Vintage digicams aren’t just a fad. They’re an artistic statement.

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text-gray-350 text-base font-semibold uppercase">Story text</span> </div> <div class="grid grid-cols-3 items-center gap-3 px-5 py-2"> <label class="font-impact w-20 text-base font-semibold uppercase text-gray-100" for="text-settings-size">Size</label> <select name="text-settings-size" class="text-settings-size col-span-2 bg-gray-600 text-sm text-gray-300"> <option value="small">Small</option> <option value="standard" selected>Standard</option> <option value="large">Large</option> </select> <label class="font-impact hidden w-20 text-base font-semibold uppercase text-gray-100 md:block" for="text-settings-width">Width <span class="text-gray-400">*</span> </label> <select name="text-settings-width" class="text-settings-width col-span-2 hidden bg-gray-600 text-sm text-gray-300 md:block"> <option value="standard" selected>Standard</option> <option value="wide">Wide</option> </select> <label class="font-impact w-20 text-base font-semibold uppercase text-gray-100" for="text-settings-links">Links</label> <select name="text-settings-links" class="text-settings-links col-span-2 bg-gray-600 text-sm text-gray-300"> <option value="standard" selected>Standard</option> <option value="orange">Orange</option> </select> <div class="font-impact col-span-3 hidden text-sm font-semibold uppercase text-gray-400 md:block"> <span class="mb-0 italic">* Subscribers only</span><br>   <a href="/store/product/subscriptions/" class="text-green-400">Learn more</a> </div> <button class="font-impact text-settings-position col-span-3 mx-auto my-3 block rounded-sm border-2 border-green-400 px-3 py-1 text-base font-semibold uppercase text-gray-100" value="story"> Pin to story </button> </div> </div> </div> </div> </div> </div> <div class=""> <div x-data="{ open: false, toggle() { if (this.open) { return this.close() } // If we're inside main header, add a data attribute to the header if (this.$el.closest('#site-header')) { 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grid-cols-2 gap-8 md:px-5 lg:grid lg:max-w-5xl lg:px-8 xl:px-0"> <div class=""> <div class="mb-1 px-[15px] sm:px-5 md:px-0"> <div class="upper-deck font-impact inline-flex flex-row flex-nowrap items-center gap-2 text-left text-sm font-semibold uppercase leading-tight text-green-400"> <span class="upper-deck__icon"> <svg class="h-5 w-5" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 40 40"><defs><clipPath id="section-gadgets_svg__a"><path fill="none" d="M0 0h40v40H0z"/></clipPath><clipPath id="section-gadgets_svg__b"><path fill="none" d="M0 0h40v40H0z"/></clipPath></defs><g clip-path="url(#section-gadgets_svg__a)"><g fill="currentColor" clip-path="url(#section-gadgets_svg__b)"><path d="M38 22c1.1 0 2-.9 2-2s-.9-2-2-2h-2v-6h2c1.1 0 2-.9 2-2s-.9-2-2-2h-2V4h-4V2c0-1.1-.9-2-2-2s-2 .9-2 2v2h-6V2c0-1.1-.9-2-2-2s-2 .9-2 2v2h-6V2c0-1.1-.9-2-2-2S8 .9 8 2v2H4v4H2c-1.1 0-2 .9-2 2s.9 2 2 2h2v6H2c-1.1 0-2 .9-2 2s.9 2 2 2h2v6H2c-1.1 0-2 .9-2 2s.9 2 2 2h2v4h4v2c0 1.1.9 2 2 2s2-.9 2-2v-2h6v2c0 1.1.9 2 2 2s2-.9 2-2v-2h6v2c0 1.1.9 2 2 2s2-.9 2-2v-2h4v-4h2c1.1 0 2-.9 2-2s-.9-2-2-2h-2v-6zm-6 10H8V8h24z"/><path d="M24.7 17.3 20 12h-7.1c-.6 0-1 .4-1 1s.4 1 1 1h6.3l4.1 4.7L20 22h8v-8z"/><path d="m15.2 22.7 4.7 5.3H27c.6 0 1-.4 1-1s-.4-1-1-1h-6.3l-4.1-4.7 3.3-3.3h-8v8z"/></g></g></svg> </span> <span class="upper-deck__text"> Retro style </span> </div> </div> <h1 class="mb-3 px-[15px] font-serif text-3xl font-semibold leading-none text-gray-100 sm:px-5 md:px-0 md:text-4xl lg:text-5xl"> Vintage digicams aren’t just a fad. They’re an artistic statement. </h1> <p class="text-gray-250 mt-4 px-[15px] text-lg leading-tight sm:px-5 md:px-0"> In the age of AI images, some photographers are embracing the quirky flaws of vintage digital cameras. </p> <div class="mt-2 px-[15px] sm:px-5 md:px-0"> <div class="font-impact text-xs font-semibold uppercase text-gray-300"><a class="text-orange-400 hover:text-orange-500" href="https://arstechnica.com/author/wired-com/"> Brendan Nystedt, WIRED.com </a> – <span class="whitespace-nowrap"> <time class="mr-[2px] inline-block cursor-default" title="2024-11-29T07:20:39-05:00" datetime="2024-11-29T07:20:39-05:00" x-data="{ compact: false, open: false, date: new Date('2024-11-29T07:20:39-05:00'), updatedTimestamp: false, format: function() { let dateFormat = { year: 'numeric', month: 'short', day: 'numeric' }; let timeFormat = { hour: 'numeric', minute: 'numeric' }; let formatted = this.date.toLocaleDateString(undefined, dateFormat) + ' ' + this.date.toLocaleTimeString(undefined, timeFormat); if (this.compact) { if (this.date.toDateString() === new Date().toDateString()) { formatted = this.date.toLocaleTimeString(undefined, timeFormat); if (this.updatedTimestamp) { formatted = 'at ' + formatted; } } else { formatted = this.date.toLocaleDateString(undefined, { year: 'numeric', month: 'numeric', day: 'numeric' }); } } if (this.updatedTimestamp) { formatted = 'Updated ' + formatted; } return formatted; } }" x-text="format()"> Nov 29, 2024 7:20 am </time> <span class="text-gray-550">|</span> <a class="view-comments text-gray-300 hover:text-gray-500" href="https://arstechnica.com/gadgets/2024/11/vintage-digicams-arent-just-a-fad-theyre-an-artistic-statement/#comments" title="130 comments"> <svg class="-mt-1 ml-1 mr-[2px] inline-block h-4 w-4" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 80 80"><defs><clipPath id="bubble-zero_svg__a"><path fill="none" stroke-width="0" d="M0 0h80v80H0z"/></clipPath><clipPath id="bubble-zero_svg__b"><path fill="none" 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https://cdn.arstechnica.net/wp-content/uploads/2024/11/GettyImages-84659415-1536x1049.jpg 1536w, https://cdn.arstechnica.net/wp-content/uploads/2024/11/GettyImages-84659415-2048x1398.jpg 2048w, https://cdn.arstechnica.net/wp-content/uploads/2024/11/GettyImages-84659415-980x669.jpg 980w, https://cdn.arstechnica.net/wp-content/uploads/2024/11/GettyImages-84659415-1440x983.jpg 1440w" data-cropped="true" href="https://cdn.arstechnica.net/wp-content/uploads/2024/11/GettyImages-84659415-scaled.jpg" target="_blank" class="cursor-zoom-in"> <img width="640" height="437" src="https://cdn.arstechnica.net/wp-content/uploads/2024/11/GettyImages-84659415-640x437.jpg" class="absolute inset-0 w-full h-full object-cover hidden" alt="woman films with a digicam." loading="eager" decoding="async" srcset="https://cdn.arstechnica.net/wp-content/uploads/2024/11/GettyImages-84659415-640x437.jpg 640w, https://cdn.arstechnica.net/wp-content/uploads/2024/11/GettyImages-84659415-1024x699.jpg 1024w, https://cdn.arstechnica.net/wp-content/uploads/2024/11/GettyImages-84659415-768x524.jpg 768w, https://cdn.arstechnica.net/wp-content/uploads/2024/11/GettyImages-84659415-1536x1049.jpg 1536w, https://cdn.arstechnica.net/wp-content/uploads/2024/11/GettyImages-84659415-2048x1398.jpg 2048w, https://cdn.arstechnica.net/wp-content/uploads/2024/11/GettyImages-84659415-980x669.jpg 980w, https://cdn.arstechnica.net/wp-content/uploads/2024/11/GettyImages-84659415-1440x983.jpg 1440w" sizes="(max-width: 640px) 100vw, 640px" /> <img width="1152" height="648" src="https://cdn.arstechnica.net/wp-content/uploads/2024/11/GettyImages-84659415-1152x648.jpg" class="intro-image absolute min-w-full min-h-full h-auto object-cover" alt="woman films with a digicam." loading="eager" decoding="async" fetchpriority="high" srcset="https://cdn.arstechnica.net/wp-content/uploads/2024/11/GettyImages-84659415-1152x648.jpg 1152w, https://cdn.arstechnica.net/wp-content/uploads/2024/11/GettyImages-84659415-384x216.jpg 384w, https://cdn.arstechnica.net/wp-content/uploads/2024/11/GettyImages-84659415-768x432.jpg 768w, https://cdn.arstechnica.net/wp-content/uploads/2024/11/GettyImages-84659415-1536x864.jpg 1536w" sizes="(max-width: 1152px) 100vw, 1152px" /> </a> <div class="pswp-caption-content" id="caption-2064000"> <div class="caption font-impact mb-4 mt-2 inline-flex flex-row items-stretch gap-1 text-base leading-tight text-gray-300"> <div class="caption-icon bg-[left_top_5px] w-[10px] shrink-0"></div> <div class="caption-content"> Spanish director Isabel Coixet films with a digicam on the red carpet ahead of the premiere of the film "The International" on the opening night of the 59th Berlinale Film Festival in Berlin in 2009. <span class="caption-credit mt-2 text-xs"> Credit: <a class="caption-credit-link text-gray-400 hover:text-gray-300" href="https://www.gettyimages.com/detail/news-photo/jury-member-spanish-director-isabel-coixet-films-with-a-news-photo/8465941" target="_blank"> JOHN MACDOUGALL/AFP via Getty Images </a> </span> </div> </div> </div> </div> </div> </div> <div class="px-[15px] sm:px-5 md:px-0"><div class="caption font-impact mb-4 mt-2 inline-flex flex-row items-stretch gap-1 text-base leading-tight text-gray-300"> <div class="caption-icon bg-[left_top_5px] w-[10px] shrink-0"></div> <div class="caption-content"> Spanish director Isabel Coixet films with a digicam on the red carpet ahead of the premiere of the film "The International" on the opening night of the 59th Berlinale Film Festival in Berlin in 2009. <span class="caption-credit mt-2 text-xs"> Credit: <a class="caption-credit-link text-gray-400 hover:text-gray-300" href="https://www.gettyimages.com/detail/news-photo/jury-member-spanish-director-isabel-coixet-films-with-a-news-photo/8465941" target="_blank"> JOHN MACDOUGALL/AFP via Getty Images </a> </span> </div> </div></div> </div> </div> </div> </header> <div class="text-settings-dropdown-story mdl:absolute mdl:z-10 mdl:mb-0 mdl:mt-1 relative 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data-page="1" data-url="https://arstechnica.com/gadgets/2024/11/vintage-digicams-arent-just-a-fad-theyre-an-artistic-statement/"></a></div> <p>Today’s young adults grew up in a time when their childhoods were documented with smartphone cameras instead of dedicated digital or film cameras. It’s not surprising that, perhaps as a reaction to the ubiquity of the phone, some young creative photographers are leaving their handsets in their pockets in favor of compact point-and-shoot digital cameras—the very type that camera manufacturers are actively discontinuing.</p> <p>Much of the buzz among this creative class has centered around premium, chic models like the <a href="https://www.wired.com/gallery/best-compact-cameras-for-photo-and-video/">Fujifilm X100 and Ricoh GR</a>, or for the self-anointed “digicam girlies” on TikTok, zoom point-and-shoots like the <a href="https://www.tiktok.com/@autumrainn/video/7363060932374760734" target="_blank" rel="nofollow noopener" data-offer-url="https://www.tiktok.com/@autumrainn/video/7363060932374760734" data-event-click='{"element":"ExternalLink","outgoingURL":"https://www.tiktok.com/@autumrainn/video/7363060932374760734"}'>Canon PowerShot G7</a> and Sony RX100 models, which can be great for selfies.</p> <p>But other shutterbugs are reaching back into the past 20 years or more to add a vintage “Y2K aesthetic” to their work. The MySpace look is strong with a lot of photographers shooting with authentic early-2000s “digicams,” aiming their cameras—flashes a-blazing—at their friends and capturing washed-out, low-resolution, grainy photos that look a whole lot like 2003.</p> <figure class="ars-img-shortcode id-1463183 align-right"> <div> <img decoding="async" width="218" height="58" src="https://cdn.arstechnica.net/wp-content/uploads/2019/02/wired-logo.png" class="right full" alt="Wired logo"> </div> </figure> <p>"It's so wild to me cause I'm an elder millennial," says Ali O'Keefe, who runs the photography channel <a href="https://www.youtube.com/@OneMonthTwoCameras">Two Months One Camera</a> on YouTube. "My childhood is captured on film … but for [young people], theirs were probably all captured on, like, Canon SD1000s,” she says, referencing a popular mid-aughts point-and-shoot.</p> <p>It’s not just the retro sensibility they’re after, but also a bit of cool cred. Everyone from <a href="https://www.today.com/popculture/ayo-edebiri-carson-daly-emmys-rcna134675" target="_blank" rel="nofollow noopener" data-offer-url="https://www.today.com/popculture/ayo-edebiri-carson-daly-emmys-rcna134675" data-event-click='{"element":"ExternalLink","outgoingURL":"https://www.today.com/popculture/ayo-edebiri-carson-daly-emmys-rcna134675"}'>Ayo Edibiri</a> to <a href="https://www.tiktok.com/@briannaxrenee/video/7336729079493823750?lang=en" target="_blank" rel="nofollow noopener" data-offer-url="https://www.tiktok.com/@briannaxrenee/video/7336729079493823750?lang=en" data-event-click='{"element":"ExternalLink","outgoingURL":"https://www.tiktok.com/@briannaxrenee/video/7336729079493823750?lang=en"}'>Kendall Jenner</a> is helping fuel digicam fever by publicly taking snaps with a vintage pocket camera.</p> <p>The rise of the vintage digicam marks at least the second major nostalgia boom in the photography space. More than 15 years ago, a film resurgence brought thousands of cameras from the 1970s and '80s out of closets and into handbags and backpacks. Companies like <a href="https://www.wired.com/story/the-impossible-project-reviving-instant-photography/">Impossible Project</a> and <a href="https://www.filmferrania.com/" target="_blank" rel="nofollow noopener" data-offer-url="https://www.filmferrania.com/" data-event-click='{"element":"ExternalLink","outgoingURL":"https://www.filmferrania.com/"}'>Film Ferrania</a> started up production of Polaroid-compatible and 35-mm film, respectively, firing up manufacturing equipment that otherwise would have been headed to the scrap heap. Traditional film companies like Kodak and <a href="https://www.themanufacturer.com/articles/iconic-film-brand-on-a-roll-following-multi-million-investment/" target="_blank" rel="nofollow noopener" data-offer-url="https://www.themanufacturer.com/articles/iconic-film-brand-on-a-roll-following-multi-million-investment/" data-event-click='{"element":"ExternalLink","outgoingURL":"https://www.themanufacturer.com/articles/iconic-film-brand-on-a-roll-following-multi-million-investment/"}'>Ilford</a> have seen sales skyrocket. Unfortunately, the price of film stock also increased significantly, with film processing also getting more costly. (Getting a roll developed and digitally scanned now typically costs between $15 and $20.)</p> <div class="ars-interlude-container in-content-interlude mx-auto max-w-xl"> </div> </div> </div> <div class="hidden min-w-[300px] justify-self-end bg-gray-100 dark:bg-gray-50 lg:block"> <div class="ad-wrapper is-sticky is-rail"> <div class="ad-wrapper-inner"> <div class="ad ad--rail"></div> </div> </div> </div> </div> <div class="ad-wrapper with-label is-fullwidth"> <div class="ad-wrapper-inner"> <div class="ad ad--mid-content"> </div> </div> </div> <div class="mx-auto my-2.5 px-[15px] sm:px-5 lg:grid lg:max-w-5xl lg:grid-cols-3 lg:gap-6 lg:px-8 xl:px-0"> <div class="relative lg:col-span-2"> <div class="post-content post-content-double"> <p>For those seeking to experiment with their photography, there's an appeal to using a cheap, old digital model they can shoot with until it stops working. The results are often imperfect, but since the camera is digital, a photographer can mess around and get instant gratification. And for everyone in the vintage digital movement, the fact that the images from these old digicams are worse than those from a smartphone is a feature, not a bug.</p> <h2>What’s a digicam?</h2> <p>One of the biggest points of contention among enthusiasts is the definition of “digicam.” For some, any old digital camera falls under the banner, while other photographers have limited the term’s scope to a specific vintage or type. <a href="https://sofi.pics/" target="_blank" rel="nofollow noopener" data-offer-url="https://sofi.pics/" data-event-click='{"element":"ExternalLink","outgoingURL":"https://sofi.pics/"}'>Sofia Lee</a>, photographer and co-founder of <a href="https://digicam.love/" target="_blank" rel="nofollow noopener" data-offer-url="https://digicam.love/" data-event-click='{"element":"ExternalLink","outgoingURL":"https://digicam.love/"}'>the online community digicam.love</a>, has narrowed her definition over time.</p> <p>"There's a separation between what I define as a tool that I will be using in my artistic practice versus what the community at large would consider to be culturally acceptable, like at a meetup," Lee stated. "I started off looking at any digital camera I could get my hands on. But increasingly I'm focused more on the early 2000s. And actually, I actually keep getting earlier and earlier … I would say from 2000 to 2003 or 2004 maybe."</p> <p>Lee has found that she's best served by funky old point-and-shoot cameras, and doesn't use old digital single-lens reflex cameras, which can deliver higher quality images comparable to today's equipment. Lee says DSLR images are “too clean, too crisp, too nice” for her work. “When I'm picking a camera, I'm looking for a certain kind of noise, a certain kind of character to them that can't be reproduced through filters or editing, or some other process,” Lee says. Her all-time favorite model is a forgotten camera from 2001, the Kyocera Finecam S3. A <a href="https://www.dpreview.com/reviews/kyoceras3" target="_blank" rel="nofollow noopener" data-offer-url="https://www.dpreview.com/reviews/kyoceras3" data-event-click='{"element":"ExternalLink","outgoingURL":"https://www.dpreview.com/reviews/kyoceras3"}'>contemporary review</a> gave the model a failing grade, citing its reliance on the then-uncommon SD memory card format, along with its propensity to turn out soft photos lacking in detail.</p> </div> </div> <div class="hidden min-w-[300px] justify-self-end bg-gray-100 dark:bg-gray-50 lg:block"> <div class="ad-wrapper is-sticky is-rail"> <div class="ad-wrapper-inner"> <div class="ad ad--rail"></div> </div> </div> </div> </div> <div class="ad-wrapper with-label is-fullwidth"> <div class="ad-wrapper-inner"> <div class="ad ad--mid-content"> </div> </div> </div> <div class="mx-auto my-2.5 px-[15px] sm:px-5 lg:grid lg:max-w-5xl lg:grid-cols-3 lg:gap-6 lg:px-8 xl:px-0"> <div class="relative lg:col-span-2"> <div class="post-content post-content-double"> <p>"It’s easier to say what isn’t a digicam, like DSLRs or cameras with interchangeable lenses,” says Zuzanna Neupauer, a digicam user and member of digicam.love. But the definition gets even narrower from there. “I personally won’t use any new models, and I restrict myself to digicams made before 2010," Neupauer says.</p> <p>Not everyone is as partisan. Popular creators Ali O'Keefe and James Warner both cover interchangeable lens cameras from the 2000s extensively on their YouTube channels, focusing on vintage digital equipment, relishing in devices with quirky designs or those that represent evolutionary dead-ends. Everything from <a href="https://www.youtube.com/watch?v=65hqOfjO9jk&pp=ygUVdHdvIG1vbnRocyBvbmUgY2FtZXJh">Sigma's boxy cameras with exotic sensors</a> to Olympus' <a href="https://www.youtube.com/watch?v=8IRlpqq8z7c&pp=ygUOc25hcHBpbmVzcyBjY2Q%3D">weird, early DSLRs</a> based on a <a href="https://www.youtube.com/watch?v=U8TsKWStXw4&pp=ygUWc25hcHBpbmVzcyBmb3VyIHRoaXJkcw%3D%3D">short-lived lens system</a> get attention in their videos. It's clear that although many vintage enthusiasts prefer the simple, compact nature of a point-and-shoot camera, the overall digicam trend has increased interest in digital imaging’s many forms.</p> <div class="page-anchor-wrapper"><a class="record-pageview" name="page-2" data-page="2" data-url="https://arstechnica.com/gadgets/2024/11/vintage-digicams-arent-just-a-fad-theyre-an-artistic-statement/"></a></div> <h2>Digital archeology</h2> <p>The digital photography revolution that occurred around the turn of the century saw a Cambrian explosion of different types and designs of cameras. Sony experimented with <a href="https://www.dpreview.com/reviews/sonydscf505" target="_blank" rel="nofollow noopener" data-offer-url="https://www.dpreview.com/reviews/sonydscf505" data-event-click='{"element":"ExternalLink","outgoingURL":"https://www.dpreview.com/reviews/sonydscf505"}'>swiveling two-handers</a> that could be science fiction zap guns, and had cameras that wrote JPEGs to <a href="https://www.dpreview.com/articles/2685459113/sonyfd100fd200" target="_blank" rel="nofollow noopener" data-offer-url="https://www.dpreview.com/articles/2685459113/sonyfd100fd200" data-event-click='{"element":"ExternalLink","outgoingURL":"https://www.dpreview.com/articles/2685459113/sonyfd100fd200"}'>floppy disks</a> and <a href="https://www.dpreview.com/articles/9012062916/sonycd350cd500" target="_blank" rel="nofollow noopener" data-offer-url="https://www.dpreview.com/articles/9012062916/sonycd350cd500" data-event-click='{"element":"ExternalLink","outgoingURL":"https://www.dpreview.com/articles/9012062916/sonycd350cd500"}'>CDs</a>. Minolta created <a href="https://www.dpreview.com/articles/5434650314/minolta-dimage-v-hands-on-review" target="_blank" rel="nofollow noopener" data-offer-url="https://www.dpreview.com/articles/5434650314/minolta-dimage-v-hands-on-review" data-event-click='{"element":"ExternalLink","outgoingURL":"https://www.dpreview.com/articles/5434650314/minolta-dimage-v-hands-on-review"}'>modular cameras that could be decoupled</a>, the optics tethered to the LCD body with a cord, like photographic nunchaku. “There are a lot of brands that are much less well known,” says Lee. “And in the early 2000s in particular, it was really like the Wild West.”</p> <p>Today’s enthusiasts spelunking into the digital past are encountering challenges related to the passage of time, with some brands no longer offering firmware updates, drivers, or PDF copies of manuals for these old models. In many cases, product news and reviews sites are the only reminder that some cameras ever existed. But many of those sites have fallen off the internet entirely.</p> </div> </div> <div class="hidden min-w-[300px] justify-self-end bg-gray-100 dark:bg-gray-50 lg:block"> <div class="ad-wrapper is-sticky is-rail"> <div class="ad-wrapper-inner"> <div class="ad ad--rail"></div> </div> </div> </div> </div> <div class="ad-wrapper with-label is-fullwidth"> <div class="ad-wrapper-inner"> <div class="ad ad--mid-content"> </div> </div> </div> <div class="mx-auto my-2.5 px-[15px] sm:px-5 lg:grid lg:max-w-5xl lg:grid-cols-3 lg:gap-6 lg:px-8 xl:px-0"> <div class="relative lg:col-span-2"> <div class="post-content post-content-double"> <p>“Steve's Digicams went offline,” says O’Keefe in reference to the popular camera news website that went offline after the founder, Steve Sanders, died in 2017. “It was tragic because it had so much information.”</p> <p>“Our interests naturally align with archaeology,” says Sofia Lee. “A lot of us were around when the cameras were made. But there were a number of events in the history of digicams where an entire line of cameras just massively died off. That's something that we are constantly confronted with.”</p> <h2>Hocus focus</h2> <p>YouTubers like Warner and O'Keefe helped raise interest in cameras with Charged-Coupled Device technology, an older type of imaging sensor that fell out of use around 2010. CCD-based cameras have developed a cult following, and certain models have retained their value surprisingly well for their age. Fans liken the results of CCD captures to shooting film without the associated hassle or cost. While the digicam faithful have shown that older cameras can yield pleasing results, there's no guaranteed "CCD magic" sprinkled on those photos.</p> <p>"[I] think I've maybe unfortunately been one of the ones to make it sound like CCD sensors in and of themselves are making the colors different," says Warner, who makes classic digital camera videos on his channel <a href="https://www.youtube.com/@snappiness">Snappiness</a>.</p> <p>"CCDs differ from [newer] CMOS sensors in the layout of their electronics but at heart they're both made up of photosensitive squares of silicon behind a series of color filters from which color information about the scene can be derived," says Richard Butler, managing editor at DPReview. (Disclosure: I worked at DPReview as a part-time editor in 2022 and 2023.) <a href="https://www.dpreview.com/" target="_blank" rel="nofollow noopener" data-offer-url="https://www.dpreview.com/" data-event-click='{"element":"ExternalLink","outgoingURL":"https://www.dpreview.com/"}'>DPReview</a>, in its 25th year, is a valuable library of information about old digital cameras, and an asset to vintage digital obsessives.</p> </div> </div> <div class="hidden min-w-[300px] justify-self-end bg-gray-100 dark:bg-gray-50 lg:block"> <div class="ad-wrapper is-sticky is-rail"> <div class="ad-wrapper-inner"> <div class="ad ad--rail"></div> </div> </div> </div> </div> <div class="ad-wrapper with-label is-fullwidth"> <div class="ad-wrapper-inner"> <div class="ad ad--mid-content"> </div> </div> </div> <div class="mx-auto my-2.5 px-[15px] sm:px-5 lg:grid lg:max-w-5xl lg:grid-cols-3 lg:gap-6 lg:px-8 xl:px-0"> <div class="relative lg:col-span-2"> <div class="post-content post-content-double"> <p>“I find it hard to think of CCD images as filmlike, but it's fair to say that the images of cameras from that time may have had a distinct aesthetic,” Butler says. “As soon as you have an aesthetic with which an era was captured, there's a nostalgia about that look. It's fair to say that early digital cameras inadvertently defined the appearance of contemporary photos.”</p> <p>There's one area where old CCD sensors can show a difference: They don’t capture as much light and dark information as other types of sensors, and therefore the resulting images can have less detail in the shadows and highlights. A careful photographer can get contrasty, vibrant images with a different, yet still digital, vibe. Digicam photographer Jermo Swaab says he prefers "contrasty scenes and crushed blacks … I yearn for images that look like a memory or retro-futuristic dream."</p> <p>Modern photographs, by default, are super sharp, artificially vibrant, with high dynamic range that makes the image pop off the screen. In order to get the most out of a tiny sensor and lens, smartphones put shots through a computationally intense pipeline of automated editing, quickly combining multiple captures to extract every fine detail possible, and eradicate pesky noise. Digital cameras shoot a single image at a time by default. Especially with older, lower resolution digital cameras, this can give images a noisier, dreamier appearance that digicam fans love.</p> <p>"If you take a picture with your smartphone, it's automatically HDR. And we're just used to that today but that’s not at all how cameras have worked in the past," Warner says. Ali O'Keefe agrees, saying that "especially as we lean more and more into AI where everything is super polished to the point of hyperreal, digicams are crappy, and the artifacts and the noise and the lens imperfections give you something that is not replicable."</p> </div> </div> <div class="hidden min-w-[300px] justify-self-end bg-gray-100 dark:bg-gray-50 lg:block"> <div class="ad-wrapper is-sticky is-rail"> <div class="ad-wrapper-inner"> <div class="ad ad--rail"></div> </div> </div> </div> </div> <div class="ad-wrapper with-label is-fullwidth"> <div class="ad-wrapper-inner"> <div class="ad ad--mid-content"> </div> </div> </div> <div class="mx-auto my-2.5 px-[15px] sm:px-5 lg:grid lg:max-w-5xl lg:grid-cols-3 lg:gap-6 lg:px-8 xl:px-0"> <div class="relative lg:col-span-2"> <div class="post-content post-content-double"> <p>Lee also is chasing unique, noisy photos from compact cameras with small sensors: "I actually always shoot at max ISO, which is the opposite of how I think people shot their cameras back in the day. I'm curious about finding the undesirable aspects of it and [getting] aesthetic inspiration from the undesirable aspects of a camera."</p> <p>Her favorite Kyocera camera is known for its high-quality build and noisy pics. She describes it as ”all metal, like a briefcase,” of the sort that Arnold Schwarzenegger carries in <em>Total Recall</em>. “These cameras are considered legendary in the experimental scene,” she says of the Kyocera. “The unique thing about the Finecam S3 is that it produces a diagonal noise pattern."</p> <div class="page-anchor-wrapper"><a class="record-pageview" name="page-3" data-page="3" data-url="https://arstechnica.com/gadgets/2024/11/vintage-digicams-arent-just-a-fad-theyre-an-artistic-statement/"></a></div> <h2>A time to buy, a time to sell</h2> <p>The gold rush for vintage digital gear has, unsurprisingly, led to rising prices on the resale market. What was once a niche for oddballs and collectors has become a potential goldmine, driven by all that social media hype.</p> <p>“The joke is that when someone makes a video about a camera, the price jumps,” says Warner. “I've actually tracked that using eBay's TerraPeak sale monitoring tool where you can see the history of up to two years of sales for a certain search query. There's definitely strong correlation to a [YouTube] video's release and the price of that item going up on eBay in certain situations.”</p> <p>“It is kind of amazing how hard it is to find things now,” laments says O’Keefe. “I used to be able to buy <a href="https://www.youtube.com/watch?v=YOIS8Lt2Pjk&pp=ygUbdHdvIG1vbnRocyBvbmUgY2FtZXJhIGVwc29u">[Panasonic] LX3s</a>, one of my favorite point and shoots of all time, a dime a dozen. Now they're like 200 bucks if you can find a working one.”</p> </div> </div> <div class="hidden min-w-[300px] justify-self-end bg-gray-100 dark:bg-gray-50 lg:block"> <div class="ad-wrapper is-sticky is-rail"> <div class="ad-wrapper-inner"> <div class="ad ad--rail"></div> </div> </div> </div> </div> <div class="ad-wrapper with-label is-fullwidth"> <div class="ad-wrapper-inner"> <div class="ad ad--mid-content"> </div> </div> </div> <div class="mx-auto my-2.5 px-[15px] sm:px-5 lg:grid lg:max-w-5xl lg:grid-cols-3 lg:gap-6 lg:px-8 xl:px-0"> <div class="relative lg:col-span-2"> <div class="post-content post-content-double"> <p>O'Keefe says she frequently interacts with social media users who went online looking for their dream camera only to have gotten scammed. “A person who messaged me this morning was just devastated,” she says. “Scams are rampant now because they’ve picked up on this market being sort of a zeitgeist thing.” She recommends sticking with sellers on platforms that have clear protections in place for dealing with scams and fraud, like eBay. “I have never had an issue getting refunded when the item didn't work."</p> <p>Even when dealing with a trustworthy seller, vintage digital camera collecting is not for the faint of heart. “If I'm interested in a camera, I make sure that the batteries are still made because some are no longer in production,” says O’Keefe. She warns that even if a used camera comes with its original batteries, those cells will most likely not hold a charge.</p> <p>When there are no new batteries to be had, Sofia Lee and her cohort have resuscitated vintage cameras using modern tech: "With our Kyoceras, one of the biggest issues is the batteries are no longer in production and they all die really quickly. What we ended up doing is using 5V DC cables that connect them to USB, then we shoot them tethered to a power bank. So if you see someone shooting with a Kyocera, they're almost always holding the power bank and a digicam in their other hand."</p> <p>And then there's the question of where to store all those JPEGs. "A lot of people don't think about memory card format, so that can get tricky," cautions Warner. Many vintage cameras use the CompactFlash format, and those are still widely supported. But just as many digicams use deprecated storage formats like Olympus's xD or Sony's MemoryStick. ”They don't make those cards anymore,” Warner says. “Some of them have adapters you can use but some [cameras] don't work with the adapters."</p> </div> </div> <div class="hidden min-w-[300px] justify-self-end bg-gray-100 dark:bg-gray-50 lg:block"> <div class="ad-wrapper is-sticky is-rail"> <div class="ad-wrapper-inner"> <div class="ad ad--rail"></div> </div> </div> </div> </div> <div class="ad-wrapper with-label is-fullwidth"> <div class="ad-wrapper-inner"> <div class="ad ad--mid-content"> </div> </div> </div> <div class="mx-auto my-2.5 px-[15px] sm:px-5 lg:grid lg:max-w-5xl lg:grid-cols-3 lg:gap-6 lg:px-8 xl:px-0"> <div class="relative lg:col-span-2"> <div class="post-content post-content-double"> <p>Even if the batteries and memory cards get sorted out, Sofia Lee underscores that every piece of vintage equipment has an expiration date. "There is this looming threat, when it comes to digicams—this is a finite resource." Like with any other vintage tech, over time, <a href="https://en.wikipedia.org/wiki/Capacitor_plague" target="_blank" rel="nofollow noopener" data-offer-url="https://en.wikipedia.org/wiki/Capacitor_plague" data-event-click='{"element":"ExternalLink","outgoingURL":"https://en.wikipedia.org/wiki/Capacitor_plague"}'>capacitors go bad</a>, gears break, <a href="https://www.dpreview.com/articles/8752612172/leica-m9-users-report-sensor-corrosion-issue" target="_blank" rel="nofollow noopener" data-offer-url="https://www.dpreview.com/articles/8752612172/leica-m9-users-report-sensor-corrosion-issue" data-event-click='{"element":"ExternalLink","outgoingURL":"https://www.dpreview.com/articles/8752612172/leica-m9-users-report-sensor-corrosion-issue"}'>sensors corrode</a>, and, in some circumstances, rubber grips devulcanize back into a sticky goo.</p> <p>Lee’s beloved Kyoceras are one such victim of the ravages of time. "I've had 15 copies pass through my hands. Around 11 of them were dead on arrival, and three died within a year. That means I have one left right now. It's basically a special occasions-only camera, because I just never know when it's going to die."</p> <p>These photographers have learned that it's sometimes better to move on from a potential ticking time bomb, especially if the device is still in demand. O'Keefe points to the Epson R-D1 as an example. This <a href="https://www.dpreview.com/articles/8229105540/epsonrd1s" target="_blank" rel="nofollow noopener" data-offer-url="https://www.dpreview.com/articles/8229105540/epsonrd1s" data-event-click='{"element":"ExternalLink","outgoingURL":"https://www.dpreview.com/articles/8229105540/epsonrd1s"}'>digital rangefinder</a> from printer-maker Epson, with gauges on the top made by Epson's watchmaking arm Seiko, was originally sold as a Leica alternative, but now it fetches Leica-like premium prices. "I actually sold mine a year and a half ago,” she says. “I loved it, it was beautiful. But there's a point for me, where I can see that this thing is certainly going to die, probably in the next five years. So I did sell that one, but it is such an awesome experience to shoot. Cause what other digital camera has a lever that actually winds the shutter?"</p> <h2>#NoBadCameras</h2> <p>For a group of people with a recent influx of newbies, the digicam community seems to be adjusting well. Sofia Lee says the growing popularity of digicams is an opportunity to meet new collaborators in a field where it used to be hard to connect with like-minded folks. "I love that there are more people interested in this, because when I was first getting into it I was considered totally crazy," she says.</p> </div> </div> <div class="hidden min-w-[300px] justify-self-end bg-gray-100 dark:bg-gray-50 lg:block"> <div class="ad-wrapper is-sticky is-rail"> <div class="ad-wrapper-inner"> <div class="ad ad--rail"></div> </div> </div> </div> </div> <div class="ad-wrapper with-label is-fullwidth"> <div class="ad-wrapper-inner"> <div class="ad ad--mid-content"> </div> </div> </div> <div class="mx-auto my-2.5 px-[15px] sm:px-5 lg:grid lg:max-w-5xl lg:grid-cols-3 lg:gap-6 lg:px-8 xl:px-0"> <div class="relative lg:col-span-2"> <div class="post-content post-content-double"> <p>Despite the definition of digicam morphing to include a wider array of cameras, Lee seems to be accepting of all comers. "I'm rather permissive in allowing people to explore what they consider is right," says Lee. While not every camera is "right" for every photographer, many of them agree on one thing: Resurrecting used equipment is a win for the planet, and a way to resist the constant upgrade churn of consumer technology.</p> <p>"It's interesting to look at what is considered obsolete," Lee says. "From a carbon standpoint, the biggest footprint is at the moment of manufacture, which means that every piece of technology has this unfulfilled potential." O'Keefe agrees: "I love it from an environmental perspective. Do we really need to drive waste [by releasing] a new camera every few months?"</p> <p>For James Warner, part of the appeal is using lower-cost equipment that more people can afford. And with that lower cost of entry comes easier access to the larger creator community. “With some clubs you're not invited if you don't have the nice stuff,” he says. “But they feel welcome and like they can participate in photography on a budget."</p> <p>O’Keefe has even coined the hashtag #NoBadCameras. She believes all digicams have unique characteristics, and that if a curious photographer just takes the time to get to know the device, it can deliver good results. “Don't be precious about it,” she says. “Just pick something up, shoot it, and have fun.”</p> <p><i>This story originally appeared on </i><a href="https://www.wired.com/story/vintage-digicams-artistic-photos/"><i>wired.com</i></a>.</p> </div> <div class="-mx-2.5 sm:mx-0"> </div> <div class="author-mini-bio"> <div class="flex flex-col items-start gap-5 border-t-4 py-5 dark:border-gray-700 sm:flex-row"> <div class="flex items-center gap-3"> <a class="relative block aspect-square h-24 w-24 shrink-0 overflow-hidden rounded-full border-4 border-green-400" href="https://arstechnica.com/author/wired-com/"><img class="absolute left-0 top-0 min-h-full min-w-full object-cover" src="/wp-content/uploads/2023/09/wired-headshot.jpg" alt="Photo of WIRED"></a> <div class="font-impact mb-0 text-left text-base font-semibold uppercase sm:hidden"> <a href="https://arstechnica.com/author/wired-com/">Brendan Nystedt, WIRED.com</a> <span class="block font-sans text-sm font-normal italic sm:inline-block"></span> </div> </div> <div class=""> <div class="font-impact mb-0 hidden text-left text-base font-semibold uppercase sm:block"> <a href="https://arstechnica.com/author/wired-com/">Brendan Nystedt, WIRED.com</a> <span class="block font-sans text-sm font-normal italic sm:ml-2 sm:inline-block"></span> </div> <div class="text-left text-base leading-5 text-gray-400" itemprop="description"> Wired.com is your essential daily guide to what's next, delivering the most original and complete take you'll find anywhere on innovation's impact on technology, science, business and culture. </div> </div> </div> </div> <div class="story-tools flex items-center justify-between border-t-4 text-sm dark:border-gray-700 sm:text-lg"> <a class="view-comments font-impact my-5 flex items-center gap-2 whitespace-nowrap font-semibold uppercase" 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Vintage digicams aren’t just a fad. They’re an artistic statement. - Ars Technica