Go Forth and Learn: Visual Exegesis in the Medieval Haggadah

<!DOCTYPE html> <html lang="en"> <head> <link rel="dns-prefetch" href="//www.peeref.com"> <link rel="dns-prefetch" href="//peeref-open.s3.amazonaws.com"> <link rel="dns-prefetch" href="//www.w3.org"> <link rel="dns-prefetch" href="//doi.org"> <link rel="dns-prefetch" href="//www.linkedin.com"> <link rel="dns-prefetch" href="//twitter.com"> <link rel="dns-prefetch" href="//api.qrserver.com"> <link rel="dns-prefetch" href="//www.facebook.com"> <link rel="dns-prefetch" href="//www.googletagmanager.com"> <meta charset="utf-8"> <title>Go Forth and Learn: Visual Exegesis in the Medieval Haggadah - Peeref</title> <meta http-equiv="X-UA-Compatible" content="IE=edge, chrome=1"> <meta name="keywords" content="manuscript, research article, comment, full text"> <meta name="description" content="Go Forth and Learn: Visual Exegesis in the Medieval Haggadah"> <meta name="viewport" content="width=device-width, initial-scale=1.0"> <meta name="viewport" content="width=device-width, initial-scale=1.0, maximum-scale=1.0, user-scalable=no" /> <meta property="og:locale" content="en"> <meta property="og:title" content="Go Forth and Learn: Visual Exegesis in the Medieval Haggadah - Peeref"> <meta property="og:description" content="Go Forth and Learn: Visual Exegesis in the Medieval Haggadah"> <meta property="og:url" content="https://www.peeref.com/works/83819283"> <meta property="og:site_name" content="Peeref"> <meta property="og:image" content=""> <meta name="csrf-token" content="lpRi0qq81SzDklWqZ12WSXBkTGPaGFEUieYDm0SN"> <meta http-equiv="Cache-Control" content="no-transform" /> <meta http-equiv="Cache-Control" content="no-siteapp" /> <link rel="shortcut icon" href="https://www.peeref.com/favicon.ico"> <link href="https://peeref-open.s3.amazonaws.com/css/frameworks.f126215c4d22b328086c.css" rel="stylesheet"> <link href="https://peeref-open.s3.amazonaws.com/css/app.6d48e91925108fb40388.css" rel="stylesheet"> <script> if(window.self !== window.top) { location.href = '/static/html/forbidden.html'; } </script> <script> window.Config = { token: "lpRi0qq81SzDklWqZ12WSXBkTGPaGFEUieYDm0SN", url: "https://www.peeref.com/works/83819283", lang: "en", prefix: "", isMobile: "", assetDomain: "https://peeref-open.s3.amazonaws.com/" }; </script> </head> <body> <div id="app"> <div class="bg-warning position-relative w-100 text-center py-2" style="top: 0; z-index: 100000;"> <strong class="text-danger">Peeref no longer supports Internet Explorer. </strong> <a href="/static/html/browser.html">Please upgrade your browser.</a> </div> <nav id="nav" class="navbar navbar-default navbar-static-top navbar-inverse"> <div class="container"> <div class="navbar-header"> <button type="button" class="navbar-toggle collapsed" data-toggle="collapse" data-target="#app-navbar-collapse" aria-expanded="false"> <span class="icon-bar"></span> <span class="icon-bar"></span> <span class="icon-bar"></span> </button> <a class="navbar-brand p-3" href="https://www.peeref.com"> <svg xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" width="108px" viewBox="0 0 1052 302"><g fill="#FFF"><path d="M227.6,92.9c5.2,13,17.9,22.1,32.7,22.1c19.4,0,35.2-15.8,35.2-35.2s-15.8-35.2-35.2-35.2 c-19.4,0-35.2,15.8-35.2,35.2c0,2.3,0.2,4.5,0.6,6.7l-98.1,24.6L154,59c3.2,1.1,6.6,1.8,10.1,1.8c16.4,0,29.7-13.3,29.7-29.7c0-16.4-13.3-29.7-29.7-29.7s-29.7,13.3-29.7,29.7c0,10.5,5.4,19.7,13.6,25l-27.9,55.1L90.5,94.2c1.4-3.2,2.1-6.8,2.1-10.6 c0-14.9-12.1-27-27-27c-14.9,0-27,12.1-27,27c0,14.9,12.1,27,27,27c8.8,0,16.6-4.2,21.6-10.7l28.5,16.3l-62.2,49.9 c-5.6-5.3-13.1-8.6-21.4-8.6c-17.1,0-30.9,13.8-30.9,30.9c0,17.1,13.8,30.9,30.9,30.9S63,205.4,63,188.4c0-6.3-1.9-12.3-5.2-17.2 l60-48.1l-7.5,106.4c-19.1,0.6-34.4,16.2-34.4,35.5c0,19.6,15.9,35.5,35.5,35.5c19.6,0,35.5-15.9,35.5-35.5c0-17.7-13-32.4-30-35.1 l7.6-107.5l87,67.9c-4.1,6.1-6.4,13.5-6.4,21.4c0,21.4,17.4,38.8,38.8,38.8s38.8-17.4,38.8-38.8c0-21.4-17.4-38.8-38.8-38.8 c-11.1,0-21.2,4.7-28.2,12.2L129,117.6L227.6,92.9z"></path></g><g fill="#FFF"><path d="M368.2,232.3V70.6h52.4c19.9,0,32.8,0.8,38.8,2.4c9.3,2.4,17,7.7,23.3,15.8c6.2,8.1,9.4,18.6,9.4,31.5c0,9.9-1.8,18.3-5.4,25c-3.6,6.8-8.2,12.1-13.7,15.9c-5.6,3.9-11.2,6.4-16.9,7.7c-7.8,1.5-19.1,2.3-33.9,2.3h-21.3v61H368.2z M400.8,98v45.9h17.9c12.9,0,21.5-0.8,25.8-2.5c4.3-1.7,7.7-4.3,10.2-7.9c2.5-3.6,3.7-7.8,3.7-12.6c0-5.9-1.7-10.7-5.2-14.6c-3.5-3.8-7.8-6.2-13.1-7.2c-3.9-0.7-11.7-1.1-23.5-1.1H400.8z"></path><path d="M586.5,195l30.9,5.2c-4,11.3-10.2,19.9-18.8,25.9c-8.6,5.9-19.3,8.9-32.2,8.9c-20.4,0-35.4-6.7-45.2-20c-7.7-10.7-11.6-24.1-11.6-40.4c0-19.4,5.1-34.6,15.2-45.6c10.1-11,23-16.5,38.5-16.5c17.4,0,31.2,5.8,41.3,17.3c10.1,11.5,14.9,29.1,14.5,52.9h-77.7c0.2,9.2,2.7,16.3,7.5,21.5c4.8,5.1,10.7,7.7,17.9,7.7c4.9,0,8.9-1.3,12.2-4S584.8,200.9,586.5,195z M588.3,163.7c-0.2-9-2.5-15.8-6.9-20.5c-4.4-4.7-9.8-7-16.1-7c-6.8,0-12.4,2.5-16.8,7.4c-4.4,4.9-6.6,11.6-6.5,20.1H588.3z"></path><path d="M712.2,195l30.9,5.2c-4,11.3-10.2,19.9-18.8,25.9c-8.6,5.9-19.3,8.9-32.2,8.9c-20.4,0-35.4-6.7-45.2-20c-7.7-10.7-11.6-24.1-11.6-40.4c0-19.4,5.1-34.6,15.2-45.6c10.1-11,23-16.5,38.5-16.5c17.4,0,31.2,5.8,41.3,17.3c10.1,11.5,14.9,29.1,14.5,52.9H667c0.2,9.2,2.7,16.3,7.5,21.5c4.8,5.1,10.7,7.7,17.9,7.7c4.9,0,8.9-1.3,12.2-4S710.5,200.9,712.2,195z M713.9,163.7c-0.2-9-2.5-15.8-6.9-20.5c-4.4-4.7-9.8-7-16.1-7c-6.8,0-12.4,2.5-16.8,7.4c-4.4,4.9-6.6,11.6-6.5,20.1H713.9z"></path><path d="M799.6,232.3h-31V115.2h28.8v16.7c4.9-7.9,9.4-13.1,13.3-15.6c3.9-2.5,8.4-3.8,13.4-3.8c7.1,0,13.9,1.9,20.4,5.8l-9.6,27c-5.2-3.4-10.1-5.1-14.6-5.1c-4.3,0-8,1.2-11,3.6c-3,2.4-5.4,6.7-7.1,13c-1.7,6.3-2.6,19.3-2.6,39.3V232.3z"></path><path d="M925.7,195l30.9,5.2c-4,11.3-10.2,19.9-18.8,25.9c-8.6,5.9-19.3,8.9-32.2,8.9c-20.4,0-35.4-6.7-45.2-20c-7.7-10.7-11.6-24.1-11.6-40.4c0-19.4,5.1-34.6,15.2-45.6c10.1-11,23-16.5,38.5-16.5c17.4,0,31.2,5.8,41.3,17.3c10.1,11.5,14.9,29.1,14.5,52.9h-77.7c0.2,9.2,2.7,16.3,7.5,21.5c4.8,5.1,10.7,7.7,17.9,7.7c4.9,0,8.9-1.3,12.2-4S924,200.9,925.7,195z M927.5,163.7c-0.2-9-2.5-15.8-6.9-20.5c-4.4-4.7-9.8-7-16.1-7c-6.8,0-12.4,2.5-16.8,7.4c-4.4,4.9-6.6,11.6-6.5,20.1H927.5z"></path><path d="M970,115.2h17.2v-8.8c0-9.9,1-17.2,3.1-22.1c2.1-4.9,6-8.8,11.6-11.9c5.6-3.1,12.7-4.6,21.3-4.6c8.8,0,17.5,1.3,25.9,4l-4.2,21.6c-4.9-1.2-9.7-1.8-14.2-1.8c-4.5,0-7.7,1-9.7,3.1c-1.9,2.1-2.9,6.1-2.9,12.1v8.3h23.2v24.4h-23.2v92.8h-31v-92.8H970V115.2z"></path></g></svg> </a> </div> <ul class="collapse navbar-collapse mb-0" id="app-navbar-collapse"> <ul class="nav navbar-nav"> <li><a href="https://www.peeref.com/works">Papers</a></li> <li><a href="https://www.peeref.com/posters">Posters</a></li> <li><a href="https://www.peeref.com/webinars">Webinars</a></li> <li><a href="https://www.peeref.com/funding">Funding</a></li> <li class="dropdown dropdown-hover"> <a href="javascript:">Discuss <span class="caret"></span></a> <ul class="dropdown-menu dropdown-menu-inverse"> <li><a href="https://www.peeref.com/hubs">Hubs</a></li> <li><a href="https://www.peeref.com/questions">Questions</a></li> </ul> </li> <li class="dropdown dropdown-hover"> <a href="javascript:">Publishing Tools <span class="caret"></span></a> <ul class="dropdown-menu dropdown-menu-inverse"> <li><a href="https://www.peeref.com/journals">Journals</a></li> <li><a href="https://www.peeref.com/connect">Connect</a></li> <li><a href="https://www.peeref.com/e-collections">Collections</a></li> <li><a href="https://www.peeref.com/reviewer">Reviewers</a></li> </ul> </li> </ul> <ul id="auth-menu" class="nav navbar-nav navbar-right" style="display: inline-flex; align-items: center;"> <li> <a href="https://www.peeref.com/login"> <strong>My Account</strong> </a> </li> </ul> <ul class="nav navbar-nav navbar-right" style="display: inline-flex; align-items: center; margin-left: 20px;"> <li id="language"> <a href="javascript:"> <div class="current"> <i class="ivu-icon ivu-icon-md-globe"></i> EN </div> </a> <div class="selection"> <a rel="alternate" hreflang="en" href="https://www.peeref.com/works/83819283" > <span>English</span> </a> <a rel="alternate" hreflang="zh" href="https://www.peeref.com/zh/works/83819283" > <span>中文</span> </a> </div> </li> </ul> </ul> </div> </nav> <main> <div id="top-info-banner" class="container-fluid mb-0"> <div class="container"> <div class="d-flex align-items-center" style="margin-top: 30px;"> <span class="text-white"> <strong class="f18">☆</strong> <span class="f16">3.8</span> </span> <span class="mx-3"></span> <span class="tag">Article</span> </div> <h1 class="title title-for-article"> Go Forth and Learn: Visual Exegesis in the Medieval Haggadah </h1> <div class="help-links-left"> <p class="pub-info"> GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART (2024) </p> </div> </div> </div> <div id="article-sticky-navbar"> <div class="container"> <div class="d-flex justify-content-between flex-wrap flex-md-nowrap"> <div class="d-flex align-items-center mb-2"> <ul class="nav nav-underline f16 font-weight-bold"> <li class="active"> <a href="javascript:;"> Overview </a> </li> <li class=""> <a href="https://www.peeref.com/works/83819283/comments"> Write a Review </a> </li> </ul> </div> <div class="d-flex align-items-center justify-content-md-end flex-wrap flex-md-nowrap"> <div class="mr-3 mt-3 mt-md-0 flex-shrink-0"> <a href="https://doi.org/10.1086/731526" target="_blank" class="btn btn-warning btn-circle"> <i class="ivu-icon ivu-icon-md-copy f16"></i> <strong>Get Full Text</strong> </a> </div> <div class="mr-3 mt-3 mt-md-0 flex-shrink-0"> <a href="https://www.peeref.com/works/83819283/add-to-collection" class="btn btn-success btn-circle"> <strong>Add to Collection</strong> </a> </div> <div class="mr-3 mt-3 mt-md-0 flex-shrink-0"> <button class="btn btn-success btn-circle" id="reading-btn"> <strong>Further Reading</strong> </button> </div> <div class="flex-shrink-0 mt-3 mt-md-0"> <div class="dropdown"> <button class="font-weight-bold f24 ivu-btn ivu-btn-default ivu-btn-circle ivu-btn-large ivu-btn-icon-only dropdown-toggle" data-toggle="dropdown"> <i class="ivu-icon ivu-icon-md-more"></i> </button> <ul class="dropdown-menu dropdown-menu-right"> <li> <a href="#" data-target="#export-citation" data-toggle="modal"> <i class="ivu-icon ivu-icon-md-quote text-muted mr-1"></i> Export Citation </a> </li> <li> <a href="#" data-target="#share-paper" data-toggle="modal"> <i class="ivu-icon ivu-icon-md-share-alt text-muted mr-1"></i> Share Paper </a> </li> <li> <a href="https://www.peeref.com/works/83819283/references"> <i class="ivu-icon ivu-icon-md-list text-muted mr-1"></i> References </a> </li> </ul> </div> </div> </div> </div> </div> </div> <div id="article-details" class="container"> <div class="col-md-4 px-0 pr-md-3"> <div class="f15 panel-box rounded shadow-none border"> <div class="mb-3 pb-3"> <h4 class="mt-0">Journal</h4> <div class="f16"> <h5 class="title f16"> <a href="https://www.peeref.com/journals/17592/gesta-international-center-of-medieval-art"> GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART </a> </h5> <span> Volume 63, Issue 2, Pages 143-168 </span> </div> </div> <div class="mb-3 pb-3"> <h4 class="mt-0">Publisher</h4> <div class="f16"> <h5 class="title f16 text-primary"> UNIV CHICAGO PRESS </h5> <div class="my-2"> DOI: 10.1086/731526 </div> </div> </div> <div class="mb-3 pb-3"> <h4 class="mt-0">Keywords</h4> <div class="f16"> - </div> </div> <div class="mb-3 pb-3"> <h4 class="mt-0">Categories</h4> <div class="f16"> <span class="d-block"> <a href="https://www.peeref.com/works/list?category=Art" target="_blank" class="text-dark btn btn-link p-0 text-left"> Art </a> </span> <span class="d-block"> <a href="https://www.peeref.com/works/list?category=Medieval+%26+Renaissance+Studies" target="_blank" class="text-dark btn btn-link p-0 text-left"> Medieval & Renaissance Studies </a> </span> </div> </div> </div> <div class="f15 panel-box rounded shadow-none border"> <h4 class="mt-0 text-center">Ask authors/readers for more resources</h4> <div class="requests"> <div class="requests-item"> <div class="icon"> <img src="https://peeref-open.s3.amazonaws.com/images/file.png" alt=""> </div> <h4>Protocol</h4> <p> <a href="https://www.peeref.com/works/83819283/resource" class="btn btn-outline-primary btn-sm"> Community support </a> </p> </div> <div class="requests-item"> <div class="icon"> <img src="https://peeref-open.s3.amazonaws.com/images/experiment.png" alt=""> </div> <h4>Reagent</h4> <p> <a href="https://www.peeref.com/works/83819283/resource" class="btn btn-outline-primary btn-sm"> Community support </a> </p> </div> </div> </div> </div> <div class="col-md-8 px-0 pl-md-3"> <div id="article-summary-panel" class="mb-4"> <ul class="nav nav-tabs" style="list-style: none; padding-left: 0;"> <li class="active"> <a href="#ai_summary" data-toggle="tab" class="summary-tab mx-0 f16 text-dark"> <strong>Automated Summary</strong> <strong class="text-danger ml-1"><i>New</i></strong> </a> </li> <li class=""> <a href="#raw_abstract" data-toggle="tab" class="abstract-tab mx-0 f16 text-dark"> <strong>Abstract</strong> </a> </li> </ul> <div class="tab-content border border-top-0"> <div id="ai_summary" class="tab-pane active"> <div class="summary-panel panel-box mb-0 rounded shadow-none"> <div class="f16">This passage mainly introduces the help of the illustrations in the Barcelona, Kaufmann, and Sassoon Haggadahs manuscripts to understand and explore the text. These illustrations promote the participants of the Passover seder to discover the richness of the text by highlighting key terms, revealing the literal meaning of idiomatic expressions, illuminating the Bible verses, etc., and expand the possibilities of its interpretation. The interaction of words and images mediates the religious experience of the participants and carries tremendous intellectual, religious-historical, and creative power.</div> </div> </div> <div id="raw_abstract" class="tab-pane "> <div class="abstract-panel panel-box mb-0 rounded shadow-none"> <div class="f16">The folios of the Barcelona, Kaufmann, and Sassoon Haggadahs (London, British Library, MS Add. 14761; Budapest, Hungarian Academy of Science, Kaufmann Collection, MS A 422; Jerusalem, Israel Museum MS 181/41) are full of illuminations that facilitate the understanding and exploration of the text. Word images push participants in the Passover seder to discover the text's riches by highlighting key terms and passages, exposing the literal meaning of idiomatic expressions, illuminating biblical verses, wrenching words out of context to reveal their interconnections and subtext, juxtaposing Hebrew-the sacred language-with the visual vernacular, and enlivening the gathering with pictorial puns. Some images gloss the text, while others expand its interpretive possibilities. Some images open onto a range of associations, while others redouble the text at hand. The addition of illumination to these haggadahs enriches the text's interpretive possibilities and structures fresh responses to its biblical story. In so doing, the imagery advances the main objective of the seder: to elaborate upon the story of God delivering the Jewish people from slavery in Egypt such that all participants in the celebration are deserving of praise. Densely freighted and multivalent, the interplay of word and image mediates the religious experience of the participants, imbuing these haggadahs with tremendous intellectual, religio-historical, and creative force.</div> </div> </div> </div> </div> <div class="f15 panel-box rounded shadow-none border"> <h4 class="mt-0 heading-count">Authors</h4> <div class="mb-3"> <article-authors tid="83819283" list="[{"name":"Abby Kornfeld","sequence":1}]" verified="[]" page="work" ></article-authors> </div> <div class="alert alert-warning mb-0"> <h5 class="mt-0 bg-warning text-dark px-3 rounded d-inline-block"> I am an author on this paper </h5> <div class="font-weight-bold f13"> Click your name to claim this paper and add it to your profile. </div> </div> </div> <div class="f15 panel-box rounded shadow-none border"> <h4 class="mt-0 heading-count">Reviews</h4> <div class="d-flex flex-wrap flex-md-nowrap"> <div class="flex-grow-1"> <h4 class="f16"> Primary Rating <a href="javascript:;" data-toggle="tooltip" data-placement="right" title="The primary rating indicates the level of overall quality for the paper."> <i class="ivu-icon ivu-icon-md-help-circle f18 ml-2"></i> </a> </h4> <div class="d-flex flex-wrap flex-md-nowrap align-items-center alert mb-0"> <div class="d-flex align-items-center justify-content-center"> <Rate disabled allow-half value="3.8" style="font-size: 28px;"></Rate> <strong class="f20 m-3" style="color: #f5a623;">3.8</strong> </div> <div class="text-muted mx-4"> Not enough ratings </div> </div> <h4 class="f16"> Secondary Ratings <a href="javascript:;" data-toggle="tooltip" data-placement="right" title="Secondary ratings independently reflect strengths or weaknesses of the paper."> <i class="ivu-icon ivu-icon-md-help-circle f18 ml-2"></i> </a> </h4> <div class="d-flex flex-wrap flex-md-nowrap alert"> <div class="d-flex flex-shrink-0 align-items-center mr-3"> <h5 class="my-0">Novelty</h5> <strong class="mx-4">-</strong> </div> <div class="d-flex flex-shrink-0 align-items-center mr-3"> <h5 class="my-0">Significance</h5> <strong class="mx-4">-</strong> </div> <div class="d-flex flex-shrink-0 align-items-center mr-3"> <h5 class="my-0">Scientific rigor</h5> <strong class="mx-4">-</strong> </div> </div> </div> <div class="flex-shrink-0"> <div class="border bg-light py-2 px-4"> <h5 class="mb-1">Rate this paper</h5> <Rate class="f24" @on-change="function(value){ location.href='https://www.peeref.com/works/83819283/comments?rating='+value }"></Rate> </div> </div> </div> </div> <div id="collection" class="f15 panel-box rounded shadow-none border"> <h4 class="mt-0 heading-count">Recommended</h4> <div class="my-3"> <ul class="nav nav-pills border-bottom pb-3" style="list-style: none; padding-left: 0;"> <li class="active"> <a href="#articles_from_related" data-toggle="tab" class="mx-0 f15"> <strong>Related</strong> </a> </li> <li class=""> <a href="#articles_from_authors" data-toggle="tab" class="mx-0 f15"> <strong>From Same Authors</strong> </a> </li> <li class=""> <a href="#articles_from_journal" data-toggle="tab" class="mx-0 f15"> <strong>From Same Journal</strong> </a> </li> </ul> <div class="tab-content"> <div id="articles_from_related" class="tab-pane active"> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Review </span> <span class="d-inline-block badge badge-cyan"> Environmental Sciences </span> </div> <h4> <a href="https://www.peeref.com/works/33541524" class="text-dark hover-underline">Fish to learn: insights into the effects of environmental chemicals on eye development and visual function in zebrafish</a> </h4> <p class="text-ellipsis-2">Wenlong Huang, Tianjie Wu, Ruotong Wu, Jiajun Peng, Qiong Zhang, Xiaoling Shi, Kusheng Wu</p> <div class="d-flex mb-3"> <div class="flex-shrink-0 d-none d-sm-block"> <img src="https://peeref-open.s3.amazonaws.com/storage/images/covers/2567.jpg" alt="" class="border mr-3" width="100"> </div> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> Vision is crucial for human beings, but millions of people worldwide suffer from congenital visual impairment. Environmental chemicals have been found to affect visual system development, but the use of humans and other placental mammals is limited. As an alternative, zebrafish has been widely used to study the effects of environmental chemicals on eye development and visual function. This review provides updated information on the harmful effects of various environmental chemicals on zebrafish embryos, highlighting the potential of zebrafish as a model for identifying toxicants that may affect eye development and suggesting possible therapies for congenital visual impairment in humans. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">ENVIRONMENTAL SCIENCE AND POLLUTION RESEARCH</span> (2023) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/33541524/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Psychology, Multidisciplinary </span> </div> <h4> <a href="https://www.peeref.com/works/24175516" class="text-dark hover-underline">School-Aged Children Learn Novel Categories on the Basis of Distributional Information</a> </h4> <p class="text-ellipsis-2">Iris Broedelet, Paul Boersma, Judith Rispens</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> This paper investigates the role of distributional learning in learning novel object categories in school-aged children. The results demonstrate that the frequency distribution of input has a significant influence on the formation of novel object categories in the categorization of sensory stimuli. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">FRONTIERS IN PSYCHOLOGY</span> (2022) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/24175516/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Computer Science, Artificial Intelligence </span> </div> <h4> <a href="https://www.peeref.com/works/83411466" class="text-dark hover-underline">Repeat and learn: Self-supervised visual representations learning by Scene Localization</a> </h4> <p class="text-ellipsis-2">Hussein Altabrawee, Mohd Halim Mohd Noor</p> <div class="d-flex mb-3"> <div class="flex-shrink-0 d-none d-sm-block"> <img src="https://peeref-open.s3.amazonaws.com/storage/images/covers/6515.jpg" alt="" class="border mr-3" width="100"> </div> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> This text mainly introduces a novel temporal pretext task, Repeated Scene Localization (RSL), which can solve the problem of self-supervised learning of visual representations from unlabeled videos. RSL changes the temporal order of frames in a video by repeating a scene, and trains the network to identify the modified video, localize the location of the repeated scene, and identify the original video. This task has achieved state-of-the-art results in action recognition and video retrieval tasks, outperforming other single pretext tasks. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">PATTERN RECOGNITION</span> (2024) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/83411466/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Psychology, Multidisciplinary </span> </div> <h4> <a href="https://www.peeref.com/works/23075862" class="text-dark hover-underline">You Shall Go Forth With Joy: Religion and Aspirational Judgments About Emotion</a> </h4> <p class="text-ellipsis-2">Steven J. Carlson, Linda J. Levine, Heather C. Lench, Elinor Flynn, Zari Koelbel Carpenter, Kenneth A. Perez, Shane W. Bench</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> Individuals with religious beliefs may forecast their emotional responses to negative events in an aspirational and self-enhancing manner, rather than reflecting their actual feelings. Reports of life satisfaction among religious individuals may largely stem from aspirational expectations and self-enhancement. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">PSYCHOLOGY OF RELIGION AND SPIRITUALITY</span> (2022) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/23075862/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Neurosciences </span> </div> <h4> <a href="https://www.peeref.com/works/34120923" class="text-dark hover-underline">Attentional priming in Go No-Go search tasks</a> </h4> <p class="text-ellipsis-2">Arni Kristjansson, Tomas Kristjansson</p> <div class="d-flex mb-3"> <div class="flex-shrink-0 d-none d-sm-block"> <img src="https://peeref-open.s3.amazonaws.com/storage/images/covers/8057.jpg" alt="" class="border mr-3" width="100"> </div> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> Go/No-Go responses in visual search provide different estimates of visual attention compared to standard tasks, leading to a significant impact on prominent visual attention theories. These tasks also shed new light on attentional priming. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">VISION RESEARCH</span> (2023) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/34120923/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Psychology, Multidisciplinary </span> </div> <h4> <a href="https://www.peeref.com/works/28964057" class="text-dark hover-underline">The Cascading Development of Visual Attention in Infancy: Learning to Look and Looking to Learn</a> </h4> <p class="text-ellipsis-2">Lisa M. Oakes</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> The development of visual attention in infancy is measured by observing where and how long infants look, focusing on changes in alertness, directionality, or attention control. Visual attention and gaze are complex systems influenced by multiple factors. Furthermore, infants' visual attention, gaze, and learning are interconnected. Infants learn to focus their gaze, reflecting cascading effects from changes in attention, the visual system, motor control, and their understanding of the world. Additionally, infants' gaze behavior provides input for perceiving and learning about the world. Therefore, a deeper understanding of development can be gained by appreciating the cascading effects of changes across these intertwined domains. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">CURRENT DIRECTIONS IN PSYCHOLOGICAL SCIENCE</span> (2023) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/28964057/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Philosophy </span> </div> <h4> <a href="https://www.peeref.com/works/27041897" class="text-dark hover-underline">The Reception of the Foreigner in Medieval Exegesis of the Pentateuch</a> </h4> <p class="text-ellipsis-2">Gilbert Dahan</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> The article focuses on the verses in the Pentateuch that provide guidance on how to treat strangers, and examines the medieval commentaries on these verses. It also explores the reasons for the requirement of hospitality, such as compassion and love for neighbors. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">REVUE DES SCIENCES PHILOSOPHIQUES ET THEOLOGIQUES</span> (2022) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/27041897/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Art </span> </div> <h4> <a href="https://www.peeref.com/works/36179569" class="text-dark hover-underline">SEPHARDIC MEMORY: LITURGICAL AND DOMESTIC FURNITURE IN THE MEDIEVAL HAGADOT OF HISPANIC ORIGIN</a> </h4> <p class="text-ellipsis-2">Miguel Angel Espinosa Villegas</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> Information about the furniture of Spanish Jews is scarce, but can be reconstructed through documentation on the assets of converted Jews and medieval plastic representations. While memories of these objects are preserved in Judeo-Spanish language, their image and use have gradually been lost in practical daily life. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">RES MOBILIS-INTERNATIONAL RESEARCH JOURNAL OF FURNITURE AND DECORATIVE OBJECTS</span> (2021) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/36179569/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Engineering, Mechanical </span> </div> <h4> <a href="https://www.peeref.com/works/22160573" class="text-dark hover-underline">A symbolic information approach to characterize response-related differences in cortical activity during a Go/No-Go task</a> </h4> <p class="text-ellipsis-2">Helena Bordini de Lucas, Steven L. Bressler, Fernanda Selingardi Matias, Osvaldo Anibal Rosso</p> <div class="d-flex mb-3"> <div class="flex-shrink-0 d-none d-sm-block"> <img src="https://peeref-open.s3.amazonaws.com/storage/images/covers/6242.jpg" alt="" class="border mr-3" width="100"> </div> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> This study explores how the brain processes information from external stimuli during cognitive tasks using time series analysis techniques and information theory quantifiers. By analyzing monkey local field potentials data during a visual task, the study introduces a novel methodology for distinguishing response-related differences between different trial types. The proposed asymmetry index and multi-scale approach offer valuable insights into understanding brain responses to external stimuli. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">NONLINEAR DYNAMICS</span> (2021) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/22160573/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Computer Science, Artificial Intelligence </span> </div> <h4> <a href="https://www.peeref.com/works/28607337" class="text-dark hover-underline">A novel feature-scrambling approach reveals the capacity of convolutional neural networks to learn spatial relations</a> </h4> <p class="text-ellipsis-2">Amr Farahat, Felix Effenberger, Martin Vinck</p> <div class="d-flex mb-3"> <div class="flex-shrink-0 d-none d-sm-block"> <img src="https://peeref-open.s3.amazonaws.com/storage/images/covers/6126.jpg" alt="" class="border mr-3" width="100"> </div> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> Convolutional neural networks (CNNs) are successful computer vision systems for object recognition, but their decision-making process and internal representations are still poorly understood. This study develops a new approach to test whether CNNs use the spatial arrangement of features for object classification. Results show that CNNs are capable of utilizing long-range spatial relationships for object classification, and the extent to which they use spatial relationships depends on the dataset. Furthermore, CNNs learn the spatial arrangement of features up to an intermediate level of granularity, providing an optimal trade-off between sensitivity and specificity in object classification. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">NEURAL NETWORKS</span> (2023) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/28607337/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Biophysics </span> </div> <h4> <a href="https://www.peeref.com/works/83361529" class="text-dark hover-underline">Enhancing reliability for AFB1 analysis in food: Ratiometric fluorescence/ colorimetric dual-modal analysis platform using multifunctional GO-Fe3O4</a> </h4> <p class="text-ellipsis-2">Xinyue Ma, Ningyi Xu, Xu Yan, Na Guo, Chuanyu Yang, Chunyan Sun, Hongxia Li</p> <div class="d-flex mb-3"> <div class="flex-shrink-0 d-none d-sm-block"> <img src="https://peeref-open.s3.amazonaws.com/storage/images/covers/1203.jpg" alt="" class="border mr-3" width="100"> </div> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> This paper studied the adsorption of DNA fluorescent probes on GO-Fe3O4 and constructed a ratiometric fluorescence/colorimetric dual-modal analysis platform for the detection of AFB1. The platform has built-in correction and anti-environmental interference ability, can be applied to the detection of real samples, and realizes the quantitative detection of real-color images through ImageJ software. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">BIOSENSORS & BIOELECTRONICS</span> (2024) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/83361529/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Computer Science, Information Systems </span> </div> <h4> <a href="https://www.peeref.com/works/27358246" class="text-dark hover-underline">Be flexible! learn to debias by sampling and prompting for robust visual question answering</a> </h4> <p class="text-ellipsis-2">Jin Liu, ChongFeng Fan, Fengyu Zhou, Huijuan Xu</p> <div class="d-flex mb-3"> <div class="flex-shrink-0 d-none d-sm-block"> <img src="https://peeref-open.s3.amazonaws.com/storage/images/covers/3564.jpg" alt="" class="border mr-3" width="100"> </div> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> Recent studies show that VQA models rely too much on language prior and fail to generalize well on out-of-distribution test data. To address this, a new debiasing framework called LSP is proposed, which reduces the reliance on language prior by constructing negative image-question pairs and utilizes question types to guide the sampling process. Experimental results on VQA-CP v2 and VQA v2 benchmarks demonstrate that the proposed model achieves state-of-the-art accuracy of 61.95% and 65.26% respectively. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">INFORMATION PROCESSING & MANAGEMENT</span> (2023) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/27358246/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Chemistry, Physical </span> </div> <h4> <a href="https://www.peeref.com/works/23663440" class="text-dark hover-underline">Back-and-Forth Energy Transfer during Electronic Relaxation in a Chlorin-Perylene Dyad</a> </h4> <p class="text-ellipsis-2">Johan F. Galindo, Victor M. Freixas, Sergei Tretiak, Sebastian Fernandez-Alberti</p> <div class="d-flex mb-3"> <div class="flex-shrink-0 d-none d-sm-block"> <img src="https://peeref-open.s3.amazonaws.com/storage/images/covers/5033.jpg" alt="" class="border mr-3" width="100"> </div> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> The use of donor-acceptor dyads allows for the control of optical properties of linear conjugated polymers, facilitating energy transfer control and deactivation of electronic excitations through nonradiative relaxation. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">JOURNAL OF PHYSICAL CHEMISTRY LETTERS</span> (2021) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/23663440/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Neurosciences </span> </div> <h4> <a href="https://www.peeref.com/works/81706010" class="text-dark hover-underline">Mechanisms of emmetropization and what might go wrong in myopia</a> </h4> <p class="text-ellipsis-2">Frank Schaeffel, Barbara Swiatczak</p> <div class="d-flex mb-3"> <div class="flex-shrink-0 d-none d-sm-block"> <img src="https://peeref-open.s3.amazonaws.com/storage/images/covers/8057.jpg" alt="" class="border mr-3" width="100"> </div> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> This article discusses the reasons for the development of myopia. Studies have shown that emmetropization optimizes the refractive state through a closed-loop negative feedback system, but the myopic retina has defects in detecting the defocus signal and inhibiting eye growth, resulting in the development of myopia as an open-loop. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">VISION RESEARCH</span> (2024) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/81706010/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 "> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Biology </span> </div> <h4> <a href="https://www.peeref.com/works/26053243" class="text-dark hover-underline">Ancient DNA evidence for the ecological globalization of cod fishing in medieval and post-medieval Europe</a> </h4> <p class="text-ellipsis-2">Lourdes Martinez-Garcia, Giada Ferrari, Angelica Cuevas, Lane M. Atmore, Begona Lopez-Arias, Mark Culling, Laura Llorente-Rodriguez, Arturo Morales-Muniz, Eufrasia Rosello-Izquierdo, Juan Antonio Quiros, Ricard Marlasca-Martin, Bernd Hanfling, William F. Hutchinson, Kjetill S. Jakobsen, Sissel Jentoft, David Orton, Bastiaan Star, James H. Barrett</p> <div class="d-flex mb-3"> <div class="flex-shrink-0 d-none d-sm-block"> <img src="https://peeref-open.s3.amazonaws.com/storage/images/covers/6901.jpg" alt="" class="border mr-3" width="100"> </div> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> Using whole-genome sequencing, this study determined the biological origin of ancient Atlantic cod specimens from England and Spain. The findings provide insights into the timing and geography of the trans-Atlantic cod trade, demonstrating the utility of genomic and ancient DNA approaches in understanding the globalization of marine fisheries. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">PROCEEDINGS OF THE ROYAL SOCIETY B-BIOLOGICAL SCIENCES</span> (2022) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/26053243/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> </div> <div id="articles_from_authors" class="tab-pane "> <div class="nodata my-4">No Data Available</div> </div> <div id="articles_from_journal" class="tab-pane "> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Art </span> </div> <h4> <a href="https://www.peeref.com/works/29083557" class="text-dark hover-underline">Art, Relics, and the Senses in the Cult of Saint Demetrios of Thessaloniki</a> </h4> <p class="text-ellipsis-2">Katherine Taronas</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> By examining the cult of Saint Demetrios in Thessaloniki, this article provides a nuanced understanding of the role of art, relics, and the senses in medieval saints' cults. Early Byzantine veneration of Demetrios focused on visual perception and emphasized the human ability to perceive the divine with spiritual senses. However, with the appearance of myron at Demetrios's shrine, the cult shifted its focus towards bodily relics and the desire for physical contact with them. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART</span> (2023) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/29083557/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Art </span> </div> <h4> <a href="https://www.peeref.com/works/83819167" class="text-dark hover-underline">The Columns from the Tomb of Charlemagne between Aachen and the Louvre: A Modern Spoliation Saga</a> </h4> <p class="text-ellipsis-2">Brigitte Buettner</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> This article examines the French army's conquest of Aachen in 1794 and the subsequent looting of cultural assets, which were transported to Paris. These spoils were used to showcase Paris's cultural supremacy and became important collections in modern museums. Ten columns from Aachen were incorporated into the architectural fabric of the Louvre, becoming part of the national patrimony. The article also studies the symbolic significance of these columns during the Napoleonic era and their legitimacy in modern museums. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART</span> (2024) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/83819167/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Art </span> </div> <h4> <a href="https://www.peeref.com/works/29083559" class="text-dark hover-underline">An African Constantine in the Twelfth Century: The Architecture of the Early Zagwe Dynasty and Egyptian Episcopal Authority</a> </h4> <p class="text-ellipsis-2">Mikael Muehlbauer</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> Sometime around the mid-twelfth century, two ancient structures in Ethiopia's northern province of T partial derivative gray were converted into churches or reconsecrated, playing important roles in the emerging kingdom. This transformation is seen as evidence of political centralization, re-Christianization, and reintegration into global trade during the Zagwe period. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART</span> (2023) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/29083559/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Art </span> </div> <h4> <a href="https://www.peeref.com/works/28025943" class="text-dark hover-underline">Making and Unmaking Love in the Macclesfield Psalter</a> </h4> <p class="text-ellipsis-2">Paula Mae Carns</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> The Macclesfield Psalter, a 14th-century English Psalter, contains love scenes that work alongside biblical iconography to convey warnings about the dangers of unsanctioned sex and lustful behavior. The book's designer demonstrates inventiveness by incorporating unique love designs and manipulating traditional visual motifs. Although the commissioner and intended audience remain unknown, it is likely that an unidentified woman associated with the earls of Arundel and Surrey requested the book for a young man. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART</span> (2023) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/28025943/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Art </span> </div> <h4> <a href="https://www.peeref.com/works/28025944" class="text-dark hover-underline">Between Wonder and Omen: Conjoined Twins and the Mandylion from Constantinople to Norman Sicily</a> </h4> <p class="text-ellipsis-2">Roland Betancourt</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> This article examines the depiction of two wonders that arrived in Constantinople in 944: the Mandylion, a textile imprinted with an image of Christ's face, and male conjoined twins from Armenia. The focus is on their multifaceted meanings in the context of imperial rule, political intrigue, and religious authority, from the text's origin in Constantinople to the manuscript's illumination in Norman Sicily. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART</span> (2023) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/28025944/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Art </span> </div> <h4> <a href="https://www.peeref.com/works/82013645" class="text-dark hover-underline">Monastic Imagination and Historical Preservation: The Role of Geoffrey Martel in the Translatio Scene on the Shrine of the Holy Tear at the Abbey of La Trinite, Vendome</a> </h4> <p class="text-ellipsis-2">Anne Heath</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> This article explores the depiction of Geoffrey Martel, the 11th-century founder of the Benedictine abbey of La Trinité, in a 13th-century stone shrine's sculptural program. Despite his less-than-virtuous character, the monks commemorated him as a loyal Capetian vassal and brave crusader. Comparing the shrine's translatio narrative to a later vernacular poem, this article argues that the shrine and poem are part of a visual and textual culture that grew out of established crusader legends. Although Geoffrey's presence on the shrine has not received much scholarly attention, the drawing can be seen as evidence of the monks' success in transforming him from a mid-level member of the French nobility into a great crusader and vassal of the king of France. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART</span> (2024) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/82013645/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Art </span> </div> <h4> <a href="https://www.peeref.com/works/28025941" class="text-dark hover-underline">Forging the Augustinian Past: The Rule-Giving of Saint Augustine in a Duecento Gradual</a> </h4> <p class="text-ellipsis-2">Krisztina Ilko</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> This study examines the growth of the Rule-giving image of the Augustinian friars using a well-preserved and elaborate late-duecento gradual manuscript. It analyzes the contextual factors and unique features of the illumination to shed new light on the cult of saints among the Augustinian friars and their connection to Saint Augustine. The manuscript, created during a period of threat to the order, reflects the order's assertion of Saint Augustine as its founder and demonstrates how patronage and art could be used to navigate political challenges. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART</span> (2023) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/28025941/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Art </span> </div> <h4> <a href="https://www.peeref.com/works/82013568" class="text-dark hover-underline">Singing the Magnificat from Prague to Siena: Altarpieces for the Feast of the Visitation, 1386-1423</a> </h4> <p class="text-ellipsis-2">Juliette Calvarin</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> This article examines the reception of the Feast of the Visitation in Siena during the Great Western Schism and the two altarpieces associated with it. Using Bohemian sources, the author reconsiders the iconography and political significance of these works and argues that they changed the contours of Sienese Marian art to some extent. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART</span> (2024) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/82013568/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Art </span> </div> <h4> <a href="https://www.peeref.com/works/82013553" class="text-dark hover-underline">Brave as a Lion, Fierce like a Griffin: Heraldic Devices and Aristocratic Identity in the Frescoes of St. Panteleimon, Nerezi</a> </h4> <p class="text-ellipsis-2">Carlo Berardi</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> This article discusses the development of heraldry in Byzantium. The traditional view holds that Byzantium played an insignificant role in the development of heraldry, but the analysis of evidence predating the Crusades reveals that heraldry did not emerge late in Byzantium. The appearance of heraldic animals on the shields of two warrior saints in the church of St. Panteleimon at Nerezi in 1164 reflects the simultaneous development of heraldry in northern France and England. The emergence of heraldry is related to the transformation of the mentality of the Komnenian aristocracy, who increasingly focused on values such as martial prowess and noble descent. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART</span> (2024) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/82013553/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Art </span> </div> <h4> <a href="https://www.peeref.com/works/82013655" class="text-dark hover-underline">Identifying a Literary Antecedent to the Siege of the Castle of Love in Gothic Ivories</a> </h4> <p class="text-ellipsis-2">Christopher Snow Hopkins</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> This article explores the literary antecedent of the motif of the Siege of the Castle of Love in medieval European art, namely Andreas Capellanus's De amore. The article argues that the way this motif is presented in ivory and the way it was understood by medieval viewers are closely related to the cultural environment and literary traditions of the time. By studying this motif, we can better understand medieval culture and society. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART</span> (2024) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/82013655/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Art </span> </div> <h4> <a href="https://www.peeref.com/works/83819139" class="text-dark hover-underline">Seeing Christ on the Cross in Late Antique Syria and Mesopotamia: Crosses, Crucifixes, and the Question of Iconicity</a> </h4> <p class="text-ellipsis-2">Daniel An</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> This article begins with an account of cross-directed prayer and examines the literary and material evidence for seeing Christ on the cross. It also explores the social interactions between crosses and Syriac-speaking Christians and how they contributed to the iconic status of crosses. Two case studies are presented to support the thesis that crosses functioned as social entities and that their social status shaped their iconic function. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART</span> (2024) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/83819139/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Art </span> </div> <h4> <a href="https://www.peeref.com/works/29083556" class="text-dark hover-underline">Witness Images and Oath-Stones: On Law and Pictorial Culture in the Eleventh Century</a> </h4> <p class="text-ellipsis-2">Peter Scott Brown</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> This article introduces the sculpture known as "La Dispute" in the Musee Sainte-Croix, Poitiers, discussing its meaning and its relationship with other monuments of canonical importance. It explains the significance of these images as ornaments of legal-sacramental speech and ritual, as well as sites of testimony and oath-taking, and their importance to the credibility of oaths and witness. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART</span> (2023) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/29083556/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Art </span> </div> <h4> <a href="https://www.peeref.com/works/29083558" class="text-dark hover-underline">Touching the Magdalene: The Cult of Mary Magdalene in Iberia in the Central Middle Ages</a> </h4> <p class="text-ellipsis-2">Jose Luis Senra</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> The cult of Mary Magdalene arrived late in Northwestern Iberia, after already spreading through the rest of continental Europe in the early Middle Ages. This cult influenced the architectural spaces in the region, leading to a restructuring and the introduction of a more complex liturgical sensibility. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART</span> (2023) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/29083558/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 border-bottom"> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Art </span> </div> <h4> <a href="https://www.peeref.com/works/28025942" class="text-dark hover-underline">Between Biblical and Political: The Subversion of Samson in Twelfth-Century Leon-Castile</a> </h4> <p class="text-ellipsis-2">Elizabeth Lastra</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> The region of Palencia in northern Spain, located on an unstable border between medieval kingdoms, has a group of churches that depict a unique variant of Samson fighting the lion motif. In these churches, the familiar scene of a man wrestling a lion is accompanied by additional attackers besieging the beast. This iconographic variation, which emerged around 1200, seems to convey a partisan message denouncing the kingdom of Leon as an enemy of the Church in this border zone between warring kingdoms. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART</span> (2023) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/28025942/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> <div class="my-4 "> <div> <span class="d-inline-block badge badge-blue"> Article </span> <span class="d-inline-block badge badge-cyan"> Art </span> </div> <h4> <a href="https://www.peeref.com/works/83819358" class="text-dark hover-underline">Illumination Unbound: The Victoria and Albert Museum Cross and Its Parchment Miniatures</a> </h4> <p class="text-ellipsis-2">Judith Hathaway Oliver</p> <div class="d-flex mb-3"> <div class="p-3 rounded" style="background-color: #e8f3ff;"> <strong>Summary:</strong> This article examines three altar crosses produced by a Belgian metalworking school, exploring the interrelationships between their various elements, especially the role of parchment images. The style of these miniatures is closely related to contemporary illumination, helping to resolve dating disputes and raising questions about the relationship between metalworkers and illuminators. Finally, the article also explores the phenomenon of unbound parchment miniatures in medieval Gothic art. </div> </div> <div class="d-flex justify-content-between"> <p class="font-weight-bold"> <span class="text-primary">GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART</span> (2024) </p> <div class="flex-shrink-0"> <a class="btn btn-outline-primary btn-sm" href="https://www.peeref.com/works/83819358/add-to-collection" target="_blank"> <strong>Add to Collection</strong> </a> </div> </div> </div> </div> </div> </div> </div> </div> </div> <div class="modal fade" id="export-citation" tabindex="-1"> <div class="modal-dialog"> <div class="modal-content"> <div class="modal-header"> <button type="button" class="close" data-dismiss="modal"><span>×</span></button> <h4 class="modal-title">Export Citation <b class="text-primary"></b></h4> </div> <div class="modal-body"> <div class="my-3 px-4 f16"> <form action="https://www.peeref.com/works/citation/download" method="GET" target="_blank"> <div class="radio"> <label> <input type="radio" name="fileType" value="PlainText" checked> <strong>Plain Text</strong> </label> </div> <div class="radio"> <label> <input type="radio" name="fileType" value="RIS"> <strong>RIS</strong> <span>- Export format compatible with most major reference management software such as Endnote and Zotero</span> </label> </div> <div class="radio"> <label> <input type="radio" name="fileType" value="BibTeX"> <strong>BibTeX</strong> <span>- Export format compatible with LaTeX</span> </label> </div> <input type="hidden" name="articleId" value="83819283"> <div class="mt-lg-4 text-center"> <button class="citation-download-btn btn btn-primary"> Export </button> </div> </form> </div> </div> </div> </div> </div> <div class="modal fade" id="share-paper" tabindex="-1"> <div class="modal-dialog"> <div class="modal-content"> <div class="modal-header"> <button type="button" class="close" data-dismiss="modal"><span>×</span></button> <h4 class="modal-title">Share Paper <b class="text-primary"></b></h4> </div> <div class="modal-body"> <div class="my-4"> <div class="social-share"> <a class="social-share-item email" href="mailto:?subject=Go Forth and Learn: Visual Exegesis in the Medieval Haggadah&body=https://www.peeref.com/works/83819283" target="_blank"> <img src="https://peeref-open.s3.amazonaws.com/images/social-share-email.svg" height="16"> </a> <a class="social-share-item linkedin" href="https://www.linkedin.com/shareArticle/?url=https://www.peeref.com/works/83819283" target="_blank"> <img src="https://peeref-open.s3.amazonaws.com/images/social-share-linkedin.svg" height="16"> </a> <a class="social-share-item twitter" href="https://twitter.com/share?url=https://www.peeref.com/works/83819283" target="_blank"> <img src="https://peeref-open.s3.amazonaws.com/images/social-share-twitter.svg" height="16"> </a> <a class="social-share-item wechat" href="javascipt:;" onclick="window.open('https://api.qrserver.com/v1/create-qr-code/?size=154x154&data=https://www.peeref.com/works/83819283', 'newwindow', 'height=300, width=300')"> <img src="https://peeref-open.s3.amazonaws.com/images/social-share-wechat.svg" height="16"> </a> <a class="social-share-item facebook" href="https://www.facebook.com/sharer/sharer.php?u=https://www.peeref.com/works/83819283" target="_blank"> <img src="https://peeref-open.s3.amazonaws.com/images/social-share-facebook.svg" height="16"> </a> </div> </div> </div> </div> </div> </div> <back-top-button></back-top-button> </main> <div class="container"> <div class="footer"> <div class="col-md-10"> <div class="d-flex flex-wrap" style="font-size: 15px;"> <a href="https://www.peeref.com/webinars" class="mx-3 px-2"> Webinars </a> <a href="https://www.peeref.com/posters" class="mx-3 px-2"> Posters </a> <a href="https://www.peeref.com/questions" class="mx-3 px-2"> Questions </a> <a href="https://www.peeref.com/hubs" class="mx-3 px-2"> Hubs </a> <a href="https://www.peeref.com/funding" class="mx-3 px-2"> Funding </a> <a href="https://www.peeref.com/journals" class="mx-3 px-2"> Journals </a> <a href="https://www.peeref.com/works" class="mx-3 px-2"> Papers </a> <a href="https://www.peeref.com/connect" class="mx-3 px-2"> Connect </a> <a href="https://www.peeref.com/e-collections" class="mx-3 px-2"> Collections </a> <a href="https://www.peeref.com/reviewer" class="mx-3 px-2"> Reviewers </a> <a href="https://www.peeref.com/about" class="mx-3 px-2"> About Us </a> <a href="https://www.peeref.com/about/faq" class="mx-3 px-2"> FAQs </a> <a href="https://www.peeref.com/mobile-app" class="mx-3 px-2"> Mobile App </a> <a href="https://www.peeref.com/about/privacy" class="mx-3 px-2"> Privacy Policy </a> <a href="https://www.peeref.com/about/terms-of-use" class="mx-3 px-2"> Terms of Use </a> </div> </div> <div class="col-md-2"> <div class="d-flex justify-content-end"> <div class="sns"> <a href="https://www.facebook.com/Peeref-113216326987528" target="_blank"> <i class="ivu-icon ivu-icon-logo-facebook"></i> </a> <a href="https://twitter.com/Peeref1" target="_blank"> <i class="ivu-icon ivu-icon-logo-twitter"></i> </a> </div> </div> </div> </div> <div class="copyright"> © Peeref 2019-2024. All rights reserved. </div> </div> </div> <script src="https://peeref-open.s3.amazonaws.com/js/manifest.67eafd9867e36d42d1cc.js"></script> <script src="https://peeref-open.s3.amazonaws.com/js/vendor.6fa15e83ed55bb851873.js"></script> <script src="https://peeref-open.s3.amazonaws.com/js/app.fed128cc2083a53c4af4.js"></script> <script> $(function() { $('#reading-btn').click(function() { const navHeight = $("#article-sticky-navbar").height(); const readingAreaTop = $("#collection").offset().top; const readingAreaHeight = readingAreaTop - navHeight - 30; $("html, body").animate( { scrollTop: readingAreaHeight }, 400 ); return false; }) }); </script> <script src="https://peeref-open.s3.amazonaws.com/vendor/MathJax-274/MathJax.js?config=default" async></script> <script async src="https://www.googletagmanager.com/gtag/js?id=UA-152048790-1"></script> <script> window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag('js', new Date()); gtag('config', 'UA-152048790-1'); </script> <script type="text/javascript" id="cookiebanner" src="https://peeref-open.s3.amazonaws.com/js/cookiebanner.min.js" data-position="bottom" data-cookie="_uc_" data-expires="Wed, 31 Dec 2025 00:00:00 GMT" data-font-size="15px" data-close-text="Accept" data-close-precedes="false" data-close-style="border-radius: 5px; margin: 3px 15px; padding: 3px 10px; display: inline-block; font-weight: bold; background: rgb(245, 207, 71); color: rgb(16, 75, 125);" data-linkmsg="" data-moreinfo-decoration="underline" data-moreinfo="https://www.peeref.com/about/privacy" data-bg="rgb(16, 75, 125)" data-link="rgb(255, 255, 255)" data-message="Peeref uses cookies to improve your experience. Please read our <a>Privacy Policy</a> for more details."> </script> </body> </html>

CINXE.COM

Go Forth and Learn: Visual Exegesis in the Medieval Haggadah - Peeref