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'Querer': la serie que hace entender por qu茅 muchas mujeres no denuncian la violencia dentro del matrimonio

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<link rel="preload" href="/fonts/ChronicleDeck-Roman.h-28764f86a4010c73c792699590bfe408.woff2" as="font" type="font/woff2" crossorigin> <link rel="preload" href="/fonts/ChronicleDeck-Semibold.h-b0dd5b3a7be10bad96629a82ebb08820.woff2" as="font" type="font/woff2" crossorigin> <link rel="preload" href="/fonts/ChronicleDeckCond-Semibold.h-0ddfd0d00660dc787823665f180c8697.woff2" as="font" type="font/woff2" crossorigin> <script type="application/ld+json">{"@context":"https:\/\/schema.org","@type":"NewsArticle","headline":"'Querer': la serie que hace entender por qu茅 muchas mujeres no denuncian la violencia dentro del matrimonio","url":"http:\/\/es.ara.cat\/media\/series\/criticas\/serie-entender-mujeres-no-denuncian-violencia-matrimonio_1_5214654.html","image":[{"@type":"ImageObject","url":"https:\/\/static1.ara.cat\/clip\/75e72dda-be47-49f0-8f9b-938e47937642_16-9-aspect-ratio_default_0_x591y18.jpg","name":"La actriz Nagore Aranburu en la serie 'Querer'.","author":{"@type":"Person","name":"Movistar+"}}],"author":[{"@type":"Person","name":"Eul脿lia Iglesias","url":"https:\/\/es.ara.cat\/firmes\/eulalia-iglesias\/"}],"datePublished":"2024-11-28T12:12:47+00:00","dateModified":"2024-11-28T14:14:24+00:00","publisher":{"@type":"Organization","name":"Ara en Castellano","url":"https:\/\/es.ara.cat","logo":{"@type":"ImageObject","url":"https:\/\/es.ara.cat\/logos\/ara.svg","name":"Ara en Castellano"},"sameAs":["https:\/\/www.twitter.com\/araencastellano","https:\/\/www.facebook.com\/diariARA","https:\/\/www.instagram.com\/diariara\/","https:\/\/t.me\/diariara","https:\/\/www.youtube.com\/c\/aracat","https:\/\/www.linkedin.com\/company\/diari-ara\/"]},"mainEntityOfPage":"http:\/\/es.ara.cat\/media\/series\/criticas\/serie-entender-mujeres-no-denuncian-violencia-matrimonio_1_5214654.html","isPartOf":{"@type":["CreativeWork","Product"],"name":"ara.cat"},"isAccessibleForFree":true,"articleSection":["Cr铆ticas"],"articleBody":" \"La violencia es invisible\", sentencia Miren, la protagonista de Querer en la vista judicial a su marido, al que ha denunciado por violencia de g茅nero. La declaraci贸n tiene que ver con sus dificultades para hacer entender los abusos de su c贸nyuge, dado que no existen pruebas visibles para que 茅l no la pegue en ning煤n momento. La violencia estaba, sin embargo. Pese a la falta de evidencias, a pesar de que ella no se viera con coraz贸n de denunciarlo hasta muchos a帽os despu茅s, a pesar de que mantuviera una apariencia de normalidad de puertas afuera. En esta miniserie de Alauda Ruiz de Az煤a, tampoco se muestran los hechos del pasado que denuncia a la protagonista. Y ah铆 est谩 una de las fortalezas de la propuesta. No hace falta legitimar la versi贸n de Miren a trav茅s del t铆pico flashback que reconstruye un evento concreto y le otorga p谩tina de verdad. La estrategia de Querer es creer a la protagonista a partir de su testimonio y de la principal consecuencia del abuso que ha sufrido: el miedo a su hombre que ha empollado. Al principio del primer episodio se nos muestra el p谩nico real que genera esta violencia invisible. Miren aprovecha que su marido est谩 de viaje de negocios para denunciarle y organizar la huida de casa. Pero mientras ella hace las maletas, el hombre vuelve inesperadamente al hogar. El terror en la cara de Miren (impresionante, la actuaci贸n de Nagore Aranburu), en una escena de puro thriller psicol贸gico, hace palpable la tensi贸n psicol贸gica en la que vive instalada la protagonista, que huye igualmente del edificio en cuanto puede. Querer es una ficci贸n ejemplar a la hora de poner de manifiesto por qu茅 tantas mujeres no denuncian la violencia machista cuando se produce en el seno del matrimonio, una instituci贸n que tradicionalmente se ha considerado incluso incompatible con el concepto de violaci贸n. Desde una sobriedad remarcable en un territorio, el de la ficci贸n televisiva, siempre propenso a los subrayados narrativos y dram谩ticos, la miniserie se adentra en todo el proceso que supone denunciar al marido, desde la fortaleza de abandonar el domicilio conyugal cuando apenas se tienen recursos alternativos hasta pasar el trance de un juicio que quiz谩s desemboca en una sentencia desfavorable. A trav茅s del personaje del marido, I帽igo Gorosmendi, al que da vida Pedro Casablanc, Querer tambi茅n ofrece un retrato de un tipo concreto de masculinidad y privilegio de clase. Como en tanto matrimonio, la desigualdad socioecon贸mica se convierte en una situaci贸n naturalizada y, en consecuencia, en un territorio f茅rtil para el abuso. Gorosmendi representa una cierta clase acomodada vasca muy identificable en el ejercicio de sus privilegios y formas sutiles de discriminaci贸n, en unas din谩micas f谩cilmente trasplantables a los ricos de cualquier otro territorio. A trav茅s de los dos hijos del matrimonio, la serie tambi茅n deja claro c贸mo el talante machista puede parecer, en principio, una pulsi贸n que se hereda, pero en ning煤n caso responde a un fatalismo que no pueda reconducirse. Conocida por su exitosa 贸pera prima, Cinco lobitos (2022), Alauda Ruiz de Az煤a debuta con Querer en el mundo de las series, demostrando su talento como directora de dramas intimistas con int茅rpretes capaces de transmitir la evoluci贸n interior de sus respectivos personajes. En los cr茅ditos de Querer tambi茅n destaca Eduard Sola, un nombre que vemos repetido en otras dos producciones de 茅xito de esta temporada. Firma o cofirma los guiones de Casa en flames de Dani de la Orden y La virgen roja de Paula Ortiz (con otra crack de la escritura, Clara Roquet). Habr谩 que seguirle la pista. ","description":"La semana del 25-N es ideal para recuperar 'Querer', una de las mejores propuestas de la temporada","keywords":["serie","entender","mujeres","no","denuncian","violencia","matrimonio"],"interactionStatistic":0}</script> <link rel="alternate" title="Cr铆ticas" href="/rss/category/section/1049283/" type="application/rss+xml" /> <!-- appConfig global config --> <script> window.appConfig = window.appConfig || { subscription: { url: 'https://subscripcions.ara.cat/es/', profileUrl: 'https://perfil.es.ara.cat', cardUrl: 'https://subscripcions.ara.cat/perfil/targeta', newsletterUrl: 'https://subscripcions.ara.cat/usuari/newsletters/' } }; </script> <!-- Didomi CMP --> <script type="text/javascript">window.gdprAppliesGlobally=true;(function(){function a(e){if(!window.frames[e]){if(document.body&&document.body.firstChild){var t=document.body;var n=document.createElement("iframe");n.style.display="none";n.name=e;n.title=e;t.insertBefore(n,t.firstChild)} 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&#039;Querer&#039;.</span> <span class="author">Movistar+</span> </figcaption> </figure> </ara-multimedia-visor> </div> <div class="opening-actions opening-actions--standard "> <div class="opening-actions--content"> <div class="opening-actions--info"> <div class="authors"> <div class="author"> <a href="https://es.ara.cat/firmes/eulalia-iglesias/"> Eul脿lia Iglesias </a> </div> </div> <div class="opening-actions--date"> 28/11/2024 </div> </div> </div> <ara-action-bar :content-id="5214654" :share-url="{&quot;text&quot;:&quot;La serie que hace entender por qu\u00e9 muchas mujeres no denuncian la violencia dentro del matrimonio&quot;,&quot;title&quot;:&quot;La serie que hace entender por qu\u00e9 muchas mujeres no denuncian la violencia dentro del matrimonio&quot;,&quot;href&quot;:&quot;https:\/\/es.ara.cat\/1_4f91be&quot;,&quot;target&quot;:null,&quot;rel&quot;:null}" :num-comments="0" :show-give-away-button="true" :title="&quot;La serie que hace entender por qu\u00e9 muchas mujeres no denuncian la violencia dentro del matrimonio&quot;" :interviewed="&quot;&quot;" :visible-comments="true"> <div class="detail"> <span class="ara-icon"><svg viewBox="0 0 18 21" version="1.1" xmlns="http://www.w3.org/2000/svg"><path d="M12,0 L6,0 L6,2 L12,2 L12,0 Z M8,13 L10,13 L10,7 L8,7 L8,13 Z M16.03,6.39 L17.45,4.97 C17.02,4.46 16.55,3.98 16.04,3.56 L14.62,4.98 C13.07,3.74 11.12,3 9,3 C4.03,3 0,7.03 0,12 C0,16.97 4.02,21 9,21 C13.98,21 18,16.97 18,12 C18,9.88 17.26,7.93 16.03,6.39 Z M9,19 C5.13,19 2,15.87 2,12 C2,8.13 5.13,5 9,5 C12.87,5 16,8.13 16,12 C16,15.87 12.87,19 9,19 Z"></path></svg> </span> <span class="detail--text">3 min</span> </div> </ara-action-bar> </div> <div class="ara-body"> <div class="cultural-card"> <div class="cultural-card-wrapper"> <div class="cultural-card-header"> <ara-line-swipe title="&#039;Querer&#039;" subtitle=""></ara-line-swipe> </div> <ul class="cultural-card-content"> <li>Alauda Ruiz de Az煤a para Movistar+</li> <li> En emisi贸n en Movistar+</li> </ul> </div> </div> <p >"La violencia es invisible", sentencia Miren, la protagonista de <em>Querer</em> en la vista judicial a su marido, al que ha denunciado por violencia de g茅nero. La declaraci贸n tiene que ver con sus dificultades para hacer entender los abusos de su c贸nyuge, dado que no existen pruebas visibles para que 茅l no la pegue en ning煤n momento. La violencia estaba, sin embargo. Pese a la falta de evidencias, a pesar de que ella no se viera con coraz贸n de denunciarlo hasta muchos a帽os despu茅s, a pesar de que mantuviera una apariencia de normalidad de puertas afuera. En esta miniserie de Alauda Ruiz de Az煤a, tampoco se muestran los hechos del pasado que denuncia a la protagonista. Y ah铆 est谩 una de las fortalezas de la propuesta. No hace falta legitimar la versi贸n de Miren a trav茅s del t铆pico <em>flashback</em> que reconstruye un evento concreto y le otorga p谩tina de verdad. La estrategia de <em>Querer </em>es creer a la protagonista a partir de su testimonio y de la principal consecuencia del abuso que ha sufrido: el miedo a su hombre que ha empollado.</p> <ara-advertising-position type="content"></ara-advertising-position> <p >Al principio del primer episodio se nos muestra el p谩nico real que genera esta violencia invisible. Miren aprovecha que su marido est谩 de viaje de negocios para denunciarle y organizar la huida de casa. Pero mientras ella hace las maletas, el hombre vuelve inesperadamente al hogar. El terror en la cara de Miren (impresionante, la actuaci贸n de Nagore Aranburu), en una escena de puro <em>thriller</em> psicol贸gico, hace palpable la tensi贸n psicol贸gica en la que vive instalada la protagonista, que huye igualmente del edificio en cuanto puede.</p> <p ><em>Querer</em> es una ficci贸n ejemplar a la hora de poner de manifiesto por qu茅 tantas mujeres no denuncian la violencia machista cuando se produce en el seno del matrimonio, una instituci贸n que tradicionalmente se ha considerado incluso incompatible con el concepto de violaci贸n. Desde una sobriedad remarcable en un territorio, el de la ficci贸n televisiva, siempre propenso a los subrayados narrativos y dram谩ticos, la miniserie se adentra en todo el proceso que supone denunciar al marido, desde la fortaleza de abandonar el domicilio conyugal cuando apenas se tienen recursos alternativos hasta pasar el trance de un juicio que quiz谩s desemboca en una sentencia desfavorable.</p> <ara-advertising-position type="content"></ara-advertising-position> <p >A trav茅s del personaje del marido, I帽igo Gorosmendi, al que da vida Pedro Casablanc, <em>Querer</em> tambi茅n ofrece un retrato de un tipo concreto de masculinidad y privilegio de clase. Como en tanto matrimonio, la desigualdad socioecon贸mica se convierte en una situaci贸n naturalizada y, en consecuencia, en un territorio f茅rtil para el abuso. Gorosmendi representa una cierta clase acomodada vasca muy identificable en el ejercicio de sus privilegios y formas sutiles de discriminaci贸n, en unas din谩micas f谩cilmente trasplantables a los ricos de cualquier otro territorio. A trav茅s de los dos hijos del matrimonio, la serie tambi茅n deja claro c贸mo el talante machista puede parecer, en principio, una pulsi贸n que se hereda, pero en ning煤n caso responde a un fatalismo que no pueda reconducirse.</p> <p >Conocida por su exitosa <em>贸pera prima,</em> <a href="https://www.ara.cat/cultura/cinema/cinco-lobitos-maternitat-carn-viva-laia-costa_1_4375981.html" target="_blank"><em>Cinco lobitos</em></a><a href="https://www.ara.cat/cultura/cinema/cinco-lobitos-maternitat-carn-viva-laia-costa_1_4375981.html" target="_blank"> (2022)</a>, Alauda Ruiz de Az煤a debuta con <em>Querer</em> en el mundo de las series, demostrando su talento como directora de dramas intimistas con int茅rpretes capaces de transmitir la evoluci贸n interior de sus respectivos personajes. En los cr茅ditos de <em>Querer</em> tambi茅n destaca Eduard Sola, un nombre que vemos repetido en otras dos producciones de 茅xito de esta temporada. Firma o cofirma los guiones de <em>Casa en flames </em>de Dani de la Orden y <em>La virgen roja</em> de Paula Ortiz (con otra crack de la escritura, Clara Roquet). Habr谩 que seguirle la pista.</p> <ara-advertising-position type="content"></ara-advertising-position> <div class="embed"> <div class="embed-container ratio ratio__16_9"> <iframe width="100%" height="366" src="https://www.youtube.com/embed/VIxmijvz5-Q" frameborder="0" allowfullscreen></iframe> </div> </div> </div> <aside class="ara-recirculation "> <div class="rec-comments"> <ara-comments custom-text="" :content-id="5214654" :cached-num-comments="0" :commentable="true" custom-html-modals-register="" custom-html-modals-subscriber="" ></ara-comments> </div> <div class="rec-tags"> <a class="tag" href="https://es.ara.cat/etiquetes/critica-de-series/">cr铆tica de series</a> </div> <div class="rec-topic"> <h3 class="kicker">M谩s de la secci贸n</h3> <div class="header"> <h3><a href="https://es.ara.cat/media/series/criticas/" title="Cr铆ticas" class="title">Cr铆ticas</a></h3> </div> <div class="ara-list"> <article class="ara-card ara-card--article" data-contentid="5214654"><div class="info"><h5 class="title"><a title="La serie que hace entender por qu茅 muchas mujeres no denuncian la violencia dentro del matrimonio" href="https://es.ara.cat/media/series/criticas/serie-entender-mujeres-no-denuncian-violencia-matrimonio_1_5214654.html"> La serie que hace entender por qu茅 muchas mujeres no denuncian la violencia dentro del matrimonio </a></h5><div class="section"><a href="https://es.ara.cat/media/series/" title="Series">Series</a>&nbsp;/&nbsp;<a href="https://es.ara.cat/media/series/criticas/" title="Cr铆ticas">Cr铆ticas</a><span class="date"> | 28/11/2024 </span></div></div><a class="image" title="La serie que hace entender por qu茅 muchas mujeres no denuncian la violencia dentro del matrimonio" href="https://es.ara.cat/media/series/criticas/serie-entender-mujeres-no-denuncian-violencia-matrimonio_1_5214654.html"><figure><picture><source type="image/webp" media="(max-width: 767px)" data-srcset="https://static1.ara.cat/clip/75e72dda-be47-49f0-8f9b-938e47937642_1-1-aspect-ratio_400w_0.webp"><source type="image/webp" media="(min-width: 768px)" data-srcset="https://static1.ara.cat/clip/75e72dda-be47-49f0-8f9b-938e47937642_16-9-aspect-ratio_400w_0.webp"><source type="image/jpeg" media="(max-width: 767px)" data-srcset="https://static1.ara.cat/clip/75e72dda-be47-49f0-8f9b-938e47937642_1-1-aspect-ratio_400w_0.jpg"><source type="image/jpeg" media="(min-width: 768px)" data-srcset="https://static1.ara.cat/clip/75e72dda-be47-49f0-8f9b-938e47937642_16-9-aspect-ratio_400w_0.jpg"><img class="lazy" src="data:image/svg+xml,%3Csvg xmlns=&quot;http://www.w3.org/2000/svg&quot; 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epigraph--exclusive"><div class="ara-icon-exclusive"><svg viewBox="0 0 13 13" fill="none" xmlns="http://www.w3.org/2000/svg"><path fill-rule="evenodd" clip-rule="evenodd" d="M8 0H5V5H0V8H5V13H8V8H13V5H8V0Z" fill="#FFB900"/></svg></div></div> La Pompeya valenciana: la historia del poblado 铆bero que s贸lo dur贸 un siglo </h4><div class="authors"><div class="author"> Nerea Pedr贸n </div></div><div class="section"> Misc </div></div></a></article> </div> </div> </aside> </div> <div id="layout-right" class="layout-right"> <ara-advertising-position type="contentRight" :position-config="{&quot;id&quot;:1000249,&quot;slotType&quot;:&quot;BANNER&quot;,&quot;adUnitCode&quot;:&quot;ara-es\/ContentRight1&quot;,&quot;visibleForSubscribers&quot;:true,&quot;visibleForPremiumSubscribers&quot;:false}" :custom-sizes="[[300, 300], [300, 600]]" :custom-size-mapping="[[0, 0], [[300, 300], [300, 600]]]" ></ara-advertising-position> <ara-advertising-manager-right-column 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