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21st Quinquennial Congress of the International Musicological Society ( IMS2022)
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color: rgb(68, 68, 68);">In a world interconnected by global networks and partitioned by resurgent nationalism, racism, travel bans, and now a global pandemic, borders are sites of contestation. Nevertheless, musicians continue to move, as they always have, via diasporas, repatriation, and forced or voluntary migration, bringing along musics, practices, and artifacts, interacting with new environments, and often giving voice to minority communities. Moreover, thanks to the circulation enabled by recording “technologies”–from memory and notation to .MP3s–music has long defied the spatial and temporal limits of physical travel. In short, music is highly mobile.</p> <p style="font-family: Manrope, sans-serif; color: rgb(68, 68, 68);">In recent decades, scholars grappling with globalization, imperialism, and migration have abandoned static intellectual frameworks based on ideologies of cultural wholeness, generating a “mobility” turn with far-reaching consequences for the human sciences. Music-making and research have privileged cosmopolitanism and cultural flux in ways that challenge dominant canons. Theories of intermediality are currently reimagining genres and repertoires as inherently unstable. Yet the decentering force of this artistic and conceptual mobility has itself raised pressing questions around disciplinary border-crossing, hyphenated methodologies, and epistemic responsibility.</p> <p style="font-family: 'Manrope', sans-serif;">T<span style="color: rgb(68, 68, 68);">he IMS2022 Program Committee invites proposals from across the musicologies and beyond that spark the following discussions: What research is emerging on the ground in connected histories, border-crossing source studies, media studies, music theories, and local/global studies of music? As we work across genres, practices, spaces real and virtual, hemispheres, beliefs, societies, and systems of knowledge, what relations structure encounters and comparisons? Are they just? How could musicology’s interactions with arts practices, fiction, science, ecology, sociology, health, and law be increased and improved? What techniques allow analytic, historical, and anthropological methods to be intertwined most effectively? How do the practices of musicians on the move–translation, transformation, mediation–inform our theoretical paradigms?</span></p> <p style="font-family: 'Manrope', sans-serif;"><strong><span style="color: rgb(68, 68, 68);">Categories of Presentation</span></strong></p> <p style="font-family: 'Manrope', sans-serif;"><span style="color: rgb(68, 68, 68);">Proposals are invited for free papers, roundtables, and study sessions. The Program Committee seeks free papers that reflect current research as broadly as possible. Each free paper is allotted 30 minutes, with 20 minutes for presentation and 10 minutes for Q&A. Roundtables are to focus exclusively on topics relevant to the themes of the Congress (see above). The length of each roundtable is 120 minutes, including Q&A and discussion. Study sessions are more “informal” in nature, providing an opportunity for scholars to exchange ideas on the issues, methodologies, and research frameworks of a given topic while opening the discussion to all Congress participants. The length of each study session is limited to 90 minutes, including Q&A and discussion.</span></p> <p style="font-family: 'Manrope', sans-serif;"><strong><span style="color: rgb(68, 68, 68);">Languages</span></strong></p> <p style="font-family: 'Manrope', sans-serif;"><span style="color: rgb(68, 68, 68);">We encourage presenters to give their talks in English when possible, in order to ensure the broadest potential audience for the work being presented. Papers may be given in other languages as appropriate. Please note, however, that only proposals in English will be accepted.</span></p> <p style="font-family: 'Manrope', sans-serif;"><strong><span style="color: rgb(68, 68, 68);">Call for Papers</span></strong></p> <p style="font-family: 'Manrope', sans-serif;"><span style="color: rgb(68, 68, 68);">The submission guidelines and abstract submission portal </span><b style=""><u style=""><a href="/" title="" style=""><span style="color: rgb(68, 68, 68);">can be found </span><span style="color: rgb(0, 0, 0);"><span style="color: rgb(68, 68, 68);">here</span></span></a></u></b><span style="color: rgb(68, 68, 68);">.</span><br><span style="color: rgb(68, 68, 68);">All proposals must be submitted online between </span><b style="color: rgb(68, 68, 68);">January 15 to July 31, 2021</b><span style="color: rgb(68, 68, 68);"> to be considered. Successful applicants will be notified by email no later than </span><b style=""><span style="color: rgb(68, 68, 68);">November 15</span></b><b><span style="color: rgb(68, 68, 68);">, 2021</span><span style="color: rgb(68, 68, 68);">.</span></b><br><span style="color: rgb(68, 68, 68);">For further information you may contact the Professional Congress Organizer by email at: </span><a href="/cdn-cgi/l/email-protection#caaba8b9beb8aba9beb98aa3a7b9f8faf8f8e4a5b8ad" title="" style="color: rgb(68, 68, 68);"><strong style="color: rgb(68, 68, 68);"><span class="__cf_email__" data-cfemail="6001021314120103141320090d13525052524e0f1207">[email protected]</span></strong></a></p> <p style="font-family: 'Manrope', sans-serif;"><strong style="color: rgb(68, 68, 68);">IMS2022 Program Committee</strong></p> <p style="font-family: 'Manrope', sans-serif;"><b><span style="color: rgb(68, 68, 68);"> Kate van Orden</span></b><span style="color: rgb(68, 68, 68);">, </span><i style="color: rgb(68, 68, 68);">Harvard University, US </i><br><i style="color: rgb(68, 68, 68);">Chair</i><br><b><span style="color: rgb(68, 68, 68);"> Evi Nika-Sampson</span></b>, <i><span style="color: rgb(68, 68, 68);">Aristotle University of Thessaloniki, GR</span> </i><br><i style="color: rgb(68, 68, 68);">Chair Local Organization Committee</i><br><b><span style="color: rgb(68, 68, 68);"> Daniel Chua</span></b>, <i><span style="color: rgb(68, 68, 68);">H</span><span style="color: rgb(68, 68, 68);">ong Kong University, HK</span></i><span style="color: rgb(68, 68, 68);"> </span><br><i style="color: rgb(68, 68, 68);">President of the IMS</i><br><b><br></b></p><p style="font-family: 'Manrope', sans-serif;"><b><span style="color: rgb(68, 68, 68);">Salwa El-Shawan Castelo-Branco</span>, </b><i style="color: rgb(68, 68, 68);">New University of Lisbon, PT<br></i><b style="color: rgb(68, 68, 68);">Ruth HaCohen</b>, <i style="color: rgb(68, 68, 68);">Hebrew University, Jerusalem, IL <br></i><b style="color: rgb(68, 68, 68);">Barbara Haggh-Huglo</b>, <i><span style="color: rgb(68, 68, 68);">University of Maryland, US</span> <br></i><b style="color: rgb(68, 68, 68);">Christine Jeanneret</b>, <i style="color: rgb(68, 68, 68);">University of Copenhagen, DK<br></i><b style="color: rgb(68, 68, 68);">Mark Katz</b>, <i style="color: rgb(68, 68, 68);">University of North Carolina, Chapel Hill, US <br></i><b style="color: rgb(68, 68, 68);">Youn Kim</b>, <i style="color: rgb(68, 68, 68);">Hong Kong University, HK <br></i><b style="color: rgb(68, 68, 68);">Ignazio Macchiarella</b>, <i style="color: rgb(68, 68, 68);">Università di Cagliari, IT <br></i><b style="color: rgb(68, 68, 68);">Javier Marín-López</b>,<i> <span style="color: rgb(68, 68, 68);">Universidad de Jaén, ES</span><br></i><b style="color: rgb(68, 68, 68);">Pedro Memelsdorff</b>, <i style="color: rgb(68, 68, 68);">Fondazione Giorgio Cini, Venice, IT, Escola Superio de Música de Catalunya, Barcelona, ES<br></i><b style="color: rgb(68, 68, 68);">Isabelle Moindrot</b>, <span style="color: rgb(68, 68, 68);"><i style="color: rgb(68, 68, 68);">Paris 8, FR</i> </span><br><b style="color: rgb(68, 68, 68);">Nidaa Abou Mrad</b>, <i><span style="color: rgb(68, 68, 68);">Antonine University, LB</span> <br></i><b style="color: rgb(68, 68, 68);">Melanie Plesch</b>, <i style="color: rgb(68, 68, 68);">Melbourne Conservatorium of Music, AU <br></i><b style="color: rgb(68, 68, 68);">Jim Samson</b>, <i style="color: rgb(68, 68, 68);">Royal Holloway University of London, UK<br></i><b style="color: rgb(68, 68, 68);">Rebekka Sandmeier</b>, <span style="color: rgb(68, 68, 68);"><i style="color: rgb(68, 68, 68);">Director and Professor, South African College of Music, Cape Town, ZA</i> </span><br><b style="color: rgb(68, 68, 68);">Dörte Schmidt</b>, <i><span style="color: rgb(68, 68, 68);">Universität der Künste, Berlin, DE</span> <br></i><b style="color: rgb(68, 68, 68);">W. Dean Sutcliffe</b>, <span style="color: rgb(68, 68, 68);"><i style="color: rgb(68, 68, 68);">University of Auckland, NZ</i> </span><br><b style="color: rgb(68, 68, 68);">Costas Tsougras</b>, <i style="color: rgb(68, 68, 68);">Aristotle University of Thessaloniki, GR</i></p> <p></p> <p style="font-family: 'Manrope', sans-serif;"><b><span style="color: rgb(0, 112, 192);">Below you can also find the Call for Papers in other languages: </span></b></p> </div></div> <div class="row"><div class="col-md-12" style="background-color:rgba(255,255,255,0.6"> <!-- <p><a href="https://az659834.vo.msecnd.net/eventsairwesteuprod/production-pcoconvin-public/29677212860f4385aed45210a6d3542b" title="" target="_blank"></a></p><div class="edit"><a href="https://az659834.vo.msecnd.net/eventsairwesteuprod/production-pcoconvin-public/29677212860f4385aed45210a6d3542b" title="" target="_blank"><br></a></div> --> <a 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