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class="name entry-title" itemprop="itemReviewed" itemscope itemtype="http://schema.org/Thing"><span itemprop="name">AJ 40 under 40: Madeleine Kessler</span></h1> <p class="post-meta"> <span class="tie-date"><i class="fa fa-clock-o"></i>15 December 2020</span> <span class="post_author"> <span class="">By <a href="https://web.archive.org/web/20211024184208/https://www.architectsjournal.co.uk/author/merlin-fulcher-2" title="Posts by Merlin Fulcher" class="author url fn" rel="author">Merlin Fulcher</a>, illustration by Simon Hayes</span></span> </p> <div class="clear"></div> <div class="content-wrap"> <div class="content-inner-wrap full-width" id="wrapper_sleeve"> <div class="social-comment"> <div class="view-all-comments animate-icons"><a href="#comments">Comment<span class="core-icon i-icon-comment i-icon-comment-dims"></span><span class="core-icon i-icon-comment-hover i-icon-comment-hover-dims"></span> </a></div> </div> <div class="content container"> <article class="post-listing post-597810 post type-post status-publish format-standard has-post-thumbnail hentry category-practice tag-40-under-40 tag-madeleine-kessler editorial-40-under-40"> <div class="single-post-thumb"> <img width="1600" height="1000" src="https://web.archive.org/web/20211024184208im_/https://s3-eu-west-1.amazonaws.com/emap-nibiru-prod/wp-content/uploads/sites/4/2020/12/10103530/40-40_7.2-Madeleine-Kessler-1600x1000.jpg" class="attachment-mbm-image-xlarge size-mbm-image-xlarge wp-post-image" loading="lazy" sizes="(max-width: 1180px) 100vw, 1180px" srcset="https://web.archive.org/web/20211024184208im_/https://s3-eu-west-1.amazonaws.com/emap-nibiru-prod/wp-content/uploads/sites/4/2020/12/10103530/40-40_7.2-Madeleine-Kessler-1600x1000.jpg 1600w, https://web.archive.org/web/20211024184208im_/https://s3-eu-west-1.amazonaws.com/emap-nibiru-prod/wp-content/uploads/sites/4/2020/12/10103530/40-40_7.2-Madeleine-Kessler-300x188.jpg 300w, https://web.archive.org/web/20211024184208im_/https://s3-eu-west-1.amazonaws.com/emap-nibiru-prod/wp-content/uploads/sites/4/2020/12/10103530/40-40_7.2-Madeleine-Kessler-1024x640.jpg 1024w, https://web.archive.org/web/20211024184208im_/https://s3-eu-west-1.amazonaws.com/emap-nibiru-prod/wp-content/uploads/sites/4/2020/12/10103530/40-40_7.2-Madeleine-Kessler-768x480.jpg 768w, https://web.archive.org/web/20211024184208im_/https://s3-eu-west-1.amazonaws.com/emap-nibiru-prod/wp-content/uploads/sites/4/2020/12/10103530/40-40_7.2-Madeleine-Kessler-1536x960.jpg 1536w, https://web.archive.org/web/20211024184208im_/https://s3-eu-west-1.amazonaws.com/emap-nibiru-prod/wp-content/uploads/sites/4/2020/12/10103530/40-40_7.2-Madeleine-Kessler-230x144.jpg 230w" alt="40-40_7.2-Madeleine-Kessler-1600x1000.jpg"> </div> <div class="post_first_paragraph"><p>The <a href="https://web.archive.org/web/20211024184208/https://www.architectsjournal.co.uk/news/40-under-40" target="_blank" rel="noopener">AJ 40 under 40</a> architect is co-founder of Unscene Architecture, which designed the concept for the British Pavilion at next year’s Venice Biennale</p> </div> <div class="post-inner"> <div class="entry"> <p class="p1">Madeleine Kessler, 33, is co-founder of Unscene Architecture, the team behind the winning concept for the British Pavilion at the 17th Venice Architecture Biennale. Dubbed The Garden of Privatised Delights, the pavilion will see Kessler and co-curator Manijeh Verghese set out a variety of ingenious ways to rethink and re-programme struggling public spaces across the UK.</p> <p class="p2">The exhibition, featuring immersive installations by leading researchers and practitioners, is rooted in Kessler’s prolific and collaborative championing of good design to create a ‘more accessible, sustainable and equitable city’ for everyone. Having trained as both an engineer and architect, Kessler is a rare example of a practitioner working at the interface between people, infrastructure and public space, with project experience ranging from museums, exhibitions and pavilions to large-scale campuses and airports.</p> <p><div id="attachment_597877" class="large_size_img_caption wp-caption alignnone" style="max-width: 630px;"><img class="size-large wp-image-597877" src="https://web.archive.org/web/20211024184208im_/https://s3-eu-west-1.amazonaws.com/emap-nibiru-prod/wp-content/uploads/sites/4/2020/12/10144847/GardenofPrivatisedDelights-Madeleine-Kessler-1024x547.jpg" alt="" width="620" height="331"/><p class="wp-caption-text">The Garden of Privatised Delights – artwork in the style of Hieronymus Bosch, part of Unscene Architecture’s concept for the British Pavilion at the 2021 Venice Architecture Biennale</p> <p class="inline_image_source" style="max-width: 630px;"><p class="empty_inline_source"></p></p></div></p> <p class="p2">Inspired by 40-under-40 pioneer and DSDHA-founder Deborah Saunt, who challenged the ‘prohibitive cost of education’, Kessler continues to examine new ways to integrate the social value and holistic sustainability of her architectural projects into the wider world.</p> <p class="p2">Looking ahead, Kessler’s years of service to the National Infrastructure Commission now place her in a unique position to help shape much-needed policy-level responses to the coronavirus pandemic. Meanwhile, the imminent setting-up of a yet-to-be-named new venture specialising in collaborative built projects with local communities will be a move to watch out for.</p> <div class="factfile"> <h3>Milestones</h3> <p><strong>2011</strong> Starts Part 2 studies at the Architectural Association<br/> <strong>2013</strong> Teaches AA Summer School and begins working relationship with Manijeh Verghese. Joins Studio Weave and works on Clerkenwell Design Week 2014 pavilion ‘Smith’, St James’s Market Pavilion and Watering Poles (concept for the AJ’s Kiosk design challenge)<br/> <strong>2015</strong> Qualifies as architect and joins Haworth Tompkins. Works on rebuilding the fire-damaged Grade II*-listed Grand Hall at Battersea Arts Centre<br/> <strong>2017</strong> Joins Haptic Architects, where projects include Oslo’s 100,000m² Adamstuen campus, the Science Museum’s One Billion Journeys exhibition and the King’s Cross W3 community building<br/> <strong>2018</strong> Picked for National Infrastructure Commission’s inaugural Young Professionals Panel<br/> <strong>2019</strong> Wins competition to co-curate British Pavilion at the 17th Venice Architecture Biennale and founds Unscene Architecture with co-curator Verghese</p> </div> <p><a href="https://web.archive.org/web/20211024184208/https://www.architectsjournal.co.uk/news/british-pavilion-design-team-picked-for-2020-venice-biennale" target="_blank" rel="noopener noreferrer">British Pavilion design team picked for 2020 Venice Biennale</a></p> <p><a href="https://web.archive.org/web/20211024184208/https://www.architectsjournal.co.uk/news/two-young-architects-picked-to-shape-future-of-uks-infrastructure" target="_blank" rel="noopener noreferrer">Two young architects picked to shape future of UK’s infrastructure</a></p> <hr/> <p style="text-align: center;"><strong>AJ 40 under 40 in association with</strong></p> <img class="aligncenter size-medium wp-image-595315" src="https://web.archive.org/web/20211024184208im_/https://s3-eu-west-1.amazonaws.com/emap-nibiru-prod/wp-content/uploads/sites/4/2020/10/24093419/VitrA-logo-grey-300x88.jpg" alt="" width="300" height="88"/> <hr/> <div id="product-component-1607015234582"></div> <p> </p> <p> </p> <p><script type="text/javascript"> /*<![CDATA[*/ (function () { var scriptURL = 'https://web.archive.org/web/20211024184208/https://sdks.shopifycdn.com/buy-button/latest/buy-button-storefront.min.js'; if (window.ShopifyBuy) { if (window.ShopifyBuy.UI) { ShopifyBuyInit(); } else { loadScript(); } } 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