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The Word for World Is Forest - Wikipedia
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Forest</i></h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. 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badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://es.wikipedia.org/wiki/El_nombre_del_mundo_es_Bosque" title="El nombre del mundo es Bosque – Spanish" lang="es" hreflang="es" data-title="El nombre del mundo es Bosque" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Oihan_hitzean_mundua" title="Oihan hitzean mundua – Basque" lang="eu" hreflang="eu" data-title="Oihan hitzean mundua" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target"><span>Euskara</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Le_nom_du_monde_est_for%C3%AAt" title="Le nom du monde est forêt – French" lang="fr" hreflang="fr" data-title="Le nom du monde est forêt" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Il_mondo_della_foresta" title="Il mondo della foresta – Italian" lang="it" hreflang="it" data-title="Il mondo della foresta" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/S%C5%82owo_%E2%80%9Elas%E2%80%9D_znaczy_%E2%80%9E%C5%9Bwiat%E2%80%9D" title="Słowo „las” znaczy „świat” – Polish" lang="pl" hreflang="pl" data-title="Słowo „las” znaczy „świat”" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Lumii_%C3%AEi_spuneau_p%C4%83dure" title="Lumii îi spuneau pădure – Romanian" lang="ro" hreflang="ro" data-title="Lumii îi spuneau pădure" data-language-autonym="Română" data-language-local-name="Romanian" class="interlanguage-link-target"><span>Română</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%A1%D0%BB%D0%BE%D0%B2%D0%BE_%D0%B4%D0%BB%D1%8F_%D0%BB%D0%B5%D1%81%D0%B0_%D0%B8_%D0%BC%D0%B8%D1%80%D0%B0_%D0%BE%D0%B4%D0%BD%D0%BE" title="Слово для леса и мира одно – Russian" lang="ru" hreflang="ru" data-title="Слово для леса и мира одно" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/The_Word_for_World_Is_Forest" title="The Word for World Is Forest – Simple English" lang="en-simple" hreflang="en-simple" 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<div class="mw-indicators"> <div id="mw-indicator-good-star" class="mw-indicator"><div class="mw-parser-output"><span typeof="mw:File"><a href="/wiki/Wikipedia:Good_articles*" title="This is a good article. 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Le Guin</div> <p class="mw-empty-elt"> </p> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vcard"><caption class="infobox-title" style="font-size:125%; font-style:italic; padding-bottom:0.2em;">The Word for World Is Forest <span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Word+for+World+Is+Forest&rft.author=%5B%5BUrsula+K.+Le+Guin%5D%5D&rft.place=United+States&rft.pages=189&rft.series=%5B%5BHainish+Cycle%5D%5D&rft_id=info:oclcnum/2133448"></span></caption><tbody><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:WordWorldForest.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/b/bc/WordWorldForest.jpg/220px-WordWorldForest.jpg" decoding="async" width="220" height="320" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/b/bc/WordWorldForest.jpg 1.5x" data-file-width="261" data-file-height="380" /></a></span><div class="infobox-caption">Cover of first edition (hardcover)</div></td></tr><tr><th scope="row" class="infobox-label">Author</th><td class="infobox-data"><a href="/wiki/Ursula_K._Le_Guin" title="Ursula K. Le Guin">Ursula K. Le Guin</a></td></tr><tr><th scope="row" class="infobox-label">Cover artist</th><td class="infobox-data"><a href="/wiki/Richard_M._Powers" title="Richard M. Powers">Richard M. Powers</a></td></tr><tr><th scope="row" class="infobox-label">Language</th><td class="infobox-data">English</td></tr><tr><th scope="row" class="infobox-label">Series</th><td class="infobox-data"><a href="/wiki/Hainish_Cycle" title="Hainish Cycle">Hainish Cycle</a></td></tr><tr><th scope="row" class="infobox-label">Genre</th><td class="infobox-data"><a href="/wiki/Science_fiction" title="Science fiction">Science fiction</a></td></tr><tr><th scope="row" class="infobox-label">Published</th><td class="infobox-data">1972 (<a href="/wiki/Doubleday_(publisher)" title="Doubleday (publisher)">Doubleday</a>, anthology), 1976 (<a href="/wiki/Berkley_Books" title="Berkley Books">Berkley Books</a>)</td></tr><tr><th scope="row" class="infobox-label">Publication place</th><td class="infobox-data">United States</td></tr><tr><th scope="row" class="infobox-label">Media type</th><td class="infobox-data">Print (<a href="/wiki/Hardcover" title="Hardcover">Hardcover</a> & <a href="/wiki/Paperback" title="Paperback">Paperback</a>)</td></tr><tr><th scope="row" class="infobox-label">Pages</th><td class="infobox-data">189</td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a></th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><a href="/wiki/Special:BookSources/0-399-11716-4" title="Special:BookSources/0-399-11716-4">0-399-11716-4</a></td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)"><abbr title="Online Computer Library Center number">OCLC</abbr></a></th><td class="infobox-data"><a rel="nofollow" class="external text" href="https://www.worldcat.org/oclc/2133448">2133448</a></td></tr><tr><th scope="row" class="infobox-label"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;"><a href="/wiki/Dewey_Decimal_Classification" title="Dewey Decimal Classification">Dewey Decimal</a></div></th><td class="infobox-data">813/.5/4</td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/LCC_(identifier)" class="mw-redirect" title="LCC (identifier)"><abbr title="Library of Congress Classification">LC Class</abbr></a></th><td class="infobox-data">PZ4.L518 Wo PS3562.E42</td></tr><tr><th scope="row" class="infobox-label">Preceded by</th><td class="infobox-data"><i><a href="/wiki/The_Left_Hand_of_Darkness" title="The Left Hand of Darkness">The Left Hand of Darkness</a> </i></td></tr><tr><th scope="row" class="infobox-label">Followed by</th><td class="infobox-data"><i><a href="/wiki/The_Dispossessed" title="The Dispossessed">The Dispossessed</a> </i></td></tr></tbody></table> <p><i><b>The Word for World Is Forest</b></i> is a <a href="/wiki/Science_fiction" title="Science fiction">science fiction</a> <a href="/wiki/Novel" title="Novel">novel</a> by American writer <a href="/wiki/Ursula_K._Le_Guin" title="Ursula K. Le Guin">Ursula K. Le Guin</a>, first published in the <a href="/wiki/United_States" title="United States">United States</a> in 1972 as a part of the anthology <i><a href="/wiki/Again,_Dangerous_Visions" title="Again, Dangerous Visions">Again, Dangerous Visions</a></i>, and published as a separate book in 1976 by <a href="/wiki/Berkley_Books" title="Berkley Books">Berkley Books</a>. It is part of Le Guin's <a href="/wiki/Hainish_Cycle" title="Hainish Cycle">Hainish Cycle</a>. </p><p>The story focuses on a military logging colony set up on the fictional planet of Athshe by people from Earth (referred to as "Terra"). The colonists have enslaved the completely non-aggressive native Athsheans, and treat them very harshly. Eventually, one of the natives, whose wife was raped and killed by a Terran military captain, leads a revolt against the Terrans, and succeeds in getting them to leave the planet. However, in the process their own peaceful culture is introduced to mass violence for the first time. </p><p>The novel carries strongly anti-colonial and anti-militaristic overtones, driven partly by Le Guin's negative reaction to the <a href="/wiki/Vietnam_War" title="Vietnam War">Vietnam War</a>. It also explores themes of sensitivity to the environment, and of connections between language and culture. It shares the theme of dreaming with Le Guin's novel <i><a href="/wiki/The_Lathe_of_Heaven" title="The Lathe of Heaven">The Lathe of Heaven</a></i>, and the metaphor of the forest as a consciousness with the story "<a href="/wiki/Vaster_than_Empires_and_More_Slow" title="Vaster than Empires and More Slow">Vaster than Empires and More Slow</a>". </p><p>The novel won the <a href="/wiki/Hugo_Award" title="Hugo Award">Hugo Award</a> in 1973, where it had been in the category "Novella"; its length is about 41,300 words. It was nominated for several other awards. It received generally positive reviews from reviewers and scholars, and was variously described as moving and hard-hitting. Several critics, however, stated that it compared unfavorably with Le Guin's other works such as <i><a href="/wiki/The_Left_Hand_of_Darkness" title="The Left Hand of Darkness">The Left Hand of Darkness</a></i>, due to its sometimes polemic tone and lack of complex characters. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Background">Background</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=1" title="Edit section: Background"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Ursula_K_Le_Guin.JPG" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/6/6d/Ursula_K_Le_Guin.JPG/220px-Ursula_K_Le_Guin.JPG" decoding="async" width="220" height="293" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/6/6d/Ursula_K_Le_Guin.JPG/330px-Ursula_K_Le_Guin.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/6d/Ursula_K_Le_Guin.JPG/440px-Ursula_K_Le_Guin.JPG 2x" data-file-width="900" data-file-height="1200" /></a><figcaption>Le Guin giving a reading in 2008</figcaption></figure> <p>Le Guin's father <a href="/wiki/Alfred_Louis_Kroeber" class="mw-redirect" title="Alfred Louis Kroeber">Alfred Louis Kroeber</a> and mother <a href="/wiki/Theodora_Kroeber" title="Theodora Kroeber">Theodora Kroeber</a> were scholars, and exposure to their <a href="/wiki/Anthropologist" title="Anthropologist">anthropological work</a> considerably influenced Le Guin's writing.<sup id="cite_ref-FOOTNOTEWhite199960–65_1-0" class="reference"><a href="#cite_note-FOOTNOTEWhite199960–65-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEDavison-Vecchione_and_Seeger20232_2-0" class="reference"><a href="#cite_note-FOOTNOTEDavison-Vecchione_and_Seeger20232-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> Many of the protagonists of Le Guin's novels, such as <i><a href="/wiki/The_Left_Hand_of_Darkness" title="The Left Hand of Darkness">The Left Hand of Darkness</a></i> and <i><a href="/wiki/Rocannon%27s_World" title="Rocannon's World">Rocannon's World</a></i> are also anthropologists or social investigators of some kind.<sup id="cite_ref-FOOTNOTEWhite199955–60_3-0" class="reference"><a href="#cite_note-FOOTNOTEWhite199955–60-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Le Guin used the term <i>Ekumen</i> for her fictional alliance of worlds, a term which she got from her father, who derived it from the Greek <i>Oikoumene</i> to refer to Eurasian cultures that shared a common origin.<sup id="cite_ref-FOOTNOTEWhite199970–77_4-0" class="reference"><a href="#cite_note-FOOTNOTEWhite199970–77-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> </p><p>Le Guin's interest in <a href="/wiki/Taoism" title="Taoism">Taoism</a> influenced much of her science fiction work. Douglas Barbour stated that the fiction of the Hainish Universe contains a theme of balance between light and darkness, a central theme of Taoism.<sup id="cite_ref-FOOTNOTEWhite199951–55_5-0" class="reference"><a href="#cite_note-FOOTNOTEWhite199951–55-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> She was also influenced by her early interest in mythology, and her exposure to cultural diversity as a child. Her protagonists are frequently interested in the cultures they are investigating, and are motivated to preserve them rather than conquer them.<sup id="cite_ref-FOOTNOTEReid19973–8_6-0" class="reference"><a href="#cite_note-FOOTNOTEReid19973–8-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> Authors that influenced Le Guin include <a href="/wiki/Victor_Hugo" title="Victor Hugo">Victor Hugo</a>, <a href="/wiki/Leo_Tolstoy" title="Leo Tolstoy">Leo Tolstoy</a>, <a href="/wiki/Virginia_Woolf" title="Virginia Woolf">Virginia Woolf</a>, <a href="/wiki/Italo_Calvino" title="Italo Calvino">Italo Calvino</a>, and <a href="/wiki/Lao_Tzu" class="mw-redirect" title="Lao Tzu">Lao Tzu</a>.<sup id="cite_ref-FOOTNOTEReid199710–17_7-0" class="reference"><a href="#cite_note-FOOTNOTEReid199710–17-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p><p>Le Guin identified herself with <a href="/wiki/Feminism" title="Feminism">feminism</a>, and was interested in <a href="/wiki/Non-violence" class="mw-redirect" title="Non-violence">non-violence</a> and ecological awareness. She participated in demonstrations against the Vietnam War and nuclear weapons. These sympathies can be seen in several of her works of fiction, including the Hainish universe works.<sup id="cite_ref-FOOTNOTEReid199710–17_7-1" class="reference"><a href="#cite_note-FOOTNOTEReid199710–17-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> The novels of the Hainish universe frequently explore the effects of differing social and political systems, although she displayed a preference for a "society that governs by consensus, a communal cooperation without external government."<sup id="cite_ref-FOOTNOTEReid199749–55_8-0" class="reference"><a href="#cite_note-FOOTNOTEReid199749–55-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> Her fiction also frequently challenges accepted depictions of race and gender.<sup id="cite_ref-FOOTNOTEReid199749–55_8-1" class="reference"><a href="#cite_note-FOOTNOTEReid199749–55-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> </p><p>The novel was originally named "Little Green Men,"<sup id="cite_ref-FOOTNOTECummins199089_9-0" class="reference"><a href="#cite_note-FOOTNOTECummins199089-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> in reference to the <a href="/wiki/Little_Green_Men" class="mw-redirect" title="Little Green Men">common science-fiction trope</a>. In her introduction to the 1976 edition, Le Guin stated that she was concerned at the exploitation of the natural world by humans, particularly in the name of financial gain, and that this concern drove her story.<sup id="cite_ref-FOOTNOTEHovanec1989_10-0" class="reference"><a href="#cite_note-FOOTNOTEHovanec1989-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Setting">Setting</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=2" title="Edit section: Setting"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><i>The Word for World is Forest</i> is set in the fictional <a href="/wiki/Hainish_cycle" class="mw-redirect" title="Hainish cycle">Hainish</a> universe, which Le Guin introduced in her first novel <i><a href="/wiki/Rocannon%27s_World" title="Rocannon's World">Rocannon's World</a></i>, published in 1966. In this <a href="/wiki/Alternative_history" class="mw-redirect" title="Alternative history">alternative history</a>, human beings did not evolve on Earth, but on Hain. The people of Hain colonized many neighboring planetary systems, including Terra (Earth) and Athshe, possibly a million years before the setting of the novels.<sup id="cite_ref-FOOTNOTECummins199066–67_11-0" class="reference"><a href="#cite_note-FOOTNOTECummins199066–67-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> The planets subsequently lost contact with each other, for reasons that Le Guin does not explain.<sup id="cite_ref-FOOTNOTECummins199068–70_12-0" class="reference"><a href="#cite_note-FOOTNOTECummins199068–70-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> Le Guin does not narrate the entire history of the Hainish universe at once, instead letting readers piece it together from various works.<sup id="cite_ref-FOOTNOTEReid199719–21_13-0" class="reference"><a href="#cite_note-FOOTNOTEReid199719–21-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> </p><p>The novels and other fictional works set in the Hainish universe recount the efforts to re-establish a galactic civilization. Explorers from Hain as well as other planets use <a href="/wiki/Interstellar_travel" title="Interstellar travel">interstellar ships</a> taking years to travel between planetary systems, although the journey is shortened for the travelers due to relativistic <a href="/wiki/Time_dilation" title="Time dilation">time dilation</a>, as well as through instantaneous interstellar communication using the <a href="/wiki/Ansible" title="Ansible">ansible</a>, introduced in <i><a href="/wiki/The_Dispossessed" title="The Dispossessed">The Dispossessed</a></i>.<sup id="cite_ref-FOOTNOTECummins199068–70_12-1" class="reference"><a href="#cite_note-FOOTNOTECummins199068–70-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> At least two "thought experiments" are used in each novel; the background idea of a common origin for all the humanoid species, and a second idea unique to each novel.<sup id="cite_ref-FOOTNOTECummins199066–67_11-1" class="reference"><a href="#cite_note-FOOTNOTECummins199066–67-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> In <i>The Word for World is Forest</i>, the second thought experiment is the colonization of a pacifist culture on the planet Athshe by a military-controlled logging team from Earth, known in the novel as "Terra"; additionally, the inhabitants of Athshe recognize the people from Terra as human, but the Terrans do not see the Athsheans, who are small and covered in green fur, as human.<sup id="cite_ref-FOOTNOTECummins199087–90_14-0" class="reference"><a href="#cite_note-FOOTNOTECummins199087–90-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> The Athsheans refer to the Terrans as "yumens", while the Terrans tend to use the derogatory term "creechie".<sup id="cite_ref-FOOTNOTEReid199758–60_15-0" class="reference"><a href="#cite_note-FOOTNOTEReid199758–60-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> </p><p>Most of the surface of the planet of Athshe, known to the human colonizers as "New Tahiti", is taken up by ocean; the land surfaces are concentrated in a single half of the northern hemisphere, and prior to the arrival of Terran colonists, is entirely covered in forest.<sup id="cite_ref-FOOTNOTELe_Guin19767–8_16-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin19767–8-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEReid199758–60_15-1" class="reference"><a href="#cite_note-FOOTNOTEReid199758–60-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> The Terrans are interested in using this forest as a source of timber, because wood has become a highly scarce commodity on Earth.<sup id="cite_ref-FOOTNOTEReid199758–60_15-2" class="reference"><a href="#cite_note-FOOTNOTEReid199758–60-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> Athshe's plants and animals are similar to those of Earth, placed there by the Hainish people in their first wave of colonisation that also settled Earth. The Cetian visitor also states categorically that the native humans "came from the same, original, Hainish stock".<sup id="cite_ref-FOOTNOTELe_Guin197656–74_17-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197656–74-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> </p><p>The Athsheans are physically small, only about a meter tall, and covered in fine greenish fur.<sup id="cite_ref-FOOTNOTESpivack198469–70_18-0" class="reference"><a href="#cite_note-FOOTNOTESpivack198469–70-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> They are a very non-aggressive people; at one point, one of the Terrans observes that "rape, violent assault, and murder virtually don't exist among them". They have adopted a number of behaviors to avoid violence, including aggression-halting postures and competitive singing.<sup id="cite_ref-FOOTNOTESpivack198469–70_18-1" class="reference"><a href="#cite_note-FOOTNOTESpivack198469–70-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> Unlike Terrans the Athsheans follow a polycyclic sleep pattern, and their <a href="/wiki/Circadian_rhythm" title="Circadian rhythm">circadian rhythms</a> make them most active at dawn and dusk; thus, they struggle to adapt to the 8-hour Terran working day.<sup id="cite_ref-FOOTNOTESpivack198469–70_18-2" class="reference"><a href="#cite_note-FOOTNOTESpivack198469–70-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> Athsheans are able to enter the dream state consciously, and their dreams both heal them and guide their behavior.<sup id="cite_ref-FOOTNOTELe_Guin197642–49_19-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197642–49-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> Those individuals adept at interpreting dreams are seen as gods amongst the Athsheans.<sup id="cite_ref-FOOTNOTESpivack198469–70_18-3" class="reference"><a href="#cite_note-FOOTNOTESpivack198469–70-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> </p><p>In the internal chronology of the Hainish universe, the events of <i>The Word for World is Forest</i> occur after <i>The Dispossessed</i>, in which both the ansible and the League of Worlds are unrealised dreams. However, the novel is located prior to <i><a href="/wiki/Rocannon%27s_World" title="Rocannon's World">Rocannon's World</a></i>, in which Terran mindspeech is seen as a distinct possibility. A date of 2368 CE has been suggested by reviewers, although Le Guin provides no direct statement of the date.<sup id="cite_ref-FOOTNOTEWatson1975a_20-0" class="reference"><a href="#cite_note-FOOTNOTEWatson1975a-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTESpivack198467–68_21-0" class="reference"><a href="#cite_note-FOOTNOTESpivack198467–68-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Plot_summary">Plot summary</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=3" title="Edit section: Plot summary"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><i>The Word for World is Forest</i> begins from the point of view of Captain Davidson, who is the commander of a logging camp named Smith camp. Many native Athsheans are used as slave labor at the camp, and also as personal servants. The novel begins with Davidson travelling to "Centralville", the headquarters of the colony, hoping to have a sexual encounter with one of a number of women who have just arrived on the predominantly male colony. When Davidson returns to Smith Camp, he finds the entire camp burned to the ground, and all of the humans dead. He lands to investigate, and while on the ground is overpowered by four Athsheans. He recognizes one of them as Selver, an Athshean who was a personal servant at the headquarters of the colony, and later an assistant to Raj Lyubov, the colony <a href="/wiki/Anthropologist" title="Anthropologist">anthropologist</a>.<sup id="cite_ref-FOOTNOTELe_Guin197618–22_22-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197618–22-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> A few months prior to the attack, Davidson had raped Selver's wife Thele, who died in the process, prompting an enraged Selver to attack Davidson. Davidson nearly kills him, before he is rescued by Lyubov; however, he is left with prominent facial scars, which render him easily recognizable.<sup id="cite_ref-FOOTNOTELe_Guin197618–22_22-1" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197618–22-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> The Athsheans allow Davidson to leave and carry a message about the destruction of the camp back to the colony headquarters.<sup id="cite_ref-FOOTNOTELe_Guin197618–22_22-2" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197618–22-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> </p><p>After the attack, Selver roams through the forest for five days before coming upon an Athshean settlement.<sup id="cite_ref-FOOTNOTELe_Guin197626_23-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197626-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> After recovering from the effects of many days of travel, Selver describes to the people of the town the destruction of his town, known as Eshreth, by the Terrans, who then built their headquarters at the site. He also tells them about the enslavement of hundreds of Athsheans at the various camps.<sup id="cite_ref-FOOTNOTELe_Guin197629–32_24-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197629–32-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> He says that the Terrans are crazy because they do not respect the sanctity of life in the same way that the Athsheans do, which was why he led the attack against camp Smith.<sup id="cite_ref-FOOTNOTELe_Guin197629–32_24-1" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197629–32-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> After some discussion, the people of the town send messengers to other towns sharing Selver's story, while Selver himself travels back towards the Terran headquarters. </p><p>An inquiry into the destruction of camp Smith is held at Centralville. In addition to the personnel of the colony, two emissaries from the planets of Hain and <a href="/wiki/Tau_Ceti" title="Tau Ceti">Tau Ceti</a> also participate. Lyubov states that the colony's mistreatment and enslavement of the Athsheans led to the attack.<sup id="cite_ref-FOOTNOTELe_Guin197656–59_25-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197656–59-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> Colonel Dongh, the commander of the colony, blames Lyubov's assessment of the Athsheans as non-aggressive.<sup id="cite_ref-FOOTNOTELe_Guin197670–73_26-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197670–73-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> The emissaries state that the rules of Terra's colonial administration have changed since the colony last heard from it; they present the colony with an <a href="/wiki/Ansible" title="Ansible">ansible</a>, which can communicate instantly with Terra and the colonial administration (communication which would otherwise take 27 years in one direction).<sup id="cite_ref-FOOTNOTELe_Guin197666–69_27-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197666–69-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> They also state that Terra is now a member of the "League of Worlds", of which they are emissaries.<sup id="cite_ref-FOOTNOTELe_Guin197666–69_27-1" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197666–69-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> The colony is forced to release all its Athshean slaves, and minimize contact with them. Davidson is transferred to a different camp under a higher-ranking commander, as punishment for a retaliatory raid that he carried out.<sup id="cite_ref-FOOTNOTELe_Guin197676–79_28-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197676–79-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> However, Davidson violates his orders and leads further attacks against Athshean towns, without the knowledge of his superiors.<sup id="cite_ref-FOOTNOTELe_Guin197684–86_29-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197684–86-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> </p><p>Following the inquiry, Lyubov visits the Athshean town he had been studying. He meets Selver, hoping to rebuild their friendship, but Selver rebuffs him, telling him to stay away from Centralville two days hence.<sup id="cite_ref-FOOTNOTELe_Guin197694–97_30-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197694–97-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> Two nights later, Selver leads the Athsheans in a massive attack on Centralville. Although the attack deliberately avoids Lyubov's house, Lyubov leaves during the attack and is killed by a collapsing building. The attack kills all of the women in the colony; the men that survive are herded into a compound and held prisoner. Selver tells them that the attack was in retaliation for Davidson's killings in the south, which the survivors are ignorant of.<sup id="cite_ref-FOOTNOTELe_Guin1976122–125_31-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin1976122–125-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> Selver states that if the Terrans agree to restrict themselves to a small area and agree to avoid conflict with the Athsheans, they will be left in peace until the next Terran ship arrives to take them off the colony.<sup id="cite_ref-FOOTNOTELe_Guin1976122–125_31-1" class="reference"><a href="#cite_note-FOOTNOTELe_Guin1976122–125-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> The survivors agree to his terms, and order all their remaining outposts to withdraw, including the one at which Davidson lives.<sup id="cite_ref-FOOTNOTELe_Guin1976132–135_32-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin1976132–135-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> </p><p>However, Davidson disobeys orders and continues to attack Athshean towns, refusing to return to Centralville.<sup id="cite_ref-FOOTNOTELe_Guin1976146–149_33-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin1976146–149-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> After a couple of weeks, the Athsheans attack Davidson's camp, killing or capturing everybody except Davidson and two others, who escape in a helicopter. Although the others want to return to Centralville, Davidson orders them back to fight the Athsheans. The Helicopter crashes, killing all but Davidson, who is captured.<sup id="cite_ref-FOOTNOTELe_Guin1976150–159_34-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin1976150–159-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> He is taken before Selver, who says that Davidson gave Selver the gift of murder, but that Selver would not kill Davidson, because there was no need. Instead, the Athsheans abandon Davidson on an island that Terran logging has rendered barren.<sup id="cite_ref-FOOTNOTELe_Guin1976160–162_35-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin1976160–162-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> Three years later the Terran ships return and take the surviving colonists off the planet; the commander of the ships states that the Terrans will not return except as observers and scientists, as the planet has been placed under a ban by the League of Worlds. Selver gives Lyubov's research, which he has saved, to one of the emissaries, who tells him that Lyubov's efforts to protect the Athsheans will not be forgotten, and that his work will be given the value it deserves. Selver reflects that although the planet may have been won from the Terrans, his people have now learned the ability to kill without reason.<sup id="cite_ref-FOOTNOTELe_Guin1976163–169_36-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin1976163–169-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Publication_and_reception">Publication and reception</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=4" title="Edit section: Publication and reception"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><i>The Word for World is Forest</i> was initially published in the first volume of the anthology <i><a href="/wiki/Again,_Dangerous_Visions" title="Again, Dangerous Visions">Again, Dangerous Visions</a></i> in 1972,<sup id="cite_ref-FOOTNOTEReid199758_37-0" class="reference"><a href="#cite_note-FOOTNOTEReid199758-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> which was edited by <a href="/wiki/Harlan_Ellison" title="Harlan Ellison">Harlan Ellison</a>.<sup id="cite_ref-FOOTNOTENichollsClute2019_38-0" class="reference"><a href="#cite_note-FOOTNOTENichollsClute2019-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> The volume was meant to be a collection of new and original stories from authors that had come to be known as the "<a href="/wiki/New_Wave_science_fiction" class="mw-redirect" title="New Wave science fiction">New Left</a>" of science fiction.<sup id="cite_ref-FOOTNOTEWhite199950–51_39-0" class="reference"><a href="#cite_note-FOOTNOTEWhite199950–51-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> It has subsequently been reprinted as a stand-alone volume several times, beginning in 1976, when it was published by <a href="/wiki/Berkley_Books" title="Berkley Books">Berkley Books</a>.<sup id="cite_ref-FOOTNOTENichollsClute2019_38-1" class="reference"><a href="#cite_note-FOOTNOTENichollsClute2019-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEWhite199964_40-0" class="reference"><a href="#cite_note-FOOTNOTEWhite199964-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> The work was nominated for the <a href="/wiki/Nebula_Award_for_Best_Novella" title="Nebula Award for Best Novella">Nebula</a><sup id="cite_ref-FOOTNOTELocus1973_41-0" class="reference"><a href="#cite_note-FOOTNOTELocus1973-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> and Locus Awards for Best Novella<sup id="cite_ref-FOOTNOTEsfadb2015_42-0" class="reference"><a href="#cite_note-FOOTNOTEsfadb2015-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> and won the 1973 <a href="/wiki/Hugo_Award_for_Best_Novella" title="Hugo Award for Best Novella">Hugo Award for Best Novella</a>.<sup id="cite_ref-FOOTNOTEHugo2012_43-0" class="reference"><a href="#cite_note-FOOTNOTEHugo2012-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> It was also a finalist for the <a href="/wiki/National_Book_Award" title="National Book Award">National Book Award</a> in 1976.<sup id="cite_ref-FOOTNOTEReid1997117_44-0" class="reference"><a href="#cite_note-FOOTNOTEReid1997117-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> </p><p>The novel has received significant critical attention since it was published, along with <i><a href="/wiki/Vaster_than_Empires_and_More_Slow" title="Vaster than Empires and More Slow">Vaster than Empires and More Slow</a></i>, with which it is frequently compared.<sup id="cite_ref-FOOTNOTEWhite199950–51_39-1" class="reference"><a href="#cite_note-FOOTNOTEWhite199950–51-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> It has gotten generally positive reviews from critics and scholars, although several noted that it was not Le Guin's best work. <i><a href="/wiki/Kirkus_Reviews" title="Kirkus Reviews">Kirkus Reviews</a></i> stated in 1976 that the book was "Lesser Le Guin, but often impressive",<sup id="cite_ref-FOOTNOTEKirkus1976_45-0" class="reference"><a href="#cite_note-FOOTNOTEKirkus1976-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> while Carol Hovanec called it "brief but stunning."<sup id="cite_ref-FOOTNOTEHovanec1989_10-1" class="reference"><a href="#cite_note-FOOTNOTEHovanec1989-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> Suzanne Reid stated that the novel was "deeply moving and shocking by turns".<sup id="cite_ref-FOOTNOTEReid199758–60_15-3" class="reference"><a href="#cite_note-FOOTNOTEReid199758–60-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> The novel contrasts good and evil very explicitly, unlike in other Hainish cycle works such as <i>The Left Hand of Darkness</i> or <i>The Dispossessed</i>, which made <i>The Word for World is Forest</i> less complex than those other works.<sup id="cite_ref-FOOTNOTEReid199758–60_15-4" class="reference"><a href="#cite_note-FOOTNOTEReid199758–60-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> </p><p>Charlotte Spivack stated that although the novel was "deftly written and imaginatively conceived", its "polemic" style made it a lesser literary achievement than many of Le Guin's other works.<sup id="cite_ref-FOOTNOTESpivack198470–71_46-0" class="reference"><a href="#cite_note-FOOTNOTESpivack198470–71-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> She says that unlike many other characters that Le Guin has created, such as George Orr and Dr. Haber in <i><a href="/wiki/The_Lathe_of_Heaven" title="The Lathe of Heaven">The Lathe of Heaven</a></i>, several characters in <i>The Word for World is Forest</i>, such as Davidson, exist only as one-dimensional stereotypes. She described the style of the novel as "moving and hard-hitting", but said that because it was written in the mood of the reaction to the Vietnam War, it was "not meant to be entertainment".<sup id="cite_ref-FOOTNOTESpivack198470–71_46-1" class="reference"><a href="#cite_note-FOOTNOTESpivack198470–71-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Primary_characters">Primary characters</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=5" title="Edit section: Primary characters"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Don_Davidson">Don Davidson</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=6" title="Edit section: Don Davidson"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Captain Don Davidson begins the novel as the commander of Smith Camp. He is described as being of "euraf" descent.<sup id="cite_ref-FOOTNOTECummins199093_47-0" class="reference"><a href="#cite_note-FOOTNOTECummins199093-47"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup> Shortly before the events of the novel, Davidson rapes Thele, Selver's wife, who dies in the process.<sup id="cite_ref-FOOTNOTELe_Guin197657–58_48-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197657–58-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> After Smith is destroyed by Selver and his compatriots, Davidson is relocated to a camp called New Java, where he leads reprisals against the Athsheans against orders. He is eventually captured and abandoned on an isolated island by the Athsheans. He is portrayed as a relentless and uncompromising figure, always planning how to overcome an unfriendly natural environment and conquer the natives, whom he sees as inferior.<sup id="cite_ref-FOOTNOTECummins199091–93_49-0" class="reference"><a href="#cite_note-FOOTNOTECummins199091–93-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> The language used in Davidson's internal monologues reveals his hatred and contempt for people different from himself.<sup id="cite_ref-FOOTNOTECummins199089–93_50-0" class="reference"><a href="#cite_note-FOOTNOTECummins199089–93-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> Initially, this hatred is directed at the Athsheans, whom he sees as nonhuman and refers to as "creechies" (a derivative of "creatures"). However, his contempt extends to the women in the colony and eventually to other members of the military, who follow the Colonel's orders not to fight the Athsheans.<sup id="cite_ref-FOOTNOTECummins199091–93_49-1" class="reference"><a href="#cite_note-FOOTNOTECummins199091–93-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> He has racist feelings towards the South Asian anthropologist Raj Lyubov, stating that "some men, especially, the asiatiforms and the hindi types, are actually born traitors."<sup id="cite_ref-FOOTNOTECummins199091–93_49-2" class="reference"><a href="#cite_note-FOOTNOTECummins199091–93-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> In contrast to Lyubov and Selver, he is depicted as a person who is not self-aware, whose self-hatred and rigid mental attitude are his undoing. He rejects out of hand anything that does not conform to his beliefs, dismissing anyone who disagrees with him as "going spla" (insane).<sup id="cite_ref-FOOTNOTECummins199091–93_49-3" class="reference"><a href="#cite_note-FOOTNOTECummins199091–93-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Selver">Selver</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=7" title="Edit section: Selver"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Selver is the chief Athshean protagonist of the novel.<sup id="cite_ref-FOOTNOTESpivack198468–69_51-0" class="reference"><a href="#cite_note-FOOTNOTESpivack198468–69-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> He is training to become a dreamer among the Athsheans when the Terrans colonize Athshe, and Selver is enslaved.<sup id="cite_ref-FOOTNOTELe_Guin1976100–105_52-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin1976100–105-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> Selver, referred to as "Sam" by the Terrans, is initially used as a manservant in the colony headquarters, before Lyubov comes across him and takes him on as an interpreter and assistant. They quickly form a bond, and Selver helps Lyubov understand both the Athshean language and their method of dreaming.<sup id="cite_ref-FOOTNOTELe_Guin1976100–105_52-1" class="reference"><a href="#cite_note-FOOTNOTELe_Guin1976100–105-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> Although Lyubov is willing to allow Selver to escape, Selver tells him that he will not because his wife Thele is also a slave at the camp.<sup id="cite_ref-FOOTNOTELe_Guin1976100–105_52-2" class="reference"><a href="#cite_note-FOOTNOTELe_Guin1976100–105-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> After learning this, Lyubov allows the two to meet secretly in his quarters; however, Thele is raped by Davidson, and dies in the process. An enraged Selver attacks Davidson, who nearly kills him before Lyubov rescues Selver and sets him free against orders.<sup id="cite_ref-FOOTNOTELe_Guin1976100–105_52-3" class="reference"><a href="#cite_note-FOOTNOTELe_Guin1976100–105-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> In contrast to Davidson, Selver is depicted as a highly sensitive and intuitive individual.<sup id="cite_ref-FOOTNOTESpivack198468–69_51-1" class="reference"><a href="#cite_note-FOOTNOTESpivack198468–69-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> After he tells his story to the other Athsheans, they begin to see him as a "sha'ab" or god, who interprets his own experiences and dreams to mean that the Terrans must be killed and forced off the planet.<sup id="cite_ref-FOOTNOTESpivack198470–71_46-2" class="reference"><a href="#cite_note-FOOTNOTESpivack198470–71-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Raj_Lyubov">Raj Lyubov</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=8" title="Edit section: Raj Lyubov"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Raj Lyubov is the anthropologist in the colony, a scholar who holds the honorary rank of "captain".<sup id="cite_ref-FOOTNOTELe_Guin197653–54_53-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197653–54-53"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup> He is depicted as being from an <a href="/wiki/India" title="India">Indian</a> heritage.<sup id="cite_ref-FOOTNOTECummins199089_9-1" class="reference"><a href="#cite_note-FOOTNOTECummins199089-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> Selver is initially a servant in the central camp; Lyubov enlists him as an assistant, and builds a relationship of trust with him. The two of them compile a dictionary of the Athshean and Terran languages. When Selver's wife Thele is raped and killed by Davidson, Selver attacks Davidson, who nearly kills him; Lyubov rescues Selver, and nurses him back to health. During the attack on the colony's headquarters, Selver tells the Athsheans to leave Lyubov's house alone, but Lyubov leaves his house and is killed by a collapsing building. As he dies, Lyubov warns Selver about the impact of the killings on the Athshean society.<sup id="cite_ref-FOOTNOTELe_Guin1976116–118_54-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin1976116–118-54"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup> In comparison to Davidson, Lyubov reflects a lot upon his actions, and tries to analyze them in a detached manner. His contradictory position of being a colonial officer despite recognizing the damage that the colony is doing to the Athsheans gives him <a href="/wiki/Migraine" title="Migraine">migraines</a>.<sup id="cite_ref-FOOTNOTECummins199094–96_55-0" class="reference"><a href="#cite_note-FOOTNOTECummins199094–96-55"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup> He feels a strong sense of guilt at the impacts of the colony, and is willing to destroy his own reputation in order to protect the Athshean people.<sup id="cite_ref-FOOTNOTELe_Guin197672–74_56-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197672–74-56"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup> He is one of the only Terrans to treat the Athsheans as human beings, although this loses him the respect of his fellow Terrans.<sup id="cite_ref-FOOTNOTECummins199094–96_55-1" class="reference"><a href="#cite_note-FOOTNOTECummins199094–96-55"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Themes">Themes</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=9" title="Edit section: Themes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Hainish_universe_themes">Hainish universe themes</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=10" title="Edit section: Hainish universe themes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Similar to <a href="/wiki/Future_history" title="Future history">future history</a> works by other authors such as <a href="/wiki/Isaac_Asimov" title="Isaac Asimov">Isaac Asimov</a>, Le Guin's fictional works set in the Hainish universe explore the idea of human society expanding across the galaxy.<sup id="cite_ref-FOOTNOTECummins199068–70_12-2" class="reference"><a href="#cite_note-FOOTNOTECummins199068–70-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> Books like <i><a href="/wiki/The_Dispossessed" title="The Dispossessed">The Dispossessed</a></i>, <i>The Left Hand of Darkness</i>, and <i>The Word for World is Forest</i> also explore the effects of various social and political systems.<sup id="cite_ref-FOOTNOTEReid199749–55_8-2" class="reference"><a href="#cite_note-FOOTNOTEReid199749–55-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> Le Guin's later Hainish novels also challenge contemporary ideas about gender, ethnic differences, the value of ownership, and human beings' relationship to the natural world.<sup id="cite_ref-FOOTNOTEReid199751–56_57-0" class="reference"><a href="#cite_note-FOOTNOTEReid199751–56-57"><span class="cite-bracket">[</span>57<span class="cite-bracket">]</span></a></sup> </p><p>In comparison to the other worlds of the Hainish universe, the relationship between Athshe and the League of Worlds is portrayed as ambiguous. Whereas with planets such as Gethen in <i>The Left Hand of Darkness</i> the integration with the Hainish planets is seen as a good thing, Athshe is seen as changed for the worse both by the loggers and by being taught to kill their own species.<sup id="cite_ref-FOOTNOTECummins1990101–103_58-0" class="reference"><a href="#cite_note-FOOTNOTECummins1990101–103-58"><span class="cite-bracket">[</span>58<span class="cite-bracket">]</span></a></sup> The League eventually decides to isolate Athshe and limit all contact with it, a decision shown to have ambiguous overtones.<sup id="cite_ref-FOOTNOTECummins1990101–103_58-1" class="reference"><a href="#cite_note-FOOTNOTECummins1990101–103-58"><span class="cite-bracket">[</span>58<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Language_and_communication">Language and communication</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=11" title="Edit section: Language and communication"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Language and linguistic barriers are a major theme in <i>The Word for World Is Forest</i>, something exemplified by the title. In contrast to other Hainish universe novels such as <i>The Left Hand of Darkness</i>, <i>The Word for World Is Forest</i> portrays a communication gap that the protagonists are never able to bridge.<sup id="cite_ref-FOOTNOTECummins199087–90_14-1" class="reference"><a href="#cite_note-FOOTNOTECummins199087–90-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> Both the native Athsheans and the loggers have languages that reflect their perceptions of reality, but they are unable to find a common language. In the native Athshean language, the word "<i>Athshe</i>" means both "forest" and "world", demonstrating the close link that the Athsheans have to the forest and their planet.<sup id="cite_ref-FOOTNOTECummins199087–90_14-2" class="reference"><a href="#cite_note-FOOTNOTECummins199087–90-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> It is noted by Lyubov that the Athsheans believe "the substance of their world was not earth, but forest".<sup id="cite_ref-FOOTNOTELe_Guin197689_59-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197689-59"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup> The language used by the Athsheans during conversations similarly show their interconnectedness and dependence on their ecosystem through the use of forest related metaphors.<sup id="cite_ref-FOOTNOTECummins199098_60-0" class="reference"><a href="#cite_note-FOOTNOTECummins199098-60"><span class="cite-bracket">[</span>60<span class="cite-bracket">]</span></a></sup> </p><p>Similarly, the Athshean word for "dream" is the same as the word for "root". Athsheans have learned to exert some conscious control over their dreams, and their actions are dictated by both their dream experiences and their conscious non-dreaming thoughts. Thus their dreaming makes them rooted, something which is demonstrated through their use of language.<sup id="cite_ref-FOOTNOTECummins199087–90_14-3" class="reference"><a href="#cite_note-FOOTNOTECummins199087–90-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> The Athshean word for "god" is the same as the word for "translator", representing this role that "gods have" in their society, which is to interpret and translate their dreams into actions.<sup id="cite_ref-FOOTNOTESpivack198470–71_46-3" class="reference"><a href="#cite_note-FOOTNOTESpivack198470–71-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Dreaming_and_consciousness">Dreaming and consciousness</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=12" title="Edit section: Dreaming and consciousness"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><i>The Word for World is Forest</i> shares the theme of dreaming with the later Le Guin novel <i><a href="/wiki/The_Lathe_of_Heaven" title="The Lathe of Heaven">The Lathe of Heaven</a></i>.<sup id="cite_ref-FOOTNOTESpivack198468–69_51-2" class="reference"><a href="#cite_note-FOOTNOTESpivack198468–69-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> Suzanne Reid stated that the novel examines the source and effect of dreams.<sup id="cite_ref-FOOTNOTEReid199758–60_15-5" class="reference"><a href="#cite_note-FOOTNOTEReid199758–60-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> The Athsheans teach themselves to consciously and actively control their dreams.<sup id="cite_ref-FOOTNOTEWatson1975b_61-0" class="reference"><a href="#cite_note-FOOTNOTEWatson1975b-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> This allows them to access their subconscious in a way that the Terrans are not able.<sup id="cite_ref-FOOTNOTEWatson1975b_61-1" class="reference"><a href="#cite_note-FOOTNOTEWatson1975b-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> The Athsheans follow a polycyclic sleep pattern with a period of 120 minutes, which makes it impossible for them to adapt to the Terran eight-hour work day. Their dreaming is not restricted to times when they are asleep, with adept dreamers being able to dream while wide awake as well.<sup id="cite_ref-FOOTNOTESpivack198468–69_51-3" class="reference"><a href="#cite_note-FOOTNOTESpivack198468–69-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> The visions they see while dreaming direct and shape their waking behavior, which Selver describes as "balanc[ing] your sanity ... on the double support, the fine balance, of reason and dream; once you have learned that, you cannot unlearn it any more than you can unlearn to think."<sup id="cite_ref-FOOTNOTESpivack198468–69_51-4" class="reference"><a href="#cite_note-FOOTNOTESpivack198468–69-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> </p><p>The leaders among the Athsheans are the best dreamers, and they consider individuals able to interpret dreams to be gods.<sup id="cite_ref-FOOTNOTESpivack198470–71_46-4" class="reference"><a href="#cite_note-FOOTNOTESpivack198470–71-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> The Athshean word for "god" is the same as the word for "translator", representing this role that "gods have" in their society.<sup id="cite_ref-FOOTNOTESpivack198470–71_46-5" class="reference"><a href="#cite_note-FOOTNOTESpivack198470–71-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> Spivack writes that Selver becomes such a god during the events of <i>The Word for World is Forest</i>, but his interpretation of dreams is a negative one, because it tells the Athsheans how to kill.<sup id="cite_ref-FOOTNOTESpivack198470–71_46-6" class="reference"><a href="#cite_note-FOOTNOTESpivack198470–71-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> </p><p>The Athsheans perceive the Terrans as an insane people, partly because of the disconnect amongst the Terrans between conscious, rational thinking and subconscious drives.<sup id="cite_ref-FOOTNOTEWatson1975b_61-2" class="reference"><a href="#cite_note-FOOTNOTEWatson1975b-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> The Terrans frequent use of <a href="/wiki/Hallucinogens" class="mw-redirect" title="Hallucinogens">hallucinogens</a> is seen as the closest they are able to get to understanding their own subconscious. The psychological equilibrium which their dreaming gives the Athsheans is portrayed as the reason why they are able to live in balance with their ecosystem.<sup id="cite_ref-FOOTNOTEWatson1975b_61-3" class="reference"><a href="#cite_note-FOOTNOTEWatson1975b-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> </p><p>Reviewer Ian Watson states that the Athshean forest itself is a metaphor for consciousness in the novel. The Terrans, distanced from their own tangled subconscious, are afraid of the forest, and seek to tear it down.<sup id="cite_ref-FOOTNOTEWatson1975b_61-4" class="reference"><a href="#cite_note-FOOTNOTEWatson1975b-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> The Athsheans, in contrast, are integrated with it at a subconscious level. The entire forest is also seen as a collective Athshean consciousness.<sup id="cite_ref-FOOTNOTEWatson1975b_61-5" class="reference"><a href="#cite_note-FOOTNOTEWatson1975b-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> Although the forest in <i>The Word for World is Forest</i> is not actually sentient, Le Guin explores the idea of a sentient forest further in the short story "<a href="/wiki/Vaster_than_Empires_and_More_Slow" title="Vaster than Empires and More Slow">Vaster than Empires and More Slow</a>", which shares many thematic parallels with the former.<sup id="cite_ref-FOOTNOTEWatson1975b_61-6" class="reference"><a href="#cite_note-FOOTNOTEWatson1975b-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Colonialism_and_anti-war_themes">Colonialism and anti-war themes</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=13" title="Edit section: Colonialism and anti-war themes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Le Guin was strongly opposed to and troubled by the <a href="/wiki/Vietnam_War" title="Vietnam War">Vietnam War</a>, a reaction which played a large part in the tone of the novel.<sup id="cite_ref-FOOTNOTECummins199087–90_14-4" class="reference"><a href="#cite_note-FOOTNOTECummins199087–90-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> The tone of the novel is often harsh and hard-hitting, playing off the anger in the United States at American military actions in Vietnam.<sup id="cite_ref-FOOTNOTESpivack198470–71_46-7" class="reference"><a href="#cite_note-FOOTNOTESpivack198470–71-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> The tension between violence and non-violence is a part of the dialectic theme in the novel, of a constant tension between opposites.<sup id="cite_ref-FOOTNOTESpivack198470–71_46-8" class="reference"><a href="#cite_note-FOOTNOTESpivack198470–71-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> Through most of the novel, the Terran military is in control of the colony, despite Raj Lyubov's good intentions. Davidson is the most prominent example of the oppressiveness of the military government.<sup id="cite_ref-FOOTNOTEWatson1975b_61-7" class="reference"><a href="#cite_note-FOOTNOTEWatson1975b-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> There are intentional parallels drawn between the Terran colonizers and the US intervention in Vietnam; the anti-interventionist tone of the novel was in sharp contrast to other science-fiction novels about war written around the same period.<sup id="cite_ref-FOOTNOTEWatson1975b_61-8" class="reference"><a href="#cite_note-FOOTNOTEWatson1975b-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> For example, the high use of drugs amongst US troops in Vietnam is represented by the use of hallucinogens amongst the Terran soldiers, which Le Guin portrays as the norm on the colony.<sup id="cite_ref-FOOTNOTEWatson1975b_61-9" class="reference"><a href="#cite_note-FOOTNOTEWatson1975b-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> </p><p>The Athsheans, in contrast, are shown as an innately peaceful and non-aggressive people, at least at the beginning of novel. Rape and murder are virtually unknown on the planet.<sup id="cite_ref-FOOTNOTESpivack198469–70_18-4" class="reference"><a href="#cite_note-FOOTNOTESpivack198469–70-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> They have adopted a number of behaviors that preempt violence; thus when Selver has Davidson pinned down after the attack on Smith camp, he finds himself unable to kill Davidson, despite the hate he feels towards the Terran.<sup id="cite_ref-FOOTNOTESpivack198469–70_18-5" class="reference"><a href="#cite_note-FOOTNOTESpivack198469–70-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> Selver spends much of the novel reflecting on the effect that violence has on his own culture. He turns to violence, against the Athshean ethic, in order to save his culture as he sees it.<sup id="cite_ref-FOOTNOTECummins199098–103_62-0" class="reference"><a href="#cite_note-FOOTNOTECummins199098–103-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup> However, unlike Davidson, who enjoys killing, Selver sees it as something poisoning his culture. This perception is shared by his fellow Athsheans: one of the elders of the Athsheans says to Selver "You've done what you had to do, and it was not right."<sup id="cite_ref-FOOTNOTECummins199098–103_62-1" class="reference"><a href="#cite_note-FOOTNOTECummins199098–103-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup> </p><p><i>The Word for World is Forest</i> also challenges the idea of colonialism; the Terran colonists are depicted as being blind to the culture of the Athsheans, and convinced that they represent a higher form of civilization.<sup id="cite_ref-FOOTNOTEReid199758–60_15-6" class="reference"><a href="#cite_note-FOOTNOTEReid199758–60-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> Le Guin also challenges the metaphorical preference in Western cultures for pure light, in contrast to deeper and more complex shadows.<sup id="cite_ref-FOOTNOTEReid199758–60_15-7" class="reference"><a href="#cite_note-FOOTNOTEReid199758–60-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Ecological_sensitivity">Ecological sensitivity</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=14" title="Edit section: Ecological sensitivity"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div><p> Throughout the novel Le Guin draws a contrast between the Athshean way of integrating with the ecology of the planet, and the Terran way of destroying it. The Athsheans are portrayed as having a decentralized society, which has not damaged the ecosystem to further its own economy.<sup id="cite_ref-FOOTNOTECummins199087–90_14-5" class="reference"><a href="#cite_note-FOOTNOTECummins199087–90-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> In comparison, the Terrans are shown as having nearly destroyed their planet by exhausting its natural resources, and having come to Athshe to plunder its resources.<sup id="cite_ref-FOOTNOTECummins199087–90_14-6" class="reference"><a href="#cite_note-FOOTNOTECummins199087–90-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> The Terrans have an instrumentalist view of the forest, seeing it as wood to be shipped to Terra and land to be transformed into farms.<sup id="cite_ref-FOOTNOTESpivack198468–69_51-5" class="reference"><a href="#cite_note-FOOTNOTESpivack198468–69-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> The Athshean dwellings and towns are built in a way that allows them to integrate with their environment: <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style></p><blockquote class="templatequote"><p>No way was clear, no light unbroken, in the forest. Into wind, water, sunlight, starlight, there always entered leaf and branch, bole and root, the shadowy, the complex. Little paths ran under the branches, around the boles, over the roots: they did not go straight, but yielded to every obstacle, devious as nerves ...<sup id="cite_ref-FOOTNOTELe_Guin197625_63-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin197625-63"><span class="cite-bracket">[</span>63<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTECummins199098–103_62-2" class="reference"><a href="#cite_note-FOOTNOTECummins199098–103-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup></p></blockquote> <p>This depiction not only links the Athsheans to their environment, but gives primacy to the forest over the rest of the natural ecosystem.<sup id="cite_ref-FOOTNOTECummins199098–103_62-3" class="reference"><a href="#cite_note-FOOTNOTECummins199098–103-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup> The Athsheans' clans are named after trees, and their highly decentralized social structure is constructed in a way that resembles their ecosystem.<sup id="cite_ref-FOOTNOTECummins199098–103_62-4" class="reference"><a href="#cite_note-FOOTNOTECummins199098–103-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup> To the Athsheans, being a mentally healthy person is equivalent to being in touch with their roots, which are closely linked to their ecosystem.<sup id="cite_ref-FOOTNOTECummins199098–103_62-5" class="reference"><a href="#cite_note-FOOTNOTECummins199098–103-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup> In contrast, the Terrans' behavior, such as rape and murder, is attributed to their leaving "their roots behind them".<sup id="cite_ref-FOOTNOTECummins199098–103_62-6" class="reference"><a href="#cite_note-FOOTNOTECummins199098–103-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup> In the Athshean language the word for "forest" is also the word for "world", showing the dependence of the Athshean culture upon the forest.<sup id="cite_ref-FOOTNOTESpivack198467–68_21-1" class="reference"><a href="#cite_note-FOOTNOTESpivack198467–68-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> In contrast, the Terrans ignorance of the ecology of the planet has already denuded one island in the archipelago, and is damaging the rest of the planet. Davidson sees the forest as a waste of space, and wishes to turn it into farmland.<sup id="cite_ref-FOOTNOTESpivack198467–68_21-2" class="reference"><a href="#cite_note-FOOTNOTESpivack198467–68-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> </p><p>The contrast between the Terran relationship to the planet and the Athshean one is the major example of a larger dialectical structure within the novel, a comparison of opposites.<sup id="cite_ref-FOOTNOTESpivack198468–69_51-6" class="reference"><a href="#cite_note-FOOTNOTESpivack198468–69-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> Throughout, the Athsheans are shown as living in balance with their world, while the Terrans despoil it. The Athsheans are shown as a gentle people, in contrast the violence and aggression of the Terrans.<sup id="cite_ref-FOOTNOTESpivack198468–69_51-7" class="reference"><a href="#cite_note-FOOTNOTESpivack198468–69-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> </p><p>The three main characters of the novel, Selver, Lyubov, and Davidson, have been described by reviewers as representing three different historical attitudes towards nature. Davidson represents the machismo of some early explorers, who feared nature and wanted to overcome it.<sup id="cite_ref-FOOTNOTEWhite199974–75_64-0" class="reference"><a href="#cite_note-FOOTNOTEWhite199974–75-64"><span class="cite-bracket">[</span>64<span class="cite-bracket">]</span></a></sup> Lyubov has a more positive but highly romanticized view of the forest, while only Selver and the other Athsheans are able to live in harmony with it.<sup id="cite_ref-FOOTNOTESpivack198468–69_51-8" class="reference"><a href="#cite_note-FOOTNOTESpivack198468–69-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Resemblance_to_Avatar">Resemblance to <i>Avatar</i></h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=15" title="Edit section: Resemblance to Avatar"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Several reviewers have noted that the narrative of the 2009 film <a href="/wiki/Avatar_(2009_film)" title="Avatar (2009 film)"><i>Avatar</i></a> has many similarities to that of <i>The Word for World is Forest</i>.<sup id="cite_ref-FOOTNOTEBarnhill2010_65-0" class="reference"><a href="#cite_note-FOOTNOTEBarnhill2010-65"><span class="cite-bracket">[</span>65<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-FOOTNOTEWestfahl2009_66-0" class="reference"><a href="#cite_note-FOOTNOTEWestfahl2009-66"><span class="cite-bracket">[</span>66<span class="cite-bracket">]</span></a></sup> Specific similarities include the notion that the Earth's resources have been used up, the extraction of resources in an exploitative manner from another planet, a native population on that planet which lives in close harmony with their world, and a rebellion by those natives against the exploitative human colonizers.<sup id="cite_ref-FOOTNOTEBarnhill2010_65-1" class="reference"><a href="#cite_note-FOOTNOTEBarnhill2010-65"><span class="cite-bracket">[</span>65<span class="cite-bracket">]</span></a></sup> A key difference lies in the roles of the "benevolent" humans in both works: Raj Lyubov in <i>The Word for World is Forest</i>, Jake Sully and the human scientists in <i>Avatar</i>. While Lyubov made an impression as a "sensible" human and did help mediate peace between the Athshean people and humanity, he is not the savior of their race, and he does not survive to claim any "prize" from it. Additionally, in <i>The Word for World is Forest</i> militarism is regarded by the Athsheans – especially Selver – as an unfortunate but necessary addition to Athshean culture, and one that may destroy their way of life. In contrast, militarism is seen less critically in <i>Avatar.</i><sup id="cite_ref-FOOTNOTEBarnhill2010_65-2" class="reference"><a href="#cite_note-FOOTNOTEBarnhill2010-65"><span class="cite-bracket">[</span>65<span class="cite-bracket">]</span></a></sup> In the introduction to the second volume of the <i>Hainish Novels and Stories</i>,<sup id="cite_ref-FOOTNOTELe_Guin2017_67-0" class="reference"><a href="#cite_note-FOOTNOTELe_Guin2017-67"><span class="cite-bracket">[</span>67<span class="cite-bracket">]</span></a></sup> Le Guin signals the similarities with "a high-budget, highly successful film" which "completely reverses the book's moral premise, presenting the central and unsolved problem of the book, mass violence, as a solution" and states "I'm glad I have nothing at all to do with it".<sup id="cite_ref-FOOTNOTELe_Guin2017_67-1" class="reference"><a href="#cite_note-FOOTNOTELe_Guin2017-67"><span class="cite-bracket">[</span>67<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Style_and_structure">Style and structure</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=16" title="Edit section: Style and structure"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The novel has eight chapters, narrated by each of the three main characters in turn. Davidson narrates chapters 1, 4, and 7; Selver narrates chapters 2, 6, and 8; and Lyubov narrates chapters 3 and 5.<sup id="cite_ref-FOOTNOTECummins199089–93_50-1" class="reference"><a href="#cite_note-FOOTNOTECummins199089–93-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> This alternation emphasizes both the differences between the characters and their isolation within their societies. Lyubov and Davidson's chapters are narrated from a limited omniscient point of view, making their chapters seem like internal monologues.<sup id="cite_ref-FOOTNOTECummins199089–93_50-2" class="reference"><a href="#cite_note-FOOTNOTECummins199089–93-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> Davidson's belief in the inferiority of the Athsheans and his adversarial attitude towards the planet are directly presented to the reader, along with Lyubov's struggle to do his job dispassionately while following his personal morality.<sup id="cite_ref-FOOTNOTECummins199089–93_50-3" class="reference"><a href="#cite_note-FOOTNOTECummins199089–93-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> In contrast, Selver's chapters are written from a truly omniscient point of view, allowing Le Guin to give the reader information about the planet and its people. Selver has no extensive monologues; instead, several other Athsheans also feature prominently in his chapters.<sup id="cite_ref-FOOTNOTECummins199089–93_50-4" class="reference"><a href="#cite_note-FOOTNOTECummins199089–93-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> </p><p>Although the novel is an anti-war novel portraying a military conflict, unusually, it does not describe most of the action, planning, and strategy. Instead, most of the action happens off the page, and the novel focuses on the decisions being made about the conflict in the minds of the principal characters.<sup id="cite_ref-FOOTNOTECummins199089–93_50-5" class="reference"><a href="#cite_note-FOOTNOTECummins199089–93-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> The language used within each chapter shifts with the protagonist, revealing the way they think about the events of the book. Davidson's monologues are filled with the derogatory language he uses; the Athsheans are referred to by the slang term "creechie", the women in the colony are "prime human stock," and so forth.<sup id="cite_ref-FOOTNOTECummins199089–93_50-6" class="reference"><a href="#cite_note-FOOTNOTECummins199089–93-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> </p><p>Le Guin herself later said she was unhappy with the "strident" tone of the novel. She had been troubled by the Vietnam War, but was living in London when she wrote the novel, cut off from the <a href="/wiki/Opposition_to_United_States_involvement_in_the_Vietnam_War" title="Opposition to United States involvement in the Vietnam War">anti-war movement</a> she had been a part of in <a href="/wiki/Oregon" title="Oregon">Oregon</a>. Written in these circumstances, <i>The Word for World is Forest</i> became what Le Guin called a "preachment".<sup id="cite_ref-FOOTNOTECummins199089–93_50-7" class="reference"><a href="#cite_note-FOOTNOTECummins199089–93-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> She stated that writing the book was like "taking dictation from a boss with ulcers".<sup id="cite_ref-FOOTNOTEWatson1975b_61-10" class="reference"><a href="#cite_note-FOOTNOTEWatson1975b-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> She said that she had wanted to write about forests and dreaming, but that the "boss" had made her write instead about ecological destruction.<sup id="cite_ref-FOOTNOTEWatson1975b_61-11" class="reference"><a href="#cite_note-FOOTNOTEWatson1975b-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> Charlotte Spivack stated that the book was an "angry work", that ended on a note of futility and despair.<sup id="cite_ref-FOOTNOTESpivack198467–68_21-3" class="reference"><a href="#cite_note-FOOTNOTESpivack198467–68-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=17" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 20em;"> <ol class="references"> <li id="cite_note-FOOTNOTEWhite199960–65-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWhite199960–65_1-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWhite1999">White 1999</a>, pp. 60–65.</span> </li> <li id="cite_note-FOOTNOTEDavison-Vecchione_and_Seeger20232-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDavison-Vecchione_and_Seeger20232_2-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDavison-Vecchione_and_Seeger2023">Davison-Vecchione and Seeger 2023</a>, p. 2.</span> </li> <li id="cite_note-FOOTNOTEWhite199955–60-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWhite199955–60_3-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWhite1999">White 1999</a>, pp. 55–60.</span> </li> <li id="cite_note-FOOTNOTEWhite199970–77-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWhite199970–77_4-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWhite1999">White 1999</a>, pp. 70–77.</span> </li> <li id="cite_note-FOOTNOTEWhite199951–55-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWhite199951–55_5-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWhite1999">White 1999</a>, pp. 51–55.</span> </li> <li id="cite_note-FOOTNOTEReid19973–8-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEReid19973–8_6-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFReid1997">Reid 1997</a>, pp. 3–8.</span> </li> <li id="cite_note-FOOTNOTEReid199710–17-7"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEReid199710–17_7-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEReid199710–17_7-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFReid1997">Reid 1997</a>, pp. 10–17.</span> </li> <li id="cite_note-FOOTNOTEReid199749–55-8"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEReid199749–55_8-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEReid199749–55_8-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEReid199749–55_8-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFReid1997">Reid 1997</a>, pp. 49–55.</span> </li> <li id="cite_note-FOOTNOTECummins199089-9"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTECummins199089_9-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199089_9-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCummins1990">Cummins 1990</a>, p. 89.</span> </li> <li id="cite_note-FOOTNOTEHovanec1989-10"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHovanec1989_10-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHovanec1989_10-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHovanec1989">Hovanec 1989</a>.</span> </li> <li id="cite_note-FOOTNOTECummins199066–67-11"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTECummins199066–67_11-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199066–67_11-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCummins1990">Cummins 1990</a>, pp. 66–67.</span> </li> <li id="cite_note-FOOTNOTECummins199068–70-12"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTECummins199068–70_12-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199068–70_12-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199068–70_12-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCummins1990">Cummins 1990</a>, pp. 68–70.</span> </li> <li id="cite_note-FOOTNOTEReid199719–21-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEReid199719–21_13-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFReid1997">Reid 1997</a>, pp. 19–21.</span> </li> <li id="cite_note-FOOTNOTECummins199087–90-14"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTECummins199087–90_14-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199087–90_14-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199087–90_14-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199087–90_14-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199087–90_14-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199087–90_14-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199087–90_14-6"><sup><i><b>g</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCummins1990">Cummins 1990</a>, pp. 87–90.</span> </li> <li id="cite_note-FOOTNOTEReid199758–60-15"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEReid199758–60_15-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEReid199758–60_15-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEReid199758–60_15-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEReid199758–60_15-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-FOOTNOTEReid199758–60_15-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-FOOTNOTEReid199758–60_15-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-FOOTNOTEReid199758–60_15-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-FOOTNOTEReid199758–60_15-7"><sup><i><b>h</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFReid1997">Reid 1997</a>, pp. 58–60.</span> </li> <li id="cite_note-FOOTNOTELe_Guin19767–8-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin19767–8_16-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 7–8.</span> </li> <li id="cite_note-FOOTNOTELe_Guin197656–74-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin197656–74_17-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 56–74.</span> </li> <li id="cite_note-FOOTNOTESpivack198469–70-18"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESpivack198469–70_18-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198469–70_18-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198469–70_18-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198469–70_18-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198469–70_18-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198469–70_18-5"><sup><i><b>f</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSpivack1984">Spivack 1984</a>, pp. 69–70.</span> </li> <li id="cite_note-FOOTNOTELe_Guin197642–49-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin197642–49_19-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 42–49.</span> </li> <li id="cite_note-FOOTNOTEWatson1975a-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWatson1975a_20-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWatson1975a">Watson 1975a</a>.</span> </li> <li id="cite_note-FOOTNOTESpivack198467–68-21"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESpivack198467–68_21-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198467–68_21-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198467–68_21-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198467–68_21-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSpivack1984">Spivack 1984</a>, pp. 67–68.</span> </li> <li id="cite_note-FOOTNOTELe_Guin197618–22-22"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTELe_Guin197618–22_22-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTELe_Guin197618–22_22-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTELe_Guin197618–22_22-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 18–22.</span> </li> <li id="cite_note-FOOTNOTELe_Guin197626-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin197626_23-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, p. 26.</span> </li> <li id="cite_note-FOOTNOTELe_Guin197629–32-24"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTELe_Guin197629–32_24-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTELe_Guin197629–32_24-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 29–32.</span> </li> <li id="cite_note-FOOTNOTELe_Guin197656–59-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin197656–59_25-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 56–59.</span> </li> <li id="cite_note-FOOTNOTELe_Guin197670–73-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin197670–73_26-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 70–73.</span> </li> <li id="cite_note-FOOTNOTELe_Guin197666–69-27"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTELe_Guin197666–69_27-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTELe_Guin197666–69_27-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 66–69.</span> </li> <li id="cite_note-FOOTNOTELe_Guin197676–79-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin197676–79_28-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 76–79.</span> </li> <li id="cite_note-FOOTNOTELe_Guin197684–86-29"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin197684–86_29-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 84–86.</span> </li> <li id="cite_note-FOOTNOTELe_Guin197694–97-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin197694–97_30-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 94–97.</span> </li> <li id="cite_note-FOOTNOTELe_Guin1976122–125-31"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTELe_Guin1976122–125_31-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTELe_Guin1976122–125_31-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 122–125.</span> </li> <li id="cite_note-FOOTNOTELe_Guin1976132–135-32"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin1976132–135_32-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 132–135.</span> </li> <li id="cite_note-FOOTNOTELe_Guin1976146–149-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin1976146–149_33-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 146–149.</span> </li> <li id="cite_note-FOOTNOTELe_Guin1976150–159-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin1976150–159_34-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 150–159.</span> </li> <li id="cite_note-FOOTNOTELe_Guin1976160–162-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin1976160–162_35-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 160–162.</span> </li> <li id="cite_note-FOOTNOTELe_Guin1976163–169-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin1976163–169_36-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 163–169.</span> </li> <li id="cite_note-FOOTNOTEReid199758-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEReid199758_37-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFReid1997">Reid 1997</a>, p. 58.</span> </li> <li id="cite_note-FOOTNOTENichollsClute2019-38"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTENichollsClute2019_38-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTENichollsClute2019_38-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFNichollsClute2019">Nicholls & Clute 2019</a>.</span> </li> <li id="cite_note-FOOTNOTEWhite199950–51-39"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEWhite199950–51_39-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWhite199950–51_39-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFWhite1999">White 1999</a>, pp. 50–51.</span> </li> <li id="cite_note-FOOTNOTEWhite199964-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWhite199964_40-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWhite1999">White 1999</a>, p. 64.</span> </li> <li id="cite_note-FOOTNOTELocus1973-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELocus1973_41-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLocus1973">Locus 1973</a>.</span> </li> <li id="cite_note-FOOTNOTEsfadb2015-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEsfadb2015_42-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFsfadb2015">sfadb 2015</a>.</span> </li> <li id="cite_note-FOOTNOTEHugo2012-43"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHugo2012_43-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHugo2012">Hugo 2012</a>.</span> </li> <li id="cite_note-FOOTNOTEReid1997117-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEReid1997117_44-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFReid1997">Reid 1997</a>, p. 117.</span> </li> <li id="cite_note-FOOTNOTEKirkus1976-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKirkus1976_45-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKirkus1976">Kirkus 1976</a>.</span> </li> <li id="cite_note-FOOTNOTESpivack198470–71-46"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESpivack198470–71_46-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198470–71_46-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198470–71_46-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198470–71_46-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198470–71_46-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198470–71_46-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198470–71_46-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198470–71_46-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198470–71_46-8"><sup><i><b>i</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSpivack1984">Spivack 1984</a>, pp. 70–71.</span> </li> <li id="cite_note-FOOTNOTECummins199093-47"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECummins199093_47-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCummins1990">Cummins 1990</a>, p. 93.</span> </li> <li id="cite_note-FOOTNOTELe_Guin197657–58-48"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin197657–58_48-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, p. 57–58.</span> </li> <li id="cite_note-FOOTNOTECummins199091–93-49"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTECummins199091–93_49-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199091–93_49-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199091–93_49-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199091–93_49-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCummins1990">Cummins 1990</a>, pp. 91–93.</span> </li> <li id="cite_note-FOOTNOTECummins199089–93-50"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTECummins199089–93_50-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199089–93_50-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199089–93_50-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199089–93_50-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199089–93_50-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199089–93_50-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199089–93_50-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199089–93_50-7"><sup><i><b>h</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCummins1990">Cummins 1990</a>, pp. 89–93.</span> </li> <li id="cite_note-FOOTNOTESpivack198468–69-51"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTESpivack198468–69_51-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198468–69_51-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198468–69_51-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198468–69_51-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198468–69_51-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198468–69_51-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198468–69_51-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198468–69_51-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-FOOTNOTESpivack198468–69_51-8"><sup><i><b>i</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFSpivack1984">Spivack 1984</a>, pp. 68–69.</span> </li> <li id="cite_note-FOOTNOTELe_Guin1976100–105-52"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTELe_Guin1976100–105_52-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTELe_Guin1976100–105_52-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTELe_Guin1976100–105_52-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTELe_Guin1976100–105_52-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 100–105.</span> </li> <li id="cite_note-FOOTNOTELe_Guin197653–54-53"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin197653–54_53-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 53–54.</span> </li> <li id="cite_note-FOOTNOTELe_Guin1976116–118-54"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin1976116–118_54-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 116–118.</span> </li> <li id="cite_note-FOOTNOTECummins199094–96-55"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTECummins199094–96_55-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199094–96_55-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCummins1990">Cummins 1990</a>, pp. 94–96.</span> </li> <li id="cite_note-FOOTNOTELe_Guin197672–74-56"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin197672–74_56-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, pp. 72–74.</span> </li> <li id="cite_note-FOOTNOTEReid199751–56-57"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEReid199751–56_57-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFReid1997">Reid 1997</a>, pp. 51–56.</span> </li> <li id="cite_note-FOOTNOTECummins1990101–103-58"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTECummins1990101–103_58-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins1990101–103_58-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCummins1990">Cummins 1990</a>, pp. 101–103.</span> </li> <li id="cite_note-FOOTNOTELe_Guin197689-59"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin197689_59-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, p. 89.</span> </li> <li id="cite_note-FOOTNOTECummins199098-60"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECummins199098_60-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCummins1990">Cummins 1990</a>, p. 98.</span> </li> <li id="cite_note-FOOTNOTEWatson1975b-61"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEWatson1975b_61-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWatson1975b_61-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWatson1975b_61-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWatson1975b_61-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWatson1975b_61-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWatson1975b_61-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWatson1975b_61-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWatson1975b_61-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWatson1975b_61-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWatson1975b_61-9"><sup><i><b>j</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWatson1975b_61-10"><sup><i><b>k</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWatson1975b_61-11"><sup><i><b>l</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFWatson1975b">Watson 1975b</a>.</span> </li> <li id="cite_note-FOOTNOTECummins199098–103-62"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTECummins199098–103_62-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199098–103_62-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199098–103_62-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199098–103_62-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199098–103_62-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199098–103_62-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-FOOTNOTECummins199098–103_62-6"><sup><i><b>g</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFCummins1990">Cummins 1990</a>, pp. 98–103.</span> </li> <li id="cite_note-FOOTNOTELe_Guin197625-63"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELe_Guin197625_63-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLe_Guin1976">Le Guin 1976</a>, p. 25.</span> </li> <li id="cite_note-FOOTNOTEWhite199974–75-64"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWhite199974–75_64-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWhite1999">White 1999</a>, pp. 74–75.</span> </li> <li id="cite_note-FOOTNOTEBarnhill2010-65"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBarnhill2010_65-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBarnhill2010_65-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBarnhill2010_65-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBarnhill2010">Barnhill 2010</a>.</span> </li> <li id="cite_note-FOOTNOTEWestfahl2009-66"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWestfahl2009_66-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWestfahl2009">Westfahl 2009</a>.</span> </li> <li id="cite_note-FOOTNOTELe_Guin2017-67"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTELe_Guin2017_67-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTELe_Guin2017_67-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFLe_Guin2017">Le Guin 2017</a>.</span> </li> </ol></div> <div class="mw-heading mw-heading2"><h2 id="Sources">Sources</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=18" title="Edit section: Sources"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin" style=""> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBarnhill2010" class="citation journal cs1">Barnhill, David (2010). "Spirituality and Resistance: Ursula Le Guin's The Word for World is Forest and the Film Avatar". <i><a href="/wiki/Journal_for_the_Study_of_Religion,_Nature_and_Culture" title="Journal for the Study of Religion, Nature and Culture">Journal for the Study of Religion, Nature and Culture</a></i>. <b>4</b> (4): 478–498. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1558%2Fjsrnc.v4i4.478">10.1558/jsrnc.v4i4.478</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Journal+for+the+Study+of+Religion%2C+Nature+and+Culture&rft.atitle=Spirituality+and+Resistance%3A+Ursula+Le+Guin%27s+The+Word+for+World+is+Forest+and+the+Film+Avatar&rft.volume=4&rft.issue=4&rft.pages=478-498&rft.date=2010&rft_id=info%3Adoi%2F10.1558%2Fjsrnc.v4i4.478&rft.aulast=Barnhill&rft.aufirst=David&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCummins1990" class="citation book cs1">Cummins, Elizabeth (1990). <a rel="nofollow" class="external text" href="https://archive.org/details/understandingurs0000cumm"><i>Understanding Ursula K. Le Guin</i></a>. <a href="/wiki/Columbia,_South_Carolina" title="Columbia, South Carolina">Columbia</a>, South Carolina: University of South Carolina Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-87249-687-2" title="Special:BookSources/0-87249-687-2"><bdi>0-87249-687-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Understanding+Ursula+K.+Le+Guin&rft.place=Columbia%2C+South+Carolina&rft.pub=University+of+South+Carolina+Press&rft.date=1990&rft.isbn=0-87249-687-2&rft.aulast=Cummins&rft.aufirst=Elizabeth&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Funderstandingurs0000cumm&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFDavison-Vecchione_and_Seeger2023" class="citation journal cs1">Davison-Vecchione, Daniel; Seeger, Sean (2021). <a rel="nofollow" class="external text" href="https://doi.org/10.1177%2F02632764211051780">"Ursula Le Guin's Speculative Anthropology: Thick Description, Historicity and Science Fiction"</a>. <i>Theory, Culture & Society</i>: 26327642110517–. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<span class="id-lock-free" title="Freely accessible"><a rel="nofollow" class="external text" href="https://doi.org/10.1177%2F02632764211051780">10.1177/02632764211051780</a></span>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0263-2764">0263-2764</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a> <a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:243824084">243824084</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Theory%2C+Culture+%26+Society&rft.atitle=Ursula+Le+Guin%27s+Speculative+Anthropology%3A+Thick+Description%2C+Historicity+and+Science+Fiction&rft.pages=26327642110517-&rft.date=2021&rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A243824084%23id-name%3DS2CID&rft.issn=0263-2764&rft_id=info%3Adoi%2F10.1177%2F02632764211051780&rft.aulast=Davison-Vecchione&rft.aufirst=Daniel&rft.au=Seeger%2C+Sean&rft_id=https%3A%2F%2Fdoi.org%2F10.1177%252F02632764211051780&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHovanec1989" class="citation journal cs1">Hovanec, Carol P. (1989). "Visions of Nature in The Word for World is Forest: A Mirror of the American Consciousness". <i>Extrapolation</i>. <b>30</b> (1): 84–92. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.3828%2Fextr.1989.30.1.84">10.3828/extr.1989.30.1.84</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Extrapolation&rft.atitle=Visions+of+Nature+in+The+Word+for+World+is+Forest%3A+A+Mirror+of+the+American+Consciousness&rft.volume=30&rft.issue=1&rft.pages=84-92&rft.date=1989&rft_id=info%3Adoi%2F10.3828%2Fextr.1989.30.1.84&rft.aulast=Hovanec&rft.aufirst=Carol+P.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHugo2012" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110507164622/http://www.thehugoawards.org/hugo-history/1973-hugo-awards/">"1973 Hugo Awards"</a>. <i>The Hugo Awards</i>. Archived from <a rel="nofollow" class="external text" href="http://www.thehugoawards.org/hugo-history/1973-hugo-awards/">the original</a> on 7 May 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">12 April</span> 2011</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Hugo+Awards&rft.atitle=1973+Hugo+Awards&rft_id=http%3A%2F%2Fwww.thehugoawards.org%2Fhugo-history%2F1973-hugo-awards%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKirkus1976" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.kirkusreviews.com/book-reviews/ursula-k-le-guin/word-for-world-is-forest/">"The Word for World is Forest"</a>. <i>Kirkus reviews</i>. 1 April 1976<span class="reference-accessdate">. Retrieved <span class="nowrap">23 August</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Kirkus+reviews&rft.atitle=The+Word+for+World+is+Forest&rft.date=1976-04-01&rft_id=https%3A%2F%2Fwww.kirkusreviews.com%2Fbook-reviews%2Fursula-k-le-guin%2Fword-for-world-is-forest%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLe_Guin1976" class="citation book cs1">Le Guin, Ursula K. (December 1976). <i>The Word for World is Forest</i>. <a href="/wiki/New_York_City" title="New York City">New York</a>, New York: Berkley Publishing Corporation. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-425-07484-6" title="Special:BookSources/0-425-07484-6"><bdi>0-425-07484-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Word+for+World+is+Forest&rft.place=New+York%2C+New+York&rft.pub=Berkley+Publishing+Corporation&rft.date=1976-12&rft.isbn=0-425-07484-6&rft.aulast=Le+Guin&rft.aufirst=Ursula+K.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLe_Guin2017" class="citation book cs1">Le Guin, Ursula K. (2017). <i>Hainish novels & Stories</i>. <a href="/wiki/New_York_City" title="New York City">New York</a>, New York: The Library of America. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781598535396" title="Special:BookSources/9781598535396"><bdi>9781598535396</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Hainish+novels+%26+Stories&rft.place=New+York%2C+New+York&rft.pub=The+Library+of+America&rft.date=2017&rft.isbn=9781598535396&rft.aulast=Le+Guin&rft.aufirst=Ursula+K.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLocus1973" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20110605231429/http://www.locusmag.com/SFAwards/Db/Nebula1973.html">"The Locus Index to SF Awards: 1973 Nebula Awards"</a>. <i><a href="/wiki/Locus_(magazine)" title="Locus (magazine)">Locus</a></i>. Archived from <a rel="nofollow" class="external text" href="http://www.locusmag.com/SFAwards/Db/Nebula1973.html">the original</a> on 5 June 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">6 December</span> 2011</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Locus&rft.atitle=The+Locus+Index+to+SF+Awards%3A+1973+Nebula+Awards&rft_id=http%3A%2F%2Fwww.locusmag.com%2FSFAwards%2FDb%2FNebula1973.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFNichollsClute2019" class="citation encyclopaedia cs1">Nicholls, Peter; Clute, John; Sleight, Graham, eds. (April 7, 2018). <a rel="nofollow" class="external text" href="http://sf-encyclopedia.com/entry/le_guin_ursula_k">"Le Guin, Ursula K."</a>. <i>The Encyclopedia of Science Fiction</i>. Gollancz. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180426045452/http://www.sf-encyclopedia.com/entry/le_guin_ursula_k">Archived</a> from the original on April 26, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">May 7,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Le+Guin%2C+Ursula+K.&rft.btitle=The+Encyclopedia+of+Science+Fiction&rft.pub=Gollancz&rft.date=2018-04-07&rft_id=http%3A%2F%2Fsf-encyclopedia.com%2Fentry%2Fle_guin_ursula_k&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFReid1997" class="citation book cs1">Reid, Suzanne Elizabeth (1997). <i>Presenting Ursula Le Guin</i>. New York, New York: Twayne. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8057-4609-9" title="Special:BookSources/0-8057-4609-9"><bdi>0-8057-4609-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Presenting+Ursula+Le+Guin&rft.place=New+York%2C+New+York&rft.pub=Twayne&rft.date=1997&rft.isbn=0-8057-4609-9&rft.aulast=Reid&rft.aufirst=Suzanne+Elizabeth&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFsfadb2015" class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.sfadb.com/Ursula_K_Le_Guin">"Ursula K. Le Guin Awards List"</a>. <i>Science Fiction Awards Database</i><span class="reference-accessdate">. Retrieved <span class="nowrap">31 October</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Science+Fiction+Awards+Database&rft.atitle=Ursula+K.+Le+Guin+Awards+List&rft_id=http%3A%2F%2Fwww.sfadb.com%2FUrsula_K_Le_Guin&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSpivack1984" class="citation book cs1">Spivack, Charlotte (1984). <a rel="nofollow" class="external text" href="https://archive.org/details/ursulakleguin00char"><i>Ursula K. Le Guin</i></a> (1st ed.). <a href="/wiki/Boston" title="Boston">Boston</a>, Massachusetts: Twayne Publishers. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-8057-7393-2" title="Special:BookSources/0-8057-7393-2"><bdi>0-8057-7393-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Ursula+K.+Le+Guin&rft.place=Boston%2C+Massachusetts&rft.edition=1st&rft.pub=Twayne+Publishers&rft.date=1984&rft.isbn=0-8057-7393-2&rft.aulast=Spivack&rft.aufirst=Charlotte&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fursulakleguin00char&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWatson1975a" class="citation journal cs1">Watson, Ian (March 1975). <a rel="nofollow" class="external text" href="http://www.depauw.edu/sfs/backissues/5/watson5art.htm">"Le Guin's <i>Lathe of Heaven</i> and the Role of Dick: The False Reality as Mediator"</a>. <i><a href="/wiki/Science_Fiction_Studies" title="Science Fiction Studies">Science Fiction Studies</a></i>: 67–75.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Science+Fiction+Studies&rft.atitle=Le+Guin%27s+Lathe+of+Heaven+and+the+Role+of+Dick%3A+The+False+Reality+as+Mediator&rft.pages=67-75&rft.date=1975-03&rft.aulast=Watson&rft.aufirst=Ian&rft_id=http%3A%2F%2Fwww.depauw.edu%2Fsfs%2Fbackissues%2F5%2Fwatson5art.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWatson1975b" class="citation journal cs1">Watson, Ian (November 1975). <a rel="nofollow" class="external text" href="http://www.depauw.edu/sfs/backissues/7/watson7art.htm">"The Forest as Metaphor for Mind: "The Word for World is Forest" and "Vaster Than Empires and More Slow"<span class="cs1-kern-right"></span>"</a>. <i>Science Fiction Studies</i>. <b>2</b> (3): 231–237.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Science+Fiction+Studies&rft.atitle=The+Forest+as+Metaphor+for+Mind%3A+%22The+Word+for+World+is+Forest%22+and+%22Vaster+Than+Empires+and+More+Slow%22&rft.volume=2&rft.issue=3&rft.pages=231-237&rft.date=1975-11&rft.aulast=Watson&rft.aufirst=Ian&rft_id=http%3A%2F%2Fwww.depauw.edu%2Fsfs%2Fbackissues%2F7%2Fwatson7art.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWestfahl2009" class="citation web cs1"><a href="/wiki/Gary_Westfahl" title="Gary Westfahl">Westfahl, Gary</a> (20 December 2009). <a rel="nofollow" class="external text" href="http://www.locusmag.com/Reviews/2009/12/all-energy-is-borrowed-review-of-avatar.html">"All Energy Is Borrowed: A Review of Avatar"</a>. <i><a href="/wiki/Locus_Online" class="mw-redirect" title="Locus Online">Locus Online</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">30 July</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Locus+Online&rft.atitle=All+Energy+Is+Borrowed%3A+A+Review+of+Avatar&rft.date=2009-12-20&rft.aulast=Westfahl&rft.aufirst=Gary&rft_id=http%3A%2F%2Fwww.locusmag.com%2FReviews%2F2009%2F12%2Fall-energy-is-borrowed-review-of-avatar.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWhite1999" class="citation book cs1">White, Donna R. (1999). <i>Dancing With Dragons: Ursula K. Le Guin and the Critics</i>. Columbia, South Carolina: Camden house. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/1-57113-034-9" title="Special:BookSources/1-57113-034-9"><bdi>1-57113-034-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Dancing+With+Dragons%3A+Ursula+K.+Le+Guin+and+the+Critics&rft.place=Columbia%2C+South+Carolina&rft.pub=Camden+house&rft.date=1999&rft.isbn=1-57113-034-9&rft.aulast=White&rft.aufirst=Donna+R.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="Further_reading">Further reading</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=19" title="Edit section: Further reading"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBloom1986" class="citation book cs1"><a href="/wiki/Harold_Bloom" title="Harold Bloom">Bloom, Harold</a>, ed. (1986). <a rel="nofollow" class="external text" href="https://archive.org/details/ursulakleguin00bloo"><i>Ursula K. Le Guin (Modern Critical Views)</i></a> (1st ed.). New York, NY: Chelsea House. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-87754-659-2" title="Special:BookSources/0-87754-659-2"><bdi>0-87754-659-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Ursula+K.+Le+Guin+%28Modern+Critical+Views%29&rft.place=New+York%2C+NY&rft.edition=1st&rft.pub=Chelsea+House&rft.date=1986&rft.isbn=0-87754-659-2&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fursulakleguin00bloo&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCadden2005" class="citation book cs1">Cadden, Mike (2005). <i>Ursula K. Le Guin Beyond Genre: Fiction for Children and Adults</i> (1st ed.). New York, NY: Routledge. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0-415-99527-2" title="Special:BookSources/0-415-99527-2"><bdi>0-415-99527-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Ursula+K.+Le+Guin+Beyond+Genre%3A+Fiction+for+Children+and+Adults&rft.place=New+York%2C+NY&rft.edition=1st&rft.pub=Routledge&rft.date=2005&rft.isbn=0-415-99527-2&rft.aulast=Cadden&rft.aufirst=Mike&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLatham2007" class="citation journal cs1">Latham, Rob (2007). "Biotic Invasions: Ecological Imperialism in New Wave Science Fiction". <i>The Yearbook of English Studies</i>. <b>37</b> (2): 103–119.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Yearbook+of+English+Studies&rft.atitle=Biotic+Invasions%3A+Ecological+Imperialism+in+New+Wave+Science+Fiction&rft.volume=37&rft.issue=2&rft.pages=103-119&rft.date=2007&rft.aulast=Latham&rft.aufirst=Rob&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLe_Guin1992" class="citation book cs1">Le Guin, Ursula K. (May 1992). <i>The Language of the Night</i> (revised ed.). HarperCollins. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-06-016835-3" title="Special:BookSources/978-0-06-016835-3"><bdi>978-0-06-016835-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Language+of+the+Night&rft.edition=revised&rft.pub=HarperCollins&rft.date=1992-05&rft.isbn=978-0-06-016835-3&rft.aulast=Le+Guin&rft.aufirst=Ursula+K.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Word+for+World+Is+Forest" class="Z3988"></span></li></ul> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Word_for_World_Is_Forest&action=edit&section=20" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external 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Le Guin bibliography">Bibliography</a></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><i><a href="/wiki/Earthsea" title="Earthsea">Earthsea</a></i></th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%">Novels</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/A_Wizard_of_Earthsea" title="A Wizard of Earthsea">A Wizard of Earthsea</a></i> (1968)</li> <li><i><a href="/wiki/The_Tombs_of_Atuan" title="The Tombs of Atuan">The Tombs of Atuan</a></i> (1971)</li> <li><i><a href="/wiki/The_Farthest_Shore" title="The Farthest Shore">The Farthest Shore</a></i> (1972)</li> <li><i><a href="/wiki/Tehanu" title="Tehanu">Tehanu</a></i> (1990)</li> <li><i><a href="/wiki/The_Other_Wind" title="The Other Wind">The Other Wind</a></i> (2001)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Short stories</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/wiki/The_Word_of_Unbinding" title="The Word of Unbinding">The Word of Unbinding</a>" (1964)</li> <li>"<a href="/wiki/The_Rule_of_Names" title="The Rule of Names">The Rule of Names</a>" (1964)</li> <li>"<a href="/w/index.php?title=Dragonfly_(short_story)&action=edit&redlink=1" class="new" title="Dragonfly (short story) (page does not exist)">Dragonfly</a>" (1997)</li> <li>"<a href="/w/index.php?title=Darkrose_and_Diamond&action=edit&redlink=1" class="new" title="Darkrose and Diamond (page does not exist)">Darkrose and Diamond</a>" (1999)</li> <li>"<a href="/w/index.php?title=The_Daughter_of_Odren&action=edit&redlink=1" class="new" title="The Daughter of Odren (page does not exist)">The Daughter of Odren</a>" (2014)</li> <li>"<a href="/wiki/Firelight_(short_story)" class="mw-redirect" title="Firelight (short story)">Firelight</a>" (2018)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Collections</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Tales_from_Earthsea" title="Tales from Earthsea">Tales from Earthsea</a></i> (2001)</li> <li><i><a href="/wiki/The_Books_of_Earthsea" title="The Books of Earthsea">The Books of Earthsea</a></i> (2018)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Adaptations</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Earthsea_(miniseries)" title="Earthsea (miniseries)"><i>Earthsea</i> (miniseries)</a> (2004)</li> <li><a href="/wiki/Tales_from_Earthsea_(film)" title="Tales from Earthsea (film)"><i>Tales from Earthsea</i> (film)</a> (2006)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Earthsea_(universe)" title="Earthsea (universe)">Universe</a></li> <li><a href="/wiki/List_of_characters_in_Earthsea" title="List of characters in Earthsea">Characters</a> <ul><li><a href="/wiki/Ged_(Earthsea)" title="Ged (Earthsea)">Ged</a></li></ul></li> <li><i><a href="/wiki/Ursula_K._Le_Guin_bibliography#Earthsea_Revisioned" title="Ursula K. Le Guin bibliography">Earthsea Revisioned</a></i> (1993)</li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><i><a href="/wiki/Hainish_Cycle" title="Hainish Cycle">Hainish <br /> Cycle</a></i></th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%">Novels</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Rocannon%27s_World" title="Rocannon's World">Rocannon's World</a></i> (1966)</li> <li><i><a href="/wiki/Planet_of_Exile" title="Planet of Exile">Planet of Exile</a></i> (1966)</li> <li><i><a href="/wiki/City_of_Illusions" title="City of Illusions">City of Illusions</a></i> (1967)</li> <li><i><a href="/wiki/The_Left_Hand_of_Darkness" title="The Left Hand of Darkness">The Left Hand of Darkness</a></i> (1969)</li> <li><i><a href="/wiki/The_Dispossessed" title="The Dispossessed">The Dispossessed</a></i> (1974)</li> <li><i><a class="mw-selflink selflink">The Word for World Is Forest</a></i> (1976)</li> <li><i><a href="/wiki/Four_Ways_to_Forgiveness" title="Four Ways to Forgiveness">Four Ways to Forgiveness</a></i> (1995)</li> <li><i><a href="/wiki/The_Telling" title="The Telling">The Telling</a></i> (2000)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Short stories</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/wiki/The_Dowry_of_Angyar" title="The Dowry of Angyar">The Dowry of Angyar</a>" (1964)</li> <li>"<a href="/wiki/Winter%27s_King" title="Winter's King">Winter's King</a>" (1969)</li> <li>"<a href="/wiki/Vaster_than_Empires_and_More_Slow" title="Vaster than Empires and More Slow">Vaster than Empires and More Slow</a>" (1971)</li> <li>"<a href="/wiki/The_Day_Before_the_Revolution" title="The Day Before the Revolution">The Day Before the Revolution</a>" (1974)</li> <li><i><a href="/wiki/The_Shobies%27_Story" title="The Shobies' Story">The Shobies' Story</a></i> (1990)</li> <li>"<a href="/wiki/The_Matter_of_Seggri" title="The Matter of Seggri">The Matter of Seggri</a>" (1994)</li> <li>"<a href="/wiki/A_Man_of_the_People_(short_story)" title="A Man of the People (short story)">A Man of the People</a>"</li> <li>"<a href="/wiki/Coming_of_Age_in_Karhide" title="Coming of Age in Karhide">Coming of Age in Karhide</a>" (1995)</li> <li>"<a href="/w/index.php?title=Mountain_Ways&action=edit&redlink=1" class="new" title="Mountain Ways (page does not exist)">Mountain Ways</a>" (1996)</li> <li>"<a href="/wiki/Old_Music_and_the_Slave_Women" title="Old Music and the Slave Women">Old Music and the Slave Women</a>" (1999)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Ansible" title="Ansible">Ansible</a></li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><i><a href="/wiki/Annals_of_the_Western_Shore" title="Annals of the Western Shore">Annals of the Western Shore</a></i></th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th id="Novels" scope="row" class="navbox-group" style="width:1%">Novels</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Gifts_(novel)" title="Gifts (novel)">Gifts</a></i> (2004)</li> <li><i><a href="/wiki/Voices_(Le_Guin_novel)" title="Voices (Le Guin novel)">Voices</a></i> (2006)</li> <li><i><a href="/wiki/Powers_(novel)" title="Powers (novel)">Powers</a></i> (2007)</li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other <br /> fiction</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%">Novels</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Lathe_of_Heaven" title="The Lathe of Heaven">The Lathe of Heaven</a></i> (1971)</li> <li><i><a href="/wiki/Very_Far_Away_from_Anywhere_Else" title="Very Far Away from Anywhere Else">Very Far Away from Anywhere Else</a></i> (1976)</li> <li><i><a href="/wiki/The_Eye_of_the_Heron" title="The Eye of the Heron">The Eye of the Heron</a></i> (1978)</li> <li><i><a href="/wiki/Malafrena" title="Malafrena">Malafrena</a></i> (1979)</li> <li><i><a href="/wiki/The_Beginning_Place" title="The Beginning Place">The Beginning Place</a></i> (1980)</li> <li><i><a href="/wiki/Always_Coming_Home" title="Always Coming Home">Always Coming Home</a></i> (1985)</li> <li><i><a href="/wiki/Lavinia_(novel)" title="Lavinia (novel)">Lavinia</a></i> (2008)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Short stories</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li>"<a href="/wiki/The_Ones_Who_Walk_Away_from_Omelas" title="The Ones Who Walk Away from Omelas">The Ones Who Walk Away from Omelas</a>" (1973)</li> <li>"<a href="/wiki/The_Diary_of_the_Rose" title="The Diary of the Rose">The Diary of the Rose</a>" (1976)</li> <li>"<a href="/wiki/The_Wife%27s_Story" title="The Wife's Story">The Wife's Story</a>" (1982)</li> <li>"<a href="/wiki/Paradises_Lost" title="Paradises Lost">Paradises Lost</a>" (2002)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Collections</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Wind%27s_Twelve_Quarters" title="The Wind's Twelve Quarters">The Wind's Twelve Quarters</a></i> (1975)</li> <li><i><a href="/wiki/Orsinian_Tales" title="Orsinian Tales">Orsinian Tales</a></i> (1976)</li> <li><i><a href="/wiki/The_Compass_Rose" title="The Compass Rose">The Compass Rose</a></i> (1982)</li> <li><i><a href="/wiki/Buffalo_Gals_and_Other_Animal_Presences" title="Buffalo Gals and Other Animal Presences">Buffalo Gals and Other Animal Presences</a></i> (1987)</li> <li><i><a href="/wiki/A_Fisherman_of_the_Inland_Sea" title="A Fisherman of the Inland Sea">A Fisherman of the Inland Sea</a></i> (1994)</li> <li><i><a href="/wiki/Unlocking_the_Air_and_Other_Stories" title="Unlocking the Air and Other Stories">Unlocking the Air and Other Stories</a></i> (1996)</li> <li><i><a href="/wiki/The_Birthday_of_the_World_and_Other_Stories" title="The Birthday of the World and Other Stories">The Birthday of the World</a></i> (2002)</li> <li><i><a href="/wiki/Changing_Planes" title="Changing Planes">Changing Planes</a></i> (2003)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Children's books</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Catwings" title="Catwings">Catwings</a></i> (series) (1988–1999)</li> <li><i><a href="/wiki/Cat_Dreams_(Le_Guin_book)" title="Cat Dreams (Le Guin book)">Cat Dreams</a></i></li></ul> </div></td></tr></tbody></table><div></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Non-fiction</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Language_of_the_Night" title="The Language of the Night">The Language of the Night</a></i> (1979)</li> <li><i><a href="/wiki/Dancing_at_the_Edge_of_the_World" title="Dancing at the Edge of the World">Dancing at the Edge of the World</a></i> (1982)</li> <li><i><a href="/w/index.php?title=Lao_Tzu:_Tao_Te_Ching&action=edit&redlink=1" class="new" title="Lao Tzu: Tao Te Ching (page does not exist)">Lao Tzu: Tao Te Ching</a></i> (1997)</li> <li><i><a href="/wiki/Steering_the_Craft" title="Steering the Craft">Steering the Craft</a></i> (1998)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Hugo_Award_for_Best_Novella" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Hugo_Award_Best_Novella" title="Template:Hugo Award Best Novella"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Hugo_Award_Best_Novella" title="Template talk:Hugo Award Best Novella"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Hugo_Award_Best_Novella" title="Special:EditPage/Template:Hugo Award Best Novella"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Hugo_Award_for_Best_Novella" style="font-size:114%;margin:0 4em"><a href="/wiki/Hugo_Award" title="Hugo Award">Hugo Award</a> for <a href="/wiki/Hugo_Award_for_Best_Novella" title="Hugo Award for Best Novella">Best Novella</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Hugo_Award_for_Best_Novella#Retro_Hugos" title="Hugo Award for Best Novella">Retro Hugos</a></th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Who_Goes_There%3F" title="Who Goes There?">Who Goes There?</a></i> by <a href="/wiki/John_W._Campbell" title="John W. Campbell">Don A. Stuart</a> (1939)</li> <li><i><a href="/wiki/If_This_Goes_On%E2%80%94" class="mw-redirect" title="If This Goes On—">If This Goes On—</a></i> by <a href="/wiki/Robert_A._Heinlein" title="Robert A. Heinlein">Robert A. Heinlein</a> (1941)</li> <li><i><a href="/wiki/Waldo_(short_story)" title="Waldo (short story)">Waldo</a></i> by <a href="/wiki/Robert_A._Heinlein" title="Robert A. Heinlein">Robert A. Heinlein</a> (1943)</li> <li><i><a href="/wiki/The_Little_Prince" title="The Little Prince">The Little Prince</a></i> by <a href="/wiki/Antoine_de_Saint-Exup%C3%A9ry" title="Antoine de Saint-Exupéry">Antoine de Saint-Exupéry</a> (1944)</li> <li><i><a href="/wiki/Killdozer!_(short_story)" title="Killdozer! (short story)">Killdozer!</a></i> by <a href="/wiki/Theodore_Sturgeon" title="Theodore Sturgeon">Theodore Sturgeon</a> (1945)</li> <li><i><a href="/wiki/Animal_Farm" title="Animal Farm">Animal Farm</a></i> by <a href="/wiki/George_Orwell" title="George Orwell">George Orwell</a> (1946)</li> <li><i><a href="/wiki/The_Man_Who_Sold_the_Moon" title="The Man Who Sold the Moon">The Man Who Sold the Moon</a></i> by <a href="/wiki/Robert_A._Heinlein" title="Robert A. Heinlein">Robert A. Heinlein</a> (1951)</li> <li><i><a href="/wiki/A_Case_of_Conscience" title="A Case of Conscience">A Case of Conscience</a></i> by <a href="/wiki/James_Blish" title="James Blish">James Blish</a> (1954)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">1968–1980</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Riders_of_the_Purple_Wage" title="Riders of the Purple Wage">Riders of the Purple Wage</a></i> by <a href="/wiki/Philip_Jos%C3%A9_Farmer" title="Philip José Farmer">Philip José Farmer</a> /<i><a href="/wiki/Dragonflight_(novel)" title="Dragonflight (novel)">Weyr Search</a></i> by <a href="/wiki/Anne_McCaffrey" title="Anne McCaffrey">Anne McCaffrey</a> (1968)</li> <li><i><a href="/wiki/Nightwings_(novella)" title="Nightwings (novella)">Nightwings</a></i> by <a href="/wiki/Robert_Silverberg" title="Robert Silverberg">Robert Silverberg</a> (1969)</li> <li><i>Ship of Shadows</i> by <a href="/wiki/Fritz_Leiber" title="Fritz Leiber">Fritz Leiber</a> (1970)</li> <li><i><a href="/wiki/Ill_Met_in_Lankhmar" title="Ill Met in Lankhmar">Ill Met in Lankhmar</a></i> by <a href="/wiki/Fritz_Leiber" title="Fritz Leiber">Fritz Leiber</a> (1971)</li> <li><i><a href="/wiki/The_Queen_of_Air_and_Darkness_(novella)" title="The Queen of Air and Darkness (novella)">The Queen of Air and Darkness</a></i> by <a href="/wiki/Poul_Anderson" title="Poul Anderson">Poul Anderson</a> (1972)</li> <li><i><a class="mw-selflink selflink">The Word for World Is Forest</a></i> by <a href="/wiki/Ursula_K._Le_Guin" title="Ursula K. Le Guin">Ursula K. Le Guin</a> (1973)</li> <li><i><a href="/wiki/The_Girl_Who_Was_Plugged_In" title="The Girl Who Was Plugged In">The Girl Who Was Plugged In</a></i> by <a href="/wiki/James_Tiptree_Jr." title="James Tiptree Jr.">James Tiptree Jr.</a> (1974)</li> <li><i>A Song for Lya</i> by <a href="/wiki/George_R._R._Martin" title="George R. R. Martin">George R. R. Martin</a> (1975)</li> <li><i><a href="/wiki/My_Name_Is_Legion_(Zelazny_stories)" class="mw-redirect" title="My Name Is Legion (Zelazny stories)">Home Is the Hangman</a></i> by <a href="/wiki/Roger_Zelazny" title="Roger Zelazny">Roger Zelazny</a> (1976)</li> <li><i>By Any Other Name</i> by <a href="/wiki/Spider_Robinson" title="Spider Robinson">Spider Robinson</a> / <i><a href="/wiki/Houston,_Houston,_Do_You_Read%3F" title="Houston, Houston, Do You Read?">Houston, Houston, Do You Read?</a></i> by <a href="/wiki/James_Tiptree_Jr." title="James Tiptree Jr.">James Tiptree Jr.</a> (1977)</li> <li><i><a href="/wiki/Stardance" title="Stardance">Stardance</a></i> by <a href="/wiki/Spider_Robinson" title="Spider Robinson">Spider Robinson</a> and <a href="/wiki/Jeanne_Robinson" title="Jeanne Robinson">Jeanne Robinson</a> (1978)</li> <li><i><a href="/wiki/The_Persistence_of_Vision_(short_story)" class="mw-redirect" title="The Persistence of Vision (short story)">The Persistence of Vision</a></i> by <a href="/wiki/John_Varley_(author)" title="John Varley (author)">John Varley</a> (1979)</li> <li><i><a href="/wiki/Enemy_Mine_(novella)" title="Enemy Mine (novella)">Enemy Mine</a></i> by <a href="/wiki/Barry_B._Longyear" title="Barry B. Longyear">Barry B. Longyear</a> (1980)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">1981–1990</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Lost_Dorsai" title="Lost Dorsai">Lost Dorsai</a></i> by <a href="/wiki/Gordon_R._Dickson" title="Gordon R. Dickson">Gordon R. Dickson</a> (1981)</li> <li><i><a href="/wiki/The_Saturn_Game" title="The Saturn Game">The Saturn Game</a></i> by <a href="/wiki/Poul_Anderson" title="Poul Anderson">Poul Anderson</a> (1982)</li> <li><i><a href="/wiki/Souls_(story)" title="Souls (story)">Souls</a></i> by <a href="/wiki/Joanna_Russ" title="Joanna Russ">Joanna Russ</a> (1983)</li> <li><i>Cascade Point</i> by <a href="/wiki/Timothy_Zahn" title="Timothy Zahn">Timothy Zahn</a> (1984)</li> <li><i><a href="/wiki/Press_Enter" title="Press Enter">Press Enter</a></i> by <a href="/wiki/John_Varley_(author)" title="John Varley (author)">John Varley</a> (1985)</li> <li><i><a href="/wiki/24_Views_of_Mt._Fuji,_by_Hokusai" title="24 Views of Mt. Fuji, by Hokusai">24 Views of Mt. Fuji, by Hokusai</a></i> by <a href="/wiki/Roger_Zelazny" title="Roger Zelazny">Roger Zelazny</a> (1986)</li> <li><i><a href="/wiki/Gilgamesh_in_the_Outback" title="Gilgamesh in the Outback">Gilgamesh in the Outback</a></i> by <a href="/wiki/Robert_Silverberg" title="Robert Silverberg">Robert Silverberg</a> (1987)</li> <li><i><a href="/wiki/Eye_for_Eye" title="Eye for Eye">Eye for Eye</a></i> by <a href="/wiki/Orson_Scott_Card" title="Orson Scott Card">Orson Scott Card</a> (1988)</li> <li><i><a href="/wiki/The_Last_of_the_Winnebagos" title="The Last of the Winnebagos">The Last of the Winnebagos</a></i> by <a href="/wiki/Connie_Willis" title="Connie Willis">Connie Willis</a> (1989)</li> <li><i><a href="/wiki/Vorkosigan_Saga" title="Vorkosigan Saga">The Mountains of Mourning</a></i> by <a href="/wiki/Lois_McMaster_Bujold" title="Lois McMaster Bujold">Lois McMaster Bujold</a> (1990)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">1991–2000</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Hemingway_Hoax" title="The Hemingway Hoax">The Hemingway Hoax</a></i> by <a href="/wiki/Joe_Haldeman" title="Joe Haldeman">Joe Haldeman</a> (1991)</li> <li><i><a href="/wiki/Beggars_in_Spain" title="Beggars in Spain">Beggars in Spain</a></i> by <a href="/wiki/Nancy_Kress" title="Nancy Kress">Nancy Kress</a> (1992)</li> <li><i>Barnacle Bill the Spacer</i> by <a href="/wiki/Lucius_Shepard" title="Lucius Shepard">Lucius Shepard</a> (1993)</li> <li><i><a href="/wiki/Down_in_the_Bottomlands" title="Down in the Bottomlands">Down in the Bottomlands</a></i> by <a href="/wiki/Harry_Turtledove" title="Harry Turtledove">Harry Turtledove</a> (1994)</li> <li><i><a href="/wiki/Seven_Views_of_Olduvai_Gorge" title="Seven Views of Olduvai Gorge">Seven Views of Olduvai Gorge</a></i> by <a href="/wiki/Mike_Resnick" title="Mike Resnick">Mike Resnick</a> (1995)</li> <li><i><a href="/wiki/Captain_Future#"The_Death_of_Captain_Future"" title="Captain Future">The Death of Captain Future</a></i> by <a href="/wiki/Allen_Steele" title="Allen Steele">Allen Steele</a> (1996)</li> <li><i><a href="/wiki/Blood_of_the_Dragon_(novella)" class="mw-redirect" title="Blood of the Dragon (novella)">Blood of the Dragon</a></i> by <a href="/wiki/George_R._R._Martin" title="George R. R. Martin">George R. R. Martin</a> (1997)</li> <li><i>...Where Angels Fear to Tread</i> by <a href="/wiki/Allen_Steele" title="Allen Steele">Allen Steele</a> (1998)</li> <li><i><a href="/wiki/Oceanic_(novella)" title="Oceanic (novella)">Oceanic</a></i> by <a href="/wiki/Greg_Egan" title="Greg Egan">Greg Egan</a> (1999)</li> <li><i>The Winds of Marble Arch</i> by <a href="/wiki/Connie_Willis" title="Connie Willis">Connie Willis</a> (2000)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2001–2010</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i>The Ultimate Earth</i> by <a href="/wiki/Jack_Williamson" title="Jack Williamson">Jack Williamson</a> (2001)</li> <li><i><a href="/wiki/The_Collected_Stories_of_Vernor_Vinge#"Fast_Times_at_Fairmont_High"" title="The Collected Stories of Vernor Vinge">Fast Times at Fairmont High</a></i> by <a href="/wiki/Vernor_Vinge" title="Vernor Vinge">Vernor Vinge</a> (2002)</li> <li><i><a href="/wiki/Coraline" title="Coraline">Coraline</a></i> by <a href="/wiki/Neil_Gaiman" title="Neil Gaiman">Neil Gaiman</a> (2003)</li> <li><i><a href="/wiki/The_Cookie_Monster_(novella)" title="The Cookie Monster (novella)">The Cookie Monster</a></i> by <a href="/wiki/Vernor_Vinge" title="Vernor Vinge">Vernor Vinge</a> (2004)</li> <li><i><a href="/wiki/The_Atrocity_Archives" class="mw-redirect" title="The Atrocity Archives">The Concrete Jungle</a></i> by <a href="/wiki/Charles_Stross" title="Charles Stross">Charles Stross</a> (2005)</li> <li><i><a href="/wiki/Inside_Job_(novella)" title="Inside Job (novella)">Inside Job</a></i> by <a href="/wiki/Connie_Willis" title="Connie Willis">Connie Willis</a> (2006)</li> <li><i>A Billion Eves</i> by <a href="/wiki/Robert_Reed_(author)" title="Robert Reed (author)">Robert Reed</a> (2007)</li> <li><i><a href="/wiki/All_Seated_on_the_Ground" title="All Seated on the Ground">All Seated on the Ground</a></i> by <a href="/wiki/Connie_Willis" title="Connie Willis">Connie Willis</a> (2008)</li> <li><i>The Erdmann Nexus</i> by <a href="/wiki/Nancy_Kress" title="Nancy Kress">Nancy Kress</a> (2009)</li> <li><i><a href="/wiki/Palimpsest_(novella)" title="Palimpsest (novella)">Palimpsest</a></i> by <a href="/wiki/Charles_Stross" title="Charles Stross">Charles Stross</a> (2010)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2011–2020</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Lifecycle_of_Software_Objects" title="The Lifecycle of Software Objects">The Lifecycle of Software Objects</a></i> by <a href="/wiki/Ted_Chiang" title="Ted Chiang">Ted Chiang</a> (2011)</li> <li><i><a href="/wiki/The_Man_Who_Bridged_the_Mist" title="The Man Who Bridged the Mist">The Man Who Bridged the Mist</a></i> by <a href="/wiki/Kij_Johnson" title="Kij Johnson">Kij Johnson</a> (2012)</li> <li><i><a href="/wiki/The_Emperor%27s_Soul" title="The Emperor's Soul">The Emperor's Soul</a></i> by <a href="/wiki/Brandon_Sanderson" title="Brandon Sanderson">Brandon Sanderson</a> (2013)</li> <li><i>Equoid</i> by <a href="/wiki/Charles_Stross" title="Charles Stross">Charles Stross</a> (2014)</li> <li>(No award given) (2015)</li> <li><i><a href="/wiki/Binti_(novella)" title="Binti (novella)">Binti</a></i> by <a href="/wiki/Nnedi_Okorafor" title="Nnedi Okorafor">Nnedi Okorafor</a> (2016)</li> <li><i><a href="/wiki/Every_Heart_a_Doorway" title="Every Heart a Doorway">Every Heart a Doorway</a></i> by <a href="/wiki/Seanan_McGuire" title="Seanan McGuire">Seanan McGuire</a> (2017)</li> <li><i><a href="/wiki/All_Systems_Red" title="All Systems Red">All Systems Red</a></i> by <a href="/wiki/Martha_Wells" title="Martha Wells">Martha Wells</a> (2018)</li> <li><i><a href="/wiki/The_Murderbot_Diaries" title="The Murderbot Diaries">Artificial Condition</a></i> by <a href="/wiki/Martha_Wells" title="Martha Wells">Martha Wells</a> (2019)</li> <li><i><a href="/wiki/This_Is_How_You_Lose_the_Time_War" title="This Is How You Lose the Time War">This Is How You Lose the Time War</a></i> by <a href="/wiki/Amal_El-Mohtar" title="Amal El-Mohtar">Amal El-Mohtar</a> and <a href="/wiki/Max_Gladstone" title="Max Gladstone">Max Gladstone</a> (2020)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">2021–present</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Empress_of_Salt_and_Fortune" title="The Empress of Salt and Fortune">The Empress of Salt and Fortune</a></i> by <a href="/wiki/Nghi_Vo" title="Nghi Vo">Nghi Vo</a> (2021)</li> <li><i><a href="/wiki/A_Psalm_for_the_Wild-Built" title="A Psalm for the Wild-Built">A Psalm for the Wild-Built</a></i> by <a href="/wiki/Becky_Chambers" title="Becky Chambers">Becky Chambers</a> (2022)</li> <li><i><a href="/wiki/Where_the_Drowned_Girls_Go" title="Where the Drowned Girls Go">Where the Drowned Girls Go</a></i> by <a href="/wiki/Seanan_McGuire" title="Seanan McGuire">Seanan McGuire</a> (2023)</li> <li><i><a href="/wiki/Thornhedge" title="Thornhedge">Thornhedge</a></i> by <a href="/wiki/Ursula_Vernon" title="Ursula Vernon">T. Kingfisher</a> (2024)</li></ul> </div></td></tr></tbody></table></div> <!-- NewPP limit report Parsed by mw‐web.codfw.main‐f69cdc8f6‐m4d5j Cached time: 20241124164248 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 1.200 seconds Real time usage: 1.339 seconds Preprocessor visited node count: 11688/1000000 Post‐expand include size: 148268/2097152 bytes Template argument size: 16500/2097152 bytes Highest expansion depth: 19/100 Expensive parser function count: 3/500 Unstrip recursion depth: 0/20 Unstrip post‐expand size: 126591/5000000 bytes Lua time usage: 0.776/10.000 seconds Lua memory usage: 7672138/52428800 bytes Number of Wikibase entities loaded: 1/400 --> <!-- Transclusion expansion time report (%,ms,calls,template) 100.00% 1183.513 1 -total 38.72% 458.205 154 Template:Sfn 14.12% 167.171 1 Template:Infobox_book 12.11% 143.380 1 Template:Infobox 9.56% 113.124 6 Template:Navbox 8.73% 103.307 1 Template:Ursula_K._Le_Guin 8.52% 100.887 6 Template:Cite_journal 7.02% 83.094 1 Template:Short_description 6.25% 73.971 161 Template:Main_other 5.88% 69.596 1 Template:ISBNT --> <!-- Saved in parser cache with key enwiki:pcache:idhash:1426168-0!canonical and timestamp 20241124164248 and revision id 1258870815. 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