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class="text-nowrap">An Entity of Type: <a href="javascript:void()">Thing</a>, </span> <span class="text-nowrap">from Named Graph: <a href="http://dbpedia.org">http://dbpedia.org</a>, </span> <span class="text-nowrap">within Data Space: <a href="http://dbpedia.org">dbpedia.org</a></span> </div> </div> </div> <div class="row pt-2"> <div class="col-xs-9 col-sm-10"> <p class="lead">Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other. Because they are carried on the same medium, the tracks stay in perfect synchronization, while allowing multiple sound sources to be recorded at different times.</p> </div> <div class="col-xs-3 col-sm-2"> <a href="#" class="thumbnail"> <img src="http://commons.wikimedia.org/wiki/Special:FilePath/Ampex_440_%26_MM1000_(RCA_Studio_B).jpg?width=300" alt="thumbnail" class="img-fluid" /> </a> </div> </div> </div> </section> <!-- page-header --> <!-- property-table --> <section> <div class="container-xl"> <div class="row"> <div class="table-responsive"> <table class="table table-hover table-sm table-light"> <thead> <tr> <th class="col-xs-3 ">Property</th> <th class="col-xs-9 px-3">Value</th> </tr> </thead> <tbody> <tr class="odd"><td class="col-2"><a class="uri" href="http://dbpedia.org/ontology/abstract"><small>dbo:</small>abstract</a> </td><td class="col-10 text-break"><ul> <li style="display:none;"><span class="literal"><span property="dbo:abstract" lang="ar" >تسجيل الصوت متعدد المسارات، هو العملية التي يجري فيها التقاط الصوت والإشارات الكهروصوتية الأخرى، على وسيط تسجيل مثل الشريط المغناطيسي، الذي ينقسم إلى مسارين صوتيين أو أكثر يتوازيان مع بعضهما البعض، لأنها محمولة على نفس الوسيط، تظل المسارات في حالة تزامن مثالي مع السماح بتسجيل مصادر الصوت المتعددة في أوقات مختلفة. عُرض أول نظام لإنشاء صوت مجسم (باستخدام تقنية الهاتف) بواسطة «Clément Ader» في باريسعام 1881 وقد اخترع نظام "pallophotophone" من قبل Charles A. Hoxie وعُرض لأول مرة في عام 1922 وسُجل بصرياً على فيلم مقاس 35 مم. استخدمت بعض الإصدارات تنسيقاً مما يصل إلى اثني عشر مساراً متوازياً على كل شريط. جرى تسجيل المسارات واحدًا تلو الآخر في تمريرات منفصلة ولم تكن مخصصة للخلط أو للصوت المجسم لاحقًا، كما هو الحال مع تسجيل الشريط أحادي الصوت نصف المسار وربع المسار، ضاعفت المسارات المتعددة ببساطة أقصى وقت تسجيل ممكن ما قلل بشكل كبير من التكلفة والكميات الكبيرة. "Alan Blumlein" مهندس بريطاني في «EMI» حصل على براءة اختراع لأنظمة تسجيل الصوت المجسم والصوت المحيطي على القرص والفيلم في عام 1933. بدأ تاريخ التسجيل الصوتي الحديث متعدد المسارات باستخدام شريط مغناطيسي في عام 1943 مع اختراع تسجيل شريط ستريو، إذ توجه قسم التسجيل إلى مسارين. في عام 1948 أعلنت مؤسسة أرمور للأبحاث في شيكاغو، أن موظفها الفيزيائي مارفن كامراس "Marvin Camras" قد أنتج آلة بثلاث قنوات مع ثلاثة مسارات مغناطيسية متوازية على نفس الشريط. جاء التطور الرئيسي التالي في التسجيل متعدد المسارات في منتصف الخمسينيات من القرن الماضي، عندما ابتكرت شركة "Ampex" مفهوم التسجيل ذي المسار الثامن باستخدام نظام التسجيل المتزامن الانتقائي Sel- Sync، وباعت أول آلة من هذا النوع للموسيقي لس بول. ومع ذلك، على مدى السنوات الخمس والثلاثين التالية، كانت تقنية تسجيل الصوت متعدد المسارات محصورة إلى حد كبير في استوديوهات تسجيل الراديو والتلفزيون وموسيقىالمتخصصة، ويرجع ذلك أساساً، إلى أن آلات الشرائط متعددة المسارات كانت كبيرة جِدًّا ومكلفة للغاية – ثُبت أول مسجل"Ampex" ذو الـ 8 مسارات، في الاستديو المنزلي Les Paul 's في عام 1957. كلف 10000 دولار أمريكي، وهو ما يقارب ثلاثة أضعاف متوسط الدخل السنوي في الولايات المتحدة في عام 1957 وما يعادل 96481 دولارًا أَمْرِيكِيَّا في عام 2021. جرى تقديم مسجلات متعددة المسارات منزلية ميسورة التكلفة في السبعينيات باستخدام شريط بكرة إلى بكرة. في عام 1979، جرى تقديم "TASCAM Portastudio" والذي استخدم كاسيت الصوت المضغوط غير المكلف كوسيط للتسجيل، ما جعل التسجيل متعدد المسارات بجودة عالية (وثمانية مسارات لاحقًا) متاحًا للمستهلك العادي لأول مرة. ومع ذلك، بحلول الوقت الذي أصبح فيه Portastudio شائعًا، كانت شركات الإلكترونيات تقدم بالفعل أنظمة تسجيل الصوت الرقمي. وبحلول التسعينيات، اعتُمدت أنظمة التسجيل الرقمي متعدد المسارات القائمة على الكمبيوتر مثل Pro Tools و Cubase في صناعة التسجيل، وسرعان ما أصبحت أساسية. بحلول أوائل العقد الأول من القرن الحادي والعشرين، أدت التطورات السريعة في الحوسبة المنزلية وبرامج الصوت الرقمية إلى إتاحة أنظمة تسجيل الصوت الرقمي متعدد المسارات للمستهلك العادي، وجرى تضمين أنظمة التسجيل الرقمي متعدد المسارات عالية الجودة مثل GarageBand كميزة قياسية على أجهزة الكمبيوتر المنزلية.</span><small> (ar)</small></span></li> <li><span class="literal"><span property="dbo:abstract" lang="en" >Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other. Because they are carried on the same medium, the tracks stay in perfect synchronization, while allowing multiple sound sources to be recorded at different times. The first system for creating stereophonic sound (using telephone technology) was demonstrated by Clément Ader in Paris in 1881. The pallophotophone, invented by Charles A. Hoxie and first demonstrated in 1922, recorded optically on 35 mm film. Some versions used a format of as many as twelve independent monaural tracks in parallel on each strip. Each track was recorded one at a time in separate passes and were not intended for later mixdown or stereophony due to the fact that each monophonic program was unrelated to the next - any more than one random album would be related to the next. Unlike with later half-track and quarter-track monophonic tape recording, the multiple tracks simply multiplied the maximum recording time possible, greatly reducing cost and bulk. Alan Blumlein, a British engineer at EMI, patented systems for recording stereophonic sound and surround sound on disc and film in 1933. The history of modern multitrack audio recording using magnetic tape began in 1943 with the invention of stereo tape recording, which divided the recording head into two tracks. In 1948, Chicago's Armour Research Foundation announced that its staffer, physicist Marvin Camras, had produced a three-channel machine with "three parallel magnetic tracks on the same tape." The next major development in multitrack recording came in the mid-1950s, when the Ampex corporation devised the concept of 8-track recording, using its "Sel-Sync" (Selective Synchronous) recording system, and sold the first such machine to musician Les Paul. However, for the next 35 years, multitrack audio recording technology was largely confined to specialist radio, TV and music recording studios, primarily because multitrack tape machines were both very large and very expensive – the first Ampex 8-track recorder, installed in Les Paul's home studio in 1957, cost US$10,000 – roughly three times the US average yearly income in 1957, and equivalent to $96,481 in 2021 in an era when a midline new car was the same price. Affordable home multitrack recorders were introduced in the 1970s using reel-to-reel tape. In 1979 the introduction of the TASCAM Portastudio, which first used the same 1/4-inch reel-to-reel as quarter-track stereo and then migrated to the inexpensive compact audio cassette as the recording medium, making good-quality four-track (and later eight-track) multitrack recording available to the average consumer for the first time. However, by the time the Portastudio had become popular, electronics companies were already introducing digital audio recording systems, and by the 1990s, computer-based digital multitrack recording systems such as Pro Tools and Cubase were being adopted by the recording industry, and soon became standard. By the early 2000s, rapid advances in home computing and digital audio software were making digital multitrack audio recording systems available to the average consumer, and high-quality digital multitrack recording systems like GarageBand were being included as a standard feature on home computers.</span><small> (en)</small></span></li> </ul></td></tr><tr class="even"><td class="col-2"><a class="uri" href="http://dbpedia.org/ontology/thumbnail"><small>dbo:</small>thumbnail</a> </td><td class="col-10 text-break"><ul> <li><span class="literal"><a class="uri" rel="dbo:thumbnail" resource="http://commons.wikimedia.org/wiki/Special:FilePath/Ampex_440_&_MM1000_(RCA_Studio_B).jpg?width=300" href="http://commons.wikimedia.org/wiki/Special:FilePath/Ampex_440_&_MM1000_(RCA_Studio_B).jpg?width=300"><small>wiki-commons</small>:Special:FilePath/Ampex_440_&_MM1000_(RCA_Studio_B).jpg?width=300</a></span></li> </ul></td></tr><tr class="odd"><td class="col-2"><a class="uri" 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على نفس الوسيط، تظل المسارات في حالة تزامن مثالي مع السماح بتسجيل مصادر الصوت المتعددة في أوقات مختلفة. عُرض أول نظام لإنشاء صوت مجسم (باستخدام تقنية الهاتف) بواسطة «Clément Ader» في باريسعام 1881 وقد اخترع نظام "pallophotophone" من قبل Charles A. Hoxie وعُرض لأول مرة في عام 1922 وسُجل بصرياً على فيلم مقاس 35 مم. استخدمت بعض الإصدارات تنسيقاً مما يصل إلى اثني عشر مساراً متوازياً على كل شريط. جرى تسجيل المسارات واحدًا تلو الآخر في تمريرات منفصلة ولم تكن مخصصة للخلط أو للصوت المجسم لاحقًا، كما هو الحال مع تسجيل الشريط أحادي الصوت نصف المسار وربع المسار، ضاعفت المسارات المتعددة ببساطة </span><small> (ar)</small></span></li> <li><span class="literal"><span property="rdfs:comment" lang="en" >Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other. Because they are carried on the same medium, the tracks stay in perfect synchronization, while allowing multiple sound sources to be recorded at different times.</span><small> (en)</small></span></li> </ul></td></tr><tr class="even"><td class="col-2"><a class="uri" href="http://www.w3.org/2000/01/rdf-schema#label"><small>rdfs:</small>label</a> </td><td class="col-10 text-break"><ul> <li style="display:none;"><span class="literal"><span property="rdfs:label" lang="ar" >تاريخ تسجيل الصوت متعدد المسارات</span><small> (ar)</small></span></li> <li><span class="literal"><span property="rdfs:label" lang="en" >History of multitrack recording</span><small> (en)</small></span></li> </ul></td></tr><tr class="odd"><td class="col-2"><a class="uri" href="http://www.w3.org/2002/07/owl#sameAs"><small>owl:</small>sameAs</a> </td><td class="col-10 text-break"><ul> <li><span class="literal"><a class="uri" rel="owl:sameAs" resource="http://rdf.freebase.com/ns/m.0118y0ft" 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