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https://www.cameraandlightmag.com/wp-content/uploads/2025/03/el-mal-1400x933.jpg 1400w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/el-mal-600x400.jpg 600w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/el-mal-768x512.jpg 768w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/el-mal-1536x1024.jpg 1536w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/el-mal-1200x800.jpg 1200w" sizes="(max-width: 1920px) 100vw, 1920px" /> <figcaption class="wrapper"> <span class="mayusculas">Entrevista</span> <a href="https://www.cameraandlightmag.com/noticias/emilia-perez-una-ambiciosa-oscura-pero-brillante-opera-sobre-la-redencion/"> <h2>Entrevista a Paul Guillhaume AFC, DOP de 'Emilia Pérez'</h2> </a> </figcaption> </figure> </div> <div class="swiper-slide"> <figure> <img width="2560" height="1072" src="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/anora_4-scaled.jpg" class="attachment-full size-full" alt="'Anora': Érase una vez... cenicienta en un peep show de Little Russia" decoding="async" srcset="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/anora_4-scaled.jpg 2560w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/anora_4-940x394.jpg 940w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/anora_4-1400x586.jpg 1400w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/anora_4-600x251.jpg 600w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/anora_4-768x322.jpg 768w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/anora_4-1536x643.jpg 1536w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/anora_4-2048x858.jpg 2048w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/anora_4-1200x503.jpg 1200w" sizes="(max-width: 2560px) 100vw, 2560px" /> <figcaption class="wrapper"> <span class="mayusculas">A fondo</span> <a href="https://www.cameraandlightmag.com/noticias/anora-erase-una-vez-cenicienta-en-un-peep-show-de-little-russia/"> <h2>'Anora': Érase una vez... cenicienta en un peep show de Little Russia</h2> </a> </figcaption> </figure> </div> <div class="swiper-slide"> <figure> <img width="2048" height="1540" src="https://www.cameraandlightmag.com/wp-content/uploads/2025/02/cocina_133_75-1-2048x1540-1.jpg" class="attachment-full size-full" alt="Entrevista a Juan Pablo Ramírez por 'La cocina'" decoding="async" srcset="https://www.cameraandlightmag.com/wp-content/uploads/2025/02/cocina_133_75-1-2048x1540-1.jpg 2048w, https://www.cameraandlightmag.com/wp-content/uploads/2025/02/cocina_133_75-1-2048x1540-1-940x707.jpg 940w, https://www.cameraandlightmag.com/wp-content/uploads/2025/02/cocina_133_75-1-2048x1540-1-1400x1053.jpg 1400w, https://www.cameraandlightmag.com/wp-content/uploads/2025/02/cocina_133_75-1-2048x1540-1-600x451.jpg 600w, https://www.cameraandlightmag.com/wp-content/uploads/2025/02/cocina_133_75-1-2048x1540-1-768x578.jpg 768w, https://www.cameraandlightmag.com/wp-content/uploads/2025/02/cocina_133_75-1-2048x1540-1-1536x1155.jpg 1536w, https://www.cameraandlightmag.com/wp-content/uploads/2025/02/cocina_133_75-1-2048x1540-1-1200x902.jpg 1200w" sizes="(max-width: 2048px) 100vw, 2048px" /> <figcaption class="wrapper"> <span class="mayusculas">A FONDO</span> <a href="https://www.cameraandlightmag.com/noticias/la-cocina-virtuosismo-expresionista-sobre-el-desarraigo/"> <h2>Entrevista a Juan Pablo Ramírez por 'La cocina'</h2> </a> </figcaption> </figure> </div> <div class="swiper-slide"> <figure> <img width="2267" height="947" src="https://www.cameraandlightmag.com/wp-content/uploads/2025/02/tumbonas-colores-1.png" class="attachment-full size-full" alt="'La habitación de al lado': Entrevista al ganador del Goya Edu Grau" decoding="async" srcset="https://www.cameraandlightmag.com/wp-content/uploads/2025/02/tumbonas-colores-1.png 2267w, https://www.cameraandlightmag.com/wp-content/uploads/2025/02/tumbonas-colores-1-940x393.png 940w, https://www.cameraandlightmag.com/wp-content/uploads/2025/02/tumbonas-colores-1-1400x585.png 1400w, https://www.cameraandlightmag.com/wp-content/uploads/2025/02/tumbonas-colores-1-600x251.png 600w, https://www.cameraandlightmag.com/wp-content/uploads/2025/02/tumbonas-colores-1-768x321.png 768w, https://www.cameraandlightmag.com/wp-content/uploads/2025/02/tumbonas-colores-1-1536x642.png 1536w, https://www.cameraandlightmag.com/wp-content/uploads/2025/02/tumbonas-colores-1-2048x856.png 2048w, https://www.cameraandlightmag.com/wp-content/uploads/2025/02/tumbonas-colores-1-1200x501.png 1200w" sizes="(max-width: 2267px) 100vw, 2267px" /> <figcaption class="wrapper"> <span class="mayusculas">A FONDO</span> <a href="https://www.cameraandlightmag.com/noticias/cae-la-nieve-sobre-el-universo-almodovar/"> <h2>'La habitación de al lado': Entrevista al ganador del Goya Edu Grau</h2> </a> </figcaption> </figure> </div> </div> <div class="swiper-pagination"></div> </div> </section> <div class="wrapper"> <section id="arriba"> <div class="dos-tercios"> <span class="titulo-sec">Destacados</span> <div class="contenido"> <article class="tarjeta"> <a href="https://www.cameraandlightmag.com/noticias/lightbridge-presenta-touchproof-su-nueva-generacion-de-reflectores-de-precision/"> <figure> <img width="940" height="396" src="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Touchproof-For-PR-1___portada-940x396.jpg" class="attachment-medium size-medium wp-post-image" alt="" decoding="async" srcset="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Touchproof-For-PR-1___portada-940x396.jpg 940w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Touchproof-For-PR-1___portada-1400x590.jpg 1400w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Touchproof-For-PR-1___portada-600x253.jpg 600w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Touchproof-For-PR-1___portada-768x324.jpg 768w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Touchproof-For-PR-1___portada-1536x647.jpg 1536w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Touchproof-For-PR-1___portada-2048x863.jpg 2048w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Touchproof-For-PR-1___portada-1200x506.jpg 1200w" sizes="(max-width: 940px) 100vw, 940px" /> </figure> <figcaption> <header> <div class="top"> <span class="seccion">Tecnología</span> <span class="fecha">26/03/2025</span> </div> <h2>Lightbridge presenta ‘Touchproof’, su nueva generación de reflectores de precisión</h2> </header> <div class="intro"><p>Un nuevo diseño permite una mayor durabilidad y resistencia, sin perder la compatibilidad con el resto de accesorios de la marca Lightbridge La empresa austriaca Lightbridge, creadores de los reconocidos reflectores de precisión CRLS, ha presentado Touchproof, la última evolución en...</p></div> </figcaption> </a> </article> <article class="tarjeta"> <a href="https://www.cameraandlightmag.com/noticias/leitz-presenta-una-nueva-montura-lpl-para-el-venice-extension-system-mini/"> <figure> <img width="940" height="441" src="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/LPL-Leitz-940x441.png" class="attachment-medium size-medium wp-post-image" alt="" decoding="async" srcset="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/LPL-Leitz-940x441.png 940w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/LPL-Leitz-1400x656.png 1400w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/LPL-Leitz-600x281.png 600w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/LPL-Leitz-768x360.png 768w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/LPL-Leitz-1536x720.png 1536w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/LPL-Leitz-1200x563.png 1200w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/LPL-Leitz.png 1920w" sizes="(max-width: 940px) 100vw, 940px" /> </figure> <figcaption> <header> <div class="top"> <span class="seccion">Tecnología</span> <span class="fecha">27/03/2025</span> </div> <h2>Leitz presenta una nueva montura LPL para el Venice Extension System Mini</h2> </header> <div class="intro"><p>Este adaptador permite al nuevo sistema de Sony trabajar con diferentes tipos de objetivos de cine La nueva montura LPL de Leitz Cine para el sistema de extensión Sony Venice Mini ofrece máxima flexibilidad para este innovador sistema de cámara....</p></div> </figcaption> </a> </article> </div> </div> <div class="tercio"> <span class="titulo-sec">Último número CAMERA&LIGHT</span> <article class="novedad-revista"> <a href="http://doopaper.com/pubs/cameraman/Cameraman133" target="_blank"> <figure> <img width="500" height="714" src="https://www.cameraandlightmag.com/wp-content/uploads/2025/01/portada133_web-1-1.png" class="attachment-medium size-medium" alt="Camera & Light 133" decoding="async" srcset="https://www.cameraandlightmag.com/wp-content/uploads/2025/01/portada133_web-1-1.png 500w, https://www.cameraandlightmag.com/wp-content/uploads/2025/01/portada133_web-1-1-420x600.png 420w" sizes="(max-width: 500px) 100vw, 500px" /> </figure> <figcaption> <header> <h2>Camera & Light 133</h2> <span class="subtitulo mayusculas">The Brutalist / Dune Parte 2 / Nominados /as al Goya / Desmontando un elefante / Cien años de soledad / ISE 2025</span> </header> <p> Profundizamos en la cinematografía de ‘The Brutalist’ (Lol Crawley), ‘Dune 2’ (Greig Fraser), ‘Cien años de soledad’ (Paulo Pérez / Sarasvati Herrera ), 'Desmontando un elefante" (Echeverría / Castejón), Nominados Goya </p> </figcaption> </a> </article> </div> </section> <section class="banner-publicidad" id="banner_home_horizontal_1"> <div class="banners-desktop"> </div> </section> <section class="banner-interno"> <a href="https://www.cameraandlightmag.com/noticias/todas-las-peliculas-ganadoras-de-los-premios-oscar-2025/"> <div class="izquierda"> <span class="mayusculas">El DOP rueda con cámaras ARRI y RED</span> <h2>Se está rodando la nueva serie de Alberto Rodríguez, ‘Anatomía de un instante’, una adaptación de la novela homónima sobre el 23F con dirección de fotografía de Álex Catalán, AEC. </h2> <button class="mayusculas"> <svg viewBox="0 0 21 21"> <path d="M10.5 0C4.71046 0 0 4.71046 0 10.5C0 16.2895 4.71046 21 10.5 21C16.2895 21 21 16.2895 21 10.5C21 4.71046 16.2895 0 10.5 0ZM10.5 1.61538C15.4164 1.61538 19.3846 5.58358 19.3846 10.5C19.3846 15.4164 15.4164 19.3846 10.5 19.3846C5.58358 19.3846 1.61538 15.4164 1.61538 10.5C1.61538 5.58358 5.58358 1.61538 10.5 1.61538ZM9.69231 5.65385V9.69231H5.65385V11.3077H9.69231V15.3462H11.3077V11.3077H15.3462V9.69231H11.3077V5.65385H9.69231Z"/> </svg> <span>Info</span> </button> </div> </a> <div class="derecha"> <a href="https://www.cameraandlightmag.com/noticias/todas-las-peliculas-ganadoras-de-los-premios-oscar-2025/"> <figure> <img width="940" height="627" src="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/anatonia_instante2-940x627.jpg" class="attachment-medium size-medium" alt="<p>Se está rodando la nueva serie de Alberto Rodríguez, ‘Anatomía de un instante’, una adaptación de la novela homónima sobre el 23F con dirección de fotografía de Álex Catalán, AEC.</p> " decoding="async" srcset="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/anatonia_instante2-940x627.jpg 940w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/anatonia_instante2-1400x934.jpg 1400w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/anatonia_instante2-600x400.jpg 600w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/anatonia_instante2-768x512.jpg 768w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/anatonia_instante2-1536x1025.jpg 1536w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/anatonia_instante2-2048x1366.jpg 2048w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/anatonia_instante2-1200x801.jpg 1200w" sizes="(max-width: 940px) 100vw, 940px" /> </figure> </a> </div> </section> <section id="centro"> <div class="dos-tercios"> <article> <a href="https://www.cameraandlightmag.com/noticias/sony-anuncia-el-nuevo-venice-extension-system-mini-que-ofrece-un-tamano-reducido-y-un-sensor-full-frame-8k/"> <figure> <img width="705" height="940" src="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/WhatsApp-Image-2025-03-26-at-14.25.11-705x940.jpeg" class="attachment-medium size-medium" alt="Asistimos a la presentación en Pinewood del nuevo Rialto Mini" decoding="async" srcset="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/WhatsApp-Image-2025-03-26-at-14.25.11-705x940.jpeg 705w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/WhatsApp-Image-2025-03-26-at-14.25.11-1050x1400.jpeg 1050w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/WhatsApp-Image-2025-03-26-at-14.25.11-450x600.jpeg 450w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/WhatsApp-Image-2025-03-26-at-14.25.11-768x1024.jpeg 768w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/WhatsApp-Image-2025-03-26-at-14.25.11-1152x1536.jpeg 1152w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/WhatsApp-Image-2025-03-26-at-14.25.11-600x800.jpeg 600w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/WhatsApp-Image-2025-03-26-at-14.25.11.jpeg 1200w" sizes="(max-width: 705px) 100vw, 705px" /> </figure> <figcaption> <header> <div class="top"> <span class="seccion">Estará disponible a partir de julio de 2025</span>  </div> <h2>Asistimos a la presentación en Pinewood del nuevo Rialto Mini</h2> </header> <p>Este miércoles estuvimos en la sede de Sony en Pinewood (Londres), donde se presentó en primicia mundial el nuevo Venice Extension System Mini, un Rialto reducido que permite una mayor versatilidad sin comprometer la calidad de la imagen, gracias a su tamaño reducido y su sensor 8K de segunda generación.</p> <p>El nuevo Extension System ya ha sido probado en acción por los directores de fotografía Claudio Miranda ASC y Kate Reid BSC.</p> </figcaption> </a> </article> </div> <div class="tercio"> <span>LO MÁS LEÍDO</span> <div class="mas-leidos"> <article> <a href="https://www.cameraandlightmag.com/noticias/sony-presenta-ocellus-su-primer-sistema-de-seguimiento-de-camara/"> <figure> <img width="940" height="507" src="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/ocellus_dest_final-940x507.png" class="attachment-medium size-medium wp-post-image" alt="" decoding="async" srcset="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/ocellus_dest_final-940x507.png 940w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/ocellus_dest_final-1400x755.png 1400w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/ocellus_dest_final-600x324.png 600w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/ocellus_dest_final-768x414.png 768w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/ocellus_dest_final-1536x828.png 1536w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/ocellus_dest_final-2048x1104.png 2048w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/ocellus_dest_final-1200x647.png 1200w" sizes="(max-width: 940px) 100vw, 940px" /> </figure> <figcaption> <span class="seccion"><span>Tecnología</span></span> <h2>Sony presenta Ocellus, su primer sistema de seguimiento de cámara</h2> </figcaption> </a> </article> <article> <a href="https://www.cameraandlightmag.com/noticias/nace-platflo-la-nueva-plataforma-filmica-espanola-digital-y-publica/"> <figure> <img width="940" height="497" src="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/platfo2-940x497.png" class="attachment-medium size-medium wp-post-image" alt="" decoding="async" srcset="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/platfo2-940x497.png 940w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/platfo2-1400x740.png 1400w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/platfo2-600x317.png 600w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/platfo2-768x406.png 768w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/platfo2-1536x811.png 1536w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/platfo2-2048x1082.png 2048w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/platfo2-1200x634.png 1200w" sizes="(max-width: 940px) 100vw, 940px" /> </figure> <figcaption> <span class="seccion"><span>Industria</span></span> <h2>Nace PLATFO, la nueva plataforma fílmica española, digital y pública</h2> </figcaption> </a> </article> <article> <a href="https://www.cameraandlightmag.com/noticias/trabajando-el-color-con-davinci-resolve-en-la-serie-muertos-s-l/"> <figure> <img width="940" height="627" src="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Muertos-SL_T02_E205.25_26-2-24©ManuelFiestas_1224-940x627.jpg" class="attachment-medium size-medium wp-post-image" alt="" decoding="async" srcset="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Muertos-SL_T02_E205.25_26-2-24©ManuelFiestas_1224-940x627.jpg 940w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Muertos-SL_T02_E205.25_26-2-24©ManuelFiestas_1224-1400x934.jpg 1400w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Muertos-SL_T02_E205.25_26-2-24©ManuelFiestas_1224-600x400.jpg 600w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Muertos-SL_T02_E205.25_26-2-24©ManuelFiestas_1224-768x512.jpg 768w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Muertos-SL_T02_E205.25_26-2-24©ManuelFiestas_1224-1536x1025.jpg 1536w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Muertos-SL_T02_E205.25_26-2-24©ManuelFiestas_1224-1200x800.jpg 1200w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Muertos-SL_T02_E205.25_26-2-24©ManuelFiestas_1224.jpg 2000w" sizes="(max-width: 940px) 100vw, 940px" /> </figure> <figcaption> <span class="seccion"><span>Tecnología</span></span> <h2>Trabajando el color con DaVinci Resolve en la serie ‘Muertos S.L.’</h2> </figcaption> </a> </article> <article> <a href="https://www.cameraandlightmag.com/noticias/la-fotografia-de-martin-gschlacht-en-el-bano-del-diablo/"> <figure> <img width="940" height="508" src="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Devils_bath6-940x508.jpg" class="attachment-medium size-medium wp-post-image" alt="" decoding="async" srcset="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Devils_bath6-940x508.jpg 940w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Devils_bath6-1400x757.jpg 1400w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Devils_bath6-600x324.jpg 600w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Devils_bath6-768x415.jpg 768w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Devils_bath6-1536x830.jpg 1536w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Devils_bath6-2048x1107.jpg 2048w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/Devils_bath6-1200x649.jpg 1200w" sizes="(max-width: 940px) 100vw, 940px" /> </figure> <figcaption> <span class="seccion"><span>A fondo</span></span> <h2>La fotografía de Martin Gschlacht en ‘El baño del diablo’</h2> </figcaption> </a> </article> <article> <a href="https://www.cameraandlightmag.com/noticias/como-se-consiguio-el-look-de-a-complete-unknown-rodando-con-sony-venice-2/"> <figure> <img width="940" height="403" src="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/sonycine-a-complete-unknown-film-bts.jpg-940x403.webp" class="attachment-medium size-medium wp-post-image" alt="" decoding="async" srcset="https://www.cameraandlightmag.com/wp-content/uploads/2025/03/sonycine-a-complete-unknown-film-bts.jpg-940x403.webp 940w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/sonycine-a-complete-unknown-film-bts.jpg-1400x600.webp 1400w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/sonycine-a-complete-unknown-film-bts.jpg-600x257.webp 600w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/sonycine-a-complete-unknown-film-bts.jpg-768x329.webp 768w, https://www.cameraandlightmag.com/wp-content/uploads/2025/03/sonycine-a-complete-unknown-film-bts.jpg-1536x658.webp 1536w, 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class="seccion">Tecnología</span> <span class="fecha">04/04/2025</span> </div> <h2>Aputure presentará su nuevo kit de luces Storm 80c en el NAB 2025</h2> </header> <div class="intro"><p>Estas, al igual que toda la gama Storm, incorporan el nuevo motor de luz BLAIR-CG de Aputure, lo cual permite un control más preciso del color Aputure lanza al mercado un kit de tres luces Storm 80c, un equipo versátil...</p></div> </figcaption> </a> </article> <article class="tarjeta"> <a href="https://www.cameraandlightmag.com/noticias/el-sistema-multicamara-arri-alexa-35-live-retratara-el-festival-de-coachella-2025/"> <figure> <img width="940" height="472" src="https://www.cameraandlightmag.com/wp-content/uploads/2025/04/2-20250404-arri-press-image-arri-goldenvoice-alexa35-live-at-coachella-1-940x472.jpeg" class="attachment-medium size-medium wp-post-image" alt="" decoding="async" 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