <a href="/wiki/BWV_1032" class="mw-redirect" title="BWV 1032">BWV 1032</a>/2 and BWV 525/3 as trio sonata in B-flat major for <a href="/wiki/Alto_recorder" title="Alto recorder">alto recorder</a>/<a href="/wiki/Transverse_flute" title="Transverse flute">transverse flute</a>, <a href="/wiki/Oboe" title="Oboe">oboe</a>/<a href="/wiki/Violin" title="Violin">violin</a> and continuo (<a href="/wiki/Bassoon" title="Bassoon">bassoon</a>/<a href="/wiki/Viola_da_gamba" class="mw-redirect" title="Viola da gamba">viola da gamba</a> and <a href="/wiki/Harpsichord" title="Harpsichord">harpsichord</a>), <a href="/wiki/Klaus_Hofmann" title="Klaus Hofmann">Klaus Hofmann</a>, 2006, <a href="/wiki/Breitkopf_%26_H%C3%A4rtel" title="Breitkopf & Härtel">Breitkopf & Härtel</a>.<sup id="cite_ref-Hofmann_37-0" class="reference"><a href="#cite_note-Hofmann-37"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup></li> <li>Arrangement of early versions of BWV 525/1, BWV 1032/2 and BWV 525/3 for violin, cello and continuo from mid 18th century sources; in his commentary on sources, Klaus Hofmann and other Bach scholars have questioned the authenticity of this arrangement (see also <a href="/wiki/Concerto,_BWV_525a" title="Concerto, BWV 525a">Concerto, BWV 525a</a>).<sup id="cite_ref-Hofmann_37-1" class="reference"><a href="#cite_note-Hofmann-37"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup></li> <li>Arrangement of BWV 525–530 for two pianos, <a href="/wiki/Victor_Babin" class="mw-redirect" title="Victor Babin">Victor Babin</a>, 1942, <a href="/wiki/Boosey_and_Hawkes" class="mw-redirect" title="Boosey and Hawkes">Boosey and Hawkes</a></li> <li>Arrangement of BWV 530 for solo piano, <a href="/wiki/B%C3%A9la_Bart%C3%B3k" title="Béla Bartók">Béla Bartók</a>, Editio Musica Budapest</li> <li>Arrangement of BWv 529–530 for solo piano, Fred Davis</li> <li>Arrangement of BWV 529/2 for piano solo, <a href="/wiki/Samuil_Feinberg" title="Samuil Feinberg">Samuil Feinberg</a></li> <li>Arrangement of BWV 525–526 for piano solo, <a href="/wiki/Hermann_Keller" title="Hermann Keller">Hermann Keller</a>, Steingräber</li> <li>Arrangement of BWV 525–530 for piano solo, Bernhard Kistler-Liebendörfer</li> <li>Arrangement of BWV 525 for piano duet (3 hands), <a href="/wiki/Gy%C3%B6rgy_Kurt%C3%A1g" title="György Kurtág">György Kurtág</a>, Editio Musica Budapest</li> <li>Arrangements of BWV 530/1 and BWV 530/3 for two pianos, Alexej Parussinof</li> <li>Arrangements of BWV 525–530 for piano duet (3 hands), 1809–10 <a href="/wiki/Charles_Frederick_Horn" title="Charles Frederick Horn">Charles Frederick Horn</a> and <a href="/wiki/Samuel_Wesley_(composer,_born_1766)" title="Samuel Wesley (composer, born 1766)">Samuel Wesley</a></li> <li>Suite No.5 (BWV 529/1, BWV 528/2, BWV 530/1) for string orchestra, <a href="/wiki/Henry_Wood" title="Henry Wood">Henry Wood</a></li> <li>Reconstruction of BWV 528 as trio sonata for <a href="/wiki/Oboe_d%27amore" title="Oboe d'amore">oboe d'amore</a>, <a href="/wiki/Viola_da_gamba" class="mw-redirect" title="Viola da gamba">viola da gamba</a> and <a href="/wiki/Harpsichord" title="Harpsichord">harpsichord</a>, Pieter Dirksen, 2013, Breitkopf & Härtel.</li></ul> <p>There are numerous recorded performances of the organ sonatas by chamber groups involving different combinations of instruments and sometimes involving transposition of Bach's individual parts. </p> <div class="mw-heading mw-heading2"><h2 id="Selected_recordings">Selected recordings</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=19" title="Edit section: Selected recordings"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a href="/wiki/Marie-Claire_Alain" title="Marie-Claire Alain">Marie-Claire Alain</a>, Trio sonatas, <a href="/wiki/Erato_Records" title="Erato Records">Erato</a>, 1986, 1 CD,</li> <li><a href="/wiki/Bernard_Foccroulle" title="Bernard Foccroulle">Bernard Foccroulle</a>, Complete Organ Works of Bach, <a href="/wiki/Ricercar" title="Ricercar">Ricercar</a></li> <li><a href="/wiki/Ton_Koopman" title="Ton Koopman">Ton Koopman</a>, Trio sonatas, <a href="/wiki/Deutsche_Grammophon" title="Deutsche Grammophon">Deutsche Grammophon</a>, 1999, 1 CD.</li> <li><a href="/wiki/Andr%C3%A9_Isoir" title="André Isoir">André Isoir</a>, J. S. Bach: The Concertante Organ, Sinfonias, sonatas & concertos, La Dolce Volta: LDV1180, 2013, 3-CD set.</li> <li><a href="/wiki/Andr%C3%A9_Isoir" title="André Isoir">André Isoir</a>, Trio sonatas, <a href="/wiki/Calliope_(record_label)" title="Calliope (record label)">Calliope</a>, 2-CD set.</li> <li><a href="/wiki/Helmut_Walcha" title="Helmut Walcha">Helmut Walcha</a>, Complete Organ Works of Bach, Deutsche Grammophon Archiv, E4637122</li></ul> <p><b>Selected arrangements</b> </p> <ul><li><a href="/wiki/Julian_Bream" title="Julian Bream">Julian Bream</a> (lute) and <a href="/wiki/George_Malcolm_(musician)" title="George Malcolm (musician)">George Malcolm</a> (harpsichord), BWV 525 and 529, <a href="/wiki/RCA_Records" title="RCA Records">RCA Records</a>, 1969.</li> <li><a href="/wiki/Jean-Pierre_Rampal" title="Jean-Pierre Rampal">Jean-Pierre Rampal</a> and <a href="/wiki/Robert_Veyron-Lacroix" title="Robert Veyron-Lacroix">Robert Veyron-Lacroix</a>, for flute and harpsichord, <a href="/wiki/Erato_Records" title="Erato Records">Erato</a>, 1981 (available as CD 15 of Rampal's Complete Recordings for Erato, Vol.3, 1970–1982).</li> <li><a href="/wiki/Purcell_Quartet" title="Purcell Quartet">Purcell Quartet</a>. <a href="/wiki/Chandos_Records" title="Chandos Records">Chandos</a>, 2002.</li> <li>Alfredo Bernardini (oboe d'amore). Cassandra Luckhardt (viola da gamba) and Pieter Dirksen (harpsichord), BWV 528, <a href="/wiki/Etcetera_Records" title="Etcetera Records">Etcetera</a>, 2009.</li> <li><a href="/wiki/Pierre_Hanta%C3%AF" title="Pierre Hantaï">Le Concert Français</a>, for alto recorder, violin, viola da gamba and harpsichord, BWV 525, 528, 529 and 530, <a href="/wiki/Naive_Records" class="mw-redirect" title="Naive Records">Naive</a>.</li> <li><a href="/wiki/Samuel_Feinberg" class="mw-redirect" title="Samuel Feinberg">Samuel Feinberg</a>, The Art of Samuel Feinberg, Vol. 3, BWV 528/2, Classical Records (Feinberg playing his own arrangement, also recorded by many other pianists)</li> <li><a href="/wiki/Arthur_Grumiaux" title="Arthur Grumiaux">Arthur Grumiaux</a> (violin), Georges Janzer (viola), Eva Czako (cello), Mozart's Preludes and Fugues for String Trio, K404a, <a href="/wiki/Philips" title="Philips">Philips</a></li> <li>The Brook Street Band: Rachel Harris, Farran Scott (violins), Tatty Theo (cello) and Carolyn Gibley (harpsichord), AVIE Records, 2010.</li> <li><a href="/wiki/E._Power_Biggs" title="E. Power Biggs">E. Power Biggs</a> (pedal harpsichord), Essential Classics, <a href="/wiki/Sony_Records" title="Sony Records">Sony Records</a>, 1967.</li> <li>Stefan Palm (pedal harpsichord), Amphion Records, 2001.</li> <li>David Ponsford and <a href="/wiki/David_Hill_(choral_director)" title="David Hill (choral director)">David Hill</a> (harpsichords), BWV 525–530, <a href="/wiki/Nimbus_Records" title="Nimbus Records">Nimbus Records</a>, 2020.</li> <li>Rebecca Cypess (harpsichord) and Yi-heng Yang (fortepiano), "In Sara Levy's Salon", BWV 526, Acis, 2017.</li></ul> <div class="mw-heading mw-heading2"><h2 id="Notes_and_references">Notes and references</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=20" title="Edit section: Notes and references"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Notes">Notes</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=21" title="Edit section: Notes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width reflist-lower-alpha" style="column-width: 45em;"> <ol class="references"> <li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><a href="#CITEREFZohn2015">Zohn 2015</a>, pp. 286, 566<span class="error harv-error" style="display: none; font-size:100%"> harvnb error: no target: CITEREFZohn2015 (<a href="/wiki/Category:Harv_and_Sfn_template_errors" title="Category:Harv and Sfn template errors">help</a>)</span><sup class="noprint Inline-Template" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:CITESHORT" class="mw-redirect" title="Wikipedia:CITESHORT"><span title="More information is required to link this short citation to its long citation. (June 2022)">incomplete short citation</span></a></i>]</sup> This is Zohn's translation of the following passage from Scheibe's <i>Critischer Musikus,</i> (1740), a revised and expanded version of what he originally wrote in <i>Der critische Musikus</i>: "Ich will aber zuvörderst von den dreystimmigen und vierstimmigen Sonaten reden, davon die ersten insgemein Trios, die letztern aber Quadros genennet werden, hernach aber auch die übrigen etwas erläutern. Beyde Arten von Sonaten, von welchen ich zuerst reden will, werden eigentlich auf zweyerley Art eingerichtet, nämlich als eigentliche Sonaten, und dann auch auf Concertenart ... "Das eigentliche Wesen dieser Stücke aber ist überhaupt dieses, daß in allen Stimmen, vornehmlich aber in den Oberstimmen ein ordentlicher Gesang, und eine fugenmäßige Ausarbeitung seyn muß. Wenn sie nicht auf Concertenart eingerichtet werden: so darf man wenig kräuselnde und verändernde Sätze anbringen, sondern es muß durchaus eine bündige, fließende und natürliche Melodie vorhanden seyn ... "Die Ordnung aber, die man in diesen Sonaten insgemein zu halten pfleget, ist fol- gende. Zuerst erscheint ein langsamer Satz, hierauf ein geschwinder oder lebhafter Satz; diesem folget ein langsamer, und zuletzt beschließt ein geschwinder und munterer Satz. Wiewohl man kann dann und wann den ersten langsamen Satz weglassen, und so fort mit dem lebhaften Satze anfangen. Dieses letztere pflegt man insonderheit zu thun, wenn man die Sonaten auf Concertenart ausarbeitet ... "Der nunmehro folgende geschwinde oder lebhafte Satz wird insgemein auf Fugenart ausgearbeitet, wo er nicht selbst eine ordentliche Fuge ist ... Wenn das Trio concerten- mässig seyn soll: so kann auch ein[e] Stimme stärker, als die andere, arbeiten, und also mancherley kräuselnde, laufende und verändernde Sätze hören lassen. Die Unterstimme kann auch in diesem Falle nicht so bündig, als in einer andern ordentlichen Sonate, gesetzet werden."</span> </li> </ol></div> <div class="mw-heading mw-heading3"><h3 id="References">References</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=22" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626" /><div class="reflist reflist-columns references-column-width" style="column-width: 24em;"> <ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text">See: <ul><li><a href="#CITEREFWilliams2003">Williams 2003</a>, pp. 4–6</li> <li><a href="#CITEREFSpeerstra2004">Speerstra 2004</a></li></ul> </span></li> <li id="cite_note-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-2">^</a></b></span> <span class="reference-text"><a href="#CITEREFWilliams2003">Williams 2003</a>, p. 2</span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text">See: <ul><li><a href="#CITEREFBach2010">Bach 2010</a>, p. 18</li> <li><a href="#CITEREFDavidMendelWolff1998">David, Mendel & Wolff 1998</a>, p. 471</li> <li><a href="#CITEREFWilliams2003">Williams 2003</a>, p. 4</li></ul> </span></li> <li id="cite_note-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-4">^</a></b></span> <span class="reference-text"><a href="#CITEREFBach2010">Bach 2010</a>, p. 18</span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><a href="#CITEREFWilliams2003">Williams 2003</a></span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text"><a href="#CITEREFBach2004">Bach 2004</a><span class="error harv-error" style="display: none; font-size:100%"> harvnb error: no target: CITEREFBach2004 (<a href="/wiki/Category:Harv_and_Sfn_template_errors" title="Category:Harv and Sfn template errors">help</a>)</span><sup class="noprint Inline-Template" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:CITESHORT" class="mw-redirect" title="Wikipedia:CITESHORT"><span title="More information is required to link this short citation to its long citation. (June 2022)">incomplete short citation</span></a></i>]</sup></span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text"><a href="#CITEREFBach2014">Bach 2014</a></span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text">See: <ul><li><a href="#CITEREFWilliams2003">Williams 2003</a>, p. 4</li> <li><a href="#CITEREFBreig1999">Breig 1999</a>, p. 682</li> <li><a href="#CITEREFWolff1994">Wolff 1994</a></li> <li><a href="#CITEREFBach2013">Bach (2013)</a>, preface by Pieter Dirksen</li> <li><a href="#CITEREFStauffer2016">Stauffer (2016</a>, pp. 39–42)</li></ul> </span></li> <li id="cite_note-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-9">^</a></b></span> <span class="reference-text">See: <ul><li><a href="#CITEREFWilliams2003">Williams 2003</a>, pp. 6–7</li> <li><a href="#CITEREFBach2010">Bach 2010</a>, p. 18</li></ul> </span></li> <li id="cite_note-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-10">^</a></b></span> <span class="reference-text">See: <ul><li><a href="#CITEREFWilliams1980">Williams 1980</a>, pp. 11–14</li> <li><a href="#CITEREFWilliams2003">Williams 2003</a>, pp. 7–8</li> <li><a href="#CITEREFBach2010">Bach 2010</a>, p. 19</li></ul> </span></li> <li id="cite_note-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-11">^</a></b></span> <span class="reference-text">See: <ul><li><a href="#CITEREFWilliams1980">Williams 1980</a>, pp. 14–19</li> <li><a href="#CITEREFWilliams2003">Williams 2003</a>, pp. 8–9</li> <li><a href="#CITEREFBach2010">Bach 2010</a></li> <li><a href="#CITEREFSwack1993">Swack 1993</a></li> <li><a href="#CITEREFZohn2008">Zohn 2008</a></li></ul> </span></li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text"><a href="#CITEREFWilliams2003">Williams 2003</a>, pp. 388, 394</span> </li> <li id="cite_note-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-13">^</a></b></span> <span class="reference-text"><a href="#CITEREFYearsley2002">Yearsley 2002</a>, pp. 93–111</span> </li> <li id="cite_note-FOOTNOTEZohn2015286-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEZohn2015286_14-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFZohn2015">Zohn 2015</a>, p. 286.<span class="error harv-error" style="display: none; font-size:100%"> sfn error: no target: CITEREFZohn2015 (<a href="/wiki/Category:Harv_and_Sfn_template_errors" title="Category:Harv and Sfn template errors">help</a>)</span></span> </li> <li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text"><a href="#CITEREFSwack1993">Swack 1993</a>, pp. 371–372</span> </li> <li id="cite_note-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-17">^</a></b></span> <span class="reference-text">Bach departs from the strict three movement structure only in the brief slow introduction in the first movement of BWV 526, originally the sinfonia in <a href="/wiki/BWV_76" class="mw-redirect" title="BWV 76">BWV 76</a>.</span> </li> <li id="cite_note-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-18">^</a></b></span> <span class="reference-text">See: <ul><li><a href="#CITEREFBreig1999">Breig 1999</a>, p. 679</li> <li><a href="#CITEREFBach2010">Bach 2010</a>, p. 20</li></ul> </span></li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text"><a href="#CITEREFWilliams2003">Williams 2003</a>, pp. 29–30</span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-20">^</a></b></span> <span class="reference-text"><a href="#CITEREFSackmann2000">Sackmann 2000</a>, p. 135</span> </li> <li id="cite_note-Corelli-21"><span class="mw-cite-backlink">^ <a href="#cite_ref-Corelli_21-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Corelli_21-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">There is an overview in <a href="#CITEREFSackmann2000">Sackmann (2000</a>, pp. 26–32) of how the instrumental works of Corelli were transmitted in Germany (<a href="/wiki/Weimar" title="Weimar">Weimar</a>, <a href="/wiki/D%C3%BCsseldorf" title="Düsseldorf">Düsseldorf</a>, <a href="/wiki/W%C3%BCrzburg" title="Würzburg">Würzburg</a>) at the time of their publication. Sackmann and <a href="#CITEREFJones2007">Jones (2007)</a> discuss their influence on Bach.</span> </li> <li id="cite_note-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-22">^</a></b></span> <span class="reference-text"><a href="#CITEREFCrocker1986">Crocker 1986</a>, pp. 303–304</span> </li> <li id="cite_note-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-23">^</a></b></span> <span class="reference-text">See: <ul><li><a href="#CITEREFWilliams1985">Williams 1985</a>, pp. 47–49<span class="error harv-error" style="display: none; font-size:100%"> harvnb error: no target: CITEREFWilliams1985 (<a href="/wiki/Category:Harv_and_Sfn_template_errors" title="Category:Harv and Sfn template errors">help</a>)</span><sup class="noprint Inline-Template" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:CITESHORT" class="mw-redirect" title="Wikipedia:CITESHORT"><span title="More information is required to link this short citation to its long citation. (June 2022)">incomplete short citation</span></a></i>]</sup></li> <li><a href="#CITEREFWilliams2003">Williams 2003</a>, pp. 30–31</li></ul> </span></li> <li id="cite_note-BWV529-3-24"><span class="mw-cite-backlink">^ <a href="#cite_ref-BWV529-3_24-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-BWV529-3_24-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-BWV529-3_24-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-BWV529-3_24-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text">See: <ul><li><a href="#CITEREFWilliams1985">Williams 1985</a>, pp. 49–51<span class="error harv-error" style="display: none; font-size:100%"> harvnb error: no target: CITEREFWilliams1985 (<a href="/wiki/Category:Harv_and_Sfn_template_errors" title="Category:Harv and Sfn template errors">help</a>)</span><sup class="noprint Inline-Template" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:CITESHORT" class="mw-redirect" title="Wikipedia:CITESHORT"><span title="More information is required to link this short citation to its long citation. (June 2022)">incomplete short citation</span></a></i>]</sup></li> <li><a href="#CITEREFWilliams2003">Williams 2003</a>, pp. 31–32</li></ul> </span></li> <li id="cite_note-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-25">^</a></b></span> <span class="reference-text"><a href="#CITEREFWolff2012a">Wolff 2012a</a></span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-26">^</a></b></span> <span class="reference-text">See: <ul><li><a href="#CITEREFWilliams2003">Williams 2003</a>, p. 3</li> <li><a href="#CITEREFFinscher1989">Finscher 1989</a>, p. 291</li> <li><a href="#CITEREFStinson2012">Stinson 2012</a></li> <li><a href="#CITEREFYearsley1998">Yearsley 1998</a></li></ul> </span></li> <li id="cite_note-FOOTNOTEBach1815-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBach1815_27-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBach1815">Bach 1815</a>.</span> </li> <li id="cite_note-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-28">^</a></b></span> <span class="reference-text">See: <ul><li><a href="#CITEREFWilliams2003">Williams 2003</a>, p. 4</li> <li><a href="#CITEREFDirst2012">Dirst 2012</a>, pp. 32, 91</li> <li><a href="#CITEREFWalton2007">Walton 2007</a>, pp. 13–17</li></ul> </span></li> <li id="cite_note-29"><span class="mw-cite-backlink"><b><a href="#cite_ref-29">^</a></b></span> <span class="reference-text">the former Amalienbibliothek, now incorporated in the <a href="/wiki/Berlin_State_Library" title="Berlin State Library">Berlin State Library</a>; not to be confused with the <a href="/wiki/Duchess_Anna_Amalia_Library" title="Duchess Anna Amalia Library">Duchess Anna Amalia Library</a></span> </li> <li id="cite_note-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-30">^</a></b></span> <span class="reference-text">See: <ul><li><a href="#CITEREFWolff2012b">Wolff 2012b</a>, pp. 58–59</li> <li><a href="#CITEREFStinson2006">Stinson 2006</a>, p. 8–9, 183</li> <li><a href="#CITEREFKilian1988">Kilian 1988</a>, pp. 48–49</li> <li><a href="#CITEREFWollny1993">Wollny 1993</a>, p. 663, 667</li></ul> </span></li> <li id="cite_note-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-31">^</a></b></span> <span class="reference-text">As described in <a href="#CITEREFDeutsch1965">Deutsch (1965</a>, p. 80), Mozart and van Swieten's paths had previously intersected in 1768 in Vienna at a private rehearsal of the ill-fated <i>La Finta semplice</i>, Mozart's first attempts at <i><a href="/wiki/Opera_buffo" class="mw-redirect" title="Opera buffo">opera buffo</a></i>.</span> </li> <li id="cite_note-32"><span class="mw-cite-backlink"><b><a href="#cite_ref-32">^</a></b></span> <span class="reference-text"><a href="#CITEREFWilliams2003">Williams 2003</a>, pp. 3–4</span> </li> <li id="cite_note-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-33">^</a></b></span> <span class="reference-text"><a href="#CITEREFDirst2012">Dirst 2012</a>, p. 59</span> </li> <li id="cite_note-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-34">^</a></b></span> <span class="reference-text"><a href="#CITEREFMozart2010">Mozart 2010</a></span> </li> <li id="cite_note-ReferenceA-35"><span class="mw-cite-backlink">^ <a href="#cite_ref-ReferenceA_35-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-ReferenceA_35-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">See: <ul><li><a href="#CITEREFWolff2012a">Wolff 2012a</a></li> <li><a href="#CITEREFWolff2012b">Wolff 2012b</a></li></ul> </span></li> <li id="cite_note-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-36">^</a></b></span> <span class="reference-text"><a href="#CITEREFOlleson2004">Olleson 2004</a></span> </li> <li id="cite_note-Hofmann-37"><span class="mw-cite-backlink">^ <a href="#cite_ref-Hofmann_37-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Hofmann_37-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHofmann1999">Hofmann 1999</a></span> </li> <li id="cite_note-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-38">^</a></b></span> <span class="reference-text"> <style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFBach" class="citation book cs1 cs1-prop-foreign-lang-source"><a href="/wiki/Johann_Sebastian_Bach" title="Johann Sebastian Bach">Bach, Johann Sebastian</a>. "Critical commentary". In <a href="/wiki/Klaus_Hofmann" title="Klaus Hofmann">Hofmann, Klaus</a> (ed.). <i>Verschiedene Kammermusikwerke</i>. Johann Sebastian Bach. Neue Ausgabe sämtlicher Werke (NBA) (in German). Vol. VI/5. Bärenreiter. p. 98. <a href="/wiki/ISMN_(identifier)" class="mw-redirect" title="ISMN (identifier)">ISMN</a> 9790006545254. BA 5295-41.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Critical+commentary&rft.btitle=Verschiedene+Kammermusikwerke&rft.series=Johann+Sebastian+Bach.+Neue+Ausgabe+s%C3%A4mtlicher+Werke+%28NBA%29&rft.pages=98&rft.pub=B%C3%A4renreiter&rft.aulast=Bach&rft.aufirst=Johann+Sebastian&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></span> </li> </ol></div> <div class="mw-heading mw-heading3"><h3 id="Sources">Sources</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=23" title="Edit section: Sources"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1184024115">.mw-parser-output .div-col{margin-top:0.3em;column-width:30em}.mw-parser-output .div-col-small{font-size:90%}.mw-parser-output .div-col-rules{column-rule:1px solid #aaa}.mw-parser-output .div-col dl,.mw-parser-output .div-col ol,.mw-parser-output .div-col ul{margin-top:0}.mw-parser-output .div-col li,.mw-parser-output .div-col dd{page-break-inside:avoid;break-inside:avoid-column}</style><div class="div-col" style="column-width: 45em;"> <p><b>Published editions</b> </p> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFBach1815" class="citation cs2">Bach, J. S. (1815), <a href="/wiki/Hans_Georg_N%C3%A4geli" title="Hans Georg Nägeli">Nägeli, Hans Georg</a> (ed.), <a rel="nofollow" class="external text" href="http://www.e-rara.ch/zuz/content/pageview/7282226"><i>Practische Orgelschule enthaltend Sechs Sonaten</i></a>, Zürich</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Practische+Orgelschule+enthaltend+Sechs+Sonaten&rft.place=Z%C3%BCrich&rft.date=1815&rft.aulast=Bach&rft.aufirst=J.+S.&rft_id=http%3A%2F%2Fwww.e-rara.ch%2Fzuz%2Fcontent%2Fpageview%2F7282226&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFKilian1988" class="citation cs2 cs1-prop-foreign-lang-source"><a href="/wiki/Dietrich_Kilian" title="Dietrich Kilian">Kilian, Dietrich</a> (1988), <i>Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie IV – Band 7. Sechs Sonaten und verschiedene Einzelwerke. Kritischer Bericht (Critical commentary)</i> (in German), Kassel: Bärenreiter</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Johann+Sebastian+Bach.+Neue+Ausgabe+S%C3%A4mtlicher+Werke.+Serie+IV+%E2%80%93+Band+7.+Sechs+Sonaten+und+verschiedene+Einzelwerke.+Kritischer+Bericht+%28Critical+commentary%29&rft.place=Kassel&rft.pub=B%C3%A4renreiter&rft.date=1988&rft.aulast=Kilian&rft.aufirst=Dietrich&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFBach2010" class="citation cs2 cs1-prop-long-vol">Bach, J. S. (2010), Dirksen, Peter (ed.), <i>Sonatas, Trios, Concertos</i>, Complete Organ Works (Breitkopf Urtext), vol. 5 EB 8805, <a href="/wiki/Wiesbaden" title="Wiesbaden">Wiesbaden</a>: <a href="/wiki/Breitkopf_%26_H%C3%A4rtel" title="Breitkopf & Härtel">Breitkopf & Härtel</a>, <a href="/wiki/ISMN_(identifier)" class="mw-redirect" title="ISMN (identifier)">ISMN</a> 979-0-004-18366-3</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Sonatas%2C+Trios%2C+Concertos&rft.place=Wiesbaden&rft.series=Complete+Organ+Works+%28Breitkopf+Urtext%29&rft.pub=Breitkopf+%26+H%C3%A4rtel&rft.date=2010&rft.aulast=Bach&rft.aufirst=J.+S.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span> <a rel="nofollow" class="external text" href="https://www.breitkopf.com/assets/pdf/15008_EB8805_PDF_EB8805_Einl.pdf">Introduction</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150913172301/https://www.breitkopf.com/assets/pdf/15008_EB8805_PDF_EB8805_Einl.pdf">Archived</a> 2015-09-13 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> (in German and English) • <a rel="nofollow" class="external text" href="https://www.breitkopf.com/assets/pdf/15008_EB8805_PDF_EB8805Comm.pdf">Commentary</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20230109165518/https://www.breitkopf.com/assets/pdf/15008_EB8805_PDF_EB8805Comm.pdf">Archived</a> 2023-01-09 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a> (English translation—commentary in paperback original is in German)</li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFBach2013" class="citation cs2">Bach, J. S. (2013), Dirksen, Peter (ed.), <a rel="nofollow" class="external text" href="https://issuu.com/breitkopf/docs/km_2306_issuu?e=23479955/37627910"><i>Trio Sonata in G minor for oboe d'amore [oboe], viola da gamba [viola] and continuo [realised]. Reconstruction based on BWV 76/8 and 528</i></a>, <a href="/wiki/Wiesbaden" title="Wiesbaden">Wiesbaden</a>: <a href="/wiki/Breitkopf_%26_H%C3%A4rtel" title="Breitkopf & Härtel">Breitkopf & Härtel</a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Trio+Sonata+in+G+minor+for+oboe+d%27amore+%5Boboe%5D%2C+viola+da+gamba+%5Bviola%5D+and+continuo+%5Brealised%5D.+Reconstruction+based+on+BWV+76%2F8+and+528&rft.place=Wiesbaden&rft.pub=Breitkopf+%26+H%C3%A4rtel&rft.date=2013&rft.aulast=Bach&rft.aufirst=J.+S.&rft_id=https%3A%2F%2Fissuu.com%2Fbreitkopf%2Fdocs%2Fkm_2306_issuu%3Fe%3D23479955%2F37627910&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span> (<a rel="nofollow" class="external text" href="https://www.breitkopf.com/assets/pdf/9232_PDF_KM2306_Vw.pdf">Preface</a>)</li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFBach2014" class="citation cs2">Bach, J. S. (2014), Stauffer, George B. (ed.), <i>Six Trio Sonatas and Miscellaneous Trios</i>, Wayne Leupold Editions, <a href="/wiki/ISMN_(identifier)" class="mw-redirect" title="ISMN (identifier)">ISMN</a> 9790800017025</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Six+Trio+Sonatas+and+Miscellaneous+Trios&rft.pub=Wayne+Leupold+Editions&rft.date=2014&rft.aulast=Bach&rft.aufirst=J.+S.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span>. <a rel="nofollow" class="external text" href="http://wayneleupold.com/files/bach7.pdf">Early variants of movements</a>, designated BWV 525/1a, BWV 517/1a, BWV 528/2a, BWV 528/2b and BWV 529/2a</li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFMozart2010" class="citation cs2 cs1-prop-long-vol cs1-prop-foreign-lang-source"><a href="/wiki/Wolfgang_Amadeus_Mozart" title="Wolfgang Amadeus Mozart">Mozart, W. A.</a> (2010), "Vorwort", in Berke, Dietrich; Bödeker, Anke; Ferguson, Faye; Leisinger, Ulrich (eds.), <i>Bearbeitungen und Ergänzungen von Werken verschiedener Komponisten</i>, Wolfgang Amadeus Mozart. Neue Ausgabe sämtlicher Werke (NMA) (in German), vol. X/28/3-5, 2, Bärenreiter, pp. <span class="nowrap">XV–</span>XVI, <a href="/wiki/ISMN_(identifier)" class="mw-redirect" title="ISMN (identifier)">ISMN</a> 9790006546978</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Vorwort&rft.btitle=Bearbeitungen+und+Erg%C3%A4nzungen+von+Werken+verschiedener+Komponisten&rft.series=Wolfgang+Amadeus+Mozart.+Neue+Ausgabe+s%C3%A4mtlicher+Werke+%28NMA%29&rft.pages=%3Cspan+class%3D%22nowrap%22%3EXV-%3C%2Fspan%3EXVI&rft.pub=B%C3%A4renreiter&rft.date=2010&rft.aulast=Mozart&rft.aufirst=W.+A.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span>.</li></ul> <p><b>Books and journal articles</b> </p> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFBreig1999" class="citation cs2"><a href="/wiki/Werner_Breig" title="Werner Breig">Breig, Werner</a> (1999), "Bachs berufliche Basis. Die Orgelmusik: Freie Orgelwerke", in Küster, Konrad (ed.), <i>Bach-Handbuch</i>, Kassel: <a href="/wiki/B%C3%A4renreiter" title="Bärenreiter">Bärenreiter</a>, pp. <span class="nowrap">678–</span>688</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Bachs+berufliche+Basis.+Die+Orgelmusik%3A+Freie+Orgelwerke&rft.btitle=Bach-Handbuch&rft.place=Kassel&rft.pages=%3Cspan+class%3D%22nowrap%22%3E678-%3C%2Fspan%3E688&rft.pub=B%C3%A4renreiter&rft.date=1999&rft.aulast=Breig&rft.aufirst=Werner&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFCrocker1986" class="citation cs2">Crocker, Richard L. (1986), <i>A History of Musical Style</i> (2nd ed.), Dover Publications, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0486173240" title="Special:BookSources/0486173240"><bdi>0486173240</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=A+History+of+Musical+Style&rft.edition=2nd&rft.pub=Dover+Publications&rft.date=1986&rft.isbn=0486173240&rft.aulast=Crocker&rft.aufirst=Richard+L.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFDavidMendelWolff1998" class="citation cs2">David, Hans Theodore; <a href="/wiki/Arthur_Mendel" title="Arthur Mendel">Mendel, Arthur</a>; <a href="/wiki/Christoph_Wolff" title="Christoph Wolff">Wolff, Christoph</a> (1998), <i>The New Bach Reader</i> (Revised ed.), W.W. Norton, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0393319563" title="Special:BookSources/0393319563"><bdi>0393319563</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+New+Bach+Reader&rft.edition=Revised&rft.pub=W.W.+Norton&rft.date=1998&rft.isbn=0393319563&rft.aulast=David&rft.aufirst=Hans+Theodore&rft.au=Mendel%2C+Arthur&rft.au=Wolff%2C+Christoph&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFDeutsch1965" class="citation cs2"><a href="/wiki/Otto_Erich_Deutsch" title="Otto Erich Deutsch">Deutsch, Otto Erich</a> (1965), <i>Mozart: A Documentary Biography</i>, translated by <a href="/wiki/Eric_Blom" title="Eric Blom">Eric Blom</a>; <a href="/wiki/Peter_Branscombe" title="Peter Branscombe">Peter Branscombe</a>; <a href="/wiki/Jeremy_Noble_(musicologist)" title="Jeremy Noble (musicologist)">Jeremy Noble</a>, Stanford University Press</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Mozart%3A+A+Documentary+Biography&rft.pub=Stanford+University+Press&rft.date=1965&rft.aulast=Deutsch&rft.aufirst=Otto+Erich&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFDirst2012" class="citation cs2">Dirst, Matthew (2012), <i>Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn</i>, Cambridge University Press, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0521651608" title="Special:BookSources/978-0521651608"><bdi>978-0521651608</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Engaging+Bach%3A+The+Keyboard+Legacy+from+Marpurg+to+Mendelssohn&rft.pub=Cambridge+University+Press&rft.date=2012&rft.isbn=978-0521651608&rft.aulast=Dirst&rft.aufirst=Matthew&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFFinscher1989" class="citation cs2"><a href="/wiki/Ludwig_Finscher" title="Ludwig Finscher">Finscher, Ludwig</a> (1989), "Bach in the eighteenth century", in Franklin, Don O. (ed.), <i>Bach Studies</i>, Cambridge University Press, pp. <span class="nowrap">281–</span>296, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0521341051" title="Special:BookSources/0521341051"><bdi>0521341051</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Bach+in+the+eighteenth+century&rft.btitle=Bach+Studies&rft.pages=%3Cspan+class%3D%22nowrap%22%3E281-%3C%2Fspan%3E296&rft.pub=Cambridge+University+Press&rft.date=1989&rft.isbn=0521341051&rft.aulast=Finscher&rft.aufirst=Ludwig&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFHofmann1999" class="citation book cs1 cs1-prop-foreign-lang-source"><a href="/wiki/Klaus_Hofmann" title="Klaus Hofmann">Hofmann, Klaus</a> (1999). <a rel="nofollow" class="external text" href="https://journals.qucosa.de/ejournals/bjb/article/view/1676">"Ein verschollenes Kammermusikwerk Johann Sebastian Bachs: Zur Fassungsgeschichte der Orgelsonate Es-Dur (BWV 525) und der Sonate A-Dur für Flöte und Cembalo (BWV 1032)"</a> [A lost chamber music work by Johann Sebastian Bach: On the genesis of the organ sonata in E-flat major (BWV 525) and the sonata in A major for flute and harpsichord (<a href="/wiki/BWV_1032" class="mw-redirect" title="BWV 1032">BWV 1032</a>)]. In <a href="/wiki/Hans-Joachim_Schulze" title="Hans-Joachim Schulze">Schulze, Hans-Joachim</a>; <a href="/wiki/Christoph_Wolff" title="Christoph Wolff">Wolff, Christoph</a> (eds.). <a rel="nofollow" class="external text" href="https://journals.qucosa.de/ejournals/bjb/issue/view/160"><i>Bach-Jahrbuch 1999</i></a> [<i>Bach Yearbook 1999</i>]. <a href="/wiki/Bach-Jahrbuch" title="Bach-Jahrbuch">Bach-Jahrbuch</a> (in German). Vol. 85. Leipzig: <a href="/wiki/Neue_Bachgesellschaft" title="Neue Bachgesellschaft">Neue Bachgesellschaft</a>. pp. <span class="nowrap">67–</span>79. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.13141%2Fbjb.v1999">10.13141/bjb.v1999</a>. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/3-374-01763-0" title="Special:BookSources/3-374-01763-0"><bdi>3-374-01763-0</bdi></a>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0084-7682">0084-7682</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Ein+verschollenes+Kammermusikwerk+Johann+Sebastian+Bachs%3A+Zur+Fassungsgeschichte+der+Orgelsonate+Es-Dur+%28BWV+525%29+und+der+Sonate+A-Dur+f%C3%BCr+Fl%C3%B6te+und+Cembalo+%28BWV+1032%29&rft.btitle=Bach-Jahrbuch+1999&rft.place=Leipzig&rft.series=Bach-Jahrbuch&rft.pages=%3Cspan+class%3D%22nowrap%22%3E67-%3C%2Fspan%3E79&rft.pub=Neue+Bachgesellschaft&rft.date=1999&rft.issn=0084-7682&rft_id=info%3Adoi%2F10.13141%2Fbjb.v1999&rft.isbn=3-374-01763-0&rft.aulast=Hofmann&rft.aufirst=Klaus&rft_id=https%3A%2F%2Fjournals.qucosa.de%2Fejournals%2Fbjb%2Farticle%2Fview%2F1676&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFJones2007" class="citation cs2"><a href="/wiki/Richard_D._P._Jones" title="Richard D. P. Jones">Jones, Richard D. P.</a> (2007), <i>The Creative Development of Johann Sebastian Bach, Volume I: 1695–1717: Music to Delight the Spirit</i>, Oxford University Press, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780198164401" title="Special:BookSources/9780198164401"><bdi>9780198164401</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Creative+Development+of+Johann+Sebastian+Bach%2C+Volume+I%3A+1695%E2%80%931717%3A+Music+to+Delight+the+Spirit&rft.pub=Oxford+University+Press&rft.date=2007&rft.isbn=9780198164401&rft.aulast=Jones&rft.aufirst=Richard+D.+P.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFOlleson2004" class="citation cs2">Olleson, Philip (2004), Kassler, Michael (ed.), <i>The English Bach awakening: knowledge of J. S. Bach and his music in England, 1750–1830</i>, Ashgate, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-84014-666-4" title="Special:BookSources/1-84014-666-4"><bdi>1-84014-666-4</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+English+Bach+awakening%3A+knowledge+of+J.+S.+Bach+and+his+music+in+England%2C+1750%E2%80%931830&rft.pub=Ashgate&rft.date=2004&rft.isbn=1-84014-666-4&rft.aulast=Olleson&rft.aufirst=Philip&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFSackmann2000" class="citation cs2 cs1-prop-foreign-lang-source">Sackmann, Dominik (2000), <i>Bach und Corelli: Studien zu Bachs Rezeption von Corellis Violinsonaten op. 5 unter besonderer Berücksichtigung der "Sogenannten Arnstädter Orgelchoräle" und der langsamen Konzertsätze</i>, Musikwissenschaftliche Schriften (in German), vol. 36, Katzbichler, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/3873970953" title="Special:BookSources/3873970953"><bdi>3873970953</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bach+und+Corelli%3A+Studien+zu+Bachs+Rezeption+von+Corellis+Violinsonaten+op.+5+unter+besonderer+Ber%C3%BCcksichtigung+der+%22Sogenannten+Arnst%C3%A4dter+Orgelchor%C3%A4le%22+und+der+langsamen+Konzerts%C3%A4tze&rft.series=Musikwissenschaftliche+Schriften&rft.pub=Katzbichler&rft.date=2000&rft.isbn=3873970953&rft.aulast=Sackmann&rft.aufirst=Dominik&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFSpeerstra2004" class="citation cs2">Speerstra, Joel (2004), <i>Bach and the Pedal Clavichord: an Organist's Guide</i>, University of Rochester Press, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-58046-135-2" title="Special:BookSources/1-58046-135-2"><bdi>1-58046-135-2</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bach+and+the+Pedal+Clavichord%3A+an+Organist%27s+Guide&rft.pub=University+of+Rochester+Press&rft.date=2004&rft.isbn=1-58046-135-2&rft.aulast=Speerstra&rft.aufirst=Joel&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFStauffer2016" class="citation cs2">Stauffer, George B. (2016), "Miscellaneous organ trios from Bach's Leipzig workshop", in Dirst, Matthew (ed.), <i>Bach and the Organ</i>, Bach Perspectives, vol. 10, University of Illinois Press, pp. <span class="nowrap">39–</span>59, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780252040191" title="Special:BookSources/9780252040191"><bdi>9780252040191</bdi></a>, <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a> <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/10.5406/j.ctt18j8xkb">10.5406/j.ctt18j8xkb</a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Miscellaneous+organ+trios+from+Bach%27s+Leipzig+workshop&rft.btitle=Bach+and+the+Organ&rft.series=Bach+Perspectives&rft.pages=%3Cspan+class%3D%22nowrap%22%3E39-%3C%2Fspan%3E59&rft.pub=University+of+Illinois+Press&rft.date=2016&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F10.5406%2Fj.ctt18j8xkb%23id-name%3DJSTOR&rft.isbn=9780252040191&rft.aulast=Stauffer&rft.aufirst=George+B.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFStinson2006" class="citation cs2">Stinson, Russell (2006), <a rel="nofollow" class="external text" href="https://archive.org/details/receptionofbachs00stin"><i>The reception of Bach's organ works from Mendelssohn to Brahms</i></a>, Oxford University Press, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-19-517109-8" title="Special:BookSources/0-19-517109-8"><bdi>0-19-517109-8</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+reception+of+Bach%27s+organ+works+from+Mendelssohn+to+Brahms&rft.pub=Oxford+University+Press&rft.date=2006&rft.isbn=0-19-517109-8&rft.aulast=Stinson&rft.aufirst=Russell&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Freceptionofbachs00stin&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFStinson2012" class="citation cs2">Stinson, Russell (2012), <i>J. S. Bach at His Royal Instrument: Essays on His Organ Works</i>, Oxford University Press, pp. <span class="nowrap">108–</span>111, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780199917235" title="Special:BookSources/9780199917235"><bdi>9780199917235</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=J.+S.+Bach+at+His+Royal+Instrument%3A+Essays+on+His+Organ+Works&rft.pages=%3Cspan+class%3D%22nowrap%22%3E108-%3C%2Fspan%3E111&rft.pub=Oxford+University+Press&rft.date=2012&rft.isbn=9780199917235&rft.aulast=Stinson&rft.aufirst=Russell&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span>, Chapter VII, "Aspects of Reception from Bach's Day to the Present"</li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFSwack1993" class="citation cs2">Swack, Jeanne R. (1993), "On the Origins of the "Sonate auf Concertenart"<span class="cs1-kern-right"></span>", <i><a href="/wiki/Journal_of_the_American_Musicological_Society" title="Journal of the American Musicological Society">Journal of the American Musicological Society</a></i>, <b>46</b> (3): <span class="nowrap">369–</span>414, <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.2307%2F831926">10.2307/831926</a>, <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a> <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/831926">831926</a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Journal+of+the+American+Musicological+Society&rft.atitle=On+the+Origins+of+the+%22Sonate+auf+Concertenart%22&rft.volume=46&rft.issue=3&rft.pages=%3Cspan+class%3D%22nowrap%22%3E369-%3C%2Fspan%3E414&rft.date=1993&rft_id=info%3Adoi%2F10.2307%2F831926&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F831926%23id-name%3DJSTOR&rft.aulast=Swack&rft.aufirst=Jeanne+R.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFWalton2007" class="citation cs2">Walton, Chris (2007), <i>Richard Wagner's Zurich: The Muse of Place</i>, Camden House, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1571133311" title="Special:BookSources/978-1571133311"><bdi>978-1571133311</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Richard+Wagner%27s+Zurich%3A+The+Muse+of+Place&rft.pub=Camden+House&rft.date=2007&rft.isbn=978-1571133311&rft.aulast=Walton&rft.aufirst=Chris&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFWilliams1980" class="citation cs2"><a href="/wiki/Peter_Williams_(musicologist)" title="Peter Williams (musicologist)">Williams, Peter</a> (1980), <i>The Organ Music of J. S. Bach: Volume 1, Preludes, Toccatas, Fantasias, Fugues, Sonatas, Concertos and Miscellaneous Pieces</i>, Cambridge University Press, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0521217237" title="Special:BookSources/0521217237"><bdi>0521217237</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Organ+Music+of+J.+S.+Bach%3A+Volume+1%2C+Preludes%2C+Toccatas%2C+Fantasias%2C+Fugues%2C+Sonatas%2C+Concertos+and+Miscellaneous+Pieces&rft.pub=Cambridge+University+Press&rft.date=1980&rft.isbn=0521217237&rft.aulast=Williams&rft.aufirst=Peter&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFWilliams2003" class="citation cs2">Williams, Peter (2003), <i>The Organ Music of J. S. Bach</i> (2nd ed.), Cambridge University Press, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-521-89115-9" title="Special:BookSources/0-521-89115-9"><bdi>0-521-89115-9</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Organ+Music+of+J.+S.+Bach&rft.edition=2nd&rft.pub=Cambridge+University+Press&rft.date=2003&rft.isbn=0-521-89115-9&rft.aulast=Williams&rft.aufirst=Peter&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFWolff1994" class="citation cs2"><a href="/wiki/Christoph_Wolff" title="Christoph Wolff">Wolff, Christoph</a> (1994), <a rel="nofollow" class="external text" href="http://em.oxfordjournals.org/content/13/2/165.short">"Bach's Leipzig Chamber Music"</a>, <i>Bach: Essays on His Life and Work</i>, Harvard University Press, p. 263, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0674059263" title="Special:BookSources/0674059263"><bdi>0674059263</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Bach%27s+Leipzig+Chamber+Music&rft.btitle=Bach%3A+Essays+on+His+Life+and+Work&rft.pages=263&rft.pub=Harvard+University+Press&rft.date=1994&rft.isbn=0674059263&rft.aulast=Wolff&rft.aufirst=Christoph&rft_id=http%3A%2F%2Fem.oxfordjournals.org%2Fcontent%2F13%2F2%2F165.short&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span> (a reprint of a 1985 publication in <a href="/wiki/Early_Music_(journal)" title="Early Music (journal)">Early Music</a>)</li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFWolff2012a" class="citation cs2">Wolff, Christoph (2012a), "Mozart 1782, Fanny Arnstein und viermal Bach", <i>Mozart-Jahrbuch 2009–2010</i>, Bärenreiter, pp. <span class="nowrap">141–</span>148</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Mozart+1782%2C+Fanny+Arnstein+und+viermal+Bach&rft.btitle=Mozart-Jahrbuch+2009%E2%80%932010&rft.pages=%3Cspan+class%3D%22nowrap%22%3E141-%3C%2Fspan%3E148&rft.pub=B%C3%A4renreiter&rft.date=2012&rft.aulast=Wolff&rft.aufirst=Christoph&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFWolff2012b" class="citation cs2">Wolff, Christoph (2012b), <i>Mozart at the Gateway to His Fortune: Serving the Emperor, 1788-1791</i>, W. W. Norton, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0393084108" title="Special:BookSources/978-0393084108"><bdi>978-0393084108</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Mozart+at+the+Gateway+to+His+Fortune%3A+Serving+the+Emperor%2C+1788-1791&rft.pub=W.+W.+Norton&rft.date=2012&rft.isbn=978-0393084108&rft.aulast=Wolff&rft.aufirst=Christoph&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFWollny1993" class="citation cs2"><a href="/wiki/Peter_Wollny" title="Peter Wollny">Wollny, Peter</a> (1993), "Sara Levy and the Making of Musical Taste in Berlin", <i><a href="/wiki/The_Musical_Quarterly" title="The Musical Quarterly">The Musical Quarterly</a></i>, <b>77</b> (4): <span class="nowrap">651–</span>688, <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<span class="id-lock-free" title="Freely accessible"><a rel="nofollow" class="external text" href="https://doi.org/10.1093%2Fmq%2F77.4.651">10.1093/mq/77.4.651</a></span>, <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a> <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/742352">742352</a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Musical+Quarterly&rft.atitle=Sara+Levy+and+the+Making+of+Musical+Taste+in+Berlin&rft.volume=77&rft.issue=4&rft.pages=%3Cspan+class%3D%22nowrap%22%3E651-%3C%2Fspan%3E688&rft.date=1993&rft_id=info%3Adoi%2F10.1093%2Fmq%2F77.4.651&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F742352%23id-name%3DJSTOR&rft.aulast=Wollny&rft.aufirst=Peter&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFYearsley1998" class="citation cs2"><a href="/w/index.php?title=David_Yearsley&action=edit&redlink=1" class="new" title="David Yearsley (page does not exist)">Yearsley, David</a> (1998), "The Organ Music of J. S. Bach", in Thistlethwaite, Nicholas; Webber, Geoffrey (eds.), <i>The Cambridge Companion to the Organ</i>, Cambridge University Press, pp. <span class="nowrap">236–</span>249, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0521575842" title="Special:BookSources/0521575842"><bdi>0521575842</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=The+Organ+Music+of+J.+S.+Bach&rft.btitle=The+Cambridge+Companion+to+the+Organ&rft.pages=%3Cspan+class%3D%22nowrap%22%3E236-%3C%2Fspan%3E249&rft.pub=Cambridge+University+Press&rft.date=1998&rft.isbn=0521575842&rft.aulast=Yearsley&rft.aufirst=David&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFYearsley2002" class="citation cs2">Yearsley, David (2002), <i>Bach and the meanings of counterpoint</i>, New perspectives in music history and criticism, vol. 10, Cambridge University Press, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-521-80346-2" title="Special:BookSources/0-521-80346-2"><bdi>0-521-80346-2</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bach+and+the+meanings+of+counterpoint&rft.series=New+perspectives+in+music+history+and+criticism&rft.pub=Cambridge+University+Press&rft.date=2002&rft.isbn=0-521-80346-2&rft.aulast=Yearsley&rft.aufirst=David&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFZohn2008" class="citation cs2">Zohn, Steven (2008), "Telemann and the Sonate auf Concertenart", <i>Music for a Mixed Taste: Style, Genre, and Meaning in Telemann's Instrumental Works</i>, Oxford University Press, pp. <span class="nowrap">283–</span>334, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0190247850" title="Special:BookSources/978-0190247850"><bdi>978-0190247850</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Telemann+and+the+Sonate+auf+Concertenart&rft.btitle=Music+for+a+Mixed+Taste%3A+Style%2C+Genre%2C+and+Meaning+in+Telemann%27s+Instrumental+Works&rft.pages=%3Cspan+class%3D%22nowrap%22%3E283-%3C%2Fspan%3E334&rft.pub=Oxford+University+Press&rft.date=2008&rft.isbn=978-0190247850&rft.aulast=Zohn&rft.aufirst=Steven&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="Further_reading">Further reading</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=24" title="Edit section: Further reading"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1184024115" /><div class="div-col" style="column-width: 45em;"> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation cs2">Allsop, Peter (1999), <i>Arcangelo Corelli: New Orpheus of Our Times</i>, Oxford monographs on music, Oxford University Press, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0198165625" title="Special:BookSources/0198165625"><bdi>0198165625</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Arcangelo+Corelli%3A+New+Orpheus+of+Our+Times&rft.series=Oxford+monographs+on+music&rft.pub=Oxford+University+Press&rft.date=1999&rft.isbn=0198165625&rft.aulast=Allsop&rft.aufirst=Peter&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation cs2 cs1-prop-long-vol cs1-prop-foreign-lang-source">Bach, J. S. (1984), <a href="/wiki/Dietrich_Kilian" title="Dietrich Kilian">Kilian, Dietrich</a> (ed.), <i>Sechs Sonaten und verschiedene Einzelwerke</i>, Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie IV: Orgelwerke (in German), vol. Band 7, Kassel: Bärenreiter</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Sechs+Sonaten+und+verschiedene+Einzelwerke&rft.place=Kassel&rft.series=Neue+Ausgabe+S%C3%A4mtlicher+Werke.+Hrsg+vom+Johann-Sebastian-Bach-Institut+G%C3%B6ttingen+und+vom+Bach-Archiv+Leipzig.+Serie+IV%3A+Orgelwerke&rft.pub=B%C3%A4renreiter&rft.date=1984&rft.aulast=Bach&rft.aufirst=J.+S.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation cs2 cs1-prop-long-vol">Bach, J. S. (1991), Zászkaliczky, Tamás (ed.), <i>Sämtliche Orgelwerke: Triosonaten, Trios, Concerti (9–10)</i>, EMB Study Scores, vol. Z.400949, Editio Musica Budapest, <a href="/wiki/ISMN_(identifier)" class="mw-redirect" title="ISMN (identifier)">ISMN</a> 9790080400944</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=S%C3%A4mtliche+Orgelwerke%3A+Triosonaten%2C+Trios%2C+Concerti+%289%E2%80%9310%29&rft.series=EMB+Study+Scores&rft.pub=Editio+Musica+Budapest&rft.date=1991&rft.aulast=Bach&rft.aufirst=J.+S.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation cs2">Dirksen, Pieter (2003), "Ein verschollenes Weimarer Kammermusikwerk Johann Sebastian Bachs? Zur Vorgeschichte der Sonate e-Moll für Orgel", <i><a href="/wiki/Bach-Jahrbuch" title="Bach-Jahrbuch">Bach-Jahrbuch</a></i>: <span class="nowrap">7–</span>36</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Bach-Jahrbuch&rft.atitle=Ein+verschollenes+Weimarer+Kammermusikwerk+Johann+Sebastian+Bachs%3F+Zur+Vorgeschichte+der+Sonate+e-Moll+f%C3%BCr+Orgel&rft.pages=%3Cspan+class%3D%22nowrap%22%3E7-%3C%2Fspan%3E36&rft.date=2003&rft.aulast=Dirksen&rft.aufirst=Pieter&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation cs2">Eddie, William Alexander (2007), <i>Charles Valentin Alkan: His Life and His Music</i>, Routledge, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1840142600" title="Special:BookSources/978-1840142600"><bdi>978-1840142600</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Charles+Valentin+Alkan%3A+His+Life+and+His+Music&rft.pub=Routledge&rft.date=2007&rft.isbn=978-1840142600&rft.aulast=Eddie&rft.aufirst=William+Alexander&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation cs2"><a href="/wiki/Martin_Geck" title="Martin Geck">Geck, Martin</a> (2006), <a rel="nofollow" class="external text" href="https://archive.org/details/johannsebastianb00geck/page/579">"The Sonatas and Suites"</a>, <i>Johann Sebastian Bach: Life and Work</i>, translated by John Hargraves, Houghton Mifflin Harcourt, pp. <a rel="nofollow" class="external text" href="https://archive.org/details/johannsebastianb00geck/page/579">579–607</a>, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0151006482" title="Special:BookSources/0151006482"><bdi>0151006482</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=The+Sonatas+and+Suites&rft.btitle=Johann+Sebastian+Bach%3A+Life+and+Work&rft.pages=579-607&rft.pub=Houghton+Mifflin+Harcourt&rft.date=2006&rft.isbn=0151006482&rft.aulast=Geck&rft.aufirst=Martin&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fjohannsebastianb00geck%2Fpage%2F579&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation book cs1 cs1-prop-foreign-lang-source"><a href="/wiki/Diethard_Hellmann" title="Diethard Hellmann">Hellmann, Diethard</a>, ed. (1965). <i>Johann Sebastian Bach: Concerto (Triosonate) für Violine, Violoncello und Basso continuo C-dur (BWV 525a)</i> (in German). Breitkopf & Härtel. <a href="/wiki/ISMN_(identifier)" class="mw-redirect" title="ISMN (identifier)">ISMN</a> 979-0-004-16727-4. <a rel="nofollow" class="external text" href="https://www.breitkopf.com/work/370/concerto-in-c-major">EB 6466</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Johann+Sebastian+Bach%3A+Concerto+%28Triosonate%29+f%C3%BCr+Violine%2C+Violoncello+und+Basso+continuo+C-dur+%28BWV+525a%29&rft.pub=Breitkopf+%26+H%C3%A4rtel&rft.date=1965&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation cs2"><a href="/wiki/Richard_D._P._Jones" title="Richard D. P. Jones">Jones, Richard D. P.</a> (2013), <i>The Creative Development of Johann Sebastian Bach, Volume II: 1717–1750: Music to Delight the Spirit</i>, Oxford University Press, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780199696284" title="Special:BookSources/9780199696284"><bdi>9780199696284</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Creative+Development+of+Johann+Sebastian+Bach%2C+Volume+II%3A+1717%E2%80%931750%3A+Music+to+Delight+the+Spirit&rft.pub=Oxford+University+Press&rft.date=2013&rft.isbn=9780199696284&rft.aulast=Jones&rft.aufirst=Richard+D.+P.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation cs2">Lenneberg, Hans (2003), <i>On the Publishing and Dissemination of Music, 1500-1850</i>, Pendragon Press, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1576470784" title="Special:BookSources/1576470784"><bdi>1576470784</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=On+the+Publishing+and+Dissemination+of+Music%2C+1500-1850&rft.pub=Pendragon+Press&rft.date=2003&rft.isbn=1576470784&rft.aulast=Lenneberg&rft.aufirst=Hans&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation cs2">Little, William A. (2010), <a rel="nofollow" class="external text" href="http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780195394382.001.0001/acprof-9780195394382"><i>Mendelssohn and the Organ</i></a>, Oxford University Press, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780195394382" title="Special:BookSources/9780195394382"><bdi>9780195394382</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Mendelssohn+and+the+Organ&rft.pub=Oxford+University+Press&rft.date=2010&rft.isbn=9780195394382&rft.aulast=Little&rft.aufirst=William+A.&rft_id=http%3A%2F%2Fwww.oxfordscholarship.com%2Fview%2F10.1093%2Facprof%3Aoso%2F9780195394382.001.0001%2Facprof-9780195394382&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation cs2">Ollesen, Philip (2000), "Samuel Wesley and the music profession", in Christina Bashford; Leanne Langley (eds.), <i>Music and British Culture, 1785-1914: Essays in Honor of Cyril Ehrlich</i>, Oxford University Press, pp. <span class="nowrap">25–</span>38, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780198167303" title="Special:BookSources/9780198167303"><bdi>9780198167303</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Samuel+Wesley+and+the+music+profession&rft.btitle=Music+and+British+Culture%2C+1785-1914%3A+Essays+in+Honor+of+Cyril+Ehrlich&rft.pages=%3Cspan+class%3D%22nowrap%22%3E25-%3C%2Fspan%3E38&rft.pub=Oxford+University+Press&rft.date=2000&rft.isbn=9780198167303&rft.aulast=Ollesen&rft.aufirst=Philip&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation cs2"><a href="/wiki/Ronald_Smith_(musician)" title="Ronald Smith (musician)">Smith, Ronald</a> (2000), <i>Alkan: The Man, The Musician</i> (2nd revised ed.), Kahn & Averill, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1871082730" title="Special:BookSources/1871082730"><bdi>1871082730</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Alkan%3A+The+Man%2C+The+Musician&rft.edition=2nd+revised&rft.pub=Kahn+%26+Averill&rft.date=2000&rft.isbn=1871082730&rft.aulast=Smith&rft.aufirst=Ronald&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation cs2"><a href="/wiki/R._J._Stove" title="R. J. Stove">Stove, R. J.</a> (2011), <i>César Franck: His Life and Times</i>, Scarecrow Press, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0810882089" title="Special:BookSources/978-0810882089"><bdi>978-0810882089</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=C%C3%A9sar+Franck%3A+His+Life+and+Times&rft.pub=Scarecrow+Press&rft.date=2011&rft.isbn=978-0810882089&rft.aulast=Stove&rft.aufirst=R.+J.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation cs2">Tatlow, Ruth (1991), <i>Bach and the riddle of the number alphabet</i>, Cambridge University Press, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-521-36191-5" title="Special:BookSources/0-521-36191-5"><bdi>0-521-36191-5</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bach+and+the+riddle+of+the+number+alphabet&rft.pub=Cambridge+University+Press&rft.date=1991&rft.isbn=0-521-36191-5&rft.aulast=Tatlow&rft.aufirst=Ruth&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation cs2">Whiteley, John Scott (2016), "Historische Belege zur Registrierungspraxis in den Sechs Sonaten BWV 525-530. Eine Neubewertung", <i><a href="/wiki/Bach-Jahrbuch" title="Bach-Jahrbuch">Bach-Jahrbuch</a></i>, <b>102</b>: <span class="nowrap">11–</span>43, <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.13141%2Fbjb.v20162389">10.13141/bjb.v20162389</a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Bach-Jahrbuch&rft.atitle=Historische+Belege+zur+Registrierungspraxis+in+den+Sechs+Sonaten+BWV+525-530.+Eine+Neubewertung&rft.volume=102&rft.pages=%3Cspan+class%3D%22nowrap%22%3E11-%3C%2Fspan%3E43&rft.date=2016&rft_id=info%3Adoi%2F10.13141%2Fbjb.v20162389&rft.aulast=Whiteley&rft.aufirst=John+Scott&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span>. Translation in <i>Royal College of Organists Journal</i> 2019.</li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation cs2"><a href="/wiki/Christoph_Wolff" title="Christoph Wolff">Wolff, Christoph</a> (2005), <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160304032959/http://www.amacad.org/publications/bulletin/spring2005/wolff.pdf">"A Bach cult in late-eighteenth-century Berlin: Sara Levy's musical salon"</a> <span class="cs1-format">(PDF)</span>, <i><a href="/wiki/Bulletin_of_the_American_Academy_of_Arts_and_Sciences" class="mw-redirect" title="Bulletin of the American Academy of Arts and Sciences">Bulletin of the American Academy of Arts and Sciences</a></i>, <b>58</b>: <span class="nowrap">25–</span>31, archived from <a rel="nofollow" class="external text" href="http://amacad.org/publications/bulletin/spring2005/wolff.pdf">the original</a> <span class="cs1-format">(PDF)</span> on 2016-03-04<span class="reference-accessdate">, retrieved <span class="nowrap">2016-10-24</span></span></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Bulletin+of+the+American+Academy+of+Arts+and+Sciences&rft.atitle=A+Bach+cult+in+late-eighteenth-century+Berlin%3A+Sara+Levy%27s+musical+salon&rft.volume=58&rft.pages=%3Cspan+class%3D%22nowrap%22%3E25-%3C%2Fspan%3E31&rft.date=2005&rft.aulast=Wolff&rft.aufirst=Christoph&rft_id=http%3A%2F%2Famacad.org%2Fpublications%2Fbulletin%2Fspring2005%2Fwolff.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation cs2"><a href="/wiki/Peter_Wollny" title="Peter Wollny">Wollny, Peter</a> (2010), <i>Ein förmlicher Sebastian und Philipp Emanuel Bach-Kultus: Sara Levy und ihr musikalisches Werken</i>, Breitkopf & Härtel</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Ein+f%C3%B6rmlicher+Sebastian+und+Philipp+Emanuel+Bach-Kultus%3A+Sara+Levy+und+ihr+musikalisches+Werken&rft.pub=Breitkopf+%26+H%C3%A4rtel&rft.date=2010&rft.aulast=Wollny&rft.aufirst=Peter&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation cs2">Yearsley, David (2012), <i>Bach's Feet: The Organ Pedals in European Culture</i>, Cambridge University Press, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780521199018" title="Special:BookSources/9780521199018"><bdi>9780521199018</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bach%27s+Feet%3A+The+Organ+Pedals+in+European+Culture&rft.pub=Cambridge+University+Press&rft.date=2012&rft.isbn=9780521199018&rft.aulast=Yearsley&rft.aufirst=David&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation cs2">Yearsley, David (2019), <i>Sex, Death, and Minuets: Anna Magdalena Bach and Her Musical Notebooks</i>, University of Chicago Press, <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9780226617701" title="Special:BookSources/9780226617701"><bdi>9780226617701</bdi></a></cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Sex%2C+Death%2C+and+Minuets%3A+Anna+Magdalena+Bach+and+Her+Musical+Notebooks&rft.pub=University+of+Chicago+Press&rft.date=2019&rft.isbn=9780226617701&rft.aulast=Yearsley&rft.aufirst=David&rfr_id=info%3Asid%2Fen.wikipedia.org%3AOrgan+Sonatas+%28Bach%29" class="Z3988"></span></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Organ_Sonatas_(Bach)&action=edit&section=25" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1251242444">.mw-parser-output .ambox{border:1px solid #a2a9b1;border-left:10px solid #36c;background-color:#fbfbfb;box-sizing:border-box}.mw-parser-output .ambox+link+.ambox,.mw-parser-output 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(<small><a href="/wiki/Help:Maintenance_template_removal" title="Help:Maintenance template removal">Learn how and when to remove this message</a></small>)</i></span></div></td></tr></tbody></table> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985" /><style data-mw-deduplicate="TemplateStyles:r1237033735">@media print{body.ns-0 .mw-parser-output .sistersitebox{display:none!important}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}</style><div class="side-box side-box-right plainlinks sistersitebox"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409" /> <div class="side-box-flex"> <div class="side-box-image"><span class="noviewer" typeof="mw:File"><a href="/wiki/File:Commons-logo.svg" class="mw-file-description"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/40px-Commons-logo.svg.png" decoding="async" width="30" height="40" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/60px-Commons-logo.svg.png 1.5x" data-file-width="1024" data-file-height="1376" /></a></span></div> <div class="side-box-text plainlist">Wikimedia Commons has media related to <span style="font-weight: bold; font-style: italic;"><a href="https://commons.wikimedia.org/wiki/Category:BWV_525%E2%80%93530_%E2%80%93_Six_sonatas_for_organ" class="extiw" title="commons:Category:BWV 525–530 – Six sonatas for organ">BWV 525–530 – Six sonatas for organ</a></span>.</div></div> </div> <ul><li><a href="https://imslp.org/wiki/Trio_Sonatas_for_Organ,_BWV_525-530_(Bach,_Johann_Sebastian)" class="extiw" title="scores:Trio Sonatas for Organ, BWV 525-530 (Bach, Johann Sebastian)">Organ Sonatas (Bach)</a>: Scores at the <a href="/wiki/International_Music_Score_Library_Project" title="International Music Score Library Project">International Music Score Library Project</a></li> <li><a rel="nofollow" class="external text" href="http://www.blockmrecords.org/bach">Free downloads of the Trio Sonatas</a> recorded by <a href="/wiki/James_Kibbie" title="James Kibbie">James Kibbie</a> on various 18th-century organs: either search for individual works or download the whole collection</li> <li><a rel="nofollow" class="external text" href="http://imslp.org/wiki/File:PMLP152885-Bach-Feinberg_Largo.pdf">Piano arrangement of BWV 529/2</a>, <a href="/wiki/Samuel_Feinberg" class="mw-redirect" title="Samuel Feinberg">Samuel Feinberg</a>, <a href="/wiki/IMSLP" class="mw-redirect" title="IMSLP">IMSLP</a>.</li> <li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=Vex-SKl6kEI">BWV 525/1</a> <a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=i9ozoMPrmkQ">BWV 525/2</a>, <a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=-KkRXk8qkZ0">BWV 525/3</a> on pedal harpsichord, <a href="/wiki/E._Power_Biggs" title="E. Power Biggs">E. Power Biggs</a></li> <li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=rhsFOrsCqYo">BWV 526/1</a>, <a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=x-5V67iQkwQ">BWV 526/2</a>, <a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=Lnc63daaMos">BWV 526/3</a> on organ of Waalse Kerk, Amsterdam, <a href="/wiki/Ton_Koopman" title="Ton Koopman">Ton Koopman</a></li> <li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=CAstFJPa7Bo">Performance of BWV 526 on fortepiano and harpsichord</a>, Yi-heng Yang (fortepiano) and Rebecca Cypess (harpsichord), "In Sara Levy's Salon", event at <i>Sara Levy’s World: Music, Gender, and Judaism in Enlightenment Berlin</i>, Rutgers University, 2014</li> <li>Performances of <a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=Ldo30nD9q84">BWV 527</a>, <a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=HsZUAq5yvw4">BWV 528</a> and <a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=oVfjKSrYetg">BWV 529</a> on pedal clavichord, <a href="/wiki/B%C3%A1lint_Karosi" title="Bálint Karosi">Bálint Karosi</a></li> <li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=jkSrLodgn6A">BWV 529/1</a>, <a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=IDdHBWnmrOo">BWV 529/2</a>, <a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=rzgMerob-hM">BWV 529/3</a> on pedal harpsichord, Stefan Palm</li> <li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=E-XSdZ73nCk">BWV 530/1</a>, <a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=IG2xaqCO5pw">BWV 530/2</a>, <a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=BJP7Yh5LPN0">BWV 530/3</a>, David Ponsford and <a href="/wiki/David_Hill_(choral_director)" title="David Hill (choral director)">David Hill</a>, harpsichords</li></ul> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output 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href="/wiki/Special:EditPage/Template:Compositions_for_Organ,_Keyboard_and_Lute_by_Johann_Sebastian_Bach" title="Special:EditPage/Template:Compositions for Organ, Keyboard and Lute by Johann Sebastian Bach"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Compositions_for_organ,_keyboard_and_lute_by_Johann_Sebastian_Bach409" class="vcard" style="font-size:114%;margin:0 4em">Compositions for <a href="/wiki/List_of_organ_compositions_by_Johann_Sebastian_Bach" title="List of organ compositions by Johann Sebastian Bach">organ</a>, <a href="/wiki/List_of_keyboard_and_lute_compositions_by_Johann_Sebastian_Bach" title="List of keyboard and lute compositions by Johann Sebastian Bach">keyboard and lute</a> by <span class="fn"><a href="/wiki/Johann_Sebastian_Bach" title="Johann Sebastian Bach">Johann Sebastian Bach</a></span></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%;background:tan; text-align:left; vertical-align: middle;">Organ</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><a href="/wiki/Fugue_in_G_minor,_BWV_131a" title="Fugue in G minor, BWV 131a">Fugue in G minor, BWV 131a</a> <small>(doubtful)</small></span></li> <li><span class="nowrap"><a class="mw-selflink selflink">Sonatas, BWV 525–530</a></span></li> <li><span class="nowrap"><a href="/wiki/Prelude_and_Fugue_in_C_major,_BWV_531" title="Prelude and Fugue in C major, BWV 531">Prelude and Fugue in C major, BWV 531</a></span></li> <li><span class="nowrap"><a href="/wiki/Prelude_and_Fugue_in_D_major,_BWV_532" title="Prelude and Fugue in D major, BWV 532">Prelude and Fugue in D major, BWV 532</a></span></li> <li><span class="nowrap"><a href="/wiki/Fantasia_and_Fugue_in_C_minor,_BWV_537" title="Fantasia and Fugue in C minor, BWV 537">Fantasia and Fugue in C minor, BWV 537</a></span></li> <li><span class="nowrap"><a href="/wiki/Toccata_and_Fugue_in_D_minor,_BWV_538" title="Toccata and Fugue in D minor, BWV 538">Toccata and Fugue in D minor ("Dorian"), BWV 538</a></span></li> <li><span class="nowrap"><a href="/wiki/Toccata_and_Fugue_in_F_major,_BWV_540" title="Toccata and Fugue in F major, BWV 540">Toccata and Fugue in F major, BWV 540</a></span></li> <li><span class="nowrap"><a href="/wiki/Great_Fantasia_and_Fugue_in_G_minor,_BWV_542" title="Great Fantasia and Fugue in G minor, BWV 542">Fantasia and Fugue in G minor ("Great"), BWV 542</a></span></li> <li><span class="nowrap"><a href="/wiki/Prelude_and_Fugue_in_A_minor,_BWV_543" title="Prelude and Fugue in A minor, BWV 543">Prelude and Fugue in A minor, BWV 543</a></span></li> <li><span class="nowrap"><a href="/wiki/Prelude_and_Fugue_in_B_minor,_BWV_544" title="Prelude and Fugue in B minor, BWV 544">Prelude and Fugue in B minor, BWV 544</a></span></li> <li><span class="nowrap"><a href="/wiki/Prelude_and_Fugue_in_C_minor,_BWV_546" title="Prelude and Fugue in C minor, BWV 546">Prelude and Fugue in C minor, BWV 546</a></span></li> <li><span class="nowrap"><a href="/wiki/Prelude_and_Fugue_in_E_minor,_BWV_548" title="Prelude and Fugue in E minor, BWV 548">Prelude and Fugue in E minor ("Wedge"), BWV 548</a></span></li> <li><span class="nowrap"><a href="/wiki/Eight_Short_Preludes_and_Fugues" title="Eight Short Preludes and Fugues">Eight Short Preludes and Fugues, BWV 553–560</a> <small>(doubtful)</small></span></li> <li><span class="nowrap"><a href="/wiki/Fantasia_and_Fugue_in_C_minor,_BWV_562" title="Fantasia and Fugue in C minor, BWV 562">Fantasia and Fugue in C minor, BWV 562</a></span></li> <li><span class="nowrap"><a href="/wiki/Toccata,_Adagio_and_Fugue_in_C_major,_BWV_564" title="Toccata, Adagio and Fugue in C major, BWV 564">Toccata, Adagio and Fugue in C major, BWV 564</a></span></li> <li><span class="nowrap"><a href="/wiki/Toccata_and_Fugue_in_D_minor,_BWV_565" title="Toccata and Fugue in D minor, BWV 565">Toccata and Fugue in D minor, BWV 565</a> <small>(doubtful)</small></span></li> <li><span class="nowrap"><a href="/wiki/Prelude_(Toccata)_and_Fugue_in_E_major,_BWV_566" title="Prelude (Toccata) and Fugue in E major, BWV 566">Prelude (Toccata) and Fugue in E major, BWV 566</a></span></li> <li><span class="nowrap"><a href="/wiki/Fantasia_in_G_major,_BWV_572" title="Fantasia in G major, BWV 572">Fantasia ("Pièce d'Orgue") in G major, BWV 572</a></span></li> <li><span class="nowrap"><a href="/wiki/Fugue_in_G_minor,_BWV_578" title="Fugue in G minor, BWV 578">Fugue in G minor ("Little"), BWV 578</a></span></li> <li><span class="nowrap"><a href="/wiki/Passacaglia_and_Fugue_in_C_minor,_BWV_582" title="Passacaglia and Fugue in C minor, BWV 582">Passacaglia and Fugue in C minor, BWV 582</a></span></li> <li><span class="nowrap"><a href="/wiki/Organ_concerto_(Bach)" title="Organ concerto (Bach)">Concertos, BWV 592–597</a></span></li> <li><span class="nowrap"><a href="/wiki/Orgelb%C3%BCchlein" title="Orgelbüchlein"><i>Orgelbüchlein</i>, BWV 599–644</a></span></li> <li><span class="nowrap"><a href="/wiki/Sch%C3%BCbler_Chorales" title="Schübler Chorales"><i>Schübler Chorales</i>, BWV 645–650</a></span></li> <li><span class="nowrap"><a href="/wiki/Great_Eighteen_Chorale_Preludes" title="Great Eighteen Chorale Preludes"><i>Great Eighteen Chorale Preludes</i>, BWV 651–668</a></span></li> <li><span class="nowrap"><a href="/wiki/Sei_gegr%C3%BC%C3%9Fet,_Jesu_g%C3%BCtig,_BWV_768" title="Sei gegrüßet, Jesu gütig, BWV 768">Chorale partita <i>Sei gegrüßet, Jesu gütig</i>, BWV 768</a></span></li> <li><span class="nowrap"><a href="/wiki/Canonic_Variations_on_%22Vom_Himmel_hoch_da_komm%27_ich_her%22" title="Canonic Variations on "Vom Himmel hoch da komm' ich her"">Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769</a></span></li> <li><span class="nowrap"><a href="/wiki/Neumeister_Collection" title="Neumeister Collection"><i>Neumeister chorales</i>, BWV 1090–1120</a></span></li> <li><span class="nowrap"><a href="/wiki/Wo_Gott_der_Herr_nicht_bei_uns_h%C3%A4lt,_BWV_1128" title="Wo Gott der Herr nicht bei uns hält, BWV 1128">Chorale fantasia <i>Wo Gott der Herr nicht bei uns hält</i>, BWV 1128</a></span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background:tan; text-align:left; vertical-align: middle;">Keyboard</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><a href="/wiki/Inventions_and_Sinfonias" title="Inventions and Sinfonias">Inventions and Sinfonias, BWV 772–801</a></span></li> <li><span class="nowrap"><a href="/wiki/English_Suites_(Bach)" title="English Suites (Bach)">English Suites, BWV 806–811</a></span></li> <li><span class="nowrap"><a href="/wiki/French_Suites_(Bach)" title="French Suites (Bach)">French Suites, BWV 812–817</a></span></li> <li><span class="nowrap"><a href="/wiki/Partitas_for_keyboard_(Bach)" title="Partitas for keyboard (Bach)">Partitas, BWV 825–830</a></span> <ul><li><span class="nowrap"><small><a href="/wiki/Partita_for_keyboard_No._2,_BWV_826" title="Partita for keyboard No. 2, BWV 826">No. 2</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Partita_for_keyboard_No._4,_BWV_828" title="Partita for keyboard No. 4, BWV 828">No. 4</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Partita_for_keyboard_No._6,_BWV_830" title="Partita for keyboard No. 6, BWV 830">No. 6</a></small></span></li></ul></li> <li><span class="nowrap"><a href="/wiki/Overture_in_the_French_style,_BWV_831" title="Overture in the French style, BWV 831"><i>Overture in the French style</i>, BWV 831</a></span></li> <li><span class="nowrap"><a href="/wiki/The_Well-Tempered_Clavier" title="The Well-Tempered Clavier"><i>Well-Tempered Clavier</i>, BWV 846–893</a></span></li> <li><span class="nowrap">Book 1</span> <ul><li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_C_major,_BWV_846" title="Prelude and Fugue in C major, BWV 846">No. 1 in C major</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_C_minor,_BWV_847" title="Prelude and Fugue in C minor, BWV 847">No. 2 in C minor</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_C-sharp_major,_BWV_848" title="Prelude and Fugue in C-sharp major, BWV 848">No. 3 in C<span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="music-sharp">♯</span></span> major</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_C-sharp_minor,_BWV_849" title="Prelude and Fugue in C-sharp minor, BWV 849">No. 4 in C<span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="music-sharp">♯</span></span> minor</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_E-flat_major,_BWV_852" title="Prelude and Fugue in E-flat major, BWV 852">No. 7 in E<span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="music-flat">♭</span></span> major</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_E_minor,_BWV_855" title="Prelude and Fugue in E minor, BWV 855">No. 10 in E minor</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_F_major,_BWV_880" title="Prelude and Fugue in F major, BWV 880">No. 11 in F major</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_G_minor,_BWV_861" title="Prelude and Fugue in G minor, BWV 861">No. 16 in G minor</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_B-flat_major,_BWV_866" title="Prelude and Fugue in B-flat major, BWV 866">No. 21 in B<span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="music-flat">♭</span></span> major</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_B-flat_minor,_BWV_867" title="Prelude and Fugue in B-flat minor, BWV 867">No. 22 in B<span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="music-flat">♭</span></span> minor</a></small></span></li></ul></li> <li><span class="nowrap">Book 2</span> <ul><li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_C_major,_BWV_870" title="Prelude and Fugue in C major, BWV 870">No. 1 in C major</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_C_minor,_BWV_871" title="Prelude and Fugue in C minor, BWV 871">No. 2 in C minor</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_C-sharp_major,_BWV_872" title="Prelude and Fugue in C-sharp major, BWV 872">No. 3 in C<span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="music-sharp">♯</span></span> major</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_C-sharp_minor,_BWV_873" title="Prelude and Fugue in C-sharp minor, BWV 873">No. 4 in C<span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="music-sharp">♯</span></span> minor</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_D_major,_BWV_874" title="Prelude and Fugue in D major, BWV 874">No. 5 in D major</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_D_minor,_BWV_875" title="Prelude and Fugue in D minor, BWV 875">No. 6 in D minor</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_F_minor,_BWV_881" title="Prelude and Fugue in F minor, BWV 881">No. 12 in F minor</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_F-sharp_major,_BWV_882" title="Prelude and Fugue in F-sharp major, BWV 882">No. 13 in F<span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="music-sharp">♯</span></span> major</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_G-sharp_minor,_BWV_887" title="Prelude and Fugue in G-sharp minor, BWV 887">No. 18 in G<span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="music-sharp">♯</span></span> minor</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_B-flat_minor,_BWV_891" title="Prelude and Fugue in B-flat minor, BWV 891">No. 22 in B<span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="music-flat">♭</span></span> minor</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Prelude_and_Fugue_in_B_minor,_BWV_893" title="Prelude and Fugue in B minor, BWV 893">No. 24 in B minor</a></small></span></li></ul></li></ul> <ul><li><span class="nowrap"><a href="/wiki/Chromatic_Fantasia_and_Fugue,_BWV_903" title="Chromatic Fantasia and Fugue, BWV 903"><i>Chromatic Fantasia and Fugue</i>, BWV 903</a></span></li> <li><span class="nowrap"><a href="/wiki/Fantasia_and_Fugue_in_C_minor,_BWV_906" title="Fantasia and Fugue in C minor, BWV 906">Fantasia and Fugue in C minor, BWV 906</a></span></li> <li><span class="nowrap"><a href="/wiki/Toccatas_for_Keyboard_(Bach)" title="Toccatas for Keyboard (Bach)">Toccatas, BWV 910–916</a></span></li> <li><span class="nowrap"><a href="/wiki/Six_Little_Preludes_(Bach)" title="Six Little Preludes (Bach)"><i>Six Little Preludes</i>, BWV 933–938</a></span></li> <li><span class="nowrap"><i><a href="/wiki/Italian_Concerto_(Bach)" title="Italian Concerto (Bach)">Italian Concerto</a></i></span></li> <li><span class="nowrap"><a href="/wiki/List_of_concertos_for_harpsichord_solo_by_J._S._Bach" title="List of concertos for harpsichord solo by J. S. Bach">Harpsichord solo concertos</a></span></li> <li><span class="nowrap"><i><a href="/wiki/Goldberg_Variations" title="Goldberg Variations">Goldberg Variations</a></i></span> <ul><li><span class="nowrap"><small><a href="/wiki/Goldberg_Variations_discography" title="Goldberg Variations discography">discography</a></small></span></li> <li><span class="nowrap"><small><a href="/wiki/Bach:_The_Goldberg_Variations_(Glenn_Gould_album)" title="Bach: The Goldberg Variations (Glenn Gould album)">Gould recording</a></small></span></li></ul></li> <li><span class="nowrap"><a href="/wiki/Aria_variata_alla_maniera_italiana,_BWV_989" title="Aria variata alla maniera italiana, BWV 989"><i>Aria variata alla maniera italiana</i>, BWV 989</a></span></li> <li><span class="nowrap"><a href="/wiki/Capriccio_on_the_departure_of_a_beloved_brother,_BWV_992" title="Capriccio on the departure of a beloved brother, BWV 992"><i>Capriccio on the departure of a beloved brother</i>, BWV 992</a></span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background:tan; text-align:left; vertical-align: middle;">Lute</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><a href="/wiki/Suite_in_G_minor,_BWV_995" title="Suite in G minor, BWV 995">Suite in G minor, BWV 995</a></span></li> <li><span class="nowrap"><a href="/wiki/Lute_Suite_in_E_minor,_BWV_996" title="Lute Suite in E minor, BWV 996">Suite in E minor, BWV 996</a></span> <ul><li><span class="nowrap"><small><a href="/wiki/Bourr%C3%A9e_in_E_minor" title="Bourrée in E minor">Bourrée</a></small></span></li></ul></li> <li><span class="nowrap"><a href="/wiki/Lute_Suite_in_C_minor,_BWV_997" title="Lute Suite in C minor, BWV 997">Suite in C minor, BWV 997</a></span></li> <li><span class="nowrap"><a href="/wiki/Prelude,_Fugue_and_Allegro_in_E-flat_major,_BWV_998" title="Prelude, Fugue and Allegro in E-flat major, BWV 998">Prelude, Fugue and Allegro in E<span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="music-flat">♭</span></span> major, BWV 998</a></span></li> <li><span class="nowrap"><a href="/wiki/Prelude_in_C_minor,_BWV_999" title="Prelude in C minor, BWV 999">Prelude in C minor, BWV 999</a></span></li> <li><span class="nowrap"><a href="/wiki/Fugue_in_G_minor,_BWV_1000" title="Fugue in G minor, BWV 1000">Fugue in G minor, BWV 1000</a></span></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background:tan; text-align:left; vertical-align: middle;">Mixed<br />collections</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><span class="nowrap"><a href="/wiki/Clavier-%C3%9Cbung_III" title="Clavier-Übung III"><i>Clavier-Übung III</i>: Prelude and Fugue in E<span class="music-symbol" style="font-family: Arial Unicode MS, Lucida Sans Unicode;"><span class="music-flat">♭</span></span> major ("St. Anne"), BWV 552, Chorale preludes, BWV 669–689, Duets, BWV 802–805</a></span></li> <li><span class="nowrap"><a href="/wiki/Weimar_concerto_transcriptions_(Bach)" title="Weimar concerto transcriptions (Bach)">Concerto transcriptions, BWV 592–596 and 972–987</a></span></li> <li><span class="nowrap"><a href="/wiki/Klavierb%C3%BCchlein_f%C3%BCr_Wilhelm_Friedemann_Bach" title="Klavierbüchlein für Wilhelm Friedemann Bach">Klavierbüchlein W. F. Bach</a></span></li> <li><span class="nowrap"><a href="/wiki/Notebook_for_Anna_Magdalena_Bach" title="Notebook for Anna Magdalena Bach">Notebook A. M. Bach</a></span></li> <li><span class="nowrap"><i><a href="/wiki/Twelve_Little_Preludes" title="Twelve Little Preludes">Twelve Little Preludes</a></i></span></li></ul> </div></td></tr><tr><td class="navbox-abovebelow hlist" colspan="2" style="background:tan;"><div> <ul><li><span class="nowrap"><a href="/wiki/List_of_compositions_by_Johann_Sebastian_Bach" title="List of compositions by Johann Sebastian Bach">List of compositions by Johann Sebastian Bach</a></span></li> <li><span class="nowrap"><a href="/wiki/List_of_fugal_works_by_Johann_Sebastian_Bach" title="List of fugal works by Johann Sebastian Bach">List of fugal works by Johann Sebastian Bach</a></span></li> <li><span class="nowrap"><a href="/wiki/List_of_concertos_by_Johann_Sebastian_Bach" title="List of concertos by Johann Sebastian Bach">List of concertos by Johann Sebastian Bach</a></span></li></ul> </div></td></tr></tbody></table></div> <style data-mw-deduplicate="TemplateStyles:r1130092004">.mw-parser-output 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