Belvedere Museum Vienna | The Art Museum in the Digital Age

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class="conference-full--item--content--inner--title"><span>The Art Museum in the Digital Age – 2022</span> </h2> <div class="conference-full--item--content--inner--subtitle"> <span > <span>International Online Conference</span> </span> </div> </div> </div> </div> </div> <div class="copyright-box"> <span class="copyright copyright--right text-align-right"> </span> <span class="copyright copyright--right text-align-right"> </span> <span class="copyright copyright--right text-align-right"> </span> </div> </div> <img class="header-intro__background" src="/sites/default/files/styles/full_width/public/2021-09/Banner_1520x434_0.jpg?h=ebbd0d0e&itok=TCQOcnCw" alt=""> </div> </div>  <div id="header-section" class="header-section-container node__conference--full"> <div id="header-quicklinks-wrapper" class="header-quicklinks-listwrapper"> <ul id="header-quicklinks-list" class="header-quicklinks-list"> <a class="button button__quicklink"> <span class="inner"></span> </a> </ul> </div> </div>  <div class="grid-wrapper"> <div class="row"> <div class="col-xsmall-12 col-medium-6"> <div><p>The Belvedere Research Center is continuing its conference series on the digital transformation of art museums with its fourth event on the topic. The COVID-19 pandemic, and our resultant inability to experience proximity to people and objects, has given the matter additional “virulence” in museums. Although the topic of digitization was gaining ground before the pandemic, the measures taken against the virus created a very special experimental arrangement in which the digital presence of museums was no longer merely a possible extension of exhibition spaces but rather the only way to reach the public. While the focus of our 2021 conference explored the premise of a crisis-induced return to the museum’s own collections, this time it shifts to questions beyond binary concepts, such as media specificity, hybridity, and mixed reality. In five thematic blocks, the lectures of the online conference by international experts deal with how the digital and the analog can be productively, conceptually, and aesthetically interwoven in a museum setting.</p></div> </div> <div class="col-xsmall-12 col-medium-6"> <div class="row"> <div class="box col-xsmall-12 col-small-6 box--no-padding-top"> <div class="box__content box--no-padding-bottom"> <h5 class="element element--no-margin-top">Period</h5> <div><div class="paragraph paragraph--type--date-time-from-to paragraph--view-mode--default"><span><time datetime="2020-01-09T12:00:00Z">17 January 2022 5:00 pm</time></span> - 8:00 pm</div> <div class="paragraph paragraph--type--date-time-from-to paragraph--view-mode--default"><span><time datetime="2020-01-10T12:00:00Z">18 </time><time datetime="2020-01-09T12:00:00Z">January </time><time datetime="2020-01-10T12:00:00Z">2022 </time><time datetime="2020-01-09T12:00:00Z">5:00 pm</time></span> - 6:45 pm</div> <div class="paragraph paragraph--type--date-time-from-to paragraph--view-mode--default"> <div class="paragraph paragraph--type--date-time-from-to paragraph--view-mode--default"><span><time datetime="2020-01-09T12:00:00Z">19 January 2022</time></span> <span><time datetime="2020-01-09T12:00:00Z">5:00 pm</time></span> - 6:45 pm</div> <div class="paragraph paragraph--type--date-time-from-to paragraph--view-mode--default"><span><time datetime="2020-01-10T12:00:00Z">20 </time><time datetime="2020-01-09T12:00:00Z">January </time><time datetime="2020-01-10T12:00:00Z">2022 </time><time datetime="2020-01-09T12:00:00Z">5:00 pm</time></span> - 6:45 pm</div> <div class="paragraph paragraph--type--date-time-from-to paragraph--view-mode--default"> <div class="paragraph paragraph--type--date-time-from-to paragraph--view-mode--default"><span><time datetime="2020-01-09T12:00:00Z">21 January 2022 5:00 pm - 8:00 pm</time></span></div> </div> </div> </div> <div class="spacer spacer--3"></div> <h5 class="element element--no-margin-top">Address</h5> <div> <div><article data-history-node-id="3"> <div> <div><p class="address" translate="no">Rennweg 6, 1030 Vienna</p></div> </div> </article> </div> </div> <div><p> </p><h5>Materials (PDF)</h5><p> </p><div data-langcode="en" data-entity-type="media" data-entity-uuid="d4b1760e-96be-43f7-bfe2-4112ee44f00b" class="embedded-entity"><article> <div> <div class="visually-hidden">File</div> <div><a href="https://www.belvedere.at/sites/default/files/2022-01/Konferenz_2022_Programmfolder_V08.pdf" class="file file--mime-application-pdf file--application-pdf button button--underline" target="_blank"> <svg focusable="false" tabindex="-1" width="15" height="16" viewBox="0 0 26 27" class="button__download-image"><g tabindex="-1" fill="none" fill-rule="evenodd"><path tabindex="-1" d="M0 25.5h26" stroke="#000" stroke-width="2" /><path tabindex="-1" d="M12.4040813 18.3231679l-.0016685-.3904897-6.7395074-4.3452092c-.1446007-.1197811-.3670634-.1160748-.5066587.008255l-.5455898.4858631c-.14645462.1303946-.14775232.3445181-.0025954.4764289l8.6319234 7.8440617c.1434884.1305631.3765181.1305631.5200066 0l8.6321087-7.8440617c.1449716-.1319108.1436739-.3460343-.0027807-.4764289l-.5454044-.4858631c-.1397807-.1243298-.3620581-.1280361-.5068442-.008255l-6.7395074 4.3452092-.0014831.3904897c-.0001854-.1853154-.1651785-.3354208-.3691027-.3352523l-.7268968.0001684-.7270823-.0001684c-.2037387-.0001685-.3689173.1499369-.3689173.3352523z" fill="#000" /><path tabindex="-1" d="M13.5 20.5V.5" stroke="#000" stroke-width="3" /></g></svg> <span class="inner"> Program </span> </a> <div class="spacer spacer--1"></div> </div> </div> </article> </div> <div data-langcode="de" data-entity-type="media" data-entity-uuid="1838e77d-80d7-4af6-9668-7ced14347bdc" class="embedded-entity"><article> <div> <div class="visually-hidden">File</div> <div><a href="https://www.belvedere.at/sites/default/files/2022-01/Abstracts_final_2022.pdf" class="file file--mime-application-pdf file--application-pdf button button--underline" target="_blank"> <svg focusable="false" tabindex="-1" width="15" height="16" viewBox="0 0 26 27" class="button__download-image"><g tabindex="-1" fill="none" fill-rule="evenodd"><path tabindex="-1" d="M0 25.5h26" stroke="#000" stroke-width="2" /><path tabindex="-1" d="M12.4040813 18.3231679l-.0016685-.3904897-6.7395074-4.3452092c-.1446007-.1197811-.3670634-.1160748-.5066587.008255l-.5455898.4858631c-.14645462.1303946-.14775232.3445181-.0025954.4764289l8.6319234 7.8440617c.1434884.1305631.3765181.1305631.5200066 0l8.6321087-7.8440617c.1449716-.1319108.1436739-.3460343-.0027807-.4764289l-.5454044-.4858631c-.1397807-.1243298-.3620581-.1280361-.5068442-.008255l-6.7395074 4.3452092-.0014831.3904897c-.0001854-.1853154-.1651785-.3354208-.3691027-.3352523l-.7268968.0001684-.7270823-.0001684c-.2037387-.0001685-.3689173.1499369-.3689173.3352523z" fill="#000" /><path tabindex="-1" d="M13.5 20.5V.5" stroke="#000" stroke-width="3" /></g></svg> <span class="inner"> Abstracts </span> </a> <div class="spacer spacer--1"></div> </div> </div> </article> </div> <div data-langcode="de" data-entity-type="media" data-entity-uuid="74a2dc4c-d156-4040-8c1f-956a0a722ccd" class="embedded-entity"><article> <div> <div class="visually-hidden">File</div> <div><a href="https://www.belvedere.at/sites/default/files/2021-09/CFP_en_final_0.pdf" class="file file--mime-application-pdf file--application-pdf button button--underline" target="_blank"> <svg focusable="false" tabindex="-1" width="15" height="16" viewBox="0 0 26 27" class="button__download-image"><g tabindex="-1" fill="none" fill-rule="evenodd"><path tabindex="-1" d="M0 25.5h26" stroke="#000" stroke-width="2" /><path tabindex="-1" d="M12.4040813 18.3231679l-.0016685-.3904897-6.7395074-4.3452092c-.1446007-.1197811-.3670634-.1160748-.5066587.008255l-.5455898.4858631c-.14645462.1303946-.14775232.3445181-.0025954.4764289l8.6319234 7.8440617c.1434884.1305631.3765181.1305631.5200066 0l8.6321087-7.8440617c.1449716-.1319108.1436739-.3460343-.0027807-.4764289l-.5454044-.4858631c-.1397807-.1243298-.3620581-.1280361-.5068442-.008255l-6.7395074 4.3452092-.0014831.3904897c-.0001854-.1853154-.1651785-.3354208-.3691027-.3352523l-.7268968.0001684-.7270823-.0001684c-.2037387-.0001685-.3689173.1499369-.3689173.3352523z" fill="#000" /><path tabindex="-1" d="M13.5 20.5V.5" stroke="#000" stroke-width="3" /></g></svg> <span class="inner"> Call for Papers </span> </a> <div class="spacer spacer--1"></div> </div> </div> </article> </div> <p class="xsmall"> </p><h5>From the Series</h5><p> </p><p><a class="button js-ckeditor-button button--underline" href="/en/digitalmuseum2019"><span class="inner">Conference 2019</span></a></p><p><a class="button js-ckeditor-button button--underline" href="/en/digitalmuseum2020"><span class="inner">Conference 2020</span></a></p><p><a class="button js-ckeditor-button button--underline" href="/en/digitalmuseum2021"><span class="inner">Conference 2021</span></a></p><p><a class="button js-ckeditor-button button--underline" href="/en/digitalmuseum2022"><span class="inner">Conference 2022</span></a></p><p><a class="button js-ckeditor-button button--underline" href="/en/digitalmuseum2023"><span class="inner">Conference 2023</span></a></p><p><a class="button js-ckeditor-button button--underline" href="/en/digitalmuseum2024"><span class="inner">Conference 2024</span></a></p><p><a class="button js-ckeditor-button button--underline" href="/en/node/9763"><span class="inner">Conference 2025</span></a></p></div> <div class="spacer spacer--3"></div> </div> </div> <div class="box col-xsmall-12 col-small-6 box--no-padding-top"> <div class="box__content box--no-padding-bottom"> <h5 class="element element--no-margin-top">Language</h5> <span > <span>English,</span> <span>German </span> <span>Simultaneous Interpretation</span> </span> <div class="spacer spacer--3"></div> <h5 class="element element--no-margin-top">Hashtag</h5> <span > <span>#digitalmuseum</span> <span>#belvederemuseum</span> </span> <div class="spacer spacer--3"></div> <h5 class="element element--no-margin-top">Conference Committee</h5> <div><p>Christian Huemer</p><p class="xsmall">(Belvedere, Wien / Vienna)</p><p class="small">Ralph Knickmeier</p><p class="xsmall">(Belvedere, Wien / Vienna)</p><p class="small">Anna-Marie Kroupová</p><p class="xsmall">(Belvedere, Wien / Vienna)</p><p class="small">Liz Neely</p><p class="xsmall">(Georgia O’Keeffe Museum, Santa Fe)</p><p class="small">John Tain</p><p class="xsmall">(Asia Art Archive, Hongkong / Hong Kong)</p><p class="small">Chiara Zuanni</p><p class="xsmall">(Universität Graz / University of Graz)</p><p class="normal"> </p><h5 class="big"><strong>Partner</strong></h5><p class="xsmall"> </p><div class="row ckeditor-grid grid-50-50"><div class="ckeditor-grid-col grid-one col-xsmall-12 col-medium-6"><div data-langcode="de" data-entity-type="media" data-entity-uuid="9bf5452d-4da5-4b08-8c89-55eb2d07a0bf" class="embedded-entity"> <article> <div class="image field--caption"> <a href="/sites/default/files/media-directories/ICOM_LetterModel-Oesterreich.jpg"><img loading="lazy" src="/sites/default/files/styles/full_content_width_no_crop/public/media-directories/ICOM_LetterModel-Oesterreich.jpg?itok=aggAZCQA" width="678" height="124" alt="Logo ICOM Österreich"> </a> </div> </article> </div> </div><div class="ckeditor-grid-col grid-two col-xsmall-12 col-medium-6"><div data-langcode="de" data-entity-type="media" data-entity-uuid="b341aa33-f46d-496b-83b7-e54c1c30e5cc" class="embedded-entity"> <article> <div class="image field--caption"> <a href="/sites/default/files/2019-10/Museumsbund%20O%CC%88sterreich.png"><img loading="lazy" src="/sites/default/files/styles/full_content_width_no_crop/public/2019-10/Museumsbund%20O%CC%88sterreich.png?itok=t2dppHbd" width="371" height="134" alt> </a> </div> </article> </div> </div></div><p> </p></div> <div class="spacer spacer--3"></div> </div> </div> <div class="col-xsmall-12 image-sidebar"> </div> </div> </div> </div> <div class="row"> <div class="col-xsmall-12"> <div class="col-full"> <div> <div class="paragraph paragraph--type--default-content paragraph--view-mode--default grid-wrapper"> <div class="section-header-wrapper "> <div class="row"> <div class="section-header col-xsmall-11 col-xsmall-offset-1 col-medium-9 col-medium-offset-3"> <h2> Introduction </h2> </div> </div> </div> <div class="gm-section"><div class="row ckeditor-grid grid-33-33-33"><div class="ckeditor-grid-col grid-one col-xsmall-12 col-medium-4"><p> </p></div><div class="ckeditor-grid-col grid-two col-xsmall-12 col-medium-4"><p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="205" src="https://www.youtube.com/embed/W-NB5KiKgzk" title="YouTube video player" width="100%"></iframe></p><p> </p><p class="small"><strong>Welcome & Introduction</strong><br>Stella Rollig; Christian Huemer; Anna-Marie Kroupova (Belvedere, Vienna)</p></div><div class="ckeditor-grid-col grid-three col-xsmall-12 col-medium-4"><p> </p></div></div></div> </div> </div> <div> <div class="paragraph paragraph--type--default-content paragraph--view-mode--default grid-wrapper"> <div class="section-header-wrapper "> <div class="row"> <div class="section-header col-xsmall-11 col-xsmall-offset-1 col-medium-9 col-medium-offset-3"> <h2> Keynote </h2> </div> </div> </div> <div class="gm-section"><div contenteditable="false" tabindex="-1"><div contenteditable="false" tabindex="-1"><div class="row ckeditor-grid grid-33-33-33"><div class="ckeditor-grid-col grid-one col-xsmall-12 col-medium-4"><p> </p></div><div class="ckeditor-grid-col grid-two col-xsmall-12 col-medium-4"><p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="205" src="https://www.youtube.com/embed/ZlqJ41rUVas" title="YouTube video player" width="100%"></iframe></p><p> </p><p class="small"><strong>The Universal Museum and its Digital Expansion</strong><br>Max Hollein (The Metropolitan Museum of Art, New York)</p></div><div class="ckeditor-grid-col grid-three col-xsmall-12 col-medium-4"><p> </p></div></div></div></div></div> </div> </div> <div> <div class="paragraph paragraph--type--default-content paragraph--view-mode--default grid-wrapper"> <div class="section-header-wrapper "> <div class="row"> <div class="section-header col-xsmall-11 col-xsmall-offset-1 col-medium-9 col-medium-offset-3"> <h2> Contributions </h2> </div> </div> </div> <div class="gm-section"><p><strong>PANEL 1: Audience Engagement</strong></p><p> </p><div contenteditable="false" tabindex="-1"><div class="row ckeditor-grid grid-33-33-33"><div class="ckeditor-grid-col grid-one col-xsmall-12 col-medium-4"><p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="205" src="https://www.youtube.com/embed/kCud9Urjv6U" title="YouTube video player" width="100%"></iframe></p><p class="small"> </p><p class="small"><strong>Everyone’s and Just Yours. Wikimedia, Audience, and Openness at the National Gallery of Art, Washington</strong><br>Benjamin Zweig (National Gallery of Art, Washington D.C.)</p></div><div class="ckeditor-grid-col grid-two col-xsmall-12 col-medium-4"><p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="205" src="https://www.youtube.com/embed/cmc0eWB7f14" title="YouTube video player" width="100%"></iframe></p><p class="small"> </p><p class="small"><strong>Die MuseumsMenschen-App im Schaudepot. Ein intergeneratives, partizipatives Pilotprojekt an der Schnittstelle von analog und digital</strong><br>Hanna Brinkmann; Anja Grebe (Danube University Krems); Melanie N. Lopin (Korneuburg City Museum)</p></div><div class="ckeditor-grid-col grid-three col-xsmall-12 col-medium-4"><p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="205" src="https://www.youtube.com/embed/YHfK-2dnXqU" title="YouTube video player" width="100%"></iframe></p><p class="small"> </p><p class="small"><strong>Sonic Enhancement of Virtual Exhibits</strong><br>Paola Di Giuseppantonio Di Franco; Michael Tymkiw (University of Essex)</p></div></div></div><p> </p><p><strong>PANEL 2: Interwoven Worlds</strong></p><p> </p><div contenteditable="false" tabindex="-1"><div class="row ckeditor-grid grid-33-33-33"><div class="ckeditor-grid-col grid-one col-xsmall-12 col-medium-4"><p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="205" src="https://www.youtube.com/embed/cAW1d_0IAKQ" title="YouTube video player" width="100%"></iframe></p><p class="small"> </p><p class="small"><strong>Das Verhältnis von original-digital-virtuell</strong><br>Werner Schweibenz (MusIS, University of Konstanz)</p></div><div class="ckeditor-grid-col grid-two col-xsmall-12 col-medium-4"><p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="205" src="https://www.youtube.com/embed/_-kcKxJCZPw" title="YouTube video player" width="100%"></iframe></p><p class="small"> </p><p class="small"><strong>Digital Ekphrasis. Creating Emily Dickinson’s Cultural Heritage</strong><br>Kayla Shipp (Emory University, Atlanta)</p></div><div class="ckeditor-grid-col grid-three col-xsmall-12 col-medium-4"><p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="205" src="https://www.youtube.com/embed/Gf_6z4kAtQY" title="YouTube video player" width="100%"></iframe></p><p class="small"> </p><p class="small"><strong>Virealität. Modus Operandi digitaler Kunstvermittlung der Hamburger Kunsthalle</strong><br>Anja Gebauer; Katharina Hoins; Andrea Weniger (Hamburger Kunsthalle)</p></div></div></div><div contenteditable="false" tabindex="-1"> </div><div contenteditable="false" tabindex="-1"><div class="row ckeditor-grid grid-33-33-33"><div class="ckeditor-grid-col grid-one col-xsmall-12 col-medium-4"><p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="205" src="https://www.youtube.com/embed/IiYi1onddHk" title="YouTube video player" width="100%"></iframe></p><p class="small"> </p><p class="small"><strong>Rethinking the Collection Catalogue. Hybrid Publishing at the Nelson-Atkins Museum of Art</strong><br>Brigid M. Boyle (Nelson-Atkins Museum of Art, Kansas City)</p></div><div class="ckeditor-grid-col grid-two col-xsmall-12 col-medium-4"><p> </p></div><div class="ckeditor-grid-col grid-three col-xsmall-12 col-medium-4"><p> </p></div></div></div><p> </p><p><strong>PANEL 3: Strategic Dimensions</strong></p><p> </p><div contenteditable="false" tabindex="-1"><div class="row ckeditor-grid grid-33-33-33"><div class="ckeditor-grid-col grid-one col-xsmall-12 col-medium-4"><p class="small"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="205" src="https://www.youtube.com/embed/y1Xkg4FT_LM" title="YouTube video player" width="100%"></iframe></p><p class="small"> </p><p class="small"><strong>Surfen als Bedingung von Online-Kunstrezeption. Ausstellungsformate im Spannungsfeld digitaler Infrastrukturen</strong><br>Heiko Schmid (Zurich University of the Arts; Lucerne University of Applied Sciences and Arts)</p></div><div class="ckeditor-grid-col grid-two col-xsmall-12 col-medium-4"><p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="205" src="https://www.youtube.com/embed/dP4gLeC7Rhw" title="YouTube video player" width="100%"></iframe></p><p class="small"> </p><p class="small"><strong>Eine Kategorisierung von AugmentedReality in der Museumspraxis</strong><br>Jakob Ossmann; Carina Doppler (Fluxguide, Vienna)</p></div><div class="ckeditor-grid-col grid-three col-xsmall-12 col-medium-4"><p><strong><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="205" src="https://www.youtube.com/embed/eNBNfYhMzu8" title="YouTube video player" width="100%"></iframe></strong></p><p class="small"> </p><p class="small"><strong>Emerging Virtual Spaces. Alternative Models for Displaying Collections Online</strong><br>Ellen Charlesworth (Durham University)</p></div></div></div><p><strong> </strong></p><p><strong>PANEL 4: Sociopolitical Relevance</strong></p><p><strong> </strong></p><div contenteditable="false" tabindex="-1"><div class="row ckeditor-grid grid-33-33-33"><div class="ckeditor-grid-col grid-one col-xsmall-12 col-medium-4"><p class="small"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="205" src="https://www.youtube.com/embed/e7bDEvLDY3A" title="YouTube video player" width="100%"></iframe></p><p class="small"> </p><p class="small"><strong>Computing the Museum. Experiments in Algorithmic Co-curation</strong><br>Giulia Taurino (Northeastern University, Boston)</p></div><div class="ckeditor-grid-col grid-two col-xsmall-12 col-medium-4"><p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="205" src="https://www.youtube.com/embed/_uJSTssaSZw" title="YouTube video player" width="100%"></iframe></p><p class="small"> </p><p class="small"><strong>Museums and the Future Social Web</strong><br>Lukas Fuchsgruber (Technische Universität Berlin)</p></div><div class="ckeditor-grid-col grid-three col-xsmall-12 col-medium-4"><p><strong><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="205" src="https://www.youtube.com/embed/2-1yx3KRlm0" title="YouTube video player" width="100%"></iframe></strong></p><p class="small"> </p><p class="small"><strong>„NOOOO PUT ME BACK I was next in line for the immersive van gogh exhibit“.1Immersion: zur performativen und partizipativen Rezeption historischer Kunst</strong><br>Charlotte Reuß (University of Applied Arts Vienna)</p></div></div></div><p> </p><div contenteditable="false" tabindex="-1"><div class="row ckeditor-grid grid-33-33-33"><div class="ckeditor-grid-col grid-one col-xsmall-12 col-medium-4"><p><strong><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="205" src="https://www.youtube.com/embed/hpMUU1LywMA" title="YouTube video player" width="100%"></iframe></strong></p><p><strong> </strong></p><p class="small"><strong>User Experience of Art Exhibition in the „New Normality“. Innovative Methods of Research in Terms of Global Change</strong><br>Marta Świetlik (Polish Academy of Sciences, Warsaw)</p></div><div class="ckeditor-grid-col grid-two col-xsmall-12 col-medium-4"><p> </p></div><div class="ckeditor-grid-col grid-three col-xsmall-12 col-medium-4"><p><strong> </strong></p></div></div></div><p><strong> </strong></p><p><strong>PANEL 5: Virtual Extensions</strong></p><p><strong> </strong></p><div contenteditable="false" tabindex="-1"><div class="row ckeditor-grid grid-33-33-33"><div class="ckeditor-grid-col grid-one col-xsmall-12 col-medium-4"><p><strong><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="205" src="https://www.youtube.com/embed/3ypNXz436Qg" title="YouTube video player" width="100%"></iframe></strong></p><p><strong> </strong></p><p class="small"><strong>From Lock-Down to Innovation. Welcome to the World’s First Gigapixel Museum</strong><br>Sandra Verdel (Mauritshuis, The Hague)</p></div><div class="ckeditor-grid-col grid-two col-xsmall-12 col-medium-4"><p><strong><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="205" src="https://www.youtube.com/embed/2t9fdE9MDP0" title="YouTube video player" width="100%"></iframe></strong></p><p><strong> </strong></p><p class="small"><strong>VR in the Museum. Reconstructing Difficult Heritage of Modern Architecture</strong><br>Georgios Artopoulos (The Cyprus Institute, Nicosia)</p></div><div class="ckeditor-grid-col grid-three col-xsmall-12 col-medium-4"><p> </p></div></div></div></div> </div> </div> <div> <div class="paragraph paragraph--type--default-content paragraph--view-mode--default grid-wrapper"> <div class="section-header-wrapper "> <div class="row"> <div class="section-header col-xsmall-11 col-xsmall-offset-1 col-medium-9 col-medium-offset-3"> <h2> Panel Discussion </h2> </div> </div> </div> <div class="gm-section"><div contenteditable="false" tabindex="-1"><div class="row ckeditor-grid grid-33-33-33"><div class="ckeditor-grid-col grid-one col-xsmall-12 col-medium-4"><p> </p></div><div class="ckeditor-grid-col grid-two col-xsmall-12 col-medium-4"><p><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="205" src="https://www.youtube.com/embed/zz9SY4so9f0" title="YouTube video player" width="100%"></iframe></p><p> </p><p class="small"><strong>Panel Discussion</strong><br>Moderation: Christian Huemer (Belvedere, Vienna)</p><p class="small">Suse Anderson (George Washington University, Washington D.C.); Carolyn Royston (Cooper Hewitt, Smithsonian Design Museum, New York); Jeffrey T. Schnapp (metaLAB (at) Harvard, Cambridge)</p></div><div class="ckeditor-grid-col grid-three col-xsmall-12 col-medium-4"><p> </p></div></div></div></div> </div> </div> <div> <div class="paragraph paragraph--type--default-content paragraph--view-mode--default grid-wrapper"> <div class="section-header-wrapper "> <div class="row"> <div class="section-header col-xsmall-11 col-xsmall-offset-1 col-medium-9 col-medium-offset-3"> <h2> Program </h2> </div> </div> </div> <div class="gm-section"><div class="row ckeditor-grid grid-25-75"><div class="ckeditor-grid-col grid-one col-xsmall-12 col-medium-3"><p> </p></div><div class="ckeditor-grid-col grid-two col-xsmall-12 col-medium-9"><div class="ckeditor-timeline timeline row timeline--default"><div class="timeline__line"> </div><div class="timeline__date"><div class="timeline__date__pre"><p>MO</p></div><div class="timeline__date__main"><p>17</p></div><div class="timeline__date__post"><p>JAN</p></div></div><div class="timeline__content"><p class="normal"> </p><p class="big"><strong>5.00 pm</strong></p><p class="normal"><strong>Welcome & Introduction</strong><br>Stella Rollig; Christian Huemer; Anna-Marie Kroupova (Belvedere, Vienna)</p><p class="big"><strong>Panel 1: Audience Engagement</strong></p><p class="normal">Moderation: Sabine Fauland (Austrian Museums Association, Graz)</p><p class="big"><strong>5.20 pm</strong></p><p><strong>Everyone’s and Just Yours. Wikimedia, Audience, and Openness at the National Gallery of Art, Washington</strong><br>Benjamin Zweig (National Gallery of Art, Washington D.C.)</p><p class="big"><strong>5.45 pm</strong></p><p><strong>Die MuseumsMenschen-App im Schaudepot. Ein intergeneratives, partizipatives Pilotprojekt an der Schnittstelle von analog und digital</strong><br>Hanna Brinkmann; Anja Grebe (Danube University Krems); Melanie N. Lopin (Korneuburg City Museum)</p><p class="big"><strong>6.10 pm</strong></p><p class="normal"><strong>Sonic Enhancement of Virtual Exhibits</strong><br>Paola Di Giuseppantonio Di Franco; Michael Tymkiw (University of Essex)</p><p class="big"><strong>7.00 pm</strong></p><p class="big"><strong>Keynote Lecture</strong></p><p class="normal">Moderation: Christian Huemer (Belvedere, Vienna)</p><p class="normal"><strong>The Universal Museum and its Digital Expansion</strong><br>Max Hollein (The Metropolitan Museum of Art, New York)</p></div></div></div></div><div class="row ckeditor-grid grid-25-75"><div class="ckeditor-grid-col grid-one col-xsmall-12 col-medium-3"><p> </p></div><div class="ckeditor-grid-col grid-two col-xsmall-12 col-medium-9"><div class="ckeditor-timeline timeline row timeline--default"><div class="timeline__line"> </div><div class="timeline__date"><div class="timeline__date__pre"><p>TU</p></div><div class="timeline__date__main"><p>18</p></div><div class="timeline__date__post"><p>JAN</p></div></div><div class="timeline__content"><p class="big"> </p><p class="big"><strong>Panel 2: Interwoven Worlds</strong></p><p class="normal">Moderation: Nicole High-Steskal (Danube University Krems)</p><p class="big"><strong>5.00 pm</strong></p><p><strong>Das Verhältnis von original-digital-virtuell </strong><br>Werner Schweibenz (MusIS, University of Konstanz)</p><p class="big"><strong>5.25 pm</strong></p><p><strong>Digital Ekphrasis. Creating Emily Dickinson’s Cultural Heritage</strong><br>Kayla Shipp (Emory University, Atlanta)</p><p class="big"><strong>5.50 pm</strong></p><p class="normal"><strong>Virealität. Modus Operandi digitaler Kunstvermittlung der Hamburger Kunsthalle </strong><br>Anja Gebauer; Katharina Hoins; Andrea Weniger (Hamburger Kunsthalle)</p><p class="big"><strong>6.15 pm</strong></p><p><strong>Rethinking the Collection Catalogue. Hybrid Publishing at the Nelson-Atkins Museum of Art</strong></p><p>Brigid M. Boyle (Nelson-Atkins Museum of Art, Kansas City)</p></div></div></div></div><div class="row ckeditor-grid grid-25-75"><div class="ckeditor-grid-col grid-one col-xsmall-12 col-medium-3"><p> </p></div><div class="ckeditor-grid-col grid-two col-xsmall-12 col-medium-9"><div class="ckeditor-timeline timeline row timeline--default"><div class="timeline__line"> </div><div class="timeline__date"><div class="timeline__date__pre"><p>WE</p></div><div class="timeline__date__main"><p>19</p></div><div class="timeline__date__post"><p>JAN</p></div></div><div class="timeline__content"><p class="big"> </p><p class="big"><strong>Panel 3: Strategic Dimensions</strong></p><p class="normal">Moderation: Anna-Marie Kroupova (Belvedere, Vienna)</p><p class="big"><strong>5.00 pm</strong></p><p><strong>Surfen als Bedingung von Online-Kunstrezeption. Ausstellungsformate im Spannungsfeld digitaler Infrastrukturen    </strong>                            <br>Heiko Schmid (Zurich University of the Arts; Lucerne University of Applied Sciences and Arts)</p><p class="big"><strong>5.25 pm</strong></p><p><strong>Eine Kategorisierung von Augmented Reality in der Museumspraxis    </strong>    <br>Carina Doppler; Jakob Ossmann (Fluxguide, Vienna)</p><p class="big"><strong>5.50 pm</strong></p><p class="normal"><strong>Emerging Virtual Spaces. Alternative Models for Displaying Collections Online  </strong>                                   <br>Ellen Charlesworth (Durham University)</p><p class="big"><strong>6.15 pm</strong></p><p class="normal"><strong>Kryptokunst & Museum. Beispiele einer Beziehung</strong>                                   <br>Carola Korhummel (University of Vienna)</p></div></div></div></div><div class="row ckeditor-grid grid-25-75"><div class="ckeditor-grid-col grid-one col-xsmall-12 col-medium-3"><p> </p></div><div class="ckeditor-grid-col grid-two col-xsmall-12 col-medium-9"><div class="ckeditor-timeline timeline row timeline--default"><div class="timeline__line"> </div><div class="timeline__date"><div class="timeline__date__pre"><p>TH</p></div><div class="timeline__date__main"><p>20</p></div><div class="timeline__date__post"><p>JAN</p></div></div><div class="timeline__content"><p class="big"> </p><p class="big"><strong>Panel 4: Sociopolitical Relevance</strong></p><p class="normal">Moderation: Chiara Zuanni (University of Graz)</p><p class="big"><strong>5.00 pm</strong></p><p><strong>Computing the Museum. Experiments in Algorithmic Co-curation</strong><br>Giulia Taurino (Northeastern University, Boston)</p><p class="big"><strong>5.25 pm</strong></p><p><strong>Museums and the Future Social Web</strong><br>Lukas Fuchsgruber (Technical University of Berlin)</p><p class="big"><strong>5.50 pm</strong></p><p class="normal"><strong>„NOOOO PUT ME BACK I was next in line for the immersive van gogh exhibit“. Immersion: zur performativen und partizipativen Rezeption historischer Kunst</strong><br>Charlotte Reuß (University of Applied Arts Vienna)</p><p class="big"><strong>6.15 pm</strong></p><p><strong>User Experience of Art Exhibition in the „New Normality“. Innovative Methods of Research in Terms of Global Change</strong><br>Marta Świetlik (Polish Academy of Sciences, Warsaw)</p></div></div></div></div><div class="row ckeditor-grid grid-25-75"><div class="ckeditor-grid-col grid-one col-xsmall-12 col-medium-3"><p> </p></div><div class="ckeditor-grid-col grid-two col-xsmall-12 col-medium-9"><div class="ckeditor-timeline timeline row timeline--default"><div class="timeline__line"> </div><div class="timeline__date"><div class="timeline__date__pre"><p>FR</p></div><div class="timeline__date__main"><p>21</p></div><div class="timeline__date__post"><p>JAN</p></div></div><div class="timeline__content"><p class="big"> </p><p class="big"><strong>Panel 5: Virtual Extensions</strong></p><p class="normal">Moderation: Richard Kurdiovsky (Austrian Academy of Sciences, Vienna)</p><p class="big"><strong>5.00 pm</strong></p><p><strong>From Lock-Down to Innovation. Welcome to the World’s First Gigapixel Museum</strong><br>Sandra Verdel (Mauritshuis, The Hague)</p><p class="big"><strong>5.25 pm</strong></p><p><strong>From Palmyra to Pompei. The Dynamics of Display of Virtual Archaeological Sites in Museum Exhibitions</strong><br>Isabella Archer (École du Louvre, Paris; University of Poitiers)</p><p class="big"><strong>5.50 pm</strong></p><p class="normal"><strong>VR in the Museum. Reconstructing Difficult Heritage of Modern Architecture</strong><br>Georgios Artopoulos (The Cyprus Institute, Nicosia)</p><p class="big"><strong>7.00 pm</strong></p><p class="big"><strong>Panel Discussion</strong></p><p>Moderation: Christian Huemer (Belvedere, Vienna)<br>Suse Anderson (George Washington University, Washington D.C.)<br>Carolyn Royston (Cooper Hewitt, Smithsonian Design Museum, New York)<br>Jeffrey T. Schnapp (metaLAB (at) Harvard, Cambridge)</p></div></div></div></div></div> </div> </div> </div> </div> </div> </div> </article> </div> </div> </div> </main> </div> <a class="annual-ticket-bubble" href="https://www.belvedere.at/en/tickets" title="Get your Time Slot Ticket now"> <span class="annual-ticket-bubble__text" aria-hidden="true"> Get your  </br> Time Slot  </br> Ticket  </br> now   </span> <span class="annual-ticket-bubble__hover" aria-hidden="true"> Buy and  </br> save  </br> online   </span> <span class="annual-ticket-bubble__text-mobile" aria-hidden="true"> Get your Time Slot Ticket now </span> </a> <footer class="footer" role="contentinfo"> <div class="footer__pre"> <div id="block-footer-locations"> <div class="grid-wrapper"> <div class="grid-wrapper row"> <div class="col-xsmall-12 col-small-4 footer-location__item"><article data-history-node-id="1"> <div class="footer-location__item__image-container"> <img loading="lazy" 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aria-required="true" /> </div> <div class="col-xsmall-12 col-small-6 input-wrapper js-form-item form-item js-form-type-textfield form-item-firstname js-form-item-firstname"> <label for="edit-firstname" class="js-form-required form-required textfield-label label label--small">First Name</label> <input autocomplete="name" data-webform-required-error="Please enter your first name" data-drupal-selector="edit-firstname" type="text" id="edit-firstname" name="firstname" value="" size="60" maxlength="255" class="form-text required" required="required" aria-required="true" /> </div> </span> <span class="form-row js-form-wrapper form-wrapper" data-drupal-selector="edit-contact-row" id="edit-contact-row"><div class="col-xsmall-12 col-small-6 input-wrapper js-form-item form-item js-form-type-email form-item-email js-form-item-email"> <label for="edit-email--2" class="js-form-required form-required">Email</label> <input autocomplete="email" data-webform-required-error="Please enter your email" 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id="edit-type" name="type" class="form-select required" required="required" aria-required="true"><option value="" selected="selected">- Select -</option><option value="general">General Inquiries</option><option value="lost-and-found">Lost and Found</option><option value="press">Press</option><option value="accessibility">Accessibility</option><option value="kuv">Art Mediation</option><option value="events-venue-hire">Events and Venue Hire</option><option value="donations-sponsoring">Donations and Sponsoring</option><option value="image-archive-reproductions">Image Archive and Reproductions</option><option value="research-archive-library">Research, Archive and Library</option><option value="complaint-feedback">Feedback and Complaints</option><option value="child_protection">Child Protection</option><option value="scientific-inquiries">Scientific Inquiries</option><option value="groups">Group Reservations</option></select></div></div> </div> <div class="input-wrapper js-form-item 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