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47 Canal at 13: As the Tastemaking New York Gallery Grows Up, a Founder Exits

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left: auto; z-index: 1;}.gm-navbar #gm-main-menu {flex-grow: 1; display: flex;}.gm-navbar .gm-main-menu-wrapper {flex-grow: 1; align-items: stretch;}.gm-navbar.gm-top-links-align-left #gm-main-menu {justify-content: flex-start;}.gm-navbar.gm-top-links-align-center #gm-main-menu {justify-content: center;}.gm-navbar.gm-top-links-align-center .gm-logo {position: absolute; top: 50%; transform: translateY(-50%);}.gm-navbar.gm-top-links-align-right #gm-main-menu {justify-content: flex-end;}.gm-navbar .gm-toolbar-bg {position: absolute; top: 0; left: 0; width: 100%; height: 100%; transition: opacity 0.2s; z-index: -1;}.gm-navbar .gm-navbar-nav > .gm-menu-item > .gm-anchor > .gm-caret i {transform: none;}.gm-navbar .gm-navbar-nav > .gm-dropdown > .gm-dropdown-menu-wrapper {top: 100%;}.gm-navbar .gm-logo a img {transition: height 0.2s, line-height 0.2s;}.gm-navbar .gm-search {transition: height 0.2s, line-height 0.2s;}}@media (min-width: 1024px) {.gm-dropdown-appearance-animate-from-bottom .gm-dropdown > .gm-dropdown-menu-wrapper {transition: all 0.2s; transform: translateY(40px);}.gm-dropdown-appearance-animate-from-bottom .gm-dropdown.gm-open > .gm-dropdown-menu-wrapper {visibility: visible; transform: translateY(0); opacity: 1;}}@media (min-width: 1024px) {.gm-navbar .gm-dropdown-menu .gm-dropdown-toggle .gm-caret {font-size: 11px}}.gm-navbar:not(.gm-navbar-sticky-toggle) .gm-navbar-nav > li.current-menu-item > .gm-anchor, .gm-navbar:not(.gm-navbar-sticky-toggle) .gm-navbar-nav > li.current-menu-ancestor > .gm-anchor, .gm-navbar:not(.gm-navbar-sticky-toggle) .gm-navbar-nav > li.current-page-ancestor > .gm-anchor, .gm-navbar:not(.gm-navbar-sticky-toggle) .gm-navbar-nav > li.current-menu-parent > .gm-anchor, .gm-navbar:not(.gm-navbar-sticky-toggle) .gm-navbar-nav > .menu-item > .gm-anchor:hover, .gm-navbar:not(.gm-navbar-sticky-toggle) .gm-navbar-nav > .menu-item.gm-open > .gm-anchor {color: rgba(90, 90, 90, 1) !important}@media (min-width: 1024px) {.gm_action__visibility__mobile {display: none !important;}}@media (max-width: 1023px) {.gm_action__visibility__desktop {display: none !important;}}.gm-dropdown-menu, .gm-minicart-dropdown {transition: all 0.17s;}@media (min-width: 1024px) {.gm-navbar--shadow-dropdown-tiny.gm-navbar--has-shadow-dropdown .gm-dropdown-menu {box-shadow: 0 3px 6px 0 rgba(0, 0, 0, 0.1);}.gm-navbar--shadow-dropdown-medium.gm-navbar--has-shadow-dropdown .gm-dropdown-menu {box-shadow: 0 8px 15px 0 rgba(0, 0, 0, 0.1);}.gm-navbar--shadow-dropdown-large.gm-navbar--has-shadow-dropdown .gm-dropdown-menu {box-shadow: 0 12px 30px 10px rgba(0, 0, 0, 0.1), 0 2px 4px 1px rgba(0, 0, 0, 0.1);}.gm-navbar--shadow-dropdown-deep.gm-navbar--has-shadow-dropdown .gm-dropdown-menu {box-shadow: 0px 5px 15px 3px rgba(0, 0, 0, 0.1), 0 3px 4px 2px rgba(0, 0, 0, 0.1);}}.gm-navbar, .gm-main-menu-wrapper, .gm-navigation-drawer {font-family: inherit}.gm-navbar:not(.gm-navbar-sticky-toggle) .gm-inner-bg, .gm-padding {background-color: rgba(255, 255, 255, 1)}@media (min-width: 1024px) {.gm-padding {padding-top: 44px}}@media (max-width: 1023px) {.gm-padding {padding-top: 50px}}.gm-navbar:not(.gm-navbar-sticky-toggle) .gm-inner {border-bottom-color: rgba(0, 0, 0, 0); border-bottom-width: 0px}.gm-navbar ~ .gm-main-menu-wrapper .gm-menu-item__icon, .gm-navbar .gm-main-menu-wrapper .gm-menu-item__icon, .gm-toolbar-nav-container .gm-menu-item__icon {margin-right: 8px;}.gm-main-menu-wrapper .gm-navbar-nav .gm-menu-item__icon {display: none}@media (min-width: 1024px) {.gm-main-menu-wrapper .gm-navbar-nav > .gm-dropdown:not(.mega-gm-dropdown) .gm-dropdown-menu {min-width: 230px}}@media (min-width: 1024px) {.gm-navbar #gm-toolbar .gm-toolbar-social-link:hover {color: rgba(165, 226, 94, 1) !important}.gm-navbar .gm-main-menu-wrapper .gm-actions .gm-toolbar-social-link:hover {color: rgba(165, 226, 94, 1) !important}}@media (min-width: 1024px) {.gm-navbar:not(.gm-navbar-sticky-toggle) .gm-logo__img-default {display: flex;}}@media (min-width: 1024px) {.gm-navbar:not(.gm-navbar-sticky-toggle) .gm-logo__img-alt {display: none;}}@media (min-width: 1024px) {.gm-main-menu-wrapper #gm-main-menu .gm-navbar-nav > .menu-item > .gm-anchor {color: rgba(90, 90, 90, 1)}}@media (min-width: 1024px) {.gm-navbar:not(.gm-navbar-sticky-toggle) .gm-main-menu-wrapper .gm-nav-inline-divider {background-color: rgba(90, 90, 90, 1)}.gm-navbar--has-divider .gm-navbar-nav > li:not(:last-of-type) > .gm-anchor {position: relative;}.gm-navbar--has-divider .gm-navbar-nav > li:not(:last-of-type) > .gm-anchor::before {position: absolute; width: 1px; height: 30px; opacity: 0.25; content: ""; top: 50%; right: 0; transform: translateY(-50%);}.gm-navbar.gm-navbar--has-divider:not(.gm-navbar-sticky-toggle) .gm-main-menu-wrapper .gm-navbar-nav > li:not(:last-of-type) > .gm-anchor::before {background-color: rgba(90, 90, 90, 1)}}@media (min-width: 1024px) {.gm-main-menu-wrapper #gm-main-menu .gm-navbar-nav .gm-dropdown-menu .gm-menu-item__link {color: rgba(110, 110, 111, 1)}}@media (min-width: 1024px) {.gm-main-menu-wrapper #gm-main-menu .gm-navbar-nav .gm-dropdown-menu .gm-menu-item__link:hover {color: rgba(214, 73, 111, 1) !important}.gm-main-menu-wrapper #gm-main-menu .gm-navbar-nav .gm-dropdown-menu .gm-mega-menu-title-item > .gm-mega-menu__item__title:hover .gm-anchor:not(.gm-anchor--empty) .gm-menu-item__txt {color: rgba(214, 73, 111, 1)}}@media (min-width: 1024px) {.gm-main-menu-wrapper #gm-main-menu .gm-navbar-nav .gm-dropdown-menu li.current-menu-ancestor > .gm-menu-item__link, .gm-main-menu-wrapper #gm-main-menu .gm-navbar-nav .gm-dropdown-menu li.current-page-ancestor > .gm-menu-item__link, .gm-main-menu-wrapper #gm-main-menu .gm-navbar-nav .gm-dropdown-menu li.current-menu-item > .gm-menu-item__link {color: rgba(204, 32, 59, 1)}.gm-main-menu-wrapper #gm-main-menu .gm-navbar-nav .gm-dropdown-menu .gm-mega-menu__item.current-menu-ancestor > .gm-mega-menu__item__title .gm-menu-item__txt, .gm-main-menu-wrapper #gm-main-menu .gm-navbar-nav .gm-dropdown-menu .gm-mega-menu__item.current-page-ancestor > .gm-mega-menu__item__title .gm-menu-item__txt, .gm-main-menu-wrapper #gm-main-menu .gm-navbar-nav .gm-dropdown-menu .gm-mega-menu__item.current-menu-item > .gm-mega-menu__item__title .gm-menu-item__txt {color: rgba(204, 32, 59, 1)}}@media (min-width: 1024px) {.gm-main-menu-wrapper .gm-mega-menu__item__title, .gm-main-menu-wrapper .gm-mega-menu__item__title .gm-menu-item__txt {color:rgba(110, 110, 111, 1)}}.gm-navigation-drawer {background-color: rgba(255, 255, 255, 1);}.gm-mobile-submenu-style-slider .gm-navbar-nav .gm-dropdown-menu-wrapper {background-color: rgba(255, 255, 255, 1);}.gm-navigation-drawer .gm-anchor, .gm-navigation-drawer .gm-mega-menu__item__title, .gm-navigation-drawer--mobile .gm-navbar-nav .gm-dropdown-menu-title {color: rgba(90, 90, 90, 1) !important}.gm-navigation-drawer .gm-anchor, .gm-navigation-drawer .gm-mega-menu__item__title {border-bottom: 1px dotted rgba(90, 90, 90, 1)}.gm-navigation-drawer .gm-divider--vertical {border-color: rgba(90, 90, 90, 1)}@media (max-width: 1023px) {.gm-navbar .gm-container {flex-direction: row-reverse !important;}}@media (max-width: 1023px) {.gm-navigation-drawer .gm-search, .gm-navigation-drawer .gm-minicart {color: rgb(90, 90, 90, 1) !important;}}.gm-navigation-drawer .gm-anchor:hover, .gm-navigation-drawer li.current-menu-parent > .gm-anchor, .gm-navigation-drawer li.current-menu-item > .gm-anchor {color: rgba(90, 90, 90, 1) !important}.gm-navigation-drawer--mobile .gm-mobile-menu-container {z-index: 20;}.gm-navigation-drawer--mobile .gm-menu-btn.gm-hamburger-close {display: block; position: relative; margin-top: 8px; margin-bottom: 8px; z-index: 10; width: 24px; height: 24px;}.gm-navigation-drawer--mobile .gm-menu-btn.gm-hamburger-close .gm-menu-btn__inner {display: block; box-sizing: content-box; text-align: center;}.gm-navigation-drawer--mobile.gm-navigation-drawer--right .gm-menu-btn.gm-hamburger-close {margin-right: auto; margin-left: 0;}.gm-navigation-drawer--mobile.gm-navigation-drawer--left .gm-menu-btn.gm-hamburger-close {margin-right: 0; margin-left: auto;}.gm-navigation-drawer--mobile {max-width: 100%; width: 100%;}.gm-navigation-drawer--mobile {overflow: visible;}.gm-navigation-drawer--mobile .gm-burger {position: absolute;}.gm-navigation-drawer--mobile.gm-navigation-drawer--right .gm-burger {right: calc( 100% + 16px );}.gm-navigation-drawer--mobile.gm-navigation-drawer--left .gm-burger {left: calc( 100% + 16px );}.gm-navigation-drawer--open .gm-burger {margin-top: 8px !important; z-index: 10;}.gm-navigation-drawer--open.gm-navigation-drawer--right .gm-burger {right: calc( 100% - 24px );}.gm-navigation-drawer--open.gm-navigation-drawer--left .gm-burger {left: calc( 100% - 24px );}@media (max-width: 1023px) {.gm-navigation-drawer--open .gm-burger .hamburger-inner, .gm-navigation-drawer--open .gm-burger .hamburger-inner::after, .gm-navigation-drawer--open .gm-burger .hamburger-inner::before {background-color: rgba(104, 104, 104, 1) !important;}.gm-navigation-drawer .gm-hamburger-close .gm-menu-btn__inner {color: rgba(104, 104, 104, 1);}}@media (max-width: 1023px) {.gm-navigation-drawer--open .gm-burger .hamburger-box, .gm-navigation-drawer--open .gm-burger .hamburger-inner, .gm-navigation-drawer--open .gm-burger .hamburger-inner::after, .gm-navigation-drawer--open .gm-burger .hamburger-inner::before {width: 24px !important;}.gm-navigation-drawer--open .gm-burger .hamburger-box {height: 24px !important;}.gm-navigation-drawer .gm-hamburger-close .gm-menu-btn__inner {width: 24px; height: 24px;}.gm-navigation-drawer .gm-hamburger-close .gm-menu-btn__inner > i {font-size: 24px; width: 24px; height: 24px;}}@media (max-width: 1023px) {.gm-navigation-drawer--open .gm-burger {background-color: rgba(0, 0, 0, 0) !important;}.gm-navigation-drawer .gm-hamburger-close .gm-menu-btn__inner {background-color: rgba(0, 0, 0, 0);}}@media (max-width: 1023px) {.gm-navigation-drawer--mobile .gm-menu-btn-close-mobile-drawer {padding: 12px 0px 12px 0px;}}@media (max-width: 1023px) {.gm-navigation-drawer--mobile .gm-menu-btn-close-mobile-drawer {display: flex; flex-wrap: nowrap; flex-direction: row; align-content: center; justify-content: flex-start; flex: 0; width: 100%;}}@media (max-width: 1023px) {.gm-menu-btn-close-mobile-drawer .hamburger {padding: 0; cursor: pointer; justify-content: center; padding: 0; min-width: 24px;}.gm-menu-btn-close-mobile-drawer .hamburger .hamburger-box, .gm-menu-btn-close-mobile-drawer .hamburger .hamburger-inner, .gm-menu-btn-close-mobile-drawer .hamburger .hamburger-inner::after, .gm-menu-btn-close-mobile-drawer .hamburger .hamburger-inner::before {width: 24px;}.gm-menu-btn-close-mobile-drawer .hamburger .hamburger-box {height: 24px;}.gm-menu-btn-close-mobile-drawer .gm-menu-btn__inner {font-size: 24px;}}@media (max-width: 1023px) {.gm-menu-btn-close-mobile-drawer .hamburger .hamburger-inner, .gm-menu-btn-close-mobile-drawer .hamburger .hamburger-inner::after, .gm-menu-btn-close-mobile-drawer .hamburger .hamburger-inner::before {height: 3px;}}@media (max-width: 1023px) {.gm-menu-btn-close-mobile-drawer .hamburger .hamburger-inner, .gm-menu-btn-close-mobile-drawer .hamburger .hamburger-inner::after, .gm-menu-btn-close-mobile-drawer .hamburger .hamburger-inner::before {background-color: rgba(104, 104, 104, 1);}.gm-menu-btn-close-mobile-drawer .gm-menu-btn__inner {color: rgba(104, 104, 104, 1);}}@media (max-width: 1023px) {.gm-menu-btn-close-mobile-drawer .hamburger {background-color: rgba(0, 0, 0, 0);}.gm-menu-btn-close-mobile-drawer .gm-menu-btn__inner {background-color: rgba(0, 0, 0, 0);}}@media (max-width: 1023px) {.gm-anchor, .gm-mega-menu__item__title {padding:9px 0;}.gm-navigation-drawer .gm-caret {position: absolute; right: 0; height: 38px; top: auto; padding: calc( 9px + 3px ) 0 9px 18px; min-width: 50px;}.gm-navigation-drawer .gm-dropdown > .gm-anchor {position: relative;}.gm-navigation-drawer .gm-dropdown > .gm-anchor .gm-menu-item__txt-wrapper {padding-right: 50px;}}.gm-navigation-drawer--mobile.gm-navigation-drawer--right {transform: translate3d(calc( 100% ), 0, 0); right: 0}@media (max-width: 1023px) {.gm-hide-on-mobile {display: none;}.gm-hide-on-mobile-by-option {display: none !important;}}@media (max-width: 1023px) {.gm-inner .gm-container {height: 50px;}}@media (max-width: 1023px) {.gm-navigation-drawer--mobile .gm-navbar-nav > .gm-menu-item > .gm-anchor, .gm-navigation-drawer--mobile .gm-navbar-nav .gm-dropdown-menu-title {font-size: 12px}}@media (max-width: 1023px) {.gm-navigation-drawer--mobile .gm-navbar-nav > .gm-menu-item > .gm-anchor, .gm-navigation-drawer--mobile .gm-navbar-nav .gm-dropdown-menu-title {text-transform: uppercase}}@media (max-width: 1023px) {.gm-navigation-drawer--mobile .gm-dropdown-menu .gm-anchor {font-size: 11px}}@media (max-width: 1023px) {.gm-navigation-drawer--mobile .gm-dropdown-menu .gm-anchor {text-transform: uppercase}}@media (min-width: 1024px) {.gm-main-menu-wrapper .gm-navbar-nav > li > .gm-anchor {font-size: 14px}}@media (min-width: 1024px) {.gm-main-menu-wrapper .gm-menu-item__link {font-size: 11px}}@media (min-width: 1024px) {.gm-main-menu-wrapper .gm-navbar-nav > li > .gm-anchor {text-transform: uppercase}}@media (min-width: 1024px) {.gm-main-menu-wrapper .gm-menu-item__link {text-transform: uppercase}}@media (min-width: 1024px) {.gm-main-menu-wrapper .gm-mega-menu__item__title, .gm-main-menu-wrapper .gm-mega-menu__item__title .gm-menu-item__txt {text-transform: uppercase}}@media (min-width: 1024px) {.gm-main-menu-wrapper .gm-mega-menu__item__title, .gm-main-menu-wrapper .gm-mega-menu__item__title .gm-menu-item__txt {font-size: 13px}}#lang_sel_click {display: none}@media (max-width: 1023px) {.gm-navbar .gm-logo {flex: 1 1; justify-content: flex-start;}}@media (min-width: 1024px) {.gm-burger {display: none;}}@media (max-width: 1023px) {.gm-burger {display: block;}}@media (min-width: 1024px) {.gm-menu-btn__inner {color: rgba(104, 104, 104, 1);}.gm-menu-actions-wrapper a.gm-minicart-link {color: rgba(104, 104, 104, 1) !important;}}@media (min-width: 1024px) {.gm-menu-btn__inner {font-size: 24px;}}@media (min-width: 1024px) {.gm-menu-btn__inner {background-color: rgba(0, 0, 0, 0);}}@media (max-width: 1023px) {.gm-menu-btn__inner {color: rgba(104, 104, 104, 1);}.gm-menu-actions-wrapper .gm-search > .gm-icon {color: rgba(104, 104, 104, 1);}.gm-menu-actions-wrapper a {color: rgba(104, 104, 104, 1);}.gm-menu-actions-wrapper a.gm-minicart-link {color: rgba(104, 104, 104, 1) !important;}.gm-burger .hamburger-inner, .gm-burger .hamburger-inner::after, .gm-burger .hamburger-inner::before {background-color: rgba(104, 104, 104, 1);}.gm-burger.hamburger.is-active .hamburger-inner, .gm-burger.hamburger.is-active .hamburger-inner::after, .gm-burger.hamburger.is-active .hamburger-inner::before {background-color: rgba(104, 104, 104, 1);}}@media (max-width: 1023px) {.gm-navbar .gm-menu-actions-wrapper .gm-minicart {display: none;}}@media (max-width: 1023px) {.gm-navbar .gm-menu-actions-wrapper .gm-search {display: none;}}@media (min-width: 1024px) {.gm-navbar ~ .gm-navbar ~ .gm-main-menu-wrapper .gm-actions > .gm-search {display: none;}.gm-navbar .gm-menu-actions-wrapper > .gm-search {display: none;}}@media (min-width: 1024px) {.gm-navbar ~ .gm-main-menu-wrapper .gm-actions > .gm-minicart {display: none;}.gm-navbar .gm-menu-actions-wrapper > .gm-minicart {display: none;}}@media (max-width: 1023px) {.gm-menu-btn__inner, .gm-navbar .gm-menu-actions-wrapper .gm-minicart .gm-icon {font-size: 24px;}.gm-navbar .gm-menu-actions-wrapper .gm-search > .gm-icon {font-size: 24px;}.gm-burger .hamburger-box, .gm-burger .hamburger-inner, .gm-burger .hamburger-inner::after, .gm-burger .hamburger-inner::before {width: 24px;}.gm-burger .hamburger-box {height: 24px;}}@media (max-width: 1023px) {.gm-menu-btn__inner, .gm-burger {background-color: 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class="-mt-2 text-3xl">Price Database</h1></div><div class="hidden pl-4 print:flex print:h-7 print:flex-initial print:items-center print:justify-between print:text-xs print:text-neutral-400"><div>28 November 2024</div></div></header><header class="h-[56px] lg:h-[123px] print:hidden"><div class="hidden js_GlobalHeader bg-white duration-700 lg:block dark:bg-black border-b-[1px] border-neutral-200 fixed top-0 left-0 right-0 transition ease-in-out z-[1500]"><div><div class="js_GlobalHeaderDesktop mx-auto bg-white px-8 pt-8 dark:bg-black" style="max-width:137.2rem"><div class="relative" data-headlessui-state=""><div><div class="flex items-center justify-center pb-6"><a href="https://www.artnet.com/" class="js_ArtnetLogo"><svg class="inline-block h-6 fill-brand-black -ml-[0.6rem] fill-black dark:fill-white" viewBox="0 0 118 32" xmlns="http://www.w3.org/2000/svg"><path d="M23.599 27.7727L23.6973 31.4101C22.7865 31.5507 21.8657 31.6164 20.9441 31.6068C18.2401 31.6068 16.7651 30.3287 16.5193 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6.83257H54.8235V10.5192H49.8087V25.7573C49.8087 27.3794 50.5462 27.6743 52.3652 27.6743C53.1243 27.6502 53.8803 27.568 54.6268 27.4286L54.7251 31.4101C53.8325 31.5695 52.9278 31.6517 52.0211 31.6559C47.4488 31.6559 45.433 29.8863 45.433 25.9048V10.5192H41.8932V6.83257H45.433V0H49.8087V6.83257ZM76.9475 8.99539C78.8158 11.0108 78.865 14.2058 78.865 16.8111V31.4101H74.2927V17.0568C74.2927 14.7957 74.3418 12.7803 72.8177 11.3548C71.4411 9.97849 69.8187 9.92934 68.4421 9.92934C66.2788 9.92934 62.0507 10.8141 62.0507 17.8433V31.4101H57.6259V6.83257H62.0507V10.5684C63.2798 7.81567 65.6889 6.2427 69.622 6.2427C72.8669 6.2427 75.1776 7.1275 76.9475 8.99539ZM102.611 11.1091C104.086 13.4685 104.873 16.9585 104.676 20.4485H86.0381C86.1364 25.8556 88.398 28.4608 93.0195 28.4608C97.1985 28.4608 99.46 26.6912 100.05 22.9555L104.327 23.2995C103.246 29.0507 99.3125 32 93.0735 32C89.2879 32 86.338 30.8694 84.2239 28.4117C82.159 26.1014 81.2249 22.9063 81.2249 19.0722C81.2249 15.4347 82.2573 12.2396 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6-6"></path></svg></button><div hidden="" style="display:none"><div class="absolute top-full z-[1500] mt-4 -ml-4 border-[1px] border-neutral-200 bg-white shadow-lg dark:bg-black" id="headlessui-popover-panel-undefined" tabindex="-1" data-headlessui-state=""><ul class="relative flex w-fit flex-col"><li class="light:hover:bg-neutral-100 mx-3 block w-fit whitespace-nowrap py-2 text-[.9375rem] font-normal"><a href="https://www.artnet.com/artists/" class="js_NavLink dark:text-white" data-testid="browse-artists">Browse Artists</a></li><li class="light:hover:bg-neutral-100 mx-3 block w-fit whitespace-nowrap py-2 text-[.9375rem] font-normal"><a href="https://www.artnet.com/auctions/" class="js_NavLink dark:text-white" data-testid="artnet-auctions">Artnet Auctions</a></li><li class="light:hover:bg-neutral-100 mx-3 block w-fit whitespace-nowrap py-2 text-[.9375rem] font-normal"><a href="https://www.artnet.com/galleries/" class="js_NavLink dark:text-white" data-testid="galleries">Browse 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<div class="widget-area" data-num-slides=> <ul class="list-unstyled"><li class="artnet-ads-ad widget-1 widget-odd widget-container piklist-universal-widget"><div class="artnet-ads-ad widget-1 widget-odd widget"><div id="leaderboardtest-2506137-674822a0b5391-hidden" data-slot="leaderboardtest" class="artnet-ad"></div> </div></li><li class="artnet-ads-ad widget-2 widget-even widget-alt widget-container piklist-universal-widget"><div class="artnet-ads-ad widget-2 widget-even widget-alt widget"><div id="Teads_inRead-2506137-674822a0b541b-hidden" data-slot="Teads_inRead" class="artnet-ad"></div> </div></li></ul> </div> <style> .artnet-ad iframe { max-width: 100% !important; margin: 0rem auto !important; } </style> <div class="container custom-container-setting"> <div class="row adjust-article article-B-hide-sidebar"> <article class="article-wrapper post-type-post format-standard" id="post-2506137"> <div class="col-md-12"> <div class="flex-columns row"> <div class="article-content col-md-12 "> <div class="article-header"> <h5 class="article-category h5"> <a href="https://news.artnet.com/market/galleries">Galleries</a> <svg class="article-tag-icon" aria-label="Pro" viewBox="0 0 194.3 104.7"><use href="#pro-icon"></svg> <data id="premium_article_2506137" value="1" /> </h5> <h1 class="article-title h1">47 Canal at 13: As the Tastemaking New York Gallery Grows Up, a Founder Exits</h1> <p class="article-blurb">The trailblazing enterprise is opening its new SoHo location today, without Margaret Lee.</p> </div> <figure class="article-image"> <div class="featured-img-main"> <img fetchpriority="high" srcset=" https://news.artnet.com/app/news-upload/2024/06/AY_AurasOrgasmsAndNervousPeaches_AY-11-SC-011_3-220x200.jpg 220w, https://news.artnet.com/app/news-upload/2024/06/AY_AurasOrgasmsAndNervousPeaches_AY-11-SC-011_3-256x256.jpg 256w, https://news.artnet.com/app/news-upload/2024/06/AY_AurasOrgasmsAndNervousPeaches_AY-11-SC-011_3-380x300.jpg 380w, https://news.artnet.com/app/news-upload/2024/06/AY_AurasOrgasmsAndNervousPeaches_AY-11-SC-011_3-608x480.jpg 608w, https://news.artnet.com/app/news-upload/2024/06/AY_AurasOrgasmsAndNervousPeaches_AY-11-SC-011_3-750x550.jpg 750w, https://news.artnet.com/app/news-upload/2024/06/AY_AurasOrgasmsAndNervousPeaches_AY-11-SC-011_3-1024x868.jpg 1024w " sizes="(max-width: 220px) 100vw, (max-width: 256px) 100vw, (max-width: 380px) 100vw, (max-width: 608px) 100vw, (max-width: 750px) 100vw, (max-width: 1024px) 100vw, 1024px" src="https://news.artnet.com/app/news-upload/2024/06/AY_AurasOrgasmsAndNervousPeaches_AY-11-SC-011_3-1024x868.jpg" width="1024" height="1024" alt="A small white room stands in another white room. Yellow liquid drips down its side in three places." title="A small white room stands in another white room. Yellow liquid drips down its side in three places." /> </div> <figcaption>Installation view of Anicka Yi's 2011 exhibition "SOUS-VIDE" at 47 Canal's original address, 47 Canal Street in New York. Image courtesy of the artist and 47 Canal. Photo by Joerg Lohse.</figcaption> </figure> </div> </div> <div class="flex-columns row"> <div class="article-content col-md-9"> <div class="flex-columns row"> <div class="col-md-12 col-md-push-2 push-unset"> <div class="container-adjust"> <div class="shares-content-width"> <p class="article-byline"> <a href="https://news.artnet.com/about/andrew-russeth-39227">Andrew Russeth</a> <span class="dots"></span> <time datetime="2024-07-03T05:24:49-04:00" title="Jul 3, 2024 1:24 AM">July 3, 2024</time> <span class="dots"></span> <span class="a2a_dd share-header" role="button"> <a class="a2a_dd addtoany_share_save addtoany_share" href="https://www.addtoany.com/share" data-a2a-url="https://news.artnet.com/market/47-canal-soho-move-2506137" data-a2a-title="47 Canal at 13: As the Tastemaking New York Gallery Grows Up, a Founder Exits"><img src="/app/themes/artnet-news/assets/img/share.svg" alt="Share"></a> <span class="hidden-sm hidden-md hidden-lg">Share</span><span class="hidden-xs">Share This Article</span> </span> </p> </div> <div class="article-body article-tmpl-b article-content-b" data-post-id="2506137"> <p style="font-weight: 400;">“Artists tend to show up in gangs,” the critic Peter Schjeldahl <a href="https://www.newyorker.com/magazine/2002/06/10/the-art-of-the-matter" target="_blank" rel="noopener">once pointed out</a>. “You come to the city with your friends, meet other friends, hang out in bars, become a group.” Competition and cooperation ensue, and ideally, someone at some point starts a gallery to help sustain the scene. It will probably fail—most of them do—but if things work out just so, history just might get made.</p><div class=" hidden-s hidden-xs"><div class="condensed-newsletter-signup"> <div class="trigger-wrapper"> <h3>The best of Artnet News in your inbox.</h3> <p><a class="condensed-newsletter-trigger" href="#">Sign up for our daily newsletter.</a></p> </div> <ul class="form-container list-unstyled hidden"> <li class="theme-newsletter-signup"> <div class="theme-newsletter-signup widget"> <form class="newsletter-signup-form" action="https://www.artnet.com/api/subscriptions" method="POST"> <div class="newsletter-form-content"> <h2 class="widgettitle"> The best of Artnet News in your inbox. </h2> <div class="widgethint"> Sign up for our daily newsletter. </div> <input type="hidden" name="Source" class="source" value="artnetnews"> <div class="form-group text"> <input type="text" name="Email" class="signup-email form-control" placeholder="Enter your email"> <div class="form-group buttons"> <input type="submit" class="btn btn-primary btn-xs btn-block text-center" value="Subscribe"> </div> </div> <div class="errors"> <div class="invalid-email">Please enter a valid email address</div> <div class="signup-failed">Signup failed. Please try again later.</div> </div> </div> <div class="newsletter-signup-thank-you"> <header>Thank you!</header> <main>You have successfully subscribed to Artnet News.</main> </div> </form> </div> </li> </ul> </div> </div><div class="embedded-ad visible-sm visible-xs"><div id="embed-full-1-2506137-0-hidden-xyz" data-slot="embed-full-1" class="artnet-ad"></div></div> <p style="font-weight: 400;">Take the case of 47 Canal. Opened in 2011 by art dealer Oliver Newton and artist Margaret Lee on the second floor of that address in Manhattan’s Chinatown, it quickly presented the first New York solo shows of a group of artists who would become stars. Anicka Yi built an installation with <a href="https://47canal.us/exhibitions/sous-vide" target="_blank" rel="noopener">olive oil leaking</a> from a white wall. Josh Kline filled French press coffee pots <a href="https://47canal.us/exhibitions/dignity-and-self-respect" target="_blank" rel="noopener">with sickly mixtures</a> like Coke Zero and ibuprofen. Antoine Catala conjured <a href="https://observer.com/2012/02/at-47-canal-antoine-catala-looks-at-the-meaning-of-catastrophes/" target="_blank" rel="noopener">a beguiling hologram</a> of a cat. Artists swung for the fences in <a href="https://news.artnet.com/market/47-canal-gallery-is-returning-to-47-canal-street-1050428" target="_blank" rel="noopener">that compact, 1,400-square-foot space</a>, addressing heady, precarious, and bewildering times with freethinking élan. Anything seemed possible there.</p><div class=" visible-s visible-xs"><div class="condensed-newsletter-signup"> <div class="trigger-wrapper"> <h3>The best of Artnet News in your inbox.</h3> <p><a class="condensed-newsletter-trigger" href="#">Sign up for our daily newsletter.</a></p> </div> <ul class="form-container list-unstyled hidden"> <li class="theme-newsletter-signup"> <div class="theme-newsletter-signup widget"> <form class="newsletter-signup-form" action="https://www.artnet.com/api/subscriptions" method="POST"> <div class="newsletter-form-content"> <h2 class="widgettitle"> The best of Artnet News in your inbox. </h2> <div class="widgethint"> Sign up for our daily newsletter. </div> <input type="hidden" name="Source" class="source" value="artnetnews"> <div class="form-group text"> <input type="text" name="Email" class="signup-email form-control" placeholder="Enter your email"> <div class="form-group buttons"> <input type="submit" class="btn btn-primary btn-xs btn-block text-center" value="Subscribe"> </div> </div> <div class="errors"> <div class="invalid-email">Please enter a valid email address</div> <div class="signup-failed">Signup failed. Please try again later.</div> </div> </div> <div class="newsletter-signup-thank-you"> <header>Thank you!</header> <main>You have successfully subscribed to Artnet News.</main> </div> </form> </div> </li> </ul> </div> </div> <p style="font-weight: 400;">“They were not so interested in mining the past but instead explored new material possibilities and shifting social realities that were beginning to be shaped by technology,” the curator Christopher Y. Lew, founder of <a href="https://curatorialoffice.art" target="_blank" rel="noopener">C/O: Curatorial Office</a>, told me of the artists that came together at 47. “I think it’s also important to note the number of artists of color they worked with from the outset, particularly of Asian descent.”</p> <div id="attachment_2506599" style="width: 1034px" class="wp-caption aligncenter"><img aria-describedby="caption-attachment-2506599" loading="lazy" class="size-large wp-image-2506599" src="https://news.artnet.com/app/news-upload/2024/06/Unemployment_Install_16-1024x683.jpg" alt="Two shopping carts hold glowing contents in a gray-walled gallery. A man on the floor appears to be wrapped in a plastic bag." width="1024" height="683" srcset="https://news.artnet.com/app/news-upload/2024/06/Unemployment_Install_16-1024x683.jpg 1024w, https://news.artnet.com/app/news-upload/2024/06/Unemployment_Install_16-300x200.jpg 300w, https://news.artnet.com/app/news-upload/2024/06/Unemployment_Install_16-1536x1024.jpg 1536w, https://news.artnet.com/app/news-upload/2024/06/Unemployment_Install_16-50x33.jpg 50w, https://news.artnet.com/app/news-upload/2024/06/Unemployment_Install_16.jpg 1600w" sizes="(max-width: 1024px) 100vw, 1024px"><p id="caption-attachment-2506599" class="wp-caption-text">Installation view of Josh Kline’s 2016 exhibition at 47 Canal, “Unemployment.” Image courtesy of the artist and 47 Canal, New York. Photo by Joerg Lohse.</p></div> <p style="font-weight: 400;">Last month, Kline opened an exhibition at the <a href="https://www.moca.org/exhibition/josh-kline-climate-change" target="_blank" rel="noopener">Museum of Contemporary Art</a> in Los Angeles, after <a href="https://www.google.com/search?client=safari&amp;rls=en&amp;q=josh+kline+whitney+artnet&amp;ie=UTF-8&amp;oe=UTF-8" target="_blank" rel="noopener">an acclaimed survey last year</a> at the Whitney Museum curated by Lew. In September, Yi will stage a show at the prestigious Leeum museum in Seoul, following <a href="https://news.artnet.com/art-world/anicka-yi-turbine-hall-commission-2019839" target="_blank" rel="noopener">a 2021 triumph</a> in Tate Modern’s Turbine Hall that involved robot balloon creatures. Catala’s <a href="https://www.labiennale.org/en/art/2019/partecipants/antoine-catala" target="_blank" rel="noopener">bizarro kinetic objects</a> hung at the entrance of the central pavilion of the Venice Biennale in 2019.</p><div class="embedded-ad visible-sm visible-xs"><div id="embed-full-2-2506137-4-hidden-xyz" data-slot="embed-full-2" class="artnet-ad"></div></div> <p style="font-weight: 400;">Even now, Newton and Lee seem slightly surprised by their success. They had started with just a one-year lease and a name that would be comically impractical if they ever decided to move. “I never thought we were going to exist past that point,” Lee explained one recent morning. In 2013, they did depart, for a far larger space at 291 Grand Street (again on the second floor), but they kept the name, and the business kept growing.</p> <p style="font-weight: 400;">Lee, who is 44, was sitting in a back room of 47 Canal’s newest location, a 6,500-square-foot space on the second floor of 59 Wooster Street, an 1890 building in SoHo with 12-and-a-half-foot ceilings. She’s charismatic, self-deprecating, and sprightly. “I am, like, feral in a way,” she said of her approach to the art field. “I’m one of the Lost Boys, right? Peter Pan and the Lost Boys. We’re just in our thing, and la-la-la, and all of a sudden, the adults are around.”</p> <div id="attachment_2506652" style="width: 1034px" class="wp-caption aligncenter"><img aria-describedby="caption-attachment-2506652" loading="lazy" class="size-large wp-image-2506652" src="https://news.artnet.com/app/news-upload/2024/06/GettyImages-1235817622-1024x681.jpg" alt="A photo shows two strange underwater-like creatures floating in a gigantic space." width="1024" height="681" srcset="https://news.artnet.com/app/news-upload/2024/06/GettyImages-1235817622-1024x681.jpg 1024w, https://news.artnet.com/app/news-upload/2024/06/GettyImages-1235817622-300x199.jpg 300w, https://news.artnet.com/app/news-upload/2024/06/GettyImages-1235817622-1536x1021.jpg 1536w, https://news.artnet.com/app/news-upload/2024/06/GettyImages-1235817622-2048x1361.jpg 2048w, https://news.artnet.com/app/news-upload/2024/06/GettyImages-1235817622-50x33.jpg 50w, https://news.artnet.com/app/news-upload/2024/06/GettyImages-1235817622-1920x1276.jpg 1920w" sizes="(max-width: 1024px) 100vw, 1024px"><p id="caption-attachment-2506652" class="wp-caption-text">Anicka Yi’s 2021 exhibition at Tate Modern in London. Photo by Nicky J. Sims/Getty Images.</p></div> <p style="font-weight: 400;">Newton, also 44, was there, too, warm but reserved in a Knicks hat and gray shirt, as was Jamie Kenyon, 39, a partner in the gallery that the couple hired away from <a href="https://www.instagram.com/gavinbrownsenterprise/?hl=en" target="_blank" rel="noopener">Gavin Brown’s Enterprise</a> in 2015. The three were discussing the transitional moment they now find themselves experiencing. When 47 hosts its first opening reception in SoHo tonight, for a group show with 10 Indigenous artists curated by the artist <a href="https://burchfieldpenney.org/art-and-artists/people/profile:g-peter-jemison/" target="_blank" rel="noopener">G. Peter Jemison</a> (Seneca, Heron Clan), Lee will be there as a member of the audience. She has retired.</p><div class="embedded-ad visible-sm visible-xs"><div id="embed-full-3-2506137-8-hidden-xyz" data-slot="embed-full-3" class="artnet-ad"></div></div> <p style="font-weight: 400;">“During Covid, it became very clear: I really just want to be an artist,” Lee said. “That’s what I’ve always wanted to be.” She had stopped going to art fairs years ago, and had gradually pulled back from the gallery, but now she has made it official. “I just felt very confident in everything that was built,” she said. When the move to SoHo was set, she said that she realized, “This is one of these once-in-a-lifetime moments. This is the opportunity for me. It’s all here. This is a gift.”</p> <p style="font-weight: 400;">The migration to SoHo really is one of those only-in-New York situations, and proof that, as sprawling and absurd as the art world has become, it can still be a small, collegial place. 47’s new home was previously the <a href="https://www.artbasel.com/catalog/gallery/1058/Alexander-and-Bonin?lang=en" target="_blank" rel="noopener">Alexander and Bonin</a> gallery (A&amp;B), where Newton worked from 2005 to 2010, and before that, the <a href="https://www.artbasel.com/catalog/gallery/1510/Brooke-Alexander-Inc?lang=en" target="_blank" rel="noopener">Brooke Alexander</a> gallery. (Before that, it was the Kitchen, where <a href="https://www.youtube.com/watch?v=-F94UMirSzc" target="_blank" rel="noopener">the Talking Heads</a> played <a href="https://thekitchen.org/on-file/live-at-the-kitchen/" target="_blank" rel="noopener">one of their first shows</a>, in 1976.) Carolyn Alexander, one of A&amp;B’s founders, is leasing the gallery to 47 while keeping the corner office for herself.</p> <div id="attachment_2506649" style="width: 854px" class="wp-caption aligncenter"><img aria-describedby="caption-attachment-2506649" loading="lazy" class="size-large wp-image-2506649" src="https://news.artnet.com/app/news-upload/2024/06/JAC_GatheringoftheNationspowwowfancydancer_JAC-94-PA-001-844x1024.jpg" alt="A vertical painting of many colors hangs on a white wall." width="844" height="1024" srcset="https://news.artnet.com/app/news-upload/2024/06/JAC_GatheringoftheNationspowwowfancydancer_JAC-94-PA-001-844x1024.jpg 844w, https://news.artnet.com/app/news-upload/2024/06/JAC_GatheringoftheNationspowwowfancydancer_JAC-94-PA-001-247x300.jpg 247w, https://news.artnet.com/app/news-upload/2024/06/JAC_GatheringoftheNationspowwowfancydancer_JAC-94-PA-001-1266x1536.jpg 1266w, https://news.artnet.com/app/news-upload/2024/06/JAC_GatheringoftheNationspowwowfancydancer_JAC-94-PA-001-41x50.jpg 41w, https://news.artnet.com/app/news-upload/2024/06/JAC_GatheringoftheNationspowwowfancydancer_JAC-94-PA-001.jpg 1400w" sizes="(max-width: 844px) 100vw, 844px"><p id="caption-attachment-2506649" class="wp-caption-text">Jay Carrier’s <em>Gathering of the Nations pow wow fancy dancer</em> (1994), on view in “Summer with Friends and Family,” now on view at 47 Canal. Image courtesy of the artist and 47 Canal. Photo by Joerg Lohse.</p></div> <p style="font-weight: 400;">Lee’s departure is intriguing because, despite her ambivalence about the art business, she is the one who set the whole enterprise in motion. In 2009, while working as Cindy Sherman’s artist assistant, she was running a scrappy project space called <a href="https://179canal.com/current/index.html" target="_blank" rel="noopener">179 Canal</a> in a free space that a landlord gave her at that address. In rapid succession there were shows and events with young guns like Kline, Yi, Kerstin Brätsch, Jared Madere, Boško Blagojević, Stewart Uoo, and many more.</p><div class="embedded-ad visible-sm visible-xs"><div id="embed-full-4-2506137-12-hidden-xyz" data-slot="embed-full-4" class="artnet-ad"></div></div> <p style="font-weight: 400;">“You know, it’s not like I want to be an art dealer,” Lee recalled thinking as 179’s yearlong run neared its end, “and it’s not that I want to keep running a space. However, isn’t it such a shame to stop now?” Artists were experimenting feverishly at 179, and they were finding a constituency. She could feel momentum building, and she wanted to start a gallery with 10 artists on its roster. She also knew just the person to do it with her. “Margaret asked me to start the gallery with her because she thought I knew how to run a gallery,” Newton said. They both laughed.</p> <p style="font-weight: 400;">The two had known each other for all of three months. Newton would come by 179 with A&amp;B’s preparator, Nolan Simon, a canny painter who would be among 47 Canal’s 10 initial artists. “It was one of those places at the time whose shows I didn’t feel like I could miss,” Simon said.</p> <p style="font-weight: 400;">“If it doesn’t work out, then you can always get another job, based on this experience,” Lee told Newton. Plus, “just working with artists directly, you can’t help but have your brain expanded. That’s the thing I always loved,” she said. Newton said no, then acquiesced. A&amp;B’s partners were supportive but a bit incredulous. “Who’s going to sell the art?” he remembers one asking him.</p><div class="embedded-ad visible-sm visible-xs"><div id="embed-full-5-2506137-15-hidden-xyz" data-slot="embed-full-5" class="artnet-ad"></div></div> <div id="attachment_2506599" style="width: 1034px" class="wp-caption aligncenter"><img aria-describedby="caption-attachment-2506599" loading="lazy" class="size-large wp-image-2506599" src="https://news.artnet.com/app/news-upload/2024/06/Unemployment_Install_16-1024x683.jpg" alt="Two shopping carts hold glowing contents in a gray-walled gallery. A man on the floor appears to be wrapped in a plastic bag." width="1024" height="683" srcset="https://news.artnet.com/app/news-upload/2024/06/Unemployment_Install_16-1024x683.jpg 1024w, https://news.artnet.com/app/news-upload/2024/06/Unemployment_Install_16-300x200.jpg 300w, https://news.artnet.com/app/news-upload/2024/06/Unemployment_Install_16-1536x1024.jpg 1536w, https://news.artnet.com/app/news-upload/2024/06/Unemployment_Install_16-50x33.jpg 50w, https://news.artnet.com/app/news-upload/2024/06/Unemployment_Install_16.jpg 1600w" sizes="(max-width: 1024px) 100vw, 1024px"><p id="caption-attachment-2506599" class="wp-caption-text">Installation view of Josh Kline’s 2016 exhibition at 47 Canal, “Unemployment.”<br>Image courtesy of the artist and 47 Canal, New York. Photo by Joerg Lohse.</p></div> <p style="font-weight: 400;">Lee also helped spot Kenyon’s potential. She met him at Art Basel in 2013, when he was operating <a href="http://jonathanhorowitz.us/misc/free-store-3/" target="_blank" rel="noopener">Jonathan Horowitz’s <em>Free Store</em></a>—a kind of free swap meet—for Gavin Brown in a tent that blew over at one point. Kenyon apparently responded with equanimity. “I was like, Wow, this guy,” Lee said. “Not everyone would have an attitude like that.”</p> <p style="font-weight: 400;">This guy had been to 47 when he visited the city a couple years earlier from Glasgow, having been tipped off by Matthew Higgs, the director of the New York alternative space White Columns. “I never will ever forget it,” Kenyon said. “He was like, You have to go to 47 Canal. It’s ‘New Art.’ I was like, What the fuck is that? Like, what is ‘New Art?’”</p> <p style="font-weight: 400;">Its art was bracingly new, but its approach has been fundamentally old school, in line with the ethos of its principals’ early supporters—A&amp;B, Brown, and Metro Pictures, where Sherman showed. All those (now-closed) galleries focused on a core group of artists while largely ignoring market trends. They resisted the pressure to open branches in a dozen cities and resort towns and to amass a roster big enough to please the taste of any billionaire.</p><div class="embedded-ad visible-sm visible-xs"><div id="embed-full-6-2506137-19-hidden-xyz" data-slot="embed-full-6" class="artnet-ad"></div></div> <div id="attachment_2506601" style="width: 1034px" class="wp-caption aligncenter"><img aria-describedby="caption-attachment-2506601" loading="lazy" class="size-large wp-image-2506601" src="https://news.artnet.com/app/news-upload/2024/06/Landscapes_Install_5-1024x683.jpg" alt="Two white walls in a gallery each hold one large painting of a landscape made with brushy, impressionistic marks" width="1024" height="683" srcset="https://news.artnet.com/app/news-upload/2024/06/Landscapes_Install_5-1024x683.jpg 1024w, https://news.artnet.com/app/news-upload/2024/06/Landscapes_Install_5-300x200.jpg 300w, https://news.artnet.com/app/news-upload/2024/06/Landscapes_Install_5-50x33.jpg 50w, https://news.artnet.com/app/news-upload/2024/06/Landscapes_Install_5.jpg 1200w" sizes="(max-width: 1024px) 100vw, 1024px"><p id="caption-attachment-2506601" class="wp-caption-text">An installation view of Trevor Shimizu’s 2020 exhibition at 47 Canal, “Landscapes.” Image courtesy of the artist and 47 Canal, New York. Photo by Joerg Lohse.</p></div> <p style="font-weight: 400;">47 has maintained a single address, has no Instagram account, no PR agency on retainer, and has added talent gradually, from 10 to just over two dozen today. There’s the ace painter Janiva Ellis, whose thorny paintings about race in the United States are heirs to Robert Colescott’s. There’s Emmanuel Louisnord Desir, who carves rhapsodically evocative figurative sculptures from wood. And there’s Cici Wu, whose homespun installations traffic in enigmatic narratives.</p> <p style="font-weight: 400;">Wu, who grew up in Hong Kong, came aboard while running an artist-run venue nearby with friend, called <a href="http://practicenyc.org" target="_blank" rel="noopener">Practice</a>. (A notable percentage of 47 artists have spaces or curated.) “Underneath the surface of a commercial gallery, it has also been a site that has interwoven a special living network, which brought warmth, inspiration, and support to me in New York,” Wu said.</p> <p>A lot of people mention that kind of support when they talk about 47. When Simon was mulling a major shift in his practice around 2011, he said, Lee and Newton “encouraged me to commit either way—not to hedge or half-ass a decision.”</p><div class="embedded-ad visible-sm visible-xs"><div id="embed-full-7-2506137-23-hidden-xyz" data-slot="embed-full-7" class="artnet-ad"></div></div> <p style="font-weight: 400;">Now Lee is joining the ranks of the artists that she has long counseled and championed. (She’s represented in New York by Jack Hanley Gallery, where earlier this year she showed <a href="https://www.jackhanley.com/exhibitions/life-lines" target="_blank" rel="noopener">playful and slippery abstract paintings</a>.) She recently removed her keys for the old 47 location from her keychain. “I almost cried,” Lee said. “It was just a lightness. I just knew it’s the right decision.” As she signed off, “I looked at the staff,” she told me, “and I said: Bring it!”</p> <div id="attachment_2506597" style="width: 1034px" class="wp-caption aligncenter"><img aria-describedby="caption-attachment-2506597" loading="lazy" class="size-large wp-image-2506597" src="https://news.artnet.com/app/news-upload/2024/06/Upon-Leaving-the-White-Dust_Install_2-1024x683.jpg" alt="A glowing white screen is at the back of a dark room. Small objects are on the floor." width="1024" height="683" srcset="https://news.artnet.com/app/news-upload/2024/06/Upon-Leaving-the-White-Dust_Install_2-1024x683.jpg 1024w, https://news.artnet.com/app/news-upload/2024/06/Upon-Leaving-the-White-Dust_Install_2-300x200.jpg 300w, https://news.artnet.com/app/news-upload/2024/06/Upon-Leaving-the-White-Dust_Install_2-50x33.jpg 50w, https://news.artnet.com/app/news-upload/2024/06/Upon-Leaving-the-White-Dust_Install_2.jpg 1200w" sizes="(max-width: 1024px) 100vw, 1024px"><p id="caption-attachment-2506597" class="wp-caption-text">Installation view of Cici Wu’s 2018 exhibition at 47 Canal, “Upon Leaving the White Dust.” Image courtesy of the artist and 47 Canal, New York. Photo by Joerg Lohse.</p></div> <p style="font-weight: 400;">47 is taking on its formidable new space at a precarious time for the art market, as a wave of galleries—including many of its founders’ contemporaries—go out of business. “We feel so much gratitude, and so much excitement and optimism about how things can go, and it’s an incredibly tough time for the art world,” Newton said. “It’s a very hard for us, and it’s very hard for everybody right now. When things are hard, you try to remind yourself why you do something.”</p> <p style="font-weight: 400;">“We have a lot of hard work to do, too,” Kenyon said as our meeting wrapped up. “We have always taken this approach of: This is hard work and you work hard doing it, and from that hard work, we’re going to be able to do really exciting things—and hopefully continue to do so. There’s no guarantees.”</p><div class="embedded-ad visible-sm visible-xs"><div id="embed-full-8-2506137-27-hidden-xyz" data-slot="embed-full-8" class="artnet-ad"></div></div> <p style="font-weight: 400;">“There’s no guarantees,” Lee said.</p> </div> <div class="embedded-paywall"> <div class="embedded-paywall_content initial-min-height paywall-article-b" id="content_2506137"></div> </div> <div class="pl-sett-padding"> </div> </div> </div> </div> <div class="pl-sett-padding"> <div class="authors-list authors-list-setting authors-single row"> <div class="auther-box"> <div class="col-md-12 col-sm-12"> <div class="author-info"> <a href='https://news.artnet.com/about/andrew-russeth-39227' class="author-image"> <img class="img-circle" src="https://news.artnet.com/app/news-upload/2024/05/Andrew-Russeth-1-256x256.jpeg" /> </a> <div class="author-meta"> <a href='https://news.artnet.com/about/andrew-russeth-39227' class="author-text"> <h4 class="author-name h4">Andrew Russeth</h4> <h5 class="author-title h5">Editor of Artnet News Pro</h5> </a> <ul class="author-links list-icons list-inline"> <li><a target="_blank" href="https://twitter.com/andrewrusseth"><span class="fa fa-twitter"></span></a></li> <li><a target="_blank" href="https://www.instagram.com/andrewrusseth/"><span class="fa fa-instagram"></span></a></li> </ul> </div> </div> </div> </div> </div> <div class="taxonomy-block remove-setting row"> <div class="col-md-12"> <div class="all-topics-container"> <div class="all-topics-inner"> <div class="taxonomy-label"> Article topics </div> <div class="taxonomy-list"> <a class="taxonomy-tag" href="https://news.artnet.com/topic/art-news">Art News</a> <a class="taxonomy-tag" href="https://news.artnet.com/topic/news-pro-topic">Artnet Pro</a> </div> </div> </div> </div> </div> <div class="condensed-newsletter-signup expanded-on-desktop"> <div class="trigger-wrapper visible-xs visible-sm"> <h3>The best of Artnet News in your inbox.</h3> <p><a class="condensed-newsletter-trigger" href="#">Sign up for our daily newsletter.</a></p> </div> <ul class="form-container list-unstyled hidden-xs hidden-sm"> <li class="theme-newsletter-signup"> <div class="theme-newsletter-signup widget"> <form class="newsletter-signup-form" action="" method="POST"> <div class="newsletter-form-content"> <h2 class="widgettitle"> The best of Artnet News in your inbox. </h2> <div class="widgethint"> Sign up for our daily newsletter. </div> <input type="hidden" name="Source" class="source" value="" /> <div class="form-group text"> <input type="text" name="Email" class="signup-email form-control" placeholder="Enter your email" /> <div class="form-group buttons"> <input type="submit" class="btn btn-primary btn-xs btn-block text-center" value="Subscribe" /> </div> </div> <div class="errors"> <div class="invalid-email">Please enter a valid email address</div> <div class="signup-failed">Signup failed. 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