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Candide - Wikipedia

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class="vector-toc-numb">2</span> <span>Creation</span> </div> </a> <ul id="toc-Creation-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-List_of_characters" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#List_of_characters"> <div class="vector-toc-text"> <span class="vector-toc-numb">3</span> <span>List of characters</span> </div> </a> <button aria-controls="toc-List_of_characters-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle List of characters subsection</span> </button> <ul id="toc-List_of_characters-sublist" class="vector-toc-list"> <li id="toc-Main_characters" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Main_characters"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.1</span> <span>Main characters</span> </div> </a> <ul id="toc-Main_characters-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Secondary_characters" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Secondary_characters"> <div class="vector-toc-text"> <span class="vector-toc-numb">3.2</span> <span>Secondary characters</span> </div> </a> <ul id="toc-Secondary_characters-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Synopsis" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Synopsis"> <div class="vector-toc-text"> <span class="vector-toc-numb">4</span> <span>Synopsis</span> </div> </a> <button aria-controls="toc-Synopsis-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Synopsis subsection</span> </button> <ul id="toc-Synopsis-sublist" class="vector-toc-list"> <li id="toc-Chapters_I–X" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Chapters_I–X"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.1</span> <span>Chapters I–X</span> </div> </a> <ul id="toc-Chapters_I–X-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Chapters_XI–XX" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Chapters_XI–XX"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.2</span> <span>Chapters XI–XX</span> </div> </a> <ul id="toc-Chapters_XI–XX-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Chapters_XXI–XXX" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Chapters_XXI–XXX"> <div class="vector-toc-text"> <span class="vector-toc-numb">4.3</span> <span>Chapters XXI–XXX</span> </div> </a> <ul id="toc-Chapters_XXI–XXX-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Style" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Style"> <div class="vector-toc-text"> <span class="vector-toc-numb">5</span> <span>Style</span> </div> </a> <button aria-controls="toc-Style-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Style subsection</span> </button> <ul id="toc-Style-sublist" class="vector-toc-list"> <li id="toc-Satire" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Satire"> <div class="vector-toc-text"> <span class="vector-toc-numb">5.1</span> <span>Satire</span> </div> </a> <ul id="toc-Satire-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Garden_motif" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Garden_motif"> <div class="vector-toc-text"> <span class="vector-toc-numb">5.2</span> <span>Garden motif</span> </div> </a> <ul id="toc-Garden_motif-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Philosophy" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Philosophy"> <div class="vector-toc-text"> <span class="vector-toc-numb">6</span> <span>Philosophy</span> </div> </a> <button aria-controls="toc-Philosophy-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Philosophy subsection</span> </button> <ul id="toc-Philosophy-sublist" class="vector-toc-list"> <li id="toc-Optimism" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Optimism"> <div class="vector-toc-text"> <span class="vector-toc-numb">6.1</span> <span>Optimism</span> </div> </a> <ul id="toc-Optimism-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Conclusion" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Conclusion"> <div class="vector-toc-text"> <span class="vector-toc-numb">6.2</span> <span>Conclusion</span> </div> </a> <ul id="toc-Conclusion-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Inside_vs._outside_interpretations" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Inside_vs._outside_interpretations"> <div class="vector-toc-text"> <span class="vector-toc-numb">6.3</span> <span>Inside vs. outside interpretations</span> </div> </a> <ul id="toc-Inside_vs._outside_interpretations-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Reception" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Reception"> <div class="vector-toc-text"> <span class="vector-toc-numb">7</span> <span>Reception</span> </div> </a> <ul id="toc-Reception-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Legacy" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Legacy"> <div class="vector-toc-text"> <span class="vector-toc-numb">8</span> <span>Legacy</span> </div> </a> <button aria-controls="toc-Legacy-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle Legacy subsection</span> </button> <ul id="toc-Legacy-sublist" class="vector-toc-list"> <li id="toc-Derivative_works" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Derivative_works"> <div class="vector-toc-text"> <span class="vector-toc-numb">8.1</span> <span>Derivative works</span> </div> </a> <ul id="toc-Derivative_works-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-See_also" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#See_also"> <div class="vector-toc-text"> <span class="vector-toc-numb">9</span> <span>See also</span> </div> </a> <ul id="toc-See_also-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Explanatory_notes" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Explanatory_notes"> <div class="vector-toc-text"> <span class="vector-toc-numb">10</span> <span>Explanatory notes</span> </div> </a> <ul id="toc-Explanatory_notes-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-References" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#References"> <div class="vector-toc-text"> <span class="vector-toc-numb">11</span> <span>References</span> </div> </a> <button aria-controls="toc-References-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle References subsection</span> </button> <ul id="toc-References-sublist" class="vector-toc-list"> <li id="toc-Citations" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Citations"> <div class="vector-toc-text"> <span class="vector-toc-numb">11.1</span> <span>Citations</span> </div> </a> <ul id="toc-Citations-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-General_and_cited_sources" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#General_and_cited_sources"> <div class="vector-toc-text"> <span class="vector-toc-numb">11.2</span> <span>General and cited sources</span> </div> </a> <ul id="toc-General_and_cited_sources-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> <li id="toc-Further_reading" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#Further_reading"> <div class="vector-toc-text"> <span class="vector-toc-numb">12</span> <span>Further reading</span> </div> </a> <ul id="toc-Further_reading-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-External_links" class="vector-toc-list-item vector-toc-level-1"> <a class="vector-toc-link" href="#External_links"> <div class="vector-toc-text"> <span class="vector-toc-numb">13</span> <span>External links</span> </div> </a> <button aria-controls="toc-External_links-sublist" class="cdx-button cdx-button--weight-quiet cdx-button--icon-only vector-toc-toggle"> <span class="vector-icon mw-ui-icon-wikimedia-expand"></span> <span>Toggle External links subsection</span> </button> <ul id="toc-External_links-sublist" class="vector-toc-list"> <li id="toc-Sister_project_links" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Sister_project_links"> <div class="vector-toc-text"> <span class="vector-toc-numb">13.1</span> <span>Sister project links</span> </div> </a> <ul id="toc-Sister_project_links-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Editions" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Editions"> <div class="vector-toc-text"> <span class="vector-toc-numb">13.2</span> <span>Editions</span> </div> </a> <ul id="toc-Editions-sublist" class="vector-toc-list"> </ul> </li> <li id="toc-Miscellaneous" class="vector-toc-list-item vector-toc-level-2"> <a class="vector-toc-link" href="#Miscellaneous"> <div class="vector-toc-text"> <span class="vector-toc-numb">13.3</span> <span>Miscellaneous</span> </div> </a> <ul id="toc-Miscellaneous-sublist" class="vector-toc-list"> </ul> </li> </ul> </li> </ul> </div> </div> </nav> </div> </div> <div class="mw-content-container"> <main id="content" class="mw-body"> <header class="mw-body-header vector-page-titlebar"> <nav aria-label="Contents" class="vector-toc-landmark"> <div id="vector-page-titlebar-toc" class="vector-dropdown vector-page-titlebar-toc vector-button-flush-left" > <input type="checkbox" id="vector-page-titlebar-toc-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-vector-page-titlebar-toc" class="vector-dropdown-checkbox " aria-label="Toggle the table of contents" > <label id="vector-page-titlebar-toc-label" for="vector-page-titlebar-toc-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--icon-only " aria-hidden="true" ><span class="vector-icon mw-ui-icon-listBullet mw-ui-icon-wikimedia-listBullet"></span> <span class="vector-dropdown-label-text">Toggle the table of contents</span> </label> <div class="vector-dropdown-content"> <div id="vector-page-titlebar-toc-unpinned-container" class="vector-unpinned-container"> </div> </div> </div> </nav> <h1 id="firstHeading" class="firstHeading mw-first-heading"><i>Candide</i></h1> <div id="p-lang-btn" class="vector-dropdown mw-portlet mw-portlet-lang" > <input type="checkbox" id="p-lang-btn-checkbox" role="button" aria-haspopup="true" data-event-name="ui.dropdown-p-lang-btn" class="vector-dropdown-checkbox mw-interlanguage-selector" aria-label="Go to an article in another language. Available in 47 languages" > <label id="p-lang-btn-label" for="p-lang-btn-checkbox" class="vector-dropdown-label cdx-button cdx-button--fake-button cdx-button--fake-button--enabled cdx-button--weight-quiet cdx-button--action-progressive mw-portlet-lang-heading-47" aria-hidden="true" ><span class="vector-icon mw-ui-icon-language-progressive mw-ui-icon-wikimedia-language-progressive"></span> <span class="vector-dropdown-label-text">47 languages</span> </label> <div class="vector-dropdown-content"> <div class="vector-menu-content"> <ul class="vector-menu-content-list"> <li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D9%83%D8%A7%D9%86%D8%AF%D9%8A%D8%AF_(%D8%B1%D9%88%D8%A7%D9%8A%D8%A9)" title="كانديد (رواية) – Arabic" lang="ar" hreflang="ar" data-title="كانديد (رواية)" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target"><span>العربية</span></a></li><li class="interlanguage-link interwiki-bn mw-list-item"><a href="https://bn.wikipedia.org/wiki/%E0%A6%95%E0%A6%A8%E0%A6%A6%E0%A6%BF%E0%A6%A6" title="কনদিদ – Bangla" lang="bn" hreflang="bn" data-title="কনদিদ" data-language-autonym="বাংলা" data-language-local-name="Bangla" class="interlanguage-link-target"><span>বাংলা</span></a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/%D0%9A%D0%B0%D0%BD%D0%B4%D0%B8%D0%B4_%D0%B8%D0%BB%D0%B8_%D0%BE%D0%BF%D1%82%D0%B8%D0%BC%D0%B8%D0%B7%D0%BC%D1%8A%D1%82" title="Кандид или оптимизмът – Bulgarian" lang="bg" hreflang="bg" data-title="Кандид или оптимизмът" data-language-autonym="Български" data-language-local-name="Bulgarian" class="interlanguage-link-target"><span>Български</span></a></li><li class="interlanguage-link interwiki-br mw-list-item"><a href="https://br.wikipedia.org/wiki/Candide" title="Candide – Breton" lang="br" hreflang="br" data-title="Candide" data-language-autonym="Brezhoneg" data-language-local-name="Breton" class="interlanguage-link-target"><span>Brezhoneg</span></a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/C%C3%A0ndid_o_l%27optimisme" title="Càndid o l&#039;optimisme – Catalan" lang="ca" hreflang="ca" data-title="Càndid o l&#039;optimisme" data-language-autonym="Català" data-language-local-name="Catalan" class="interlanguage-link-target"><span>Català</span></a></li><li class="interlanguage-link interwiki-ceb mw-list-item"><a href="https://ceb.wikipedia.org/wiki/Candide" title="Candide – Cebuano" lang="ceb" hreflang="ceb" data-title="Candide" data-language-autonym="Cebuano" data-language-local-name="Cebuano" class="interlanguage-link-target"><span>Cebuano</span></a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Candide" title="Candide – Czech" lang="cs" hreflang="cs" data-title="Candide" data-language-autonym="Čeština" data-language-local-name="Czech" class="interlanguage-link-target"><span>Čeština</span></a></li><li class="interlanguage-link interwiki-cy mw-list-item"><a href="https://cy.wikipedia.org/wiki/Candide" title="Candide – Welsh" lang="cy" hreflang="cy" data-title="Candide" data-language-autonym="Cymraeg" data-language-local-name="Welsh" class="interlanguage-link-target"><span>Cymraeg</span></a></li><li class="interlanguage-link interwiki-da mw-list-item"><a href="https://da.wikipedia.org/wiki/Candide" title="Candide – Danish" lang="da" hreflang="da" data-title="Candide" data-language-autonym="Dansk" data-language-local-name="Danish" class="interlanguage-link-target"><span>Dansk</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Candide_oder_der_Optimismus" title="Candide oder der Optimismus – German" lang="de" hreflang="de" data-title="Candide oder der Optimismus" data-language-autonym="Deutsch" data-language-local-name="German" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/%CE%91%CE%B3%CE%B1%CE%B8%CE%BF%CF%8D%CE%BB%CE%B7%CF%82" title="Αγαθούλης – Greek" lang="el" hreflang="el" data-title="Αγαθούλης" data-language-autonym="Ελληνικά" data-language-local-name="Greek" class="interlanguage-link-target"><span>Ελληνικά</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/C%C3%A1ndido" title="Cándido – Spanish" lang="es" hreflang="es" data-title="Cándido" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Kandid_a%C5%AD_la_optimismo" title="Kandid aŭ la optimismo – Esperanto" lang="eo" hreflang="eo" data-title="Kandid aŭ la optimismo" data-language-autonym="Esperanto" data-language-local-name="Esperanto" class="interlanguage-link-target"><span>Esperanto</span></a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Kandido" title="Kandido – Basque" lang="eu" hreflang="eu" data-title="Kandido" data-language-autonym="Euskara" data-language-local-name="Basque" class="interlanguage-link-target"><span>Euskara</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%DA%A9%D8%A7%D9%86%D8%AF%DB%8C%D8%AF" title="کاندید – Persian" lang="fa" hreflang="fa" data-title="کاندید" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Candide" title="Candide – French" lang="fr" hreflang="fr" data-title="Candide" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/C%C3%A1ndido_ou_o_optimismo" title="Cándido ou o optimismo – Galician" lang="gl" hreflang="gl" data-title="Cándido ou o optimismo" data-language-autonym="Galego" data-language-local-name="Galician" class="interlanguage-link-target"><span>Galego</span></a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EC%BA%89%EB%94%94%EB%93%9C" title="캉디드 – Korean" lang="ko" hreflang="ko" data-title="캉디드" data-language-autonym="한국어" data-language-local-name="Korean" class="interlanguage-link-target"><span>한국어</span></a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Candide" title="Candide – Indonesian" lang="id" hreflang="id" data-title="Candide" data-language-autonym="Bahasa Indonesia" data-language-local-name="Indonesian" class="interlanguage-link-target"><span>Bahasa Indonesia</span></a></li><li class="interlanguage-link interwiki-is mw-list-item"><a href="https://is.wikipedia.org/wiki/Birt%C3%ADngur" title="Birtíngur – Icelandic" lang="is" hreflang="is" data-title="Birtíngur" data-language-autonym="Íslenska" data-language-local-name="Icelandic" class="interlanguage-link-target"><span>Íslenska</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Candido" title="Candido – Italian" lang="it" hreflang="it" data-title="Candido" data-language-autonym="Italiano" data-language-local-name="Italian" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%A7%D7%A0%D7%93%D7%99%D7%93" title="קנדיד – Hebrew" lang="he" hreflang="he" data-title="קנדיד" data-language-autonym="עברית" data-language-local-name="Hebrew" class="interlanguage-link-target"><span>עברית</span></a></li><li class="interlanguage-link interwiki-la mw-list-item"><a href="https://la.wikipedia.org/wiki/Candide" title="Candide – Latin" lang="la" hreflang="la" data-title="Candide" data-language-autonym="Latina" data-language-local-name="Latin" class="interlanguage-link-target"><span>Latina</span></a></li><li class="interlanguage-link interwiki-lv mw-list-item"><a href="https://lv.wikipedia.org/wiki/Kandids" title="Kandids – Latvian" lang="lv" hreflang="lv" data-title="Kandids" data-language-autonym="Latviešu" data-language-local-name="Latvian" class="interlanguage-link-target"><span>Latviešu</span></a></li><li class="interlanguage-link interwiki-lt mw-list-item"><a href="https://lt.wikipedia.org/wiki/Kandidas" title="Kandidas – Lithuanian" lang="lt" hreflang="lt" data-title="Kandidas" data-language-autonym="Lietuvių" data-language-local-name="Lithuanian" class="interlanguage-link-target"><span>Lietuvių</span></a></li><li class="interlanguage-link interwiki-lfn mw-list-item"><a href="https://lfn.wikipedia.org/wiki/Candido" title="Candido – Lingua Franca Nova" lang="lfn" hreflang="lfn" data-title="Candido" data-language-autonym="Lingua Franca Nova" data-language-local-name="Lingua Franca Nova" class="interlanguage-link-target"><span>Lingua Franca Nova</span></a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/Candide" title="Candide – Hungarian" lang="hu" hreflang="hu" data-title="Candide" data-language-autonym="Magyar" data-language-local-name="Hungarian" class="interlanguage-link-target"><span>Magyar</span></a></li><li class="interlanguage-link interwiki-mk mw-list-item"><a href="https://mk.wikipedia.org/wiki/%D0%9A%D0%B0%D0%BD%D0%B4%D0%B8%D0%B4" title="Кандид – Macedonian" lang="mk" hreflang="mk" data-title="Кандид" data-language-autonym="Македонски" data-language-local-name="Macedonian" class="interlanguage-link-target"><span>Македонски</span></a></li><li class="interlanguage-link interwiki-ml mw-list-item"><a href="https://ml.wikipedia.org/wiki/%E0%B4%95%E0%B4%BE%E0%B5%BB%E0%B4%A1%E0%B5%80%E0%B4%A1%E0%B5%8D" title="കാൻഡീഡ് – Malayalam" lang="ml" hreflang="ml" data-title="കാൻഡീഡ്" data-language-autonym="മലയാളം" data-language-local-name="Malayalam" class="interlanguage-link-target"><span>മലയാളം</span></a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Candide" title="Candide – Dutch" lang="nl" hreflang="nl" data-title="Candide" data-language-autonym="Nederlands" data-language-local-name="Dutch" class="interlanguage-link-target"><span>Nederlands</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%82%AB%E3%83%B3%E3%83%87%E3%82%A3%E3%83%BC%E3%83%89" title="カンディード – Japanese" lang="ja" hreflang="ja" data-title="カンディード" data-language-autonym="日本語" data-language-local-name="Japanese" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Candide" title="Candide – Norwegian Bokmål" lang="nb" hreflang="nb" data-title="Candide" data-language-autonym="Norsk bokmål" data-language-local-name="Norwegian Bokmål" class="interlanguage-link-target"><span>Norsk bokmål</span></a></li><li class="interlanguage-link interwiki-pa mw-list-item"><a href="https://pa.wikipedia.org/wiki/%E0%A8%95%E0%A8%BE%E0%A8%82%E0%A8%A6%E0%A9%80%E0%A8%A6" title="ਕਾਂਦੀਦ – Punjabi" lang="pa" hreflang="pa" data-title="ਕਾਂਦੀਦ" data-language-autonym="ਪੰਜਾਬੀ" data-language-local-name="Punjabi" class="interlanguage-link-target"><span>ਪੰਜਾਬੀ</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Kandyd_(powiastka_filozoficzna)" title="Kandyd (powiastka filozoficzna) – Polish" lang="pl" hreflang="pl" data-title="Kandyd (powiastka filozoficzna)" data-language-autonym="Polski" data-language-local-name="Polish" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/C%C3%A2ndido,_ou_O_Otimismo" title="Cândido, ou O Otimismo – Portuguese" lang="pt" hreflang="pt" data-title="Cândido, ou O Otimismo" data-language-autonym="Português" data-language-local-name="Portuguese" class="interlanguage-link-target"><span>Português</span></a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Candid_(carte)" title="Candid (carte) – Romanian" lang="ro" hreflang="ro" data-title="Candid (carte)" data-language-autonym="Română" data-language-local-name="Romanian" class="interlanguage-link-target"><span>Română</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a 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<div id="vector-appearance" class="vector-appearance vector-pinnable-element"> <div class="vector-pinnable-header vector-appearance-pinnable-header vector-pinnable-header-pinned" data-feature-name="appearance-pinned" data-pinnable-element-id="vector-appearance" data-pinned-container-id="vector-appearance-pinned-container" data-unpinned-container-id="vector-appearance-unpinned-container" > <div class="vector-pinnable-header-label">Appearance</div> <button class="vector-pinnable-header-toggle-button vector-pinnable-header-pin-button" data-event-name="pinnable-header.vector-appearance.pin">move to sidebar</button> <button class="vector-pinnable-header-toggle-button vector-pinnable-header-unpin-button" data-event-name="pinnable-header.vector-appearance.unpin">hide</button> </div> </div> </div> </nav> </div> </div> <div id="bodyContent" class="vector-body" aria-labelledby="firstHeading" data-mw-ve-target-container> <div class="vector-body-before-content"> <div class="mw-indicators"> <div id="mw-indicator-featured-star" class="mw-indicator"><div class="mw-parser-output"><span typeof="mw:File"><a href="/wiki/Wikipedia:Featured_articles*" title="This is a featured article. Click here for more information."><img alt="Featured article" src="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Cscr-featured.svg/20px-Cscr-featured.svg.png" decoding="async" width="20" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Cscr-featured.svg/30px-Cscr-featured.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/e/e7/Cscr-featured.svg/40px-Cscr-featured.svg.png 2x" data-file-width="466" data-file-height="443" /></a></span></div></div> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">1759 satirical novella by Voltaire</div> <style data-mw-deduplicate="TemplateStyles:r1236090951">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}@media print{body.ns-0 .mw-parser-output .hatnote{display:none!important}}</style><div role="note" class="hatnote navigation-not-searchable">This article is about Voltaire's satire. For other uses, see <a href="/wiki/Candide_(disambiguation)" class="mw-disambig" title="Candide (disambiguation)">Candide (disambiguation)</a>.</div> <p class="mw-empty-elt"> </p> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox vcard"><caption class="infobox-title" style="font-size:125%; font-style:italic; padding-bottom:0.2em;">Candide <span class="Z3988" title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Candide&amp;rft.author=%5B%5BVoltaire%5D%5D&amp;rft.date=January+1759&amp;rft.pub=1759%3A+Cramer%2C+Marc-Michel+Rey%2C+Jean+Nourse%2C+Lambert%2C+and+others&amp;rft.place=France"></span></caption><tbody><tr><td colspan="2" class="infobox-image"><span class="mw-default-size mw-image-border" typeof="mw:File/Frameless"><a href="/wiki/File:Candide1759.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Candide1759.jpg/220px-Candide1759.jpg" decoding="async" width="220" height="400" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Candide1759.jpg/330px-Candide1759.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Candide1759.jpg/440px-Candide1759.jpg 2x" data-file-width="1242" data-file-height="2256" /></a></span><div class="infobox-caption">The title-page of the 1759 edition published by Cramer in Geneva, which reads, "<i>Candide, or Optimism</i>, translated from the German by Dr. Ralph."<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">&#91;</span>1<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-aldridge251254_2-0" class="reference"><a href="#cite_note-aldridge251254-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup></div></td></tr><tr><th scope="row" class="infobox-label">Author</th><td class="infobox-data"><a href="/wiki/Voltaire" title="Voltaire">Voltaire</a></td></tr><tr><th scope="row" class="infobox-label">Original&#160;title</th><td class="infobox-data"><span title="French-language text"><i lang="fr">Candide, ou l'Optimisme</i></span></td></tr><tr><th scope="row" class="infobox-label">Language</th><td class="infobox-data">French</td></tr><tr><th scope="row" class="infobox-label">Genre</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist li{margin:0;display:inline}.mw-parser-output .hlist.inline,.mw-parser-output .hlist.inline dl,.mw-parser-output .hlist.inline ol,.mw-parser-output .hlist.inline ul,.mw-parser-output .hlist dl dl,.mw-parser-output .hlist dl ol,.mw-parser-output .hlist dl ul,.mw-parser-output .hlist ol dl,.mw-parser-output .hlist ol ol,.mw-parser-output .hlist ol ul,.mw-parser-output .hlist ul dl,.mw-parser-output .hlist ul ol,.mw-parser-output .hlist ul ul{display:inline}.mw-parser-output .hlist .mw-empty-li{display:none}.mw-parser-output .hlist dt::after{content:": "}.mw-parser-output .hlist dd::after,.mw-parser-output .hlist li::after{content:" · ";font-weight:bold}.mw-parser-output .hlist dd:last-child::after,.mw-parser-output .hlist dt:last-child::after,.mw-parser-output .hlist li:last-child::after{content:none}.mw-parser-output .hlist dd dd:first-child::before,.mw-parser-output .hlist dd dt:first-child::before,.mw-parser-output .hlist dd li:first-child::before,.mw-parser-output .hlist dt dd:first-child::before,.mw-parser-output .hlist dt dt:first-child::before,.mw-parser-output .hlist dt li:first-child::before,.mw-parser-output .hlist li dd:first-child::before,.mw-parser-output .hlist li dt:first-child::before,.mw-parser-output .hlist li li:first-child::before{content:" (";font-weight:normal}.mw-parser-output .hlist dd dd:last-child::after,.mw-parser-output .hlist dd dt:last-child::after,.mw-parser-output .hlist dd li:last-child::after,.mw-parser-output .hlist dt dd:last-child::after,.mw-parser-output .hlist dt dt:last-child::after,.mw-parser-output .hlist dt li:last-child::after,.mw-parser-output .hlist li dd:last-child::after,.mw-parser-output .hlist li dt:last-child::after,.mw-parser-output .hlist li li:last-child::after{content:")";font-weight:normal}.mw-parser-output .hlist ol{counter-reset:listitem}.mw-parser-output .hlist ol>li{counter-increment:listitem}.mw-parser-output .hlist ol>li::before{content:" "counter(listitem)"\a0 "}.mw-parser-output .hlist dd ol>li:first-child::before,.mw-parser-output .hlist dt ol>li:first-child::before,.mw-parser-output .hlist li ol>li:first-child::before{content:" ("counter(listitem)"\a0 "}</style><div class="hlist"><ul><li><span title="French-language text"><i lang="fr"><a href="/wiki/Conte_philosophique" class="mw-redirect" title="Conte philosophique">Conte philosophique</a></i></span></li><li><a href="/wiki/Satire" title="Satire">Satire</a></li><li><a href="/wiki/Picaresque_novel" title="Picaresque novel">Picaresque novel</a></li><li><a href="/wiki/Bildungsroman" title="Bildungsroman">Bildungsroman</a></li><li><a href="/wiki/Tragedy" title="Tragedy">Tragedy</a></li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Publisher</th><td class="infobox-data">1759: Cramer, Marc-Michel Rey, Jean Nourse, Lambert, and others</td></tr><tr><th scope="row" class="infobox-label"><div style="display: inline-block; line-height: 1.2em; padding: .1em 0;">Publication date</div></th><td class="infobox-data">January 1759<sup id="cite_ref-davidson5253_3-0" class="reference"><a href="#cite_note-davidson5253-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-williams123_4-0" class="reference"><a href="#cite_note-williams123-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup></td></tr><tr><th scope="row" class="infobox-label">Publication place</th><td class="infobox-data">France</td></tr></tbody></table> <p><b><span title="French-language text"><i lang="fr">Candide, ou l'Optimisme</i></span></b> (<span class="rt-commentedText nowrap"><span class="IPA nopopups noexcerpt" lang="en-fonipa"><a href="/wiki/Help:IPA/English" title="Help:IPA/English">/<span style="border-bottom:1px dotted"><span title="&#39;k&#39; in &#39;kind&#39;">k</span><span title="/ɒ/: &#39;o&#39; in &#39;body&#39;">ɒ</span><span title="&#39;n&#39; in &#39;nigh&#39;">n</span><span title="/ˈ/: primary stress follows">ˈ</span><span title="&#39;d&#39; in &#39;dye&#39;">d</span><span title="/iː/: &#39;ee&#39; in &#39;fleece&#39;">iː</span><span title="&#39;d&#39; in &#39;dye&#39;">d</span></span>/</a></span></span> <a href="/wiki/Help:Pronunciation_respelling_key" title="Help:Pronunciation respelling key"><i title="English pronunciation respelling">kon-<span style="font-size:90%">DEED</span></i></a>,<sup id="cite_ref-5" class="reference"><a href="#cite_note-5"><span class="cite-bracket">&#91;</span>5<span class="cite-bracket">&#93;</span></a></sup> <style data-mw-deduplicate="TemplateStyles:r1177148991">.mw-parser-output .IPA-label-small{font-size:85%}.mw-parser-output .references .IPA-label-small,.mw-parser-output .infobox .IPA-label-small,.mw-parser-output .navbox .IPA-label-small{font-size:100%}</style><span class="IPA-label IPA-label-small">French:</span> <span class="IPA nowrap" lang="fr-Latn-fonipa"><a href="/wiki/Help:IPA/French" title="Help:IPA/French">&#91;kɑ̃did&#93;</a></span> <span class="noprint"><span class="ext-phonos"><span data-nosnippet="" id="ooui-php-1" class="ext-phonos-PhonosButton noexcerpt ext-phonos-PhonosButton-emptylabel oo-ui-widget oo-ui-widget-enabled oo-ui-buttonElement oo-ui-buttonElement-frameless oo-ui-iconElement oo-ui-buttonWidget" data-ooui="{&quot;_&quot;:&quot;mw.Phonos.PhonosButton&quot;,&quot;href&quot;:&quot;\/\/upload.wikimedia.org\/wikipedia\/commons\/transcoded\/a\/ab\/LL-Q150_%28fra%29-0x010C-candide.wav\/LL-Q150_%28fra%29-0x010C-candide.wav.mp3&quot;,&quot;rel&quot;:[&quot;nofollow&quot;],&quot;framed&quot;:false,&quot;icon&quot;:&quot;volumeUp&quot;,&quot;data&quot;:{&quot;ipa&quot;:&quot;&quot;,&quot;text&quot;:&quot;&quot;,&quot;lang&quot;:&quot;en&quot;,&quot;wikibase&quot;:&quot;&quot;,&quot;file&quot;:&quot;LL-Q150 (fra)-0x010C-candide.wav&quot;},&quot;classes&quot;:[&quot;ext-phonos-PhonosButton&quot;,&quot;noexcerpt&quot;,&quot;ext-phonos-PhonosButton-emptylabel&quot;]}"><a role="button" tabindex="0" href="//upload.wikimedia.org/wikipedia/commons/transcoded/a/ab/LL-Q150_%28fra%29-0x010C-candide.wav/LL-Q150_%28fra%29-0x010C-candide.wav.mp3" rel="nofollow" aria-label="Play audio" title="Play audio" class="oo-ui-buttonElement-button"><span class="oo-ui-iconElement-icon oo-ui-icon-volumeUp"></span><span class="oo-ui-labelElement-label"></span><span class="oo-ui-indicatorElement-indicator oo-ui-indicatorElement-noIndicator"></span></a></span><sup class="ext-phonos-attribution noexcerpt navigation-not-searchable"><a href="/wiki/File:LL-Q150_(fra)-0x010C-candide.wav" title="File:LL-Q150 (fra)-0x010C-candide.wav">ⓘ</a></sup></span></span>) is a French <a href="/wiki/Satire" title="Satire">satire</a> written by <a href="/wiki/Voltaire" title="Voltaire">Voltaire</a>, a <a href="/wiki/Philosopher" class="mw-redirect" title="Philosopher">philosopher</a> of the <a href="/wiki/Age_of_Enlightenment" title="Age of Enlightenment">Age of Enlightenment</a>,<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">&#91;</span>6<span class="cite-bracket">&#93;</span></a></sup> first published in 1759. The <a href="/wiki/Novella" title="Novella">novella</a> has been widely translated, with English versions titled <i><b>Candide: or, All for the Best</b></i> (1759); <i><b>Candide: or, The Optimist</b></i> (1762); and <i><b>Candide: Optimism</b></i> (1947).<sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">&#91;</span>7<span class="cite-bracket">&#93;</span></a></sup> It begins with a young man, Candide, who is living a sheltered life in an <a href="/wiki/Garden_of_Eden" title="Garden of Eden">Edenic</a> <a href="/wiki/Paradise" title="Paradise">paradise</a> and being indoctrinated with <a href="/wiki/Gottfried_Leibniz#Theodicy_and_optimism" class="mw-redirect" title="Gottfried Leibniz">Leibnizian optimism</a> by his mentor, Professor Pangloss.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">&#91;</span>8<span class="cite-bracket">&#93;</span></a></sup> The work describes the abrupt cessation of this lifestyle, followed by Candide's slow and painful disillusionment as he witnesses and experiences great hardships in the world. Voltaire concludes <i>Candide</i> with, if not rejecting Leibnizian optimism outright, advocating a deeply practical precept, "we must cultivate our garden", in lieu of the Leibnizian mantra of Pangloss, "all is for the best" in the "<a href="/wiki/Best_of_all_possible_worlds" title="Best of all possible worlds">best of all possible worlds</a>". </p><p><i>Candide</i> is characterized by its tone as well as by its erratic, fantastical, and fast-moving plot. A <a href="/wiki/Picaresque_novel" title="Picaresque novel">picaresque novel</a> with a story similar to that of a more serious coming-of-age narrative (<a href="/wiki/Bildungsroman" title="Bildungsroman">bildungsroman</a>), it parodies many adventure and romance clichés, the struggles of which are caricatured in a tone that is bitter and matter-of-fact. Still, the events discussed are often based on historical happenings, such as the <a href="/wiki/Seven_Years%27_War" title="Seven Years&#39; War">Seven Years' War</a> and the <a href="/wiki/1755_Lisbon_earthquake" title="1755 Lisbon earthquake">1755 Lisbon earthquake</a>.<sup id="cite_ref-mason10_9-0" class="reference"><a href="#cite_note-mason10-9"><span class="cite-bracket">&#91;</span>9<span class="cite-bracket">&#93;</span></a></sup> As philosophers of Voltaire's day contended with the <a href="/wiki/Problem_of_evil" title="Problem of evil">problem of evil</a>, so does Candide in this short <a href="/wiki/Theological_fiction" title="Theological fiction">theological novel</a>, albeit more directly and humorously. Voltaire ridicules religion, theologians, governments, armies, philosophies, and philosophers. Through <i>Candide</i>, he assaults <a href="/wiki/Gottfried_Wilhelm_Leibniz" title="Gottfried Wilhelm Leibniz">Leibniz</a> and his optimism.<sup id="cite_ref-davidson54_10-0" class="reference"><a href="#cite_note-davidson54-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-aldridge260_11-0" class="reference"><a href="#cite_note-aldridge260-11"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup> </p><p><i>Candide</i> has enjoyed both great success and great scandal. Immediately after its secretive publication, the book was widely banned because it contained religious blasphemy, political sedition, and intellectual hostility hidden under a thin veil of naivety.<sup id="cite_ref-davidson54_10-1" class="reference"><a href="#cite_note-davidson54-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> However, with its sharp wit and insightful portrayal of the human condition, the novel has since inspired many later authors and artists to mimic and adapt it. Today, <i>Candide</i> is considered Voltaire's <i><a href="/wiki/Masterpiece" title="Masterpiece">magnum opus</a></i><sup id="cite_ref-davidson54_10-2" class="reference"><a href="#cite_note-davidson54-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> and is often listed as part of the <a href="/wiki/Western_canon" title="Western canon">Western canon</a>. It is among the most frequently taught works of <a href="/wiki/French_literature" title="French literature">French literature</a>.<sup id="cite_ref-12" class="reference"><a href="#cite_note-12"><span class="cite-bracket">&#91;</span>12<span class="cite-bracket">&#93;</span></a></sup> The British poet and literary critic <a href="/wiki/Martin_Seymour-Smith" title="Martin Seymour-Smith">Martin Seymour-Smith</a> listed <i>Candide</i> as one of the <a href="/wiki/The_100_Most_Influential_Books_Ever_Written" title="The 100 Most Influential Books Ever Written">100 most influential books ever written</a>. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Historical_and_literary_background">Historical and literary background</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=1" title="Edit section: Historical and literary background"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>A number of historical events inspired Voltaire to write <i>Candide</i>, most notably the publication of Leibniz's "<a href="/wiki/Monadology" title="Monadology">Monadology</a>" (a short metaphysical treatise), the <a href="/wiki/Seven_Years%27_War" title="Seven Years&#39; War">Seven Years' War</a>, and the <a href="/wiki/1755_Lisbon_earthquake" title="1755 Lisbon earthquake">1755 Lisbon earthquake</a>. Both of the latter catastrophes are frequently referred to in <i>Candide</i> and are cited by scholars as reasons for its composition.<sup id="cite_ref-wade1959b88_13-0" class="reference"><a href="#cite_note-wade1959b88-13"><span class="cite-bracket">&#91;</span>13<span class="cite-bracket">&#93;</span></a></sup> The 1755 Lisbon earthquake, tsunami, and resulting fires of <a href="/wiki/All_Saints%27_Day" title="All Saints&#39; Day">All Saints' Day</a> had a strong influence on theologians of the day and on Voltaire, who was himself disillusioned by them. The earthquake had an especially large effect on the contemporary doctrine of optimism, a philosophical system founded on the <a href="/wiki/Theodicy" title="Theodicy">theodicy</a> of <a href="/wiki/Gottfried_Wilhelm_Leibniz" title="Gottfried Wilhelm Leibniz">Gottfried Wilhelm Leibniz</a>, which insisted on God's benevolence in spite of such events. This concept is often put in the form, "all is for the best in the best of all possible worlds" (<a href="/wiki/French_language" title="French language">French</a>: <i lang="fr">Tout est pour le mieux dans le meilleur des mondes possibles</i>). Philosophers had trouble fitting the horrors of this earthquake into their optimistic <a href="/wiki/World_view" class="mw-redirect" title="World view">world view</a>.<sup id="cite_ref-radner669_14-0" class="reference"><a href="#cite_note-radner669-14"><span class="cite-bracket">&#91;</span>14<span class="cite-bracket">&#93;</span></a></sup> </p> <figure class="mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:1755_Lisbon_earthquake.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/ce/1755_Lisbon_earthquake.jpg/350px-1755_Lisbon_earthquake.jpg" decoding="async" width="350" height="208" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/ce/1755_Lisbon_earthquake.jpg/525px-1755_Lisbon_earthquake.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/ce/1755_Lisbon_earthquake.jpg/700px-1755_Lisbon_earthquake.jpg 2x" data-file-width="998" data-file-height="593" /></a><figcaption>This 1755 copper engraving shows the ruins of <a href="/wiki/Lisbon" title="Lisbon">Lisbon</a> in flames and a <a href="/wiki/Tsunami" title="Tsunami">tsunami</a> overwhelming the ships in the harbour.</figcaption></figure> <p>Voltaire actively rejected Leibnizian optimism after the natural disaster, convinced that if this were the best possible world, it should surely be better than it is.<sup id="cite_ref-mason4_15-0" class="reference"><a href="#cite_note-mason4-15"><span class="cite-bracket">&#91;</span>15<span class="cite-bracket">&#93;</span></a></sup> In both <i>Candide</i> and <span title="French-language text"><i lang="fr"><a href="/wiki/Po%C3%A8me_sur_le_d%C3%A9sastre_de_Lisbonne" title="Poème sur le désastre de Lisbonne">Poème sur le désastre de Lisbonne</a></i></span> ("Poem on the Lisbon Disaster"), Voltaire attacks this optimist belief.<sup id="cite_ref-radner669_14-1" class="reference"><a href="#cite_note-radner669-14"><span class="cite-bracket">&#91;</span>14<span class="cite-bracket">&#93;</span></a></sup> He makes use of the Lisbon earthquake in both <i>Candide</i> and his <span title="French-language text"><i lang="fr">Poème</i></span> to argue this point, sarcastically describing the catastrophe as one of the most horrible disasters "in the best of all possible worlds".<sup id="cite_ref-wade1959b93_16-0" class="reference"><a href="#cite_note-wade1959b93-16"><span class="cite-bracket">&#91;</span>16<span class="cite-bracket">&#93;</span></a></sup> Immediately after the earthquake, unreliable rumours circulated around Europe, sometimes overestimating the severity of the event. Ira Wade, a noted expert on Voltaire and <i>Candide</i>, has analyzed which sources Voltaire might have referenced in learning of the event. Wade speculates that Voltaire's primary source for information on the Lisbon earthquake was the 1755 work <span title="French-language text"><i lang="fr">Relation historique du Tremblement de Terre survenu à Lisbonne</i></span> by Ange Goudar.<sup id="cite_ref-wade1959b_88,_93_17-0" class="reference"><a href="#cite_note-wade1959b_88,_93-17"><span class="cite-bracket">&#91;</span>17<span class="cite-bracket">&#93;</span></a></sup> </p><p>Apart from such events, contemporaneous stereotypes of the German personality may have been a source of inspiration for the text, as they were for <span title="Latin-language text"><i lang="la"><a href="/wiki/Simplicius_Simplicissimus" title="Simplicius Simplicissimus">Simplicius Simplicissimus</a></i></span>,<sup id="cite_ref-FOOTNOTEGrimmelshausen1669_18-0" class="reference"><a href="#cite_note-FOOTNOTEGrimmelshausen1669-18"><span class="cite-bracket">&#91;</span>18<span class="cite-bracket">&#93;</span></a></sup> a 1669 satirical picaresque novel written by <a href="/wiki/Hans_Jakob_Christoffel_von_Grimmelshausen" title="Hans Jakob Christoffel von Grimmelshausen">Hans Jakob Christoffel von Grimmelshausen</a> and inspired by the <a href="/wiki/Thirty_Years%27_War" title="Thirty Years&#39; War">Thirty Years' War</a>. The protagonist of this novel, who was supposed to embody stereotypically German characteristics, is quite similar to the protagonist of <i>Candide</i>.<sup id="cite_ref-aldridge251254_2-1" class="reference"><a href="#cite_note-aldridge251254-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> These stereotypes, according to Voltaire biographer <a href="/wiki/Alfred_Owen_Aldridge" class="mw-redirect" title="Alfred Owen Aldridge">Alfred Owen Aldridge</a>, include "extreme credulousness or sentimental simplicity", two of Candide's and Simplicius's defining qualities. Aldridge writes, "Since Voltaire admitted familiarity with fifteenth-century German authors who used a bold and buffoonish style, it is quite possible that he knew <span title="Latin-language text"><i lang="la">Simplicissimus</i></span> as well."<sup id="cite_ref-aldridge251254_2-2" class="reference"><a href="#cite_note-aldridge251254-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> </p><p>A satirical and parodic precursor of <i>Candide</i>, <a href="/wiki/Jonathan_Swift" title="Jonathan Swift">Jonathan Swift</a>'s <i><a href="/wiki/Gulliver%27s_Travels" title="Gulliver&#39;s Travels">Gulliver's Travels</a></i> (1726) is one of <i>Candide</i><span class="nowrap" style="padding-left:0.1em;">&#39;</span>s closest literary relatives. This satire tells the story of "a gullible ingenue", Gulliver, who (like Candide) travels to several "remote nations" and is hardened by the many misfortunes which befall him. As evidenced by similarities between the two books, Voltaire probably drew upon <i>Gulliver's Travels</i> for inspiration while writing <i>Candide</i>.<sup id="cite_ref-19" class="reference"><a href="#cite_note-19"><span class="cite-bracket">&#91;</span>19<span class="cite-bracket">&#93;</span></a></sup> Other probable sources of inspiration for <i>Candide</i> are <span title="French-language text"><i lang="fr"><a href="/wiki/Les_Aventures_de_T%C3%A9l%C3%A9maque" title="Les Aventures de Télémaque">Télémaque</a></i></span> (1699) by <a href="/wiki/Fran%C3%A7ois_F%C3%A9nelon" title="François Fénelon">François Fénelon</a> and <span title="French-language text"><i lang="fr">Cosmopolite</i></span> (1753) by Louis-Charles Fougeret de Monbron. <i>Candide</i><span class="nowrap" style="padding-left:0.1em;">&#39;</span>s parody of the bildungsroman is probably based on <span title="French-language text"><i lang="fr">Télémaque</i></span>, which includes the prototypical parody of the tutor on whom Pangloss may have been partly based. Likewise, Monbron's protagonist undergoes a disillusioning series of travels similar to those of Candide.<sup id="cite_ref-aldridge251254_2-3" class="reference"><a href="#cite_note-aldridge251254-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-20" class="reference"><a href="#cite_note-20"><span class="cite-bracket">&#91;</span>20<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-21" class="reference"><a href="#cite_note-21"><span class="cite-bracket">&#91;</span>21<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Creation">Creation</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=2" title="Edit section: Creation"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Voltaire_dictionary.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2b/Voltaire_dictionary.jpg/130px-Voltaire_dictionary.jpg" decoding="async" width="130" height="283" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/2b/Voltaire_dictionary.jpg/195px-Voltaire_dictionary.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/2b/Voltaire_dictionary.jpg/260px-Voltaire_dictionary.jpg 2x" data-file-width="1526" data-file-height="3321" /></a><figcaption>Engraving of <a href="/wiki/Voltaire" title="Voltaire">Voltaire</a> published as the frontispiece to an 1843 edition of his <span title="French-language text"><i lang="fr"><a href="/wiki/Dictionnaire_philosophique" title="Dictionnaire philosophique">Dictionnaire philosophique</a></i></span></figcaption></figure> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Moreau_Monkeys_crop.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/7/78/Moreau_Monkeys_crop.jpg/220px-Moreau_Monkeys_crop.jpg" decoding="async" width="220" height="234" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/78/Moreau_Monkeys_crop.jpg/330px-Moreau_Monkeys_crop.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/78/Moreau_Monkeys_crop.jpg/440px-Moreau_Monkeys_crop.jpg 2x" data-file-width="922" data-file-height="982" /></a><figcaption>1803 illustration of the two monkeys chasing their lovers. Candide shoots the monkeys, thinking they are attacking the women.</figcaption></figure> <p>Born François-Marie Arouet, Voltaire (1694–1778), by the time of the Lisbon earthquake, was already a well-established author, known for his satirical wit. He had been made a member of the <a href="/wiki/Acad%C3%A9mie_Fran%C3%A7aise" title="Académie Française">Académie Française</a> in 1746. He was a <a href="/wiki/Deist" class="mw-redirect" title="Deist">deist</a>, a strong proponent of religious freedom, and a critic of <a href="/wiki/Tyranny" class="mw-redirect" title="Tyranny">tyrannical</a> governments. <i>Candide</i> became part of his large, diverse body of philosophical, political, and artistic works expressing these views.<sup id="cite_ref-means_22-0" class="reference"><a href="#cite_note-means-22"><span class="cite-bracket">&#91;</span>22<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-Gopnik_23-0" class="reference"><a href="#cite_note-Gopnik-23"><span class="cite-bracket">&#91;</span>23<span class="cite-bracket">&#93;</span></a></sup> More specifically, it was a model for the eighteenth- and early nineteenth-century novels called the <i><a href="/wiki/Philosophical_novel" class="mw-redirect" title="Philosophical novel">contes philosophiques</a></i>. This genre, of which Voltaire was one of the founders, included previous works of his such as <i><a href="/wiki/Zadig" title="Zadig">Zadig</a></i> and <i><a href="/wiki/Micromegas" class="mw-redirect" title="Micromegas">Micromegas</a></i>.<sup id="cite_ref-24" class="reference"><a href="#cite_note-24"><span class="cite-bracket">&#91;</span>24<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-25" class="reference"><a href="#cite_note-25"><span class="cite-bracket">&#91;</span>25<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-26" class="reference"><a href="#cite_note-26"><span class="cite-bracket">&#91;</span>26<span class="cite-bracket">&#93;</span></a></sup> </p><p>It is unknown exactly when Voltaire wrote <i>Candide</i>,<sup id="cite_ref-27" class="reference"><a href="#cite_note-27"><span class="cite-bracket">&#91;</span>27<span class="cite-bracket">&#93;</span></a></sup> but scholars estimate that it was primarily composed in late 1758 and begun as early as 1757.<sup id="cite_ref-28" class="reference"><a href="#cite_note-28"><span class="cite-bracket">&#91;</span>28<span class="cite-bracket">&#93;</span></a></sup> Voltaire is believed to have written a portion of it while living at <a href="/wiki/Les_D%C3%A9lices" title="Les Délices">Les Délices</a> near Geneva and also while visiting <a href="/wiki/Charles_Theodore,_Elector_of_Bavaria" title="Charles Theodore, Elector of Bavaria">Charles Théodore</a>, the <a href="/wiki/Electorate_of_the_Palatinate" class="mw-redirect" title="Electorate of the Palatinate">Elector-Palatinate</a>, at <a href="/wiki/Schwetzingen" title="Schwetzingen">Schwetzingen</a> for three weeks in the summer of 1758. Despite solid evidence for these claims, a popular legend persists that Voltaire wrote <i>Candide</i> in three days. This idea is probably based on a misreading of the 1885 work <span title="French-language text"><i lang="fr">La Vie intime de Voltaire aux Délices et à Ferney</i></span> by Lucien Perey (real name: Clara Adèle Luce Herpin) and Gaston Maugras.<sup id="cite_ref-wade1956_29-0" class="reference"><a href="#cite_note-wade1956-29"><span class="cite-bracket">&#91;</span>29<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-30" class="reference"><a href="#cite_note-30"><span class="cite-bracket">&#91;</span>30<span class="cite-bracket">&#93;</span></a></sup> The evidence indicates strongly that Voltaire did not rush or improvise <i>Candide</i>, but worked on it over a significant period of time, possibly even a whole year. <i>Candide</i> is mature and carefully developed, not impromptu, as the intentionally choppy plot and the aforementioned myth might suggest.<sup id="cite_ref-31" class="reference"><a href="#cite_note-31"><span class="cite-bracket">&#91;</span>31<span class="cite-bracket">&#93;</span></a></sup> </p><p>There is only one extant manuscript of <i>Candide</i> that was written before the work's 1759 publication; it was discovered in 1956 by Wade and since named the <i>La Vallière Manuscript</i>. It is believed to have been sent, chapter by chapter, by Voltaire to the Duke and Duchess La Vallière in the autumn of 1758.<sup id="cite_ref-williams123_4-1" class="reference"><a href="#cite_note-williams123-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> The manuscript was sold to the Bibliothèque de l'Arsenal in the late eighteenth century, where it remained undiscovered for almost two hundred years.<sup id="cite_ref-rouillard_32-0" class="reference"><a href="#cite_note-rouillard-32"><span class="cite-bracket">&#91;</span>32<span class="cite-bracket">&#93;</span></a></sup> The <i>La Vallière Manuscript</i>, the most original and authentic of all surviving copies of <i>Candide</i>, was probably dictated by Voltaire to his secretary, <a href="/wiki/Jean-Louis_Wagni%C3%A8re" title="Jean-Louis Wagnière">Jean-Louis Wagnière</a>, then edited directly.<sup id="cite_ref-wade1956_29-1" class="reference"><a href="#cite_note-wade1956-29"><span class="cite-bracket">&#91;</span>29<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-33" class="reference"><a href="#cite_note-33"><span class="cite-bracket">&#91;</span>33<span class="cite-bracket">&#93;</span></a></sup> In addition to this manuscript, there is believed to have been another, one copied by Wagnière for the Elector Charles-Théodore, who hosted Voltaire during the summer of 1758. The existence of this copy was first postulated by Norman L. Torrey in 1929. If it exists, it remains undiscovered.<sup id="cite_ref-wade1956_29-2" class="reference"><a href="#cite_note-wade1956-29"><span class="cite-bracket">&#91;</span>29<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-34" class="reference"><a href="#cite_note-34"><span class="cite-bracket">&#91;</span>34<span class="cite-bracket">&#93;</span></a></sup> </p><p>Voltaire published <i>Candide</i> simultaneously in five countries no later than 15 January 1759, although the exact date is uncertain.<sup id="cite_ref-williams123_4-2" class="reference"><a href="#cite_note-williams123-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-35" class="reference"><a href="#cite_note-35"><span class="cite-bracket">&#91;</span>35<span class="cite-bracket">&#93;</span></a></sup> Seventeen versions of <i>Candide</i> from 1759, in the original French, are known today, and there has been great controversy over which is the earliest.<sup id="cite_ref-williams123_4-3" class="reference"><a href="#cite_note-williams123-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> More versions were published in other languages: <i>Candide</i> was translated once into Italian and thrice into English that same year.<sup id="cite_ref-davidson5253_3-1" class="reference"><a href="#cite_note-davidson5253-3"><span class="cite-bracket">&#91;</span>3<span class="cite-bracket">&#93;</span></a></sup> The complicated science of calculating the relative publication dates of all of the versions of <i>Candide</i> is described at length in Wade's article "The First Edition of <i>Candide</i>: A Problem of Identification". The publication process was extremely secretive, probably the "most clandestine work of the century", because of the book's obviously illicit and irreverent content.<sup id="cite_ref-wade1959_36-0" class="reference"><a href="#cite_note-wade1959-36"><span class="cite-bracket">&#91;</span>36<span class="cite-bracket">&#93;</span></a></sup> The greatest number of copies of <i>Candide</i> were published concurrently in <a href="/wiki/Geneva" title="Geneva">Geneva</a> by <a href="/wiki/Cramer_brothers" title="Cramer brothers">Cramer</a>, in <a href="/wiki/Amsterdam" title="Amsterdam">Amsterdam</a> by <a href="/wiki/Marc-Michel_Rey" title="Marc-Michel Rey">Marc-Michel Rey</a>, in London by Jean Nourse, and in Paris by Lambert.<sup id="cite_ref-wade1959_36-1" class="reference"><a href="#cite_note-wade1959-36"><span class="cite-bracket">&#91;</span>36<span class="cite-bracket">&#93;</span></a></sup> </p><p><i>Candide</i> underwent one major revision after its initial publication, in addition to some minor ones. In 1761, a version of <i>Candide</i> was published that included, along with several minor changes, a major addition by Voltaire to the twenty-second chapter, a section that had been thought weak by the Duke of Vallière.<sup id="cite_ref-37" class="reference"><a href="#cite_note-37"><span class="cite-bracket">&#91;</span>37<span class="cite-bracket">&#93;</span></a></sup> The English title of this edition was <i>Candide, or Optimism, Translated from the German of Dr. Ralph. With the additions found in the Doctor's pocket when he died at <a href="/wiki/Minden" title="Minden">Minden</a>, in the Year of Grace 1759.</i><sup id="cite_ref-bair_38-0" class="reference"><a href="#cite_note-bair-38"><span class="cite-bracket">&#91;</span>38<span class="cite-bracket">&#93;</span></a></sup> The last edition of <i>Candide</i> authorised by Voltaire was the one included in Cramer's 1775 edition of his complete works, known as <span title="French-language text"><i lang="fr">l'édition encadrée</i></span>, in reference to the border or frame around each page.<sup id="cite_ref-39" class="reference"><a href="#cite_note-39"><span class="cite-bracket">&#91;</span>39<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-40" class="reference"><a href="#cite_note-40"><span class="cite-bracket">&#91;</span>40<span class="cite-bracket">&#93;</span></a></sup> </p><p>Voltaire strongly opposed the inclusion of <a href="/wiki/Illustrations" class="mw-redirect" title="Illustrations">illustrations</a> in his works, as he stated in a 1778 letter to the writer and publisher <a href="/wiki/Charles_Joseph_Panckoucke" class="mw-redirect" title="Charles Joseph Panckoucke">Charles Joseph Panckoucke</a>: </p> <style data-mw-deduplicate="TemplateStyles:r1244412712">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 32px}.mw-parser-output .templatequotecite{line-height:1.5em;text-align:left;margin-top:0}@media(min-width:500px){.mw-parser-output .templatequotecite{padding-left:1.6em}}</style><blockquote class="templatequote"><p><i>Je crois que des Estampes seraient fort inutiles. Ces colifichets n'ont jamais été admis dans les éditions de Cicéron, de Virgile et d'Horace.</i> (I believe that these illustrations would be quite useless. These baubles have never been allowed in the works of <a href="/wiki/Cicero" title="Cicero">Cicero</a>, <a href="/wiki/Virgil" title="Virgil">Virgil</a> and <a href="/wiki/Horace" title="Horace">Horace</a>.)<sup id="cite_ref-bellhouse780_41-0" class="reference"><a href="#cite_note-bellhouse780-41"><span class="cite-bracket">&#91;</span>41<span class="cite-bracket">&#93;</span></a></sup></p></blockquote> <p>Despite this protest, two sets of illustrations for <i>Candide</i> were produced by the French artist <a href="/wiki/Jean-Michel_Moreau_le_Jeune" class="mw-redirect" title="Jean-Michel Moreau le Jeune">Jean-Michel Moreau le Jeune</a>. The first version was done, at Moreau's own expense, in 1787 and included in Kehl's publication of that year, <i>Oeuvres Complètes de Voltaire</i>.<sup id="cite_ref-bellhouse756_42-0" class="reference"><a href="#cite_note-bellhouse756-42"><span class="cite-bracket">&#91;</span>42<span class="cite-bracket">&#93;</span></a></sup> Four images were drawn by Moreau for this edition and were engraved by Pierre-Charles Baquoy.<sup id="cite_ref-bellhouse757_43-0" class="reference"><a href="#cite_note-bellhouse757-43"><span class="cite-bracket">&#91;</span>43<span class="cite-bracket">&#93;</span></a></sup> The second version, in 1803, consisted of seven drawings by Moreau which were transposed by multiple engravers.<sup id="cite_ref-bellhouse769_44-0" class="reference"><a href="#cite_note-bellhouse769-44"><span class="cite-bracket">&#91;</span>44<span class="cite-bracket">&#93;</span></a></sup> The twentieth-century modern artist <a href="/wiki/Paul_Klee" title="Paul Klee">Paul Klee</a> stated that it was while reading <i>Candide</i> that he discovered his own artistic style. Klee illustrated the work, and his drawings were published in a 1920 version edited by <a href="/wiki/Kurt_Wolff_(publisher)" title="Kurt Wolff (publisher)">Kurt Wolff</a>.<sup id="cite_ref-45" class="reference"><a href="#cite_note-45"><span class="cite-bracket">&#91;</span>45<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="List_of_characters">List of characters</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=3" title="Edit section: List of characters"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Main_characters">Main characters</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=4" title="Edit section: Main characters"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>Candide: The title character. The illegitimate son of the sister of the Baron of Thunder-ten-Tronckh. In love with Cunégonde.</li> <li><a href="/wiki/Cun%C3%A9gonde" title="Cunégonde">Cunégonde</a>: The daughter of the Baron of Thunder-ten-Tronckh. In love with Candide.</li> <li>Professor Pangloss: The royal educator of the court of the baron. Described as "the greatest philosopher of the <a href="/wiki/Holy_Roman_Empire" title="Holy Roman Empire">Holy Roman Empire</a>".</li> <li>The Old Woman: Cunégonde's maid while she is the mistress of Don Issachar and the Grand Inquisitor of Portugal. Flees with Candide and Cunégonde to the New World. Illegitimate daughter of <a href="/wiki/Pope_Urban_X" title="Pope Urban X">Pope Urban X</a>.</li> <li>Cacambo: Born from a <a href="/wiki/Mestizo" title="Mestizo">Mestizo</a> father and an <a href="/wiki/Indigenous_peoples_of_the_Americas" title="Indigenous peoples of the Americas">Indigenous</a> mother. Lived half his life in Spain and half in Latin America. Candide's valet while in America.</li> <li>Martin: Dutch amateur philosopher and <a href="/wiki/Manichaeism" title="Manichaeism">Manichaean</a>. Meets Candide in <a href="/wiki/Suriname" title="Suriname">Suriname</a>, travels with him afterwards.</li> <li>The Baron of Thunder-ten-Tronckh: Brother of Cunégonde. Is seemingly killed by the Bulgarians, but becomes a <a href="/wiki/Jesuit" class="mw-redirect" title="Jesuit">Jesuit</a> in Paraguay. Disapproves of Candide and Cunégonde's marriage.</li></ul> <div class="mw-heading mw-heading3"><h3 id="Secondary_characters">Secondary characters</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=5" title="Edit section: Secondary characters"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li>The baron and baroness of Thunder-ten-Tronckh: Father and mother of Cunégonde and the second baron. Both slain by the Bulgars.</li> <li>The king of the Bulgars: <a href="/wiki/Frederick_the_Great" title="Frederick the Great">Frederick II</a></li> <li>Jacques the <a href="/wiki/Anabaptist" class="mw-redirect" title="Anabaptist">Anabaptist</a>: Dutch manufacturer who takes Candide in after his escape from the Prussian Army. Drowns in the port of Lisbon after saving a sailor's life.</li> <li>Don Issachar: Jewish banker in Portugal. Cunégonde becomes his mistress, shared with the Grand Inquisitor of Portugal. Killed by Candide.</li> <li>The <a href="/wiki/Grand_Inquisitor" title="Grand Inquisitor">Grand Inquisitor</a> of Portugal: Sentences Candide and Pangloss at the <i><a href="/wiki/Auto-da-f%C3%A9" title="Auto-da-fé">auto-da-fé</a></i>. Cunégonde is his mistress jointly with Don Issachar. Killed by Candide.</li> <li>Don Fernando d'Ibarra y Figueroa y Mascarenes y Lampourdos y Souza: Spanish governor of Buenos Aires. Wants Cunégonde as a mistress.</li> <li>The king of <a href="/wiki/El_Dorado" title="El Dorado">El Dorado</a>, who helps Candide and Cacambo out of El Dorado, lets them pick gold from the grounds, and makes them rich.</li> <li>Mynheer Vanderdendur: Dutch ship captain/pirate and slave holder. Offers to take Candide from America to France for 30,000 gold coins, but then departs without him, stealing most of his riches. Dies after his ship sinks.</li> <li>The abbot of Périgord: Befriends Candide and Martin in the hopes of scamming them. Tries to have them arrested.</li> <li>The marchioness of Parolignac: Parisian wench who takes an elaborate title.</li> <li>The scholar: One of the guests of the "marchioness". Argues with Candide about art.</li> <li>Paquette: A chambermaid from Thunder-ten-Tronckh who gave Pangloss <a href="/wiki/Syphilis" title="Syphilis">syphilis</a> after getting it herself from her <a href="/wiki/Franciscans" title="Franciscans">Franciscan</a> confessor. After the slaying by the Bulgars, works as a prostitute in Venice and becomes entangled with Friar Giroflée.</li> <li>Friar Giroflée: <a href="/wiki/Theatines" title="Theatines">Theatine</a> friar. In love with the prostitute Paquette.</li> <li>Signor Pococurante: A Venetian noble. Candide and Martin visit his estate, where he discusses his disdain of most of the canon of great art.</li> <li>In an inn in Venice, Candide and Martin dine with six men who turn out to be deposed monarchs: <ul><li><a href="/wiki/Ahmed_III" title="Ahmed III">Ahmed III</a></li> <li><a href="/wiki/Ivan_VI_of_Russia" title="Ivan VI of Russia">Ivan VI of Russia</a></li> <li><a href="/wiki/Charles_Edward_Stuart" title="Charles Edward Stuart">Charles Edward Stuart</a></li> <li><a href="/wiki/Augustus_III_of_Poland" title="Augustus III of Poland">Augustus III of Poland</a></li> <li><a href="/wiki/Stanis%C5%82aw_Leszczy%C5%84ski" title="Stanisław Leszczyński">Stanisław Leszczyński</a></li> <li><a href="/wiki/Theodore_of_Corsica" title="Theodore of Corsica">Theodore of Corsica</a></li></ul></li></ul> <div class="mw-heading mw-heading2"><h2 id="Synopsis">Synopsis</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=6" title="Edit section: Synopsis"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><i>Candide</i> contains thirty <a href="/wiki/Episode" title="Episode">episodic</a> chapters, which may be grouped into two main schemes: one consists of two divisions, separated by the protagonist's <a href="/wiki/Recess_(break)" title="Recess (break)">hiatus</a> in <a href="/wiki/El_Dorado" title="El Dorado">El Dorado</a>; the other consists of three parts, each defined by its geographical setting. By the former scheme, the first half of <i>Candide</i> constitutes the <a href="/wiki/Three-act_structure#Structure" title="Three-act structure">rising action</a> and the last part the resolution. This view is supported by the strong theme of travel and quest, reminiscent of adventure and <a href="/wiki/Picaresque" class="mw-redirect" title="Picaresque">picaresque</a> novels, which tend to employ such a <a href="/wiki/Dramatic_structure" class="mw-redirect" title="Dramatic structure">dramatic structure</a>.<sup id="cite_ref-williams2627_46-0" class="reference"><a href="#cite_note-williams2627-46"><span class="cite-bracket">&#91;</span>46<span class="cite-bracket">&#93;</span></a></sup> By the latter scheme, the thirty chapters may be grouped into three parts each comprising ten chapters and defined by locale: I–X are set in Europe, XI–XX are set in the <a href="/wiki/Americas" title="Americas">Americas</a>, and XXI–XXX are set in Europe and the <a href="/wiki/Ottoman_Empire" title="Ottoman Empire">Ottoman Empire</a>.<sup id="cite_ref-Beck203_47-0" class="reference"><a href="#cite_note-Beck203-47"><span class="cite-bracket">&#91;</span>47<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-48" class="reference"><a href="#cite_note-48"><span class="cite-bracket">&#91;</span>48<span class="cite-bracket">&#93;</span></a></sup> The plot summary that follows uses this second format and includes Voltaire's additions of 1761. </p> <div class="mw-heading mw-heading3"><h3 id="Chapters_I–X"><span id="Chapters_I.E2.80.93X"></span>Chapters I–X</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=7" title="Edit section: Chapters I–X"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The tale of <i>Candide</i> begins in the castle of the Baron Thunder-ten-Tronckh in <a href="/wiki/Westphalia" title="Westphalia">Westphalia</a>, home to the Baron's daughter, Lady Cunégonde; his <a href="/wiki/Illegitimacy" class="mw-redirect" title="Illegitimacy">bastard</a> nephew, Candide; a tutor, Pangloss; a <a href="/wiki/Maid" title="Maid">chambermaid</a>, Paquette; and the rest of the Baron's family. The <a href="/wiki/Protagonist" title="Protagonist">protagonist</a>, Candide, is romantically attracted to Cunégonde. He is a young man of "the most unaffected simplicity" (<span title="French-language text"><i lang="fr">l'esprit le plus simple</i></span>), whose face is "the true index of his mind" (<span title="French-language text"><i lang="fr">sa physionomie annonçait son âme</i></span>).<sup id="cite_ref-aldridge251254_2-4" class="reference"><a href="#cite_note-aldridge251254-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> Dr. Pangloss, professor of "<span title="French-language text"><i lang="fr">métaphysico-théologo-cosmolonigologie</i></span>" (English: "<a href="/wiki/Metaphysics" title="Metaphysics">metaphysico</a>-<a href="/wiki/Theology" title="Theology">theologo</a>-cosmolonigology") and self-proclaimed optimist, teaches his pupils that they live in the "<a href="/wiki/Best_of_all_possible_worlds" title="Best of all possible worlds">best of all possible worlds</a>" and that "all is for the best". </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:VoltaireCandidFrontis%2BChap01-1762.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/8/89/VoltaireCandidFrontis%2BChap01-1762.jpg/220px-VoltaireCandidFrontis%2BChap01-1762.jpg" decoding="async" width="220" height="177" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/89/VoltaireCandidFrontis%2BChap01-1762.jpg/330px-VoltaireCandidFrontis%2BChap01-1762.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/89/VoltaireCandidFrontis%2BChap01-1762.jpg/440px-VoltaireCandidFrontis%2BChap01-1762.jpg 2x" data-file-width="1271" data-file-height="1021" /></a><figcaption><a href="/wiki/Book_frontispiece" title="Book frontispiece">Frontispiece</a> and first page of chapter one of an early English translation by T. Smollett (et al.) of <a href="/wiki/Voltaire" title="Voltaire">Voltaire</a>'s <i>Candide</i>, London, printed for <a href="/wiki/John_Newbery" title="John Newbery">J. Newbery</a> (et al.), 1762.</figcaption></figure> <p>All is well in the castle until Cunégonde sees Pangloss sexually engaged with Paquette in some bushes. Encouraged by this show of affection, Cunégonde drops her handkerchief next to Candide, enticing him to kiss her. For this infraction, Candide is evicted from the castle, at which point he is captured by <a href="/wiki/Bulgars" title="Bulgars">Bulgar</a> (<a href="/wiki/Prussia" title="Prussia">Prussian</a>) recruiters and coerced into military service, where he is <a href="/wiki/Flagellation" title="Flagellation">flogged</a>, nearly <a href="/wiki/Capital_punishment" title="Capital punishment">executed</a>, and forced to participate in a major battle between the Bulgars and the Avars (an <a href="/wiki/Allegory" title="Allegory">allegory</a> representing the Prussians and the French). Candide eventually escapes the army and makes his way to Holland where he is given aid by Jacques, an <a href="/wiki/Anabaptist" class="mw-redirect" title="Anabaptist">Anabaptist</a>, who strengthens Candide's optimism. Soon after, Candide finds his master Pangloss, now a beggar with <a href="/wiki/Syphilis" title="Syphilis">syphilis</a>. Pangloss reveals he was infected with this disease by Paquette and shocks Candide by relating how Castle Thunder-ten-Tronckh was destroyed by Bulgars, that Cunégonde and her whole family were killed, and that Cunégonde was <a href="/wiki/Rape" title="Rape">raped</a> before her death. Pangloss is cured of his illness by Jacques, losing one eye and one ear in the process, and the three set sail to <a href="/wiki/Lisbon" title="Lisbon">Lisbon</a>. </p><p>In Lisbon's harbor, they are overtaken by a vicious storm which destroys the boat. Jacques attempts to save a sailor, and in the process is thrown overboard.<sup id="cite_ref-49" class="reference"><a href="#cite_note-49"><span class="cite-bracket">&#91;</span>49<span class="cite-bracket">&#93;</span></a></sup> The sailor makes no move to help the drowning Jacques, and Candide is in a state of despair until Pangloss explains to him that Lisbon harbor was created in order for Jacques to drown. Only Pangloss, Candide, and the "brutish sailor" who let Jacques drown<sup id="cite_ref-Smollett_2008,_Ch._4_50-0" class="reference"><a href="#cite_note-Smollett_2008,_Ch._4-50"><span class="cite-bracket">&#91;</span>50<span class="cite-bracket">&#93;</span></a></sup> survive the wreck and reach Lisbon, which is promptly hit by <a href="/wiki/1755_Lisbon_earthquake" title="1755 Lisbon earthquake">an earthquake, tsunami, and fire</a> that kill tens of thousands. The sailor leaves in order to loot the rubble while Candide, injured and begging for help, is lectured on the optimistic view of the situation by Pangloss. </p><p>The next day, Pangloss discusses his optimistic philosophy with a member of the <a href="/wiki/Portuguese_Inquisition" title="Portuguese Inquisition">Portuguese Inquisition</a>, and he and Candide are arrested for heresy, set to be tortured and killed in an "<span title="Portuguese-language text"><i lang="pt"><a href="/wiki/Auto-da-f%C3%A9" title="Auto-da-fé">auto-da-fé</a></i></span>" set up to appease God and prevent another disaster. Candide is flogged and sees Pangloss hanged, but another earthquake intervenes and he escapes. He is approached by an old woman,<sup id="cite_ref-51" class="reference"><a href="#cite_note-51"><span class="cite-bracket">&#91;</span>51<span class="cite-bracket">&#93;</span></a></sup> who leads him to a house where Lady Cunégonde waits, alive. Candide is surprised: Pangloss had told him that Cunégonde had been raped and <a href="/wiki/Disembowelment" title="Disembowelment">disemboweled</a>. She had been, but Cunégonde points out that people survive such things. However, her rescuer sold her to a Jewish merchant, Don Issachar, who was then threatened by a corrupt <a href="/wiki/Grand_Inquisitor" title="Grand Inquisitor">Grand Inquisitor</a> into sharing her (Don Issachar gets Cunégonde on Mondays, Wednesdays, and the <a href="/wiki/Shabbat" title="Shabbat">sabbath day</a>). Her owners arrive, find her with another man, and Candide kills them both. Candide and the two women flee the city, heading to the Americas.<sup id="cite_ref-ayer143145_52-0" class="reference"><a href="#cite_note-ayer143145-52"><span class="cite-bracket">&#91;</span>52<span class="cite-bracket">&#93;</span></a></sup> Along the way, Cunégonde falls into self-pity, complaining of all the misfortunes that have befallen her. </p> <div class="mw-heading mw-heading3"><h3 id="Chapters_XI–XX"><span id="Chapters_XI.E2.80.93XX"></span>Chapters XI–XX</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=8" title="Edit section: Chapters XI–XX"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The old woman reciprocates by revealing her own tragic life: born the daughter of <a href="/wiki/Pope_Urban_X" title="Pope Urban X">Pope Urban X</a> and the Princess of <a href="/wiki/Palestrina" title="Palestrina">Palestrina</a>, she was kidnapped and enslaved by <a href="/wiki/Barbary_pirates" title="Barbary pirates">Barbary pirates</a>, witnessed violent civil wars in <a href="/wiki/Morocco" title="Morocco">Morocco</a> under the bloodthirsty king <a href="/wiki/Ismail_Ibn_Sharif" title="Ismail Ibn Sharif">Moulay Ismaïl</a> (during which her mother was <a href="/wiki/Hanged,_drawn_and_quartered" title="Hanged, drawn and quartered">drawn and quartered</a>), suffered constant hunger, nearly died from a <a href="/wiki/Plague_(disease)" title="Plague (disease)">plague</a> in <a href="/wiki/Algiers" title="Algiers">Algiers</a>, and had a buttock cut off to feed starving <a href="/wiki/Janissary" title="Janissary">Janissaries</a> during the <a href="/wiki/Azov_campaigns_(1695%E2%80%931696)" title="Azov campaigns (1695–1696)">Russian capture of Azov</a>. After traversing all the <a href="/wiki/Russian_Empire" title="Russian Empire">Russian Empire</a>, she eventually became a servant of Don Issachar and met Cunégonde. </p><p>The trio arrives in <a href="/wiki/Buenos_Aires" title="Buenos Aires">Buenos Aires</a>, where Governor Don Fernando d'Ibarra y Figueroa y Mascarenes y Lampourdos y Souza asks to marry Cunégonde. Just then, an <i><a href="/wiki/Alcalde" title="Alcalde">alcalde</a></i> (a Spanish magistrate) arrives, pursuing Candide for killing the Grand Inquisitor. Leaving the women behind, Candide flees to <a href="/wiki/Paraguay" title="Paraguay">Paraguay</a> with his practical and heretofore unmentioned manservant, Cacambo. </p> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Moreau_Sucre_crop.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c3/Moreau_Sucre_crop.jpg/220px-Moreau_Sucre_crop.jpg" decoding="async" width="220" height="207" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c3/Moreau_Sucre_crop.jpg/330px-Moreau_Sucre_crop.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c3/Moreau_Sucre_crop.jpg/440px-Moreau_Sucre_crop.jpg 2x" data-file-width="1141" data-file-height="1075" /></a><figcaption>1787 illustration of Candide and Cacambo meeting a maimed slave from a <a href="/wiki/Sugarcane_mill" title="Sugarcane mill">sugarcane mill</a> near <a href="/wiki/Surinam_(Dutch_colony)" title="Surinam (Dutch colony)">Suriname</a>.</figcaption></figure> <p>At a <a href="/wiki/Border_post" class="mw-redirect" title="Border post">border post</a> on the way to Paraguay, Cacambo and Candide speak to the <a href="/wiki/Commandant" title="Commandant">commandant</a>, who turns out to be Cunégonde's unnamed brother. He explains that after his family was slaughtered, the <a href="/wiki/Jesuit" class="mw-redirect" title="Jesuit">Jesuits</a>' preparation for his burial revived him, and he has since joined the order.<sup id="cite_ref-ayer143145_52-1" class="reference"><a href="#cite_note-ayer143145-52"><span class="cite-bracket">&#91;</span>52<span class="cite-bracket">&#93;</span></a></sup> When Candide proclaims he intends to marry Cunégonde, her brother attacks him, and Candide runs him through with his <a href="/wiki/Rapier" title="Rapier">rapier</a>. After lamenting all the people (mainly priests) he has killed, he and Cacambo flee. In their flight, Candide and Cacambo come across two naked women being chased and bitten by a pair of monkeys. Candide, seeking to protect the women, shoots and kills the monkeys, but is informed by Cacambo that the monkeys and women were probably lovers. </p><p>Cacambo and Candide are captured by Oreillons, or Orejones; members of the <a href="/wiki/Inca_Empire" title="Inca Empire">Inca</a> nobility who widened the lobes of their ears, and are depicted here as the fictional inhabitants of the area. Mistaking Candide for a Jesuit by his robes, the Oreillons prepare to cook Candide and Cacambo; however, Cacambo convinces the Oreillons that Candide killed a Jesuit to procure the robe. Cacambo and Candide are released and travel for a month on foot and then down a river by canoe, living on fruits and berries.<sup id="cite_ref-genius.com_53-0" class="reference"><a href="#cite_note-genius.com-53"><span class="cite-bracket">&#91;</span>53<span class="cite-bracket">&#93;</span></a></sup> </p><p>After a few more adventures, Candide and Cacambo wander into <a href="/wiki/El_Dorado" title="El Dorado">El Dorado</a>, a geographically isolated <a href="/wiki/Utopia" title="Utopia">utopia</a> where the streets are covered with precious stones, there exist no priests, and all of the king's jokes are funny.<sup id="cite_ref-54" class="reference"><a href="#cite_note-54"><span class="cite-bracket">&#91;</span>54<span class="cite-bracket">&#93;</span></a></sup> Candide and Cacambo stay a month in El Dorado, but Candide is still in pain without Cunégonde, and expresses to the king his wish to leave. The king points out that this is a foolish idea, but generously helps them do so. The pair continue their journey, now accompanied by one hundred red pack sheep carrying provisions and incredible sums of money, which they slowly lose or have stolen over the next few adventures. </p><p>Candide and Cacambo eventually reach <a href="/wiki/Surinam_(Dutch_colony)" title="Surinam (Dutch colony)">Suriname</a> where they split up: Cacambo travels to Buenos Aires to retrieve Lady Cunégonde, while Candide prepares to travel to Europe to await the two. Candide's remaining sheep are stolen, and Candide is fined heavily by a Dutch magistrate for petulance over the theft. Before leaving Suriname, Candide feels in need of companionship, so he interviews a number of local men who have been through various ill-fortunes and settles on a man named Martin. </p> <div class="mw-heading mw-heading3"><h3 id="Chapters_XXI–XXX"><span id="Chapters_XXI.E2.80.93XXX"></span>Chapters XXI–XXX</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=9" title="Edit section: Chapters XXI–XXX"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>This companion, Martin, is a <a href="/wiki/Manichaean" class="mw-redirect" title="Manichaean">Manichaean</a> <a href="/wiki/Scholar" title="Scholar">scholar</a> based on the real-life pessimist <a href="/wiki/Pierre_Bayle" title="Pierre Bayle">Pierre Bayle</a>, who was a chief opponent of Leibniz.<sup id="cite_ref-55" class="reference"><a href="#cite_note-55"><span class="cite-bracket">&#91;</span>55<span class="cite-bracket">&#93;</span></a></sup> For the remainder of the voyage, Martin and Candide argue about philosophy, Martin painting the entire world as occupied by fools. Candide, however, remains an optimist at heart, since it is all he knows. After a detour to <a href="/wiki/Bordeaux" title="Bordeaux">Bordeaux</a> and <a href="/wiki/Paris" title="Paris">Paris</a>, they arrive in England and see an admiral (based on <a href="/wiki/John_Byng" title="John Byng">Admiral Byng</a>) being shot for not killing enough of the enemy. Martin explains that Britain finds it necessary to shoot an admiral from time to time "<i>pour encourager les autres</i>" (to encourage the others).<sup id="cite_ref-56" class="reference"><a href="#cite_note-56"><span class="cite-bracket">&#91;</span>56<span class="cite-bracket">&#93;</span></a></sup> Candide, horrified, arranges for them to leave Britain immediately. Upon their arrival in <a href="/wiki/Venice" title="Venice">Venice</a>, Candide and Martin meet Paquette, the chambermaid who infected Pangloss with his syphilis. She is now a prostitute, and is spending her time with a <a href="/wiki/Theatines" title="Theatines">Theatine</a> monk, Brother Giroflée. Although both appear happy on the surface, they reveal their despair: Paquette has led a miserable existence as a sexual object since she was forced to become a prostitute, and the monk detests the religious order in which he was indoctrinated. Candide gives two thousand <a href="/wiki/Piastre" title="Piastre">piastres</a> to Paquette and one thousand to Brother Giroflée. </p><p>Candide and Martin visit the Lord Pococurante, a noble Venetian. That evening, Cacambo—now a slave—arrives and informs Candide that Cunégonde is in <a href="/wiki/Constantinople" title="Constantinople">Constantinople</a>. Prior to their departure, Candide and Martin dine with six strangers who had come for the <a href="/wiki/Carnival_of_Venice" title="Carnival of Venice">Carnival of Venice</a>. These strangers are revealed to be dethroned kings: the Ottoman Sultan <a href="/wiki/Ahmed_III" title="Ahmed III">Ahmed III</a>, Emperor <a href="/wiki/Ivan_VI_of_Russia" title="Ivan VI of Russia">Ivan VI of Russia</a>, <a href="/wiki/Charles_Edward_Stuart" title="Charles Edward Stuart">Charles Edward Stuart</a> (an unsuccessful pretender to the English throne), <a href="/wiki/Augustus_III_of_Poland" title="Augustus III of Poland">Augustus III of Poland</a> (deprived, at the time of writing, of his reign in the <a href="/wiki/Electorate_of_Saxony" title="Electorate of Saxony">Electorate of Saxony</a> due to the <a href="/wiki/Seven_Years%27_War" title="Seven Years&#39; War">Seven Years' War</a>), <a href="/wiki/Stanis%C5%82aw_Leszczy%C5%84ski" title="Stanisław Leszczyński">Stanisław Leszczyński</a>, and <a href="/wiki/Theodore_of_Corsica" title="Theodore of Corsica">Theodore of Corsica</a>. </p><p>On the way to Constantinople, Cacambo reveals that Cunégonde—now horribly ugly—currently washes dishes on the banks of the <a href="/wiki/Sea_of_Marmara" title="Sea of Marmara">Propontis</a> as a slave for a fugitive <a href="/wiki/Transylvania" title="Transylvania">Transylvanian</a> prince by the name of <a href="/wiki/Francis_II_R%C3%A1k%C3%B3czi" title="Francis II Rákóczi">Rákóczi</a>. After arriving at the <a href="/wiki/Bosphorus" class="mw-redirect" title="Bosphorus">Bosphorus</a>, they board a <a href="/wiki/Galley" title="Galley">galley</a> where, to Candide's surprise, he finds Pangloss and Cunégonde's brother among the rowers. Candide buys their freedom and further passage at steep prices.<sup id="cite_ref-ayer143145_52-2" class="reference"><a href="#cite_note-ayer143145-52"><span class="cite-bracket">&#91;</span>52<span class="cite-bracket">&#93;</span></a></sup> They both relate how they survived, but despite the horrors he has been through, Pangloss's optimism remains unshaken: "I still hold to my original opinions, because, after all, I'm a philosopher, and it wouldn't be proper for me to recant, since Leibniz cannot be wrong, and since <a href="/wiki/Pre-established_harmony" class="mw-redirect" title="Pre-established harmony">pre-established harmony</a> is the most beautiful thing in the world, along with the <a href="/wiki/Plenism" class="mw-redirect" title="Plenism">plenum</a> and <a href="/wiki/Subtle_body" title="Subtle body">subtle matter</a>."<sup id="cite_ref-bair107108_57-0" class="reference"><a href="#cite_note-bair107108-57"><span class="cite-bracket">&#91;</span>57<span class="cite-bracket">&#93;</span></a></sup> </p><p>Candide, the baron, Pangloss, Martin, and Cacambo arrive at the banks of the Propontis, where they rejoin Cunégonde and the old woman. Cunégonde has indeed become hideously ugly, but Candide nevertheless buys their freedom and marries Cunégonde to spite her brother, who forbids Cunégonde from marrying anyone but a baron of the Empire (he is secretly sold back into slavery). Paquette and Brother Giroflée—having squandered their three thousand piastres—are reconciled with Candide on a small farm (<span title="French-language text"><i lang="fr">une petite métairie</i></span>) which he just bought with the last of his finances. </p><p>One day, the protagonists seek out a <a href="/wiki/Dervish" title="Dervish">dervish</a> known as a great philosopher of the land. Candide asks him why Man is made to suffer so, and what they all ought to do. The dervish responds by asking rhetorically why Candide is concerned about the existence of evil and good. The dervish describes human beings as mice on a ship sent by a king to Egypt; their comfort does not matter to the king. The dervish then slams his door on the group. Returning to their farm, Candide, Pangloss, and Martin meet a <a href="/wiki/Turkish_people" title="Turkish people">Turk</a> whose philosophy is to devote his life only to simple work and not concern himself with external affairs. He and his four children cultivate a small area of land, and the work keeps them "free of three great evils: boredom, vice, and poverty."<sup id="cite_ref-bair113_58-0" class="reference"><a href="#cite_note-bair113-58"><span class="cite-bracket">&#91;</span>58<span class="cite-bracket">&#93;</span></a></sup> Candide, Pangloss, Martin, Cunégonde, Paquette, Cacambo, the old woman, and Brother Giroflée all set to work on this "commendable plan" (<span title="French-language text"><i lang="fr">louable dessein</i></span>) on their farm, each exercising his or her own talents. Candide ignores Pangloss's insistence that all turned out for the best by necessity, instead telling him "we must cultivate our garden" (<span title="French-language text"><i lang="fr">il faut cultiver notre jardin</i></span>).<sup id="cite_ref-bair113_58-1" class="reference"><a href="#cite_note-bair113-58"><span class="cite-bracket">&#91;</span>58<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Style">Style</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=10" title="Edit section: Style"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>As Voltaire himself described it, the purpose of <i>Candide</i> was to "bring amusement to a small number of men of wit".<sup id="cite_ref-aldridge251254_2-5" class="reference"><a href="#cite_note-aldridge251254-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> The author achieves this goal by combining wit with a parody of the classic adventure-romance plot. Candide is confronted with horrible events described in painstaking detail so often that it becomes humorous. Literary theorist Frances K. Barasch described Voltaire's matter-of-fact narrative as treating topics such as mass death "as coolly as a weather report".<sup id="cite_ref-barasch3_59-0" class="reference"><a href="#cite_note-barasch3-59"><span class="cite-bracket">&#91;</span>59<span class="cite-bracket">&#93;</span></a></sup> The fast-paced and improbable plot—in which characters narrowly escape death repeatedly, for instance—allows for compounding tragedies to befall the same characters over and over again.<sup id="cite_ref-starobinski194_60-0" class="reference"><a href="#cite_note-starobinski194-60"><span class="cite-bracket">&#91;</span>60<span class="cite-bracket">&#93;</span></a></sup> In the end, <i>Candide</i> is primarily, as described by Voltaire's biographer Ian Davidson, "short, light, rapid and humorous".<sup id="cite_ref-davidson54_10-3" class="reference"><a href="#cite_note-davidson54-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-wade1959b133_61-0" class="reference"><a href="#cite_note-wade1959b133-61"><span class="cite-bracket">&#91;</span>61<span class="cite-bracket">&#93;</span></a></sup> </p><p>Behind the playful façade of <i>Candide</i> which has amused so many, there lies very harsh criticism of contemporary European civilization which angered many others. European governments such as France, Prussia, Portugal and England are each attacked ruthlessly by the author: the French and Prussians for the Seven Years' War, the Portuguese for their <a href="/wiki/Portuguese_Inquisition" title="Portuguese Inquisition">Inquisition</a>, and the British for the execution of <a href="/wiki/John_Byng" title="John Byng">John Byng</a>. Organised religion, too, is harshly treated in <i>Candide</i>. For example, Voltaire mocks the <a href="/wiki/Society_of_Jesus" class="mw-redirect" title="Society of Jesus">Jesuit order</a> of the <a href="/wiki/Roman_Catholic_Church" class="mw-redirect" title="Roman Catholic Church">Roman Catholic Church</a>. Aldridge provides a characteristic example of such anti-clerical passages for which the work was banned: while in <a href="/wiki/Paraguay" title="Paraguay">Paraguay</a>, Cacambo remarks, "[The Jesuits] are masters of everything, and the people have no money at all&#160;…". Here, Voltaire suggests the <a href="/wiki/Jesuit_reduction" class="mw-redirect" title="Jesuit reduction">Christian mission in Paraguay</a> is taking advantage of the local population. Voltaire depicts the Jesuits holding the indigenous peoples as slaves while they claim to be helping them.<sup id="cite_ref-62" class="reference"><a href="#cite_note-62"><span class="cite-bracket">&#91;</span>62<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-ayer139_63-0" class="reference"><a href="#cite_note-ayer139-63"><span class="cite-bracket">&#91;</span>63<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Satire">Satire</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=11" title="Edit section: Satire"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The main method of <i>Candide</i><span class="nowrap" style="padding-left:0.1em;">&#39;</span>s satire is to contrast ironically great tragedy and comedy.<sup id="cite_ref-davidson54_10-4" class="reference"><a href="#cite_note-davidson54-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> The story does not invent or exaggerate evils of the world—it displays real ones starkly, allowing Voltaire to simplify subtle philosophies and cultural traditions, highlighting their flaws.<sup id="cite_ref-starobinski194_60-1" class="reference"><a href="#cite_note-starobinski194-60"><span class="cite-bracket">&#91;</span>60<span class="cite-bracket">&#93;</span></a></sup> Thus <i>Candide</i> derides optimism, for instance, with a deluge of horrible, historical (or at least plausible) events with no apparent redeeming qualities.<sup id="cite_ref-aldridge251254_2-6" class="reference"><a href="#cite_note-aldridge251254-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-barasch3_59-1" class="reference"><a href="#cite_note-barasch3-59"><span class="cite-bracket">&#91;</span>59<span class="cite-bracket">&#93;</span></a></sup> </p><p>A simple example of the satire of <i>Candide</i> is seen in the treatment of the historic event witnessed by Candide and Martin in <a href="/wiki/Portsmouth" title="Portsmouth">Portsmouth</a> harbour. There, the duo spy an anonymous admiral, supposed to represent <a href="/wiki/John_Byng" title="John Byng">John Byng</a>, being executed for failing to properly engage a French fleet. The admiral is blindfolded and shot on the deck of his own ship, merely "to encourage the others" (<a href="/wiki/French_language" title="French language">French</a>: <i lang="fr">pour encourager les autres</i>, an expression Voltaire is credited with originating). This depiction of military punishment trivializes Byng's death. The dry, pithy explanation "to encourage the others" thus satirises a serious historical event in characteristically Voltairian fashion. For its classic wit, this phrase has become one of the more often quoted from <i>Candide</i>.<sup id="cite_ref-davidson54_10-5" class="reference"><a href="#cite_note-davidson54-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-havens843_64-0" class="reference"><a href="#cite_note-havens843-64"><span class="cite-bracket">&#91;</span>64<span class="cite-bracket">&#93;</span></a></sup> </p><p>Voltaire depicts the worst of the world and his pathetic hero's desperate effort to fit it into an optimistic outlook. Almost all of <i>Candide</i> is a discussion of various forms of evil: its characters rarely find even temporary respite. There is at least one notable exception: the episode of <a href="/wiki/El_Dorado" title="El Dorado">El Dorado</a>, a fantastic village in which the inhabitants are simply rational, and their society is just and reasonable. The positivity of El Dorado may be contrasted with the pessimistic attitude of most of the book. Even in this case, the bliss of El Dorado is fleeting: Candide soon leaves the village to seek Cunégonde, whom he eventually marries only out of a sense of obligation.<sup id="cite_ref-aldridge251254_2-7" class="reference"><a href="#cite_note-aldridge251254-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-barasch3_59-2" class="reference"><a href="#cite_note-barasch3-59"><span class="cite-bracket">&#91;</span>59<span class="cite-bracket">&#93;</span></a></sup> </p><p>Another element of the satire focuses on what William F. Bottiglia, author of many published works on <i>Candide</i>, calls the "sentimental foibles of the age" and Voltaire's attack on them.<sup id="cite_ref-bottiglia8992_65-0" class="reference"><a href="#cite_note-bottiglia8992-65"><span class="cite-bracket">&#91;</span>65<span class="cite-bracket">&#93;</span></a></sup> Flaws in European culture are highlighted as <i>Candide</i> parodies adventure and romance clichés, mimicking the style of a <a href="/wiki/Picaresque_novel" title="Picaresque novel">picaresque novel</a>.<sup id="cite_ref-bottiglia8992_65-1" class="reference"><a href="#cite_note-bottiglia8992-65"><span class="cite-bracket">&#91;</span>65<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-66" class="reference"><a href="#cite_note-66"><span class="cite-bracket">&#91;</span>66<span class="cite-bracket">&#93;</span></a></sup> A number of archetypal characters thus have recognisable manifestations in Voltaire's work: Candide is supposed to be the drifting <a href="/wiki/Rogue_(vagrant)" class="mw-redirect" title="Rogue (vagrant)">rogue</a> of low <a href="/wiki/Class_structure" class="mw-redirect" title="Class structure">social class</a>, Cunégonde the sex interest, Pangloss the knowledgeable mentor, and Cacambo the skillful valet.<sup id="cite_ref-aldridge251254_2-8" class="reference"><a href="#cite_note-aldridge251254-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup> As the plot unfolds, readers find that Candide is no rogue, Cunégonde becomes ugly and Pangloss is a stubborn fool. The characters of <i>Candide</i> are unrealistic, two-dimensional, mechanical, and even <a href="/wiki/Marionette" title="Marionette">marionette</a>-like; they are simplistic and stereotypical.<sup id="cite_ref-wade1959b303_67-0" class="reference"><a href="#cite_note-wade1959b303-67"><span class="cite-bracket">&#91;</span>67<span class="cite-bracket">&#93;</span></a></sup> As the initially naïve protagonist eventually comes to a mature conclusion—however noncommittal—the novella is a <i><a href="/wiki/Bildungsroman" title="Bildungsroman">bildungsroman</a></i>, if not a very serious one.<sup id="cite_ref-aldridge251254_2-9" class="reference"><a href="#cite_note-aldridge251254-2"><span class="cite-bracket">&#91;</span>2<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-68" class="reference"><a href="#cite_note-68"><span class="cite-bracket">&#91;</span>68<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Garden_motif">Garden motif</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=12" title="Edit section: Garden motif"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Gardens are thought by many critics to play a critical symbolic role in <i>Candide</i>. The first location commonly identified as a garden is the castle of the Baron, from which Candide and Cunégonde are evicted much in the same fashion as <a href="/wiki/Adam_and_Eve" title="Adam and Eve">Adam and Eve</a> are evicted from the <a href="/wiki/Garden_of_Eden" title="Garden of Eden">Garden of Eden</a> in the <a href="/wiki/Book_of_Genesis" title="Book of Genesis">Book of Genesis</a>. Cyclically, the main characters of <i>Candide</i> conclude the novel in a garden of their own making, one which might represent celestial paradise. The third most prominent "garden" is <a href="/wiki/El_Dorado" title="El Dorado">El Dorado</a>, which may be a false Eden.<sup id="cite_ref-69" class="reference"><a href="#cite_note-69"><span class="cite-bracket">&#91;</span>69<span class="cite-bracket">&#93;</span></a></sup> Other possibly symbolic gardens include the Jesuit pavilion, the garden of Pococurante, Cacambo's garden, and the Turk's garden.<sup id="cite_ref-bottiglia727_70-0" class="reference"><a href="#cite_note-bottiglia727-70"><span class="cite-bracket">&#91;</span>70<span class="cite-bracket">&#93;</span></a></sup> </p><p>These gardens are probably references to the Garden of Eden, but it has also been proposed, by Bottiglia, for example, that the gardens refer also to the <i><a href="/wiki/Encyclop%C3%A9die" title="Encyclopédie">Encyclopédie</a></i>, and that Candide's conclusion to cultivate "his garden" symbolises Voltaire's great support for this endeavour. Candide and his companions, as they find themselves at the end of the novella, are in a very similar position to Voltaire's tightly knit philosophical circle which supported the <span title="French-language text"><i lang="fr">Encyclopédie</i></span>: the main characters of <i>Candide</i> live in seclusion to "cultivate [their] garden", just as Voltaire suggested his colleagues leave society to write. In addition, there is evidence in the <a href="/wiki/Epistle" title="Epistle">epistolary</a> correspondence of Voltaire that he had elsewhere used the metaphor of gardening to describe writing the <span title="French-language text"><i lang="fr">Encyclopédie</i></span>.<sup id="cite_ref-bottiglia727_70-1" class="reference"><a href="#cite_note-bottiglia727-70"><span class="cite-bracket">&#91;</span>70<span class="cite-bracket">&#93;</span></a></sup> Another interpretative possibility is that Candide cultivating "his garden" suggests his engaging in only necessary occupations, such as feeding oneself and fighting boredom. This is analogous to Voltaire's own view on gardening: he was himself a gardener at his estates in <a href="/wiki/Les_D%C3%A9lices" title="Les Délices">Les Délices</a> and <a href="/wiki/Ferney" class="mw-redirect" title="Ferney">Ferney</a>, and he often wrote in his correspondence that gardening was an important pastime of his own, it being an extraordinarily effective way to keep busy.<sup id="cite_ref-71" class="reference"><a href="#cite_note-71"><span class="cite-bracket">&#91;</span>71<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-scherr_72-0" class="reference"><a href="#cite_note-scherr-72"><span class="cite-bracket">&#91;</span>72<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-73" class="reference"><a href="#cite_note-73"><span class="cite-bracket">&#91;</span>73<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Philosophy">Philosophy</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=13" title="Edit section: Philosophy"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Optimism">Optimism</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=14" title="Edit section: Optimism"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><i>Candide</i> satirises various philosophical and religious theories that Voltaire had previously criticised. Primary among these is <a href="/wiki/Gottfried_Leibniz#Theodicy_and_optimism" class="mw-redirect" title="Gottfried Leibniz">Leibnizian optimism</a> (sometimes called <i>Panglossianism</i> after its fictional proponent), which Voltaire ridicules with descriptions of seemingly endless calamity.<sup id="cite_ref-davidson54_10-6" class="reference"><a href="#cite_note-davidson54-10"><span class="cite-bracket">&#91;</span>10<span class="cite-bracket">&#93;</span></a></sup> Voltaire demonstrates a variety of irredeemable evils in the world, leading many critics to contend that Voltaire's treatment of evil—specifically the theological problem of its existence—is the focus of the work.<sup id="cite_ref-74" class="reference"><a href="#cite_note-74"><span class="cite-bracket">&#91;</span>74<span class="cite-bracket">&#93;</span></a></sup> Heavily referenced in the text are the Lisbon earthquake, disease, and the sinking of ships in storms. Also, war, thievery, and murder—evils of human design—are explored as extensively in <i>Candide</i> as are environmental ills. Bottiglia notes Voltaire is "comprehensive" in his enumeration of the world's evils. He is unrelenting in attacking Leibnizian optimism.<sup id="cite_ref-75" class="reference"><a href="#cite_note-75"><span class="cite-bracket">&#91;</span>75<span class="cite-bracket">&#93;</span></a></sup> </p><p>Fundamental to Voltaire's attack is Candide's tutor Pangloss, a self-proclaimed follower of Leibniz and a teacher of his doctrine. Ridicule of Pangloss's theories thus ridicules Leibniz himself, and Pangloss's reasoning is silly at best. For example, Pangloss's first teachings of the narrative absurdly mix up cause and effect: </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote"><p><span title="French-language text"><i lang="fr">Il est démontré, disait-il, que les choses ne peuvent être autrement; car tout étant fait pour une fin, tout est nécessairement pour la meilleure fin. Remarquez bien que les nez ont été faits pour porter des lunettes; aussi avons-nous des lunettes.</i></span></p></blockquote> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote"><p>It is demonstrable that things cannot be otherwise than as they are; for as all things have been created for some end, they must necessarily be created for the best end. Observe, for instance, the nose is formed for spectacles, therefore we wear spectacles.<sup id="cite_ref-76" class="reference"><a href="#cite_note-76"><span class="cite-bracket">&#91;</span>76<span class="cite-bracket">&#93;</span></a></sup></p></blockquote> <p>Following such flawed reasoning even more doggedly than Candide, Pangloss defends optimism. Whatever their horrendous fortune, Pangloss reiterates "all is for the best" ("<span title="French-language text"><i lang="fr">Tout est pour le mieux</i></span>") and proceeds to "justify" the evil event's occurrence. A characteristic example of such <a href="/wiki/Theodicy" title="Theodicy">theodicy</a> is found in Pangloss's explanation of why it is good that <a href="/wiki/Syphilis" title="Syphilis">syphilis</a> exists: </p> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote"><p><span title="French-language text"><i lang="fr">c'était une chose indispensable dans le meilleur des mondes, un ingrédient nécessaire; car si Colomb n'avait pas attrapé dans une île de l'Amérique cette maladie qui empoisonne la source de la génération, qui souvent même empêche la génération, et qui est évidemment l'opposé du grand but de la nature, nous n'aurions ni le chocolat ni la <a href="/wiki/Cochineal" title="Cochineal">cochenille</a>;</i></span></p></blockquote> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote"><p>it was a thing unavoidable, a necessary ingredient in the best of worlds; for if Columbus had not caught in an island in America this disease, which contaminates the source of generation, and frequently impedes propagation itself, and is evidently opposed to the great end of nature, we should have had neither chocolate nor cochineal.<sup id="cite_ref-Smollett_2008,_Ch._4_50-1" class="reference"><a href="#cite_note-Smollett_2008,_Ch._4-50"><span class="cite-bracket">&#91;</span>50<span class="cite-bracket">&#93;</span></a></sup></p></blockquote> <p>Candide, the impressionable and incompetent student of Pangloss, often tries to justify evil, fails, invokes his mentor and eventually despairs. It is by these failures that Candide is painfully cured (as Voltaire would see it) of his optimism. </p><p>This critique of Voltaire's seems to be directed almost exclusively at Leibnizian optimism. <i>Candide</i> does not ridicule Voltaire's contemporary <a href="/wiki/Alexander_Pope" title="Alexander Pope">Alexander Pope</a>, a later optimist of slightly different convictions. <i>Candide</i> does not discuss Pope's optimistic principle that "all is right", but Leibniz's that states, "this is the best of all possible worlds". However subtle the difference between the two, <i>Candide</i> is unambiguous as to which is its subject. Some critics conjecture that Voltaire meant to spare Pope this ridicule out of respect, although Voltaire's <i>Poème</i> may have been written as a more direct response to Pope's theories. This work is similar to <i>Candide</i> in subject matter, but very different from it in style: the <i>Poème</i> embodies a more serious philosophical argument than <i>Candide</i>.<sup id="cite_ref-aldridge_251–254,_361_77-0" class="reference"><a href="#cite_note-aldridge_251–254,_361-77"><span class="cite-bracket">&#91;</span>77<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Conclusion">Conclusion</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=15" title="Edit section: Conclusion"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>The conclusion of the novel, in which Candide finally dismisses his tutor's optimism, leaves unresolved what philosophy the protagonist is to accept in its stead. This element of <i>Candide</i> has been written about voluminously, perhaps above all others. The conclusion is enigmatic and its analysis is contentious.<sup id="cite_ref-78" class="reference"><a href="#cite_note-78"><span class="cite-bracket">&#91;</span>78<span class="cite-bracket">&#93;</span></a></sup> </p><p>Voltaire develops no formal, systematic philosophy for the characters to adopt.<sup id="cite_ref-bottiglia2324_79-0" class="reference"><a href="#cite_note-bottiglia2324-79"><span class="cite-bracket">&#91;</span>79<span class="cite-bracket">&#93;</span></a></sup> The conclusion of the novel may be thought of not as a philosophical alternative to optimism, but as a prescribed practical outlook (though <em>what</em> it prescribes is in dispute). Many critics have concluded that one minor character or another is portrayed as having the right philosophy. For instance, a number believe that Martin is treated sympathetically, and that his character holds Voltaire's ideal philosophy—pessimism. Others disagree, citing Voltaire's negative descriptions of Martin's principles and the conclusion of the work in which Martin plays little part.<sup id="cite_ref-bottiglia726_80-0" class="reference"><a href="#cite_note-bottiglia726-80"><span class="cite-bracket">&#91;</span>80<span class="cite-bracket">&#93;</span></a></sup> </p><p>Within debates attempting to decipher the conclusion of <i>Candide</i> lies another primary <i>Candide</i> debate. This one concerns the degree to which Voltaire was advocating a pessimistic philosophy, by which Candide and his companions give up hope for a better world. Critics argue that the group's reclusion on the farm signifies Candide and his companions' loss of hope for the rest of the human race. This view is to be compared to a reading that presents Voltaire as advocating a <a href="/wiki/Meliorism" title="Meliorism">melioristic</a> philosophy and a precept committing the travellers to improving the world through metaphorical gardening. This debate, and others, focuses on the question of whether or not Voltaire was prescribing passive retreat from society, or active industrious contribution to it.<sup id="cite_ref-81" class="reference"><a href="#cite_note-81"><span class="cite-bracket">&#91;</span>81<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Inside_vs._outside_interpretations">Inside vs. outside interpretations</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=16" title="Edit section: Inside vs. outside interpretations"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Separate from the debate about the text's conclusion is the "inside/outside" controversy. This argument centers on the matter of whether or not Voltaire was actually prescribing anything. Roy Wolper, professor emeritus of English, argues in a revolutionary 1969 paper that <i>Candide</i> does not necessarily speak for its author; that the work should be viewed as a narrative independent of Voltaire's history; and that its message is entirely (or mostly) <em>inside</em> it. This point of view, the "inside", specifically rejects attempts to find Voltaire's "voice" in the many characters of <i>Candide</i> and his other works. Indeed, writers have seen Voltaire as speaking through at least Candide, Martin, and the Turk. Wolper argues that <i>Candide</i> should be read with a minimum of speculation as to its meaning in Voltaire's personal life. His article ushered in a new era of Voltaire studies, causing many scholars to look at the novel differently.<sup id="cite_ref-82" class="reference"><a href="#cite_note-82"><span class="cite-bracket">&#91;</span>82<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-83" class="reference"><a href="#cite_note-83"><span class="cite-bracket">&#91;</span>83<span class="cite-bracket">&#93;</span></a></sup> </p><p>Critics such as Lester Crocker, Henry Stavan, and Vivienne Mylne find too many similarities between <i>Candide</i><span class="nowrap" style="padding-left:0.1em;">&#39;</span>s point of view and that of Voltaire to accept the "inside" view; they support the "outside" interpretation. They believe that Candide's final decision is the same as Voltaire's, and see a strong connection between the development of the protagonist and his author.<sup id="cite_ref-bottiglia719_84-0" class="reference"><a href="#cite_note-bottiglia719-84"><span class="cite-bracket">&#91;</span>84<span class="cite-bracket">&#93;</span></a></sup> Some scholars who support the "outside" view also believe that the isolationist philosophy of the Old Turk closely mirrors that of Voltaire. Others see a strong parallel between Candide's gardening at the conclusion and the gardening of the author.<sup id="cite_ref-braun569571_85-0" class="reference"><a href="#cite_note-braun569571-85"><span class="cite-bracket">&#91;</span>85<span class="cite-bracket">&#93;</span></a></sup> Martine Darmon Meyer argues that the "inside" view fails to see the satirical work in context, and that denying that <i>Candide</i> is primarily a mockery of optimism (a matter of historical context) is a "very basic betrayal of the text".<sup id="cite_ref-braun574_86-0" class="reference"><a href="#cite_note-braun574-86"><span class="cite-bracket">&#91;</span>86<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-87" class="reference"><a href="#cite_note-87"><span class="cite-bracket">&#91;</span>87<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Reception">Reception</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=17" title="Edit section: Reception"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1224211176">.mw-parser-output .quotebox{background-color:#F9F9F9;border:1px solid #aaa;box-sizing:border-box;padding:10px;font-size:88%;max-width:100%}.mw-parser-output .quotebox.floatleft{margin:.5em 1.4em .8em 0}.mw-parser-output .quotebox.floatright{margin:.5em 0 .8em 1.4em}.mw-parser-output .quotebox.centered{overflow:hidden;position:relative;margin:.5em auto .8em auto}.mw-parser-output .quotebox.floatleft span,.mw-parser-output .quotebox.floatright span{font-style:inherit}.mw-parser-output .quotebox>blockquote{margin:0;padding:0;border-left:0;font-family:inherit;font-size:inherit}.mw-parser-output .quotebox-title{text-align:center;font-size:110%;font-weight:bold}.mw-parser-output .quotebox-quote>:first-child{margin-top:0}.mw-parser-output .quotebox-quote:last-child>:last-child{margin-bottom:0}.mw-parser-output .quotebox-quote.quoted:before{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" “ ";vertical-align:-45%;line-height:0}.mw-parser-output .quotebox-quote.quoted:after{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" ” ";line-height:0}.mw-parser-output .quotebox .left-aligned{text-align:left}.mw-parser-output .quotebox .right-aligned{text-align:right}.mw-parser-output .quotebox .center-aligned{text-align:center}.mw-parser-output .quotebox .quote-title,.mw-parser-output .quotebox .quotebox-quote{display:block}.mw-parser-output .quotebox cite{display:block;font-style:normal}@media screen and (max-width:640px){.mw-parser-output .quotebox{width:100%!important;margin:0 0 .8em!important;float:none!important}}</style><div class="quotebox pullquote floatright" style="width:30%; ;"> <blockquote class="quotebox-quote left-aligned" style=""> <p><span title="French-language text"><span lang="fr" style="font-style: normal;">De roman, Voltaire en a fait un, lequel est le résumé de toutes ses œuvres&#160;... Toute son intelligence était une machine de guerre. Et ce qui me le fait chérir, c'est le dégoût que m'inspirent les voltairiens, des gens qui rient sur les grandes choses! <em>Est-ce qu'il riait, lui? Il grinçait&#160;...</em></span></span> </p> </blockquote> <div style="padding-bottom: 0; padding-top: 0.5em"><cite class="left-aligned" style="">—&#8201;Flaubert, <i><a href="/wiki/Flaubert%27s_letters" title="Flaubert&#39;s letters">Correspondance</a></i>, éd. Conard, II, 348; III, 219<sup id="cite_ref-Voltaire_1759_1931,_p._vii_88-0" class="reference"><a href="#cite_note-Voltaire_1759_1931,_p._vii-88"><span class="cite-bracket">&#91;</span>88<span class="cite-bracket">&#93;</span></a></sup></cite></div> </div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176"><div class="quotebox pullquote floatright" style="width:30%; ;"> <blockquote class="quotebox-quote left-aligned" style=""> <p>Voltaire made, with this novel, a résumé of all his works&#160;... His whole intelligence was a war machine. And what makes me cherish it is the disgust which has been inspired in me by the Voltairians, people who laugh about the important things! <em>Was he laughing? Voltaire? He was screeching&#160;...</em> </p> </blockquote> <div style="padding-bottom: 0; padding-top: 0.5em"><cite class="left-aligned" style="">—&#8201;Flaubert, <i>Correspondance</i>, éd. Conard, II, 348; III, 219<sup id="cite_ref-Voltaire_1759_1931,_p._vii_88-1" class="reference"><a href="#cite_note-Voltaire_1759_1931,_p._vii-88"><span class="cite-bracket">&#91;</span>88<span class="cite-bracket">&#93;</span></a></sup></cite></div> </div> <p>Though Voltaire did not openly admit to having written the controversial <i>Candide</i> until 1768 (until then he signed with a pseudonym: "Monsieur le docteur Ralph", or "Doctor Ralph"<sup id="cite_ref-89" class="reference"><a href="#cite_note-89"><span class="cite-bracket">&#91;</span>89<span class="cite-bracket">&#93;</span></a></sup>), his authorship of the work was hardly disputed.<sup id="cite_ref-mason1315_90-0" class="reference"><a href="#cite_note-mason1315-90"><span class="cite-bracket">&#91;</span>90<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-92" class="reference"><a href="#cite_note-92"><span class="cite-bracket">&#91;</span>a<span class="cite-bracket">&#93;</span></a></sup> </p><p>Immediately after publication, the work and its author were denounced by both secular and religious authorities, because the book openly derides government and church alike. It was because of such polemics that Omer-Louis-François Joly de Fleury, who was <a href="/wiki/Advocate_General" class="mw-redirect" title="Advocate General">Advocate General</a> to the Parisian <a href="/wiki/Parliament" title="Parliament">parliament</a> when <i>Candide</i> was published, found parts of <i>Candide</i> to be "contrary to religion and morals".<sup id="cite_ref-mason1315_90-1" class="reference"><a href="#cite_note-mason1315-90"><span class="cite-bracket">&#91;</span>90<span class="cite-bracket">&#93;</span></a></sup> </p><p>Despite much official indictment, soon after its publication, <i>Candide</i><span class="nowrap" style="padding-left:0.1em;">&#39;</span>s irreverent prose was being quoted. "Let us eat a Jesuit", for instance, became a popular phrase for its reference to a humorous passage in <i>Candide</i>.<sup id="cite_ref-mason3_93-0" class="reference"><a href="#cite_note-mason3-93"><span class="cite-bracket">&#91;</span>92<span class="cite-bracket">&#93;</span></a></sup> By the end of February 1759, the <a href="/wiki/Grand_Council_of_Geneva" title="Grand Council of Geneva">Grand Council of Geneva</a> and the administrators of Paris had banned <i>Candide</i>.<sup id="cite_ref-williams123_4-4" class="reference"><a href="#cite_note-williams123-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> <i>Candide</i> nevertheless succeeded in selling twenty thousand to thirty thousand copies by the end of the year in more than twenty editions, making it a best seller. The Duke de La Vallière speculated near the end of January 1759 that <i>Candide</i> might have been the fastest-selling book ever.<sup id="cite_ref-mason1315_90-2" class="reference"><a href="#cite_note-mason1315-90"><span class="cite-bracket">&#91;</span>90<span class="cite-bracket">&#93;</span></a></sup> In 1762, <i>Candide</i> was listed in the <i><a href="/wiki/Index_Librorum_Prohibitorum" title="Index Librorum Prohibitorum">Index Librorum Prohibitorum</a></i>, the Roman Catholic Church's list of prohibited books.<sup id="cite_ref-williams123_4-5" class="reference"><a href="#cite_note-williams123-4"><span class="cite-bracket">&#91;</span>4<span class="cite-bracket">&#93;</span></a></sup> </p><p>Bannings of <i>Candide</i> lasted into the twentieth century in the United States, where it has long been considered a seminal work of Western literature. At least once, <i>Candide</i> was temporarily barred from entering America: in February 1929, a US <a href="/wiki/Customs" title="Customs">customs</a> official in <a href="/wiki/Boston" title="Boston">Boston</a> prevented a number of copies of the book, deemed "obscene",<sup id="cite_ref-haight_94-0" class="reference"><a href="#cite_note-haight-94"><span class="cite-bracket">&#91;</span>93<span class="cite-bracket">&#93;</span></a></sup> from reaching a <a href="/wiki/Harvard_University" title="Harvard University">Harvard University</a> French class. <i>Candide</i> was admitted in August of the same year; however by that time the class was over.<sup id="cite_ref-haight_94-1" class="reference"><a href="#cite_note-haight-94"><span class="cite-bracket">&#91;</span>93<span class="cite-bracket">&#93;</span></a></sup> In an interview soon after <i>Candide</i><span class="nowrap" style="padding-left:0.1em;">&#39;</span>s detention, the official who confiscated the book explained the office's decision to ban it, "But about 'Candide,' I'll tell you. For years we've been letting that book get by. There were so many different editions, all sizes and kinds, some illustrated and some plain, that we figured the book must be all right. Then one of us happened to read it. It's a filthy book".<sup id="cite_ref-95" class="reference"><a href="#cite_note-95"><span class="cite-bracket">&#91;</span>94<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-96" class="reference"><a href="#cite_note-96"><span class="cite-bracket">&#91;</span>95<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-97" class="reference"><a href="#cite_note-97"><span class="cite-bracket">&#91;</span>96<span class="cite-bracket">&#93;</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Legacy">Legacy</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=18" title="Edit section: Legacy"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p><i>Candide</i> is the most widely read of Voltaire's many works,<sup id="cite_ref-ayer139_63-1" class="reference"><a href="#cite_note-ayer139-63"><span class="cite-bracket">&#91;</span>63<span class="cite-bracket">&#93;</span></a></sup> and it is considered one of the great achievements of <a href="/wiki/Western_literature" title="Western literature">Western literature</a>.<sup id="cite_ref-aldridge260_11-1" class="reference"><a href="#cite_note-aldridge260-11"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup> William F. Bottiglia opines, "The physical size of <i>Candide</i>, as well as Voltaire's attitude toward his fiction, precludes the achievement of artistic dimension through <a href="/wiki/Word_count" title="Word count">plenitude</a>, <a href="/wiki/Character_(arts)#Round_vs._flat" title="Character (arts)">autonomous '3D' vitality</a>, emotional resonance, or <a href="/wiki/Romanticism" title="Romanticism">poetic exaltation</a>. <i>Candide</i>, then, cannot in quantity or quality, measure up to the supreme classics" such as the works of <a href="/wiki/Homer" title="Homer">Homer</a> or <a href="/wiki/William_Shakespeare" title="William Shakespeare">Shakespeare</a>, <a href="/wiki/Sophocles" title="Sophocles">Sophocles</a>, <a href="/wiki/Geoffrey_Chaucer" title="Geoffrey Chaucer">Chaucer</a>, <a href="/wiki/Dante_Alighieri" title="Dante Alighieri">Dante</a>, <a href="/wiki/Miguel_de_Cervantes" title="Miguel de Cervantes">Cervantes</a>, <a href="/wiki/Henry_Fielding" title="Henry Fielding">Fielding</a>, <a href="/wiki/Johann_Wolfgang_von_Goethe" title="Johann Wolfgang von Goethe">Goethe</a>, <a href="/wiki/Fyodor_Dostoevsky" title="Fyodor Dostoevsky">Dostoevsky</a>, <a href="/wiki/Leo_Tolstoy" title="Leo Tolstoy">Tolstoy</a>, <a href="/wiki/Jean_Racine" title="Jean Racine">Racine</a>, or <a href="/wiki/Moli%C3%A8re" title="Molière">Molière</a>.<sup id="cite_ref-bott247_98-0" class="reference"><a href="#cite_note-bott247-98"><span class="cite-bracket">&#91;</span>97<span class="cite-bracket">&#93;</span></a></sup> Bottiglia instead calls it a miniature classic; but others have been more forgiving of its size.<sup id="cite_ref-aldridge260_11-2" class="reference"><a href="#cite_note-aldridge260-11"><span class="cite-bracket">&#91;</span>11<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-bott247_98-1" class="reference"><a href="#cite_note-bott247-98"><span class="cite-bracket">&#91;</span>97<span class="cite-bracket">&#93;</span></a></sup> As the only work of Voltaire which has remained popular up to the present day,<sup id="cite_ref-mason2_99-0" class="reference"><a href="#cite_note-mason2-99"><span class="cite-bracket">&#91;</span>98<span class="cite-bracket">&#93;</span></a></sup> <i>Candide</i> is listed in <a href="/wiki/Harold_Bloom" title="Harold Bloom">Harold Bloom</a>'s <i><a href="/wiki/The_Western_Canon:_The_Books_and_School_of_the_Ages" class="mw-redirect" title="The Western Canon: The Books and School of the Ages">The Western Canon: The Books and School of the Ages</a></i>. It is included in the <a href="/wiki/Encyclop%C3%A6dia_Britannica" title="Encyclopædia Britannica">Encyclopædia Britannica</a> collection <i><a href="/wiki/Great_Books_of_the_Western_World" title="Great Books of the Western World">Great Books of the Western World</a></i>.<sup id="cite_ref-100" class="reference"><a href="#cite_note-100"><span class="cite-bracket">&#91;</span>99<span class="cite-bracket">&#93;</span></a></sup> <i>Candide</i> has influenced modern writers of <a href="/wiki/Black_comedy" title="Black comedy">black humour</a> such as <a href="/wiki/Louis-Ferdinand_C%C3%A9line" title="Louis-Ferdinand Céline">Céline</a>, <a href="/wiki/Joseph_Heller" title="Joseph Heller">Joseph Heller</a>, <a href="/wiki/John_Barth" title="John Barth">John Barth</a>, <a href="/wiki/Thomas_Pynchon" title="Thomas Pynchon">Thomas Pynchon</a>, <a href="/wiki/Kurt_Vonnegut" title="Kurt Vonnegut">Kurt Vonnegut</a>, and <a href="/wiki/Terry_Southern" title="Terry Southern">Terry Southern</a>. Its parody and picaresque methods have become favourites of black humorists.<sup id="cite_ref-101" class="reference"><a href="#cite_note-101"><span class="cite-bracket">&#91;</span>100<span class="cite-bracket">&#93;</span></a></sup> </p><p><a href="/wiki/Charles_Brockden_Brown" title="Charles Brockden Brown">Charles Brockden Brown</a>, an early American novelist, may have been directly affected by Voltaire, whose work he knew well. <a href="/wiki/Mark_Kamrath" title="Mark Kamrath">Mark Kamrath</a>, professor of English, describes the strength of the connection between <i>Candide</i> and Brown's <i><a href="/wiki/Edgar_Huntly;_or,_Memoirs_of_a_Sleep-Walker" class="mw-redirect" title="Edgar Huntly; or, Memoirs of a Sleep-Walker">Edgar Huntly; or, Memoirs of a Sleep-Walker</a></i> (1799): "An unusually large number of parallels...crop up in the two novels, particularly in terms of characters and plot." For instance, the protagonists of both novels are romantically involved with a recently orphaned young woman. Furthermore, in both works the brothers of the female lovers are Jesuits, and each is murdered (although under different circumstances).<sup id="cite_ref-kamrath_102-0" class="reference"><a href="#cite_note-kamrath-102"><span class="cite-bracket">&#91;</span>101<span class="cite-bracket">&#93;</span></a></sup> </p><p>Some twentieth-century novels that may have been influenced by <i>Candide</i> are some <a href="/wiki/Dystopia" title="Dystopia">dystopian</a> <a href="/wiki/Science-fiction" class="mw-redirect" title="Science-fiction">science-fiction</a> works. <a href="/wiki/Armand_Mattelart" title="Armand Mattelart">Armand Mattelart</a>, a French critic, sees <i>Candide</i> in <a href="/wiki/Aldous_Huxley" title="Aldous Huxley">Aldous Huxley</a>'s <i><a href="/wiki/Brave_New_World" title="Brave New World">Brave New World</a></i>, <a href="/wiki/George_Orwell" title="George Orwell">George Orwell</a>'s <i><a href="/wiki/Nineteen_Eighty-Four" title="Nineteen Eighty-Four">Nineteen Eighty-Four</a></i>, and <a href="/wiki/Yevgeny_Zamyatin" title="Yevgeny Zamyatin">Yevgeny Zamyatin</a>'s <i><a href="/wiki/We_(novel)" title="We (novel)">We</a></i>, three canonical works of the genre. Specifically, Mattelart writes that in each of these works, there exist references to <i>Candide</i><span class="nowrap" style="padding-left:0.1em;">&#39;</span>s popularisation of the phrase "the best of all possible worlds". He cites as evidence, for example, that the French version of <i>Brave New World</i> was entitled <span title="French-language text"><i lang="fr">Le Meilleur des mondes</i></span> (<abbr style="font-size:85%" title="literal translation"><a href="/wiki/Literal_translation" title="Literal translation">lit.</a></abbr><span style="white-space: nowrap;">&#8201;</span><span class="gloss-quot">'</span><span class="gloss-text">"The best of worlds"</span><span class="gloss-quot">'</span>).<sup id="cite_ref-monty5_103-0" class="reference"><a href="#cite_note-monty5-103"><span class="cite-bracket">&#91;</span>102<span class="cite-bracket">&#93;</span></a></sup> </p><p>Readers of <i>Candide</i> often compare it with certain works of the modern genre the <a href="/wiki/Theatre_of_the_Absurd" class="mw-redirect" title="Theatre of the Absurd">Theatre of the Absurd</a>. Haydn Mason, a Voltaire scholar, sees in <i>Candide</i> a few similarities to this brand of literature. For instance, he notes commonalities of <i>Candide</i> and <i><a href="/wiki/Waiting_for_Godot" title="Waiting for Godot">Waiting for Godot</a></i> (1952). In both of these works, and in a similar manner, friendship provides emotional support for characters when they are confronted with harshness of their existences.<sup id="cite_ref-mason3337_104-0" class="reference"><a href="#cite_note-mason3337-104"><span class="cite-bracket">&#91;</span>103<span class="cite-bracket">&#93;</span></a></sup> However, Mason qualifies, "the <span title="French-language text"><i lang="fr">conte</i></span> must not be seen as a forerunner of the 'absurd' in modern fiction. Candide's world has many ridiculous and meaningless elements, but human beings are not totally deprived of the ability to make sense out of it."<sup id="cite_ref-mason98_105-0" class="reference"><a href="#cite_note-mason98-105"><span class="cite-bracket">&#91;</span>104<span class="cite-bracket">&#93;</span></a></sup> <a href="/w/index.php?title=John_Pilling&amp;action=edit&amp;redlink=1" class="new" title="John Pilling (page does not exist)">John Pilling</a>, biographer of Beckett, does state that <i>Candide</i> was an early and powerful influence on Beckett's thinking.<sup id="cite_ref-monty151_106-0" class="reference"><a href="#cite_note-monty151-106"><span class="cite-bracket">&#91;</span>105<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Rosa_Luxemburg" title="Rosa Luxemburg">Rosa Luxemburg</a>, in the aftermath of the First World War, remarked upon re-reading <i>Candide</i>: "Before the war, I would have thought this wicked compilation of all human misery a caricature. Now it strikes me as altogether realistic."<sup id="cite_ref-107" class="reference"><a href="#cite_note-107"><span class="cite-bracket">&#91;</span>106<span class="cite-bracket">&#93;</span></a></sup> </p><p>The American alternative rock band <a href="/wiki/Bloodhound_Gang" title="Bloodhound Gang">Bloodhound Gang</a> refer to <i>Candide</i> in their song "Take the Long Way Home", from the American edition of their 1999 album <i><a href="/wiki/Hooray_for_Boobies" title="Hooray for Boobies">Hooray for Boobies</a></i>. </p> <div class="mw-heading mw-heading3"><h3 id="Derivative_works">Derivative works</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=19" title="Edit section: Derivative works"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Leonard_Bernstein_NYWTS_1955.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d3/Leonard_Bernstein_NYWTS_1955.jpg/220px-Leonard_Bernstein_NYWTS_1955.jpg" decoding="async" width="220" height="183" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d3/Leonard_Bernstein_NYWTS_1955.jpg/330px-Leonard_Bernstein_NYWTS_1955.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d3/Leonard_Bernstein_NYWTS_1955.jpg/440px-Leonard_Bernstein_NYWTS_1955.jpg 2x" data-file-width="3331" data-file-height="2778" /></a><figcaption><a href="/wiki/Leonard_Bernstein" title="Leonard Bernstein">Leonard Bernstein</a> in 1955</figcaption></figure> <p>In 1760, one year after Voltaire published <i>Candide</i>, a sequel was published with the name <span title="French-language text"><i lang="fr"><a href="/wiki/Candide,_Part_II" title="Candide, Part II">Candide, ou l'optimisme, seconde partie</a></i></span>.<sup id="cite_ref-astbury503_108-0" class="reference"><a href="#cite_note-astbury503-108"><span class="cite-bracket">&#91;</span>107<span class="cite-bracket">&#93;</span></a></sup> This work is attributed both to <a href="/w/index.php?title=Thorel_de_Campigneulles&amp;action=edit&amp;redlink=1" class="new" title="Thorel de Campigneulles (page does not exist)">Thorel de Campigneulles</a>, a writer unknown today, and <a href="/wiki/Henri_Joseph_Du_Laurens" class="mw-redirect" title="Henri Joseph Du Laurens">Henri Joseph Du Laurens</a>, who is suspected of having habitually <a href="/wiki/Plagiarise" class="mw-redirect" title="Plagiarise">plagiarised</a> Voltaire.<sup id="cite_ref-109" class="reference"><a href="#cite_note-109"><span class="cite-bracket">&#91;</span>108<span class="cite-bracket">&#93;</span></a></sup> The story continues in this sequel with Candide having new adventures in the <a href="/wiki/Ottoman_Empire" title="Ottoman Empire">Ottoman Empire</a>, <a href="/wiki/Afsharid_dynasty" title="Afsharid dynasty">Persia</a>, and <a href="/wiki/History_of_Denmark#Absolutism" title="History of Denmark">Denmark</a>. <i>Part II</i> has potential use in studies of the popular and literary receptions of <i>Candide</i>, but is almost certainly <a href="/wiki/Apocrypha" title="Apocrypha">apocryphal</a>.<sup id="cite_ref-astbury503_108-1" class="reference"><a href="#cite_note-astbury503-108"><span class="cite-bracket">&#91;</span>107<span class="cite-bracket">&#93;</span></a></sup> In total, by the year 1803, at least ten imitations of <i>Candide</i> or continuations of its story were published by authors other than Voltaire.<sup id="cite_ref-mason1315_90-3" class="reference"><a href="#cite_note-mason1315-90"><span class="cite-bracket">&#91;</span>90<span class="cite-bracket">&#93;</span></a></sup> </p><p><i>Candide</i> was adapted for the radio anthology program <i><a href="/wiki/On_Stage_(radio_show)" title="On Stage (radio show)">On Stage</a></i> in 1953. Richard Chandlee wrote the script; <a href="/wiki/Elliott_Lewis_(actor)" title="Elliott Lewis (actor)">Elliott Lewis</a>, <a href="/wiki/Cathy_Lewis" title="Cathy Lewis">Cathy Lewis</a>, <a href="/wiki/Edgar_Barrier" title="Edgar Barrier">Edgar Barrier</a>, <a href="/wiki/Byron_Kane" title="Byron Kane">Byron Kane</a>, <a href="/wiki/Jack_Kruschen" title="Jack Kruschen">Jack Kruschen</a>, <a href="/wiki/Howard_McNear" title="Howard McNear">Howard McNear</a>, <a href="/wiki/Larry_Thor" title="Larry Thor">Larry Thor</a>, <a href="/wiki/Martha_Wentworth" title="Martha Wentworth">Martha Wentworth</a>, and <a href="/wiki/Ben_Wright_(English_actor)" title="Ben Wright (English actor)">Ben Wright</a> performed.<sup id="cite_ref-110" class="reference"><a href="#cite_note-110"><span class="cite-bracket">&#91;</span>109<span class="cite-bracket">&#93;</span></a></sup> </p><p>The operetta <i><a href="/wiki/Candide_(operetta)" title="Candide (operetta)">Candide</a></i> was originally conceived by playwright <a href="/wiki/Lillian_Hellman" title="Lillian Hellman">Lillian Hellman</a>, as a play with incidental music. <a href="/wiki/Leonard_Bernstein" title="Leonard Bernstein">Leonard Bernstein</a>, the American <a href="/wiki/Composer" title="Composer">composer</a> and <a href="/wiki/Conductor_(music)" class="mw-redirect" title="Conductor (music)">conductor</a> who wrote the music, was so excited about the project that he convinced Hellman to do it as a "comic operetta".<sup id="cite_ref-111" class="reference"><a href="#cite_note-111"><span class="cite-bracket">&#91;</span>110<span class="cite-bracket">&#93;</span></a></sup> Many lyricists worked on the show, including <a href="/wiki/James_Agee" title="James Agee">James Agee</a>, <a href="/wiki/Dorothy_Parker" title="Dorothy Parker">Dorothy Parker</a>, <a href="/wiki/John_La_Touche_(musician)" class="mw-redirect" title="John La Touche (musician)">John Latouche</a>, <a href="/wiki/Richard_Wilbur" title="Richard Wilbur">Richard Wilbur</a>, Leonard and <a href="/wiki/Felicia_Bernstein" class="mw-redirect" title="Felicia Bernstein">Felicia Bernstein</a>, and Hellman. <a href="/wiki/Hershy_Kay" title="Hershy Kay">Hershy Kay</a> orchestrated all the pieces except for the <a href="/wiki/Overture" title="Overture">overture</a>, which Bernstein did himself.<sup id="cite_ref-peyser248_112-0" class="reference"><a href="#cite_note-peyser248-112"><span class="cite-bracket">&#91;</span>111<span class="cite-bracket">&#93;</span></a></sup> <i>Candide</i> first opened on <a href="/wiki/Broadway_theatre" title="Broadway theatre">Broadway</a> as a <a href="/wiki/Musical_theatre" title="Musical theatre">musical</a> on 1 December 1956. The premier production was directed by <a href="/wiki/Tyrone_Guthrie" title="Tyrone Guthrie">Tyrone Guthrie</a> and conducted by <a href="/wiki/Samuel_Krachmalnick" title="Samuel Krachmalnick">Samuel Krachmalnick</a>.<sup id="cite_ref-peyser248_112-1" class="reference"><a href="#cite_note-peyser248-112"><span class="cite-bracket">&#91;</span>111<span class="cite-bracket">&#93;</span></a></sup> While this production was a box office flop, the music was highly praised, and an original cast album was made. The album gradually became a cult hit, but Hellman's libretto was criticised as being too serious an adaptation of Voltaire's novel.<sup id="cite_ref-113" class="reference"><a href="#cite_note-113"><span class="cite-bracket">&#91;</span>112<span class="cite-bracket">&#93;</span></a></sup> <i>Candide</i> has been revised and reworked several times. The first New York revival, directed by <a href="/wiki/Hal_Prince" class="mw-redirect" title="Hal Prince">Hal Prince</a>, featured an entirely new libretto by <a href="/wiki/Hugh_Wheeler" title="Hugh Wheeler">Hugh Wheeler</a> and additional lyrics by <a href="/wiki/Stephen_Sondheim" title="Stephen Sondheim">Stephen Sondheim</a>. Bernstein revised the work again in 1987 with the collaboration of <a href="/wiki/John_Mauceri" title="John Mauceri">John Mauceri</a> and <a href="/wiki/John_Wells_(satirist)" title="John Wells (satirist)">John Wells</a>. After Bernstein's death, further revised productions of the musical were performed in versions prepared by <a href="/wiki/Trevor_Nunn" title="Trevor Nunn">Trevor Nunn</a> and <a href="/wiki/John_Caird_(director)" title="John Caird (director)">John Caird</a> in 1999, and <a href="/wiki/Mary_Zimmerman" title="Mary Zimmerman">Mary Zimmerman</a> in 2010. </p><p>The BBC produced a television adaptation in 1973, with <a href="/wiki/Ian_Ogilvy" title="Ian Ogilvy">Ian Ogilvy</a> as Candide, <a href="/wiki/Emrys_James" title="Emrys James">Emrys James</a> as Dr. Pangloss, and <a href="/wiki/Frank_Finlay" title="Frank Finlay">Frank Finlay</a> as Voltaire himself, acting as the narrator.<sup id="cite_ref-114" class="reference"><a href="#cite_note-114"><span class="cite-bracket">&#91;</span>113<span class="cite-bracket">&#93;</span></a></sup> </p><p><i><a href="/w/index.php?title=Candido,_ovvero_un_sogno_fatto_in_Sicilia&amp;action=edit&amp;redlink=1" class="new" title="Candido, ovvero un sogno fatto in Sicilia (page does not exist)">Candido, ovvero un sogno fatto in Sicilia</a><span class="noprint" style="font-size:85%; font-style: normal;">&#160;&#91;<a href="https://it.wikipedia.org/wiki/Candido,_ovvero_un_sogno_fatto_in_Sicilia" class="extiw" title="it:Candido, ovvero un sogno fatto in Sicilia">it</a>&#93;</span></i> (1977) or simply <span title="Italian-language text"><i lang="it">Candido</i></span> is a book by <a href="/wiki/Leonardo_Sciascia" title="Leonardo Sciascia">Leonardo Sciascia</a>. It was at least partly based on Voltaire's <i>Candide</i>, although the actual influence of <i>Candide</i> on <span title="Italian-language text"><i lang="it">Candido</i></span> is a hotly debated topic. A number of theories on the matter have been proposed. Proponents of one say that <span title="Italian-language text"><i lang="it">Candido</i></span> is very similar to <i>Candide</i>, only with a happy ending; supporters of another claim that Voltaire provided Sciascia with only a starting point from which to work, that the two books are quite distinct.<sup id="cite_ref-morrison59_115-0" class="reference"><a href="#cite_note-morrison59-115"><span class="cite-bracket">&#91;</span>114<span class="cite-bracket">&#93;</span></a></sup><sup id="cite_ref-116" class="reference"><a href="#cite_note-116"><span class="cite-bracket">&#91;</span>115<span class="cite-bracket">&#93;</span></a></sup> </p><p><a href="/wiki/Nedim_G%C3%BCrsel" title="Nedim Gürsel">Nedim Gürsel</a> wrote his 2001 novel <i>Le voyage de Candide à Istanbul</i> about a minor passage in <i>Candide</i> during which its protagonist meets <a href="/wiki/Ahmed_III" title="Ahmed III">Ahmed III</a>, the deposed <a href="/wiki/Ottoman_Empire" title="Ottoman Empire">Turkish</a> <a href="/wiki/Sultan" title="Sultan">sultan</a>. This chance meeting on a ship from Venice to Istanbul is the setting of Gürsel's book.<sup id="cite_ref-hitchins160_117-0" class="reference"><a href="#cite_note-hitchins160-117"><span class="cite-bracket">&#91;</span>116<span class="cite-bracket">&#93;</span></a></sup> <a href="/wiki/Terry_Southern" title="Terry Southern">Terry Southern</a>, in writing his popular novel <i><a href="/wiki/Candy_(Southern_and_Hoffenberg_novel)" title="Candy (Southern and Hoffenberg novel)">Candy</a></i> with <a href="/wiki/Mason_Hoffenberg" title="Mason Hoffenberg">Mason Hoffenberg</a> adapted <i>Candide</i> for a modern audience and changed the protagonist from male to female. <i>Candy</i> deals with the rejection of a sort of optimism which the author sees in women's magazines of the modern era; <i>Candy</i> also parodies <a href="/wiki/Pornography" title="Pornography">pornography</a> and <a href="/wiki/Popular_psychology" title="Popular psychology">popular psychology</a>. This adaptation of <i>Candide</i> <a href="/wiki/Candy_(1968_film)" title="Candy (1968 film)">was adapted for the cinema</a> by director <a href="/wiki/Christian_Marquand" title="Christian Marquand">Christian Marquand</a> in 1968.<sup id="cite_ref-silva784785_118-0" class="reference"><a href="#cite_note-silva784785-118"><span class="cite-bracket">&#91;</span>117<span class="cite-bracket">&#93;</span></a></sup> </p><p>In addition to the above, <i>Candide</i> was made into a number of minor films and theatrical adaptations throughout the twentieth century. For a list of these, see <span title="French-language text"><i lang="fr">Voltaire: Candide ou L'Optimisme et autres contes</i></span> (1989) with preface and commentaries by Pierre Malandain.<sup id="cite_ref-119" class="reference"><a href="#cite_note-119"><span class="cite-bracket">&#91;</span>118<span class="cite-bracket">&#93;</span></a></sup> </p><p>In May 2009, a play titled <i>Optimism</i>, based on <i>Candide</i>, opened at the <a href="/w/index.php?title=CUB_Malthouse_Theatre&amp;action=edit&amp;redlink=1" class="new" title="CUB Malthouse Theatre (page does not exist)">CUB Malthouse Theatre</a> in Melbourne. It followed the basic story of <i>Candide</i>, incorporating anachronisms, music, and <a href="/wiki/Stand_up_comedy" class="mw-redirect" title="Stand up comedy">stand up comedy</a> from comedian <a href="/wiki/Frank_Woodley" title="Frank Woodley">Frank Woodley</a>. It toured Australia and played at the <a href="/wiki/Edinburgh_International_Festival" title="Edinburgh International Festival">Edinburgh International Festival</a>.<sup id="cite_ref-120" class="reference"><a href="#cite_note-120"><span class="cite-bracket">&#91;</span>119<span class="cite-bracket">&#93;</span></a></sup> In 2010, the Icelandic writer <a href="/wiki/%C3%93ttar_M._Nor%C3%B0fj%C3%B6r%C3%B0" title="Óttar M. Norðfjörð">Óttar M. Norðfjörð</a> published a rewriting and modernisation of <i>Candide</i>, titled <span title="Icelandic-language text"><i lang="is"><a href="/wiki/%C3%96rvitinn;_e%C3%B0a_hugsj%C3%B3nama%C3%B0urinn" title="Örvitinn; eða hugsjónamaðurinn">Örvitinn; eða hugsjónamaðurinn</a></i></span>. </p> <div class="mw-heading mw-heading2"><h2 id="See_also">See also</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=20" title="Edit section: See also"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1259569809">.mw-parser-output .portalbox{padding:0;margin:0.5em 0;display:table;box-sizing:border-box;max-width:175px;list-style:none}.mw-parser-output .portalborder{border:1px solid var(--border-color-base,#a2a9b1);padding:0.1em;background:var(--background-color-neutral-subtle,#f8f9fa)}.mw-parser-output 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href="/w/index.php?title=Candide&amp;action=edit&amp;section=21" title="Edit section: Explanatory notes"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-lower-alpha"> <div class="mw-references-wrap"><ol class="references"> <li id="cite_note-92"><span class="mw-cite-backlink"><b><a href="#cite_ref-92">^</a></b></span> <span class="reference-text">Will Durant in <i>The Age of Voltaire</i>: <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1244412712"><blockquote class="templatequote"><p>It was published early in 1759 as <span title="French-language text"><i lang="fr">Candide, ou l'optimisme</i></span>, purportedly "translated from the German of Dr. Ralph, with additions found in the pocket of the Doctor when he died at Minden." The Great Council of Geneva almost at once (March 5) ordered it to be burned. Of course Voltaire denied his authorship: "people must have lost their senses," he wrote to a friendly pastor in Geneva, "to attribute to me that pack of nonsense. I have, thank God, better occupations." But France was unanimous: no other man could have written <i>Candide</i>. Here was that deceptively simple, smoothly flowing, lightly prancing, impishly ironic prose that only he could write; here and there a little obscenity, a little scatology; everywhere a playful, darting, lethal irreverence; if the style is the man, this had to be Voltaire.<sup id="cite_ref-91" class="reference"><a href="#cite_note-91"><span class="cite-bracket">&#91;</span>91<span class="cite-bracket">&#93;</span></a></sup></p></blockquote></span> </li> </ol></div></div> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=22" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Citations">Citations</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=23" title="Edit section: Citations"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239543626"><div class="reflist"> <div class="mw-references-wrap mw-references-columns"><ol class="references"> <li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text">Wootton (2000), p. 1</span> </li> <li id="cite_note-aldridge251254-2"><span class="mw-cite-backlink">^ <a href="#cite_ref-aldridge251254_2-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-aldridge251254_2-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-aldridge251254_2-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-aldridge251254_2-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-aldridge251254_2-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-aldridge251254_2-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-aldridge251254_2-6"><sup><i><b>g</b></i></sup></a> <a href="#cite_ref-aldridge251254_2-7"><sup><i><b>h</b></i></sup></a> <a href="#cite_ref-aldridge251254_2-8"><sup><i><b>i</b></i></sup></a> <a href="#cite_ref-aldridge251254_2-9"><sup><i><b>j</b></i></sup></a></span> <span class="reference-text">Aldridge (1975), pp. 251–254</span> </li> <li id="cite_note-davidson5253-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-davidson5253_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-davidson5253_3-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Davidson (2005), pp. 52–53</span> </li> <li id="cite_note-williams123-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-williams123_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-williams123_4-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-williams123_4-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-williams123_4-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-williams123_4-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-williams123_4-5"><sup><i><b>f</b></i></sup></a></span> <span class="reference-text">Williams (1997), pp. 1–3</span> </li> <li id="cite_note-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-5">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.ldoceonline.com/dictionary/candide">"Candide"</a>. <i><a href="/wiki/Longman_Dictionary_of_Contemporary_English" title="Longman Dictionary of Contemporary English">Longman Dictionary of Contemporary English</a></i>. <a href="/wiki/Longman" title="Longman">Longman</a><span class="reference-accessdate">. Retrieved <span class="nowrap">17 August</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Longman+Dictionary+of+Contemporary+English&amp;rft.atitle=Candide&amp;rft_id=https%3A%2F%2Fwww.ldoceonline.com%2Fdictionary%2Fcandide&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></span> </li> <li id="cite_note-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-6">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation book cs1"><a rel="nofollow" class="external text" href="http://gallica.bnf.fr/ark:/12148/bpt6k70445g.r=candide+voltaire.langEN"><i>Candide, ou L'optimisme , traduit de l'allemand de M. le docteur Ralph</i></a> (1&#160;ed.). 1759<span class="reference-accessdate">. Retrieved <span class="nowrap">27 May</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Candide%2C+ou+L%27optimisme+%2C+traduit+de+l%27allemand+de+M.+le+docteur+Ralph&amp;rft.edition=1&amp;rft.date=1759&amp;rft_id=http%3A%2F%2Fgallica.bnf.fr%2Fark%3A%2F12148%2Fbpt6k70445g.r%3Dcandide%2Bvoltaire.langEN&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span> via Gallica</span> </li> <li id="cite_note-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-7">^</a></b></span> <span class="reference-text">Critical Survey of Short Fiction (2001)</span> </li> <li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.merriam-webster.com/dictionary/panglossian">"Pangloss"</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Pangloss&amp;rft_id=http%3A%2F%2Fwww.merriam-webster.com%2Fdictionary%2Fpanglossian&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></span> </li> <li id="cite_note-mason10-9"><span class="mw-cite-backlink"><b><a href="#cite_ref-mason10_9-0">^</a></b></span> <span class="reference-text">Mason (1992), p. 10</span> </li> <li id="cite_note-davidson54-10"><span class="mw-cite-backlink">^ <a href="#cite_ref-davidson54_10-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-davidson54_10-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-davidson54_10-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-davidson54_10-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-davidson54_10-4"><sup><i><b>e</b></i></sup></a> <a href="#cite_ref-davidson54_10-5"><sup><i><b>f</b></i></sup></a> <a href="#cite_ref-davidson54_10-6"><sup><i><b>g</b></i></sup></a></span> <span class="reference-text">Davidson (2005), p. 54</span> </li> <li id="cite_note-aldridge260-11"><span class="mw-cite-backlink">^ <a href="#cite_ref-aldridge260_11-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-aldridge260_11-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-aldridge260_11-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Aldridge (1975), p. 260</span> </li> <li id="cite_note-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-12">^</a></b></span> <span class="reference-text">Waldinger (1987), p. ix</span> </li> <li id="cite_note-wade1959b88-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-wade1959b88_13-0">^</a></b></span> <span class="reference-text">Wade (1959b), p. 88</span> </li> <li id="cite_note-radner669-14"><span class="mw-cite-backlink">^ <a href="#cite_ref-radner669_14-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-radner669_14-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Radner &amp; Radner (1998), pp. 669–686</span> </li> <li id="cite_note-mason4-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-mason4_15-0">^</a></b></span> <span class="reference-text">Mason (1992), p. 4</span> </li> <li id="cite_note-wade1959b93-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-wade1959b93_16-0">^</a></b></span> <span class="reference-text">Wade (1959b), p. 93</span> </li> <li id="cite_note-wade1959b_88,_93-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-wade1959b_88,_93_17-0">^</a></b></span> <span class="reference-text">Wade (1959b), pp. 88, 93</span> </li> <li id="cite_note-FOOTNOTEGrimmelshausen1669-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGrimmelshausen1669_18-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGrimmelshausen1669">Grimmelshausen 1669</a>.</span> </li> <li id="cite_note-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-19">^</a></b></span> <span class="reference-text">Havens (1973), pp. 844–845</span> </li> <li id="cite_note-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-20">^</a></b></span> <span class="reference-text">Wade (1959b), p. 296</span> </li> <li id="cite_note-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-21">^</a></b></span> <span class="reference-text">Broome (1960), p. 510</span> </li> <li id="cite_note-means-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-means_22-0">^</a></b></span> <span class="reference-text">Means (2006), pp. 1–3</span> </li> <li id="cite_note-Gopnik-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-Gopnik_23-0">^</a></b></span> <span class="reference-text">Gopnik (2005)</span> </li> <li id="cite_note-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-24">^</a></b></span> <span class="reference-text">McGhee (1943), pp. 438, 440</span> </li> <li id="cite_note-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-25">^</a></b></span> <span class="reference-text">Aldridge (1975), p. 155</span> </li> <li id="cite_note-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-26">^</a></b></span> <span class="reference-text">Mason (1970), pp. 19–35</span> </li> <li id="cite_note-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-27">^</a></b></span> <span class="reference-text">Wade (1959a), p. 65</span> </li> <li id="cite_note-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-28">^</a></b></span> <span class="reference-text">Torrey (1929), p. 446</span> </li> <li id="cite_note-wade1956-29"><span class="mw-cite-backlink">^ <a href="#cite_ref-wade1956_29-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-wade1956_29-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-wade1956_29-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Wade (1956), pp. 3–4</span> </li> <li id="cite_note-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-30">^</a></b></span> <span class="reference-text">Havens (1932), p. 225</span> </li> <li id="cite_note-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-31">^</a></b></span> <span class="reference-text">Wade (1959b), pp. 145, 156</span> </li> <li id="cite_note-rouillard-32"><span class="mw-cite-backlink"><b><a href="#cite_ref-rouillard_32-0">^</a></b></span> <span class="reference-text">Rouillard (1962)</span> </li> <li id="cite_note-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-33">^</a></b></span> <span class="reference-text">Wade (1957), p. 94</span> </li> <li id="cite_note-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-34">^</a></b></span> <span class="reference-text">Torrey (1929), pp. 445–447</span> </li> <li id="cite_note-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-35">^</a></b></span> <span class="reference-text">Wade (1959b), p. 182</span> </li> <li id="cite_note-wade1959-36"><span class="mw-cite-backlink">^ <a href="#cite_ref-wade1959_36-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-wade1959_36-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Wade (1959a), pp. 63–88</span> </li> <li id="cite_note-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-37">^</a></b></span> <span class="reference-text">Wade (1957), p. 96</span> </li> <li id="cite_note-bair-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-bair_38-0">^</a></b></span> <span class="reference-text">Voltaire [1759] (1959)</span> </li> <li id="cite_note-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-39">^</a></b></span> <span class="reference-text">Taylor (1979), p. 207</span> </li> <li id="cite_note-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-40">^</a></b></span> <span class="reference-text">Williams (1997), p. 97</span> </li> <li id="cite_note-bellhouse780-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-bellhouse780_41-0">^</a></b></span> <span class="reference-text">Bellhouse (2006), p. 780</span> </li> <li id="cite_note-bellhouse756-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-bellhouse756_42-0">^</a></b></span> <span class="reference-text">Bellhouse (2006), p. 756</span> </li> <li id="cite_note-bellhouse757-43"><span class="mw-cite-backlink"><b><a href="#cite_ref-bellhouse757_43-0">^</a></b></span> <span class="reference-text">Bellhouse (2006), p. 757</span> </li> <li id="cite_note-bellhouse769-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-bellhouse769_44-0">^</a></b></span> <span class="reference-text">Bellhouse (2006), p. 769</span> </li> <li id="cite_note-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-45">^</a></b></span> <span class="reference-text">Waldinger (1987), p. 23</span> </li> <li id="cite_note-williams2627-46"><span class="mw-cite-backlink"><b><a href="#cite_ref-williams2627_46-0">^</a></b></span> <span class="reference-text">Williams (1997), pp. 26–27</span> </li> <li id="cite_note-Beck203-47"><span class="mw-cite-backlink"><b><a href="#cite_ref-Beck203_47-0">^</a></b></span> <span class="reference-text">Beck (1999), p. 203</span> </li> <li id="cite_note-48"><span class="mw-cite-backlink"><b><a href="#cite_ref-48">^</a></b></span> <span class="reference-text">Leister (1985), pp. 32–33</span> </li> <li id="cite_note-49"><span class="mw-cite-backlink"><b><a href="#cite_ref-49">^</a></b></span> <span class="reference-text">The 1569 story of <a href="/wiki/Dirk_Willems" title="Dirk Willems">Dirk Willems</a> illustrated by <a href="/wiki/Mennonite" class="mw-redirect" title="Mennonite">Mennonite</a> <a href="/wiki/Jan_Luyken" title="Jan Luyken">Jan Luyken</a> in <i><a href="/wiki/Martyrs_Mirror" title="Martyrs Mirror">Martyrs Mirror</a></i> (1685).</span> </li> <li id="cite_note-Smollett_2008,_Ch._4-50"><span class="mw-cite-backlink">^ <a href="#cite_ref-Smollett_2008,_Ch._4_50-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Smollett_2008,_Ch._4_50-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Smollett (2008), Ch. 4. ("<span title="French-language text"><i lang="fr">matelot furieux</i></span>")</span> </li> <li id="cite_note-51"><span class="mw-cite-backlink"><b><a href="#cite_ref-51">^</a></b></span> <span class="reference-text">Ch. 7. ("<span title="French-language text"><i lang="fr">la vieille</i></span>")</span> </li> <li id="cite_note-ayer143145-52"><span class="mw-cite-backlink">^ <a href="#cite_ref-ayer143145_52-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-ayer143145_52-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-ayer143145_52-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Ayer (1986), pp. 143–145</span> </li> <li id="cite_note-genius.com-53"><span class="mw-cite-backlink"><b><a href="#cite_ref-genius.com_53-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://genius.com/Voltaire-candide-xviii-annotated">"Voltaire – Candide XVIII"</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Voltaire+%E2%80%93+Candide+XVIII&amp;rft_id=https%3A%2F%2Fgenius.com%2FVoltaire-candide-xviii-annotated&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></span> </li> <li id="cite_note-54"><span class="mw-cite-backlink"><b><a href="#cite_ref-54">^</a></b></span> <span class="reference-text">Aldridge (1975), p. 254</span> </li> <li id="cite_note-55"><span class="mw-cite-backlink"><b><a href="#cite_ref-55">^</a></b></span> <span class="reference-text">Wootton (2000), p. xvii</span> </li> <li id="cite_note-56"><span class="mw-cite-backlink"><b><a href="#cite_ref-56">^</a></b></span> <span class="reference-text">This is the most famous quote from the novel. See <a href="/wiki/Alex_Massie_(journalist)" title="Alex Massie (journalist)">Alex Massie</a>, <a rel="nofollow" class="external text" href="http://blogs.spectator.co.uk/alex-massie/2007/07/pour-encourager-les-autres-oui-monsieur/">Pour encourager les autres? Oui, monsieur...</a> <a rel="nofollow" class="external text" href="https://web.archive.org/web/20140108234612/http://blogs.spectator.co.uk/alex-massie/2007/07/pour-encourager-les-autres-oui-monsieur/">Archived</a> 2014-01-08 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a>, <i><a href="/wiki/The_Spectator" title="The Spectator">The Spectator</a></i> (31 July 2007).</span> </li> <li id="cite_note-bair107108-57"><span class="mw-cite-backlink"><b><a href="#cite_ref-bair107108_57-0">^</a></b></span> <span class="reference-text">Voltaire [1759] (1959), pp. 107–108</span> </li> <li id="cite_note-bair113-58"><span class="mw-cite-backlink">^ <a href="#cite_ref-bair113_58-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-bair113_58-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Voltaire [1759] (1959), p. 112,113</span> </li> <li id="cite_note-barasch3-59"><span class="mw-cite-backlink">^ <a href="#cite_ref-barasch3_59-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-barasch3_59-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-barasch3_59-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text">Barasch (1985), p. 3</span> </li> <li id="cite_note-starobinski194-60"><span class="mw-cite-backlink">^ <a href="#cite_ref-starobinski194_60-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-starobinski194_60-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Starobinski (1976), p. 194</span> </li> <li id="cite_note-wade1959b133-61"><span class="mw-cite-backlink"><b><a href="#cite_ref-wade1959b133_61-0">^</a></b></span> <span class="reference-text">Wade (1959b), p. 133</span> </li> <li id="cite_note-62"><span class="mw-cite-backlink"><b><a href="#cite_ref-62">^</a></b></span> <span class="reference-text">Aldridge (1975), p. 255</span> </li> <li id="cite_note-ayer139-63"><span class="mw-cite-backlink">^ <a href="#cite_ref-ayer139_63-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-ayer139_63-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Ayer (1986), p. 139</span> </li> <li id="cite_note-havens843-64"><span class="mw-cite-backlink"><b><a href="#cite_ref-havens843_64-0">^</a></b></span> <span class="reference-text">Havens (1973), p. 843</span> </li> <li id="cite_note-bottiglia8992-65"><span class="mw-cite-backlink">^ <a href="#cite_ref-bottiglia8992_65-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-bottiglia8992_65-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Bottiglia (1968), pp. 89–92</span> </li> <li id="cite_note-66"><span class="mw-cite-backlink"><b><a href="#cite_ref-66">^</a></b></span> <span class="reference-text">Vannini (2011), pp. 106–107</span> </li> <li id="cite_note-wade1959b303-67"><span class="mw-cite-backlink"><b><a href="#cite_ref-wade1959b303_67-0">^</a></b></span> <span class="reference-text">Wade (1959b), pp. 303–305</span> </li> <li id="cite_note-68"><span class="mw-cite-backlink"><b><a href="#cite_ref-68">^</a></b></span> <span class="reference-text">Waldinger (1987), p. 20</span> </li> <li id="cite_note-69"><span class="mw-cite-backlink"><b><a href="#cite_ref-69">^</a></b></span> <span class="reference-text"><i>Readings on Candide</i> (2001), p. 92</span> </li> <li id="cite_note-bottiglia727-70"><span class="mw-cite-backlink">^ <a href="#cite_ref-bottiglia727_70-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-bottiglia727_70-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Bottiglia (1951), pp. 727, 731</span> </li> <li id="cite_note-71"><span class="mw-cite-backlink"><b><a href="#cite_ref-71">^</a></b></span> <span class="reference-text">Davidson (2005), p. 55</span> </li> <li id="cite_note-scherr-72"><span class="mw-cite-backlink"><b><a href="#cite_ref-scherr_72-0">^</a></b></span> <span class="reference-text">Scherr (1993)</span> </li> <li id="cite_note-73"><span class="mw-cite-backlink"><b><a href="#cite_ref-73">^</a></b></span> <span class="reference-text">Aldridge (1975), p. 258</span> </li> <li id="cite_note-74"><span class="mw-cite-backlink"><b><a href="#cite_ref-74">^</a></b></span> <span class="reference-text"><i>Readings on Candide</i> (2001), p. 121</span> </li> <li id="cite_note-75"><span class="mw-cite-backlink"><b><a href="#cite_ref-75">^</a></b></span> <span class="reference-text">Bottiglia (1951), p. 720</span> </li> <li id="cite_note-76"><span class="mw-cite-backlink"><b><a href="#cite_ref-76">^</a></b></span> <span class="reference-text">Smollett (2008), Ch. 1</span> </li> <li id="cite_note-aldridge_251–254,_361-77"><span class="mw-cite-backlink"><b><a href="#cite_ref-aldridge_251–254,_361_77-0">^</a></b></span> <span class="reference-text">Aldridge (1975), pp. 251–254, 361</span> </li> <li id="cite_note-78"><span class="mw-cite-backlink"><b><a href="#cite_ref-78">^</a></b></span> <span class="reference-text">Leister (1985), p. 29</span> </li> <li id="cite_note-bottiglia2324-79"><span class="mw-cite-backlink"><b><a href="#cite_ref-bottiglia2324_79-0">^</a></b></span> <span class="reference-text">Bottiglia (1951), pp. 723–724</span> </li> <li id="cite_note-bottiglia726-80"><span class="mw-cite-backlink"><b><a href="#cite_ref-bottiglia726_80-0">^</a></b></span> <span class="reference-text">Bottiglia (1951), p. 726</span> </li> <li id="cite_note-81"><span class="mw-cite-backlink"><b><a href="#cite_ref-81">^</a></b></span> <span class="reference-text">Leister (1985), p. 26</span> </li> <li id="cite_note-82"><span class="mw-cite-backlink"><b><a href="#cite_ref-82">^</a></b></span> <span class="reference-text">Braun, Sturzer, Meyer (1988)</span> </li> <li id="cite_note-83"><span class="mw-cite-backlink"><b><a href="#cite_ref-83">^</a></b></span> <span class="reference-text">Wolper (1969), pp. 265–277</span> </li> <li id="cite_note-bottiglia719-84"><span class="mw-cite-backlink"><b><a href="#cite_ref-bottiglia719_84-0">^</a></b></span> <span class="reference-text">Bottiglia (1951), pp. 719–720</span> </li> <li id="cite_note-braun569571-85"><span class="mw-cite-backlink"><b><a href="#cite_ref-braun569571_85-0">^</a></b></span> <span class="reference-text">Braun, Sturzer &amp; Meyer (1988), pp. 569–571</span> </li> <li id="cite_note-braun574-86"><span class="mw-cite-backlink"><b><a href="#cite_ref-braun574_86-0">^</a></b></span> <span class="reference-text">Braun, Sturzer &amp; Meyer (1988), p. 574</span> </li> <li id="cite_note-87"><span class="mw-cite-backlink"><b><a href="#cite_ref-87">^</a></b></span> <span class="reference-text">Crocker (1971)</span> </li> <li id="cite_note-Voltaire_1759_1931,_p._vii-88"><span class="mw-cite-backlink">^ <a href="#cite_ref-Voltaire_1759_1931,_p._vii_88-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-Voltaire_1759_1931,_p._vii_88-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Voltaire [1759] (1931), p. vii</span> </li> <li id="cite_note-89"><span class="mw-cite-backlink"><b><a href="#cite_ref-89">^</a></b></span> <span class="reference-text">Wade (1959b), p. xiii</span> </li> <li id="cite_note-mason1315-90"><span class="mw-cite-backlink">^ <a href="#cite_ref-mason1315_90-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-mason1315_90-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-mason1315_90-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-mason1315_90-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text">Mason (1992), pp. 13–15</span> </li> <li id="cite_note-91"><span class="mw-cite-backlink"><b><a href="#cite_ref-91">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWill_Durant1965" class="citation book cs1">Will Durant (1965). <i>The Story of Civilization Volume 9:The Age of Voltaire</i>. Simon&amp;Schuster. p.&#160;724.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=The+Story+of+Civilization+Volume+9%3AThe+Age+of+Voltaire&amp;rft.pages=724&amp;rft.pub=Simon%26Schuster&amp;rft.date=1965&amp;rft.au=Will+Durant&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></span> </li> <li id="cite_note-mason3-93"><span class="mw-cite-backlink"><b><a href="#cite_ref-mason3_93-0">^</a></b></span> <span class="reference-text">Mason (1992), ch. 3</span> </li> <li id="cite_note-haight-94"><span class="mw-cite-backlink">^ <a href="#cite_ref-haight_94-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-haight_94-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Haight (1970), p. 33</span> </li> <li id="cite_note-95"><span class="mw-cite-backlink"><b><a href="#cite_ref-95">^</a></b></span> <span class="reference-text">Hobbs (1930), p. 190</span> </li> <li id="cite_note-96"><span class="mw-cite-backlink"><b><a href="#cite_ref-96">^</a></b></span> <span class="reference-text">Bowerman (1931), p. 20</span> </li> <li id="cite_note-97"><span class="mw-cite-backlink"><b><a href="#cite_ref-97">^</a></b></span> <span class="reference-text">Boyer (2002), p. 209</span> </li> <li id="cite_note-bott247-98"><span class="mw-cite-backlink">^ <a href="#cite_ref-bott247_98-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-bott247_98-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Bottiglia (1959), pp. 247–248</span> </li> <li id="cite_note-mason2-99"><span class="mw-cite-backlink"><b><a href="#cite_ref-mason2_99-0">^</a></b></span> <span class="reference-text">Mason (1992), ch. 2</span> </li> <li id="cite_note-100"><span class="mw-cite-backlink"><b><a href="#cite_ref-100">^</a></b></span> <span class="reference-text">Britannica (2008)</span> </li> <li id="cite_note-101"><span class="mw-cite-backlink"><b><a href="#cite_ref-101">^</a></b></span> <span class="reference-text"><i>Readings on Candide</i> (2001), pp. 112–113</span> </li> <li id="cite_note-kamrath-102"><span class="mw-cite-backlink"><b><a href="#cite_ref-kamrath_102-0">^</a></b></span> <span class="reference-text">Kamrath (1991), pp. 5–14</span> </li> <li id="cite_note-monty5-103"><span class="mw-cite-backlink"><b><a href="#cite_ref-monty5_103-0">^</a></b></span> <span class="reference-text">Monty (2006), p. 5</span> </li> <li id="cite_note-mason3337-104"><span class="mw-cite-backlink"><b><a href="#cite_ref-mason3337_104-0">^</a></b></span> <span class="reference-text">Mason (1992), pp. 33, 37</span> </li> <li id="cite_note-mason98-105"><span class="mw-cite-backlink"><b><a href="#cite_ref-mason98_105-0">^</a></b></span> <span class="reference-text">Mason (1992), p. 98</span> </li> <li id="cite_note-monty151-106"><span class="mw-cite-backlink"><b><a href="#cite_ref-monty151_106-0">^</a></b></span> <span class="reference-text">Monty (2006), p. 151</span> </li> <li id="cite_note-107"><span class="mw-cite-backlink"><b><a href="#cite_ref-107">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFYoung1988" class="citation book cs1">Young, James D. (1988). <i>Socialism Since 1889: A Biographical History</i>. Rowman &amp; Littlefield. p.&#160;91.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Socialism+Since+1889%3A+A+Biographical+History&amp;rft.pages=91&amp;rft.pub=Rowman+%26+Littlefield&amp;rft.date=1988&amp;rft.aulast=Young&amp;rft.aufirst=James+D.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></span> </li> <li id="cite_note-astbury503-108"><span class="mw-cite-backlink">^ <a href="#cite_ref-astbury503_108-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-astbury503_108-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Astbury (2005), p. 503</span> </li> <li id="cite_note-109"><span class="mw-cite-backlink"><b><a href="#cite_ref-109">^</a></b></span> <span class="reference-text">Clark (1993), pp. VIII, IX</span> </li> <li id="cite_note-110"><span class="mw-cite-backlink"><b><a href="#cite_ref-110">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGrams2008" class="citation book cs1">Grams, Martin (2008-02-27). <i>Radio Drama: A Comprehensive Chronicle of American Network Programs, 1932–1962</i>. Jefferson, NC: McFarland &amp; Company. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/978-0786438716" title="Special:BookSources/978-0786438716"><bdi>978-0786438716</bdi></a>. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/188535974">188535974</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Radio+Drama%3A+A+Comprehensive+Chronicle+of+American+Network+Programs%2C+1932%E2%80%931962&amp;rft.place=Jefferson%2C+NC&amp;rft.pub=McFarland+%26+Company&amp;rft.date=2008-02-27&amp;rft_id=info%3Aoclcnum%2F188535974&amp;rft.isbn=978-0786438716&amp;rft.aulast=Grams&amp;rft.aufirst=Martin&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></span> </li> <li id="cite_note-111"><span class="mw-cite-backlink"><b><a href="#cite_ref-111">^</a></b></span> <span class="reference-text">Peyser (1987), p. 247</span> </li> <li id="cite_note-peyser248-112"><span class="mw-cite-backlink">^ <a href="#cite_ref-peyser248_112-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-peyser248_112-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text">Peyser (1987), p. 248</span> </li> <li id="cite_note-113"><span class="mw-cite-backlink"><b><a href="#cite_ref-113">^</a></b></span> <span class="reference-text">Peyser (1987), pp. 249–251</span> </li> <li id="cite_note-114"><span class="mw-cite-backlink"><b><a href="#cite_ref-114">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150024120">"Candide"</a>. <i>Collections Search</i>. British Film Institute. n.d<span class="reference-accessdate">. Retrieved <span class="nowrap">23 July</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=unknown&amp;rft.jtitle=Collections+Search&amp;rft.atitle=Candide&amp;rft_id=https%3A%2F%2Fcollections-search.bfi.org.uk%2Fweb%2FDetails%2FChoiceFilmWorks%2F150024120&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></span> </li> <li id="cite_note-morrison59-115"><span class="mw-cite-backlink"><b><a href="#cite_ref-morrison59_115-0">^</a></b></span> <span class="reference-text">Morrison (2002), p. 59</span> </li> <li id="cite_note-116"><span class="mw-cite-backlink"><b><a href="#cite_ref-116">^</a></b></span> <span class="reference-text">Burns (2000), p. 992</span> </li> <li id="cite_note-hitchins160-117"><span class="mw-cite-backlink"><b><a href="#cite_ref-hitchins160_117-0">^</a></b></span> <span class="reference-text">Hitchins (2002), p. 160</span> </li> <li id="cite_note-silva784785-118"><span class="mw-cite-backlink"><b><a href="#cite_ref-silva784785_118-0">^</a></b></span> <span class="reference-text">Silva (2000), pp. 784–785</span> </li> <li id="cite_note-119"><span class="mw-cite-backlink"><b><a href="#cite_ref-119">^</a></b></span> <span class="reference-text">Malandain (1989)</span> </li> <li id="cite_note-120"><span class="mw-cite-backlink"><b><a href="#cite_ref-120">^</a></b></span> <span class="reference-text">Boztas (2009)</span> </li> </ol></div></div> <div class="mw-heading mw-heading3"><h3 id="General_and_cited_sources">General and cited sources</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=24" title="Edit section: General and cited sources"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin refbegin-columns references-column-width" style="column-width: 30em"> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAldridge1975" class="citation book cs1"><a href="/wiki/A._Owen_Aldridge" title="A. Owen Aldridge">Aldridge, Alfred Owen</a> (1975). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/voltairecenturyo0000aldr"><i>Voltaire and the Century of Light</i></a></span>. Princeton, NJ: Princeton University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-691-06287-0" title="Special:BookSources/0-691-06287-0"><bdi>0-691-06287-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Voltaire+and+the+Century+of+Light&amp;rft.place=Princeton%2C+NJ&amp;rft.pub=Princeton+University+Press&amp;rft.date=1975&amp;rft.isbn=0-691-06287-0&amp;rft.aulast=Aldridge&amp;rft.aufirst=Alfred+Owen&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fvoltairecenturyo0000aldr&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAstbury2005" class="citation journal cs1">Astbury, Kate (April 2005). 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(1959b). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/voltairecandides0000wade"><i>Voltaire and </i>Candide<i>: A Study in the Fusion of History, Art, and Philosophy</i></a></span>. Princeton, NJ: Princeton University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-8046-1688-4" title="Special:BookSources/0-8046-1688-4"><bdi>0-8046-1688-4</bdi></a>. Library of Congress number 59-11085.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Voltaire+and+Candide%3A+A+Study+in+the+Fusion+of+History%2C+Art%2C+and+Philosophy&amp;rft.place=Princeton%2C+NJ&amp;rft.pub=Princeton+University+Press&amp;rft.date=1959&amp;rft.isbn=0-8046-1688-4&amp;rft.aulast=Wade&amp;rft.aufirst=Ira+O.&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fvoltairecandides0000wade&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWaldinger1987" class="citation book cs1">Waldinger, Renée (1987). <i>Approaches to Teaching Voltaire's </i>Candide<i><span></span></i>. New York: The Modern Language Association of America. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-87352-503-5" title="Special:BookSources/0-87352-503-5"><bdi>0-87352-503-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Approaches+to+Teaching+Voltaire%27s+Candide&amp;rft.place=New+York&amp;rft.pub=The+Modern+Language+Association+of+America&amp;rft.date=1987&amp;rft.isbn=0-87352-503-5&amp;rft.aulast=Waldinger&amp;rft.aufirst=Ren%C3%A9e&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWalsh2001" class="citation book cs1">Walsh, Thomas (2001). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/isbn_9780737703627"><i>Readings on Candide</i></a></span>. Literary Companion to World Literature. San Diego, CA: Greenhaven Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-7377-0362-8" title="Special:BookSources/0-7377-0362-8"><bdi>0-7377-0362-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Readings+on+Candide&amp;rft.place=San+Diego%2C+CA&amp;rft.series=Literary+Companion+to+World+Literature&amp;rft.pub=Greenhaven+Press&amp;rft.date=2001&amp;rft.isbn=0-7377-0362-8&amp;rft.aulast=Walsh&amp;rft.aufirst=Thomas&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fisbn_9780737703627&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWilliams1997" class="citation book cs1">Williams, David (1997). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/voltairecandide0000will"><i>Voltaire, Candide</i></a></span>. Spain: Grand &amp; Cutler Ltd. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-7293-0395-0" title="Special:BookSources/0-7293-0395-0"><bdi>0-7293-0395-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Voltaire%2C+Candide&amp;rft.place=Spain&amp;rft.pub=Grand+%26+Cutler+Ltd&amp;rft.date=1997&amp;rft.isbn=0-7293-0395-0&amp;rft.aulast=Williams&amp;rft.aufirst=David&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fvoltairecandide0000will&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWolper1969" class="citation journal cs1">Wolper, Roy S. (Winter 1969). "Candide, Gull in the Garden?". <i>Eighteenth-Century Studies</i>. <b>3</b> (2): 265–277. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.2307%2F2737575">10.2307/2737575</a>. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a>&#160;<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/2737575">2737575</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Eighteenth-Century+Studies&amp;rft.atitle=Candide%2C+Gull+in+the+Garden%3F&amp;rft.ssn=winter&amp;rft.volume=3&amp;rft.issue=2&amp;rft.pages=265-277&amp;rft.date=1969&amp;rft_id=info%3Adoi%2F10.2307%2F2737575&amp;rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F2737575%23id-name%3DJSTOR&amp;rft.aulast=Wolper&amp;rft.aufirst=Roy+S.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFWootton2000" class="citation book cs1">Wootton, David (2000). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/candiderelatedte00volt"><i><span></span></i>Candide<i> and Related Texts</i></a></span>. Hackett Publishing Company, Inc. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-87220-547-9" title="Special:BookSources/0-87220-547-9"><bdi>0-87220-547-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Candide+and+Related+Texts&amp;rft.pub=Hackett+Publishing+Company%2C+Inc&amp;rft.date=2000&amp;rft.isbn=0-87220-547-9&amp;rft.aulast=Wootton&amp;rft.aufirst=David&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fcandiderelatedte00volt&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGrimmelshausen1669" class="citation book cs1 cs1-prop-foreign-lang-source"><a href="/wiki/Hans_Jakob_Christoffel_von_Grimmelshausen" title="Hans Jakob Christoffel von Grimmelshausen">Grimmelshausen, H. J. Chr.</a> (1669). <a rel="nofollow" class="external text" href="http://www.deutschestextarchiv.de/book/show/grimmelshausen_simplicissimus_1669"><i>Der abentheurliche Simplicissimus</i></a> &#91;<i>The adventurous Simplicissimus</i>&#93; (in German). Nuremberg: J. Fillion. <a href="/wiki/OCLC_(identifier)" class="mw-redirect" title="OCLC (identifier)">OCLC</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/oclc/22567416">22567416</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Der+abentheurliche+Simplicissimus&amp;rft.place=Nuremberg&amp;rft.pub=J.+Fillion&amp;rft.date=1669&amp;rft_id=info%3Aoclcnum%2F22567416&amp;rft.aulast=Grimmelshausen&amp;rft.aufirst=H.+J.+Chr.&amp;rft_id=http%3A%2F%2Fwww.deutschestextarchiv.de%2Fbook%2Fshow%2Fgrimmelshausen_simplicissimus_1669&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="Further_reading">Further reading</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=25" title="Edit section: Further reading"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239549316"><div class="refbegin refbegin-columns references-column-width" style="column-width: 30em"> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFAdorno1970" class="citation book cs1">Adorno, Theodor W. (1970). Redmond, Dennis (ed.). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/lecturesonnegati0000ador"><i>Negative Dialectics</i></a></span>. Frankfurt am Main: Suhrkamp Verlag. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-7456-3510-5" title="Special:BookSources/0-7456-3510-5"><bdi>0-7456-3510-5</bdi></a><span class="reference-accessdate">. Retrieved <span class="nowrap">2007-07-28</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Negative+Dialectics&amp;rft.place=Frankfurt+am+Main&amp;rft.pub=Suhrkamp+Verlag&amp;rft.date=1970&amp;rft.isbn=0-7456-3510-5&amp;rft.aulast=Adorno&amp;rft.aufirst=Theodor+W.&amp;rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Flecturesonnegati0000ador&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFBetts1985" class="citation journal cs1">Betts, C. J. (April 1985). "On the Beginning and Ending of <i>Candide</i>". <i>The Modern Language Review</i>. <b>80</b> (2): 283–292. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.2307%2F3728661">10.2307/3728661</a>. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a>&#160;<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/3728661">3728661</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Modern+Language+Review&amp;rft.atitle=On+the+Beginning+and+Ending+of+Candide&amp;rft.volume=80&amp;rft.issue=2&amp;rft.pages=283-292&amp;rft.date=1985-04&amp;rft_id=info%3Adoi%2F10.2307%2F3728661&amp;rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F3728661%23id-name%3DJSTOR&amp;rft.aulast=Betts&amp;rft.aufirst=C.+J.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFCates" class="citation web cs1">Cates, David Allan. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20080216122714/http://www.xoutofwonderland.com/compare.pdf">"Comparing Candide and X Out of Wonderland"</a> <span class="cs1-format">(PDF)</span>. XOutofWonderland.com. Archived from <a rel="nofollow" class="external text" href="http://www.xoutofwonderland.com/compare.pdf">the original</a> <span class="cs1-format">(PDF)</span> on 2008-02-16<span class="reference-accessdate">. Retrieved <span class="nowrap">2008-01-06</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=unknown&amp;rft.btitle=Comparing+Candide+and+X+Out+of+Wonderland&amp;rft.pub=XOutofWonderland.com&amp;rft.aulast=Cates&amp;rft.aufirst=David+Allan&amp;rft_id=http%3A%2F%2Fwww.xoutofwonderland.com%2Fcompare.pdf&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGullace1985" class="citation book cs1">Gullace, Giovanni (1985). <i>Il Candide nel pensiero di Voltaire</i>. Napoli: Società editrice napoletana.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Il+Candide+nel+pensiero+di+Voltaire&amp;rft.place=Napoli&amp;rft.pub=Societ%C3%A0+editrice+napoletana&amp;rft.date=1985&amp;rft.aulast=Gullace&amp;rft.aufirst=Giovanni&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFGullette1934" class="citation journal cs1">Gullette, Cameron C. (December 1934). "Fanfluche&#160;– Cousin of Candide". <i>The French Review</i>. <b>8</b> (2): 93–107.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+French+Review&amp;rft.atitle=Fanfluche+%E2%80%93+Cousin+of+Candide&amp;rft.volume=8&amp;rft.issue=2&amp;rft.pages=93-107&amp;rft.date=1934-12&amp;rft.aulast=Gullette&amp;rft.aufirst=Cameron+C.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHenry1977" class="citation journal cs1">Henry, Patrick (Spring 1977). "Travel in Candide: Moving On But Going Nowhere". <i>Papers on Language &amp; Literature</i>. <b>13</b> (2): 193–197. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0031-1294">0031-1294</a>. EBSCO Accession Number 7728974.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Papers+on+Language+%26+Literature&amp;rft.atitle=Travel+in+Candide%3A+Moving+On+But+Going+Nowhere&amp;rft.ssn=spring&amp;rft.volume=13&amp;rft.issue=2&amp;rft.pages=193-197&amp;rft.date=1977&amp;rft.issn=0031-1294&amp;rft.aulast=Henry&amp;rft.aufirst=Patrick&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHenry1977" class="citation journal cs1">Henry, Patrick (Winter 1977). "Time in Candide". <i>Studies in Short Fiction</i>. <b>14</b> (1): 86–88. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0039-3789">0039-3789</a>. EBSCO Accession Number 7150968.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Studies+in+Short+Fiction&amp;rft.atitle=Time+in+Candide&amp;rft.ssn=winter&amp;rft.volume=14&amp;rft.issue=1&amp;rft.pages=86-88&amp;rft.date=1977&amp;rft.issn=0039-3789&amp;rft.aulast=Henry&amp;rft.aufirst=Patrick&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHenry1977" class="citation journal cs1">Henry, Patrick (Spring 1977). "Working in Candide's Garden". <i>Studies in Short Fiction</i>. <b>14</b> (2): 183–184. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0039-3789">0039-3789</a>. EBSCO Accession Number 7153217.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Studies+in+Short+Fiction&amp;rft.atitle=Working+in+Candide%27s+Garden&amp;rft.ssn=spring&amp;rft.volume=14&amp;rft.issue=2&amp;rft.pages=183-184&amp;rft.date=1977&amp;rft.issn=0039-3789&amp;rft.aulast=Henry&amp;rft.aufirst=Patrick&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHenry1987" class="citation journal cs1">Henry, Patrick (1987). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20070928022736/http://people.whitman.edu/~henrypg/barthes.htm">"Contre Barthes"</a>. <i>Studies on Voltaire and the Eighteenth Century</i>. <b>249</b>. Archived from <a rel="nofollow" class="external text" href="http://people.whitman.edu/~henrypg/barthes.htm">the original</a> on September 28, 2007<span class="reference-accessdate">. Retrieved <span class="nowrap">2007-07-10</span></span>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Studies+on+Voltaire+and+the+Eighteenth+Century&amp;rft.atitle=Contre+Barthes&amp;rft.volume=249&amp;rft.date=1987&amp;rft.aulast=Henry&amp;rft.aufirst=Patrick&amp;rft_id=http%3A%2F%2Fpeople.whitman.edu%2F~henrypg%2Fbarthes.htm&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFHowells1985" class="citation journal cs1">Howells, R. J. (April 1985). "<span class="cs1-kern-left"></span>'Cette Boucherie Héroïque': <i>Candide</i> as Carnival". <i>The Modern Language Review</i>. <b>80</b> (2): 293–303. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.2307%2F3728662">10.2307/3728662</a>. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a>&#160;<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/3728662">3728662</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=The+Modern+Language+Review&amp;rft.atitle=%27Cette+Boucherie+H%C3%A9ro%C3%AFque%27%3A+Candide+as+Carnival&amp;rft.volume=80&amp;rft.issue=2&amp;rft.pages=293-303&amp;rft.date=1985-04&amp;rft_id=info%3Adoi%2F10.2307%2F3728662&amp;rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F3728662%23id-name%3DJSTOR&amp;rft.aulast=Howells&amp;rft.aufirst=R.+J.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFKirby1993" class="citation journal cs1">Kirby, David (Summer 1993). <a rel="nofollow" class="external text" href="http://www.vqronline.org/articles/1993/summer/kirby-new-candide/">"The new Candide or what I learned in the theory wars"</a>. <i>Virginia Quarterly Review</i>. <b>69</b> (3): 393–407. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0042-675X">0042-675X</a>. EBSCO Accession Number 9308316577.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Virginia+Quarterly+Review&amp;rft.atitle=The+new+Candide+or+what+I+learned+in+the+theory+wars&amp;rft.ssn=summer&amp;rft.volume=69&amp;rft.issue=3&amp;rft.pages=393-407&amp;rft.date=1993&amp;rft.issn=0042-675X&amp;rft.aulast=Kirby&amp;rft.aufirst=David&amp;rft_id=http%3A%2F%2Fwww.vqronline.org%2Farticles%2F1993%2Fsummer%2Fkirby-new-candide%2F&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFLynch1985" class="citation journal cs1">Lynch, James J. (January 1985). "Romance Conventions in Voltaire's Candide". <i><a href="/wiki/South_Atlantic_Review" title="South Atlantic Review">South Atlantic Review</a></i>. <b>50</b> (1): 35–46. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.2307%2F3199529">10.2307/3199529</a>. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a>&#160;<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/3199529">3199529</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=South+Atlantic+Review&amp;rft.atitle=Romance+Conventions+in+Voltaire%27s+Candide&amp;rft.volume=50&amp;rft.issue=1&amp;rft.pages=35-46&amp;rft.date=1985-01&amp;rft_id=info%3Adoi%2F10.2307%2F3199529&amp;rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F3199529%23id-name%3DJSTOR&amp;rft.aulast=Lynch&amp;rft.aufirst=James+J.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFMarsh2004" class="citation journal cs1">Marsh, Leonard (Spring 2004). "Voltaire's Candide". <i>Explicator</i>. <b>62</b> (3): 144–146. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1080%2F00144940409597202">10.1080/00144940409597202</a>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a>&#160;<a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0014-4940">0014-4940</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a>&#160;<a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:162339127">162339127</a>. EBSCO Accession Number 13275608.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Explicator&amp;rft.atitle=Voltaire%27s+Candide&amp;rft.ssn=spring&amp;rft.volume=62&amp;rft.issue=3&amp;rft.pages=144-146&amp;rft.date=2004&amp;rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A162339127%23id-name%3DS2CID&amp;rft.issn=0014-4940&amp;rft_id=info%3Adoi%2F10.1080%2F00144940409597202&amp;rft.aulast=Marsh&amp;rft.aufirst=Leonard&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFOakeWade1961" class="citation journal cs1">Oake, Roger B.; Wade, Ira O. (Spring 1961). "Review of "Voltaire and Candide"<span class="cs1-kern-right"></span>". <i>Comparative Literature</i>. <b>13</b> (2): 176–178. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.2307%2F1768579">10.2307/1768579</a>. <a href="/wiki/JSTOR_(identifier)" class="mw-redirect" title="JSTOR (identifier)">JSTOR</a>&#160;<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/1768579">1768579</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Comparative+Literature&amp;rft.atitle=Review+of+%22Voltaire+and+Candide%22&amp;rft.ssn=spring&amp;rft.volume=13&amp;rft.issue=2&amp;rft.pages=176-178&amp;rft.date=1961&amp;rft_id=info%3Adoi%2F10.2307%2F1768579&amp;rft_id=https%3A%2F%2Fwww.jstor.org%2Fstable%2F1768579%23id-name%3DJSTOR&amp;rft.aulast=Oake&amp;rft.aufirst=Roger+B.&amp;rft.au=Wade%2C+Ira+O.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFScherr2001" class="citation journal cs1">Scherr, Arthur (Winter 2001). "Voltaire's Candide". <i>Explicator</i>. <b>59</b> (2): 74–76. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1080%2F00144940109597087">10.1080/00144940109597087</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a>&#160;<a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:162381012">162381012</a>. EBSCO Accession Number 4423176.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&amp;rft.genre=article&amp;rft.jtitle=Explicator&amp;rft.atitle=Voltaire%27s+Candide&amp;rft.ssn=winter&amp;rft.volume=59&amp;rft.issue=2&amp;rft.pages=74-76&amp;rft.date=2001&amp;rft_id=info%3Adoi%2F10.1080%2F00144940109597087&amp;rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A162381012%23id-name%3DS2CID&amp;rft.aulast=Scherr&amp;rft.aufirst=Arthur&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFSturmParsell,_David_B.2001" class="citation book cs1">Sturm, Mary J.; Parsell, David B. (2001). <i>Critical Survey of Short Fiction</i> (Second Revised&#160;ed.). Salem Press, Inc. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a>&#160;<a href="/wiki/Special:BookSources/0-89356-006-5" title="Special:BookSources/0-89356-006-5"><bdi>0-89356-006-5</bdi></a>. EBSCO Accession Number MOL0120000549.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Critical+Survey+of+Short+Fiction&amp;rft.edition=Second+Revised&amp;rft.pub=Salem+Press%2C+Inc&amp;rft.date=2001&amp;rft.isbn=0-89356-006-5&amp;rft.aulast=Sturm&amp;rft.aufirst=Mary+J.&amp;rft.au=Parsell%2C+David+B.&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=26" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1235681985">.mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}</style><style data-mw-deduplicate="TemplateStyles:r1237033735">@media print{body.ns-0 .mw-parser-output .sistersitebox{display:none!important}}@media screen{html.skin-theme-clientpref-night .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .sistersitebox img[src*="Wiktionary-logo-en-v2.svg"]{background-color:white}}</style><div class="side-box side-box-right plainlinks sistersitebox"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style> <div class="side-box-flex"> <div class="side-box-image"><span class="noviewer" typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png" decoding="async" width="30" height="40" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/45px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/59px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /></span></span></div> <div class="side-box-text plainlist">Wikimedia Commons has media related to <span style="font-weight: bold; font-style: italic;"><a href="https://commons.wikimedia.org/wiki/Category:Candide_(Voltaire)" class="extiw" title="commons:Category:Candide (Voltaire)"><i>Candide</i></a></span>.</div></div> </div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1235681985"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1237033735"><div class="side-box side-box-right plainlinks sistersitebox"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1126788409"> <div class="side-box-flex"> <div class="side-box-image"><span class="noviewer" typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/34px-Wikiquote-logo.svg.png" decoding="async" width="34" height="40" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/51px-Wikiquote-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/68px-Wikiquote-logo.svg.png 2x" data-file-width="300" data-file-height="355" /></span></span></div> <div class="side-box-text plainlist">Wikiquote has quotations related to <i><b><a href="https://en.wikiquote.org/wiki/Special:Search/Candide" class="extiw" title="q:Special:Search/Candide">Candide</a></b></i>.</div></div> </div> <div class="mw-heading mw-heading3"><h3 id="Sister_project_links">Sister project links</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=27" title="Edit section: Sister project links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVoltaire1759" class="citation cs1">Voltaire (1759). <span class="cs1-ws-icon" title="s:Candide"><a class="external text" href="https://en.wikisource.org/wiki/Candide"><i>Candide</i>&#160;</a></span>. Translated by Tobias Smollett &#8211; via <a href="/wiki/Wikisource" title="Wikisource">Wikisource</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Candide&amp;rft.date=1759&amp;rft.au=Voltaire&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222"><cite id="CITEREFVoltaire" class="citation cs1 cs1-prop-foreign-lang-source">Voltaire. <span class="cs1-ws-icon" title="s:fr:Candide"><a class="external text" href="https://en.wikisource.org/wiki/fr:Candide"><i>Candide</i>&#160;</a></span> (in French) &#8211; via <a href="/wiki/Wikisource" title="Wikisource">Wikisource</a>.</cite><span title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Candide&amp;rft.au=Voltaire&amp;rfr_id=info%3Asid%2Fen.wikipedia.org%3ACandide" class="Z3988"></span></li></ul> <div class="mw-heading mw-heading3"><h3 id="Editions">Editions</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=28" title="Edit section: Editions"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><i><a rel="nofollow" class="external text" href="https://standardebooks.org/ebooks/voltaire/candide/the-modern-library">Candide</a></i> at <a href="/wiki/Standard_Ebooks" title="Standard Ebooks">Standard Ebooks</a></li> <li class="mw-empty-elt"></li> <li><style data-mw-deduplicate="TemplateStyles:r1041539562">.mw-parser-output .citation{word-wrap:break-word}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}</style><span class="citation gutenberg"> <i><a rel="nofollow" class="external text" href="https://gutenberg.org/ebooks/19942">Candide</a></i> at <a href="/wiki/Project_Gutenberg" title="Project Gutenberg">Project Gutenberg</a></span> (plain text and HTML)</li> <li><a rel="nofollow" class="external text" href="https://archive.org/search.php?query=title%3ACandide%20creator%3Avoltaire%20AND%20mediatype%3Atexts"><i>Candide</i></a> at the <a href="/wiki/Internet_Archive" title="Internet Archive">Internet Archive</a> (scanned books; original editions, color illustrated)</li> <li><span class="skin-invert-image" typeof="mw:File"><span><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/21/Speaker_Icon.svg/15px-Speaker_Icon.svg.png" decoding="async" width="15" height="15" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/21/Speaker_Icon.svg/23px-Speaker_Icon.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/21/Speaker_Icon.svg/30px-Speaker_Icon.svg.png 2x" data-file-width="500" data-file-height="500" /></span></span> <a rel="nofollow" class="external text" href="https://librivox.org/search?title=Candide&amp;author=Voltaire&amp;reader=&amp;keywords=&amp;genre_id=0&amp;status=all&amp;project_type=either&amp;recorded_language=&amp;sort_order=catalog_date&amp;search_page=1&amp;search_form=advanced"><i>Candide</i></a> public domain audiobook at <a href="/wiki/LibriVox" title="LibriVox">LibriVox</a></li> <li><a rel="nofollow" class="external text" href="http://www.tailoredtexts.com/read/candide-voltaire/#!/39/en/d/0/0/0/"><i>Candide</i></a> (<a rel="nofollow" class="external text" href="https://web.archive.org/web/20200121090256/http://www.tailoredtexts.com/read/candide-voltaire/#!/39/en/d/0/0/0/">Archived</a> 2020-01-21 at the <a href="/wiki/Wayback_Machine" title="Wayback Machine">Wayback Machine</a>; original version) with 2200+ English annotations at Tailored Texts</li> <li><a rel="nofollow" class="external text" href="http://gallica.bnf.fr/ark:/12148/bpt6k70445g"><span title="French-language text"><i lang="fr">Candide, ou l'optimisme</i></span></a>, traduit de l'allemand. De Mr. le Docteur Ralph, 1759. <ul><li><span title="French-language text"><i lang="fr">Candide, ou l'optimisme</i></span>, Par Mr. de Voltaire. Edition revue, corrigée &amp; augmentée par L'Auteur, <a rel="nofollow" class="external text" href="http://gallica.bnf.fr/ark:/12148/bpt6k6546305g">vol. 1</a>, <a rel="nofollow" class="external text" href="http://gallica.bnf.fr/ark:/12148/bpt6k6546306w">vol. 2</a>, aux delices, 1761–1763.</li></ul></li> <li><a rel="nofollow" class="external text" href="http://gallica.bnf.fr/ark:/12148/btv1b8458202f/"><i>La Vallière Manuscript</i> at http://gallica.bnf.fr</a>.</li></ul> <div class="mw-heading mw-heading3"><h3 id="Miscellaneous">Miscellaneous</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Candide&amp;action=edit&amp;section=29" title="Edit section: Miscellaneous"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20081022101511/http://ub-dok.uni-trier.de/ausstellung/candide/candide_engl.htm"><i>Candide</i>: Illustrations of a classic</a>, bibliography of illustrated editions, list of available electronic editions and more useful information from <a href="/wiki/Trier_University" class="mw-redirect" title="Trier University">Trier University Library</a></li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20080909215737/http://voltaire-candide.wikispaces.com/">Voltaire's <i>Candide</i></a>, a public wiki dedicated to <i>Candide</i></li> <li><a rel="nofollow" class="external text" href="http://www.whitman.edu/VSA/Candide/bibliography.html">Brief Bibliography for the Study of <i>Candide</i></a>, issued by the Voltaire Society of America</li> <li><a rel="nofollow" class="external text" href="https://web.archive.org/web/20071013122448/http://deimos3.apple.com/WebObjects/Core.woa/Browse/itunes.stanford.edu.1291667329">Podcast lecture on <i>Candide</i></a>, from Dr Martin Evans at <a href="/wiki/Stanford_University" title="Stanford University">Stanford University</a>, via 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href="/wiki/Template:Candide" title="Template:Candide"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Candide" title="Template talk:Candide"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Candide" title="Special:EditPage/Template:Candide"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Voltaire&amp;#039;s_Candide" style="font-size:114%;margin:0 4em"><a href="/wiki/Voltaire" title="Voltaire">Voltaire</a>'s <i><a class="mw-selflink selflink">Candide</a></i></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Adaptations</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Candide,_Part_II" title="Candide, Part II">Candide, Part II</a></i> (1760 novel)</li> <li><i><a href="/wiki/Candide_(operetta)" title="Candide (operetta)">Candide</a></i> (1956 operetta)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Modern interpretations</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Candy_(Southern_and_Hoffenberg_novel)" title="Candy (Southern and Hoffenberg novel)">Candy</a></i> (1958 novel)</li> <li><span title="French-language text"><i lang="fr"><a href="/wiki/Candide_ou_l%27optimisme_au_XXe_si%C3%A8cle" title="Candide ou l&#39;optimisme au XXe siècle">Candide ou l'optimisme au XXe siècle</a></i></span> (1960 film)</li> <li><i><a href="/wiki/Candy_(1968_film)" title="Candy (1968 film)">Candy</a></i> (1968 film)</li> <li><span title="Italian-language text"><i lang="it"><a href="/wiki/Mondo_candido" title="Mondo candido">Mondo candido</a></i></span> (1975 film)</li> <li><i><a href="/wiki/The_Optimists_(film)" title="The Optimists (film)">The Optimists</a></i> (2006 film)</li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Cun%C3%A9gonde" title="Cunégonde">Cunégonde</a></li> <li><a href="/wiki/Johan_Robeck" title="Johan Robeck">Johan Robeck</a></li> <li><a href="/wiki/Pope_Urban_X" title="Pope Urban X">Pope Urban X</a></li> <li><a href="/wiki/A_few_acres_of_snow" title="A few acres of snow">A few acres of snow</a></li> <li><span title="French-language text"><i lang="fr"><a href="/wiki/Po%C3%A8me_sur_le_d%C3%A9sastre_de_Lisbonne" title="Poème sur le désastre de Lisbonne">Poème sur le désastre de Lisbonne</a></i></span></li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"></div><div role="navigation" class="navbox" aria-labelledby="Voltaire" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231"><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Voltaire" title="Template:Voltaire"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Voltaire" title="Template talk:Voltaire"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Voltaire" title="Special:EditPage/Template:Voltaire"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Voltaire" style="font-size:114%;margin:0 4em"><a href="/wiki/Voltaire" title="Voltaire">Voltaire</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Prose<br />works</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Letters_on_the_English" title="Letters on the English">Letters on the English</a></i></li> <li><i><a href="/wiki/Elements_of_the_Philosophy_of_Newton" title="Elements of the Philosophy of Newton">Elements of the Philosophy of Newton</a></i></li> <li><i><a href="/wiki/Zadig" title="Zadig">Zadig</a></i></li> <li><i><a href="/wiki/History_of_Charles_XII" title="History of Charles XII">History of Charles XII</a></i></li> <li><i><a href="/wiki/The_Age_of_Louis_XIV" title="The Age of Louis XIV">The Age of Louis XIV</a></i></li> <li><i><a href="/wiki/Microm%C3%A9gas" title="Micromégas">Micromégas</a></i></li> <li><i><a href="/wiki/Annals_of_the_Empire" title="Annals of the Empire">Annals of the Empire</a></i></li> <li>"<a href="/wiki/Plato%27s_Dream" title="Plato&#39;s Dream">Plato's Dream</a>"</li> <li><i><a href="/wiki/Doctor_Akakia" title="Doctor Akakia">Doctor Akakia</a></i></li> <li>"<a href="/wiki/Essai_sur_les_m%C5%93urs_et_l%27esprit_des_nations" title="Essai sur les mœurs et l&#39;esprit des nations">Essai sur les mœurs et l'esprit des nations</a>"</li> <li><i><a class="mw-selflink selflink">Candide</a></i></li> <li><i><a href="/wiki/Treatise_on_Tolerance" title="Treatise on Tolerance">Treatise on Tolerance</a></i></li> <li><i><a href="/wiki/Dictionnaire_philosophique" title="Dictionnaire philosophique">Dictionnaire philosophique</a></i></li> <li><i><a href="/wiki/Commentaires_sur_Corneille" title="Commentaires sur Corneille">Commentaires sur Corneille</a></i></li> <li><i><a href="/wiki/Id%C3%A9es_r%C3%A9publicaines" title="Idées républicaines">Idées républicaines</a></i></li> <li><i><a href="/wiki/Questions_sur_les_Miracles" title="Questions sur les Miracles">Questions sur les Miracles</a></i></li> <li><i><a href="/wiki/L%27Ing%C3%A9nu" title="L&#39;Ingénu">L'Ingénu</a></i></li> <li>"<a href="/wiki/The_Historical_Praise_of_Reason" title="The Historical Praise of Reason">The Historical Praise of Reason</a>"</li> <li><i><a href="/wiki/Pr%C3%A9cis_du_si%C3%A8cle_de_Louis_XV" title="Précis du siècle de Louis XV">Précis du siècle de Louis XV</a></i></li> <li><i><a href="/wiki/Des_singularit%C3%A9s_de_la_nature" title="Des singularités de la nature">Des singularités de la nature</a></i></li> <li><i><a href="/wiki/The_Man_of_Forty_Crowns" title="The Man of Forty Crowns">The Man of Forty Crowns</a></i></li> <li><i><a href="/wiki/The_White_Bull" title="The White Bull">The White Bull</a></i></li> <li><i><a href="/wiki/Les_Dialogues_d%E2%80%99Evh%C3%A9m%C3%A8re" class="mw-redirect" title="Les Dialogues d’Evhémère">Les Dialogues d’Evhémère</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Poetry</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Henriade" title="Henriade">Henriade</a></i></li> <li>"<a href="/wiki/Le_Mondain" title="Le Mondain">Le Mondain</a>"</li> <li><i><a href="/wiki/Po%C3%A8me_sur_le_d%C3%A9sastre_de_Lisbonne" title="Poème sur le désastre de Lisbonne">Poème sur le désastre de Lisbonne</a></i></li> <li>"<a href="/wiki/%C3%89p%C3%AEtre_%C3%A0_l%27Auteur_du_Livre_des_Trois_Imposteurs" title="Épître à l&#39;Auteur du Livre des Trois Imposteurs">Épître à l'Auteur du Livre des Trois Imposteurs</a>"</li> <li><i><a href="/wiki/The_Maid_of_Orleans_(poem)" title="The Maid of Orleans (poem)">The Maid of Orleans</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Drama</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><i><a href="/wiki/Oedipus_(Voltaire_play)" title="Oedipus (Voltaire play)">Oedipus</a></i></li> <li><i><a href="/wiki/Art%C3%A9mire_(tragedy)" title="Artémire (tragedy)">Artémire</a></i></li> <li><i><a href="/wiki/H%C3%A9rode_et_Mariamne" title="Hérode et Mariamne">Hérode et Mariamne</a></i></li> <li><i><a href="/wiki/Brutus_(tragedy)" title="Brutus (tragedy)">Brutus</a></i></li> <li><i><a href="/wiki/%C3%89riphyle_(tragedy)" title="Ériphyle (tragedy)">Ériphyle</a></i></li> <li><i><a href="/wiki/Za%C3%AFre_(play)" title="Zaïre (play)">Zaïre</a></i></li> <li><i><a href="/wiki/La_Prude" title="La Prude">La Prude</a></i></li> <li><i><a href="/wiki/Socrates_(Voltaire)" title="Socrates (Voltaire)">Socrates</a></i></li> <li><i><a href="/wiki/Mahomet_(play)" title="Mahomet (play)">Mahomet</a></i></li> <li><i><a href="/wiki/M%C3%A9rope" title="Mérope">Mérope</a></i></li> <li><i><a href="/wiki/La_princesse_de_Navarre" title="La princesse de Navarre">La princesse de Navarre</a></i></li> <li><i><a href="/wiki/S%C3%A9miramis_(tragedy)" title="Sémiramis (tragedy)">Sémiramis</a></i></li> <li><i><a href="/wiki/Nanine" title="Nanine">Nanine</a></i></li> <li><i><a href="/wiki/L%27Orphelin_de_la_Chine" title="L&#39;Orphelin de la Chine">L'Orphelin de la Chine</a></i></li> <li><i><a href="/wiki/La_Femme_qui_a_Raison" title="La Femme qui a Raison">La Femme qui a Raison</a></i></li> <li><i><a href="/wiki/Tancr%C3%A8de_(tragedy)" title="Tancrède (tragedy)">Tancrède</a></i></li> <li><i><a href="/wiki/Don_P%C3%A8dre,_roi_de_Castille" title="Don Pèdre, roi de Castille">Don Pèdre, roi de Castille</a></i></li> <li><i><a href="/wiki/Sophonisbe_(tragedy)" title="Sophonisbe (tragedy)">Sophonisbe</a></i></li> <li><i><a href="/wiki/Ir%C3%A8ne_(tragedy)" title="Irène (tragedy)">Irène</a></i></li> <li><i><a href="/wiki/Agathocle" title="Agathocle">Agathocle</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Samson_(opera)" title="Samson (opera)"><i>Samson</i> (opera)</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Related</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Les_D%C3%A9lices" title="Les Délices">Les Délices</a> <ul><li><a href="/wiki/Institut_et_Mus%C3%A9e_Voltaire" title="Institut et Musée Voltaire">Institut et Musée Voltaire</a></li></ul></li> <li><a href="/wiki/%C3%89milie_du_Ch%C3%A2telet" title="Émilie du Châtelet">Émilie du Châtelet</a></li> <li><a href="/wiki/Voltaire_Foundation" title="Voltaire Foundation">Voltaire Foundation</a> <ul><li><i><a href="/wiki/Complete_Works_of_Voltaire" title="Complete Works of Voltaire">Complete Works of Voltaire</a></i></li></ul></li> <li><a href="/wiki/Ferney-Voltaire" title="Ferney-Voltaire">Ferney-Voltaire</a></li> <li><i><a href="/wiki/The_Friends_of_Voltaire" title="The Friends of Voltaire">The Friends of Voltaire</a></i> (1906 book)</li> <li><a href="/wiki/Voltaire_(film)" title="Voltaire (film)"><i>Voltaire</i></a> (1933 film)</li> <li><i><a href="/wiki/Passionate_Minds" title="Passionate Minds">Passionate Minds</a></i> (2006 novel)</li></ul> </div></td></tr></tbody></table></div> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1236075235"><style data-mw-deduplicate="TemplateStyles:r1038841319">.mw-parser-output .tooltip-dotted{border-bottom:1px dotted;cursor:help}</style></div><div role="navigation" class="navbox authority-control" 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href="http://id.worldcat.org/fast/1356654/">FAST</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/4284773-4">Germany</a></span></li><li><span class="uid"><span class="rt-commentedText tooltip tooltip-dotted" title="Voltaire, 1694-1778. Candide"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n2003077472">United States</a></span></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb11957478m">France</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb11957478m">BnF data</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://libris.kb.se/86lpvkds3hmb51q">Sweden</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="http://olduli.nli.org.il/F/?func=find-b&amp;local_base=NLX10&amp;find_code=UID&amp;request=987007595288905171">Israel</a></span></li><li><span class="uid"><a rel="nofollow" class="external text" href="https://cantic.bnc.cat/registre/981058610795606706">Catalonia</a></span></li></ul></div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"><ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.idref.fr/027560600">IdRef</a></span></li></ul></div></td></tr></tbody></table></div> <!-- NewPP limit report Parsed by mw‐web.codfw.main‐645858d48f‐rttvq Cached time: 20241202164552 Cache expiry: 2592000 Reduced expiry: false Complications: [vary‐revision‐sha1, show‐toc] CPU time usage: 2.019 seconds Real time usage: 2.308 seconds Preprocessor visited node count: 8609/1000000 Post‐expand include size: 206388/2097152 bytes Template argument size: 10295/2097152 bytes Highest expansion depth: 13/100 Expensive parser function count: 10/500 Unstrip recursion depth: 1/20 Unstrip post‐expand size: 282987/5000000 bytes Lua time usage: 1.298/10.000 seconds Lua memory usage: 23268627/52428800 bytes Lua Profile: MediaWiki\Extension\Scribunto\Engines\LuaSandbox\LuaSandboxCallback::callParserFunction 240 ms 19.0% ? 220 ms 17.5% MediaWiki\Extension\Scribunto\Engines\LuaSandbox\LuaSandboxCallback::find 120 ms 9.5% dataWrapper <mw.lua:672> 120 ms 9.5% chunk <Module:WikidataIB> 40 ms 3.2% MediaWiki\Extension\Scribunto\Engines\LuaSandbox\LuaSandboxCallback::gsub 40 ms 3.2% makeMessage <mw.message.lua:76> 40 ms 3.2% [main chunk] <package.lua> 40 ms 3.2% newFrame <mw.lua:153> 40 ms 3.2% <mw.lua:694> 40 ms 3.2% [others] 320 ms 25.4% Number of Wikibase entities loaded: 1/400 --> <!-- Transclusion expansion time report (%,ms,calls,template) 100.00% 2018.465 1 -total 15.17% 306.236 1 Template:Infobox_book 14.52% 293.041 42 Template:Cite_journal 13.81% 278.666 1 Template:Infobox 13.36% 269.588 2 Template:Reflist 11.65% 235.065 43 Template:Lang 10.08% 203.489 1 Template:Hlist 9.25% 186.809 29 Template:Cite_book 8.79% 177.511 7 Template:Cite_web 5.65% 114.079 1 Template:Sfn --> <!-- Saved in parser cache with key enwiki:pcache:6629:|#|:idhash:canonical and timestamp 20241202164552 and revision id 1252731710. Rendering was triggered because: page-view --> </div><!--esi <esi:include src="/esitest-fa8a495983347898/content" /> --><noscript><img src="https://login.wikimedia.org/wiki/Special:CentralAutoLogin/start?type=1x1&amp;useformat=desktop" alt="" width="1" height="1" style="border: none; position: absolute;"></noscript> <div class="printfooter" data-nosnippet="">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Candide&amp;oldid=1252731710">https://en.wikipedia.org/w/index.php?title=Candide&amp;oldid=1252731710</a>"</div></div> <div id="catlinks" class="catlinks" data-mw="interface"><div id="mw-normal-catlinks" class="mw-normal-catlinks"><a href="/wiki/Help:Category" title="Help:Category">Categories</a>: <ul><li><a href="/wiki/Category:Candide" title="Category:Candide">Candide</a></li><li><a href="/wiki/Category:1759_novels" title="Category:1759 novels">1759 novels</a></li><li><a href="/wiki/Category:18th-century_French_novels" title="Category:18th-century 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<div class="mw-footer-container"> <footer id="footer" class="mw-footer" > <ul id="footer-info"> <li id="footer-info-lastmod"> This page was last edited on 22 October 2024, at 18:23<span class="anonymous-show">&#160;(UTC)</span>.</li> <li id="footer-info-copyright">Text is available under the <a href="/wiki/Wikipedia:Text_of_the_Creative_Commons_Attribution-ShareAlike_4.0_International_License" title="Wikipedia:Text of the Creative Commons Attribution-ShareAlike 4.0 International License">Creative Commons Attribution-ShareAlike 4.0 License</a>; additional terms may apply. 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