Pokazała kulisy pracy jasnowidza. "Nie wierzę w pełni w to, co mówię"

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xmlns="http://www.w3.org/2000/svg"> <path d="M6.35372 6.35375L1.35372 11.3538C1.30727 11.4002 1.25212 11.4371 1.19142 11.4622C1.13072 11.4873 1.06567 11.5003 0.999973 11.5003C0.934275 11.5003 0.869221 11.4873 0.808525 11.4622C0.747828 11.4371 0.692678 11.4002 0.646223 11.3538C0.599767 11.3073 0.562917 11.2521 0.537776 11.1915C0.512635 11.1308 0.499695 11.0657 0.499695 11C0.499695 10.9343 0.512635 10.8693 0.537776 10.8086C0.562917 10.7479 0.599767 10.6927 0.646223 10.6463L5.2931 6L0.646223 1.35375C0.552402 1.25993 0.499695 1.13269 0.499695 1C0.499695 0.867321 0.552402 0.740074 0.646223 0.646253C0.740043 0.552433 0.867291 0.499725 0.999973 0.499725C1.13265 0.499725 1.2599 0.552433 1.35372 0.646253L6.35372 5.64625C6.40021 5.69269 6.43709 5.74783 6.46225 5.80853C6.48742 5.86923 6.50037 5.9343 6.50037 6C6.50037 6.06571 6.48742 6.13077 6.46225 6.19147C6.43709 6.25217 6.40021 6.30732 6.35372 6.35375Z" fill="#424242"/> </svg></span> <span class="breadcrumbs_text"> Pokazała kulisy pracy jasnowidza. "Nie wierzę w pełni w to, co mówię" </span> </div> <span data-article-start></span>  <header class="articleTop">   <h1 class="mainTitle" data-scroll="tytul"> Pokazała kulisy pracy jasnowidza. "Nie wierzę w pełni w to, co mówię" </h1>         <div class="articleHeading"> <div class="authDesc authDesc1"> <a class="authorNameWrapper" href="https://kultura.onet.pl/autorzy/dominik-jedlinski" > <span class="name" itemprop="name">Dominik Jedliński</span> </a> </div> <time class="datePublished"> 2 września 2024, 08:00 </time> <div class="source"> </div> <div style="display: none" class="reading-time js-read-time" data-read-time="4" data-read-time-text="4 minuty">4 min czytania</div> </div>  <div class="social-container"> <div class="button social fb"> <a href="javascript:void(0);" class="share" data-run-module="local/main.shareFacebook" data-gtm-social="facebook"> <svg> <use xlink:href="#shareIconFacebookSmall"></use> </svg> <span>FACEBOOK</span> </a> </div> <div class="button social tw"> <a href="javascript:void(0);" class="share" data-run-module="local/main.shareTwitter" data-gtm-social="twitter"> <svg> <use xlink:href="#shareIconTwitter"></use> </svg> <span>X</span> </a> </div> <div class="button email"> <a href="javascript:void(0);" data-gtm-social="email" data-run-module="local/main.prepareLink" social="email"> <svg> <use xlink:href="#sendEmail"></use> </svg> <span>E-MAIL</span> </a> </div> <a href="javascript:void(0);" class="button copy" data-run-module="local/main.copyButton" data-gtm-social="copyButton"> <svg> <use xlink:href="#shareIconCopyLink"></use> </svg> <span>KOPIUJ LINK</span> </a> </div> </header> <div class="whitelistPremium"> <div id="leadContainer" > <div id="lead" class="hyphenate lead " data-scroll="lead">Oto siedmioro jasnowidzów i ich klienci. Nie oczekujcie jednak pobudzającego wyobraźnię wróżenia z fusów, stawiania tarota czy magicznego przywoływania zmarłych z zaświatów. W dokumencie "Spójrz mi w oczy", nowym filmie Lany Wilson, reżyserki głośnej "Miss Americany" poświęconej Taylor Swift, nie ma znaczenia, czy ta siódemka właściwie ma "moc" jasnowidzenia. Tu chodzi o coś zupełnie innego.</div> </div> <figure class="mainPhoto"> <div class="holder"> <picture> <source srcset="//ocdn.eu/pulscms-transforms/1/zk8k9kpTURBXy9hNmQ2ZGFmN2U3ZWRiZWQ0OThkYjQ2ZThkZmI4MTEwYy5qcGeTlQMmzGHNBtHNA9eTBc0DFM0BvJMJpjVkN2Q4YwbeAAGhMAY/spojrz-mi-w-oczy-kadr-z-filmu.avif" type="image/avif"> <source srcset="//ocdn.eu/pulscms-transforms/1/uE_k9kpTURBXy9hNmQ2ZGFmN2U3ZWRiZWQ0OThkYjQ2ZThkZmI4MTEwYy5qcGeTlQMmzGHNBtHNA9eTBc0DFM0BvJMJpjRmYjkxYgbeAAGhMAU/spojrz-mi-w-oczy-kadr-z-filmu.webp" type="image/webp"> <img src="//ocdn.eu/pulscms-transforms/1/G8zk9kpTURBXy9hNmQ2ZGFmN2U3ZWRiZWQ0OThkYjQ2ZThkZmI4MTEwYy5qcGeTlQMmzGHNBtHNA9eTBc0EsM0CpJMJpjBkMjg0YQbeAAGhMAE/spojrz-mi-w-oczy-kadr-z-filmu.jpg" alt="Pokazała kulisy pracy jasnowidza. "Nie wierzę w pełni w to, co mówię"" title="Pokazała kulisy pracy jasnowidza. "Nie wierzę w pełni w to, co mówię"" width="788" height="444" fetchpriority="high" /> </picture> <span class="copyright">Millennium Docs Against Gravity / mat. prasowe</span> </div> <figcaption class="caption"> <span class="imageDescription"> "Spójrz mi w oczy": kadr z filmu </span> </figcaption> </figure>  </div> </div> <aside class="extraList extraListTop" style="height: 600px;" data-run-module="local/main.setHeightInRelationToElement" data-releatedElement="#articleDetailTop" > <div class="sticky-slot"> <div id="placeholder-right" data-slotname="right" data-position="" data-slotid="onet-ad-right" data-run-module="localmobile/main.defineSimpleAd" data-noplaceholder='true' data-reducedads="false" > </div> </div> </aside> </section> </section> <aside style="width: 100%; clear: both;padding-top: 10px;"> <div class="adPlaceholder placeholder-top" data-slotname="top" data-position="" data-slotid="onet-ad-top" data-ismobile='false' data-maxheight="" data-height="" data-run-module="localmobile/main.defineSimpleAd" data-reducedads="false" > </div> </aside> <section class="pageContent pageWrapper"> <section id="articleDetailBottom" class="articleDetailBottom"> <div class="articleDetail"> <div class="whitelistPremium"> <div class="detailContentWrapper"> <div class="contentShareLeft"> <div id="content-share-top" data-run-module="local/main.desktopSharerBox" class="fb_content_share"> <a class="fb_share " href="javascript:void(0);" data-run-module="local/main.shareFacebook" data-gtm-social="widget_facebook"> <svg xmlns="http://www.w3.org/2000/svg" viewBox="-2 0 50 50"> <path d="M26 20v-3c0-1.3.3-2 2.4-2H31v-5h-4c-5 0-7 3.3-7 7v3h-4v5h4v15h6V25h4.4l.6-5h-5z"/> </svg> </a> <a class="tw_share" href="javascript:void(0);" data-run-module="local/main.shareTwitter" data-gtm-social="widget_twitter"> <svg xmlns="http://www.w3.org/2000/svg" viewBox="-1.5 0 16 16"> <use xlink:href="#shareIconTwitter"></use> </svg> </a> <a class="BackToMainPage" href="https://www.onet.pl" data-gtm-social="widget_backToMainPage"> &lsaquo; wróć </a> </div> </div> <div class="detailContent"> <script type="text/javascript">/* <![CDATA[ */ if (!adsNoBanner) onetAds.adSlots.push('flat-intext'); /* ]]> */</script> <div id="detail" class="detail intext articleBody " itemprop="articleBody" data-run-module="local/main.slotBetweenParagraphs" data-premium-slice="1" data-premium-enabled="false" >  <p class="hyphenate narrow " data-scroll="paragraph_1">Film Lany Wilson, <a href="https://kultura.onet.pl/film/wiadomosci/konkurs-o-nagrode-onetpl-big-screen-doc-filmy-do-ogladania-na-duzym-ekranie/6fbcpty" id="928981e9-53ee-4a70-914e-68b306efa4cf">który znalazł się w konkursie Onet.pl Big Screen Doc</a> w ramach festiwalu Millennium Docs Against Gravity, a którego od 1 września można oglądać na platformie vod.mdag.pl, otwiera dość zaskakująca scena, w której elegancko ubrana lekarka w średnim wieku próbuje rozliczyć się z długotrwałą zawodową traumą.</p>   <p class="hyphenate narrow " data-scroll="paragraph_2">Owa lekarka opowiada o 10-letniej dziewczynce, która została postrzelona po wyjściu z kościoła i zmarła z powodu odniesionych ran. Ta tragedia nie opuściła głowy kobiety przez 20 lat, a teraz szuka ukojenia, uciekając się do najbardziej nienaukowych metod — zwraca się o pomoc do jasnowidzki i prosi, czy może dotrzeć do młodej ofiary w zaświatach i zapytać, czy jej dusza zaznała spokoju.</p>   <div class="videoPlayerContainer "> <span class="videoPlayerText">Dalszy ciąg materiału pod wideo</span> <svg xmlns="http://www.w3.org/2000/svg" width="10.061" height="13" viewBox="0 0 8.484 9.17"> <path d="M7.154-8.848,6.3-8.12l1.9,2.1a4.106,4.106,0,0,0,.994.9H1.778v1.036H9.2a5.87,5.87,0,0,0-.994.9l-1.9,2.1.854.728,3.794-4.242Z" transform="translate(-0.364 -1.778) rotate(90)" /> </svg> </div> <div class="pulsevideo" data-run-module="local/main.embedPlaceholder" data-is-video="true"> <div class="embeddedApp"> <script type="text/javascript"> hasVideoPlayer = true; </script> <div class="pulsembed_embed" data-run-module="pulsembed/pulsembed.init" data-src="//pulsembed.eu/p2em/etIQ8_qup/" data-height-hint="56.25%" style="position: relative; display: block; height: 0px; padding: 0px 0px 56.25%; overflow: hidden;" data-height-origin-hint="56.25%" data-sandbox="standard" data-author-name="" data-embed-id="etIQ8_qup" data-provider-name="pulsevideo" data-extra-embed-params="%7B%22mvpId%22%3A%222377501.583040506%22%2C%22imageUrl%22%3A%22https%3A%2F%2Focdn.eu%2Fpulscms%2FMDA_%2Fc57537243d0eebf533e26cd520be7e13.jpg%22%2C%22previewUrl%22%3A%22https%3A%2F%2Fmedia.onet.pl%2F_ms%2Fpreview-3aacb3f4-6b86-46bd-94a0-7df86e7f1f72.1715322537529.1000.mp4%22%7D" data-embed-img="https://ocdn.eu/pulscms-transforms/1/NJZk9kpTURBXy9jNTc1MzcyNDNkMGVlYmY1MzNlMjZjZDUyMGJlN2UxMy5qcGeRkwXNArzNAYuBoTAB"><a href="https://grupa-onet.embed.videos.ringpublishing.com/2377501.583040506" target="_blank">"Rezerwacja": dlaczego Kaczyński i Tusk powinni pojechać na rave do Manieczek?</a></div> </div> </div>   <h2 class="narrow">"Zażenowana weszłam do środka"</h2>   <p class="hyphenate narrow " data-scroll="paragraph_5">— Nigdy nie korzystałam z usług jasnowidza przed nakręceniem tego filmu — mówi Lana Wilson.</p>  <aside class="intext placeholder wide floating" style="padding-top:330px" data-configuration='{"extraData":{"lazy":1},"floatingHeight":"0","slotName":"left","position":false}' data-run-module="local/main.intextAd" ></aside>  <p class="hyphenate narrow " data-scroll="paragraph_6">Kilka lat temu znalazła się w centrum handlowym w Atlantic City, właśnie skończyła zdjęcia do kolejnego projektu. Następnego ranka Donald Trump został wybrany na prezydenta Stanów Zjednoczonych.</p>   <p class="hyphenate narrow " data-scroll="paragraph_7">— Podobnie jak wielu ludzi na całym świecie byłam zdruzgotana — mówi. — Stałam w centrum handlowym niepewna, jak moje życie i świat będą teraz wyglądać. Wówczas mój wzrok powędrował na rząd dyskontów za mną. Jedna witryna szczególnie przyciągnęła moją uwagę. Mimo że była ósma rano, była rozświetlona neonem: "Sesja mediumiczna za 5 dol.". Przerażona i zażenowana weszłam do środka. I tak odbyłam swoją pierwszą wizytę u medium — opowiada.</p>  <aside class="intext" data-configuration='{"extraData":{"lazy":1},"slotName":"flat-link1","position":1}' data-run-module="local/main.intextAd" ></aside>  <p class="hyphenate narrow " data-scroll="paragraph_8">I dodaje: — Wyszłam stamtąd z przekonaniem, jak niesamowitą, niezaprzeczalną moc ma połączenie między dwojgiem nieznajomych, niezależnie od tego, czy wierzyć w to, co mówi medium, czy nie.</p>   <div class="placeholder embed YouTube" data-run-module="local/main.embedPlaceholder" > <div class="embeddedApp"> <div class="pulsembed_embed" data-run-module="pulsembed/pulsembed.init" data-src="//pulsembed.eu/p2em/KodVG-EvR/" data-height-hint="56.5%" style="position: relative; display: block; height: 0px; padding: 0px 0px 56.5%; overflow: hidden;" data-height-origin-hint="" data-sandbox="standard" data-author-name="The%20Hollywood%20Reporter" data-embed-id="KodVG-EvR" data-provider-name="YouTube" data-extra-embed-params="%7B%7D" data-embed-img=""><a href="https://www.youtube.com/watch?v=nMtf3Q4E6Ns" target="_blank">Filmmaker Lana Wilson On How Psychic Visit Led Her To Make Doc 'Look Into My Eyes' | Sundance 2024</a></div> </div> </div>   <h2 class="narrow">Szósty zmysł, czyli rozmowa ze zmarłymi</h2>   <p class="hyphenate narrow " data-scroll="paragraph_11">Zdolność do jasnowidzenia czy kontaktu z zaświatami to temat, który nieustannie budzi emocje i zainteresowanie, niezależnie od naszych osobistych przekonań. Dokument Lany Wilson wprowadza nas do świata siedmiorga jasnowidzów mieszkających w Nowym Jorku. Nie ma tu jednak mowy o przekonywaniu widzów o autentyczności ich zdolności.</p>  <aside class="intext placeholder wide floating" style="padding-top:330px" data-configuration='{"extraData":{"lazy":1},"floatingHeight":"0","slotName":"left2","position":1}' data-run-module="local/main.intextAd" ></aside>  <p class="hyphenate narrow " data-scroll="paragraph_12">To, co uwypukla Wilson, to fakt, że ci ludzie potrafią dość szybko wzbudzić w swoich klientach refleksję na temat ich największych zgryzot.</p>   <ul class="narrow" data-scroll="bullet"> <li><span class="elementListWrapper"><a href="https://kultura.onet.pl/film/izrael-marka-hlaski-zaplaci-grzywne-za-udzial-w-bojce/p9yzjrs"><strong>"Polski James Dean" myślał, że zacznie od nowa. Przy ciele znaleźli bilet</strong></a></span></li> </ul>   <p class="hyphenate narrow " data-scroll="paragraph_14">Wilson podchodzi do swoich bohaterów z empatią, obdarza ich zaufaniem i ma dla ich działalności dużo zrozumienia — wie, że to, co robią, często jest wyśmiewane i podawane w wątpliwość. Nie boi się też być wobec tego, co słyszy i widzi podczas sesji, sceptyczna.</p>   <p class="hyphenate narrow " data-scroll="paragraph_15">Trudno się dziwić — dystans wydaje się uzasadniony w przypadku osób, które utrzymują, że rozmawiają ze zmarłymi [tak ludźmi, jak i zwierzętami], a następnie biorą za to pieniądze...</p>   <p class="hyphenate narrow " data-scroll="paragraph_16">Wilson interesuje jednak coś zupełnie innego — reżyserka, a wraz z nią widzowie, powoli przekonują się, że ta cyniczna, transakcyjna perspektywa to tylko wyimek z rzeczywistości. Znacznie ważniejszy jest fakt, że ludzie przychodzą do jasnowidzów w momentach dla nich przełomowych, kiedy znajdują się na życiowych rozdrożach, kiedy ich świat rozsypuje się na milion kawałków.</p>   <p class="hyphenate narrow " data-scroll="paragraph_17">Oczywiście podczas seansu wielokrotnie nasuwa się wrażenie, że dla części klientów zdecydowanie lepszym rozwiązaniem byłaby terapia. "Proszę, idź do specjalisty" - masz ochotę wyszeptać kolejnym utrapionym duszom, które widzisz na ekranie. Sęk w tym, że dla wielu ludzi jednorazowa interakcja z nieznajomym, w tym wypadku jasnowidzem, pozwala na zdobycie pewności siebie czy ukojenia w znacznie krótszym czasie. Przy założeniu, że taki jasnowidz jest uczciwy, oczywiście.</p>   <a name="image_2a7db55e-5c75-4e8d-a246-89947245f094" style="position:relative; top:-100px; display: block"></a> <div class="image withCaption" data-item-uuid="53ec4f12-dc38-42f8-ad88-6f50b1b8ab21"> <div class="image" data-item-uuid="53ec4f12-dc38-42f8-ad88-6f50b1b8ab21"> <div class="imageCaptionWrapper" > <div class="imageWrapper holder" style="padding-top: 56.25%"> <picture> <source srcset="//ocdn.eu/pulscms-transforms/1/eHwk9kqTURBXy80M2QyMjRiMjdhZmQ4YjFkZTY0MjBlYjQwMzI2YzUxYi5qcGVnkpUCzQMUAMLDlQIAzQL4wsPeAAGhMAY" type="image/avif"> <source srcset="//ocdn.eu/pulscms-transforms/1/jZtk9kqTURBXy80M2QyMjRiMjdhZmQ4YjFkZTY0MjBlYjQwMzI2YzUxYi5qcGVnkpUCzQMUAMLDlQIAzQL4wsPeAAGhMAU" type="image/webp"> <img class="lazyImg" loading="lazy" src="//ocdn.eu/pulscms-transforms/1/wVhk9kqTURBXy80M2QyMjRiMjdhZmQ4YjFkZTY0MjBlYjQwMzI2YzUxYi5qcGVnkpUCzQMUAMLDlQIAzQL4wsPeAAGhMAE" alt=""Spójrz mi w oczy": kadr z filmu" /> </picture> <span class="author"> Millennium Docs Against Gravity / mat. prasowe</span> </div> <span class="caption"> "Spójrz mi w oczy": kadr z filmu </span> </div> </div> </div>   <h2 class="narrow">"Nie wierzę w pełni w to, co mówię"</h2>   <p class="hyphenate narrow " data-scroll="paragraph_20">"Spójrz mi w oczy" zręcznie balansuje więc na granicy ironii, sceptycyzmu, ale i empatii oraz szczerzej otwartości, ukazując zarówno sesje z klientami, jak i prywatne życie jasnowidzów. Jedna z postaci w filmie otwarcie przyznaje: "Nie wierzę w pełni w to, co mówię". Chwilę później obserwujemy, jak próbuje przerwać nagrywanie podczas sesji, bo jest zmęczona, wytrącona z równowagi i nie może znaleźć połączenia.</p>  <aside class="intext placeholder wide floating" style="padding-top:330px" data-configuration='{"extraData":{"lazy":1},"floatingHeight":"0","slotName":"left2","position":2}' data-run-module="local/main.intextAd" ></aside>  <p class="hyphenate narrow " data-scroll="paragraph_21">Trudno nie mieć przy tym wrażenia, że bohaterowie Wilson oferują swoim klientom coś w rodzaju artystycznego, performatywnego doświadczenia wiodącego do katharsis. Mają zdolność improwizowania przed nieznajomym i dzielenia się swoimi najgłębszymi lękami i niepokojami w sposób, który ostatecznie zapewni obu stronom ulgę. Nic więc dziwnego, że większość jasnowidzów, którzy wpuszczają Wilson do swoich "świętych przestrzeni", to niedoszli aktorzy, scenarzyści i muzycy, którzy bardzo kochają kino, teatr, scenę.</p>   <ul class="narrow" data-scroll="bullet"> <li><span class="elementListWrapper"><a href="https://kultura.onet.pl/wywiady-i-artykuly/stefan-ossowiecki-jasnowidz-z-warszawy/033np9k"><strong>Stefan Ossowiecki. Jasnowidz z Warszawy</strong></a></span></li> </ul>   <p class="hyphenate narrow " data-scroll="paragraph_23">Nie brakuje tu też, oczywiście, bon motów, które każdy może chce usłyszeć — o tym, że trzeba żyć w zgodzie ze sobą, podążać za marzeniami i nie zadręczać się przeszłością. Ale "Spójrz mi w oczy" unika sensacji związanej z jasnowidzeniem i staje się dość niespodziewanie opowieścią o świecie, w którym jak nigdy wcześniej potrzeba nam bliskości i kontaktu z drugim człowiekiem.</p>   <p class="hyphenate narrow " data-scroll="paragraph_24">Bohaterowie dokumentu mieszkają samotnie w małych, czasem zagraconych mieszkaniach, ledwo wiążąc koniec z końcem. Wnętrza ukazują burzliwe losy i ukryte rany. A doświadczenia samotności, traumy i żałoby mają ogromny wpływ na to, dlaczego w ogóle robią to, co robią. Zaskakująca może być przy tym obserwacja jednej z postaci: "Czasami wydaje mi się, że najbardziej uzdrowienia potrzebują uzdrowiciele".</p>  <aside class="intext placeholder wide floating" style="padding-top:330px" data-configuration='{"extraData":{"lazy":1},"floatingHeight":"0","slotName":"left2","position":3}' data-run-module="local/main.intextAd" ></aside>  <p class="hyphenate narrow " data-scroll="paragraph_25"><em>"Spójrz mi w oczy" o 1 września </em><a rel="nofollow" href="https://vod.mdag.pl/pl/film/spojrz-mi-w-oczy" id="325ae8a3-5dd6-4ed2-941a-91ef4e904e15"><em>do zobaczenia na vod.mdag.pl</em></a><em>.</em></p>   <p class="hyphenate narrow " data-scroll="paragraph_26">* * *</p>   <p class="hyphenate narrow " data-scroll="paragraph_27"><em>W przypadku utrzymującego się od dłuższego czasu gorszego samopoczucia oraz pojawienia się objawów depresyjnych można szukać wsparcia w Poradniach Zdrowia Psychicznego, Ośrodkach Interwencji Kryzysowej, Poradniach Psychologiczno-Pedagogicznych (dla dzieci i młodzieży) oraz szpitalach psychiatrycznych. Można tam otrzymać bezpłatną pomoc.</em></p>   <p class="hyphenate narrow " data-scroll="paragraph_28"><strong><em>Pomocy można również szukać pod następującymi numerami telefonu:</em></strong></p>   <ul class="narrow" data-scroll="bullet"> <li><span class="elementListWrapper"><em>Centrum Wsparcia dla osób w stanie kryzysu psychicznego — 800 70 22 22 — czynne całą dobę</em></span></li> <li><span class="elementListWrapper"><em>Antydepresyjny Telefon Zaufania — (22) 484 88 01 — czynny od poniedziałku do piątku od 15 do 20, więcej informacji </em><a rel="nofollow" href="http://stopdepresji.pl/"><strong><em>TUTAJ</em></strong></a></span></li> <li><span class="elementListWrapper"><em>Telefon Zaufania dla Dzieci i Młodzieży — 116 111 — czynny codziennie od 12 do 22; można się również skontaktować, wysyłając anonimową wiadomość online przez </em><a rel="nofollow" href="https://116111.pl/napisz/"><strong><em>www.116111.pl/napisz</em></strong></a></span></li> <li><span class="elementListWrapper"><em>Telefon zaufania dla dzieci — 800 080 222 — linia całodobowa i bezpłatna</em></span></li> <li><span class="elementListWrapper"><em>Telefon dla Rodziców i Nauczycieli – 800 100 100</em></span></li> <li><span class="elementListWrapper"><em>Bezpłatny kryzysowy telefon zaufania dla dorosłych — 116 123  — od piątku do niedzieli od 14 do 20</em></span></li> <li><span class="elementListWrapper"><em>Telefon zaufania dla osób LGBT+ — 22 628 52 22 — od poniedziałku do piątku od 18 do 21</em></span></li> <li><span class="elementListWrapper"><em>Telefon zaufania dla seniorów — 22 635 09 54 — czynny w poniedziałki, środy i czwartki od 17 do 20</em></span></li> </ul>   </div> <div class="afterDetailModules"> </div> <div data-run-module="local/main.liveblogAds" data-type="desktop" data-reducedads="false">  </div> <span data-article-end></span> <div id="googleAdsCont"> <div class="adPlaceholder placeholder-rectangle1" data-slotname="rectangle1" data-position="" data-slotid="onet-ad-rectangle1" data-ismobile='false' data-maxheight="" data-height="" data-run-module="localmobile/main.defineSimpleAd" data-reducedads="false" > </div> <div class="adPlaceholder placeholder-rectangle3" data-slotname="rectangle3" data-position="" data-slotid="onet-ad-rectangle3" data-ismobile='false' data-maxheight="" data-height="" data-run-module="localmobile/main.defineSimpleAd" data-reducedads="false" > </div> </div> <div class="followUs "> <em>Dziękujemy, że przeczytałaś/eś nasz artykuł do końca. </em> <div> <em>Bądź na bieżąco! </em> <a href=https://news.google.com/publications/CAAqKggKIiRDQklTRlFnTWFoRUtEMnQxYkhSMWNtRXViMjVsZEM1d2JDZ0FQAQ?hl=pl&gl=PL&ceid=PL%3Apl > <em>Obserwuj</em> </a> <em> nas w Wiadomościach Google.</em> </div> </div> <div id="placeholder-flat-leadbanner" data-slotname="flat-leadbanner" data-position="" data-slotid="onet-ad-flat-leadbanner" data-run-module="localmobile/main.defineSimpleAd" data-noplaceholder='true' data-reducedads="null" > </div> <div id="articleFooterAuthorSource" class="articleFooter"> <div class="authorsSources"> <div class="initialsWrapper"> </div> <span class="sourcesLabel"> Źródło: </span> <span itemprop="sourceOrganization"> <span itemscope itemtype="http://schema.org/Organization"> <span itemprop="name"> Onet</span> </span> </span> <span class="authorsClear"></span> </div> </div> <div id="articleFooterDates" class="articleFooter"> <div class="dates"> <span class="dateLabel">Data utworzenia: </span> <meta itemprop="datePublished" content="2024-09-02 08:00:00+0200"/> <span class="datePublishedContent">2 września 2024 08:00</span> </div> </div>  <div id="relatedTopics" class="relatedTopics"> <span id="seeAlsoRelatedTopics">Tematy: </span> <span class="relatedTopic"><a href="/jasnowidz" title="Jasnowidz" data-no-layer="true">Jasnowidz</a></span><span class="relatedTopic">, <a href="/jasnowidzenie" title="Jasnowidzenie" data-no-layer="true">Jasnowidzenie</a></span><span class="relatedTopic">, <a href="/najnowsze" title="Najnowsze wiadomości" data-no-layer="true">Najnowsze wiadomości</a></span><span class="relatedTopic">, <a href="/film-filmy" title="Film" data-no-layer="true">Film</a></span> </div>  <div class="authorSourceProfile authorProfile"> <a href="https://kultura.onet.pl/autorzy/dominik-jedlinski" > <picture> <source srcset="//ocdn.eu/pulscms-transforms/1/k2Ek9kpTURBXy84MTYzOGJiZjVjMjcwNjdhMjFiZDQyNWIyNjNiOWFlNi5qcGeSlQPMpAfNAcjNAb-TBcxkzGTeAAGhMAY" type="image/avif"> <source srcset="//ocdn.eu/pulscms-transforms/1/Npgk9kpTURBXy84MTYzOGJiZjVjMjcwNjdhMjFiZDQyNWIyNjNiOWFlNi5qcGeSlQPMpAfNAcjNAb-TBcxkzGTeAAGhMAU" type="image/webp"> <img class="photo" loading="lazy" src="//ocdn.eu/pulscms-transforms/1/eH5k9kpTURBXy84MTYzOGJiZjVjMjcwNjdhMjFiZDQyNWIyNjNiOWFlNi5qcGeSlQPMpAfNAcjNAb-TBcxkzGTeAAGhMAE" alt="" width="100" height="100" /> </picture> </a> <header> <a data-gtm="author-profile" href="https://kultura.onet.pl/autorzy/dominik-jedlinski" > <span class="name" itemprop="name">Dominik Jedliński</span> </a> <span itemprop="jobTitle" class="authorItemTagline">Dziennikarz i redaktor prowadzący Onet Kultura</span> </header> <ul class="socials"> <li> <a href="https://facebook.com/filmbuk"><span class="facebook authorIcon"></span>facebook</a> </li> </ul> </div> </div> <div id="widgetStop"></div> </div> </div> <script related="[]"> window.relatedMaterials = JSON.parse(document.currentScript.getAttribute('related')); </script>   <script type="application/json" data-run-module="local/relatedItems.init"> {"items":[],"nativePosition":{"1":1},"isMobile":false,"title":"Podobne artykuły","reducedAds":false,"latestFromCategoryTypeAd":"nativeInFeed"} </script> <section class="latestFromCategory" data-section="latestFromCategory"> <h2>To również Cię zainteresuje</h2> <div class="content "> <a href="https://kultura.onet.pl/film/recenzje/simona-kossak-w-swiecie-zwierzat-znalazla-akceptacje-recenzja/284jfee" class="news" data-gtm="latestFromCategory1" data-lps-url="href"> <picture> <source srcset="//ocdn.eu/pulscms-transforms/1/46ok9kpTURBXy8wNzk5N2FmZWQ2ZmM0MjY1NzRlYWVlNjhlNGRiY2YwMS5qcGeSlQMAAM0KAM0FoJMFzQHgzQEO3gABoTAG" type="image/avif"> <source srcset="//ocdn.eu/pulscms-transforms/1/DKWk9kpTURBXy8wNzk5N2FmZWQ2ZmM0MjY1NzRlYWVlNjhlNGRiY2YwMS5qcGeSlQMAAM0KAM0FoJMFzQHgzQEO3gABoTAF" type="image/webp"> <img class="newsImage" loading="lazy" data-lps-img="src" data-lps-title="alt" src="//ocdn.eu/pulscms-transforms/1/PbEk9kpTURBXy8wNzk5N2FmZWQ2ZmM0MjY1NzRlYWVlNjhlNGRiY2YwMS5qcGeSlQMAAM0KAM0FoJMFzQHgzQEO3gABoTAB" alt="" width="480" height="270" /> </picture> <span class="title" data-lps-inner-title>"Simona Kossak". Od matki nie dostała w życiu ciepła. W świecie zwierząt znalazła akceptację</span> <div class="other"> <span class="native" data-lps-partner style="display: none"></span> <span class="lpsLabel" data-lps-label style="display:none"></span> </div> </a> <a href="https://kultura.onet.pl/film/recenzje/swietna-zabawa-i-nic-wiecej-niewykorzystany-potencjal-wicked-recenzja/n8gq9ss" class="news" data-gtm="latestFromCategory2" data-lps-url="href"> <picture> <source srcset="//ocdn.eu/pulscms-transforms/1/Udkk9kpTURBXy9kMWRkZmYxZDljNzhiMTQ1NGE0ZjE5YTA1NTYyY2JkYi5qcGeSlQMAzQHRzRQgzQtSkwXNAeDNAQ7eAAGhMAY" type="image/avif"> <source srcset="//ocdn.eu/pulscms-transforms/1/YMGk9kpTURBXy9kMWRkZmYxZDljNzhiMTQ1NGE0ZjE5YTA1NTYyY2JkYi5qcGeSlQMAzQHRzRQgzQtSkwXNAeDNAQ7eAAGhMAU" type="image/webp"> <img class="newsImage" loading="lazy" data-lps-img="src" data-lps-title="alt" src="//ocdn.eu/pulscms-transforms/1/kqBk9kpTURBXy9kMWRkZmYxZDljNzhiMTQ1NGE0ZjE5YTA1NTYyY2JkYi5qcGeSlQMAzQHRzRQgzQtSkwXNAeDNAQ7eAAGhMAE" alt="" width="480" height="270" /> </picture> <span class="title" data-lps-inner-title>Świetna zabawa i nic więcej. 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Krzyk rozpaczy na przedmieściach Paryża. 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