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Love stories: la Cupola di Michelangelo Antonioni e Monica Vitti
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class="schema-premium">[{"@context":"https:\/\/schema.org","@type":"NewsArticle","image":{"@type":"ImageObject","url":"https:\/\/static2-living.corriereobjects.it\/wp-content\/uploads\/2021\/05\/CUPOLA-_A-courtemanche.jpg?v=531467","contentUrl":"https:\/\/static2-living.corriereobjects.it\/wp-content\/uploads\/2021\/05\/CUPOLA-_A-courtemanche.jpg?v=531467","width":1200,"height":967,"name":"cupola-_a-courtemanche","headline":"CUPOLA-_A-courtemanche","uploadDate":"2021-05-11 12:50:04","dateModified":"2021-05-11 12:50:04","encodingFormat":"image\/jpeg","description":""},"name":"Love stories: la Cupola di Michelangelo Antonioni e Monica Vitti","url":"https:\/\/living.corriere.it\/case\/autore\/cupola-antonioni-e-vitti-storia\/","mainEntityOfPage":{"@type":"WebPage","@id":"https:\/\/living.corriere.it\/case\/autore\/cupola-antonioni-e-vitti-storia\/#webpage"},"description":"Erano i primi anni Sessanta quando Michelangelo Antonioni e la compagna Maria Luisa Ceciarelli, in arte Monica Vitti, approdarono in Sardegna. Il celebre regista scelse l’isola per girare alcune scene di Deserto Rosso, primo film a colori ed ultimo della celeberrima Tetralogia Esistenziale, che vide come protagonista proprio la sua amata musa dalla voce graffiata. ","headline":"Love stories: la Cupola di Michelangelo Antonioni e Monica Vitti","dateCreated":"2021-05-11T12:28:07+02:00","datePublished":"2021-05-11T12:28:07+02:00","dateModified":"2022-04-04T18:48:40+02:00","articleBody":" Erano i primi anni Sessanta quando Michelangelo Antonioni e la compagna Maria Luisa Ceciarelli, in arte Monica Vitti, approdarono in Sardegna. Il celebre regista scelse l’isola per girare alcune scene di Deserto Rosso, primo film a colori ed ultimo della celeberrima Tetralogia Esistenziale, che vide come protagonista proprio la sua amata musa dalla voce graffiata. Nella pellicola, girata in una Ravenna disumanizzata e grigia, la realtà per un momento si spezza, mutando in un’inaspettata favola a colori ambientata su una spiaggia rosa, quella di Budelli. All’epoca l’isoletta era di proprietà di Pierino Tizzoni, imprenditore edile di talento il cui sogno era costruire un paradiso semplice, non mondano come lo era già la Costa Smeralda di Aga Khan, ma alternativo, selvaggio e riservato. Per concretizzarlo scelse la “s’ara niedda”, la terra di nessuno che nessuno voleva poiché impervia e di scarso valore, e la ribattezzò Costa Paradiso. Fu così che i virtuosi contrasti fra le granitiche rocce color carne ed il mare smeraldo di quel territorio, tanto aspro quanto pacifico, conquistarono Michelangelo e Monica, che decisero di costruirvi un intimo rifugio per le vacanze: un nido d’amore lontano dai riflettori. Il progetto venne affidato a Dante Bini su suggerimento dell’attrice che, memore di un incontro avvenuto a Cortina d’Ampezzo, raccontò al regista del sistema costruttivo “istantaneo”, di cui il visionario architetto le aveva parlato. Bini, infatti, ebbe una brillante intuizione nel 1963, quando, durante una partita a tennis giocata all’interno di una struttura gonfiabile, fuori iniziò a nevicare copiosamente. Sarebbe stato possibile, dunque, “costruire con l’aria” e sollevare da terra il calcestruzzo ancora fluido? Il secondo Rinascimento, innescato dal boom economico, incentivò le innovative sperimentazioni di Bini, il quale mise a punto un brevetto di auto-costruzione, che grazie ad una “pneumoforma” avrebbe generato una cupola rigida che fu battezzata ‘binishell‘. Nel 1968 l’architetto firmò il tassativo accordo di riservatezza proposto da Michelangelo Antonioni e iniziò a lavorare, non ad un’abitazione bidimensionale, ma ad una “scultura spaziale e sensoriale”. L’idea di potervi girare un film all’interno spinse il regista a partecipare attivamente al progetto, preferendo i modelli tridimensionali ai disegni su carta. Da questa irripetibile collaborazione nacque una casa permeata da ciò che la circondava: bagnata dal sole e bucata dal cielo, attraversata dal vento e dalla pioggia nel verde patio, avvolta dal profumo della Gallura e dal rumore del mare. Non un guscio introverso, quindi, ma una conchiglia dalla quale riecheggiavano suoni e sensazioni, in cui gli spazi “protetti” (cinque stanze e quattro bagni) erano collegati da una scala di conci irregolari di granito che scivolava sinuosa e sensuale sino al soggiorno. Niente era lasciato al caso e persino il rivestimento esterno, realizzato con un impasto di intonaco e rosei cristalli di roccia locale, evocava la natura limitrofa. La Cupola, completata nel 1971, venne frequentata da Michelangelo e Monica solo per un breve periodo, sino all’estinguersi della fiamma intermittente della loro relazione. Fra quelle malinconiche mura, oggi in abbandono, si percepisce ancora la nostalgia di quell’amore. Oggi al mondo esistono più di 1500 Binishells, ma quella di Michelangelo Antonioni e Monica Vitti è fra tutte la più famosa e rappresentativa. All’epoca fu il riservato luogo d’incontro di altre importanti personalità, come Tonino Guerra, Andrej Tarkovskij, Macha Méril e Sergio Vacchi (per cui Bini costruì un’attigua cupola di dimensioni più ridotte), oggi, invece, la ritroviamo protagonista del documentario di Volker Sattel e di numerosi articoli che ne denunciano lo stato di degrado. Dal 2015 la Cupola è tutelata da un vincolo d’interesse storico-culturale e di recente è stata candidata ai Luoghi del Cuore del FAI, iniziativa che si affianca alla petizione già lanciata dall’associazione De Rebus Sardois all’inizio del 2020 e ad altre campagne di sensibilizzazione che ci auguriamo possano portare al recupero di «una delle architetture migliori degli ultimi cento anni», come fu definita da Rem Koolhaas in occasione della XIV Biennale di Architettura di Venezia nel 2014. 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loading="lazy"></source></picture></a> <a href="https://living.corriere.it/case/autore/gallery/love-stories-la-cupola-di-michelangelo-antonioni-e-monica-vitti-foto/?intcmp=galleryarticolo" target="_blank" data-wpel-link="internal"> <picture class="mobile-only"><source type="image/jpeg" data-srcset="https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/CUPOLA-_A-courtemanche-375x375.jpg?v=531467"><img data-amp-layout="responsive" data-amp-sizes="(min-width: 300px) 300px, 100vw" src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAAAXcAAAF3AQMAAABkDpm9AAAABlBMVEUAAAD///+l2Z/dAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAChJREFUeNrtwQENAAAAwqD3T20PBxQAAAAAAAAAAAAAAAAAAAAAAA8GRlAAASsUrMgAAAAASUVORK5CYII=" width="375" height="375" alt="" loading="lazy" data-src="https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/CUPOLA-_A-courtemanche-375x375.jpg?v=531467" class="lazyload"><noscript><img data-amp-layout="responsive" data-amp-sizes="(min-width: 300px) 300px, 100vw" src="https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/CUPOLA-_A-courtemanche-375x375.jpg?v=531467" width="375" height="375" alt="" loading="lazy" data-eio="l"></noscript></source></picture></a> <a target="_blank" href="http://pinterest.com/pin/create/link/?url=https://living.corriere.it/case/autore/gallery/love-stories-la-cupola-di-michelangelo-antonioni-e-monica-vitti-foto/&description=Love%20stories:%20la%20Cupola%20di%20Michelangelo%20Antonioni%20e%20Monica%20Vitti%20%E2%80%93%20Foto&media=https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/CUPOLA-_A-courtemanche.jpg?v=531467" onclick="popUp=window.open('http://pinterest.com/pin/create/button/?url=hhttps://living.corriere.it/case/autore/gallery/love-stories-la-cupola-di-michelangelo-antonioni-e-monica-vitti-foto/&description=Love stories: la Cupola di Michelangelo Antonioni e Monica Vitti – Foto&media=https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/CUPOLA-_A-courtemanche.jpg?v=531467', 'popupwindow', 'scrollbars=yes,width=800,height=400');popUp.focus();return false;" class="share-pinterest" data-wpel-link="internal"></a> <a href="https://living.corriere.it/case/autore/gallery/love-stories-la-cupola-di-michelangelo-antonioni-e-monica-vitti-foto/?intcmp=galleryarticolo" target="_blank" class="article-zoom-link" data-wpel-link="internal">GUARDA LA GALLERY</a> </div> </div> Erano i primi anni Sessanta quando <strong>Michelangelo Antonioni</strong> e la compagna Maria Luisa Ceciarelli, in arte <strong>Monica Vitti</strong>, approdarono in Sardegna. Il celebre regista scelse l’isola per girare alcune scene di <strong>Deserto Rosso</strong>, primo film a colori ed ultimo della celeberrima Tetralogia Esistenziale, che vide come protagonista proprio la sua amata musa dalla voce graffiata. Nella pellicola, girata in una Ravenna disumanizzata e grigia, la realtà per un momento si spezza, mutando in un’inaspettata favola a colori ambientata su una spiaggia rosa, quella di Budelli. <p>All’epoca l’isoletta era di proprietà di Pierino Tizzoni, imprenditore edile di talento il cui sogno era costruire un paradiso semplice, non mondano come lo era già la Costa Smeralda di Aga Khan, ma alternativo, selvaggio e riservato. Per concretizzarlo scelse la “s’ara niedda”, la terra di nessuno che nessuno voleva poiché impervia e di scarso valore, e la ribattezzò <strong>Costa Paradiso</strong>. Fu così che i virtuosi contrasti fra le granitiche rocce color carne ed il mare smeraldo di quel territorio, tanto aspro quanto pacifico, conquistarono <strong>Michelangelo e Monica</strong>, che <strong>decisero di costruirvi un intimo rifugio per le vacanze</strong>: un nido d’amore lontano dai riflettori.<!-- ADV BOTTOM1 !AMP --> <div class="adv-wrapper bottom-1 " style="text-align: center; clear: both; margin: 0 auto;"> <div id="rcsad_Bottom1" class="" style="display: none;"></div> </div></p> <p>Il progetto venne affidato a <strong>Dante Bini</strong> su suggerimento dell’attrice che, memore di un incontro avvenuto a Cortina d’Ampezzo, raccontò al regista del <strong>sistema costruttivo “istantaneo”</strong>, di cui il visionario architetto le aveva parlato. Bini, infatti, ebbe una brillante intuizione nel 1963, quando, durante una partita a tennis giocata all’interno di una struttura gonfiabile, fuori iniziò a nevicare copiosamente. <strong>Sarebbe stato possibile, dunque, “costruire con l’aria” e sollevare da terra il calcestruzzo ancora fluido? </strong>Il secondo Rinascimento, innescato dal boom economico, incentivò le innovative sperimentazioni di Bini, il quale mise a punto un brevetto di auto-costruzione, che grazie ad una “pneumoforma” avrebbe generato una cupola rigida che fu battezzata ‘<a href="https://binishells.com/" data-wpel-link="external" rel="nofollow external noopener"><strong>binishell</strong></a>‘.</p> <p><a href="https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.03.jpg?v=1620727257" data-wpel-link="external" rel="nofollow external noopener"><img class="size-full wp-image-531433 lazyload" src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAABLAAAAOzAQMAAACS3G2sAAAABlBMVEUAAAD///+l2Z/dAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAKFJREFUeNrtwTEBAAAAwqD1T20IX6AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAADgNC6zAAHSrSoPAAAAAElFTkSuQmCC" alt="Foto Romain Courtemanche" width="1200" height="947" data-src="https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.03.jpg?v=1620727257" loading="lazy" data-srcset="https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.03.jpg?v=1620727257 1200w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.03-300x237.jpg?v=1620727258 300w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.03-1024x808.jpg?v=1620727258 1024w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.03-165x130.jpg?v=1620727258 165w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.03-558x440.jpg?v=1620727258 558w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.03-994x784.jpg?v=1620727259 994w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.03-330x260.jpg?v=1620727259 330w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.03-735x580.jpg?v=1620727259 735w" data-sizes="auto"><noscript><img class="size-full wp-image-531433" src="https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.03.jpg?v=1620727257" alt="Foto Romain Courtemanche" width="1200" height="947" srcset="https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.03.jpg?v=1620727257 1200w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.03-300x237.jpg?v=1620727258 300w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.03-1024x808.jpg?v=1620727258 1024w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.03-165x130.jpg?v=1620727258 165w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.03-558x440.jpg?v=1620727258 558w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.03-994x784.jpg?v=1620727259 994w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.03-330x260.jpg?v=1620727259 330w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.03-735x580.jpg?v=1620727259 735w" sizes="(max-width: 1200px) 100vw, 1200px" data-eio="l"></noscript></a></p> <p>Nel 1968 l’architetto firmò il <strong>tassativo accordo di riservatezza</strong> proposto da Michelangelo Antonioni e iniziò a lavorare, non ad un’abitazione bidimensionale, ma ad una “scultura spaziale e sensoriale”. L’idea di potervi girare un film all’interno spinse il regista a partecipare attivamente al progetto, preferendo i <strong>modelli tridimensionali</strong> ai disegni su carta. Da questa irripetibile collaborazione nacque una casa permeata da ciò che la circondava: <strong>bagnata dal sole e bucata dal cielo, attraversata dal vento e dalla pioggia nel verde patio, avvolta dal profumo della Gallura e dal rumore del mare</strong>. Non un guscio introverso, quindi, ma una conchiglia dalla quale riecheggiavano suoni e sensazioni, in cui gli spazi “protetti” (cinque stanze e quattro bagni) erano collegati da una scala di conci irregolari di granito che scivolava sinuosa e sensuale sino al soggiorno. Niente era lasciato al caso e persino il rivestimento esterno, realizzato con un impasto di intonaco e rosei cristalli di roccia locale, evocava la natura limitrofa.</p> <p>La Cupola, completata nel 1971, venne frequentata da Michelangelo e Monica solo per un breve periodo, sino all’estinguersi della fiamma intermittente della loro relazione. Fra quelle malinconiche mura, oggi in abbandono, si percepisce ancora la nostalgia di quell’amore.</p> <p>Oggi al mondo esistono più di 1500 Binishells, ma quella di Michelangelo Antonioni e Monica Vitti è fra tutte la più famosa e rappresentativa. All’epoca <strong>fu il riservato luogo d’incontro di altre importanti personalità, come Tonino Guerra, Andrej Tarkovskij, Macha Méril e Sergio Vacchi</strong> (per cui Bini costruì un’attigua cupola di dimensioni più ridotte), oggi, invece, la ritroviamo protagonista del <a href="http://store.milanodesignfilmfestival.com/it/films-2/la-cupola.html" data-wpel-link="external" rel="nofollow external noopener"><strong>documentario di Volker Sattel</strong></a> e di numerosi articoli che ne denunciano lo stato di degrado. Dal 2015 la Cupola è tutelata da un vincolo d’interesse storico-culturale e di recente è stata candidata ai <a href="https://www.fondoambiente.it/luoghi/villa-per-michelangelo-antonioni-a-costa-paradiso?ldc" data-wpel-link="external" rel="nofollow external noopener"><strong>Luoghi del Cuore del FAI</strong></a>, iniziativa che si affianca alla <a href="https://www.change.org/p/salviamo-la-cupola-progettata-da-dante-bini-e-appartenuta-a-michelangelo-antonioni?recruiter=1034664413&utm_source=share_petition&utm_medium=copylink&utm_campaign=share_petition" target="_blank" rel="noopener nofollow external" data-wpel-link="external">petizione</a> già lanciata dall’associazione <b class=""><a class="" href="https://urldefense.com/v3/__https://derebussardois.com/Michelangelo-e-la-Cupola__;!!GgY6cLU_GgY!CkOliTnEovIAWBE0MxGP1KmJzXOoeCFWAIcX-oFZYVIUcoC54JuRmC9sP0wki9RAag%24">De Rebus Sardois</a></b> all’inizio del 2020 e ad altre campagne di sensibilizzazione che ci auguriamo possano portare al recupero di <strong>«una delle architetture migliori degli ultimi cento anni»</strong>, come fu definita da <strong>Rem Koolhaas</strong> in occasione della XIV Biennale di Architettura di Venezia nel 2014.</p> <p> </p> <p><em><a href="https://mariachiaravirgili.com/dannatiarchitettipodcast/" data-wpel-link="external" rel="nofollow external noopener">Testo a cura di Maria Chiara Virgili – Dannati Architetti</a></em></p> <p> </p> <p><a href="https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.06.jpg?v=1620727264" data-wpel-link="external" rel="nofollow external noopener"><img class="size-full wp-image-531439 lazyload" src="data:image/png;base64,iVBORw0KGgoAAAANSUhEUgAABLAAAAO1AQMAAABEhY6xAAAABlBMVEUAAAD///+l2Z/dAAAAAXRSTlMAQObYZgAAAAlwSFlzAAAOxAAADsQBlSsOGwAAAKJJREFUeNrtwTEBAAAAwqD1T20LL6AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAACAowEv4QABnnSJmQAAAABJRU5ErkJggg==" alt="Testo Maria Chiara Virgili - Foto Romain Courtemanche" width="1200" height="949" data-src="https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.06.jpg?v=1620727264" loading="lazy" data-srcset="https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.06.jpg?v=1620727264 1200w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.06-300x237.jpg?v=1620727264 300w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.06-1024x810.jpg?v=1620727265 1024w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.06-164x130.jpg?v=1620727265 164w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.06-556x440.jpg?v=1620727265 556w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.06-994x786.jpg?v=1620727265 994w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.06-330x261.jpg?v=1620727266 330w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.06-733x580.jpg?v=1620727266 733w" data-sizes="auto"><noscript><img class="size-full wp-image-531439" src="https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.06.jpg?v=1620727264" alt="Testo Maria Chiara Virgili - Foto Romain Courtemanche" width="1200" height="949" srcset="https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.06.jpg?v=1620727264 1200w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.06-300x237.jpg?v=1620727264 300w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.06-1024x810.jpg?v=1620727265 1024w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.06-164x130.jpg?v=1620727265 164w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.06-556x440.jpg?v=1620727265 556w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.06-994x786.jpg?v=1620727265 994w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.06-330x261.jpg?v=1620727266 330w, https://static2-living.corriereobjects.it/wp-content/uploads/2021/05/cupola-RomainCourtemanche_Cupola.2015.06-733x580.jpg?v=1620727266 733w" sizes="(max-width: 1200px) 100vw, 1200px" data-eio="l"></noscript></a></p> <p> </p> <p><strong>GUARDA ANCHE:</strong></p> <p><a href="https://living.corriere.it/case/autore/vacanze-autore-le-case-al-mare-firmate-da-architetti-e-designer/" data-wpel-link="internal">Vacanze d’autore: sei case al mare da riscoprire</a></p> <p> </p> <div class="all-rights-reserved" style="margin:20px 0">Living ©RIPRODUZIONE RISERVATA</div></body> </div> <!-- INIZIO BLOCCO NEWSLETTER --> <div class="article-newsletter-block row"> <div class="col-lg-7 col-md-12 text-container"> <strong>La newsletter di Living</strong>: stili e tendenze per la tua casa </div> <div class="col-lg-5 col-md-12 input-container"> <div class="vert-centered"> <form action="https://www.corriere.it/account/login"> <input type="text" id="mail" name="useremail" placeholder="email"> <input type="submit" value="Iscriviti"> <input type="hidden" name="idNewsletter" value="13"> <input type="hidden" name="name" value="Living"> <input type="hidden" name="landing" value="https://abbonamenti.corriere.it/tutto-il-mio-corriere/?newsletter=1"> </form> <!--<input type="text" placeholder="La tua email"> <a class="button black" style="text-decoration: none;" href="https://www.corriere.it/account/login?idNewsletter=13&landing=https://abbonamenti.corriere.it/tutto-il-mio-corriere/?newsletter=1&name=Living" data-wpel-link="internal">Iscriviti</a>--> </div> </div> </div> <!-- FINE BLOCCO NEWSLETTER --> <!-- INIZIO BLOCCO SHOPPING GUIDE --> <!-- FINE BLOCCO SHOPPING GUIDE --> <!-- INIZIO BLOCCO TAG --> <div class="tag-container"><a href="https://living.corriere.it/tag/case-vacanze-4/" rel="tag" data-wpel-link="internal">case vacanze</a><a href="https://living.corriere.it/tag/house-4-love/" rel="tag" data-wpel-link="internal">House 4 Love</a><a href="https://living.corriere.it/tag/love-stories/" rel="tag" data-wpel-link="internal">Love stories</a></div> <!-- FINE BLOCCO TAG --> <!-- INIZIO BLOCCO FIRMA --> <div class="article-signature"> </div> <div class="copyright"> 11 Maggio 2021 - 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