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Il saggio ripercorre i rapporti, anche ambivalenti, tra queste due forme d'arte, mettendo a confronto pittori e fotografi attivi a Roma nella seconda metà dell'Ottocento.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Giovanna Bonasegale, Immagini riflesse tra pittura e fotografia, saggio nel catalogo della mostra “La poesia del vero. Pittura di paesaggio a Roma tra Ottocento e Novecento”, Macerata, Palazzo Ricci e Camerino, Complesso Museale di San Domenico, 20 luglio-15 settembre 2001, pp. 20-28.","attachmentId":46681081,"attachmentType":"pdf","work_url":"https://www.academia.edu/26377670/Giovanna_Bonasegale_Immagini_riflesse_tra_pittura_e_fotografia_saggio_nel_catalogo_della_mostra_La_poesia_del_vero_Pittura_di_paesaggio_a_Roma_tra_Ottocento_e_Novecento_Macerata_Palazzo_Ricci_e_Camerino_Complesso_Museale_di_San_Domenico_20_luglio_15_settembre_2001_pp_20_28","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/26377670/Giovanna_Bonasegale_Immagini_riflesse_tra_pittura_e_fotografia_saggio_nel_catalogo_della_mostra_La_poesia_del_vero_Pittura_di_paesaggio_a_Roma_tra_Ottocento_e_Novecento_Macerata_Palazzo_Ricci_e_Camerino_Complesso_Museale_di_San_Domenico_20_luglio_15_settembre_2001_pp_20_28"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="40885703" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/40885703/_Il_trionfo_del_pennello_Eros_per_burla_tra_testi_e_immagini_in_Giulio_Romano_Arte_e_Desiderio_cat_mostra_Mantova_Palazzo_Te_6_ottobre_2019_6_gennaio_2020_a_cura_di_B_Furlotti_G_Rebecchini_e_L_Wolk_Simon_Milano_Electa_pp_86_93">“Il trionfo del ‘pennello. Eros ‘per burla’ tra testi e immagini”, in ‘Giulio Romano. Arte e Desiderio’, cat. mostra (Mantova, Palazzo Te 6 ottobre 2019 – 6 gennaio 2020) a cura di B. Furlotti, G. Rebecchini e L. Wolk-Simon, Milano, Electa, pp. 86-93.</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1813243" href="https://unical.academia.edu/AntonioGeremicca">Antonio Geremicca</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"“Il trionfo del ‘pennello. Eros ‘per burla’ tra testi e immagini”, in ‘Giulio Romano. Arte e Desiderio’, cat. mostra (Mantova, Palazzo Te 6 ottobre 2019 – 6 gennaio 2020) a cura di B. Furlotti, G. Rebecchini e L. Wolk-Simon, Milano, Electa, pp. 86-93.","attachmentId":61309486,"attachmentType":"pdf","work_url":"https://www.academia.edu/40885703/_Il_trionfo_del_pennello_Eros_per_burla_tra_testi_e_immagini_in_Giulio_Romano_Arte_e_Desiderio_cat_mostra_Mantova_Palazzo_Te_6_ottobre_2019_6_gennaio_2020_a_cura_di_B_Furlotti_G_Rebecchini_e_L_Wolk_Simon_Milano_Electa_pp_86_93","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/40885703/_Il_trionfo_del_pennello_Eros_per_burla_tra_testi_e_immagini_in_Giulio_Romano_Arte_e_Desiderio_cat_mostra_Mantova_Palazzo_Te_6_ottobre_2019_6_gennaio_2020_a_cura_di_B_Furlotti_G_Rebecchini_e_L_Wolk_Simon_Milano_Electa_pp_86_93"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="7005286" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/7005286/Tra_pittura_e_letteratura_Schedoni_Marino_Testi">Tra pittura e letteratura. Schedoni, Marino, Testi</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="10369005" href="https://independent.academia.edu/FedericaDallasta">Federica Dallasta</a></div><p class="ds-related-work--metadata ds2-5-body-xs">in “Philologica”, Rivista dell’Università degli Studi di Parma, 1992, pp. 99-112</p><p class="ds-related-work--abstract ds2-5-body-sm">Per gli artisti chiamati a corte si trattava indubbiamente di accettare alcune regole di comportamento imposte dal duca -in special modo I'obbligo di non prestare servizio a nessun altro committente senza il beneplacito del duca stessoma anche di ricevere onori e prestigio, poiché ad essi veniva offerta in cambio l'opportunità di impegnarsi in importanti commissioni.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Tra pittura e letteratura. Schedoni, Marino, Testi","attachmentId":48677286,"attachmentType":"pdf","work_url":"https://www.academia.edu/7005286/Tra_pittura_e_letteratura_Schedoni_Marino_Testi","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/7005286/Tra_pittura_e_letteratura_Schedoni_Marino_Testi"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="75917185" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/75917185/_Husserl_sullo_stato_dell_arte_riflessioni_al_crocevia_tra_fenomenologia_e_letteratura_in_F_Nobili_ed_Arte_e_Fenomenologia_rifrazioni_reciproche_ETS_Pisa_2017_pp_41_54">“Husserl sullo stato dell’arte: riflessioni al crocevia tra fenomenologia e letteratura” in F. Nobili (ed.), Arte e Fenomenologia: rifrazioni reciproche, ETS, Pisa 2017, pp. 41-54</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="6029277" href="https://unipa.academia.edu/FilippoNobili">Filippo Nobili</a></div><p class="ds-related-work--abstract ds2-5-body-sm">L e rifrazioni che la fenomenologia può avere oggi sull'estetica e sulla teoria della letteratura e delle arti sono molteplici e sostanzialmente sottovalutate: questo libro ce le mostra in modo molto incisivo, che induce a riflessioni di vario genere. Innanzitutto su un piano molto generale: quello del rapporto fra filosofia e creatività artistica. Tutti i saggi del volume vanno oltre l'impostazione classica espressa in etichette come filosofia del cinema o filosofia della musica; un'impostazione in fondo un po' 'imperialistica', che assegna alla riflessione teoretica il compito arduo di sussumere e sintetizzare le esperienze concrete in modelli astratti. [...] I lavori di questo volume si staccano anche dal modello opposto, quello della decostruzione radicale dei confini fra letteratura e filosofia: l'idea di una scrittura magmatica e indifferenziata che caratterizza per molti versi il mondo contemporaneo. Siamo piuttosto in quel vasto ambito delle convergenze fra letteratura e altri saperi [...]: intersezioni dunque fra esperienze affini o talvolta anche profondamente diverse. Massimo Fusillo FILIPPO NOBILI (Piombino, 1989) è dottorando in Filosofia presso la Scuo-</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"“Husserl sullo stato dell’arte: riflessioni al crocevia tra fenomenologia e letteratura” in F. Nobili (ed.), Arte e Fenomenologia: rifrazioni reciproche, ETS, Pisa 2017, pp. 41-54","attachmentId":83581784,"attachmentType":"pdf","work_url":"https://www.academia.edu/75917185/_Husserl_sullo_stato_dell_arte_riflessioni_al_crocevia_tra_fenomenologia_e_letteratura_in_F_Nobili_ed_Arte_e_Fenomenologia_rifrazioni_reciproche_ETS_Pisa_2017_pp_41_54","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/75917185/_Husserl_sullo_stato_dell_arte_riflessioni_al_crocevia_tra_fenomenologia_e_letteratura_in_F_Nobili_ed_Arte_e_Fenomenologia_rifrazioni_reciproche_ETS_Pisa_2017_pp_41_54"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="39018419" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/39018419/2019_Arte_bellezza_e_donazione_Una_lettura_a_ritroso_del_saggio_di_Heidegger_sull_origine_dell_opera_d_arte">2019. Arte, bellezza e donazione. Una lettura “a ritroso” del saggio di Heidegger sull’origine dell’opera d’arte</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="4975305" href="https://cumo.academia.edu/EnzoCicero">Enzo Cicero</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Quaderno di AGON, n. 13, pp. 5-28, 2019</p><p class="ds-related-work--abstract ds2-5-body-sm">Il saggio di Heidegger sull'origine dell'opera d'arte viene qui riletto sulla scorta di un'interpretazione che ne sovverte l'ordine espositivo, accedendovi dall'interno-secondo la sua logica condizionata dalla speciale stazione teoretica a cui corrisponde-e con parole adatte al cammino speculativo di Heidegger nel suo complesso. Attraverso la riconsiderazione dei suoi filosofemi principali (l'essenziare dell'essere, l'Ereignis, il destino la storia e l'essenza dell'arte, poesia e saga) e con il richiamo finale alla Madonna Sistina di Raffaello, lo scopo è di far emergere distintamente il punto di vista heideggeriano sulla donatività arci-originaria della bellezza artistica. Heidegger's essay on the origin of the work of art is here re-read on the basis of an interpretation that subverts the presentation order, accessing it from within-according to its logic conditioned by the special theoretical station to which it corresponds-and with words suitable for Heidegger's speculative path as a whole. Through the reconsideration of its main philosophemes (essencing of being; Ereignis; destiny, history and essence of art; poetry and saga) and with the final recall to the Sistine Madonna by Raphael, the aim is to bring out distinctly Heidegger's point of view on the arch-original donativity of artistic beauty.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"2019. Arte, bellezza e donazione. Una lettura “a ritroso” del saggio di Heidegger sull’origine dell’opera d’arte","attachmentId":59128788,"attachmentType":"pdf","work_url":"https://www.academia.edu/39018419/2019_Arte_bellezza_e_donazione_Una_lettura_a_ritroso_del_saggio_di_Heidegger_sull_origine_dell_opera_d_arte","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/39018419/2019_Arte_bellezza_e_donazione_Una_lettura_a_ritroso_del_saggio_di_Heidegger_sull_origine_dell_opera_d_arte"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":61133747,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":61133747,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_61133747" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. You can download the paper by clicking the button above.</p></div></div></div></div><div class="ds-sidebar--container js-work-sidebar"><div class="ds-related-content--container"><h2 class="ds-related-content--heading">Related papers</h2><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="0" data-entity-id="3091881" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/3091881/Ritratti_oggetti_e_vite_evanescenti_Commento_a_Io_e_te_che_sorridiamo_dalla_foto_di_Dondero_di_Giovanni_Giudici_in_Per_Elio_Gioanola_Studi_di_letteratura_dell_800_e_del_900_a_cura_di_Franco_Contorbia_Luigi_Surdich_e_Stefano_Verdino_Novara_Interlinea_2009">Ritratti, oggetti e vite evanescenti. (Commento a “Io e te che sorridiamo dalla foto di Dondero” di Giovanni Giudici), in Per Elio Gioanola. 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Studi di letteratura dell’800 e del ‘900, a cura di Franco Contorbia, Luigi Surdich e Stefano Verdino, Novara, Interlinea, 2009.","attachmentId":33669418,"attachmentType":"pdf","work_url":"https://www.academia.edu/3091881/Ritratti_oggetti_e_vite_evanescenti_Commento_a_Io_e_te_che_sorridiamo_dalla_foto_di_Dondero_di_Giovanni_Giudici_in_Per_Elio_Gioanola_Studi_di_letteratura_dell_800_e_del_900_a_cura_di_Franco_Contorbia_Luigi_Surdich_e_Stefano_Verdino_Novara_Interlinea_2009","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/3091881/Ritratti_oggetti_e_vite_evanescenti_Commento_a_Io_e_te_che_sorridiamo_dalla_foto_di_Dondero_di_Giovanni_Giudici_in_Per_Elio_Gioanola_Studi_di_letteratura_dell_800_e_del_900_a_cura_di_Franco_Contorbia_Luigi_Surdich_e_Stefano_Verdino_Novara_Interlinea_2009"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="1" data-entity-id="37601977" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/37601977/Il_medium_artistico_della_fotografia_nell_opera_letteraria_di_Cesare_Pavese">Il medium artistico della fotografia nell’opera letteraria di Cesare Pavese</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="35919351" href="https://ffzg.academia.edu/VisnjaBandalo">Višnja Bandalo</a></div><p class="ds-related-work--metadata ds2-5-body-xs">"Cesare Pavese. Un 'classico' alla conquista del mondo contemporaneo. Diciannovesima rassegna di saggi internazionali di critica pavesiana", a cura di Antonio Catalfamo, I Quaderni del CE.PA.M-Guida Editori, Napoli, 2019, pp. 177-184.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Il medium artistico della fotografia nell’opera letteraria di Cesare Pavese","attachmentId":63244806,"attachmentType":"pdf","work_url":"https://www.academia.edu/37601977/Il_medium_artistico_della_fotografia_nell_opera_letteraria_di_Cesare_Pavese","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/37601977/Il_medium_artistico_della_fotografia_nell_opera_letteraria_di_Cesare_Pavese"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="2" data-entity-id="5790392" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/5790392/Tra_lessico_pittorico_e_iconografia_Annibal_Caro_e_la_fortuna_della_traduzione_dell_Eneide_in_Gli_d%C3%A8i_a_corte_letteratura_e_immagini_nella_Ferrara_estense_IX_Settimana_di_Alti_Studi_Rinascimentali_Istituto_di_Studi_Rinascimentali_Ferrara_21_22_23_24_novembre_2006_Firenze_2009_pp_115_134">Tra lessico pittorico e iconografia: Annibal Caro e la fortuna della traduzione dell’Eneide, in Gli dèi a corte - letteratura e immagini nella Ferrara estense, IX Settimana di Alti Studi Rinascimentali, Istituto di Studi Rinascimentali, Ferrara, 21-22-23-24 novembre 2006, Firenze, 2009, pp. 115-134.</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="1770569" href="https://iulm.academia.edu/TommasoCasini">Tommaso Casini</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Tra lessico pittorico e iconografia: Annibal Caro e la fortuna della traduzione dell’Eneide, in Gli dèi a corte - letteratura e immagini nella Ferrara estense, IX Settimana di Alti Studi Rinascimentali, Istituto di Studi Rinascimentali, Ferrara, 21-22-23-24 novembre 2006, Firenze, 2009, pp. 115-134.","attachmentId":54571786,"attachmentType":"pdf","work_url":"https://www.academia.edu/5790392/Tra_lessico_pittorico_e_iconografia_Annibal_Caro_e_la_fortuna_della_traduzione_dell_Eneide_in_Gli_d%C3%A8i_a_corte_letteratura_e_immagini_nella_Ferrara_estense_IX_Settimana_di_Alti_Studi_Rinascimentali_Istituto_di_Studi_Rinascimentali_Ferrara_21_22_23_24_novembre_2006_Firenze_2009_pp_115_134","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/5790392/Tra_lessico_pittorico_e_iconografia_Annibal_Caro_e_la_fortuna_della_traduzione_dell_Eneide_in_Gli_d%C3%A8i_a_corte_letteratura_e_immagini_nella_Ferrara_estense_IX_Settimana_di_Alti_Studi_Rinascimentali_Istituto_di_Studi_Rinascimentali_Ferrara_21_22_23_24_novembre_2006_Firenze_2009_pp_115_134"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="3" data-entity-id="40816984" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/40816984/Andrea_Benedetti_Tra_parola_e_immagine_una_rilettura_dei_Reiseberichte_1793_di_Wilhelm_Heinrich_Wackenroder_alla_luce_della_circolarit%C3%A0_ermeneutica_Campanotto_Pasian_di_Prato_Udine_2019_ISBN_978_88_456_1680_8">Andrea Benedetti: Tra parola e immagine: una rilettura dei Reiseberichte (1793) di Wilhelm Heinrich Wackenroder alla luce della circolarità ermeneutica, Campanotto, Pasian di Prato – Udine, 2019. ISBN: 978-88-456-1680-8.</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="37232394" href="https://economiarimini.academia.edu/AndreaBenedetti">Andrea Benedetti</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2019</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Andrea Benedetti: Tra parola e immagine: una rilettura dei Reiseberichte (1793) di Wilhelm Heinrich Wackenroder alla luce della circolarità ermeneutica, Campanotto, Pasian di Prato – Udine, 2019. ISBN: 978-88-456-1680-8.","attachmentId":61099620,"attachmentType":"pdf","work_url":"https://www.academia.edu/40816984/Andrea_Benedetti_Tra_parola_e_immagine_una_rilettura_dei_Reiseberichte_1793_di_Wilhelm_Heinrich_Wackenroder_alla_luce_della_circolarit%C3%A0_ermeneutica_Campanotto_Pasian_di_Prato_Udine_2019_ISBN_978_88_456_1680_8","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/40816984/Andrea_Benedetti_Tra_parola_e_immagine_una_rilettura_dei_Reiseberichte_1793_di_Wilhelm_Heinrich_Wackenroder_alla_luce_della_circolarit%C3%A0_ermeneutica_Campanotto_Pasian_di_Prato_Udine_2019_ISBN_978_88_456_1680_8"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="4" data-entity-id="48956015" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/48956015/Un_nuovo_testimone_frammentario_del_commento_di_Guizzardo_da_Bologna_alla_Poetria_nova_Spolia_n_s_6_1_2020_pp_110_128">Un nuovo testimone (frammentario) del commento di Guizzardo da Bologna alla Poetria nova, «Spolia», n.s., 6/1 (2020), pp. 110-128</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="70336054" href="https://unige-it1.academia.edu/DomenicoLOSAPPIO">Domenico LOSAPPIO</a></div><p class="ds-related-work--metadata ds2-5-body-xs">2020</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Un nuovo testimone (frammentario) del commento di Guizzardo da Bologna alla Poetria nova, «Spolia», n.s., 6/1 (2020), pp. 110-128","attachmentId":67351739,"attachmentType":"pdf","work_url":"https://www.academia.edu/48956015/Un_nuovo_testimone_frammentario_del_commento_di_Guizzardo_da_Bologna_alla_Poetria_nova_Spolia_n_s_6_1_2020_pp_110_128","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/48956015/Un_nuovo_testimone_frammentario_del_commento_di_Guizzardo_da_Bologna_alla_Poetria_nova_Spolia_n_s_6_1_2020_pp_110_128"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="5" data-entity-id="239691" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/239691/_C_%C3%A8_un_opera_in_questa_classe_Rilevanza_dell_esperienza_estetica_della_lettura_">“C’è un’opera in questa classe? Rilevanza dell’esperienza estetica della lettura”</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="190917" href="https://unive.academia.edu/AlessandroRaveggi">Alessandro Raveggi</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"“C’è un’opera in questa classe? Rilevanza dell’esperienza estetica della lettura”","attachmentId":961883,"attachmentType":"pdf","work_url":"https://www.academia.edu/239691/_C_%C3%A8_un_opera_in_questa_classe_Rilevanza_dell_esperienza_estetica_della_lettura_","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/239691/_C_%C3%A8_un_opera_in_questa_classe_Rilevanza_dell_esperienza_estetica_della_lettura_"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="6" data-entity-id="38457034" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/38457034/Recensione_a_D_Verardi_ARTI_MAGICHE_E_ARTI_LIBERALI_NEL_RINASCIMENTO_di_L_Rizzo_in_Giornale_Critico_della_Filosofia_Italiana_3_2018">Recensione a D. Verardi, ARTI MAGICHE E ARTI LIBERALI NEL RINASCIMENTO, di L. Rizzo, in "Giornale Critico della Filosofia Italiana", 3, 2018.</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="68207467" href="https://unile.academia.edu/LuanaRizzo">Luana Rizzo</a><span>, </span><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="4835950" href="https://unive.academia.edu/DONATOVERARDI">DONATO VERARDI</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Recensione a D. Verardi, ARTI MAGICHE E ARTI LIBERALI NEL RINASCIMENTO, di L. Rizzo, in \"Giornale Critico della Filosofia Italiana\", 3, 2018.","attachmentId":58520767,"attachmentType":"pdf","work_url":"https://www.academia.edu/38457034/Recensione_a_D_Verardi_ARTI_MAGICHE_E_ARTI_LIBERALI_NEL_RINASCIMENTO_di_L_Rizzo_in_Giornale_Critico_della_Filosofia_Italiana_3_2018","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/38457034/Recensione_a_D_Verardi_ARTI_MAGICHE_E_ARTI_LIBERALI_NEL_RINASCIMENTO_di_L_Rizzo_in_Giornale_Critico_della_Filosofia_Italiana_3_2018"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="7" data-entity-id="4795660" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/4795660/L_Epiconografia_l_opera_d_arte_come_sintesi_visiva_di_scrittura_e_immagine_in_Medioevo_Arte_e_storia_Atti_del_X_Convegno_internazionale_di_studi_Parma_18_22_sett_2007_Milano_Electa_2008_ISBN_978_88_370_6695_6_pp_465_480">L’Epiconografia: l’opera d’arte come sintesi visiva di scrittura e immagine, in Medioevo: Arte e storia, Atti del X Convegno internazionale di studi (Parma, 18-22 sett. 2007), Milano, Electa 2008, ISBN: 978-88-370-6695-6, pp. 465-480.</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="6190696" href="https://pisa.academia.edu/StefanoRiccioni">Stefano Riccioni</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"L’Epiconografia: l’opera d’arte come sintesi visiva di scrittura e immagine, in Medioevo: Arte e storia, Atti del X Convegno internazionale di studi (Parma, 18-22 sett. 2007), Milano, Electa 2008, ISBN: 978-88-370-6695-6, pp. 465-480.","attachmentId":32096050,"attachmentType":"pdf","work_url":"https://www.academia.edu/4795660/L_Epiconografia_l_opera_d_arte_come_sintesi_visiva_di_scrittura_e_immagine_in_Medioevo_Arte_e_storia_Atti_del_X_Convegno_internazionale_di_studi_Parma_18_22_sett_2007_Milano_Electa_2008_ISBN_978_88_370_6695_6_pp_465_480","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/4795660/L_Epiconografia_l_opera_d_arte_come_sintesi_visiva_di_scrittura_e_immagine_in_Medioevo_Arte_e_storia_Atti_del_X_Convegno_internazionale_di_studi_Parma_18_22_sett_2007_Milano_Electa_2008_ISBN_978_88_370_6695_6_pp_465_480"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="8" data-entity-id="44662109" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/44662109/_Un_mondo_interessante_e_triste_Il_doppio_lavoro_di_Lucio_Mastronardi_in_Quarant_anni_dopo_L_opera_di_Lucio_Mastronardi_1930_1979_L_Ospite_ingrato_luglio_dicembre_2020">«Un mondo interessante e triste». Il doppio lavoro di Lucio Mastronardi, in "Quarant’anni dopo. L’opera di Lucio Mastronardi (1930-1979)", «L’Ospite ingrato», luglio-dicembre 2020.</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="16751517" href="https://kuleuven.academia.edu/BarbaraDistefano">Barbara Distefano</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"«Un mondo interessante e triste». Il doppio lavoro di Lucio Mastronardi, in \"Quarant’anni dopo. L’opera di Lucio Mastronardi (1930-1979)\", «L’Ospite ingrato», luglio-dicembre 2020.","attachmentId":65134634,"attachmentType":"pdf","work_url":"https://www.academia.edu/44662109/_Un_mondo_interessante_e_triste_Il_doppio_lavoro_di_Lucio_Mastronardi_in_Quarant_anni_dopo_L_opera_di_Lucio_Mastronardi_1930_1979_L_Ospite_ingrato_luglio_dicembre_2020","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/44662109/_Un_mondo_interessante_e_triste_Il_doppio_lavoro_di_Lucio_Mastronardi_in_Quarant_anni_dopo_L_opera_di_Lucio_Mastronardi_1930_1979_L_Ospite_ingrato_luglio_dicembre_2020"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="9" data-entity-id="36035385" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/36035385/_Die_Frage_bleibt_resistenze_all_opera_Attorno_a_un_frammento_di_Franz_Kafka_in_Materiali_di_Estetica_n_4_2_2017_pp_24_41">"Die Frage bleibt: resistenze all’opera. Attorno a un frammento di Franz Kafka", in: Materiali di Estetica, n° 4.2 (2017), pp. 24-41.</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="35384540" href="https://hu-berlin.academia.edu/FrancescoAdrianoClerici">Francesco, Adriano Clerici</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"\"Die Frage bleibt: resistenze all’opera. 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L’Orlando furioso attraverso lo specchio delle immagini. Edit by Lina Bolzoni. Rome: Istituto della Enciclopedia Italiana Treccani, Edizioni preziose, 2014. http://www.treccani.it/catalogo/catalogo_prodotti/Le_edizioni_d_arte/Orlando_Furioso</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="929868" href="https://rse.academia.edu/FrancescaBortoletti">Francesca Bortoletti</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"\"La fortuna dell’Orlando Furioso nelle arti performative\". L’Orlando furioso attraverso lo specchio delle immagini. Edit by Lina Bolzoni. Rome: Istituto della Enciclopedia Italiana Treccani, Edizioni preziose, 2014. http://www.treccani.it/catalogo/catalogo_prodotti/Le_edizioni_d_arte/Orlando_Furioso","attachmentId":35896809,"attachmentType":"pdf","work_url":"https://www.academia.edu/9707140/_La_fortuna_dell_Orlando_Furioso_nelle_arti_performative_L_Orlando_furioso_attraverso_lo_specchio_delle_immagini_Edit_by_Lina_Bolzoni_Rome_Istituto_della_Enciclopedia_Italiana_Treccani_Edizioni_preziose_2014_http_www_treccani_it_catalogo_catalogo_prodotti_Le_edizioni_d_arte_Orlando_Furioso","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/9707140/_La_fortuna_dell_Orlando_Furioso_nelle_arti_performative_L_Orlando_furioso_attraverso_lo_specchio_delle_immagini_Edit_by_Lina_Bolzoni_Rome_Istituto_della_Enciclopedia_Italiana_Treccani_Edizioni_preziose_2014_http_www_treccani_it_catalogo_catalogo_prodotti_Le_edizioni_d_arte_Orlando_Furioso"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="11" data-entity-id="43398418" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/43398418/_Una_nota_su_Beppe_Ciardi_L_alterna_fortuna_dell_opera_simbolista_Atti_del_convegno_2017_in_Donazione_Eugenio_da_Venezia_a_cura_di_G_Dal_Canton_Querini_Stampalia_Venezia_aprile_2020_">"Una nota su Beppe Ciardi. L’alterna fortuna dell’opera simbolista " . Atti del convegno 2017, in "Donazione Eugenio da Venezia", a cura di G. Dal Canton. Querini Stampalia, Venezia (aprile 2020)</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="59526721" href="https://independent.academia.edu/StefanoZampieri2">Stefano Zampieri</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"\"Una nota su Beppe Ciardi. L’alterna fortuna dell’opera simbolista \" . Atti del convegno 2017, in \"Donazione Eugenio da Venezia\", a cura di G. Dal Canton. 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Rivista di Linguistica, Letteratura e Comunicazione», 6, 2022, pp. 69-86.</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="38709889" href="https://sns.academia.edu/ChiaraPORTESINE">Chiara PORTESINE</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Expressio, 2022</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Poemi\u0026(s)oggetti: Giulia Niccolai e il decentramento dello sguardo, tra mito, arti figurative ed estetica pubbliciataria, in «Expressio. Rivista di Linguistica, Letteratura e Comunicazione», 6, 2022, pp. 69-86.","attachmentId":103981965,"attachmentType":"pdf","work_url":"https://www.academia.edu/104187673/Poemi_and_s_oggetti_Giulia_Niccolai_e_il_decentramento_dello_sguardo_tra_mito_arti_figurative_ed_estetica_pubbliciataria_in_Expressio_Rivista_di_Linguistica_Letteratura_e_Comunicazione_6_2022_pp_69_86","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/104187673/Poemi_and_s_oggetti_Giulia_Niccolai_e_il_decentramento_dello_sguardo_tra_mito_arti_figurative_ed_estetica_pubbliciataria_in_Expressio_Rivista_di_Linguistica_Letteratura_e_Comunicazione_6_2022_pp_69_86"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" 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Critica d'arte di letterati tra Otto e Novecento, a cura di Matteo Basora e Manuele Marinoni, prefazione di Clelia Martignoni, Pavia, TCP, 2016</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="95873796" href="https://unimc.academia.edu/MBasora">Matteo Basora</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Sorpresi a scrivere di immagini». Critica d'arte di letterati tra Otto e Novecento, a cura di Matteo Basora e Manuele Marinoni, prefazione di Clelia Martignoni, Pavia, TCP, 2016","attachmentId":57635613,"attachmentType":"pdf","work_url":"https://www.academia.edu/37649630/Sorpresi_a_scrivere_di_immagini_Critica_darte_di_letterati_tra_Otto_e_Novecento_a_cura_di_Matteo_Basora_e_Manuele_Marinoni_prefazione_di_Clelia_Martignoni_Pavia_TCP_2016","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-related-work-grid-card-view-pdf" href="https://www.academia.edu/37649630/Sorpresi_a_scrivere_di_immagini_Critica_darte_di_letterati_tra_Otto_e_Novecento_a_cura_di_Matteo_Basora_e_Manuele_Marinoni_prefazione_di_Clelia_Martignoni_Pavia_TCP_2016"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-related-work-sidebar-card" data-collection-position="17" data-entity-id="25493169" data-sort-order="default"><a class="ds-related-work--title js-related-work-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/25493169/Giovanna_Bonasegale_L_opera_al_nero_immagini_dalla_pittura_in_Elogio_al_nero_Margherite_Yourcenar_l_opera_al_nero_la_sua_alchimia_attraverso_le_arti_Roma_2005_pp_52_59">Giovanna Bonasegale "L’opera al nero: immagini dalla pittura", in Elogio al nero. 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