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It allows adding a reason in the summary.">undo</a></span></strong></div><div id="mw-diff-ntitle2"><a href="/wiki/User:Owunsch" class="mw-userlink" title="User:Owunsch" data-mw-revid="1259338068"><bdi>Owunsch</bdi></a> <span class="mw-usertoollinks">(<a href="/wiki/User_talk:Owunsch" class="mw-usertoollinks-talk" title="User talk:Owunsch">talk</a> | <a href="/wiki/Special:Contributions/Owunsch" class="mw-usertoollinks-contribs" title="Special:Contributions/Owunsch">contribs</a>)</span><div class="mw-diff-usermetadata"><div class="mw-diff-userroles"><a href="/wiki/Wikipedia:Extended_confirmed_editors" class="mw-redirect" title="Wikipedia:Extended confirmed editors">Extended confirmed users</a>, <a href="/wiki/Wikipedia:Reviewing_pending_changes" title="Wikipedia:Reviewing pending changes">Pending changes reviewers</a></div><div class="mw-diff-usereditcount"><span>2,244</span> edits</div></div></div><div id="mw-diff-ntitle3"> <span class="comment comment--without-parentheses">minor corrections to citation formatting</span></div><div id="mw-diff-ntitle5"><span class="mw-tag-markers"><a href="/wiki/Special:Tags" title="Special:Tags">Tag</a>: <span class="mw-tag-marker mw-tag-marker-visualeditor"><a href="/wiki/Wikipedia:VisualEditor" title="Wikipedia:VisualEditor">Visual edit</a></span></span></div><div id="mw-diff-ntitle4"><a href="/w/index.php?title=Scene_from_the_Steeplechase:_The_Fallen_Jockey&diff=next&oldid=1259338068" title="Scene from the Steeplechase: The Fallen Jockey" id="differences-nextlink">Next edit →</a></div></td> </tr><tr> <td colspan="2" class="diff-lineno">Line 24:</td> <td colspan="2" class="diff-lineno">Line 24:</td> </tr> <tr> <td class="diff-marker"></td> <td class="diff-context diff-side-deleted"><br /></td> <td class="diff-marker"></td> <td class="diff-context diff-side-added"><br /></td> </tr> <tr> <td class="diff-marker"></td> <td class="diff-context diff-side-deleted"><div>== Background ==</div></td> <td class="diff-marker"></td> <td class="diff-context diff-side-added"><div>== Background ==</div></td> </tr> <tr> <td class="diff-marker" data-marker="−"></td> <td class="diff-deletedline diff-side-deleted"><div>It is likely that Degas was introduced to equestrian life around 1861. Degas' visits to [[Normandy]] and his friend Paul Valpinçon's estate there inspired him.<ref name=":0">{{Cite book |last=Boggs |first=Jean S. |title=Degas at the Races |last2=Sturman |first2=Shelley G. |last3=Barbour |first3=Daphne S. |last4=Jones |first4=Kimberly |date=<del class="diffchange diffchange-inline">1998</del> |publisher=National Gallery of Art |year=1998 |isbn=0894682733 |pages=38-58}}</ref>{{Rp|page=38}}It is also possible that Degas was designing experimental canvases without having visited the racetrack.<ref name=":0" />{{Rp|page=48}}</div></td> <td class="diff-marker" data-marker="+"></td> <td class="diff-addedline diff-side-added"><div>It is likely that Degas was introduced to equestrian life around 1861. Degas' visits to [[Normandy]] and his friend Paul Valpinçon's estate there inspired him.<ref name=":0">{{Cite book |last=Boggs |first=Jean S. |title=Degas at the Races |last2=Sturman |first2=Shelley G. |last3=Barbour |first3=Daphne S. |last4=Jones |first4=Kimberly |date= |publisher=National Gallery of Art |year=1998 |isbn=0894682733 |pages=38-58}}</ref>{{Rp|page=38}}It is also possible that Degas was designing experimental canvases without having visited the racetrack.<ref name=":0" />{{Rp|page=48}}</div></td> </tr> <tr> <td class="diff-marker"></td> <td class="diff-context diff-side-deleted"><br /></td> <td class="diff-marker"></td> <td class="diff-context diff-side-added"><br /></td> </tr> <tr> <td class="diff-marker"></td> <td class="diff-context diff-side-deleted"><div>=== Motivation ===</div></td> <td class="diff-marker"></td> <td class="diff-context diff-side-added"><div>=== Motivation ===</div></td> </tr> <tr> <td class="diff-marker"></td> <td class="diff-context diff-side-deleted"><div>In the years before painting Scene from the Steeplechase: The Fallen Jockey, Degas' father warned him that he would have support himself. Degas, like other members of his family, wasn't ready to provide for himself just yet.<ref name=":0" />{{Rp|page=49}}As an artist, he understood that the way to make money was exhibiting at the Salon. He had exhibited ''Scene of War in the Middle Ages'' at the Salon in 1865. Although the painting was considered original, there wasn't a great response from critics.<ref name=":0" />{{Rp|page=49}}</div></td> <td class="diff-marker"></td> <td class="diff-context diff-side-added"><div>In the years before painting Scene from the Steeplechase: The Fallen Jockey, Degas' father warned him that he would have support himself. Degas, like other members of his family, wasn't ready to provide for himself just yet.<ref name=":0" />{{Rp|page=49}}As an artist, he understood that the way to make money was exhibiting at the Salon. He had exhibited ''Scene of War in the Middle Ages'' at the Salon in 1865. Although the painting was considered original, there wasn't a great response from critics.<ref name=":0" />{{Rp|page=49}}</div></td> </tr> <tr> <td class="diff-marker"></td> <td class="diff-context diff-side-deleted"><br /></td> <td class="diff-marker"></td> <td class="diff-context diff-side-added"><br /></td> </tr> <tr> <td class="diff-marker" data-marker="−"></td> <td class="diff-deletedline diff-side-deleted"><div>Degas decided to pivot to a very fashionable subject, the [[Steeplechase (horse racing)|steeplechase]]. Steeplechases were relatively new in France. The ''Societe des Steeple-chases'' was founded just three years before this painting. The steeplechases attracted an upper-class audience due to the fact that riders weren't jockeys, but "gentlemen".<ref name=":0" />{{Rp|page=49}}Audiences relished the excitement and risk of the race - where horses and their riders competed by surmounting various obstacles on the course. To ensure that his piece wouldn't be overlooked, Degas chose a large canvas, 180 by 152 centimeters.<ref name=":0" />{{Rp|page=49}} This painting may have signaled Degas' transition from history paintings to "modern" paintings.<ref>{{Cite journal |last=Pickvance |first=Ronald |date=1980 |title=<del class="diffchange diffchange-inline">DEGAS</del> <del class="diffchange diffchange-inline">AND</del> <del class="diffchange diffchange-inline">THE</del> <del class="diffchange diffchange-inline">PAINTING</del> <del class="diffchange diffchange-inline">OF</del> <del class="diffchange diffchange-inline">MODERN</del> <del class="diffchange diffchange-inline">LIFE</del> |url=https://www.jstor.org/stable/41373081 |journal=Journal of the Royal Society of Arts |volume=128 |issue=5285 |pages=250-263}}</ref>{{Rp|pages=254-255}}</div></td> <td class="diff-marker" data-marker="+"></td> <td class="diff-addedline diff-side-added"><div>Degas decided to pivot to a very fashionable subject, the [[Steeplechase (horse racing)|steeplechase]]. Steeplechases were relatively new in France. The ''Societe des Steeple-chases'' was founded just three years before this painting. The steeplechases attracted an upper-class audience due to the fact that riders weren't jockeys, but "gentlemen".<ref name=":0" />{{Rp|page=49}}Audiences relished the excitement and risk of the race - where horses and their riders competed by surmounting various obstacles on the course. To ensure that his piece wouldn't be overlooked, Degas chose a large canvas, 180 by 152 centimeters.<ref name=":0" />{{Rp|page=49}} This painting may have signaled Degas' transition from history paintings to "modern" paintings.<ref>{{Cite journal |last=Pickvance |first=Ronald |date=1980 |title=<ins class="diffchange diffchange-inline">Degas</ins> <ins class="diffchange diffchange-inline">and</ins> <ins class="diffchange diffchange-inline">the</ins> <ins class="diffchange diffchange-inline">Painting</ins> <ins class="diffchange diffchange-inline">of</ins> <ins class="diffchange diffchange-inline">Modern</ins> <ins class="diffchange diffchange-inline">Life</ins> |url=https://www.jstor.org/stable/41373081 |journal=Journal of the Royal Society of Arts |volume=128 |issue=5285 |pages=250-263}}</ref>{{Rp|pages=254-255}}</div></td> </tr> <tr> <td class="diff-marker"></td> <td class="diff-context diff-side-deleted"><br /></td> <td class="diff-marker"></td> <td class="diff-context diff-side-added"><br /></td> </tr> <tr> <td class="diff-marker" data-marker="−"></td> <td class="diff-deletedline diff-side-deleted"><div>Degas may have been further influenced by his rivalry with [[Édouard Manet|Edouard Manet]]. Manet's ''Incident in the Bullring'', exhibited at the Salon of 1864. It featured a similar subject and composition - an athlete injured in a dangerous competition, and animals emitting a sense of chaos above.<ref name=":1">{{Cite book |last=Boggs |first=Jean S. |title=Degas<del class="diffchange diffchange-inline"> : [an exhibition held at the] Galeries nationales du Grand Palais, Paris, 9 February-16 May 1988, National Gallery of Canada, Ottawa, 16 June-28 August 1988, the Metropolitan Museum of Art, New York, 27 September 1988-8 January 1989</del> |last2=Druick |last3=Loyrette |last4=Pantazzi |last5=Tinterow |date=1988 |publisher=<del class="diffchange diffchange-inline">New York : </del>Metropolitan Museum of Art<del class="diffchange diffchange-inline"> ; Ottawa : National Gallery of Canada</del> |year=1988 |isbn=0870995197 |pages=375-562}}</ref>{{Rp|page=561}}</div></td> <td class="diff-marker" data-marker="+"></td> <td class="diff-addedline diff-side-added"><div>Degas may have been further influenced by his rivalry with [[Édouard Manet|Edouard Manet]]. Manet's ''Incident in the Bullring'', exhibited at the Salon of 1864. It featured a similar subject and composition - an athlete injured in a dangerous competition, and animals emitting a sense of chaos above.<ref name=":1">{{Cite book |last=Boggs |first=Jean S. |title=Degas |last2=Druick |last3=Loyrette |last4=Pantazzi |last5=Tinterow |date=1988 |publisher=Metropolitan Museum of Art |year=1988 |isbn=0870995197<ins class="diffchange diffchange-inline"> |location=New York</ins> |pages=375-562}}</ref>{{Rp|page=561}}</div></td> </tr> <tr> <td class="diff-marker"></td> <td class="diff-context diff-side-deleted"><br /></td> <td class="diff-marker"></td> <td class="diff-context diff-side-added"><br /></td> </tr> <tr> <td class="diff-marker"></td> <td class="diff-context diff-side-deleted"><div>== The Painting ==</div></td> <td class="diff-marker"></td> <td class="diff-context diff-side-added"><div>== The Painting ==</div></td> </tr> </table><hr class='diff-hr' id='mw-oldid' /> <h2 class='diff-currentversion-title'>Revision as of 16:54, 24 November 2024</h2> <div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Painting by Edgar Degas</div> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vevent" style="width: 22em; line-height: 1.4em; text-align: left;"><tbody><tr><th colspan="2" class="infobox-above summary" style="font-size: 125%; font-weight: bold; font-style: italic">Scene from The Steeplechase: The Fallen Jockey</th></tr><tr><td colspan="2" class="infobox-image"><span typeof="mw:File"><a href="/wiki/File:Scene_from_the_Steeplechase_The_Fallen_Jockey_A20863.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/3/37/Scene_from_the_Steeplechase_The_Fallen_Jockey_A20863.jpg/250px-Scene_from_the_Steeplechase_The_Fallen_Jockey_A20863.jpg" decoding="async" width="250" height="299" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/37/Scene_from_the_Steeplechase_The_Fallen_Jockey_A20863.jpg/375px-Scene_from_the_Steeplechase_The_Fallen_Jockey_A20863.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/37/Scene_from_the_Steeplechase_The_Fallen_Jockey_A20863.jpg/500px-Scene_from_the_Steeplechase_The_Fallen_Jockey_A20863.jpg 2x" data-file-width="3348" data-file-height="4000" /></a></span></td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Artist</th><td class="infobox-data attendee"><a href="/wiki/Edgar_Degas" title="Edgar Degas">Edgar Degas</a></td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Year</th><td class="infobox-data">1866 (reworked in 1880–81 and again c. 1897)</td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Medium</th><td class="infobox-data category"><a href="/wiki/Oil_painting" title="Oil painting">Oil on canvas</a></td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;"><a href="/wiki/Art_movement" title="Art movement">Movement</a></th><td class="infobox-data category">Impressionism</td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Dimensions</th><td class="infobox-data">180 cm × 52 cm (71 in × 20 in)</td></tr><tr><th scope="row" class="infobox-label" style="padding-right:0.65em;">Location</th><td class="infobox-data"><a href="/wiki/The_National_Gallery_of_Art" class="mw-redirect" title="The National Gallery of Art">The National Gallery of Art</a>, <a href="/wiki/Washington,_D.C." title="Washington, D.C.">Washington, D.C.</a></td></tr></tbody></table> <p><i><b>Scene from the Steeplechase: The Fallen Jockey</b></i> is an 1866 <a href="/wiki/Oil-on-canvas" class="mw-redirect" title="Oil-on-canvas">oil-on-canvas</a> painting by <a href="/wiki/Edgar_Degas" title="Edgar Degas">Edgar Degas</a>. Degas reworked the painting on multiple occasions, once in 1880-81, and again in 1897. The painting, now on display in the <a href="/wiki/National_Gallery_of_Art" title="National Gallery of Art">National Gallery of Art</a> in <a href="/wiki/Washington,_D.C." title="Washington, D.C.">Washington, D.C</a>., was exhibited at 1866 <a href="/wiki/Salon_(Paris)" title="Salon (Paris)">Salon</a> in <a href="/wiki/Paris" title="Paris">Paris</a>. </p><p>Degas used a large canvas to convey the scene. In the center, horses are racing from the right to left side of the canvas. In total there are four horses, with three jockeys. One of the jockeys has fallen off his horse and lies motionless in the foreground. Degas' interest in the subject and his motivation to paint this exact scene have interested art historians to date. </p><p>According to Mary Cassatt's mother, Katherine Cassatt, Degas said of the painting: "It is one of those works which are sold after a man's death and artists buy them not caring whether they are finished or not."<sup id="cite_ref-Met_1-0" class="reference"><a href="#cite_note-Met-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Background">Background</h2></div> <p>It is likely that Degas was introduced to equestrian life around 1861. Degas' visits to <a href="/wiki/Normandy" title="Normandy">Normandy</a> and his friend Paul Valpinçon's estate there inspired him.<sup id="cite_ref-:0_2-0" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 38">: 38 </span></sup>It is also possible that Degas was designing experimental canvases without having visited the racetrack.<sup id="cite_ref-:0_2-1" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 48">: 48 </span></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Motivation">Motivation</h3></div> <p>In the years before painting Scene from the Steeplechase: The Fallen Jockey, Degas' father warned him that he would have support himself. Degas, like other members of his family, wasn't ready to provide for himself just yet.<sup id="cite_ref-:0_2-2" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 49">: 49 </span></sup>As an artist, he understood that the way to make money was exhibiting at the Salon. He had exhibited <i>Scene of War in the Middle Ages</i> at the Salon in 1865. Although the painting was considered original, there wasn't a great response from critics.<sup id="cite_ref-:0_2-3" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 49">: 49 </span></sup> </p><p>Degas decided to pivot to a very fashionable subject, the <a href="/wiki/Steeplechase_(horse_racing)" title="Steeplechase (horse racing)">steeplechase</a>. Steeplechases were relatively new in France. The <i>Societe des Steeple-chases</i> was founded just three years before this painting. The steeplechases attracted an upper-class audience due to the fact that riders weren't jockeys, but "gentlemen".<sup id="cite_ref-:0_2-4" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 49">: 49 </span></sup>Audiences relished the excitement and risk of the race - where horses and their riders competed by surmounting various obstacles on the course. To ensure that his piece wouldn't be overlooked, Degas chose a large canvas, 180 by 152 centimeters.<sup id="cite_ref-:0_2-5" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 49">: 49 </span></sup> This painting may have signaled Degas' transition from history paintings to "modern" paintings.<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Pages: 254–255">: 254–255 </span></sup> </p><p>Degas may have been further influenced by his rivalry with <a href="/wiki/%C3%89douard_Manet" title="Édouard Manet">Edouard Manet</a>. Manet's <i>Incident in the Bullring</i>, exhibited at the Salon of 1864. It featured a similar subject and composition - an athlete injured in a dangerous competition, and animals emitting a sense of chaos above.<sup id="cite_ref-:1_4-0" class="reference"><a href="#cite_note-:1-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 561">: 561 </span></sup> </p> <div class="mw-heading mw-heading2"><h2 id="The_Painting">The Painting</h2></div> <div class="mw-heading mw-heading3"><h3 id="Analysis">Analysis</h3></div> <p>Degas placement of figures allows the viewer to focus on the foreground and the fallen jockey. Other typical attendees of the steeplechase, such as spectators and stewards, are not present.<sup id="cite_ref-:0_2-6" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 49">: 49 </span></sup> This draws concern to the jockey, and the question as to whether he is alive or dead. There is a sense of drama and danger in the scene. The empty slope below the riders is unusual. The viewer can grasp the size of the horses as they stampede across the canvas, with the jockey lying below.<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 173">: 173 </span></sup> The shadows of horses are impressive, and mirror their movement across the canvas. </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Degas_-_Study_for_Scene_from_the_Steeplechase_The_Fallen_Jockey,_1955.1397.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/1/11/Degas_-_Study_for_Scene_from_the_Steeplechase_The_Fallen_Jockey%2C_1955.1397.jpg/220px-Degas_-_Study_for_Scene_from_the_Steeplechase_The_Fallen_Jockey%2C_1955.1397.jpg" decoding="async" width="220" height="146" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/11/Degas_-_Study_for_Scene_from_the_Steeplechase_The_Fallen_Jockey%2C_1955.1397.jpg/330px-Degas_-_Study_for_Scene_from_the_Steeplechase_The_Fallen_Jockey%2C_1955.1397.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/11/Degas_-_Study_for_Scene_from_the_Steeplechase_The_Fallen_Jockey%2C_1955.1397.jpg/440px-Degas_-_Study_for_Scene_from_the_Steeplechase_The_Fallen_Jockey%2C_1955.1397.jpg 2x" data-file-width="1600" data-file-height="1059" /></a><figcaption>Degas' horse movement sketch for Scene from The Steeplechase: The Fallen Jockey</figcaption></figure> <p>It has been argued that Degas' friend <a href="/wiki/Ludovic-Napol%C3%A9on_Lepic" title="Ludovic-Napoléon Lepic">Ludovic-Napoléon Lepic</a> is the mounted rider with the red cap in the painting, while sculptor <a href="/wiki/Maurice_Reymond_de_Broutelles" title="Maurice Reymond de Broutelles">Raymond de Broutelles</a> is the rider with the white cap in the back left on the canvas.<sup id="cite_ref-:2_6-0" class="reference"><a href="#cite_note-:2-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 50">: 50 </span></sup> </p><p>The horses in Degas' sketches and in the painting itself convey a desire for freedom. There is a great sense of movement and pace derived from the motion and brush strokes in the front horse.<sup id="cite_ref-:0_2-7" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 53">: 53 </span></sup> </p> <div class="mw-heading mw-heading4"><h4 id="The_Fallen_Jockey">The Fallen Jockey</h4></div> <p>There has been much discourse as to the identity of the fallen jockey. It is possible the fallen jockey is modeled after one of Degas' brothers. Rene Degas might have posed to model the jockey.<sup id="cite_ref-:0_2-8" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 53">: 53 </span></sup>However, his brother Achille is known to have posed for jockeys in Degas' works. Degas' drawings show a figure which closely resembles Achille due to his hair, beard, and sideburns.<sup id="cite_ref-:0_2-9" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 53">: 53 </span></sup> </p><p>Perhaps Degas' depiction of the jockey is more significant. The jockey's fall conveys a sense of weakness. Degas may have been slandering his brother Achille by depicting him. In fact, Achille was seen as the failure of the family.<sup id="cite_ref-:0_2-10" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 56">: 56 </span></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Edgar_Degas,_Head_of_the_Fallen_Jockey_(study_for_%22Scene_from_the_Steeplechase_-_The_Fallen_Jockey%22),_c._1866,_NGA_94903.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/72/Edgar_Degas%2C_Head_of_the_Fallen_Jockey_%28study_for_%22Scene_from_the_Steeplechase_-_The_Fallen_Jockey%22%29%2C_c._1866%2C_NGA_94903.jpg/220px-Edgar_Degas%2C_Head_of_the_Fallen_Jockey_%28study_for_%22Scene_from_the_Steeplechase_-_The_Fallen_Jockey%22%29%2C_c._1866%2C_NGA_94903.jpg" decoding="async" width="220" height="171" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/72/Edgar_Degas%2C_Head_of_the_Fallen_Jockey_%28study_for_%22Scene_from_the_Steeplechase_-_The_Fallen_Jockey%22%29%2C_c._1866%2C_NGA_94903.jpg/330px-Edgar_Degas%2C_Head_of_the_Fallen_Jockey_%28study_for_%22Scene_from_the_Steeplechase_-_The_Fallen_Jockey%22%29%2C_c._1866%2C_NGA_94903.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/72/Edgar_Degas%2C_Head_of_the_Fallen_Jockey_%28study_for_%22Scene_from_the_Steeplechase_-_The_Fallen_Jockey%22%29%2C_c._1866%2C_NGA_94903.jpg/440px-Edgar_Degas%2C_Head_of_the_Fallen_Jockey_%28study_for_%22Scene_from_the_Steeplechase_-_The_Fallen_Jockey%22%29%2C_c._1866%2C_NGA_94903.jpg 2x" data-file-width="4000" data-file-height="3104" /></a><figcaption>Degas' sketch for the head of the fallen jockey</figcaption></figure> <div class="mw-heading mw-heading2"><h2 id="Reception_and_Reworking">Reception and Reworking</h2></div> <p>It seems that public response from the exhibition was not as loud as Degas would have wanted.<sup id="cite_ref-:0_2-11" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 49">: 49 </span></sup> Much of critical attention at the Salon centered around <a href="/wiki/Gustave_Courbet" title="Gustave Courbet">Gustave Courbet</a>'s <i><a href="/wiki/Woman_with_a_Parrot_(Courbet)" title="Woman with a Parrot (Courbet)">Woman with a Parrot</a></i>.<sup id="cite_ref-:1_4-1" class="reference"><a href="#cite_note-:1-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 561">: 561 </span></sup>One anonymous critic wrote of Degas' painting, "Like the jockey, the painter is not yet entirely familiar with the horse." 31 years later, Degas agreed with the critic, saying "I was totally ignorant of the mechanism that regulates a horse's movements."<sup id="cite_ref-:0_2-12" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 51">: 51 </span></sup> </p><p>After the Salon of 1866, Degas was displeased with his work. He repainted the scene in the early 1880s and in 1897.<sup id="cite_ref-:0_2-13" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 52">: 52 </span></sup> Degas may have been motivated to repaint in the 1880s by his friend <a href="/wiki/Mary_Cassatt" title="Mary Cassatt">Mary Cassatt</a>. Her brother was fond of horses, and she asked Degas to sell the painting to him.<sup id="cite_ref-:2_6-1" class="reference"><a href="#cite_note-:2-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 50">: 50 </span></sup> The jockey remained untouched in Degas' reworkings.<sup id="cite_ref-:0_2-14" class="reference"><a href="#cite_note-:0-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 56">: 56 </span></sup> </p><p>At some point, the art dealer Joseph Durand-Ruel bought the work for 9,000 Francs and had another artist restore the lines of the horses.<sup id="cite_ref-:1_4-2" class="reference"><a href="#cite_note-:1-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 561">: 561 </span></sup>As Degas considered the painting "spoiled", he painted <i>Fallen Jockey</i> in 1896, depicting one horse and a fallen jockey in an open field.<sup id="cite_ref-:1_4-3" class="reference"><a href="#cite_note-:1-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup><sup class="reference nowrap"><span title="Page: 562">: 562 </span></sup> </p> <div class="mw-heading mw-heading2"><h2 id="References">References</h2></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-Met-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-Met_1-0">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.metmuseum.org/art/collection/search/665913">"Edgar Degas | Scene from the Steeplechase: The Fallen Jockey"</a>. <i>The Metropolitan Museum of Art</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Metropolitan+Museum+of+Art&rft.atitle=Edgar+Degas+%26%23124%3B+Scene+from+the+Steeplechase%3A+The+Fallen+Jockey&rft_id=https%3A%2F%2Fwww.metmuseum.org%2Fart%2Fcollection%2Fsearch%2F665913&rfr_id=info%3Asid%2Fen.wikipedia.org%3AScene+from+the+Steeplechase%3A+The+Fallen+Jockey" class="Z3988"></span></span> </li> <li id="cite_note-:0-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-:0_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:0_2-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:0_2-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:0_2-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-:0_2-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-:0_2-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-:0_2-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-:0_2-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-:0_2-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-:0_2-9"><sup><i><b>j</b></i></sup></a> <a href="#cite_ref-:0_2-10"><sup><i><b>k</b></i></sup></a> <a href="#cite_ref-:0_2-11"><sup><i><b>l</b></i></sup></a> <a href="#cite_ref-:0_2-12"><sup><i><b>m</b></i></sup></a> <a href="#cite_ref-:0_2-13"><sup><i><b>n</b></i></sup></a> <a href="#cite_ref-:0_2-14"><sup><i><b>o</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBoggsSturmanBarbourJones1998" class="citation book cs1">Boggs, Jean S.; Sturman, Shelley G.; Barbour, Daphne S.; Jones, Kimberly (1998). <i>Degas at the Races</i>. National Gallery of Art. pp. 38–58. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0894682733" title="Special:BookSources/0894682733"><bdi>0894682733</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Degas+at+the+Races&rft.pages=38-58&rft.pub=National+Gallery+of+Art&rft.date=1998&rft.isbn=0894682733&rft.aulast=Boggs&rft.aufirst=Jean+S.&rft.au=Sturman%2C+Shelley+G.&rft.au=Barbour%2C+Daphne+S.&rft.au=Jones%2C+Kimberly&rfr_id=info%3Asid%2Fen.wikipedia.org%3AScene+from+the+Steeplechase%3A+The+Fallen+Jockey" class="Z3988"></span></span> </li> <li id="cite_note-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-3">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFPickvance1980" class="citation journal cs1">Pickvance, Ronald (1980). <a rel="nofollow" class="external text" href="https://www.jstor.org/stable/41373081">"Degas and the Painting of Modern Life"</a>. <i>Journal of the Royal Society of Arts</i>. <b>128</b> (5285): 250–263.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Journal+of+the+Royal+Society+of+Arts&rft.atitle=Degas+and+the+Painting+of+Modern+Life&rft.volume=128&rft.issue=5285&rft.pages=250-263&rft.date=1980&rft.aulast=Pickvance&rft.aufirst=Ronald&rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F41373081&rfr_id=info%3Asid%2Fen.wikipedia.org%3AScene+from+the+Steeplechase%3A+The+Fallen+Jockey" class="Z3988"></span></span> </li> <li id="cite_note-:1-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-:1_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:1_4-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-:1_4-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-:1_4-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBoggsDruickLoyrettePantazzi1988" class="citation book cs1">Boggs, Jean S.; Druick; Loyrette; Pantazzi; Tinterow (1988). <i>Degas</i>. New York: Metropolitan Museum of Art. pp. 375–562. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/0870995197" title="Special:BookSources/0870995197"><bdi>0870995197</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Degas&rft.place=New+York&rft.pages=375-562&rft.pub=Metropolitan+Museum+of+Art&rft.date=1988&rft.isbn=0870995197&rft.aulast=Boggs&rft.aufirst=Jean+S.&rft.au=Druick&rft.au=Loyrette&rft.au=Pantazzi&rft.au=Tinterow&rfr_id=info%3Asid%2Fen.wikipedia.org%3AScene+from+the+Steeplechase%3A+The+Fallen+Jockey" class="Z3988"></span><span class="cs1-maint citation-comment"><code class="cs1-code">{{<a href="/wiki/Template:Cite_book" title="Template:Cite book">cite book</a>}}</code>: CS1 maint: date and year (<a href="/wiki/Category:CS1_maint:_date_and_year" title="Category:CS1 maint: date and year">link</a>)</span></span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHerbert1988" class="citation book cs1">Herbert, Robert (1988). <i>Impressionism: Art, Leisure, and Parisian Society</i>. 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class="mw-cite-backlink">^ <a href="#cite_ref-:2_6-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-:2_6-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBuchanan1997" class="citation journal cs1">Buchanan, Harvey (1997). <a rel="nofollow" class="external text" href="http://www.jstor.org/stable/20079691">"Edgar Degas and Ludovic Lepic: An Impressionist Friendship"</a>. <i>Cleveland Studies in the History of Art</i>. <b>2</b>: 32–121.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Cleveland+Studies+in+the+History+of+Art&rft.atitle=Edgar+Degas+and+Ludovic+Lepic%3A+An+Impressionist+Friendship&rft.volume=2&rft.pages=32-121&rft.date=1997&rft.aulast=Buchanan&rft.aufirst=Harvey&rft_id=http%3A%2F%2Fwww.jstor.org%2Fstable%2F20079691&rfr_id=info%3Asid%2Fen.wikipedia.org%3AScene+from+the+Steeplechase%3A+The+Fallen+Jockey" class="Z3988"></span></span> </li> </ol></div></div> <div class="navbox-styles"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl 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.navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini abbr{font-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit}.mw-parser-output .navbar-ct-full{font-size:114%;margin:0 7em}.mw-parser-output .navbar-ct-mini{font-size:114%;margin:0 4em}html.skin-theme-clientpref-night .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Edgar_Degas" title="Template:Edgar Degas"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Edgar_Degas" title="Template talk:Edgar Degas"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Edgar_Degas" title="Special:EditPage/Template:Edgar Degas"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Edgar_Degas" class="fn" style="font-size:114%;margin:0 4em"><a href="/wiki/Edgar_Degas" title="Edgar Degas">Edgar Degas</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Paintings</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Bellelli_Family" title="The Bellelli Family">The Bellelli Family</a></i> (1858–1867)</li> <li><i><a href="/wiki/Young_Spartans_Exercising" title="Young Spartans Exercising">Young Spartans Exercising</a></i> (1860)</li> <li><i><a href="/wiki/The_Collector_of_Prints_(Degas)" title="The Collector of Prints (Degas)">The Collector of Prints</a></i> (1866)</li> <li><i><a class="mw-selflink selflink">Scene from the Steeplechase: The Fallen Jockey</a></i> (1866)</li> <li><i><a href="/wiki/Interior_(Degas)" title="Interior (Degas)">Interior</a></i> (1868–69)</li> <li><i><a href="/wiki/At_the_Races_in_the_Countryside" title="At the Races in the Countryside">At the Races in the Countryside</a></i> (1869)</li> <li><i><a href="/wiki/The_Dancing_Class" title="The Dancing Class">The Dancing Class</a></i> (1870)</li> <li><i><a href="/wiki/The_Orchestra_at_the_Opera" title="The Orchestra at the Opera">The Orchestra at the Opera</a></i> (<abbr title="circa">c.</abbr><span style="white-space:nowrap;"> 1870</span>)</li> <li><i><a href="/wiki/Count_Lepic_and_His_Daughters" title="Count Lepic and His Daughters">Ludovic Lepic and His Daughters</a></i> (1871)</li> <li><i><a href="/wiki/A_Cotton_Office_in_New_Orleans" title="A Cotton Office in New Orleans">A Cotton Office in New Orleans</a></i> (1873)</li> <li><i><a href="/wiki/The_Dance_Class_(Degas,_Metropolitan_Museum_of_Art)" title="The Dance Class (Degas, Metropolitan Museum of Art)">The Dance Class</a></i> (1874)</li> <li><i><a href="/wiki/The_Ballet_Class_(Degas,_Mus%C3%A9e_d%27Orsay)" title="The Ballet Class (Degas, Musée d'Orsay)">The Ballet Class</a></i> (1874)</li> <li><i><a href="/wiki/Ballerina_Posing_for_a_Photographer" title="Ballerina Posing for a Photographer">Ballerina Posing for a Photographer</a></i> (1875)</li> <li><i><a href="/wiki/Place_de_la_Concorde_(Degas)" title="Place de la Concorde (Degas)">Place de la Concorde</a></i> (1875)</li> <li><i><a href="/wiki/L%27Absinthe" title="L'Absinthe">L'Absinthe</a></i> (1876)</li> <li><i><a href="/wiki/The_Dance_Lesson" title="The Dance Lesson">The Dance Lesson</a></i> (1879)</li> <li><i><a href="/wiki/Miss_La_La_at_the_Cirque_Fernando" title="Miss La La at the Cirque Fernando">Miss La La at the Cirque Fernando</a></i> (1879)</li> <li><i><a href="/wiki/Portraits_at_the_Stock_Exchange" title="Portraits at the Stock Exchange">Portraits at the Stock Exchange</a></i> (1879)</li> <li><i><a href="/wiki/The_Millinery_Shop" title="The Millinery Shop">The Millinery Shop</a></i> (1879–1886)</li> <li><i><a href="/wiki/Before_the_Race" title="Before the Race">Before the Race</a></i> (1882–1884)</li> <li><i><a href="/wiki/Dancers_Onstage" title="Dancers Onstage">Dancers Onstage</a></i> (1889)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Pastels</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Caf%C3%A9-Concert_at_Les_Ambassadeurs" title="Café-Concert at Les Ambassadeurs">Café-Concert at Les Ambassadeurs</a></i> (1877)</li> <li><i><a href="/wiki/Les_Choristes" title="Les Choristes">Les Choristes</a></i> (1877)</li> <li><i><a href="/wiki/Singer_with_a_Glove" title="Singer with a Glove">Singer with a Glove</a></i> (1878)</li> <li><i><a href="/wiki/Waiting_(Degas)" title="Waiting (Degas)">Waiting</a></i> (1880–1882)</li> <li><i><a href="/wiki/Young_Woman_in_Blue" title="Young Woman in Blue">Young Woman in Blue</a></i> (1884)</li> <li><i><a href="/wiki/The_Tub" title="The Tub">The Tub</a></i> (1886)</li> <li><i><a href="/wiki/Woman_in_a_Tub_(Degas)" title="Woman in a Tub (Degas)">Woman in a Tub</a></i> (1886)</li> <li><i><a href="/wiki/After_the_Bath,_Woman_Drying_Herself" title="After the Bath, Woman Drying Herself">After the Bath, Woman Drying Herself</a></i> (1890–1895)</li> <li><i><a href="/wiki/Blue_Dancers" title="Blue Dancers">Blue Dancers</a></i> (1897)</li> <li><i><a href="/wiki/Ukrainian_Dancers" title="Ukrainian Dancers">Ukrainian Dancers</a></i> (1890s series)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Sculptures</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Little_Dancer_of_Fourteen_Years" title="Little Dancer of Fourteen Years">Little Dancer of Fourteen Years</a></i> (1881)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Models</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Marie_van_Goethem" title="Marie van Goethem">Marie van Goethem</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Impressionists_(TV_series)" title="The Impressionists (TV series)">The Impressionists</a></i> (2006 series)</li> <li><a href="/wiki/The_Line_(play)" title="The Line (play)"><i>The Line</i> (2009 play)</a></li> <li><i><a href="/wiki/Marie,_Dancing_Still_(musical)" title="Marie, Dancing Still (musical)">Little Dancer</a></i> (2014 musical)</li> <li><a href="/wiki/Degas_(crater)" title="Degas (crater)">Degas 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