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href="https://ar.wikipedia.org/wiki/%D9%85%D8%A7%D8%B1%D8%AC%D9%88%D8%B1%D9%89_%D9%83%D8%A7%D9%85%D9%8A%D8%B1%D9%88%D9%86" title="مارجورى كاميرون – Arabic" lang="ar" hreflang="ar" data-title="مارجورى كاميرون" data-language-autonym="العربية" data-language-local-name="Arabic" class="interlanguage-link-target"><span>العربية</span></a></li><li class="interlanguage-link interwiki-es mw-list-item"><a href="https://es.wikipedia.org/wiki/Marjorie_Cameron" title="Marjorie Cameron – Spanish" lang="es" hreflang="es" data-title="Marjorie Cameron" data-language-autonym="Español" data-language-local-name="Spanish" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D9%85%D8%A7%D8%B1%D8%AC%D9%88%D8%B1%DB%8C_%DA%A9%D8%A7%D9%85%D8%B1%D9%88%D9%86" title="مارجوری کامرون – Persian" lang="fa" hreflang="fa" data-title="مارجوری کامرون" data-language-autonym="فارسی" data-language-local-name="Persian" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Marjorie_Cameron" title="Marjorie Cameron – French" lang="fr" hreflang="fr" data-title="Marjorie Cameron" data-language-autonym="Français" data-language-local-name="French" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-ht mw-list-item"><a href="https://ht.wikipedia.org/wiki/Marjorie_Cameron" title="Marjorie Cameron – Haitian Creole" lang="ht" hreflang="ht" data-title="Marjorie Cameron" data-language-autonym="Kreyòl ayisyen" data-language-local-name="Haitian Creole" class="interlanguage-link-target"><span>Kreyòl ayisyen</span></a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D9%85%D8%A7%D8%B1%D8%AC%D9%88%D8%B1%D9%89_%D9%83%D8%A7%D9%85%D9%8A%D8%B1%D9%88%D9%86" title="مارجورى كاميرون – Egyptian Arabic" lang="arz" hreflang="arz" data-title="مارجورى كاميرون" data-language-autonym="مصرى" data-language-local-name="Egyptian Arabic" class="interlanguage-link-target"><span>مصرى</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%9A%D1%8D%D0%BC%D0%B5%D1%80%D0%BE%D0%BD,_%D0%9C%D0%B0%D1%80%D0%B4%D0%B6%D0%BE%D1%80%D0%B8" title="Кэмерон, Марджори – Russian" lang="ru" hreflang="ru" data-title="Кэмерон, Марджори" data-language-autonym="Русский" data-language-local-name="Russian" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-sr mw-list-item"><a href="https://sr.wikipedia.org/wiki/%D0%9C%D0%B0%D1%80%D1%9F%D0%BE%D1%80%D0%B8_%D0%9A%D0%B0%D0%BC%D0%B5%D1%80%D0%BE%D0%BD" title="Марџори Камерон – Serbian" lang="sr" hreflang="sr" data-title="Марџори Камерон" data-language-autonym="Српски / srpski" data-language-local-name="Serbian" class="interlanguage-link-target"><span>Српски / srpski</span></a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/Marjorie_Cameron" title="Marjorie Cameron – Finnish" lang="fi" hreflang="fi" data-title="Marjorie Cameron" data-language-autonym="Suomi" data-language-local-name="Finnish" class="interlanguage-link-target"><span>Suomi</span></a></li><li class="interlanguage-link interwiki-zh mw-list-item"><a href="https://zh.wikipedia.org/wiki/%E7%91%AA%E5%96%AC%E9%BA%97%C2%B7%E5%8D%A1%E9%BA%A5%E9%9A%86" title="瑪喬麗·卡麥隆 – Chinese" lang="zh" hreflang="zh" data-title="瑪喬麗·卡麥隆" data-language-autonym="中文" data-language-local-name="Chinese" class="interlanguage-link-target"><span>中文</span></a></li> </ul> <div class="after-portlet after-portlet-lang"><span class="wb-langlinks-edit wb-langlinks-link"><a href="https://www.wikidata.org/wiki/Special:EntityPage/Q6766231#sitelinks-wikipedia" title="Edit interlanguage links" class="wbc-editpage">Edit links</a></span></div> </div> </div> </div> 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Click here for more information."><img alt="Featured article" src="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Cscr-featured.svg/20px-Cscr-featured.svg.png" decoding="async" width="20" height="19" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/e/e7/Cscr-featured.svg/30px-Cscr-featured.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/e/e7/Cscr-featured.svg/40px-Cscr-featured.svg.png 2x" data-file-width="466" data-file-height="443" /></a></span></div></div> </div> <div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div> </div> <div id="contentSub"><div id="mw-content-subtitle"></div></div> <div id="mw-content-text" class="mw-body-content"><div class="mw-content-ltr mw-parser-output" lang="en" dir="ltr"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">American actress and occultist (1922–1995)</div> <p class="mw-empty-elt"> </p> <style data-mw-deduplicate="TemplateStyles:r1257001546">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}@media screen{html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}</style><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn">Marjorie Cameron</div></th></tr><tr><td colspan="2" class="infobox-image"><span class="mw-default-size" typeof="mw:File/Frameless"><a href="/wiki/File:Marjorie_Cameron.jpg" class="mw-file-description"><img alt="A young white woman in a black blazer. She is holding a cigarette and there is a martini glass on a table in front of her." src="//upload.wikimedia.org/wikipedia/en/thumb/3/38/Marjorie_Cameron.jpg/250px-Marjorie_Cameron.jpg" decoding="async" width="220" height="291" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/3/38/Marjorie_Cameron.jpg 1.5x" data-file-width="274" data-file-height="363" /></a></span><div class="infobox-caption">Cameron in the mid-1940s<sup id="cite_ref-FOOTNOTECarter2004220_1-0" class="reference"><a href="#cite_note-FOOTNOTECarter2004220-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup></div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><div style="display:inline" class="nickname">Marjorie Cameron</div><br /><span style="display:none">(<span class="bday">1922-04-23</span>)</span>April 23, 1922<br /><div style="display:inline" class="birthplace"><a href="/wiki/Belle_Plaine,_Iowa" title="Belle Plaine, Iowa">Belle Plaine, Iowa</a>, U.S.</div></td></tr><tr><th scope="row" class="infobox-label">Died</th><td class="infobox-data">July 24, 1995<span style="display:none">(1995-07-24)</span> (aged 73)<br /><div style="display:inline" class="deathplace">Los Angeles, California, U.S.</div></td></tr><tr><th scope="row" class="infobox-label">Known for</th><td class="infobox-data">Drawing, painting, poetry</td></tr><tr><th scope="row" class="infobox-label">Movement</th><td class="infobox-data category"><a href="/wiki/Beat_generation" class="mw-redirect" title="Beat generation">Beat generation</a>, <a href="/wiki/Psychedelia" title="Psychedelia">psychedelia</a>, <a href="/wiki/Occultism" class="mw-redirect" title="Occultism">occultism</a>, <a href="/wiki/Surrealism" title="Surrealism">surrealism</a></td></tr><tr><th scope="row" class="infobox-label">Spouses</th><td class="infobox-data"><style data-mw-deduplicate="TemplateStyles:r1126788409">.mw-parser-output .plainlist ol,.mw-parser-output .plainlist ul{line-height:inherit;list-style:none;margin:0;padding:0}.mw-parser-output .plainlist ol li,.mw-parser-output .plainlist ul li{margin-bottom:0}</style><div class="plainlist"><ul><li><style data-mw-deduplicate="TemplateStyles:r1151524712">.mw-parser-output .marriage-line-margin2px{line-height:0;margin-bottom:-2px}.mw-parser-output .marriage-line-margin3px{line-height:0;margin-bottom:-3px}.mw-parser-output .marriage-display-ws{display:inline;white-space:nowrap}</style> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;"><a href="/wiki/Jack_Parsons" title="Jack Parsons">Jack Parsons</a></div> <div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> <style data-mw-deduplicate="TemplateStyles:r1038841319">.mw-parser-output .tooltip-dotted{border-bottom:1px dotted;cursor:help}</style><span class="rt-commentedText tooltip" title="October 19, 1946">1946</span>; died <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1038841319" /><span class="rt-commentedText tooltip" title="June 17, 1952">1952</span>)<wbr /></div></li><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1151524712" /> <div class="marriage-display-ws"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;">Sheridan Kimmel</div> <div class="marriage-line-margin2px"></div> <div style="display:inline-block;margin-bottom:1px;"></div>(<abbr title="married">m.</abbr> 1959; died 1966)<wbr /></div></li></ul></div></td></tr><tr><th scope="row" class="infobox-label">Children</th><td class="infobox-data">1</td></tr></tbody></table> <style data-mw-deduplicate="TemplateStyles:r1129693374">.mw-parser-output .hlist dl,.mw-parser-output .hlist ol,.mw-parser-output .hlist ul{margin:0;padding:0}.mw-parser-output .hlist dd,.mw-parser-output .hlist dt,.mw-parser-output .hlist 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a{color:var(--color-progressive)!important}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .sidebar:not(.notheme) .sidebar-list-title,html.skin-theme-clientpref-os .mw-parser-output .sidebar:not(.notheme) .sidebar-title-with-pretitle{background:transparent!important}html.skin-theme-clientpref-os .mw-parser-output .sidebar:not(.notheme) .sidebar-title-with-pretitle a{color:var(--color-progressive)!important}}@media print{body.ns-0 .mw-parser-output .sidebar{display:none!important}}</style><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1246091330" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1246091330" /><table class="sidebar sidebar-collapse nomobile nowraplinks" style="width:22em;border-width:3px; border-color:#9999CC #BEBEED #BEBEED #9999CC; padding:0; border-spacing:0;"><tbody><tr><td class="sidebar-pretitle">Part of <a href="/wiki/Category:Thelema" title="Category:Thelema">a series</a> on</td></tr><tr><th class="sidebar-title-with-pretitle" style="font-size:170%;"><a href="/wiki/Thelema" title="Thelema">Thelema</a></th></tr><tr><td class="sidebar-image"><span typeof="mw:File"><a href="/wiki/File:Crowley_unicursal_hexagram.svg" class="mw-file-description" title="Crowley's unicursal hexagram"><img alt="Crowley's unicursal hexagram" src="//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Crowley_unicursal_hexagram.svg/120px-Crowley_unicursal_hexagram.svg.png" decoding="async" width="75" height="83" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Crowley_unicursal_hexagram.svg/150px-Crowley_unicursal_hexagram.svg.png 2x" data-file-width="200" data-file-height="220" /></a></span><div class="sidebar-caption"><span style="font-size: 85%;"><a href="/wiki/Unicursal_hexagram" title="Unicursal hexagram">Unicursal hexagram</a></span></div></td></tr><tr><td class="sidebar-above"> <a href="/wiki/Liber_OZ" title="Liber OZ">The Rights of Man</a></td></tr><tr><td class="sidebar-content hlist" style="padding:0.2em 0.2em 0.3em;"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="background:#ccccff;padding:0;color:#333399;;color: var(--color-base)"><div class="sidebar-list-title-c">Holy Books and Stele</div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><i><a href="/wiki/The_Book_of_the_Law" title="The Book of the Law">The Book of the Law</a></i></li> <li><i><a href="/wiki/The_Holy_Books_of_Thelema" title="The Holy Books of Thelema">The Holy Books of Thelema</a></i></li> <li><a href="/wiki/Stele_of_Ankh-ef-en-Khonsu" title="Stele of Ankh-ef-en-Khonsu">The Stele of Revealing</a></li></ul></div></div></td> </tr><tr><td class="sidebar-content-with-subgroup hlist" style="padding:0.2em 0.2em 0.3em;"> <div class="sidebar-list mw-collapsible"><div class="sidebar-list-title" style="background:#ccccff;padding:0;color:#333399;;color: var(--color-base)"><div class="sidebar-list-title-c">Key figures</div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Ankh-ef-en-Khonsu_i" title="Ankh-ef-en-Khonsu i">Ankh-af-na-Khonsu</a></li> <li><a href="/wiki/Fran%C3%A7ois_Rabelais" title="François Rabelais">François Rabelais</a><br /></li> <li><a href="/wiki/Aleister_Crowley" title="Aleister Crowley">Aleister Crowley</a></li> <li><a href="/wiki/Victor_Neuburg_(poet)" title="Victor Neuburg (poet)">Victor Neuburg</a></li> <li><a href="/wiki/Charles_Stansfeld_Jones" title="Charles Stansfeld Jones">Charles Stansfeld Jones</a></li> <li><a href="/wiki/Jack_Parsons" title="Jack Parsons">Jack Parsons</a></li> <li><a href="/wiki/Wilfred_Talbot_Smith" title="Wilfred Talbot Smith">Wilfred Talbot Smith</a></li> <li><a href="/wiki/Jane_Wolfe" title="Jane Wolfe">Jane Wolfe</a></li> <li><a href="/wiki/Karl_Germer" title="Karl Germer">Karl Germer</a></li> <li><a href="/wiki/J._F._C._Fuller" title="J. F. C. Fuller">J. F. C. Fuller</a></li> <li><a href="/wiki/Grady_Louis_McMurtry" title="Grady Louis McMurtry">Grady McMurtry</a></li> <li><a href="/wiki/Marcelo_Ramos_Motta" title="Marcelo Ramos Motta">Marcelo Ramos Motta</a></li> <li><a class="mw-selflink selflink">Marjorie Cameron</a></li> <li><a href="/wiki/Sara_Northrup_Hollister" title="Sara Northrup Hollister">Sara Northrup</a></li> <li><a href="/wiki/Helen_Parsons_Smith" title="Helen Parsons Smith">Helen Parsons Smith</a></li> <li><a href="/wiki/Phyllis_Seckler" title="Phyllis Seckler">Phyllis Seckler</a></li> <li><a href="/wiki/Christopher_Hyatt" title="Christopher Hyatt">Christopher Hyatt</a></li> <li><a href="/wiki/Kenneth_Grant" title="Kenneth Grant">Kenneth Grant</a></li> <li><a href="/wiki/Ceremonial_magic#James_Lees" title="Ceremonial magic">James Lees</a></li> <li><a href="/wiki/Nema_Andahadna" title="Nema Andahadna">Nema Andahadna</a></li> <li><a href="/wiki/James_Wasserman" title="James Wasserman">James Wasserman</a></li> <li><a href="/wiki/Kenneth_Anger" title="Kenneth Anger">Kenneth Anger</a></li></ul> <table class="sidebar-subgroup"><tbody><tr><th class="sidebar-heading"> The Scarlet Women</th></tr><tr><td class="sidebar-content"> <ul><li><a href="/wiki/Rose_Kelly" class="mw-redirect" title="Rose Kelly">Rose Edith Crowley</a></li> <li><a href="/w/index.php?title=Mary_d%27Este_Sturges&action=edit&redlink=1" class="new" title="Mary d'Este Sturges (page does not exist)">Mary d'Este Sturges</a></li> <li><a href="/wiki/Jeanne_Robert_Foster" title="Jeanne Robert Foster">Jeanne Robert Foster</a></li> <li><a href="/w/index.php?title=Roddie_Minor&action=edit&redlink=1" class="new" title="Roddie Minor (page does not exist)">Roddie Minor</a></li> <li><a href="/w/index.php?title=Marie_Rohling&action=edit&redlink=1" class="new" title="Marie Rohling (page does not exist)">Marie Rohling</a></li> <li><a href="/wiki/Leah_Hirsig" title="Leah Hirsig">Leah Hirsig</a></li> <li><a href="/wiki/Leila_Waddell" title="Leila Waddell">Leila Waddell</a></li></ul></td> </tr></tbody></table></div></div></td> </tr><tr><td class="sidebar-content hlist" style="padding:0.2em 0.2em 0.3em;"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="background:#ccccff;padding:0;color:#333399;;color: var(--color-base)"><div class="sidebar-list-title-c">Core concepts</div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/One_Star_in_Sight" title="One Star in Sight">One Star in Sight</a><br /></li> <li><a href="/wiki/Great_Work_(Thelema)" title="Great Work (Thelema)">Great Work</a></li> <li><a href="/wiki/True_Will" title="True Will">True Will</a><br /></li> <li><a href="/wiki/Abyss_(Thelema)" title="Abyss (Thelema)">The Abyss</a><br /></li> <li><a href="/wiki/Ceremonial_magic" title="Ceremonial magic">Magick</a></li> <li><a href="/wiki/Hermetic_Qabalah" title="Hermetic Qabalah">Qabalah</a><br /></li> <li><a href="/wiki/Guardian_angel#Thelema" title="Guardian angel">Holy Guardian Angel</a><br /></li> <li><a href="/wiki/Thoth_Tarot" title="Thoth Tarot">Thoth Tarot</a></li> <li><a href="/wiki/R%C4%81ja_yoga" title="Rāja yoga">Yoga</a><br /></li> <li><a href="/wiki/Liber_XV,_The_Gnostic_Mass" title="Liber XV, The Gnostic Mass">Gnostic Mass</a><br /></li> <li><a href="/wiki/Aeon_of_Horus" title="Aeon of Horus">The Aeon</a></li></ul></div></div></td> </tr><tr><td class="sidebar-content hlist" style="padding:0.2em 0.2em 0.3em;"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="background:#ccccff;padding:0;color:#333399;;color: var(--color-base)"><div class="sidebar-list-title-c">Methods</div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Abrahadabra" title="Abrahadabra">Abrahadabra</a><br /></li> <li><a href="/wiki/Night_of_Pan" title="Night of Pan">Night of Pan</a></li> <li><a href="/wiki/Liber_Resh_vel_Helios" title="Liber Resh vel Helios">Liber Resh</a><br /></li> <li><a href="/wiki/Crossing_the_Abyss" class="mw-redirect" title="Crossing the Abyss">Crossing the Abyss</a><br /></li> <li><a href="/wiki/Banishing" title="Banishing">Banishing</a></li> <li><a href="/wiki/Invocation" title="Invocation">Invocation</a><br /></li> <li><a href="/wiki/Bornless_Ritual" title="Bornless Ritual">Bornless Ritual</a><br /></li> <li><a href="/wiki/English_Qaballa" title="English Qaballa">Qaballa</a></li> <li><a href="/wiki/Sex_magic" title="Sex magic">Sex magic</a><br /></li> <li><a href="/wiki/Body_of_light" title="Body of light">Body of light</a><br /></li> <li><a href="/wiki/Tree_of_life_(Kabbalah)" title="Tree of life (Kabbalah)">Tree of life</a><br /></li></ul></div></div></td> </tr><tr><td class="sidebar-content hlist" style="padding:0.2em 0.2em 0.3em;"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="background:#ccccff;padding:0;color:#333399;;color: var(--color-base)"><div class="sidebar-list-title-c"><a href="/wiki/Category:Thelemic_texts" title="Category:Thelemic texts">Thelemic texts</a></div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Aleister_Crowley_bibliography" title="Aleister Crowley bibliography">Aleister Crowley bibliography</a></li> <li><a href="/wiki/Kenneth_Grant_bibliography" class="mw-redirect" title="Kenneth Grant bibliography">Kenneth Grant bibliography</a></li> <li><a href="/wiki/Marcelo_Motta_bibliography" class="mw-redirect" title="Marcelo Motta bibliography">Marcelo Motta bibliography</a></li></ul></div></div></td> </tr><tr><td class="sidebar-content hlist" style="padding:0.2em 0.2em 0.3em;"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="background:#ccccff;padding:0;color:#333399;;color: var(--color-base)"><div class="sidebar-list-title-c">Organizations</div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><div style="display:inline-block; padding:0.2em 0.4em; line-height:1.2em;"><a href="/wiki/A%E2%88%B4A%E2%88%B4" title="A∴A∴">A∴A∴</a></div></li> <li><div style="display:inline-block; padding:0.2em 0.4em; line-height:1.2em;"><a href="/wiki/Ceremonial_magic#James_Lees" title="Ceremonial magic">O∴A∴A∴</a></div></li> <li><div style="display:inline-block; padding:0.2em 0.4em; line-height:1.2em;"><a href="/wiki/Ecclesia_Gnostica_Catholica" title="Ecclesia Gnostica Catholica">Ecclesia Gnostica Catholica (EGC)</a></div></li> <li><div style="display:inline-block; padding:0.2em 0.4em; line-height:1.2em;"><a href="/wiki/Ordo_Templi_Orientis" title="Ordo Templi Orientis">Ordo Templi Orientis (OTO)</a></div></li> <li><div style="display:inline-block; padding:0.2em 0.4em; line-height:1.2em;"><a href="/wiki/Society_Ordo_Templi_Orientis" class="mw-redirect" title="Society Ordo Templi Orientis">Society Ordo Templi Orientis (SOTO)</a></div></li> <li><div style="display:inline-block; padding:0.2em 0.4em; line-height:1.2em;"><a href="/wiki/Thelemic_Order_of_the_Golden_Dawn" class="mw-redirect" title="Thelemic Order of the Golden Dawn">Thelemic Order of the Golden Dawn</a></div></li> <li><a href="/wiki/Typhonian_Order" title="Typhonian Order">Typhonian Order (TOTO)</a></li></ul></div></div></td> </tr><tr><td class="sidebar-content hlist" style="padding:0.2em 0.2em 0.3em;"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="background:#ccccff;padding:0;color:#333399;;color: var(--color-base)"><div class="sidebar-list-title-c">Deities</div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Nuit" title="Nuit">Nuit</a></li> <li><a href="/wiki/Hadit" title="Hadit">Hadit</a></li> <li><a href="/wiki/Heru-ra-ha" title="Heru-ra-ha">Heru-ra-ha</a><br /></li> <li><a href="/wiki/Aiwass" title="Aiwass">Aiwass</a></li> <li><a href="/wiki/Therion_(Thelema)" title="Therion (Thelema)">Therion</a></li> <li><a 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0.3em;"> <div class="sidebar-list mw-collapsible mw-collapsed"><div class="sidebar-list-title" style="background:#ccccff;padding:0;color:#333399;;color: var(--color-base)"><div class="sidebar-list-title-c">Related topics</div></div><div class="sidebar-list-content mw-collapsible-content"> <ul><li><a href="/wiki/Holy_anointing_oil" title="Holy anointing oil">Abramelin oil</a></li> <li><a href="/wiki/Cake_of_Light" title="Cake of Light">Cake of Light</a></li> <li><a href="/wiki/Choronzon" title="Choronzon">Choronzon</a></li> <li><a href="/wiki/Eroto-comatose_lucidity" title="Eroto-comatose lucidity">Eroto-comatose lucidity</a></li> <li><a href="/wiki/Goetia" title="Goetia">Goetia</a></li> <li><i><a href="/wiki/Liber_Pennae_Praenumbra" title="Liber Pennae Praenumbra">Liber Pennae Praenumbra</a></i></li> <li><a href="/wiki/Magical_formula" title="Magical formula">Magical formulae</a></li> <li><a href="/wiki/Number_of_the_beast" title="Number of the beast">Number of the beast</a></li> <li><a href="/wiki/Obeah_and_wanga" title="Obeah and wanga">Obeah and wanga</a></li> <li><a href="/wiki/Qlippoth" title="Qlippoth">Qlippoth</a></li> <li><a href="/wiki/Table_of_magical_correspondences" title="Table of magical correspondences">Table of magical correspondences</a><br /></li> <li><a href="/wiki/The_Beast_(Revelation)" title="The Beast (Revelation)">The Beast</a> and <a href="/wiki/Whore_of_Babylon" title="Whore of Babylon">Whore of Babylon</a></li> <li><a href="/wiki/Worship_of_heavenly_bodies" title="Worship of heavenly bodies">Worship of heavenly bodies</a></li></ul></div></div></td> </tr><tr><td class="sidebar-navbar" style="padding:0 0.4em;"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374" /><style data-mw-deduplicate="TemplateStyles:r1239400231">.mw-parser-output .navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output .navbar-boxtext{word-spacing:0}.mw-parser-output .navbar ul{display:inline-block;white-space:nowrap;line-height:inherit}.mw-parser-output .navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini abbr{font-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit}.mw-parser-output .navbar-ct-full{font-size:114%;margin:0 7em}.mw-parser-output .navbar-ct-mini{font-size:114%;margin:0 4em}html.skin-theme-clientpref-night .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .navbar li a abbr{color:var(--color-base)!important}}@media print{.mw-parser-output .navbar{display:none!important}}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Thelema" title="Template:Thelema"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Thelema" title="Template talk:Thelema"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Thelema" title="Special:EditPage/Template:Thelema"><abbr title="Edit this template">e</abbr></a></li></ul></div></td></tr></tbody></table> <p><b>Marjorie Cameron Parsons Kimmel</b> (April 23, 1922 – July 24, 1995), who professionally used the <a href="https://en.wiktionary.org/wiki/mononym" class="extiw" title="wikt:mononym">mononym</a> <b>Cameron</b>, was an American artist, poet, actress and <a href="/wiki/Occultist" class="mw-redirect" title="Occultist">occultist</a>. A follower of <a href="/wiki/Thelema" title="Thelema">Thelema</a>, the <a href="/wiki/New_religious_movement" title="New religious movement">new religious movement</a> established by the English occultist <a href="/wiki/Aleister_Crowley" title="Aleister Crowley">Aleister Crowley</a>, she was married to rocket pioneer and fellow Thelemite <a href="/wiki/Jack_Parsons_(rocket_engineer)" class="mw-redirect" title="Jack Parsons (rocket engineer)">Jack Parsons</a>. </p><p>Born in <a href="/wiki/Belle_Plaine,_Iowa" title="Belle Plaine, Iowa">Belle Plaine, Iowa</a>, Cameron volunteered for service in the <a href="/wiki/United_States_Navy" title="United States Navy">United States Navy</a> during the <a href="/wiki/Second_World_War" class="mw-redirect" title="Second World War">Second World War</a>, after which she settled in <a href="/wiki/Pasadena,_California" title="Pasadena, California">Pasadena, California</a>. There she met Parsons, who believed her to be the "elemental" woman that he had invoked in the early stages of a series of <a href="/wiki/Sex_magic" title="Sex magic">sex magic</a> rituals called the <a href="/wiki/Babalon_Working" class="mw-redirect" title="Babalon Working">Babalon Working</a>. They entered into a relationship and were married in 1946. Their relationship was often strained, although Parsons sparked her involvement in Thelema and occultism. After Parsons' death in an explosion at their home in 1952, Cameron came to suspect that her husband had been assassinated and began rituals to communicate with his spirit. Moving to <a href="/wiki/Beaumont,_California" title="Beaumont, California">Beaumont</a>, she established a multi-racial occult group called The Children, which dedicated itself to sex magic rituals with the intent of producing mixed-race "moon children" who would be devoted to the god <a href="/wiki/Horus" title="Horus">Horus</a>. The group soon dissolved, largely because many of its members became concerned by Cameron's increasingly <a href="/wiki/Apocalypse" title="Apocalypse">apocalyptic</a> predictions. </p><p>Returning to Los Angeles, Cameron befriended the socialite <a href="/wiki/Samson_De_Brier" title="Samson De Brier">Samson De Brier</a> and established herself within the city's avant-garde artistic community. Among her friends were the filmmakers <a href="/wiki/Curtis_Harrington" title="Curtis Harrington">Curtis Harrington</a> and <a href="/wiki/Kenneth_Anger" title="Kenneth Anger">Kenneth Anger</a>. She appeared in two of Harrington's films, <i>The Wormwood Star</i> and <i><a href="/wiki/Night_Tide" title="Night Tide">Night Tide</a></i>, as well as in Anger's film <i><a href="/wiki/Inauguration_of_the_Pleasure_Dome" title="Inauguration of the Pleasure Dome">Inauguration of the Pleasure Dome</a></i>. In later years, she made appearances in art-house films created by <a href="/wiki/John_Chamberlain_(sculptor)" title="John Chamberlain (sculptor)">John Chamberlain</a> and <a href="/wiki/Chick_Strand" title="Chick Strand">Chick Strand</a>. Rarely remaining in one place for long, during the 1950s and 1960s she lived in <a href="/wiki/Joshua_Tree,_California" title="Joshua Tree, California">Joshua Tree</a>, San Francisco and <a href="/wiki/Santa_Fe,_New_Mexico" title="Santa Fe, New Mexico">Santa Fe</a>. In 1955, she gave birth to a daughter, Crystal Eve Kimmel. Although intermittent health problems prevented her from working, her art and poetry resulted in several exhibitions. From the late 1970s until her death from cancer in 1995, Cameron lived in a bungalow in <a href="/wiki/West_Hollywood" class="mw-redirect" title="West Hollywood">West Hollywood</a>, where she raised her daughter and grandchildren, pursued her interests in esotericism, and produced artwork and poetry. </p><p>Cameron's recognition as an artist increased after her death, when her paintings made appearances in exhibitions across the U.S. As a result of increased attention on Parsons, Cameron's life also gained greater coverage in the early 2000s. In 2006, the Cameron–Parsons Foundation was created to preserve and promote her work, and in 2011 a biography of Cameron written by Spencer Kansa was published. </p> <meta property="mw:PageProp/toc" /> <div class="mw-heading mw-heading2"><h2 id="Biography">Biography</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marjorie_Cameron&action=edit&section=1" title="Edit section: Biography"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Early_life:_1922–1945"><span id="Early_life:_1922.E2.80.931945"></span>Early life: 1922–1945</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marjorie_Cameron&action=edit&section=2" title="Edit section: Early life: 1922–1945"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Cameron was born in <a href="/wiki/Belle_Plaine,_Iowa" title="Belle Plaine, Iowa">Belle Plaine, Iowa</a>, on April 23, 1922.<sup id="cite_ref-FOOTNOTECarter2004131Duncan2008Kaczynski2010538Kansa20119Laden2014_2-0" class="reference"><a href="#cite_note-FOOTNOTECarter2004131Duncan2008Kaczynski2010538Kansa20119Laden2014-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> Her father, railway worker Hill Leslie Cameron, was the adopted child of a <a href="/wiki/Scotch-Irish_Americans" title="Scotch-Irish Americans">Scots-Irish</a> family; her mother, Carrie Cameron (<i>née</i> Ridenour), was of Dutch ancestry.<sup id="cite_ref-FOOTNOTECarter2004131Kaczynski2010538Kansa20119–11_3-0" class="reference"><a href="#cite_note-FOOTNOTECarter2004131Kaczynski2010538Kansa20119–11-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> She was their first child, and was followed by three siblings: James (b. 1923), Mary (b. 1927), and Robert (b. 1929).<sup id="cite_ref-FOOTNOTEKansa201111–12_4-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201111–12-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> They lived on the wealthier north side of town, although life was nevertheless hard due to the <a href="/wiki/Great_Depression" title="Great Depression">Great Depression</a>.<sup id="cite_ref-FOOTNOTEKansa201112,_15_5-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201112,_15-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Cameron attended Whittier Elementary School and Belle Plaine High School, where she did well at art, English, and drama but failed algebra, Latin, and civics lessons. She also participated in athletics, glee club, and chorus.<sup id="cite_ref-FOOTNOTEKansa201113–14_6-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201113–14-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> Relating that one of her childhood friends had committed suicide and that she too had contemplated it, she characterized herself as a rebellious child, claiming that "I became the town pariah ... Nobody would let their kid near me".<sup id="cite_ref-FOOTNOTELaden2014_7-0" class="reference"><a href="#cite_note-FOOTNOTELaden2014-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> She had sexual relationships with various men; after Cameron became pregnant, her mother performed an illegal home abortion.<sup id="cite_ref-FOOTNOTEKansa201117_8-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201117-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> In 1940, the Cameron family relocated to <a href="/wiki/Davenport,_Iowa" title="Davenport, Iowa">Davenport</a> so Hill could work at the <a href="/wiki/Rock_Island_Arsenal" title="Rock Island Arsenal">Rock Island Arsenal</a> munitions factory. Cameron completed her final year of high school education at <a href="/wiki/Davenport_Central_High_School" class="mw-redirect" title="Davenport Central High School">Davenport High School</a>.<sup id="cite_ref-FOOTNOTEKansa201118_9-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201118-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> Leaving school, she worked as a display artist in a local department store.<sup id="cite_ref-FOOTNOTEKansa201118_9-1" class="reference"><a href="#cite_note-FOOTNOTEKansa201118-9"><span class="cite-bracket">[</span>9<span class="cite-bracket">]</span></a></sup> </p><p>Following the United States' entry into the <a href="/wiki/Second_World_War" class="mw-redirect" title="Second World War">Second World War</a>, Cameron signed up for the <a href="/wiki/Women_Accepted_for_Volunteer_Emergency_Service" class="mw-redirect" title="Women Accepted for Volunteer Emergency Service">Women Accepted for Volunteer Emergency Service</a>, a part of the <a href="/wiki/United_States_Navy" title="United States Navy">United States Navy</a>, in February 1943. Initially sent to a training camp at <a href="/wiki/Iowa_State_Teachers_College" class="mw-redirect" title="Iowa State Teachers College">Iowa State Teachers College</a> in <a href="/wiki/Cedar_Falls,_Iowa" title="Cedar Falls, Iowa">Cedar Falls</a>, she was subsequently posted to Washington, D.C., where she served as a cartographer for the <a href="/wiki/Joint_Chiefs_of_Staff" title="Joint Chiefs of Staff">Joint Chiefs of Staff</a>. In the course of these duties, she met U.K. Prime Minister <a href="/wiki/Winston_Churchill" title="Winston Churchill">Winston Churchill</a> in May 1943.<sup id="cite_ref-FOOTNOTECarter2004131Kaczynski2010538Kansa201118–22Nelson2014Laden2014_10-0" class="reference"><a href="#cite_note-FOOTNOTECarter2004131Kaczynski2010538Kansa201118–22Nelson2014Laden2014-10"><span class="cite-bracket">[</span>10<span class="cite-bracket">]</span></a></sup> She was reassigned to the Naval Photographic Unit in <a href="/wiki/Anacostia" title="Anacostia">Anacostia</a>, where she worked as a <a href="/wiki/Wardrobe_supervisor" title="Wardrobe supervisor">wardrobe mistress</a> for propaganda documentaries, and during this period met various <a href="/wiki/Hollywood_(film_industry)" class="mw-redirect" title="Hollywood (film industry)">Hollywood</a> stars.<sup id="cite_ref-FOOTNOTEKansa201122–23_11-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201122–23-11"><span class="cite-bracket">[</span>11<span class="cite-bracket">]</span></a></sup> When her brother James returned to the U.S. injured from service overseas, she went <a href="/wiki/AWOL" class="mw-redirect" title="AWOL">AWOL</a> and returned to Iowa to see him, as a result of which she was <a href="/wiki/Court-martial" title="Court-martial">court–martialed</a> and confined to barracks for the rest of the war.<sup id="cite_ref-FOOTNOTEDuncan2008Kaczynski2010538Kansa201124_12-0" class="reference"><a href="#cite_note-FOOTNOTEDuncan2008Kaczynski2010538Kansa201124-12"><span class="cite-bracket">[</span>12<span class="cite-bracket">]</span></a></sup> For reasons unknown to her, she received an honorable discharge from the military in 1945. To join her family, she traveled to <a href="/wiki/Pasadena,_California" title="Pasadena, California">Pasadena, California</a>, where her father and brothers had found work at the <a href="/wiki/Jet_Propulsion_Laboratory" title="Jet Propulsion Laboratory">Jet Propulsion Laboratory</a> (JPL).<sup id="cite_ref-FOOTNOTECarter2004131Duncan2008Kaczynski2010538Kansa201127Nelson2014Laden2014_13-0" class="reference"><a href="#cite_note-FOOTNOTECarter2004131Duncan2008Kaczynski2010538Kansa201127Nelson2014Laden2014-13"><span class="cite-bracket">[</span>13<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Jack_Parsons:_1946–1952"><span id="Jack_Parsons:_1946.E2.80.931952"></span>Jack Parsons: 1946–1952</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marjorie_Cameron&action=edit&section=3" title="Edit section: Jack Parsons: 1946–1952"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Jack_Parsons_2.jpg" class="mw-file-description"><img alt="A young white male with dark hair, facing the camera. The image is in black and white." src="//upload.wikimedia.org/wikipedia/commons/thumb/5/5d/Jack_Parsons_2.jpg/170px-Jack_Parsons_2.jpg" decoding="async" width="170" height="217" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/5/5d/Jack_Parsons_2.jpg 1.5x" data-file-width="230" data-file-height="293" /></a><figcaption>Jack Parsons, Cameron's first husband</figcaption></figure> <p>In Pasadena, Cameron ran into a former colleague, who invited her to visit the large <a href="/wiki/American_Craftsman" title="American Craftsman">American Craftsman</a>-style house where he was currently lodging, 1003 Orange Grove Avenue, also known as "The Parsonage". The house was so-called because its lease was owned by <a href="/wiki/John_Whiteside_Parsons" class="mw-redirect" title="John Whiteside Parsons">Jack Parsons</a>, a rocket scientist who had been a founding member of the <a href="/wiki/Jet_Propulsion_Laboratory" title="Jet Propulsion Laboratory">Jet Propulsion Laboratory</a> and who was also a devout follower of <a href="/wiki/Thelema" title="Thelema">Thelema</a>, a <a href="/wiki/New_religious_movement" title="New religious movement">new religious movement</a> founded by English occultist <a href="/wiki/Aleister_Crowley" title="Aleister Crowley">Aleister Crowley</a> in 1904. Parsons was the head of the Agape Lodge, a branch of the Thelemite <a href="/wiki/Ordo_Templi_Orientis" title="Ordo Templi Orientis">Ordo Templi Orientis</a> (O.T.O.).<sup id="cite_ref-FOOTNOTECarter2004130Kansa201128–29Nelson2014Laden2014_14-0" class="reference"><a href="#cite_note-FOOTNOTECarter2004130Kansa201128–29Nelson2014Laden2014-14"><span class="cite-bracket">[</span>14<span class="cite-bracket">]</span></a></sup> Unbeknownst to Cameron, Parsons had just finished a series of rituals using <a href="/wiki/Enochian_magic" title="Enochian magic">Enochian magic</a> with his friend and lodger <a href="/wiki/L._Ron_Hubbard" title="L. Ron Hubbard">L. Ron Hubbard</a>, all with the intent of attracting an "elemental" woman to be his lover. Upon encountering Cameron with her distinctive red hair and blue eyes, Parsons considered her to be the individual whom he had invoked.<sup id="cite_ref-FOOTNOTECarter2004130Pendle2005259–260Kansa201135–37Nelson2014Laden2014_15-0" class="reference"><a href="#cite_note-FOOTNOTECarter2004130Pendle2005259–260Kansa201135–37Nelson2014Laden2014-15"><span class="cite-bracket">[</span>15<span class="cite-bracket">]</span></a></sup> After they met at The Parsonage on January 18, 1946, they were instantly attracted to each other and spent the next two weeks in Parsons' bedroom together. Although Cameron was unaware of it, Parsons saw this as a form of <a href="/wiki/Sex_magic" title="Sex magic">sex magic</a> that constituted part of the <a href="/wiki/Babalon_Working" class="mw-redirect" title="Babalon Working">Babalon Working</a>, a rite to invoke the birth of Thelemite goddess <a href="/wiki/Babalon" title="Babalon">Babalon</a> onto Earth in human form.<sup id="cite_ref-FOOTNOTEPendle2005263–264Kansa201129Laden2014_16-0" class="reference"><a href="#cite_note-FOOTNOTEPendle2005263–264Kansa201129Laden2014-16"><span class="cite-bracket">[</span>16<span class="cite-bracket">]</span></a></sup> </p><p>During a brief visit to New York City to see a friend, Cameron discovered that she was pregnant and decided to have an abortion.<sup id="cite_ref-FOOTNOTECarter2004151Kansa201137–38_17-0" class="reference"><a href="#cite_note-FOOTNOTECarter2004151Kansa201137–38-17"><span class="cite-bracket">[</span>17<span class="cite-bracket">]</span></a></sup> Parsons meanwhile had founded a company with Hubbard and Hubbard's girlfriend <a href="/wiki/Sara_Northrup" class="mw-redirect" title="Sara Northrup">Sara Northrup</a>, Allied Enterprises, into which he invested his life savings. It became apparent that Hubbard was a <a href="/wiki/Confidence_trick" class="mw-redirect" title="Confidence trick">confidence trickster</a>, who tried to flee with Parsons' money, resulting in the end of their friendship.<sup id="cite_ref-FOOTNOTEPendle2005267–269Kansa201138–39_18-0" class="reference"><a href="#cite_note-FOOTNOTEPendle2005267–269Kansa201138–39-18"><span class="cite-bracket">[</span>18<span class="cite-bracket">]</span></a></sup> Returning to Pasadena, Cameron consoled Parsons, painting a picture of Northrup with her legs severed below the knee.<sup id="cite_ref-FOOTNOTEKansa201139_19-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201139-19"><span class="cite-bracket">[</span>19<span class="cite-bracket">]</span></a></sup> Parsons decided to sell The Parsonage, which was then demolished for redevelopment, and the couple moved to <a href="/wiki/Manhattan_Beach,_California" title="Manhattan Beach, California">Manhattan Beach</a>. On October 19, 1946, he and Cameron married at the <a href="/wiki/San_Juan_Capistrano,_California" title="San Juan Capistrano, California">San Juan Capistrano</a> courthouse in <a href="/wiki/Orange_County,_California" title="Orange County, California">Orange County</a>, in a service witnessed by his best friend <a href="/wiki/Edward_Forman" title="Edward Forman">Edward Forman</a>.<sup id="cite_ref-FOOTNOTEStarr2003320Carter2004158Pendle2005275,_277Kansa201139Laden2014_20-0" class="reference"><a href="#cite_note-FOOTNOTEStarr2003320Carter2004158Pendle2005275,_277Kansa201139Laden2014-20"><span class="cite-bracket">[</span>20<span class="cite-bracket">]</span></a></sup> Having an aversion to all religion, Cameron initially took no interest in Parsons' Thelemite beliefs and occult practices, although he maintained that she had an important destiny, giving her the magical name of "Candida", often shortened to "Candy", which became her nickname.<sup id="cite_ref-FOOTNOTECarter2004130Duncan2008Kansa201139–41_21-0" class="reference"><a href="#cite_note-FOOTNOTECarter2004130Duncan2008Kansa201139–41-21"><span class="cite-bracket">[</span>21<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size" typeof="mw:File/Thumb"><a href="/wiki/File:Aleister_Crowley.jpg" class="mw-file-description"><img alt="A bald, middle-aged white man staring straight at the viewer." src="//upload.wikimedia.org/wikipedia/commons/thumb/7/7e/Aleister_Crowley.jpg/250px-Aleister_Crowley.jpg" decoding="async" width="170" height="231" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/7/7e/Aleister_Crowley.jpg/330px-Aleister_Crowley.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/7e/Aleister_Crowley.jpg/500px-Aleister_Crowley.jpg 2x" data-file-width="737" data-file-height="1000" /></a><figcaption>Cameron embraced the ideas of English occultist <a href="/wiki/Aleister_Crowley" title="Aleister Crowley">Aleister Crowley</a>.</figcaption></figure> <p>In the winter of 1947, Cameron travelled from New York to Paris aboard the SS <i>America</i> with the intention of studying art at the <a href="/wiki/Acad%C3%A9mie_de_la_Grande_Chaumi%C3%A8re" title="Académie de la Grande Chaumière">Académie de la Grande Chaumière</a>, which she hoped would admit her with a letter of recommendation from Pasadena's <a href="/wiki/Art_Center_College_of_Design" class="mw-redirect" title="Art Center College of Design">Art Center School</a>. She also wanted to visit England and meet with Crowley and explain to him Parsons' Babalon Working. Cameron learned upon her arrival in Paris that Crowley had died and that she had not been admitted to the college. She found post-war Paris "extreme and bleak", befriended <a href="/wiki/Juliette_Gr%C3%A9co" title="Juliette Gréco">Juliette Gréco</a>, and spent three weeks in Switzerland before returning home.<sup id="cite_ref-FOOTNOTEKansa201143–45_22-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201143–45-22"><span class="cite-bracket">[</span>22<span class="cite-bracket">]</span></a></sup> When Cameron developed <a href="/wiki/Catalepsy" title="Catalepsy">catalepsy</a>, Parsons suggested that she read <a href="/wiki/Sylvan_Muldoon" title="Sylvan Muldoon">Sylvan Muldoon</a>'s books on <a href="/wiki/Astral_projection" title="Astral projection">astral projection</a> and encouraged her to read <a href="/wiki/James_Frazer" class="mw-redirect" title="James Frazer">James Frazer</a>'s <i><a href="/wiki/The_Golden_Bough" title="The Golden Bough">The Golden Bough</a></i>, <a href="/wiki/Heinrich_Zimmer" title="Heinrich Zimmer">Heinrich Zimmer</a>'s <i>The King and the Corpse</i>, and <a href="/wiki/Joseph_Campbell" title="Joseph Campbell">Joseph Campbell</a>'s <i><a href="/wiki/The_Hero_with_a_Thousand_Faces" title="The Hero with a Thousand Faces">The Hero with a Thousand Faces</a></i>.<sup id="cite_ref-FOOTNOTEKansa201148–49_23-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201148–49-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> Although she still did not accept Thelema, she became increasingly interested in the occult, and in particular the use of the <a href="/wiki/Tarot" title="Tarot">tarot</a>.<sup id="cite_ref-FOOTNOTEKansa201148–49_23-1" class="reference"><a href="#cite_note-FOOTNOTEKansa201148–49-23"><span class="cite-bracket">[</span>23<span class="cite-bracket">]</span></a></sup> </p><p>Parsons' and Cameron's relationship was deteriorating and they contemplated divorce.<sup id="cite_ref-FOOTNOTEKansa201148_24-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201148-24"><span class="cite-bracket">[</span>24<span class="cite-bracket">]</span></a></sup> While Cameron visited the artistic commune at <a href="/wiki/San_Miguel_de_Allende" title="San Miguel de Allende">San Miguel de Allende</a> in Mexico and befriended the artist <a href="/wiki/Renate_Druks" title="Renate Druks">Renate Druks</a>, Parsons moved into a house in <a href="/wiki/Redondo_Beach,_California" title="Redondo Beach, California">Redondo Beach</a> and was involved in a brief relationship with an Irishwoman named Gladis Gohan before Cameron returned.<sup id="cite_ref-FOOTNOTEPendle2005288Duncan2008Kansa201151–53Nelson2014Laden2014_25-0" class="reference"><a href="#cite_note-FOOTNOTEPendle2005288Duncan2008Kansa201151–53Nelson2014Laden2014-25"><span class="cite-bracket">[</span>25<span class="cite-bracket">]</span></a></sup> By March 1951, Parsons and Cameron had moved to the coach house at 1071 South Orange Grove, while he began work at the Bermite Powder Company, constructing explosives for the film industry.<sup id="cite_ref-FOOTNOTEPendle2005294,_297Kansa201157_26-0" class="reference"><a href="#cite_note-FOOTNOTEPendle2005294,_297Kansa201157-26"><span class="cite-bracket">[</span>26<span class="cite-bracket">]</span></a></sup> They started holding parties once more that were attended largely by <a href="/wiki/Bohemianism" title="Bohemianism">bohemians</a> and members of the <a href="/wiki/Beat_generation" class="mw-redirect" title="Beat generation">beat generation</a>, and Cameron attended the jazz clubs of Central Avenue with her friend, the sculptor <a href="/w/index.php?title=Julie_Macdonald&action=edit&redlink=1" class="new" title="Julie Macdonald (page does not exist)">Julie Macdonald</a>.<sup id="cite_ref-FOOTNOTEPendle2005294–295Kansa201157–63_27-0" class="reference"><a href="#cite_note-FOOTNOTEPendle2005294–295Kansa201157–63-27"><span class="cite-bracket">[</span>27<span class="cite-bracket">]</span></a></sup> Cameron produced illustrations for fashion magazines and sold some of her paintings, including some purchased by a friend, the artist <a href="/wiki/Jirayr_Zorthian" title="Jirayr Zorthian">Jirayr Zorthian</a>.<sup id="cite_ref-FOOTNOTEKansa201161_28-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201161-28"><span class="cite-bracket">[</span>28<span class="cite-bracket">]</span></a></sup> Parsons and Cameron had decided to travel to Mexico for a few months.<sup id="cite_ref-FOOTNOTEPendle2005296–297Kansa201164_29-0" class="reference"><a href="#cite_note-FOOTNOTEPendle2005296–297Kansa201164-29"><span class="cite-bracket">[</span>29<span class="cite-bracket">]</span></a></sup> On the day before they planned to leave—June 17, 1952—he received a rush order of explosives for a film set, and began work on the order at his house.<sup id="cite_ref-FOOTNOTEPendle2005299Kansa201165_30-0" class="reference"><a href="#cite_note-FOOTNOTEPendle2005299Kansa201165-30"><span class="cite-bracket">[</span>30<span class="cite-bracket">]</span></a></sup> In the midst of this project, an explosion destroyed the building, fatally wounding Parsons. He was rushed to hospital, but was declared dead.<sup id="cite_ref-FOOTNOTECarter2004177–179Pendle20051–6Duncan2008Kansa201165–66Laden2014_31-0" class="reference"><a href="#cite_note-FOOTNOTECarter2004177–179Pendle20051–6Duncan2008Kansa201165–66Laden2014-31"><span class="cite-bracket">[</span>31<span class="cite-bracket">]</span></a></sup> Cameron did not want to see his body and retreated to San Miguel, asking her friend George Frey to oversee the cremation.<sup id="cite_ref-FOOTNOTEKansa201167–68_32-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201167–68-32"><span class="cite-bracket">[</span>32<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="The_Children,_Kenneth_Anger,_and_Curtis_Harrington:_1952–1968"><span id="The_Children.2C_Kenneth_Anger.2C_and_Curtis_Harrington:_1952.E2.80.931968"></span>The Children, Kenneth Anger, and Curtis Harrington: 1952–1968</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marjorie_Cameron&action=edit&section=4" title="Edit section: The Children, Kenneth Anger, and Curtis Harrington: 1952–1968"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1224211176">.mw-parser-output .quotebox{background-color:#F9F9F9;border:1px solid #aaa;box-sizing:border-box;padding:10px;font-size:88%;max-width:100%}.mw-parser-output .quotebox.floatleft{margin:.5em 1.4em .8em 0}.mw-parser-output .quotebox.floatright{margin:.5em 0 .8em 1.4em}.mw-parser-output .quotebox.centered{overflow:hidden;position:relative;margin:.5em auto .8em auto}.mw-parser-output .quotebox.floatleft span,.mw-parser-output .quotebox.floatright span{font-style:inherit}.mw-parser-output .quotebox>blockquote{margin:0;padding:0;border-left:0;font-family:inherit;font-size:inherit}.mw-parser-output .quotebox-title{text-align:center;font-size:110%;font-weight:bold}.mw-parser-output .quotebox-quote>:first-child{margin-top:0}.mw-parser-output .quotebox-quote:last-child>:last-child{margin-bottom:0}.mw-parser-output .quotebox-quote.quoted:before{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" “ ";vertical-align:-45%;line-height:0}.mw-parser-output .quotebox-quote.quoted:after{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" ” ";line-height:0}.mw-parser-output .quotebox .left-aligned{text-align:left}.mw-parser-output .quotebox .right-aligned{text-align:right}.mw-parser-output .quotebox .center-aligned{text-align:center}.mw-parser-output .quotebox .quote-title,.mw-parser-output .quotebox .quotebox-quote{display:block}.mw-parser-output .quotebox cite{display:block;font-style:normal}@media screen and (max-width:640px){.mw-parser-output .quotebox{width:100%!important;margin:0 0 .8em!important;float:none!important}}</style><div class="quotebox pullquote floatright" style="width:25em; ;"> <blockquote class="quotebox-quote left-aligned" style=""> <p>In medical language Cameron is a lunatic. Elementals and forces and ideas like Babalon when uncontrolled are dangerous. She is now uncontrolled because Jack is dead. Her lunatic four or five fold black and white moonchild operations or attempted operations are summarised by AC's [Aleister Crowley's] comment; 'I get fairly frantic when I contemplate the idiocy of these louts.' I would insist on a vow of Holy obedience and forbid all workings. In my opinion the poor girl is too far gone now to stop. You should dissolve and excommunicate her if she does not take and keep the oath ... She will be shut up and rightly so in a lunatic asylum as soon as she comes out in the open. </p> </blockquote> <div style="padding-bottom: 0; padding-top: 0.5em"><cite class="left-aligned" style="">– Gerald Yorke, writing to Karl Germer<sup id="cite_ref-FOOTNOTEKansa201194_33-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201194-33"><span class="cite-bracket">[</span>33<span class="cite-bracket">]</span></a></sup></cite></div> </div> <p>While in Mexico, Cameron began performing blood rituals in the hope of communicating with Parsons' spirit; during these, she cut her own wrists. As part of these rituals, she claimed to have received a new magical identity, Hilarion.<sup id="cite_ref-FOOTNOTEKansa201174_34-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201174-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> When she heard that an <a href="/wiki/Unidentified_flying_object" title="Unidentified flying object">unidentified flying object</a> had allegedly been seen over Washington D.C.'s <a href="/wiki/United_States_Capitol" title="United States Capitol">Capitol Building</a>, she considered it a response to Parsons' death.<sup id="cite_ref-FOOTNOTEKansa201174_34-1" class="reference"><a href="#cite_note-FOOTNOTEKansa201174-34"><span class="cite-bracket">[</span>34<span class="cite-bracket">]</span></a></sup> After two months, she returned to California and attempted suicide.<sup id="cite_ref-FOOTNOTEKansa201174–75_35-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201174–75-35"><span class="cite-bracket">[</span>35<span class="cite-bracket">]</span></a></sup> Increasingly interested in occultism, she read through her husband's papers. Embracing his Thelemic beliefs, she came to understand his purpose in carrying out the Babalon Working and also came to believe that the spirit of Babalon had been incarnated into herself.<sup id="cite_ref-FOOTNOTEKansa201175–77_36-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201175–77-36"><span class="cite-bracket">[</span>36<span class="cite-bracket">]</span></a></sup> She came to believe that Parsons had been murdered by the police or <a href="/wiki/Anti-Zionism" title="Anti-Zionism">anti-Zionists</a>, and continued her attempts at astral projection to commune with his spirit.<sup id="cite_ref-FOOTNOTEKansa201177–79_37-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201177–79-37"><span class="cite-bracket">[</span>37<span class="cite-bracket">]</span></a></sup> </p><p>Her mental stability was deteriorating, and she became convinced that a nuclear test on <a href="/wiki/Eniwetok_Atoll" class="mw-redirect" title="Eniwetok Atoll">Eniwetok Atoll</a> would result in the destruction of the California coast.<sup id="cite_ref-FOOTNOTEKansa201179_38-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201179-38"><span class="cite-bracket">[</span>38<span class="cite-bracket">]</span></a></sup> There is inconclusive evidence that she was institutionalized in a psychiatric ward during this period, before having a brief affair with African-American jazz player Leroy Booth, a relationship that would have been illegal at the time.<sup id="cite_ref-FOOTNOTEKansa201180–81_39-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201180–81-39"><span class="cite-bracket">[</span>39<span class="cite-bracket">]</span></a></sup> At some point in this period, she stayed with the Thelemite <a href="/wiki/Wilfred_Talbot_Smith" title="Wilfred Talbot Smith">Wilfred Talbot Smith</a> and his wife,<sup id="cite_ref-FOOTNOTEStarr2003328Carter2004184_40-0" class="reference"><a href="#cite_note-FOOTNOTEStarr2003328Carter2004184-40"><span class="cite-bracket">[</span>40<span class="cite-bracket">]</span></a></sup> although he thought that she had "bats in the belfry" and ignored what he described as her "Mad Mental Meanderings".<sup id="cite_ref-FOOTNOTEStarr2003328_41-0" class="reference"><a href="#cite_note-FOOTNOTEStarr2003328-41"><span class="cite-bracket">[</span>41<span class="cite-bracket">]</span></a></sup> </p><p>In December 1952, Cameron moved to a derelict ranch in <a href="/wiki/Beaumont,_California" title="Beaumont, California">Beaumont, California</a>, about 90 miles (140 km) from Redondo Beach.<sup id="cite_ref-FOOTNOTEKansa201182Nelson2014Laden2014_42-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201182Nelson2014Laden2014-42"><span class="cite-bracket">[</span>42<span class="cite-bracket">]</span></a></sup> With the aid of Druks and Paul Mathison, she gathered a loose clique of magical practitioners around herself which she called "The Children". Intentionally comprising members from various races, she oversaw a range of sex magic rituals with the intent of creating a breed of mixed-race "moonchildren" who would be devoted to <a href="/wiki/Horus" title="Horus">Horus</a>.<sup id="cite_ref-FOOTNOTEKansa201185–86_43-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201185–86-43"><span class="cite-bracket">[</span>43<span class="cite-bracket">]</span></a></sup> She became pregnant as a result of these rites, and termed her forthcoming child "the Wormwood Star", although the pregnancy ended in <a href="/wiki/Miscarriage" title="Miscarriage">miscarriage</a>.<sup id="cite_ref-FOOTNOTEKansa201167,_97_44-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201167,_97-44"><span class="cite-bracket">[</span>44<span class="cite-bracket">]</span></a></sup> Over time, many of Cameron's associates within The Children distanced themselves from her, in particular because of her increasingly apocalyptic pronouncements; she claimed that Mexico was about to conquer the U.S., that a <a href="/wiki/Race_war" class="mw-redirect" title="Race war">race war</a> was about to break out in the <a href="/wiki/Old_World" title="Old World">Old World</a>, and that a comet would hit the Earth, and that a <a href="/wiki/Flying_saucer" title="Flying saucer">flying saucer</a> would rescue her and her followers and take them to <a href="/wiki/Mars" title="Mars">Mars</a>.<sup id="cite_ref-FOOTNOTEKansa201190,_92_45-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201190,_92-45"><span class="cite-bracket">[</span>45<span class="cite-bracket">]</span></a></sup> During her magical rituals she used a range of drugs, including <a href="/wiki/Marijuana" class="mw-redirect" title="Marijuana">marijuana</a>, <a href="/wiki/Peyote" title="Peyote">peyote</a>, and <a href="/wiki/Magic_mushrooms" class="mw-redirect" title="Magic mushrooms">magic mushrooms</a>, and in June 1953 she visited Los Angeles to attend a <a href="/wiki/Gerald_Heard" title="Gerald Heard">Gerald Heard</a> lecture on the mind-expanding uses of hallucinogens.<sup id="cite_ref-FOOTNOTEKansa201188–89_46-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201188–89-46"><span class="cite-bracket">[</span>46<span class="cite-bracket">]</span></a></sup> Cameron was suffering from auditory hallucinations, frequent bouts of depression, and dramatic mood swings.<sup id="cite_ref-FOOTNOTEKansa201190–92_47-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201190–92-47"><span class="cite-bracket">[</span>47<span class="cite-bracket">]</span></a></sup> During this period, she corresponded with the Thelemite <a href="/wiki/Jane_Wolfe" title="Jane Wolfe">Jane Wolfe</a>,<sup id="cite_ref-FOOTNOTECarter2004188Kansa201182–84Nelson2014_48-0" class="reference"><a href="#cite_note-FOOTNOTECarter2004188Kansa201182–84Nelson2014-48"><span class="cite-bracket">[</span>48<span class="cite-bracket">]</span></a></sup> although other Thelemites and Crowley associates such as <a href="/wiki/Karl_Germer" title="Karl Germer">Karl Germer</a> and <a href="/wiki/Gerald_Yorke" title="Gerald Yorke">Gerald Yorke</a> deemed her insane.<sup id="cite_ref-FOOTNOTEKansa201192,_94_49-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201192,_94-49"><span class="cite-bracket">[</span>49<span class="cite-bracket">]</span></a></sup> </p> <figure class="mw-default-size mw-halign-left" typeof="mw:File/Thumb"><a href="/wiki/File:Cameron%27s_The_Black_Egg.jpg" class="mw-file-description"><img alt="A painting of a slim white woman with large red hair. The two eyes are blackened. She is wearing a white outfit and in her hands holds a black egg." src="//upload.wikimedia.org/wikipedia/en/thumb/0/0d/Cameron%27s_The_Black_Egg.jpg/170px-Cameron%27s_The_Black_Egg.jpg" decoding="async" width="170" height="254" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/en/thumb/0/0d/Cameron%27s_The_Black_Egg.jpg/255px-Cameron%27s_The_Black_Egg.jpg 1.5x, //upload.wikimedia.org/wikipedia/en/0/0d/Cameron%27s_The_Black_Egg.jpg 2x" data-file-width="258" data-file-height="385" /></a><figcaption>Cameron's self-portrait, <i>The Black Egg</i>, was placed at the centre of an altar during Cameron's 1995 memorial service.<sup id="cite_ref-FOOTNOTEKansa2011253_50-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011253-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup></figcaption></figure> <p>After using the Chinese <a href="/wiki/Divination" title="Divination">divination</a> text the <i><a href="/wiki/I_Ching" title="I Ching">I Ching</a></i>, Cameron returned to Los Angeles, moving in with Booth until the duo were arrested for illegal drug possession.<sup id="cite_ref-FOOTNOTEKansa201197–98_51-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201197–98-51"><span class="cite-bracket">[</span>51<span class="cite-bracket">]</span></a></sup> Released on bail, she moved into Druks' Malibu home, and through her joined the avant-garde artistic circle surrounding the socialite <a href="/wiki/Samson_De_Brier" title="Samson De Brier">Samson De Brier</a>.<sup id="cite_ref-FOOTNOTEKansa2011100_52-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011100-52"><span class="cite-bracket">[</span>52<span class="cite-bracket">]</span></a></sup> It was through this circle that Cameron met the Thelemite film maker <a href="/wiki/Kenneth_Anger" title="Kenneth Anger">Kenneth Anger</a>, and after a party titled "Come As Your Madness" which was organised by Mathison and Druks, he decided to produce a film featuring Cameron and others in the group. The resulting film was <i><a href="/wiki/Inauguration_of_the_Pleasure_Dome" title="Inauguration of the Pleasure Dome">Inauguration of the Pleasure Dome</a></i>.<sup id="cite_ref-FOOTNOTELandis199574–76Carter2004190Duncan2008Kansa2011104–106Laden2014_53-0" class="reference"><a href="#cite_note-FOOTNOTELandis199574–76Carter2004190Duncan2008Kansa2011104–106Laden2014-53"><span class="cite-bracket">[</span>53<span class="cite-bracket">]</span></a></sup> After seeing the film, the English Thelemite <a href="/wiki/Kenneth_Grant" title="Kenneth Grant">Kenneth Grant</a> wrote to Cameron hoping that she might move to England and join his London-based group, the New Isis Lodge; Cameron never responded.<sup id="cite_ref-FOOTNOTEKansa2011114–115_54-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011114–115-54"><span class="cite-bracket">[</span>54<span class="cite-bracket">]</span></a></sup> </p><p>Through common friends Cameron met Sheridan "Sherry" Kimmel, and the two entered a relationship. A veteran of the Second World War from Florida, Kimmel suffered from <a href="/wiki/Posttraumatic_stress_disorder" class="mw-redirect" title="Posttraumatic stress disorder">posttraumatic stress disorder</a>, often causing him severe mood swings. He developed an interest in occultism and became intensely jealous of Parsons' continuing influence over Cameron, destroying Parsons' notes on the Babalon Working that she had kept.<sup id="cite_ref-FOOTNOTECarter2004190Kansa2011118–121Nelson2014_55-0" class="reference"><a href="#cite_note-FOOTNOTECarter2004190Kansa2011118–121Nelson2014-55"><span class="cite-bracket">[</span>55<span class="cite-bracket">]</span></a></sup> Cameron again became pregnant, although she was unsure who the father was. She gave birth to a daughter, Crystal Eve Kimmel, on Christmas Eve 1955.<sup id="cite_ref-FOOTNOTECarter2004190Duncan2008Kansa2011126,_130Nelson2014Laden2014_56-0" class="reference"><a href="#cite_note-FOOTNOTECarter2004190Duncan2008Kansa2011126,_130Nelson2014Laden2014-56"><span class="cite-bracket">[</span>56<span class="cite-bracket">]</span></a></sup> She allowed her daughter to behave how she pleased, believing that this was the best way for her to learn.<sup id="cite_ref-FOOTNOTEKansa201147Laden2014_57-0" class="reference"><a href="#cite_note-FOOTNOTEKansa201147Laden2014-57"><span class="cite-bracket">[</span>57<span class="cite-bracket">]</span></a></sup> With her friend, the film-maker <a href="/wiki/Curtis_Harrington" title="Curtis Harrington">Curtis Harrington</a>, Cameron then produced a short film, <i>The Wormwood Star</i>, which was filmed at the home of multi-millionaire art collector <a href="/wiki/Edward_James" title="Edward James">Edward James</a>; the film features images of Cameron's paintings, and recitations of her poems.<sup id="cite_ref-FOOTNOTECarter2004191Duncan2008Kansa2011135–139Nelson2014Laden2014_58-0" class="reference"><a href="#cite_note-FOOTNOTECarter2004191Duncan2008Kansa2011135–139Nelson2014Laden2014-58"><span class="cite-bracket">[</span>58<span class="cite-bracket">]</span></a></sup> </p><p>In autumn 1956, Cameron's first exhibition was held, at <a href="/wiki/Walter_Hopps" title="Walter Hopps">Walter Hopps</a>'s studio in <a href="/wiki/Brentwood,_Los_Angeles" title="Brentwood, Los Angeles">Brentwood</a>; several paintings were destroyed when the gallery caught fire.<sup id="cite_ref-FOOTNOTEKansa2011131_59-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011131-59"><span class="cite-bracket">[</span>59<span class="cite-bracket">]</span></a></sup> Around this time, Cameron was introduced to the actor <a href="/wiki/Dean_Stockwell" title="Dean Stockwell">Dean Stockwell</a> at a public recital of her poetry; he then introduced her to his friend and fellow actor <a href="/wiki/Dennis_Hopper" title="Dennis Hopper">Dennis Hopper</a>.<sup id="cite_ref-FOOTNOTEKansa2011140–141_60-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011140–141-60"><span class="cite-bracket">[</span>60<span class="cite-bracket">]</span></a></sup> She was also an associate of the artist <a href="/wiki/Wallace_Berman" title="Wallace Berman">Wallace Berman</a>, who used a photograph of her on the front of the first volume of his art journal, <i>Semina</i>. The volume also included Cameron's drawing, <i>Peyote Vision</i>.<sup id="cite_ref-FOOTNOTEKansa2011121–122_61-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011121–122-61"><span class="cite-bracket">[</span>61<span class="cite-bracket">]</span></a></sup> This artwork was featured in Berman's 1957 exhibition at Los Angeles' Feris Gallery, which was raided and shut down by the police. Investigating officers claimed that <i>Peyote Vision</i>, which featured two copulating figures, was pornographic and indecent, thus legitimising their actions.<sup id="cite_ref-FOOTNOTEKansa2011141Fredman20101_62-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011141Fredman20101-62"><span class="cite-bracket">[</span>62<span class="cite-bracket">]</span></a></sup> </p><p>In late 1957, Cameron moved to San Francisco with her friends Norman Rose and David Metzer.<sup id="cite_ref-FOOTNOTEKansa2011144Nelson2014_63-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011144Nelson2014-63"><span class="cite-bracket">[</span>63<span class="cite-bracket">]</span></a></sup> There she mingled within the same bohemian social circles as many of the beat generation of artists and writers, and was a regular at avant-garde poetry readings.<sup id="cite_ref-FOOTNOTEKansa2011143,_150_64-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011143,_150-64"><span class="cite-bracket">[</span>64<span class="cite-bracket">]</span></a></sup> She began a relationship with the artist Burt Shonberg of <a href="/wiki/Cafe_Frankenstein" title="Cafe Frankenstein">Cafe Frankenstein</a>, and with him moved into a ranch outside of <a href="/wiki/Joshua_Tree,_California" title="Joshua Tree, California">Joshua Tree</a>.<sup id="cite_ref-FOOTNOTEKansa2011152–154,_157Nelson2014_65-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011152–154,_157Nelson2014-65"><span class="cite-bracket">[</span>65<span class="cite-bracket">]</span></a></sup> Together they began exploring the subject of <a href="/wiki/Ufology" title="Ufology">Ufology</a>, and became friends with the ufologist <a href="/wiki/George_Van_Tassel" title="George Van Tassel">George Van Tassel</a>.<sup id="cite_ref-FOOTNOTEKansa2011157–158_66-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011157–158-66"><span class="cite-bracket">[</span>66<span class="cite-bracket">]</span></a></sup> After Kimmel was released from a psychiatric ward, Cameron re-established her relationship with him, and in 1959, they were married in a civil ceremony at Santa Monica City Hall; their relationship was strained and they separated soon after.<sup id="cite_ref-FOOTNOTEKansa2011173–174Laden2014_67-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011173–174Laden2014-67"><span class="cite-bracket">[</span>67<span class="cite-bracket">]</span></a></sup> </p><p>In 1960, Cameron appeared alongside Hopper in Harrington's first full-length film, <i><a href="/wiki/Night_Tide" title="Night Tide">Night Tide</a></i>. The film was a critical success and—despite not receiving a wide distribution—became a <a href="/wiki/Cult_film" title="Cult film">cult classic</a>.<sup id="cite_ref-FOOTNOTECarter2004191Kansa2011174–171Nelson2014Laden2014_68-0" class="reference"><a href="#cite_note-FOOTNOTECarter2004191Kansa2011174–171Nelson2014Laden2014-68"><span class="cite-bracket">[</span>68<span class="cite-bracket">]</span></a></sup> She was invited to appear in Harrington's next film, <i><a href="/wiki/Games_(film)" title="Games (film)">Games</a></i>, although ultimately never did so.<sup id="cite_ref-FOOTNOTEKansa2011207_69-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011207-69"><span class="cite-bracket">[</span>69<span class="cite-bracket">]</span></a></sup> After Cameron moved to <a href="/wiki/Venice,_Los_Angeles" title="Venice, Los Angeles">Venice, Los Angeles</a>,<sup id="cite_ref-FOOTNOTEKansa2011174_70-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011174-70"><span class="cite-bracket">[</span>70<span class="cite-bracket">]</span></a></sup> a local arts shop exhibited her work in August 1961.<sup id="cite_ref-FOOTNOTEKansa2011177_71-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011177-71"><span class="cite-bracket">[</span>71<span class="cite-bracket">]</span></a></sup> On his return to the U.S. from Europe, Anger moved in with Cameron for a time,<sup id="cite_ref-FOOTNOTELandis1995100–101Kansa2011183–187_72-0" class="reference"><a href="#cite_note-FOOTNOTELandis1995100–101Kansa2011183–187-72"><span class="cite-bracket">[</span>72<span class="cite-bracket">]</span></a></sup> before the duo moved into a flat on Silverlake Boulevard in early 1964; Anger remained there before departing for New York City.<sup id="cite_ref-FOOTNOTEKansa2011190_73-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011190-73"><span class="cite-bracket">[</span>73<span class="cite-bracket">]</span></a></sup> According to Anger biographer Bill Landis, Cameron had become "a rather formidable maternal figure" in Anger's life.<sup id="cite_ref-FOOTNOTELandis199581_74-0" class="reference"><a href="#cite_note-FOOTNOTELandis199581-74"><span class="cite-bracket">[</span>74<span class="cite-bracket">]</span></a></sup> In October 1964, the Cinema Theatre in Los Angeles held an event known as The Transcendental Art of Cameron, which displayed her art and poetry and screened some of her films; Anger arrived and disrupted the event by objecting to the screening of <i>Inauguration of the Pleasure Dome</i> without his permission.<sup id="cite_ref-FOOTNOTEKansa2011191–192_75-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011191–192-75"><span class="cite-bracket">[</span>75<span class="cite-bracket">]</span></a></sup> He then launched a poster campaign, <i>The Cameron File</i>, against his former friend, labelling her "Typhoid Mary of the Occult World".<sup id="cite_ref-FOOTNOTEKansa2011193–194_76-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011193–194-76"><span class="cite-bracket">[</span>76<span class="cite-bracket">]</span></a></sup> The pair later reconciled, Cameron visiting Anger in San Francisco, where he introduced her to <a href="/wiki/Anton_LaVey" title="Anton LaVey">Anton LaVey</a>, the founder of the <a href="/wiki/Church_of_Satan" title="Church of Satan">Church of Satan</a>. LaVey was delighted to meet her, having been a fan of <i>Night Tide</i>.<sup id="cite_ref-FOOTNOTEKansa2011214_77-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011214-77"><span class="cite-bracket">[</span>77<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading3"><h3 id="Later_life:_1969–1995"><span id="Later_life:_1969.E2.80.931995"></span>Later life: 1969–1995</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marjorie_Cameron&action=edit&section=5" title="Edit section: Later life: 1969–1995"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <figure class="mw-default-size mw-halign-right" typeof="mw:File/Thumb"><a href="/wiki/File:Seridan_Kimmel%27s_grave.jpg" class="mw-file-description"><img src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f2/Seridan_Kimmel%27s_grave.jpg/220px-Seridan_Kimmel%27s_grave.jpg" decoding="async" width="220" height="169" class="mw-file-element" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f2/Seridan_Kimmel%27s_grave.jpg/330px-Seridan_Kimmel%27s_grave.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f2/Seridan_Kimmel%27s_grave.jpg/440px-Seridan_Kimmel%27s_grave.jpg 2x" data-file-width="1349" data-file-height="1036" /></a><figcaption>The grave of Cameron's second husband, Sheridan Kimmel, at Lakeside Memorial in Doral, Florida</figcaption></figure> <p>In the latter part of the 1960s, Cameron and her daughter moved to the <a href="/wiki/Pueblos" class="mw-redirect" title="Pueblos">pueblos</a> of <a href="/wiki/Santa_Fe,_New_Mexico" title="Santa Fe, New Mexico">Santa Fe, New Mexico</a>,<sup id="cite_ref-FOOTNOTEDuncan2008Kansa2011215Laden2014_78-0" class="reference"><a href="#cite_note-FOOTNOTEDuncan2008Kansa2011215Laden2014-78"><span class="cite-bracket">[</span>78<span class="cite-bracket">]</span></a></sup> where she developed a friendship with sculptor <a href="/wiki/John_Chamberlain_(sculptor)" title="John Chamberlain (sculptor)">John Chamberlain</a> and appeared in his art movie, <i>Thumb Suck</i>, which was never released.<sup id="cite_ref-FOOTNOTEDuncan2008Kansa2011217–218Laden2014_79-0" class="reference"><a href="#cite_note-FOOTNOTEDuncan2008Kansa2011217–218Laden2014-79"><span class="cite-bracket">[</span>79<span class="cite-bracket">]</span></a></sup> While in New Mexico she suffered a <a href="/wiki/Collapsed_lung" class="mw-redirect" title="Collapsed lung">collapsed lung</a> and required hospitalization.<sup id="cite_ref-FOOTNOTEKansa2011226–227_80-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011226–227-80"><span class="cite-bracket">[</span>80<span class="cite-bracket">]</span></a></sup> Her health was poor, as she suffered from chronic bronchitis and <a href="/wiki/Emphysema" title="Emphysema">emphysema</a> (both of which were exacerbated by her chain smoking), while hand tremors prevented her from being able to paint for four years.<sup id="cite_ref-FOOTNOTEKansa2011227_81-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011227-81"><span class="cite-bracket">[</span>81<span class="cite-bracket">]</span></a></sup> Returning to California, by 1969 she was living in the Pioneertown sector of Joshua Tree.<sup id="cite_ref-FOOTNOTEKansa2011223–224Nelson2014_82-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011223–224Nelson2014-82"><span class="cite-bracket">[</span>82<span class="cite-bracket">]</span></a></sup> From there she and her daughter moved to a small bungalow on North Genesee Avenue in the <a href="/wiki/West_Hollywood" class="mw-redirect" title="West Hollywood">West Hollywood</a> area of Los Angeles, which at the time had become impoverished and associated with crime, <a href="/wiki/Sex_shop" title="Sex shop">sex stores</a>, and <a href="/wiki/Adult_movie_theatre" class="mw-redirect" title="Adult movie theatre">adult movie theatres</a>; she remained there for the rest of her life.<sup id="cite_ref-FOOTNOTEKansa2011227Nelson2014_83-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011227Nelson2014-83"><span class="cite-bracket">[</span>83<span class="cite-bracket">]</span></a></sup> </p><p>By the mid-1980s, Cameron was focusing to a greater extent on her family life, particularly in looking after her grandchildren, who were known to go <a href="/wiki/Joyride_(crime)" title="Joyride (crime)">joyriding</a> in her jeep.<sup id="cite_ref-FOOTNOTEKansa2011238Laden2014_84-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011238Laden2014-84"><span class="cite-bracket">[</span>84<span class="cite-bracket">]</span></a></sup> Neighbors recall her playing a <a href="/wiki/Celtic_harp" title="Celtic harp">Celtic harp</a> in her garden and slowly walking her dog around the block while smoking a joint of marijuana.<sup id="cite_ref-FOOTNOTEKansa2011244_85-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011244-85"><span class="cite-bracket">[</span>85<span class="cite-bracket">]</span></a></sup> At one point, she was arrested for cultivating cannabis in her home.<sup id="cite_ref-FOOTNOTEKansa2011233–234_86-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011233–234-86"><span class="cite-bracket">[</span>86<span class="cite-bracket">]</span></a></sup> Cameron became a regular practitioner of <a href="/wiki/Tai_chi" title="Tai chi">Tai chi</a>, took part in group sessions in <a href="/w/index.php?title=Bronson_Park&action=edit&redlink=1" class="new" title="Bronson Park (page does not exist)">Bronson Park</a> under the tutelage of <a href="/wiki/Marshall_Ho%27o" title="Marshall Ho'o">Marshall Ho'o</a>, and earned a teaching certificate in the subject.<sup id="cite_ref-FOOTNOTEKansa2011236Laden2014_87-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011236Laden2014-87"><span class="cite-bracket">[</span>87<span class="cite-bracket">]</span></a></sup> She became very interested in <a href="/wiki/Jos%C3%A9_Arg%C3%BCelles" title="José Argüelles">José Argüelles</a>' <i><a href="/wiki/The_Mayan_Factor" class="mw-redirect" title="The Mayan Factor">The Mayan Factor</a></i> and <a href="/wiki/Charles_Mus%C3%A8s" title="Charles Musès">Charles Musès</a>' <i><a href="/w/index.php?title=The_Lion_Path&action=edit&redlink=1" class="new" title="The Lion Path (page does not exist)">The Lion Path</a></i>, and undertook the <a href="/wiki/Neoshamanism" title="Neoshamanism">Neo-shamanic</a> practices endorsed in the latter.<sup id="cite_ref-FOOTNOTEKansa2011241_88-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011241-88"><span class="cite-bracket">[</span>88<span class="cite-bracket">]</span></a></sup> She was also influenced by claims made in the writings of archaeologist <a href="/wiki/Marija_Gimbutas" title="Marija Gimbutas">Marija Gimbutas</a> about a prehistoric <a href="/wiki/Matriarchy" title="Matriarchy">matriarchal</a> society devoted to a goddess.<sup id="cite_ref-FOOTNOTEKansa2011247_89-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011247-89"><span class="cite-bracket">[</span>89<span class="cite-bracket">]</span></a></sup> Cameron was very interested in <a href="/w/index.php?title=A._S._Raleigh&action=edit&redlink=1" class="new" title="A. S. Raleigh (page does not exist)">A. S. Raleigh</a>'s <i><a href="/w/index.php?title=Woman_and_Superwoman&action=edit&redlink=1" class="new" title="Woman and Superwoman (page does not exist)">Woman and Superwoman</a></i>, taped her own reading of it, and sent copies to her friends and local public radio for broadcast.<sup id="cite_ref-FOOTNOTEKansa2011247_89-1" class="reference"><a href="#cite_note-FOOTNOTEKansa2011247-89"><span class="cite-bracket">[</span>89<span class="cite-bracket">]</span></a></sup> Throughout all of these disparate spiritual interests, she retained faith in the Thelemic ideas of Crowley.<sup id="cite_ref-FOOTNOTEKansa2011247_89-2" class="reference"><a href="#cite_note-FOOTNOTEKansa2011247-89"><span class="cite-bracket">[</span>89<span class="cite-bracket">]</span></a></sup> </p><p>As well as entertaining old friends who came to visit her in her home,<sup id="cite_ref-FOOTNOTEKansa2011242_90-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011242-90"><span class="cite-bracket">[</span>90<span class="cite-bracket">]</span></a></sup> Cameron also met with younger occultists, such as the Thelemite <a href="/wiki/William_Breeze" title="William Breeze">William Breeze</a> and the <a href="/wiki/Industrial_music" title="Industrial music">industrial musician</a> <a href="/wiki/Genesis_P-Orridge" title="Genesis P-Orridge">Genesis P-Orridge</a>.<sup id="cite_ref-FOOTNOTEKansa2011239_91-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011239-91"><span class="cite-bracket">[</span>91<span class="cite-bracket">]</span></a></sup> Cameron aided Breeze in co-editing a collection of Parsons' occult and <a href="/wiki/Libertarianism" title="Libertarianism">libertarian</a> writings, which were published as <i>Freedom is a Two-Edged Sword</i> in 1989.<sup id="cite_ref-FOOTNOTEDuncan2008Kansa2011249Nelson2014_92-0" class="reference"><a href="#cite_note-FOOTNOTEDuncan2008Kansa2011249Nelson2014-92"><span class="cite-bracket">[</span>92<span class="cite-bracket">]</span></a></sup> Cameron was acquainted with the experimental film-maker <a href="/wiki/Chick_Strand" title="Chick Strand">Chick Strand</a> and appeared in the latter's 1979 project <i>Loose Ends</i>, during which she narrated the story of an <a href="/wiki/Exorcism" title="Exorcism">exorcism</a>.<sup id="cite_ref-FOOTNOTEKansa2011233–234_86-1" class="reference"><a href="#cite_note-FOOTNOTEKansa2011233–234-86"><span class="cite-bracket">[</span>86<span class="cite-bracket">]</span></a></sup> In 1989, an exhibition of her work titled <i>The Pearl of Reprisal</i> was held at the <a href="/wiki/Los_Angeles_Municipal_Art_Gallery" title="Los Angeles Municipal Art Gallery">Los Angeles Municipal Art Gallery</a>. It included a selection of her paintings and a screening of <i>Inauguration of the Pleasure Dome</i> and <i>The Wormwood Star</i>, while Cameron attended to provide a candle-lit reading of her poetry.<sup id="cite_ref-FOOTNOTECarter2004195Duncan2008Kansa2011249Laden2014_93-0" class="reference"><a href="#cite_note-FOOTNOTECarter2004195Duncan2008Kansa2011249Laden2014-93"><span class="cite-bracket">[</span>93<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Death">Death</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marjorie_Cameron&action=edit&section=6" title="Edit section: Death"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>In the mid-1990s, Cameron was diagnosed with a <a href="/wiki/Brain_tumor" title="Brain tumor">brain tumor</a> and underwent <a href="/wiki/Radiotherapy" class="mw-redirect" title="Radiotherapy">radiotherapy</a> treatment, which she supplemented with <a href="/wiki/Alternative_medicine" title="Alternative medicine">alternative medicines</a>. The tumor was cancerous and metastasized to her lungs.<sup id="cite_ref-FOOTNOTEKansa2011250,_253_94-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011250,_253-94"><span class="cite-bracket">[</span>94<span class="cite-bracket">]</span></a></sup> She died at the age of 73 in the <a href="/wiki/VA_Medical_Center" class="mw-redirect" title="VA Medical Center">VA Medical Center</a> on July 24, 1995,<sup id="cite_ref-FOOTNOTECarter2004195Duncan2008Kansa2011252Laden2014_95-0" class="reference"><a href="#cite_note-FOOTNOTECarter2004195Duncan2008Kansa2011252Laden2014-95"><span class="cite-bracket">[</span>95<span class="cite-bracket">]</span></a></sup> and underwent the Thelemic last rites, carried out by a high priestess of Ordo Templi Orientis.<sup id="cite_ref-FOOTNOTEKansa2011253_50-1" class="reference"><a href="#cite_note-FOOTNOTEKansa2011253-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> Her body was <a href="/wiki/Cremation" title="Cremation">cremated</a> and her ashes were scattered in the <a href="/wiki/Mojave_Desert" title="Mojave Desert">Mojave Desert</a>.<sup id="cite_ref-FOOTNOTEKansa2011253_50-2" class="reference"><a href="#cite_note-FOOTNOTEKansa2011253-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> A memorial event was held at Venice's <a href="/wiki/Beyond_Baroque_Literary_Arts_Center" title="Beyond Baroque Literary Arts Center">Beyond Baroque Literary Arts Center</a> in August.<sup id="cite_ref-FOOTNOTEKansa2011253_50-3" class="reference"><a href="#cite_note-FOOTNOTEKansa2011253-50"><span class="cite-bracket">[</span>50<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Personality">Personality</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marjorie_Cameron&action=edit&section=7" title="Edit section: Personality"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Cameron preferred to be known by her surname as a mononym.<sup id="cite_ref-FOOTNOTELunenfeld201591_96-0" class="reference"><a href="#cite_note-FOOTNOTELunenfeld201591-96"><span class="cite-bracket">[</span>96<span class="cite-bracket">]</span></a></sup> According to historian of Thelema Martin P. Starr, Cameron's "very dominating personality could not brook rivals of any kind".<sup id="cite_ref-FOOTNOTEStarr2003320_97-0" class="reference"><a href="#cite_note-FOOTNOTEStarr2003320-97"><span class="cite-bracket">[</span>97<span class="cite-bracket">]</span></a></sup> The fashion writer <a href="/wiki/Tim_Blanks" title="Tim Blanks">Tim Blanks</a> noted that Cameron was "a charismatic woman" active in the mid-20th century "macho art world", and that it was not surprising how "alluring and dangerous" she must have seemed to Hopper and Stockwell.<sup id="cite_ref-FOOTNOTEBlanks2013246_98-0" class="reference"><a href="#cite_note-FOOTNOTEBlanks2013246-98"><span class="cite-bracket">[</span>98<span class="cite-bracket">]</span></a></sup> </p><p>Stockwell described Cameron as "a very, very intense personality, but very fascinating".<sup id="cite_ref-FOOTNOTEKansa2011141_99-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011141-99"><span class="cite-bracket">[</span>99<span class="cite-bracket">]</span></a></sup> Considering her to be "an out and out witch",<sup id="cite_ref-FOOTNOTELandis199572_100-0" class="reference"><a href="#cite_note-FOOTNOTELandis199572-100"><span class="cite-bracket">[</span>100<span class="cite-bracket">]</span></a></sup> Hopper described her as having an "infectious personality" through her presence; she was someone "that you knew [was] different and [she] had a magnetic quality that you wanted to be closer to".<sup id="cite_ref-FOOTNOTEKansa2011141_99-1" class="reference"><a href="#cite_note-FOOTNOTEKansa2011141-99"><span class="cite-bracket">[</span>99<span class="cite-bracket">]</span></a></sup> The photographer <a href="/w/index.php?title=Charles_Brittin&action=edit&redlink=1" class="new" title="Charles Brittin (page does not exist)">Charles Brittin</a>, who knew Cameron on Los Angeles' artistic circuit, called her "a sweet person with a great personality, not the way some of her friends wanted to picture her to be".<sup id="cite_ref-FOOTNOTEKansa2011178_101-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011178-101"><span class="cite-bracket">[</span>101<span class="cite-bracket">]</span></a></sup> Her friend Shirley Berman described her as having "many different crowds of friends, and I think she was a different personality with each crowd ... She wasn't an even personality at all, but she was always a very gracious person."<sup id="cite_ref-FOOTNOTELaden2014_7-1" class="reference"><a href="#cite_note-FOOTNOTELaden2014-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Artistic_style">Artistic style</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marjorie_Cameron&action=edit&section=8" title="Edit section: Artistic style"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1224211176" /><div class="quotebox pullquote floatright" style="width:25em; ;"> <blockquote class="quotebox-quote left-aligned" style=""> <p>[Cameron's] art and spiritual life were one. They were indivisible ... But that said, you can be a total sceptic or atheist, or know nothing of her spiritual practice, and still be deeply moved or blown away by her exquisitely rendered, and beautiful envisioned drawings and paintings. It's the work that remains. These sublime treasures that she seems to have captured and brought back from a netherworld for us all to view. </p> </blockquote> <div style="padding-bottom: 0; padding-top: 0.5em"><cite class="left-aligned" style="">– Biographer Spencer Kansa<sup id="cite_ref-FOOTNOTEStevens201125_102-0" class="reference"><a href="#cite_note-FOOTNOTEStevens201125-102"><span class="cite-bracket">[</span>102<span class="cite-bracket">]</span></a></sup></cite></div> </div> <p>The digital media theorist <a href="/wiki/Peter_Lunenfeld" title="Peter Lunenfeld">Peter Lunenfeld</a> described Cameron as "one of those people for whom art was life and life was art", and thus an understanding of her life is needed to appreciate her work.<sup id="cite_ref-FOOTNOTELunenfeld201591_96-1" class="reference"><a href="#cite_note-FOOTNOTELunenfeld201591-96"><span class="cite-bracket">[</span>96<span class="cite-bracket">]</span></a></sup> Cameron's occult beliefs strongly affected her artworks.<sup id="cite_ref-FOOTNOTELaden2014Martinez2015_103-0" class="reference"><a href="#cite_note-FOOTNOTELaden2014Martinez2015-103"><span class="cite-bracket">[</span>103<span class="cite-bracket">]</span></a></sup> According to Priscilla Frank, writing for <i><a href="/wiki/The_Huffington_Post" class="mw-redirect" title="The Huffington Post">The Huffington Post</a></i>, Cameron's artwork merges "Crowley's occult with the surrealism and symbolism of French poets, yielding dark yet whimsical depictions buzzing with otherworldly power".<sup id="cite_ref-FOOTNOTEFrank2014_104-0" class="reference"><a href="#cite_note-FOOTNOTEFrank2014-104"><span class="cite-bracket">[</span>104<span class="cite-bracket">]</span></a></sup> The art curator <a href="/wiki/Philippe_Vergne" title="Philippe Vergne">Philippe Vergne</a> described her work as being on "the edge of surrealism and psychedelia", embodying "an aspect of modernity that deeply doubts and defies cartesian logic at a moment in history when these values have shown their own limitations".<sup id="cite_ref-FOOTNOTEFrank2014_104-1" class="reference"><a href="#cite_note-FOOTNOTEFrank2014-104"><span class="cite-bracket">[</span>104<span class="cite-bracket">]</span></a></sup> </p><p>Lunenfeld compared Cameron's black and white pen-and-ink drawings to those of the English artist <a href="/wiki/Aubrey_Beardsley" title="Aubrey Beardsley">Aubrey Beardsley</a>, noting that she was capable of a "ferocious, paradoxical line work—simultaneously precise and seductively unrestrained—that functions as both figurative depiction and unabashed emotional talisman".<sup id="cite_ref-FOOTNOTELunenfeld201592_105-0" class="reference"><a href="#cite_note-FOOTNOTELunenfeld201592-105"><span class="cite-bracket">[</span>105<span class="cite-bracket">]</span></a></sup> He believed that both "passion and craft" could be seen in her draughtsmanship, but that it also displayed "a guilelessness that is hard to relate to in our post post-ironic moment".<sup id="cite_ref-FOOTNOTELunenfeld201592_105-1" class="reference"><a href="#cite_note-FOOTNOTELunenfeld201592-105"><span class="cite-bracket">[</span>105<span class="cite-bracket">]</span></a></sup> He also discussed her lost multi-coloured watercolour paintings that were featured in Harrington's <i>The Wormwood Star</i>, suggesting that they were akin to a <a href="/wiki/Storyboard" title="Storyboard">storyboard</a> for an unrealised film by the director <a href="/wiki/Alejandro_Jodorowsky" title="Alejandro Jodorowsky">Alejandro Jodorowsky</a>.<sup id="cite_ref-FOOTNOTELunenfeld201592_105-2" class="reference"><a href="#cite_note-FOOTNOTELunenfeld201592-105"><span class="cite-bracket">[</span>105<span class="cite-bracket">]</span></a></sup> </p><p>Cameron's biographer Spencer Kansa was of the opinion that Cameron exhibited parallels with the Australian artist and occultist <a href="/wiki/Rosaleen_Norton" title="Rosaleen Norton">Rosaleen Norton</a>, both in terms of her physical appearance and the similarities between their artistic styles.<sup id="cite_ref-FOOTNOTEKansa2011137_106-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011137-106"><span class="cite-bracket">[</span>106<span class="cite-bracket">]</span></a></sup> Harrington also saw similarities in the work of Cameron and the artists <a href="/wiki/Leonora_Carrington" title="Leonora Carrington">Leonora Carrington</a> and <a href="/wiki/Leonor_Fini" title="Leonor Fini">Leonor Fini</a>.<sup id="cite_ref-FOOTNOTEKansa2011136,_137_107-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011136,_137-107"><span class="cite-bracket">[</span>107<span class="cite-bracket">]</span></a></sup> On the website of the Cameron–Parsons Foundation, Michael Duncan expressed the view that Cameron's work rivals that of "fellow surrealists" like Carrington, Fini, <a href="/wiki/Remedios_Varo" title="Remedios Varo">Remedios Varo</a>, and <a href="/wiki/Ithell_Colquhoun" title="Ithell Colquhoun">Ithell Colquhoun</a>, while also appearing "fascinatingly prescient" of the works by later artists <a href="/wiki/Kiki_Smith" title="Kiki Smith">Kiki Smith</a>, <a href="/wiki/Amy_Cutler" title="Amy Cutler">Amy Cutler</a>, <a href="/wiki/Karen_Kilimnik" title="Karen Kilimnik">Karen Kilimnik</a>, and <a href="/wiki/Hernan_Bas" title="Hernan Bas">Hernan Bas</a>.<sup id="cite_ref-FOOTNOTEDuncan2008_108-0" class="reference"><a href="#cite_note-FOOTNOTEDuncan2008-108"><span class="cite-bracket">[</span>108<span class="cite-bracket">]</span></a></sup> In later years, Cameron would often be erroneously labelled a <a href="/wiki/Beat_Generation" title="Beat Generation">Beat artist</a> because she inhabited many of the same social circles as prominent Beat poets and writers.<sup id="cite_ref-FOOTNOTEKansa2011143_109-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011143-109"><span class="cite-bracket">[</span>109<span class="cite-bracket">]</span></a></sup> Rejecting this label, Kansa instead described Cameron as "a pre-Beat bohemian, whose heart lay in Romanticism".<sup id="cite_ref-FOOTNOTEKansa2011143_109-1" class="reference"><a href="#cite_note-FOOTNOTEKansa2011143-109"><span class="cite-bracket">[</span>109<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="Legacy">Legacy</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marjorie_Cameron&action=edit&section=9" title="Edit section: Legacy"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <p>Cameron's reputation as an artist grew after her death.<sup id="cite_ref-FOOTNOTEKansa2011255Laden2014_110-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011255Laden2014-110"><span class="cite-bracket">[</span>110<span class="cite-bracket">]</span></a></sup> In 1995, her painting <i>Peyote Vision</i> was included as part of an exhibition on "Beat Culture and the New American" held at the <a href="/wiki/Whitney_Museum_of_American_Art" class="mw-redirect" title="Whitney Museum of American Art">Whitney Museum of American Art</a> in New York City.<sup id="cite_ref-FOOTNOTECarter2004195Duncan2008Kansa2011255_111-0" class="reference"><a href="#cite_note-FOOTNOTECarter2004195Duncan2008Kansa2011255-111"><span class="cite-bracket">[</span>111<span class="cite-bracket">]</span></a></sup> </p><p>Some of her artworks were exhibited alongside those of Crowley and other Thelemites for the 2001 exhibition "Reflections of a New Aeon", held at the Eleven Seven Gallery in California's <a href="/wiki/Long_Beach" class="mw-redirect" title="Long Beach">Long Beach</a>.<sup id="cite_ref-FOOTNOTEKansa2011256_112-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011256-112"><span class="cite-bracket">[</span>112<span class="cite-bracket">]</span></a></sup> In 2006, her friend Scott Hobbs established the Cameron–Parsons Foundation to serve as an archive storing and promoting her work.<sup id="cite_ref-FOOTNOTELaden2014_7-2" class="reference"><a href="#cite_note-FOOTNOTELaden2014-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> In 2007 a retrospective of Cameron's work was held at the Nicole Klagsbrun Gallery in New York City's Chelsea district, while that same year some of her works appeared in the traveling exhibition "Semina Culture", which was devoted to all of the artists who contributed to Wallace Berman's journal.<sup id="cite_ref-FOOTNOTEDuncan2008Kansa2011257–258Laden2014_113-0" class="reference"><a href="#cite_note-FOOTNOTEDuncan2008Kansa2011257–258Laden2014-113"><span class="cite-bracket">[</span>113<span class="cite-bracket">]</span></a></sup> In 2008, her painting <i>Dark Angel</i> was featured in the "Traces du Sacré" exhibit at the <a href="/wiki/Centre_Georges_Pompidou" class="mw-redirect" title="Centre Georges Pompidou">Centre Georges Pompidou</a> in Paris.<sup id="cite_ref-FOOTNOTEBlanks2013246_98-1" class="reference"><a href="#cite_note-FOOTNOTEBlanks2013246-98"><span class="cite-bracket">[</span>98<span class="cite-bracket">]</span></a></sup> </p><p>Cameron's life was brought to wider attention through the publication of two biographies about Parsons: John Carter's <i>Sex and Rockets</i> and <a href="/wiki/George_Pendle" title="George Pendle">George Pendle</a>'s <i>Strange Angel</i>.<sup id="cite_ref-FOOTNOTEKansa2011255_114-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011255-114"><span class="cite-bracket">[</span>114<span class="cite-bracket">]</span></a></sup> Cameron was portrayed by Heather Tom.<sup id="cite_ref-FOOTNOTEKansa2011257_115-0" class="reference"><a href="#cite_note-FOOTNOTEKansa2011257-115"><span class="cite-bracket">[</span>115<span class="cite-bracket">]</span></a></sup> In 2011, <i>Wormwood Star</i>, a biography of Cameron authored by the Briton Spencer Kansa, was published,<sup id="cite_ref-FOOTNOTEStevens201124Blanks2013246_116-0" class="reference"><a href="#cite_note-FOOTNOTEStevens201124Blanks2013246-116"><span class="cite-bracket">[</span>116<span class="cite-bracket">]</span></a></sup> though it was not authorized by the Cameron–Parsons Foundation.<sup id="cite_ref-FOOTNOTENelson2014_117-0" class="reference"><a href="#cite_note-FOOTNOTENelson2014-117"><span class="cite-bracket">[</span>117<span class="cite-bracket">]</span></a></sup> Kansa had spent almost three years in the U.S. researching the book, interviewing many of those who knew Cameron, including several who died shortly after.<sup id="cite_ref-FOOTNOTEStevens201124_118-0" class="reference"><a href="#cite_note-FOOTNOTEStevens201124-118"><span class="cite-bracket">[</span>118<span class="cite-bracket">]</span></a></sup> Kansa stated that most of those whom he interviewed "were immensely generous with their time and recollections".<sup id="cite_ref-FOOTNOTEStevens201124_118-1" class="reference"><a href="#cite_note-FOOTNOTEStevens201124-118"><span class="cite-bracket">[</span>118<span class="cite-bracket">]</span></a></sup> Writing in the <i><a href="/wiki/Los_Angeles_Review_of_Books" title="Los Angeles Review of Books">Los Angeles Review of Books</a></i>, Steffie Nelson noted that Kansa did "his due diligence tracking down Cameron's childhood acquaintances and friends" but at the same time was critical of the lack of sources or footnotes.<sup id="cite_ref-FOOTNOTENelson2014_117-1" class="reference"><a href="#cite_note-FOOTNOTENelson2014-117"><span class="cite-bracket">[</span>117<span class="cite-bracket">]</span></a></sup> </p><p>In 2014, another retrospective, titled "Cameron: Songs for the Witch Woman",<sup id="cite_ref-FOOTNOTELipschutz2014_119-0" class="reference"><a href="#cite_note-FOOTNOTELipschutz2014-119"><span class="cite-bracket">[</span>119<span class="cite-bracket">]</span></a></sup> was held at the <a href="/wiki/Museum_of_Contemporary_Art,_Los_Angeles" title="Museum of Contemporary Art, Los Angeles">Museum of Contemporary Art, Los Angeles</a>.<sup id="cite_ref-FOOTNOTENelson2014Laden2014_120-0" class="reference"><a href="#cite_note-FOOTNOTENelson2014Laden2014-120"><span class="cite-bracket">[</span>120<span class="cite-bracket">]</span></a></sup> That year, the U.K.-based publisher Fulgur Esoterica released a book featuring images of Cameron's artworks and Parsons' poems.<sup id="cite_ref-FOOTNOTEFrank2014Laden2014_121-0" class="reference"><a href="#cite_note-FOOTNOTEFrank2014Laden2014-121"><span class="cite-bracket">[</span>121<span class="cite-bracket">]</span></a></sup> In 2015, a retrospective of her work titled "Cameron: Cinderella of the Wastelands" was held at the <a href="/wiki/Deitch_Projects" class="mw-redirect" title="Deitch Projects">Deitch Projects</a> in Soho, New York City, which included an evening in which friends of Cameron's assembled to publicly discuss her legacy.<sup id="cite_ref-FOOTNOTEYaeger2015Chidester2015Martinez2015_122-0" class="reference"><a href="#cite_note-FOOTNOTEYaeger2015Chidester2015Martinez2015-122"><span class="cite-bracket">[</span>122<span class="cite-bracket">]</span></a></sup> Cameron's aesthetic also influenced the fashion world, designers <a href="/wiki/Pamela_Skaist-Levy" class="mw-redirect" title="Pamela Skaist-Levy">Pamela Skaist-Levy</a> and <a href="/wiki/Gela_Nash-Taylor" title="Gela Nash-Taylor">Gela Nash-Taylor</a> acknowledging Cameron as a partial inspiration for their Skaist-Taylor label.<sup id="cite_ref-FOOTNOTEBlanks2013246_98-2" class="reference"><a href="#cite_note-FOOTNOTEBlanks2013246-98"><span class="cite-bracket">[</span>98<span class="cite-bracket">]</span></a></sup> </p> <div class="mw-heading mw-heading2"><h2 id="References">References</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marjorie_Cameron&action=edit&section=10" title="Edit section: References"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <div class="mw-heading mw-heading3"><h3 id="Citations">Citations</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marjorie_Cameron&action=edit&section=11" title="Edit section: Citations"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239543626">.mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-columns references-column-width" style="column-width: 25em;"> <ol class="references"> <li id="cite_note-FOOTNOTECarter2004220-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECarter2004220_1-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCarter2004">Carter 2004</a>, p. 220.</span> </li> <li id="cite_note-FOOTNOTECarter2004131Duncan2008Kaczynski2010538Kansa20119Laden2014-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECarter2004131Duncan2008Kaczynski2010538Kansa20119Laden2014_2-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCarter2004">Carter 2004</a>, p. 131; <a href="#CITEREFDuncan2008">Duncan 2008</a>; <a href="#CITEREFKaczynski2010">Kaczynski 2010</a>, p. 538; <a href="#CITEREFKansa2011">Kansa 2011</a>, p. 9; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTECarter2004131Kaczynski2010538Kansa20119–11-3"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECarter2004131Kaczynski2010538Kansa20119–11_3-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCarter2004">Carter 2004</a>, p. 131; <a href="#CITEREFKaczynski2010">Kaczynski 2010</a>, p. 538; <a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 9–11.</span> </li> <li id="cite_note-FOOTNOTEKansa201111–12-4"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201111–12_4-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 11–12.</span> </li> <li id="cite_note-FOOTNOTEKansa201112,_15-5"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201112,_15_5-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 12, 15.</span> </li> <li id="cite_note-FOOTNOTEKansa201113–14-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201113–14_6-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 13–14.</span> </li> <li id="cite_note-FOOTNOTELaden2014-7"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTELaden2014_7-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTELaden2014_7-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTELaden2014_7-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEKansa201117-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201117_8-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 17.</span> </li> <li id="cite_note-FOOTNOTEKansa201118-9"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEKansa201118_9-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEKansa201118_9-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 18.</span> </li> <li id="cite_note-FOOTNOTECarter2004131Kaczynski2010538Kansa201118–22Nelson2014Laden2014-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECarter2004131Kaczynski2010538Kansa201118–22Nelson2014Laden2014_10-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCarter2004">Carter 2004</a>, p. 131; <a href="#CITEREFKaczynski2010">Kaczynski 2010</a>, p. 538; <a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 18–22; <a href="#CITEREFNelson2014">Nelson 2014</a>; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEKansa201122–23-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201122–23_11-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 22–23.</span> </li> <li id="cite_note-FOOTNOTEDuncan2008Kaczynski2010538Kansa201124-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDuncan2008Kaczynski2010538Kansa201124_12-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDuncan2008">Duncan 2008</a>; <a href="#CITEREFKaczynski2010">Kaczynski 2010</a>, p. 538; <a href="#CITEREFKansa2011">Kansa 2011</a>, p. 24.</span> </li> <li id="cite_note-FOOTNOTECarter2004131Duncan2008Kaczynski2010538Kansa201127Nelson2014Laden2014-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECarter2004131Duncan2008Kaczynski2010538Kansa201127Nelson2014Laden2014_13-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCarter2004">Carter 2004</a>, p. 131; <a href="#CITEREFDuncan2008">Duncan 2008</a>; <a href="#CITEREFKaczynski2010">Kaczynski 2010</a>, p. 538; <a href="#CITEREFKansa2011">Kansa 2011</a>, p. 27; <a href="#CITEREFNelson2014">Nelson 2014</a>; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTECarter2004130Kansa201128–29Nelson2014Laden2014-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECarter2004130Kansa201128–29Nelson2014Laden2014_14-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCarter2004">Carter 2004</a>, p. 130; <a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 28–29; <a href="#CITEREFNelson2014">Nelson 2014</a>; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTECarter2004130Pendle2005259–260Kansa201135–37Nelson2014Laden2014-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECarter2004130Pendle2005259–260Kansa201135–37Nelson2014Laden2014_15-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCarter2004">Carter 2004</a>, p. 130; <a href="#CITEREFPendle2005">Pendle 2005</a>, pp. 259–260; <a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 35–37; <a href="#CITEREFNelson2014">Nelson 2014</a>; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEPendle2005263–264Kansa201129Laden2014-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPendle2005263–264Kansa201129Laden2014_16-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPendle2005">Pendle 2005</a>, pp. 263–264; <a href="#CITEREFKansa2011">Kansa 2011</a>, p. 29; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTECarter2004151Kansa201137–38-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECarter2004151Kansa201137–38_17-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCarter2004">Carter 2004</a>, p. 151; <a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 37–38.</span> </li> <li id="cite_note-FOOTNOTEPendle2005267–269Kansa201138–39-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPendle2005267–269Kansa201138–39_18-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPendle2005">Pendle 2005</a>, pp. 267–269; <a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 38–39.</span> </li> <li id="cite_note-FOOTNOTEKansa201139-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201139_19-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 39.</span> </li> <li id="cite_note-FOOTNOTEStarr2003320Carter2004158Pendle2005275,_277Kansa201139Laden2014-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEStarr2003320Carter2004158Pendle2005275,_277Kansa201139Laden2014_20-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFStarr2003">Starr 2003</a>, p. 320; <a href="#CITEREFCarter2004">Carter 2004</a>, p. 158; <a href="#CITEREFPendle2005">Pendle 2005</a>, pp. 275, 277; <a href="#CITEREFKansa2011">Kansa 2011</a>, p. 39; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTECarter2004130Duncan2008Kansa201139–41-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECarter2004130Duncan2008Kansa201139–41_21-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCarter2004">Carter 2004</a>, p. 130; <a href="#CITEREFDuncan2008">Duncan 2008</a>; <a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 39–41.</span> </li> <li id="cite_note-FOOTNOTEKansa201143–45-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201143–45_22-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 43–45.</span> </li> <li id="cite_note-FOOTNOTEKansa201148–49-23"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEKansa201148–49_23-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEKansa201148–49_23-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 48–49.</span> </li> <li id="cite_note-FOOTNOTEKansa201148-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201148_24-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 48.</span> </li> <li id="cite_note-FOOTNOTEPendle2005288Duncan2008Kansa201151–53Nelson2014Laden2014-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPendle2005288Duncan2008Kansa201151–53Nelson2014Laden2014_25-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPendle2005">Pendle 2005</a>, p. 288; <a href="#CITEREFDuncan2008">Duncan 2008</a>; <a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 51–53; <a href="#CITEREFNelson2014">Nelson 2014</a>; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEPendle2005294,_297Kansa201157-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPendle2005294,_297Kansa201157_26-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPendle2005">Pendle 2005</a>, pp. 294, 297; <a href="#CITEREFKansa2011">Kansa 2011</a>, p. 57.</span> </li> <li id="cite_note-FOOTNOTEPendle2005294–295Kansa201157–63-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPendle2005294–295Kansa201157–63_27-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPendle2005">Pendle 2005</a>, pp. 294–295; <a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 57–63.</span> </li> <li id="cite_note-FOOTNOTEKansa201161-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201161_28-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 61.</span> </li> <li id="cite_note-FOOTNOTEPendle2005296–297Kansa201164-29"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPendle2005296–297Kansa201164_29-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPendle2005">Pendle 2005</a>, pp. 296–297; <a href="#CITEREFKansa2011">Kansa 2011</a>, p. 64.</span> </li> <li id="cite_note-FOOTNOTEPendle2005299Kansa201165-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPendle2005299Kansa201165_30-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPendle2005">Pendle 2005</a>, p. 299; <a href="#CITEREFKansa2011">Kansa 2011</a>, p. 65.</span> </li> <li id="cite_note-FOOTNOTECarter2004177–179Pendle20051–6Duncan2008Kansa201165–66Laden2014-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECarter2004177–179Pendle20051–6Duncan2008Kansa201165–66Laden2014_31-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCarter2004">Carter 2004</a>, pp. 177–179; <a href="#CITEREFPendle2005">Pendle 2005</a>, pp. 1–6; <a href="#CITEREFDuncan2008">Duncan 2008</a>; <a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 65–66; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEKansa201167–68-32"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201167–68_32-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 67–68.</span> </li> <li id="cite_note-FOOTNOTEKansa201194-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201194_33-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 94.</span> </li> <li id="cite_note-FOOTNOTEKansa201174-34"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEKansa201174_34-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEKansa201174_34-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 74.</span> </li> <li id="cite_note-FOOTNOTEKansa201174–75-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201174–75_35-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 74–75.</span> </li> <li id="cite_note-FOOTNOTEKansa201175–77-36"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201175–77_36-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 75–77.</span> </li> <li id="cite_note-FOOTNOTEKansa201177–79-37"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201177–79_37-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 77–79.</span> </li> <li id="cite_note-FOOTNOTEKansa201179-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201179_38-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 79.</span> </li> <li id="cite_note-FOOTNOTEKansa201180–81-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201180–81_39-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 80–81.</span> </li> <li id="cite_note-FOOTNOTEStarr2003328Carter2004184-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEStarr2003328Carter2004184_40-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFStarr2003">Starr 2003</a>, p. 328; <a href="#CITEREFCarter2004">Carter 2004</a>, p. 184.</span> </li> <li id="cite_note-FOOTNOTEStarr2003328-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEStarr2003328_41-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFStarr2003">Starr 2003</a>, p. 328.</span> </li> <li id="cite_note-FOOTNOTEKansa201182Nelson2014Laden2014-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201182Nelson2014Laden2014_42-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 82; <a href="#CITEREFNelson2014">Nelson 2014</a>; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEKansa201185–86-43"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201185–86_43-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 85–86.</span> </li> <li id="cite_note-FOOTNOTEKansa201167,_97-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201167,_97_44-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 67, 97.</span> </li> <li id="cite_note-FOOTNOTEKansa201190,_92-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201190,_92_45-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 90, 92.</span> </li> <li id="cite_note-FOOTNOTEKansa201188–89-46"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201188–89_46-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 88–89.</span> </li> <li id="cite_note-FOOTNOTEKansa201190–92-47"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201190–92_47-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 90–92.</span> </li> <li id="cite_note-FOOTNOTECarter2004188Kansa201182–84Nelson2014-48"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECarter2004188Kansa201182–84Nelson2014_48-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCarter2004">Carter 2004</a>, p. 188; <a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 82–84; <a href="#CITEREFNelson2014">Nelson 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEKansa201192,_94-49"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201192,_94_49-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 92, 94.</span> </li> <li id="cite_note-FOOTNOTEKansa2011253-50"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEKansa2011253_50-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEKansa2011253_50-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEKansa2011253_50-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEKansa2011253_50-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 253.</span> </li> <li id="cite_note-FOOTNOTEKansa201197–98-51"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201197–98_51-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 97–98.</span> </li> <li id="cite_note-FOOTNOTEKansa2011100-52"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011100_52-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 100.</span> </li> <li id="cite_note-FOOTNOTELandis199574–76Carter2004190Duncan2008Kansa2011104–106Laden2014-53"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELandis199574–76Carter2004190Duncan2008Kansa2011104–106Laden2014_53-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, pp. 74–76; <a href="#CITEREFCarter2004">Carter 2004</a>, p. 190; <a href="#CITEREFDuncan2008">Duncan 2008</a>; <a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 104–106; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEKansa2011114–115-54"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011114–115_54-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 114–115.</span> </li> <li id="cite_note-FOOTNOTECarter2004190Kansa2011118–121Nelson2014-55"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECarter2004190Kansa2011118–121Nelson2014_55-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCarter2004">Carter 2004</a>, p. 190; <a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 118–121; <a href="#CITEREFNelson2014">Nelson 2014</a>.</span> </li> <li id="cite_note-FOOTNOTECarter2004190Duncan2008Kansa2011126,_130Nelson2014Laden2014-56"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECarter2004190Duncan2008Kansa2011126,_130Nelson2014Laden2014_56-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCarter2004">Carter 2004</a>, p. 190; <a href="#CITEREFDuncan2008">Duncan 2008</a>; <a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 126, 130; <a href="#CITEREFNelson2014">Nelson 2014</a>; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEKansa201147Laden2014-57"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa201147Laden2014_57-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 47; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTECarter2004191Duncan2008Kansa2011135–139Nelson2014Laden2014-58"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECarter2004191Duncan2008Kansa2011135–139Nelson2014Laden2014_58-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCarter2004">Carter 2004</a>, p. 191; <a href="#CITEREFDuncan2008">Duncan 2008</a>; <a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 135–139; <a href="#CITEREFNelson2014">Nelson 2014</a>; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEKansa2011131-59"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011131_59-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 131.</span> </li> <li id="cite_note-FOOTNOTEKansa2011140–141-60"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011140–141_60-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 140–141.</span> </li> <li id="cite_note-FOOTNOTEKansa2011121–122-61"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011121–122_61-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 121–122.</span> </li> <li id="cite_note-FOOTNOTEKansa2011141Fredman20101-62"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011141Fredman20101_62-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 141; <a href="#CITEREFFredman2010">Fredman 2010</a>, p. 1.</span> </li> <li id="cite_note-FOOTNOTEKansa2011144Nelson2014-63"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011144Nelson2014_63-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 144; <a href="#CITEREFNelson2014">Nelson 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEKansa2011143,_150-64"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011143,_150_64-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 143, 150.</span> </li> <li id="cite_note-FOOTNOTEKansa2011152–154,_157Nelson2014-65"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011152–154,_157Nelson2014_65-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 152–154, 157; <a href="#CITEREFNelson2014">Nelson 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEKansa2011157–158-66"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011157–158_66-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 157–158.</span> </li> <li id="cite_note-FOOTNOTEKansa2011173–174Laden2014-67"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011173–174Laden2014_67-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 173–174; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTECarter2004191Kansa2011174–171Nelson2014Laden2014-68"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECarter2004191Kansa2011174–171Nelson2014Laden2014_68-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCarter2004">Carter 2004</a>, p. 191; <a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 174–171; <a href="#CITEREFNelson2014">Nelson 2014</a>; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEKansa2011207-69"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011207_69-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 207.</span> </li> <li id="cite_note-FOOTNOTEKansa2011174-70"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011174_70-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 174.</span> </li> <li id="cite_note-FOOTNOTEKansa2011177-71"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011177_71-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 177.</span> </li> <li id="cite_note-FOOTNOTELandis1995100–101Kansa2011183–187-72"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELandis1995100–101Kansa2011183–187_72-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, pp. 100–101; <a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 183–187.</span> </li> <li id="cite_note-FOOTNOTEKansa2011190-73"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011190_73-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 190.</span> </li> <li id="cite_note-FOOTNOTELandis199581-74"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELandis199581_74-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 81.</span> </li> <li id="cite_note-FOOTNOTEKansa2011191–192-75"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011191–192_75-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 191–192.</span> </li> <li id="cite_note-FOOTNOTEKansa2011193–194-76"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011193–194_76-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 193–194.</span> </li> <li id="cite_note-FOOTNOTEKansa2011214-77"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011214_77-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 214.</span> </li> <li id="cite_note-FOOTNOTEDuncan2008Kansa2011215Laden2014-78"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDuncan2008Kansa2011215Laden2014_78-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDuncan2008">Duncan 2008</a>; <a href="#CITEREFKansa2011">Kansa 2011</a>, p. 215; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEDuncan2008Kansa2011217–218Laden2014-79"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDuncan2008Kansa2011217–218Laden2014_79-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDuncan2008">Duncan 2008</a>; <a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 217–218; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEKansa2011226–227-80"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011226–227_80-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 226–227.</span> </li> <li id="cite_note-FOOTNOTEKansa2011227-81"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011227_81-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 227.</span> </li> <li id="cite_note-FOOTNOTEKansa2011223–224Nelson2014-82"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011223–224Nelson2014_82-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 223–224; <a href="#CITEREFNelson2014">Nelson 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEKansa2011227Nelson2014-83"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011227Nelson2014_83-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 227; <a href="#CITEREFNelson2014">Nelson 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEKansa2011238Laden2014-84"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011238Laden2014_84-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 238; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEKansa2011244-85"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011244_85-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 244.</span> </li> <li id="cite_note-FOOTNOTEKansa2011233–234-86"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEKansa2011233–234_86-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEKansa2011233–234_86-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 233–234.</span> </li> <li id="cite_note-FOOTNOTEKansa2011236Laden2014-87"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011236Laden2014_87-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 236; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEKansa2011241-88"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011241_88-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 241.</span> </li> <li id="cite_note-FOOTNOTEKansa2011247-89"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEKansa2011247_89-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEKansa2011247_89-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEKansa2011247_89-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 247.</span> </li> <li id="cite_note-FOOTNOTEKansa2011242-90"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011242_90-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 242.</span> </li> <li id="cite_note-FOOTNOTEKansa2011239-91"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011239_91-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 239.</span> </li> <li id="cite_note-FOOTNOTEDuncan2008Kansa2011249Nelson2014-92"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDuncan2008Kansa2011249Nelson2014_92-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDuncan2008">Duncan 2008</a>; <a href="#CITEREFKansa2011">Kansa 2011</a>, p. 249; <a href="#CITEREFNelson2014">Nelson 2014</a>.</span> </li> <li id="cite_note-FOOTNOTECarter2004195Duncan2008Kansa2011249Laden2014-93"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECarter2004195Duncan2008Kansa2011249Laden2014_93-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCarter2004">Carter 2004</a>, p. 195; <a href="#CITEREFDuncan2008">Duncan 2008</a>; <a href="#CITEREFKansa2011">Kansa 2011</a>, p. 249; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEKansa2011250,_253-94"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011250,_253_94-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 250, 253.</span> </li> <li id="cite_note-FOOTNOTECarter2004195Duncan2008Kansa2011252Laden2014-95"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECarter2004195Duncan2008Kansa2011252Laden2014_95-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCarter2004">Carter 2004</a>, p. 195; <a href="#CITEREFDuncan2008">Duncan 2008</a>; <a href="#CITEREFKansa2011">Kansa 2011</a>, p. 252; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTELunenfeld201591-96"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTELunenfeld201591_96-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTELunenfeld201591_96-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFLunenfeld2015">Lunenfeld 2015</a>, p. 91.</span> </li> <li id="cite_note-FOOTNOTEStarr2003320-97"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEStarr2003320_97-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFStarr2003">Starr 2003</a>, p. 320.</span> </li> <li id="cite_note-FOOTNOTEBlanks2013246-98"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBlanks2013246_98-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBlanks2013246_98-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBlanks2013246_98-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBlanks2013">Blanks 2013</a>, p. 246.</span> </li> <li id="cite_note-FOOTNOTEKansa2011141-99"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEKansa2011141_99-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEKansa2011141_99-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 141.</span> </li> <li id="cite_note-FOOTNOTELandis199572-100"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELandis199572_100-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLandis1995">Landis 1995</a>, p. 72.</span> </li> <li id="cite_note-FOOTNOTEKansa2011178-101"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011178_101-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 178.</span> </li> <li id="cite_note-FOOTNOTEStevens201125-102"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEStevens201125_102-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFStevens2011">Stevens 2011</a>, p. 25.</span> </li> <li id="cite_note-FOOTNOTELaden2014Martinez2015-103"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELaden2014Martinez2015_103-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLaden2014">Laden 2014</a>; <a href="#CITEREFMartinez2015">Martinez 2015</a>.</span> </li> <li id="cite_note-FOOTNOTEFrank2014-104"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEFrank2014_104-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFrank2014_104-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFFrank2014">Frank 2014</a>.</span> </li> <li id="cite_note-FOOTNOTELunenfeld201592-105"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTELunenfeld201592_105-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTELunenfeld201592_105-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTELunenfeld201592_105-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFLunenfeld2015">Lunenfeld 2015</a>, p. 92.</span> </li> <li id="cite_note-FOOTNOTEKansa2011137-106"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011137_106-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 137.</span> </li> <li id="cite_note-FOOTNOTEKansa2011136,_137-107"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011136,_137_107-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 136, 137.</span> </li> <li id="cite_note-FOOTNOTEDuncan2008-108"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDuncan2008_108-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDuncan2008">Duncan 2008</a>.</span> </li> <li id="cite_note-FOOTNOTEKansa2011143-109"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEKansa2011143_109-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEKansa2011143_109-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 143.</span> </li> <li id="cite_note-FOOTNOTEKansa2011255Laden2014-110"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011255Laden2014_110-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 255; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTECarter2004195Duncan2008Kansa2011255-111"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECarter2004195Duncan2008Kansa2011255_111-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCarter2004">Carter 2004</a>, p. 195; <a href="#CITEREFDuncan2008">Duncan 2008</a>; <a href="#CITEREFKansa2011">Kansa 2011</a>, p. 255.</span> </li> <li id="cite_note-FOOTNOTEKansa2011256-112"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011256_112-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 256.</span> </li> <li id="cite_note-FOOTNOTEDuncan2008Kansa2011257–258Laden2014-113"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDuncan2008Kansa2011257–258Laden2014_113-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDuncan2008">Duncan 2008</a>; <a href="#CITEREFKansa2011">Kansa 2011</a>, pp. 257–258; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEKansa2011255-114"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011255_114-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 255.</span> </li> <li id="cite_note-FOOTNOTEKansa2011257-115"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKansa2011257_115-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKansa2011">Kansa 2011</a>, p. 257.</span> </li> <li id="cite_note-FOOTNOTEStevens201124Blanks2013246-116"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEStevens201124Blanks2013246_116-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFStevens2011">Stevens 2011</a>, p. 24; <a href="#CITEREFBlanks2013">Blanks 2013</a>, p. 246.</span> </li> <li id="cite_note-FOOTNOTENelson2014-117"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTENelson2014_117-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTENelson2014_117-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFNelson2014">Nelson 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEStevens201124-118"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEStevens201124_118-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEStevens201124_118-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFStevens2011">Stevens 2011</a>, p. 24.</span> </li> <li id="cite_note-FOOTNOTELipschutz2014-119"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELipschutz2014_119-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLipschutz2014">Lipschutz 2014</a>.</span> </li> <li id="cite_note-FOOTNOTENelson2014Laden2014-120"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTENelson2014Laden2014_120-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFNelson2014">Nelson 2014</a>; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEFrank2014Laden2014-121"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEFrank2014Laden2014_121-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFFrank2014">Frank 2014</a>; <a href="#CITEREFLaden2014">Laden 2014</a>.</span> </li> <li id="cite_note-FOOTNOTEYaeger2015Chidester2015Martinez2015-122"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEYaeger2015Chidester2015Martinez2015_122-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFYaeger2015">Yaeger 2015</a>; <a href="#CITEREFChidester2015">Chidester 2015</a>; <a href="#CITEREFMartinez2015">Martinez 2015</a>.</span> </li> </ol></div> <div class="mw-heading mw-heading3"><h3 id="Works_cited">Works cited</h3><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marjorie_Cameron&action=edit&section=12" title="Edit section: Works cited"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <style data-mw-deduplicate="TemplateStyles:r1239549316">.mw-parser-output .refbegin{margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}@media screen{.mw-parser-output .refbegin{font-size:90%}}</style><div class="refbegin refbegin-hanging-indents refbegin-columns references-column-width" style="column-width: 35em"> <ul><li><style data-mw-deduplicate="TemplateStyles:r1238218222">.mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}</style><cite id="CITEREFBlanks2013" class="citation news cs1">Blanks, Tim (March 2013). <a rel="nofollow" class="external text" href="http://www.cameron-parsons.org/March_W.pdf">"Witch's Crew"</a> <span class="cs1-format">(PDF)</span>. <i>W Magazine</i>. pp. <span class="nowrap">244–</span>245.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=W+Magazine&rft.atitle=Witch%27s+Crew&rft.pages=%3Cspan+class%3D%22nowrap%22%3E244-%3C%2Fspan%3E245&rft.date=2013-03&rft.aulast=Blanks&rft.aufirst=Tim&rft_id=http%3A%2F%2Fwww.cameron-parsons.org%2FMarch_W.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarjorie+Cameron" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFCarter2004" class="citation book cs1">Carter, John (2004). <i>Sex and Rockets: The Occult World of Jack Parsons</i> (new ed.). Port Townsend: Feral House. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-922915-97-2" title="Special:BookSources/978-0-922915-97-2"><bdi>978-0-922915-97-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Sex+and+Rockets%3A+The+Occult+World+of+Jack+Parsons&rft.place=Port+Townsend&rft.edition=new&rft.pub=Feral+House&rft.date=2004&rft.isbn=978-0-922915-97-2&rft.aulast=Carter&rft.aufirst=John&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarjorie+Cameron" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFChidester2015" class="citation web cs1">Chidester, Brian (September 8, 2015). <a rel="nofollow" class="external text" href="http://www.villagevoice.com/event/cameron-cinderella-of-the-wastelands-7585864">"Cameron: Cinderella of the Wastelands"</a>. <i>The Village Voice</i><span class="reference-accessdate">. Retrieved <span class="nowrap">April 12,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Village+Voice&rft.atitle=Cameron%3A+Cinderella+of+the+Wastelands&rft.date=2015-09-08&rft.aulast=Chidester&rft.aufirst=Brian&rft_id=http%3A%2F%2Fwww.villagevoice.com%2Fevent%2Fcameron-cinderella-of-the-wastelands-7585864&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarjorie+Cameron" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFDuncan2008" class="citation web cs1">Duncan, Michael (2008). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20080605013421/http://cameron-parsons.org/cameron.html">"Cameron"</a>. <i>Cameron Parsons Foundation</i>. Archived from <a rel="nofollow" class="external text" href="http://www.cameron-parsons.org/cameron.html">the original</a> on June 5, 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">April 12,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Cameron+Parsons+Foundation&rft.atitle=Cameron&rft.date=2008&rft.aulast=Duncan&rft.aufirst=Michael&rft_id=http%3A%2F%2Fwww.cameron-parsons.org%2Fcameron.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarjorie+Cameron" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFFrank2014" class="citation news cs1">Frank, Priscilla (August 8, 2014). <a rel="nofollow" class="external text" href="http://www.huffingtonpost.com/2014/08/08/marjorie-cameron-moca_n_5656561.html">"Meet Cameron, The Countercultural Icon Who Bewitched Los Angeles"</a>. <i>The Huffington Post</i><span class="reference-accessdate">. Retrieved <span class="nowrap">April 12,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Huffington+Post&rft.atitle=Meet+Cameron%2C+The+Countercultural+Icon+Who+Bewitched+Los+Angeles&rft.date=2014-08-08&rft.aulast=Frank&rft.aufirst=Priscilla&rft_id=http%3A%2F%2Fwww.huffingtonpost.com%2F2014%2F08%2F08%2Fmarjorie-cameron-moca_n_5656561.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarjorie+Cameron" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFFredman2010" class="citation book cs1">Fredman, Stephen (2010). <i>Contextual Practice: Assemblage and the Erotic in Postwar Poetry and Art</i>. Stanford: Stanford University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-804763-58-5" title="Special:BookSources/978-0-804763-58-5"><bdi>978-0-804763-58-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Contextual+Practice%3A+Assemblage+and+the+Erotic+in+Postwar+Poetry+and+Art&rft.place=Stanford&rft.pub=Stanford+University+Press&rft.date=2010&rft.isbn=978-0-804763-58-5&rft.aulast=Fredman&rft.aufirst=Stephen&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarjorie+Cameron" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFKaczynski2010" class="citation book cs1"><a href="/wiki/Richard_Kaczynski" title="Richard Kaczynski">Kaczynski, Richard</a> (2010). <span class="id-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/dowhatthouwiltli0000suti"><i>Perdurabo: The Life of Aleister Crowley</i></a></span> (second ed.). Berkeley, CA: North Atlantic Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-312-25243-4" title="Special:BookSources/978-0-312-25243-4"><bdi>978-0-312-25243-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Perdurabo%3A+The+Life+of+Aleister+Crowley&rft.place=Berkeley%2C+CA&rft.edition=second&rft.pub=North+Atlantic+Books&rft.date=2010&rft.isbn=978-0-312-25243-4&rft.aulast=Kaczynski&rft.aufirst=Richard&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fdowhatthouwiltli0000suti&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarjorie+Cameron" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFKansa2011" class="citation book cs1">Kansa, Spencer (2011). <i>Wormwood Star: The Magickal Life of Marjorie Cameron</i>. Oxford: Mandrake. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-906958-08-4" title="Special:BookSources/978-1-906958-08-4"><bdi>978-1-906958-08-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Wormwood+Star%3A+The+Magickal+Life+of+Marjorie+Cameron&rft.place=Oxford&rft.pub=Mandrake&rft.date=2011&rft.isbn=978-1-906958-08-4&rft.aulast=Kansa&rft.aufirst=Spencer&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarjorie+Cameron" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFLaden2014" class="citation web cs1">Laden, Tanja M. (October 8, 2014). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150219064314/http://www.laweekly.com/arts/camerons-connections-to-scientology-and-powerful-men-once-drew-headlines-but-now-her-art-is-getting-its-due-5130928">"Cameron's Connections to Scientology and Powerful Men Once Drew Headlines, But Now Her Art Is Getting Its Due"</a>. <i>LA Weekly</i>. Archived from <a rel="nofollow" class="external text" href="http://www.laweekly.com/arts/camerons-connections-to-scientology-and-powerful-men-once-drew-headlines-but-now-her-art-is-getting-its-due-5130928">the original</a> on February 19, 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=LA+Weekly&rft.atitle=Cameron%27s+Connections+to+Scientology+and+Powerful+Men+Once+Drew+Headlines%2C+But+Now+Her+Art+Is+Getting+Its+Due&rft.date=2014-10-08&rft.aulast=Laden&rft.aufirst=Tanja+M.&rft_id=http%3A%2F%2Fwww.laweekly.com%2Farts%2Fcamerons-connections-to-scientology-and-powerful-men-once-drew-headlines-but-now-her-art-is-getting-its-due-5130928&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarjorie+Cameron" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFLandis1995" class="citation book cs1">Landis, Bill (1995). <i>Anger: The Unauthorized Biography of Kenneth Anger</i>. New York: HarperCollins. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-06-016700-4" title="Special:BookSources/978-0-06-016700-4"><bdi>978-0-06-016700-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Anger%3A+The+Unauthorized+Biography+of+Kenneth+Anger&rft.place=New+York&rft.pub=HarperCollins&rft.date=1995&rft.isbn=978-0-06-016700-4&rft.aulast=Landis&rft.aufirst=Bill&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarjorie+Cameron" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFLipschutz2014" class="citation book cs1">Lipschutz, Yael (2014). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=y0HRrQEACAAJ"><i>Cameron: Songs for the Witch Woman</i></a>. Cameron Parsons Foundation. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-692-28952-5" title="Special:BookSources/978-0-692-28952-5"><bdi>978-0-692-28952-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Cameron%3A+Songs+for+the+Witch+Woman&rft.pub=Cameron+Parsons+Foundation&rft.date=2014&rft.isbn=978-0-692-28952-5&rft.aulast=Lipschutz&rft.aufirst=Yael&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dy0HRrQEACAAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarjorie+Cameron" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFLunenfeld2015" class="citation journal cs1"><a href="/wiki/Peter_Lunenfeld" title="Peter Lunenfeld">Lunenfeld, Peter</a> (January 2015). <a rel="nofollow" class="external text" href="http://www.cameron-parsons.org/artforum.pdf">"Cameron: The Season of the Witch"</a> <span class="cs1-format">(PDF)</span>. <i>Artforum</i>: <span class="nowrap">91–</span>92.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Artforum&rft.atitle=Cameron%3A+The+Season+of+the+Witch&rft.pages=%3Cspan+class%3D%22nowrap%22%3E91-%3C%2Fspan%3E92&rft.date=2015-01&rft.aulast=Lunenfeld&rft.aufirst=Peter&rft_id=http%3A%2F%2Fwww.cameron-parsons.org%2Fartforum.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarjorie+Cameron" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFMartinez2015" class="citation web cs1">Martinez, Alanna (October 2, 2015). <a rel="nofollow" class="external text" href="https://observer.com/2015/10/deitch-projects-presents-the-uncensored-story-of-la-artistoccultist-marjorie-cameron/">"Deitch Projects Presents the Uncensored Story of LA Artist/Occultist Marjorie Cameron"</a>. <i>Observer</i><span class="reference-accessdate">. Retrieved <span class="nowrap">April 12,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Observer&rft.atitle=Deitch+Projects+Presents+the+Uncensored+Story+of+LA+Artist%2FOccultist+Marjorie+Cameron&rft.date=2015-10-02&rft.aulast=Martinez&rft.aufirst=Alanna&rft_id=http%3A%2F%2Fobserver.com%2F2015%2F10%2Fdeitch-projects-presents-the-uncensored-story-of-la-artistoccultist-marjorie-cameron%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarjorie+Cameron" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFNelson2014" class="citation web cs1">Nelson, Steffie (October 8, 2014). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20150414083511/http://lareviewofbooks.org/essay/cameron-witch-art-world/">"Cameron, Witch of the Art World"</a>. <i>Los Angeles Review of Books</i>. Archived from <a rel="nofollow" class="external text" href="https://lareviewofbooks.org/essay/cameron-witch-art-world">the original</a> on April 14, 2015.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Los+Angeles+Review+of+Books&rft.atitle=Cameron%2C+Witch+of+the+Art+World&rft.date=2014-10-08&rft.aulast=Nelson&rft.aufirst=Steffie&rft_id=https%3A%2F%2Flareviewofbooks.org%2Fessay%2Fcameron-witch-art-world&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarjorie+Cameron" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFPendle2005" class="citation book cs1">Pendle, George (2005). <i>Strange Angel: The Otherworldly Life of Rocket Scientist John Whiteside Parsons</i>. London: Weidenfeld & Nicolson. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7538-2065-0" title="Special:BookSources/978-0-7538-2065-0"><bdi>978-0-7538-2065-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Strange+Angel%3A+The+Otherworldly+Life+of+Rocket+Scientist+John+Whiteside+Parsons&rft.place=London&rft.pub=Weidenfeld+%26+Nicolson&rft.date=2005&rft.isbn=978-0-7538-2065-0&rft.aulast=Pendle&rft.aufirst=George&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarjorie+Cameron" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFStarr2003" class="citation book cs1">Starr, Martin P. (2003). <i>The Unknown God: W.T. Smith and the Thelemites</i>. Bollingbrook: Teitan Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-933429-07-9" title="Special:BookSources/978-0-933429-07-9"><bdi>978-0-933429-07-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Unknown+God%3A+W.T.+Smith+and+the+Thelemites&rft.place=Bollingbrook&rft.pub=Teitan+Press&rft.date=2003&rft.isbn=978-0-933429-07-9&rft.aulast=Starr&rft.aufirst=Martin+P.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarjorie+Cameron" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFStevens2011" class="citation journal cs1">Stevens, Matthew Levi (August 2011). "Interview with Spencer Kansa". <i>The Cauldron</i>. <b>141</b>: <span class="nowrap">24–</span>27. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="https://search.worldcat.org/issn/0964-5594">0964-5594</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Cauldron&rft.atitle=Interview+with+Spencer+Kansa&rft.volume=141&rft.pages=%3Cspan+class%3D%22nowrap%22%3E24-%3C%2Fspan%3E27&rft.date=2011-08&rft.issn=0964-5594&rft.aulast=Stevens&rft.aufirst=Matthew+Levi&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarjorie+Cameron" class="Z3988"></span></li> <li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1238218222" /><cite id="CITEREFYaeger2015" class="citation web cs1">Yaeger, Lynn (September 10, 2015). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160126021242/http://www.vogue.com/13333191/marjorie-cameron-parsons-kimmel-jeffrey-deitch/">"The Cameron Retrospective Might Be the Most Stunning Show This Fall"</a>. <i>Vogue</i>. Archived from <a rel="nofollow" class="external text" href="http://www.vogue.com/13333191/marjorie-cameron-parsons-kimmel-jeffrey-deitch/">the original</a> on January 26, 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">April 12,</span> 2016</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Vogue&rft.atitle=The+Cameron+Retrospective+Might+Be+the+Most+Stunning+Show+This+Fall&rft.date=2015-09-10&rft.aulast=Yaeger&rft.aufirst=Lynn&rft_id=http%3A%2F%2Fwww.vogue.com%2F13333191%2Fmarjorie-cameron-parsons-kimmel-jeffrey-deitch%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AMarjorie+Cameron" class="Z3988"></span></li></ul> </div> <div class="mw-heading mw-heading2"><h2 id="External_links">External links</h2><span class="mw-editsection"><span class="mw-editsection-bracket">[</span><a href="/w/index.php?title=Marjorie_Cameron&action=edit&section=13" title="Edit section: External links"><span>edit</span></a><span class="mw-editsection-bracket">]</span></span></div> <ul><li><a rel="nofollow" class="external text" href="http://www.cameron-parsons.org">Cameron-Parsons Foundation</a></li> <li><a rel="nofollow" class="external text" href="https://www.imdb.com/name/nm0131669/">Marjorie Cameron</a> at <a href="/wiki/IMDb_(identifier)" class="mw-redirect" title="IMDb (identifier)">IMDb</a></li> <li><a rel="nofollow" class="external text" href="https://www.youtube.com/watch?v=dlmQxOw__yk"><i>The Wormwood Star</i> (1955)</a>, a short film portrait of Cameron by <a href="/wiki/Curtis_Harrington" title="Curtis Harrington">Curtis Harrington</a>.</li></ul> <div class="navbox-styles"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374" /><style data-mw-deduplicate="TemplateStyles:r1236075235">.mw-parser-output .navbox{box-sizing:border-box;border:1px solid #a2a9b1;width:100%;clear:both;font-size:88%;text-align:center;padding:1px;margin:1em auto 0}.mw-parser-output .navbox .navbox{margin-top:0}.mw-parser-output .navbox+.navbox,.mw-parser-output .navbox+.navbox-styles+.navbox{margin-top:-1px}.mw-parser-output .navbox-inner,.mw-parser-output .navbox-subgroup{width:100%}.mw-parser-output .navbox-group,.mw-parser-output .navbox-title,.mw-parser-output .navbox-abovebelow{padding:0.25em 1em;line-height:1.5em;text-align:center}.mw-parser-output .navbox-group{white-space:nowrap;text-align:right}.mw-parser-output .navbox,.mw-parser-output .navbox-subgroup{background-color:#fdfdfd}.mw-parser-output .navbox-list{line-height:1.5em;border-color:#fdfdfd}.mw-parser-output .navbox-list-with-group{text-align:left;border-left-width:2px;border-left-style:solid}.mw-parser-output tr+tr>.navbox-abovebelow,.mw-parser-output tr+tr>.navbox-group,.mw-parser-output tr+tr>.navbox-image,.mw-parser-output tr+tr>.navbox-list{border-top:2px solid #fdfdfd}.mw-parser-output .navbox-title{background-color:#ccf}.mw-parser-output .navbox-abovebelow,.mw-parser-output .navbox-group,.mw-parser-output .navbox-subgroup .navbox-title{background-color:#ddf}.mw-parser-output .navbox-subgroup .navbox-group,.mw-parser-output .navbox-subgroup .navbox-abovebelow{background-color:#e6e6ff}.mw-parser-output .navbox-even{background-color:#f7f7f7}.mw-parser-output .navbox-odd{background-color:transparent}.mw-parser-output .navbox .hlist td dl,.mw-parser-output .navbox .hlist td ol,.mw-parser-output .navbox .hlist td ul,.mw-parser-output .navbox td.hlist dl,.mw-parser-output .navbox td.hlist ol,.mw-parser-output .navbox td.hlist ul{padding:0.125em 0}.mw-parser-output .navbox .navbar{display:block;font-size:100%}.mw-parser-output .navbox-title .navbar{float:left;text-align:left;margin-right:0.5em}body.skin--responsive .mw-parser-output .navbox-image img{max-width:none!important}@media print{body.ns-0 .mw-parser-output .navbox{display:none!important}}</style></div><div role="navigation" class="navbox" aria-labelledby="Thelema154" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1129693374" /><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1239400231" /><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Thelema_series" title="Template:Thelema series"><abbr title="View this template">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Thelema_series" title="Template talk:Thelema series"><abbr title="Discuss this template">t</abbr></a></li><li class="nv-edit"><a href="/wiki/Special:EditPage/Template:Thelema_series" title="Special:EditPage/Template:Thelema series"><abbr title="Edit this template">e</abbr></a></li></ul></div><div id="Thelema154" style="font-size:114%;margin:0 4em"><a href="/wiki/Thelema" title="Thelema">Thelema</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Organizations</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/A%E2%88%B4A%E2%88%B4" title="A∴A∴">A∴A∴</a></li> <li><a href="/wiki/Ecclesia_Gnostica_Catholica" title="Ecclesia Gnostica Catholica">Ecclesia Gnostica Catholica</a></li> <li><a href="/wiki/Fraternitas_Saturni" title="Fraternitas Saturni">Fraternitas Saturni</a></li> <li><a href="/wiki/Ceremonial_magic#James_Lees" title="Ceremonial magic">O∴A∴A∴</a></li> <li><a href="/wiki/Open_Source_Order_of_the_Golden_Dawn" title="Open Source Order of the Golden Dawn">Open Source Order of the Golden Dawn</a></li> <li><a href="/wiki/Ordo_Templi_Orientis" title="Ordo Templi Orientis">Ordo Templi Orientis</a></li> <li><a href="/wiki/Society_Ordo_Templi_Orientis" class="mw-redirect" title="Society Ordo Templi Orientis">Society Ordo Templi Orientis</a></li> <li><a href="/wiki/Thelemic_Order_of_the_Golden_Dawn" class="mw-redirect" title="Thelemic Order of the Golden Dawn">Thelemic Order of the Golden Dawn</a></li> <li><a href="/wiki/Typhonian_Order" title="Typhonian Order">Typhonian Order</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Personalities</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/List_of_Thelemites" title="List of Thelemites">List of Thelemites</a></li> <li><a href="/wiki/Ankh-ef-en-Khonsu_i" title="Ankh-ef-en-Khonsu i">Ankh-af-na-khonsu</a></li> <li><a href="/wiki/Aleister_Crowley" title="Aleister Crowley">Aleister Crowley</a></li> <li><a href="/wiki/Kenneth_Anger" title="Kenneth Anger">Kenneth Anger</a></li> <li><a href="/wiki/Charles_Henry_Allan_Bennett" title="Charles Henry Allan Bennett">Allan Bennett</a></li> <li><a href="/wiki/William_Breeze" title="William Breeze">William Breeze</a></li> <li><a href="/wiki/Mary_Butts" title="Mary Butts">Mary Butts</a></li> <li><a class="mw-selflink selflink">Marjorie Cameron</a></li> <li><a href="/wiki/Lon_Milo_DuQuette" title="Lon Milo DuQuette">Lon Milo DuQuette</a></li> <li><a href="/wiki/Jeanne_Robert_Foster" title="Jeanne Robert Foster">Jeanne Robert Foster</a></li> <li><a href="/wiki/J._F._C._Fuller" title="J. F. C. Fuller">J. F. C. Fuller</a></li> <li><a href="/wiki/Karl_Germer" title="Karl Germer">Karl Germer</a></li> <li><a href="/wiki/Kenneth_Grant" title="Kenneth Grant">Kenneth Grant</a></li> <li><a href="/wiki/Lady_Frieda_Harris" title="Lady Frieda Harris">Lady Frieda Harris</a></li> <li><a href="/wiki/Leah_Hirsig" title="Leah Hirsig">Leah Hirsig</a></li> <li><a href="/wiki/Christopher_Hyatt" title="Christopher Hyatt">Christopher Hyatt</a></li> <li><a href="/wiki/Charles_Stansfeld_Jones" title="Charles Stansfeld Jones">Charles Stansfeld Jones</a></li> <li><a href="/wiki/George_Cecil_Jones" title="George Cecil Jones">George Cecil Jones</a></li> <li><a href="/wiki/Richard_Kaczynski" title="Richard Kaczynski">Richard Kaczynski</a></li> <li><a href="/wiki/Rose_Edith_Kelly" title="Rose Edith Kelly">Rose Edith Kelly</a></li> <li><a href="/wiki/Ceremonial_magic#James_Lees" title="Ceremonial magic">James Lees</a></li> <li><a href="/wiki/Grady_Louis_McMurtry" title="Grady Louis McMurtry">Grady Louis McMurtry</a></li> <li><a href="/wiki/Mogg_Morgan" class="mw-redirect" title="Mogg Morgan">Mogg Morgan</a></li> <li><a href="/wiki/Marcelo_Ramos_Motta" title="Marcelo Ramos Motta">Marcelo Ramos Motta</a></li> <li><a href="/wiki/Nema_Andahadna" title="Nema Andahadna">Nema Andahadna</a></li> <li><a href="/wiki/Victor_Neuburg_(poet)" title="Victor Neuburg (poet)">Victor Neuburg</a></li> <li><a href="/wiki/Sara_Northrup_Hollister" title="Sara Northrup Hollister">Sara Northrup</a></li> <li><a href="/wiki/Jack_Parsons" title="Jack Parsons">Jack Parsons</a></li> <li><a href="/wiki/Helen_Parsons_Smith" title="Helen Parsons Smith">Helen Parsons Smith</a></li> <li><a href="/wiki/Theodor_Reuss" title="Theodor Reuss">Theodor Reuss</a></li> <li><a href="/wiki/C._F._Russell" title="C. F. Russell">C. F. Russell</a></li> <li><a href="/wiki/Phyllis_Seckler" title="Phyllis Seckler">Phyllis Seckler</a></li> <li><a href="/wiki/Wilfred_Talbot_Smith" title="Wilfred Talbot Smith">Wilfred Talbot Smith</a></li> <li><a href="/wiki/Leila_Waddell" title="Leila Waddell">Leila Waddell</a></li> <li><a href="/wiki/James_Wasserman" title="James Wasserman">James Wasserman</a></li> <li><a href="/wiki/Sam_Webster_(writer)" title="Sam Webster (writer)">Sam Webster</a></li> <li><a href="/wiki/Jane_Wolfe" title="Jane Wolfe">Jane Wolfe</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%"><a href="/wiki/Category:Thelemic_texts" title="Category:Thelemic texts">Thelemic texts</a></th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Aleister_Crowley_bibliography" title="Aleister Crowley bibliography">Aleister Crowley bibliography</a></li> <li><i><a href="/wiki/The_Book_of_Lies_(Crowley)" title="The Book of Lies (Crowley)">The Book of Lies</a></i></li> <li><a href="/wiki/The_Book_of_the_Law" title="The Book of the Law"><i>The Book of the Law</i> (<i>Liber AL vel Legis</i>)</a></li> <li><i><a href="/wiki/The_Book_of_Thoth_(Crowley)" title="The Book of Thoth (Crowley)">The Book of Thoth</a></i></li> <li><i><a href="/wiki/Clouds_without_Water" title="Clouds without Water">Clouds without Water</a></i></li> <li><i><a href="/wiki/Collected_Works_of_Aleister_Crowley" title="Collected Works of Aleister Crowley">Collected Works</a></i></li> <li><i><a href="/wiki/The_Confessions_of_Aleister_Crowley" title="The Confessions of Aleister Crowley">Confessions</a></i></li> <li><i><a href="/wiki/The_Diary_of_a_Drug_Fiend" title="The Diary of a Drug Fiend">The Diary of a Drug Fiend</a></i></li> <li><i><a href="/wiki/Eight_Lectures_on_Yoga" title="Eight Lectures on Yoga">Eight Lectures on Yoga</a></i></li> <li><i><a href="/wiki/The_Equinox" title="The Equinox">The Equinox</a></i> <ul><li><i><a href="/wiki/The_Blue_Equinox" title="The Blue Equinox">The Blue Equinox</a></i></li> <li><i><a href="/wiki/The_Equinox_of_the_Gods" title="The Equinox of the Gods">The Equinox of the Gods</a></i></li></ul></li> <li><i><a href="/wiki/The_Holy_Books_of_Thelema" title="The Holy Books of Thelema">The Holy Books of Thelema</a></i></li> <li><i><a href="/wiki/Konx_Om_Pax" title="Konx Om Pax">Konx Om Pax</a></i></li> <li><i><a href="/wiki/The_Law_is_for_All" title="The Law is for All">The Law is for All</a></i></li> <li><i><a href="/wiki/777_and_Other_Qabalistic_Writings_of_Aleister_Crowley" title="777 and Other Qabalistic Writings of Aleister Crowley">Liber 777</a></i></li> <li><i><a href="/wiki/Liber_Aleph" class="mw-redirect" title="Liber Aleph">Liber Aleph</a></i></li> <li><i><a href="/wiki/Liber_OZ" title="Liber OZ">Liber OZ</a></i></li> <li><i><a href="/wiki/Liber_Pennae_Praenumbra" title="Liber Pennae Praenumbra">Liber Pennae Praenumbra</a></i></li> <li><i><a href="/wiki/Liber_Resh" class="mw-redirect" title="Liber Resh">Liber Resh</a></i></li> <li><i><a href="/wiki/Liber_Trigrammaton" title="Liber Trigrammaton">Liber Trigrammaton</a></i></li> <li><i><a href="/wiki/Little_Essays_Toward_Truth" title="Little Essays Toward Truth">Little Essays Toward Truth</a></i></li> <li><i><a href="/wiki/Magick_(Book_4)" title="Magick (Book 4)">Magick (Book 4)</a></i></li> <li><i><a href="/wiki/Magick_Without_Tears" title="Magick Without Tears">Magick Without Tears</a></i></li> <li><i><a href="/wiki/Moonchild_(novel)" title="Moonchild (novel)">Moonchild</a></i></li> <li><i><a href="/wiki/One_Star_in_Sight" title="One Star in Sight">One Star in Sight</a></i></li> <li><i><a href="/wiki/The_Stratagem_and_other_Stories" title="The Stratagem and other Stories">The Stratagem and other Stories</a></i></li> <li><i><a href="/wiki/Thoth_Tarot" title="Thoth Tarot">Thoth Tarot</a></i></li> <li><i><a href="/wiki/The_Vision_and_the_Voice" title="The Vision and the Voice">The Vision and the Voice</a></i></li> <li><i><a href="/wiki/White_Stains" title="White Stains">White Stains</a></i></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Concepts and ideas</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Thelema#93" title="Thelema">93</a></li> <li><a href="/wiki/Abyss_(Thelema)" title="Abyss (Thelema)">Abyss</a></li> <li><a href="/wiki/Aeon_(Thelema)" title="Aeon (Thelema)">Aeon</a></li> <li><a href="/wiki/Agape" title="Agape">Agape</a></li> <li><a href="/wiki/Astral_projection" title="Astral projection">Astral projection</a></li> <li><a href="/wiki/Body_of_light" title="Body of light">Body of light</a></li> <li><a href="/wiki/English_Qaballa" title="English Qaballa">English Qaballa</a></li> <li><a href="/wiki/Great_Work_(Thelema)" title="Great Work (Thelema)">Great Work</a></li> <li><a href="/wiki/Hermetic_Qabalah" title="Hermetic Qabalah">Hermetic Qabalah</a></li> <li><a href="/wiki/Guardian_angel#Thelema" title="Guardian angel">Holy Guardian Angel</a></li> <li><a href="/wiki/Magical_formula" title="Magical formula">Magical formula</a></li> <li><a href="/wiki/Night_of_Pan" title="Night of Pan">Night of Pan</a></li> <li><a href="/wiki/Stele_of_Ankh-ef-en-Khonsu" title="Stele of Ankh-ef-en-Khonsu">Stele of Revealing</a></li> <li><a href="/wiki/Worship_of_heavenly_bodies" title="Worship of heavenly bodies">Stellar wisdom</a></li> <li><a href="/wiki/True_Will" title="True Will">True Will</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Magick</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Abrahadabra" title="Abrahadabra">Abrahadabra</a></li> <li><a href="/wiki/Ceremonial_magic" title="Ceremonial magic">Ceremonial magic</a></li> <li><a href="/wiki/Enochian_magic" title="Enochian magic">Enochian magic</a></li> <li><a href="/wiki/Eroto-comatose_lucidity" title="Eroto-comatose lucidity">Eroto-comatose lucidity</a></li> <li><a href="/wiki/Goetia" title="Goetia">Goetia</a></li> <li><a href="/wiki/Obeah_and_wanga" title="Obeah and wanga">Obeah and wanga</a></li> <li><a href="/wiki/Sex_magic" title="Sex magic">Sex magic</a></li></ul> </div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Ceremony and ritual</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em"> <ul><li><a href="/wiki/Liber_Resh_vel_Helios" title="Liber Resh vel Helios">Liber Resh</a></li> <li><a href="/wiki/Pentagram_ritual" class="mw-redirect" title="Pentagram ritual">Pentagram Ritual</a></li> <li><a href="/wiki/Bornless_Ritual" title="Bornless Ritual">Bornless Ritual</a></li> <li><a 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