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class="banner__image-overlay banner__image-overlay--black" style="opacity:0%;"></div> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t01935_10_1.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t01935_10_1.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t01935_10_1.width-680.jpg 680w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t01935_10_1.width-840.jpg 840w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t01935_10_1.width-1440.jpg 1366w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t01935_10_1.width-2560.jpg 1366w, " sizes=" (max-width: 340px) 340px, (max-width: 420px) 420px, (max-width: 680px) 680px, (max-width: 840px) 840px, (max-width: 1440px) 1440px, 2560px, " > <img alt="" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t01935_10_1.width-340.jpg" loading="lazy" width="340" height="382" style="object-position: 50% 50%;" > </picture> </div> </div> </div> </div> <div class="block-section"> <div class="article-body container"> <div class="article-body__content container__inner"> <div class="block-figures"> <div class="aside--left article-media "> <div class="figure "> <p data-block-key="jgl11">In Focus projects examine artworks in Tate’s collection from a range of perspectives, reflecting contemporary approaches to object-based scholarship. They are typically written by a number of specialists from different disciplines and comprise linked essays that explore particular aspects of the works’ making and history in depth. The projects often draw on Tate’s own research resources, featuring materials found in conservation files, <a href="https://www.tate.org.uk/art/archive#tate-public-records">Gallery Records</a> and <a href="https://www.tate.org.uk/art/archive#in-our-collections">Tate Archive</a>.</p><h3 data-block-key="4sp6g">STAY UPDATED</h3> </div> </div> </div> <div class="block-cta_row"> <div class="btn-row btn-row--align__left"> <a href="https://twitter.com/TateResearch" class="btn"> <i class="btn__icon icon--arrow-right"></i> <span class="btn__text">Follow us on Twitter</span> </a> </div> </div> </div> </div> </div> <div class="block-strip"> <div class="article-strip container "> <div class="article-strip__content container__inner"> <div class=""> <ul class="card-list cards card-list--type__2-col-mobile card-list--type__ card-list--4col"> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/seven-lives-dream-sheba-chhachhi" aria-label="Seven Lives and a Dream 1980–91, printed 2014, by Sheba Chhachhi" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.17_sathyarani_staged_portrait_punjabi_bagh.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.17_sathyarani_staged_portrait_punjabi_bagh.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.17_sathyarani_staged_portrait_punjabi_bagh.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.17_sathyarani_staged_portrait_punjabi_bagh.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.17_sathyarani_staged_portrait_punjabi_bagh.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="A figure sits on the floor in an interior setting, surrounded by papers and a framed photograph of a person graduating." src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.17_sathyarani_staged_portrait_punjabi_bagh.width-340.jpg" loading="lazy" width="340" height="226" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Seven Lives and a Dream</em> 1980–91, printed 2014, by Sheba Chhachhi</span> </h2> <p class="article-header__author"> Sophia Powers </p> <div class="card__description"> <p data-block-key="dsnjz">Photographs that challenge journalistic representations of activism and agency in the Indian women’s movement</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/abstract-kinetic-collage-painting-sound" aria-label="Abstract Kinetic Collage Painting with Sound 1914 by Duncan Grant" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.4_scroll_detail.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.4_scroll_detail.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.4_scroll_detail.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.4_scroll_detail.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.4_scroll_detail.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="A section of a collage showing coloured rectangles arranged vertically, horizontally and diagonally" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.4_scroll_detail.width-340.jpg" loading="lazy" width="340" height="200" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Abstract Kinetic Collage Painting with Sound</em> 1914 by Duncan Grant</span> </h2> <p class="article-header__author"> Alexandra Bickley Trott , Christopher Townsend and Rhys Davies </p> <div class="card__description"> <p data-block-key="7t1s8">Through its combination of movement, light, colour and music, this artwork made a radical contribution to British modernism</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/burn-hole" aria-label="Burn Hole 1961 by Henk Peeters" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/.width-340_Ep4W9Oc.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/.width-420_n2YsQ2o.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/.width-240_YzomJQX.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/.width-340_Ep4W9Oc.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/.width-240_YzomJQX.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/.width-340_Ep4W9Oc.jpg" loading="lazy" width="340" height="286" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Burn Hole</em> 1961 by Henk Peeters</span> </h2> <p class="article-header__author"> Michael White </p> <div class="card__description"> <p data-block-key="tbyqo"><i>Burn Hole</i> is infused with both the painterly style of <i>art informel</i> and the anti-art gestures of the <i>Nul</i> group</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/around-the-blues" aria-label="Around the Blues 1957, 1962–3 by Sam Francis" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/sam_francis_around_the_blues_TGLRv4S.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/sam_francis_around_the_blues_TGLRv4S.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/sam_francis_around_the_blues_TGLRv4S.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/sam_francis_around_the_blues_TGLRv4S.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/sam_francis_around_the_blues_TGLRv4S.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Fig.1 Sam Francis, Around the Blues 1957, 1962–3" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/sam_francis_around_the_blues_TGLRv4S.width-340.jpg" loading="lazy" width="340" height="189" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Around the Blues</em> 1957, 1962–3 by Sam Francis</span> </h2> <p class="article-header__author"> Natalie Adamson </p> <div class="card__description"> <p data-block-key="x0fnu"><i>Around the Blues</i> was painted when Sam Francis was travelling the world and developing a new approach to abstract space</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/unknown-political-prisoner" aria-label="The Unknown Political Prisoner (Defiant and Triumphant) 1952 by Theodore Roszak" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig_1_roszak_the_unknown_political_prisioner_1.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig_1_roszak_the_unknown_political_prisioner_1.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig_1_roszak_the_unknown_political_prisioner_1.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig_1_roszak_the_unknown_political_prisioner_1.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig_1_roszak_the_unknown_political_prisioner_1.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Theodore Roszak, The Unknown Political Prisoner (Defiant and Triumphant) 1952" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig_1_roszak_the_unknown_political_prisioner_1.width-340.jpg" loading="lazy" width="340" height="276" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>The Unknown Political Prisoner (Defiant and Triumphant)</em> 1952 by Theodore Roszak</span> </h2> <p class="article-header__author"> Alex J. Taylor </p> <div class="card__description"> <p><p data-block-key="29dp5">This small model for an unrealised monument was the first work of post-war American sculpture to enter Tate’s collection.</p></p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/blood-poet-box" aria-label="Blood of a Poet Box 1965–8 by Eleanor Antin" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/.width-340_HEnKQJF.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/.width-420_T4SLL8l.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/.width-240_9USvbnc.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/.width-340_HEnKQJF.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/.width-240_9USvbnc.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/.width-340_HEnKQJF.jpg" loading="lazy" width="340" height="341" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Blood of a Poet Box</em> 1965–8 by Eleanor Antin</span> </h2> <p class="article-header__author"> Lucy Bradnock </p> <div class="card__description"> <p><p data-block-key="42dp4"><i>Blood of a Poet Box</i> 1965–8 was Eleanor Antin’s first conceptual artwork, introducing the themes of identity, originality and genius to her artistic practice.</p></p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/cathedral" aria-label="Cathedral 1950 by Norman Lewis" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1_lewis_cathedral_1950_3_VkRgrqG.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1_lewis_cathedral_1950_3_VkRgrqG.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1_lewis_cathedral_1950_3_VkRgrqG.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1_lewis_cathedral_1950_3_VkRgrqG.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1_lewis_cathedral_1950_3_VkRgrqG.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Norman Lewis, Cathedral 1950, Tate L03741" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1_lewis_cathedral_1950_3_VkRgrqG.width-340.jpg" loading="lazy" width="340" height="558" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Cathedral</em> 1950 by Norman Lewis</span> </h2> <p class="article-header__author"> Andrianna Campbell </p> <div class="card__description"> <p data-block-key="qtewt"><i>Cathedral</i> became one of the first works by an African American artist to be shown at the Venice Biennale.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/string-composition-128" aria-label="String Composition 128 1964 by Sue Fuller" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1fullerstringcomposition1281964.width-340.png 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1fullerstringcomposition1281964.width-420.png 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1fullerstringcomposition1281964.width-240.png 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1fullerstringcomposition1281964.width-340.png 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1fullerstringcomposition1281964.width-240.png 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Fig.1 Sue Fuller String Composition 128 1964" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1fullerstringcomposition1281964.width-340.png" loading="lazy" width="340" height="338" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>String Composition 128</em> 1964 by Sue Fuller</span> </h2> <p class="article-header__author"> Alex J. Taylor </p> <div class="card__description"> <p data-block-key="crfob">Sue Fuller’s construction testifies to the often overlooked influence of craft traditions on the development of modernist abstraction.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/adam" aria-label="Adam 1951, 1952 by Barnett Newman" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig2newmanadam19511952.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig2newmanadam19511952.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig2newmanadam19511952.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig2newmanadam19511952.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig2newmanadam19511952.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Barnett Newman, Adam 1951, 1952 " src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig2newmanadam19511952.width-340.jpg" loading="lazy" width="340" height="406" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Adam</em> 1951, 1952 by Barnett Newman</span> </h2> <p class="article-header__author"> Michael Schreyach </p> <div class="card__description"> <p data-block-key="awm24">The American abstract expressionist artist Barnett Newman considered his painting <i>Adam</i> 1951, 1952 a major achievement in his efforts to visualise what he called the ‘metaphysical content’ of art.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/wrinkle" aria-label="Wrinkle 1968 by Liliana Porter" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/p1323602gv02edit.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/p1323602gv02edit.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/p1323602gv02edit.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/p1323602gv02edit.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/p1323602gv02edit.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Liliana Porter, Wrinkle 1968" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/p1323602gv02edit.width-340.jpg" loading="lazy" width="340" height="279" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Wrinkle</em> 1968 by Liliana Porter</span> </h2> <p class="article-header__author"> Sophie Halart </p> <div class="card__description"> <p data-block-key="d6lkk">Liliana Porter’s <i>Wrinkle</i> 1968 recasts printmaking as a conceptual art form rather than a labour-intensive craft.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/pompeii" aria-label="Pompeii 1959 by Hans Hofmann" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1hofmannpompeii1959edit.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1hofmannpompeii1959edit.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1hofmannpompeii1959edit.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1hofmannpompeii1959edit.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1hofmannpompeii1959edit.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Hans Hofmann, Pompeii 1959" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1hofmannpompeii1959edit.width-340.jpg" loading="lazy" width="340" height="543" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Pompeii</em> 1959 by Hans Hofmann</span> </h2> <p class="article-header__author"> Emily Warner </p> <div class="card__description"> <p data-block-key="nbh8d"><i>Pompeii</i> 1959 gained an international reputation in the 1960s, representing Hans Hofmann and his ‘slab’ paintings across the US, Europe and South America.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/salt-flat" aria-label="Salt Flat 1968 by Dennis Oppenheim" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1oppenheimsaltflat1968.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1oppenheimsaltflat1968.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1oppenheimsaltflat1968.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1oppenheimsaltflat1968.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1oppenheimsaltflat1968.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Dennis Oppenheim, Salt Flat 1968" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1oppenheimsaltflat1968.width-340.jpg" loading="lazy" width="340" height="433" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Salt Flat</em> 1968 by Dennis Oppenheim</span> </h2> <p class="article-header__author"> John R. Blakinger </p> <div class="card__description"> <p data-block-key="ugt5b">This In Focus explores Oppenheim’s <i>Salt Flat</i> through the systems aesthetics of critic Jack Burnham.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/meryon" aria-label="Meryon 1960–1 by Franz Kline" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1klinemeryon1960-1.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1klinemeryon1960-1.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1klinemeryon1960-1.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1klinemeryon1960-1.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1klinemeryon1960-1.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Franz Kline Meryon 1960–1" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1klinemeryon1960-1.width-340.jpg" loading="lazy" width="340" height="411" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Meryon</em> 1960–1 by Franz Kline</span> </h2> <p class="article-header__author"> AnnMarie Perl </p> <div class="card__description"> <p data-block-key="geubz">Franz Kline’s late work <i>Meryon</i> 1960–1 calls into question established ideas about abstract expressionism, including its essential ‘Americanness’.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/silo" aria-label="Silo 1963–4 by James Rosenquist" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t0182910rosenquist.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t0182910rosenquist.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t0182910rosenquist.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t0182910rosenquist.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t0182910rosenquist.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="James Rosenquist Silo 1963–4" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t0182910rosenquist.width-340.jpg" loading="lazy" width="340" height="272" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Silo</em> 1963–4 by James Rosenquist</span> </h2> <p class="article-header__author"> Alex J. Taylor </p> <div class="card__description"> <p data-block-key="nyomw">This In Focus presents Rosenquist’s <i>Silo</i> as a reflection on the image of the female consumer in the 1950s and 1960s</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/family-jules" aria-label="Family Jules: NNN (No Naked Niggahs) 1974 by Barkley L. Hendricks" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1hendricksfamilyjulesnnn1974web.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1hendricksfamilyjulesnnn1974web.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1hendricksfamilyjulesnnn1974web.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1hendricksfamilyjulesnnn1974web.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1hendricksfamilyjulesnnn1974web.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Barkley L. Hendricks, Family Jules: NNN (No Naked Niggahs) 1974" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1hendricksfamilyjulesnnn1974web.width-340.jpg" loading="lazy" width="340" height="312" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Family Jules: NNN (No Naked Niggahs)</em> 1974 by Barkley L. Hendricks</span> </h2> <p class="article-header__author"> Anna Arabindan-Kesson </p> <div class="card__description"> <p data-block-key="twzo1">The first in-depth study of this key nude portrait by Barkley L. Hendricks</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/women-singing-ii" aria-label="Women Singing II 1966 by Willem de Kooning" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1dekooningwomansingingii1966crop.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1dekooningwomansingingii1966crop.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1dekooningwomansingingii1966crop.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1dekooningwomansingingii1966crop.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1dekooningwomansingingii1966crop.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Willem de Kooning, Women Singing II 1966" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig.1dekooningwomansingingii1966crop.width-340.jpg" loading="lazy" width="340" height="508" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Women Singing II</em> 1966 by Willem de Kooning</span> </h2> <p class="article-header__author"> Valerie Hellstein </p> <div class="card__description"> <p data-block-key="zkanx">This In Focus explores <i>Women Singing II</i> – a painting inspired by pop singers that Willem de Kooning saw on television – as the product of a shifting</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/walls-paper" aria-label="Walls Paper 1972 by Gordon Matta-Clark" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1wallspaperinstallationtate.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1wallspaperinstallationtate.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1wallspaperinstallationtate.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1wallspaperinstallationtate.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1wallspaperinstallationtate.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Gordon Matta-Clark, Walls Paper 1972" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1wallspaperinstallationtate.width-340.jpg" loading="lazy" width="340" height="231" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Walls Paper</em> 1972 by Gordon Matta-Clark</span> </h2> <p class="article-header__author"> Sandra Zalman </p> <div class="card__description"> <p data-block-key="5fq0r">First displayed in a partially dilapidated artist-run space in New York, <i>Walls Paper</i>’s photo-silkscreens of cracking, crumbling urban walls mirrored the site’s own deterioratio</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/surface-substitution" aria-label="Surface Substitution on 36 Plates 1972 by Jennifer Bartlett" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1bartlettsurfacesubstitution1972.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1bartlettsurfacesubstitution1972.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1bartlettsurfacesubstitution1972.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1bartlettsurfacesubstitution1972.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1bartlettsurfacesubstitution1972.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Jennifer Bartlett, Surface Substitution on 36 Plates 1972" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1bartlettsurfacesubstitution1972.width-340.jpg" loading="lazy" width="340" height="339" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Surface Substitution on 36 Plates</em> 1972 by Jennifer Bartlett</span> </h2> <p class="article-header__author"> Kirsten Swenson </p> <div class="card__description"> <p data-block-key="yck3s">This In Focus presents the first in-depth study of this key work of conceptual art from the 1970s</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/static-steve-mcqueen" aria-label="Static 2009 by Steve McQueen" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/mcqueenstaticleadimaget13425_kkVaog9.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/mcqueenstaticleadimaget13425_kkVaog9.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/mcqueenstaticleadimaget13425_kkVaog9.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/mcqueenstaticleadimaget13425_kkVaog9.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/mcqueenstaticleadimaget13425_kkVaog9.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="installation of a film screened in a blacked out room. the projection shows a close up of the face of the statue of liberty in new york." src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/mcqueenstaticleadimaget13425_kkVaog9.width-340.jpg" loading="lazy" width="340" height="222" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Static</em> 2009 by Steve M<span class="small-if-caps">c</span>Queen</span> </h2> <p class="article-header__author"> Rachel Wells </p> <div class="card__description"> <p data-block-key="9jlgr">Filmed from a helicopter circling the Statue of Liberty in New York, Steve McQueen’s <i>Static</i> fixes its gaze on this most iconic representation of freedom</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/evidence-sultan-mandel" aria-label="Evidence 1977 by Larry Sultan and Mike Mandel" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/p14485.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/p14485.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/p14485.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/p14485.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/p14485.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Larry Sultan and Mike Mandel, Untitled 1977, printed 2001, from the photobook Evidence 1977" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/p14485.width-340.jpg" loading="lazy" width="340" height="270" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Evidence</em> 1977 by Larry Sultan and Mike Mandel</span> </h2> <p class="article-header__author"> Andrew Witt </p> <div class="card__description"> <p data-block-key="038x4">This In Focus examines how Larry Sultan and Mike Mandel’s <i>Evidence</i> complicates the conventions and assumptions of photographic truth.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/gift-kenneth-noland" aria-label="Gift 1961–2 by Kenneth Noland" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1nolandgiftt0089810.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1nolandgiftt0089810.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1nolandgiftt0089810.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1nolandgiftt0089810.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1nolandgiftt0089810.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Kenneth Noland, Gift 1961–2" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1nolandgiftt0089810.width-340.jpg" loading="lazy" width="340" height="339" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Gift</em> 1961–2 by Kenneth Noland</span> </h2> <p class="article-header__author"> Alex J. Taylor </p> <div class="card__description"> <p data-block-key="1pv7s">Given by the artist to prominent art critic Clement Greenberg, <i>Gift</i> exemplifies Greenberg’s taste for high modernist abstraction.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/dancers-on-a-plane" aria-label="Dancers on a Plane 1980–1 by Jasper Johns" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1t0324210.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1t0324210.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1t0324210.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1t0324210.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1t0324210.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Jasper Johns, Dancers on a Plane 1980–1" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1t0324210.width-340.jpg" loading="lazy" width="340" height="418" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Dancers on a Plane</em> 1980–1 by Jasper Johns</span> </h2> <p class="article-header__author"> Katherine Markoski </p> <div class="card__description"> <p data-block-key="j8erh">This In Focus asks whether <i>Dancers on a Plane</i> – a key painting from Johns’s ‘crosshatch’ period – can be seen as a work about the shifts and transitions taking place in the artist’s style and career in the early 1980s.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/the-deluge" aria-label="The Deluge 1920 by Winifred Knights" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1t0553210.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1t0553210.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1t0553210.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1t0553210.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1t0553210.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Winifred Knights, The Deluge 1920" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1t0553210.width-340.jpg" loading="lazy" width="340" height="282" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>The Deluge</em> 1920 by Winifred Knights</span> </h2> <p class="article-header__author"> Ayla Lepine </p> <div class="card__description"> <p data-block-key="wl69m">Fresh research into Knights’s dramatic depiction of the biblical flood charts its relationship to religion, conflict, dance and gender, and suggests new art historical sources for the painting.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/from-the-freud-museum-susan-hiller" aria-label="From the Freud Museum 1991–6 by Susan Hiller" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/installviewwithprojectionfromsusan.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/installviewwithprojectionfromsusan.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/installviewwithprojectionfromsusan.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/installviewwithprojectionfromsusan.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/installviewwithprojectionfromsusan.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Susan Hiller, From the Freud Museum 1991–6" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/installviewwithprojectionfromsusan.width-340.jpg" loading="lazy" width="340" height="255" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>From the Freud Museum</em> 1991–6 by Susan Hiller</span> </h2> <p class="article-header__author"> Alexandra Kokoli </p> <div class="card__description"> <p data-block-key="zm3n7">Psychoanalytic ideas, ethnographic display and the artist’s free associations between physical remains, personal memories and historical events shape this in-depth new study</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/salisbury-cathedral-constable" aria-label="Salisbury Cathedral from the Meadows exhibited 1831 by John Constable" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1salisburycathedralfromthemeadowsedit.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1salisburycathedralfromthemeadowsedit.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1salisburycathedralfromthemeadowsedit.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1salisburycathedralfromthemeadowsedit.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1salisburycathedralfromthemeadowsedit.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="John Constable Salisbury Cathedral from the Meadows exhibited 1831" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1salisburycathedralfromthemeadowsedit.width-340.jpg" loading="lazy" width="340" height="272" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Salisbury Cathedral from the Meadows</em> exhibited 1831 by John Constable</span> </h2> <p class="article-header__author"> Amy Concannon </p> <div class="card__description"> <p data-block-key="vh5jp">New research into Constable’s brooding, dramatic and compositionally complex <i>Salisbury Cathedral from the Meadows</i></p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/abstract-painting-vanessa-bell" aria-label="Abstract Painting c.1914 by Vanessa Bell" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t0193510abstractpainting.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t0193510abstractpainting.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t0193510abstractpainting.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t0193510abstractpainting.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t0193510abstractpainting.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Vanessa Bell, Abstract Painting c.1914" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t0193510abstractpainting.width-340.jpg" loading="lazy" width="340" height="382" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Abstract Painting</em> c.1914 by Vanessa Bell</span> </h2> <p class="article-header__author"> Grace Brockington </p> <div class="card__description"> <p data-block-key="8bgly">This In Focus presents the first sustained analysis of this enigmatic painting – now regarded as a key work in Bell’s oeuvre and in the histories of British and European modernism.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/muilman-crokatt-keable-thomas-gainsborough" aria-label="Peter Darnell Muilman, Charles Crokatt and William Keable in a Landscape c.1750, by Thomas Gainsborough" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1t0674610edit.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1t0674610edit.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1t0674610edit.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1t0674610edit.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1t0674610edit.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Thomas Gainsborough, Peter Darnell Muilman, Charles Crokatt and William Keable in a Landscape c.1750" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1t0674610edit.width-340.jpg" loading="lazy" width="340" height="403" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Peter Darnell Muilman, Charles Crokatt and William Keable in a Landscape</em> c.1750, by Thomas Gainsborough</span> </h2> <p class="article-header__author"> John Chu </p> <div class="card__description"> <p data-block-key="6cycx">Offering a multi-disciplinary discussion of Gainsborough’s early triple portrait, this project considers the painting as a depiction of polite and refined society</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/waiting-for-tear-gas-allan-sekula" aria-label="Waiting for Tear Gas 1999–2000 by Allan Sekula" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig6sekulawaitingforteargas1999-2000slide16.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig6sekulawaitingforteargas1999-2000slide16.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig6sekulawaitingforteargas1999-2000slide16.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig6sekulawaitingforteargas1999-2000slide16.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig6sekulawaitingforteargas1999-2000slide16.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Allan Sekula, Waiting for Tear Gas 1999–2000" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig6sekulawaitingforteargas1999-2000slide16.width-340.jpg" loading="lazy" width="340" height="226" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Waiting for Tear Gas</em> 1999–2000 by Allan Sekula</span> </h2> <p class="article-header__author"> Stephanie Schwartz </p> <div class="card__description"> <p data-block-key="6gxig">Examining Allan Sekula’s ‘anti-journalistic’ manifesto <i>Waiting for Tear Gas</i> in a new light, this In Focus considers the work as a radical form of portraiture and of street photography, a critique of the journalistic photo-essay and a profound anti-capitalist statement.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/pegwell-bay-kent-william-dyce" aria-label="Pegwell Bay, Kent – a Recollection of October 5th 1858 ?1858–60 by William Dyce" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1pegwellbaywilliamdycen0140710.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1pegwellbaywilliamdycen0140710.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1pegwellbaywilliamdycen0140710.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1pegwellbaywilliamdycen0140710.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1pegwellbaywilliamdycen0140710.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="William Dyce, Pegwell Bay, Kent – a Recollection of October 5th 1858 ?1858-60" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1pegwellbaywilliamdycen0140710.width-340.jpg" loading="lazy" width="340" height="241" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Pegwell Bay, Kent – a Recollection of October 5th 1858</em> ?1858–60 by William Dyce</span> </h2> <p class="article-header__author"> Christiana Payne </p> <div class="card__description"> <p data-block-key="tjrbg">Using contemporary reviews of this major work, the artist’s own papers and a visit to the original site, this In Focus asks: is this a religious painting, a religious painting in disguise, or a painting about religious doubt?</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/parts-of-the-face-french-vocabulary-lesson-larry-rivers" aria-label="Parts of the Face: French Vocabulary Lesson 1961 by Larry Rivers" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t0052210.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t0052210.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t0052210.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t0052210.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t0052210.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Larry Rivers, Parts of the Face: French Vocabulary Lesson 1961" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t0052210.width-340.jpg" loading="lazy" width="340" height="343" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Parts of the Face: French Vocabulary Lesson</em> 1961 by Larry Rivers</span> </h2> <p class="article-header__author"> Sophie Cras </p> <div class="card__description"> <p data-block-key="p52j8">Through analysis of source material, the artist’s creative process and new archival resources, this In Focus investigates new interpretations for this pivotal painting’s reception in Paris at a time of artistic and political turbulence.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/orthodox-boys-bernard-perlin" aria-label="Orthodox Boys 1948 by Bernard Perlin" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/bernardperlinorthodoxboysn0595610.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/bernardperlinorthodoxboysn0595610.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/bernardperlinorthodoxboysn0595610.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/bernardperlinorthodoxboysn0595610.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/bernardperlinorthodoxboysn0595610.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Bernard Perlin, Orthodox Boys 1948" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/bernardperlinorthodoxboysn0595610.width-340.jpg" loading="lazy" width="340" height="253" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Orthodox Boys</em> 1948 by Bernard Perlin</span> </h2> <p class="article-header__author"> Aaron Rosen </p> <div class="card__description"> <p data-block-key="sg3mg">Tate’s first acquisition of a work by a contemporary American artist after 1945, <i>Orthodox Boys</i> is charged with the anxieties and aspirations of Jews in post-war New York. Its graffitied wall offers a constellation of names from the artist’s own life, examined here in depth for the first time.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/black-wall-louise-nevelson" aria-label="Black Wall 1959 by Louise Nevelson" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t00514gvresize.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t00514gvresize.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t00514gvresize.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t00514gvresize.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t00514gvresize.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Louise Nevelson, Black Wall 1959" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/t00514gvresize.width-340.jpg" loading="lazy" width="340" height="453" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Black Wall</em> 1959 by Louise Nevelson</span> </h2> <p class="article-header__author"> Alex J. Taylor </p> <div class="card__description"> <p data-block-key="6gbl9">Tracing the early evolution of <i>Black Wall</i>, this In Focus reveals Nevelson as a collector and scavenger on the streets of New York, and features a newly digitised interview with the artist by critic David Sylvester.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/mousehold-heath-norwich-john-crome" aria-label="Mousehold Heath, Norwich c.1818–20 by John Crome" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1n0068910featuredimagecrop.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1n0068910featuredimagecrop.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1n0068910featuredimagecrop.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1n0068910featuredimagecrop.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1n0068910featuredimagecrop.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="In Focus: Mousehold Heath, Norwich by John Crome" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/fig1n0068910featuredimagecrop.width-340.jpg" loading="lazy" width="340" height="246" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Mousehold Heath, Norwich</em> c.1818–20 by John Crome</span> </h2> <p class="article-header__author"> Sam Smiles </p> <div class="card__description"> <p data-block-key="pj3ly">Offering new information on techniques and materials as well as contemporary accounts of the reception of the work, this In Focus explores this unfolding Norfolk landscape, seeking greater understanding of the artist’s motivations, the painting’s title and its likely date of execution</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/heroic-symbols-anselm-kiefer" aria-label="Heroic Symbols 1969 by Anselm Kiefer" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/anselm-kieferheroic-symbolsfeatured-panel-crop.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/anselm-kieferheroic-symbolsfeatured-panel-crop.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/anselm-kieferheroic-symbolsfeatured-panel-crop.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/anselm-kieferheroic-symbolsfeatured-panel-crop.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/anselm-kieferheroic-symbolsfeatured-panel-crop.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Anselm Kiefer, Heroic Symbols 1969" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/anselm-kieferheroic-symbolsfeatured-panel-crop.width-340.jpg" loading="lazy" width="340" height="274" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Heroic Symbols</em> 1969 by Anselm Kiefer</span> </h2> <p class="article-header__author"> Christian Weikop </p> <div class="card__description"> <p data-block-key="d19pq">The most detailed investigation of this photographic series to date, this In Focus explores the ongoing use of the prints in Kiefer’s work and positions <i>Heroic Symbols</i> in the wider cultural and political context of post-war Germany.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/the-dolls-house-william-rothenstein" aria-label="The Doll’s House 1899–1900 by William Rothenstein" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/rothensteindolls-housetatefeatured-panel.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/rothensteindolls-housetatefeatured-panel.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/rothensteindolls-housetatefeatured-panel.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/rothensteindolls-housetatefeatured-panel.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/rothensteindolls-housetatefeatured-panel.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="William Rothenstein The Doll’s House 1899–1900" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/rothensteindolls-housetatefeatured-panel.width-340.jpg" loading="lazy" width="340" height="262" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>The Doll’s House</em> 1899–1900 by William Rothenstein</span> </h2> <p class="article-header__author"> Samuel Shaw </p> <div class="card__description"> <p data-block-key="q6c5o">An early sketchbook owned by Tate, analysed here for the first time, informs this thorough investigation of Rothenstein’s early development, focusing on a painting long considered the artist’s most important work.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/the-girl-chewing-gum-john-smith" aria-label="The Girl Chewing Gum 1976 by John Smith" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/coverimage1.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/coverimage1.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/coverimage1.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/coverimage1.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/coverimage1.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="John Smith The Girl Chewing Gum 1976 (film still)" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/coverimage1.width-340.jpg" loading="lazy" width="340" height="255" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>The Girl Chewing Gum</em> 1976 by John Smith</span> </h2> <p class="article-header__author"> Erika Balsom </p> <div class="card__description"> <p data-block-key="4089f">This In Focus situates Smith’s film historically, analyses its intersections with film and visual theory, and explores the changing conditions of its exhibition and reception.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/on-three-posters-rabih-mroue" aria-label="On Three Posters 2004 by Rabih Mroué" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/coverimage_1.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/coverimage_1.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/coverimage_1.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/coverimage_1.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/coverimage_1.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Detail of video still of Rabih Mroué&#x27;s On Three Posters 2004" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/coverimage_1.width-340.jpg" loading="lazy" width="340" height="266" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>On Three Posters</em> 2004 by Rabih Mroué</span> </h2> <p class="article-header__author"> Chad Elias </p> <div class="card__description"> <p data-block-key="xkmm4">Exploring how <i>On Three Posters</i> advances the intellectual and creative production of the performance upon which it was founded, this In Focus also examines the significance of the work in relation to the image politics of the Lebanese Left.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/wrestlers-henri-gaudier-brzeska" aria-label="Wrestlers 1914, cast 1965, by Henri Gaudier-Brzeska" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/wrestlersinterview.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/wrestlersinterview.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/wrestlersinterview.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/wrestlersinterview.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/wrestlersinterview.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Henri Gaudier-Brzeska Wrestlers 1914" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/wrestlersinterview.width-340.jpg" loading="lazy" width="340" height="266" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>Wrestlers</em> 1914, cast 1965, by Henri Gaudier-Brzeska</span> </h2> <p class="article-header__author"> Sarah Victoria Turner </p> <div class="card__description"> <p data-block-key="49ytz">Drawing on material in the Tate Archive and early twentieth-century sports periodicals, and using previously unexamined material about Gaudier-Brzeska’s interest in wrestling, this project sheds new light on the sculpture and its cast.</p> </div> </div> </div> </a> </div> </li> <li class="card card--tatecool_page " > <div class="card__inner "> <a href="/research/in-focus/the-singer-and-applause-edward-onslow-ford" aria-label="The Singer exhibited 1889 and Applause 1893 by Edward Onslow Ford" data-gtm-name="card_link_title" data-gtm-destination=""> <div class="card-media card-media--image"> <div class="card-media__inner responsive-container"> <picture> <source srcset=" https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/onslow_project_0.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/onslow_project_0.width-420.jpg 420w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/onslow_project_0.width-240.jpg 240w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/onslow_project_0.width-340.jpg 340w, https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/onslow_project_0.width-240.jpg 240w, " sizes=" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 240px, (max-width: 840px) 340px, 240px, " > <img alt="Edward Onslow Ford&#x27;s The Singer exhibited 1889 and Applause 1893 Tate research project" src="https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/onslow_project_0.width-340.jpg" loading="lazy" width="340" height="253" > </picture> </div> </div> <div class="card-content"> <div class="card-content__inner"> <h2 class="card__title"> <span class="card__title--maintitle card__title--tatecool_page"><em>The Singer</em> exhibited 1889 and <em>Applause</em> 1893 by Edward Onslow Ford</span> </h2> <p class="article-header__author"> Jason Edwards </p> <div class="card__description"> <p data-block-key="d7qkc">This In Focus discusses the creation and reception of these two sculptures in the context of the Victorian enthusiasm for ancient Egypt, providing the first translations of some of the hieroglyphs found on their decorative bases.</p> </div> </div> </div> </a> </div> </li> </ul> </div> </div> </div> </div> <footer class="container content-footer"> </footer> </article> </main> <div id="video-lightbox"> <div class="btn video-lightbox__close-btn">Close <i class="icon btn__icon icon--cross" role="button" tabindex="0"></i></div> <div class="article-body video-container"> <div class="container__inner"> <iframe src="" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe> </div> </div> </div> <footer id="footer" itemscope="" itemtype="https://schema.org/WPFooter"> 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