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class="bby-content-wrapper"> <div class="bby-main-content justify-content-center"> <div class="bby-content-right"> <div class="bby-content-breadcrumb" itemscope itemtype="http://schema.org/BreadcrumbList"> <span itemprop="itemListElement" itemscope itemtype="http://schema.org/ListItem"> <a itemprop="item" href="https://www.bartleby.com"><span itemprop="name">Home</span></a> <meta itemprop="position" content="1" /> </span>  »  <span itemprop="itemListElement" itemscope itemtype="http://schema.org/ListItem"> <a itemprop="item" href="/lit-hub/library"><span itemprop="name" class="atm-mk-uncursor">library</span></a> <meta itemprop="position" content="2" /> </span>  »  <span itemprop="itemListElement" itemscope itemtype="http://schema.org/ListItem"> <span itemprop="name" class="atm-mk-uncursor">General Index</span> <meta itemprop="position" content="2" /> </span> </div> <p class="bby-entry-meta-fields"> - <a href="/lit-hub/library/genindex">GENERAL INDEX</a> - <a href="/lit-hub/library/song-1">SONGS & LYRICS</a> - <a href="/lit-hub/library/authors">QUICK INDEX</a> - <a href="/lit-hub/library/bios/">BIOGRAPHIES</a> - <a href="/lit-hub/library/readersdigest-1/">READER’S DIGEST</a> - <a href="/lit-hub/library/course-1/">STUDENT’S COURSE</a> - <a href="/lit-hub/library/gallery">PORTRAITS</a> - <a href="/lit-hub/bibliography/library">BIBLIOGRAPHIC RECORD</a> </p> <div class="bby-single-content"> <p class="text-center">C.D. Warner, et al., comp. The Library of the World’s Best Literature.<br>An Anthology in Thirty Volumes. 1917.</p> <h1 class="text-center">General Index</h1> <h3 class="text-center">Armance to Bruno</h3> <table cellspacing="3" cellpadding="3" align="CENTER"> <tbody> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-frederic-taber-cooper-18641937/#8">Armance</a>, Stendhal</td> </tr> <tr> <td><a href="/lit-hub/an-excursion-into-armenia/">Armenia, An Excursion into</a>, Bodenstedt (Thousand and One Days in the East)</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-33/">Árnason, Jón</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-harriet-waters-preston-18361911-6/#13">Arnaut Daniel</a></td> </tr> <tr> <td>— de Maroill</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-34/">Arndt, Ernst Moritz</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/over-the-lofty-mountains/">Arne</a>, Björnson</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-35/">Arnim, Bettina von</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-cloister-in-the-south/">Arnljot Gelline</a>, Björnson</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-36/">Arnold, Sir Edwin</a></td> </tr> <tr> <td>— <a href="/lit-hub/critical-and-biographical-introduction-by-george-edward-woodberry-18551930/">Matthew</a>, G. E. Woodberry</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-arrow-and-the-song/">Arrow and the Song, The</a> (Poem), Longfellow</td> </tr> <tr> <td><a href="/lit-hub/from-arsne-guillot/">Arsène Guillot</a>, Mérimée</td> </tr> <tr> <td><a href="/lit-hub/library/poem/from-art/">Art</a> (Poem), Thomson</td> </tr> <tr> <td>Art and Architecture.</td> </tr> <tr> <td>    <a href="/lit-hub/the-acropolis-of-athens-and-its-temples/">Acropolis of Athens, The</a>, Pausanias</td> </tr> <tr> <td>    <a href="/lit-hub/from-on-the-sthetic-education-of-man/">Æsthetic Education of Man, The</a>, Schiller (Letter)</td> </tr> <tr> <td>    <a href="/lit-hub/law-of-proportion-in-architecture/">Architecture, The Law of Proportion in</a>, Blanc (Grammar)</td> </tr> <tr> <td>    <a href="/lit-hub/poets-philosophers-and-artists-made-by-accident-2/">Artists made by Accident</a>, Disraeli (Curiosities of Literature)</td> </tr> <tr> <td>    <a href="/lit-hub/from-the-art-work-of-the-future/">Art Work of the Future</a>, Wagner</td> </tr> <tr> <td>    <a href="/lit-hub/blancs-dbut-as-art-critic/">Blanc’s Début as Art Critic</a>, Blanc (Contemporary Artists)</td> </tr> <tr> <td>    <a href="/lit-hub/calamattas-studio/">Calamatta’s Studio</a>, Blanc (Contemporary Artists)</td> </tr> <tr> <td>    <a href="/lit-hub/the-casting-of-perseus/">Casting of Perseus, The</a>, Cellini (Memoirs)</td> </tr> <tr> <td>    <a href="/lit-hub/delacroixs-bark-of-dante/">Delacroix’s “Bark of Dante</a>,” Blanc (Contemporary Artists)</td> </tr> <tr> <td>    <a href="/lit-hub/the-dome-of-brunelleschi/">Dome of Brunelleschi, The</a>, Norton (Historical Studies of Church Building)</td> </tr> <tr> <td>    <a href="/lit-hub/albert-drers-melancholia/">Dürer’s “Melancholia</a>,” Blanc (The Dutch School of Painters)</td> </tr> <tr> <td>    <a href="/lit-hub/the-dutch-masters-2/">Dutch Masters, The</a>, De Amicis (Holland and Its People)</td> </tr> <tr> <td>    <a href="/lit-hub/the-fascination-of-the-remote/">Fascination of the Remote, The</a>, Hamerton (Life of J. M. W. Turner)</td> </tr> <tr> <td>    <a href="/lit-hub/the-function-of-the-artist/">Function of the Artist</a>, Wagner (Opera and Drama)</td> </tr> <tr> <td>    <a href="/lit-hub/the-genius-of-greek-art/">Genius of Greek Art, The</a>, Symonds (Studies of the Greek Poets)</td> </tr> <tr> <td>    <a href="/lit-hub/genesis-of-the-grammar/">Grammar of Painting and Engraving</a>, Blanc</td> </tr> <tr> <td>    <a href="/lit-hub/ingres/">Ingres, Life of</a>, Blanc</td> </tr> <tr> <td>    <a href="/lit-hub/italian-art-in-its-relation-to-religion/">Italian Art in its Relation to Religion</a>, Symonds (The Renaissance in Italy)</td> </tr> <tr> <td>    <a href="/lit-hub/the-kinship-of-the-arts/">Kinship of the Arts, The</a>, Bodmer</td> </tr> <tr> <td>    <a href="/lit-hub/landscape/">Landscape</a>, Blanc (Grammar)</td> </tr> <tr> <td>    <a href="/lit-hub/michaelangelo/">Michaelangelo</a>, Michelet (The Renaissance)</td> </tr> <tr> <td>    <a href="/lit-hub/modernness/">Modernness</a>, Baudelaire</td> </tr> <tr> <td>    <a href="/lit-hub/moral-influence-of-art/">Moral Influence of Art</a>, Blanc (Grammar)</td> </tr> <tr> <td>    <a href="/lit-hub/the-uses-of-ornament/">Ornament, The Uses of</a>, Ruskin (Seven Lamps of Architecture)</td> </tr> <tr> <td>    <a href="/lit-hub/the-building-of-orvieto-cathedral/">Orvieto Cathedral, The Building of</a>, Norton (Notes of Travel and Study in Italy)</td> </tr> <tr> <td>    <a href="/lit-hub/the-painter-of-modern-life/">Painter of Modern Life, The</a>, Baudelaire (L’Art Romantique)</td> </tr> <tr> <td>    <a href="/lit-hub/modern-literature-under-the-tokugawa-shgunate/">Painting</a>, Motoori (Tamagatsuma)</td> </tr> <tr> <td>    <a href="/lit-hub/poetry-and-painting/">Poetry and Painting</a>, Bodmer (Holbein)</td> </tr> <tr> <td>    — — — <a href="/lit-hub/the-differing-spheres-of-poetry-and-painting/">Lessing</a> (Laocoön)</td> </tr> <tr> <td>    <a href="/lit-hub/poussins-shepherds-of-arcadia/">Poussin’s “Shepherds of Arcadia</a>,” Blanc (Grammar)</td> </tr> <tr> <td>    <a href="/lit-hub/the-race-characters-expressed-in-art/">Race Characters Expressed in Art</a>, Taine (Art in the Netherlands)</td> </tr> <tr> <td>    <a href="/lit-hub/raphael-sanzio/">Raphael Sanzio</a>, Vasari</td> </tr> <tr> <td>    <a href="/lit-hub/rembrandt/">Rembrandt</a>, Blanc (The Dutch School of Painters)</td> </tr> <tr> <td>    <a href="/lit-hub/style/">Style</a>, Blanc (Grammar)</td> </tr> <tr> <td>    <a href="/lit-hub/the-temple-of-zeus-at-olympia/">Temple of Zeus at Olympia, The</a>, Pausanias</td> </tr> <tr> <td>    <a href="/lit-hub/trees-in-art/">Trees in Art</a>, Hamerton (Landscape)</td> </tr> <tr> <td>    <a href="/lit-hub/what-is-art/">What is Art</a>, Croce (Breviary of Æsthetic)</td> </tr> <tr> <td><a href="/lit-hub/library/poem/art-criticism/">Art Criticism</a> (Poem), Landor</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/art-and-politics/">and Politics</a> (Poem), Bellman</td> </tr> <tr> <td>— <a href="/lit-hub/the-race-characters-expressed-in-art/">in the Netherlands</a>, Taine</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/advice-to-authors/">of Poetry, The</a> (Poem), Boileau</td> </tr> <tr> <td>— — — — (<a href="/lit-hub/library/poem/the-art-of-poetry/">Poem</a>), Horace</td> </tr> <tr> <td>— <a href="/lit-hub/from-the-art-work-of-the-future/">Work of the Future, The</a>, Wagner</td> </tr> <tr> <td><a href="/lit-hub/critical-introduction-by-richard-jones-18551923/">Arthurian Legends, The</a>, Richard Jones</td> </tr> <tr> <td><a href="/lit-hub/library/poem/from-the-artists/">Artists, The</a> (Poem), Schiller</td> </tr> <tr> <td><a href="/lit-hub/critical-introduction-by-henry-walcott-boynton-18691947/#10">Artsybashev, Mikhail</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/as-careful-merchants-do-expecting-stand/">As Careful Merchants do Expecting Stand</a> (Poem), William Browne</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/as-i-laye-a-thynkynge/">I Laye A-Thynkynge</a> (Poem), Barham</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/as-it-will-happen/">it will Happen</a> (Poem), Geibel</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/as-ships-becalmed/">Ships Becalmed</a> (Poem), Clough</td> </tr> <tr> <td>— <a href="/lit-hub/as-the-flowers-of-the-field-strato-first-century-a-d/">the Flowers of the Field</a>, Strato</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/scenes-from-the-comedies-and-histories-rosalind-orlando-jaques/">You Like It</a>, Shakespeare</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-37/">Asbjørnsen, Peter Christen</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-38/">Ascham, Roger</a></td> </tr> <tr> <td>Asclepiades</td> </tr> <tr> <td><a href="/lit-hub/library/poem/ash-shanfar-of-azd-a-picture-of-womanhood/">Ash-Shanfarà of Azd</a> (Poem)</td> </tr> <tr> <td><a href="/lit-hub/library/poem/epilogue-of-asinaria/">Asinaria</a>, Plautus</td> </tr> <tr> <td>Aspatia’s Song, Beaumont and Fletcher</td> </tr> <tr> <td><a href="/lit-hub/library/poem/aspects-of-the-pines/">Aspects of the Pines</a> (Poem), Hayne</td> </tr> <tr> <td><a href="/lit-hub/library/poem/aspiration/">Aspiration</a> (Poem), Willis</td> </tr> <tr> <td>— (<a href="/lit-hub/library/poem/aspiration-2/">Poem</a>), Zorrilla y Moral</td> </tr> <tr> <td><a href="/lit-hub/specimen-of-fable-literature/">Ass and the Jackal, The</a></td> </tr> <tr> <td>— <a href="/lit-hub/the-ass-in-the-lions-skin-2/">in the Lion’s Skin, The</a>, Vishnu Sharma (Pilpay)</td> </tr> <tr> <td><a href="/lit-hub/assar-and-mirjam/">Assar and Mirjam</a>, Goldschmidt</td> </tr> <tr> <td>“<a href="/lit-hub/library/poem/song-from-the-assignation/">Assignation, The,” Song from</a> (Poem), Poe</td> </tr> <tr> <td><a href="/lit-hub/critical-introduction-by-crawford-howell-toy-18361919/">Assyrian Literature</a></td> </tr> <tr> <td>Astronomy.</td> </tr> <tr> <td>    <a href="/lit-hub/critical-and-biographical-introduction-by-edward-singleton-holden-18461914-4/">Copernicus</a></td> </tr> <tr> <td>    <a href="/lit-hub/laplace/">Laplace</a>, Arago</td> </tr> <tr> <td><a href="/lit-hub/library/poem/from-astrophel-and-stella/">Astrophel and Stella</a> (Poem), Sidney</td> </tr> <tr> <td><a href="/lit-hub/library/poem/at-a-funeral/">At a Funeral</a> (Poem), Heber</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/at-dusk/">Dusk</a> (Poem), Lampman</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/at-gibraltar/">Gibraltar</a> (Poem), Woodberry</td> </tr> <tr> <td>— <a href="/lit-hub/americans-abroad-in-europe/">Home and Abroad</a>, S. M. Fuller</td> </tr> <tr> <td>— <a href="/lit-hub/reference/at-last-the-daylight-fadeth-2/">Last the Daylight Fadeth</a> (Poem), Geibel</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/at-penshurst/">Penshurst</a> (Poem), Waller</td> </tr> <tr> <td>— <a href="/lit-hub/the-hay-loft/">the Back of the North Wind</a>, MacDonald</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/at-the-church-gate/">Church Gate</a> (Poem), Thackeray</td> </tr> <tr> <td>— — <a href="/lit-hub/at-the-fair/">Fair</a>, Kielland</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/at-the-granite-gate/">Granite Gate</a> (Poem), Carman</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/at-the-potters/">Potter’s</a> (Poem), Spofford</td> </tr> <tr> <td><a href="/lit-hub/description-of-a-thunder-storm-in-the-forest/">Atala</a>, Chateaubriand</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-frederick-morris-warren-18591931-2/#6">Athalie</a>, Racine</td> </tr> <tr> <td><a href="/lit-hub/an-incantation/">Atharva-Veda, The</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-decree-of-athena/">Athena, The Decree of</a>, Æschylus</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-39/">Athenæus</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/from-athens/">Athens</a> (Poem), Swinburne</td> </tr> <tr> <td><a href="/lit-hub/critical-introduction-by-henry-walcott-boynton-18691947/#34">Atherton, Mrs. Gertrude</a></td> </tr> <tr> <td><a href="/lit-hub/the-scenes-and-the-actors/">Atlantic Essays</a>, Higginson</td> </tr> <tr> <td><a href="/lit-hub/library/poem/atlas/">Atlas</a> (Poem), Heine</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-bloody-banquet/">Atreus and Thyestes</a>, Crébillon</td> </tr> <tr> <td><a href="/lit-hub/the-attack-on-the-mill/">Attack on the Mill, The</a>, Zola</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-40/">Atterbom, Per Daniel Amadeus</a></td> </tr> <tr> <td><a href="/lit-hub/from-attic-nights/">Attic Nights</a>, Aulus Gellius</td> </tr> <tr> <td><a href="/lit-hub/library/poem/au-bord-de-leau/">Au Bord de l’Eau</a> (Poem), Sully Prudhomme</td> </tr> <tr> <td>— <a href="/lit-hub/critical-and-biographical-introduction-by-pierre-dareutiere-de-bcourt-18691924/#19">Service de l’Allemagne</a>, Barrès</td> </tr> <tr> <td><a href="/lit-hub/library/poem/aubade/">Aubade</a> (Poem), Cawein</td> </tr> <tr> <td><a href="/lit-hub/a-criticism/">Auber’s “Parisienne</a>,” Mendelssohn (Letters)</td> </tr> <tr> <td><a href="/lit-hub/critical-introduction-by-frederick-morris-warren-18591931/">Aucassin and Nicolette</a>, F. M. Warren</td> </tr> <tr> <td>— — — (<a href="/lit-hub/library/poem/provenal-loversaucassin-and-nicolette/">Poem</a>), Stedman</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-william-henry-bishop-18471928/#10">Audaz, El</a>, Galdós</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-41/">Audubon, John James</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-42/">Auerbach, Berthold</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-43/">Augier, Émile</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-samuel-hart/">Augustine of Hippo, St</a>., Samuel Hart</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-auld-house/">Auld House, The</a> (Poem), Nairne</td> </tr> <tr> <td>— <a href="/lit-hub/the-courting-of-tnowheads-bell/">Licht Idylls</a>, Barrie</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-104/#5">Aurora Leigh</a> (Poem), E. B. Browning</td> </tr> <tr> <td><a href="/lit-hub/library/poem/decimus-magnus-ausonius-c-310c-395-idyl-of-the-roses/">Ausonius, Decimus Magnus</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-44/">Austen, Jane</a></td> </tr> <tr> <td><a href="/lit-hub/critical-introduction-by-john-erskine-18791951/#16">Austin, Alfred</a>, Erskine</td> </tr> <tr> <td>Austrian Literature.</td> </tr> <tr> <td>    <a href="/lit-hub/critical-and-biographical-introduction-by-edward-irenus-prime-stevenson-18581942/">Beethoven, Ludwig van</a></td> </tr> <tr> <td>    <a href="/lit-hub/critical-and-biographical-introduction-181/">Grillparzer, Franz</a></td> </tr> <tr> <td>    <a href="/lit-hub/critical-and-biographical-introduction-by-bayard-quincy-morgan-18831967/">Hofmannsthal, Hugo von</a></td> </tr> <tr> <td>    <a href="/lit-hub/critical-and-biographical-introduction-by-ludwig-lewisohn-18821955-5/">Schnitzler, Arthur</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-authors-ambition/">Author’s Ambition, The</a> (Poem), Persius</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/the-authors-resolution-in-a-sonnet/">Resolution in a Sonnet, The</a> (Poem), Wither</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-william-morton-payne-18581919-12/">Authorship</a>, Schopenhauer</td> </tr> <tr> <td>Autobiography, see Diaries, Journals, etc.</td> </tr> <tr> <td><a href="/lit-hub/my-last-walk-with-the-schoolmistress/">Autocrat of the Breakfast Table, The</a>, Holmes</td> </tr> <tr> <td><a href="/lit-hub/archaic-writings/#12">Autumn</a> (Poem), Chisato</td> </tr> <tr> <td>— (<a href="/lit-hub/library/poem/the-inundation/">Poem</a>), Thomson</td> </tr> <tr> <td>— (<a href="/lit-hub/library/poem/autumn/">Poem</a>), Watson</td> </tr> <tr> <td><a href="/lit-hub/library/poem/aux-enfants-perdus/">Aux Enfants Perdus</a> (Poem), Banville</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/aux-italiens/">Italiens</a> (Poem), Lytton</td> </tr> <tr> <td><a href="/lit-hub/peace-making-reconciliation-and-robbery/">Avare, L</a>’, Molière</td> </tr> <tr> <td>Avebury, John Lubbock, 1st baron, see <a href="/lit-hub/critical-and-biographical-introduction-266/">Lubbock, Sir John</a>.</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-45/">Averroës</a></td> </tr> <tr> <td><a href="/lit-hub/critical-introduction-by-a-v-williams-jackson-18621937/">Avesta, The</a>, A. V. W. Jackson</td> </tr> <tr> <td>— <a href="/lit-hub/an-appeal-to-ahura-mazdah-the-lord-for-knowledge/">From The</a></td> </tr> <tr> <td>Avicenna, see <a href="/lit-hub/critical-and-biographical-introduction-by-thomas-davidson-18401900-4/">Ibn Sina</a>.</td> </tr> <tr> <td><a href="/lit-hub/library/poem/away/">Away</a> (Poem), Riley</td> </tr> <tr> <td><a href="/lit-hub/library/poem/from-axel-and-valborg/">Axel and Valborg</a>, Oehlenschläger</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-46/">Ayton, Robert</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-47/">Aytoun, William Edmonstoune</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-48/">Azeglio, Massimo Taparelli d</a>’</td> </tr> <tr> <td><a href="/lit-hub/library/poem/captain-reece/">Bab Ballads</a> (Poems), Gilbert</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-edward-singleton-holden-18461914-3/">Baber</a>, E. S. Holden</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-49/">Babrius</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/babylon/">Babylon</a> (Poem), Anon.</td> </tr> <tr> <td><a href="/lit-hub/critical-introduction-by-crawford-howell-toy-18361919/">Babylonian Literature</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-henry-rushton-fairclough-18621938/#71">Bacchylides</a></td> </tr> <tr> <td><a href="/lit-hub/on-bach/">Bach</a>, Berlioz</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-charlton-thomas-lewis-18341904/">Bacon, Francis</a>, C. T. Lewis</td> </tr> <tr> <td><a href="/lit-hub/the-baconshakespeare-craze/">Bacon–Shakespeare Craze, The</a>, White</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-forrest-morgan-b-1852/">Bagehot, Walter</a>, Forrest Morgan</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-50/">Baggesen, Jens</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-51/">Bailey, Philip James</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-52/">Baillie, Joanna</a></td> </tr> <tr> <td><a href="/lit-hub/two-famous-entertainments/">Bains, Festival of the Queen of Hungary at</a>, Brantôme (Lives of Courtly Women)</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-53/">Baird, Henry Martyn</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-rivals/">Bajazet</a>, Racine</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-54/">Baker, Sir Samuel White</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-bakers-tale/">Baker’s Tale, The</a> (Poem), Carroll</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-edward-l-burlingame-18481922/#13">Balaustion</a>, Robert Browning</td> </tr> <tr> <td><a href="/lit-hub/critical-introduction-by-marathon-montrose-ramsey-b-1867/#25">Balbuena, Bernardo</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-soul/">Balder</a> (Poem), Dobell</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-carlton-joseph-huntley-hayes-18821964/">Balfour, Arthur James, Earl of</a>, C. J. H. Hayes</td> </tr> <tr> <td><a href="/lit-hub/critical-introduction-by-francis-barton-gummere-18551919/">Ballad, The</a>, F. B. Gummere</td> </tr> <tr> <td>— (<a href="/lit-hub/library/poem/ballad-the-auld-wife-sat-at-her-ivied-door/">Poem</a>), Calverley</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/ballad-against-those-who-missay-of-france/">against Those Who Missay of France</a> (Poem), Villon</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/the-ballad-of-agincourt/">of Agincourt, The</a> (Poem), Drayton</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/the-ballad-of-bouillabaisse/">Bouillabaisse, The</a> (Poem), Thackeray</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/the-ballad-of-guibour/">Guibour, The</a> (Poem), Mistral</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/ballad-of-old-time-ladies/">Old-Time Ladies</a> (Poem), Villon</td> </tr> <tr> <td>— — — <a href="/lit-hub/library/poem/ballad-of-old-time-lords-no-1/">Lords</a> (Poem), Villon</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/the-ballad-of-prose-and-rhyme/">Prose and Rhyme, The</a> (Poem), Dobson</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/ballad-of-the-debate-of-the-heart-and-body-of-villon/">the Debate of the Heart and Body</a> (Poem), Villon</td> </tr> <tr> <td>— — — <a href="/lit-hub/library/poem/ballad-of-the-outer-life/">Outer Life</a> (Poem), Hofmannsthal</td> </tr> <tr> <td>— — — <a href="/lit-hub/library/poem/ballad-of-the-women-of-paris/">Women of Paris</a> (Poem), Villon</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/ballad-of-things-known-and-unknown/">Things Known and Unknown</a> (Poem), Villon</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/a-ballad-of-trees-and-the-master/">Trees and the Master, A</a> (Poem), Lanier</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/ballad-of-villon-in-prison/">in Prison</a> (Poem), Villon</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/ballad-that-villon-made-at-the-request-of-his-mother/">… to Our Lady</a> (Poem), Villon</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/a-ballad-to-queen-elizabeth/">to Queen Elizabeth, A</a> (Poem), Dobson</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/a-bride/">upon a Wedding</a> (Poem), Suckling</td> </tr> <tr> <td><a href="/lit-hub/library/poem/ballade-des-pendus/">Ballade des Pendus</a> (Poem), Banville</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/ballade-of-midsummer-days-and-nights/">of Midsummer Days and Nights</a> (Poem), Henley</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/ballade-on-the-mysterious-hosts-of-the-forests/">on the Mysterious Hosts of the Forest</a>, Banville</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-winter-pear/">Ballads and Songs</a> (Poems), Allingham</td> </tr> <tr> <td><a href="/lit-hub/library/poem/songs-and-their-settings-balthazars-song/">Balthazar’s Song</a> (Poem), Shakespeare</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-william-peterfield-trent-18621939/">Balzac, Honoré de</a>, W. P. Trent</td> </tr> <tr> <td><a href="/lit-hub/library/poem/les-roses-de-sdi/">Ban and Arrière Ban</a>, Lang</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-austin-scott-18481922/">Bancroft, George</a>, Austin Scott</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-55/">Banim, John</a></td> </tr> <tr> <td>— <a href="/lit-hub/critical-and-biographical-introduction-55/">Michael</a></td> </tr> <tr> <td><a href="/lit-hub/origin-of-deposit-banking/">Banking, Deposit, Origin of</a>, Bagehot (Lombard Street)</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-banks-o-doon/">Banks o’ Doon, The</a> (Poem), Burns</td> </tr> <tr> <td><a href="/lit-hub/library/poem/a-banquet-song/">Banquet Song, A</a> (Poem), Alcæus</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-56/">Banville, Théodore de</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/barbara-frietchie/">Barbara Frietchie</a> (Poem), Whittier</td> </tr> <tr> <td><a href="/lit-hub/library/poem/barbarossa/">Barbarossa</a> (Poem), Rückert</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-57/">Barbauld, Anna Letitia</a></td> </tr> <tr> <td><a href="/lit-hub/outwitting-a-guardian/">Barber of Seville, The</a>, Beaumarchais</td> </tr> <tr> <td><a href="/lit-hub/war/">Barchester Towers</a>, Trollope</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-58/">Barclay, Alexander</a></td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/barclay-of-ury/">of Ury</a> (Poem), Whittier</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-bard/">Bard, The</a> (Poem), Gray</td> </tr> <tr> <td>— — (<a href="/lit-hub/library/poem/the-bard-2/">Poem</a>), Pushkin</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-barefoot-boy/">Barefoot Boy, The</a> (Poem), Whittier</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-59/">Barham, Richard Harris</a> (Thomas Ingoldsby)</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-60/">Baring-Gould, Sabine</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-61/">Barlow, Jane</a></td> </tr> <tr> <td>— <a href="/lit-hub/critical-and-biographical-introduction-62/">Joel</a></td> </tr> <tr> <td><a href="/lit-hub/the-burning-of-newgate-2/">Barnaby Rudge</a>, Dickens</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-john-william-cunliffe-18651946/#5">Barnavaux et Quelques Femmes</a>, Mille</td> </tr> <tr> <td>— <a href="/lit-hub/critical-and-biographical-introduction-by-john-william-cunliffe-18651946/#2">Général</a>, Mille</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-63/">Barnes, William</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-pierre-dareutiere-de-bcourt-18691924/">Barrès, Maurice</a>, Pierre De Bacourt</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-pierre-dareutiere-de-bcourt-18691924-2/#17">Barricade, La</a>, Bourget</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-64/">Barrie, James Matthew</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-william-sharp-18551905-2/">Barzaz-Breiz</a> (Poems), la Villemarqué</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-65/">Bastiat, Frédéric</a></td> </tr> <tr> <td><a href="/lit-hub/the-siege-of-the-bastille/">Bastille, The Siege of the</a>, Carlyle (French Revolution)</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-pierre-dareutiere-de-bcourt-18691924/#20">Bastions de l’Est, Les</a>, Barrès</td> </tr> <tr> <td><a href="/lit-hub/critical-introduction-by-frank-wadleigh-chandler-18731947-2/#43">Bataille, Henry</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/marriage/">Battle and Other Poems</a>, Gibson</td> </tr> <tr> <td>— –<a href="/lit-hub/library/poem/the-battle-field/">Field, The</a> (Poem), Bryant</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/battle-hymn-of-the-republic/">Hymn of the Republic</a> (Poem), J. W. Howe</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/the-battle-of-blenheim/">of Blenheim, The</a> (Poem), Southey</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/the-battle-of-copenhagen/">Copenhagen, The</a> (Poem), Campbell</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/the-battle-of-ivry-2/">Ivry, The</a> (Poem), Macaulay</td> </tr> <tr> <td>— — <a href="/lit-hub/the-battle-of-ivry/">Ivry</a>, Henry Martyn Baird</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/the-battle-of-waterloo/">Waterloo</a>, The (Poem), Byron</td> </tr> <tr> <td>Battles, see War.</td> </tr> <tr> <td><a href="/lit-hub/library/poem/baucis-and-philemon/">Baucis and Philemon</a> (Poem), Ovid</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-grace-elizabeth-king-18521932/">Baudelaire, Charles</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-isa-carrington-cabell-18601923/">Beaconsfield, Benjamin Disraeli, earl of</a>, I. C. Cabell</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-william-peterfield-trent-18621939/#19">Béatrix</a>, Balzac</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-brander-matthews-18521929/">Beaumarchais</a>, Brander Matthews</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-ashley-horace-thorndike-18711933/">Beaumont, Francis</a>, A. H. Thorndike</td> </tr> <tr> <td>Beaurepaire, Jules Quesnay de, see <a href="/lit-hub/critical-and-biographical-introduction-346/">Quesnay de Beaurepaire</a>.</td> </tr> <tr> <td><a href="/lit-hub/the-habits-of-ants/">Beauties of Nature, The</a>, Lubbock</td> </tr> <tr> <td><a href="/lit-hub/library/poem/beauty/">Beauty</a> (Poem), Baudelaire</td> </tr> <tr> <td>— (<a href="/lit-hub/library/poem/beauty-2/">Poem</a>), Jāmī</td> </tr> <tr> <td>— (<a href="/lit-hub/library/poem/beauty-3/">Poem</a>), Lodge</td> </tr> <tr> <td>— (<a href="/lit-hub/library/poem/attributed-songs-beauty/">Poem</a>), Shakespeare</td> </tr> <tr> <td>— (<a href="/lit-hub/library/poem/beauty-4/">Poem</a>), Very</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/beauty-unadorned/">Unadorned</a> (Poem), Propertius</td> </tr> <tr> <td><a href="/lit-hub/the-silk-stockings/">Bébée</a>, Ouida</td> </tr> <tr> <td><a href="/lit-hub/the-death-of-thomas-becket/">Becket, Thomas, The Death of</a>, Froude (Short Studies)</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-66/">Beckford, William</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/bed-in-summer/">Bed in Summer</a> (Poem), Stevenson</td> </tr> <tr> <td><a href="/lit-hub/cdmons-inspiration/">Bede</a>, Alfred the Great</td> </tr> <tr> <td><a href="/lit-hub/library/poem/bedouin-song/">Bedouin Song</a> (Poem), Taylor</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-william-sharp-18551905-4/#16">Bee, Life of the</a>, Maeterlinck</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-lyman-abbott-18351922/">Beecher, Henry Ward</a>, Lyman Abbott</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-edward-irenus-prime-stevenson-18581942/">Beethoven, Ludwig van</a>, E. I. Stevenson</td> </tr> <tr> <td><a href="/lit-hub/library/poem/before-the-convent-of-st-just-1556/">Before the Convent of St. Just</a> (Poem), Platen</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/before-the-sacrament/">Sacrament</a> (Hymn), Heber</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/before-the-storm/">Storm</a> (Poem), Dehmel</td> </tr> <tr> <td><a href="/lit-hub/roger-williams-the-prophet-of-religious-freedom/">Beginners of a Nation</a>, Eggleston</td> </tr> <tr> <td><a href="/lit-hub/library/poem/hack-and-hew/">Behind the Arras</a> (Poems), Carman</td> </tr> <tr> <td><a href="/lit-hub/library/poem/guillaume-de-poitiers-11901227-behold-the-meads/">Behold the Meads</a> (Poem), Guillaume de Poitiers</td> </tr> <tr> <td><a href="/lit-hub/critical-introduction-by-frank-wadleigh-chandler-18731947-2/#72">Belasco, David</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-harriet-waters-preston-18361911-4/#2">Beleaguered City, A</a>, Oliphant</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/the-beleaguered-city/">The</a> (Poem), Longfellow</td> </tr> <tr> <td><a href="/lit-hub/the-claims-of-science/">Belfast Address</a>, Tyndall</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-belfry-of-bruges/">Belfry of Bruges, The</a> (Poem), Longfellow</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/the-belfry-pigeon/">Pigeon, The</a> (Poem), Willis</td> </tr> <tr> <td>Belgian Literature.</td> </tr> <tr> <td>    <a href="/lit-hub/critical-introduction-by-john-erskine-18791951/#17">Cammaerts, Émile</a></td> </tr> <tr> <td>    <a href="/lit-hub/critical-and-biographical-introduction-by-william-sharp-18551905/">Conscience, Hendrik</a></td> </tr> <tr> <td>    <a href="/lit-hub/critical-and-biographical-introduction-43-2/">Eekhoud, Georges</a></td> </tr> <tr> <td>    <a href="/lit-hub/critical-introduction-by-frank-wadleigh-chandler-18731947-2/#46">Kistemaeckers, Henry</a></td> </tr> <tr> <td>    <a href="/lit-hub/critical-and-biographical-introduction-by-william-sharp-18551905-4/">Maeterlinck, Maurice</a></td> </tr> <tr> <td>    <a href="/lit-hub/critical-and-biographical-introduction-by-amy-lowell-18741925/">Verhaeren, Emile</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/believe-it-not/">Believe It Not</a> (Poem), Tolstoy</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/believe-me-if-all-those-endearing-young-charms/">Me, if All Those Endearing Young Charms</a> (Poem), Thomas Moore</td> </tr> <tr> <td><a href="/lit-hub/library/poem/la-belle-dame-sans-merci/">Belle Dame Sans Merci, La</a> (Poem), Keats</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/the-belle-of-the-ball/">of the Ball, The</a> (Poem), Praed</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-olga-flinch/">Bellman, Carl Michael</a>, Olga Flinch</td> </tr> <tr> <td><a href="/lit-hub/critical-introduction-by-marathon-montrose-ramsey-b-1867/#38">Bello, Andrés</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-bells/">Bells, The</a> (Poem), Poe</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-beloved-youth-gains-fame-from-the-poets-songs/">Beloved Youth, The</a> (Poem), Theognis</td> </tr> <tr> <td><a href="/lit-hub/the-galley-fight/">Ben-Hur</a>, Wallace</td> </tr> <tr> <td><a href="/lit-hub/critical-introduction-by-frank-wadleigh-chandler-18731947-2/#37">Benavente, Jacinto</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/benefits/">Benefits</a> (Poem), Lessing</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-allan-nevins-18901971/">Bennett, Arnold</a>, Allan Nevins</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-67/">Bentham, Jeremy</a></td> </tr> <tr> <td><a href="/lit-hub/benvenuto-cellini/">Benvenuto Cellini</a>, Birrell</td> </tr> <tr> <td><a href="/lit-hub/library/poem/from-beowulf/">Beowulf</a> (Poem), Anon.</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-alce-fortier-18561914/">Béranger, Jean-Pierre de</a>, Alcée Fortier</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-william-pepperell-montague-18731953/">Bergson, Henri Louis</a>, W. P. Montague</td> </tr> <tr> <td><a href="/lit-hub/critical-introduction-by-frank-wadleigh-chandler-18731947-2/#13">Bergström, Hjalmar</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-68/">Berkeley, George</a></td> </tr> <tr> <td><a href="/lit-hub/the-philistine-of-berlin/">Berlin, The Philistine of</a>, Heine (Italy)</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-69/">Berlioz, Hector</a></td> </tr> <tr> <td>Bernal Díaz del Castillo, see <a href="/lit-hub/critical-and-biographical-introduction-10-3/">Díaz del Castillo, Bernal</a>.</td> </tr> <tr> <td><a href="/lit-hub/library/poem/bernard-de-ventadour-11401195-marvel-is-it-if-i-sing/">Bernard de Ventadour</a></td> </tr> <tr> <td>— <a href="/lit-hub/critical-and-biographical-introduction-70/">of Clairvaux, Saint</a></td> </tr> <tr> <td>— — <a href="/lit-hub/critical-and-biographical-introduction-by-william-cowper-prime-18251905/">Cluny</a>, W. C. Prime</td> </tr> <tr> <td>— — Morlay, see <a href="/lit-hub/critical-and-biographical-introduction-by-william-cowper-prime-18251905/">Bernard of Cluny</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-71/">Berners, Juliana</a></td> </tr> <tr> <td><a href="/lit-hub/critical-introduction-by-frank-wadleigh-chandler-18731947-2/#46">Bernstein, Henry</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/albabertrand-daamanon-end-of-twelfth-century-a-knight-was-sitting-by-her-side/">Bertrand d’ Aamanon</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-72/">Besant, Sir Walter</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/beside-the-hearth/">Beside the Hearth</a> (Poem), Wagner</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/beside-the-winter-sea/">Winter Sea</a> (Poem), Roberts</td> </tr> <tr> <td><a href="/lit-hub/library/poem/bessie-bell-and-mary-gray/">Bessie Bell and Mary Gray</a> (Poem), Anon.</td> </tr> <tr> <td><a href="/lit-hub/library/poem/bessy-bell-and-mary-gray/">Bessy Bell and Mary Gray</a> (Poem), Ramsay</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-best-thing-in-the-world/">Best Thing in the World, The</a> (Poem), E. B. Browning</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/imports-of-athens-the-best-wines/">Wines, The</a> (Poem), Hermippus</td> </tr> <tr> <td><a href="/lit-hub/critical-introduction-by-oscar-kuhns-18561929/">Bestiaries and Lapidaries</a>, L. O. Kuhns</td> </tr> <tr> <td><a href="/lit-hub/from-hebron-to-bethlehem/">Bethlehem, From Hebron to</a>, Mandeville (Adventures)</td> </tr> <tr> <td><a href="/lit-hub/an-unwilling-priest/">Betrothed, The</a>, Manzoni</td> </tr> <tr> <td><a href="/lit-hub/library/poem/a-better-answer/">Better Answer, A</a> (Poem), Prior</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/the-better-part/">Part, The</a> (Poem), Matthew Arnold</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-bewildered-guest/">Bewildered Guest, The</a> (Poem), Howells</td> </tr> <tr> <td>Bible, see also Old Testament, New Testament; Apocrypha.</td> </tr> <tr> <td>— <a href="/lit-hub/a-meeting/">in Spain, The</a>, Borrow</td> </tr> <tr> <td>— <a href="/lit-hub/specimen-of-the-religious-poetry-of-the-modern-sects/">of the Dadu Panthis, The</a></td> </tr> <tr> <td>— — Zoroaster, The, see <a href="/lit-hub/critical-introduction-by-a-v-williams-jackson-18621937/#13">Avesta</a>.</td> </tr> <tr> <td>— Wycliffe’s: <a href="/lit-hub/luke-xv-1132/">Luke xv. 11–32</a>; <a href="/lit-hub/1-corinthians-xiii/">1 Corinthians xiii</a>.; <a href="/lit-hub/john-xx-131/">John xx. 1–31</a>; <a href="/lit-hub/apocalypse-v-114/">Apocalypse v. 1–14</a></td> </tr> <tr> <td><a href="/lit-hub/big-words-for-small-thoughts/">Big Words for Small Thoughts</a>, White</td> </tr> <tr> <td><a href="/lit-hub/library/poem/from-the-biglow-papers/">Biglow Papers, The</a> (Poem), Lowell</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-73/">Bilderdijk, Willem</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/bill-and-joe/">Bill and Joe</a> (Poem), Holmes</td> </tr> <tr> <td><a href="/lit-hub/billy-and-hans-a-true-history/">Billy and Hans</a>, Stillman</td> </tr> <tr> <td><a href="/lit-hub/critical-introduction-by-john-erskine-18791951/#16">Binyon, Lawrence</a>, Erskine</td> </tr> <tr> <td><a href="/lit-hub/charles-lamb-2-2/">Biographical Essays</a>, De Quincey</td> </tr> <tr> <td>Biography, see Names of Persons; also Anecdotes; Characterizations; Diaries; Letters.</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-74/">Bion</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-bird-let-loose/">Bird Let Loose, The</a> (Poem), Thomas Moore</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/apologues-freely-translated-from-the-mantik-ut-tair-or-the-bird-parliament-of-fard-uddn-attar/">Parliament, The</a>, Faríd-Uddín Attar</td> </tr> <tr> <td>— <a href="/lit-hub/critical-and-biographical-introduction-by-james-cobourg-hodgins-18661953/#10">Voices</a> (Poem), Lampman</td> </tr> <tr> <td>Birds, see also Fables.</td> </tr> <tr> <td>    <a href="/lit-hub/critical-introduction-by-oscar-kuhns-18561929/">Bestiaries and Lapidaries</a>, Kuhns</td> </tr> <tr> <td>    <a href="/lit-hub/birds-2-2/">Birds</a>, De Amicis (Constantinople)</td> </tr> <tr> <td>    <a href="/lit-hub/the-bluebird/">Bluebird, The</a>, Wilson (American Ornithology)</td> </tr> <tr> <td>    <a href="/lit-hub/library/poem/the-fish-hawk-or-osprey/">Fish-Hawk, The</a> (Poem), Wilson (American Ornithology)</td> </tr> <tr> <td>    <a href="/lit-hub/the-herons-haunt/">Heron’s Haunt, The</a>, Grant Allen (Vignettes from Nature)</td> </tr> <tr> <td>    <a href="/lit-hub/the-house-swallow/">House-Swallow, The</a>, White (Natural History of Selborne)</td> </tr> <tr> <td>    <a href="/lit-hub/the-humming-bird/">Humming-Bird, The</a>, Buffon (Natural History)</td> </tr> <tr> <td>    <a href="/lit-hub/sharp-eyes/">Sharp Eyes</a>, Burroughs (Locusts and Wild Honey)</td> </tr> <tr> <td>    <a href="/lit-hub/the-wild-pigeon/">Wild Pigeon, The</a> (Poem), Wilson (American Ornithology)</td> </tr> <tr> <td><a href="/lit-hub/library/poem/grand-chorus-of-birds/">Birds</a>, Aristophanes</td> </tr> <tr> <td>— (<a href="/lit-hub/library/poem/birds/">Poem</a>), R. H. Stoddard</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/from-birds-in-the-night/">in the Night</a> (Poem), Verlaine</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-75/">Birrell, Augustine</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/a-birthday/">Birthday, A</a> (Poem), C. G. Rossetti</td> </tr> <tr> <td>— — (<a href="/lit-hub/library/poem/a-birthday-2/">Poem</a>), Watson</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-bishop-of-rum-ti-foo/">Bishop of Rum-ti-Foo, The</a> (Poem), Gilbert</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-munroe-smith-18541926/">Bismarck, Otto Edward Leopold von</a>, Munroe Smith</td> </tr> <tr> <td><a href="/lit-hub/the-publicans-dream/">Bit o’ Writin’, and Other Tales, The</a>, Banim</td> </tr> <tr> <td><a href="/lit-hub/a-may-day-in-albano/">Bits of Travel</a>, Jackson</td> </tr> <tr> <td><a href="/lit-hub/library/poem/cradle-song/">Bittersweet</a> (Poem), Holland</td> </tr> <tr> <td><a href="/lit-hub/bjrnstjerne-bjrnson/">Björnson, Björnstjerne</a>, Brandes</td> </tr> <tr> <td>— — <a href="/lit-hub/critical-and-biographical-introduction-by-william-morton-payne-18581919/">W. M. Payne</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-76/">Black</a>, William</td> </tr> <tr> <td><a href="/lit-hub/the-first-mass/">Black Forest Village Stories</a>, Auerbach</td> </tr> <tr> <td><a href="/lit-hub/lorenzos-duel-with-himself/">Black Maskers, The</a>, Andreyev</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/the-black-regiment/">Regiment, The</a> (Poem), Boker</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/the-black-shawl/">Shawl</a> (Poem), Pushkin</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-77/">Blackmore, Richard Doddridge</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/blackmwore-maidens/">Blackmwore, Maidens</a> (Poem), Barnes</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-78/">Blake, William</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-79/">Blanc, Charles</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-clayton-meeker-hamilton-18811946/#6">Blanchette, Brieux</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-blessd-damozel/">Blessèd Damozel, The</a> (Poem), D. G. Rossetti</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-80/">Blicher, Steen Steensen</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-81/">Blind, Mathilde</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-gertrude-elizabeth-taylor-slaughter-18701963/#11">Blind Bard of Chios</a> (Poem), Pascoli</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/the-blind-girl-of-castl-cuill/">Girl of Castel-Cuillé</a>, The (Poem), Jasmin</td> </tr> <tr> <td><a href="/lit-hub/library/poem/songs-and-their-settings-blow-blow-thou-winter-wind/">Blow, Blow, Thou Winter Wind</a> (Poem), Shakespeare</td> </tr> <tr> <td><a href="/lit-hub/blue-beard/">Blue Beard</a>, Perrault</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/the-blue-closet/">Closet, The</a> (Poem), Morris</td> </tr> <tr> <td><a href="/lit-hub/the-bluebird/">Bluebird, The</a> (Poem), Wilson</td> </tr> <tr> <td><a href="/lit-hub/boarding-house-geometry/">Boarding-House Geometry</a>, Leacock</td> </tr> <tr> <td><a href="/lit-hub/the-old-man-at-the-water-wheel/">Boat Life in Egypt and Nubia</a>, Prime</td> </tr> <tr> <td>— <a href="/lit-hub/the-boat-race/">Race, The</a>, Hughes (Tom Brown at Oxford)</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-boatmans-song/">Boatman’s Song, The</a> (Poem), Carmen Sylva</td> </tr> <tr> <td><a href="/lit-hub/bobbo/">Bobbo and Other Fancies</a>, Wharton</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-william-james-stillman-18281901/">Boccaccio, Giovanni</a>, W. J. Stillman</td> </tr> <tr> <td><a href="/lit-hub/boccaccios-decameron/">Boccaccio’s “Decameron</a>,” Sismondi (Literature of the South of Europe)</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-82/">Bodenstedt, Friedrich Martin von</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-83/">Bodmer, Johann Jakob</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/where-to-find-true-joy/">Boethius</a> (Poem), Alfred the Great</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-84/">Boethius</a></td> </tr> <tr> <td><a href="/lit-hub/the-noble-bohemianism/">Bohemianism</a>, Hamerton (Human Intercourse)</td> </tr> <tr> <td><a href="/lit-hub/the-white-violets/">Bohemians of the Latin Quarter, The</a>, Murger</td> </tr> <tr> <td><a href="/lit-hub/library/poem/from-the-gipsies/">Bohémiens, Les</a> (Poem), Béranger</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-85/">Boileau-Despreaux, Nicholas</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-86/">Boissier, Gaston</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-87/">Boker, George H</a>.</td> </tr> <tr> <td><a href="/lit-hub/how-to-be-an-influential-politician/">Bolingbroke</a>, Bagehot</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-broken-pitcher/">Bon Gaultier Ballads</a> (Poems), W. E. Aytoun</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-thomas-davidson-18401900-3/">Bonaventura, Saint</a>, Thomas Davidson</td> </tr> <tr> <td>Bonduca, Fletcher</td> </tr> <tr> <td><a href="/lit-hub/library/poem/bonnie-george-campbell/">Bonnie George Campbell</a> (Poem), Anon.</td> </tr> <tr> <td><a href="/lit-hub/library/poem/bonny-dundee/">Bonny Dundee</a> (Poem), Scott</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/the-bonny-earl-of-murray/">Earl of Murray, The</a> (Poem), Anon.</td> </tr> <tr> <td><a href="/lit-hub/life-and-old-age/">Book Le Grand</a>, Heine</td> </tr> <tr> <td>— <a href="/lit-hub/the-preternatural-in-fiction/">of a Thousand Nights and a Night</a>, The, R. F. Burton</td> </tr> <tr> <td>— — <a href="/lit-hub/child-life/">My Friend, The</a>, France</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/the-negative-confession/">the Dead</a></td> </tr> <tr> <td>— — — <a href="/lit-hub/library/poem/the-unsleeping/">Native</a>, Roberts</td> </tr> <tr> <td>— — — <a href="/lit-hub/a-new-undine/">Rose, The</a>, Almqvist</td> </tr> <tr> <td><a href="/lit-hub/book-stores-and-books/">Book-Stores and Books</a>, Beecher</td> </tr> <tr> <td><a href="/lit-hub/from-a-bookmans-purgatory/">Bookman’s Purgatory, A</a>, Lang</td> </tr> <tr> <td><a href="/lit-hub/from-a-bookmans-purgatory/">Books and Bookmen</a>, Lang</td> </tr> <tr> <td>Books and Reading, see also Literature.</td> </tr> <tr> <td>    <a href="/lit-hub/the-alexandrian-library/">Alexandrian Library, The</a>, Gibbon</td> </tr> <tr> <td>    <a href="/lit-hub/from-a-bookmans-purgatory/">Bookman’s Purgatory, A</a>, Lang</td> </tr> <tr> <td>    <a href="/lit-hub/on-books/">Books</a>, Fuller (Holy and Profane State)</td> </tr> <tr> <td>    — <a href="/lit-hub/of-books/">Montaigne</a></td> </tr> <tr> <td>    — <a href="/lit-hub/on-books-and-readings/">and Reading</a>, Schopenhauer</td> </tr> <tr> <td>    <a href="/lit-hub/book-stores-and-books/">Book-stores and Books</a>, Beecher</td> </tr> <tr> <td>    <a href="/lit-hub/the-use-and-selection-of-books/">Choice of Books, The</a>, Harrison</td> </tr> <tr> <td>    <a href="/lit-hub/on-early-reading/">Early Reading</a>, Bagehot (Edward Gibbon)</td> </tr> <tr> <td>    <a href="/lit-hub/the-library/">Library, The</a>, Maistre (Journey round My Room)</td> </tr> <tr> <td>    <a href="/lit-hub/the-pleasures-of-reading/">Pleasures of Reading, The</a>, Balfour (Rectorial Address)</td> </tr> <tr> <td>    — — — — <a href="/lit-hub/the-happy-life/">Eliot</a> (The Happy Life)</td> </tr> <tr> <td>    <a href="/lit-hub/the-professional-reviewer/">Professional Reviewer, The</a>, Bennett (The Truth about an Author)</td> </tr> <tr> <td>    <a href="/lit-hub/on-reading/">Reading</a>, Voltaire (Philosophical Dictionary)</td> </tr> <tr> <td><a href="/lit-hub/library/poem/hamlet-at-the-boston-theatre/">Booth, Edwin, “Hamlet” at the Boston Theatre</a>, Howe</td> </tr> <tr> <td>— — (<a href="/lit-hub/library/poem/edwin-booth/">Poem</a>), Winter</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-bridge-of-dread/">Border Minstrelsy</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/from-boris-godunov/">Boris Godunov</a>, Pushkin</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-julian-hawthorne-18461934/">Borrow, George</a>, Julian Hawthorne</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-88/">Boscán, Juan</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-adolphe-cohn-18511930/">Bossuet, Jacques Bénigne</a>, Adolphe Cohn</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-charles-frederick-johnson-18361931/">Boswell, James</a>, C. F. Johnson</td> </tr> <tr> <td><a href="/lit-hub/library/poem/on-keeping-within-ones-proper-sphere/">Bothie of Tober-na-Vuolich, The</a> (Poem), Clough</td> </tr> <tr> <td>Bourdeille, Pierre de, see <a href="/lit-hub/critical-and-biographical-introduction-93/">Brantôme, Pierre de Bourdeille</a>.</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-pierre-dareutiere-de-bcourt-18691924-2/">Bourget, Paul</a>, Pierre de Bacourt</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-bowmens-song/">Bowmen’s Song, The</a> (Poem), Doyle (The White Company)</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-89/">Bowring, Sir John</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-90/">Boyesen, Hjalmar Hjorth</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-nurses-watch/">Boy’s Wonderhorn, The</a> (Poems), Brentano</td> </tr> <tr> <td><a href="/lit-hub/critical-introduction-by-frank-wadleigh-chandler-18731947-2/#32">Bracco, Roberto</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-91/">Braddon, Mary Elizabeth</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-william-morton-payne-18581919-2/">Brandes, Georg</a>, W. M. Payne</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-92/">Brant, Sebastian</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-93/">Brantôme, Pierre de Bourdeille</a></td> </tr> <tr> <td><a href="/lit-hub/from-branwen-the-daughter-of-llyr/">Branwen the Daughter of Llyr</a>, Mabinogion</td> </tr> <tr> <td>“<a href="/lit-hub/library/poem/break-break-break/">Break, Break, Break</a>” (Poem), Tennyson</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-94/">Bremer, Fredrika</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-95/">Brentano, Clemens</a></td> </tr> <tr> <td><a href="/lit-hub/the-bretonne/">Bretonne, The</a>, Theuriet</td> </tr> <tr> <td><a href="/lit-hub/what-is-art/">Breviary of Æsthetic, The</a>, Croce</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-hellespont-and-troy/">Bride of Abydos, The</a> (Poem), Byron</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-bridge/">Bridge, The</a> (Poem), Longfellow</td> </tr> <tr> <td>— of Dread, The (Poem)</td> </tr> <tr> <td>— — <a href="/lit-hub/library/poem/the-bridge-of-sighs/">Sighs, The</a> (Poem), Hood</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-franklin-henry-giddings-18551931/">Bridges, Robert</a>, F. H. Giddings</td> </tr> <tr> <td><a href="/lit-hub/library/poem/brief-is-pain/">Brief is Pain</a> (Poem), Carpenter</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/brief-life-is-here-our-portion/">Life is Here our Portion</a> (Hymn), Bernard of Cluny</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-briefness-of-life/">Briefness of Life, The</a> (Poem), William Drummond</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-clayton-meeker-hamilton-18811946/">Brieux, Eugène</a>, Clayton Hamilton</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-96/">Bright, John</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/song-brignall-banks/">Brignall Banks</a> (Poem), Scott</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-97/">Brillat-Savarin</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-farewell-of-sir-charles-baldwin-to-his-wife/">Bristowe Tragedie, The</a> (Poem), Chatterton</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-hunted-squirrel/">Britannia’s Pastorals</a> (Poems), William Browne</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-william-sharp-18551905-2/">Brittany, The Heroic and Legendary Literature of</a>, William Sharp</td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-broken-bell/">Broken Bell, The</a> (Poem), Baudelaire</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/pentheas-dying-song/">Heart, The</a>, Ford</td> </tr> <tr> <td>— <a href="/lit-hub/critical-and-biographical-introduction-by-charles-harvey-genung/#5">Jug, The</a>, Kleist</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/broken-music/">Music</a> (Poem), Aldrich</td> </tr> <tr> <td>— <a href="/lit-hub/library/poem/the-broken-pitcher/">Pitcher, The</a> (Poem), W. E. Aytoun</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-98/">Brontë, Anne</a></td> </tr> <tr> <td><a href="/lit-hub/my-witchs-caldron/">Brontë, Charlotte</a>, Ritchie (Memoirs)</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-98/">Brontë, Charlotte, and her Sisters</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-98/">Brontë, Emily</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/the-brook/">Brook, The</a> (Poem), Tennyson</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-99/">Brooks, Phillips</a></td> </tr> <tr> <td><a href="/lit-hub/excerpts-from-the-meditations/">Brotherhood of Man, The</a>, Marcus Aurelius (Meditations)</td> </tr> <tr> <td><a href="/lit-hub/library/poem/a-brothers-grave/">Brother’s Grave, A</a> (Poem), Catullus</td> </tr> <tr> <td><a href="/lit-hub/on-brougham-and-south-america/">Brougham and South America, On</a>, Canning</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-100/">Brown, Charles Brockden</a></td> </tr> <tr> <td>— <a href="/lit-hub/critical-and-biographical-introduction-101/">John</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-francis-bacon/">Browne, Sir Thomas</a>, Francis Bacon</td> </tr> <tr> <td>— <a href="/lit-hub/critical-and-biographical-introduction-102/">William</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-103/">Brownell, Henry Howard</a></td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-104/">Browning, Elizabeth Barrett</a></td> </tr> <tr> <td>— <a href="/lit-hub/critical-and-biographical-introduction-by-edward-l-burlingame-18481922/">Robert</a>, E. L. Burlingame</td> </tr> <tr> <td>— — <a href="/lit-hub/robert-browning-in-florence/">in Florence</a>, Curtis</td> </tr> <tr> <td><a href="/lit-hub/on-the-alleged-obscurity-of-mr-brownings-poetry/">Browning’s Poetry</a>, Birrell</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-105/">Brownson, Orestes Augustus</a></td> </tr> <tr> <td><a href="/lit-hub/library/poem/bruce-to-his-men-at-bannockburn/">Bruce to his Men at Bannockburn</a> (Poem), Burns</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-by-adolphe-cohn-18511930-2/">Brunetière, Ferdinand</a>, Adolphe Cohn</td> </tr> <tr> <td><a href="/lit-hub/critical-and-biographical-introduction-106/">Bruno, Giordano</a></td> </tr> </tbody> </table> <div class="bby-content-nav"> </div> <p class="bby-entry-meta-fields"><br> - <a href="/lit-hub/library/genindex">GENERAL INDEX</a> - <a href="/lit-hub/library/song-1">SONGS & LYRICS</a> - <a href="/lit-hub/library/authors">QUICK INDEX</a> - <a href="/lit-hub/library/bios/">BIOGRAPHIES</a> - <a href="/lit-hub/library/readersdigest-1/">READER’S DIGEST</a> - <a href="/lit-hub/library/course-1/">STUDENT’S COURSE</a> - <a href="/lit-hub/library/gallery">PORTRAITS</a> - <a href="/lit-hub/bibliography/library">BIBLIOGRAPHIC RECORD</a> </p> </div> </div> </div> </div> </div> </div> </section> </main>   <footer id="bby-site-footer" class="bby-footer main-footer" itemtype="https://schema.org/WPFooter" itemscope="itemscope"> <div class="bby-footer-top-container d-flex"> <div class="bby-container d-flex align-items-start flex-row"> <div class="footer-top-left-container d-flex align-items-start flex-row"> <div class="footer-nav-wrapper"> <div class="widget widget_block"><div class="widget-content"> <div class="wp-block-group"><div class="wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow"> <figure class="wp-block-image size-full"><img loading="lazy" decoding="async" width="105" height="30" src="https://legacy-cms-media.bartleby.com/wp-content/uploads/sites/7/2022/11/14172410/bartleby-white.png" alt="" class="wp-image-175150" /></figure> </div></div> </div></div><div class="widget widget_block"><div class="widget-content"> <div class="wp-block-group"><div class="wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow"></div></div> </div></div> </div> <div class="footer-nav-wrapper"> <div class="widget widget_block"><div class="widget-content"><ul> <li><a href="/lit-hub/the-oxford-shakespeare/">Shakespeare</a></li> <li><a href="/lit-hub/the-holy-bible/">Bible</a></li> <li><a href="/lit-hub/the-elements-of-style/">Strunk</a></li> <li><a href="/lit-hub/nonfiction/">Nonfiction</a></li> <li><a href="/lit-hub/quotations/">Quotations</a></li> <li><a href="/lit-hub/reference/">Reference</a></li> </ul> <ul> <li><a href="/lit-hub/fiction/">Fiction</a></li> <li><a href="/lit-hub/anatomy-of-the-human-body/"> Anatomy</a></li> <li><a href="/lit-hub/hc/">Harvard Classics</a></li> <li><a href="/lit-hub/library/">Lit. 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