CINXE.COM

<!DOCTYPE html> <html lang="en" xmlns:fb="http://www.facebook.com/2008/fbml" class="wf-loading"> <head prefix="og: https://ogp.me/ns# fb: https://ogp.me/ns/fb# academia: https://ogp.me/ns/fb/academia#"> <meta charset="utf-8"> <meta name=viewport content="width=device-width, initial-scale=1"> <meta rel="search" type="application/opensearchdescription+xml" href="/open_search.xml" title="Academia.edu"> <title>Jacopo Galavotti | Università degli Studi di Padova - Academia.edu</title>  <link href="//a.academia-assets.com/images/favicons/favicon-production.ico" rel="shortcut icon" type="image/vnd.microsoft.icon"> <link rel="apple-touch-icon" sizes="57x57" href="//a.academia-assets.com/images/favicons/apple-touch-icon-57x57.png"> <link rel="apple-touch-icon" sizes="60x60" href="//a.academia-assets.com/images/favicons/apple-touch-icon-60x60.png"> <link rel="apple-touch-icon" sizes="72x72" href="//a.academia-assets.com/images/favicons/apple-touch-icon-72x72.png"> <link rel="apple-touch-icon" sizes="76x76" href="//a.academia-assets.com/images/favicons/apple-touch-icon-76x76.png"> <link rel="apple-touch-icon" sizes="114x114" href="//a.academia-assets.com/images/favicons/apple-touch-icon-114x114.png"> <link rel="apple-touch-icon" sizes="120x120" href="//a.academia-assets.com/images/favicons/apple-touch-icon-120x120.png"> <link rel="apple-touch-icon" sizes="144x144" href="//a.academia-assets.com/images/favicons/apple-touch-icon-144x144.png"> <link rel="apple-touch-icon" sizes="152x152" href="//a.academia-assets.com/images/favicons/apple-touch-icon-152x152.png"> <link rel="apple-touch-icon" sizes="180x180" href="//a.academia-assets.com/images/favicons/apple-touch-icon-180x180.png"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-32x32.png" sizes="32x32"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-194x194.png" sizes="194x194"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-96x96.png" sizes="96x96"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/android-chrome-192x192.png" sizes="192x192"> <link rel="icon" type="image/png" href="//a.academia-assets.com/images/favicons/favicon-16x16.png" sizes="16x16"> <link rel="manifest" href="//a.academia-assets.com/images/favicons/manifest.json"> <meta name="msapplication-TileColor" content="#2b5797"> <meta name="msapplication-TileImage" content="//a.academia-assets.com/images/favicons/mstile-144x144.png"> <meta name="theme-color" content="#ffffff"> <script> window.performance && window.performance.measure && window.performance.measure("Time To First Byte", "requestStart", "responseStart"); </script> <script> (function() { if (!window.URLSearchParams || !window.history || !window.history.replaceState) { return; } var searchParams = new URLSearchParams(window.location.search); var paramsToDelete = [ 'fs', 'sm', 'swp', 'iid', 'nbs', 'rcc', // related content category 'rcpos', // related content carousel position 'rcpg', // related carousel page 'rchid', // related content hit id 'f_ri', // research interest id, for SEO tracking 'f_fri', // featured research interest, for SEO tracking (param key without value) 'f_rid', // from research interest directory for SEO tracking 'f_loswp', // from research interest pills on LOSWP sidebar for SEO tracking 'rhid', // referrring hit id ]; if (paramsToDelete.every((key) => searchParams.get(key) === null)) { return; } paramsToDelete.forEach((key) => { searchParams.delete(key); }); var cleanUrl = new URL(window.location.href); cleanUrl.search = searchParams.toString(); history.replaceState({}, document.title, cleanUrl); })(); </script> <script async src="https://www.googletagmanager.com/gtag/js?id=G-5VKX33P2DS"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'G-5VKX33P2DS', { cookie_domain: 'academia.edu', send_page_view: false, }); gtag('event', 'page_view', { 'controller': "profiles/works", 'action': "summary", 'controller_action': 'profiles/works#summary', 'logged_in': 'false', 'edge': 'unknown', // Send nil if there is no A/B test bucket, in case some records get logged // with missing data - that way we can distinguish between the two cases. // ab_test_bucket should be of the form <ab_test_name>:<bucket> 'ab_test_bucket': null, }) </script> <script type="text/javascript"> window.sendUserTiming = function(timingName) { if (!(window.performance && window.performance.measure)) return; var entries = window.performance.getEntriesByName(timingName, "measure"); if (entries.length !== 1) return; var timingValue = Math.round(entries[0].duration); gtag('event', 'timing_complete', { name: timingName, value: timingValue, event_category: 'User-centric', }); }; window.sendUserTiming("Time To First Byte"); </script> <meta name="csrf-param" content="authenticity_token" /> <meta name="csrf-token" content="hyjR_P07Bgkw6SV0nJSFTL33IDjG235W_TT2AlCxB5VNoeEb11cM5vD0mjz6hGrAaHXRt_7j9QtfHqOhCY0edA" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/wow-3d36c19b4875b226bfed0fcba1dcea3f2fe61148383d97c0465c016b8c969290.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/social/home-79e78ce59bef0a338eb6540ec3d93b4a7952115b56c57f1760943128f4544d42.css" /><script type="application/ld+json">{"@context":"https://schema.org","@type":"ProfilePage","mainEntity":{"@context":"https://schema.org","@type":"Person","name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti","image":"https://0.academia-photos.com/11712446/5048977/161546504/s200_jacopo.galavotti.jpg","sameAs":[]},"dateCreated":"2014-05-01T23:57:43-07:00","dateModified":"2025-03-01T04:05:16-08:00","name":"Jacopo Galavotti","description":"","image":"https://0.academia-photos.com/11712446/5048977/161546504/s200_jacopo.galavotti.jpg","thumbnailUrl":"https://0.academia-photos.com/11712446/5048977/161546504/s65_jacopo.galavotti.jpg","primaryImageOfPage":{"@type":"ImageObject","url":"https://0.academia-photos.com/11712446/5048977/161546504/s200_jacopo.galavotti.jpg","width":200},"sameAs":[],"relatedLink":"https://www.academia.edu/127689160/Reading_imitating_dismantling_exploring_four_ways_to_use_Petrarch"}</script><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/heading-95367dc03b794f6737f30123738a886cf53b7a65cdef98a922a98591d60063e3.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/button-8c9ae4b5c8a2531640c354d92a1f3579c8ff103277ef74913e34c8a76d4e6c00.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/body-170d1319f0e354621e81ca17054bb147da2856ec0702fe440a99af314a6338c5.css" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/text_button-d1941ab08e91e29ee143084c4749da4aaffa350a2ac6eec2306b1d7a352d911a.css" /><link crossorigin="" href="https://fonts.gstatic.com/" rel="preconnect" /><link href="https://fonts.googleapis.com/css2?family=DM+Sans:ital,opsz,wght@0,9..40,100..1000;1,9..40,100..1000&family=Gupter:wght@400;500;700&family=IBM+Plex+Mono:wght@300;400&family=Material+Symbols+Outlined:opsz,wght,FILL,GRAD@20,400,0,0&display=swap" rel="stylesheet" /><link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system/common-2b6f90dbd75f5941bc38f4ad716615f3ac449e7398313bb3bc225fba451cd9fa.css" /> <meta name="author" content="jacopo galavotti" /> <meta name="description" content="Jacopo Galavotti, Università degli Studi di Padova: 560 Followers, 583 Following, 57 Research papers. Research interests: Stilistica E Metrica Italiana, Storia…" /> <meta name="google-site-verification" content="bKJMBZA7E43xhDOopFZkssMMkBRjvYERV-NaN4R6mrs" /> <script> var $controller_name = 'works'; var $action_name = "summary"; var $rails_env = 'production'; var $app_rev = '107520bac59918e2ceae62eaadd15bff3d1e7904'; var $domain = 'academia.edu'; var $app_host = "academia.edu"; var $asset_host = "academia-assets.com"; var $start_time = new Date().getTime(); var $recaptcha_key = "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB"; var $recaptcha_invisible_key = "6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj"; var $disableClientRecordHit = false; </script> <script> window.Aedu = { hit_data: null }; window.Aedu.SiteStats = {"premium_universities_count":14001,"monthly_visitors":"111 million","monthly_visitor_count":111388986,"monthly_visitor_count_in_millions":111,"user_count":284002078,"paper_count":55203019,"paper_count_in_millions":55,"page_count":432000000,"page_count_in_millions":432,"pdf_count":16500000,"pdf_count_in_millions":16}; window.Aedu.serverRenderTime = new Date(1740848480000); window.Aedu.timeDifference = new Date().getTime() - 1740848480000; window.Aedu.isUsingCssV1 = false; window.Aedu.enableLocalization = true; window.Aedu.activateFullstory = false; window.Aedu.serviceAvailability = { status: {"attention_db":"on","bibliography_db":"on","contacts_db":"on","email_db":"on","indexability_db":"on","mentions_db":"on","news_db":"on","notifications_db":"on","offsite_mentions_db":"on","redshift":"on","redshift_exports_db":"on","related_works_db":"on","ring_db":"on","user_tests_db":"on"}, serviceEnabled: function(service) { return this.status[service] === "on"; }, readEnabled: function(service) { return this.serviceEnabled(service) || this.status[service] === "read_only"; }, }; window.Aedu.viewApmTrace = function() { // Check if x-apm-trace-id meta tag is set, and open the trace in APM // in a new window if it is. var apmTraceId = document.head.querySelector('meta[name="x-apm-trace-id"]'); if (apmTraceId) { var traceId = apmTraceId.content; // Use trace ID to construct URL, an example URL looks like: // https://app.datadoghq.com/apm/traces?query=trace_id%31298410148923562634 var apmUrl = 'https://app.datadoghq.com/apm/traces?query=trace_id%3A' + traceId; window.open(apmUrl, '_blank'); } }; </script>  <link href="https://fonts.googleapis.com/css?family=Roboto:100,100i,300,300i,400,400i,500,500i,700,700i,900,900i" rel="stylesheet"> <link rel="preload" href="//maxcdn.bootstrapcdn.com/font-awesome/4.3.0/css/font-awesome.min.css" as="style" onload="this.rel='stylesheet'"> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/libraries-a9675dcb01ec4ef6aa807ba772c7a5a00c1820d3ff661c1038a20f80d06bb4e4.css" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/academia-1eb081e01ca8bc0c1b1d866df79d9eb4dd2c484e4beecf76e79a7806c72fee08.css" /> <link rel="stylesheet" media="all" href="//a.academia-assets.com/assets/design_system_legacy-056a9113b9a0f5343d013b29ee1929d5a18be35fdcdceb616600b4db8bd20054.css" /> <script src="//a.academia-assets.com/assets/webpack_bundles/runtime-bundle-005434038af4252ca37c527588411a3d6a0eabb5f727fac83f8bbe7fd88d93bb.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/webpack_libraries_and_infrequently_changed.wjs-bundle-a7f06b7b91deb14294c0fd04acc3d1303a356edfef84048171548420b79efa13.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/core_webpack.wjs-bundle-caa56a0f54c25da9fc0ce496a02fe99f5ff17476fd61737267d5dfef010828de.js"></script> <script src="//a.academia-assets.com/assets/webpack_bundles/sentry.wjs-bundle-5fe03fddca915c8ba0f7edbe64c194308e8ce5abaed7bffe1255ff37549c4808.js"></script> <script> jade = window.jade || {}; jade.helpers = window.$h; jade._ = window._; </script>  <script id="tag-manager-head-root">(function(w,d,s,l,i){w[l]=w[l]||[];w[l].push({'gtm.start': new Date().getTime(),event:'gtm.js'});var f=d.getElementsByTagName(s)[0], j=d.createElement(s),dl=l!='dataLayer'?'&l='+l:'';j.async=true;j.src= 'https://www.googletagmanager.com/gtm.js?id='+i+dl;f.parentNode.insertBefore(j,f); })(window,document,'script','dataLayer_old','GTM-5G9JF7Z');</script>  <script> window.gptadslots = []; window.googletag = window.googletag || {}; window.googletag.cmd = window.googletag.cmd || []; </script> <script type="text/javascript"> // TODO(jacob): This should be defined, may be rare load order problem. // Checking if null is just a quick fix, will default to en if unset. // Better fix is to run this immedietely after I18n is set. if (window.I18n != null) { I18n.defaultLocale = "en"; I18n.locale = "en"; I18n.fallbacks = true; } </script> <link rel="canonical" href="https://unipd.academia.edu/JacopoGalavotti" /> </head>   <body class='c-profiles/works a-summary logged_out'>  <div id="fb-root"></div><script>window.fbAsyncInit = function() { FB.init({ appId: "2369844204", version: "v8.0", status: true, cookie: true, xfbml: true }); // Additional initialization code. if (window.InitFacebook) { // facebook.ts already loaded, set it up. window.InitFacebook(); } else { // Set a flag for facebook.ts to find when it loads. window.academiaAuthReadyFacebook = true; } };</script><script>window.fbAsyncLoad = function() { // Protection against double calling of this function if (window.FB) { return; } (function(d, s, id){ var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) {return;} js = d.createElement(s); js.id = id; js.src = "//connect.facebook.net/en_US/sdk.js"; fjs.parentNode.insertBefore(js, fjs); }(document, 'script', 'facebook-jssdk')); } if (!window.defer_facebook) { // Autoload if not deferred window.fbAsyncLoad(); } else { // Defer loading by 5 seconds setTimeout(function() { window.fbAsyncLoad(); }, 5000); }</script> <div id="google-root"></div><script>window.loadGoogle = function() { if (window.InitGoogle) { // google.ts already loaded, set it up. window.InitGoogle("331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b"); } else { // Set a flag for google.ts to use when it loads. window.GoogleClientID = "331998490334-rsn3chp12mbkiqhl6e7lu2q0mlbu0f1b"; } };</script><script>window.googleAsyncLoad = function() { // Protection against double calling of this function (function(d) { var js; var id = 'google-jssdk'; var ref = d.getElementsByTagName('script')[0]; if (d.getElementById(id)) { return; } js = d.createElement('script'); js.id = id; js.async = true; js.onload = loadGoogle; js.src = "https://accounts.google.com/gsi/client" ref.parentNode.insertBefore(js, ref); }(document)); } if (!window.defer_google) { // Autoload if not deferred window.googleAsyncLoad(); } else { // Defer loading by 5 seconds setTimeout(function() { window.googleAsyncLoad(); }, 5000); }</script> <div id="tag-manager-body-root">  <noscript><iframe src="https://www.googletagmanager.com/ns.html?id=GTM-5G9JF7Z" height="0" width="0" style="display:none;visibility:hidden"></iframe></noscript>   <script> window.addEventListener('load', function() { if (document.querySelector('input[name="commit"]')) { document.querySelector('input[name="commit"]').addEventListener('click', function() { gtag('event', 'click', { event_category: 'button', event_label: 'Log In' }) }) } }); </script> </div> <script>var _comscore = _comscore || []; _comscore.push({ c1: "2", c2: "26766707" }); (function() { var s = document.createElement("script"), el = document.getElementsByTagName("script")[0]; s.async = true; s.src = (document.location.protocol == "https:" ? "https://sb" : "http://b") + ".scorecardresearch.com/beacon.js"; el.parentNode.insertBefore(s, el); })();</script><img src="https://sb.scorecardresearch.com/p?c1=2&c2=26766707&cv=2.0&cj=1" style="position: absolute; visibility: hidden" /> <div id='react-modal'></div> <div class='DesignSystem'> <a class='u-showOnFocus' href='#site'> Skip to main content </a> </div> <div id="upgrade_ie_banner" style="display: none;"><p>Academia.edu no longer supports Internet Explorer.</p><p>To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to <a href="https://www.academia.edu/upgrade-browser">upgrade your browser</a>.</p></div><script>// Show this banner for all versions of IE if (!!window.MSInputMethodContext || /(MSIE)/.test(navigator.userAgent)) { document.getElementById('upgrade_ie_banner').style.display = 'block'; }</script> <div class="DesignSystem bootstrap ShrinkableNav"><div class="navbar navbar-default main-header"><div class="container-wrapper" id="main-header-container"><div class="container"><div class="navbar-header"><div class="nav-left-wrapper u-mt0x"><div class="nav-logo"><a data-main-header-link-target="logo_home" href="https://www.academia.edu/"><img class="visible-xs-inline-block" style="height: 24px;" alt="Academia.edu" src="//a.academia-assets.com/images/academia-logo-redesign-2015-A.svg" width="24" height="24" /><img width="145.2" height="18" class="hidden-xs" style="height: 24px;" alt="Academia.edu" src="//a.academia-assets.com/images/academia-logo-redesign-2015.svg" /></a></div><div class="nav-search"><div class="SiteSearch-wrapper select2-no-default-pills"><form class="js-SiteSearch-form DesignSystem" action="https://www.academia.edu/search" accept-charset="UTF-8" method="get"><i class="SiteSearch-icon fa fa-search u-fw700 u-positionAbsolute u-tcGrayDark"></i><input class="js-SiteSearch-form-input SiteSearch-form-input form-control" data-main-header-click-target="search_input" name="q" placeholder="Search" type="text" value="" /></form></div></div></div><div class="nav-right-wrapper pull-right"><ul class="NavLinks js-main-nav list-unstyled"><li class="NavLinks-link"><a class="js-header-login-url Button Button--inverseGray Button--sm u-mb4x" id="nav_log_in" rel="nofollow" href="https://www.academia.edu/login">Log In</a></li><li class="NavLinks-link u-p0x"><a class="Button Button--inverseGray Button--sm u-mb4x" rel="nofollow" href="https://www.academia.edu/signup">Sign Up</a></li></ul><button class="hidden-lg hidden-md hidden-sm u-ml4x navbar-toggle collapsed" data-target=".js-mobile-header-links" data-toggle="collapse" type="button"><span class="icon-bar"></span><span class="icon-bar"></span><span class="icon-bar"></span></button></div></div><div class="collapse navbar-collapse js-mobile-header-links"><ul class="nav navbar-nav"><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/login">Log In</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/signup">Sign Up</a></li><li class="u-borderColorGrayLight u-borderBottom1 js-mobile-nav-expand-trigger"><a href="#">more&nbsp<span class="caret"></span></a></li><li><ul class="js-mobile-nav-expand-section nav navbar-nav u-m0x collapse"><li class="u-borderColorGrayLight u-borderBottom1"><a rel="false" href="https://www.academia.edu/about">About</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/press">Press</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="false" href="https://www.academia.edu/documents">Papers</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/terms">Terms</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/privacy">Privacy</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/copyright">Copyright</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://www.academia.edu/hiring"><i class="fa fa-briefcase"></i> We're Hiring!</a></li><li class="u-borderColorGrayLight u-borderBottom1"><a rel="nofollow" href="https://support.academia.edu/hc/en-us"><i class="fa fa-question-circle"></i> Help Center</a></li><li class="js-mobile-nav-collapse-trigger u-borderColorGrayLight u-borderBottom1 dropup" style="display:none"><a href="#">less&nbsp<span class="caret"></span></a></li></ul></li></ul></div></div></div><script>(function(){ var $moreLink = $(".js-mobile-nav-expand-trigger"); var $lessLink = $(".js-mobile-nav-collapse-trigger"); var $section = $('.js-mobile-nav-expand-section'); $moreLink.click(function(ev){ ev.preventDefault(); $moreLink.hide(); $lessLink.show(); $section.collapse('show'); }); $lessLink.click(function(ev){ ev.preventDefault(); $moreLink.show(); $lessLink.hide(); $section.collapse('hide'); }); })() if ($a.is_logged_in() || false) { new Aedu.NavigationController({ el: '.js-main-nav', showHighlightedNotification: false }); } else { $(".js-header-login-url").attr("href", $a.loginUrlWithRedirect()); } Aedu.autocompleteSearch = new AutocompleteSearch({el: '.js-SiteSearch-form'});</script></div></div> <div id='site' class='fixed'> <div id="content" class="clearfix"> <script>document.addEventListener('DOMContentLoaded', function(){ var $dismissible = $(".dismissible_banner"); $dismissible.click(function(ev) { $dismissible.hide(); }); });</script> <script src="//a.academia-assets.com/assets/webpack_bundles/profile.wjs-bundle-0ceb3be4b43a1e81bd83edaf59acf60dd046a0a3ef0d3b827386b5556dbaf5c2.js" defer="defer"></script><script>$viewedUser = Aedu.User.set_viewed( {"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti","photo":"https://0.academia-photos.com/11712446/5048977/161546504/s65_jacopo.galavotti.jpg","has_photo":true,"department":{"id":358315,"name":"Dipartimento di Studi Linguistici e Letterari (DISLL)","url":"https://unipd.academia.edu/Departments/Dipartimento_di_Studi_Linguistici_e_Letterari_DISLL_/Documents","university":{"id":1797,"name":"Università degli Studi di Padova","url":"https://unipd.academia.edu/"}},"position":"Faculty Member","position_id":1,"is_analytics_public":false,"interests":[{"id":779105,"name":"Stilistica E Metrica Italiana","url":"https://www.academia.edu/Documents/in/Stilistica_E_Metrica_Italiana"},{"id":178396,"name":"Storia Della Lingua Italiana","url":"https://www.academia.edu/Documents/in/Storia_Della_Lingua_Italiana"},{"id":69388,"name":"Letteratura italiana moderna e contemporanea","url":"https://www.academia.edu/Documents/in/Letteratura_italiana_moderna_e_contemporanea"},{"id":67907,"name":"Filologia Italiana Letteratura Italiana del Rinascimento","url":"https://www.academia.edu/Documents/in/Filologia_Italiana_Letteratura_Italiana_del_Rinascimento"},{"id":99923,"name":"Umberto Saba","url":"https://www.academia.edu/Documents/in/Umberto_Saba"},{"id":29383,"name":"Contemporary Italian Literature","url":"https://www.academia.edu/Documents/in/Contemporary_Italian_Literature"},{"id":71340,"name":"Contemporary Italian Poetry","url":"https://www.academia.edu/Documents/in/Contemporary_Italian_Poetry"},{"id":21545,"name":"Italian Renaissance literature","url":"https://www.academia.edu/Documents/in/Italian_Renaissance_literature"},{"id":43660,"name":"History of Italian Language","url":"https://www.academia.edu/Documents/in/History_of_Italian_Language"},{"id":3905,"name":"Stylistics","url":"https://www.academia.edu/Documents/in/Stylistics"},{"id":104013,"name":"Linguistica italiana","url":"https://www.academia.edu/Documents/in/Linguistica_italiana"},{"id":67722,"name":"Contemporary Italian Narrative","url":"https://www.academia.edu/Documents/in/Contemporary_Italian_Narrative"},{"id":507001,"name":"Poesia italiana contemporanea","url":"https://www.academia.edu/Documents/in/Poesia_italiana_contemporanea"},{"id":133019,"name":"History of the Italian language","url":"https://www.academia.edu/Documents/in/History_of_the_Italian_language"},{"id":613889,"name":"Filologia d'autore","url":"https://www.academia.edu/Documents/in/Filologia_dautore"},{"id":1216165,"name":"Critica Delle Varianti","url":"https://www.academia.edu/Documents/in/Critica_Delle_Varianti"},{"id":844609,"name":"Varianti D'autore","url":"https://www.academia.edu/Documents/in/Varianti_Dautore"},{"id":497752,"name":"Adriano Spatola","url":"https://www.academia.edu/Documents/in/Adriano_Spatola"},{"id":309531,"name":"Manierismo petrarchismo petrarca canzoniere","url":"https://www.academia.edu/Documents/in/Manierismo_petrarchismo_petrarca_canzoniere"},{"id":328770,"name":"Giuseppe Berto","url":"https://www.academia.edu/Documents/in/Giuseppe_Berto"},{"id":348822,"name":"Stilistica","url":"https://www.academia.edu/Documents/in/Stilistica"},{"id":229030,"name":"Letteratura italiana","url":"https://www.academia.edu/Documents/in/Letteratura_italiana"},{"id":7887,"name":"Italian Literature","url":"https://www.academia.edu/Documents/in/Italian_Literature"},{"id":22923,"name":"20th Century Italian Literature","url":"https://www.academia.edu/Documents/in/20th_Century_Italian_Literature"},{"id":328768,"name":"Vittorio Sereni","url":"https://www.academia.edu/Documents/in/Vittorio_Sereni"},{"id":40013,"name":"Eugenio Montale","url":"https://www.academia.edu/Documents/in/Eugenio_Montale"},{"id":6636,"name":"Metrics","url":"https://www.academia.edu/Documents/in/Metrics"},{"id":31877,"name":"Italian (Languages And Linguistics)","url":"https://www.academia.edu/Documents/in/Italian_Languages_And_Linguistics_"},{"id":45863,"name":"Petrarchism","url":"https://www.academia.edu/Documents/in/Petrarchism"},{"id":827797,"name":"Pietro Bembo","url":"https://www.academia.edu/Documents/in/Pietro_Bembo"},{"id":103628,"name":"Cardinal Pietro Bembo","url":"https://www.academia.edu/Documents/in/Cardinal_Pietro_Bembo"},{"id":1418288,"name":"Celio Magno","url":"https://www.academia.edu/Documents/in/Celio_Magno"},{"id":1559125,"name":"Domenico Venier","url":"https://www.academia.edu/Documents/in/Domenico_Venier"},{"id":1243833,"name":"Girolamo Molin","url":"https://www.academia.edu/Documents/in/Girolamo_Molin"},{"id":1338942,"name":"Gabriele Fiamma","url":"https://www.academia.edu/Documents/in/Gabriele_Fiamma"},{"id":1149439,"name":"Carmelo Samonà","url":"https://www.academia.edu/Documents/in/Carmelo_Samona"},{"id":160364,"name":"Francesco Orlando","url":"https://www.academia.edu/Documents/in/Francesco_Orlando"},{"id":290295,"name":"Giovanni Della Casa","url":"https://www.academia.edu/Documents/in/Giovanni_Della_Casa"},{"id":359833,"name":"Petrarca","url":"https://www.academia.edu/Documents/in/Petrarca"},{"id":604368,"name":"Francesco Petrarca","url":"https://www.academia.edu/Documents/in/Francesco_Petrarca"},{"id":7385,"name":"Petrarch","url":"https://www.academia.edu/Documents/in/Petrarch"},{"id":683567,"name":"Poesia del Novecento","url":"https://www.academia.edu/Documents/in/Poesia_del_Novecento"},{"id":1220573,"name":"Petrarchismo","url":"https://www.academia.edu/Documents/in/Petrarchismo"},{"id":1695077,"name":"Luigi Groto Cieco d'Adria","url":"https://www.academia.edu/Documents/in/Luigi_Groto_Cieco_dAdria"},{"id":471822,"name":"Metrica Italiana","url":"https://www.academia.edu/Documents/in/Metrica_Italiana"},{"id":2987,"name":"Renaissance Studies","url":"https://www.academia.edu/Documents/in/Renaissance_Studies"},{"id":683230,"name":"Storia Della Lingua Italiana Del Cinquecento","url":"https://www.academia.edu/Documents/in/Storia_Della_Lingua_Italiana_Del_Cinquecento"},{"id":2221,"name":"Italian Studies","url":"https://www.academia.edu/Documents/in/Italian_Studies"},{"id":237676,"name":"Filologia Italiana","url":"https://www.academia.edu/Documents/in/Filologia_Italiana"},{"id":132454,"name":"Stefano D'Arrigo","url":"https://www.academia.edu/Documents/in/Stefano_DArrigo"},{"id":222459,"name":"Guido Morselli","url":"https://www.academia.edu/Documents/in/Guido_Morselli"},{"id":970617,"name":"Poesia Italiana Del Novecento","url":"https://www.academia.edu/Documents/in/Poesia_Italiana_Del_Novecento"},{"id":1770811,"name":"Manierismo","url":"https://www.academia.edu/Documents/in/Manierismo"},{"id":225831,"name":"Retorica","url":"https://www.academia.edu/Documents/in/Retorica"},{"id":178398,"name":"Sintassi del periodo","url":"https://www.academia.edu/Documents/in/Sintassi_del_periodo"},{"id":17916,"name":"Renaissance literature","url":"https://www.academia.edu/Documents/in/Renaissance_literature"},{"id":197539,"name":"Mannerism","url":"https://www.academia.edu/Documents/in/Mannerism"},{"id":4178,"name":"Textual Criticism","url":"https://www.academia.edu/Documents/in/Textual_Criticism"},{"id":16920,"name":"Italian philology","url":"https://www.academia.edu/Documents/in/Italian_philology"},{"id":374600,"name":"Ippolito Nievo","url":"https://www.academia.edu/Documents/in/Ippolito_Nievo"},{"id":3385652,"name":"Cosimo Ortesta","url":"https://www.academia.edu/Documents/in/Cosimo_Ortesta"},{"id":3906,"name":"Literary Stylistics","url":"https://www.academia.edu/Documents/in/Literary_Stylistics"},{"id":42987,"name":"Cognitive Poetics","url":"https://www.academia.edu/Documents/in/Cognitive_Poetics"}]} ); if ($a.is_logged_in() && $viewedUser.is_current_user()) { $('body').addClass('profile-viewed-by-owner'); } $socialProfiles = []</script><div id="js-react-on-rails-context" style="display:none" data-rails-context="{"inMailer":false,"i18nLocale":"en","i18nDefaultLocale":"en","href":"https://unipd.academia.edu/JacopoGalavotti","location":"/JacopoGalavotti","scheme":"https","host":"unipd.academia.edu","port":null,"pathname":"/JacopoGalavotti","search":null,"httpAcceptLanguage":null,"serverSide":false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="ProfileCheckPaperUpdate" data-props="{}" data-trace="false" data-dom-id="ProfileCheckPaperUpdate-react-component-b9307be1-93d1-4cfb-aa77-9b21bcb0dc04"></div> <div id="ProfileCheckPaperUpdate-react-component-b9307be1-93d1-4cfb-aa77-9b21bcb0dc04"></div> <div class="DesignSystem"><div class="onsite-ping" id="onsite-ping"></div></div><div class="profile-user-info DesignSystem"><div class="social-profile-container"><div class="left-panel-container"><div class="user-info-component-wrapper"><div class="user-summary-cta-container"><div class="user-summary-container"><div class="social-profile-avatar-container"><img class="profile-avatar u-positionAbsolute" alt="Jacopo Galavotti" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/11712446/5048977/161546504/s200_jacopo.galavotti.jpg" /></div><div class="title-container"><h1 class="ds2-5-heading-sans-serif-sm">Jacopo Galavotti</h1><div class="affiliations-container fake-truncate js-profile-affiliations"><div><a class="u-tcGrayDarker" href="https://unipd.academia.edu/">Università degli Studi di Padova</a>, <a class="u-tcGrayDarker" href="https://unipd.academia.edu/Departments/Dipartimento_di_Studi_Linguistici_e_Letterari_DISLL_/Documents">Dipartimento di Studi Linguistici e Letterari (DISLL)</a>, <span class="u-tcGrayDarker">Faculty Member</span></div></div></div></div><div class="sidebar-cta-container"><button class="ds2-5-button hidden profile-cta-button grow js-profile-follow-button" data-broccoli-component="user-info.follow-button" data-click-track="profile-user-info-follow-button" data-follow-user-fname="Jacopo" data-follow-user-id="11712446" data-follow-user-source="profile_button" data-has-google="false"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">add</span>Follow</button><button class="ds2-5-button hidden profile-cta-button grow js-profile-unfollow-button" data-broccoli-component="user-info.unfollow-button" data-click-track="profile-user-info-unfollow-button" data-unfollow-user-id="11712446"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">done</span>Following</button></div></div><div class="user-stats-container"><a><div class="stat-container js-profile-followers"><p class="label">Followers</p><p class="data">560</p></div></a><a><div class="stat-container js-profile-followees" data-broccoli-component="user-info.followees-count" data-click-track="profile-expand-user-info-following"><p class="label">Following</p><p class="data">583</p></div></a><a><div class="stat-container js-profile-coauthors" data-broccoli-component="user-info.coauthors-count" data-click-track="profile-expand-user-info-coauthors"><p class="label">Co-authors</p><p class="data">34</p></div></a><div class="js-mentions-count-container" style="display: none;"><a href="/JacopoGalavotti/mentions"><div class="stat-container"><p class="label">Mentions</p><p class="data"></p></div></a></div><span><div class="stat-container"><p class="label"><span class="js-profile-total-view-text">Public Views</span></p><p class="data"><span class="js-profile-view-count"></span></p></div></span></div><div class="suggested-academics-container"><div class="suggested-academics--header"><p class="ds2-5-body-md-bold">Related Authors</p></div><ul class="suggested-user-card-list"><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://fu-berlin.academia.edu/BernhardHuss"><img class="profile-avatar u-positionAbsolute" alt="Bernhard Huss" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/36968514/18048480/34899757/s200_bernhard.huss.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://fu-berlin.academia.edu/BernhardHuss">Bernhard Huss</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Freie Universität Berlin</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://mylmu.academia.edu/ThomasBorgstedt"><img class="profile-avatar u-positionAbsolute" border="0" alt="" src="//a.academia-assets.com/images/s200_no_pic.png" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://mylmu.academia.edu/ThomasBorgstedt">Thomas Borgstedt</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">LMU</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://fu-berlin.academia.edu/NicolasLonginotti"><img class="profile-avatar u-positionAbsolute" alt="Nicolas Longinotti" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/67268475/34131277/30125181/s200_nicolas.longinotti.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://fu-berlin.academia.edu/NicolasLonginotti">Nicolas Longinotti</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Freie Universität Berlin</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://uni-hamburg.academia.edu/MarcFoecking"><img class="profile-avatar u-positionAbsolute" alt="Marc Föcking" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/25338317/28716627/26824193/s200_marc.foecking.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://uni-hamburg.academia.edu/MarcFoecking">Marc Föcking</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">University of Hamburg</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://duke.academia.edu/MartinEisner"><img class="profile-avatar u-positionAbsolute" alt="Martin Eisner" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/1131549/1038088/16199036/s200_martin.eisner.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://duke.academia.edu/MartinEisner">Martin Eisner</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Duke University</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://stanford.academia.edu/SarahRolfeProdan"><img class="profile-avatar u-positionAbsolute" alt="Sarah Rolfe Prodan" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/306216/310362/84414986/s200_sarah.rolfe_prodan.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://stanford.academia.edu/SarahRolfeProdan">Sarah Rolfe Prodan</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Stanford University</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://independent.academia.edu/ErikaMilburn"><img class="profile-avatar u-positionAbsolute" alt="Erika Milburn" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/313909/1166005/1459848/s200_erika.milburn.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://independent.academia.edu/ErikaMilburn">Erika Milburn</a></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://columbia.academia.edu/TeodolindaBarolini"><img class="profile-avatar u-positionAbsolute" alt="Teodolinda Barolini" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/2383834/748702/1077811/s200_teodolinda.barolini.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://columbia.academia.edu/TeodolindaBarolini">Teodolinda Barolini</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Columbia University</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://vassar.academia.edu/RobertaAntognini"><img class="profile-avatar u-positionAbsolute" alt="Roberta Antognini" border="0" onerror="if (this.src != '//a.academia-assets.com/images/s200_no_pic.png') this.src = '//a.academia-assets.com/images/s200_no_pic.png';" width="200" height="200" src="https://0.academia-photos.com/64336051/26465560/100304676/s200_roberta.antognini.jpg" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://vassar.academia.edu/RobertaAntognini">Roberta Antognini</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Vassar College</p></div></div><div class="suggested-user-card"><div class="suggested-user-card__avatar social-profile-avatar-container"><a href="https://amu.academia.edu/RyszardWieczorek"><img class="profile-avatar u-positionAbsolute" border="0" alt="" src="//a.academia-assets.com/images/s200_no_pic.png" /></a></div><div class="suggested-user-card__user-info"><a class="suggested-user-card__user-info__header ds2-5-body-sm-bold ds2-5-body-link" href="https://amu.academia.edu/RyszardWieczorek">Ryszard Wieczorek</a><p class="suggested-user-card__user-info__subheader ds2-5-body-xs">Adam Mickiewicz University in Poznań</p></div></div></ul></div><div class="ri-section"><div class="ri-section-header"><span>Interests</span><a class="ri-more-link js-profile-ri-list-card" data-click-track="profile-user-info-primary-research-interest" data-has-card-for-ri-list="11712446">View All (63)</a></div><div class="ri-tags-container"><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="11712446" href="https://www.academia.edu/Documents/in/Stilistica_E_Metrica_Italiana"><div id="js-react-on-rails-context" style="display:none" data-rails-context="{"inMailer":false,"i18nLocale":"en","i18nDefaultLocale":"en","href":"https://unipd.academia.edu/JacopoGalavotti","location":"/JacopoGalavotti","scheme":"https","host":"unipd.academia.edu","port":null,"pathname":"/JacopoGalavotti","search":null,"httpAcceptLanguage":null,"serverSide":false}"></div> <div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Stilistica E Metrica Italiana"]}" data-trace="false" data-dom-id="Pill-react-component-aea11e79-22fe-41ca-a0ee-5708c403542b"></div> <div id="Pill-react-component-aea11e79-22fe-41ca-a0ee-5708c403542b"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="11712446" href="https://www.academia.edu/Documents/in/Storia_Della_Lingua_Italiana"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Storia Della Lingua Italiana"]}" data-trace="false" data-dom-id="Pill-react-component-17d68947-e1bc-43db-a6a9-9bf1344ae518"></div> <div id="Pill-react-component-17d68947-e1bc-43db-a6a9-9bf1344ae518"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="11712446" href="https://www.academia.edu/Documents/in/Letteratura_italiana_moderna_e_contemporanea"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Letteratura italiana moderna e contemporanea"]}" data-trace="false" data-dom-id="Pill-react-component-042712d9-9c22-4170-b7eb-b4ff51fede6a"></div> <div id="Pill-react-component-042712d9-9c22-4170-b7eb-b4ff51fede6a"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="11712446" href="https://www.academia.edu/Documents/in/Filologia_Italiana_Letteratura_Italiana_del_Rinascimento"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Filologia Italiana Letteratura Italiana del Rinascimento"]}" data-trace="false" data-dom-id="Pill-react-component-3378b4af-0517-4f20-bb0c-8fd53f93e76f"></div> <div id="Pill-react-component-3378b4af-0517-4f20-bb0c-8fd53f93e76f"></div> </a><a data-click-track="profile-user-info-expand-research-interests" data-has-card-for-ri-list="11712446" href="https://www.academia.edu/Documents/in/Umberto_Saba"><div class="js-react-on-rails-component" style="display:none" data-component-name="Pill" data-props="{"color":"gray","children":["Umberto Saba"]}" data-trace="false" data-dom-id="Pill-react-component-33640c16-dd28-4143-81c7-fa0d9b228565"></div> <div id="Pill-react-component-33640c16-dd28-4143-81c7-fa0d9b228565"></div> </a></div></div><div class="external-links-container"><ul class="profile-links new-profile js-UserInfo-social"><li class="left-most js-UserInfo-social-cv" data-broccoli-component="user-info.cv-button" data-click-track="profile-user-info-cv" data-cv-filename="Curriculum_Academia_senza_contatti_novembre_2022_-_Copia.pdf" data-placement="top" data-toggle="tooltip" href="/JacopoGalavotti/CurriculumVitae"><button class="ds2-5-text-link ds2-5-text-link--small" style="font-size: 20px; letter-spacing: 0.8px"><span class="ds2-5-text-link__content">CV</span></button></li><li class="profile-profiles js-social-profiles-container"><i class="fa fa-spin fa-spinner"></i></li></ul></div></div></div><div class="right-panel-container"><div class="user-content-wrapper"><div class="uploads-container" id="social-redesign-work-container"><div class="upload-header"><h2 class="ds2-5-heading-sans-serif-xs">Uploads</h2></div><div class="nav-container backbone-profile-documents-nav hidden-xs"><ul class="nav-tablist" role="tablist"><li class="nav-chip active" role="presentation"><a data-section-name="" data-toggle="tab" href="#all" role="tab">all</a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Libri" data-toggle="tab" href="#libri" role="tab" title="Libri"><span>4</span> <span class="ds2-5-body-sm-bold">Libri</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Manuali-universitari" data-toggle="tab" href="#manualiuniversitari" role="tab" title="Manuali universitari"><span>1</span> <span class="ds2-5-body-sm-bold">Manuali universitari</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Edizioni" data-toggle="tab" href="#edizioni" role="tab" title="Edizioni"><span>2</span> <span class="ds2-5-body-sm-bold">Edizioni</span></a></li><li class="nav-chip" role="presentation"><a class="js-profile-docs-nav-section u-textTruncate" data-click-track="profile-works-tab" data-section-name="Curatele" data-toggle="tab" href="#curatele" role="tab" title="Curatele"><span>7</span> <span class="ds2-5-body-sm-bold">Curatele</span></a></li><li class="nav-chip more-tab" role="presentation"><a class="js-profile-documents-more-tab link-unstyled u-textTruncate" data-toggle="dropdown" role="tab">More  <i class="fa fa-chevron-down"></i></a><ul class="js-profile-documents-more-dropdown dropdown-menu dropdown-menu-right profile-documents-more-dropdown" role="menu"><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Saggi-e-articoli" data-toggle="tab" href="#saggiearticoli" role="tab" style="border: none;"><span>27</span> Saggi e articoli</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Recensioni" data-toggle="tab" href="#recensioni" role="tab" style="border: none;"><span>6</span> Recensioni</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Tesi" data-toggle="tab" href="#tesi" role="tab" style="border: none;"><span>2</span> Tesi</a></li><li role="presentation"><a data-click-track="profile-works-tab" data-section-name="Convegni-e-seminari" data-toggle="tab" href="#convegnieseminari" role="tab" style="border: none;"><span>8</span> Convegni e seminari</a></li></ul></li></ul></div><div class="divider ds-divider-16" style="margin: 0px;"></div><div class="documents-container backbone-social-profile-documents" style="width: 100%;"><div class="u-taCenter"></div><div class="profile--tab_content_container js-tab-pane tab-pane active" id="all"><div class="profile--tab_heading_container js-section-heading" data-section="Libri" id="Libri"><h3 class="profile--tab_heading_container">Libri by Jacopo Galavotti</h3></div><div class="js-work-strip profile--work_container" data-work-id="111341808"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111341808/Il_gioco_e_la_morte_Forme_della_poesia_a_Venezia_nel_Cinquecento"><img alt="Research paper thumbnail of Il gioco e la morte. Forme della poesia a Venezia nel Cinquecento" class="work-thumbnail" src="https://attachments.academia-assets.com/108909439/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111341808/Il_gioco_e_la_morte_Forme_della_poesia_a_Venezia_nel_Cinquecento">Il gioco e la morte. Forme della poesia a Venezia nel Cinquecento</a></div><div class="wp-workCard_item"><span>Berlino, Freie Universität Berlin – Italienzentrum, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il volume raccoglie quattro studi relativi ad altrettanti poeti di area veneziana attivi nella se...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il volume raccoglie quattro studi relativi ad altrettanti poeti di area veneziana attivi nella seconda metà del Cinquecento. Il primo analizza la tradizione a stampa e manoscritta delle Rime spirituali di Gabriele Fiamma, offrendo il testo critico delle rime disperse. Il secondo studio indaga il significato dell'hapax "selvaghesco" utilizzato da Veronica Franco in un capitolo indirizzato a Maffio Venier. Il terzo ampio saggio offre un repertorio delle figure artificiose utilizzate nella poesia lirica di Luigi Groto, e un’analisi della sua produzione alla luce delle definizioni correnti di Manierismo. L'ultimo contributo è un attraversamento delle figure dell'enfasi e dell'ordine delle parole nelle Rime di Celio Magno, anche in relazione alla costruzione del macrotesto. Attraverso lo studio di quattro autori esemplari, realizzato incrociando stilistica, filologia, storia della lingua e storia della letteratura, il libro mette a fuoco alcuni aspetti rilevanti della lirica del tardo Cinquecento.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="42e24b44d7ea0e817fe150f601bb1593" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":108909439,"asset_id":111341808,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/108909439/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111341808"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111341808"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111341808; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111341808]").text(description); $(".js-view-count[data-work-id=111341808]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111341808; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111341808']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "42e24b44d7ea0e817fe150f601bb1593" } } $('.js-work-strip[data-work-id=111341808]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111341808,"title":"Il gioco e la morte. Forme della poesia a Venezia nel Cinquecento","internal_url":"https://www.academia.edu/111341808/Il_gioco_e_la_morte_Forme_della_poesia_a_Venezia_nel_Cinquecento","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":108909439,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/108909439/thumbnails/1.jpg","file_name":"Galavotti_2023_Il_gioco_e_la_morte_Schriften_des_Italienzentrums_Bd._11_.pdf","download_url":"https://www.academia.edu/attachments/108909439/download_file","bulk_download_file_name":"Il_gioco_e_la_morte_Forme_della_poesia_a.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/108909439/Galavotti_2023_Il_gioco_e_la_morte_Schriften_des_Italienzentrums_Bd._11_-libre.pdf?1702487172=\u0026response-content-disposition=attachment%3B+filename%3DIl_gioco_e_la_morte_Forme_della_poesia_a.pdf\u0026Expires=1740852079\u0026Signature=I-qrcpLfIXR17pBdiAuh6FPjWBTz3gvWLEwSAvpQmu4C1WpJs9PgP1ZXZ7QmkATMQyANLBtzidlATVQN69UpYicE1ADBKaqQ9tmVOTdnMJOkMQtnqpcqHBP7sBJ67Giy5fmh1BCjeOIZ0h1Hw4Xx-VlF2h82nrnQPC1M~ilcVJqRkmktCN6IZ1V7MHWx1AsR15~eQKH2VajQGDgSPRw~5r~Pj1sRvhegFSFkftmFce2wpjtpRuNIeg1XwagyTpJSRPTQvI2ei3Yhz4lMmOpVB5DN41VknWezmwZDAv9MN8iK9N3J6EykD~QEfVoFvabICNVKKY7IMj8Plioq7Y8saQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="104263123"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/104263123/Il_celato_ostentare_Su_Umberto_Saba_e_altri_poeti_del_Novecento"><img alt="Research paper thumbnail of Il celato ostentare. Su Umberto Saba e altri poeti del Novecento" class="work-thumbnail" src="https://attachments.academia-assets.com/104039897/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/104263123/Il_celato_ostentare_Su_Umberto_Saba_e_altri_poeti_del_Novecento">Il celato ostentare. Su Umberto Saba e altri poeti del Novecento</a></div><div class="wp-workCard_item"><span>Padova, libreriauniversitaria.it, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Umberto Saba è un poeta abile a nascondere in piena vista, tanto che già sulla soglia della prima...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Umberto Saba è un poeta abile a nascondere in piena vista, tanto che già sulla soglia della prima edizione della sua opera maggiore siamo sviati dai suoi depistaggi e dalle sue ricostruzioni tendenziose. I saggi qui inclusi, unendo filologia d'autore, critica stilistica e intertestualità, indagano la presenza di Goethe, di Dante e di Petrarca nel Canzoniere del 1921, lo sviluppo della raccolta Casa e campagna in relazione al complesso rapporto di Saba con la propria vita famigliare, la tormentata rappresentazione dell'esperienza della prima guerra mondiale, l'incrocio tra i versi di un'opera lirica e l'immaginario psicanalitico in un testo degli anni Trenta. Completano il volume tre studi su altrettante opere di Corrado Costa, Cesare Zavattini e Sandro Penna, tesi a riconoscere nel testo poetico una stratificazione di voci, discorsi e citazioni.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0c636e773e5a042c1201480aac569624" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":104039897,"asset_id":104263123,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/104039897/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="104263123"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="104263123"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 104263123; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=104263123]").text(description); $(".js-view-count[data-work-id=104263123]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 104263123; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='104263123']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0c636e773e5a042c1201480aac569624" } } $('.js-work-strip[data-work-id=104263123]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":104263123,"title":"Il celato ostentare. Su Umberto Saba e altri poeti del Novecento","internal_url":"https://www.academia.edu/104263123/Il_celato_ostentare_Su_Umberto_Saba_e_altri_poeti_del_Novecento","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":104039897,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/104039897/thumbnails/1.jpg","file_name":"Galavotti_2023_Il_celato_ostentare_cover_e_indice.pdf","download_url":"https://www.academia.edu/attachments/104039897/download_file","bulk_download_file_name":"Il_celato_ostentare_Su_Umberto_Saba_e_al.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/104039897/Galavotti_2023_Il_celato_ostentare_cover_e_indice-libre.pdf?1688569422=\u0026response-content-disposition=attachment%3B+filename%3DIl_celato_ostentare_Su_Umberto_Saba_e_al.pdf\u0026Expires=1740852079\u0026Signature=DVV05pbjnm70WcbU29ejeHVWFahZh~QaTMfyQjUUQk2T7IV7fs6VQY0ULop5sbB35vnlXBUb97WISIksT2fvK0QmR1kpaMiWRNPLoi6zcVlY66k3nfIpocJGR3WXSlftQ9QeURgn1XYfWgLS8ud6X6ACGqFgXvkl67OBWlzMY5PE8LokaYD9ta-NbMLRy3HCrzOlmgGcMuXWsceRcucHwoLIJLSD5F0MHJgZ~cmD5iRqPr742KJahL~RVa34cPujo3quCoyMm-82Pd0L7RRLuPrwuVCP9blHDY2tUhVc38YtBirJyH65Zgt9-AWitCwGUHomCfwhrKQh~PSfI7I0Dw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="48864186"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/48864186/_Spento_era_il_gran_Bembo_Metrica_e_sintassi_nei_lirici_veneziani_del_secondo_Cinquecento"><img alt="Research paper thumbnail of «Spento era il gran Bembo». Metrica e sintassi nei lirici veneziani del secondo Cinquecento" class="work-thumbnail" src="https://attachments.academia-assets.com/67276868/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/48864186/_Spento_era_il_gran_Bembo_Metrica_e_sintassi_nei_lirici_veneziani_del_secondo_Cinquecento">«Spento era il gran Bembo». Metrica e sintassi nei lirici veneziani del secondo Cinquecento</a></div><div class="wp-workCard_item"><span>Alessandria, Edizioni dell'Orso, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Alla morte di Pietro Bembo, nel 1547, il petrarchismo domina solidamente la produzione lirica ita...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Alla morte di Pietro Bembo, nel 1547, il petrarchismo domina solidamente la produzione lirica italiana. Ma quel panorama di così lampante uniformità di scelte linguistiche, formali e tematiche appare, a uno sguardo più ravvicinato, disomogeneo, sfrangiato, plurale. Alla luce di questa dialettica tra ripetizione e innovazione, ossequio e tradimento, questo studio si concentra sulla poesia di sette autori attivi in area veneziana nel secondo Cinquecento (Girolamo Molin, Domenico Venier — suo il verso che dà il titolo al libro — Giacomo Zane, Gabriele Fiamma, Celio Magno, Orsatto Giustinian, Luigi Groto), indagandone in modo sistematico il trattamento sintattico delle forme metriche, con un metodo d’analisi, sperimentato in numerosi studi recenti di stilistica, che ambisce a individuare con chiarezza — da questo privilegiato punto d’osservazione — il rapporto tra contemporanei e con la tradizione, anche attraverso confronti quantitativi che trovano una particolare motivazione nella natura relazionale del petrarchismo come fenomeno sociale oltre che letterario.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="353e55bbd7f299dd36b151a3d4f6437b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67276868,"asset_id":48864186,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67276868/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="48864186"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="48864186"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 48864186; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=48864186]").text(description); $(".js-view-count[data-work-id=48864186]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 48864186; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='48864186']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "353e55bbd7f299dd36b151a3d4f6437b" } } $('.js-work-strip[data-work-id=48864186]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":48864186,"title":"«Spento era il gran Bembo». Metrica e sintassi nei lirici veneziani del secondo Cinquecento","internal_url":"https://www.academia.edu/48864186/_Spento_era_il_gran_Bembo_Metrica_e_sintassi_nei_lirici_veneziani_del_secondo_Cinquecento","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":67276868,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/67276868/thumbnails/1.jpg","file_name":"Galavotti_1_6.pdf","download_url":"https://www.academia.edu/attachments/67276868/download_file","bulk_download_file_name":"Spento_era_il_gran_Bembo_Metrica_e_sint.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/67276868/Galavotti_1_6-libre.pdf?1620635402=\u0026response-content-disposition=attachment%3B+filename%3DSpento_era_il_gran_Bembo_Metrica_e_sint.pdf\u0026Expires=1740852079\u0026Signature=cDxehthYCN3PfaM2XzHbPWGGhbfpIZIi28CHOhPxUA7gn8rzvRBDIgsx7PHmP3Ri4XKrLUcvqA42PfsNJlpmRw3bqeiq7ebB6sZ~iFK5rqbPTiztw2JXfCksr907KQbIirY1zm8rFSZHT3sFt8egUy3IZkoaNj4fnks0twCDoC4ryIKGtXs2UZVyZ74zk1nDiSdZa0Jonhs6VPLrQr2vOpXEWEXygRpCkPPjHC2aB4GNkKuZM9fv7LpFjU2bXbeGOjScZusSLiIeyjH8iXi2JT5jksdon6eLDGlcDi~-CgYXxjlY11HTXMQmYR--4fUSN~nCfkPmXi43Hk6fLk9A7A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="45649298"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/45649298/Jacopo_Galavotti_Giacomo_Morbiato_Una_sola_digressione_ininterrotta_Cosimo_Ortesta_poeta_e_traduttore"><img alt="Research paper thumbnail of Jacopo Galavotti, Giacomo Morbiato, Una sola digressione ininterrotta. Cosimo Ortesta poeta e traduttore" class="work-thumbnail" src="https://attachments.academia-assets.com/66147222/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/45649298/Jacopo_Galavotti_Giacomo_Morbiato_Una_sola_digressione_ininterrotta_Cosimo_Ortesta_poeta_e_traduttore">Jacopo Galavotti, Giacomo Morbiato, Una sola digressione ininterrotta. Cosimo Ortesta poeta e traduttore</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://univr.academia.edu/GiacomoMorbiato">Giacomo Morbiato</a></span></div><div class="wp-workCard_item"><span>Padova, Padova University Press, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Cosimo Ortesta (1939-2019) è stato poeta, traduttore e critico letterario, pubblicando sei libri ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Cosimo Ortesta (1939-2019) è stato poeta, traduttore e critico letterario, pubblicando sei libri di poesia dal 1980 al 2006 e numerose traduzioni dal francese, in particolare da Mallarmé, Rimbaud e Baudelaire. Questo volume ne presenta entrambi i versanti dell’opera, ripercorrendo, attraverso l’indagine sui testi, l’itinerario di una figura appartata ma non marginale, devota a un’idea etica di forma, saldamente insediata nel solco della modernità poetica italiana ed europea.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1496e12572542e6608484922dd893238" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66147222,"asset_id":45649298,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66147222/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45649298"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45649298"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45649298; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45649298]").text(description); $(".js-view-count[data-work-id=45649298]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45649298; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='45649298']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1496e12572542e6608484922dd893238" } } $('.js-work-strip[data-work-id=45649298]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":45649298,"title":"Jacopo Galavotti, Giacomo Morbiato, Una sola digressione ininterrotta. Cosimo Ortesta poeta e traduttore","internal_url":"https://www.academia.edu/45649298/Jacopo_Galavotti_Giacomo_Morbiato_Una_sola_digressione_ininterrotta_Cosimo_Ortesta_poeta_e_traduttore","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":66147222,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/66147222/thumbnails/1.jpg","file_name":"Galavotti_Morbiato_Una_sola_digressione_ininterrotta_Cosimo_Ortesta_poeta_e_traduttore_2021_ISBN_9788869382123_.pdf","download_url":"https://www.academia.edu/attachments/66147222/download_file","bulk_download_file_name":"Jacopo_Galavotti_Giacomo_Morbiato_Una_so.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/66147222/Galavotti_Morbiato_Una_sola_digressione_ininterrotta_Cosimo_Ortesta_poeta_e_traduttore_2021_ISBN_9788869382123_-libre.pdf?1617185120=\u0026response-content-disposition=attachment%3B+filename%3DJacopo_Galavotti_Giacomo_Morbiato_Una_so.pdf\u0026Expires=1740850978\u0026Signature=HPbo1KQo7~KyvHzmUFFwMA~sxX4W5kk3ugHqYgJct-M9pkCfLzbWwlp2~KgF7QLtDo7QEjKGAW2w958Ics086YFGYIAh78WHeiIiiOdqDFyOTujOHMTRtAyS2BHcPXotkWuOs9pDf1yH9XtD7NgYfLa-zlwboWgt6yKLWhfFkZ-7gIaQIidkR0D-g8zhZ4Nzjrq3L4IXbRLltAeXXgk2Uf92jEIeEP6SZygSpgaqYhdIiqkw5YARx5blIbDhOyGxqsh9O9RzCVis6WY8Cm6HqxDp64cdl8MdSg3eXGgTeBJcPbI980zBY27UfLP3gadjcsKC6x3XLb79Yc8YKJqtHA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Manuali universitari" id="Manuali universitari"><h3 class="profile--tab_heading_container">Manuali universitari by Jacopo Galavotti</h3></div><div class="js-work-strip profile--work_container" data-work-id="113648391"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/113648391/Paolo_Giovannetti_Gianfranca_Lavezzi_Jacopo_Galavotti_Che_cos_%C3%A8_la_metrica_italiana_contemporanea"><img alt="Research paper thumbnail of Paolo Giovannetti, Gianfranca Lavezzi, Jacopo Galavotti, Che cos’è la metrica italiana contemporanea" class="work-thumbnail" src="https://attachments.academia-assets.com/110554206/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/113648391/Paolo_Giovannetti_Gianfranca_Lavezzi_Jacopo_Galavotti_Che_cos_%C3%A8_la_metrica_italiana_contemporanea">Paolo Giovannetti, Gianfranca Lavezzi, Jacopo Galavotti, Che cos’è la metrica italiana contemporanea</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unipv.academia.edu/GianfrancaLavezzi">Gianfranca Lavezzi</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a></span></div><div class="wp-workCard_item"><span>Roma, Carocci, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il volume offre un’introduzione agile e rigorosa alla metrica della poesia italiana contemporanea...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il volume offre un’introduzione agile e rigorosa alla metrica della poesia italiana contemporanea. Dopo lo studio dei padri della modernità poetica (Leopardi, Carducci, D’Annunzio e Pascoli), si affrontano nella loro autonomia le molteplici declinazioni del verso libero, riconoscendo la forte discontinuità che lo separa dalla metrica tradizionale. Vengono inoltre indagate le riprese delle forme tradizionali sullo sfondo della nuova libertà metrica e l’apparente paradosso della poesia in prosa. Una guida preziosa per capire com’è fatta la poesia italiana del Novecento e di oggi.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4913a7aedc79038cccba410c3cbfe423" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110554206,"asset_id":113648391,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110554206/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="113648391"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="113648391"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 113648391; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=113648391]").text(description); $(".js-view-count[data-work-id=113648391]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 113648391; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='113648391']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4913a7aedc79038cccba410c3cbfe423" } } $('.js-work-strip[data-work-id=113648391]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":113648391,"title":"Paolo Giovannetti, Gianfranca Lavezzi, Jacopo Galavotti, Che cos’è la metrica italiana contemporanea","internal_url":"https://www.academia.edu/113648391/Paolo_Giovannetti_Gianfranca_Lavezzi_Jacopo_Galavotti_Che_cos_%C3%A8_la_metrica_italiana_contemporanea","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":110554206,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/110554206/thumbnails/1.jpg","file_name":"9788829022243.pdf","download_url":"https://www.academia.edu/attachments/110554206/download_file","bulk_download_file_name":"Paolo_Giovannetti_Gianfranca_Lavezzi_Jac.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/110554206/9788829022243-libre.pdf?1705515373=\u0026response-content-disposition=attachment%3B+filename%3DPaolo_Giovannetti_Gianfranca_Lavezzi_Jac.pdf\u0026Expires=1740852079\u0026Signature=C9lvwBh25OrnRJyNBauRU1eOSmo5HQDvzCnMlcRIMxERlA7lWZI7BSxSuD2f1RAP-upzSf-G2FzdvvfOYO5Ql66IzRHdmjoADWI1Yl922GY7rL9wHvgWmDx9bM23JYgkG916AMZLeMesULhbOxOSP5hzKCZjUy7Rm2myP~GtLMP2N7T9tNa6OpS15TosJRIjyKxdyuEG-rnOWXLc5EVr9gaElpNAL~2vuOrMrHPEhsL81N7RRz3Bk~ywVVrRbEkZ4vtgIJ3v35wO~-3oYb-9VQoUDAQlq0rxpXhuWVNj0EE-Tdt9TANSBZ0rmBWMHC30Tf4YBUUUrsGkAOBnrKPLRg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"},{"id":110554069,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/110554069/thumbnails/1.jpg","file_name":"Giovannetti_Lavezzi_Galavotti_Che_cos_e_la_metrica_italiana_contemporanea_Carocci_2024_estratto_.pdf","download_url":"https://www.academia.edu/attachments/110554069/download_file","bulk_download_file_name":"Paolo_Giovannetti_Gianfranca_Lavezzi_Jac.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/110554069/Giovannetti_Lavezzi_Galavotti_Che_cos_e_la_metrica_italiana_contemporanea_Carocci_2024_estratto_-libre.pdf?1705515388=\u0026response-content-disposition=attachment%3B+filename%3DPaolo_Giovannetti_Gianfranca_Lavezzi_Jac.pdf\u0026Expires=1740852079\u0026Signature=C3yyqQ3n2ZVYaU7KXXyFcDS9L6z6XgO7bkWREP9WgLjlKU6Iu6xoNbtGVqgUlMTkx9o7lr-d~MpBOoseAjVbIyKXD~86YDQjTjYnnE5AQwA4Ht7Mkr4OUCOooJqID523jf4ZXeNIJqNWhyccpBIAQYgjvPRXAiWk94n~jny2eL4Tt7-CpgBk0Wu0sEhCKi-mtUntADstOfsh9nOBirpgD~f1bbdyQ5N2n2P48pnXunG~Zg4an2Xutnl6m0oc-UrzKxn~T1WBSr~aDJU0kI-TwTKw-sreTmdnXIji~4jUgDjGgoPbfgRGelvWbBJtF2qEU~xnY46tJJZIijPXM6pf1w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Edizioni" id="Edizioni"><h3 class="profile--tab_heading_container">Edizioni by Jacopo Galavotti</h3></div><div class="js-work-strip profile--work_container" data-work-id="125281861"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/125281861/Ippolito_Nievo_Lettere_dell_Intendenza_1860_1861_a_cura_di_Jacopo_Galavotti"><img alt="Research paper thumbnail of Ippolito Nievo, Lettere dell’Intendenza. 1860-1861, a cura di Jacopo Galavotti" class="work-thumbnail" src="https://attachments.academia-assets.com/119354256/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/125281861/Ippolito_Nievo_Lettere_dell_Intendenza_1860_1861_a_cura_di_Jacopo_Galavotti">Ippolito Nievo, Lettere dell’Intendenza. 1860-1861, a cura di Jacopo Galavotti</a></div><div class="wp-workCard_item"><span>Venezia, Marsilio, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il 5 maggio del 1860 gli indugi erano finiti, e tra i poco più di mille soldati pronti a seguire ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il 5 maggio del 1860 gli indugi erano finiti, e tra i poco più di mille soldati pronti a seguire Garibaldi in Sicilia c’era anche Ippolito Nievo. Reduce dalla campagna del ’59 e dalla delusione di Villafranca, lo scrittore si aspettava di contribuire alla causa italiana imbracciando le armi. Dovette invece accettare un gravoso compito di retrovia, quello amministrativo di viceintendente generale. La scelta di lettere e di documenti autografi qui edita – accompagnata da ricchi apparati di commento e dal censimento di oltre 1400 dispacci – permette di conoscere il contributo di Nievo all’organizzazione materiale della guerra garibaldina, e le difficoltà incontrate per approvvigionare, rendicontandone le spese, un esercito in rapida crescita. Anche nel disbrigo delle pratiche amministrative si rivelano la statura di Nievo, la sua rettitudine e la sua onestà, la sua schiettezza nei rapporti con colleghi e superiori. Ideale complemento degli Scritti garibaldini e dell’epistolario, le Lettere dell’Intendenza non sono solo documenti utili alla ricostruzione della storia risorgimentale e testimonianze dell’italiano burocratico dell’epoca, ma soprattutto l’ultimo capitolo, prima della tragica fine, della biografia di uno dei massimi narratori italiani, l’anomalo diario del momento culminante di una vicenda breve e densissima, così significativa del nesso tra letteratura e idealità politiche che ha segnato il nostro Ottocento.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="20f7935e50c2e433e4bc473624412ca4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":119354256,"asset_id":125281861,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/119354256/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125281861"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125281861"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125281861; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=125281861]").text(description); $(".js-view-count[data-work-id=125281861]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 125281861; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='125281861']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "20f7935e50c2e433e4bc473624412ca4" } } $('.js-work-strip[data-work-id=125281861]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125281861,"title":"Ippolito Nievo, Lettere dell’Intendenza. 1860-1861, a cura di Jacopo Galavotti","internal_url":"https://www.academia.edu/125281861/Ippolito_Nievo_Lettere_dell_Intendenza_1860_1861_a_cura_di_Jacopo_Galavotti","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":119354256,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/119354256/thumbnails/1.jpg","file_name":"Nievo_Lettere_dell_Intendenza_COVER_.pdf","download_url":"https://www.academia.edu/attachments/119354256/download_file","bulk_download_file_name":"Ippolito_Nievo_Lettere_dell_Intendenza_1.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/119354256/Nievo_Lettere_dell_Intendenza_COVER_-libre.pdf?1730727638=\u0026response-content-disposition=attachment%3B+filename%3DIppolito_Nievo_Lettere_dell_Intendenza_1.pdf\u0026Expires=1740839713\u0026Signature=CZB6CnC-zlily3W0YEHiCMvx-x7xtILLAMNQUONRg9YI5LEiIHYQ4aAAIJEzlImqUj5LwkuPg4Tvog1NRJUgRBrG55eQQ7zOlYQll5Fc9gCHal2v7Aosh4SkLY1pS6ECpKsW4I9XbU9KKORLrxNF2vEBWp5BbUmu0uh-nm0py0jqW5Y~94KvUsdnWGaBHsLXyazgbQku4Q29xece~o~C9mVbDFdyHVfvpyN2QJAm6px~AQpopr-IYmWVgy52SL4FjjiJmO25TdGTARPp2YV29G7z80n4HxQQK6qyjeDN45YvZgw-sVL4-GMeFU~I2swlennGfhua-XAZEa1ReWi1QQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"},{"id":119354186,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/119354186/thumbnails/1.jpg","file_name":"Nievo_Lettere_dell_Intendenza_abstract_.pdf","download_url":"https://www.academia.edu/attachments/119354186/download_file","bulk_download_file_name":"Ippolito_Nievo_Lettere_dell_Intendenza_1.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/119354186/Nievo_Lettere_dell_Intendenza_abstract_-libre.pdf?1730727642=\u0026response-content-disposition=attachment%3B+filename%3DIppolito_Nievo_Lettere_dell_Intendenza_1.pdf\u0026Expires=1740839713\u0026Signature=dQJatY0UdVFeVdO7WVi7WS-6S6Y1ikX-fg6~1unVnRJIgtZmsyR3JefaEZIQdzqlyJ7UI6easiU9aZms-cGROXBLTsUvlfYy4YtIhxlTU4grTF9WJR1qFig4kuudm0V0MQYkFZ0PTVNJ3WI1jTC3yTjQm5BO7RosrOozqA-gcs1W0uYwJb8ZGDs55k8OtHHyIDOUwaRRy6zr-rKb9UtC42Mw54P~YkbQaYxOUdj0xBLG2L-UMM0Sk2JVHcWfeyK3fYRZxd08n2WconvHEYqyGtp7bZWCJ7fHk8bo7R2-LJYNmUaVa-qc32VrL9yhZBfLZhSauwuI5XgzDXG0ri3sVg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="74436868"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/74436868/Cosimo_Ortesta_Tutte_le_poesie_a_cura_di_Jacopo_Galavotti_Giacomo_Morbiato_e_Vito_M_Bonito"><img alt="Research paper thumbnail of Cosimo Ortesta, Tutte le poesie, a cura di Jacopo Galavotti, Giacomo Morbiato e Vito M. Bonito" class="work-thumbnail" src="https://attachments.academia-assets.com/82590986/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/74436868/Cosimo_Ortesta_Tutte_le_poesie_a_cura_di_Jacopo_Galavotti_Giacomo_Morbiato_e_Vito_M_Bonito">Cosimo Ortesta, Tutte le poesie, a cura di Jacopo Galavotti, Giacomo Morbiato e Vito M. Bonito</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://univr.academia.edu/GiacomoMorbiato">Giacomo Morbiato</a></span></div><div class="wp-workCard_item"><span>Ancona, Argolibri, 2022</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5d784e378464b616d98071958eda4385" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":82590986,"asset_id":74436868,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/82590986/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="74436868"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="74436868"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 74436868; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=74436868]").text(description); $(".js-view-count[data-work-id=74436868]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 74436868; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='74436868']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5d784e378464b616d98071958eda4385" } } $('.js-work-strip[data-work-id=74436868]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":74436868,"title":"Cosimo Ortesta, Tutte le poesie, a cura di Jacopo Galavotti, Giacomo Morbiato e Vito M. Bonito","internal_url":"https://www.academia.edu/74436868/Cosimo_Ortesta_Tutte_le_poesie_a_cura_di_Jacopo_Galavotti_Giacomo_Morbiato_e_Vito_M_Bonito","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":82590986,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/82590986/thumbnails/1.jpg","file_name":"Ortesta_sample_e_copertina.pdf","download_url":"https://www.academia.edu/attachments/82590986/download_file","bulk_download_file_name":"Cosimo_Ortesta_Tutte_le_poesie_a_cura_di.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/82590986/Ortesta_sample_e_copertina-libre.pdf?1648108975=\u0026response-content-disposition=attachment%3B+filename%3DCosimo_Ortesta_Tutte_le_poesie_a_cura_di.pdf\u0026Expires=1740839713\u0026Signature=SFoKRUEOKV5zRJT5My5dC2KbuhyWslZ~NzqTQmqsZJAAp0ZBqvh-dFY4u~6jjYfS09n6333BaKVUgwonRvKOZ1pF0-QsJbfJkIgOX1CzhfM3oMLtf7QDb11XubK8R5ckW-XOteX7NnesWwrsiqfNsQup57YsLH05je~s-wlFmMVBIapQGCQuY2uNjLrzzZzwjuCSLj8LwpyZHhGwKNo4l60QkEVN0txnqxoST44b0bevGThPbAGE6meGNEOMq98KYcsd7rtcTCqKYsXlXiRtxJDpZz3qkeqB1Mfb47AhvVZc61qdjpjTjVI7EPpTCWYtqXZsQmO~jjJUzXi7n9y2og__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Curatele" id="Curatele"><h3 class="profile--tab_heading_container">Curatele by Jacopo Galavotti</h3></div><div class="js-work-strip profile--work_container" data-work-id="108812369"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/108812369/Ippolito_Nievo_tra_i_Mille_Il_racconto_di_un_impresa_a_cura_di_Jacopo_Galavotti_Andrea_Piasentini_Alessandra_Zangrandi"><img alt="Research paper thumbnail of Ippolito Nievo tra i Mille. Il racconto di un’impresa, a cura di Jacopo Galavotti, Andrea Piasentini, Alessandra Zangrandi" class="work-thumbnail" src="https://attachments.academia-assets.com/107103636/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108812369/Ippolito_Nievo_tra_i_Mille_Il_racconto_di_un_impresa_a_cura_di_Jacopo_Galavotti_Andrea_Piasentini_Alessandra_Zangrandi">Ippolito Nievo tra i Mille. Il racconto di un’impresa, a cura di Jacopo Galavotti, Andrea Piasentini, Alessandra Zangrandi</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/AndreaPiasentini">Andrea Piasentini</a></span></div><div class="wp-workCard_item"><span>Firenze, Cesati, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Atti del Convegno Internazionale PRIN 2017 “Ippolito Nievo e la cultura letteraria del Risorgimen...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Atti del Convegno Internazionale PRIN 2017 “Ippolito Nievo e la cultura letteraria del Risorgimento”, Università di Verona, 14-16 dicembre 2022</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="85d17aa4421240dfc89dee4e32ebc7e2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":107103636,"asset_id":108812369,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/107103636/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108812369"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108812369"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108812369; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=108812369]").text(description); $(".js-view-count[data-work-id=108812369]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 108812369; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='108812369']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "85d17aa4421240dfc89dee4e32ebc7e2" } } $('.js-work-strip[data-work-id=108812369]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108812369,"title":"Ippolito Nievo tra i Mille. Il racconto di un’impresa, a cura di Jacopo Galavotti, Andrea Piasentini, Alessandra Zangrandi","internal_url":"https://www.academia.edu/108812369/Ippolito_Nievo_tra_i_Mille_Il_racconto_di_un_impresa_a_cura_di_Jacopo_Galavotti_Andrea_Piasentini_Alessandra_Zangrandi","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":107103636,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/107103636/thumbnails/1.jpg","file_name":"Frontespizio_e_indice_Zangrandi_Galavotti_Piasentini_2023_Ippolito_Nievo_tra_i_Mille.pdf","download_url":"https://www.academia.edu/attachments/107103636/download_file","bulk_download_file_name":"Ippolito_Nievo_tra_i_Mille_Il_racconto_d.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/107103636/Frontespizio_e_indice_Zangrandi_Galavotti_Piasentini_2023_Ippolito_Nievo_tra_i_Mille-libre.pdf?1698924456=\u0026response-content-disposition=attachment%3B+filename%3DIppolito_Nievo_tra_i_Mille_Il_racconto_d.pdf\u0026Expires=1740852079\u0026Signature=NVNTCCBHiai~9CcICe862iwiHnLiWUtzwkOh-UrfPmAS-YKPuvqVzGWXEfxCGUVspHCUtudl7I-H8FN0Qj84geQuhmO~086KCcG9rlqtdhHWrEZbWDcJK-Ntr5SvPDwyA7fHT56RA1lFAInQOhd97HufrEXmJ9H96AU6bw2us7j-J8A6DmysYMGGJa5~NLUIFsuDSSE9PldtOrjPG2KurRGQtZHkApTMjqa6VV9A8QD21lI1VNw7VQanxVk3aYgN0yJQaDjxb9kQVBCd0uI1HXHtkvE1MbGJtEnwYra5EOMVrA5w5fGuQ-I0qRF2c0T2tATTOTD1A1pRfnIiV2kuAg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="107405603"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/107405603/Nuove_prospettive_sulla_canzone_antica_X_incontro_di_studio_in_memoria_di_Marco_Praloran_a_cura_di_Jacopo_Galavotti_Giacomo_Morbiato"><img alt="Research paper thumbnail of Nuove prospettive sulla canzone antica. X incontro di studio in memoria di Marco Praloran, a cura di Jacopo Galavotti, Giacomo Morbiato" class="work-thumbnail" src="https://attachments.academia-assets.com/106080769/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/107405603/Nuove_prospettive_sulla_canzone_antica_X_incontro_di_studio_in_memoria_di_Marco_Praloran_a_cura_di_Jacopo_Galavotti_Giacomo_Morbiato">Nuove prospettive sulla canzone antica. X incontro di studio in memoria di Marco Praloran, a cura di Jacopo Galavotti, Giacomo Morbiato</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://univr.academia.edu/GiacomoMorbiato">Giacomo Morbiato</a></span></div><div class="wp-workCard_item"><span>Numero monografico di «Stilistica e metrica italiana», XXXIII (2023)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="91d615573f698b2ad0feedd5f78be792" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106080769,"asset_id":107405603,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106080769/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="107405603"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="107405603"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 107405603; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=107405603]").text(description); $(".js-view-count[data-work-id=107405603]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 107405603; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='107405603']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "91d615573f698b2ad0feedd5f78be792" } } $('.js-work-strip[data-work-id=107405603]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":107405603,"title":"Nuove prospettive sulla canzone antica. X incontro di studio in memoria di Marco Praloran, a cura di Jacopo Galavotti, Giacomo Morbiato","internal_url":"https://www.academia.edu/107405603/Nuove_prospettive_sulla_canzone_antica_X_incontro_di_studio_in_memoria_di_Marco_Praloran_a_cura_di_Jacopo_Galavotti_Giacomo_Morbiato","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":106080769,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/106080769/thumbnails/1.jpg","file_name":"00_Preliminari_i_vi_1_2.pdf","download_url":"https://www.academia.edu/attachments/106080769/download_file","bulk_download_file_name":"Nuove_prospettive_sulla_canzone_antica_X.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/106080769/00_Preliminari_i_vi_1_2-libre.pdf?1696074882=\u0026response-content-disposition=attachment%3B+filename%3DNuove_prospettive_sulla_canzone_antica_X.pdf\u0026Expires=1740839713\u0026Signature=KNJAn1fqS-Jz3qQs9-lJnwpZp7MgO0H~1SyXBtOtDspDMKDInOPOaGaHnS78lnc4i9z2SfWfj2r~CE~-07B1jXOz5rbngwXpbk~OzTjmvJCclF0FcjG3jqxSSp92tLbaaqYLhlfJi0HMLHCRngP9OQT~MyB7wlE5Hr-arrax3uoQxV4KgB6K50h-Dy18un139549x7ixorGwBBjk33b2E~Bq-aOk9JuO95iUKaiBB9M2OWwEK1qy2yNgKOtZmisvtnq~pOEzpOAlgQIWsSKo3u-gGYgHj1RpdQ91mCRLuUsS5dpEC491H-6kaV8iVpyok~1vcnpPffpNrJtpMUa-JQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="101857711"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/101857711/Forme_e_origini_del_romanzo_a_cura_di_Stefano_Bazzaco_Jacopo_Galavotti"><img alt="Research paper thumbnail of Forme e origini del romanzo, a cura di Stefano Bazzaco, Jacopo Galavotti" class="work-thumbnail" src="https://attachments.academia-assets.com/102282367/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/101857711/Forme_e_origini_del_romanzo_a_cura_di_Stefano_Bazzaco_Jacopo_Galavotti">Forme e origini del romanzo, a cura di Stefano Bazzaco, Jacopo Galavotti</a></div><div class="wp-workCard_item"><span>Numero monografico di «Historias fingidas», numero speciale 2 (2023)</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Si propone l'intervista inedita a Thomas Pavel del 2017 coordinata dal gruppo dottorale FORLab (L...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Si propone l'intervista inedita a Thomas Pavel del 2017 coordinata dal gruppo dottorale FORLab (Laboratorio sulle Forme e le Origini del Romanzo). Parole chiave: Thomas Pavel, romanzo, personaggio, Le vite del romanzo, Mondi di invenzione. We offer the 2017 interview with Thomas Pavel coordinated by the doctoral group FORLab (Laboratory on Forms and Origins of the Novel), still unpublished.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bef5a0558b1ce6b0568b29a677b00024" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102282367,"asset_id":101857711,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102282367/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="101857711"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="101857711"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 101857711; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=101857711]").text(description); $(".js-view-count[data-work-id=101857711]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 101857711; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='101857711']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bef5a0558b1ce6b0568b29a677b00024" } } $('.js-work-strip[data-work-id=101857711]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":101857711,"title":"Forme e origini del romanzo, a cura di Stefano Bazzaco, Jacopo Galavotti","internal_url":"https://www.academia.edu/101857711/Forme_e_origini_del_romanzo_a_cura_di_Stefano_Bazzaco_Jacopo_Galavotti","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":102282367,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/102282367/thumbnails/1.jpg","file_name":"Bazzaco_Galavotti_2023_HF_numero_speciale_2_Forme_e_origini_del_romanzo.pdf","download_url":"https://www.academia.edu/attachments/102282367/download_file","bulk_download_file_name":"Forme_e_origini_del_romanzo_a_cura_di_St.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/102282367/Bazzaco_Galavotti_2023_HF_numero_speciale_2_Forme_e_origini_del_romanzo-libre.pdf?1684238633=\u0026response-content-disposition=attachment%3B+filename%3DForme_e_origini_del_romanzo_a_cura_di_St.pdf\u0026Expires=1740852079\u0026Signature=IsKILe3jgONOoKS8-e5QRveFd2sMM0biJMlq51u0ok98aRZXqdG-8lfVYbekipqRuzoRA4kPxlZU5IEI0LQqT6tXpmJFL85g69ahKJVT1g8NYnmGUMxUjNsnF-oF9DALrCRrIJ4p4b~rHbIPUlQcSTgbEid0zpm03xrWj3o1jEHJpUkBPd73Ux9ODJ-mICLqd2ZxMIBtIw3vIgiScUguLFzuE3f7p~6AuCLIS4H520VY-W33ar~YIc1ChFVIoOORGI65DD7Nc1eBXjGkHITgXMYS3YXfanS~BOydtn0p0vEKSZ06uLYHt6g64m3iUqI12NZ6vEfAmfq6OTcAAhzqpQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="69470758"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/69470758/I_gesti_del_mestiere_Traduzione_e_autotraduzione_tra_Italia_e_Francia_dal_XIX_al_XXI_secolo_a_cura_di_Jacopo_Galavotti_Sara_Giovine_Giacomo_Morbiato"><img alt="Research paper thumbnail of I gesti del mestiere. Traduzione e autotraduzione tra Italia e Francia dal XIX al XXI secolo, a cura di Jacopo Galavotti, Sara Giovine, Giacomo Morbiato" class="work-thumbnail" src="https://attachments.academia-assets.com/79556932/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/69470758/I_gesti_del_mestiere_Traduzione_e_autotraduzione_tra_Italia_e_Francia_dal_XIX_al_XXI_secolo_a_cura_di_Jacopo_Galavotti_Sara_Giovine_Giacomo_Morbiato">I gesti del mestiere. Traduzione e autotraduzione tra Italia e Francia dal XIX al XXI secolo, a cura di Jacopo Galavotti, Sara Giovine, Giacomo Morbiato</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://insr.academia.edu/SaraGiovine">Sara Giovine</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://univr.academia.edu/GiacomoMorbiato">Giacomo Morbiato</a></span></div><div class="wp-workCard_item"><span>Padova, Padova University Press, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Dalla seconda metà del Novecento, l’interesse scientifico attorno ai temi della traduzione non ha...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Dalla seconda metà del Novecento, l’interesse scientifico attorno ai temi della traduzione non ha mai smesso di svilupparsi. Non solo per quegli aspetti che riguardano la traduzione come “genere” e quindi per le sue implicazioni prettamente letterarie, ma anche e soprattutto per i suoi connotati più ampiamente sociologici e culturali. Si è quindi sviluppato un crescente interesse per il ‘transfer letterario’ inteso come tentativo critico di reinterpretare la storia letteraria in una prospettiva transnazionale, di cui la traduzione è in tutti i suoi aspetti una privilegiata cartina al tornasole. È in questo contesto che si inserisce il presente volume, maturato all’interno del progetto di ricerca TRALYT. Translation and Lyrical Tradition between Italy and France (19th-21st Century), che raccoglie gli interventi di giovani studiose e studiosi sui temi della traduzione e dell’autotraduzione tra Italia e Francia dall’Ottocento ai giorni nostri. Con un approccio transdisciplinare, che spazia dalla teoria della traduzione all’analisi stilistica, dalla lettura delle dinamiche del mercato editoriale alla fenomenologia socio-culturale della traduzione, il volume ricostruisce la fitta rete degli scambi culturali tra Italia e Francia negli ultimi due secoli, adottando come prospettiva di studio privilegiata appunto quello della traduzione (e dell'autotraduzione) di testi poetici.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c858ce29044abf478db0da27a610cbb8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":79556932,"asset_id":69470758,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/79556932/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="69470758"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="69470758"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 69470758; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=69470758]").text(description); $(".js-view-count[data-work-id=69470758]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 69470758; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='69470758']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c858ce29044abf478db0da27a610cbb8" } } $('.js-work-strip[data-work-id=69470758]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":69470758,"title":"I gesti del mestiere. Traduzione e autotraduzione tra Italia e Francia dal XIX al XXI secolo, a cura di Jacopo Galavotti, Sara Giovine, Giacomo Morbiato","internal_url":"https://www.academia.edu/69470758/I_gesti_del_mestiere_Traduzione_e_autotraduzione_tra_Italia_e_Francia_dal_XIX_al_XXI_secolo_a_cura_di_Jacopo_Galavotti_Sara_Giovine_Giacomo_Morbiato","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":79556932,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/79556932/thumbnails/1.jpg","file_name":"Galavotti_Giovine_Morbiato_I_gesti_del_mestiere_2022_9788869382772.pdf","download_url":"https://www.academia.edu/attachments/79556932/download_file","bulk_download_file_name":"I_gesti_del_mestiere_Traduzione_e_autotr.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/79556932/Galavotti_Giovine_Morbiato_I_gesti_del_mestiere_2022_9788869382772-libre.pdf?1643192573=\u0026response-content-disposition=attachment%3B+filename%3DI_gesti_del_mestiere_Traduzione_e_autotr.pdf\u0026Expires=1740839713\u0026Signature=Alj~VKQtODBcA6TYY4IKhq0Mx9A8DVTyJewz59moSgR1aBZiN-ez80XAUGWOg86Fa2qcqOZRxUZuCKt8A03rqeNjFqsMsTkdnutVq~UXX22dBWvuLsvbfKoDF1NY5zxg8r3MzDzR3mKdSz~ikFgjgmdVNdeDPRCcXHqP34pp8wT-xY5J3XBgjLL-S7c2o5K3fkO~HGq5WKIZ5FSBZliAmGi74cQEx13GhHl8PUtXSPbM4O3xZ7McyISVEnQ0Bbn-5uQvXcUtDVcjwdmIlVl-BZibmrPeAwRkVH-tNp~dz1FHGYbPuFx7bqt~kjexvLA0DosEMC1GRu048T39WU8I~A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44636243"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44636243/Nuove_prospettive_sulla_terza_rima_Da_Dante_al_Duemila_a_cura_di_Laura_Facini_Jacopo_Galavotti_Arnaldo_Soldani_Giovanna_Zoccarato"><img alt="Research paper thumbnail of Nuove prospettive sulla terza rima. Da Dante al Duemila, a cura di Laura Facini, Jacopo Galavotti, Arnaldo Soldani, Giovanna Zoccarato" class="work-thumbnail" src="https://attachments.academia-assets.com/65106785/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44636243/Nuove_prospettive_sulla_terza_rima_Da_Dante_al_Duemila_a_cura_di_Laura_Facini_Jacopo_Galavotti_Arnaldo_Soldani_Giovanna_Zoccarato">Nuove prospettive sulla terza rima. Da Dante al Duemila, a cura di Laura Facini, Jacopo Galavotti, Arnaldo Soldani, Giovanna Zoccarato</a></div><div class="wp-workCard_item"><span>Padova, libreriauniversitaria.it, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Fin dalla sua nascita, la terza rima ha dimostrato un'eccezionale versatilità. La potente macchin...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Fin dalla sua nascita, la terza rima ha dimostrato un'eccezionale versatilità. La potente macchina della Commedia dantesca poggia anche sulla geniale invenzione di questo metro insieme aperto e chiuso, capace di accogliere tutti gli stili, di esaltare lirismo e dramma, narrazione e speculazione. Raramente progetti tanto ambiziosi si sono risolti in mezzi così efficaci, e non sorprende che nei secoli l'uso della terza rima sia stato continuo e intenso. Alternando letture puntuali del tessuto metrico-sintattico di singole opere a più vaste ricognizioni su momenti chiave nello sviluppo del metro, il volume ha l'obiettivo di mettere a fuoco la fortuna ininterrotta della terza rima lungo l'intero arco della letteratura italiana, da Dante ad Ariosto, da Boccaccio a Leopardi, da Chiabrera a Pascoli, per arrivare sino alla stretta contemporaneità.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b3c1cafc488a3a106e2a14b31ad28287" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65106785,"asset_id":44636243,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65106785/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44636243"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44636243"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44636243; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44636243]").text(description); $(".js-view-count[data-work-id=44636243]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44636243; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44636243']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b3c1cafc488a3a106e2a14b31ad28287" } } $('.js-work-strip[data-work-id=44636243]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44636243,"title":"Nuove prospettive sulla terza rima. Da Dante al Duemila, a cura di Laura Facini, Jacopo Galavotti, Arnaldo Soldani, Giovanna Zoccarato","internal_url":"https://www.academia.edu/44636243/Nuove_prospettive_sulla_terza_rima_Da_Dante_al_Duemila_a_cura_di_Laura_Facini_Jacopo_Galavotti_Arnaldo_Soldani_Giovanna_Zoccarato","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":65106785,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65106785/thumbnails/1.jpg","file_name":"Terza_rima_cvr_I_bozze.pdf","download_url":"https://www.academia.edu/attachments/65106785/download_file","bulk_download_file_name":"Nuove_prospettive_sulla_terza_rima_Da_Da.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65106785/Terza_rima_cvr_I_bozze-libre.pdf?1607103307=\u0026response-content-disposition=attachment%3B+filename%3DNuove_prospettive_sulla_terza_rima_Da_Da.pdf\u0026Expires=1740852079\u0026Signature=YSgH2eMpKpi9jiXzBoQqEdbqfQWf7j6iXDP-Wqys2sKamY6QNXQfwTOt6ERb~xePS-6V8PYSHa8BEX2TQbrNI-dJ8Y41RItwDi8WUH7rZf3bD1rzOlr9TaCJ~IpWgKpwDke2tPwYfm4Jg~QTSQTFvwLGUkhzgedL6-X6uzT4ur510vHUikuUavlU6hyEWENpF8YXQFvKGpK3BHCLifCSdLrHTbrZ7ze8eY1avdtu8DqIEupZcX25Gj~pssz3P4qfeqiaR1DgOyXJPG0AWliSZ1I7CvmawF3gNAJtwJvpaV2dIVfOVg8Io5~9j8SM~fjjPY-bMEd-gU2tkNEbgoJ1Bg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="39355679"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/39355679/L_ultimo_Umberto_Saba_poesie_e_prose_a_cura_di_Jacopo_Galavotti_Antonio_Girardi_Arnaldo_Soldani"><img alt="Research paper thumbnail of L’ultimo Umberto Saba: poesie e prose, a cura di Jacopo Galavotti, Antonio Girardi, Arnaldo Soldani" class="work-thumbnail" src="https://attachments.academia-assets.com/59497364/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/39355679/L_ultimo_Umberto_Saba_poesie_e_prose_a_cura_di_Jacopo_Galavotti_Antonio_Girardi_Arnaldo_Soldani">L’ultimo Umberto Saba: poesie e prose, a cura di Jacopo Galavotti, Antonio Girardi, Arnaldo Soldani</a></div><div class="wp-workCard_item"><span>Firenze, Società Editrice Fiorentina, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Nove saggi critici affrontano i versi e le prose dell'ultimo ventennio di attività di Umberto Sab...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Nove saggi critici affrontano i versi e le prose dell'ultimo ventennio di attività di Umberto Saba, misurandosi con la sua "vitalità inesauribile", la sua "singolarità quasi proverbiale di classico tanto incontestabile quanto irriducibile a ogni schematismo"</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e757c894e99d469174b6d58ff4515575" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59497364,"asset_id":39355679,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59497364/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39355679"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39355679"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39355679; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39355679]").text(description); $(".js-view-count[data-work-id=39355679]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39355679; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='39355679']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e757c894e99d469174b6d58ff4515575" } } $('.js-work-strip[data-work-id=39355679]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":39355679,"title":"L’ultimo Umberto Saba: poesie e prose, a cura di Jacopo Galavotti, Antonio Girardi, Arnaldo Soldani","internal_url":"https://www.academia.edu/39355679/L_ultimo_Umberto_Saba_poesie_e_prose_a_cura_di_Jacopo_Galavotti_Antonio_Girardi_Arnaldo_Soldani","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":59497364,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/59497364/thumbnails/1.jpg","file_name":"Saba_estratto_curatela_indice20190603-86307-1uf92wi.pdf","download_url":"https://www.academia.edu/attachments/59497364/download_file","bulk_download_file_name":"L_ultimo_Umberto_Saba_poesie_e_prose_a_c.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/59497364/Saba_estratto_curatela_indice20190603-86307-1uf92wi-libre.pdf?1559568393=\u0026response-content-disposition=attachment%3B+filename%3DL_ultimo_Umberto_Saba_poesie_e_prose_a_c.pdf\u0026Expires=1740852079\u0026Signature=cIaTtmcRPU80jwKJzN7Rh9oT0u7pdjqyOtsYBnLvBlXrvWziKK3YRfsCEC4rgL~F-KQFCp8lcsXZe0WBFV2QFcUkz4zI7nDoWW6qaFAzd~R76Wkus7X9O8RMRNrjF-y3I4SF9FeCYttXNkhB-biK1ErLdXivbV~HtXah~goJtn8o1BOKiAZJjrM6dw7cnc2YF929Mb22NA-FjUL0zeUSkwKc0hkAUD6Otr5fmoZjU5LTCpYtfeaZ8YjQ6vGErrRQt38t3tUrm4ahONaFli-49J30g5tmWxvSi7lMyO4FX-jrnLxrFu~6XVt0asdDxdM9lJdyse~v4by1FQN~6VUzCg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="101857934"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/101857934/Tracce_memorie_sintomi_La_citazione_tra_filologia_letteratura_e_linguistica_a_cura_di_Marco_Duranti_Jacopo_Galavotti_Marco_Magnani_Marco_Robecchi"><img alt="Research paper thumbnail of Tracce, memorie, sintomi. La citazione tra filologia, letteratura e linguistica, a cura di Marco Duranti, Jacopo Galavotti, Marco Magnani, Marco Robecchi" class="work-thumbnail" src="https://attachments.academia-assets.com/102282538/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/101857934/Tracce_memorie_sintomi_La_citazione_tra_filologia_letteratura_e_linguistica_a_cura_di_Marco_Duranti_Jacopo_Galavotti_Marco_Magnani_Marco_Robecchi">Tracce, memorie, sintomi. La citazione tra filologia, letteratura e linguistica, a cura di Marco Duranti, Jacopo Galavotti, Marco Magnani, Marco Robecchi</a></div><div class="wp-workCard_item"><span>Numero monografico di «Parole rubate. Rivista internazionale di studi sulla citazione», 19 (2019)</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Parole rubate. Rivista internazionale di studi sulla citazione è una rivista peer-reviewed con un...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Parole rubate. Rivista internazionale di studi sulla citazione è una rivista peer-reviewed con un profilo scientifico che fa riferimento all'area della letteratura, dell'arte, del cinema, della storia e delle scienze umane. È dedicata a un tema eminentemente interdisciplinare come la citazione, ovvero il reimpiego dei materiali (innanzitutto verbali, ma anche visivi e musicali) all'interno di un testo: appropriazione di un frammento e sua inserzione in altro sistema, a partire dalle strategie del classicismo fino alle pratiche di riscrittura del postmodernismo. La rivista intende occuparsi del fenomeno sia da un punto di vista teorico, sia da un punto di vista interpretativo e storico. I contributi possono essere scritti in francese, inglese, italiano, neerlandese, spagnolo, tedesco.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b5824a819b7e11e7da1ca478a43cd504" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102282538,"asset_id":101857934,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102282538/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="101857934"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="101857934"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 101857934; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=101857934]").text(description); $(".js-view-count[data-work-id=101857934]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 101857934; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='101857934']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b5824a819b7e11e7da1ca478a43cd504" } } $('.js-work-strip[data-work-id=101857934]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":101857934,"title":"Tracce, memorie, sintomi. La citazione tra filologia, letteratura e linguistica, a cura di Marco Duranti, Jacopo Galavotti, Marco Magnani, Marco Robecchi","internal_url":"https://www.academia.edu/101857934/Tracce_memorie_sintomi_La_citazione_tra_filologia_letteratura_e_linguistica_a_cura_di_Marco_Duranti_Jacopo_Galavotti_Marco_Magnani_Marco_Robecchi","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":102282538,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/102282538/thumbnails/1.jpg","file_name":"Duranti_Galavotti_Magnani_Robecchi_Parole_Rubate_Fascicolo19_Tracce_memorie_e_sintomi.pdf","download_url":"https://www.academia.edu/attachments/102282538/download_file","bulk_download_file_name":"Tracce_memorie_sintomi_La_citazione_tra.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/102282538/Duranti_Galavotti_Magnani_Robecchi_Parole_Rubate_Fascicolo19_Tracce_memorie_e_sintomi-libre.pdf?1684237773=\u0026response-content-disposition=attachment%3B+filename%3DTracce_memorie_sintomi_La_citazione_tra.pdf\u0026Expires=1740852079\u0026Signature=JpZ26sCReMGHhJzs31WR5-7tfjdYikqa42klpBOB1h8pL8-C~G335gdT2EmfFzC~HOxVZDnkqZeQQO39v3UIc~x~diXUc2o6N5lXAm7Nd7~2i8HF48X3mppE-uo0midToRpg0NdHtqRQR0ia~AeB3O~VBcCrBRJizl2ZNz4XkBW7Zuxmf41Q15PXHd3rktSPq9tzDKIH9zukTkfNQhM6-d7a4pot6Stdm73ZhrDi~FaAo1dxI6DIBrWCpYKlKiHMJYfgxAPM7rYG2wPNtkwIml42szo39jBp-0o3MvgVmIKjjqpy56H5t4es-K4NPsoQJh7VEEtv0yjOpkVSoArDUw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="profile--tab_heading_container js-section-heading" data-section="Saggi e articoli" id="Saggi e articoli"><h3 class="profile--tab_heading_container">Saggi e articoli by Jacopo Galavotti</h3></div><div class="js-work-strip profile--work_container" data-work-id="127689160"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/127689160/Reading_imitating_dismantling_exploring_four_ways_to_use_Petrarch"><img alt="Research paper thumbnail of Reading, imitating, dismantling, exploring: four ways to use Petrarch" class="work-thumbnail" src="https://attachments.academia-assets.com/121384762/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/127689160/Reading_imitating_dismantling_exploring_four_ways_to_use_Petrarch">Reading, imitating, dismantling, exploring: four ways to use Petrarch</a></div><div class="wp-workCard_item"><span>Petrarchism. Competing Models for Early Modern Community Building (1400-1700), edited by Bernhard Huss, Heidelberg, Winter, 2025, pp. 17-29</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Four Ways to Use Petrarch […] nam mixta duorum Corpora iunguntur faciesque inducitur illis Vna, u...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Four Ways to Use Petrarch […] nam mixta duorum Corpora iunguntur faciesque inducitur illis Vna, uelut, siquis conducat cortice ramos, Crescendo iungi pariterque adolescere cernit. 29 Venier's adaptation of this verse is surprisingly similar to the version of Metamorphoses 4, 375 provided by Giovanni Andrea dell'Anguillara (4, 286, 7f.-287, 1-4), who composed his translation during the Fifties, but published it in its entirety only in 1561: Son due, ma non però fanno una coppia, ma in un corpo comun la forma è doppia. Così ramo con ramo ancor s'innesta, e poi che ben s'è unito, e alquanto alzato, così conforme l'uno a l'altro resta, che par che 'l ramo sia nel tronco nato. 30</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8db812f6fce8edbf81f3fabf67b329ba" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":121384762,"asset_id":127689160,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/121384762/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127689160"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127689160"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127689160; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=127689160]").text(description); $(".js-view-count[data-work-id=127689160]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 127689160; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='127689160']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8db812f6fce8edbf81f3fabf67b329ba" } } $('.js-work-strip[data-work-id=127689160]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":127689160,"title":"Reading, imitating, dismantling, exploring: four ways to use Petrarch","internal_url":"https://www.academia.edu/127689160/Reading_imitating_dismantling_exploring_four_ways_to_use_Petrarch","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":121384762,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/121384762/thumbnails/1.jpg","file_name":"Galavotti_2025_Four_ways_to_use_Petrarch.pdf","download_url":"https://www.academia.edu/attachments/121384762/download_file","bulk_download_file_name":"Reading_imitating_dismantling_exploring.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/121384762/Galavotti_2025_Four_ways_to_use_Petrarch-libre.pdf?1739719052=\u0026response-content-disposition=attachment%3B+filename%3DReading_imitating_dismantling_exploring.pdf\u0026Expires=1740852079\u0026Signature=ElCP8sa4OCpsngiLprLTper~n2R3TfGxK~gfHf1Tc49pYFUUrr79D8~WsNCfzZqvr8~S2AnDJXN9~6igHkPKcECIxp0IMnks0TZ8~BikaftkG~oL2O6DvIWRl0EOYzOH7giJV5hDKUB5hfxGz4i61tw5gnamCEuUPhKCshKxIE78M5xsH4rqf3sCNV2RIY5b91Y48GQUFwYdC-Rz44TF9KVshnt0LsBijI8kzIghjUTBixcP0LEFWev-2wOE3LYjlW9EvKOGXAN7CSVybbdaqAYdx51M-1GpJtxo3801vx8MWq7GyUOqPBrA8ar~uQHVWqm5BjCsz5FhT8qoqu2~Wg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="108812459"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/108812459/Alcune_novit%C3%A0_sul_Resoconto_amministrativo_della_prima_spedizione_in_Sicilia_di_Ippolito_Nievo"><img alt="Research paper thumbnail of Alcune novità sul Resoconto amministrativo della prima spedizione in Sicilia di Ippolito Nievo" class="work-thumbnail" src="https://attachments.academia-assets.com/107103713/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108812459/Alcune_novit%C3%A0_sul_Resoconto_amministrativo_della_prima_spedizione_in_Sicilia_di_Ippolito_Nievo">Alcune novità sul Resoconto amministrativo della prima spedizione in Sicilia di Ippolito Nievo</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Ippolito Nievo tra i Mille. Il racconto di un’impresa, a cura di Jacopo Galavotti, Andrea Piasent...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Ippolito Nievo tra i Mille. Il racconto di un’impresa, a cura di Jacopo Galavotti, Andrea Piasentini, Alessandra Zangrandi, Firenze, Cesati, 2023, pp. 19-30</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8aae306ed7039314b594012cbb489f11" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":107103713,"asset_id":108812459,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/107103713/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108812459"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108812459"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108812459; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=108812459]").text(description); $(".js-view-count[data-work-id=108812459]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 108812459; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='108812459']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8aae306ed7039314b594012cbb489f11" } } $('.js-work-strip[data-work-id=108812459]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108812459,"title":"Alcune novità sul Resoconto amministrativo della prima spedizione in Sicilia di Ippolito Nievo","internal_url":"https://www.academia.edu/108812459/Alcune_novit%C3%A0_sul_Resoconto_amministrativo_della_prima_spedizione_in_Sicilia_di_Ippolito_Nievo","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":107103713,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/107103713/thumbnails/1.jpg","file_name":"anteprimaGalavotti_2023_Alcune_novita_sul_Resoconto_amministrativo.pdf","download_url":"https://www.academia.edu/attachments/107103713/download_file","bulk_download_file_name":"Alcune_novita_sul_Resoconto_amministrati.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/107103713/anteprimaGalavotti_2023_Alcune_novita_sul_Resoconto_amministrativo-libre.pdf?1698928430=\u0026response-content-disposition=attachment%3B+filename%3DAlcune_novita_sul_Resoconto_amministrati.pdf\u0026Expires=1740852079\u0026Signature=NCP6OMNgtk8cKO95zdwurkwqOH2b5OZovn31OM93EZ9hDqGVUYBa18GDkh5grEorB9TOnQXg3mwPSMIO~phTnZWvi83DAxoxZsWz6BFcs7I3qSU6TFECP8-4b4N4DJ9uiueLvFUZK0vKD-nWDl6vskQ4NdmA52nTlYHIokPoKxXozhCTDCaVy9QSR8l09F8nJaiKwCh5EUrGJRmttYPYiYJvm0uJVfZgUFnaDLkrpJ0k~ZlxtuQL2u7jpyGBtmRmVmvqY8z~XkmwLQmQ5sPIYjZaAyHaAyVZajVOPq-8QzeoBzmLmxoV0~Od9ShrfQ-IRkRjz~ecmbNhCEoc34VSYA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="107405693"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/107405693/Considerazioni_retoriche_e_metriche_su_un_canzonieretto_inedito_di_Gabriele_Fiamma"><img alt="Research paper thumbnail of Considerazioni retoriche e metriche su un canzonieretto inedito di Gabriele Fiamma" class="work-thumbnail" src="https://attachments.academia-assets.com/106080822/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/107405693/Considerazioni_retoriche_e_metriche_su_un_canzonieretto_inedito_di_Gabriele_Fiamma">Considerazioni retoriche e metriche su un canzonieretto inedito di Gabriele Fiamma</a></div><div class="wp-workCard_item"><span>«Stilistica e metrica italiana», XXIII (2023), pp. 175-94</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="96f327268837a5cca44e63904afb9a79" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106080822,"asset_id":107405693,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106080822/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="107405693"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="107405693"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 107405693; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=107405693]").text(description); $(".js-view-count[data-work-id=107405693]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 107405693; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='107405693']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "96f327268837a5cca44e63904afb9a79" } } $('.js-work-strip[data-work-id=107405693]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":107405693,"title":"Considerazioni retoriche e metriche su un canzonieretto inedito di Gabriele Fiamma","internal_url":"https://www.academia.edu/107405693/Considerazioni_retoriche_e_metriche_su_un_canzonieretto_inedito_di_Gabriele_Fiamma","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":106080822,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/106080822/thumbnails/1.jpg","file_name":"08_GALAVOTTI_abstract.pdf","download_url":"https://www.academia.edu/attachments/106080822/download_file","bulk_download_file_name":"Considerazioni_retoriche_e_metriche_su_u.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/106080822/08_GALAVOTTI_abstract-libre.pdf?1696074865=\u0026response-content-disposition=attachment%3B+filename%3DConsiderazioni_retoriche_e_metriche_su_u.pdf\u0026Expires=1740839713\u0026Signature=JCQmGiGZ2kqLhrThSNcJuhaN0X7MBJYGDPJXvLeWr-vadPWcYjTYJpL1VFoNbSVbvCkAisgg8K5uj4RsGMUh96nQkVfd3lTG148NQL7Mk~HTyR~wVI79HM2jrnokFArHkXVP5Qjh3lxYwZINH5mz6PwmN97CMytQnA4RTmR6Y4Fn~MlabcmJi1GiJWbEPXfTGHjZip0flzuGUQXXLhgUahTbNEOUUrk~OmbWWdX7RaPoUoqr-PdX8y8DrstRHegvFmNmfHZvWI-Kbk7RMwKWo2fghQhLEGt3RQhlo7nDJrcKD6zYRjYbpHCy9rulnFV4-VCBI9emyClbzKiqeIXWYA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="104263338"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/104263338/_Un_segno_verso_l_impossibile_schede_per_Ligabue_di_Cesare_Zavattini"><img alt="Research paper thumbnail of «Un segno verso l’impossibile»: schede per Ligabue di Cesare Zavattini" class="work-thumbnail" src="https://attachments.academia-assets.com/104496765/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/104263338/_Un_segno_verso_l_impossibile_schede_per_Ligabue_di_Cesare_Zavattini">«Un segno verso l’impossibile»: schede per Ligabue di Cesare Zavattini</a></div><div class="wp-workCard_item"><span>Sovrimpressioni e intersezioni. Tra generi, intermedialità e transmedialità, a cura di Federica Barboni, Fatima El Matouni, Giulia Perosa, Padova, libreriauniversitaria.it, 2023, pp. 107-21</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6582dcc14cda1d93964662dc52360294" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":104496765,"asset_id":104263338,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/104496765/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="104263338"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="104263338"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 104263338; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=104263338]").text(description); $(".js-view-count[data-work-id=104263338]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 104263338; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='104263338']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6582dcc14cda1d93964662dc52360294" } } $('.js-work-strip[data-work-id=104263338]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":104263338,"title":"«Un segno verso l’impossibile»: schede per Ligabue di Cesare Zavattini","internal_url":"https://www.academia.edu/104263338/_Un_segno_verso_l_impossibile_schede_per_Ligabue_di_Cesare_Zavattini","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":104496765,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/104496765/thumbnails/1.jpg","file_name":"Galavotti_2023_Schede_per_Ligabue_di_Zavattini_abstract.pdf","download_url":"https://www.academia.edu/attachments/104496765/download_file","bulk_download_file_name":"Un_segno_verso_l_impossibile_schede_per.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/104496765/Galavotti_2023_Schede_per_Ligabue_di_Zavattini_abstract-libre.pdf?1690217032=\u0026response-content-disposition=attachment%3B+filename%3DUn_segno_verso_l_impossibile_schede_per.pdf\u0026Expires=1740839713\u0026Signature=dHKAyvzH72nidnYh3Jc~IFMeSj2ipHg7kAHVFTRKdUZF6X58e7H~oajoUzFlBqCsKCEDC54-m9IznBGE0IQUpx98EmhLCXg~kyKp0bV28F3qRkvCRWjnirvPWFJ5nWhksdl27M~ynZFrC3Q18kaHjul6-OfWxQ0af2hvxlcMHUP0lBUmfYzQUGJyxTTT30IICdpx7F4K9zoc-FEN9k7oYx55UH-GjH12vZuFITdbAj61gWdRZ9ClpMzDABZiyMB~Q83jSzAKXzd3q3JLvgdu8iri-PTgLbgrCtRajKXm~DDwrlUkmSMj1YhFiTnINmZ4ZLoeLoDiFK3EXaTZ7sOM1Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="103317860"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/103317860/Tracce_goethiane_nella_prefazione_del_Canzoniere_1921_di_Umberto_Saba"><img alt="Research paper thumbnail of Tracce goethiane nella prefazione del Canzoniere (1921) di Umberto Saba" class="work-thumbnail" src="https://attachments.academia-assets.com/103357218/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/103317860/Tracce_goethiane_nella_prefazione_del_Canzoniere_1921_di_Umberto_Saba">Tracce goethiane nella prefazione del Canzoniere (1921) di Umberto Saba</a></div><div class="wp-workCard_item"><span>Assenze e persistenze. Opacità intertestuali nella letteratura italiana, a cura di Noemi Nagy, Lies Verbaere, Raffaele Vitolo, Alessandria, Edizioni dell’Orso, 2023, pp. 165-81</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il saggio individua la presenza di una trama di citazioni dall’introduzione dell’autobiografia di...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il saggio individua la presenza di una trama di citazioni dall’introduzione dell’autobiografia di Goethe, letta in una traduzione di fine Ottocento, nella prefazione al primo Canzoniere (1921) di Umberto Saba. A partire da questo indizio vengono ripercorse le esplicite menzioni di Goethe e della sua opera nelle prose e nelle poesie di Saba, mentre l’ultima parte è dedicata al tentativo di risalire alle possibili traduzioni italiane delle poesie di Goethe che Saba poteva avere a sua disposizione. Le occasionali tangenze tra le poesie di Saba e le traduzioni italiane di Goethe lirico non paiono così stringenti quanto quelle con il Goethe autobiografo, che si rivela dunque un importante punto di riferimento critico e umano prima che poetico, e una guida sicura per la descrizione del lavoro di allestimento del Canzoniere.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4054e42123de9efdd594bdd459a4cc9a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":103357218,"asset_id":103317860,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/103357218/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="103317860"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="103317860"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 103317860; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=103317860]").text(description); $(".js-view-count[data-work-id=103317860]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 103317860; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='103317860']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4054e42123de9efdd594bdd459a4cc9a" } } $('.js-work-strip[data-work-id=103317860]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":103317860,"title":"Tracce goethiane nella prefazione del Canzoniere (1921) di Umberto Saba","internal_url":"https://www.academia.edu/103317860/Tracce_goethiane_nella_prefazione_del_Canzoniere_1921_di_Umberto_Saba","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":103357218,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/103357218/thumbnails/1.jpg","file_name":"A_P_2a_bozza_177.pdf","download_url":"https://www.academia.edu/attachments/103357218/download_file","bulk_download_file_name":"Tracce_goethiane_nella_prefazione_del_Ca.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/103357218/A_P_2a_bozza_177-libre.pdf?1686723408=\u0026response-content-disposition=attachment%3B+filename%3DTracce_goethiane_nella_prefazione_del_Ca.pdf\u0026Expires=1740852079\u0026Signature=c8-ztlqsfx64IITezz8qgtT~bd~GsrzyCDN4EsnaNEEXoMw-xepVLwYYD3c6y2zk4IwVgkp~8D5YJJiNT4xIN18OEYHvK-mSnNvH2DYBdV0VMcYatC2k~rjqzYCHOvCH1CXPG3Psk6BX6NCwRUhhtxWejz8gPCK~9CUL2QPBguBhOSGZpRQpXyTjECbHFeqdiqHLG2MRJReUca4LkSUMHQgm~S7OUz7G67056YwrDMDMpjDV~iILHqu4akEhCnxgGNTH3OXge~MM8Rgn960Ek90fFRrSN86j~7nV3KiXo06etMJMccDe4rc1ZFnO8Dc~Hn2DbOfBmjRwDxfWI1ti0A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="88075402"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/88075402/_Signor_Generale_Due_inediti_di_Nievo_garibaldino"><img alt="Research paper thumbnail of «Signor Generale!». Due inediti di Nievo garibaldino" class="work-thumbnail" src="https://attachments.academia-assets.com/92122942/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/88075402/_Signor_Generale_Due_inediti_di_Nievo_garibaldino">«Signor Generale!». Due inediti di Nievo garibaldino</a></div><div class="wp-workCard_item"><span>«Giornale storico della letteratura italiana», CXCIX (2022), 667, pp. 418-46</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b43ffead50ba98400a66216e17ee6b02" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":92122942,"asset_id":88075402,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/92122942/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="88075402"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="88075402"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 88075402; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=88075402]").text(description); $(".js-view-count[data-work-id=88075402]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 88075402; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='88075402']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b43ffead50ba98400a66216e17ee6b02" } } $('.js-work-strip[data-work-id=88075402]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":88075402,"title":"«Signor Generale!». Due inediti di Nievo garibaldino","internal_url":"https://www.academia.edu/88075402/_Signor_Generale_Due_inediti_di_Nievo_garibaldino","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":92122942,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/92122942/thumbnails/1.jpg","file_name":"Galavotti_2022_Abstract.pdf","download_url":"https://www.academia.edu/attachments/92122942/download_file","bulk_download_file_name":"Signor_Generale_Due_inediti_di_Nievo_ga.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/92122942/Galavotti_2022_Abstract-libre.pdf?1665161455=\u0026response-content-disposition=attachment%3B+filename%3DSignor_Generale_Due_inediti_di_Nievo_ga.pdf\u0026Expires=1740852079\u0026Signature=czRuAddO9wpKQSM1k5N79qB5Z2~t-cCrdNd6ZvvroJRH4w1i7QKuF~EGeM8iWorhEzhy4lvAMvWNTMqqmLWjh54nMkS0fnAVJVLfNbkJogDQqmWEyovZR68YPpT6ZjGSVNLTRicYaLwK39bHevWyj2o1YL3c-K-Pw2rbj7PIg8Prg5nuggliB91nOqINunIewg97awtDxJsSs-CrHJ2fgt9Nz6-Dhh1hV5ZdXyFiafioDn6gSahJ1e1YDp6whV03eefy~qYY~mHZFg7P10Ftu7vRjWZohERmKC25LbXHBYRt1o8thS-rPMuiXtJ~tx~b88OPL7HaatwURjC2NPxu4w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="10987983" id="libri"><div class="js-work-strip profile--work_container" data-work-id="111341808"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/111341808/Il_gioco_e_la_morte_Forme_della_poesia_a_Venezia_nel_Cinquecento"><img alt="Research paper thumbnail of Il gioco e la morte. Forme della poesia a Venezia nel Cinquecento" class="work-thumbnail" src="https://attachments.academia-assets.com/108909439/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/111341808/Il_gioco_e_la_morte_Forme_della_poesia_a_Venezia_nel_Cinquecento">Il gioco e la morte. Forme della poesia a Venezia nel Cinquecento</a></div><div class="wp-workCard_item"><span>Berlino, Freie Universität Berlin – Italienzentrum, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il volume raccoglie quattro studi relativi ad altrettanti poeti di area veneziana attivi nella se...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il volume raccoglie quattro studi relativi ad altrettanti poeti di area veneziana attivi nella seconda metà del Cinquecento. Il primo analizza la tradizione a stampa e manoscritta delle Rime spirituali di Gabriele Fiamma, offrendo il testo critico delle rime disperse. Il secondo studio indaga il significato dell'hapax "selvaghesco" utilizzato da Veronica Franco in un capitolo indirizzato a Maffio Venier. Il terzo ampio saggio offre un repertorio delle figure artificiose utilizzate nella poesia lirica di Luigi Groto, e un’analisi della sua produzione alla luce delle definizioni correnti di Manierismo. L'ultimo contributo è un attraversamento delle figure dell'enfasi e dell'ordine delle parole nelle Rime di Celio Magno, anche in relazione alla costruzione del macrotesto. Attraverso lo studio di quattro autori esemplari, realizzato incrociando stilistica, filologia, storia della lingua e storia della letteratura, il libro mette a fuoco alcuni aspetti rilevanti della lirica del tardo Cinquecento.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="42e24b44d7ea0e817fe150f601bb1593" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":108909439,"asset_id":111341808,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/108909439/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="111341808"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="111341808"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 111341808; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=111341808]").text(description); $(".js-view-count[data-work-id=111341808]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 111341808; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='111341808']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "42e24b44d7ea0e817fe150f601bb1593" } } $('.js-work-strip[data-work-id=111341808]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":111341808,"title":"Il gioco e la morte. Forme della poesia a Venezia nel Cinquecento","internal_url":"https://www.academia.edu/111341808/Il_gioco_e_la_morte_Forme_della_poesia_a_Venezia_nel_Cinquecento","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":108909439,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/108909439/thumbnails/1.jpg","file_name":"Galavotti_2023_Il_gioco_e_la_morte_Schriften_des_Italienzentrums_Bd._11_.pdf","download_url":"https://www.academia.edu/attachments/108909439/download_file","bulk_download_file_name":"Il_gioco_e_la_morte_Forme_della_poesia_a.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/108909439/Galavotti_2023_Il_gioco_e_la_morte_Schriften_des_Italienzentrums_Bd._11_-libre.pdf?1702487172=\u0026response-content-disposition=attachment%3B+filename%3DIl_gioco_e_la_morte_Forme_della_poesia_a.pdf\u0026Expires=1740852079\u0026Signature=I-qrcpLfIXR17pBdiAuh6FPjWBTz3gvWLEwSAvpQmu4C1WpJs9PgP1ZXZ7QmkATMQyANLBtzidlATVQN69UpYicE1ADBKaqQ9tmVOTdnMJOkMQtnqpcqHBP7sBJ67Giy5fmh1BCjeOIZ0h1Hw4Xx-VlF2h82nrnQPC1M~ilcVJqRkmktCN6IZ1V7MHWx1AsR15~eQKH2VajQGDgSPRw~5r~Pj1sRvhegFSFkftmFce2wpjtpRuNIeg1XwagyTpJSRPTQvI2ei3Yhz4lMmOpVB5DN41VknWezmwZDAv9MN8iK9N3J6EykD~QEfVoFvabICNVKKY7IMj8Plioq7Y8saQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="104263123"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/104263123/Il_celato_ostentare_Su_Umberto_Saba_e_altri_poeti_del_Novecento"><img alt="Research paper thumbnail of Il celato ostentare. Su Umberto Saba e altri poeti del Novecento" class="work-thumbnail" src="https://attachments.academia-assets.com/104039897/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/104263123/Il_celato_ostentare_Su_Umberto_Saba_e_altri_poeti_del_Novecento">Il celato ostentare. Su Umberto Saba e altri poeti del Novecento</a></div><div class="wp-workCard_item"><span>Padova, libreriauniversitaria.it, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Umberto Saba è un poeta abile a nascondere in piena vista, tanto che già sulla soglia della prima...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Umberto Saba è un poeta abile a nascondere in piena vista, tanto che già sulla soglia della prima edizione della sua opera maggiore siamo sviati dai suoi depistaggi e dalle sue ricostruzioni tendenziose. I saggi qui inclusi, unendo filologia d'autore, critica stilistica e intertestualità, indagano la presenza di Goethe, di Dante e di Petrarca nel Canzoniere del 1921, lo sviluppo della raccolta Casa e campagna in relazione al complesso rapporto di Saba con la propria vita famigliare, la tormentata rappresentazione dell'esperienza della prima guerra mondiale, l'incrocio tra i versi di un'opera lirica e l'immaginario psicanalitico in un testo degli anni Trenta. Completano il volume tre studi su altrettante opere di Corrado Costa, Cesare Zavattini e Sandro Penna, tesi a riconoscere nel testo poetico una stratificazione di voci, discorsi e citazioni.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0c636e773e5a042c1201480aac569624" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":104039897,"asset_id":104263123,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/104039897/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="104263123"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="104263123"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 104263123; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=104263123]").text(description); $(".js-view-count[data-work-id=104263123]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 104263123; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='104263123']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0c636e773e5a042c1201480aac569624" } } $('.js-work-strip[data-work-id=104263123]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":104263123,"title":"Il celato ostentare. Su Umberto Saba e altri poeti del Novecento","internal_url":"https://www.academia.edu/104263123/Il_celato_ostentare_Su_Umberto_Saba_e_altri_poeti_del_Novecento","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":104039897,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/104039897/thumbnails/1.jpg","file_name":"Galavotti_2023_Il_celato_ostentare_cover_e_indice.pdf","download_url":"https://www.academia.edu/attachments/104039897/download_file","bulk_download_file_name":"Il_celato_ostentare_Su_Umberto_Saba_e_al.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/104039897/Galavotti_2023_Il_celato_ostentare_cover_e_indice-libre.pdf?1688569422=\u0026response-content-disposition=attachment%3B+filename%3DIl_celato_ostentare_Su_Umberto_Saba_e_al.pdf\u0026Expires=1740852079\u0026Signature=DVV05pbjnm70WcbU29ejeHVWFahZh~QaTMfyQjUUQk2T7IV7fs6VQY0ULop5sbB35vnlXBUb97WISIksT2fvK0QmR1kpaMiWRNPLoi6zcVlY66k3nfIpocJGR3WXSlftQ9QeURgn1XYfWgLS8ud6X6ACGqFgXvkl67OBWlzMY5PE8LokaYD9ta-NbMLRy3HCrzOlmgGcMuXWsceRcucHwoLIJLSD5F0MHJgZ~cmD5iRqPr742KJahL~RVa34cPujo3quCoyMm-82Pd0L7RRLuPrwuVCP9blHDY2tUhVc38YtBirJyH65Zgt9-AWitCwGUHomCfwhrKQh~PSfI7I0Dw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="48864186"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/48864186/_Spento_era_il_gran_Bembo_Metrica_e_sintassi_nei_lirici_veneziani_del_secondo_Cinquecento"><img alt="Research paper thumbnail of «Spento era il gran Bembo». Metrica e sintassi nei lirici veneziani del secondo Cinquecento" class="work-thumbnail" src="https://attachments.academia-assets.com/67276868/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/48864186/_Spento_era_il_gran_Bembo_Metrica_e_sintassi_nei_lirici_veneziani_del_secondo_Cinquecento">«Spento era il gran Bembo». Metrica e sintassi nei lirici veneziani del secondo Cinquecento</a></div><div class="wp-workCard_item"><span>Alessandria, Edizioni dell'Orso, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Alla morte di Pietro Bembo, nel 1547, il petrarchismo domina solidamente la produzione lirica ita...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Alla morte di Pietro Bembo, nel 1547, il petrarchismo domina solidamente la produzione lirica italiana. Ma quel panorama di così lampante uniformità di scelte linguistiche, formali e tematiche appare, a uno sguardo più ravvicinato, disomogeneo, sfrangiato, plurale. Alla luce di questa dialettica tra ripetizione e innovazione, ossequio e tradimento, questo studio si concentra sulla poesia di sette autori attivi in area veneziana nel secondo Cinquecento (Girolamo Molin, Domenico Venier — suo il verso che dà il titolo al libro — Giacomo Zane, Gabriele Fiamma, Celio Magno, Orsatto Giustinian, Luigi Groto), indagandone in modo sistematico il trattamento sintattico delle forme metriche, con un metodo d’analisi, sperimentato in numerosi studi recenti di stilistica, che ambisce a individuare con chiarezza — da questo privilegiato punto d’osservazione — il rapporto tra contemporanei e con la tradizione, anche attraverso confronti quantitativi che trovano una particolare motivazione nella natura relazionale del petrarchismo come fenomeno sociale oltre che letterario.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="353e55bbd7f299dd36b151a3d4f6437b" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67276868,"asset_id":48864186,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67276868/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="48864186"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="48864186"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 48864186; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=48864186]").text(description); $(".js-view-count[data-work-id=48864186]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 48864186; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='48864186']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "353e55bbd7f299dd36b151a3d4f6437b" } } $('.js-work-strip[data-work-id=48864186]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":48864186,"title":"«Spento era il gran Bembo». Metrica e sintassi nei lirici veneziani del secondo Cinquecento","internal_url":"https://www.academia.edu/48864186/_Spento_era_il_gran_Bembo_Metrica_e_sintassi_nei_lirici_veneziani_del_secondo_Cinquecento","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":67276868,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/67276868/thumbnails/1.jpg","file_name":"Galavotti_1_6.pdf","download_url":"https://www.academia.edu/attachments/67276868/download_file","bulk_download_file_name":"Spento_era_il_gran_Bembo_Metrica_e_sint.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/67276868/Galavotti_1_6-libre.pdf?1620635402=\u0026response-content-disposition=attachment%3B+filename%3DSpento_era_il_gran_Bembo_Metrica_e_sint.pdf\u0026Expires=1740852079\u0026Signature=cDxehthYCN3PfaM2XzHbPWGGhbfpIZIi28CHOhPxUA7gn8rzvRBDIgsx7PHmP3Ri4XKrLUcvqA42PfsNJlpmRw3bqeiq7ebB6sZ~iFK5rqbPTiztw2JXfCksr907KQbIirY1zm8rFSZHT3sFt8egUy3IZkoaNj4fnks0twCDoC4ryIKGtXs2UZVyZ74zk1nDiSdZa0Jonhs6VPLrQr2vOpXEWEXygRpCkPPjHC2aB4GNkKuZM9fv7LpFjU2bXbeGOjScZusSLiIeyjH8iXi2JT5jksdon6eLDGlcDi~-CgYXxjlY11HTXMQmYR--4fUSN~nCfkPmXi43Hk6fLk9A7A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="45649298"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/45649298/Jacopo_Galavotti_Giacomo_Morbiato_Una_sola_digressione_ininterrotta_Cosimo_Ortesta_poeta_e_traduttore"><img alt="Research paper thumbnail of Jacopo Galavotti, Giacomo Morbiato, Una sola digressione ininterrotta. Cosimo Ortesta poeta e traduttore" class="work-thumbnail" src="https://attachments.academia-assets.com/66147222/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/45649298/Jacopo_Galavotti_Giacomo_Morbiato_Una_sola_digressione_ininterrotta_Cosimo_Ortesta_poeta_e_traduttore">Jacopo Galavotti, Giacomo Morbiato, Una sola digressione ininterrotta. Cosimo Ortesta poeta e traduttore</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://univr.academia.edu/GiacomoMorbiato">Giacomo Morbiato</a></span></div><div class="wp-workCard_item"><span>Padova, Padova University Press, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Cosimo Ortesta (1939-2019) è stato poeta, traduttore e critico letterario, pubblicando sei libri ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Cosimo Ortesta (1939-2019) è stato poeta, traduttore e critico letterario, pubblicando sei libri di poesia dal 1980 al 2006 e numerose traduzioni dal francese, in particolare da Mallarmé, Rimbaud e Baudelaire. Questo volume ne presenta entrambi i versanti dell’opera, ripercorrendo, attraverso l’indagine sui testi, l’itinerario di una figura appartata ma non marginale, devota a un’idea etica di forma, saldamente insediata nel solco della modernità poetica italiana ed europea.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1496e12572542e6608484922dd893238" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":66147222,"asset_id":45649298,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/66147222/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="45649298"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="45649298"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 45649298; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=45649298]").text(description); $(".js-view-count[data-work-id=45649298]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 45649298; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='45649298']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1496e12572542e6608484922dd893238" } } $('.js-work-strip[data-work-id=45649298]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":45649298,"title":"Jacopo Galavotti, Giacomo Morbiato, Una sola digressione ininterrotta. Cosimo Ortesta poeta e traduttore","internal_url":"https://www.academia.edu/45649298/Jacopo_Galavotti_Giacomo_Morbiato_Una_sola_digressione_ininterrotta_Cosimo_Ortesta_poeta_e_traduttore","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":66147222,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/66147222/thumbnails/1.jpg","file_name":"Galavotti_Morbiato_Una_sola_digressione_ininterrotta_Cosimo_Ortesta_poeta_e_traduttore_2021_ISBN_9788869382123_.pdf","download_url":"https://www.academia.edu/attachments/66147222/download_file","bulk_download_file_name":"Jacopo_Galavotti_Giacomo_Morbiato_Una_so.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/66147222/Galavotti_Morbiato_Una_sola_digressione_ininterrotta_Cosimo_Ortesta_poeta_e_traduttore_2021_ISBN_9788869382123_-libre.pdf?1617185120=\u0026response-content-disposition=attachment%3B+filename%3DJacopo_Galavotti_Giacomo_Morbiato_Una_so.pdf\u0026Expires=1740850978\u0026Signature=HPbo1KQo7~KyvHzmUFFwMA~sxX4W5kk3ugHqYgJct-M9pkCfLzbWwlp2~KgF7QLtDo7QEjKGAW2w958Ics086YFGYIAh78WHeiIiiOdqDFyOTujOHMTRtAyS2BHcPXotkWuOs9pDf1yH9XtD7NgYfLa-zlwboWgt6yKLWhfFkZ-7gIaQIidkR0D-g8zhZ4Nzjrq3L4IXbRLltAeXXgk2Uf92jEIeEP6SZygSpgaqYhdIiqkw5YARx5blIbDhOyGxqsh9O9RzCVis6WY8Cm6HqxDp64cdl8MdSg3eXGgTeBJcPbI980zBY27UfLP3gadjcsKC6x3XLb79Yc8YKJqtHA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="19120646" id="manualiuniversitari"><div class="js-work-strip profile--work_container" data-work-id="113648391"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/113648391/Paolo_Giovannetti_Gianfranca_Lavezzi_Jacopo_Galavotti_Che_cos_%C3%A8_la_metrica_italiana_contemporanea"><img alt="Research paper thumbnail of Paolo Giovannetti, Gianfranca Lavezzi, Jacopo Galavotti, Che cos’è la metrica italiana contemporanea" class="work-thumbnail" src="https://attachments.academia-assets.com/110554206/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/113648391/Paolo_Giovannetti_Gianfranca_Lavezzi_Jacopo_Galavotti_Che_cos_%C3%A8_la_metrica_italiana_contemporanea">Paolo Giovannetti, Gianfranca Lavezzi, Jacopo Galavotti, Che cos’è la metrica italiana contemporanea</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unipv.academia.edu/GianfrancaLavezzi">Gianfranca Lavezzi</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a></span></div><div class="wp-workCard_item"><span>Roma, Carocci, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il volume offre un’introduzione agile e rigorosa alla metrica della poesia italiana contemporanea...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il volume offre un’introduzione agile e rigorosa alla metrica della poesia italiana contemporanea. Dopo lo studio dei padri della modernità poetica (Leopardi, Carducci, D’Annunzio e Pascoli), si affrontano nella loro autonomia le molteplici declinazioni del verso libero, riconoscendo la forte discontinuità che lo separa dalla metrica tradizionale. Vengono inoltre indagate le riprese delle forme tradizionali sullo sfondo della nuova libertà metrica e l’apparente paradosso della poesia in prosa. Una guida preziosa per capire com’è fatta la poesia italiana del Novecento e di oggi.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4913a7aedc79038cccba410c3cbfe423" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110554206,"asset_id":113648391,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110554206/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="113648391"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="113648391"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 113648391; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=113648391]").text(description); $(".js-view-count[data-work-id=113648391]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 113648391; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='113648391']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4913a7aedc79038cccba410c3cbfe423" } } $('.js-work-strip[data-work-id=113648391]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":113648391,"title":"Paolo Giovannetti, Gianfranca Lavezzi, Jacopo Galavotti, Che cos’è la metrica italiana contemporanea","internal_url":"https://www.academia.edu/113648391/Paolo_Giovannetti_Gianfranca_Lavezzi_Jacopo_Galavotti_Che_cos_%C3%A8_la_metrica_italiana_contemporanea","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":110554206,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/110554206/thumbnails/1.jpg","file_name":"9788829022243.pdf","download_url":"https://www.academia.edu/attachments/110554206/download_file","bulk_download_file_name":"Paolo_Giovannetti_Gianfranca_Lavezzi_Jac.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/110554206/9788829022243-libre.pdf?1705515373=\u0026response-content-disposition=attachment%3B+filename%3DPaolo_Giovannetti_Gianfranca_Lavezzi_Jac.pdf\u0026Expires=1740852079\u0026Signature=C9lvwBh25OrnRJyNBauRU1eOSmo5HQDvzCnMlcRIMxERlA7lWZI7BSxSuD2f1RAP-upzSf-G2FzdvvfOYO5Ql66IzRHdmjoADWI1Yl922GY7rL9wHvgWmDx9bM23JYgkG916AMZLeMesULhbOxOSP5hzKCZjUy7Rm2myP~GtLMP2N7T9tNa6OpS15TosJRIjyKxdyuEG-rnOWXLc5EVr9gaElpNAL~2vuOrMrHPEhsL81N7RRz3Bk~ywVVrRbEkZ4vtgIJ3v35wO~-3oYb-9VQoUDAQlq0rxpXhuWVNj0EE-Tdt9TANSBZ0rmBWMHC30Tf4YBUUUrsGkAOBnrKPLRg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"},{"id":110554069,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/110554069/thumbnails/1.jpg","file_name":"Giovannetti_Lavezzi_Galavotti_Che_cos_e_la_metrica_italiana_contemporanea_Carocci_2024_estratto_.pdf","download_url":"https://www.academia.edu/attachments/110554069/download_file","bulk_download_file_name":"Paolo_Giovannetti_Gianfranca_Lavezzi_Jac.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/110554069/Giovannetti_Lavezzi_Galavotti_Che_cos_e_la_metrica_italiana_contemporanea_Carocci_2024_estratto_-libre.pdf?1705515388=\u0026response-content-disposition=attachment%3B+filename%3DPaolo_Giovannetti_Gianfranca_Lavezzi_Jac.pdf\u0026Expires=1740852079\u0026Signature=C3yyqQ3n2ZVYaU7KXXyFcDS9L6z6XgO7bkWREP9WgLjlKU6Iu6xoNbtGVqgUlMTkx9o7lr-d~MpBOoseAjVbIyKXD~86YDQjTjYnnE5AQwA4Ht7Mkr4OUCOooJqID523jf4ZXeNIJqNWhyccpBIAQYgjvPRXAiWk94n~jny2eL4Tt7-CpgBk0Wu0sEhCKi-mtUntADstOfsh9nOBirpgD~f1bbdyQ5N2n2P48pnXunG~Zg4an2Xutnl6m0oc-UrzKxn~T1WBSr~aDJU0kI-TwTKw-sreTmdnXIji~4jUgDjGgoPbfgRGelvWbBJtF2qEU~xnY46tJJZIijPXM6pf1w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="17295089" id="edizioni"><div class="js-work-strip profile--work_container" data-work-id="125281861"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/125281861/Ippolito_Nievo_Lettere_dell_Intendenza_1860_1861_a_cura_di_Jacopo_Galavotti"><img alt="Research paper thumbnail of Ippolito Nievo, Lettere dell’Intendenza. 1860-1861, a cura di Jacopo Galavotti" class="work-thumbnail" src="https://attachments.academia-assets.com/119354256/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/125281861/Ippolito_Nievo_Lettere_dell_Intendenza_1860_1861_a_cura_di_Jacopo_Galavotti">Ippolito Nievo, Lettere dell’Intendenza. 1860-1861, a cura di Jacopo Galavotti</a></div><div class="wp-workCard_item"><span>Venezia, Marsilio, 2024</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il 5 maggio del 1860 gli indugi erano finiti, e tra i poco più di mille soldati pronti a seguire ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il 5 maggio del 1860 gli indugi erano finiti, e tra i poco più di mille soldati pronti a seguire Garibaldi in Sicilia c’era anche Ippolito Nievo. Reduce dalla campagna del ’59 e dalla delusione di Villafranca, lo scrittore si aspettava di contribuire alla causa italiana imbracciando le armi. Dovette invece accettare un gravoso compito di retrovia, quello amministrativo di viceintendente generale. La scelta di lettere e di documenti autografi qui edita – accompagnata da ricchi apparati di commento e dal censimento di oltre 1400 dispacci – permette di conoscere il contributo di Nievo all’organizzazione materiale della guerra garibaldina, e le difficoltà incontrate per approvvigionare, rendicontandone le spese, un esercito in rapida crescita. Anche nel disbrigo delle pratiche amministrative si rivelano la statura di Nievo, la sua rettitudine e la sua onestà, la sua schiettezza nei rapporti con colleghi e superiori. Ideale complemento degli Scritti garibaldini e dell’epistolario, le Lettere dell’Intendenza non sono solo documenti utili alla ricostruzione della storia risorgimentale e testimonianze dell’italiano burocratico dell’epoca, ma soprattutto l’ultimo capitolo, prima della tragica fine, della biografia di uno dei massimi narratori italiani, l’anomalo diario del momento culminante di una vicenda breve e densissima, così significativa del nesso tra letteratura e idealità politiche che ha segnato il nostro Ottocento.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="20f7935e50c2e433e4bc473624412ca4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":119354256,"asset_id":125281861,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/119354256/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="125281861"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="125281861"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 125281861; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=125281861]").text(description); $(".js-view-count[data-work-id=125281861]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 125281861; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='125281861']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "20f7935e50c2e433e4bc473624412ca4" } } $('.js-work-strip[data-work-id=125281861]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":125281861,"title":"Ippolito Nievo, Lettere dell’Intendenza. 1860-1861, a cura di Jacopo Galavotti","internal_url":"https://www.academia.edu/125281861/Ippolito_Nievo_Lettere_dell_Intendenza_1860_1861_a_cura_di_Jacopo_Galavotti","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":119354256,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/119354256/thumbnails/1.jpg","file_name":"Nievo_Lettere_dell_Intendenza_COVER_.pdf","download_url":"https://www.academia.edu/attachments/119354256/download_file","bulk_download_file_name":"Ippolito_Nievo_Lettere_dell_Intendenza_1.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/119354256/Nievo_Lettere_dell_Intendenza_COVER_-libre.pdf?1730727638=\u0026response-content-disposition=attachment%3B+filename%3DIppolito_Nievo_Lettere_dell_Intendenza_1.pdf\u0026Expires=1740839713\u0026Signature=CZB6CnC-zlily3W0YEHiCMvx-x7xtILLAMNQUONRg9YI5LEiIHYQ4aAAIJEzlImqUj5LwkuPg4Tvog1NRJUgRBrG55eQQ7zOlYQll5Fc9gCHal2v7Aosh4SkLY1pS6ECpKsW4I9XbU9KKORLrxNF2vEBWp5BbUmu0uh-nm0py0jqW5Y~94KvUsdnWGaBHsLXyazgbQku4Q29xece~o~C9mVbDFdyHVfvpyN2QJAm6px~AQpopr-IYmWVgy52SL4FjjiJmO25TdGTARPp2YV29G7z80n4HxQQK6qyjeDN45YvZgw-sVL4-GMeFU~I2swlennGfhua-XAZEa1ReWi1QQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"},{"id":119354186,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/119354186/thumbnails/1.jpg","file_name":"Nievo_Lettere_dell_Intendenza_abstract_.pdf","download_url":"https://www.academia.edu/attachments/119354186/download_file","bulk_download_file_name":"Ippolito_Nievo_Lettere_dell_Intendenza_1.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/119354186/Nievo_Lettere_dell_Intendenza_abstract_-libre.pdf?1730727642=\u0026response-content-disposition=attachment%3B+filename%3DIppolito_Nievo_Lettere_dell_Intendenza_1.pdf\u0026Expires=1740839713\u0026Signature=dQJatY0UdVFeVdO7WVi7WS-6S6Y1ikX-fg6~1unVnRJIgtZmsyR3JefaEZIQdzqlyJ7UI6easiU9aZms-cGROXBLTsUvlfYy4YtIhxlTU4grTF9WJR1qFig4kuudm0V0MQYkFZ0PTVNJ3WI1jTC3yTjQm5BO7RosrOozqA-gcs1W0uYwJb8ZGDs55k8OtHHyIDOUwaRRy6zr-rKb9UtC42Mw54P~YkbQaYxOUdj0xBLG2L-UMM0Sk2JVHcWfeyK3fYRZxd08n2WconvHEYqyGtp7bZWCJ7fHk8bo7R2-LJYNmUaVa-qc32VrL9yhZBfLZhSauwuI5XgzDXG0ri3sVg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="74436868"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/74436868/Cosimo_Ortesta_Tutte_le_poesie_a_cura_di_Jacopo_Galavotti_Giacomo_Morbiato_e_Vito_M_Bonito"><img alt="Research paper thumbnail of Cosimo Ortesta, Tutte le poesie, a cura di Jacopo Galavotti, Giacomo Morbiato e Vito M. Bonito" class="work-thumbnail" src="https://attachments.academia-assets.com/82590986/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/74436868/Cosimo_Ortesta_Tutte_le_poesie_a_cura_di_Jacopo_Galavotti_Giacomo_Morbiato_e_Vito_M_Bonito">Cosimo Ortesta, Tutte le poesie, a cura di Jacopo Galavotti, Giacomo Morbiato e Vito M. Bonito</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://univr.academia.edu/GiacomoMorbiato">Giacomo Morbiato</a></span></div><div class="wp-workCard_item"><span>Ancona, Argolibri, 2022</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="5d784e378464b616d98071958eda4385" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":82590986,"asset_id":74436868,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/82590986/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="74436868"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="74436868"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 74436868; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=74436868]").text(description); $(".js-view-count[data-work-id=74436868]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 74436868; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='74436868']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "5d784e378464b616d98071958eda4385" } } $('.js-work-strip[data-work-id=74436868]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":74436868,"title":"Cosimo Ortesta, Tutte le poesie, a cura di Jacopo Galavotti, Giacomo Morbiato e Vito M. Bonito","internal_url":"https://www.academia.edu/74436868/Cosimo_Ortesta_Tutte_le_poesie_a_cura_di_Jacopo_Galavotti_Giacomo_Morbiato_e_Vito_M_Bonito","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":82590986,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/82590986/thumbnails/1.jpg","file_name":"Ortesta_sample_e_copertina.pdf","download_url":"https://www.academia.edu/attachments/82590986/download_file","bulk_download_file_name":"Cosimo_Ortesta_Tutte_le_poesie_a_cura_di.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/82590986/Ortesta_sample_e_copertina-libre.pdf?1648108975=\u0026response-content-disposition=attachment%3B+filename%3DCosimo_Ortesta_Tutte_le_poesie_a_cura_di.pdf\u0026Expires=1740839713\u0026Signature=SFoKRUEOKV5zRJT5My5dC2KbuhyWslZ~NzqTQmqsZJAAp0ZBqvh-dFY4u~6jjYfS09n6333BaKVUgwonRvKOZ1pF0-QsJbfJkIgOX1CzhfM3oMLtf7QDb11XubK8R5ckW-XOteX7NnesWwrsiqfNsQup57YsLH05je~s-wlFmMVBIapQGCQuY2uNjLrzzZzwjuCSLj8LwpyZHhGwKNo4l60QkEVN0txnqxoST44b0bevGThPbAGE6meGNEOMq98KYcsd7rtcTCqKYsXlXiRtxJDpZz3qkeqB1Mfb47AhvVZc61qdjpjTjVI7EPpTCWYtqXZsQmO~jjJUzXi7n9y2og__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="9273576" id="curatele"><div class="js-work-strip profile--work_container" data-work-id="108812369"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/108812369/Ippolito_Nievo_tra_i_Mille_Il_racconto_di_un_impresa_a_cura_di_Jacopo_Galavotti_Andrea_Piasentini_Alessandra_Zangrandi"><img alt="Research paper thumbnail of Ippolito Nievo tra i Mille. Il racconto di un’impresa, a cura di Jacopo Galavotti, Andrea Piasentini, Alessandra Zangrandi" class="work-thumbnail" src="https://attachments.academia-assets.com/107103636/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108812369/Ippolito_Nievo_tra_i_Mille_Il_racconto_di_un_impresa_a_cura_di_Jacopo_Galavotti_Andrea_Piasentini_Alessandra_Zangrandi">Ippolito Nievo tra i Mille. Il racconto di un’impresa, a cura di Jacopo Galavotti, Andrea Piasentini, Alessandra Zangrandi</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/AndreaPiasentini">Andrea Piasentini</a></span></div><div class="wp-workCard_item"><span>Firenze, Cesati, 2023</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Atti del Convegno Internazionale PRIN 2017 “Ippolito Nievo e la cultura letteraria del Risorgimen...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Atti del Convegno Internazionale PRIN 2017 “Ippolito Nievo e la cultura letteraria del Risorgimento”, Università di Verona, 14-16 dicembre 2022</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="85d17aa4421240dfc89dee4e32ebc7e2" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":107103636,"asset_id":108812369,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/107103636/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108812369"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108812369"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108812369; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=108812369]").text(description); $(".js-view-count[data-work-id=108812369]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 108812369; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='108812369']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "85d17aa4421240dfc89dee4e32ebc7e2" } } $('.js-work-strip[data-work-id=108812369]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108812369,"title":"Ippolito Nievo tra i Mille. Il racconto di un’impresa, a cura di Jacopo Galavotti, Andrea Piasentini, Alessandra Zangrandi","internal_url":"https://www.academia.edu/108812369/Ippolito_Nievo_tra_i_Mille_Il_racconto_di_un_impresa_a_cura_di_Jacopo_Galavotti_Andrea_Piasentini_Alessandra_Zangrandi","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":107103636,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/107103636/thumbnails/1.jpg","file_name":"Frontespizio_e_indice_Zangrandi_Galavotti_Piasentini_2023_Ippolito_Nievo_tra_i_Mille.pdf","download_url":"https://www.academia.edu/attachments/107103636/download_file","bulk_download_file_name":"Ippolito_Nievo_tra_i_Mille_Il_racconto_d.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/107103636/Frontespizio_e_indice_Zangrandi_Galavotti_Piasentini_2023_Ippolito_Nievo_tra_i_Mille-libre.pdf?1698924456=\u0026response-content-disposition=attachment%3B+filename%3DIppolito_Nievo_tra_i_Mille_Il_racconto_d.pdf\u0026Expires=1740852079\u0026Signature=NVNTCCBHiai~9CcICe862iwiHnLiWUtzwkOh-UrfPmAS-YKPuvqVzGWXEfxCGUVspHCUtudl7I-H8FN0Qj84geQuhmO~086KCcG9rlqtdhHWrEZbWDcJK-Ntr5SvPDwyA7fHT56RA1lFAInQOhd97HufrEXmJ9H96AU6bw2us7j-J8A6DmysYMGGJa5~NLUIFsuDSSE9PldtOrjPG2KurRGQtZHkApTMjqa6VV9A8QD21lI1VNw7VQanxVk3aYgN0yJQaDjxb9kQVBCd0uI1HXHtkvE1MbGJtEnwYra5EOMVrA5w5fGuQ-I0qRF2c0T2tATTOTD1A1pRfnIiV2kuAg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="107405603"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/107405603/Nuove_prospettive_sulla_canzone_antica_X_incontro_di_studio_in_memoria_di_Marco_Praloran_a_cura_di_Jacopo_Galavotti_Giacomo_Morbiato"><img alt="Research paper thumbnail of Nuove prospettive sulla canzone antica. X incontro di studio in memoria di Marco Praloran, a cura di Jacopo Galavotti, Giacomo Morbiato" class="work-thumbnail" src="https://attachments.academia-assets.com/106080769/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/107405603/Nuove_prospettive_sulla_canzone_antica_X_incontro_di_studio_in_memoria_di_Marco_Praloran_a_cura_di_Jacopo_Galavotti_Giacomo_Morbiato">Nuove prospettive sulla canzone antica. X incontro di studio in memoria di Marco Praloran, a cura di Jacopo Galavotti, Giacomo Morbiato</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://univr.academia.edu/GiacomoMorbiato">Giacomo Morbiato</a></span></div><div class="wp-workCard_item"><span>Numero monografico di «Stilistica e metrica italiana», XXXIII (2023)</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="91d615573f698b2ad0feedd5f78be792" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106080769,"asset_id":107405603,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106080769/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="107405603"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="107405603"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 107405603; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=107405603]").text(description); $(".js-view-count[data-work-id=107405603]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 107405603; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='107405603']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "91d615573f698b2ad0feedd5f78be792" } } $('.js-work-strip[data-work-id=107405603]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":107405603,"title":"Nuove prospettive sulla canzone antica. X incontro di studio in memoria di Marco Praloran, a cura di Jacopo Galavotti, Giacomo Morbiato","internal_url":"https://www.academia.edu/107405603/Nuove_prospettive_sulla_canzone_antica_X_incontro_di_studio_in_memoria_di_Marco_Praloran_a_cura_di_Jacopo_Galavotti_Giacomo_Morbiato","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":106080769,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/106080769/thumbnails/1.jpg","file_name":"00_Preliminari_i_vi_1_2.pdf","download_url":"https://www.academia.edu/attachments/106080769/download_file","bulk_download_file_name":"Nuove_prospettive_sulla_canzone_antica_X.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/106080769/00_Preliminari_i_vi_1_2-libre.pdf?1696074882=\u0026response-content-disposition=attachment%3B+filename%3DNuove_prospettive_sulla_canzone_antica_X.pdf\u0026Expires=1740839713\u0026Signature=KNJAn1fqS-Jz3qQs9-lJnwpZp7MgO0H~1SyXBtOtDspDMKDInOPOaGaHnS78lnc4i9z2SfWfj2r~CE~-07B1jXOz5rbngwXpbk~OzTjmvJCclF0FcjG3jqxSSp92tLbaaqYLhlfJi0HMLHCRngP9OQT~MyB7wlE5Hr-arrax3uoQxV4KgB6K50h-Dy18un139549x7ixorGwBBjk33b2E~Bq-aOk9JuO95iUKaiBB9M2OWwEK1qy2yNgKOtZmisvtnq~pOEzpOAlgQIWsSKo3u-gGYgHj1RpdQ91mCRLuUsS5dpEC491H-6kaV8iVpyok~1vcnpPffpNrJtpMUa-JQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="101857711"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/101857711/Forme_e_origini_del_romanzo_a_cura_di_Stefano_Bazzaco_Jacopo_Galavotti"><img alt="Research paper thumbnail of Forme e origini del romanzo, a cura di Stefano Bazzaco, Jacopo Galavotti" class="work-thumbnail" src="https://attachments.academia-assets.com/102282367/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/101857711/Forme_e_origini_del_romanzo_a_cura_di_Stefano_Bazzaco_Jacopo_Galavotti">Forme e origini del romanzo, a cura di Stefano Bazzaco, Jacopo Galavotti</a></div><div class="wp-workCard_item"><span>Numero monografico di «Historias fingidas», numero speciale 2 (2023)</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Si propone l'intervista inedita a Thomas Pavel del 2017 coordinata dal gruppo dottorale FORLab (L...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Si propone l'intervista inedita a Thomas Pavel del 2017 coordinata dal gruppo dottorale FORLab (Laboratorio sulle Forme e le Origini del Romanzo). Parole chiave: Thomas Pavel, romanzo, personaggio, Le vite del romanzo, Mondi di invenzione. We offer the 2017 interview with Thomas Pavel coordinated by the doctoral group FORLab (Laboratory on Forms and Origins of the Novel), still unpublished.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bef5a0558b1ce6b0568b29a677b00024" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102282367,"asset_id":101857711,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102282367/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="101857711"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="101857711"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 101857711; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=101857711]").text(description); $(".js-view-count[data-work-id=101857711]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 101857711; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='101857711']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bef5a0558b1ce6b0568b29a677b00024" } } $('.js-work-strip[data-work-id=101857711]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":101857711,"title":"Forme e origini del romanzo, a cura di Stefano Bazzaco, Jacopo Galavotti","internal_url":"https://www.academia.edu/101857711/Forme_e_origini_del_romanzo_a_cura_di_Stefano_Bazzaco_Jacopo_Galavotti","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":102282367,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/102282367/thumbnails/1.jpg","file_name":"Bazzaco_Galavotti_2023_HF_numero_speciale_2_Forme_e_origini_del_romanzo.pdf","download_url":"https://www.academia.edu/attachments/102282367/download_file","bulk_download_file_name":"Forme_e_origini_del_romanzo_a_cura_di_St.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/102282367/Bazzaco_Galavotti_2023_HF_numero_speciale_2_Forme_e_origini_del_romanzo-libre.pdf?1684238633=\u0026response-content-disposition=attachment%3B+filename%3DForme_e_origini_del_romanzo_a_cura_di_St.pdf\u0026Expires=1740852079\u0026Signature=IsKILe3jgONOoKS8-e5QRveFd2sMM0biJMlq51u0ok98aRZXqdG-8lfVYbekipqRuzoRA4kPxlZU5IEI0LQqT6tXpmJFL85g69ahKJVT1g8NYnmGUMxUjNsnF-oF9DALrCRrIJ4p4b~rHbIPUlQcSTgbEid0zpm03xrWj3o1jEHJpUkBPd73Ux9ODJ-mICLqd2ZxMIBtIw3vIgiScUguLFzuE3f7p~6AuCLIS4H520VY-W33ar~YIc1ChFVIoOORGI65DD7Nc1eBXjGkHITgXMYS3YXfanS~BOydtn0p0vEKSZ06uLYHt6g64m3iUqI12NZ6vEfAmfq6OTcAAhzqpQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="69470758"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/69470758/I_gesti_del_mestiere_Traduzione_e_autotraduzione_tra_Italia_e_Francia_dal_XIX_al_XXI_secolo_a_cura_di_Jacopo_Galavotti_Sara_Giovine_Giacomo_Morbiato"><img alt="Research paper thumbnail of I gesti del mestiere. Traduzione e autotraduzione tra Italia e Francia dal XIX al XXI secolo, a cura di Jacopo Galavotti, Sara Giovine, Giacomo Morbiato" class="work-thumbnail" src="https://attachments.academia-assets.com/79556932/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/69470758/I_gesti_del_mestiere_Traduzione_e_autotraduzione_tra_Italia_e_Francia_dal_XIX_al_XXI_secolo_a_cura_di_Jacopo_Galavotti_Sara_Giovine_Giacomo_Morbiato">I gesti del mestiere. Traduzione e autotraduzione tra Italia e Francia dal XIX al XXI secolo, a cura di Jacopo Galavotti, Sara Giovine, Giacomo Morbiato</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://insr.academia.edu/SaraGiovine">Sara Giovine</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://univr.academia.edu/GiacomoMorbiato">Giacomo Morbiato</a></span></div><div class="wp-workCard_item"><span>Padova, Padova University Press, 2021</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Dalla seconda metà del Novecento, l’interesse scientifico attorno ai temi della traduzione non ha...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Dalla seconda metà del Novecento, l’interesse scientifico attorno ai temi della traduzione non ha mai smesso di svilupparsi. Non solo per quegli aspetti che riguardano la traduzione come “genere” e quindi per le sue implicazioni prettamente letterarie, ma anche e soprattutto per i suoi connotati più ampiamente sociologici e culturali. Si è quindi sviluppato un crescente interesse per il ‘transfer letterario’ inteso come tentativo critico di reinterpretare la storia letteraria in una prospettiva transnazionale, di cui la traduzione è in tutti i suoi aspetti una privilegiata cartina al tornasole. È in questo contesto che si inserisce il presente volume, maturato all’interno del progetto di ricerca TRALYT. Translation and Lyrical Tradition between Italy and France (19th-21st Century), che raccoglie gli interventi di giovani studiose e studiosi sui temi della traduzione e dell’autotraduzione tra Italia e Francia dall’Ottocento ai giorni nostri. Con un approccio transdisciplinare, che spazia dalla teoria della traduzione all’analisi stilistica, dalla lettura delle dinamiche del mercato editoriale alla fenomenologia socio-culturale della traduzione, il volume ricostruisce la fitta rete degli scambi culturali tra Italia e Francia negli ultimi due secoli, adottando come prospettiva di studio privilegiata appunto quello della traduzione (e dell'autotraduzione) di testi poetici.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c858ce29044abf478db0da27a610cbb8" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":79556932,"asset_id":69470758,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/79556932/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="69470758"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="69470758"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 69470758; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=69470758]").text(description); $(".js-view-count[data-work-id=69470758]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 69470758; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='69470758']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c858ce29044abf478db0da27a610cbb8" } } $('.js-work-strip[data-work-id=69470758]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":69470758,"title":"I gesti del mestiere. Traduzione e autotraduzione tra Italia e Francia dal XIX al XXI secolo, a cura di Jacopo Galavotti, Sara Giovine, Giacomo Morbiato","internal_url":"https://www.academia.edu/69470758/I_gesti_del_mestiere_Traduzione_e_autotraduzione_tra_Italia_e_Francia_dal_XIX_al_XXI_secolo_a_cura_di_Jacopo_Galavotti_Sara_Giovine_Giacomo_Morbiato","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":79556932,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/79556932/thumbnails/1.jpg","file_name":"Galavotti_Giovine_Morbiato_I_gesti_del_mestiere_2022_9788869382772.pdf","download_url":"https://www.academia.edu/attachments/79556932/download_file","bulk_download_file_name":"I_gesti_del_mestiere_Traduzione_e_autotr.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/79556932/Galavotti_Giovine_Morbiato_I_gesti_del_mestiere_2022_9788869382772-libre.pdf?1643192573=\u0026response-content-disposition=attachment%3B+filename%3DI_gesti_del_mestiere_Traduzione_e_autotr.pdf\u0026Expires=1740839713\u0026Signature=Alj~VKQtODBcA6TYY4IKhq0Mx9A8DVTyJewz59moSgR1aBZiN-ez80XAUGWOg86Fa2qcqOZRxUZuCKt8A03rqeNjFqsMsTkdnutVq~UXX22dBWvuLsvbfKoDF1NY5zxg8r3MzDzR3mKdSz~ikFgjgmdVNdeDPRCcXHqP34pp8wT-xY5J3XBgjLL-S7c2o5K3fkO~HGq5WKIZ5FSBZliAmGi74cQEx13GhHl8PUtXSPbM4O3xZ7McyISVEnQ0Bbn-5uQvXcUtDVcjwdmIlVl-BZibmrPeAwRkVH-tNp~dz1FHGYbPuFx7bqt~kjexvLA0DosEMC1GRu048T39WU8I~A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44636243"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44636243/Nuove_prospettive_sulla_terza_rima_Da_Dante_al_Duemila_a_cura_di_Laura_Facini_Jacopo_Galavotti_Arnaldo_Soldani_Giovanna_Zoccarato"><img alt="Research paper thumbnail of Nuove prospettive sulla terza rima. Da Dante al Duemila, a cura di Laura Facini, Jacopo Galavotti, Arnaldo Soldani, Giovanna Zoccarato" class="work-thumbnail" src="https://attachments.academia-assets.com/65106785/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44636243/Nuove_prospettive_sulla_terza_rima_Da_Dante_al_Duemila_a_cura_di_Laura_Facini_Jacopo_Galavotti_Arnaldo_Soldani_Giovanna_Zoccarato">Nuove prospettive sulla terza rima. Da Dante al Duemila, a cura di Laura Facini, Jacopo Galavotti, Arnaldo Soldani, Giovanna Zoccarato</a></div><div class="wp-workCard_item"><span>Padova, libreriauniversitaria.it, 2020</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Fin dalla sua nascita, la terza rima ha dimostrato un'eccezionale versatilità. La potente macchin...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Fin dalla sua nascita, la terza rima ha dimostrato un'eccezionale versatilità. La potente macchina della Commedia dantesca poggia anche sulla geniale invenzione di questo metro insieme aperto e chiuso, capace di accogliere tutti gli stili, di esaltare lirismo e dramma, narrazione e speculazione. Raramente progetti tanto ambiziosi si sono risolti in mezzi così efficaci, e non sorprende che nei secoli l'uso della terza rima sia stato continuo e intenso. Alternando letture puntuali del tessuto metrico-sintattico di singole opere a più vaste ricognizioni su momenti chiave nello sviluppo del metro, il volume ha l'obiettivo di mettere a fuoco la fortuna ininterrotta della terza rima lungo l'intero arco della letteratura italiana, da Dante ad Ariosto, da Boccaccio a Leopardi, da Chiabrera a Pascoli, per arrivare sino alla stretta contemporaneità.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b3c1cafc488a3a106e2a14b31ad28287" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":65106785,"asset_id":44636243,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/65106785/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44636243"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44636243"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44636243; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44636243]").text(description); $(".js-view-count[data-work-id=44636243]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44636243; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44636243']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b3c1cafc488a3a106e2a14b31ad28287" } } $('.js-work-strip[data-work-id=44636243]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44636243,"title":"Nuove prospettive sulla terza rima. Da Dante al Duemila, a cura di Laura Facini, Jacopo Galavotti, Arnaldo Soldani, Giovanna Zoccarato","internal_url":"https://www.academia.edu/44636243/Nuove_prospettive_sulla_terza_rima_Da_Dante_al_Duemila_a_cura_di_Laura_Facini_Jacopo_Galavotti_Arnaldo_Soldani_Giovanna_Zoccarato","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":65106785,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/65106785/thumbnails/1.jpg","file_name":"Terza_rima_cvr_I_bozze.pdf","download_url":"https://www.academia.edu/attachments/65106785/download_file","bulk_download_file_name":"Nuove_prospettive_sulla_terza_rima_Da_Da.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/65106785/Terza_rima_cvr_I_bozze-libre.pdf?1607103307=\u0026response-content-disposition=attachment%3B+filename%3DNuove_prospettive_sulla_terza_rima_Da_Da.pdf\u0026Expires=1740852079\u0026Signature=YSgH2eMpKpi9jiXzBoQqEdbqfQWf7j6iXDP-Wqys2sKamY6QNXQfwTOt6ERb~xePS-6V8PYSHa8BEX2TQbrNI-dJ8Y41RItwDi8WUH7rZf3bD1rzOlr9TaCJ~IpWgKpwDke2tPwYfm4Jg~QTSQTFvwLGUkhzgedL6-X6uzT4ur510vHUikuUavlU6hyEWENpF8YXQFvKGpK3BHCLifCSdLrHTbrZ7ze8eY1avdtu8DqIEupZcX25Gj~pssz3P4qfeqiaR1DgOyXJPG0AWliSZ1I7CvmawF3gNAJtwJvpaV2dIVfOVg8Io5~9j8SM~fjjPY-bMEd-gU2tkNEbgoJ1Bg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="39355679"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/39355679/L_ultimo_Umberto_Saba_poesie_e_prose_a_cura_di_Jacopo_Galavotti_Antonio_Girardi_Arnaldo_Soldani"><img alt="Research paper thumbnail of L’ultimo Umberto Saba: poesie e prose, a cura di Jacopo Galavotti, Antonio Girardi, Arnaldo Soldani" class="work-thumbnail" src="https://attachments.academia-assets.com/59497364/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/39355679/L_ultimo_Umberto_Saba_poesie_e_prose_a_cura_di_Jacopo_Galavotti_Antonio_Girardi_Arnaldo_Soldani">L’ultimo Umberto Saba: poesie e prose, a cura di Jacopo Galavotti, Antonio Girardi, Arnaldo Soldani</a></div><div class="wp-workCard_item"><span>Firenze, Società Editrice Fiorentina, 2019</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Nove saggi critici affrontano i versi e le prose dell'ultimo ventennio di attività di Umberto Sab...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Nove saggi critici affrontano i versi e le prose dell'ultimo ventennio di attività di Umberto Saba, misurandosi con la sua "vitalità inesauribile", la sua "singolarità quasi proverbiale di classico tanto incontestabile quanto irriducibile a ogni schematismo"</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e757c894e99d469174b6d58ff4515575" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":59497364,"asset_id":39355679,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/59497364/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39355679"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39355679"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39355679; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39355679]").text(description); $(".js-view-count[data-work-id=39355679]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39355679; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='39355679']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e757c894e99d469174b6d58ff4515575" } } $('.js-work-strip[data-work-id=39355679]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":39355679,"title":"L’ultimo Umberto Saba: poesie e prose, a cura di Jacopo Galavotti, Antonio Girardi, Arnaldo Soldani","internal_url":"https://www.academia.edu/39355679/L_ultimo_Umberto_Saba_poesie_e_prose_a_cura_di_Jacopo_Galavotti_Antonio_Girardi_Arnaldo_Soldani","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":59497364,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/59497364/thumbnails/1.jpg","file_name":"Saba_estratto_curatela_indice20190603-86307-1uf92wi.pdf","download_url":"https://www.academia.edu/attachments/59497364/download_file","bulk_download_file_name":"L_ultimo_Umberto_Saba_poesie_e_prose_a_c.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/59497364/Saba_estratto_curatela_indice20190603-86307-1uf92wi-libre.pdf?1559568393=\u0026response-content-disposition=attachment%3B+filename%3DL_ultimo_Umberto_Saba_poesie_e_prose_a_c.pdf\u0026Expires=1740852079\u0026Signature=cIaTtmcRPU80jwKJzN7Rh9oT0u7pdjqyOtsYBnLvBlXrvWziKK3YRfsCEC4rgL~F-KQFCp8lcsXZe0WBFV2QFcUkz4zI7nDoWW6qaFAzd~R76Wkus7X9O8RMRNrjF-y3I4SF9FeCYttXNkhB-biK1ErLdXivbV~HtXah~goJtn8o1BOKiAZJjrM6dw7cnc2YF929Mb22NA-FjUL0zeUSkwKc0hkAUD6Otr5fmoZjU5LTCpYtfeaZ8YjQ6vGErrRQt38t3tUrm4ahONaFli-49J30g5tmWxvSi7lMyO4FX-jrnLxrFu~6XVt0asdDxdM9lJdyse~v4by1FQN~6VUzCg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="101857934"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/101857934/Tracce_memorie_sintomi_La_citazione_tra_filologia_letteratura_e_linguistica_a_cura_di_Marco_Duranti_Jacopo_Galavotti_Marco_Magnani_Marco_Robecchi"><img alt="Research paper thumbnail of Tracce, memorie, sintomi. La citazione tra filologia, letteratura e linguistica, a cura di Marco Duranti, Jacopo Galavotti, Marco Magnani, Marco Robecchi" class="work-thumbnail" src="https://attachments.academia-assets.com/102282538/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/101857934/Tracce_memorie_sintomi_La_citazione_tra_filologia_letteratura_e_linguistica_a_cura_di_Marco_Duranti_Jacopo_Galavotti_Marco_Magnani_Marco_Robecchi">Tracce, memorie, sintomi. La citazione tra filologia, letteratura e linguistica, a cura di Marco Duranti, Jacopo Galavotti, Marco Magnani, Marco Robecchi</a></div><div class="wp-workCard_item"><span>Numero monografico di «Parole rubate. Rivista internazionale di studi sulla citazione», 19 (2019)</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Parole rubate. Rivista internazionale di studi sulla citazione è una rivista peer-reviewed con un...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Parole rubate. Rivista internazionale di studi sulla citazione è una rivista peer-reviewed con un profilo scientifico che fa riferimento all'area della letteratura, dell'arte, del cinema, della storia e delle scienze umane. È dedicata a un tema eminentemente interdisciplinare come la citazione, ovvero il reimpiego dei materiali (innanzitutto verbali, ma anche visivi e musicali) all'interno di un testo: appropriazione di un frammento e sua inserzione in altro sistema, a partire dalle strategie del classicismo fino alle pratiche di riscrittura del postmodernismo. La rivista intende occuparsi del fenomeno sia da un punto di vista teorico, sia da un punto di vista interpretativo e storico. I contributi possono essere scritti in francese, inglese, italiano, neerlandese, spagnolo, tedesco.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b5824a819b7e11e7da1ca478a43cd504" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":102282538,"asset_id":101857934,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/102282538/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="101857934"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="101857934"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 101857934; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=101857934]").text(description); $(".js-view-count[data-work-id=101857934]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 101857934; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='101857934']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b5824a819b7e11e7da1ca478a43cd504" } } $('.js-work-strip[data-work-id=101857934]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":101857934,"title":"Tracce, memorie, sintomi. La citazione tra filologia, letteratura e linguistica, a cura di Marco Duranti, Jacopo Galavotti, Marco Magnani, Marco Robecchi","internal_url":"https://www.academia.edu/101857934/Tracce_memorie_sintomi_La_citazione_tra_filologia_letteratura_e_linguistica_a_cura_di_Marco_Duranti_Jacopo_Galavotti_Marco_Magnani_Marco_Robecchi","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":102282538,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/102282538/thumbnails/1.jpg","file_name":"Duranti_Galavotti_Magnani_Robecchi_Parole_Rubate_Fascicolo19_Tracce_memorie_e_sintomi.pdf","download_url":"https://www.academia.edu/attachments/102282538/download_file","bulk_download_file_name":"Tracce_memorie_sintomi_La_citazione_tra.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/102282538/Duranti_Galavotti_Magnani_Robecchi_Parole_Rubate_Fascicolo19_Tracce_memorie_e_sintomi-libre.pdf?1684237773=\u0026response-content-disposition=attachment%3B+filename%3DTracce_memorie_sintomi_La_citazione_tra.pdf\u0026Expires=1740852079\u0026Signature=JpZ26sCReMGHhJzs31WR5-7tfjdYikqa42klpBOB1h8pL8-C~G335gdT2EmfFzC~HOxVZDnkqZeQQO39v3UIc~x~diXUc2o6N5lXAm7Nd7~2i8HF48X3mppE-uo0midToRpg0NdHtqRQR0ia~AeB3O~VBcCrBRJizl2ZNz4XkBW7Zuxmf41Q15PXHd3rktSPq9tzDKIH9zukTkfNQhM6-d7a4pot6Stdm73ZhrDi~FaAo1dxI6DIBrWCpYKlKiHMJYfgxAPM7rYG2wPNtkwIml42szo39jBp-0o3MvgVmIKjjqpy56H5t4es-K4NPsoQJh7VEEtv0yjOpkVSoArDUw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="1930602" id="saggiearticoli"><div class="js-work-strip profile--work_container" data-work-id="127689160"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/127689160/Reading_imitating_dismantling_exploring_four_ways_to_use_Petrarch"><img alt="Research paper thumbnail of Reading, imitating, dismantling, exploring: four ways to use Petrarch" class="work-thumbnail" src="https://attachments.academia-assets.com/121384762/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/127689160/Reading_imitating_dismantling_exploring_four_ways_to_use_Petrarch">Reading, imitating, dismantling, exploring: four ways to use Petrarch</a></div><div class="wp-workCard_item"><span>Petrarchism. Competing Models for Early Modern Community Building (1400-1700), edited by Bernhard Huss, Heidelberg, Winter, 2025, pp. 17-29</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Four Ways to Use Petrarch […] nam mixta duorum Corpora iunguntur faciesque inducitur illis Vna, u...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Four Ways to Use Petrarch […] nam mixta duorum Corpora iunguntur faciesque inducitur illis Vna, uelut, siquis conducat cortice ramos, Crescendo iungi pariterque adolescere cernit. 29 Venier's adaptation of this verse is surprisingly similar to the version of Metamorphoses 4, 375 provided by Giovanni Andrea dell'Anguillara (4, 286, 7f.-287, 1-4), who composed his translation during the Fifties, but published it in its entirety only in 1561: Son due, ma non però fanno una coppia, ma in un corpo comun la forma è doppia. Così ramo con ramo ancor s'innesta, e poi che ben s'è unito, e alquanto alzato, così conforme l'uno a l'altro resta, che par che 'l ramo sia nel tronco nato. 30</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8db812f6fce8edbf81f3fabf67b329ba" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":121384762,"asset_id":127689160,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/121384762/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="127689160"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="127689160"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 127689160; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=127689160]").text(description); $(".js-view-count[data-work-id=127689160]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 127689160; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='127689160']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8db812f6fce8edbf81f3fabf67b329ba" } } $('.js-work-strip[data-work-id=127689160]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":127689160,"title":"Reading, imitating, dismantling, exploring: four ways to use Petrarch","internal_url":"https://www.academia.edu/127689160/Reading_imitating_dismantling_exploring_four_ways_to_use_Petrarch","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":121384762,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/121384762/thumbnails/1.jpg","file_name":"Galavotti_2025_Four_ways_to_use_Petrarch.pdf","download_url":"https://www.academia.edu/attachments/121384762/download_file","bulk_download_file_name":"Reading_imitating_dismantling_exploring.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/121384762/Galavotti_2025_Four_ways_to_use_Petrarch-libre.pdf?1739719052=\u0026response-content-disposition=attachment%3B+filename%3DReading_imitating_dismantling_exploring.pdf\u0026Expires=1740852079\u0026Signature=ElCP8sa4OCpsngiLprLTper~n2R3TfGxK~gfHf1Tc49pYFUUrr79D8~WsNCfzZqvr8~S2AnDJXN9~6igHkPKcECIxp0IMnks0TZ8~BikaftkG~oL2O6DvIWRl0EOYzOH7giJV5hDKUB5hfxGz4i61tw5gnamCEuUPhKCshKxIE78M5xsH4rqf3sCNV2RIY5b91Y48GQUFwYdC-Rz44TF9KVshnt0LsBijI8kzIghjUTBixcP0LEFWev-2wOE3LYjlW9EvKOGXAN7CSVybbdaqAYdx51M-1GpJtxo3801vx8MWq7GyUOqPBrA8ar~uQHVWqm5BjCsz5FhT8qoqu2~Wg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="108812459"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/108812459/Alcune_novit%C3%A0_sul_Resoconto_amministrativo_della_prima_spedizione_in_Sicilia_di_Ippolito_Nievo"><img alt="Research paper thumbnail of Alcune novità sul Resoconto amministrativo della prima spedizione in Sicilia di Ippolito Nievo" class="work-thumbnail" src="https://attachments.academia-assets.com/107103713/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/108812459/Alcune_novit%C3%A0_sul_Resoconto_amministrativo_della_prima_spedizione_in_Sicilia_di_Ippolito_Nievo">Alcune novità sul Resoconto amministrativo della prima spedizione in Sicilia di Ippolito Nievo</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Ippolito Nievo tra i Mille. Il racconto di un’impresa, a cura di Jacopo Galavotti, Andrea Piasent...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Ippolito Nievo tra i Mille. Il racconto di un’impresa, a cura di Jacopo Galavotti, Andrea Piasentini, Alessandra Zangrandi, Firenze, Cesati, 2023, pp. 19-30</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8aae306ed7039314b594012cbb489f11" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":107103713,"asset_id":108812459,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/107103713/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="108812459"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="108812459"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 108812459; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=108812459]").text(description); $(".js-view-count[data-work-id=108812459]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 108812459; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='108812459']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8aae306ed7039314b594012cbb489f11" } } $('.js-work-strip[data-work-id=108812459]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":108812459,"title":"Alcune novità sul Resoconto amministrativo della prima spedizione in Sicilia di Ippolito Nievo","internal_url":"https://www.academia.edu/108812459/Alcune_novit%C3%A0_sul_Resoconto_amministrativo_della_prima_spedizione_in_Sicilia_di_Ippolito_Nievo","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":107103713,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/107103713/thumbnails/1.jpg","file_name":"anteprimaGalavotti_2023_Alcune_novita_sul_Resoconto_amministrativo.pdf","download_url":"https://www.academia.edu/attachments/107103713/download_file","bulk_download_file_name":"Alcune_novita_sul_Resoconto_amministrati.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/107103713/anteprimaGalavotti_2023_Alcune_novita_sul_Resoconto_amministrativo-libre.pdf?1698928430=\u0026response-content-disposition=attachment%3B+filename%3DAlcune_novita_sul_Resoconto_amministrati.pdf\u0026Expires=1740852079\u0026Signature=NCP6OMNgtk8cKO95zdwurkwqOH2b5OZovn31OM93EZ9hDqGVUYBa18GDkh5grEorB9TOnQXg3mwPSMIO~phTnZWvi83DAxoxZsWz6BFcs7I3qSU6TFECP8-4b4N4DJ9uiueLvFUZK0vKD-nWDl6vskQ4NdmA52nTlYHIokPoKxXozhCTDCaVy9QSR8l09F8nJaiKwCh5EUrGJRmttYPYiYJvm0uJVfZgUFnaDLkrpJ0k~ZlxtuQL2u7jpyGBtmRmVmvqY8z~XkmwLQmQ5sPIYjZaAyHaAyVZajVOPq-8QzeoBzmLmxoV0~Od9ShrfQ-IRkRjz~ecmbNhCEoc34VSYA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="107405693"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/107405693/Considerazioni_retoriche_e_metriche_su_un_canzonieretto_inedito_di_Gabriele_Fiamma"><img alt="Research paper thumbnail of Considerazioni retoriche e metriche su un canzonieretto inedito di Gabriele Fiamma" class="work-thumbnail" src="https://attachments.academia-assets.com/106080822/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/107405693/Considerazioni_retoriche_e_metriche_su_un_canzonieretto_inedito_di_Gabriele_Fiamma">Considerazioni retoriche e metriche su un canzonieretto inedito di Gabriele Fiamma</a></div><div class="wp-workCard_item"><span>«Stilistica e metrica italiana», XXIII (2023), pp. 175-94</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="96f327268837a5cca44e63904afb9a79" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":106080822,"asset_id":107405693,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/106080822/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="107405693"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="107405693"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 107405693; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=107405693]").text(description); $(".js-view-count[data-work-id=107405693]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 107405693; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='107405693']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "96f327268837a5cca44e63904afb9a79" } } $('.js-work-strip[data-work-id=107405693]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":107405693,"title":"Considerazioni retoriche e metriche su un canzonieretto inedito di Gabriele Fiamma","internal_url":"https://www.academia.edu/107405693/Considerazioni_retoriche_e_metriche_su_un_canzonieretto_inedito_di_Gabriele_Fiamma","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":106080822,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/106080822/thumbnails/1.jpg","file_name":"08_GALAVOTTI_abstract.pdf","download_url":"https://www.academia.edu/attachments/106080822/download_file","bulk_download_file_name":"Considerazioni_retoriche_e_metriche_su_u.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/106080822/08_GALAVOTTI_abstract-libre.pdf?1696074865=\u0026response-content-disposition=attachment%3B+filename%3DConsiderazioni_retoriche_e_metriche_su_u.pdf\u0026Expires=1740839713\u0026Signature=JCQmGiGZ2kqLhrThSNcJuhaN0X7MBJYGDPJXvLeWr-vadPWcYjTYJpL1VFoNbSVbvCkAisgg8K5uj4RsGMUh96nQkVfd3lTG148NQL7Mk~HTyR~wVI79HM2jrnokFArHkXVP5Qjh3lxYwZINH5mz6PwmN97CMytQnA4RTmR6Y4Fn~MlabcmJi1GiJWbEPXfTGHjZip0flzuGUQXXLhgUahTbNEOUUrk~OmbWWdX7RaPoUoqr-PdX8y8DrstRHegvFmNmfHZvWI-Kbk7RMwKWo2fghQhLEGt3RQhlo7nDJrcKD6zYRjYbpHCy9rulnFV4-VCBI9emyClbzKiqeIXWYA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="104263338"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/104263338/_Un_segno_verso_l_impossibile_schede_per_Ligabue_di_Cesare_Zavattini"><img alt="Research paper thumbnail of «Un segno verso l’impossibile»: schede per Ligabue di Cesare Zavattini" class="work-thumbnail" src="https://attachments.academia-assets.com/104496765/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/104263338/_Un_segno_verso_l_impossibile_schede_per_Ligabue_di_Cesare_Zavattini">«Un segno verso l’impossibile»: schede per Ligabue di Cesare Zavattini</a></div><div class="wp-workCard_item"><span>Sovrimpressioni e intersezioni. Tra generi, intermedialità e transmedialità, a cura di Federica Barboni, Fatima El Matouni, Giulia Perosa, Padova, libreriauniversitaria.it, 2023, pp. 107-21</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="6582dcc14cda1d93964662dc52360294" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":104496765,"asset_id":104263338,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/104496765/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="104263338"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="104263338"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 104263338; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=104263338]").text(description); $(".js-view-count[data-work-id=104263338]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 104263338; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='104263338']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "6582dcc14cda1d93964662dc52360294" } } $('.js-work-strip[data-work-id=104263338]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":104263338,"title":"«Un segno verso l’impossibile»: schede per Ligabue di Cesare Zavattini","internal_url":"https://www.academia.edu/104263338/_Un_segno_verso_l_impossibile_schede_per_Ligabue_di_Cesare_Zavattini","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":104496765,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/104496765/thumbnails/1.jpg","file_name":"Galavotti_2023_Schede_per_Ligabue_di_Zavattini_abstract.pdf","download_url":"https://www.academia.edu/attachments/104496765/download_file","bulk_download_file_name":"Un_segno_verso_l_impossibile_schede_per.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/104496765/Galavotti_2023_Schede_per_Ligabue_di_Zavattini_abstract-libre.pdf?1690217032=\u0026response-content-disposition=attachment%3B+filename%3DUn_segno_verso_l_impossibile_schede_per.pdf\u0026Expires=1740839713\u0026Signature=dHKAyvzH72nidnYh3Jc~IFMeSj2ipHg7kAHVFTRKdUZF6X58e7H~oajoUzFlBqCsKCEDC54-m9IznBGE0IQUpx98EmhLCXg~kyKp0bV28F3qRkvCRWjnirvPWFJ5nWhksdl27M~ynZFrC3Q18kaHjul6-OfWxQ0af2hvxlcMHUP0lBUmfYzQUGJyxTTT30IICdpx7F4K9zoc-FEN9k7oYx55UH-GjH12vZuFITdbAj61gWdRZ9ClpMzDABZiyMB~Q83jSzAKXzd3q3JLvgdu8iri-PTgLbgrCtRajKXm~DDwrlUkmSMj1YhFiTnINmZ4ZLoeLoDiFK3EXaTZ7sOM1Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="103317860"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/103317860/Tracce_goethiane_nella_prefazione_del_Canzoniere_1921_di_Umberto_Saba"><img alt="Research paper thumbnail of Tracce goethiane nella prefazione del Canzoniere (1921) di Umberto Saba" class="work-thumbnail" src="https://attachments.academia-assets.com/103357218/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/103317860/Tracce_goethiane_nella_prefazione_del_Canzoniere_1921_di_Umberto_Saba">Tracce goethiane nella prefazione del Canzoniere (1921) di Umberto Saba</a></div><div class="wp-workCard_item"><span>Assenze e persistenze. Opacità intertestuali nella letteratura italiana, a cura di Noemi Nagy, Lies Verbaere, Raffaele Vitolo, Alessandria, Edizioni dell’Orso, 2023, pp. 165-81</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il saggio individua la presenza di una trama di citazioni dall’introduzione dell’autobiografia di...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il saggio individua la presenza di una trama di citazioni dall’introduzione dell’autobiografia di Goethe, letta in una traduzione di fine Ottocento, nella prefazione al primo Canzoniere (1921) di Umberto Saba. A partire da questo indizio vengono ripercorse le esplicite menzioni di Goethe e della sua opera nelle prose e nelle poesie di Saba, mentre l’ultima parte è dedicata al tentativo di risalire alle possibili traduzioni italiane delle poesie di Goethe che Saba poteva avere a sua disposizione. Le occasionali tangenze tra le poesie di Saba e le traduzioni italiane di Goethe lirico non paiono così stringenti quanto quelle con il Goethe autobiografo, che si rivela dunque un importante punto di riferimento critico e umano prima che poetico, e una guida sicura per la descrizione del lavoro di allestimento del Canzoniere.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="4054e42123de9efdd594bdd459a4cc9a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":103357218,"asset_id":103317860,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/103357218/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="103317860"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="103317860"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 103317860; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=103317860]").text(description); $(".js-view-count[data-work-id=103317860]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 103317860; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='103317860']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "4054e42123de9efdd594bdd459a4cc9a" } } $('.js-work-strip[data-work-id=103317860]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":103317860,"title":"Tracce goethiane nella prefazione del Canzoniere (1921) di Umberto Saba","internal_url":"https://www.academia.edu/103317860/Tracce_goethiane_nella_prefazione_del_Canzoniere_1921_di_Umberto_Saba","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":103357218,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/103357218/thumbnails/1.jpg","file_name":"A_P_2a_bozza_177.pdf","download_url":"https://www.academia.edu/attachments/103357218/download_file","bulk_download_file_name":"Tracce_goethiane_nella_prefazione_del_Ca.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/103357218/A_P_2a_bozza_177-libre.pdf?1686723408=\u0026response-content-disposition=attachment%3B+filename%3DTracce_goethiane_nella_prefazione_del_Ca.pdf\u0026Expires=1740852079\u0026Signature=c8-ztlqsfx64IITezz8qgtT~bd~GsrzyCDN4EsnaNEEXoMw-xepVLwYYD3c6y2zk4IwVgkp~8D5YJJiNT4xIN18OEYHvK-mSnNvH2DYBdV0VMcYatC2k~rjqzYCHOvCH1CXPG3Psk6BX6NCwRUhhtxWejz8gPCK~9CUL2QPBguBhOSGZpRQpXyTjECbHFeqdiqHLG2MRJReUca4LkSUMHQgm~S7OUz7G67056YwrDMDMpjDV~iILHqu4akEhCnxgGNTH3OXge~MM8Rgn960Ek90fFRrSN86j~7nV3KiXo06etMJMccDe4rc1ZFnO8Dc~Hn2DbOfBmjRwDxfWI1ti0A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="88075402"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/88075402/_Signor_Generale_Due_inediti_di_Nievo_garibaldino"><img alt="Research paper thumbnail of «Signor Generale!». Due inediti di Nievo garibaldino" class="work-thumbnail" src="https://attachments.academia-assets.com/92122942/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/88075402/_Signor_Generale_Due_inediti_di_Nievo_garibaldino">«Signor Generale!». Due inediti di Nievo garibaldino</a></div><div class="wp-workCard_item"><span>«Giornale storico della letteratura italiana», CXCIX (2022), 667, pp. 418-46</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b43ffead50ba98400a66216e17ee6b02" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":92122942,"asset_id":88075402,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/92122942/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="88075402"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="88075402"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 88075402; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=88075402]").text(description); $(".js-view-count[data-work-id=88075402]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 88075402; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='88075402']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b43ffead50ba98400a66216e17ee6b02" } } $('.js-work-strip[data-work-id=88075402]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":88075402,"title":"«Signor Generale!». Due inediti di Nievo garibaldino","internal_url":"https://www.academia.edu/88075402/_Signor_Generale_Due_inediti_di_Nievo_garibaldino","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":92122942,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/92122942/thumbnails/1.jpg","file_name":"Galavotti_2022_Abstract.pdf","download_url":"https://www.academia.edu/attachments/92122942/download_file","bulk_download_file_name":"Signor_Generale_Due_inediti_di_Nievo_ga.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/92122942/Galavotti_2022_Abstract-libre.pdf?1665161455=\u0026response-content-disposition=attachment%3B+filename%3DSignor_Generale_Due_inediti_di_Nievo_ga.pdf\u0026Expires=1740852079\u0026Signature=czRuAddO9wpKQSM1k5N79qB5Z2~t-cCrdNd6ZvvroJRH4w1i7QKuF~EGeM8iWorhEzhy4lvAMvWNTMqqmLWjh54nMkS0fnAVJVLfNbkJogDQqmWEyovZR68YPpT6ZjGSVNLTRicYaLwK39bHevWyj2o1YL3c-K-Pw2rbj7PIg8Prg5nuggliB91nOqINunIewg97awtDxJsSs-CrHJ2fgt9Nz6-Dhh1hV5ZdXyFiafioDn6gSahJ1e1YDp6whV03eefy~qYY~mHZFg7P10Ftu7vRjWZohERmKC25LbXHBYRt1o8thS-rPMuiXtJ~tx~b88OPL7HaatwURjC2NPxu4w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="79720236"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/79720236/Materiali_nieviani_presso_il_Museo_del_Risorgimento_di_Milano_Biblioteca_delle_Civiche_Raccolte_Storiche_inediti_chiarimenti_e_ipotesi"><img alt="Research paper thumbnail of Materiali nieviani presso il Museo del Risorgimento di Milano – Biblioteca delle Civiche Raccolte Storiche: inediti, chiarimenti e ipotesi" class="work-thumbnail" src="https://attachments.academia-assets.com/86339540/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/79720236/Materiali_nieviani_presso_il_Museo_del_Risorgimento_di_Milano_Biblioteca_delle_Civiche_Raccolte_Storiche_inediti_chiarimenti_e_ipotesi">Materiali nieviani presso il Museo del Risorgimento di Milano – Biblioteca delle Civiche Raccolte Storiche: inediti, chiarimenti e ipotesi</a></div><div class="wp-workCard_item"><span>«Pisana», 3 (2021), pp. 113-41</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3dfba39cf33879d8f6abd7b20eaa9116" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":86339540,"asset_id":79720236,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/86339540/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="79720236"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="79720236"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 79720236; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=79720236]").text(description); $(".js-view-count[data-work-id=79720236]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 79720236; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='79720236']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3dfba39cf33879d8f6abd7b20eaa9116" } } $('.js-work-strip[data-work-id=79720236]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":79720236,"title":"Materiali nieviani presso il Museo del Risorgimento di Milano – Biblioteca delle Civiche Raccolte Storiche: inediti, chiarimenti e ipotesi","internal_url":"https://www.academia.edu/79720236/Materiali_nieviani_presso_il_Museo_del_Risorgimento_di_Milano_Biblioteca_delle_Civiche_Raccolte_Storiche_inediti_chiarimenti_e_ipotesi","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":86339540,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/86339540/thumbnails/1.jpg","file_name":"Galavotti_2021_Pisana_n_3_1_.pdf","download_url":"https://www.academia.edu/attachments/86339540/download_file","bulk_download_file_name":"Materiali_nieviani_presso_il_Museo_del_R.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/86339540/Galavotti_2021_Pisana_n_3_1_-libre.pdf?1653297371=\u0026response-content-disposition=attachment%3B+filename%3DMateriali_nieviani_presso_il_Museo_del_R.pdf\u0026Expires=1740839713\u0026Signature=WImSesJJgdkia-UAC4WxOkXuTpGZ2mHQClylZfaF73BUCHQ7rkUFOTYqhwHup52evAUtdscjuRg6HY9fmOdjxBcP9fSxNn2XbFWm4rPA3JqjsLhQKVD-j7tJJhOfbQWldBlvYD9YbmLn6h0E-Wjw5AD5kQ1FQWnOYvOHTQUxCA7kmyqg~d-FIoFuSTml5mGVudPSkcBpNRHT7GhJ8HiFi0QNUTd-fl5Hlkfx1qPkmVVb-iPe8qvnLVERvOW5WU2972PR64fuqqAgHkhDoaQohVe9AwXIoAN0Svy9LuISrO2spP2WMLy3xHhpo2uACKzIugiX-VTQTA8EL4RuR5R7nA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="71103261"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/71103261/Note_sparse_su_metrica_e_macrotesto"><img alt="Research paper thumbnail of Note sparse su metrica e macrotesto" class="work-thumbnail" src="https://attachments.academia-assets.com/110235489/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/71103261/Note_sparse_su_metrica_e_macrotesto">Note sparse su metrica e macrotesto</a></div><div class="wp-workCard_item"><span>«Italique», XXIV (2021), pp. 135-55</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="91b935cd9b6ac22a5e9e5bb034b46e63" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":110235489,"asset_id":71103261,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/110235489/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="71103261"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="71103261"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 71103261; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=71103261]").text(description); $(".js-view-count[data-work-id=71103261]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 71103261; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='71103261']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "91b935cd9b6ac22a5e9e5bb034b46e63" } } $('.js-work-strip[data-work-id=71103261]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":71103261,"title":"Note sparse su metrica e macrotesto","internal_url":"https://www.academia.edu/71103261/Note_sparse_su_metrica_e_macrotesto","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":110235489,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/110235489/thumbnails/1.jpg","file_name":"italique_868.pdf","download_url":"https://www.academia.edu/attachments/110235489/download_file","bulk_download_file_name":"Note_sparse_su_metrica_e_macrotesto.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/110235489/italique_868-libre.pdf?1704813705=\u0026response-content-disposition=attachment%3B+filename%3DNote_sparse_su_metrica_e_macrotesto.pdf\u0026Expires=1740839713\u0026Signature=W5gYXKv3cQRbMFT3DqmnvN0nIQB~fm5IM8SG5lYJHk451lmitzT89h2z6BTGzbFlMjSWU0ERn3UxmKh2R48FGdpLx2xoKNcB4oPN8B7KXSJsifEp-UeOjSo4JQZ7Y3gZhH8EA6nUrMvA8YZzmBZTSgqGijIIGMOTVeeOWm8rbGb9W8D11LrZNtlk0texXOBDzDIFDdvZn5htt7jpfv04-JPxMcDjPko2UsCTB7oTjZKeuBOTWUgIlkFxRKs-v-V9NBcEjT8jmlLE2gkAZ3DcKXXxonrQ8qTJmVhCMDNsjw4pVvWz49Ay21RXsNgemsxs9dYJ4FdYx~A0As0lmOgmKQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="50265528"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/50265528/Rodolfo_Di_Biasio_e_i_turbamenti_della_fiducia"><img alt="Research paper thumbnail of Rodolfo Di Biasio e i turbamenti della fiducia" class="work-thumbnail" src="https://attachments.academia-assets.com/68316449/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/50265528/Rodolfo_Di_Biasio_e_i_turbamenti_della_fiducia">Rodolfo Di Biasio e i turbamenti della fiducia</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">«Treccani.it - Lingua Italiana», 26 luglio 2021, https://www.treccani.it/magazine/lingua_italiana...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">«Treccani.it - Lingua Italiana», 26 luglio 2021, <a href="https://www.treccani.it/magazine/lingua_italiana/speciali/Ventosa/3_Galavotti.html" rel="nofollow">https://www.treccani.it/magazine/lingua_italiana/speciali/Ventosa/3_Galavotti.html</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="c49254d17c32f4da9a0f6ffcf6aa485d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":68316449,"asset_id":50265528,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/68316449/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="50265528"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="50265528"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 50265528; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=50265528]").text(description); $(".js-view-count[data-work-id=50265528]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 50265528; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='50265528']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "c49254d17c32f4da9a0f6ffcf6aa485d" } } $('.js-work-strip[data-work-id=50265528]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":50265528,"title":"Rodolfo Di Biasio e i turbamenti della fiducia","internal_url":"https://www.academia.edu/50265528/Rodolfo_Di_Biasio_e_i_turbamenti_della_fiducia","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":68316449,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/68316449/thumbnails/1.jpg","file_name":"treccani.it_Rodolfo_Di_Biasio_e_i_turbamenti_della_fiducia.pdf","download_url":"https://www.academia.edu/attachments/68316449/download_file","bulk_download_file_name":"Rodolfo_Di_Biasio_e_i_turbamenti_della_f.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/68316449/treccani.it_Rodolfo_Di_Biasio_e_i_turbamenti_della_fiducia-libre.pdf?1627303939=\u0026response-content-disposition=attachment%3B+filename%3DRodolfo_Di_Biasio_e_i_turbamenti_della_f.pdf\u0026Expires=1740839713\u0026Signature=YlS1-2wFfcRgpvdK0MfxAQ4ntG3F~B6tOXJ1PetowolsGyZNTBSudqlxIbJBmMyVPlYMupnhLZhVtbHEqqXfY4kXqGqt9XjlsrDfhvsDdFt38P-8mjwFX5x-0wMAolxiokiSqmXIMakxzEhYMlF9iS~T30zcBN-DcK7AT5BxhMDfzv4XqiN4hn~AI3SfcQyTa5kxeTODhWGm9PK-dK0HNuF3mb1Irmd88r71rNQam-K0t9pfE-WBI80eAulDk45mvsAMZm9wyr74UdpCc6DjjydpYhxubWMiP9lYU4k9FZdOOEoC5sE3~MMPxkiTeRz~ZJyRZ9WGUdmr32N~Ssq9Ag__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44894013"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44894013/Per_un_ritratto_plausibile_di_Maffio_Venier"><img alt="Research paper thumbnail of Per un ritratto plausibile di Maffio Venier" class="work-thumbnail" src="https://attachments.academia-assets.com/94678828/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44894013/Per_un_ritratto_plausibile_di_Maffio_Venier">Per un ritratto plausibile di Maffio Venier</a></div><div class="wp-workCard_item"><span>«Italique», XXIII (2020), pp. 299-336</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="955025eb4c8ea225a5639ae6627e4333" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":94678828,"asset_id":44894013,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/94678828/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44894013"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44894013"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44894013; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44894013]").text(description); $(".js-view-count[data-work-id=44894013]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44894013; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44894013']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "955025eb4c8ea225a5639ae6627e4333" } } $('.js-work-strip[data-work-id=44894013]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44894013,"title":"Per un ritratto plausibile di Maffio Venier","internal_url":"https://www.academia.edu/44894013/Per_un_ritratto_plausibile_di_Maffio_Venier","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":94678828,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/94678828/thumbnails/1.jpg","file_name":"Galavotti_2020_Per_un_ritratto_plausibile_di_Maffio_Venier.pdf","download_url":"https://www.academia.edu/attachments/94678828/download_file","bulk_download_file_name":"Per_un_ritratto_plausibile_di_Maffio_Ven.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/94678828/Galavotti_2020_Per_un_ritratto_plausibile_di_Maffio_Venier-libre.pdf?1669136358=\u0026response-content-disposition=attachment%3B+filename%3DPer_un_ritratto_plausibile_di_Maffio_Ven.pdf\u0026Expires=1740839713\u0026Signature=cPMZmJ3O0fXB0z7abeqM4ZsDbfpSNLWa7s~UsMjFdg1UDUIiiJ9qTYrYlBTbCg4vB4MA7eyLuFs7rCEVwaKXqgh04JbiEsrlfsLVHtRZnUWieP55bHZuKrdEghJSr8C14h1QvZVRbG9Tpab-gAWQMQgPx2CBBnXDmXhbNc-3FxoVqQG9dt4CKbfl91uAsZN4HC9T9kXiRI2nMgpzFmIz-cxmFOTa92ldDWFrIkk-2uWWyq5ANLrsMX-IpZVcILkWyyYp40uJsauzBl8OHq9EUz3TZRwDr7TBAl6B4JwMsamwDATz54SFiur0wVjM3F-YJNFO8Q862SGJk8EYAhF1zQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="44641006"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/44641006/Approssimazioni_alla_terza_rima_del_Novecento_e_del_Duemila_"><img alt="Research paper thumbnail of Approssimazioni alla terza rima del Novecento (e del Duemila)" class="work-thumbnail" src="https://attachments.academia-assets.com/94678776/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/44641006/Approssimazioni_alla_terza_rima_del_Novecento_e_del_Duemila_">Approssimazioni alla terza rima del Novecento (e del Duemila)</a></div><div class="wp-workCard_item"><span>Nuove prospettive sulla terza rima. Da Dante al Duemila, a cura di Laura Facini, Jacopo Galavotti, Arnaldo Soldani, Giovanna Zoccarato, Padova, libreriauniversitaria.it, 2020, pp. 327-347</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">È impossibile aprire questo intervento senza fare riferimento al luogo comune che vuole il campo ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">È impossibile aprire questo intervento senza fare riferimento al luogo comune che vuole il campo della poesia progressivamente sempre più imprendibile, oceanico, non restringibile in agevoli sommari fatti di formule ed etichette. Si può però sempre tentare di circoscrivere il campo ponendosi nel vantaggioso punto di osservazione costituito dalla fortuna di un istituto formale. L'obiettivo di queste pagine è quello di indicare alcuni degli usi-un po' per medaglioni, un po' per fenomeni-della terza rima novecentesca dopo D'Annunzio e Pascoli, riprendendo quanto già ben detto nei due profi li di sintesi più utili in questo senso, cioè quelli di Edoardo Esposito e Gianfranca Lavezzi, 1 e provando a integrare soprattutto alcune zone del secondo Novecento e della stretta contemporaneità lì rimaste scoperte. La prima osservazione da fare è che la bibliografi a, salvo splendidi studi su singoli autori (per esempio Mengaldo su Govoni e su Fortini, Siti su Pasolini, Zucco su Giudici), 2 non offre panorami di ampio respiro come quelli che abbiamo-in ragione di un successo quantitativamente incomparabile-per il sonetto. 3</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b8caa69ff0b186fd43d89543488a461e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":94678776,"asset_id":44641006,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/94678776/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="44641006"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="44641006"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 44641006; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=44641006]").text(description); $(".js-view-count[data-work-id=44641006]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 44641006; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='44641006']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b8caa69ff0b186fd43d89543488a461e" } } $('.js-work-strip[data-work-id=44641006]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":44641006,"title":"Approssimazioni alla terza rima del Novecento (e del Duemila)","internal_url":"https://www.academia.edu/44641006/Approssimazioni_alla_terza_rima_del_Novecento_e_del_Duemila_","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":94678776,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/94678776/thumbnails/1.jpg","file_name":"Galavotti_2020_Approssimazioni_alla_terza_del_Novecento_e_del_Duemila_.pdf","download_url":"https://www.academia.edu/attachments/94678776/download_file","bulk_download_file_name":"Approssimazioni_alla_terza_rima_del_Nove.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/94678776/Galavotti_2020_Approssimazioni_alla_terza_del_Novecento_e_del_Duemila_-libre.pdf?1669136358=\u0026response-content-disposition=attachment%3B+filename%3DApprossimazioni_alla_terza_rima_del_Nove.pdf\u0026Expires=1740852079\u0026Signature=UHS7SulnRYIquwS6wZ3~Eu0dWFf8qzPAKcVsiil40D3RPjJ6cjZmQuQnuKGRm23edM4HAwO80QstTScRyxNfJ6daxmu-DkivNLTcV0KaSP~B3X1LWR2yc3MTSXRB5psVJabVkZWNmL1XCcrThj2bgKrc~K0n6XWnA92cP8is5lb0aXKTYcsPyRMGmNEH5Fpfst7ukohZn35bFbs00GGYkA3QujjWyizJuODk98ly-qoCyFkNoScR7woFqGlBYiKxRHtQqDLYu~-sK8h7MyxUVMAlJA7tO0GaAm8XfdUgTLBopWjZmLP1nafk~G1Eav10bn0KRmK7bKZGR9DFzxk56Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="43303380"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/43303380/_Ti_porto_al_buio_La_poesia_di_Cosimo_Ortesta"><img alt="Research paper thumbnail of «Ti porto al buio». La poesia di Cosimo Ortesta" class="work-thumbnail" src="https://attachments.academia-assets.com/63773474/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/43303380/_Ti_porto_al_buio_La_poesia_di_Cosimo_Ortesta">«Ti porto al buio». La poesia di Cosimo Ortesta</a></div><div class="wp-workCard_item"><span>«Treccani.it - Lingua Italiana», 10 giugno 2020, http://www.treccani.it/magazine/lingua_italiana/articoli/percorsi/percorsi_268.html</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Elegante traduttore dal francese, poeta dalle pubblicazioni rade e meditate, recensore raffinato,...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Elegante traduttore dal francese, poeta dalle pubblicazioni rade e meditate, recensore raffinato, Cosimo Ortesta ha incarnato quella figura di poeta-critico-traduttore così caratteristica del nostro Novecento. Anche da una posizione schiva e appartata si è guadagnato riconoscimenti importanti e amicizie con molti dei maestri della poesia del secondo Novecento, come Raboni, Giudici e Bertolucci. La sua opera poetica consiste in quattro raccolte (Il bagno degli occhi, 1980; La nera costanza, 1985; Nel progetto di un freddo perenne, 1989; Serraglio primaverile, 1999), seguite da un'autoantologia (Una piega meraviglia, 1999) e da un ultimo libro a metà tra queste due tipologie (La passione della biografia, 2006), che recupera il titolo del poemetto con cui aveva esordito in rivista nel 1975, mettendo questo testo al centro di una compagine di testi editi e inediti: segno della necessità di ripercorrere il proprio passato perché l'opera restituisca contemporaneamente un'immagine attuale dell'io e insieme il suo affondare profonde radici nel passato (il primo componimento, dedicato agli ultimi giorni di Proust, suggerisce allora di guardare proprio all'immagine conclusiva della Recherche, dove ogni individuo occupa uno spazio «prolungato a dismisura» nel tempo vissuto).</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="eb19317afe4ad6c564b7fa938f267afe" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63773474,"asset_id":43303380,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63773474/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="43303380"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="43303380"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 43303380; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=43303380]").text(description); $(".js-view-count[data-work-id=43303380]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 43303380; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='43303380']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "eb19317afe4ad6c564b7fa938f267afe" } } $('.js-work-strip[data-work-id=43303380]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":43303380,"title":"«Ti porto al buio». La poesia di Cosimo Ortesta","internal_url":"https://www.academia.edu/43303380/_Ti_porto_al_buio_La_poesia_di_Cosimo_Ortesta","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":63773474,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/63773474/thumbnails/1.jpg","file_name":"treccani.it-Ti_porto_al_buio_La_poesia_di_Cosimo_Ortesta.pdf","download_url":"https://www.academia.edu/attachments/63773474/download_file","bulk_download_file_name":"Ti_porto_al_buio_La_poesia_di_Cosimo_Or.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/63773474/treccani.it-Ti_porto_al_buio_La_poesia_di_Cosimo_Ortesta-libre.pdf?1593428286=\u0026response-content-disposition=attachment%3B+filename%3DTi_porto_al_buio_La_poesia_di_Cosimo_Or.pdf\u0026Expires=1740852079\u0026Signature=M8UG0O4qn7HUtgHBQM3WY9Zh9VDWPsBhh5Kyf9gItcTWgQzrwpCILhPQQIG1aC4638VUqP5G0k6AfUbnd-aeE7-dOjLEiZpSMxI2oc8yDAKFvDbx0~-tCSRZ9N-yMd1rx6G-TaaKaNQu2y1Z3y88OWTqba4dSWr0bogLrC9kxokv6bdg2F7BRm6FOuWxtqzJq5FYIrwJ2BezTuF4y9WxI1aK3S2NLg7-33XB9tRgwwJKuuIrqtH1LMyoLAjMeds~5F1gZjbD-bCES8q6KTFx6goxPW~JdVPpnjqz7AKuOBBVibhfwvOrnSfeZ9yoWbLCaYWtk53xgf~SaCz~7LQYWw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="41389239"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/41389239/Baudelaire_e_Pseudobaudelaire_Riscritture_e_travestimenti_in_Corrado_Costa"><img alt="Research paper thumbnail of Baudelaire e Pseudobaudelaire. Riscritture e travestimenti in Corrado Costa" class="work-thumbnail" src="https://attachments.academia-assets.com/67425106/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/41389239/Baudelaire_e_Pseudobaudelaire_Riscritture_e_travestimenti_in_Corrado_Costa">Baudelaire e Pseudobaudelaire. Riscritture e travestimenti in Corrado Costa</a></div><div class="wp-workCard_item"><span>«Studi italiani», XXXI (2019), 2, pp. 161-71</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Nonostante la generale assenza dai panorami della letteratura novecentesca, l'interesse per Corra...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Nonostante la generale assenza dai panorami della letteratura novecentesca, l'interesse per Corrado Costa si è decisamente ravvivato negli ultimi anni, anche grazie ai lavori di Eugenio Gazzola che ne ha curato un'ampia antologia delle opere2. Corrado Costa (1929-1991), di professione avvocato-difese, tra gli altri, Pier Vittorio Tondelli, poi assolto, al processo per oscenità contro Altri libertini-fu poeta, scrittore, performer, artista. Lo sdoppiamento tra il professionista e il poeta è icasticamente riassunto in un suo profilo autobiografico abbastanza noto, le cui poche righe che riporto danno la misura del suo piglio ironico e paradossale, oltre a introdurci al fondamentale motivo del doppio: «Corrado Costa sono due fratelli. Portano entrambi lo stesso nome. Hanno la stessa data di nascita […]. Il poeta scarica sul professionista umiliazioni, schemi, fatture e debiti in nero. Il professionista lavora e il poeta nullafacente vive felice, entusiasta e irriconoscente»3. Dal momento che ha proposto con continuità varie forme di riuso (parodia, citazione, controcanto ironico, travestimento), mi è parso opportuno affrontarlo ricorrendo alla categoria di "letteratura al secondo grado"-calzante sottotitolo dei Palinsesti di Genette. Si può fare subito l'esempio di un caso notevole di vero e proprio sdoppiamento testuale, su cui mi soffermo per poco, poiché esula dal nucleo principale del mio discorso. Si tratta di 1 Questo intervento, benché nell'affrontare un episodio della fortuna di Baudelaire sfiori appena il problema della traduzione, si inquadra nella mia collaborazione al progetto Tralyt-Translation and lyrical tradition between Italy and France (19th-21st century) [SIR 2014 RBSI14URLE], diretto da Tobia Zanon presso l'Università di Padova. 2 C. Costa, The complete films. Poesia Prosa Performance, a cura di E. Gazzola, con un'antologia multimediale a cura di D.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="0452745aa6db7ba48ad33b187ab7c54a" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67425106,"asset_id":41389239,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67425106/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="41389239"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="41389239"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 41389239; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=41389239]").text(description); $(".js-view-count[data-work-id=41389239]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 41389239; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='41389239']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "0452745aa6db7ba48ad33b187ab7c54a" } } $('.js-work-strip[data-work-id=41389239]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":41389239,"title":"Baudelaire e Pseudobaudelaire. Riscritture e travestimenti in Corrado Costa","internal_url":"https://www.academia.edu/41389239/Baudelaire_e_Pseudobaudelaire_Riscritture_e_travestimenti_in_Corrado_Costa","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":67425106,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/67425106/thumbnails/1.jpg","file_name":"Galavotti_2019_Baudelaire_e_Pseudobaudelaire._Riscritture_e_travestimenti_in_Corrado_Costa.pdf","download_url":"https://www.academia.edu/attachments/67425106/download_file","bulk_download_file_name":"Baudelaire_e_Pseudobaudelaire_Riscrittur.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/67425106/Galavotti_2019_Baudelaire_e_Pseudobaudelaire._Riscritture_e_travestimenti_in_Corrado_Costa-libre.pdf?1621936758=\u0026response-content-disposition=attachment%3B+filename%3DBaudelaire_e_Pseudobaudelaire_Riscrittur.pdf\u0026Expires=1740839713\u0026Signature=H0FhDgbxZZegTvfBnxLNbOdJebBqLFpROtfN8oztsO4Od8IHitT9qN9UVKeZfl6OFpl1yewkGU-o9fRn1icqZl-UH2UuhDekvtJK1rnd7Ve306ap2qM6RW5S4C4H7hBNjVo9rMyUTl3B4L~fwZmW2fwkPb3Q9pYsLoz5ZhicVCOgX40OqT57E--X7zByGShx3-VAoM5Uo5PPWvoOp10S5VZmuRLuXJtCHHGsrKuxVVipCXv5Md7T8irrxJY7l7z83JMuHIZOfJv0xwLy6Hw05UaMsTWo0~Y7bA-eW6yIPERA8JLFrdxbzUCXrXiJbFmrLB4l2OJYDzjumH69OxjK0w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="40844569"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40844569/Che_cosa_vuol_dire_selvaghesco_Una_nota_a_pi%C3%A8_di_pagina_per_Veronica_Franco"><img alt="Research paper thumbnail of Che cosa vuol dire «selvaghesco»? Una nota a piè di pagina per Veronica Franco" class="work-thumbnail" src="https://attachments.academia-assets.com/61130329/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40844569/Che_cosa_vuol_dire_selvaghesco_Una_nota_a_pi%C3%A8_di_pagina_per_Veronica_Franco">Che cosa vuol dire «selvaghesco»? Una nota a piè di pagina per Veronica Franco</a></div><div class="wp-workCard_item"><span>«Il Campiello - Revue jeunes chercheurs d'études vénitiennes», 4 (2019), pp. 5-16</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Il contributo prova a spiegare il significato del lemma "selvaghesco", hapax utilizzato da Veroni...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Il contributo prova a spiegare il significato del lemma "selvaghesco", hapax utilizzato da Veronica Franco in un capitolo indirizzato a Maffio Venier, mettendone in luce il legame con la produzione parodica contro i pedanti e contro le prostitute che ruota in quegli anni attorno al nome di Gabriele Salvago.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a330f3a2ba92ffa83cba3537b95d3031" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61130329,"asset_id":40844569,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61130329/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40844569"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40844569"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40844569; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40844569]").text(description); $(".js-view-count[data-work-id=40844569]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40844569; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40844569']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a330f3a2ba92ffa83cba3537b95d3031" } } $('.js-work-strip[data-work-id=40844569]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40844569,"title":"Che cosa vuol dire «selvaghesco»? Una nota a piè di pagina per Veronica Franco","internal_url":"https://www.academia.edu/40844569/Che_cosa_vuol_dire_selvaghesco_Una_nota_a_pi%C3%A8_di_pagina_per_Veronica_Franco","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":61130329,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/61130329/thumbnails/1.jpg","file_name":"Galavotti_2019_-_Che_cosa_svuol_dire_selvaghesco20191104-75088-1s2lp77.pdf","download_url":"https://www.academia.edu/attachments/61130329/download_file","bulk_download_file_name":"Che_cosa_vuol_dire_selvaghesco_Una_nota.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/61130329/Galavotti_2019_-_Che_cosa_svuol_dire_selvaghesco20191104-75088-1s2lp77-libre.pdf?1572941319=\u0026response-content-disposition=attachment%3B+filename%3DChe_cosa_vuol_dire_selvaghesco_Una_nota.pdf\u0026Expires=1740852079\u0026Signature=cI1ucO6l3kMvEjNMj2LivzNeWltPkmn8G05VJTO5NsgX3eg6YvN6McGAAlLfoBLRuZltt7rvDA~d-6QY8JgmUvmnPLSrY-XbKjDc3DpTM1~yQ7VgJ2iT9~UwBevwHS8gM0GFEmMEtdJbaZzfLmhYSKMV1MJ~cZe~91l1lAmj7QF~EK8Ga0C3CyRUx6Ar5qkcIKsPMglaEciPiCU5iwzTRrQQvCCWBnSkLbbp5HYTBh~tlVUVvTSmPkgHZqAiDxLwwyjouoBFxnfA1KYgH1id0zCvYYWnw7v1D5C8siTqBjYH8VIvhauIijYyvoHkPgVfl1KCE8tac1hkYsOj58DFNg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="40413461"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40413461/Cosimo_Ortesta_e_I_fiori_del_male"><img alt="Research paper thumbnail of Cosimo Ortesta e I fiori del male" class="work-thumbnail" src="https://attachments.academia-assets.com/60685430/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40413461/Cosimo_Ortesta_e_I_fiori_del_male">Cosimo Ortesta e I fiori del male</a></div><div class="wp-workCard_item"><span>«Stilistica e metrica italiana», XIX (2019), pp. 247-77</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">L’articolo si occupa della traduzione delle Fleurs du mal di Baudelaire realizzata da Cosimo Orte...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">L’articolo si occupa della traduzione delle Fleurs du mal di Baudelaire realizzata da Cosimo Ortesta, pubblicata da Giunti nel 1996. L’analisi verte sulla resa metrica e lessicale, ma soprattutto sul lavoro capillare del traduttore sulla sintassi e l’ordine delle parole. Nella lettura del sonetto La beauté si cerca anche di evidenziare il rapporto tra Ortesta e un saggio baudelairiano di Francesco Orlando, rapporto che emerge anche nelle pagine dedicate ad alcune tracce di Baudelaire nelle opere poetiche di Ortesta. L’autore propone infine un’ipotesi sull’origine intertestuale del titolo del poemetto La passione della biografia.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="8801ca204257d343c00e4f87d3d6ae05" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60685430,"asset_id":40413461,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60685430/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40413461"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40413461"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40413461; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40413461]").text(description); $(".js-view-count[data-work-id=40413461]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40413461; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40413461']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "8801ca204257d343c00e4f87d3d6ae05" } } $('.js-work-strip[data-work-id=40413461]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40413461,"title":"Cosimo Ortesta e I fiori del male","internal_url":"https://www.academia.edu/40413461/Cosimo_Ortesta_e_I_fiori_del_male","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":60685430,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/60685430/thumbnails/1.jpg","file_name":"Ortesta_e_Baudelaire.pdf","download_url":"https://www.academia.edu/attachments/60685430/download_file","bulk_download_file_name":"Cosimo_Ortesta_e_I_fiori_del_male.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/60685430/Ortesta_e_Baudelaire-libre.pdf?1569306736=\u0026response-content-disposition=attachment%3B+filename%3DCosimo_Ortesta_e_I_fiori_del_male.pdf\u0026Expires=1740852079\u0026Signature=fr~ptLy2ElvjiW8blts5oSuqafwz56YAs1~elZtpcu1cPLG6wCWfzjdWRuL2vtyqVdAn6BvT3ejrmL2vFBkJmi7KjRhuIJQIl8vEv8dJJABgBzBRWkgciOS~mIcnBnJ6aX7-8HYMC3oIwz3TGKJ862avDYeu8bVzjA942kfrtKTq5rD5ZzbONbUUOyzdegMz5vxwstYhvOihOd5z6-yATFpOwl2CfG3kDXWMgZKFw5G14Y9Jlzc6og7toDWDY0jaLl1Os7nJSOT6vOUXlsVpoVJMw6EcOc60DZset7GinKuxAgi0YqlGsECWYvZbnNdX~kk-1WIe6j50nt7HMXTDLw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="39355746"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/39355746/Saba_tra_Orfeo_e_Pery_l_ultimo_bellissimo_verso_di_Ceneri"><img alt="Research paper thumbnail of Saba tra Orfeo e Pery: l’“ultimo bellissimo verso” di Ceneri" class="work-thumbnail" src="https://attachments.academia-assets.com/67425100/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/39355746/Saba_tra_Orfeo_e_Pery_l_ultimo_bellissimo_verso_di_Ceneri">Saba tra Orfeo e Pery: l’“ultimo bellissimo verso” di Ceneri</a></div><div class="wp-workCard_item"><span>L’ultimo Umberto Saba: poesie e prose, a cura di Jacopo Galavotti, Antonio Girardi, Arnaldo Soldani, Firenze, Società Editrice Fiorentina, 2019, pp. 15-24</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Proprietà letteraria riservata Riproduzione, in qualsiasi forma, intera o parziale, vietata Pubbl...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Proprietà letteraria riservata Riproduzione, in qualsiasi forma, intera o parziale, vietata Pubblicato con il contributo del Dipartimento di Culture e Civiltà dell'Università degli Studi di Verona Indice vii arnaldo soldani Prefazione l'ultimo umberto saba: poesie e prose 3 antonio girardi Lo stile dell'ultimo Saba 15 jacopo galavotti Saba tra Orfeo e Pery: l'«ultimo bellissimo verso» di Ceneri 25 gianfranca lavezzi Oltre Mediterranee: una conclusione provvisoria? 43 enrico tatasciore L'ornitologo pietoso. Per una lettura di Uccelli e di Quasi un racconto 71 federica massia La poesia di Saba in lingua inglese: analisi comparata di alcune traduzioni di Ulisse 87 thomas mazzucco «Di mio ci ho messo lo stile». La forma delle scorciatoie 103 veronica albi L'epistolario di Umberto Saba come officina di Scorciatoie ilaria cavallin Citare per commentare. Autocitazione e citazione in Storia e Cronistoria del Canzoniere stefano carrai Ernesto o il ritorno del rimosso Indice dei nomi Jacopo Galavotti Saba tra Orfeo e Pery: l'«ultimo bellissimo verso» di Ceneri</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="290f9b2d32a23500e2f879ce12522dcd" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":67425100,"asset_id":39355746,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/67425100/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="39355746"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="39355746"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 39355746; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=39355746]").text(description); $(".js-view-count[data-work-id=39355746]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 39355746; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='39355746']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "290f9b2d32a23500e2f879ce12522dcd" } } $('.js-work-strip[data-work-id=39355746]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":39355746,"title":"Saba tra Orfeo e Pery: l’“ultimo bellissimo verso” di Ceneri","internal_url":"https://www.academia.edu/39355746/Saba_tra_Orfeo_e_Pery_l_ultimo_bellissimo_verso_di_Ceneri","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":67425100,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/67425100/thumbnails/1.jpg","file_name":"Galavotti_2019_Saba_tra_Orfeo_e_Pery.pdf","download_url":"https://www.academia.edu/attachments/67425100/download_file","bulk_download_file_name":"Saba_tra_Orfeo_e_Pery_l_ultimo_bellissim.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/67425100/Galavotti_2019_Saba_tra_Orfeo_e_Pery-libre.pdf?1621936757=\u0026response-content-disposition=attachment%3B+filename%3DSaba_tra_Orfeo_e_Pery_l_ultimo_bellissim.pdf\u0026Expires=1740852080\u0026Signature=TLVdFku~Wy4-gr2SiuDmdNMqUqUusgp4It4oJJRV8dgTwHTs7dWgA8QBs4FJGyzWcnf-fde87RMaTJhDKD-8KK9GP-lnBOkgwIcLSJx5bZb8dNb7ftWsjzGKwe5UtUU6pJr4iu9w094QTmUEoCJ2S3gNCGUqjnQMdL1VsHtj9fe6I6KF7MtINST7Xu6CwOMe5FutBINjuE3jlgHEAboV8sbmFDwqDShq0~-4RQg1fC9g6rWrU2hkbEkwgkgzBM0wk-wzBxTeF~Okl4vlzEKjHGcIQusYAw4xchWi7c9a7i8qotzq1EOcaDaB22Hv~QmRLnIyzR0L~pfGbS9OfkgkUQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38483683"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38483683/Esperimenti_sulla_sestina_nel_secondo_Cinquecento"><img alt="Research paper thumbnail of Esperimenti sulla sestina nel secondo Cinquecento" class="work-thumbnail" src="https://attachments.academia-assets.com/60831302/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38483683/Esperimenti_sulla_sestina_nel_secondo_Cinquecento">Esperimenti sulla sestina nel secondo Cinquecento</a></div><div class="wp-workCard_item"><span>«Stilistica e metrica italiana», XVIII (2018), pp. 105-34</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">ESPERIMENTI SULLA SESTINA NEL SECONDO CINQUECENTO Nel suo studio sulla sestina, Gabriele Frasca h...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">ESPERIMENTI SULLA SESTINA NEL SECONDO CINQUECENTO Nel suo studio sulla sestina, Gabriele Frasca ha osservato che, dopo il panorama eterogeneo del XIV e XV secolo, in seguito alla codificazione petrarchista la norma compositiva del metro è ormai definitivamente assestata e il genere gode di buona diffusione nel Cinquecento. 1 Nelle antologie poetiche schedate nel database Lyra, le sestine sono 61, cui se ne aggiungono 6 doppie: non poche in proporzione alle 241 canzoni. Tra le sestine doppie sono ospitati anche due esperimenti estremisti di Claudio Tolomei e Muzio Manfredi che riducono l'alternanza a due sole parole-rima, variamente ordinate nelle diverse stanze, 2 ciò che accade anche in diversi sonetti, dove la ricerca dell'antitesi o del parallelismo assurgono a fondamento strutturale, al punto da imporsi sull'intero testo. È una pratica da ricondurre a una generale tendenza all'artificio, a quella riduzione manieristica del modello petrarchesco cui concorre buona parte della lirica tardocinquecentesca. La scelta di utilizzare un metro costitutivamente artificioso e costrittivo sembra favorire la ricerca di ulteriori virtuosismi formali, portando diversi autori a rispondere con nuove complicazioni.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="3fc5a268a858869dece92f2805ced612" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60831302,"asset_id":38483683,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60831302/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38483683"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38483683"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38483683; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38483683]").text(description); $(".js-view-count[data-work-id=38483683]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38483683; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38483683']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "3fc5a268a858869dece92f2805ced612" } } $('.js-work-strip[data-work-id=38483683]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38483683,"title":"Esperimenti sulla sestina nel secondo Cinquecento","internal_url":"https://www.academia.edu/38483683/Esperimenti_sulla_sestina_nel_secondo_Cinquecento","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":60831302,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/60831302/thumbnails/1.jpg","file_name":"Galavotti_2018a_-_Esperimenti_sulla_sestina_nel_secondo_Cinquecento.pdf","download_url":"https://www.academia.edu/attachments/60831302/download_file","bulk_download_file_name":"Esperimenti_sulla_sestina_nel_secondo_Ci.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/60831302/Galavotti_2018a_-_Esperimenti_sulla_sestina_nel_secondo_Cinquecento-libre.pdf?1570515274=\u0026response-content-disposition=attachment%3B+filename%3DEsperimenti_sulla_sestina_nel_secondo_Ci.pdf\u0026Expires=1740852080\u0026Signature=eBmjJ0c~ZXDZdezwvHngWG-x64v9P4~64adDlwh8foDkm7H1q9H39pIVJfRqUVKyE2~eYBBcGbMPsLVc2JcELCXA7BsKiiOM0cJ7pBiHWUYbw6oYdTAS6IaFccV8ZERSxnXi4Z6JgjTF3IJqIuFW3arbBdZZ3OVvoGRvXwXYhyksE0sK3S1pJHzVs~2ERJU9SNZsal4LITSOY~xN2dC20I0hq0fGFL0ZSactWdUbEnvQq5KF7uu~Pbk5GSfMeEuIvv~cQK12WZlPt6AxtRpFK54~ttIMCA9LdKETD4QoDRB3CAasMUZE7CEa7QhV2WO6hZO0xBg0Yg3b-yDg7~iCcQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38483664"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38483664/Usi_dell_ottava_al_circolo_di_Domenico_Venier"><img alt="Research paper thumbnail of Usi dell’ottava al circolo di Domenico Venier" class="work-thumbnail" src="https://attachments.academia-assets.com/58550059/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38483664/Usi_dell_ottava_al_circolo_di_Domenico_Venier">Usi dell’ottava al circolo di Domenico Venier</a></div><div class="wp-workCard_item"><span>Nuove prospettive sull’ottava rima, a cura di Laura Facini, Lecce, PensaMultimedia, 2018, pp. 227-246</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="146f724f44bf611edef45c49f926337e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58550059,"asset_id":38483664,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58550059/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38483664"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38483664"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38483664; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38483664]").text(description); $(".js-view-count[data-work-id=38483664]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38483664; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38483664']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "146f724f44bf611edef45c49f926337e" } } $('.js-work-strip[data-work-id=38483664]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38483664,"title":"Usi dell’ottava al circolo di Domenico Venier","internal_url":"https://www.academia.edu/38483664/Usi_dell_ottava_al_circolo_di_Domenico_Venier","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":58550059,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58550059/thumbnails/1.jpg","file_name":"Galavotti_2018_-_Usi_dellottava_al_circolo_di_Domenico_Venier.pdf","download_url":"https://www.academia.edu/attachments/58550059/download_file","bulk_download_file_name":"Usi_dell_ottava_al_circolo_di_Domenico_V.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58550059/Galavotti_2018_-_Usi_dellottava_al_circolo_di_Domenico_Venier-libre.pdf?1551723996=\u0026response-content-disposition=attachment%3B+filename%3DUsi_dell_ottava_al_circolo_di_Domenico_V.pdf\u0026Expires=1740852080\u0026Signature=BB7iDYHD1dHWuckrH1Fk5os4XLIv9j62LJIc1QEEzaw-qM20DwUgHIHP0saSDrHRvHhiyzbe-E-oyFl0huIUC0MEsz9clHTpmf0pujLHHxDqx9ubB~3vBavuWGGYz8z6YRaYab~-OPNrFSTEWS7DeuqdgiedgwhGPAdWAzuHbC2uXHLqwPp9DgkVUSZ66d~ON~N81p9KbqqKtDn0iHnVBKzeUhq6ydjFuSlV31qderoElFA6VF13tMFSBhvKMFSpYnaYB3-N0V1XCqxQgdZKB7u7iPZB6OAgnCJzzz0c0iG9WfAuoL~mtUBvt7zeaVk9XrfgYaJdu8lQXFWkwf~ulQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="38123948"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/38123948/_L_arte_%C3%A8_una_cosa_ingenua_Appunti_su_Un_po_di_febbre_di_Sandro_Penna_"><img alt="Research paper thumbnail of «L’arte è una cosa ingenua»? Appunti su Un po’ di febbre [di Sandro Penna]" class="work-thumbnail" src="https://attachments.academia-assets.com/58153942/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/38123948/_L_arte_%C3%A8_una_cosa_ingenua_Appunti_su_Un_po_di_febbre_di_Sandro_Penna_">«L’arte è una cosa ingenua»? Appunti su Un po’ di febbre [di Sandro Penna]</a></div><div class="wp-workCard_item"><span>«Ma che bellezza c’è nella poesia?». Saggi su Sandro Penna, a cura di Gandolfo Cascio e Roberto Deidier, Amsterdam, Istituto Italiano di Cultura, 2018, pp. 121-37</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="b72c013e9ce537f20aad2568d9c96176" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":58153942,"asset_id":38123948,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/58153942/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="38123948"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="38123948"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 38123948; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=38123948]").text(description); $(".js-view-count[data-work-id=38123948]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 38123948; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='38123948']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "b72c013e9ce537f20aad2568d9c96176" } } $('.js-work-strip[data-work-id=38123948]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":38123948,"title":"«L’arte è una cosa ingenua»? Appunti su Un po’ di febbre [di Sandro Penna]","internal_url":"https://www.academia.edu/38123948/_L_arte_%C3%A8_una_cosa_ingenua_Appunti_su_Un_po_di_febbre_di_Sandro_Penna_","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":58153942,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/58153942/thumbnails/1.jpg","file_name":"Galavotti_2018_-_Larte_e_una_cosa_ingenua.pdf","download_url":"https://www.academia.edu/attachments/58153942/download_file","bulk_download_file_name":"L_arte_e_una_cosa_ingenua_Appunti_su_Un.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/58153942/Galavotti_2018_-_Larte_e_una_cosa_ingenua-libre.pdf?1547119941=\u0026response-content-disposition=attachment%3B+filename%3DL_arte_e_una_cosa_ingenua_Appunti_su_Un.pdf\u0026Expires=1740839713\u0026Signature=HE6v~Y~Xm60iNyroIXEBA6OwxeIGgTzb2iGhzV~TZHb13BPmoZpOje1HInuyctHZnKAxjBR-OXlTQNBr8LVoeN5gzYv1oiYP~~MhQbH075UTN0f0qZz65fjIshjPZXtmCQwqgyU71-XohOPzQWWk-bcIqjy4lJg9n1N0nURL5N1RQ28scb90r3npz~~rmtysqO75TxZTFk2~UOO~KcbobB344T9PXDeq5N9qP~7hsgVlTenkiPHYvTcbxWn~PbPkX83Uf4Dohu0jMunwC6qfsxSg~PbsAy-4OQ6KSmOEt17pVr-6X-BminRPB8G51yJzNEWkPQmLvg93v3Y-gXYYLg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="36966904"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/36966904/La_costanza_del_dolore_nel_libro_di_una_vita_Casa_e_campagna_di_Umberto_Saba"><img alt="Research paper thumbnail of La costanza del dolore nel libro di una vita: Casa e campagna di Umberto Saba" class="work-thumbnail" src="https://attachments.academia-assets.com/56916496/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/36966904/La_costanza_del_dolore_nel_libro_di_una_vita_Casa_e_campagna_di_Umberto_Saba">La costanza del dolore nel libro di una vita: Casa e campagna di Umberto Saba</a></div><div class="wp-workCard_item"><span>Brevitas. Percorsi estetici tra forma breve e frammento nelle letterature occidentali, a cura di Stefano Pradel e Carlo Tirinanzi De Medici, Trento, Università degli Studi di Trento-Dipartimento di Lettere e Filosofia, 2018, pp. 197-213</span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">SOMMARIO CARLO TIRINANZI DE MEDICI, Breve/lungo. Declinazioni letterarie di due radicali cognitiv...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">SOMMARIO CARLO TIRINANZI DE MEDICI, Breve/lungo. Declinazioni letterarie di due radicali cognitivi 7 I. ESPLORAZIONI STORICO-TEORICHE IRÈNE KRISTEVA, Le fragment: l'opus hoc tenue par excellence 49 ADALGISA MINGATI, Forma breve e narrazione a cornice: le 'serate' o 'veglie' nella prosa russa (1770-1840) 67 MARTA AGUDO, El poema en prosa y su presunta brevedad 87 INJAZETTE BOURAOUI MABROUK, S'écrire dans l'intranquillité et le trouble du fragment: le cas de Jacques Dupin 101 II. LE FORME BREVI DELLA POESIA GIULIANA CALABRESE, Breves poemas sin poeta: el haiku en la poesía española contemporánea 117 ENRICO RICCARDO ORLANDO, I Frammenti di Giovanni Boine 135 ERIK PESENTI ROSSI, La poesia di Mario Novaro: una filosofia breve? 161 JASMINE BLASIOTTI, «Gusci» di poesia nell'Harmonium di Wallace Stevens 181 JACOPO GALAVOTTI, La costanza del dolore nel libro di una vita: Casa e campagna di Umberto Saba 197 JORDI DOCE, Contra la muerte. La escritura breve en Elias Canetti 215 STEFANO PRADEL, Léxico de la ruina: Al dios del lugar de J.Á. Valente 227 III. LE FORME BREVI DELLA PROSA FLAVIA PALMA, La manipolazione della brevitas novellistica nelle Cene del Lasca 243 NICOLÒ RUBBI, La rotondità della sfera e l'economia della parola. Alcune considerazioni sulla brevità del racconto tra Borges e Cortázar 269 CARLO TIRINANZI DE MEDICI, Al di qua e al di là del romanzo. Forme brevi e tensione unitaria nella narrativa italiana degli anni Ottanta 281 PAOLO GERVASI, Pulsazioni della coscienza. Forma breve ed emozioni primarie nella scrittura di Michele Mari 317 ANTONIO COIRO, Una storia «distratta e interrotta»: il racconto frammentario di Piove all'insù di Luca Rastello 347 STEFANO PRADEL, Un tentativo di chiusura, un tentativo di apertura 357 JACOPO GALAVOTTI LA COSTANZA DEL DOLORE NEL LIBRO DI UNA VITA: CASA E CAMPAGNA DI UMBERTO SABA Un grande amore (disse) un grande dolore Quelle O larghe immense e un tremolo di erre Capra belante e acuti fra rughe Sioux Di stregone bellissimo gli occhi celesti Giovanni Giudici, La via</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7e1b6301a9b42e965cd5577e0a953de7" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":56916496,"asset_id":36966904,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/56916496/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="36966904"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="36966904"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 36966904; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=36966904]").text(description); $(".js-view-count[data-work-id=36966904]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 36966904; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='36966904']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7e1b6301a9b42e965cd5577e0a953de7" } } $('.js-work-strip[data-work-id=36966904]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":36966904,"title":"La costanza del dolore nel libro di una vita: Casa e campagna di Umberto Saba","internal_url":"https://www.academia.edu/36966904/La_costanza_del_dolore_nel_libro_di_una_vita_Casa_e_campagna_di_Umberto_Saba","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":56916496,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/56916496/thumbnails/1.jpg","file_name":"Galavotti_2018_-_La_costanza_del_dolore_nel_libro_di_una_vita.pdf","download_url":"https://www.academia.edu/attachments/56916496/download_file","bulk_download_file_name":"La_costanza_del_dolore_nel_libro_di_una.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/56916496/Galavotti_2018_-_La_costanza_del_dolore_nel_libro_di_una_vita-libre.pdf?1530615720=\u0026response-content-disposition=attachment%3B+filename%3DLa_costanza_del_dolore_nel_libro_di_una.pdf\u0026Expires=1740839713\u0026Signature=SZdcEVaExBTpvWoEsnQjpeoIbY~qGkvM4SwPicP1XLBK~JdXpJEy0TF0nkOgcGioyBtH13h9326pFrOxCfj-Adzeq6MkXdY2ImzolS3SLmlOEqIssepcfmNapVhzXGOyow38bLgYVIyhyLbjG1oGpIn4mGn~RFSj3FNCFkqx7TxZO1uR3uPimASP9XXfA-v51U0bNS9j8PuAfb1c2Z2Nt5Nu-MGCENcCVtHNfS5NHj4waUcu2x2voPFyMuJL0vCOXeloyzWuZU0HZHBCaRT7nemh1pOa5D2TcheXDxYtOfTxDTfbN8ZunJY~bO8~04QvL8REOIXn4Dys44lWAfn~1w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="1931289" id="recensioni"><div class="js-work-strip profile--work_container" data-work-id="104263007"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/104263007/Vittorio_Coletti_Storia_dell_italiano_letterario_Dalle_origini_al_XXI_secolo_nuova_edizione_riveduta_e_ampliata_Torino_Einaudi_2022_Giornale_di_storia_della_lingua_italiana_a_II_2023_n_1_pp_147_49"><img alt="Research paper thumbnail of Vittorio Coletti, Storia dell’italiano letterario. Dalle origini al XXI secolo, nuova edizione riveduta e ampliata (Torino, Einaudi, 2022), «Giornale di storia della lingua italiana», a. II (2023), n. 1, pp. 147-49" class="work-thumbnail" src="https://attachments.academia-assets.com/104039824/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/104263007/Vittorio_Coletti_Storia_dell_italiano_letterario_Dalle_origini_al_XXI_secolo_nuova_edizione_riveduta_e_ampliata_Torino_Einaudi_2022_Giornale_di_storia_della_lingua_italiana_a_II_2023_n_1_pp_147_49">Vittorio Coletti, Storia dell’italiano letterario. Dalle origini al XXI secolo, nuova edizione riveduta e ampliata (Torino, Einaudi, 2022), «Giornale di storia della lingua italiana», a. II (2023), n. 1, pp. 147-49</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="11fa398c5e3ffc33c480c8f1fcea3add" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":104039824,"asset_id":104263007,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/104039824/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="104263007"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="104263007"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 104263007; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=104263007]").text(description); $(".js-view-count[data-work-id=104263007]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 104263007; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='104263007']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "11fa398c5e3ffc33c480c8f1fcea3add" } } $('.js-work-strip[data-work-id=104263007]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":104263007,"title":"Vittorio Coletti, Storia dell’italiano letterario. Dalle origini al XXI secolo, nuova edizione riveduta e ampliata (Torino, Einaudi, 2022), «Giornale di storia della lingua italiana», a. II (2023), n. 1, pp. 147-49","internal_url":"https://www.academia.edu/104263007/Vittorio_Coletti_Storia_dell_italiano_letterario_Dalle_origini_al_XXI_secolo_nuova_edizione_riveduta_e_ampliata_Torino_Einaudi_2022_Giornale_di_storia_della_lingua_italiana_a_II_2023_n_1_pp_147_49","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":104039824,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/104039824/thumbnails/1.jpg","file_name":"2023_Coletti_Resoconti_1_.pdf","download_url":"https://www.academia.edu/attachments/104039824/download_file","bulk_download_file_name":"Vittorio_Coletti_Storia_dell_italiano_le.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/104039824/2023_Coletti_Resoconti_1_-libre.pdf?1688569438=\u0026response-content-disposition=attachment%3B+filename%3DVittorio_Coletti_Storia_dell_italiano_le.pdf\u0026Expires=1740852080\u0026Signature=ZlX0PQnYBJfS8NbbZzTP9Q8Acwz~W0Z9yyONpIaGW~PdG5~gQJ1j-PNussNV0aK8eVnt2YfbkDn39s3BNL0fybfTS1vgJbxYHivLYnZ7TlL4b0txDZ8NVHS~JRoRETWuRZsy9-zzO62lQ5RClkeWy-ZdsDsju-Qp4YsILxTY1ACtWHSclpmFy5RamZP6HQfNVmCZXUgHo2mSlESx~GiRHk69fGhjLpi5ON19YuQMfDRwtKexBB0QbnoFj979AXz2xYTp~pCWfWFHFVQzHfwb6KWuqfiaye4iX-t8-6g-INi6KRMRdrBvhdxP5yR-fY4XYYrQfx9nhR3gRrktJRunxQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="96911128"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" rel="nofollow" href="https://www.academia.edu/96911128/Maiko_Favaro_Ambiguit%C3%A0_del_petrarchismo_Un_percorso_fra_trattati_d_amore_lettere_e_templi_di_rime_Milano_FrancoAngeli_2021_Germanisch_Romanische_Monatsschrift_73_2023_n_1_pp_95_97"><img alt="Research paper thumbnail of Maiko Favaro, Ambiguità del petrarchismo. Un percorso fra trattati d’amore, lettere e templi di rime (Milano, FrancoAngeli, 2021), «Germanisch-Romanische Monatsschrift», 73 (2023), n. 1, pp. 95-97." class="work-thumbnail" src="https://a.academia-assets.com/images/blank-paper.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" rel="nofollow" href="https://www.academia.edu/96911128/Maiko_Favaro_Ambiguit%C3%A0_del_petrarchismo_Un_percorso_fra_trattati_d_amore_lettere_e_templi_di_rime_Milano_FrancoAngeli_2021_Germanisch_Romanische_Monatsschrift_73_2023_n_1_pp_95_97">Maiko Favaro, Ambiguità del petrarchismo. Un percorso fra trattati d’amore, lettere e templi di rime (Milano, FrancoAngeli, 2021), «Germanisch-Romanische Monatsschrift», 73 (2023), n. 1, pp. 95-97.</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="96911128"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="96911128"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 96911128; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=96911128]").text(description); $(".js-view-count[data-work-id=96911128]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 96911128; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='96911128']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (false){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "-1" } } $('.js-work-strip[data-work-id=96911128]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":96911128,"title":"Maiko Favaro, Ambiguità del petrarchismo. Un percorso fra trattati d’amore, lettere e templi di rime (Milano, FrancoAngeli, 2021), «Germanisch-Romanische Monatsschrift», 73 (2023), n. 1, pp. 95-97.","internal_url":"https://www.academia.edu/96911128/Maiko_Favaro_Ambiguit%C3%A0_del_petrarchismo_Un_percorso_fra_trattati_d_amore_lettere_e_templi_di_rime_Milano_FrancoAngeli_2021_Germanisch_Romanische_Monatsschrift_73_2023_n_1_pp_95_97","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="42888381"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/42888381/Sara_Giovine_Cos%C3%AC_vien_poetando_lAriosto_Strutture_sintattiche_e_strategie_retoriche_nellOrlando_furioso_di_Ludovico_Ariosto_Firenze_Cesati_2020_Treccani_it_Lingua_Italiana_22_aprile_2020"><img alt="Research paper thumbnail of Sara Giovine, Così vien poetando l'Ariosto. Strutture sintattiche e strategie retoriche nell'Orlando furioso di Ludovico Ariosto (Firenze, Cesati, 2020), «Treccani.it - Lingua Italiana», 22 aprile 2020" class="work-thumbnail" src="https://attachments.academia-assets.com/63794952/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/42888381/Sara_Giovine_Cos%C3%AC_vien_poetando_lAriosto_Strutture_sintattiche_e_strategie_retoriche_nellOrlando_furioso_di_Ludovico_Ariosto_Firenze_Cesati_2020_Treccani_it_Lingua_Italiana_22_aprile_2020">Sara Giovine, Così vien poetando l'Ariosto. Strutture sintattiche e strategie retoriche nell'Orlando furioso di Ludovico Ariosto (Firenze, Cesati, 2020), «Treccani.it - Lingua Italiana», 22 aprile 2020</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">http://www.treccani.it/magazine/lingua_italiana/recensioni/recensione_202.html</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="48d367043446b034f6184339a306b3c6" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":63794952,"asset_id":42888381,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/63794952/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="42888381"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="42888381"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 42888381; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=42888381]").text(description); $(".js-view-count[data-work-id=42888381]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 42888381; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='42888381']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "48d367043446b034f6184339a306b3c6" } } $('.js-work-strip[data-work-id=42888381]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":42888381,"title":"Sara Giovine, Così vien poetando l'Ariosto. Strutture sintattiche e strategie retoriche nell'Orlando furioso di Ludovico Ariosto (Firenze, Cesati, 2020), «Treccani.it - Lingua Italiana», 22 aprile 2020","internal_url":"https://www.academia.edu/42888381/Sara_Giovine_Cos%C3%AC_vien_poetando_lAriosto_Strutture_sintattiche_e_strategie_retoriche_nellOrlando_furioso_di_Ludovico_Ariosto_Firenze_Cesati_2020_Treccani_it_Lingua_Italiana_22_aprile_2020","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":63794952,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/63794952/thumbnails/1.jpg","file_name":"treccani.it-Cosi_vien_poetando_lAriosto_Strutture_sintattiche_e_strategie_retoriche_nellOrlando_Furioso_di_Ludovi.pdf","download_url":"https://www.academia.edu/attachments/63794952/download_file","bulk_download_file_name":"Sara_Giovine_Cosi_vien_poetando_lAriosto.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/63794952/treccani.it-Cosi_vien_poetando_lAriosto_Strutture_sintattiche_e_strategie_retoriche_nellOrlando_Furioso_di_Ludovi-libre.pdf?1593588436=\u0026response-content-disposition=attachment%3B+filename%3DSara_Giovine_Cosi_vien_poetando_lAriosto.pdf\u0026Expires=1740852080\u0026Signature=K~-kYoLx3s4FwWin6ogrwgzYdHE3oZVB3C8UP9EO8B2Rq2MXWOe4SsUXFHJyJbo9m-9M9o800RxshCPaVs9CHQdhZwaExeynm96TzVmLV8XD5OibVtM0T4cnRfIQExaZVX7eMf-Q7ih96SgrjUJo~kIbEC1ooYv5OQicxnMBx0dyJoFN-eqLdgvi~1eKUGhiTkPSxt3GzmluW2EFhhH2JCIjI2mkg2YEwFoDODt5ZKpKB72xUxwY25RkpuoD5jjEVj7BMB7NBy3BvxMROT5w~eo3GVJ0Qr0XrAzHKzlJ2LUsweftf7bPtsPEqhZOJZbhUR99fONOYxtFxgSWxnZO3A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="30442617"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/30442617/Stefano_D_Arrigo_Codice_siciliano_Messina_Mesogea_2015_Rivista_unaspecie_29_gennaio_2016"><img alt="Research paper thumbnail of Stefano D’Arrigo, Codice siciliano (Messina, Mesogea, 2015), «Rivista!unaspecie», 29 gennaio 2016" class="work-thumbnail" src="https://attachments.academia-assets.com/50884935/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/30442617/Stefano_D_Arrigo_Codice_siciliano_Messina_Mesogea_2015_Rivista_unaspecie_29_gennaio_2016">Stefano D’Arrigo, Codice siciliano (Messina, Mesogea, 2015), «Rivista!unaspecie», 29 gennaio 2016</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Stefano D'Arrigo, Codice siciliano, a cura di Silvio Perrella, Messina, Mesogea, 2015 Una ristamp...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Stefano D'Arrigo, Codice siciliano, a cura di Silvio Perrella, Messina, Mesogea, 2015 Una ristampa sembrerebbe il più meccanico dei gesti culturali. Ma quando le circostanze ripropongono situazioni e sentimenti che già avevano trovato una loro forma estetica splendente, un loro suono insostituibile, allora riproporre al pubblico un libro diventa un gesto creativo e insieme un monito a non lasciare indietro qualche parola che ancora ci occorra. Alla fine del 2015 Mesogea ci ha restituito (dopo 37 anni: la prima edizione è del 1957, Scheiwiller, la seconda del 1978, Mondadori) Codice siciliano, il solo libro di poesie di Stefano D'Arrigo (1919-1992), curato e introdotto da Silvio Perrella. È un libriccino color verde acqua, 89 pagine per soli 6 euro, che in libreria quasi si nasconde sugli scaffali, pur magri, della poesia.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="68e758a7900e26c1d12fc1f14422b70d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":50884935,"asset_id":30442617,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/50884935/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="30442617"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="30442617"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 30442617; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=30442617]").text(description); $(".js-view-count[data-work-id=30442617]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 30442617; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='30442617']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "68e758a7900e26c1d12fc1f14422b70d" } } $('.js-work-strip[data-work-id=30442617]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":30442617,"title":"Stefano D’Arrigo, Codice siciliano (Messina, Mesogea, 2015), «Rivista!unaspecie», 29 gennaio 2016","internal_url":"https://www.academia.edu/30442617/Stefano_D_Arrigo_Codice_siciliano_Messina_Mesogea_2015_Rivista_unaspecie_29_gennaio_2016","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":50884935,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/50884935/thumbnails/1.jpg","file_name":"Recensione_Codice_Siciliano_-_Galavotti.pdf","download_url":"https://www.academia.edu/attachments/50884935/download_file","bulk_download_file_name":"Stefano_D_Arrigo_Codice_siciliano_Messin.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/50884935/Recensione_Codice_Siciliano_-_Galavotti-libre.pdf?1481729438=\u0026response-content-disposition=attachment%3B+filename%3DStefano_D_Arrigo_Codice_siciliano_Messin.pdf\u0026Expires=1740852080\u0026Signature=azQJTEu2hhZPqlmxg-yJomDwH4ihHgm~xvrtXO9gMFElJ74189wb-11N0UAd8vuWqhHDcOhvl8GbDji1K8Cs~ffji9iW33tqVLxjrjg270HzH2p~Dx2NHmBuBWSJGy4mUDsl01Abd0JhB8SDRFbm9fazqZb26jo8KoGnc0eb73B8~vGuYA1VSzw~6Ds5daDdPg~tCTLSfX6tnLbqU56EYiHZq7MMkmp1fSQsYz6CoGKswN~laEZ-Gd6~ywOIL16YBXGlYfrLXQ911Kv-nR8uZsb4elqOKdwLv5dVcG7nFnYhZWQBG-nW~oCzmLXPi2TsY59RjWkwI6k5Y36~HlljEA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="24915342"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/24915342/Fulvio_Senardi_Saba_Bologna_Il_Mulino_2012_Oblio_a_III_2013_n_12_pp_167_68"><img alt="Research paper thumbnail of Fulvio Senardi, Saba (Bologna, Il Mulino, 2012), «Oblio», a. III (2013), n. 12, pp. 167-68" class="work-thumbnail" src="https://attachments.academia-assets.com/45243444/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/24915342/Fulvio_Senardi_Saba_Bologna_Il_Mulino_2012_Oblio_a_III_2013_n_12_pp_167_68">Fulvio Senardi, Saba (Bologna, Il Mulino, 2012), «Oblio», a. III (2013), n. 12, pp. 167-68</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Nella collana «Profili di storia letteraria» curata da Antonio Battistini, Il Mulino ha pubblicat...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Nella collana «Profili di storia letteraria» curata da Antonio Battistini, Il Mulino ha pubblicato, nel 2012, una monografia dedicata a Umberto Saba, ad opera di uno dei maggiori esperti di letteratura triestina del Novecento, Fulvio Senardi. L'agile volumetto (171 pp.) offre un inquadramento complessivo sulla vita e sull'opera del poeta triestino, con l'obiettivo di venire incontro a un pubblico di studenti e non specialisti. Per questo motivo, come gli altri volumi della collana, è scritto con un linguaggio semplice e sobrio, e non ha un apparato di note, cosa che alleggerisce, sì, la lettura, ma rende purtroppo impossibili utili rimandi bibliografici (vedi le riserve dell'autore in proposito nell'intervista di Walter Chierenghin, Saba secondo Senardi, in «Trieste Artecultura», settembre 2012, pp. 2-4). Il libro è composto di quattro capitoli (I. «Sotto il cielo dell'altra sponda»: Saba, poeta triestino; II. Caratteri della poesia di Saba; III. Fasi, temi e forme del Canzoniere; IV. Il tavolo della prosa), seguiti da una breve Cronologia e da una snella bibliografia (Per saperne di più) che indica le edizioni di riferimento, le principali monografie, i contributi dei critici storici di Saba e i più importanti studi usciti in volume negli ultimi anni. L'indice dei nomi chiude il volume. Nel primo capitolo, l'autore ricostruisce l'ambiente culturale della Trieste tra Otto e Novecento, diviso tra il peculiare classicismo un po' antiquario degli irredentisti, in contrasto con le vie solitarie che legano gli intellettuali più vivaci alla modernità europea (e i nomi sono Svevo, Bazlen, Benco, Slataper, i fratelli Stuparich, Giotti, Voghera). Trieste, pur lontana dalle capitali culturali d'Italia, Firenze e Roma, è comunque la città dove prima che in altre giunge la moda della psicanalisi. Alla (relativa) marginalità geografica di Saba si legano gli ulteriori motivi di isolamento costituiti dalla nascita in una famiglia divisa e dall'appartenenza alla comunità ebraica. Il secondo capitolo riflette su alcuni aspetti generali della poetica sabiana e sulle sue frequentazioni letterarie, specialmente sul rapporto col mondo vociano. Il primo elemento preso in esame è il legame con il «filo d'oro» della tradizione, con la lingua poetica di Petrarca e Leopardi, ma anche i dissimulati debiti con il verismo minore e la lirica precedente e coeva. Il classicismo di Saba, funzionale all'«onestà» della poesia, è strumento di comunicazione di una visione individuale che non va mai tradita, come recita l'articolo programmatico Quello che resta da fare ai poeti. Senardi descrive la poetica di Saba come poetica «dell'inclusione», basata sulla costruzione di un'opera come un complesso organico, che tematizza il quotidiano con prove esteticamente riuscite e altre meno, utilizzando la lingua della tradizione, termini «familiari letterari» (per citare Saba che scrive di Leopardi ad Alfredo Rizzardi nel 1953), ma anche parole comuni. Inoltre, Senardi sottolinea l'importanza di leggere il Canzoniere come un libro in fieri, che si costruisce lungo l'arco di un quarantennio, con varianti, cassature, soppressioni, spostamenti: un eterno lavoro di rimaneggiamento del «romanzo» di una vita intera. Nel lungo terzo capitolo -circa la metà delle pagine complessive -Senardi descrive le varie raccolte del Canzoniere -dalle Poesie dell'adolescenza e giovanili alle Sei poesie della vecchiaiasecondo la successione che esse hanno nell'edizione definitiva (a far testo è quella curata da Arrigo Stara per i «Meridiani», Milano, Mondadori, 1988), ma con costanti rimandi alla preistoria dei testi, alla loro varia storia editoriale. Costante, per la prima fase, il riferimento all'edizione critica del Canzoniere 1921 curata da Giordano Castellani (Milano, Mondadori, 1981), che consente di seguire le vicende redazionali e la storia variantistica.</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="d42c07d684d4f704d2034cee4fd5d397" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":45243444,"asset_id":24915342,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/45243444/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="24915342"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="24915342"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 24915342; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=24915342]").text(description); $(".js-view-count[data-work-id=24915342]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 24915342; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='24915342']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "d42c07d684d4f704d2034cee4fd5d397" } } $('.js-work-strip[data-work-id=24915342]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":24915342,"title":"Fulvio Senardi, Saba (Bologna, Il Mulino, 2012), «Oblio», a. III (2013), n. 12, pp. 167-68","internal_url":"https://www.academia.edu/24915342/Fulvio_Senardi_Saba_Bologna_Il_Mulino_2012_Oblio_a_III_2013_n_12_pp_167_68","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":45243444,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/45243444/thumbnails/1.jpg","file_name":"Fulvio_Senardi__Saba.pdf","download_url":"https://www.academia.edu/attachments/45243444/download_file","bulk_download_file_name":"Fulvio_Senardi_Saba_Bologna_Il_Mulino_20.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/45243444/Fulvio_Senardi__Saba-libre.pdf?1462094780=\u0026response-content-disposition=attachment%3B+filename%3DFulvio_Senardi_Saba_Bologna_Il_Mulino_20.pdf\u0026Expires=1740839713\u0026Signature=EpFAFeBxynKAJmBgqPzycqyro0-djq2Mzgv~8dGDFZ~6BaEnajLLC08Eopz~BmJavCu82VAVTiO9dPYZi7wIwzJuyBjZt3YrFiRVrBnZtzeerhb1o4e2GfxWBZbhEKPF3qZofPaREJv5U9O5ZWPay6tEkkYeMih0UZz09AQbojaudlQ3Q4X0-fkKJxLUmT-Ju~4enAtUFlc8HEcNzPSsSUbvJUoSeNkse3N3ZJOwEzF~FezRF39TXQtyy6PpAjPJx0XBskL5RMxcgaxYscaLpw-9v0ZjzulQb6OcpRLBp6RuwJQOWHXNoMXoNLsyFnLFNDOscjUh7JgcELZSuEepIA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="8666808"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/8666808/Marcello_Gallian_Bassofondo_Venezia_Marsilio_2012_Oblio_a_III_2013_n_11_pp_249_50"><img alt="Research paper thumbnail of Marcello Gallian, Bassofondo (Venezia, Marsilio, 2012), «Oblio», a. III (2013), n. 11, pp. 249-50" class="work-thumbnail" src="https://attachments.academia-assets.com/35023217/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/8666808/Marcello_Gallian_Bassofondo_Venezia_Marsilio_2012_Oblio_a_III_2013_n_11_pp_249_50">Marcello Gallian, Bassofondo (Venezia, Marsilio, 2012), «Oblio», a. III (2013), n. 11, pp. 249-50</a></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Marsilio prosegue con un altro capitolo di «Biblioteca Novecento» gli scavi archeologici nella me...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Marsilio prosegue con un altro capitolo di «Biblioteca Novecento» gli scavi archeologici nella memoria del novecento italiano, dopo Bernari, Coccioli, Tomizza, Stanislao Nievo e Mario Lattes (ma la collana ospita anche Erich Kaestner, Raymond Radiguet e l'ultima raccolta di Luciano Cecchinel). La riscoperta delle opere di Marcello Gallian, che era cominciata nel 1988 con la ristampa de Il soldato postumo, ora prosegue con Bassofondo, un testo che fu censurato dal regime fascista e ritirato dal mercato (la prima edizione è Milano, Panorama, 1936), salvo poi venir pubblicato con altro titolo e ampi tagli nella parte finale (In fondo al quartiere, Milano, Panorama, 1936). Figura chiave dell'avanguardia romana degli anni venti, Gallian (1902Gallian ( -1968 è un personaggio dalla giovinezza avventurosa: figlio di un diplomatico, studia al collegio di S. Trinita di Firenze da cui fugge per seguire D'Annunzio a Fiume, rientrato a Roma è squadrista e partecipa entusiasta alla marcia su Roma. Insofferente verso la società alto-borghese romana vagheggia un fascismo utopico, frequenta gli ambienti più rivoluzionari (non escluse le frange anarchiche o addirittura comuniste, come gli immaginisti raccolti intorno a Vinicio Paladini), mentre si barcamena nei mestieri più diversi. Attorno a «900» di Bontempelli, entra a far parte di quella schiera di giovani narratori fantasiosi, visionari e ingenui con l'unico obiettivo di perseguire la novità ad ogni costo, in un orizzonte culturale ingessato tra i vari Ojetti, Panzini, Ada Negri. Anton Giulio Bragaglia, col suo Teatro degli Indipendenti, è il secondo nume di Gallian, che è anche prolifico drammaturgo. Ricettivo verso le suggestioni europee del surrealismo e dell'espressionismo, molto legato al futurismo, Gallian costruisce una propria fisionomia di narratore fatta di pagine taglienti, esuberanti, colorate: una letteratura sempre tesa, con piglio grosziano, alla denuncia dei mali della grassa borghesia, espressa con creature romanzesche abnormi, zoppicanti, trascinate sotto il peso di una anti-retorica talvolta asfissiante, talvolta geniale, capace di regalare «brandelli di romanzo» (Cecchi) di folgorante evocatività. Questo romanzo, Bassofondo, segna (insieme con Il soldato postumo, Milano, Bompiani, 1935) il momento della crisi ideale, l'inizio di una parabola discendente, che porterà lo scrittore a morire in miseria: troppo anarchico per il fascismo, troppo fascista per il dopoguerra. La vicenda si svolge nel 1918, non a caso l'ultimo anno prima della nascita del fascismo. Nella merceria di Lisa Matrona spunta una sera un ragazzo di nome Giovanni Battista Timorato Dio, bagnato e lurido, che chiede sgarbatamente due soldi di bottoni. Il ragazzo vagabonda per il rione ma finisce per farsi ospitare nella bottega di Lisa, non avendo altro posto dove andare. Questa convivenza finirà per diventare una bizzarra storia d'amore, interrotta dalla descrizione ridicola dei vicini: un macellaio, un profumiere segretamente innamorato di Lisa e le loro mogli viziate e insaziabili. Il punto di svolta nel romanzo è il giorno della festa dei morti, quando a causa dei lavori di restauro del cimitero, Lisa e Giovanni non trovano la tomba del defunto marito di lei. Usciti di lì, Giovanni, con la solita aggressiva vitalità, convinto che ormai occorra congedarsi dai morti, la porta in un'osteria. A causa di una violenta rissa in cui è coinvolto, finisce per essere arrestato e incarcerato. Scontata la pena, Giovanni ritorna a convivere con la merciaia: il carcere ha eliminato</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="9266ce1454100803d1dfd459a0994849" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":35023217,"asset_id":8666808,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/35023217/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8666808"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8666808"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8666808; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8666808]").text(description); $(".js-view-count[data-work-id=8666808]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8666808; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='8666808']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "9266ce1454100803d1dfd459a0994849" } } $('.js-work-strip[data-work-id=8666808]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":8666808,"title":"Marcello Gallian, Bassofondo (Venezia, Marsilio, 2012), «Oblio», a. III (2013), n. 11, pp. 249-50","internal_url":"https://www.academia.edu/8666808/Marcello_Gallian_Bassofondo_Venezia_Marsilio_2012_Oblio_a_III_2013_n_11_pp_249_50","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":35023217,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/35023217/thumbnails/1.jpg","file_name":"Marcello_Gallian__Bassofondo.pdf","download_url":"https://www.academia.edu/attachments/35023217/download_file","bulk_download_file_name":"Marcello_Gallian_Bassofondo_Venezia_Mars.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/35023217/Marcello_Gallian__Bassofondo-libre.pdf?1412652669=\u0026response-content-disposition=attachment%3B+filename%3DMarcello_Gallian_Bassofondo_Venezia_Mars.pdf\u0026Expires=1740839713\u0026Signature=B8NH1XHkasfKprLnNNzaTOwKukcPjKg8IIDeJ55BCJ7b73kYNdYC9qOBGR3NN591g0VCFxCRYT1rIUGjoQWBaYU642Alqf5sQx7YilaxY8xFfQulHQqcBgntKoo4DZkkfpO93hQb7CgTt5pn6yUg81oQwxfcD6E-I~k30PeApMnQ0l27WwkzWnNac7X3supVwmXkDFNheq~4mRaefh~NiQms8LR1MyYt7deuXlbY-FLdJikvWwrBajc6sCV6c7nj8LkUHBHzGajAuwVeNV0q0VQKJ~nTlvegSlEprnHy6X-aHCVnXitTJah2Mb5hagqcd7DZ8Qy4FANrPdL1K5Zj2w__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="3603552" id="tesi"><div class="js-work-strip profile--work_container" data-work-id="8668546"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/8668546/_Un_lavoro_non_breve_e_non_facile_Itinerari_variantistici_nel_Canzoniere_1921_di_Umberto_Saba"><img alt="Research paper thumbnail of «Un lavoro non breve e non facile». Itinerari variantistici nel «Canzoniere 1921» di Umberto Saba" class="work-thumbnail" src="https://attachments.academia-assets.com/38239164/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/8668546/_Un_lavoro_non_breve_e_non_facile_Itinerari_variantistici_nel_Canzoniere_1921_di_Umberto_Saba">«Un lavoro non breve e non facile». Itinerari variantistici nel «Canzoniere 1921» di Umberto Saba</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="010ea3b64888cb1c5a8eae92f1b618e4" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":38239164,"asset_id":8668546,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/38239164/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8668546"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8668546"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8668546; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8668546]").text(description); $(".js-view-count[data-work-id=8668546]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8668546; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='8668546']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "010ea3b64888cb1c5a8eae92f1b618e4" } } $('.js-work-strip[data-work-id=8668546]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":8668546,"title":"«Un lavoro non breve e non facile». Itinerari variantistici nel «Canzoniere 1921» di Umberto Saba","internal_url":"https://www.academia.edu/8668546/_Un_lavoro_non_breve_e_non_facile_Itinerari_variantistici_nel_Canzoniere_1921_di_Umberto_Saba","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":38239164,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/38239164/thumbnails/1.jpg","file_name":"2014_Galavotti.pdf","download_url":"https://www.academia.edu/attachments/38239164/download_file","bulk_download_file_name":"Un_lavoro_non_breve_e_non_facile_Itiner.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/38239164/2014_Galavotti-libre.pdf?1437411139=\u0026response-content-disposition=attachment%3B+filename%3DUn_lavoro_non_breve_e_non_facile_Itiner.pdf\u0026Expires=1740839714\u0026Signature=bkn1s1-sViLxCeRHT~ACvHUeLm3MeDp1Um7aByc-TK7JVGRrFuvR7QY7GprV-bjn3Klyp-4qrAni9~S4GyMdKetcJ3uPo~gW6JGGstry~-bDe7sF83KBZuDrq1CfNvya5kgVNvSN0KNPBUM-KQ2LwKgK3JlKGgg77zoggn2QrWyoLVDZ6nb4dkVzYNYIo0UG-ZaYSZLSgdun8TJusgHY-TAzNG1u3HMaaBdLG9plR171uESqaEx6xE6jezxF6C95X4iM9S1Lv9fV0jKthJ05txESy7JxEY4jusve~jeMeqnMdFrvmXUGxynOR8BD61jzLB30sI2AHZLxiEh~ycpRLw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="8668513"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/8668513/I_racconti_novecentisti_di_Marcello_Gallian"><img alt="Research paper thumbnail of I racconti “novecentisti” di Marcello Gallian" class="work-thumbnail" src="https://attachments.academia-assets.com/35024618/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/8668513/I_racconti_novecentisti_di_Marcello_Gallian">I racconti “novecentisti” di Marcello Gallian</a></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="097aa8f3fa1a70861dc8fb06b7dfc7e5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":35024618,"asset_id":8668513,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/35024618/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="8668513"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="8668513"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 8668513; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=8668513]").text(description); $(".js-view-count[data-work-id=8668513]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 8668513; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='8668513']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "097aa8f3fa1a70861dc8fb06b7dfc7e5" } } $('.js-work-strip[data-work-id=8668513]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":8668513,"title":"I racconti “novecentisti” di Marcello Gallian","internal_url":"https://www.academia.edu/8668513/I_racconti_novecentisti_di_Marcello_Gallian","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":35024618,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/35024618/thumbnails/1.jpg","file_name":"I_racconti_novecentisti_di_Marcello_Gallian.pdf","download_url":"https://www.academia.edu/attachments/35024618/download_file","bulk_download_file_name":"I_racconti_novecentisti_di_Marcello_Gall.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/35024618/I_racconti_novecentisti_di_Marcello_Gallian-libre.pdf?1412661918=\u0026response-content-disposition=attachment%3B+filename%3DI_racconti_novecentisti_di_Marcello_Gall.pdf\u0026Expires=1740839714\u0026Signature=HDaWwaqniOVzaWiTXruY6CqnGQRlTHhvTAi~QLWlE2CLMa8FZJaZ~zjVy2XA1cevK07bsPwxHkXkmAnxedu0xUXhSRGecRU~6DFyYvcv17qrMA3oONqXrYoxWiuL-G6B5Qq8F6dnyaDvZrxKyN7uNToXUTnXRlftwVeFd~tKVlNrxz7tLua4sT2udtL1P54G2e2GPUbWnsSfhxTnjlxDei1O6QpYP2zNIgzPzraqjb1DWwwq9AQtWFJwzMe0~EOmVPAZCkUjk~LFkEhlFfiVSNV0d8GqpJ4c9ZBz1TCy5yih5PkJ1ESzi6NRMckh7F6-Uk2NAj6YsZIBsVVLx06rLg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div><div class="profile--tab_content_container js-tab-pane tab-pane" data-section-id="4383021" id="convegnieseminari"><div class="js-work-strip profile--work_container" data-work-id="116763914"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/116763914/I_Triumphi_di_Petrarca_e_la_loro_s_fortuna_cinquecentesca"><img alt="Research paper thumbnail of I Triumphi di Petrarca e la loro (s)fortuna cinquecentesca" class="work-thumbnail" src="https://attachments.academia-assets.com/112802856/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/116763914/I_Triumphi_di_Petrarca_e_la_loro_s_fortuna_cinquecentesca">I Triumphi di Petrarca e la loro (s)fortuna cinquecentesca</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://fu-berlin.academia.edu/BernhardHuss">Bernhard Huss</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Freie Universität Berlin, 11-12 aprile 2024</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="1da01aac6b5e45671ff3f80efed86c54" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":112802856,"asset_id":116763914,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/112802856/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="116763914"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="116763914"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 116763914; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=116763914]").text(description); $(".js-view-count[data-work-id=116763914]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 116763914; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='116763914']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "1da01aac6b5e45671ff3f80efed86c54" } } $('.js-work-strip[data-work-id=116763914]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":116763914,"title":"I Triumphi di Petrarca e la loro (s)fortuna cinquecentesca","internal_url":"https://www.academia.edu/116763914/I_Triumphi_di_Petrarca_e_la_loro_s_fortuna_cinquecentesca","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":112802856,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/112802856/thumbnails/1.jpg","file_name":"DEF_Convegno_Galavotti_Flyer.pdf","download_url":"https://www.academia.edu/attachments/112802856/download_file","bulk_download_file_name":"I_Triumphi_di_Petrarca_e_la_loro_s_fortu.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/112802856/DEF_Convegno_Galavotti_Flyer-libre.pdf?1711550718=\u0026response-content-disposition=attachment%3B+filename%3DI_Triumphi_di_Petrarca_e_la_loro_s_fortu.pdf\u0026Expires=1740834350\u0026Signature=Ig32IDkOCSs9VnsUhrue~K903aTZGXz4RLxHyu68qa0rUCJ~6hnuByomwN3uWO9RhiIckNRa26tcAfg~6SYhnMJ9~1i6htg-FNr1yHF1yW7G6Zq0s~t3rYuFlynvaDA0rd37aZe2hV5Dj42fU5jy1WIBnO5oKHweVIngUkRowfMcK~QR975rujtIHvkq~WM2lcAmB8BbuYMqWBH7QkbswrZc4EbNWP4IG3vrMDoXIHG6Gfcdh0MN6ygjKN6m~~fGpFf0Tsxg-YgkmSCgVbtev70zPfe8EtPiIQuiTJQ0cKplW3MwvI~Rsj4n3liEPzNEWIskscA8jh3sCaWmOOT4Lw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="89886332"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/89886332/Ippolito_Nievo_tra_i_Mille_il_racconto_di_unimpresa_Universit%C3%A0_di_Verona_14_16_dicembre_2022"><img alt="Research paper thumbnail of Ippolito Nievo tra i Mille: il racconto di un'impresa, Università di Verona, 14-16 dicembre 2022" class="work-thumbnail" src="https://attachments.academia-assets.com/93602497/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/89886332/Ippolito_Nievo_tra_i_Mille_il_racconto_di_unimpresa_Universit%C3%A0_di_Verona_14_16_dicembre_2022">Ippolito Nievo tra i Mille: il racconto di un'impresa, Università di Verona, 14-16 dicembre 2022</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/zangrandialessandra">alessandra zangrandi</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="7f73631cdd56002bca0b8207c9aff2b5" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":93602497,"asset_id":89886332,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/93602497/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="89886332"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="89886332"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 89886332; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=89886332]").text(description); $(".js-view-count[data-work-id=89886332]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 89886332; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='89886332']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "7f73631cdd56002bca0b8207c9aff2b5" } } $('.js-work-strip[data-work-id=89886332]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":89886332,"title":"Ippolito Nievo tra i Mille: il racconto di un'impresa, Università di Verona, 14-16 dicembre 2022","internal_url":"https://www.academia.edu/89886332/Ippolito_Nievo_tra_i_Mille_il_racconto_di_unimpresa_Universit%C3%A0_di_Verona_14_16_dicembre_2022","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":93602497,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/93602497/thumbnails/1.jpg","file_name":"Nievo_tra_i_Mille_locandina_DEF.pdf","download_url":"https://www.academia.edu/attachments/93602497/download_file","bulk_download_file_name":"Ippolito_Nievo_tra_i_Mille_il_racconto_d.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/93602497/Nievo_tra_i_Mille_locandina_DEF-libre.pdf?1667493337=\u0026response-content-disposition=attachment%3B+filename%3DIppolito_Nievo_tra_i_Mille_il_racconto_d.pdf\u0026Expires=1740852080\u0026Signature=SaMU3g9xchbwdj5weDSjfwjzgbHvzXjL~UOd~8CmE-yg--rDmrnejHYPSfM-U3YlHWFdNRUhZLIHSqFbc7zgYw9liqky7byVftnaMByZILBAG0uQ8nt-iqrMWztJ37~guNViHCwUj3IGKc5wIVL5TNb8NzZDmR6bMJ8GfopwHw1YyuI-I-f99z-lYjtCeraWrJIyj8K4TtwR9KkEAeHeJAC2a09wXlRXzusuIhZD~ZtypqWkt14APSbUDY9nxRPzQ7nmMyVFkw4kfmCasxC5kSHDJQVVxjiLnQ1cSob~CGrgQpWp67ro1dFl9SG8VxG~SisFQYFIacSo3Xw-WzqYiQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"},{"id":95129815,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/95129815/thumbnails/1.jpg","file_name":"Nievo_tra_i_mille_pieghevole_DEF_ULTIMO.pdf","download_url":"https://www.academia.edu/attachments/95129815/download_file","bulk_download_file_name":"Ippolito_Nievo_tra_i_Mille_il_racconto_d.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/95129815/Nievo_tra_i_mille_pieghevole_DEF_ULTIMO-libre.pdf?1669923458=\u0026response-content-disposition=attachment%3B+filename%3DIppolito_Nievo_tra_i_Mille_il_racconto_d.pdf\u0026Expires=1740852080\u0026Signature=WNQRo-7qCA6YK4fT2vC0MEVvG3jLRLTQHWFHBCoxqm6-zRxWvEkP1ZhsGhI-3hDK4PG1ofa8t7Ed5cUXXn7zPuzd8VkZdPaSRmiDRFrqc2OX8FCkqjvEdqk3zXrJjMNBo7BKO9sYqBhj4UrXNz3pmDdzqa-9WG635TE2SfxUkAwRaElUW9XLVEGVW6Z0~VOF7oFM7EqAN4ZO1Bqyea4mB8SaAOBlh3h4R9PLgMqhbwOnPTiBVNtKJMGlX7YHc9agL4uYbQVYL~-ZD6i-jcWXOAkqktnig3lHosrgIKgcPN1yAGguuGBXvKvXSpLo1ziF0bFjphPc1OrZekRK7fjLrQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="82941031"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/82941031/Convegno_Nuove_prospettive_sulla_canzone_Fondazione_Ezio_Franceschini_Firenze_12_14_settembre_2022"><img alt="Research paper thumbnail of Convegno "Nuove prospettive sulla canzone", Fondazione Ezio Franceschini, Firenze, 12-14 settembre 2022" class="work-thumbnail" src="https://attachments.academia-assets.com/88471282/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/82941031/Convegno_Nuove_prospettive_sulla_canzone_Fondazione_Ezio_Franceschini_Firenze_12_14_settembre_2022">Convegno "Nuove prospettive sulla canzone", Fondazione Ezio Franceschini, Firenze, 12-14 settembre 2022</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://univr.academia.edu/GiacomoMorbiato">Giacomo Morbiato</a> and <a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="95283beab6dd27e585af3220ec7d212d" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":88471282,"asset_id":82941031,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/88471282/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="82941031"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="82941031"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 82941031; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=82941031]").text(description); $(".js-view-count[data-work-id=82941031]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 82941031; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='82941031']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "95283beab6dd27e585af3220ec7d212d" } } $('.js-work-strip[data-work-id=82941031]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":82941031,"title":"Convegno \"Nuove prospettive sulla canzone\", Fondazione Ezio Franceschini, Firenze, 12-14 settembre 2022","internal_url":"https://www.academia.edu/82941031/Convegno_Nuove_prospettive_sulla_canzone_Fondazione_Ezio_Franceschini_Firenze_12_14_settembre_2022","owner_id":18103516,"coauthors_can_edit":true,"owner":{"id":18103516,"first_name":"Giacomo","middle_initials":null,"last_name":"Morbiato","page_name":"GiacomoMorbiato","domain_name":"univr","created_at":"2014-10-06T19:19:21.485-07:00","display_name":"Giacomo Morbiato","url":"https://univr.academia.edu/GiacomoMorbiato"},"attachments":[{"id":88471282,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/88471282/thumbnails/1.jpg","file_name":"FEF_Convegno_Canzone_Programma.pdf","download_url":"https://www.academia.edu/attachments/88471282/download_file","bulk_download_file_name":"Convegno_Nuove_prospettive_sulla_canzone.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/88471282/FEF_Convegno_Canzone_Programma-libre.pdf?1657572262=\u0026response-content-disposition=attachment%3B+filename%3DConvegno_Nuove_prospettive_sulla_canzone.pdf\u0026Expires=1740839714\u0026Signature=BBShjkaMQoVa7m8p73KTW-J1FSxLr8AViAG~QBB-whFM~9VEREhaUYFDn7aWom5rBKxva46FKxNsU-yFpAvhx4iuFjXmx-ij88KN0XUMQJRrsd54J9g3-5F75AHp2FcF15KBj2pxkPt9P53a2VEXYq3elPs47nsyKmm61P6kHmGcCc3LNTHfLxOjixSKzQ6bzy6t5BWeFBIKGMELupGWoWJpt4Yi~-ShDill~4b1ZnM2QR4PwSvqUWXPDgsZ5w0Xcv28dSYiLbOqYrbeOrKQ5ClyrlDOLdOOC-YPnN8~nWt740hYdXMsOIUx6w~5~ZJrDJhGZLIusoCXzxd3vpk1rA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="40778618"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40778618/I_linguaggi_della_narrazione_Percorsi_tra_letteratura_filosofia_teatro_e_cinema"><img alt="Research paper thumbnail of I linguaggi della narrazione. Percorsi tra letteratura, filosofia, teatro e cinema" class="work-thumbnail" src="https://attachments.academia-assets.com/61058632/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40778618/I_linguaggi_della_narrazione_Percorsi_tra_letteratura_filosofia_teatro_e_cinema">I linguaggi della narrazione. Percorsi tra letteratura, filosofia, teatro e cinema</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unive.academia.edu/FlaviaPalma">Flavia Palma</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uinvr.academia.edu/PaolaZeni">Paola Zeni</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uinvr.academia.edu/FrancescaCecconi">Francesca Cecconi</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://hu-berlin.academia.edu/GiuliaPerosa">Giulia Perosa</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://units.academia.edu/CaterinaDiotto">Caterina Diotto</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="e863906f0f2d079ef703fae7c88fdba0" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":61058632,"asset_id":40778618,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/61058632/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40778618"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40778618"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40778618; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40778618]").text(description); $(".js-view-count[data-work-id=40778618]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40778618; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40778618']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "e863906f0f2d079ef703fae7c88fdba0" } } $('.js-work-strip[data-work-id=40778618]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40778618,"title":"I linguaggi della narrazione. Percorsi tra letteratura, filosofia, teatro e cinema","internal_url":"https://www.academia.edu/40778618/I_linguaggi_della_narrazione_Percorsi_tra_letteratura_filosofia_teatro_e_cinema","owner_id":62865866,"coauthors_can_edit":false,"owner":{"id":62865866,"first_name":"Flavia","middle_initials":null,"last_name":"Palma","page_name":"FlaviaPalma","domain_name":"unive","created_at":"2017-04-11T07:30:43.091-07:00","display_name":"Flavia Palma","url":"https://unive.academia.edu/FlaviaPalma"},"attachments":[{"id":61058632,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/61058632/thumbnails/1.jpg","file_name":"Linguaggi_narrazione_pieghevole20191029-64715-8r4whx.pdf","download_url":"https://www.academia.edu/attachments/61058632/download_file","bulk_download_file_name":"I_linguaggi_della_narrazione_Percorsi_tr.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/61058632/Linguaggi_narrazione_pieghevole20191029-64715-8r4whx-libre.pdf?1572365616=\u0026response-content-disposition=attachment%3B+filename%3DI_linguaggi_della_narrazione_Percorsi_tr.pdf\u0026Expires=1740839714\u0026Signature=LeB~79iEdg0SjfROcjk1PDk1neymHoCQABVstxD6J9zgpXT4YWlQfNo4MCBKx0p2gXc8yAU1N72dFTTCstJ0xYBQdSEWvmhQX8n8K0iP2dVe-3or1HuMYENc~uSSFU7Jd2DLcgwwoBd~bZDT5iKNcogXJjc~rLYG0qOGDdu23T2xRWKqmvIWuh3L5Zyf-nTSJUl8hmU9TWS1KHDFTe5yrquNDMjmDH4Tc~6trF9uS~~1t-lNCrs9pKCF5bSVsuujxt0qt6eDuWI1cQAGUPBhmFyYZnRPNkTS2TcnhCmHkUPYD4vB6KtxzhBcc98jxeFH1rwULKY5mcZor2ITD5~Hxw__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="40364146"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/40364146/Nuove_prospettive_sulla_terza_rima_Verona_Museo_di_Storia_Naturale_2_4_ottobre_2019"><img alt="Research paper thumbnail of Nuove prospettive sulla terza rima, Verona, Museo di Storia Naturale, 2-4 ottobre 2019" class="work-thumbnail" src="https://attachments.academia-assets.com/60610920/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/40364146/Nuove_prospettive_sulla_terza_rima_Verona_Museo_di_Storia_Naturale_2_4_ottobre_2019">Nuove prospettive sulla terza rima, Verona, Museo di Storia Naturale, 2-4 ottobre 2019</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uniecampus.academia.edu/VeronicaGobbato">Veronica Gobbato</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uniroma1.academia.edu/IreneIocca">Irene Iocca</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unipi.academia.edu/IdaCampeggiani">Ida Campeggiani</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/FedericaConselvan">Federica Conselvan</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://itatti.academia.edu/FrancescoDavoli">Francesco Davoli</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://isime.academia.edu/CarlottaFrancescaMariaSticco">Carlotta Francesca Maria Sticco</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unistrapg.academia.edu/NicoleVolta">Nicole Volta</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/FrancescoValese">Francesco Valese</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/IlariaCavallin">Ilaria Cavallin</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://vocabolario.academia.edu/Nicol%C3%B2MAGNANI">Nicolò Magnani</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unige.academia.edu/LauraFacini">Laura Facini</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/BellomoLeonardo">Leonardo Bellomo</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://univr.academia.edu/PaoloPellegrini">Paolo Pellegrini</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">Seminario internazionale di studi sulla fortuna della terza rima organizzato dal Dipartimento di ...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">Seminario internazionale di studi sulla fortuna della terza rima organizzato dal Dipartimento di Culture e Civiltà dell'Università di Verona, in collaborazione con l'Unità d'italiano dell'Università di Ginevra e il Museo di Storia Naturale di Verona</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bf746ffdc3e6c0717e5b942a7f1378de" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":60610920,"asset_id":40364146,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/60610920/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="40364146"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="40364146"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 40364146; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=40364146]").text(description); $(".js-view-count[data-work-id=40364146]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 40364146; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='40364146']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bf746ffdc3e6c0717e5b942a7f1378de" } } $('.js-work-strip[data-work-id=40364146]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":40364146,"title":"Nuove prospettive sulla terza rima, Verona, Museo di Storia Naturale, 2-4 ottobre 2019","internal_url":"https://www.academia.edu/40364146/Nuove_prospettive_sulla_terza_rima_Verona_Museo_di_Storia_Naturale_2_4_ottobre_2019","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti","email":"Q1pER1ZNb1NZRURXMFVPMlZ5SEJvZ05xQnVWQ3JleHcreU5naUVoUGFsYVFIbG5vWFIySTVReWx2KzF1dEZEbi0tTmdLYkJ5aG5RREF5cytHOFVraVg4UT09--f900a559d061f1db82dd9b7861fe7fe2975aa03d"},"attachments":[{"id":60610920,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/60610920/thumbnails/1.jpg","file_name":"A3_Locandina_Danteterza_rima_2019_DEFINITIVA_12_0920190916-19032-12y66i0.pdf","download_url":"https://www.academia.edu/attachments/60610920/download_file","bulk_download_file_name":"Nuove_prospettive_sulla_terza_rima_Veron.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/60610920/A3_Locandina_Danteterza_rima_2019_DEFINITIVA_12_0920190916-19032-12y66i0-libre.pdf?1568628738=\u0026response-content-disposition=attachment%3B+filename%3DNuove_prospettive_sulla_terza_rima_Veron.pdf\u0026Expires=1740835468\u0026Signature=NGYmPcsMqEya3RM0rUYTSCMtboiHS-Z0mhvVTor20KaxRsZXXqepV2Y337DSzbjbQUng0vaxfMNOzKfYMWP1AOtwmqtvnSgKecdLLouRpbgSVB9FBsIJzVLOMEyXaY6TJFZaY2IOwV9AaXZ4krBAg56Fr7vH0kbOph~t1scTxnTqFFFBGN6~SolknkkYfgZN2dUqDns7YRsR-CePMe4xtEj6nFNes1GSdkUzyh18nmWoW9KNNzBJ7roTtB9XjCvzjlAZwkJU4NmZg8bE-uiKHTOlao51Q4vOct5Xfu2uFtfcQfMFIpbGF1fYYuQyXpDQ~y~85dE8WDPmt5d824lSvA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"},{"id":60611108,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/60611108/thumbnails/1.jpg","file_name":"Dante_Pieghevole.pdf","download_url":"https://www.academia.edu/attachments/60611108/download_file","bulk_download_file_name":"Nuove_prospettive_sulla_terza_rima_Veron.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/60611108/Dante_Pieghevole-libre.pdf?1568630596=\u0026response-content-disposition=attachment%3B+filename%3DNuove_prospettive_sulla_terza_rima_Veron.pdf\u0026Expires=1740835468\u0026Signature=Bum99CT7axbr6Ax1yOYQdBNojAQgfzrLJG1k4P2C1f50HXVL3GD2IG84nFVuGOj64h74fc1pbXU0QIpzVYCtLUIXvZPSkPGFSAKGvTqydErzNy4PN7KDH2cS01pnLBuMGUyjg6vvj-ivLpiC5sA~aJwJWmczm3HBGQwHhrL6QC1C4iCBr1aCHpvuH8yB~3X6F4rrDnQIzNcyS~s-N5rcS37kEjTk55PIijRcA-XUdHdXfE26jMFa6x5CY2dKt~HuH6r43qvTo3hVSvL4ogKnI78uU6hvP-r3ittEAUDDOWg8Ma4zTwC~HY8IclFA~HYJ0~~ErbrdIowtgE884Yygkg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"},{"id":60611044,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/60611044/thumbnails/1.jpg","file_name":"Dante_Pieghevole.pdf","download_url":"https://www.academia.edu/attachments/60611044/download_file","bulk_download_file_name":"Nuove_prospettive_sulla_terza_rima_Veron.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/60611044/Dante_Pieghevole-libre.pdf?1568629643=\u0026response-content-disposition=attachment%3B+filename%3DNuove_prospettive_sulla_terza_rima_Veron.pdf\u0026Expires=1740835468\u0026Signature=azTCiWTCRJmEJA8H29xIdvck9qm8yrEbcX0WzIrL4nFqNQbWGPkeIOAWPwMXbf4S0FbilAnw8pdogv88X9fSe20PPLMP-xL3WVj4crNqpdBgx3SOp0uuFjDVxnl3aTOB642MVShUPyK2YA20tj4d0xPxxJZBSVNwdln02ZY329hhK9brtSncePo1LcOLYJ2jzX-2rCLHnfjkt-7zp1kxWNfGA4RxcV5OhI-aG~Tex~sJdEo6JkgojJpI2~RPWBhxuvq6Uic~rNPMNmLsbWRWlJKwByNTJwmxMAfk2xoUj8XGh-uzpXUqCkPq~UQvFNV~GRLEn4nbGOCJOMqPdeoj5A__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="37513511"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/37513511/Translation_and_Lyrical_Tradition_between_Italy_and_France_19th_21st_Century_Graduate_Conference_Padova_11_12_ottobre_2018"><img alt="Research paper thumbnail of Translation and Lyrical Tradition between Italy and France (19th-21st Century): Graduate Conference, Padova 11-12 ottobre 2018" class="work-thumbnail" src="https://attachments.academia-assets.com/57486086/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/37513511/Translation_and_Lyrical_Tradition_between_Italy_and_France_19th_21st_Century_Graduate_Conference_Padova_11_12_ottobre_2018">Translation and Lyrical Tradition between Italy and France (19th-21st Century): Graduate Conference, Padova 11-12 ottobre 2018</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://univr.academia.edu/GiacomoMorbiato">Giacomo Morbiato</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://insr.academia.edu/SaraGiovine">Sara Giovine</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/TobiaZanon">Tobia Zanon</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a704821ef9e92167a6735275ec55296e" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":57486086,"asset_id":37513511,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/57486086/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="37513511"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="37513511"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 37513511; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=37513511]").text(description); $(".js-view-count[data-work-id=37513511]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 37513511; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='37513511']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a704821ef9e92167a6735275ec55296e" } } $('.js-work-strip[data-work-id=37513511]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":37513511,"title":"Translation and Lyrical Tradition between Italy and France (19th-21st Century): Graduate Conference, Padova 11-12 ottobre 2018","internal_url":"https://www.academia.edu/37513511/Translation_and_Lyrical_Tradition_between_Italy_and_France_19th_21st_Century_Graduate_Conference_Padova_11_12_ottobre_2018","owner_id":18103516,"coauthors_can_edit":true,"owner":{"id":18103516,"first_name":"Giacomo","middle_initials":null,"last_name":"Morbiato","page_name":"GiacomoMorbiato","domain_name":"univr","created_at":"2014-10-06T19:19:21.485-07:00","display_name":"Giacomo Morbiato","url":"https://univr.academia.edu/GiacomoMorbiato"},"attachments":[{"id":57486086,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/57486086/thumbnails/1.jpg","file_name":"GC_TRALYT_programma.pdf","download_url":"https://www.academia.edu/attachments/57486086/download_file","bulk_download_file_name":"Translation_and_Lyrical_Tradition_betwee.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/57486086/GC_TRALYT_programma-libre.pdf?1538466545=\u0026response-content-disposition=attachment%3B+filename%3DTranslation_and_Lyrical_Tradition_betwee.pdf\u0026Expires=1740839714\u0026Signature=BmoiouPzuibFIbmZ58lp9LEBqW1VZXqUudfOliHwMSxz1pK-cXI2VqBgZkjn35tKJRrPPFJOqeTwJOL-6kf74qnoRP07b2nnhjbYQ-CwaQc96wvTKKWfH1z-p9A1P4yWsClw9oUaU7juN7mUtnqKxnNB2U0QqTmsjlEzSBa91ezGq1hADcVqMhv6qKg5HuHB6tCtKgykDE7fkhkIS5yuo1zlf0txcVci3v5hJovAYUbFklViENHWQWrQ2sZ6mqp~VlPhGEKDs-QXe9~naKcolQ~v1f82TNuBKjB45XzDPdkPRz56XFpdu1NKIOwgqmXIlDyrCKj3kSY2UqoKA5zV2Q__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="35131642"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/35131642/_Lassenzio_della_vita_anche_il_suo_miele_Seminario_di_studi_sullultimo_Umberto_Saba_Universit%C3%A0_di_Verona_5_6_Dicembre_2017"><img alt="Research paper thumbnail of «L'assenzio della vita, anche il suo miele». Seminario di studi sull'ultimo Umberto Saba, Università di Verona, 5-6 Dicembre 2017" class="work-thumbnail" src="https://attachments.academia-assets.com/55012693/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/35131642/_Lassenzio_della_vita_anche_il_suo_miele_Seminario_di_studi_sullultimo_Umberto_Saba_Universit%C3%A0_di_Verona_5_6_Dicembre_2017">«L'assenzio della vita, anche il suo miele». Seminario di studi sull'ultimo Umberto Saba, Università di Verona, 5-6 Dicembre 2017</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unifi.academia.edu/FedericaMassia">Federica Massia</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://independent.academia.edu/EnricoTatasciore">Enrico Tatasciore</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://uniromatre.academia.edu/VeronicaAlbi">Veronica Albi</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unipv.academia.edu/GianfrancaLavezzi">Gianfranca Lavezzi</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/IlariaCavallin">Ilaria Cavallin</a></span></div><div class="wp-workCard_item"><span class="js-work-more-abstract-truncated">La coordinatrice del Corso di Dottorato in Filologia, Letteratura e Scienze dello Spettacolo Prof...</span><a class="js-work-more-abstract" data-broccoli-component="work_strip.more_abstract" data-click-track="profile-work-strip-more-abstract" href="javascript:;"><span> more </span><span><i class="fa fa-caret-down"></i></span></a><span class="js-work-more-abstract-untruncated hidden">La coordinatrice del Corso di Dottorato in Filologia, Letteratura e Scienze dello Spettacolo Prof.ssa Raffaella Bertazzoli I responsabili dell'evento Dott. Jacopo Galavotti, Prof. Antonio Girardi Studenti, dottorandi e docenti sono invitati a partecipare Informazioni:</span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="a5e9558213af185f63298e7d91928a74" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":55012693,"asset_id":35131642,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/55012693/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="35131642"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="35131642"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 35131642; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=35131642]").text(description); $(".js-view-count[data-work-id=35131642]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 35131642; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='35131642']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "a5e9558213af185f63298e7d91928a74" } } $('.js-work-strip[data-work-id=35131642]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":35131642,"title":"«L'assenzio della vita, anche il suo miele». Seminario di studi sull'ultimo Umberto Saba, Università di Verona, 5-6 Dicembre 2017","internal_url":"https://www.academia.edu/35131642/_Lassenzio_della_vita_anche_il_suo_miele_Seminario_di_studi_sullultimo_Umberto_Saba_Universit%C3%A0_di_Verona_5_6_Dicembre_2017","owner_id":11712446,"coauthors_can_edit":true,"owner":{"id":11712446,"first_name":"Jacopo","middle_initials":null,"last_name":"Galavotti","page_name":"JacopoGalavotti","domain_name":"unipd","created_at":"2014-05-01T23:57:43.715-07:00","display_name":"Jacopo Galavotti","url":"https://unipd.academia.edu/JacopoGalavotti"},"attachments":[{"id":55012693,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/55012693/thumbnails/1.jpg","file_name":"Locandina_DA_STAMPARE.pdf","download_url":"https://www.academia.edu/attachments/55012693/download_file","bulk_download_file_name":"Lassenzio_della_vita_anche_il_suo_miele.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/55012693/Locandina_DA_STAMPARE-libre.pdf?1510738508=\u0026response-content-disposition=attachment%3B+filename%3DLassenzio_della_vita_anche_il_suo_miele.pdf\u0026Expires=1740850292\u0026Signature=ZKJuwlR3x80EJiUmVhQWtdBqhdUo~cucTJ-bjYJhyF-Y89C-Dt0-FbKpfiCvH538XXcIvSCeOGY2HvfNI54TYLd3uCem-J0e9--sgBdNEgJ1EFx7gX9qFJyxrGjgBPj~l82aUdl-dmXFBqsdcYbaYO0smYmoYIp4FuP~CC9dlxc4Jje0ZtiTaQu7mRdQIb7QJJXJkGc7hKQQb4-JGnNZDX1c4tPf13nbpt3o1JeON-RYNrMIcoy-IiwT0AeihYpOIc24HCkJeeDgjNQP11vr9pVeBU8z8B3NtzKKKwnjx6d8of4S4cNy9abBLbB2Oxtsr9hRJOsnyEd~W8OFSAMCvg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"},{"id":55012692,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/55012692/thumbnails/1.jpg","file_name":"Pieghevole_Saba_BOZZA.pdf","download_url":"https://www.academia.edu/attachments/55012692/download_file","bulk_download_file_name":"Lassenzio_della_vita_anche_il_suo_miele.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/55012692/Pieghevole_Saba_BOZZA-libre.pdf?1510738509=\u0026response-content-disposition=attachment%3B+filename%3DLassenzio_della_vita_anche_il_suo_miele.pdf\u0026Expires=1740850292\u0026Signature=O2OiRA~hSN43yWs~twUWlq9KkWiz1ktEDBLQPGLbICIkOT2p8CJx2LC0XnzqvtCXuL5PmMq1Gi7PfvsAWqSbSFnbhhEumALLXpaQzH1iN-Amt-Nx~83TB9GMzbUWJQF7nGwq2M8mKpjGS7KJdE-wXjPKUPCKapVif--RwmBDEz-duxu5WWIaKyXBtkChOvhMvIO3fsr3q7GDTedl~pTWSpxbqhUFVTNbMz9JBcMxTanmmr8ib82nKB7mH4LIYKKM0kogzA-U3jp9UhV9UDohRkSuUpkmeduE~kYYbWE3WAGG3CrxjezjseUVlsdGipcI0t4GCLHPFKM-q8I2vijrZA__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> <div class="js-work-strip profile--work_container" data-work-id="11227551"><div class="profile--work_thumbnail hidden-xs"><a class="js-work-strip-work-link" data-click-track="profile-work-strip-thumbnail" href="https://www.academia.edu/11227551/Convegno_Internazionale_di_Studi_sulla_Citazione_Verona_29_30_ottobre_2015_Programma_completo"><img alt="Research paper thumbnail of Convegno Internazionale di Studi sulla Citazione. Verona, 29-30 ottobre 2015. Programma completo." class="work-thumbnail" src="https://attachments.academia-assets.com/39368227/thumbnails/1.jpg" /></a></div><div class="wp-workCard wp-workCard_itemContainer"><div class="wp-workCard_item wp-workCard--title"><a class="js-work-strip-work-link text-gray-darker" data-click-track="profile-work-strip-title" href="https://www.academia.edu/11227551/Convegno_Internazionale_di_Studi_sulla_Citazione_Verona_29_30_ottobre_2015_Programma_completo">Convegno Internazionale di Studi sulla Citazione. Verona, 29-30 ottobre 2015. Programma completo.</a></div><div class="wp-workCard_item wp-workCard--coauthors"><span>by </span><span><a class="" data-click-track="profile-work-strip-authors" href="https://univr.academia.edu/GiovannaZoccarato">Giovanna Zoccarato</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://univr.academia.edu/NadiaBaltieri">Nadia Baltieri</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unipd.academia.edu/JacopoGalavotti">Jacopo Galavotti</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unige.academia.edu/MarcoRobecchi">Marco Robecchi</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://univr.academia.edu/MarcoDuranti">Marco Duranti</a>, <a class="" data-click-track="profile-work-strip-authors" href="https://unimi.academia.edu/FrancescoGinelli">Francesco Ginelli</a>, and <a class="" data-click-track="profile-work-strip-authors" href="https://unina.academia.edu/StellaMerlinDefanti">Stella Merlin Defanti</a></span></div><div class="wp-workCard_item wp-workCard--actions"><span class="work-strip-bookmark-button-container"></span><a id="bb1980cbbc4f01c0cb4fe334ae90edf1" class="wp-workCard--action" rel="nofollow" data-click-track="profile-work-strip-download" data-download="{"attachment_id":39368227,"asset_id":11227551,"asset_type":"Work","button_location":"profile"}" href="https://www.academia.edu/attachments/39368227/download_file?s=profile"><span><i class="fa fa-arrow-down"></i></span><span>Download</span></a><span class="wp-workCard--action visible-if-viewed-by-owner inline-block" style="display: none;"><span class="js-profile-work-strip-edit-button-wrapper profile-work-strip-edit-button-wrapper" data-work-id="11227551"><a class="js-profile-work-strip-edit-button" tabindex="0"><span><i class="fa fa-pencil"></i></span><span>Edit</span></a></span></span></div><div class="wp-workCard_item wp-workCard--stats"><span><span><span class="js-view-count view-count u-mr2x" data-work-id="11227551"><i class="fa fa-spinner fa-spin"></i></span><script>$(function () { var workId = 11227551; window.Academia.workViewCountsFetcher.queue(workId, function (count) { var description = window.$h.commaizeInt(count) + " " + window.$h.pluralize(count, 'View'); $(".js-view-count[data-work-id=11227551]").text(description); $(".js-view-count[data-work-id=11227551]").attr('title', description).tooltip(); }); });</script></span></span><span><span class="percentile-widget hidden"><span class="u-mr2x work-percentile"></span></span><script>$(function () { var workId = 11227551; window.Academia.workPercentilesFetcher.queue(workId, function (percentileText) { var container = $(".js-work-strip[data-work-id='11227551']"); container.find('.work-percentile').text(percentileText.charAt(0).toUpperCase() + percentileText.slice(1)); container.find('.percentile-widget').show(); container.find('.percentile-widget').removeClass('hidden'); }); });</script></span></div><div id="work-strip-premium-row-container"></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/work_edit-ad038b8c047c1a8d4fa01b402d530ff93c45fee2137a149a4a5398bc8ad67560.js"], function() { // from javascript_helper.rb var dispatcherData = {} if (true){ window.WowProfile.dispatcher = window.WowProfile.dispatcher || _.clone(Backbone.Events); dispatcherData = { dispatcher: window.WowProfile.dispatcher, downloadLinkId: "bb1980cbbc4f01c0cb4fe334ae90edf1" } } $('.js-work-strip[data-work-id=11227551]').each(function() { if (!$(this).data('initialized')) { new WowProfile.WorkStripView({ el: this, workJSON: {"id":11227551,"title":"Convegno Internazionale di Studi sulla Citazione. Verona, 29-30 ottobre 2015. Programma completo.","internal_url":"https://www.academia.edu/11227551/Convegno_Internazionale_di_Studi_sulla_Citazione_Verona_29_30_ottobre_2015_Programma_completo","owner_id":21719989,"coauthors_can_edit":true,"owner":{"id":21719989,"first_name":"Giovanna","middle_initials":null,"last_name":"Zoccarato","page_name":"GiovannaZoccarato","domain_name":"univr","created_at":"2014-11-18T03:09:43.178-08:00","display_name":"Giovanna Zoccarato","url":"https://univr.academia.edu/GiovannaZoccarato"},"attachments":[{"id":39368227,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/39368227/thumbnails/1.jpg","file_name":"brochureconvegno1.compressed.pdf","download_url":"https://www.academia.edu/attachments/39368227/download_file","bulk_download_file_name":"Convegno_Internazionale_di_Studi_sulla_C.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/39368227/brochureconvegno1.compressed-libre.pdf?1445588363=\u0026response-content-disposition=attachment%3B+filename%3DConvegno_Internazionale_di_Studi_sulla_C.pdf\u0026Expires=1740839714\u0026Signature=M7sDqDWGjOmspVEPqFmztLURyhZULwO5EPZ4~sQjJD8rVVvz33xUE2aKCwBzmasVEvh3GwbCleMQ9locmI2WvkDt31p7LdYM5~Ebs4oTFQrRDjxDzR3V2EJf61AqVth6ve8hzYwBzRPziqe-wGHJP5fDk8IZ3-EWmmLOVnv1FXl~g9d0V613hUkgY7X9OK5iQ3Bq2isRT22RVxS0l6Q4ahEOdZE9kCvooRXWOxsyLj0BanzMbhTvSzX~Auc4FF1sE72l7~Ony6psxKNpSOVg2WsBOxkR6ZN13WeTnHfSLiB29kFsCtp2ejBQvdPgPay-Cp5-h6Mln7XJFES1rQUscQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"},{"id":39368232,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/39368232/thumbnails/1.jpg","file_name":"brochureconvegno2.compressed.pdf","download_url":"https://www.academia.edu/attachments/39368232/download_file","bulk_download_file_name":"Convegno_Internazionale_di_Studi_sulla_C.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/39368232/brochureconvegno2.compressed-libre.pdf?1445588361=\u0026response-content-disposition=attachment%3B+filename%3DConvegno_Internazionale_di_Studi_sulla_C.pdf\u0026Expires=1740839714\u0026Signature=eHh5OqwjGEjz3uAPpbg2nMk1ci8yd~sqvSxNl73G~U3pRDfccVhr53yTlpZ0C~JVePu31SdWFXfkL6BN4gn-bQoiM-Ukg4NxdacveL~TSaGRKnhBLaNfkMylR95005xqZflDV2ookkEf4ImYYX4mwA96is4dxiyyT7CilFwgtn8iu0lqcnI0Bhb-lxIKH6r7QZIRNasU4uwgEzVBgWhT1liCIajgBge4Q0R41WcgLMurx8RxfwmavdUHV0drgT3L85kSY09QWjqbAd9nMfuBQ8AujQRJXvvz0kfbdiUR9rDjsRo9P~HGCS~HdpmLuTh-s2cnnQmRdztPX9tE2g39gg__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"},{"id":39355095,"title":"","file_type":"pdf","scribd_thumbnail_url":"https://attachments.academia-assets.com/39355095/thumbnails/1.jpg","file_name":"Convegno_Citazione_2015.pdf","download_url":"https://www.academia.edu/attachments/39355095/download_file","bulk_download_file_name":"Convegno_Internazionale_di_Studi_sulla_C.pdf","bulk_download_url":"https://d1wqtxts1xzle7.cloudfront.net/39355095/Convegno_Citazione_2015-libre.pdf?1445526031=\u0026response-content-disposition=attachment%3B+filename%3DConvegno_Internazionale_di_Studi_sulla_C.pdf\u0026Expires=1740839714\u0026Signature=gbtQ9RF2o8Kct8OITVwvFTH~DML8namAWYkPzKIkn2yoeJhC7MefLURnS3WJao5D~vBsJeEHioTnJcLrlC0s8ofRXbdcB3xYv-IccadhP9xh9av8gxkocPM6lrXYEDRZEch3D31JZ5dcZQtOKJV0KmgujHYSSyFlEBUlchWq9mo27IVhXiptjanDQFkiidS5oJ0isVNWzyFbpV7UdfXSfASU2H4y2wzT81MG3QDTxEcMjgKYKI~FBEvdCFicXSxOp9bSVbaMOOsqg2lijeUG2-TcRYPvKgsHT1ZL4aLmLVnRCEzpXGEYk3brucyVcsoBScnM4-un1PTPrXOSapLmtQ__\u0026Key-Pair-Id=APKAJLOHF5GGSLRBV4ZA"}]}, dispatcherData: dispatcherData }); $(this).data('initialized', true); } }); $a.trackClickSource(".js-work-strip-work-link", "profile_work_strip") }); </script> </div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js","https://a.academia-assets.com/assets/google_contacts-0dfb882d836b94dbcb4a2d123d6933fc9533eda5be911641f20b4eb428429600.js"], function() { // from javascript_helper.rb $('.js-google-connect-button').click(function(e) { e.preventDefault(); GoogleContacts.authorize_and_show_contacts(); Aedu.Dismissibles.recordClickthrough("WowProfileImportContactsPrompt"); }); $('.js-update-biography-button').click(function(e) { e.preventDefault(); Aedu.Dismissibles.recordClickthrough("UpdateUserBiographyPrompt"); $.ajax({ url: $r.api_v0_profiles_update_about_path({ subdomain_param: 'api', about: "", }), type: 'PUT', success: function(response) { location.reload(); } }); }); $('.js-work-creator-button').click(function (e) { e.preventDefault(); window.location = $r.upload_funnel_document_path({ source: encodeURIComponent(""), }); }); $('.js-video-upload-button').click(function (e) { e.preventDefault(); window.location = $r.upload_funnel_video_path({ source: encodeURIComponent(""), }); }); $('.js-do-this-later-button').click(function() { $(this).closest('.js-profile-nag-panel').remove(); Aedu.Dismissibles.recordDismissal("WowProfileImportContactsPrompt"); }); $('.js-update-biography-do-this-later-button').click(function(){ $(this).closest('.js-profile-nag-panel').remove(); Aedu.Dismissibles.recordDismissal("UpdateUserBiographyPrompt"); }); $('.wow-profile-mentions-upsell--close').click(function(){ $('.wow-profile-mentions-upsell--panel').hide(); Aedu.Dismissibles.recordDismissal("WowProfileMentionsUpsell"); }); $('.wow-profile-mentions-upsell--button').click(function(){ Aedu.Dismissibles.recordClickthrough("WowProfileMentionsUpsell"); }); new WowProfile.SocialRedesignUserWorks({ initialWorksOffset: 20, allWorksOffset: 20, maxSections: 4 }) }); </script> </div></div></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/wow_profile_edit-5ea339ee107c863779f560dd7275595239fed73f1a13d279d2b599a28c0ecd33.js","https://a.academia-assets.com/assets/add_coauthor-22174b608f9cb871d03443cafa7feac496fb50d7df2d66a53f5ee3c04ba67f53.js","https://a.academia-assets.com/assets/tab-dcac0130902f0cc2d8cb403714dd47454f11fc6fb0e99ae6a0827b06613abc20.js","https://a.academia-assets.com/assets/wow_profile-a9bf3a2bc8c89fa2a77156577594264ee8a0f214d74241bc0fcd3f69f8d107ac.js"], function() { // from javascript_helper.rb window.ae = window.ae || {}; window.ae.WowProfile = window.ae.WowProfile || {}; if(Aedu.User.current && Aedu.User.current.id === $viewedUser.id) { window.ae.WowProfile.current_user_edit = {}; new WowProfileEdit.EditUploadView({ el: '.js-edit-upload-button-wrapper', model: window.$current_user, }); new AddCoauthor.AddCoauthorsController(); } var userInfoView = new WowProfile.SocialRedesignUserInfo({ recaptcha_key: "6LdxlRMTAAAAADnu_zyLhLg0YF9uACwz78shpjJB" }); WowProfile.router = new WowProfile.Router({ userInfoView: userInfoView }); Backbone.history.start({ pushState: true, root: "/" + $viewedUser.page_name }); new WowProfile.UserWorksNav() }); </script> </div> <div class="bootstrap login"><div class="modal fade login-modal" id="login-modal"><div class="login-modal-dialog modal-dialog"><div class="modal-content"><div class="modal-header"><button class="close close" data-dismiss="modal" type="button"><span aria-hidden="true">×</span><span class="sr-only">Close</span></button><h4 class="modal-title text-center"><strong>Log In</strong></h4></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><button class="btn btn-fb btn-lg btn-block btn-v-center-content" id="login-facebook-oauth-button"><svg style="float: left; width: 19px; line-height: 1em; margin-right: .3em;" aria-hidden="true" focusable="false" data-prefix="fab" data-icon="facebook-square" class="svg-inline--fa fa-facebook-square fa-w-14" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512"><path fill="currentColor" d="M400 32H48A48 48 0 0 0 0 80v352a48 48 0 0 0 48 48h137.25V327.69h-63V256h63v-54.64c0-62.15 37-96.48 93.67-96.48 27.14 0 55.52 4.84 55.52 4.84v61h-31.27c-30.81 0-40.42 19.12-40.42 38.73V256h68.78l-11 71.69h-57.78V480H400a48 48 0 0 0 48-48V80a48 48 0 0 0-48-48z"></path></svg><small><strong>Log in</strong> with <strong>Facebook</strong></small></button><br /><button class="btn btn-google btn-lg btn-block btn-v-center-content" id="login-google-oauth-button"><svg style="float: left; width: 22px; line-height: 1em; margin-right: .3em;" aria-hidden="true" focusable="false" data-prefix="fab" data-icon="google-plus" class="svg-inline--fa fa-google-plus fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M256,8C119.1,8,8,119.1,8,256S119.1,504,256,504,504,392.9,504,256,392.9,8,256,8ZM185.3,380a124,124,0,0,1,0-248c31.3,0,60.1,11,83,32.3l-33.6,32.6c-13.2-12.9-31.3-19.1-49.4-19.1-42.9,0-77.2,35.5-77.2,78.1S142.3,334,185.3,334c32.6,0,64.9-19.1,70.1-53.3H185.3V238.1H302.2a109.2,109.2,0,0,1,1.9,20.7c0,70.8-47.5,121.2-118.8,121.2ZM415.5,273.8v35.5H380V273.8H344.5V238.3H380V202.8h35.5v35.5h35.2v35.5Z"></path></svg><small><strong>Log in</strong> with <strong>Google</strong></small></button><br /><style type="text/css">.sign-in-with-apple-button { width: 100%; height: 52px; border-radius: 3px; border: 1px solid black; cursor: pointer; } .sign-in-with-apple-button > div { margin: 0 auto; / This centers the Apple-rendered button horizontally }</style><script src="https://appleid.cdn-apple.com/appleauth/static/jsapi/appleid/1/en_US/appleid.auth.js" type="text/javascript"></script><div class="sign-in-with-apple-button" data-border="false" data-color="white" id="appleid-signin"><span   ="Sign Up with Apple" class="u-fs11"></span></div><script>AppleID.auth.init({ clientId: 'edu.academia.applesignon', scope: 'name email', redirectURI: 'https://www.academia.edu/sessions', state: "d544b5b69e2399b65efe2a596de610625db9f7a827cf2300e3374a11733662e8", });</script><script>// Hacky way of checking if on fast loswp if (window.loswp == null) { (function() { const Google = window?.Aedu?.Auth?.OauthButton?.Login?.Google; const Facebook = window?.Aedu?.Auth?.OauthButton?.Login?.Facebook; if (Google) { new Google({ el: '#login-google-oauth-button', rememberMeCheckboxId: 'remember_me', track: null }); } if (Facebook) { new Facebook({ el: '#login-facebook-oauth-button', rememberMeCheckboxId: 'remember_me', track: null }); } })(); }</script></div></div></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><div class="hr-heading login-hr-heading"><span class="hr-heading-text">or</span></div></div></div></div><div class="modal-body"><div class="row"><div class="col-xs-10 col-xs-offset-1"><form class="js-login-form" action="https://www.academia.edu/sessions" accept-charset="UTF-8" method="post"><input type="hidden" name="authenticity_token" value="TmIk0DxRslN0fg8XMRiu2YvQayKkGhKH-TdWHJuUu-qE6xQ3Fj24vLRjsF9XCEFVXlKarZwimdpbHQO_wqiiCw" autocomplete="off" /><div class="form-group"><label class="control-label" for="login-modal-email-input" style="font-size: 14px;">Email</label><input class="form-control" id="login-modal-email-input" name="login" type="email" /></div><div class="form-group"><label class="control-label" for="login-modal-password-input" style="font-size: 14px;">Password</label><input class="form-control" id="login-modal-password-input" name="password" type="password" /></div><input type="hidden" name="post_login_redirect_url" id="post_login_redirect_url" value="https://unipd.academia.edu/JacopoGalavotti" autocomplete="off" /><div class="checkbox"><label><input type="checkbox" name="remember_me" id="remember_me" value="1" checked="checked" /><small style="font-size: 12px; margin-top: 2px; display: inline-block;">Remember me on this computer</small></label></div><br><input type="submit" name="commit" value="Log In" class="btn btn-primary btn-block btn-lg js-login-submit" data-disable-with="Log In" /></br></form><script>typeof window?.Aedu?.recaptchaManagedForm === 'function' && window.Aedu.recaptchaManagedForm( document.querySelector('.js-login-form'), document.querySelector('.js-login-submit') );</script><small style="font-size: 12px;"><br />or <a data-target="#login-modal-reset-password-container" data-toggle="collapse" href="javascript:void(0)">reset password</a></small><div class="collapse" id="login-modal-reset-password-container"><br /><div class="well margin-0x"><form class="js-password-reset-form" action="https://www.academia.edu/reset_password" accept-charset="UTF-8" method="post"><input type="hidden" name="authenticity_token" value="nGybkCaKih79Wwfqj35dQfQqSmCw1D73hkAekCcop2FW5at3DOaA8T1GuKLpbrLNIai774jstaokakszfhS-gA" autocomplete="off" /><p>Enter the email address you signed up with and we'll email you a reset link.</p><div class="form-group"><input class="form-control" name="email" type="email" /></div><script src="https://recaptcha.net/recaptcha/api.js" async defer></script> <script> var invisibleRecaptchaSubmit = function () { var closestForm = function (ele) { var curEle = ele.parentNode; while (curEle.nodeName !== 'FORM' && curEle.nodeName !== 'BODY'){ curEle = curEle.parentNode; } return curEle.nodeName === 'FORM' ? curEle : null }; var eles = document.getElementsByClassName('g-recaptcha'); if (eles.length > 0) { var form = closestForm(eles[0]); if (form) { form.submit(); } } }; </script> <input type="submit" data-sitekey="6Lf3KHUUAAAAACggoMpmGJdQDtiyrjVlvGJ6BbAj" data-callback="invisibleRecaptchaSubmit" class="g-recaptcha btn btn-primary btn-block" value="Email me a link" value=""/> </form></div></div><script> require.config({ waitSeconds: 90 })(["https://a.academia-assets.com/assets/collapse-45805421cf446ca5adf7aaa1935b08a3a8d1d9a6cc5d91a62a2a3a00b20b3e6a.js"], function() { // from javascript_helper.rb $("#login-modal-reset-password-container").on("shown.bs.collapse", function() { $(this).find("input[type=email]").focus(); }); }); </script> </div></div></div><div class="modal-footer"><div class="text-center"><small style="font-size: 12px;">Need an account? <a rel="nofollow" href="https://www.academia.edu/signup">Click here to sign up</a></small></div></div></div></div></div></div><script>// If we are on subdomain or non-bootstrapped page, redirect to login page instead of showing modal (function(){ if (typeof $ === 'undefined') return; var host = window.location.hostname; if ((host === $domain || host === "www."+$domain) && (typeof $().modal === 'function')) { $("#nav_log_in").click(function(e) { // Don't follow the link and open the modal e.preventDefault(); $("#login-modal").on('shown.bs.modal', function() { $(this).find("#login-modal-email-input").focus() }).modal('show'); }); } })()</script> <div class="bootstrap" id="footer"><div class="footer-content clearfix text-center padding-top-7x" style="width:100%;"><ul class="footer-links-secondary footer-links-wide list-inline margin-bottom-1x"><li><a href="https://www.academia.edu/about">About</a></li><li><a href="https://www.academia.edu/press">Press</a></li><li><a href="https://www.academia.edu/documents">Papers</a></li><li><a href="https://www.academia.edu/topics">Topics</a></li><li><a href="https://www.academia.edu/journals">Academia.edu Journals</a></li><li><a rel="nofollow" href="https://www.academia.edu/hiring"><svg style="width: 13px; height: 13px;" aria-hidden="true" focusable="false" data-prefix="fas" data-icon="briefcase" class="svg-inline--fa fa-briefcase fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M320 336c0 8.84-7.16 16-16 16h-96c-8.84 0-16-7.16-16-16v-48H0v144c0 25.6 22.4 48 48 48h416c25.6 0 48-22.4 48-48V288H320v48zm144-208h-80V80c0-25.6-22.4-48-48-48H176c-25.6 0-48 22.4-48 48v48H48c-25.6 0-48 22.4-48 48v80h512v-80c0-25.6-22.4-48-48-48zm-144 0H192V96h128v32z"></path></svg> <strong>We're Hiring!</strong></a></li><li><a rel="nofollow" href="https://support.academia.edu/hc/en-us"><svg style="width: 12px; height: 12px;" aria-hidden="true" focusable="false" data-prefix="fas" data-icon="question-circle" class="svg-inline--fa fa-question-circle fa-w-16" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512"><path fill="currentColor" d="M504 256c0 136.997-111.043 248-248 248S8 392.997 8 256C8 119.083 119.043 8 256 8s248 111.083 248 248zM262.655 90c-54.497 0-89.255 22.957-116.549 63.758-3.536 5.286-2.353 12.415 2.715 16.258l34.699 26.31c5.205 3.947 12.621 3.008 16.665-2.122 17.864-22.658 30.113-35.797 57.303-35.797 20.429 0 45.698 13.148 45.698 32.958 0 14.976-12.363 22.667-32.534 33.976C247.128 238.528 216 254.941 216 296v4c0 6.627 5.373 12 12 12h56c6.627 0 12-5.373 12-12v-1.333c0-28.462 83.186-29.647 83.186-106.667 0-58.002-60.165-102-116.531-102zM256 338c-25.365 0-46 20.635-46 46 0 25.364 20.635 46 46 46s46-20.636 46-46c0-25.365-20.635-46-46-46z"></path></svg> <strong>Help Center</strong></a></li></ul><ul class="footer-links-tertiary list-inline margin-bottom-1x"><li class="small">Find new research papers in:</li><li class="small"><a href="https://www.academia.edu/Documents/in/Physics">Physics</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Chemistry">Chemistry</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Biology">Biology</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Health_Sciences">Health Sciences</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Ecology">Ecology</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Earth_Sciences">Earth Sciences</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Cognitive_Science">Cognitive Science</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Mathematics">Mathematics</a></li><li class="small"><a href="https://www.academia.edu/Documents/in/Computer_Science">Computer Science</a></li></ul></div></div><div class="DesignSystem" id="credit" style="width:100%;"><ul class="u-pl0x footer-links-legal list-inline"><li><a rel="nofollow" href="https://www.academia.edu/terms">Terms</a></li><li><a rel="nofollow" href="https://www.academia.edu/privacy">Privacy</a></li><li><a rel="nofollow" href="https://www.academia.edu/copyright">Copyright</a></li><li>Academia ©2025</li></ul></div><script> //<![CDATA[ window.detect_gmtoffset = true; window.Academia && window.Academia.set_gmtoffset && Academia.set_gmtoffset('/gmtoffset'); //]]> </script> <div id='overlay_background'></div> <div id='bootstrap-modal-container' class='bootstrap'></div> <div id='ds-modal-container' class='bootstrap DesignSystem'></div> <div id='full-screen-modal'></div> </div> </body> </html>