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window.loswp.showSignupCaptcha = false window.loswp.willEdgeCache = false; window.loswp.work = {"work":{"id":93965847,"created_at":"2022-12-29T20:22:19.374-08:00","from_world_paper_id":224086468,"updated_at":"2024-11-27T06:51:06.901-08:00","_data":{"grobid_abstract":"grandes tipos literarios-Don Quijote, Otelo, Fausto, Don Juan y la Celestina, entre otros-se advierte una característica que les es común a todos ellos: su personalidad se moldea sobre la base de un solo rasgo esencial y de éste deriva todo su comportamiento. No importa cuán nueva o imprevista sea la experiencia a que se les somete, ¡porque siempre responderán de un modo similar. IY' en esto• radica, precisamente, su mayor riqueza, pues, en cada runo de ellos, no se :ha pretendido abarcar al hombre en su totalidad,• como sucede con los grandes arquetipos épicos, por ejemplo•, sino un aspecto singular, llevado hasta la caracterización extrema. Por este motivo, un cambio radi-\u003c:11 de actitud en ellos significa un dejar de ser lo que se es, un abdicar de su esencia originaria para conformarse a partir de otra diferente. De los personajes que se han citado, dos pueden servir como modelos ilustrativos de este fenómeno y ambos pertenecen a las letras !hispanas: ellos son Don Juan y Don Quijote. El primero-limitándonos sólo al personaje de Zorrilla-se destruye como tipo en el instante en que, movido por el amor de Doña Inés, se convierte en un hombre que no guarda ninguna relación de semejan-7a con su ser primero. Don Juan, al enamorarse, se sitúa dentro del I':Jarco moral de la sociedad, pero el tributo que debe rendirle es el ofrecimiento holocáustico de sí mismo, provocando en su interior un conflicto que algunos han llamado acertadamente ''la tragedia de Don Juan\". !El segundo, adalid de la justicia utópica y, por ende, defensor de las causas •perdidas, ca:balga a través del cam, po manchego, obsesionado por cumplir con su misión de caballero andante, ;buscando o, mejor dicho, fabricando las situaciones que le permitan realizar el ideal que su monomanía caballeresca le impone. IM'ientras su cuerpo está sano, su mente permanece en el extravío, ¡pero, al final, en los últimos momentos de su vida, re: cobra de improviso la lucidez y, ante los ojos atónitos de sus anii-•op. cit., p. 785.","publication_date":"1977,,","publication_name":"Revista Chilena De Literatura","grobid_abstract_attachment_id":"96556758"},"document_type":"paper","pre_hit_view_count_baseline":null,"quality":"high","language":"es","title":"El Fausto de Goethe y el don Juan hispano","broadcastable":true,"draft":null,"has_indexable_attachment":true,"indexable":true}}["work"]; window.loswp.workCoauthors = [156929474]; window.loswp.locale = "en"; window.loswp.countryCode = "SG"; window.loswp.cwvAbTestBucket = ""; window.loswp.designVariant = "ds_vanilla"; window.loswp.fullPageMobileSutdModalVariant = "full_page_mobile_sutd_modal"; window.loswp.useOptimizedScribd4genScript = false; window.loswp.appleClientId = 'edu.academia.applesignon';</script><script defer="" src="https://accounts.google.com/gsi/client"></script><div class="ds-loswp-container"><div class="ds-work-card--grid-container"><div class="ds-work-card--container js-loswp-work-card"><div class="ds-work-card--cover"><div class="ds-work-cover--wrapper"><div class="ds-work-cover--container"><button class="ds-work-cover--clickable js-swp-download-button" data-signup-modal="{"location":"swp-splash-paper-cover","attachmentId":96556758,"attachmentType":"pdf"}"><img alt="First page of “El Fausto de Goethe y el don Juan hispano”" class="ds-work-cover--cover-thumbnail" src="https://0.academia-photos.com/attachment_thumbnails/96556758/mini_magick20221230-1-zc8moo.png?1672374373" /><img alt="PDF Icon" class="ds-work-cover--file-icon" src="//a.academia-assets.com/assets/single_work_splash/adobe.icon-574afd46eb6b03a77a153a647fb47e30546f9215c0ee6a25df597a779717f9ef.svg" /><div class="ds-work-cover--hover-container"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span><p>Download Free PDF</p></div><div class="ds-work-cover--ribbon-container">Download Free PDF</div><div class="ds-work-cover--ribbon-triangle"></div></button></div></div></div><div class="ds-work-card--work-information"><h1 class="ds-work-card--work-title">El Fausto de Goethe y el don Juan hispano</h1><div class="ds-work-card--work-authors ds-work-card--detail"><a class="ds-work-card--author js-wsj-grid-card-author ds2-5-body-md ds2-5-body-link" data-author-id="156929474" href="https://independent.academia.edu/Mar%C3%ADaIsabelS%C3%A1enzVillarreal"><img alt="Profile image of María Isabel Sáenz-Villarreal" class="ds-work-card--author-avatar" src="//a.academia-assets.com/images/s65_no_pic.png" />María Isabel Sáenz-Villarreal</a></div><div class="ds-work-card--detail"><p class="ds-work-card--detail ds2-5-body-sm">1977, Revista Chilena De Literatura</p><div class="ds-work-card--work-metadata"><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">visibility</span><p class="ds2-5-body-sm" id="work-metadata-view-count">…</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">description</span><p class="ds2-5-body-sm">26 pages</p></div><div class="ds-work-card--work-metadata__stat"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">link</span><p class="ds2-5-body-sm">1 file</p></div></div><script>(async () => { const workId = 93965847; 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Análisis simbólico y filosófico</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="101707348" href="https://ugr.academia.edu/JuanManueldeFarami%C3%B1%C3%A1nFern%C3%A1ndezF%C3%ADgares">Juan Manuel de Faramiñán Fernández-Fígares</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Portada e índice de El Fausto de Goethe. Análisis simbólico y filosófico, 2020</p><p class="ds-related-work--abstract ds2-5-body-sm">Johann Wolfgang von Goethe recupera, en la tragedia Fausto, a uno de los personajes más extraordinarios de la literatura universal, para representar, a través de la reactualización simbólica de su relato mítico, el itinerario psicológico y espiritual de su protagonista. En este sentido, la obra alcanza con Goethe un cariz filosófico y humanista sin precedentes, que nos permite, aún hoy, afrontar su lectura desde una perspectiva íntima y reflexiva. Sin embargo, la enorme riqueza de sus símbolos y alegorías hace que su interpretación se torne a menudo difícil y compleja. Por esta razón, un análisis como el que presentamos, centrado de manera específica en su contenido simbólico y filosófico, puede ayudar a todo aquel que pretenda acercarse a Fausto con el firme ánimo de encontrarse a sí mismo. Porque, desde este prisma, la obra se muestra ante nosotros como el relato de nuestra propia existencia, una aventura analítica no exenta de peligros que, en su desarrollo, entraña una vivencia real, personal e intransferible para el lector, que debe traspasar las fronteras de lo cotidiano, para introducirse en la obra como un personaje más.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"El Fausto de Goethe. Análisis simbólico y filosófico","attachmentId":65361698,"attachmentType":"pdf","work_url":"https://www.academia.edu/44853044/El_Fausto_de_Goethe_An%C3%A1lisis_simb%C3%B3lico_y_filos%C3%B3fico","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/44853044/El_Fausto_de_Goethe_An%C3%A1lisis_simb%C3%B3lico_y_filos%C3%B3fico"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="4" data-entity-id="96223225" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/96223225/En_el_250_aniversario_del_Goethe_Relectura_del_Fausto_como_profec%C3%ADa_del_progreso">En el 250 aniversario del Goethe: Relectura del Fausto como profecía del progreso</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="36965884" href="https://independent.academia.edu/LiobaSimonSchumacher">Lioba Simon Schumacher</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Archivum Revista De La Facultad De Filologia, 1998</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"En el 250 aniversario del Goethe: Relectura del Fausto como profecía del progreso","attachmentId":98181473,"attachmentType":"pdf","work_url":"https://www.academia.edu/96223225/En_el_250_aniversario_del_Goethe_Relectura_del_Fausto_como_profec%C3%ADa_del_progreso","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/96223225/En_el_250_aniversario_del_Goethe_Relectura_del_Fausto_como_profec%C3%ADa_del_progreso"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="5" data-entity-id="10795246" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/10795246/Goethe_Fausto">Goethe - Fausto</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="26264070" href="https://independent.academia.edu/IVANRENELINDO">IVAN RENE I R L C LINDO</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Goethe - Fausto","attachmentId":36637794,"attachmentType":"pdf","work_url":"https://www.academia.edu/10795246/Goethe_Fausto","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/10795246/Goethe_Fausto"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="6" data-entity-id="41279132" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/41279132/Wolfgang_Johan_Goethe_Fausto">Wolfgang+Johan+Goethe+-+Fausto</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="139005548" href="https://mit.academia.edu/MarcoPolo">Marco Polo</a></div><p class="ds-related-work--abstract ds2-5-body-sm">L L LI I IB B BR R RO O Od d do o ot t t.. .c c co o om m m GOETHE, WOLFGANG, JOHAN FAUSTO DEDICATORIA Os aproximáis de nuevo, formas temblorosas que os mostrasteis hace ya mucho tiempo a mi turbada vista. Mas, ¿intento apresaros ahora?, ¿se siente mi corazón aún capaz de semejante locura? Os agolpái s, luego podéis reinar al igual que, saliendo del vaho y la niebla, os vais elevando a mi alrededor. Mi pecho se estremece juvenilmente al hálito mágico de vuestra procesión. Me traéis imágenes de días felices, y algunas sombras queridas se alzan. Como a una vieja leyenda casi olvidada, os acompañan el primer amor y la amistad; el dolor se renueva; la queja vuelve a emprender el errático y laberíntico camino de la vida y pronuncia el nombre de aquellas nobles personas que, engañadas por la esperanza de días de felicidad, han desaparecido antes que yo. Las almas a las que canté por primera vez ya no escucharán estos cantos. Se disolvió aquel amigable grupo y se extinguió el eco primero. Mi canción se entona para una multitud de extraños cuyo aplauso me provoca temor, y todo aquello que se regocijaba con mi canto, si aún vive, vaga disperso por el mundo. Me sumo en una nostalgia, que no sentía hace mucho tiempo, de aquel reino de espíritus, sereno y grave. Mi canto susurrante flota como arpa de Eolo; un escalofrío se apodera de mí. Las lágrimas van cayendo una tras otra. El recio corazón se enternece y ablanda. Lo que poseo lo veo en la lejanía y lo que desapareció se convierte para mí en realidad. PRELUDIO EN EL TEATRO DIRECTOR Vosotros dos, que tantas veces nos apoyasteis en la necedad y la aflicción, decidme qué acogida esperáis para nuestra empresa en estas tierras alemanas. Yo, sobre todo, querría agradar sobremanera al estado llano, porque vive y deja vivir. Ya están colocados los postes, ya se montó el tablado y todos se las prometen felices. Se han sentado allí confiados, con los ojos bien abiertos y deseando que asombren. Aunque sé cómo dar sosiego al espíritu del pueblo, nunca me he sentido tan desconcertado: no están acostumbrados a lo bueno, pero han leído mucho. ¿Cómo conseguiremos que, siendo todo fresco, nuevo y relevar resulte a la vez agradable? Y es que, la verdad, me gusta ver al pueblo llano acercarse en torrente a nuestra carpa y agolparse con insistente afán para pasar por la estrecha puerta de la Gracia, verlo a pleno sol, antes de las cuatro, llegar a empellones hasta la taquilla y casi romperse el cuello por su entrada, como se lo rompen por el pan en tiempos de escasez. Propiciar este milagro en gente tan diversa es algo que sólo logra el poeta, ¡consíguelo hoy, amigo! POETA No me hables de esa abigarrada multitud cuyo aspecto panta al espíritu. Presérvame del ondulante flujo que, a nuestro pesar, nos empuja hacia el torbellino. No; llévame a ese sereno rincón del cielo donde sólo para el poeta flo rece la auténtica alegría, donde, con mano divina, el amor y la amistad procuran y dispensan bendiciones a nuestro corazón. Lo que de nuestro pecho brotó, lo que los labios empezaron a balbucir, malogrado o tal vez conseguido, queda envuelto por la salvaje violencia del instante. Lo que brilla nació para el instante; lo auténtico permanece imperecedero en la posteridad. PERSONAJE CÓMICO Cómo me gustaría dejar de oír hablar de posteridad. Si me pongo a hablar de ella, ¿quién hará reír a nue stra época? Esta quiere y debe disfrutar. Nunca es poco la presencia de un muchacho divertido; el que sabe expresarse con gracia no amargará el humor del pueblo; deseará estar ante un público amplio para conmoverlo con más seguridad. Por eso, pórtate bien y sé ejemplar; haz oír a la fantasía con todos sus coros, a la razón, al entendimiento, a la sensibilidad, a la pasión; pero, eso sí, cuídate de la locura. DIRECTOR Pero, sobre todo, ¡que haya acción! Se viene a ver; lo que gusta es mirar. Si ante los oj os ofreces una trama con muchos sucesos, de manera que la gente se quede boquiabierta, te habrás ganado a la masa y Comment: En 1790 apareció la primera versión de Fausto que se dio a la prensa, Faust, ein Fragment. Esta dedicatoria probablemente la realizó Goethe en 1797, cuando, atendiendo al fin la insistente petición de Schiller, se empeñó en que Fausto dejara de ser un fragmento y retomó el trabajo en el drama. Fruto de esta iniciativa fue Faust. Eine Tragödie (1806), que hoy conocemos como primera parte de Fausto. En la dedicatoria recuerda a los amigos y seres queridos que en el ínterin habían desaparecido, manifiesta lo ajeno que se siente ante sus nuevos admiradores, los filósofos e intelectuales de Jena (los Schlegel, Schelling y Hegel) y se dispone de nuevo a cantar. Comment: Lucas, 3,14. Comment: Toda una declaración de principios justificadora del Fausto, irrepresentable sin una profunda adaptación y plagado de símbolos de difícil esclarecimiento. Comment: Algunas traducciones denominan a este personaje, a mi entender erróneamente, «bufón».</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Wolfgang+Johan+Goethe+-+Fausto","attachmentId":61498823,"attachmentType":"pdf","work_url":"https://www.academia.edu/41279132/Wolfgang_Johan_Goethe_Fausto","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/41279132/Wolfgang_Johan_Goethe_Fausto"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="7" data-entity-id="39863658" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/39863658/El_Fausto_de_Goethe_y_la_tragedia_de_la_modernidad_Goethes_Faust_and_the_Tragedy_of_Modernity">El Fausto de Goethe y la tragedia de la modernidad / Goethe's Faust and the Tragedy of Modernity</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="101707348" href="https://ugr.academia.edu/JuanManueldeFarami%C3%B1%C3%A1nFern%C3%A1ndezF%C3%ADgares">Juan Manuel de Faramiñán Fernández-Fígares</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Las Torres de Lucca, 2019</p><p class="ds-related-work--abstract ds2-5-body-sm">En este artículo se analiza el complejo itinerario social europeo de los últimos dos siglos, a través de una de las obras literarias más importantes de este periodo: la tragedia Fausto de Johann Wolfgang von Goethe. El itinerario intelectual de su protagonista coincide con el que tuvo lugar en Europa en las postrimerías del siglo xix con el paso del mundo moderno al contemporáneo. En este sentido, la crisis de valores y la desproporcionada sensación de omnipotencia que se desprende del modelo postrevolucionario decimonónico coincide dramáticamente con el carácter fáustico del protagonista de esta obra, que lo lleva, al igual que a la actual sociedad de consumo, a sucumbir en una especie de descensus ad inferos o caída psicológica nihilista. Sin embargo, de la misma manera que Fausto renace de sus cenizas y alcanza, mediante el anhelo social y comunitario, la salvación simbólica de su alma, Europa aún tiene la oportunidad de reinterpretarse y emprender un nuevo camino que le permita ser algún día ella misma, a través del reconocimiento de sus diferencias y el reencuentro con sus raíces.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"El Fausto de Goethe y la tragedia de la modernidad / Goethe's Faust and the Tragedy of Modernity","attachmentId":60046725,"attachmentType":"pdf","work_url":"https://www.academia.edu/39863658/El_Fausto_de_Goethe_y_la_tragedia_de_la_modernidad_Goethes_Faust_and_the_Tragedy_of_Modernity","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/39863658/El_Fausto_de_Goethe_y_la_tragedia_de_la_modernidad_Goethes_Faust_and_the_Tragedy_of_Modernity"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="8" data-entity-id="4904173" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/4904173/La_genealog%C3%ADa_de_los_mitos_de_Fausto_y_don_Juan_Revista_El_coloquio_de_los_perros_no_27_2010_ISSN_1578_0856">La genealogía de los mitos de Fausto y don Juan. Revista El coloquio de los perros, nº 27 (2010), ISSN 1578-0856. </a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="5381555" href="https://murcia.academia.edu/ElenaNicol%C3%A1sCantabella">Elena Nicolás Cantabella</a></div><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"La genealogía de los mitos de Fausto y don Juan. Revista El coloquio de los perros, nº 27 (2010), ISSN 1578-0856. ","attachmentId":32169913,"attachmentType":"pdf","work_url":"https://www.academia.edu/4904173/La_genealog%C3%ADa_de_los_mitos_de_Fausto_y_don_Juan_Revista_El_coloquio_de_los_perros_no_27_2010_ISSN_1578_0856","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/4904173/La_genealog%C3%ADa_de_los_mitos_de_Fausto_y_don_Juan_Revista_El_coloquio_de_los_perros_no_27_2010_ISSN_1578_0856"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div><div class="ds-related-work--container js-wsj-grid-card" data-collection-position="9" data-entity-id="54049588" data-sort-order="default"><a class="ds-related-work--title js-wsj-grid-card-title ds2-5-body-md ds2-5-body-link" href="https://www.academia.edu/54049588/El_imaginario_m%C3%ADtico_del_Fausto_de_Goethe_The_Mythical_Imaginary_of_Goethes_Faust">El imaginario mítico del Fausto de Goethe / The Mythical Imaginary of Goethe's Faust</a><div class="ds-related-work--metadata"><a class="js-wsj-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="101707348" href="https://ugr.academia.edu/JuanManueldeFarami%C3%B1%C3%A1nFern%C3%A1ndezF%C3%ADgares">Juan Manuel de Faramiñán Fernández-Fígares</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Interpretatio Revista de Hermenéutica, 2021</p><p class="ds-related-work--abstract ds2-5-body-sm">Este artículo reivindica el carácter mítico de la tragedia Fausto de Johann Wolfgang von Goethe al relacionar su configuración argumental con el itinerario simbólico del héroe. Para ello, toma como base las estructuras míticas predeterminadas por Gilbert Durand, Lévi-Strauss o Joseph Campbell. En los dos primeros apartados se compara de manera diacrónica a Fausto con la figura mítica del héroe; en los dos siguientes se relaciona de manera sincrónica y específica cada una de las partes de la obra con los mitemas propios del mito del héroe.</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"El imaginario mítico del Fausto de Goethe / The Mythical Imaginary of Goethe's Faust","attachmentId":70601249,"attachmentType":"pdf","work_url":"https://www.academia.edu/54049588/El_imaginario_m%C3%ADtico_del_Fausto_de_Goethe_The_Mythical_Imaginary_of_Goethes_Faust","alternativeTracking":true}"><span class="material-symbols-outlined" style="font-size: 18px" translate="no">download</span><span class="ds2-5-text-link__content">Download free PDF</span></button><a class="ds2-5-text-link ds2-5-text-link--inline js-wsj-grid-card-view-pdf" href="https://www.academia.edu/54049588/El_imaginario_m%C3%ADtico_del_Fausto_de_Goethe_The_Mythical_Imaginary_of_Goethes_Faust"><span class="ds2-5-text-link__content">View PDF</span><span class="material-symbols-outlined" style="font-size: 18px" translate="no">chevron_right</span></a></div></div></div></div><div class="ds-sticky-ctas--wrapper js-loswp-sticky-ctas hidden"><div class="ds-sticky-ctas--grid-container"><div class="ds-sticky-ctas--container"><button class="ds2-5-button js-swp-download-button" data-signup-modal="{"location":"continue-reading-button--sticky-ctas","attachmentId":96556758,"attachmentType":"pdf","workUrl":null}">See full PDF</button><button class="ds2-5-button ds2-5-button--secondary js-swp-download-button" data-signup-modal="{"location":"download-pdf-button--sticky-ctas","attachmentId":96556758,"attachmentType":"pdf","workUrl":null}"><span class="material-symbols-outlined" style="font-size: 20px" translate="no">download</span>Download PDF</button></div></div></div><div class="ds-below-fold--grid-container"><div class="ds-work--container js-loswp-embedded-document"><div class="attachment_preview" data-attachment="Attachment_96556758" style="display: none"><div class="js-scribd-document-container"><div class="scribd--document-loading js-scribd-document-loader" style="display: block;"><img alt="Loading..." src="//a.academia-assets.com/images/loaders/paper-load.gif" /><p>Loading Preview</p></div></div><div style="text-align: center;"><div class="scribd--no-preview-alert js-preview-unavailable"><p>Sorry, preview is currently unavailable. 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Rousseau, Kant, Goethe. Filosofía y cultura en la Europa del Siglo de las Luces. (Edición a cargo de Roberto R. Aramayo, trad. Roberto R. Aramayo y Salvador Mas). México: Fondo de Cultura Económica, 2014, 294 p. (Colección Breviarios)</a><div class="ds-related-work--metadata"><a class="js-related-work-grid-card-author ds2-5-body-sm ds2-5-body-link" data-author-id="69119516" href="https://independent.academia.edu/NURIASANCHEZMADRID">NURIA SANCHEZ MADRID</a></div><p class="ds-related-work--metadata ds2-5-body-xs">Diánoia, 2015</p><div class="ds-related-work--ctas"><button class="ds2-5-text-link ds2-5-text-link--inline js-swp-download-button" data-signup-modal="{"location":"wsj-grid-card-download-pdf-modal","work_title":"Cassirer, Ernst. Rousseau, Kant, Goethe. Filosofía y cultura en la Europa del Siglo de las Luces. (Edición a cargo de Roberto R. Aramayo, trad. Roberto R. Aramayo y Salvador Mas). México: Fondo de Cultura Económica, 2014, 294 p. 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