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<span>Retrospective</span> </div> </a> <ul id="toc-Retrospective-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Accolades" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Accolades"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.2</span> <span>Accolades</span> </div> </a> <ul id="toc-Accolades-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Home_media" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Home_media"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.3</span> <span>Home media</span> </div> </a> <ul id="toc-Home_media-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Box_office" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Box_office"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.4</span> <span>Box office</span> </div> </a> <ul id="toc-Box_office-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Soundtrack" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#Soundtrack"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>Soundtrack</span> </div> </a> <ul id="toc-Soundtrack-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">6</span> <span>References</span> </div> </a> <ul id="toc-References-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1 vector-toc-list-item-expanded"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> <span class="vector-toc-numb">7</span> <span>External links</span> </div> </a> <ul id="toc-External_links-sublist" class="vector-toc-list"> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" title="Table of Contents" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" ><span class="vector-icon mw-ui-icon-listBullet mw-ui-icon-wikimedia-listBullet"></span> <span class="vector-dropdown-label-text">Toggle the table of contents</span> </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading"><i>The Canyons</i> (film)</h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. Available in 17 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-17" aria-hidden="true" ><span class="vector-icon mw-ui-icon-language-progressive mw-ui-icon-wikimedia-language-progressive"></span> <span class="vector-dropdown-label-text">17 languages</span> </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D8%A7%D9%84%D8%A3%D8%AE%D8%A7%D8%AF%D9%8A%D8%AF" title="الأخاديد – Arabic" lang="ar" hreflang="ar" data-title="الأخاديد" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target"><span>العربية</span></a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/The_Canyons" title="The Canyons – Czech" lang="cs" hreflang="cs" data-title="The Canyons" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target"><span>Čeština</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/The_Canyons" title="The Canyons – German" lang="de" hreflang="de" data-title="The Canyons" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/The_Canyons" title="The Canyons – Spanish" lang="es" hreflang="es" data-title="The Canyons" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D8%AF%D8%B1%D9%87%E2%80%8C%D9%87%D8%A7%DB%8C_%D8%B9%D9%85%DB%8C%D9%82_(%D9%81%DB%8C%D9%84%D9%85)" title="دره‌های عمیق (فیلم) – Persian" lang="fa" hreflang="fa" data-title="دره‌های عمیق (فیلم)" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/The_Canyons" title="The Canyons – French" lang="fr" hreflang="fr" data-title="The Canyons" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%ED%8A%B8%EB%9F%AC%EB%B8%94_%EB%A9%94%EC%9D%B4%EC%BB%A4_(2013%EB%85%84_%EC%98%81%ED%99%94)" title="트러블 메이커 (2013년 영화) – Korean" lang="ko" hreflang="ko" data-title="트러블 메이커 (2013년 영화)" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target"><span>한국어</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/The_Canyons" title="The Canyons – Italian" lang="it" hreflang="it" data-title="The Canyons" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-lv mw-list-item"><a href="https://lv.wikipedia.org/wiki/Kanjoni_(filma)" title="Kanjoni (filma) – Latvian" lang="lv" hreflang="lv" data-title="Kanjoni (filma)" data-language-autonym="Latviešu" data-language-local-name="Latvian" class="interlanguage-link-target"><span>Latviešu</span></a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D8%A7%D9%84%D8%A7%D8%AE%D8%A7%D8%AF%D9%8A%D8%AF" title="الاخاديد – Egyptian Arabic" lang="arz" hreflang="arz" data-title="الاخاديد" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target"><span>مصرى</span></a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/The_Canyons" title="The Canyons – Dutch" lang="nl" hreflang="nl" data-title="The Canyons" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target"><span>Nederlands</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%82%B6%E3%83%BB%E3%83%8F%E3%83%AA%E3%82%A6%E3%83%83%E3%83%89_(2013%E5%B9%B4%E3%81%AE%E6%98%A0%E7%94%BB)" title="ザ・ハリウッド (2013年の映画) – Japanese" lang="ja" hreflang="ja" data-title="ザ・ハリウッド (2013年の映画)" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/The_Canyons_(film)" title="The Canyons (film) – Polish" lang="pl" hreflang="pl" data-title="The Canyons (film)" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/The_Canyons" title="The Canyons – Portuguese" lang="pt" hreflang="pt" data-title="The Canyons" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target"><span>Português</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%9A%D0%B0%D0%BD%D1%8C%D0%BE%D0%BD%D1%8B_(%D1%84%D0%B8%D0%BB%D1%8C%D0%BC)" title="Каньоны (фильм) – Russian" lang="ru" hreflang="ru" data-title="Каньоны (фильм)" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/%C5%9E%C3%B6hret_Tepesi" title="Şöhret Tepesi – Turkish" lang="tr" hreflang="tr" data-title="Şöhret Tepesi" data-language-autonym="Türkçe" data-language-local-name="Turkish" class="interlanguage-link-target"><span>Türkçe</span></a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%9A%D0%B0%D0%BD%D1%8C%D0%B9%D0%BE%D0%BD%D0%B8_(%D1%84%D1%96%D0%BB%D1%8C%D0%BC)" title="Каньйони (фільм) – Ukrainian" lang="uk" hreflang="uk" data-title="Каньйони (фільм)" data-language-autonym="Українська" data-language-local-name="Ukrainian" class="interlanguage-link-target"><span>Українська</span></a></li> </ul> <div class="after-portlet after-portlet-lang"><span class="wb-langlinks-edit wb-langlinks-link"><a href="https://www.wikidata.org/wiki/Special:EntityPage/Q3014145#sitelinks-wikipedia" title="Edit interlanguage links" class="wbc-editpage">Edit links</a></span></div> </div> </div> </div> </header> <div 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class="vector-pinnable-header-label">Appearance</div> <button class="vector-pinnable-header-toggle-button vector-pinnable-header-pin-button" data-event-name="pinnable-header.vector-appearance.pin">move to sidebar</button> <button class="vector-pinnable-header-toggle-button vector-pinnable-header-unpin-button" data-event-name="pinnable-header.vector-appearance.unpin">hide</button> </div> </div> </div> </nav> </div> </div> <div id="bodyContent" class="vector-body" aria-labelledby="firstHeading" data-mw-ve-target-container> <div class="vector-body-before-content"> <div class="mw-indicators"> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">2013 American erotic thriller-drama film</div> <p class="mw-empty-elt"> </p> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vevent"><tbody><tr><th colspan="2" class="infobox-above summary" style="font-size: 125%; font-style: italic;">The Canyons</th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:The_Canyons.png" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/en/thumb/1/17/The_Canyons.png/220px-The_Canyons.png" decoding="async" width="220" height="325" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/1/17/The_Canyons.png 1.5x" data-file-width="259" data-file-height="383" /></a></span><div class="infobox-caption">Theatrical release poster</div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Directed by</th><td class="infobox-data"><a href="/wiki/Paul_Schrader" title="Paul Schrader">Paul Schrader</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Written by</th><td class="infobox-data"><a href="/wiki/Bret_Easton_Ellis" title="Bret Easton Ellis">Bret Easton Ellis</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Produced by</th><td class="infobox-data"><a href="/wiki/Braxton_Pope" title="Braxton Pope">Braxton Pope</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Starring</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist"><ul><li><a href="/wiki/Lindsay_Lohan" title="Lindsay Lohan">Lindsay Lohan</a></li><li><a href="/wiki/James_Deen" title="James Deen">James Deen</a></li></ul></div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Cinematography</th><td class="infobox-data">John DeFazio</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Edited by</th><td class="infobox-data">Tim Silano</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Music by</th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409" /><div class="plainlist"><ul><li><a href="/wiki/Brendan_Canning" title="Brendan Canning">Brendan Canning</a></li><li><a href="/wiki/Me%26John" title="Me&John">Me&John</a></li></ul></div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;">Production<br />companies</div></th><td class="infobox-data"><div style="vertical-align: middle;"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409" /><div class="plainlist"><ul><li>Post Empire Films</li><li>Sodium Fox</li><li>Prettybird Pictures</li></ul></div></div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Distributed by</th><td class="infobox-data"><a href="/wiki/IFC_Films" title="IFC Films">IFC Films</a></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0; white-space: normal;">Release dates</div></th><td class="infobox-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409" /><div class="plainlist film-date"> <ul><li>July 29, 2013<span style="display: none;"> (<span class="bday dtstart published updated itvstart">2013-07-29</span>)</span> (<a href="/wiki/Film_at_Lincoln_Center" title="Film at Lincoln Center">Lincoln Center</a>)</li> <li>August 2, 2013<span style="display: none;"> (<span class="bday dtstart published updated itvstart">2013-08-02</span>)</span> (United States)</li></ul> </div></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0; white-space: normal;">Running time</div></th><td class="infobox-data">99 minutes</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Country</th><td class="infobox-data">United States</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Language</th><td class="infobox-data">English</td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Budget</th><td class="infobox-data">$250,000<sup id="cite_ref-vice_1-0" class="reference"><a href="#cite_note-vice-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup></td></tr><tr><th scope="row" class="infobox-label" style="white-space: nowrap; padding-right: 0.65em;">Box office</th><td class="infobox-data">$265,670</td></tr></tbody></table> <p><i><b>The Canyons</b></i> is a 2013 American <a href="/wiki/Erotic_thriller" title="Erotic thriller">erotic thriller</a>-<a href="/wiki/Drama_film" class="mw-redirect" title="Drama film">drama</a> film directed by <a href="/wiki/Paul_Schrader" title="Paul Schrader">Paul Schrader</a> and written by <a href="/wiki/Bret_Easton_Ellis" title="Bret Easton Ellis">Bret Easton Ellis</a>. The film is set in <a href="/wiki/Los_Angeles" title="Los Angeles">Los Angeles</a> and stars <a href="/wiki/Lindsay_Lohan" title="Lindsay Lohan">Lindsay Lohan</a>, <a href="/wiki/James_Deen" title="James Deen">James Deen</a>, <a href="/wiki/Nolan_Gerard_Funk" title="Nolan Gerard Funk">Nolan Funk</a>, <a href="/wiki/Amanda_Brooks" title="Amanda Brooks">Amanda Brooks</a>, and <a href="/wiki/Gus_Van_Sant" title="Gus Van Sant">Gus Van Sant</a>. It received a <a href="/wiki/Limited_theatrical_release" title="Limited theatrical release">limited release</a> on August 2, 2013, at the <a href="/wiki/IFC_Center" title="IFC Center">IFC Center</a> in <a href="/wiki/New_York_City" title="New York City">New York</a>, the <a href="/wiki/TIFF_Lightbox" title="TIFF Lightbox">TIFF Lightbox</a> in <a href="/wiki/Toronto" title="Toronto">Toronto</a>, and on <a href="/wiki/Video_on_demand" title="Video on demand">video on demand</a> platforms.<sup id="cite_ref-hr_2-0" class="reference"><a href="#cite_note-hr-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> It received negative reviews from critics, but Lohan's performance was praised. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Plot">Plot</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Canyons_(film)&action=edit&section=1" title="Edit section: Plot"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Christian is a wealthy young man who produces low-budget horror films. At the start of the film, he is having dinner with his girlfriend, Tara, his personal assistant, Gina, and her boyfriend, Ryan. Christian has recently secured a leading role for Ryan in one of his films. Christian reveals that he and Tara have an open relationship and use dating apps to find partners for casual sex. He says that he trusts Tara never to fall in love with anyone he brings into their bed. </p><p>Ryan accuses Gina of wanting to hump with Tara and Christian. Ryan texts an unknown party for a meeting the next day. Ryan's text was sent to Tara, who meets him the next day. Through their conversation, it is revealed that the two are former lovers. Tired of life as a struggling actor, Tara left Ryan to date a string of wealthy men. Tara chides Ryan for texting her, as Christian monitors her texts and calls. Christian visits an actress named Cynthia for casual sex. Christian thinks Tara is cheating on him. Christian follows Tara and sees her with Ryan. Christian then goes to John, one of the film crew members, and pressures him into playing a prank on Ryan: calling him in to tell him that he's about to be fired but can save his job by performing sexual favors. </p><p>Returning home, Christian grills Tara on her activities that afternoon. Tara denies being attracted to Ryan or knowing him previously. Meanwhile, Ryan discovers Christian's daily schedule on Gina's computer, noticing regular "yoga sessions" with Cynthia. </p><p>Tara receives an anonymous text telling her she might be in trouble. Cynthia is revealed to have been Christian's girlfriend before Tara. Cynthia tells Tara that she must leave Christian and admits to sending the anonymous texts. Cynthia reveals that she left Christian after he drugged her, orchestrated a group assault on her, and recorded the incident. When confronted, he brutally assaulted her and threatened to release the video if she told anyone. Tara rejects Cynthia's warnings. </p><p>Christian acknowledges dating Cynthia but denies beating her or arranging an assault. Suddenly his phone rings; a dating app friend is about to arrive. Christian offers to cancel but Tara insists they go through with it. Tara and Christian hump with the couple who arrive at the house and Tara "directs" Christian to perform homosexual acts he later feels uncomfortable about. </p><p>Meanwhile, it is revealed that Ryan put Cynthia up to warning Tara. While browsing at a record store Ryan realizes he is being stalked. Christian violently assaults Tara, revealing that he knows all about her and Ryan. </p><p>Ryan reveals to Gina that he has been hump with Tara. Gina announces she will do whatever it takes to make sure the film gets made but Ryan is fired and banned from the set. </p><p>At his therapist's office, Christian discusses feeling out of control when Tara was directing his actions, saying he is more comfortable and used to telling others what to do. It is revealed that Christian's therapy sessions with Doctor Campbell (<a href="/wiki/Gus_Van_Sant" title="Gus Van Sant">Gus Van Sant</a>) are not voluntary, but rather a condition of the trust fund he lives off. </p><p>The film then cuts to Christian and Ryan, each driving through downtown Los Angeles. Christian leaves a message on Ryan's voicemail, mocking Ryan and revealing the details he has obtained about Ryan's life. Christian arrives at Cynthia's house, accusing her of lying in an attempt to break up his relationship with Tara. Cynthia denies this but Christian, enraged, stabs her to death. </p><p>Returning home, Christian finds Tara packed and ready to leave. Christian apologizes for brutalizing her and agrees to let her leave their relationship on two conditions: she must give him an alibi for his murder of Cynthia and she must never contact Ryan. If she refuses, he will murder Ryan and use his family's wealth and connections to get away with it. Tara agrees and is allowed to leave. </p><p>Several months later, Tara is living in Dubai and having lunch with a friend. The friend asks about Gina's film and her relationship with Christian. Tara says she left the project when she and Christian broke up. She insists she is on good terms with Christian. The friend leaves to use the restroom, where she makes a phone call. She reports that Tara is doing well but clearly lying about being friends with Christian and being happy in her new life. On the other end of the call is Ryan, alone in an empty room. </p> <div class="mw-heading mw-heading2"><h2 id="Cast">Cast</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Canyons_(film)&action=edit&section=2" title="Edit section: Cast"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1184024115">.mw-parser-output .div-col{margin-top:0.3em;column-width:30em}.mw-parser-output .div-col-small{font-size:90%}.mw-parser-output .div-col-rules{column-rule:1px solid #aaa}.mw-parser-output .div-col dl,.mw-parser-output .div-col ol,.mw-parser-output .div-col ul{margin-top:0}.mw-parser-output .div-col li,.mw-parser-output .div-col dd{page-break-inside:avoid;break-inside:avoid-column}</style><div class="div-col" style="column-width: 25em;min-width: min(25em, 100%);"> <ul><li><a href="/wiki/Lindsay_Lohan" title="Lindsay Lohan">Lindsay Lohan</a> as Tara</li> <li><a href="/wiki/James_Deen" title="James Deen">James Deen</a> as Christian</li> <li><a href="/wiki/Nolan_Gerard_Funk" title="Nolan Gerard Funk">Nolan Funk</a> as Ryan</li> <li><a href="/wiki/Amanda_Brooks" title="Amanda Brooks">Amanda Brooks</a> as Gina</li> <li>Tenille Houston as Cynthia Grey</li> <li><a href="/wiki/Gus_Van_Sant" title="Gus Van Sant">Gus Van Sant</a> as Dr. Campbell</li> <li><a href="/wiki/Danny_Wylde" title="Danny Wylde">Chris Zeischegg</a> as Reid</li> <li>Victor of Aquitaine as Randall</li> <li><a href="/wiki/Lauren_Schacher" title="Lauren Schacher">Lauren Schacher</a> as Caitlin</li> <li><a href="/wiki/Jim_Boeven" title="Jim Boeven">Jim Boeven</a> as Jon</li> <li>Philip Pavel as Erik</li></ul></div> <div class="mw-heading mw-heading2"><h2 id="Development">Development</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Canyons_(film)&action=edit&section=3" title="Edit section: Development"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Production_and_marketing">Production and marketing</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Canyons_(film)&action=edit&section=4" title="Edit section: Production and marketing"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><a href="/wiki/Braxton_Pope" title="Braxton Pope">Braxton Pope</a>, <a href="/wiki/Bret_Easton_Ellis" title="Bret Easton Ellis">Bret Easton Ellis</a> and <a href="/wiki/Paul_Schrader" title="Paul Schrader">Paul Schrader</a> were originally involved in a film project, <i>Bait</i>. When the project lost its financing, Pope, Ellis, and Schrader decided they wanted to make a lower-scale film. Ellis was in charge of writing the script. After it was completed, Pope suggested raising money via <a href="/wiki/Kickstarter" title="Kickstarter">Kickstarter</a>.<sup id="cite_ref-vanityfair_3-0" class="reference"><a href="#cite_note-vanityfair-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> Throughout May–June 2012, the film raised $159,015, with a goal of $100,000 in funding.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> The budget for the film was $250,000 and the actors were reportedly paid $100 a day.<sup id="cite_ref-vice_1-1" class="reference"><a href="#cite_note-vice-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> Schrader talked about how it affected his artistic options, saying, "if you've made enough films you really know what you need money for and what you don't need money for. There's virtually nothing on the cutting-room floor for this film – you shoot straight to the bone."<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> </p><p>On July 13, it was announced that <a href="/wiki/Brendan_Canning" title="Brendan Canning">Brendan Canning</a> would be scoring the film.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> On July 18, 2012, the official press release for the movie was published on the Facebook page of <i>The Canyons</i>.<sup id="cite_ref-pressrelease_7-0" class="reference"><a href="#cite_note-pressrelease-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> On July 24, 2012, it was announced that <a href="/wiki/American_Apparel" title="American Apparel">American Apparel</a> would be supplying the cast with wardrobe and was planning to issue logo T-shirts based on Ellis, <i>The Canyons</i>, and Schrader.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> </p><p>The first <a href="/wiki/Trailer_(promotion)" title="Trailer (promotion)">teaser</a> was released on YouTube on June 16, 2012.<sup id="cite_ref-9" class="reference"><a href="#cite_note-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> On October 8, a "<a href="/wiki/Retro_style" title="Retro style">retro style</a>" teaser trailer was released.<sup id="cite_ref-10" class="reference"><a href="#cite_note-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> <a href="/wiki/IndieWire" title="IndieWire">IndieWire</a> called <i>The Canyons</i> one of the "50 Indie Films We Want To See In 2013" in January 2013.<sup id="cite_ref-11" class="reference"><a href="#cite_note-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> On August 2, 2013, rapper <a href="/wiki/Kanye_West" title="Kanye West">Kanye West</a> released a new version of the trailer; he worked with Nate Brown on the re-editing and created new music with <a href="/wiki/Noah_Goldstein" title="Noah Goldstein">Noah Goldstein</a>.<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> </p><p>Following the film's release, Schrader accused Lohan of not supporting the film, saying she had pulled out of interviews and never showed up for promotional photo sessions.<sup id="cite_ref-13" class="reference"><a href="#cite_note-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> In the docu-series <i><a href="/wiki/Lindsay_(TV_series)" title="Lindsay (TV series)">Lindsay</a></i>, which chronicles (in eight one-hour episodes) <a href="/wiki/Lindsay_Lohan" title="Lindsay Lohan">Lindsay Lohan</a>'s return from her sixth stay in rehab for addiction and her attempts to revitalize her career, she claimed that she did not end up promoting <i>The Canyons</i>, specifically its <a href="/wiki/Venice_Film_Festival" title="Venice Film Festival">Venice Film Festival</a> screening, because it would have placed her in a situation that compromised her sobriety.<sup id="cite_ref-14" class="reference"><a href="#cite_note-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Casting">Casting</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Canyons_(film)&action=edit&section=5" title="Edit section: Casting"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Casting of <i>The Canyons</i> was operated through the casting website Let It Cast, where an audition scene was made available for download and actors were encouraged to film their own video auditions. As Pope and Ellis explained in a video on Let It Cast,<sup id="cite_ref-15" class="reference"><a href="#cite_note-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> the motivation to cast in this fashion was to facilitate submissions from talented actors who might not otherwise be seen given the time constraints of the traditional casting process, as well as to open a direct channel to actors whose talent agents might complicate the process. Paul Schrader wrote a full account<sup id="cite_ref-16" class="reference"><a href="#cite_note-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> of the process of casting the seven actors cast through their Let It Cast auditions. Lead actors Lindsay Lohan and <a href="/wiki/James_Deen" title="James Deen">James Deen</a> were cast independently of this process. </p><p>Although Schrader, Ellis, and Pope initially favored French actress <a href="/wiki/Leslie_Coutterand" title="Leslie Coutterand">Leslie Coutterand</a><sup id="cite_ref-17" class="reference"><a href="#cite_note-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> (who auditioned through Let It Cast), the role of Tara ultimately went to Lohan. When Pope approached Lohan's manager about the possibility of Lohan playing the role of Cynthia, Lohan responded that she wanted to play the lead.<sup id="cite_ref-vanityfair_3-1" class="reference"><a href="#cite_note-vanityfair-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-NYT011013_18-0" class="reference"><a href="#cite_note-NYT011013-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> Two weeks later, she <a href="/wiki/Screen_test" title="Screen test">screen tested</a> and was cast. Pope said, "She's very charismatic and she has a lot of acting skills...So for this part, we felt that she was really the right actor for a host of different reasons."<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Fleur_Saville" title="Fleur Saville">Fleur Saville</a> was also considered for the role of Tara. </p><p>Early on, the filmmakers considered casting Sean Brosnan as Christian, but later decided they wanted to cast someone "more edgy and unexpected". Ellis had mentioned several times that he had Deen in mind for Christian's role and when he, Pope and Deen met, Deen was promised a screen test.<sup id="cite_ref-Buchanan2013_20-0" class="reference"><a href="#cite_note-Buchanan2013-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-Strauss2017_21-0" class="reference"><a href="#cite_note-Strauss2017-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> Schrader was reluctant at first, thinking it unlikely he would cast Deen due to his background in porn.<sup id="cite_ref-Strauss2017_21-1" class="reference"><a href="#cite_note-Strauss2017-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-22" class="reference"><a href="#cite_note-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> Although surprised by Deen's acting abilities and charisma, Schrader was still reluctant to cast him; but, with Ellis and Pope, was intrigued by the idea of casting Lohan and Deen in the leads. <a href="/wiki/Alex_Meraz" title="Alex Meraz">Alex Meraz</a> and <a href="/wiki/Daren_Kagasoff" title="Daren Kagasoff">Daren Kagasoff</a> were also considered for the role, among others.<sup id="cite_ref-casting_23-0" class="reference"><a href="#cite_note-casting-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> </p><p>Funk was cast as Ryan. Other actors who had been considered for Ryan's role included gay porn star <a href="/wiki/Sean_Paul_Lockhart" class="mw-redirect" title="Sean Paul Lockhart">Sean Paul Lockhart</a>, Alex Ashbaugh, who was cast in a different role, <a href="/wiki/Zach_Roerig" title="Zach Roerig">Zach Roerig</a>, and Chris Schellenger, who was also given a different, smaller role in the film.<sup id="cite_ref-casting_23-1" class="reference"><a href="#cite_note-casting-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> Gina was cast through Let It Cast, with the goal being finding the best counterpoint to Lohan, in physical appearance and personality. After many auditions, Brooks was cast. <a href="/wiki/Spencer_Grammer" title="Spencer Grammer">Spencer Grammer</a> and <a href="/wiki/Jessica_Morris" title="Jessica Morris">Jessica Morris</a> were considered, among others.<sup id="cite_ref-casting_23-2" class="reference"><a href="#cite_note-casting-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> Cynthia was originally called Lindsay, but the character's name was changed so she wouldn't be confused with Lohan. She was also cast through Let It Cast, and the primary criterion for the actress was to balance Lohan and Brooks.<sup id="cite_ref-casting_23-3" class="reference"><a href="#cite_note-casting-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> Houston's audition was sent in early and remained a favorite. Other actresses who had been considered included <a href="/wiki/Fleur_Saville" title="Fleur Saville">Fleur Saville</a> and <a href="/wiki/Cameron_Richardson" title="Cameron Richardson">Cameron Richardson</a>.<sup id="cite_ref-casting_23-4" class="reference"><a href="#cite_note-casting-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> In tertiary roles, Boeven was cast as John, and Aquitaine was cast as Randall. Philip Pavel, who was cast as Erik, had also been considered, among others.<sup id="cite_ref-casting_23-5" class="reference"><a href="#cite_note-casting-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> Caitlin's character was originally supposed to be cast through Let It Cast, but was ultimately cast through <a href="/wiki/Mobli" title="Mobli">mobli</a> due to Pope's preference. <a href="/wiki/Lauren_Schacher" title="Lauren Schacher">Lauren Schacher</a> was cast.<sup id="cite_ref-casting_23-6" class="reference"><a href="#cite_note-casting-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> </p><p>Director <a href="/wiki/Gus_Van_Sant" title="Gus Van Sant">Gus Van Sant</a>'s casting in the role of Christian's <a href="/wiki/Psychotherapy" title="Psychotherapy">psychotherapist</a> was reported in July 2012.<sup id="cite_ref-pressrelease_7-1" class="reference"><a href="#cite_note-pressrelease-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> Schrader originally wanted to cast <a href="/wiki/Willem_Dafoe" title="Willem Dafoe">Willem Dafoe</a> as the therapist: "Willem Dafoe wasn't in town, and I asked somebody else, and they were working. So I turned to Braxton and said, 'What friends do you have?<span style="padding-right:.15em;">'</span>"<sup id="cite_ref-interview_26-0" class="reference"><a href="#cite_note-interview-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> </p><p>When asked about casting <i>The Canyons</i>, Ellis stated: "Dealing with the casting of <i>The Canyons</i> was a great, liberating process—for both the production team and for actors in general. We used Let It Cast and saw some amazing actors that we will definitely keep in mind for future projects. The way the entire cast came together so quickly was a thrill and everyone who landed their roles deserved them. Using social media as a way to help build a film is really like riding the wave into the future." Pope said, "Nothing about this film was orchestrated in a traditional way. We wanted to actively embrace all the digital and social media tools at our disposal and give the film real cinematic value—<i>The Canyons</i> is the result of a forward thinking experiment with a terrific cast." Schrader said: "Bret Easton Ellis' characters are beautiful people doing bad things in nice rooms. Lindsay Lohan and James Deen not only have the acting talent; they also have that screen quality that keeps you watching their every move."<sup id="cite_ref-pressrelease_7-2" class="reference"><a href="#cite_note-pressrelease-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Filming_and_editing">Filming and editing</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Canyons_(film)&action=edit&section=6" title="Edit section: Filming and editing"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><a href="/wiki/Principal_photography" title="Principal photography">Principal photography</a> began in July 2012 with the shooting of the first six minutes of the film<sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> in the bar of the <a href="/wiki/Chateau_Marmont" title="Chateau Marmont">Chateau Marmont</a> in Los Angeles. Many key scenes were shot at the <a href="/wiki/Malibu,_California" title="Malibu, California">Malibu</a> home of designer Vitus Mataré. Filming was moved to <a href="/wiki/Westfield_Century_City" title="Westfield Century City">Westfield Century City</a> mall in Los Angeles after a failed attempt to film at the <a href="/wiki/Third_Street_Promenade" title="Third Street Promenade">Santa Monica Promenade</a>.<sup id="cite_ref-NYT011013_18-1" class="reference"><a href="#cite_note-NYT011013-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> Scenes were also shot in <a href="/wiki/Amoeba_Music" title="Amoeba Music">Amoeba Records</a><sup id="cite_ref-vanityfair_3-2" class="reference"><a href="#cite_note-vanityfair-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> on <a href="/wiki/Sunset_Boulevard" title="Sunset Boulevard">Sunset Boulevard</a>, <a href="/wiki/Hollywood,_Los_Angeles" title="Hollywood, Los Angeles">Hollywood</a>, and Cafe Med restaurant at Sunset Plaza, <a href="/wiki/West_Hollywood" class="mw-redirect" title="West Hollywood">West Hollywood</a>, as well as Palihotel Melrose and The Churchill bar of The Orlando Hotel, both in the <a href="/wiki/Beverly_Grove" class="mw-redirect" title="Beverly Grove">Beverly Grove</a> neighborhood of Los Angeles. </p><p>Schrader says about filming <i>The Canyons</i>: "...we're making art out of the remains of our empire. The junk that's left over. And this idea of a film that was crowdfunded, cast online, with one actor from a celebrity culture, one actor from adult-film culture, a writer and director who have gotten beat up in the past—felt like a post-Empire thing. And then everything I was afraid of with Lindsay and James started to become a positive. I was afraid we wouldn't be taken seriously and people would think it was a joke. My son and daughter didn't want me to do it. That just shows you how conservative young kids are."<sup id="cite_ref-filmlinc.com_28-0" class="reference"><a href="#cite_note-filmlinc.com-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> </p><p>The <a href="/wiki/Rough_cut" title="Rough cut">rough cut</a> of the film was 1 hour 44 minutes long.<sup id="cite_ref-29" class="reference"><a href="#cite_note-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> Initial edits of the film were disappointing; the film was said to "drag".<sup id="cite_ref-NYT011013_18-2" class="reference"><a href="#cite_note-NYT011013-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> Ellis, Schrader and Pope had a disagreement over the final cut of the film. After Schrader showed <a href="/wiki/Steven_Soderbergh" title="Steven Soderbergh">Steven Soderbergh</a> the rough cut of the film, Soderbergh offered to cut it within three days. Schrader declined, telling <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i>: "The idea of 72 hours is a joke, it would take him 72 hours to look at all the footage. And you know what Soderbergh would do if another director offered to cut his film? [Puts up two middle fingers] That's what Soderbergh would do."<sup id="cite_ref-NYT011013_18-3" class="reference"><a href="#cite_note-NYT011013-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> Pope stated he and Ellis "were excited" about Soderbergh's offer but it was ultimately Schrader's decision.<sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> Ellis is quoted as saying: "The film is so languorous. It's an hour 30, and it seems like it's three hours long. I saw this as a pranky noirish thriller, but Schrader turned it into, well, a Schrader film."<sup id="cite_ref-31" class="reference"><a href="#cite_note-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> </p><p>On Ellis' Podcast, he claims to now have a new appreciation of the film, saying he had trouble at first accepting Schrader's vision of his material, but in the end, has come to an understanding over his reservations during the creative process. He also openly praises Lohan's performance, calling it "searing," and blames the film's perceived 'failures' on Lohan's reputation in the media, which has nothing to do about the film's quality or her performance in the film. He continued with saying he believes <i>The Canyons</i> to have ended up as being a success both creatively and financially for all those involved. He concludes with saying he is very proud of the final product.<sup id="cite_ref-podcastone.com_32-0" class="reference"><a href="#cite_note-podcastone.com-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Release">Release</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Canyons_(film)&action=edit&section=7" title="Edit section: Release"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The film was not accepted by the <a href="/wiki/Sundance_Film_Festival" title="Sundance Film Festival">Sundance Film Festival</a>, but was scheduled for sale in January 2013 by <a href="/wiki/William_Morris_Endeavor" class="mw-redirect" title="William Morris Endeavor">William Morris Endeavor</a>.<sup id="cite_ref-NYT011013_18-4" class="reference"><a href="#cite_note-NYT011013-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> It was also publicly rejected by <a href="/wiki/South_by_Southwest" title="South by Southwest">SXSW</a> citing they had "quality issues" with the film, which enraged director Paul Schrader, who was very proud of his final film.<sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup> <a href="/wiki/IFC_Films" title="IFC Films">IFC Films</a> bought the rights to distribute the film theatrically,<sup id="cite_ref-34" class="reference"><a href="#cite_note-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> accompanied by a special screening at the Film Society of Lincoln Center (on July 29, 2013) featuring a conversation session with director Paul Schrader and the film critic/New York Film Festival Program Director Kent Jones.<sup id="cite_ref-filmlinc.com_28-1" class="reference"><a href="#cite_note-filmlinc.com-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> It was released on August 2, 2013, in the United States at the <a href="/wiki/IFC_Center" title="IFC Center">IFC Center</a> in New York City, the <a href="/wiki/TIFF_Bell_Lightbox" class="mw-redirect" title="TIFF Bell Lightbox">Bell Lightbox</a> in Toronto, and on <a href="/wiki/Video_on_demand" title="Video on demand">video on demand</a> platforms.<sup id="cite_ref-hr_2-1" class="reference"><a href="#cite_note-hr-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> It was shown in the out of competition section at the <a href="/wiki/70th_Venice_International_Film_Festival" title="70th Venice International Film Festival">70th Venice International Film Festival</a>.<sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-36" class="reference"><a href="#cite_note-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> The film was also featured on the cover of the July/August 2013 (Volume 49/Number 4) issue of <a href="/wiki/Film_Comment" title="Film Comment"><i>Film Comment</i> Magazine</a>, featuring a full centerpiece article<sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> on the film's production.<sup id="cite_ref-38" class="reference"><a href="#cite_note-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> The issue featured an article, by Schrader, on the hardships and merits of working with Lindsay Lohan.<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> </p><p><i>The Canyons</i> was given an R rating for "strong sexual content including graphic nudity, language throughout, a bloody crime scene, and brief drug use".<sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-41" class="reference"><a href="#cite_note-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> </p><p><span class="anchor" id="Reception"></span> </p> <div class="mw-heading mw-heading3"><h3 id="Critical_response">Critical response</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Canyons_(film)&action=edit&section=8" title="Edit section: Critical response"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading4"><h4 id="Contemporary">Contemporary</h4><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Canyons_(film)&action=edit&section=9" title="Edit section: Contemporary"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The <a href="/wiki/Review_aggregation" class="mw-redirect" title="Review aggregation">review aggregation</a> website <a href="/wiki/Rotten_Tomatoes" title="Rotten Tomatoes">Rotten Tomatoes</a> reported a 21% approval rating for <i>The Canyons</i>, based on 95 reviews, with an average score of 4/10. The site's consensus says the film "serves as a sour footnote in Paul Schrader's career—but it does feature some decent late-period work from Lindsay Lohan".<sup id="cite_ref-42" class="reference"><a href="#cite_note-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> At <a href="/wiki/Metacritic" title="Metacritic">Metacritic</a>, which assigns a <a href="/wiki/Weighted_mean" class="mw-redirect" title="Weighted mean">weighted mean</a> rating out of 100 to reviews from mainstream critics, the film received an average score of 36, based on 30 reviews, indicating "generally unfavorable reviews".<sup id="cite_ref-43" class="reference"><a href="#cite_note-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> </p><p>Linda Barnard of the <i><a href="/wiki/Toronto_Star" title="Toronto Star">Toronto Star</a></i> gave the film one out of four stars, calling it "a howlingly bad soap-opera-meets-soft-core-porn mash-up".<sup id="cite_ref-44" class="reference"><a href="#cite_note-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> Writing for <i><a href="/wiki/The_Village_Voice" title="The Village Voice">The Village Voice</a></i>, <a href="/wiki/Stephanie_Zacharek" title="Stephanie Zacharek">Stephanie Zacharek</a> praised Lohan's performance, likening her Tara character to "a nectarine on the far side of ripening, and this isn't a story about innocence lost—she sold that off long ago. But there's a dreaminess about her that could never crystallize into hardness." Zacharek also wrote that the "nuts and bolts of the plot are the least interesting things" about the film.<sup id="cite_ref-45" class="reference"><a href="#cite_note-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> </p><p>While the negative response to the film was overwhelming, <i>The Canyons</i> also received some praise. In a glowing review, <a href="/wiki/Richard_Brody" title="Richard Brody">Richard Brody</a> wrote in <i><a href="/wiki/The_New_Yorker" title="The New Yorker">The New Yorker</a></i> that movie "isn’t a study in character but a view of the world; it’s a masterful setting of mood", praising Deen for doing "terrific job exuding a sense of imperious entitlement" and saying that Lohan's "performance itself is electrifyingly alive".<sup id="cite_ref-46" class="reference"><a href="#cite_note-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> Jason Shawhan's <i>Nashville Scene</i> review claimed "Lohan tears into this role with fierce energy, walking the fine line between dominance and desperation."<sup id="cite_ref-47" class="reference"><a href="#cite_note-47"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Kent_Jones_(critic)" title="Kent Jones (critic)">Kent Jones</a> highly praised the film in <i><a href="/wiki/Film_Comment" title="Film Comment">Film Comment</a></i> as "a visually and tonally precise, acid-etched horror story of souls wandering through a hyper-materialist hell, with a fearless and, I think, stunning performance by Lindsay Lohan at its center. On another level, it’s an inspiration and an example to us all: it’s difficult for me to imagine another filmmaker of Paul Schrader’s stature diving into the world of crowd-sourced moviemaking, let alone with such fervor, dedication and rigor."<sup id="cite_ref-filmlinc.com_28-2" class="reference"><a href="#cite_note-filmlinc.com-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> Mauricio González of <i><a href="/wiki/Letras_Libres" title="Letras Libres">Letras Libres</a></i> affirmed that "<i>The Canyons</i> is perhaps the most misunderstood film so far this decade."<sup id="cite_ref-48" class="reference"><a href="#cite_note-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading4"><h4 id="Retrospective">Retrospective</h4><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Canyons_(film)&action=edit&section=10" title="Edit section: Retrospective"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In 2022, Aryan Tauqeer Khawaja reassessed <i>The Canyons</i> in <i><a href="/wiki/Little_White_Lies_(magazine)" title="Little White Lies (magazine)">Little White Lies</a></i>, stating that the "much-derided" project is "a sharper take on performance than it first appears", concluding that the film "asserts there's always someone else pulling the strings, making it impossible to extricate oneself from the erosion of self enabled by late capitalism."<sup id="cite_ref-49" class="reference"><a href="#cite_note-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> In an essay for <a href="/wiki/Mubi_(streaming_service)" title="Mubi (streaming service)">Mubi</a>, Greg Cwik opined that the film "presents an unprecedented and unmitigated perspective on Hollywood's toxic affluence, as judgmental as it is enamored of the iniquitous lives it depicts. It is a mess, certainly, but a fascinating, sometimes brilliant one, and necessary—a bizarre coalescence of influences and talents representative of and germane to the obsessions of its progenitors."<sup id="cite_ref-50" class="reference"><a href="#cite_note-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> In the years following its release, <i>The Canyons</i> received screenings suggestive of a "<a href="/wiki/Midnight_movie" title="Midnight movie">midnight movie</a>" following, a classification disputed by <i>The Big Ships'</i>s Fred Barrett, who observed the film "isn't so-bad-it's-good, it isn't even bad. It's a strange, austere study of <a href="/wiki/Postmodernity" title="Postmodernity">postmodernity</a> [...] It's a film that's easy to misunderstand and even easier to dislike but, then again, so much interesting and worthwhile art is."<sup id="cite_ref-51" class="reference"><a href="#cite_note-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> In November 2022, Schrader wrote: "I have an enduring fondness for this film which got caught in the cultural meatgrinder ten years back," claiming that contemporary film critics had "reviewed the phenomenon and not the film."<sup id="cite_ref-52" class="reference"><a href="#cite_note-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> A couple of years prior, <a href="/wiki/Metrograph" title="Metrograph">Metrograph</a> hosted a screening of the movie followed by a Q&A session with Schrader and <a href="/wiki/Alex_Ross_Perry" title="Alex Ross Perry">Alex Ross Perry</a>,<sup id="cite_ref-53" class="reference"><a href="#cite_note-53"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-54" class="reference"><a href="#cite_note-54"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup> who had previously described <i>The Canyons</i> as "<a href="/wiki/Anthropology" title="Anthropology">anthropologically</a> fascinating and comprehensive in showing me this ugly side of a horrible culture that I secretly enjoy driving past and looking at."<sup id="cite_ref-55" class="reference"><a href="#cite_note-55"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup> </p><p><i><a href="/wiki/Vulture_(website)" title="Vulture (website)">Vulture</a>'</i>s Roxana Hadadi reexamined the movie and called Lohan's performance "the best part" of it and a "persuasive comeback attempt all its own" in retrospect, with "her aura of lived-in disappointment" giving <i>The Canyons</i> "an advantageous cynicism about Hollywood and who survives there."<sup id="cite_ref-56" class="reference"><a href="#cite_note-56"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup> In 2022, <i><a href="/wiki/Interview_(magazine)" title="Interview (magazine)">Interview Magazine</a></i> listed it as one of their favorite films inspired by "the Hollywood old and new: fame, excess, nihilism, and, of course fashion."<sup id="cite_ref-57" class="reference"><a href="#cite_note-57"><span class="cite-bracket">[</span>57<span class="cite-bracket">]</span></a></sup> In 2023, <i><a href="/wiki/Men%27s_Health" title="Men's Health">Men's Health</a></i> named the film as one of the 35 greatest erotic thrillers of all time, noting that "while the film is flawed, Lohan is its light [and] delivers one of her career-best performances, indicating that the genre suits her smokey voice and allure."<sup id="cite_ref-58" class="reference"><a href="#cite_note-58"><span class="cite-bracket">[</span>58<span class="cite-bracket">]</span></a></sup> <a href="/wiki/Jim_Hemphill" title="Jim Hemphill">Jim Hemphill</a> also wrote a critical reassessment of the movie for <a href="/wiki/IndieWire" title="IndieWire">IndieWire</a>, acknowledging its qualities as "an anthropological study and poison pen letter to Hollywood" and stated it "gave Schrader new life as a filmmaker."<sup id="cite_ref-59" class="reference"><a href="#cite_note-59"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup> After being selected for inclusion on the <a href="/wiki/Criterion_Channel" class="mw-redirect" title="Criterion Channel">Criterion Channel</a> in June 2024, <i><a href="/wiki/The_Guardian" title="The Guardian">The Guardian</a></i> compared <i>The Canyons</i> to Schrader's <i><a href="/wiki/Hardcore_(1979_film)" title="Hardcore (1979 film)">Hardcore</a></i> stating the films "deliver dueling eulogies for <a href="/wiki/Hollywood,_Los_Angeles" title="Hollywood, Los Angeles">Tinseltown</a>, portrayed first as a seamy underbelly in 1979 and then as a long-in-decline ghost town by 2013."<sup id="cite_ref-60" class="reference"><a href="#cite_note-60"><span class="cite-bracket">[</span>60<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-61" class="reference"><a href="#cite_note-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Accolades">Accolades</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Canyons_(film)&action=edit&section=11" title="Edit section: Accolades"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><span class="anchor" id="Awards"></span><span class="anchor" id="Accolades"></span> <i>The Canyons</i> was screened as a part of the 14th <a href="/wiki/Melbourne_Underground_Film_Festival" title="Melbourne Underground Film Festival">Melbourne Underground Film Festival</a> and won four awards: </p> <ul><li>Best Female Actor for Lindsay Lohan</li> <li>Best Screenplay for Bret Easton Ellis</li> <li>Best Foreign Director for Paul Schrader</li> <li>Best Foreign Film<sup id="cite_ref-62" class="reference"><a href="#cite_note-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup></li></ul> <div class="mw-heading mw-heading3"><h3 id="Home_media">Home media</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Canyons_(film)&action=edit&section=12" title="Edit section: Home media"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><i>The Canyons</i> made its DVD<sup id="cite_ref-63" class="reference"><a href="#cite_note-63"><span class="cite-bracket">[</span>63<span class="cite-bracket">]</span></a></sup> and Blu-ray<sup id="cite_ref-64" class="reference"><a href="#cite_note-64"><span class="cite-bracket">[</span>64<span class="cite-bracket">]</span></a></sup> debut on November 26, 2013, courtesy of <a href="/wiki/MPI_Media_Group" title="MPI Media Group">MPI Media Group</a>. The release included a 100-minute 'Unrated Director's Cut' of the film. The new cut of the film only runs about a minute longer than the version that was in theaters and video on demand.<sup id="cite_ref-65" class="reference"><a href="#cite_note-65"><span class="cite-bracket">[</span>65<span class="cite-bracket">]</span></a></sup> During a "live tweet" session of the film on Twitter, where Bret Easton Ellis via his own Twitter account<sup id="cite_ref-66" class="reference"><a href="#cite_note-66"><span class="cite-bracket">[</span>66<span class="cite-bracket">]</span></a></sup> and Paul Schrader using <i>The Canyons'</i> account,<sup id="cite_ref-67" class="reference"><a href="#cite_note-67"><span class="cite-bracket">[</span>67<span class="cite-bracket">]</span></a></sup> discussed their feelings on and experiences with making the film- while viewers watched from home. Here they confessed that a sex scene had to be edited down for the final cut. A sex scene at the beginning of the film, which featured the characters of Tara, Christian and Reid (Danny Wylde), had to have cuts made to meet the content standards of <a href="/wiki/ITunes" title="ITunes">iTunes</a>. Thus the shots of Reid indulging in masturbation had to go, since they were unsimulated, unlike the other sexual content shown in the film. These shots were included in the version of the film shown at the Film Society of Lincoln Center screening but did not appear in the theatrical or video on demand edit. These shots are restored in the 'Unrated Director's Cut' available on Blu-ray and DVD. A DVD has also been made available<sup id="cite_ref-68" class="reference"><a href="#cite_note-68"><span class="cite-bracket">[</span>68<span class="cite-bracket">]</span></a></sup> featuring the edited version, which the <a href="/wiki/Motion_Picture_Association_of_America" class="mw-redirect" title="Motion Picture Association of America">MPAA</a> gave an R Rating in the United States. In January 2025, <a href="/wiki/Vinegar_Syndrome" title="Vinegar Syndrome">Vinegar Syndrome</a> released a limited edition Blu-ray of <i>The Canyons</i> with new artwork and bonus features, including audio commentary by film historian <a href="/wiki/Adrian_Martin" title="Adrian Martin">Adrian Martin</a> and a video interview with Schrader.<sup id="cite_ref-69" class="reference"><a href="#cite_note-69"><span class="cite-bracket">[</span>69<span class="cite-bracket">]</span></a></sup><sup id="cite_ref-70" class="reference"><a href="#cite_note-70"><span class="cite-bracket">[</span>70<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Box_office">Box office</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Canyons_(film)&action=edit&section=13" title="Edit section: Box office"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Debuting only at the IFC Center in the U.S., the film earned $13,351 by the end of its opening weekend.<sup id="cite_ref-BOM_71-0" class="reference"><a href="#cite_note-BOM-71"><span class="cite-bracket">[</span>71<span class="cite-bracket">]</span></a></sup> On video on demand and iTunes, the film was said to do "extremely well".<sup id="cite_ref-72" class="reference"><a href="#cite_note-72"><span class="cite-bracket">[</span>72<span class="cite-bracket">]</span></a></sup> The film has grossed a total of $56,825 in United States and $265,670 all around the world.<sup id="cite_ref-BOM_71-1" class="reference"><a href="#cite_note-BOM-71"><span class="cite-bracket">[</span>71<span class="cite-bracket">]</span></a></sup> IFC Films has not released the Video on Demand profits of the film, but Bret Easton Ellis, on his Podcast, claimed "<i>The Canyons</i> was, something like, the number one Video on Demand film IFC released last year. The film has made a profit."<sup id="cite_ref-podcastone.com_32-1" class="reference"><a href="#cite_note-podcastone.com-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Soundtrack">Soundtrack</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Canyons_(film)&action=edit&section=14" title="Edit section: Soundtrack"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist dd:last-child::after,.mw-parser-output .hlist dt:last-child::after,.mw-parser-output .hlist li:last-child::after{content:none}.mw-parser-output .hlist dd dd:first-child::before,.mw-parser-output .hlist dd dt:first-child::before,.mw-parser-output .hlist dd li:first-child::before,.mw-parser-output .hlist dt dd:first-child::before,.mw-parser-output .hlist dt dt:first-child::before,.mw-parser-output .hlist dt li:first-child::before,.mw-parser-output .hlist li dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1257001546" /><table class="infobox vevent haudio"><tbody><tr><th colspan="2" class="infobox-above summary album" style="font-style: italic; color: inherit; background-color: gainsboro; font-size: 125%;">The Canyons (Original Motion Picture Soundtrack)</th></tr><tr><th colspan="2" class="infobox-header description" style="color: #202122;background-color: gainsboro"><a href="/wiki/Soundtrack_album" title="Soundtrack album">Soundtrack album</a> by <div class="contributor" style="display:inline"><a href="/wiki/Brendan_Canning" title="Brendan Canning">Brendan Canning</a> with <a href="/wiki/Me%26John" title="Me&John">Me&John</a></div></th></tr><tr><th scope="row" class="infobox-label">Released</th><td class="infobox-data published">July 30, 2013</td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/Music_genre" title="Music genre">Genre</a></th><td class="infobox-data category hlist"><a href="/wiki/Electronic_music" title="Electronic music">Electronic</a>, <a href="/wiki/Synthpop" class="mw-redirect" title="Synthpop">synthpop</a>, rock</td></tr><tr><th scope="row" class="infobox-label">Length</th><td class="infobox-data"><span class="duration"><span class="min">43</span>:<span class="s">44</span></span></td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/Record_label" title="Record label">Label</a></th><td class="infobox-data hlist">SQE Music</td></tr><tr><th scope="row" class="infobox-label"><a href="/wiki/Record_producer" title="Record producer">Producer</a></th><td class="infobox-data hlist">Brendan Canning with Me&John</td></tr></tbody></table> <p>The soundtrack was made by <a href="/wiki/Brendan_Canning" title="Brendan Canning">Brendan Canning</a> with <a href="/wiki/Me%26John" title="Me&John">Me&John</a> and features songs by Gold Zebra, <a href="/wiki/A_Place_to_Bury_Strangers" title="A Place to Bury Strangers">A Place to Bury Strangers</a>, and the <a href="/wiki/Dum_Dum_Girls" title="Dum Dum Girls">Dum Dum Girls</a>. It was released on July 30, 2013.<sup id="cite_ref-73" class="reference"><a href="#cite_note-73"><span class="cite-bracket">[</span>73<span class="cite-bracket">]</span></a></sup> </p> <ol><li>"Canyons Theme"</li> <li>"Without the Night" (featuring <a href="/wiki/Adaline_(musician)" title="Adaline (musician)">Adaline</a>)</li> <li>"No More Sympathy" (featuring Rob James)</li> <li>"Back Home to Michigan"</li> <li>"Son of Perdition"</li> <li>"Teil Cock"</li> <li>"Love, French, Better" - Gold Zebra</li> <li>"Soon to Be"</li> <li>"Fear" - <a href="/wiki/A_Place_to_Bury_Strangers" title="A Place to Bury Strangers">A Place to Bury Strangers</a></li> <li>"This Isn't Good for You"</li> <li>"Driving Sines"</li> <li>"Goddamn So High" (featuring Adaline)</li> <li>"My Preacher's Daughter" (featuring Adaline)</li> <li>"Coming Down" - <a href="/wiki/Dum_Dum_Girls" title="Dum Dum Girls">Dum Dum Girls</a></li></ol> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Canyons_(film)&action=edit&section=15" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-vice-1"><span class="mw-cite-backlink">^ <a href="#cite_ref-vice_1-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-vice_1-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFWelch2013" class="citation web cs1">Welch, Michael Patrick (February 27, 2013). <a rel="nofollow" class="external text" href="https://www.vice.com/read/living-inside-the-canyons">"Living Inside 'The Canyons'<span class="cs1-kern-right"></span>"</a>. <i>VICE</i><span class="reference-accessdate">. Retrieved <span class="nowrap">March 1,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=VICE&rft.atitle=Living+Inside+%27The+Canyons%27&rft.date=2013-02-27&rft.aulast=Welch&rft.aufirst=Michael+Patrick&rft_id=https%3A%2F%2Fwww.vice.com%2Fread%2Fliving-inside-the-canyons&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Canyons+%28film%29" class="Z3988"></span></span> </li> <li id="cite_note-hr-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-hr_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-hr_2-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFKilday2013" class="citation magazine cs1">Kilday, Gregg (August 2, 2013). <a rel="nofollow" class="external text" href="http://www.hollywoodreporter.com/news/lindsay-lohans-canyons-aims-vod-598811">"Lindsay Lohan's 'The Canyons' Aims for VOD Success"</a>. <i>The Hollywood Reporter</i><span class="reference-accessdate">. Retrieved <span class="nowrap">August 2,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Hollywood+Reporter&rft.atitle=Lindsay+Lohan%27s+%27The+Canyons%27+Aims+for+VOD+Success&rft.date=2013-08-02&rft.aulast=Kilday&rft.aufirst=Gregg&rft_id=http%3A%2F%2Fwww.hollywoodreporter.com%2Fnews%2Flindsay-lohans-canyons-aims-vod-598811&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Canyons+%28film%29" class="Z3988"></span></span> </li> <li id="cite_note-vanityfair-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-vanityfair_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-vanityfair_3-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-vanityfair_3-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFPope2013" class="citation web cs1">Pope, Braxton (August 1, 2013). <a rel="nofollow" class="external text" href="http://www.vanityfair.com/hollywood/2013/08/the-canyons-lindsay-lohan-producer">"In Lindsay's Stardust Orbit"</a>. <i><a href="/wiki/Vanity_Fair_(magazine)" title="Vanity Fair (magazine)">Vanity Fair</a></i><span class="reference-accessdate">. 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Retrieved July 7, 2012</span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFWigon2013" class="citation web cs1">Wigon, Zachary (July 30, 2013). <a rel="nofollow" class="external text" href="https://tribecafilm.com/news/paul-schrader-interview-canyons-dying-film">"Interview: Paul Schrader on 'The Canyons' and Dying Film Culture"</a>. <a href="/wiki/TriBeCa_Productions" class="mw-redirect" title="TriBeCa Productions">Tribeca</a><span class="reference-accessdate">. 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Retrieved <span class="nowrap">February 3,</span> 2025</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Variety&rft.atitle=Best+4K+Blu-ray+Movie+DVD+Releases+in+2025&rft.date=2025-02-03&rft_id=https%3A%2F%2Fvariety.com%2Flists%2Fbest-4k-bluray-movie-releases-2025%2Ftwin-peaks-paramount-home-entertainment%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Canyons+%28film%29" class="Z3988"></span></span> </li> <li id="cite_note-BOM-71"><span class="mw-cite-backlink">^ <a href="#cite_ref-BOM_71-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-BOM_71-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.boxofficemojo.com/movies/?id=canyons.htm">"The Canyons (2013)"</a>. <i>Box Office Mojo</i><span class="reference-accessdate">. Retrieved <span class="nowrap">August 23,</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Box+Office+Mojo&rft.atitle=The+Canyons+%282013%29&rft_id=http%3A%2F%2Fwww.boxofficemojo.com%2Fmovies%2F%3Fid%3Dcanyons.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Canyons+%28film%29" class="Z3988"></span></span> </li> <li id="cite_note-72"><span class="mw-cite-backlink"><b><a href="#cite_ref-72">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFKaufman2013" class="citation news cs1">Kaufman, Amy (August 4, 2013). <a rel="nofollow" class="external text" href="http://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-box-office-canyons-lindsay-lohan-20130804,0,6555165.story">"Lindsay Lohan's 'Canyons' tanks at New York City theater"</a>. <i><a href="/wiki/Los_Angeles_Times" title="Los Angeles Times">Los Angeles Times</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">August 5,</span> 2013</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft.atitle=Lindsay+Lohan%27s+%27Canyons%27+tanks+at+New+York+City+theater&rft.date=2013-08-04&rft.aulast=Kaufman&rft.aufirst=Amy&rft_id=http%3A%2F%2Fwww.latimes.com%2Fentertainment%2Fmovies%2Fmoviesnow%2Fla-et-mn-box-office-canyons-lindsay-lohan-20130804%2C0%2C6555165.story&rfr_id=info%3Asid%2Fen.wikipedia.org%3AThe+Canyons+%28film%29" class="Z3988"></span></span> </li> <li id="cite_note-73"><span class="mw-cite-backlink"><b><a href="#cite_ref-73">^</a></b></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.amazon.com/Canyons-Original-Motion-Picture-Soundtrack/dp/B00DYZUFI0">The Canyons (Original Motion Picture Soundtrack): Various artists: MP3 Downloads</a>. Amazon.com (July 30, 2013). Retrieved on 2014-05-22.</span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=The_Canyons_(film)&action=edit&section=16" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="https://www.imdb.com/title/tt2292959/"><i>The Canyons</i></a> at <a href="/wiki/IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a></li> <li><a rel="nofollow" class="external text" href="https://www.boxofficemojo.com/movies/?id=canyons.htm"><i>The Canyons</i></a> at <a href="/wiki/Box_Office_Mojo" title="Box Office Mojo">Box Office Mojo</a></li> <li><a rel="nofollow" class="external text" href="https://www.rottentomatoes.com/m/the_canyons_2013"><i>The Canyons</i></a> at <a href="/wiki/Rotten_Tomatoes" title="Rotten Tomatoes">Rotten Tomatoes</a></li> <li><i><a rel="nofollow" class="external text" href="https://www.metacritic.com/movie/the-canyons">The Canyons</a></i> at <a href="/wiki/Metacritic" title="Metacritic">Metacritic</a> <span class="mw-valign-text-top noprint" typeof="mw:File/Frameless"><a href="https://www.wikidata.org/wiki/Q3014145#P1712" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></span></li></ul> <div class="navbox-styles"><link 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href="/wiki/Template:Paul_Schrader" title="Template:Paul Schrader"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Paul_Schrader" title="Template talk:Paul Schrader"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Paul_Schrader" title="Special:EditPage/Template:Paul Schrader"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Films_by_Paul_Schrader58" style="font-size:114%;margin:0 4em">Films by <a href="/wiki/Paul_Schrader" title="Paul Schrader">Paul Schrader</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Films directed</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Blue_Collar_(film)" title="Blue Collar (film)">Blue Collar</a></i> (1978)</li> <li><i><a href="/wiki/Hardcore_(1979_film)" title="Hardcore (1979 film)">Hardcore</a></i> (1979)</li> <li><i><a href="/wiki/American_Gigolo" title="American Gigolo">American Gigolo</a></i> (1980)</li> <li><i><a href="/wiki/Cat_People_(1982_film)" title="Cat People (1982 film)">Cat People</a></i> (1982)</li> <li><i><a href="/wiki/Mishima:_A_Life_in_Four_Chapters" title="Mishima: A Life in Four Chapters">Mishima: A Life in Four Chapters</a></i> (1985)</li> <li><i><a href="/wiki/Light_of_Day" title="Light of Day">Light of Day</a></i> (1987)</li> <li><i><a href="/wiki/Patty_Hearst_(film)" title="Patty Hearst (film)">Patty Hearst</a></i> (1988)</li> <li><i><a href="/wiki/The_Comfort_of_Strangers_(film)" title="The Comfort of Strangers (film)">The Comfort of Strangers</a></i> (1990)</li> <li><i><a href="/wiki/Light_Sleeper" title="Light Sleeper">Light Sleeper</a></i> (1992)</li> <li><i><a href="/wiki/Witch_Hunt_(1994_film)" title="Witch Hunt (1994 film)">Witch Hunt</a></i> (1994)</li> <li><i><a href="/wiki/Touch_(1997_film)" title="Touch (1997 film)">Touch</a></i> (1997)</li> <li><i><a href="/wiki/Affliction_(1997_film)" title="Affliction (1997 film)">Affliction</a></i> (1997)</li> <li><i><a href="/wiki/Forever_Mine" title="Forever Mine">Forever Mine</a></i> (1999)</li> <li><i><a href="/wiki/Auto_Focus" title="Auto Focus">Auto Focus</a></i> (2002)</li> <li><i><a href="/wiki/Dominion:_Prequel_to_the_Exorcist" title="Dominion: Prequel to the Exorcist">Dominion: Prequel to the Exorcist</a></i> (2005)</li> <li><i><a href="/wiki/The_Walker" title="The Walker">The Walker</a></i> (2007)</li> <li><i><a href="/wiki/Adam_Resurrected" title="Adam Resurrected">Adam Resurrected</a></i> (2008)</li> <li><i><a class="mw-selflink selflink"> The Canyons</a></i> (2013)</li> <li><i><a href="/wiki/Dying_of_the_Light_(film)" title="Dying of the Light (film)">Dying of the Light</a></i> (2014)</li> <li><i><a href="/wiki/Dog_Eat_Dog_(2016_film)" title="Dog Eat Dog (2016 film)">Dog Eat Dog</a></i> (2016)</li> <li><i><a href="/wiki/First_Reformed" title="First Reformed">First Reformed</a></i> (2017)</li> <li><i><a href="/wiki/The_Card_Counter" title="The Card Counter">The Card Counter</a></i> (2021)</li> <li><i><a href="/wiki/Master_Gardener_(film)" title="Master Gardener (film)">Master Gardener</a></i> (2022)</li> <li><i><a href="/wiki/Oh,_Canada_(film)" title="Oh, Canada (film)">Oh, Canada</a></i> (2024)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Films written only</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Yakuza" title="The Yakuza">The Yakuza</a></i> (1974)</li> <li><i><a href="/wiki/Taxi_Driver" title="Taxi Driver">Taxi Driver</a></i> (1976)</li> <li><i><a href="/wiki/Obsession_(1976_film)" title="Obsession (1976 film)">Obsession</a></i> (1976)</li> <li><i><a href="/wiki/Rolling_Thunder_(film)" title="Rolling Thunder (film)">Rolling Thunder</a></i> (1977)</li> <li><i><a href="/wiki/Old_Boyfriends" title="Old Boyfriends">Old Boyfriends</a></i> (1979)</li> <li><i><a href="/wiki/Raging_Bull" title="Raging Bull">Raging Bull</a></i> (1980)</li> <li><i><a href="/wiki/The_Mosquito_Coast_(film)" title="The Mosquito Coast (film)">The Mosquito Coast</a></i> (1986)</li> <li><i><a href="/wiki/The_Last_Temptation_of_Christ_(film)" title="The Last Temptation of Christ (film)">The Last Temptation of Christ</a></i> (1988)</li> <li><i><a href="/wiki/City_Hall_(1996_film)" title="City Hall (1996 film)">City Hall</a></i> (1996)</li> <li><i><a href="/wiki/Bringing_Out_the_Dead" title="Bringing Out the Dead">Bringing Out the Dead</a></i> (1999)</li> <li><i><a href="/wiki/There_Are_No_Saints" title="There Are No Saints">There Are No Saints</a></i> (2022)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235" /></div><div role="navigation" class="navbox" aria-labelledby="Works_by_Bret_Easton_Ellis160" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231" /><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Bret_Easton_Ellis" title="Template:Bret Easton Ellis"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Bret_Easton_Ellis" title="Template talk:Bret Easton Ellis"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Bret_Easton_Ellis" title="Special:EditPage/Template:Bret Easton Ellis"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Works_by_Bret_Easton_Ellis160" style="font-size:114%;margin:0 4em"><a href="/wiki/Category:Novels_by_Bret_Easton_Ellis" title="Category:Novels by Bret Easton Ellis">Works</a> by <a href="/wiki/Bret_Easton_Ellis" title="Bret Easton Ellis">Bret Easton Ellis</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Category:Novels_by_Bret_Easton_Ellis" title="Category:Novels by Bret Easton Ellis">Novels</a></th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Less_than_Zero_(novel)" title="Less than Zero (novel)">Less than Zero</a></i> (1985)</li> <li><i><a href="/wiki/The_Rules_of_Attraction" title="The Rules of Attraction">The Rules of Attraction</a></i> (1987)</li> <li><i><a href="/wiki/American_Psycho" title="American Psycho">American Psycho</a></i> (1991)</li> <li><i><a href="/wiki/Glamorama" title="Glamorama">Glamorama</a></i> (1998)</li> <li><i><a href="/wiki/Lunar_Park" title="Lunar Park">Lunar Park</a></i> (2005)</li> <li><i><a href="/wiki/Imperial_Bedrooms" title="Imperial Bedrooms">Imperial Bedrooms</a></i> (2010)</li> <li><i><a href="/wiki/The_Shards" title="The Shards">The Shards</a></i> (2023)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Short fiction</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Informers" title="The Informers">The Informers</a></i> (1994)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Film adaptations</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Less_than_Zero_(film)" title="Less than Zero (film)">Less than Zero</a></i> (1987)</li> <li><i><a href="/wiki/American_Psycho_(film)" title="American Psycho (film)">American Psycho</a></i> (2000)</li> <li><i><a href="/wiki/The_Rules_of_Attraction_(film)" title="The Rules of Attraction (film)">The Rules of Attraction</a></i> (2002)</li> <li><i><a href="/wiki/Glitterati_(film)" title="Glitterati (film)">Glitterati</a></i> (2004)</li> <li><i><a href="/wiki/The_Informers_(2008_film)" title="The Informers (2008 film)">The Informers</a></i> (2008)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Screenplays</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/The_Informers_(2008_film)" title="The Informers (2008 film)">The Informers</a></i> (2008)</li> <li><i><a class="mw-selflink selflink">The Canyons</a></i> (2013)</li> <li><i><a href="/wiki/The_Curse_of_Downers_Grove" title="The Curse of Downers Grove">The Curse of Downers Grove</a></i> (2015)</li> <li><i><a href="/wiki/Smiley_Face_Killers_(film)" title="Smiley Face Killers (film)">Smiley Face Killers</a></i> (2020)</li></ul> </div></td></tr></tbody></table></div>    </div><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?useformat=desktop&type=1x1&usesul3=0" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=The_Canyons_(film)&oldid=1276282150">https://en.wikipedia.org/w/index.php?title=The_Canyons_(film)&oldid=1276282150</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Help:Category" title="Help:Category">Categories</a>: <ul><li><a href="/wiki/Category:2013_films" title="Category:2013 films">2013 films</a></li><li><a href="/wiki/Category:2010s_erotic_thriller_films" 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